#I was going to draw a background for this one but I gave up lol

[aurora-boreas-borealis]

LU Sky in the style of Hades

Version without the extra stuff:

Reblogs > Likes

[xxplastic-cubexx]

sorry if you've already mentioned but what (re?)ignited your love of comics/x-men/cherik? curious because there are so many different adaptations of them

i think im gonna speak for a few (or a lot of) people when i say that TL;DR the wolverine x deadpool movie that came out this summer is what pulled me back into comics and i COULD leave it there but i will go into excruciating and unnecessary detail instead because i love an origin story and i love oversharing.

under the cut tho because im nice sometimes (there's also wxdp doodles in here. if you want to see that)

ironically (and probably commonly), growing up i was more of an avengers kid. Kinda. Loosely <- binge watched the cartoons and movies and read copious amounts of comics and fics and i am hoarding fanart in my old dresser as we speak ok 'loosely' is a modest lie.

embarrassingly i remember getting into discus cause of captain america LMAO so yeah needless to say i was a Humble Fan- me joining my school's comic class/club didnt help either (shoutout to my teach from that she was the realest one out there for. A Multitude of reasons). she definitely is was inspires me to even draw still and make comics and i often think bout the tips i learned from her class tbh she was great

back to the movies t and comics tho, i got into em because my brother would offer to take me and that's how we'd hang out (i rarely saw movies in theaters and i even more rarely went anywhere as a teenager. still kinda like that today tbh ooops) and yk. it just snowballed after that.

my brother and i have always liked comics- he just more than me for a while (though he still very much loves comics and As We Know From My Posts we still talk about them whenever i see him To An Exhausting Degree)

durin then i was really into stony and i have a few surviving doodles i made but those are between me and god. and anyone who asks tbh LOL

'snap can you make this related to x-men again this is long' ok so fast forward to This Summer again I Still Don't Really See Movies but my brother offered to take me and this was the first time i'd actually seen an x-men movie in full

as a kid i only remember seeing the 'perfection' scene between erik and raven in first class while i was channel surfing. pretty sure i changed the channel after seeing mystique naked cause i was scared my parents would get mad at me if they caught me watching it LOL

BUT MOVING ON As A Kid i think it's also natural you'll sometimes watch 92 if it's on And I Did though evidently it didn't stick too hard (i do remember really liking beast and gambit though.... still do really): my knowledge of x-men was. INCREDIBLY sparse. like diabolically so so i didnt have too much expectations (aside from the fact i vaguely liked deadpool beforehand).

tbh i dont know why my bro never took me to see any of the x-men movies. it's not like he doesn't Also like x-men (90% sure nightcrawler's his favorite but my brother will be caught dead saying he has absolute favorites like that)- he owns a bitch load of deadpool comics/omnibus sets too (of which ive read over the years and reread this year) but Shrug moving on

Much Like Most Of The Internet i fell down the rabbit hole that way. i have some doodles i made a couple days after seeing WxDP that i now have an excuse to throw at all of you Look And Perceive

and so. As I Do. i got curious and told myself i'd binge watch all the x-men movies the week before i went back to school And Then I Did ft. My Brother Sometimes and then i said i'd binge watch all of '92 and And I Did That ft. My Brother Sometimes But Less So and now we're here. currently watching Evolution...

once i got to school i realized i lived near a comic shop and started getting into the comics that way (the first ones i got since going down this rabbit hole was Magneto Was Right!, The Resurrection of Magneto, and The Trial of Magneto. if you were curious !!!!! clearly i didnt care too much about context i just needed to see My Guy jelvejlkvj i have no regrets and Evidently ive read more since)

i'm pretty sure what dragged me into cherik specifically was the fact i saw a clip of The Famous ending to 92 where erik's aghast at the notion jean even has to question his love for charles. i think that was what officially had me refocus my lens on them: not a single poolverine thought after that LOL (all the cherik posting i saw on twitter definitely helped too but that was the nail in the coffin for any other interests i had: i was locked into cherik and x-men in general now)

that clip specifically, i was surprised at the fact they- frequently even- have the x-men franchise say erik loves charles and vice versa so bluntly. even if it's not meant to be romantic, i fear im just a fan of how casually the word's thrown around with them two and i got tender bout it all. Then Yk. i just live for the drama. the hilarity even. the sincerity .... they make me sick if i think of them too long so im gonna end it here

before i go tho ironically enough, the first x-men issue i owned was This one (story a this is that while stuck in some wacko dimension charles accidentally gets himself trapped in logan's mind while utilizing his astral projection. if you were curious). pretty sure i got it for free with another comic set i got years ago since our old comic shop loved to do that, but it's poetic aint it. maybe ill doodle something referencing it..

i should probably look into finishing this arc someday im Dummy curious to even know how it started and how it ends.....

[typheus]

o wait i was in a zine,,, is it zine like magazine📗 or zine like vine🌿? anyways @bloodlineszine

[lucky-draws]

26.9.23

[lovemybluebully]

Can't Sleep

UPDATE 11/16/24 - I made an alternate version with Logan wearing a t-shirt. I was going to draw it like that that originally, but I couldn't resist making him bare-chested because I love drawing muscles. 🤭 But I also like the idea of Wade having to push his shirt out of the way to get unobstructed access to his belly so you get both now. Double the fun! lol

Logan suffers from insomnia, but Wade knows just what will help. Tickle him to pieces until he's completely exhausted and the laughter has filled his mind with endorphins. 😊 Logan tries to avoid letting Wade know he's having trouble sleeping because he's so ticklish, but in the end he's happy to get caught. 💗💛 The tummy raspberries absolutely kill him. 😆

Yeah ok, I spent waaaaay too much time on this, but I'm pretty satisfied with it for the most part. I think I redrew Logan's right leg ten times before I gave up so don't focus on that too much or any other anatomy goofs I made. 😅 Hands and feet are always a bear.

Plus I had to look at many, many pictures of shirtless Hugh Jackman to try to get his muscle structure accurate as best as I could, along with his little arm veins and that one on his lower belly. *sigh* The things I do for you guys. 😏

No background. Too lazy. Just imagine they're on a bed, or wherever Logan decided to try to sleep. lol

(Again if you click the pic to enlarge it then right click the pic and select 'Open Image In New Tab' then you can see it in larger format.)

I hope you guys love it!! 🙏 (I know a lot of you guys just hit the Like button and move on, but feedback and comments are really appreciated by us writers/artists. 💗)

[nimadjart]

Happy halloweeen. :)

This is the commentary track(?) to my digitober. It's just rambling, so don't expect anything too interesting.

This first picture came out on a whim, I originally didn't intend to do anything for this october. I had just arrived home from helping my mom out with something, and was in a good mood. I think this picture, as sketchy as it looks, reflects that feeling. I'm content with it - and it's halloween themed! All the better.

For the second, I tried to follow the "official inktober" list (something I'd drop quickly in the following days). I'm disastrous at making backgrounds, so I gave it a shot for practice sake. I think it's not a bad result, it almost kinda tells something of a story.

"Boots", hah. It's not terrible, but it's also missing a lot of polish. I think the idea behind it works well for a cute/sexy picture of Angewomon. Maybe some day I'll revisit it? I should put more practice into drawing the human form in the meanwhile lol.

I really dislike the fourth one. I think Lianpunmon deserves better art, so I'll definitely do it again some day. My skills are so undeveloped, it's very obvious seeing this poor hatching.

Speaking of hatching, I bit more than I can chew with this one. The composition isn't interesting enough either, and just like with Lianpunmon there's no story here. At least Angewomon seemed to be interacting with the viewer lol.

The sixth is something I liked better. It's kinda shody, but there's something of an urban fantasy thing going on.

The Vamdemon one I can see the faults: I need better line control, the shapes aren't locked in as well as they should be. Yet, I'm partial to it…

Rapidmon deserves better lol. I still really dig the idea behind this drawing, I just wish I'd have given myself the patience and time needed to render a kickass explosion.

SkullGreymon, I have little to comment. It has zero story, but it's carried by the vibes. It's the first (and arguably last lmao) time I think I was cooking with the halftones.

The tenth is arguably the peak of the entire month. It has some story, a neat composition, and acceptable execution. Strangely enough it was one of the quickest to make: I had an idea, and it came out in a few minutes (compared to some other drawings where I was fighting for my life), and it ultimately was one of the most interacted with drawings in my entire blog. Funny how that goes.

I like a lot the Piemon one, as bland as it is. It's like a design piece, more than a drawing. It helps that the perspective deformation hides my poor linework haha.

I went too hard on the Mephismon X one, to the detriment of the piece. Instead of adding texture, it just looks dirty. Damn.

The thirteenth one was my poor attempt at making a background. Originally, Bakemon was gonna have this devious, whimsical look, but as I finished drawing the stairs I thought "I'd be kinda tired after climbing a few floors", so I changed Bakemon's expression to reflect that. Just a little trivia.

The Jesmon is what I'd argue was my peak. Shapes are locked (as best as my skill lets them), values worked well, it told a story. It's my favourite of the month.

Fiftenth was made, mostly, trying to catch some Adventure buff to the ammount of interactions I'd get. I mean, I had fun drawing the characters, but the reality is that I had petty reasons. I don't dislike it though.

I know exactly what I wanted to do with the sixteenth, and I didn't achieve it. Looking back, I think I should've done it in BW, rather than grayscale, to make it pop more. Fix the composition too. It's too plain. Shame, I really like Lilithmon X's design.

Seventeenth was also one where I just phoned it in. I think the values are all over the place; though I do like the harsh light. Impmon is a lot of fun to draw, all things considered.

Greymon was fun, lots of fun to draw. But this was another piece where I went too crazy trying to use halftones, I ended up making something that lacked impact or presence. I do like, in a self deprecating way, how the background seems okay until you look at it directly and see that it's kinda bad lol.

I made Nefertimon's torso too long! I only realized when I was doing the finishing touches lol. Yet I like the whole thing a lot, I think the texture and lightning kinda sells it as a photo (the white border was an attempt at selling that further). Saw someone refer to it as "the last thing I see before I die", and that comment might stay with me forever lol.

The twentieth is another I had a clear picture in my head as to what I was actually hoping to make, but failed to. Instead of landing some sort of finish, it's on a weird gray (lol) area. Making clouds is hard y'all.

Twenty one is one where I managed to stick the landing to what I had in mind. I think the composition needed a few more minutes of baking, but overall I'm content with the result. Death-X-DORUgoramon is a complex design, so any degree of succesful translation is a win in my book.

I think I needed to draw some more background Kuramon for the twenty second. Y'know, to really sell the swarm thing. It's kinda too clean.

Before twenty three, I had never given myself the time to draw a tree shilouette. It was fun to turn off my brainfor a bit and just draw line, after line, after line, after line. I did the tree first, and then I tried to figure out how to make Shurimon. Originally, I wanted him to be hunched over more dramatically, almost as if he was climbing down the tree, but I was incapable of drawing it in a satisfactory manner. So this is what I got.

Twenty four is so bad! I think Monitamon came out fine, but the background elements are so poorly done! I'm so embarrassed! lol

Kabuterimon was really fun, very dramatic looking. I think it has some serious readability issues with the hands, but I don't dislike the idea I had at all.

Hackmon's drawing was done almost like a sibling piece to the fourteenth, Jesmon's. Like, Huckmon is somehow watching his exhausted future, yet he stands stoic. On it's own, I think it's plain. Like, it has some charm, but it's lacking in impact compared to the fourteenth. But maybe that's for the best of the story?

The Wizarmon sticker came through me realizing I wasn't practicing my lineart! So I did a sticker instead. This was actually version two, but number one was so bad I had to redo it. Despite it being a humble sticker chibi, it's overall the day I spent the most time drawing.

Twenty eight came from me realizing I hadn't done any Alphamon! So I did what I thought would look badass. As much as I like Alphamon, though, his shapes are difficult for me to grasp so it came out shoddy and weak lol.

Twenty nine, Ragna Lordmon vs Ragnamon, was hurt by me recording it. While an exciting thing to do, I felt like I wasn't allowed to do anything but move forward quickly, or to change things (I'd have moved both Ragnamon and the main Ragna Lordmon body closer to the center) that would've made the composition flow better. It's not an abject failure, and the video is fun to watch, but still…

Dorumon is a simple piece that I was a bit surprised to make. My birthday is not information I tell people, but I was just compelled to share a bit of myself. I dunno, it feels weird. I'm weird. It came out cute at least.

And at the last! Noble Pumpmon again. I'd love to tell you that I applied everything I learned throughout the month and it's my best piece and stuff, but that isn't the reality. It's a better show for a similar amount of effort compared to the October 1st drawing, but it's not some crazy good display of betterment. A bit, yes, but less than I had hoped.

If you made it this far into this silly wall of text I wrote, I thank you. I thank everyone who interacted with my drawings, it pleases me a lot to see that someone gave it a like, or a share, or a comment. I learned about myself, and my limits, through this experience. It was tiring, but setting myself the goal of "make a drawing a day" was, paradoxically, liberating. Like, now I had a reason to draw! (despite me having some comission work to do lmfao). It was nice. This was one of the most entertaining octobers in recent years. Thanks again to everyone who participated in some fashion.

[onelastskip]

OL2 and Pokemon!!! Background is from the game :D

No motion blur:

and a simple bg <3 oh my son he is so darling...

anyway I'm going to talk about all my thoughts on what pokemon the characters would have so it might get wordy:

FIRST UP QIU LIN!!! I gave him a fletchling cuz they're one of the speedier birds and I feel like it just fits him yanno? And mimikyu also suits his personality I think, I can totally see him being super kind and befriending it and UGH. My heart.

I limited myself to two pokemon for this piece but I was also considering KIRLIA!! (because ballet, I'll probably draw this one at some point), deerling (coz autumn lol), pumpkaboo, ninjask, duskull (coz of his halloween costume), and just for vibes: riolu, charmeleon, jolteon, pikachu.

OKAY TAMARACK TIME!!! My first pick is teddiursa, I think, purely for the cuteness factor, plus they stand similar, it's sooo cute. Next kricketot (because cello), seedot, polteageist, politoed and for some more vibe ones: phantump, leafeon, togepi!! (oh my it fits her so well), joltik, comfey, bulbasaur, cleffa.

now for nobody's favourite, mr baxter alexander ward. So my first thought was gardevoir, specifically mega gardevoir because it looks like a ballroom dancer (plus the shiny has a black dress), but yeah he would definitely have a galarian zigzagoon as a teen (coz he listens to heavy metal i think?), aaand otherwise i had, zebstriker, gothitelle, mightyena, wooloo, and shiny roserade (coz it's fancy)

And lastly Ren! I'll be transparent- I do not know a lot about her,,, yeag my bad, so I just have all the fox pokemon put down for her, vulpix, nickit, fennekin, zorua- but also Volcarona I think would fit her vibes.

I lied that wasn't the last one a little bonus for my own mc, Rena, she would have a Vikavolt, Porygon, Staraptor, Espeon, Minccino, and Garchomp - and she's very afraid of ghost types

i love pokemon so much please tell me what pkemon your mcs would have pleaase please please

[usagifuyusummer]

Hello, sorry it took me so long (6 days), but here's your request @candyglumboy. I was experimenting a lot on these honestly.

From first to last in order, First memories/ Mortality/ Ascension (or an imitation of heaven?). I'm still unsure if these are the appropriate titles for these pieces lol.

Thanks for requesting me by the way! It was fun practice admittedly. (I still suck ass at backgrounds though.)

As usual, my insane ramblings below and some close-ups and concept art (will change if formatting is fucked up).

Oh yeah, I've been offline a lot because I'm so busy with uni stuff and... unavoidable family matters..., plus all of these took me a while to finish. I was brainstorming a lot on their request and these are the ones I've chosen to finalize.

I've decided to go with the concept of life, death, and rebirth on their request to just see Peri hugging Timmy lmao, because why not? It was to make me fulfil this request in a more enjoyable and exciting way.

I was experimenting and practicing a lot on understanding the Fairly Oddparents style in these pieces. My attempts are still far from perfect obviously, I mean the second one (Mortality) took the longest for me to finish just because I couldn't translate 3D poses into the 2D artstyle very well lol. (The second one was the hardest to make it look... well alright/pretty to me. It looks like a mess of haphazardous colors... I am terrible at coloring. I think I'll share the other scrapped poses later.)

Honestly, I struggled and got frustrated a lot with finishing these but still enjoyed the process. Here I'll list my inspirations for each pieces;

First memories - xblubotx (i won't tag them because i don't want to disturb): Their small Peri/Poof and teen Timmy fanart pieces continues to inspire me to this day. And yes!!! I see that they have made More Timmy fanart!!! Thank you xblubotx. I will continue to appreciate those in silence.

Mortality - I was thinking of loss and death a lot on this one. I thought what kind of embrace that shows this feeling? So, I used the famous, Ivan the terrible and his son painting, for the pose. I wanted to challenge myself if I could translate the 3D pose into 2D, so yeah, that's the final result... It looks like a mess of vomited red colors... I am sorry if you're squeamish towards blood by the way. I wanted to see if I could also attempt to draw blood streaming. I still think I have a long ways to go in terms of skill... For now, enjoy the nuclear baby about to explode because of overwhelming feelings <3 <3 <3!

Ascension (or an imitation of heaven) - @bevony: I hope I did not miscredit you, as I used your Fairy Timmy design for this one! I changed it a little according to my preferences/headcannon though. Still, I love their Fairy Timmy design! I like the hot pink Channel boots that they gave Timmy lol. (And the very comfortable formal fashion.) Keep on slaying~ My Fairy Timmy design will probably be heavily influenced from them when I get to that eventually... Tell me if you don't want me to, I'll back off. For now, I'll be enjoying the others fanarts of Timmy quietly.

(Additionally, my phone is slowly dying from all of these creative projects that I'm doing currently lol. Agh, I wish I had a drawing tablet or a better device to satisfy these creative urges....)

Again, thank you for the request! I'm okay with requests as I'm still not confident with my creative skills at this moment lol. So, admittedly I view these as a challenge or for practice. I can't fulfil them quickly though, as I have multiple responsibilities to do in real life. Still, I don't mind them once in a while.

I hope you like what I've done here. Sorry if it doesn't fulfil your vision candyglumboy. I'll keep on practicing my creative skills.

So yeah, I think that's all I wanted to share in the post this time. I'm still at season 3 on the FOP rewatch by the way. I am very excited to get to the specials eventually. Yeehaw!!!

Here's some concepts and close-ups of the pieces below this long massive yapping session lmao. Thank you for reading. Have a nice day <3

[ckret2]

How did you come up with your human Bill design?

I described my goal in the first post I made about his design:

After seeing dozens of tall dapper skinny white twinky anime boy Bills, I wanted a design that matches none of those words. My other two goals were to use the show’s art style; and to lightly pay homage to Alex Hirsch’s “canon” human Bill with the triangle body… except not deliberately hideous.

My unspoken final goal was "and I'm gonna make him damn good looking."

All the colors were sampled from Bill & Bipper, except his skin (which I sampled off a background character and tweaked until it looked good with the yellows) and his gold tooth (which I sampled off of Ergman Bratsman's).

On top of the fact that I was tired of specifically white dude Bills, brown skin tone was chosen because of the emphasis on Bill's interactions with ancient Egypt; I wasn't sure at the time how much of an influence I was gonna headcanon he had on the region, and it woulda felt weird depicting Egyptians bowing down to a white dude. (And then I decided to deemphasize his influence on Egypt almost completely lol.) It woulda been more accurate to go darker, but I was worried it would start to tilt his design into Nyarlathotep-esque Creepy Pitch-Skinned Mysterious Demonic Threat From The Orient racist territory, especially when he's already got demon eyes.

The triangular torso is the most important part of his design, I usually draw an equilateral triangle in the sketch layer and then pad it out.

If I were a better artist a year ago, I would have given him a double chin so his head+torso together would be triangular. But when I tried, I couldn't figure out a way to draw it that looked appealing instead of like a mean fat joke. So I took the coward's way out and gave him a skinny neck with a vaguely triangular chin, and now write him complaining about having a neck every few chapters.

I think the skinny neck, thinner face, noodle limbs, and typical baggy hoodie fooled people into assuming he's skinny. I figured out a way to draw a rounder face with less neck that looks more appealing to me than the original face, so I do that now. Can't do anything about the noodle limbs tho, those were chosen to match Bill's canon noodle limbs.

I went for a hoodie instead of the typical suits you see on human Bills for two reasons.

One: several years ago I had an OC I'd conceived of as a dumb kid who'd given Bill permanent standing permission to use her as a puppet, and when letting Bill take over she'd hide her human features by wearing a hooded poncho and tying a blindfold with an eye on it over the hood, and that idea stuck with me.

And two: for the story I came up with this design for, the premise is that Bill's been recently unhappily stuffed in a human body and dumped on his enemies' doorstep. So, he doesn't have the freedom or money to get fancier clothes; he's too depressed over being stuck in a human body to care much about his human appearance; and he's most comfortable in something that obscures his human anatomy and reminds him of his real form. If he was rich, free, and able to ditch the body any time he wanted, he'd be wearing suits.

[puckpocketed]

who is #43?

Hello !! First off thank u for visiting. If you clicked read more by accident rip sorry it’s a lot of text. ENJOY!!! <3

1. This was the photo reference I used. I really did mean it when i said he photographs well!! I really like how scrungly he looks at times lol. v paintable

2. here’s a timelapse for your viewing pleasure in video + gif form <3

3. Process breakdown below. I am not formally trained, so don’t take any of this as professional advice!! The way i paint has been compared to channeling some evil contract with a demon also. So um . Im saying that i dont remotely think that this is efficient or correct, its just whats comfortable for me <3

3a) the dreaded lining phase. I have 2 modes of operation when it comes to painting - either i go full-dick with fancy inking/sketching + cel shading (rare, unrefined, haven’t figured out a nice workflow yet) OR i do a very very basic chicken scratch set of lines like so:

It’s less about being realistic here and more about laying down some guide lines for the chaos ahead. If i thought i could get away with it, I would start every rendered painting i do with laying down colours — but unfortchh ive tried that before and it usually ends in really weird proportions. Even with the lines i still need to make adjustments. This is something no people except me would notice but look at the above sketch; the eyes are too big and slightly too far apart, the forehead is too small and thus the hair is also not quite big enough… I have a bad habit of drawing eyes too big on faces, they’re my favourite facial feature to draw.. i barely resisted giving him big cow eyelashes (I love big cow eyelashes… all of my OC’s and most of my more stylised fan art of characters get big cow eyelashes… god…. Big cow eyelashes SAVE ME……….)

Anyway. Structure of the face + hand somewhat established. <3

3b) Underpainting!! Okay stay with me here . Ever since i figured out i dont have to paint in 03925893853 different layers, I’ve joyfully painted on 1 layer as much as possible. I dont have the brain power all the time to be managing layers so I simply dont work with that many layers. For this painting, the skin in its entirety was painted on one layer, the hair on another layer, and the effects on the last layer. There was a placeholder background off-white/grey colour for a while there, and I duplicated the line layer — one for figuring out where to lay colours, and one hidden for later so i could check back to see how accurate to the sketch/proportions were to the actual painting. 6 layers, 2 of which i painted the bulk of the piece on, 1 more at the end.

3c) here’s where I started carving out features. I think about objects in terms of volumes and light rather than lines. i love painting and sculpting because of this!! Here you see where I’ve begun to define his features — his eyelids, his bags, his nostrils. Just refining what was there before. The suggestion of facial hair before i gave it up and left it for later (his face is so naked the WHOLE time)

3d) nose bridge highlight, suggesting his eyebrows, a cheek highlight. A touch more coral red and muted yellow pull away from the grey/blue underpainting. Strategically leaving some of it peeking through.

3e) i truly start messing with the fidelity of his features here. Red lipstick <3 and some violet/blue for shadows on the right side of his face.

3f) the part where it starts looking like q.hughes to me (though, my friend said i got his vibe pretty early on which is such a compliment.. waaaaa…..) I love this part of every painting i do. I know it’s definitely not the Correct order since other parts of the entire painting are simply Not Rendered or Done, but whos gonna stop me?? :3

I love love loveeee painting faces. Adding the little shinies to his eyes + lips + upper lip + nose … you don’t know how much of a difference it makes until you do it. Also i snatched his eyebrows

3g) i really pushed the red/coral/ochre/orange here. Note the yellow highlights on his cheekbones, the forehead, and the thin thin line of pink right between where his bottom lip ends and his chin shadow starts <- very important . To ME!!!!!!! Also highlighting his waterline and adding his lashes was so so fun <3

3h) FACIAL HAIR!!! And I started rendering his hand. Some micro adjustments made to his face for proportion check.

3i) i start painting his hair in earnest and realise his forehead is too small so i make the adjustment. I really love how it falls into his eyes in this photo. <3

3j) i make some final adjustments to his eyes — a bit smaller, closer together. And i refine the outline of his jaw, push the stylisation of it just a little.

3k) Finishing details; his flyaway hairs, his moles, a bit of texture on his face, shadows cast by his hair, his little forehead cut <3

3l) i adjusted his hand here, added more texture to his skin, refined his hair a tiny bit more, and made the decision not to fuck around painting his jersey because i wanted the focus to be his face <3

3m) Canucks blue and green. Captain at 23. His form bleeds into the background. He is the franchise.

theee most fun ive had painting anything. and i finally feel... warmed up? if that makes sense. art for me is like. if i dont do it in a while it feels like nothing goes right when i come back to it. i hate that feeling, and the most difficult hurdle to clear is letting myself feel that until i get back into my Zone. after all this time i feel like im BACK !!!!!!!

i loved painting this fella. hes SO Shaped. <3

Apologies i simply do Not have the energy to write the alt text for all of these so i hope the little blurbs are okay aslkjasdklj. i gotta post and go to bed . if u made it this far, thank you for reading!!

[lily-alphonse]

Winter Elliott

OKAY I WORKED MY ASS OFF FOR THIS ONE Pls Tumblr don't let this one flop 😭🙏 I still don't know how to shade to save my life but this is my best work so far. Look at that background. That's a nice background

v Closeup, Hozier reference, and low-effort farmer x elliott comic below the cut v

Closeup:

Freckled ginger Elliott supremacy. I actually gave him wrinkles and everything but I fear they don't show up. Guess I gotta make them more obvious in future iterations, but I am putting this piece down for now. I've been at it for too long and I'm going a little crazy because of it lol

Comic: (Ive never made a comic before help)

Lie to me and tell me Elliott would not be a good sport lol

Reference:

Hozier on a beach AND wearing a tailored jacket? Say less. Had to do it

I think this outfit actually translated really well to Elliott's winter fit. I got lucky there because I do not want to draw a suit and tie that sounds like torture.

PS: just have to say, doesn't it look laughably like I'm trying to avoid drawing hands or legs? Until you see the reference and nope, that's just how it is lmao. Why is Hozier hiding in the tall grass?

PPS: I had an awful time with this hair. I so badly wanted to give him super curly ginger hair and that was not happening 😞

[kozachenko]

[Click image for better quality]

I FIGURED OUT A WAY TO FUCKING MAKE THE IMAGE SMALLER FOR POSTING ON TUMBLR WITHOUT SACRIFICING THE ACTUAL QUALITY OF THE IMAGE OH MY GOD

Ok so, what I did is go into the clip studio paint file, make a new file, copy and paste the group in the original file, merge everything, get rid of the extra stuff outside of the canvas, and then make the flattened image smaller and crop the canvas. Once you have that, export it and you're done. This helps maintain the actual quality of the image and also helps shrink the file size down to something actually postable (if anyone has a better way of doing this please tell me)

[Edit]: Ok I guess posting something to Tumblr just naturally compresses the image a bit more somehow because I'm looking at it now and zooming in too much makes it a bit blurry so I'm still gonna have to futz around with image quality for future pieces oof

Artist's Note:

I'm so glad I figured out a way to do this because I like working on a big canvas so I can get as much detail in as I possibly can. Only problems are how laggy it gets while drawing lol.

I had an idea for a drawing with Reimu and Zanmu because I really like thinking about their potential dynamic a lot. I also wanted an excuse to draw Zanmu again but in my normal rendering style because last time I drew her she was in my more sketchy style with generally flat colours so I wanted to draw her again. Speaking of, looking at the sketch for this is a jumpscare that I never enjoy seeing, like, man am I glad I didn't use those for my final piece.

Also about her spear. I was originally gonna make it like the ones she had in game, but it kinda threw off the whole piece. It was too big, too blue, and too flat, so I just went "fuck it" and gave her a different one instead. My headcanon justifying this is that the ones she uses in game are for danmaku battles whereas in any other fight she just uses a proper yari, or she still uses the yari and just makes it all glowy to power it up, maybe both lol. I pulled as much inspiration as I could from Sengoku era spears, and even put in some blue into the decorative part of the spear and also added a little skull to pay tribute to the original spear. Also, in my research I saw some art of izanami and izanagi making japan and saw that the yari izanagi has had a little decorative tassley thingy on it so I took some inspo from that and just made it one of Zanmu's tassles (Idk when that art was from or if the spear was still accurate to Sengoku period Japan but hey, probably the same reasons Eirin puts little bow ties on her arrows, it's just for personalization purposes).

I love rendering hair and clothes so much omg, while I like the super curly hair Zanmu, the longer, wavier hair suits her better for this drawing (I imagine it only does that like how Ghibli characters hair moves when they feel angry lol). I love making Zanmu's hair all messy and crazy, as well as giving her grey hairs, this woman has aged like a fine wine. Also, if the hem on the ends of her sleeves, top of her shirt, and her pants look like gold to you, that's because it is! It's fairly light so she's not collapsing under the weight, but it's gold! (I don't care how impractical it is, it's just cool). Not the undershirt though, it's made of a gold fabric. I had a cute idea with Reimu's hair to make it have a red shine to it. I also changed up Reimu's outfit so it isn't just a blob of red. I like it a lot when Reimu's skirt and outfit is segmented into different layers, so I wanted to incorporate that.

I tried to draw their hands differently as well, but IDK how noticeable that is. Also, I am super happy with how the side profiles for the two of them turned out, I used to struggle a lot with how to make the side profile of a character actually look like the character, so I'm really happy that they actually look like themselves.

Also added in the tree and rocks in the background as an homage to Zanmu's character art in Touhou 19, just because I was getting kinda stumped on what to do with the background lol.

In terms of a story idea with Reimu and Zanmu, idk why but the potential plotline of Zanmu wanting to ascend to godhood is so fascinating to me. Like, it is very possible that if she just convinced everyone she was a god (which would be very easy for her to do), she would become one in a heartbeat. Also, if she were to become a god, with her ability to return stuff to nothing, could she hypothetically get similar abilities to (Jojo Part 5 spoiler btw) GER? Like, idk about the death timeloop stuff, but the concept has been haunting me every night as I have been trying to find loopholes in GER's ability for a while now ( for no reason in particular). Back to the main topic, I imagine that she would probably tell Reimu that if she were to become a god she would take over the Hakurei shrine since the god there might as well be dead, and Reimu just says to her, "Over my dead body bitch." Like, I have no idea how to summarize their dynamic but like, it's the type of hero-villain dynamic where the phrase "We're not so different, you and I" would definitely be a phrase said during a fight. I think that if another IN style game were to release, Reimu and Zanmu would be in a team together. They could also have an interesting mentor and pupil kind of dynamic. Can you tell that Zanmu has been charging my mind rent these part few months? Like, instead of living in my head rent free, she kinda just uno reversed the whole situation and now she's the one charging me rent. What happens if I get evicted from my own brain? Actually, scratch that, I don't think I wanna know.

[altverse-invertverse]

Meeting + Kitty Bath right after

(I can’t draw backgrounds so I “borrowed” these from pinterest and then put a filter over the first two, to make them to make them look like drawings)

AU/Headcanon yapping for this lol ⬇️

Kallamar and Shamura met in their teenage years, living with eachother as close besties who found some random ass crowns along the way. They both shared a cabin on the border of early-day Anura and Darkwoods (there was no distinction between the areas, both areas were relatively the same). They shared a bed because it was comfortable enough for them, and lived an average life.

Now during his 30’s, Kallamar really wanted to take care of a child, even though he wasn’t as capable to carry one himself(intersex, infertile, AND he was single lmao). Shamura didn’t care for children as much, but wanted to see their best friend happy, just didn’t know how.

One day the two were sitting around and playing knucklebones with eachother, when they heard a knock on the door. Shamura got up to answer the door, looking around before glancing down, seeing a young black cat staring back up at them. Shamura was in a state of confusion at first, asking the kit where he came from, only getting a shrug as a response.

It was only a few seconds, before it clicked to Shamura that this child had been abandoned. With no second thoughts, they knew exactly what to do next, as they gently took the child by the hand to offer them a new home. Walking back into the living room, Kallamar had put away the board and dice, asking Shamura who was at the front door. Shamura replied with a simple “Just look for yourself”, as Kallamar gave them a look of confusion, before spotting the child stepping out from behind Shamura, while holding their hand.

Shamura explained to Kallamar the child’s situation, they brought up the idea of taking in the child, as if he were their younger sibling and such. Kallamar became ecstatic, agreeing to the idea almost immediately while going over to hug Shamura tightly, then greeting the little boy.

However, first things first, the kid smelled like trash(despite looking clean), which called for an “emergency” bath. I won’t go into big detail about the rest of that day, but let’s just say that Kalla and the child, nownamed Narinder, had alot fun getting to know each other.

This is literally “revised” lore I made up in my head for two weeks, finally had motivation to draw a bit of it, I just really like seeing interpretations of Narinder and Kallamar. So I thought instead of the usual sibling battles, they started off with a loving caretaker their adopted child type relationship, only becoming more sibling tied once growing up lol

[stayatsam]

I absolutely LOVE your art style!! Your color theory amazes me lol—Do you mind giving a rundown of your process? 👀

oh thank you!! I can certainly try but it probably won't be very coherent. I picked this painting and tried to break it down, since it was one of my favorite palettes to work with and pretty simple

A large part of my color choices boil down to "this is pleasing to the eye" but I usually want each color to feel like it's part of the whole.

I LOVE the color red and the shades of red used on the meat here in particular are some of my favorite, so I wanted to find a way to bring out that red while still putting emphasis on Desiderio (the character portrayed) as the centerpiece of the painting.

First thing's first, I decided I wanted Red and White to be my two colors of interest here. This piece followed a "White, Red, White" layering, with a white background [ wall ] , red midground (is that a word) [ meats ], and a white foreground [ shirt ], which would sandwich that nice red between two white/grays.

When it came to choosing between cold/warm hues I thought about about what sort of atmosphere I wanted the whole piece to have, and settled on something alive and warm, a "fresh meat" idea.

So I decided the meats to be a nice warm tone of red, and then had the backdrop be a cool gray/white to contrast it and bring more attention to the meat. the white wall in the background's purpose is really only to accentuate the meat and Desiderio, so it's fine to not have really refined edges or brushstrokes.

When I started working on Desiderio, I gave him a warm, but really bright skin tone to pop against the whites of the background and that of his shirt. Since he was so warm, I added white fat on this hanging meat here so that attention could be drawn to his face, without the backdrop causing confusion against the warm colors of his face. The whites of the fat here are also rather cool

I had a LOT of white and red going on here, so to break that up while giving Desiderio some more room to shine I chose (almost) solid black for his pants and tie.

An all black tie smack in the middle of the piece drew way too much attention to the tie and away from the show (Desiderio and the meats), so I added red accents similar to the meats to help blend that area's palettes with the rest of the piece.

Those black pants at the bottom are pretty eyecatching, but low enough and also narrow that your eye can follow his lower body upwards to the rest of the pic; or looking down which can draw your attention to the splatters on the wall

I play around with CSP's color balance tool a LOT also, so the exact hues I start with are very rarely what I end with

But voila!

[sunflowerandstrawberryspice]

CARMEN SANDIEGO? In 2024? It's more likely thank you think! Please excuse the shit quality for some reason I wasn't allowed to upload the normal pdf and I had to upload a fucking screenshot???

So my friend convinced me to watch Carmen Sandiego and since he's watching ALL of Ninjago for me I thought it was the least I could do to watch four season of a show with a pretty decent concept but uh... yeesh, don't get me wrong the show is really fun but lord have mercy does it have problems especially the last two seasons which were just so wildly disappointing to me. It went from a show with an interesting look on morals to pure pro-cop and mostly black and white thinking so quick (that not mentioning the breaking up a found family full of people with abandonment issues) it was honestly just so disappointing so me and the friend who introduced it to me decided to rewrite it! (I will not be animating nor do I plan on doing more than MAYBE a comic or art piece here and there because my chronic pain ridden ass can not handle that much lol)

The main goals are to:

1) Flesh out characters that aren't Carmen and actually give them reactions based on their lived experiences and how they might realistically react instead of what the show needed to move the plot along

2) Having characters other than Carmen be actually relevant to the plot the main one being Chase Devineaux who we're gonna kind of have as a parallel to Carmen (trust me yall) as kind of a "What if Carmen didn't have her friends/family to ground her and fall back on" but for all the Chase fans out there (gods I hope there's some other than me) he will be getting a happy ending but bro is getting put through the RINGER first

3) Have both A.C.M.E (now standing for Administration for Containing and Monitoring Evil) and V.I.L.E be the bad guys. Also just as an extra bit of fun we're making VILE a full blown cult, they were very cult like in the show so we're just gonna make it one. Both are going to be very morally questionable and while it'll take a bit longer for ACME to show it's true colors don't you worry they definitely will ;)

4) We're doing canonical lgbtq+ rep, I know the show teased a lot of relationships and really only gave yall background gays not to say thats bad but we can do better than just a brief shot of a damn taco truck. I mean like come on in a story about a young woman going against the government for the greater good why not put some rep into it ya know!

5) We're making it light sci-fi, not like SUPER high tech but definitely beyond what we've got currently, as shown with Carmen's prosthetic, and don't worry I'm doing my research as a disabled person I know how it feels to be misrepresented or ignored so I want to make sure I'm being realistic

6) PLAYER ISN'T GOING TO BE A CHILD! I don't know if this bothered anybody else but to me it was really weird that this 16 year old's only friends were in their 20s!

Alright I think that's what I'm gonna say for now, I'd love it if yall tuned in for updates if your curious since this is a passion project for me and my friend and we're having a blast writing it!

As always I am still working on stuff for Ninjago cause I could never abandon my one true love, currently there's a Pixal drawing in progress (it's giving me hell T-T) something for Cole and Geo, and something of Sora MAYBE even Euphrasia if I'm feeling up to it.

Having said that I hope yall have a great day/night and PEACE OUT!

[itsajollyjester]

yessss that defo answers my questions! ur thoughts on compassion & community intertwined w rebellion definitely show up in ur art lol. something more specific i have been curious abt is ur version of the endings of each specific hunger games & ur characterization/portrayal of the victors at those points! if u have any more thoughts abt any of those characters or their games id love to hear.... im also very not neurotypical abt hunger games

For sure!! But this is a novel and a half so I apologize in advance (also most of this is from memory so anyone can correct me if I'm getting any details wrong)

((TW: For visual depictions of Blood, Gore, and Wounds))

I realized I'd seen barely any art showing what the victors would have looked like when they won their games. They were all just kids and I feel like it can be easy to forget that sometimes

For all of them, I made the background one of their main "weapons" but tried to make it look like its turning back on them instead since there are no victors as Haymitch said.

I'll try to explain them all more in depth individually going in the order I drew them:

Finnick Odair, 65th Games:

His main weapons were his trident and nets that he made with vines. His background is one of the nets ready to trap him.

Finnick was the youngest victor ever at only 14. I really really wanted to emphasize just how little that is. (Especially since we know exactly why the Capitol loved him from the start…) Once I actually drew him looking that little I had to step away for a bit because I made myself too sad…

Outside of just how horrific his age is as a concept, I tried to think about what circumstances would lead to him actually winning when surrounded by older tributes. I think he would have had to avoid any kind of fight he didn't have the upper hand in. We know that he got the most expensive sponsor gifts in the history of the games (a trident), so he probably got plenty of sponsors outside of that as well. Because of that I doubt he needed to go looking for supplies much if ever so it was easy to avoid people there. He was also probably in a career pack, despite his age, due to his training and his popularity, and they would have hunted other tributes down together much like the one we saw in the first book (safer in numbers). Once it was narrowing down and the pack broke is when I think he started catching people in nets. All of that is a long winded way of saying that's why, unlike the other victors I drew, I only show him with minor cuts and bruises.

Originally I was going to draw him with a kind of strained smile like he was acting for an audience from the start. But I decided I actually think its sadder if he believed he was popular because of his skill and strategy as a fighter and only learned the whole truth after he won and that's when he started acting more for the camera. Instead I gave him a more muted despair kind of look, like his world is crashing down. One of my favorite parts about the movies, mainly THG and ABOSAS, is when they give the career tributes at the end a moment of realization about what they've done, and I wanted to give Finnick his. I'm a person that believes Finnick had to have volunteered for his games. I think he would have legitimately believed in the propaganda the career districts were fed and had a bit of a (very middle school boy) ego about his abilities. (I was NOT expecting to write so much about his lmao)

Enobaria, 62nd Games

She's most well known for ripping someones throat out with her teeth. (Her background is her sharpened teeth getting ready to eat her.) This is treated by The Capitol, and by Katniss, as grotesque and terrifying blood lust (Which obviously the Capitol loves her for). However, and I'm not at all the first to say it, that sounds more like a terrified and desperate attempt to survive a fight she was losing and an example of hysterical strength. We know that Career packs have had bloody betrayals in the past and I can see Enobaria being a part of one of them. Enobaria doesn't have a canonical age, but I decided to put her on the younger side (15 or 16.) I can imagine some of the older, bigger tributes deciding she was the weakest link towards the end and that was the result. I tried to make the blood around her mouth and down her shirt look more faded, like she tried desperately to wipe it off (Also I had to step away from drawing again after I drew her little tooth gap)

I think she probably leaned into the bloodthirsty image afterwards as a way to protect herself and (maybe even started to believe it too)

Annie Cresta, 70th Games

Annie's known for losing her mind after seeing her district partner decapitated in front of her. After that, she ran off and hid until the game makers started an earth quake, which made the large dam in the arena break and cause a huge flood. Annie was the only survivor because she was the strongest swimmer. So I decided to make her background dark water that's churning up and over her head. I also think it can work well as a way to show her mental state in the moment (and afterwards) Annie is actually one of my favorite characters in the series and I've been writing out a plan for a possible comic series about her that'll go more in depth about my headcanons for her. (when I say comic series, I mean sketches and oneshots, not a full thing lmao) It wouldn't take place during her games (outside of a few flashbacks when I need more context), instead it would start at her Victory Tour and go into her first (and last) year as a mentor for the 71st Games. Which is a perfect segue to-

Johanna Mason, 71st Games

Johanna is actually first mentioned early on in the first book when Katniss is wondering if the reason Peeta is crying is because he plans to act weak and helpless as a strategy in the games. (Katniss, he just found out he has to fight in a murder tournament with his crush. He's just Sad.) She bases her theory on Johanna, who pretended she was a "sniveling, cowardly fool" in the arena until the final stretch of the games when she proved to be deadly with an axe.

OR….. Katniss is an unreliable narrator and Johanna was actually a terrified kid from a district with so few victors that she was the only name in the bowl for the Quarter Quell… This is totally just a personal headcanon of mine tho lol. I think there would have been a point in her games where she realized she actually had a chance and that's when she seemingly had a huge character turn around. Maybe there was a infighting with the careers that ended in multiple deaths and there was only a few left along with any other tributes hiding away like her. Maybe she poked around what was left of their camp, found the axe, and felt strength from her district.

Her background was a little harder for me. Just slapping a big axe behind her felt cheesy. But them I remembered her saying there was no one left that she loved. So instead I put trees that could represent her loved ones (Two fully grown trees, a younger "teenage" tree, and a sapling) that are in the process of being cut down.

Haymitch Abernathy, 50th Games

Don't worry, I'm almost done. I don't have as much to say about Haymitch since we know SO much about what happened in his games. But his background was probably the hardest for me. His main weapon was invisible after all. I thought maybe the axe that was used, but again, That would look cheesy. I tried (and kinda failed imo) to draw the cliff side the force field was on instead. But the main thing I did was split the three panels I had on the previous drawings into six for two reasons. 1: Because he had to face twice as many tributes in order to win and 2: Being the only victor of a district that's tributes are seen as fodder for the blood bath means he had to meet and watch the death of twice as many kids every year.