#I will not be hearing any arguments

[dreamytfw]

Real talk? Dream has the worst sigil out of all the Endless. Like wtf does a wannabe gas mask have to do with dreaming?? 😭

[leon-on-the-froggy-chair]

Just got in an argument over OG Luis and I'm pissed.

This is regarding the "ballistics" line from the original 2005 game. Proceed cautiously if talk of it is uncomfortable to view.

Obviously mfs who are mad about the removal of the line in remasters and later editions of the game are nasty creeps and the whatnot. Thats just the fact of the matter, you are creepy and misogynistic if you still think that line is acceptable.

But something I noticed is these fuckers also tend to hate on remake Luis. And I've heard the "well new Luis lOOKs like he'd [insert some sexually predatory or misogynist behavior]." Which honestly just speaks to one's racial biases and a lot of the time their perception against hispanic and latino men. As this comes from the same crowd that says similar about Carlos. And thats a whole can of worms about how as a culture, the representation of hispanic and latino men in media has perpetuated this idea that brown men are lecherous and disrespectful of boundaries and women in general, and much of these folks are unwilling to dissect and reexamine their perceptions of this group of people. And unwilling to reevaluate their sense of humor and how it may really not be that funny, and just is kind of gross. And makes them gross. Either that or they're knowingly ignorant and blatantly racist.

Onto another point.

The total eruption of anger I saw and STILL see at the removal of the "ballistics" dialogue, and other misogynistic elements of the OG game, only shows how fucking cowardly some of this fanbase is. At this point it seems like you don't want to normalize respecting women because if women are treated equally to men then that means your disgusting misogynistic behavior, thoughts, and feelings towards women will no longer be acceptable and you'll face repercussions for your actions. If you ask me it seems like some mfs are scared. Misogyny is so normalized in our culture and especially in gamer spaces. And their fear is turning to anger because the thing thats normal to them, due to their mutually misogynistic environment that enables their behavior, is being threatened. Pretty pathetic honestly. OG Luis "ballistics" line defenders, yall are pathetic.

And I know some ppl wanna pull the "oh it was a product of the time", "oh but it was funny" sure, okay. You are free to think that, however it still aint acceptable and it has no purpose is still being present in the game.

"censorship is ruining everything.", "wah wah wah the new woke era is ruining video games" if the removal of predatory behavior and misogyny from a game is ruining everything you should probably put the controller or mouse down and go outside instead of rotting in whatever gamer cesspool circles you've been roaming because its clearly eating away at whatever competence you have.

[shepardcommander]

Good omen.. orange is the best flavor

[dear-ao3]

how do u feel about rpf

keep it in fandom spaces and everyone stays happy

[doctorwhommm]

old meme format but dndoc I love u

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[theodimasbabygirl]

Teddy WILL be the next victim and we will have Theo all season-

Teddy WILL be the next victim and we will have Theo all season-

Teddy WILL-

[nevvaraven]

Life as a James Potter stan

[littlecrow4]

I’m now declaring “The Square Root of Two” by The Two Man Gentlemen Band as a Fiddlestan theme song

Meeting adjourned

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[diino8081]

swap au or something

ekko -> viktor

viktor -> jinx

jinx -> ekko

i read this fic and got inspired. it doesn't follow the canon to it but it inspired me (do check it out though it's really cool)

if you got any au questions then throw em at me (i've only watched arcane once tho so i might not have answers)

(more in the tags)

[covertblizzard]

Maybe I'm being sensitive but this whole scene just frustrates and annoys me because like

comparing Steph and Tim so callously with comments that he's "better" and a "quick learner" after her death

having Cass lowkey victim blame Steph for her own death "But she chose--" and "She messed up." plus trying to convince Tim that it's not Steph's fault

the "Maybe it's time I gave you a lesson" like I don't really have a good reason for this one it might just be a personal thing but the tone of that whole sentence makes me feel frustrated and talked down to

[zenythycal]

Erm…I usually don’t get involved in ship discourse because its stupid but my Fallout New Vegas hot take is

Caesar x Arcade is a really gross and weird ship and I think the people who ship it are gross and weird and I’m tired of pretending they aren’t gross and weird like

Slave x Master is a gross fucking dynamic I’m sorry if that’s too nuanced

[thebookbutterfly]

🦋 Chocolate Chips — John Wick x Reader

Summary: Every year you and John celebrate Helen’s birthday. This year would have been her 40th, so you decide to do something special.

Tags: #so much domestic fluff, #a teensy bit of angst, #sometimes babygirl is a 50 year old hit man, #he may kill people for a living but he is SOFT and I will not be taking any arguments about this, #slightly self indulgent

Warnings: Gender Neutral, but reader is suggested to have long hair, no use of Y/N, mentions of death obviously, no beta and no ‘ragrets’

- — - • - — - • - — - • - — - • - — - • - — - • - — -

John’s occupation put a lot of things in life into perspective. Getting into silly fights was simply not worth it. Not when every time he walked out the door the stakes were so high. That’s not to say that you never had disagreements. Just that neither of you were willing to partake in petty lack of communication.

You had known about Helen from the very day you and John had begun dating. It was hard not to. The man loved her so much it was written on every piece of him. Strangely though you didn’t mind. How could you? When that wonderful woman had brought him through so much shit and out to the the other side. To you.

Simply to say that Helen was a part of what made the love of your life himself. And so you didn’t mind his love for her at all. Especially now that his love for you was written all over him too.

It was Helen’s birthday today. You saved the date and had been sneakily preparing everything for weeks now. It would have been her 40th birthday, so you wanted to make it extra special this year. John had been out on a contract all day yesterday and so you weren’t too worried about him waking up as you crept downstairs and into the kitchen.

You removed the cake you had baked from the fridge where you had hidden it and placed it on the counter. Chocolate caramel. Her favourite flavour. The big silver four and zero candles were perfect. Along side the cake you placed a large vase full of daisies. It was perfect. All that was left to do was breakfast.

You set to work, cutting up fruit and frying bacon and eggs. You knew John would be starving when he woke up, he always was after a hit. You supposed hunting someone down burned a serious amount of calories. Lastly, you set to work on the pancakes. You knew they were Johns favourite and you were more than happy to indulge him, especially today. He always asked for heaps of chocolate chips in his. You rolled your eyes affectionately at the thought. He was a chocolate fiend but when he stared at you with those big brown eyes. Ugh. Who were you to say no to such a gentle, beautiful man?

You were just plating up the last of the pancakes when you heard soft footsteps padding down the stairs, followed by the excited skitter of Boy as he raced his dad down to the kitchen. John was silent as death so you knew the fact that you could hear him approach was deliberate and more for you than anything else.

Boy entered the room a minute before John did; tail wagging like crazy. You laughed at his enthusiasm and leaned down to ruffle his ears affectionately. John’s sleepy form shuffled in just as Boy managed to land a lick to your cheek. He smiled at the sight of his little family. Boy: seemingly very proud of himself and you: wiping the drool off your face as you stood to greet him.

It was unfair, you thought, for the boogeyman to be someone as cute as him. John was wearing a soft long sleeve shirt and his favourite pair of flannel pyjama pants. As usual he had stolen one of your scrunchies to pull back his long hair— a green one with ducks on it, this time.

You had offered to buy him some of his own. Cool ones to fit his bad-boy assassin image; you had teased. But he had somewhat sheepishly declared that he liked yours better. You didn’t mind. After all you stole a fair share of his clothes too. So you had compromised and bought a few extra for yourself, that way he could be a thief and you wouldn’t run out.

Johns eyes drifted to the cake and the vase of flowers on the counter, and he froze. You watched as the memories hit him one after the other. Boy, sensing his dad’s distress, waddled over to his side and plopped himself down on John’s foot. The contact jolted him back to reality and he lifted his watery eyes to yours. “You did all this?” he finally choked out.

You stepped over boy and slipped your arms around his waist.

“It would be her 40th. I wanted to do something special for her this year,” you replied before a bit of hesitancy creeped into your voice. “Is it okay?”

John wrapped his arms around you, tugging you right against his chest. It took him a minute to reply and your heart thundered as you waited for him to say something. He buried his head into your neck and you cradled him there with the palm of your hand on his nape. Keeping him safe— holding him together as he answered with tears in his voice.

“It’s perfect. Thank you.”

You breathed a sigh of relief. Reaching with your unoccupied hand you began to trace constellations on his back. It was a habit you had gotten from him, actually, but it had stuck with you. He had spent years with nothing but violence for company, so you relished touching him gently.

Slowly, you pulled him to face you. You pressed a kiss to his forehead and swiped away his tears with your thumbs.

“I love you,” you said softly. You held him firmly willing him to really hear it.

“I love you too, so much.”

You stood there for a second, just holding his face in your hands. Enjoying the warmth of his skin. Boy sensed the shift in mood and slowly his tail began to thump against your legs.

“You had a long night last night,” you broke the silence. “Let’s get some food in you. Then after that we can light the candles and you can tell me about some of your favourite memories of Helen. Yeah?”

John nodded, straightening, but kept his grip on your waist as he surveyed all the food you had made.

“I’d love that. Do you mind if we have a look at the photos too?” He asked softly.

“I already put the photo albums out on the coffee table,” you replied with a cheeky grin.

His chest rumbled as he laughed, “Am I that predictable?”

You beamed at the sound, poking him in the ribs as he snuck Boy a piece of bacon. Big softie.

“I think I just happen to know you quite well. You’re much less mysterious than you think,” you teased him and tucked a stray strand of hair behind his ear.

“Alright, I’ll accept that,” he said with one last peck on your lips. “Now, let’s eat before this goes cold.”

[stephofromcabin12]

I’ve spoken positively about National Novel Writing Month before and so I am sad to have to take it all back.

If you’re not aware, NaNoWriMo recently endorsed the use of generative AI in writing practices, and their statement even went as far as to say that anti-AI views are “classist” and and “ableist”.

There is no ethical use for generative AI, as we speak. Using AI, even for something as simple as rephrasing an email or generating a profile picture, means that you’re actively using thousands of stolen works, a lot of which are copyrighted and/or protected in some way. (That’s why most companies behind generative AI’s are currently facing multiple lawsuits from various artists and companies who’ve found their work was used to train the AI models without their consent and without promise of compensation)

I’m an artist. I’m a writer. I cannot in any way endorse generative AI as long as it’s built on stolen artwork by my fellow artists, and possibly even myself. There is no world in which using generative AI makes you an artist. Currently, it just makes you complacent in art theft at worst and lazy at best.

It’s not classist to say that, and it’s not ableist either. Lot’s of writers and artists have physical or mental disabilities and/or come from a middle-to-low-class background. Your financial standing, and whether or not you’re disabled, does not define your ability to create art, as so many incredible artists throughout history have proven by continuing to make art on their own terms. I used to say that there’s no wrong way to make art. I was wrong. Generative AI proved me wrong.

The statement specifically emphasized AI as a way to get proofreading and editing done without needing to pay for a professional editor. But beta-readers have always existed for this very reason; it’s just another human connection AI seeks to eliminate in the name of “efficiency”.

There are books on editing that can be found and read in libraries, if you don’t have money to buy them. There are articles and videos made by actual experts in their field that can be found for free. I trust them far more than whatever botched mosaic of words AI spits out, which might not even be remotely correct, as most AI models openly allow errors.

So, my point is: Don’t use NaNoWriMo.

There are other ways to track your progress. There are other places to find community and writing groups. There are far better ways of creating art that won’t compromise the ethics of being an artist and, most likely, the law.

It sucks that I have to say this. It sucks that NaNoWriMo apparently has had a nosedive in it’s quality and moral standings that was steep enough that nearly all their employees quit.

But that’s where we are now, apparently. And so that’s where I stand.

That’s all.

[howdoyousleep3]

new content bucky is a Daddy and no one can change my mind i don't even wanT TO HEAR IT