#I will get better the more I do her

[pawsitivevibe]

Going to build my parents a second dog out of their creature's clippings.

[pangur-and-grim]

oh. I think my fears about Chiefcake passing from old age were more on point than I realized. she's acting very weak right now.

and it's late on a friday, when all the rabbit-specific vets have closed. I'll call around anyway to see if at home euthanasia is an option tonight.

[goomyloid]

got uty au pilled again, sorry... more info under the cut

an AU where ceroba, in the end, refuses to inject kanako with the serum. even after all her research, she just can't trust that it's totally safe. while kanako accepts this, she still wishes she could eventually be of use somehow, and indirectly blames herself for her father's death.

despite all this, with kanako alive, ceroba is able to grieve chujin in a far less desperate way, still having her daughter by her side. as the years go by, ceroba devotes more and more of her time to finishing chujin's research in hopes of finally making a serum that can save the underground. kanako is determined to help, too -- together, they clean up chujin's lab and make it a far nicer place to work, because they're in this together now. well, in theory.

ceroba still certainly takes care of kanako and does her best to be a good mother, but as time passes, ceroba spends more and more time in the lab trying to find an answer. kanako, being the social butterfly that she is, can't bring herself to always stay shut inside like her mother; she travels daily to Oasis Valley, making friends and becoming the town darling. as ceroba spends more time working, kanako spends more and more time taking care of the estate, trying to spend time outside whenever possible.

but it gets kind of lonely. the ketsukane estate is off outside of Oasis Valley, and not many people come by. she's worried about her mother, who's been shutting her out as she becomes more desperate to find a solution. there's only so much to do at the house.

then, clover falls into the underground and explores the dunes. there are barely any other kids at this spot in the underground -- finally, someone around her age! she's immediately entranced by them and determined to become their friend, even after finding out they're a human -- that just makes them cooler...!

but there's a problem; kanako has seen her father's tapes, she knows that a human soul would be extremely valuable to producing the serum. of course, she wants to help save the underground, and she wants her mother to finally be rid of stress and be able to spend time with her again... but after spending time with clover, kanako knows there's no way she can let clover die. they're like the sibling she never had...

and kanako can't even let her mother know that clover exists, either; she knows exactly what will happen if ceroba finds out there's a human here. and yet, a secret part of her wishes and hopes that maybe, just maybe, ceroba could find value in clover as a person and then they could all live in the ketsukane estate together. it would be a dream come true! maybe there's even some way clover can help ceroba without having to give up their soul...?

but things aren't destined to work out that way. any number of things could happen.

clover could peacefully move on in their quest through the underground, leaving a sad and lonely kanako behind.

or, ceroba finds out about clover in one way or another, and things are not looking good. but would she choose to take clover's life at the cost of her daughter's one and only friend?

what if clover didn't come in peace, but in vengeance?

or maybe ceroba somehow accepts clover, growing to respect them after all is said and done, and she tries to experiment on a living human soul?

or maybe, wracked with grief and loneliness, kanako discards her mother's warnings and takes the new, updated serum herself, determined to become the hero for her family like she always wanted...?

or, something else could happen.

what if, after an unhappy ending, kanako wakes up on that same day again, waiting for clover to come by the ketsukane estate for the first time? she doesn't even know how it's possible, reliving the same few weeks over and over. she just wants to find her happy ending, and she'll search and search for as long as she needs to.

how long can she watch the same endings play out over and over?

[stevebabey]

you're the only one for me, baby

1.7k, steddie, one of them getting so drunk that they don't recognise the other and telling them back off i've already got a boyfriend, it's all sweetness <3 likely a modern!au and actually just goobers in love

Eddie doesn't really drink. He's not against partying but he's much more attuned to smoking a little weed to take the edge off, sometimes a spliff if he wants to mix a little business and pleasure.

Eddie doesn't really drink—so when he does, it goes about as well as expected.

From zero to a hundred.

Steve had lost track of him after directing his stumbling feet towards the bathroom to take a leak. But apparently, as he's now found out, this bathroom has two doors.

What the fuck kind of bathroom has two doors, like some weird thoroughfare?

Regardless, it took all of five minutes with no noises coming from the inside before Steve had loudly announced he was coming in, no matter what, getting quite worried for his boyfriend.

He trusted Eddie to not be too sloshed to handle a piss, even if he was on the wilder side tonight, but still leaned up against the door to chase off anyone else looking to knock—because Eddie hilariously gets pee-shy.

The door had opened easily, apparently unlocked, and Steve had stepped into the empty bathroom. The other door across the room, the one he hadn't noticed until now, was wide open to the party.

So, now he's on the hunt for Eddie.

Which is a task that feels a little bit like herding cats because drunk Eddie isn't something Steve has a lot of experience with. But what he does know, is this: it's the opposite of high Eddie.

Stoned, Eddie likes to find the comfiest place he can (usually Steve's lap, or so he proclaims) and sink into it, like melting wax. Then, given he has access to adequate snacks, he doesn't move for quite some time.

Drunken Eddie cannot even fathom the concept of sitting still.

Either way, looking where there's food is a good as a place to start as any.

Steve ambles out the strange two-doored bathroom and flips his head back and forth, trying to remember the direction of the kitchen. He hasn't been here before—one of Eddie's band connections—and Steve's still had a couple beers himself.

He shakes his head and takes a left, relieved when it leads to the stairs. Okay, he sort of knows where he's going now. They had only come upstairs to find the quieter bathroom for Eddie.

As Steve reaches the bottom of the stairs, a faint stir of irritation flashes through him. Eddie just left him behind? That wasn't that nice, even if he was incredibly drunk.

He can hear the din of people chattering just above the music and he follows it, leading him into the half-full kitchen, people dotted around. There's a few pizza boxes scattered around and Steve eyes each of them specifically, looking for the tell-tale wipe of Eddie's greasy fingers. No dice.

Steve wrinkles his nose, spinning around and double checking before he moves on.

If not by the food, then... where?

Steve takes a few steps forward into the living room, his heart beginning to sink and shrivel all at once. There was a miserable feeling attached to looking for his partners at a party, a wallowing and awful memory tied to the feeling.

Steve pushes a hand across his chest roughly, as if trying to shove the feeling away.

Eddie wasn't... her. Eddie wouldn't do that.

But the moment he's thought it, it's stuck in his head. Steve's feet begin to speed up, checking a little more carelessly as he starts to stick his head in different rooms, his hazel eyes jumping around. Not Eddie, not Eddie, not Eddie—so many people and none of them are Eddie.

Until—there. Steve spots a very familiar looking behind as it leans over the back of the couch, the owner of said-behind talking to someone sitting on the couch.

He blinks, just to be sure, but the details come into better focus. There's chains on his belt loops and when he shakes his head, Steve can see the curls he loves to bury his hands into.

Eddie.

Steve's relief pulls him forward, his feet almost stumbling, his mouth pulling into a relieved smile. He puts a hand out, fingers spread, across the leather-clad back.

"Eds," Steve says, relief colouring his voice.

Eddie swings up abruptly, pushing himself off the couch. When he turns, a bit of liquid sloshes out of the beer bottle he's holding.

"Heyyy," The words come out a bit slurred and when he finally stands straight, he doesn't look right at Steve. "Handsssss off the merchandise, buddy."

Steve chuckles, reaching out and plucking the bottle from his boyfriend's grasp. Eddie gawps, an adorable little hiccup interrupting his shocked expression.

"Hey," He says loudly, reaching forward for it fruitlessly as Steve pulls it out reach. "That's mine." Eddie whines.

"You've had more than enough, I think." Steve says. He steals just one gulp of it before he turns at puts it on a nearby table. When he turns back, Eddie is frowning at him, brows pulled together tightly and bottom lip jutting out.

"Listen—" Eddie leans forward, jabbing a finger into Steve's chest. "I dunnowhoyouthinkyouare," The words come out in a one big jumble and Steve frowns.

What? Something sour claws into Steve's chest at the frosty greeting.

"Eddie," Steve says, his hazel eyes wide and worried as his gaze darts between Eddie's squinted face and swaying form.

Steve reaches out to put a hand on his waist, aiming to steady him, but Eddie sees it coming and widens his eyes comically. He swerves back to avoid it, his boots tilting dangerously on the wooden floors. If he was still holding his beer, Steve bets half of it would be on the floor by now.

"Wo-oah," Eddie exaggerates, waving a hand out and batting Steve's outstretched arm away. The rottenness in Steve's chest blooms, rancid and freezing. He sucks in a sharp breath.

"Ed—"

"I—" Eddie says, holding up his hand and waggling one finger at Steve, like he's a naughty schoolboy. His words still have that drunken slur to them.

"—already have a boyfriend, thank you very much. He's much too pretty to be throwing it away for the likes of you, you weasel of a man..." His ludicrous and nonsensical insult trails off under his breath as Eddie's attention is drawn away by a shout across the room.

As he watches Eddie drape himself back over the couch, the sourness between Steve's ribs shifts, transforming into something infinitely sweeter. He lets out a dazed laugh, a wild smile spreading on his face before he can smother it beneath his hand.

I'm dating a lunatic, Steve thinks happily.

He reaches out and steals Eddie's beer once more, taking another large swig before giving it another go.

This time, he sidles up beside Eddie who's engaged back in conversation with one of the guys on the couch, and just waits. It only takes a minute before the dude on the couch seems to realise who Steve's waiting for and he nudges Eddie, gesturing behind him.

Eddie, still bent over the back of the couch, twists only his head to look. This time, the recognition is immediate.

He springs up, pushing the couch forward an inch in his excitement and leaps forward, his hands clawing into Steve's shoulder with a fierce delight.

"Steeeeve," Eddie croons, crowding in close. His hands start moving, fingers searching like curious spiders, fingertips dancing along the sensitive skin of Steve's neck til he's squirming back, laughter betraying him.

"Stop it." He laughs. Steve arrests Eddie's wrists in his hand and Eddie cackles, using the pause to surge forward, kissing him square on the mouth.

Eddie tastes like the beer he's been drinking and Steve barely gets a moment to enjoy it before Eddie's pulling back, leaning forward so they're forehead to forehead.

"I was looking for you." Eddie says, his doe eyes wide. His pupils grow larger the longer he stares at Steve.

Steve grins. "Uh huh. Looking for me between the couch cushions, were you?"

Eddie rears back, his head flipping as he stares back at the couch and then back at Steve. "Nuh uh. I came out the bathroom and you were goooone."

That explains it. Eddie must have left out the other door — and then thought Steve had left him behind and gone hunting for him. Something else settles in Steve's chest, relieved.

"And—" Eddie hiccups. "—and some guy tried to- to freakin' flirt with me. Can you believeee?"

Steve's grin widens by a mile. "Is that so? What you'd tell him?"

"No, of course!" Eddie says, head pulled back as if he's appalled Steve would think otherwise. He shakes his hands out of Steve's grip and drops them, fumbling for a moment to get his fingers into Steve's belt loops.

When he does, he yanks Steve forward a tad too forcefully, their bodies colliding in a way that's more sore than sexy. Eddie continues on as if he doesn't notice. "Even if he was particularly tasty," He murmurs, his lips tracing the column of Steve's throat.

"I let him know, baby." Eddie all but purrs.

And perhaps if the competition Eddie was beating off was literally anyone other than himself, Steve would be right there with him.

Instead, he can't contain his snort of laughter. Eddie was perfect; he was a possessive and drunken dog, barking up the wrong damn tree. Steve loves him.

"You're laughing," Eddie states plainly, even as his doe eyes manage to grow even more round. Steve can't help it, it just makes him laugh more.

"Treason." Eddie declares. Then using the belt loops to keep Steve captive, he leans in and blows a raspberry on his neck.

Steve lets out an unattractive squawk, his laughter melting into Eddie's as he pushes his boyfriend's face away — to which Eddie simply lets himself go limp, his face cradled and held up solely by Steve's hands.

"Christ," Steve says between his laughs, shifting his hand to hold him more tenderly. Eddie smiles dopely, then puckers his lips and closes his eyes.

Steve rolls his eyes, entirely too endeared. "Alright, c'mere," He gives in, leaning and kissing Eddie, short and sweet. When he pulls back, Eddie's eyes are open, starry and gazing up at him. He gives a dreamy sounding sigh. Steve's heart fizzles, like it's full of pop-rocks.

"Ready to go?"

"As long as it's with you, baby." Eddie says, sounding every bit like he means it.

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[poorly-drawn-mdzs]

Sublime Equine.

[First] Prev <–-> Next

[licorishh]

no way she's alive ?? yea those mental health breaks because social media makes people suck are wild huh

[screwpinecaprice]

Conni doodl (We never get to see adult Conns getting some sword action. 😞)

Might clean up someday(?)

[sexygayvampire]

hey does anyone else ever think about archon!dorian and lose their minds

[pennumbra]

My piece from @hisuizine. The player's first encounter with Alpha Pokemon was so memorable to me that I wanted to illustrate it!

Leftover sales are going on between now and March 15th! 🍃🏔️

[elzorton]

Carry your girlfriend

[black-and-yellow]

The walk home from UA

[serpentface]

Wardin provincial tax magistrate on the annual Apomalo Tlinya (phrase close in meaning to 'journey of the late (autumn) sun'), which is a tax collection tour.

His station is marked by his white cloak, royal blue belt, gullfeather khattanocuy, the ability to bear a sword, and a scroll containing documents stamped with the Usoma's seal confirming his identity and authority. He does not travel alone, but is accompanied by a large retinue of scribes, soldiers, advisors, and servants.

All citizens have tax obligations regardless of class, and these are owed primarily in grain and livestock. This is based in this internal economy being predominantly a barter system (with its coin currency having direct value as precious metals and serving as a means of establishing fixed values for various trade goods) and heavily reliant on agricultural goods. It is significantly more difficult to evade or cheat on taxes when what you owe can be established by sight, measured in hard to miss livestock and fields of crops.

As such, taxes are collected via annual tours in which these magistrates (personally appointed by the Usoma and collecting in his name) tour their lands in person. The Apomalo Tlinya serves multiple purposes. It is primarily a method of collecting tax, but also doubles as a way to assess a province's agricultural wealth and well-being as a whole and to take an official census of the population.

This routine act of taxation has been integrated into official religious practice, being looped in with the bounty of the harvest season and thanksgiving to the face Inyamache for having provided the necessary long summer sunlight as the days grow shorter. The actual Apomalo Tlinya begins upon the official celebrations of the New Maize day in each capital city (usually observed on a separate day at the actual end of the harvest for each village), where the festival ends with the tax party leaving the city in procession. The magistrate always ceremonially rides a red bull khait, bearing a solar disk framed by royal dual-viper insignia on its horns. The bull's journey is compared to the ideal seasonal behavior of the sun, generating new life out of rain-fertile earth and then 'dying' after the harvest to allow for the rains to come. Villages who host the Apomalo Tlinya entourage each night experience a fringe benefit via permission to introduce any receptive mares to the bull and possibly get some (very valuable) calves out of it. The bull will be sacrificed at the end of the journey in a final act of thanksgiving, in hopes this offering will help ensure the next year is bountiful.

The attempted veneer of solar thanksgiving and harvest cheer aside, the Apomalo Tlinya visit is enjoyed by just about no one (except for perhaps the people lucky enough to get a pretty khait calf out of it), as it entails the personal loss of some of this aforementioned harvest. Nobility owe SUBSTANTIALLY higher taxes than commoners (given that they are considered to Own the majority of the crops/livestock, which is only Tended by their land's peasants), though the actual tax burden is proportionately steeper on the peasantry (whose tax obligations will come primarily out of their allotted share of the harvest, and/or any livestock they raise on the side). Taxes don't tend to be outright devastating in years with average crop yields, but an already bad year can be made ruinous by this visit. The timing also coincides with seasonal harvest festivities. A few unlucky villages every year may have their New Maize feast day interrupted by the sound of horns and a small legion of white-clad taxmen bearing down to collect.

Each province has only one tax magistrate, making this a lengthy and logistically complicated undertaking. It begins at the end of the harvest season (late summer), and the rounds may not finish until early winter. While it might be easier to divide these duties among a greater number of less-powerful officials, this allows taxation to remain Relatively centralized and performed by trusted appointees (often friends or relatives of the Usoma himself). This has had side effects of these officials becoming especially powerful individuals within each province, with very little checks in place to prevent corruption (beyond hope for sustained loyalty, often reinforced with special privileges and favors). Flagrant abuse of this system is rare, but more unpopular magistrates are commonly suspected to leverage additional off-the-books taxes for their own personal gain.

[rebouks]

Previous // Next

Courtney: I thought you’d quit again? Oscar: No one likes a quitter, Cookie. [Courtney hummed in faint disapproval] Oscar: I could take up some more nefarious things instead? Courtney: Yeah, no. … Oscar: What’s on your mind? Courtney: This n’ that. Oscar: Do I gotta tickle it out of you? ‘Cause I’m still due a little payback. Courtney: [sighs] I’ve been thinking about trying to find out who my parents were. Oscar: Seriously? Courtney: Maybe, yeah. Oscar: Wha-… Courtney: I don’t wanna talk about it. Oscar: Bu-… Courtney: Nope.

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!