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#I will commit heinous atrocities
spookbooh · 7 hours
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I love this little shit
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sheep-doll · 26 days
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I've been thinking...
What if dismissal events are a general "bad ending" for every possible LI and not locked behind specific characters.
Like imagine tricking Kylar into being sent to the underground brothel instead of Whitney. Or being able to send Whitney or Avery to jail (with either solid or false evidence).
God imagine being able to work with the Underground Bastards like Briar and Remy. You deliver any LI of your choosing to either the brothel or farm. Imagine the distraught the LIs will feel and utter betrayal and anger that could fester the longer you leave them where they are.
At least you get passive income, no?
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trappedinafantasy37 · 5 months
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Whenever someone is talking about how they raided the grove to romance and recruit Minthara, there's always someone who's gotta push themselves to the front of the conversation just to say, "YOU CAN RECRUIT HER NOW WITHOUT RAIDING THE GROVE!!!". I'm sorry, but you need to shut up, I don't care. You seem to mistake me for someone with empathy and compassion and someone who cares for, eugh, refugees. I know I don't have to raid the grove for Minthara... I want to. Believe me, I did not feel forced to raid the grove, I chose to. Gotta make my baby gorl happy. I mean, how else am I supposed to get my cuddles?
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solar-halos · 2 months
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i think i’m gonna have finnick commit a crime in next updates chapter of the teen beach movie au
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devilishdelights · 1 year
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I’ve been… brainrotting, …..if youwill, with solomon the past few days……………. And lesson 14 is out it seems……………………hmmmmmmmmmmmmmmmmmmm
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the-ace-of-wrath · 2 months
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Just saw Rocky Horror Picture Show for the first time
And, uh...
Dr. Frank N. Furter
That's all I gotta say
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p-riama · 4 months
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it's okay to ask for help meme w the gotei veterans but only shunsui is the one giving kind advice while yama, unohana and ukitake spout their support for various ways of state terrorism
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to the nonexistent following of this blog:
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/!\/!\ beware /!\/!\
brainrot event of cataclysmic magnitudes never before seen* inbound to hit the queue, subject: Metal Sonic
*within this lair
oh heres the old pinned lookadit just in case ok BYEEE
SKSSKSKSKSS heheheeeeeeheh MUAJAJAJAJ hm.
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euphorial-docx · 8 months
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palestinian children are dying of heart attacks and seizures during israeli bombings.
palestinian children have to get their limbs amputated in their homes by their own parents because there are no hospitals left in gaza.
palestinian children and adults are getting infections because of the lack of menstrual products and lack of access to clean water.
palestinian babies are dying before they’re born, or their mothers are dying before they can be delivered.
palestinian babies are being buried under rubble and have to be dug out by civilians.
palestinian children write their own names on their arms so their family will know which dead body is theirs.
these are just the children and babies of gaza. these are the atrocities just for them. there are countless human rights being trampled on by israel and we see it everywhere. i saw all of these things just today.
and yet it’s still a debate on if israel is committing the most heinous of crimes despite being heavily documented. it’s fucking ridiculous.
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fairuzfan · 2 months
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“It should surprise no one that we, Black and Third World people everywhere, attach fundamental importance to the question of Palestine,” says Jordan in her response to Rich’s statement. Driven by her grief and outrage at the massacres at Sabra and Shatila in September 1982, in which thousands of Palestinians were murdered by militia groups over the course of two days, Jordan wrote an open letter called “On Israel and Lebanon: A Response to Adrienne Rich from One Black Woman,” dated October 10, 1982. Her address to Rich was both personal (she names Rich alone among the signatories of the two letters) but also pedagogical (it is an open letter to be published in WomanNews and thus intended for public consumption). Using the words “genocide” and “holocaust,” Jordan lays out the shocking array of war crimes committed by Israel over five months—phosphorous bombs, the destruction of civilian infrastructure, the massacre at Sabra and Shatila—and criticizes Rich’s failure to take responsibility for these things as the tangible outcomes of the Zionism she claims to espouse. This idea of responsibility runs through Jordan’s response like a live wire, culminating in this astonishing statement:
I claim responsibility for the Israeli crimes against humanity because I am an American and American monies made these atrocities possible. I claim responsibility for Sabra and Shatilah [sic] because, clearly, I have not done enough to halt heinous episodes of holocaust and genocide around the globe. I accept this responsibility and I work for the day when I may help to save any one other life, in fact.
— Moving Towards Life: Exploring the correspondence of June Jordan and Audre Lorde, Marina Magloire assembles an archive of a Black feminist falling-out over Zionism.
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physalian · 6 months
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What No One Tells You About Writing #4 (100 Follower Special!)
Have you got any that deserve to be on these lists? Don’t be shy! Send ‘em over.
Part 1
Part 2
Part 3
*This list contains mentions of assault, #4
1. Zero cursing is better than censored cursing
I made the mistake in the early days of writing a self-censoring character, and every “curse” she said just took the teeth out of the rest of the statement. I’m talking gosh, darn, dang, etc, not world-specific idioms a la “scruffy nerf herder” or “dunderhead” instead of “dumbass”.
Look to any American TV show that so, so badly wants to use f*ck or sh*t but has to appease the sensitive conservatives who still somehow believe strong language is worse than graphic violence and horrifying psychological damage. For shame! Your characters can be angry without expletives, so rework your sentences to include equally damning insults that don’t resort to potty mouths if you’re concerned about ratings.
Or go full-throttle into the idioms of the world or the time period like Pirates of the Caribbean. Or just… don’t. There’s zero modern cursing in the Lord of the Rings adaptation and not a single sentence that censors itself. The dialogue is above vulgarity and feels more *fantastical* that way anyway.
2. “Yeah, you aren’t the target audience.”
It’s kind of hilarious seeing the range of reader reactions to two characters I intend to have a romantic relationship. Some will go “I ship it!” after the first page of them together… and another will go “wait, I thought they were just friends” up until they kiss. Sometimes you might be too subtle, other times it might be better to just accept that you can’t rewrite your entire book to please one naysayer.
When I’m pitched a fantasy adventure book that turns out to be a by-the-numbers romance where no one is allowed to be a peasant and every important character is royalty in some way, with a way cooler fantasy backdrop, I get severely disappointed. That doesn’t mean the book is bad, it just means I’m not the target audience.
3. There is no greater character sin than making them boring
Unless you live in the wacky world we find ourselves in where any flaws whatsoever are apparently harmful depictions of so-and-so and not at all written with things like ~nuance~. I will gush over your heinous villain committing atrocities because he’s *interesting*. I will not remember Bland Love Interest who’s a generic everyman with zero compelling or intriguing traits or flaws.
There’s another tumblr post out there that I cannot find that says something like this, and I believe the post goes “his crimes are fiction, my annoyance is real”. Swap annoyance for boredom and you get what I mean. So, I don’t care what your character does so long as they’re memorable. I will either root for their victory or their doom, but I do need *something* to root for.
4. The line between “gratuitous” and “respectful” is actually very thick
Less what no one tells *you* about writing and more what no one tells screenwriters. Y’all do realize you can write a character who experiences assault without actually writing the assault, right? Fade to black, have them mention it in their backstory, or have the horrific aftermath as they come to terms with it. An abrupt cut to this devastated character when it’s all over and they’re alone with themselves can be incredibly poignant and powerful. This goes with anything sensitive, especially if it’s not coming from experience.
If you want to write it or film it respectfully, romanticizing assault, for instance, is when it’s framed as if either character has earned or “deserves” it. If the narrative in any way argues that it's justified. The victim might have "earned" it for any of the BS reasons we use in the real world, or the perpetrator might've "earned" it because of temptation, desire, pressure to assert dominance, etc. Representation is important, but are you “representing” to shed light on a misunderstood and maligned topic, or are you doing it to satisfy a fetish or bias in yourself?
5. Don’t let your eyes get bigger than your stomach
Fantasy has no limitations, which means you can dig way deeper into the well of your worldbuilding than you realize, until you look up and realize you’re stuck down there. I have never seen a more obvious inevitable disaster looming than the pilot of GoT season 5. Why? Nobody has any plans. They’re all just led around by whatever side quest the writers throw them on, twiddling their thumbs until the writers deign to pull the trigger on the White Walkers.
To the point that what should be a major character can skip an entire season because his arc is meaningless. Everything in the last half of that show was one big “eventually” while the story toiled around in an ever-expanding cast of characters and set pieces (seriously, it’s hilarious how jarring the extended version of the theme music became compared to the pilot episode to fit all these locations).
When you have too many directionless characters, too many plot elements, too many ideas you want to fully mature and get their due spotlight and then somehow combine them all together for a common foe in the end, writing can get tedious and frustrating very quickly. Why, I imagine, the book series remains unfinished. Fantasy is great for being able to create such complex worlds, but don’t be the snake that eats its own tail trying too hard.
6. No one cares about your agenda if you insult them to push it
This deserves its own post but here we go. Peddling an agenda is a paradox: those who agree with you won’t need to be preached to, and those who you want to persuade will instead reject you further because they feel belittle and disrespected. This is why so many recent “strong female characters” fail on both sides of the aisle. Feminists see an annoying caricature of the movement they’re passionate about. Antifeminists see an insufferable, shallow, liberal mouthpiece when they just want to be entertained. You have failed both sides, congrats.
The answer? Write a strong, nuanced, well-developed character. Then make them a woman. I know this has been said before but this BS keeps happening so clearly the screenwriters aren’t listening. Entertain me first. Entertain me so well I don’t even realize I’m learning.
7. Today’s audiences won’t react the same way as tomorrow’s
Sometimes genres or tropes get oversaturated and need a few years to cool off before audiences are receptive to them again—teen dystopia, anyone?—that doesn’t mean your story is inherently bad because it’s unpopular (nor does it mean it’s amazing because it is popular).
You should always write the book you want to read, not the book that chases trends. I can pick up a well-written teen dystopia I’ve never read before and enjoy it. I can continue to ignore Divergent because it has nothing to say. Write the book you want to read, but then accept that you might make no money because no one else wants to read it, not because they think it’s bad. And, who knows? You might get a boom of chatter months or years down the line when readers stumble upon an uncut gem.
8. Your characters don’t age with you
Depending on how long you’ve been working on your world and what age you were when you started, the characters, concepts, morals, and story you set out to tell might no longer reflect who you want to be as an author when all is said and done. Writing can take years, some of which can be incredibly turbulent and life changing. I wrote the first draft of my first original novel in my freshman year of college. Those characters and that draft are now unrecognizable and has left a world I’ve poured my heart and soul into in limbo.
I’ve slowly creeped up my characters’ ages. My writing has matured dramatically. The themes I wanted to explore in the height of the 2016 election are just demoralizing now. That book was my therapeutic outlet and, as consequence, my characters sometimes reflect some awful moods and mindsets that I was in when writing them. But nothing in that world grows without me tending to it. It’s not alive. Despite all the work I’ve done, there’s still more to be done, maybe even restarting the plot from the ground up. When I think of what no one told me about writing, staring at characters designed by someone I’m not anymore is the hardest reality to accept.
If you think I missed something, check out parts 1-3 or toss your own hat into the ring. Give me romance tropes. Mystery, thriller, historical fiction, bildungsromans, memoires, children’s books, whatever you want! Give me stuff you wish you’d known before editing, publishing, marketing, and more. 
Also, don’t forget to vote in the dialogue poll!
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glassica · 2 months
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Surprise boyfriend
Notes: M!yan x F!reader, non-con, sexual language, cursing, pregnancy trapping, blackmailing threats
"Hey Y/N, heard you go out with Ray right?"
You spat out the remaining cold brew. You? Go out with whom???
People must've assumed you were into him after seeing your exchanges at the party. But you swear that wasn't that serious at all! You were just fooling around to kill time!
- No. Who told you that?
- Ray posted about you all over his insta. Yeah right you don't use that app... But what do you mean you two aren't dating!?
You took one look at your friend's phone. Lo and behold, countless pictures of you and him holding hands and acting all lovey-dovey like a real couple. Your brain juggled through the hazy memories to see when the selfies were taken but oh dear, you were so drunk off the mind on that night to recall everything.
- Ray, excuse me. Do you have a moment?
- Sweetie I always have time for you. What do baby want from me now? ~
His cheesy line brought shattering earthquakes to your brain. God this man had zero shame, or you had been cursed to carry the embarrassment baggage on his behalf. "If we were alone I'd rip his ass off right instant." - you thought. "And I'll never have time for your goofy ass."
- I believe you misunderstood our relationship. I must've said something deceitful to you during at the party and I'll take responsibility for that. I don't plan to date you or anyone, Ray. I'm so sorry for misleading you.
You spoke in a remorseful tone. Though not able to recollect what nonsense the mouth had blabbered, you felt like owning him an apology regardless. Kids this was why you should never let peer pressure get to you and drink over limits, you never knew if one day you accidentally being entangled with some jackass.
Surprisingly Ray's expression didn't seem to fazed for a bit. On the contrary, the grin on his face got even more ominous and deranged, alerted your sixth sense that nothing coming out from this man was any good: It was a grave mistake involving him in your life.
"My baby wanna break up with me? Oh sweetheart how could you abandon me like that? Have you forgot your little promises to me about love and loyalty? Didn't you say I was your type, that your greatest wish was to be wrapped in my arms every night and showered your body with plenty of kisses?"
Freak. Weirdo. Creep.
How could anyone breath in the same direction of this guy and not get their skin crawled for a second? You were both amused and pissed off witnessing this whole circus show, wondering how out mind you were last Friday to be attracted to this walking joke of a man.
Get this over quickly, or you would end up committing some atrocities on that stupid face.
"I wasn't sober at the time. I must've been spewing rubbish. I'm really sorry for lying to you Ray, but can you please take down those pictures?"
"Why should I? I need to show off everyone my Sweetie's already taken, so that no one could touch you. Besides," - Ray tucked his head over your shoulder, the eerily off-putting grin grew even wider as he whispered softly to your ears, "those pics aren't the only proof of our unshakable bond."
He trailed off, calmly put a hand on your belly.
Your mind went blank.
"BITCH! YOU FUCKING RAPED ME!?"
"Now now. You hurt my heart, Sweetie. How could you accuse me of such heinous crime when all I did so much to give you such good time on bed? And don't lie, your pussy was cumming hard for my crotch. I still can recall those pretty little buds-"
Just then, Ray felt a burning heat on his left cheek. You were done. Completely dropped off manners. Eyes flaming with disgust and resentment while both hands clenching fist furiously, you became a wild animal determined to chew off its prey to the bone. You didn't care about anything else, any consequences after, your absolute goal at the moment was to tear this asshole to shreds.
But Ray was infuritatingly nonchalant, cocky even. He wasn't bothered for a bit when facing your wrath. Rubbing hand on the reddish cheek, he continued:
"Don't you believe you can brush your hand away from me, love. I don't like anyone seeing my angel in her purest form, but I have no problem releasing those clips."
A sadistic chuckle let out of his mouth observing the bloodthirst drained out from your face. If you didn't want him as your prince, then he wouldn't hesitate becoming the big bad villain tainting your life forever.
Ray caught your lifeless body in a loving embrace, just like that Friday night, and many more nights in the future.
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jedi-enthusiast · 1 year
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Something I never really see discussed when people talk about the Tusken Massacre is what Shmi would have wanted Anakin to do, in that situation.
Like, call me crazy, but Shmi absolutely does not strike me as someone who would want to be "avenged" or for her death to be used as a justification for murder of any sort, let alone mass murder and the murder of literal children.
I think, if she ever found out about what Anakin did--what he used her death to justify--I think she'd be horrified. Disgusted.
I think she'd have just about the same reaction as Padme did in RotS when she found out that he had done all of the heinous things he did in that movie for her. She'd hate it!
And I think that's the core of all of Anakin's choices, they're selfish.
So many Anakin apologists like to excuse him committing mass murder and genocide by saying "He was doing it for Shmi/Padme! He was doing it for love!" and like...no he wasn't.
If he was doing it for Padme or for Shmi, then he'd take into account the fact that neither of them wanted/would want him to commit the atrocities he's committing. And the fact that he's not even considering how they might feel about him doing these things, doing them for them, shows that he's not actually doing them for/out of love.
He says he is, but he's not. He's just using them to justify his own terrible, selfish choices.
And some of y'all eat that up.
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girlactionfigure · 3 months
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in broad daylight
It's 2024, not 1933. 
Crowds of thousands are chanting for the indiscriminate murder of Jews in major western cities.
why do you continue to gaslight us?
Intifada: indiscriminate suicide bombings, bombings, stabbings, and shootings targeting civilians.
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There it is. In plain English. To a crowd of thousands, in front of an exhibit in New York City memorializing the victims of the October 7 massacre. "Long live October 7."
These are not ceasefire marches. They are Jew-hate rallies. Why are you still gaslighting us?
OCTOBER 7 SHOULD HAVE BEEN YOUR WAKE UP CALL
For years, as someone whose politics have always been left, myself and others have been warning of the genocidal antisemitism brewing on the left. Our concerns were minimized, and we were gaslit, both within and outside the Jewish community. Even when people conceded that yes, antisemitism does exist on the left, they insisted that only right-wing antisemitism was actually dangerous. If you’ve been following me for a while, you’ll know how frustrated I always was with this sentiment. I hope they see now that they were wrong. 
Even though I knew something ugly was brewing on the left, even I was shocked not just by the Hamas atrocities committed on October 7, but by the world’s reactions. On October 7 itself, very few people on the left unequivocally stood with the Israeli victims, no ifs, ands, or buts. They talked of “context,” decided that was the appropriate time to criticize the Israeli government, justified, or even went as far as to celebrate the heinous massacre. Now, as more indefensible information came out, they deny it. 
Supposedly progressive organizations, like the Women’s March, #MeToo, and even some chapters of Black Lives Matter either ignored the atrocities or outright supported them. On October 8, before Israel retaliated, enormous crowds in New York City marched in support of the murderers of October 7. As recently as a few weeks ago, influential progressive politicians were gaslighting us about the unabashed antisemitism present at the college encampments. 
If you haven’t noticed that genocidal hatred for Jews has become acceptable, in broad daylight, so long as it’s disguised under the costume of “pro-Palestine activism,” I don’t know if you ever will. Maybe you will after it’s already too late. Every genocidal antisemite in history had an excuse. This is no different. 
WHO IS ACTUALLY RUNNING THESE PROTESTS?
Virtually all “ceasefire,” “pro-Palestine” protests in the United States are organized by groups such as Within Our Lifetime, Students for Justice in Palestine, and Samidoun. 
Samidoun, which has ties to the internationally-recognized terrorist group the Popular Front for the Liberation of Palestine and has an office in Tehran, is banned as a terrorist organization in Germany. Within Our Lifetime and Students for Justice in Palestine both openly support Hamas, other Islamic Republic proxies, and the October 7 massacre. 
On October 7, various SJP chapters released statements justifying and even celebrating the massacre. National Students for Justice in Palestine released a “toolkit” calling the massacre a “historic win for the Palestinian resistance.” 
SJP’s founder, Hatem Bazian, is also the co-founder of American Muslims for Palestine, an organization formed by former members of the HolyLand Foundation, KindHearts, and Islamic Association of Palestine, all of which were disbanded after its members were convicted of transferring material support to Hamas. 
Meanwhile, Within Our Lifetime is openly supportive of Hamas and other Islamic Republic proxies. WOL promotes “Palestinian resistance by any means necessary.” On October 7, WOL issued a statement, saying, “We must defend the Palestinian right to resist Zionist settler violence and support Palestinian resistance in all its forms. By any means necessary. With no exceptions and no fine print.” Abdullah Akl, a WOL organizer, has a top role at the Muslim American Society, which was founded as the American arm of the Muslim Brotherhood, though MAS denies that they continue to have an affiliation. 
Would you attend a protest hosted by the KKK? By the Nazis? If a hate group organizes a protest, can that protest actually be deemed “peaceful”?
WHAT ARE THE PROTESTORS ACTUALLY SAYING?
In between “ceasefire now” and “free Palestine” calls, the protestors aren’t exactly making their genocidal aims a secret. Among the most popular chants at “pro-Palestine” protests since October 7 are “intifada, intifada,” “there is only one solution, intifada revolution,” and “globalize the intifada.”
The intifadas were Palestinian “uprisings” that indiscriminately and primarily targeted civilians, in a series of suicide bombings, car bombings, shootings, stabbings, and even stoning. When you call for a “global intifada,” you are openly calling for violence against Jews, not just in Israel, but around the globe. The chant couldn’t be any more explicit. 
Even more horrifying, “there is only one solution, intifada revolution,” alludes to the Final Solution. Of note, at the outbreak of the 1948 war, the Palestinian Arab leadership, which had allied with the Nazis during the Holocaust, vowed, “The Arabs have taken the Final Solution to the Jewish problem. The problem will be solved only in blood and fire. The Jews will soon be driven out.”
Another popular chant is “from the river to the sea, Palestine will be free,” which, regardless of Rashida Tlaib’s lies, is not a peaceful call for coexistence. It’s a call for the destruction of the State of Israel, which has nine million citizens, the majority of them Jews. Its Arabic counterpart is “from water to water, Palestine will be Arab,” also heard at the protests, an even more explicit call for genocide and ethnic cleansing. 
Another common chant at pro-Palestine protests is “Khaybar, khaybar ya Yahud, Jaish Muhammad, sa Yahud,” translating to “Jews, remember Khaybar, the army of Muhammad is returning,” which alludes to the surrender to Muhammad, ethnic cleansing, and extermination of the Khaybar Jews in the seventh century. The chant is also explicitly genocidal. 
We’ve spent the last decade discussing microaggressions and dog whistles, and yet, when we hear antisemites call for the murder of Jews in broad daylight, you tell us that’s not what they reallymeant. Why?
MAYBE YOU MEAN WELL
I understand that you don’t want to see Palestinians suffer. No moral person likes to see people suffer. But has it ever occurred to you that terrorist organizations are not moral? That terrorist organizations extort your empathy to further their goals? Just the other day, The Wall Street Journal uncovered secret documents that revealed that the leader of Hamas in the Gaza Strip, Yahya Sinwar, openly said that more Palestinian deaths help Hamas further its political goals. They are extorting you because you care. This is not brand new information. Hamas leaders and leaders of virtually all Palestinian political factions and terrorist organizations have made similar statements in the past. 
(And yes, you could argue that Israel didn’t have to “give them what they wanted” by retaliating. Either way, though, it’s a lose-lose situation for Israel, because no matter what, the message Hamas would be getting is “slaughtering and kidnapping people is a great way for you to get what you want,” such as releasing Palestinian mass murderers from Israeli prisons. Most countries would react to October 7 exactly as Israel did, or worse, but this is a separate discussion from this post). 
If the “globalize the Intifada,” “there is only one solution, Intifada Revolution,” “intifada, intifada,” and “long live October 7” crowds do not represent the core of the free Palestine movement, why are these the voices leading the protests? Where are the condemnations from “pro-Palestine” organizations? From “pro-Palestine” celebrities? Why do they not issue statements making it explicitly clear that these people don’t represent them? When pro-Israel protestors fired fireworks into a “pro-Palestine” crowd at UCLA, Jewish organizations issued loud and clear condemnations. 
If these sentiments didn’t represent the pro-Palestine movement, the movement would be the first to distance themselves from them. Instead, they are either silent, or worse, they openly support them. 
PLEASE SEE WHAT'S HAPPENING BEFORE IT'S TOO LATE
Every antisemitic regime in history has mobilized the masses under the guise of a “righteous cause.” The Catholic Church did it. Hitler did it. Stalin did it. Now the Islamic Republic of Iran and its proxies — Hamas, Palestinian Islamic Jihad, Hezbollah, and the Houthis — are doing it too. And you, who has vowed to “punch Nazis,” are falling for it. 
In the nearly eight decades since the Holocaust, just about everyone has wondered: had I been alive during World War II, what would I have done? Would I have I have hid Anne Frank, as Miep Gies did, or would I have been a collaborator? Everyone, except the most rabid of Jew-haters, reaches the same conclusion: of course I would have hid the Frank family. I’m not a monster. 
The problem is that most people have been playing the wrong game, deliberating on a misguided rhetorical exercise. If it’s between the bad guy and the good guy, well, of course everyone will choose to be the good guy. But in truth, it’s notbetween the bad guy — and don’t get me wrong, the Nazis were certainly bad — and the good guy. It’s between the antisemite and the Jew.
When people pontificate over what their behavior would have been during the Holocaust, they tend to do so with one glaring oversight. Antisemitism, this deeply-engrained 2000-year-old hatred, projects whatever any given society hates the most onto the Jewish people. Nowadays, certainly in left-leaning circles, where white colonialism is considered the most egregious sin, we are powerful white oppressors and settler-colonialists. When we play bad guys versus good guys, a whole bunch of people will conclude that the bad guys are…well, the Jews. 
If you can't figure out a way to oppose the war without supporting protests led by groups that back Hamas and Hezbollah, call for a global intifada, protest in front of Holocaust museums and October 7 memorials, and wave banners that proclaim "long live October 7," your problem is not with the war. Your problem is with Jews.
Hope that helps. 
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vexingwoman · 5 months
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Men like to claim that the only reason their violent crime statistics are so disproportionately high is due to their superior brute strength.
However, not only do the vast majority of violent crimes require little to no strength to commit, but I’ve personally been in the vicinity of many women whose brute strength was such that they could have killed me with their bare hands if they wanted. And yet I still felt safer around them than I did around the scrawniest, meekest of men. Somehow, I never once worried about these butch women assaulting me, or mugging me, or raping me, or committing the most heinous, necrophilic, counter-to-nature atrocities against me or children.
Furthermore, it’s extremely telling how, even according to that one notorious lesbian violence study that men obsessively throw around as evidence that female violence does increase when the strength disparity is neutralized, 85% of sexual assaults against lesbains are still committed exclusively by men (along with an entire third of domestic abuse). It’s almost as though brute strength isn’t the prerequisite to commit violent crimes, but rather, corruption and depravity are. Though of course men have to cling desperately to this one explanation, otherwise what the fuck would they have to say for themselves?
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creepzkilla · 1 year
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Jahaiahaiahajajs I'm so glad your back!!!
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I have an idea for you >:)=
Can I request some of your darkest headcannons for the Proxies? Like what are their toxic traits, it can sfw or nsfw or anything but the request is basically how dark and evil can they be?
I hope this makes sense and you don't have to do it, it's only of you're comfortable!
↳˳⸙;; ❝ HOW DARK ARE THE PROXIES? HC'S! ᵕ̈ ೫˚∗:
★Tumblr relies on reposting, please repost my work.★
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tw. warning— mentions of self harm, mentions of aggressive actions, mentions of verbal abuse, mentions of physical abuse, mentions of sexual ordeals
[A/N]— theme change?!??? pls let me know if u guys wanna be tagged in the next post! also i wanted to do the pastas as realistic as possible… should i make a post on how the proxies + others met their lover😴 or just my general hc’s?
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THE QUESTION ITSELF IS FUNNY—
the proxies are slashers— murderers. psychopathic, deranged men that are hardly short of completely and utterly insane. their sanity-if they have any- is practically none besides possibly a sliver of humanity. if anything, they aren’t even men— they were resurrected from the pits of hell itself and placed on this god forban world. the atrocities that these men have commited rightly earns them the title of not men— but demons. their sinful actions could never be erased, not even if they bathed in the waters of Babylon. the screams, cries, the sobs of their victims as they carry out their orders doing god knows what to them, will forever be ingraved into their very being. not even god can save them from their damnation— if anything god is laughing.
SANITY IS NOT SOMETHING OF LUXURY FOR THE PROXIES—
it’s something that fought for. everyday, it’s a constant battle for control—the continuous thirst to satisfy the need to kill. not to mention the the operators hold on their minds, making them carry out heinous missions consisting of nothing but death and blood. their minds are plagued with nightmares of what they have done, on repeat like a broken record, replying over and over. yet, behind the insanity, the malice, the control over their minds, they have regained just a sliver of sanity. it’s not like they want to kill—but they have to. for the operator… for this urge. little by little, they begin to feel like an actual human being. but it’s not like you know anything.
TOBY ERIN ROGERS—
is the most far gone. since the operator took over his mind at such a young age without much resistance , he has the pleasure of sculpting toby’s mind into the perfect cast. despite the most—insane, he’s the one that hangs onto his sanity the strongest. almost like he’s able to flip it on and off like a switch. yet, the line between sanity and insanity draws very thin, so he can’t help it when… it slips sometimes.
Self-Destructive Tendencies: Toby's self-destructive tendencies, which are often associated with his character, could negatively impact the relationship. This is either emotional or physically. He may engage in self-harm or reckless behaviors, disregarding the well-being of you and causing them emotional distress and constant worry.
Emotional Instability: Toby's own emotional instability could create an unpredictable and volatile environment within the relationship. His mood swings, anger outbursts, and tendency to lash out verbally or physically could cause you to constantly walk on eggshells.
Explosive Anger: Toby may have anger management issues that result in explosive outbursts. He might have difficulty controlling his temper, leading to verbal or even physical aggression toward his partner. This behavior creates an environment of fear and intimidation.
Jealousy and Insecurity: Toby might struggle with feelings of jealousy and insecurity, leading him to exhibit possessive behavior. This could manifest in him constantly questioning your actions or relationships with others, even if there is no real cause for concern.
Over-Dependency: Toby may have a tendency to become overly dependent on you, relying on you for emotional stability and validation. This can lead to an unhealthy dynamic where he becomes possessive or overly clingy, causing his partner to feel suffocated or trapped.
HOW FAR WOULD TOBY GO—
well, he certainly wouldn’t go far enough to hurt you, no, never. he is specifically always careful not to harm you, especially during sex. but that wouldn’t mean that he would hurt you emotionally or mentally. his favorite punishment is ignoring you. he’d shun you for days on end in your shared apartment, just to teach you a lesson which is very rare. physically, he treats you like a delicate glass doll that could break at any moment. during sex, it’s almost like he’s afraid to touch you. he doesn’t want to corrupt you like the way he is… he wants to preserve your innocence, and your being, and because of that, he would do anything to protect you. anyone who would ever do you wrong would soon come under his hatchet in the most painful way imaginable.
Dark and Evil level: 6/10, Moderate, just "protective"
TIMOTHY WRIGHT(MASKY)—
is in a constant fight for control, more so than the other proxies. In Marble Hornets, it is referenced that he may have Dissociative Identity Disorder (DID). because of this, he comes into the separate entity known as Masky during blackouts. the operator has stalked timothy ever since he was a child and anyone else he came in contact with. the operator is setting his sights on timothy so young he can influence him just enough to do his bidding. of course, timothy hates the operator and works against him, but after so long, after all the pain and blood, he’s just too tired to fight back anymore. Masky, hates this. he hates that timothy gives up too quickly. during missions, a blackout is typically triggered, giving Masky complete control. and so soon enough Masky became tired as well. and then killing became second nature.
Controlling Behavior: Tim, overwhelmed by his own insecurities and paranoia, becomes possessive and controlling in his relationship. He constantly questions and monitors your actions, isolates them from friends and family, and exhibits manipulative behavior to maintain control.
Emotional Withdrawal: Tim, due to his secretive and guarded nature, may struggle with opening up emotionally to his significant other, that being you. He might withdraw from sharing his thoughts and feelings, leaving you feeling neglected or shut out.
Jealousy and Possessiveness: Tim's loyalty and protectiveness towards his friends, particularly towards Jay, might manifest as excessive jealousy and possessiveness in a romantic relationship. He may feel threatened by your interactions with others and attempt to control or isolate you.
Neglecting Emotional Support: Tim's own emotional struggles consume him, leaving little room for providing adequate emotional support to his partner, you. He may dismiss your concerns, minimize your feelings, or fail to offer the empathy and understanding you need, leaving you feeling unheard and invalidated.
Anger Issues: Tim/Masky occasionally displays violent and unpredictable behavior, driven by his internal struggles and external pressures. In a relationship, this volatility could lead to outbursts of anger, creating an unstable and potentially harmful environment for you
TIMOTHY AND MASKY WOULD NEVER HURT YOU—
not without reason. mentally or emotionally, timothy understands human emotions, despite not having any himself. yet, when he’s around you, everything changes. suddenly, he can feel again, suddenly, he has the strength to fight back. you are everything to him. the only good in this hell-bent world. he needs you, and he can’t let you leave him. so you can’t blame him when he starts chewing nicotine gum, “claiming to quit cigs.” you can’t blame him when he stops taking his gum out when he kisses you, “he forgets to.” you can’t blame him when suddenly all you want to do is kiss him. but it's not enough, no, no, no. he needs to make sure that your, 're addicted to him, completely and utterly infatuated with him. so, you can't blame him when he starts wearing nicotine patches, "the gum just wasn't working." you can't blame him when he starts placing the patches on you when you're sleeping next to him. you cant blame him when you practically breakdown when he leaves you, only for a few hours. you cant blame him when you feel a pinch on you arm during sex, when he stuck the nicotine patch into your arm without you seeing, saying that "oh darling its nothing." you can't blame him when you've become addicted to his presence and cock. no you don't understand, you really just can't blame him, he wants to keep you safe, really, he promises.
Dark and Evil level: 8.5/10, Very high, obsessive and insane.
BRIAN THOMAS (HOODY)—
has the most grip on reality. like tim, he has blackouts to which he comes into the separate being known as “Hoody”. also like Tim, he hates the operator. at first, he resisted, refusing to carry out those abominations; its heinous fantasies of mass destruction. except he was more willing than his counterpart, timothy. brian is calculating, he's a smart guy, he understood what would happen to him if he disobeyed the operator. the most excruciating torture that anyone has ever gone through. proxy brainwashing is no joke. he's not stupid, so that's why he's played the long game. do the operator's bidding until he's able to conjure a plan, it'll only be for a few, just until he can figure out how to get out of this hell space. soon "a few" turned into months. soon "months" turned into years. then suddenly he stopped keeping track. and then, he started to enjoy it.
Isolation and Control: Brian might isolate you from your friends and family, attempting to control who you interact with and where you go. By limiting your support networks, Brian exerts more control over their life, making it challenging for you to maintain independence and make your own decisions.
Difficulty Opening Up: Brian/Hoody's burden of guilt and emotional turmoil might make it challenging for him to open up and share his vulnerabilities. This could create a one-sided dynamic in the relationship, with you having to provide emotional support without receiving reciprocation, potentially leading to resentment and emotional imbalance.
Manipulative: brian plays on the emotions and insecurities of those around him, manipulating their feelings to further his own agenda. he understands their weaknesses and uses psychological tactics to subtly influence their actions, pushing them towards his desired outcomes.
Apathetic: Brian's apathy also masks underlying insecurities and vulnerabilities. By presenting himself as emotionally detached, he avoids exposing his true feelings and weaknesses to others. .
Emotional Unavailability: Brian/Hoody's reserved and stoic nature could make it difficult for him to express his emotions or be emotionally available in a relationship. He might struggle to communicate his feelings or provide the necessary emotional support to you, leading to a sense of distance and detachment.
BRIAN AND HOODIE ARE NEVER GONNA LET YOU GO--
you are the one thing that is keeping him sane. so don't even think about leaving him. you wouldn't get the chance anyways. your everything that he's ever wanted, there is not a chance in hell that he's gonna have you slip through his fingers. he can be mean sometimes, but he doesn't mean it, it just slips out! typically when he gets back from "work", he's aggravated, its like he's a different person. he's cold, calculating, a robot practically; so you cant blame him when he needs something to release his sexual frustration. he just loves pleasing himself inside of you, he loves the way your body reacts to his corruption. now since your body is "bound" to him, he still needs to take extra precautions to keep you from leaving... specifically, brian will pit you aganist your friends and anyone close. pointing out how your friend's remark was passive-aggressive, pointing out details on how your friends "don't care about you, how they will never care about you, how he is the only person that will ever truly care about you. of course, he leaves you at least one friend, maybe two if he's feeling generous, he doesn't want you to go insane after all.
Dark and Evil level: 7/10, Getting up there, crazy ex bf vibes
Toxic traits that all proxies/creepypasta have in my opinion:
Stalking
Manipulative
Gaslighting
Apathetic
Mean :(
Sexually all pastas have a corruption kink-- some more than others
DEEP DOWN THE PROXIES ARE STILL HUMAN--
after everything they've been through, after everything they have seen, they're just scared kids. their lives were stripped away from them at such a young age, their lives were just beginning--now its like they don't even live at all. they never wanted to do this, they never wanted to kill, they never wanted to serve an eldritch demon of mass power, they just wanted to grow up. be a kid, go to college, and have a life. maybe in a different universe, a different timeline, maybe just maybe, everything is the way it should be. maybe they arent as fucked up as they should be.
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🏷️— @spookyravioli
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