#I will make a separate post about it

[ahli-stuff]

An Overanalysis of That Bsd 119 Panel

“If God does not exist, everything is permissible.”

—Fyodor Dostoyevsky, The Brothers Karamazov

With one of the most intense displays of genuine emotion that we’ve seen from Fyodor paired with the Expression emphatically taking up over half the page, I immediately wondered, what does this tell me about Fyodor?

I’ve seen a lot of interesting analysis floating around already, with the main two being: Fyodor doesn’t think Atsushi represents the “noble” beast of his ability, and/or Atsushi’s attitude reminds Fyodor of his past self.

However, to me, it seems that Fyodor’s reaction is a natural culmination of his obsessive and hypocritical search for perfection.

Part I: Fyodor’s Impossible Idealism

Fyodor has always been a romantic.

Not a romantic as in someone interested in ‘romance,’ but a romantic as defined by Oxford Languages: “[someone or something] characterized by…an idealized view of reality.”

From the beginning, Fyodor’s goals has always been steeped in idealism. “Saving” the world! Though thankfully a departure from the omnicidal maniac trope (I hate it! If you destroy the world, what then, genius), saving the world is as nearly nebulous as destroying the world. What does saving the world mean?

To Fyodor, it has been stated that he means cleansing the world of sin: ability users.

But I would argue that a better way to phrase this would be to cleansing the world of imperfection. Fyodor doesn’t only view ability users as imperfect, he views humanity as a whole as imperfect. I hinge this arguement where upon Dazai meeting Fyodor for the first time and talking with him in prison, Dazai says “people are sinfully stupid,” not ability-users, in opposition to Fyodor’s ideologies.

The second reasoning for this arguement is that while Fyodor hates ability users, he has no problem killing non ability users. You would think for someone who puts so much emphasis on abilities users as “sinful” that he would subsequently view non ability users as pure, right? Yeah, no.

“But Fyodor,” someone asks. “After you erase all the ability users how the fuck are you going to fix the rest of humanity?”

For one, he’d be dead (someone correct me on this if he said he’d kill all ability users but himself). For two, if the former () is the case, then is he just going to… write all of the rest of humans as perfect? Is he going to kill them to a write a version of humanity that is perfect? If that’s the case, then what the hell does ‘perfect’ mean to fyodor?

Another popular theory is that Fyodor is attempting to rewrite the world from the beginning without abilities, but that brings up the same issue in my second point—Fyodor doesn’t exclusively view ability users as imperfect, he views all of humanity as imperfect.

His plan is full of holes when you consider how exactly he defines “perfect.”

Therefore, I’d like to go forward in this analysis with the assumption that Fyodor is attempting to kill all ability users, including himself, through the “salvation” of death to create a “perfect” world despite all logistical fallacies.

So… what was the purpose of this tangent? It’s that I believe Fyodor’s search for perfection is futile, he likely knows it, and his goal is simply the largest unwilling suicide pact the world has ever seen.

Part II: Does Fyodor even believe in God?

Before this section begins, I’d like to define religiousness by the unconditional belief in gods or a god.

Short answer: yes. Slightly longer answer: well, yes, but…

Fyodor embodies of the churchgoing villain trope to a tee—at every possible moment he uses religion as a directive to all his actions. God, to Fyodor, is his patron.

What makes Fyodor’s religious zealousness so interesting to me is that highly intelligent, calculating, and cunning villains are often associated with ideologies ranging from relaxed-religiousness to atheism in media. Dazai is an example of this—he a deist who believes that god exists—but has created a world which runs on inconsistencies and absurdity.

Hell, Raskolnikov, the main character from from Crime and Punishment himself is an example of an intelligent character who is non-religious. While Raskolnikov is not a villain or a necessarily an irredeemable person, he is, as opposed to BSD Fyodor (the character of whom he inspired), an intelligent “bad person” who is notably non-religious. The following is a quote from Raskolnikov, in Dostoevsky’s Crime and Punishment, where he cynically comments about a religious character.

“At first he was afraid that she would worry him about religion, would talk about the gospel and pester him with books.”

Which naturally leads to the next question: why is Fyodor so religious if it clashes against both his literary counterpart and the tropes associated with an “intelligent villain”?

Trick question: I don’t think Fyodor is religious at all.

I believe that Fyodor’s fervent belief in god does not come out of genuine faith, but rather a desperate need to justify his own crimes. After all,

“If God doesn’t exist, everything is permissible.”

That is an adapted quote referenced in BSD 42 from a conversation in another one of Dostoevsky’s books, The Brothers Karamazov. The meaning of the quote is that the presence of god gives moral guidance meaning, and without god, humanity falls into anarchy.

After all, if heaven and hell do not exist, if god does not exist, or if god exists but he doesn’t care, or if god exists but he hates Fyodor, then… there’s no such thing as Fyodor’s idea of perfection. All of his plannning and scheming will be for naught. The slaughter and manipulation he has enacted across centuries will be pointless.

Fyodor must believe in his idealism (his version of god) or else his world views, his idealism, his raison d'etre—crumbles.

So let me ask the question again. Why is a villain who is as intelligent as Fyodor also religious? It’s because he must be, or he’d go insane.

“God is necessary, and therefore must exist... But I know that he does not and cannot exist... Don't you understand that a man with these two thoughts cannot go on living?”

This is a quote from Dostoevsky’s Demons, which perfectly describes what I believe about Fyodor’s motivations. I believe that deep within Fyodor’s fucked up mind, he understands that either god does not exist or that god exists, but hates/doesn’t give a rat’s ass about Fyodor.

However, Fyodor’s idealism has no room for nuance, even though someone of his intelligence must already understand that. Anything that challenges his idea of god, his idea of salvation, his idea of perfection, will challenge his very reason for being alive.

Which is what brings us to:

Part III: My Bad; The Panels this Analysis was Supposed to be About

In the past few years, there has been a recent shift in the fandom’s general perception Fyodor. He is no longer perceived as a character with a god complex, but rather character with a messiah complex(also known informally known as a Jesus complex). This is basically cemented in Fyodor’s last words before ‘death’: “Eli Eli lama sabachthani,” which mirrors Jesus’s words, not god’s.

While both god complexes and messiah complexes arise from the same core insecurities and delusions of superiority, those with messiah complexes are often characterized by their extreme empathy and intense desire to “save” others.

Looking at Fyodor, you wouldn’t think that he is a highly empathetic individual, but it is only because of his advanced emotional intelligence that he understands the human condition intimately enough to manipulate it—and he uses that power to try to “save” humanity the same way he perceives Jesus would.

But… if anything, it’s Atsushi who resembles Jesus.

Atsushi is compassionate; he extended his sympathy and respect to both Kyouka and Akutagawa, two people who attempted to kill him. Atsushi is selfless; from episode 1, he attempted to use his own body to cover a bomb in order to protect the ADA (people who he had barely known at the time!). Atsushi is humble; he denies his power and affability when confronting Lucy’s anguish.

(Arguably, you could say that Atsushi’s selflessness in the beginning was more motivated from self-hatred then true altruism—and you would be right, but once Atsushi learns a sense of confidence, his selflessness does not disappear… it just becomes genuine.)

Compassion, selflessness, and humbleness—all values that Jesus is said to preach.

The prideful Fyodor knelt before Atsushi in hopes a finding a god to his “Jesus,” but all he found was a painfully human boy. Not only that, he found a man who is more of a savior than he will ever be.

To add insult to injury in 119, Fyodor discovers Atsushi is an imperfect being who resides within what he had previously believed to be a perfect being. He is a contradiction—a nuance—and like I said before, Fyodor’s idealism has no room for what-ifs and buts. If he entertains a single contradiction(like Atsushi), his entire world view collapses.

So, Fyodor goes on the defense. In his attempt to rid himself of the so-called pathetic humanity he sees Atsushi demonstrating, he demonstrates some pathetic humanity of his own: For the first time we’ve seen since Fyodor has been introduced, Fyodor forgets his fixed benevolent, lofty, half-amused persona and gets pissed off.

More often than not I believe self-righteous anger comes as a result of insecurity and doubt. I imagine that his inner monologue is going something along the lines of: ‘how could this noble, god-like creature be so stupid, base, human? How could this faux-divine suggest that I am not already saving humanity? How could I have ever believed that he could be the perfect one I’m searching for?’

What I said before, about how Fyodor’s idea of perfection is a zero sum game and he knows it; it is reflected in his interaction with Atsushi. Atsushi’s mere existence and personality is evidence of what Fyodor has been trying to deny this entire time: his ideal of a “perfect world” does not exist.

“Your worst sin is that you have destroyed and betrayed yourself for nothing.” —Fyodor Dostoevsky, Crime and Punishment

[ropebunnykant]

i’ll never understand people who can’t make fun of their faves a little. like yes i love this character and would defend them to my grave but also they’re stupid sometimes and they do dumb things and imma make fun of them for it

[shikisei]

ok stupid question my bad

[babacontainsmultitudes]

He's a used car salesman. He has a heart of gold. He can't parallel park. He has two gay witch italian dads. He chops the wood. He has a magical talking cat mom. He's an assassin. He isn't an assassin. He's actually the cat from earlier. He's trans (female cat to male human). He's been shot through the heart. He was in Dewar. He was not in the war. He was in Dewar. He's on his last of nine lives. He just had a marble shoved down his throat. He's even bisexual. I didn't say his name, but he popped into your head, didn't he?

[r0semultiverse]

The code at the end of the credits in the FNAF movie spells "COME FIND ME" btw for those without captions.

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[deimosatellite]

[iliothermia]

Hi friends, bandanas are here : )

[darkmuffinstudios]

headcanons/delusions that i have for the bad sanses part 86 because i'm not normal

(apologies for the length this post will be. I needed to write all of these down or I would explode <3)

(These can be general headcanons, found family, queer platonic, or poly if you want to interpret them in any way ^^)

All of them. Every single one is touch-starved.

Despite all being touch starved, all of them have different (typically negative) responses to being touched suddenly/without warning.

Killer's love language is touch, both giving and receiving (funnily enough).

He also has a habit of sneaking up on the others. This is half-unintentional, since he's light on his feet naturally and makes no sound whenever he walks.

For no coincidence at all, Killer also has been thrown the most by the gang.

He doesn't resent them for it at all.

Cross wears his old uniform (despite his initial dislike for the design) a lot. He claims its out of habit, but deep down, it's because it *proves* that he was worth something once. It's his accomplishment as a royal guard, and that's something that despite the bitterness of the job, he takes pride in. Yes, he still hates the design, and yes, he hates how complicated it is. But he also appreciates the attention to detail, how meticulous and organized you have to be to put it on.

If the last bullet point didn't emphasize enough, Cross has self-worth problems.

So does Killer, but he's accepted it.

Nightmare has a catacomb of trinkets and items alike that has grown sentimental value over the years. He visits there when he's feeling particularly nostalgic, usually in the quiet of the night.

Dust doesn't like seeing his own bones. Gloves, long sleeves, scarves, hoods, slippers and socks- nothing can show. It's probably because of all the dust that practically clung to him from all the people he's killed. It's stained his fingers, his knuckles, his feet.

Horror's eye can actually roll to the other side of his head if he tilts his head enough. No, it isn't painful.

Something very stupid that Horror does (rarely) is he stores small things in the hole in his head. Yes, that one can hurt if forgotten.

Killer has so many cats that it's a problem. Nightmare can't bring himself to make him get rid of any though.

Dust has trained a murder of crows in Nightmare's realm. They follow him in the trees whenever he goes out to walk, and he keeps small pieces of food from his dinners to feed them.

Cross cannot, for the life of him, hide whenever he feels embarrassed (and he feels this often).

Not to say Cross can't mask his emotions. You know, with all the royal guard training and all. And the trauma.

Nightmare suffers from chronic insomnia. He can't bring himself to relax enough to. Although, he doesn't mind mimicking the behavior when he naps with any of the guys, if only to encourage them to sleep.

Nightmare feels safer when sleeping near or with someone in his bed. I'd say its because he probably got jumped as a kid whenever he slept. They're all long dead, but do it enough and the body never forgets.

Killer always picks up small little gifts for the guys every time he goes out. He'll look at something and go "Hey, he'd like that", and nab it. Probably a behavior he picked up when Nightmare first brought him on, since he noticed Nightmare liked to collect things.

Cross's love language is receiving gifts and words of affirmation. (haha). Everyone has picked up on this already, and abuses this knowledge to no end.

Horror waits for everyone to start eating before he eats his own food.

Horror also always carries emergency snacks/food bags with him wherever he goes. Not necessarily for himself though.

Dust loves pancakes. His mood immediately improves if he eats them.

Killer has a large scar that never quite healed right.

Nightmare used to write with a feathered quill. Killer had gotten him a very nice fountain pen long ago though, and he's since abandoned the quill.

Horror has a garden in the back that Nightmare helps him out with. Horror was more interested in crops and harvest, while Nightmare was particularly fond of flowers and trees.

Dust, Killer, and Cross help out with the garden sometimes. They just don't maintain it as diligently as the aforementioned two.

Dust paints. Killer joked about it being therapeutic and artsy and shit, but Dust actually ended up liking it. He could finally express the mess inside his head without any words.

Dust has his own painting room in a part of the castle. It has lots of windows and art hung on the walls.

All the gang occasionally visit Dust while he paints, most simply sitting and watching the brushstrokes. The only one that has actually also drew in that room was Cross. Dust and Cross kind of bond like that.

Cross helps the most with cooking. Horror typically likes to be in charge of the meals/food in the house, but greatly appreciates Cross's help. He feels he's the most reliable, anyways.

Killer does whittling/woodcarving. He makes little figures, knives, intricate pieces, coasters, kitchen tools, etc. His favorite to make is little cat figurines though.

Cross's room is the most clean/organized/empty. Unlike the others, he didn't customize his room in the slightest (keeping the bare minimum of bed, dresser, shelves, etc.).

It is the MTT's mission to fill Cross's room with so many things. Dust gifts Cross paintings to hang on his wall. Killer places little wooden cats on his shelves. Horror places a secret snack stash for Cross, and continually resupplies it.

Nightmare can play a lot of instruments, actually.

Killer has begged on his knees (dramatically of course) to hear Nightmare play ever since he found this out (which was before any of the others even joined). Nightmare doesn't humor him though.

For the life of him, Killer cannot sing. It makes him so mad. Like, he's off-pitch, tone-deaf, off-beat.

Which is funny since I think all the others can sing very well. Horror hums in the kitchen sometimes, Dust sings quietly to himself in his room, Cross is too shy to sing but can, and Nightmare is just musically inclined.

Killer is a little insecure about it.

Okay, he's very insecure about it, but that doesn't stop him from belting out his favorite song like a fool. Like, he understands he's bad, and accepts that fact whenever he's feeling extra confident. But the times he isn't... yeah.

Horror likes it when someone naps on him. Free weighted blanket.

Dust often naps in the weirdest places. In closets, in the wedge between a table and couch, on a high-window sill.

Dust also has back problems. I wonder why.

(A personal favorite of mine: ) Nightmare keeps someone to his right/keeps his tentacles to the right of himself. Since he lost his eye, he has quite the large blind spot, hence why he compensates for it with one of his boys/his tentacles.

Nightmare isn't actually all that athletic. Whenever they all go out, he's always the one that gets left behind the most.

Cross has a habit of matching the walking pace of the person he's with.

Horror can pick up all of them. Very easily. With one hand. Not all at once, of course, but if Dust or Killer are trying to sneak some snacks before dinner, he grabs them by the scruff of their jackets.

Horror lets Cross eat snacks though (encourages it, even. Bro should probably eat more).

Nightmare is a tea-holic. He has a large supply of all of his favorites in the kitchen cupboards. He keeps medicinal ones in both the kitchen and infirmary. They have several kettles. He collects tea sets.

Killer is the best at making tea. Something about his attention to detail, as Nightmare puts it.

The only person that drinks coffee regularly in the castle is Dust. He needs it to deal with everyday bullshit. Coffee makes Cross, Killer, and Horror too antsy. Nightmare sometimes drinks coffee, but not often.

Both Horror and Dust hate it when you change the laundry detergent. They are very particular about the smell. They very much like the scents they chose, thank you very much.

I HIT THE WORD LIMIT??????

I didn't even realize I was writing that much, but I guess I got pretty carried away, haha.

This was downright therapeutic though- I might to this again soon/some other time ^^

[wasyago]

the brainrot won

[chocostrwberry]

Yo! I wanna see how would Chloé and Zoé interact in your AU. (Also, I freakin' adore your art style XD)

(TYSM for the compliment!! 🌈🌈🩷🥹🤲)

I HAVE A WHOLE THING AB THAT- 🫵

Quick chocoau! Zoe backstory: She’s an influencer from Los Angeles who came to Paris for an abroad trip vlog (funded by Audrey, ofc). So she’s basically a social media nepo baby. So there’s also that contrast with how she portrays herself in a “shallow” personality and who she really is, which is reserved and shy and insecure.

I was thinking that when Zoe showed up to stay with them, Chloe got like, a whiplash of trauma of how Audrey basically hates her and loves Zoe more (sending her gifts and funding her trips) so whenever she’s around her she’s more hostile and cruel, but also anxious and always on edge.

Zoe is gonna be the final part of Chloe’s redemption arc, because by the time Zoe is in the picture, she’s still Queen Bee. Some trauma bonding later and Chloe is actually the one to give her bee miraculous to Zoe, because she realizes that she’s not a good miraculous holder bc of her own baggage and Zoe would be the best fit and deserves it, solidifying Chloe’s redemption arc!!

TLDR; it started out being a one-sided hatred, but then they become literal sisters!! 🩷🩵🐝

[babacontainsmultitudes]

RIP Will Campos the only person who was murdered this episode.

[poorly-drawn-mdzs]

This one is for all my fellow "My gender is 'I have a job and I can't worry about that right now"'. I see you.

(part 1, part 2)

[silverwarewolf]

DUNGEON MESHI EPISODE 24 THOUGHTS

Oh, I had asked to see what the party's thoughts regarding the changeling situation were, especially when it came to their lifespans, but I didn't think it would turn out like this!

GOOD FUCKING JOB, CHILCHUCK. YOU'VE TRAUMATIZED MARCILLE EVEN FURTHER. Oh but I do so love the horrors of this situation of theirs. Marcille babygirl I would like to hug you and have a nice chat.

Anywya, on we go to think about Falin and any solutions that might help us here. Which is great! I love how much foreshadowing there is (in terms of what I've been vaguely told about the manga).

Laios Touden's problem solving skills, everyone.

That's honestly the SICKEST weapon design, I'm so on board with you Laios. This could be Kensuke's Halloween makeover. BUT DONT JUST TAKE THOSE MUSHROOMS WITH YOU OH MY GOD

... was this the opening sequence foreshadowing everyone was freaking out about? was that it? (don't actually tell me, though. if it was it, say yes. if it wasn't, don't say anything)

no comment here I just love them.

I just will never get used to elfshi's hands being Like That. But it's also kinda nice to see him and Izutsumi working along so nicely! Like, don't even get me started on how Izu is presented as the pickiest eater of the party (Marcille has been dethroned severely) and usually you'd see that presented as a Hassle, but here in DM, Senshi doesn't even bat an eye. He knows and respects Izutsumi's tastes and preferences and works his meals out around it! That's such a based thing for him to do. <3

This is a renaissance painting. (I love it when they adapt Ryoko Kui's visual gags and I LOVE when she does zoomed in faces like this. Truly one of the artists ever)

I did not have "Laios gets Pissed On" on my bingo card but every day I grow more and more convinced that the animators KNOW what they're doing and - OH MY GOD IS THAT SENSHI'S DWUSSY. ELFSHI ALTERNATIVE TO PANTY SHOT.

Ah, yes, Izutsumi sprawls all over them when sleeping, we been knew, again it's a little unexpected to see it front and center but I guess it works to demonstrate them returning to - THAT WAS LAIOS??? AND CHILCHUCK IS JUST LIFTING HIS LEG LIKE THAT?? OKAY THEN. SURE.

(and then there's a few more seconds of laiosfoot and laios bedhead)

BUT HEY THEY'RE BACK TO NORMAL

1) Yep, they're back to normal.

2) Laios I love you and I love Gothsuke but someone needs to be careful about biohazards and it's not going to be you.

3) Add this to the "Marcille Donato gets threateningly close to you in three steps" folder.

4) Truly only they can match each other's freak. When the NECROMANCER is telling you not to do something, don't do it! I know last time you smuggled a "normal" sword, it turned out to be useful, but I'm sure that's not the case here!

5) Poor Laios tho. I'll learn to blacksmith just to give you a cool sword. <3

I'm so glad they kept this. One of the silliest touden siblings moments. 10/10 no notes. Also, Falin is never beating the blunt force trauma allegations.

IS THAT CHILCHUCK'S WIFE. ARE YOU - MA'AM. HELLO?

"Why aren't you a twink like I thought you'd be?!" gets adapted! (I'm pretty sure that's the scene meant to be here, anyways)

I get it, girl.

Oh dear, they're going to eat Falin. And SENSHI was the one to suggest it! For a guy who was just fighting the doubts of accidental cannibalism a week ago, you're taking bold steps forward.

(I do love how it mirrors Laios' kindness back then, in truth. Even if it's an idea so shocking and dire at first, it comes from a place of reason and logic and love)

Marcille "I said I wanted to eat her OUT, not eat HER" Donato Izutsumi "That's going to taste gross as fuck" Izutsumi Chilchuck "If it brings her back..." Tims Laios Touden, the man with a thousand things on his head right now, two of which I reckon are "I don't want to eat my sister" and "Dragon-Chicken... what might it taste like?"

Yes, well. Valid as your concerns are, Laios, because how the fuck would five people eat THAT much meat, you can't just ramble on about what dishes you're going to make out of your sister.

(...I get it, though. I mean if you're going to eat, might as well make it good, right? I know no one wants to grill one of Faligon's ribs but I'll go ahead and say it would be worse to tell them to eat her raw)

FUCK! we DID lose those scenes about the twin bell that toshiro kept!! forever sad about that.

oh my godddd they're going back into the dungeonnn we're going to reunite with themmm

I know they're really fucking competent, I mean, Namari and Toshiro are already described as pretty formidable warriors (and we've seen it), and Kabru is... admittedly much more geared to fight humans but he's a decent fighter either way. And a good leader!

Speaking of, where the fuck is everyone else.

I know they're meant to be scary (and I suppose they are! If we have the reference that, firstly, marcille is an excellent spellcaster so these elves could be just as good in their own areas of expertise, yes?, and secondly, the canaries are Well Known)

... plus, Namari, Toshiro and Kabru are wary of them. Namari, Toshiro and Kabru are wary of them.

BUT damn it Lycion, I need to- (gets dragged off stage)

Anyway, while we wait for the next season (WHICH HAS BEEN GREENLIT! WOHOO!), have these wonderful images of chicken falin being a cathedral painting (...if cathedrals ever added dragons, i guess) and my beloveds, who have finally returned!

[fallen-goldfishcracker]

Part of the reason I find Wyll to be such a compelling character is that he is such a good person, but in what I think is a kinda unique way. 

I've seen a few criticisms of how quickly Wyll seems to switch sides in his initial confrontation with Karlach; how fast he goes from convinced he must kill her to letting her live. For me though, this makes perfect sense. 

The decision Wyll makes in that confrontation not actually whether or not to kill her; he has to decide whether or not Karlach is innocent, but once he's confirmed that, it's not a question.

He commits so quickly to Karlach because he doesn't have to choose whether or not to kill her in that moment; he already decided seven years ago. 

Because at seventeen years old, he decided he would sacrifice anything for the safety of others. 

At seventeen years old he decided that his own life, comfort and happiness was never worth the cost of someone else's. 

And so at twenty-four, he learns the devil he's been chasing is a person, and a victim, and an innocent, and the decision is already made up. 

Because Wyll Ravenguard at twenty-four is who he was at seventeen, and twenty, and ten. 

And to me that's one of the coolest things about him.

There's a separate post I'd like to make about how Wyll never loses his childhood wonder of the world- and I think there's a very similar principle here. Wyll grew up hearing stories of knights who slay monsters and heros in shining armor, and he took those stories and loved them and held them close to his chest. 

And then he's seventeen and a devil asked him if he wants to be a hero, and he's not an idiot; he understands the price of saviourhood so he says yes. 

And so when he meets Karlach, it's never really a question of if he'll kill her. It's just a matter of him finding the courage. 

Because he says "you don't know what you're asking of me" and he's absolutely right, we don't. But Wyll understands the cost; he's understood it for seven years. I'll bet anything that when Wyll Ravenguard made his pact with a devil to save tens of thousands of souls, he promised himself and his city and his father who wouldn't listen that he'd only ever use his pact to help and be good, and when it comes down to it, he sticks to his word. 

Because above all, Wyll Ravenguard is a man who knows who his is and what he beliefs, and who sticks to his principles no matter what, and for me that's incredibly compelling.

[weallpartyatybcpatricksfuneral]

vampire pete and vampire patrick. as little bats. do you guys see my vision