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crimeronan · 1 year ago

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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

#thebibliosphere i apologize for tagging u when we don't know each other at all i just want u to get credit for the initial discussion #given that it is so much more thoughtful and clear than anything i'd think to write.#i did NOT mean to spend multiple hours on this but once i started writing i was like #oh god i actually do have like a lot i can tell monogamous people about writing poly people & the poly perspective #anyway. i mention it in the post but people can send me (respectful. obviously) asks if they have questions #i cant promise to answer all of them bc i am bad at this. but if i'm well enough then i'll try #polyamory #non-monogamy #ethical non-monogamy #writing #my writing #writing advice #relationships

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tbaluver · 3 months ago

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hi ree! i love your account so much and i always get so happy when i see your posts on my feed. would you be interested in writing headcanons of the lads boys with a s/o who is self conscious about her stretch marks? no worries if that isn’t your cup of tea!

When You're Self Conscious About Stretch Marks- The Love And DeepSpace Men

parings in order: Xavier x Reader, Zayne x Reader, Rafayel x Reader, Sylus x Reader genre: comfort a/n: hi anonnie! i'm soso happy to hear that it makes me so happy when i see you guys in my inbox ♡⸜(˃ ᵕ ˂ )⸝ don't worry this was def my cup of tea ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧ i hope this was okay and you enjoy! (∩˃o˂∩)♡ any likes and reblogs are always appreciated! enjoy!

⋆｡‧˚ʚ♡ɞ˚‧｡⋆

Xavier:

He would be genuinely confused because you're perfect to him and can't understand how you would find stretch marks to be something bad about yourself. He's a sucker for your stretch marks so he'll try to remind you every time that they're beautiful.

He loves the bumps and grooves on the back of your comfy thighs. He loves trailing his hands across your stretch marks when you're cuddling or when he's laying down on your lap.

He'll lift up your shirts and kiss any stretch marks that travel up to your tummy and he'll look and give you a warm smile if his kisses tickle your soft skin.

"These are a part of you and they all tell a story. I love every part of you including this." He says softly, pressing a gentle kiss on one of your stretch marks. "And this" He continues to kiss every stretchmark on your body, his touch showing you how much he cherishes each one.

Zayne:

He's a doctor and he's seen almost how every body looks and operates so he'll know that stretch marks are completely normal. He just didn't understand why you would care so much about something so small about stretch marks because they were natural for anyone growing. However he does know that this upsets you so he'll be understanding and sympathetic when you tell him about this.

"Stretch marks are just part of the skin and nothing more. They don't define who you are or how I see you. I don't see you differently if you had them or not."

Anytime you guys were intimate, he'd like tracing against them with his cool fingers and will mindlessly rub circles on your striped skin. It'll tickle you sometimes and a smile would twitch on his lips seeing the reaction out of you so he'll continue doing that. He'll keep continuing to run his hands across your body that had any of your marks to make you smile and laugh.

Rafayel:

He's very considerate towards any of your insecurities and makes it his mission for you to feel confident about it. He'll find ways to subtly compliment your stretch marks without directly calling attention to it.

Sometimes he'll take candid pictures of you to show you how beautiful you are in his eyes. He highlights your stretch marks throughout his pictures and paints them in a beautiful light.

"Look cutie, you're stretch marks are just like brushstrokes on a canvas- unique and beautiful in their own way."

He just adores you so much. He just thinks you're the most beautiful person to walk in his life or this planet and he just hates how you feel bad yourself in any way.

Sylus:

His brows would furrow when you explain how much you despised your stretch marks on your body. "Come here," He'd pull you closer to him, "I want you to know that I cherish every part and inch of you, including these." He'd place his large hands on where your stretch marks are and rubbed them lightly and lovingly.

He would tease you on it later though, "There is no reason to be ashamed of your stretch marks. It could just mean your finally growing to my height."

Would later show you exactly how much he cherishes your body by worshipping every inch and he'll make sure he doesn't miss a spot

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bunnys-kisses · 3 months ago

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Hi Bunny! Could I request a croissant with a side of mocha coffee & champagne + Fernando please? 🙏🏻

bakery menu

want to suggest your own order? look at the menu for more information! i love getting requests in! please if you can reblog and comment! this bunny feeds off praise! as for this one, thank you lovely anon! i hope you love this! enjoy!

croissant ("i wonder if your father knows what happens during the off hours. if he knows you're here with me.") + mocha coffee (breeding kink) + champagne (sugar daddy au) served by fernando alonso (formula one)!

cw: smut/pwp, daddy issues, age gap (20s/40s), daddy kink, sugar daddy au, breeding kink, pregnancy, bimbo!reader, missionary, fingering

you'd go to visit 'friends' in spain during the off season of formula one, and you'd always come home with some kind of bruise. mostly on your face or knees, your father knew how clumsy you were, and didn't really bother him too much. his poor, simply daughter got another bump and bruise.

you were just happy that fernando's cum didn't stain the front of your shorts.

madrid was beautiful even in january. it wasn't particularly warm, but it wasn't freezing like your father's home across the atlantic. but that just gave you more of a chance to be closer to your lover, fernando alonso.

the much older formula one driver that was working with your father's marketing firm on a new collaboration. it meant you saw a fair bit of fernando when you were 'helping' your father around the office. (your father thought that since you couldn't get into post-secondary that some working experience would bridge the gap!). but, you were doing less organization of paper work and more having the formula one driver fuck you over top of the photocopier. (he even got a photocopy of your pretty tiddies out of it).

the world was such a big place, and you were just a simple girl.

but, you never did have to worry. not with fernando by your side, letting the older man keep you like a perfect little pet. and that meant spending your time in spain, letting the driver just make you feel like the most perfect princess in the world.

the house that fernando lived in was beautiful and gave you plenty of room to explore. you'd be by the pool or snuggled up in front of the large flat screen television.

you were a pretty live in toy that frenando enjoyed nothing more than to fuck the living daylights out of him. currently you were in the bedroom on your back with your sugar daddy crowding your space, with his fingers buried inside of you.

he said softly, "i wonder if your father knows what happens during the off hours. if he knows you're here with me." he knew it riled you up when he mentioned your asshole of a father.

you squirmed and said, "nando! c'mon! no fair?" your back arched a little when he rubbed against the perfect spot. your pretty pains dug into the covers as he continued to finger you.

he shook his head, "no, no. you are just too cute under my thumb. your father gave you your job to keep you busy, but i think that you work harder on your knees then in the office."

you whined, "i'm a good employee."

he leaned in and kissed you on the cheek, leaving a wet mark on your skin, "sure, beautiful. you're the employee of the month." he chuckled as he slipped a third finger in, which made your core throb.

you squirmed a little more and reached for your lover. he went in for a searing kiss which made you moan loudly. you felt your heart batter in your chest as he continued to sink his digits into your pussy. the wet sounds made him hot all over.

"you're so pretty like this." he said as his cock twitched in his boxers as he continued to pleasure you. he licked his lips, "such a dumb little thing, you think you get by because you look so cute. but, just know, you're all mine."

you squeaked and nodded, "yes, daddy."

he took his fingers out of you then slapped your pussy which made you almost cum right there. he got himself out of his underwear soon after and got between your legs. his cock was impressive in size and made your skin burn as you watched him get comfortable between your plush thighs.

you looked up at him and said, "please, daddy. i need you." then kept your eyes on him as he shifted your hips up to meet his cock. he sank into your pretty pussy with relative ease, the entire process made the hair stand up on the back of your neck.

"my pretty princess." he purred, "so beautiful. so good under me, you are so painfully sweet. and stupid." he said as he placed both hands on either side of your body and started to move up against you. he felt the thump of pleasure in his head with every hard thrust.

"i'm not dumb, daddy."

he chuckled and grabbed you by the face to look at him, as he moved against you. he grinned at you, "not when i'm done with you, princess."

fernando was a rough lover, he was the kind of daddy dom who kept you on a tight leash. he had to, you had a habit of getting into trouble. maybe next time he'd get you a collar to yank on when he fucked you.

when he bred you.

that was what this all boiled down to. fernando had to make sure that his special little princess didn't stray too far. it was hard to do that when a plump little baby in your belly. maybe it'll smarten you up to be a mother. your father would be happy that his dumb little daughter married rich.

you whined as he continued to move against you.

fernando felt the sweat drip down his back as he continued to rut into you. the painfully sweet thing that he managed to trap, to keep under his thumb while he reamed your sweet cunt. he could feel his heartbeat in the back of his throat as he moved against you.

"you're so perfect.' he said.

"thank you daddy." you whimpered as you felt hot all over.

he loved it, he loved the control he had over you. the sweet little girl that he found, the place to leave his seed. let it spit into the back of your womb. it all belonged to him.

you whimpered, "please daddy." most sugar daddy's would pay to keep a baby quiet, but not fernando. he'd pay for you to raise his little baby properly. be a good mother and wife. it was a roundabout way of making sure you'd marry him.

he was a possessive old bastard like that, make sure he nabbed himself a pretty young thing he can empty his balls in and watch care for his brats. it was quite a charmed idea.

and you had no idea what was going on. only that it felt good when fernando fucked your cunt with heavy thrusts that made your mind swim.

"so precious.' he said, "and all mine."

you felt the moan get stuck in your throat as you arched your back. you clung to the soft covers of your shared bed and clenched around his dick.

"fuck, pretty girl. my princess." he groaned as he continued his heavy thrusts. your cunt felt like a dream around his cock as he buried it to this hilt, made sure that every inch was snug inside of you. he continued to move you up and down the bed as he fucked you.

with one last heavy thrust, he finished inside of you. you gasped heavily as you felt his cock throb inside of you. he gave it a few more thrusts of his hips before he stopped and relaxed. his shoulders were curved over top of you and panted heavily.

you looked up at him, still feeling a little blissed out. you said softly, "thank you, daddy."

he looked down at you and took in the sight of you. he smiled briefly at you and said, "that's a good girl. remember to take all of it."

your new years was in spain then became spring in spain, then summer in spain. now you were expecting a baby girl in october and you had a nice ring on your finger.

you spent most of your time around the house, mostly tending to things around it. you rubbed your lower back and soon felt the arms of your husband around your middle.

fernando came closer to kiss you on the cheek, he cupped your swollen middle and said, "how is my beautiful princess?" he melted against you, love the feeling of his child in your womb. he sighed contently as he said, "the most perfect woman." <3

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cripple-woe · 1 year ago

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Back to post again. Please reblog this if you’re like. Disabled and do, might, are planning to ever have sex. Or just for educational reasons reblog it.

It’s time for:

DISABLED SEX EDUCATION.

So! Let’s get right into it.

We all know that we have a right to know and understand our bodies and how we can have safe, consenting, and pleasant sex. Most schools don’t teach disabled inclusive sex education!

Part One: Sex Toys

By and large, a bafflingly inaccessible market. But still, here’s what you can do.

For limited mobility and dexterity with hands and the like, larger controllers and wireless controllers for toys are good to look into.

If you have movement disorders, a toy that doesn’t need to be moved to stimulate can be helpful.

Also, a pretty universal one is a nice sexy vibrating pillow that you hump. It’s not talked about often because most abled people don’t want that toy when there are more penetrative or intense toys out there, but for cripples like us, it can be very helpful to know it exists, and it’s a good toy.

Part Two: Partner Communication

Whether this partner is your lifetime lover or just a one-night-stand, you need to be communicating properly about your needs and limits, just like abled people, but MORE. Communicate a safe word for if you feel in too much pain, communicate how your disabilities may affect sex with this partner if they aren’t aware, and communicate on the type and level of aftercare you may need. I know for a fact that I would need my partner to take me into the bathroom to pee after sex because I can’t do it of my own accord after that (also, speaking of, PEE AFTER SEX.)

No matter how small it is, communicate. “I’d be more comfortable if I had some pillows under my stomach/back/hips in this position.” “Can we switch positions, this is slightly painful on my hips/back/shoulders.” “I don’t like being pinned like this, because it’s a position I can’t escape from when I want to/it’s causing pressure on my joints/whatever else.”

Partner communication is a big deal with disabled sex and requires a decent level of trust. I also highly recommend that if you have access, being frank with your carers and occupational therapists for instance, will help you a lot with asking for advice in a safe way.

Part Three: Positioning

Ooh, sexy pose time!

From what I can find, these seem to be the most widely accessible poses for sex.

Modified Missionary.

The limited mobility partner sits on the edge of the bed, the other partner stands facing them, and then can lift their partners legs up so their ankles are on their shoulders. If the standing partner is too tall for this to be comfortable, you can place a chair behind them and have the sitting partner put their ankles there (add a blanket over the back of the chair for comfort on their ankles!)

This position is best used when only one person has a mobility issue. It’s also good for if one or both partners are obese, or if a partner is pregnant.

Facing position.

Aka: face to face. Person one sits in a chair, on the edge of the bed, or even in their wheelchair with arm rests removed if your chair can do that and you want to bang in your chair. Their partner sits on their lap and straddles them. Partner on top braces their feet on a solid surface to be able to move their hips and thrust, and the bottom partner can help by grabbing their partner by the backside and lifting/bouncing.

This position is good for two partners with limited mobility, and people who suffer with fatigue.

Intimate Sitting.

Basically the same as above but both partners are fully on the bed. The partner near the headboard can benefit from being held up with pillows, and then they stretch out their legs. The other partner straddles them, feet on the bed, and bends their knees to lower them down.

This is another position for a limited mobility and unlimited mobility couple, especially those looking for face to face intimacy.

Sexy Spooning.

Get into a spooning cuddle position and get freaky.

This is great for people with lower back pain, chronic pain, and arthritis.

Modified Doggystyle Chair.

Limited mobility person sits in a chair or wheelchair near the edge of the bed, their partner sits in their lap and leans forward to brace themselves on the edge of the bed with their upper body and arms.

Great for hip pain sufferers and of course those with mobility issues, though be aware that the person on the edge of the bed is taking more physical exertion.

Modified Doggystyle Bed.

Or the floor, if that’s more comfortable. Put some pillows on the bed/floor to support the bottom partner, and then the top partner drapes over them chest to back.

If you require more stability as the bottom partner this is for you.

69 Flipped.

One person laid on their side in the spooning position, and the other lays facing them in the same way, but with their head at the opposite end.

This is good for arthritis, or people who have weak hips or hips prone to muscle spasms. Also, unlike media might have you believe, 69 doesn’t have to be oral-oral. You can use toys, your hands, whatever, as long as you and your partner are having fun.

Final notes.

Don’t be afraid to explore each others bodies. Touch, massage, stroke each other and see how you feel. Places like necks, inner thighs, ears and sides can all be turn-on zones due to their extra sensitivity. Just… explore. Don’t try to take it too seriously either, sex is sexy, sure, but it’s also funny and sometimes you make a weird noise (verbally or otherwise!) and you can’t keep fucking for all the giggles you’re having.

Have fun, do it safely, remember that sex is cleaner with a packaged wiener, and PEE AFTER SEX FOR GODS SAKE.

#cripplepunk #cripple #cripple punk #physically disabled #disabled #actually disabled #disabled sex #disabled sex Ed #sex ed #sex education #disabled sex education

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azirafeast · 4 days ago

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This year is the 5th Annual #Azirafeast, The Feast Day of the Angel Aziraphale, an inclusive fandom event! It’s celebrated on November 19th! It’s a made up holiday that brings the community together, regardless of how a person participates in fandom.

On Nov.19, everyone is welcome to celebrate The Feast Day of Aziraphale by drinking cocoa and wine, eating good food, reading, being stylish on their own terms, enjoying the company of friends and embracing the spirit of Aziraphale! Please share your pics on socials with #Azirafeast!

On Nov. 19, Creators are encouraged to show Aziraphale indulging in what makes him happy or why you love him (canon or fanon!) Create “Lore” for why Aziraphale has a feast day! What miracles throughout history has he performed? Creations can be dramatic, serious, sexy or silly!

All forms of creation are welcome: Draw, write, sing, act, sew, bake, cosplay or anything else! However YOU want to appreciate our favorite Angel. All variations, versions and representations of Aziraphale are welcome for #Azirafeast

And remember, you don’t have to “make” anything to participate in #Azirafeast on Nov. 19. Eating cake and lying to your boss is a great way to celebrate! Confuse some customers, watch a nature documentary, get drunk, listen to your favorite music, be kind to someone who is new or lost!

Anything tagged #Azirafeast I will reblog, the same on Bluesky, Instagram and Twitter. I’ve had a permanent highlight on my Instagram for the last four years, and maintained this tumblr. Checkout what others have made for previous years!

There is also an AO3 collection: https://archiveofourown.org/collections/Azirafeast

Anything added to it I will promote on my socials for #Azirafeast.

I know I don’t have the biggest following, but the idea is that on the feast of Aziraphale, even fans who don’t have a large social media presence will still be seen, still have their experiences noticed, and will feel part of a community that cares.

Folks can get stressed about creating by a “due date.” I encourage folk to post early if they want, and to keep posting after Nov. 19th if they miss the day or don’t finish in time.

Just make sure to tag your contributions, whether they are pics or creations, with #azirafeast so we can celebrate with you! Please feel welcome to take my words and reshare any way that you would like, and make your own posts to generate awareness! Please do share in any fandom communities your part of, or feel free to try and convince people IRL that this is a totally real holiday.

I do not run, own, control or anything of the sort in regards to #azirafeast. The idea came from Cliopadra and a private discord server, and the brilliant folk there randomly picked a date and ran with it. The reason I made this blog and encourage people to participate is because I think it’s a lovely idea! It is NOT “mine.”

#azirafeast #Azirafeast2024 #feast of aziraphale #azirafeast art #good omens #good omens fandom #the feast of aziraphale

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markscherz · 5 months ago

Note

Can I ask how you feel about your Tumblr fame?

I get the impression you just made this account for normal casual funsies reasons, but it kinda blew up by happenstance. If that's right, I'm curious if now you feel like it's kind of a more serious thing, where you have an opportunity to sorta act as a science communicator with a reach you otherwise might not?

Or maybe something else? You gonna see if you can somehow leverage your Tumblr fame to get research funding? Deputize us to harass polluters and developers destroying habitats? Crowdsource name ideas for new species?

It's a bit bizarre, in that it has very little real-world-ness to it. I showed my mother the ongoing tumblr celebrity poll, and she was like 'how many people could possibly be interested in frogs?', to which I replied 'well as of today about 46,000 and counting'.

I have always had an unhealthy relationship with fame. I spent most of my teen and young adult life fawning after it, as is I suppose very often the case.

More after the cut…

I always really wanted to be famous, but I was never really interested in changing who I was or what I represented in that pursuit. That is to say, I wanted to be known for what I was already doing, or for things that were already interesting for me, rather than things that might have much higher chances of success but require more effort or be less in line with the things that I am interested in.

I had my first brush with virality in 2012, when a poem I wrote went a little viral (largely thanks to StumbleUpon). I remember the rush of seeing how much attention it was getting, and staying up late to keep refreshing the page as the visitor numbers went up and up and up.

But not long after that, I had some closer encounters with fame and people becoming famous. That was extremely eye-opening. I witnessed first hand how strongly that can affect someone's life, for good and for bad. That experience also made me realise, quite jarringly, that famous people are still just people; that celebrity is something extrinsic to them; that they also wipe their own butts (if they are able); and that in many cases, it is a substantial inconvenience if not downright pain in the ass for them. I think this is why we see so many of the big celebrities having mental health crises or trying to live as much of their lives out of the public eye as possible.

That experience pretty much stifled my desire to achieve fame, and really changed my relationship with it. I should add that I could say much more on this topic, but nothing so coherent or insightful as John and Hank Green, who have given me so much clarity on this topic over the years through their thoughtful commentary on youtube and their podcasts.

Anyway, in spite of the fact that fame itself doesn't really appeal to me anymore, I do still have a problem wherein I quickly became addicted to the microdosing of euphoria associated with every reblog and like and follow. So I put huge efforts into social media in order to try to gain traction in the space that I felt I could really compete in—Very Niche SciComm™—and build up a following.

Tumblr was the first platform where I felt that really succeed; I managed to fight my way to a few thousand followers with a thick queue of regular posts about herpetology and other science. At that time, there was a great community building up in the rudimentary private messaging system—I am still friends with several other tumblr bloggers from that era (none of whom I have ever met in person). From that early time (2013), I think my most successful post was probably this one about germination of 32,000 year old seeds—a post that, as of today, has 836 notes, but at the time felt huge and exhilarating.

As I went through gradschool, I got more and more active on twitter, and less and less active on tumblr (by the time I wound down, I had about 8,000 followers on tumblr). This was partly because of the pornbot takeover on tumblr, which meant I basically could not go on the platform in public or at work, but also because the audience and interactions are just fundamentally different. Twitter had a different kind of vibe and energy than tumblr, and there were real SciComm experts there, who were doing it just completely differently. More importantly, I became more focussed on doing outreach aimed at colleagues, rather than non-experts.

Then, in 2017, I hit headlines for the first time. The description of Geckolepis megalepis made it big on social and traditional media, and I had my first experience with real media attention. I had a flurry of late-night phone-calls with journalists in the US. This was a different animal altogether than the few viral posts I had had until that point. It was extremely stressful, but exhilarating. Then in 2018, our chameleon fluorescence story made similar headlines, and in 2019 the Mini frogs, and in 2021 with gecko fluorescence and the smallest chameleon.

Seeing my name on the BBC News website and in the New York Times and National Geographic—those things have been the most surreal moments of near-fame I have experienced so far. The number of followers on social media is quite difficult to conceptualise, but seeing your own name in a media outlet that you consume regularly, or have grown up with, is more palpable.

In any case, I continued to run with twitter as my main platform for years, because I found the interaction with colleagues and other academics highly stimulating. In 2021, I even posted a twitter thread about a different species of frog from Madagascar every day for the full year. All this work was ultimately greeted with mediocre success; I just crested over 10,000 followers a few months before the Musth takeover. But then the platform became basically unusable. And in the fallout, I came back to tumblr, where, just by chance, I happened to find a post about the Mini frogs and reply to it and it went properly viral and now here we are. In the space of a year, I went from having 8000 followers to having >46,000.

How do I feel about that? It's bonkers. I think it is great that so many people are interested in hearing the Good News about frogs and other creatures. But I also feel like I am not really on the same playing field as most of the others in that poll mentioned above, in that I do not have any of the celebrity that several others have. And I know for a fact that there are fanblogs with far, far larger followings than I have. But perhaps that is the great thing about tumblr; that the playing field is somehow levelled…

What's the point of this ramble? Well, first I guess it is to outline that I have given fame a lot of thought over the years, and I have a long-standing and complicated relationship with it, and take it quite seriously. Second, to illustrate that I have been working on as a science communicator or person in outreach for many years—it has kind of been my social media brand since I started gradschool in 2013. And third, to kind of outline how we got here, because I often feel like you have to know where an arrow has come from in order to figure out which direction it will continue to fly.

You asked if I would somehow try to leverage my tumblr fame to get research funding—I already do that. In fact, my social media activity had a signfiicant role in landing me my current job, and will continue to help me achieve tenure. Outreach is an important part of my job, and funders like it too.

I would love to have the community-building power and tenacity of the brothers Green; Nerdfighteria has achieved some incredible things over the years, and the power of that community is now being seen at an unprecedented scale in their battle for equitable access for tuberculosis diagnosis and treatment. But I do not have that in me; this platform is the wrong one for community activation, and my community is still too small for that. Moreover, it is not organised or structured, in the way that I think effective deputisation would require.

As for the crowdsourcing of name ideas, that is currently off the table. I like to try to name things on my own or with my colleauges; it is a very good part of the process. And I have yet to hear a suggestion for a Mini species epithet that I had not already come up with myself, so I am not convinced that this would really augment the experience.

So for now, I hope that the main way I use the platform, and the power that comes with a few thousand followers, will be to spread the Good News about frogs and other wonderful animals, and the other kinds of science happening around us (and occasional other off-topic content). I hope that you are encouraged to explore the world around you, and to do your own reading to find out more about the subjects that interest you. And also I will continue to try to make meme-worthy content, because it does nice, if addictive, things in my brain when I get the clicks.

Thanks for asking, anon, and sorry for the Wall of Text.

#fame #famous people #celebrity #about me #science #herpetology #wall of text #long post #personal #answers by Mark #anon #anonymous

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darkficsyouneveraskedfor · 2 months ago

Text

moth to a flame

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon, praise, body worship, eye contact, public sex act, dry humping, and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Your friend invites you to a bonfire where you meet a man who knows you better than you think. plus! reader

Characters: Bucky Barnes

Note: this is my first of my autumn fics as decided by all of you!.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Asking for more or putting ‘part 2?’ is not feedback.

Love you all. You are appreciated and your are worthy. Treat yourself with care. 💖

Natasha is the coolest person you know. Probably the coolest person most people will ever meet; if they have the privilege. So it is that you wonder how she’s your friend. It’s really too good to be true which is why you can’t help but feel a bit enamoured by her.

It has to be real though. If you’re not friends, she wouldn’t invite you to her annual bonfire. A sacred tradition for her, or so you’ve heard. A gathering of all her closest friends. They are truly elite company. Not just your everyday schmucks, but The Avengers.

You’re sure you’ll seem a bit lame walking up with your basket of pumpkin muffins home-made cider. Still, you were taught to always bring something with you. Though it does provide an obstacle to getting to the front door smoothly.

You carry the large glass jug of cider by the metal handle as you hug the basket to your side. You struggle you hit the lock button on your keys and stop short as the cider sloshes around dangerously and throws your balance. As you try to correct yourself, footsteps scuff up behind you.

“Need help?” The deep voice is like silk.

You look over your shoulder, nearly tipping over as you do. The stranger manages to scoop up the basket before you tip it and you giggle in embarrassment. You sigh and let him take it from you.

Oh, he’s not a stranger. Well, you know his name, even if you don’t know him. Bucky Barnes, the Winter Soldier. One of Natasha’s many high-profile friends. Again, you ask yourself how you ended up there.

“Oop, thanks so much,” you say. “I should’ve made two trips.”

“No problem,” he assures you. “You a friend of Nat’s?”

“Uh, yeah,” you smile, turning back up the walk as he keeps stride with you. “New friend, I guess.”

“Friend is a friend. She only keeps me around because I made friends with a string bean back in 1930.” He chuckles.

“You mean--” You stop yourself and look away. You don't want to come off as a fangirl that quick. “Uh, well, we met at an event. She was teaching self-defense for the woman’s shelter.”

“Oh, you work there?” He asks.

You keep your eyes off of him, “I lived there. Not anymore.”

“Ah, well, that’s good? You’re in a better place?” He asks.

You nod, “much better.” You swallow and exhale. “I know who you are. You’re Bucky Barnes.”

“I’m never gonna get used to that,” he scoffs. “Takes the excitement out of meeting new people.”

“Oh, sorry, I...” you trail off before your nerves can break through.

You don’t think Natasha would ever have become your friend if she knew you were such a geek about her other friends. Cap and Iron Man and even Thor. They were the real-life heroes that inspired you to be your own. And it was a poster of Steve Rogers himself that sparked the last fight that led to you leaving your ex.

“It’s fine, so, do I get a name? Unfortunately, I don’t have the whole mind-reading thing going on,” he knocks on the heavy door as you shift the jug in your grip. You give your name as you peek over at him sheepishly. “These smell...” he lifts the basket and takes a whiff, “delicious.”

“I hope they are. My first time using my apartment stove. It’s gas. I’m used to electric,” you explain. “Uh, pumpkin muffins, if that’s what you were asking. Sorry, I...” you turn to the door and rub your lips together, “if I’m honest, I’m super nervous.”

“Nervous?” He echoes. “About?”

“Well, I’m not the greatest with crowds. Especially since the shelter... ugh, I don’t know why I keep bringing that up.” You cringe, “but uh, just... new people. I guess.”

“Ah,” he nods and teeters on his treads, knocking again, “damn it, Nat, what the hell are ya doin?” He grumbles. “Well, if it’s any consolation, I’m not really a people person either. The arm... it’s quite the ice breaker.” He sniffs, “I hate talking about the goddamn thing.”

“Um, yeah, that would be... awkward,” you utter.

The door opens before he can respond. You’re glad for it. You hadn’t thought about it but now all you can think of is if his arm has a built-in can opener.

“Oh, he-eyyyy,” Natasha stutters as her eyes flit between you and Bucky, “you’re here. Both of you. At the same time?”

“Uhhh, yeah,” you peek at Bucky.

“Ran into each other a few steps back. You’re shit at introducing people, Natty.”

She rolls her eyes and waves him off. She turns to you. “Wow, and what’s all this?”

“I brought cider and--”

“Muffins,” Bucky finishes for you as he lifts the basket higher. “I’m not much of a baker.”

“Or a guest,” she retorts. “That’s so amazing, thank you.” She reaches to take the basket, “come on, I’ll show you around. Bucky, I think you already know where the litter box is.”

Bucky tuts and shakes his head, “nice seeing you too.” He follows you in and faces you, “try to enjoy yourself. I know she’s a bit of a party pooper. Even if she is the host.”

“With guests like you, how can I not be,” Natasha trills and beckons you onward, “don’t worry about your shoes. We’ll most be outside so I’ll do a full sweep and mop tomorrow.” She turns and struts away.

Your eyes creep down her hour glass figure. You feel like a pervert as you do but you can’t help it. Even in a flannel and jeans, her body is perfect. The cowl neck of your red sweater and your corduroy feels a little less cute.

“You made these yourself?” She asks as she leads you into a large kitchen.

There’s a square island with a hardwood top and matching counters and cupboards; the tile is burgundy with black iron accents. You marvel as you compare it in your head to your boxy apartment with the peeling laminate and squeaky faucets.

“Uh, yeah,” you answer as you lift the jug of cider onto the counter. “Apple cider and pumpkin muffins.”

“You are too sweet. I have to admit, I got catering for tonight. I'm no good in a kitchen,” she chuckles. “Lived off of Hydra rations for so long, I can’t do much more than open a can or vacuum seal.”

“Oh, right. Nothing fancy,” you shrug. “You know, I just found the recipes online. Got some apples from the farmers’ market... I don’t know if it’s any good.”

“I’m sure it’s all delicious. Bet the cider would be great with some whiskey,” her voice is smokey as she smirks. “Wanna put that theory to the test?”

“Um, if you want. I’m okay either way.”

“I won’t blame you if you need some liquid courage before facing the rest. Work friends can be a bit much,” she chuckles. “Besides, I have a bottle that’s been sitting in my cabinet for too long.”

“Sure,” you accept, not wanting to be rude. And she’s right. You need something to take the edge off.

She hums as she leaves the muffins next to the jug and she spins to the cupboard. She takes out two glasses that resemble jars and a dark bottle of liquor. You watch her put it all together with ice and a cinnamon stick to boot.

“May as well get some before the rest devour it,” she slides a glass toward you and lifts the other, “cheers.”

You smile and clink her glass. You taste it and your cheeks pinch. The cider is good but you can definitely taste the whiskey. You hold back a cough and cover your mouth.

“I am just rewarming the hors d’oevres but if you want to wait, I can introduce you to everyone.”

Heat roils from the oven as it glows from within and there are trays waiting for serving. She’s already put so much in. You don’t want to make her day even more strenuous. After all, she didn’t have to invite you.

“No, it’s... you’re busy but if you need help.”

“Don’t be crazy. You’re a guest. Go, enjoy the party. I’ll be out shortly. Everything’s mostly out there already.”

“Okay, but um, I can take the muffins at least.”

“Alright,” she agrees.

You grab the basket and go to the door. You pause as you realise you don’t know where you’re going. Natasha laughs again.

“Other way, back door is right on the other side of me,” she sweeps around the kitchen swiftly.

“Right,” you turn back and cross the tile; one arm around the basket, your other hand cradling your glass. You push outside with your shoulder and step out onto the deck.

There’s a long table of snacks as promised. You go to it and put down the basket as you dare to glance up at the guests speckled around the yard. Pairs and trios stand in the grass and around the already crackling fire. They all seem to know each other and you recognise quite a few of them.

“Buns?” The question has you lurching in surprise as you face another partygoer.

“Oh, uh, no, muffins,” you lift the lid to show the contents. “Pumpkin.”

“Oooh,” the blond grins. The golden hair, the square jaw, broad shoulders; how could you mistake Captain America? “Can I try?”

“Of course. I brought them for everyone,” you smile and tightly clutch your glass of cider. “You’re... Captain America.”

“Ha, well, not here. I prefer Steve,” he takes out a muffin and peels away the liner. “And you’re... one of Xavier’s recruits?”

“Xavier? Who—no. I’m...” you introduce yourself as he sinks his teeth in to the muffin. Your stomach flips. What if it’s bad? “Natasha’s friend. Erm, I guess that’s what we all are but nope, I’m just me. Just a... civilian?”

He laughs, “just a civilian? Damn good baker. I don’t go for pumpkin often but this is amazing.”

“Really?” You beam and bounce on your toes.

“Oh, yeah--”

“Save some for the rest of us, punk,” Bucky comes up from behind Steve. “Just like him to be chatting up the cutest girl at the party. What line did he use?”

“Line? I’m just having a muffin,” Steve grimaces.

“Mm, muffins,” Bucky reaches in front of his friend to claim a treat of his own, “was waiting on these.”

He eyes your glass of cider and you take a sip. You pull your lips off the brim and gulp, “oh, the rest is inside if you want some.”

“She made that too,” Bucky points at your cup. “Who knew Natasha had cool friends?”

You giggle, “no, I’m not... just muffins.”

“Good muffins,” Bucky says through a mouthful, “mmm.”

“Might be good to hide them,” Steve remarks as he gives Bucky the side eye.

“Hey, these two meatheads giving you trouble?” Another figure approaches from the back door. You turn as Tony stark flips up his dark sunglasses. He sports a red velvet jacket with collar popped.

Bucky’s lips thin and Steve shakes his head, “you’re late,” the latter rebukes.

“It’s a party, capsicle. Chill. Wait, don’t do that. We might not see you for another seventy years.”

Steve scowls and takes another bite of his muffin. Bucky picks at his own and looks away. You nervously glance between them all.

“Tony Stark,” the new arrival offers his hand, “but you already know that, don’t you, sweetheart? So who are you?”

“Charming,” Steve comments.

“It’s called getting to the point, Rogers. Some of us aren’t gonna wait around until they’re in the nursing home.”

Steve growls and Bucky nudges him. The blond nods and looks at you, “I’ll see ya around.”

“Sure,” you accept. Bucky waves with two fingers and follows Steve’s retreat. You turn back to Tony and shake his hand as you recite your name. “Nice to meet you.”

“Natasha didn’t say this was a meet-cute,” he winks.

“Ummm,” you glance around nervously.

“Teasing ya. You look lost. You want the low-down on the dweebs,” he flicks his index towards the grass. “Now, you see, that kid right there, that’s Parker. His alias is top secret. For his safety. He might blurt it out anyway. And that’s his buddy Miles,” he points at to younger guests. “Someone should really separate them. We don’t need a mess.”

He snickers and puts his arm around you as he moves you toward the top step of the deck, “and there’s the mighty God of Thunder. We all know the puppy dog, and then there’s his stray cat of a brother. Trust me, I tried to have him ejected into space but apparently, they can survive that.”

He tuts. “And there’s Bruce, good guy. When he’s calms. And Brock. Real question mark, that guy. Maria, Coulson, Sam, Strange; the better Steve if you ask me. And Wanda, her husband; I made him, his name is Vision but I guess Victor is more ‘human’.”

He runs his hand up your arm as he pulls you closer, “there’s Charles, he prefers Professor, and his group of ragtag individuals. I could tell you their names but I’m already bored. Oh, except that one, the angry one with the swoopy hair. That’s Logan. Leave him alone. He’s even worse than the bozo with the vibranium arm.

“Now, T’Challa has more important things to do so we don’t got anyone else worth mentioning,” he drags his hand down your sleeve then lets go, “I’m sure you’ll be tired of all of us before the night’s done. I assure you, heroes save people, not the vibe.”

He clicks his tongue and jumps off the top step. You watch him strut off and you stare after him. There’s a lot more people than you expected. Familiar but still strangers.

The only good thing is there’s more than enough guests for you to fade into the background. You’re tempted to go back in and offer to help Natasha. You know better than that. She always sees right through you. She’ll know immediately that you’re just hiding from social interaction.

🔥

The night wears on into darkness. The large pit burns brightly as voices buzz and shadows waver. You stand watching the lick of flames, unnoticed amid the furor. Or so you think.

“Hey, there’s cider left,” Bucky appears at your side, his sleeve brushing yours. “Got you a top up.”

“Oh, that’s... nice.” You accept the glass as he holds another for himself. “You didn’t have to.”

“You look... lonely. I don’t know. Felt bad. You went to all that trouble and you’re wading through this sea of people you don’t know.” He shrugs. “Hate these things myself. I just came ‘cause Nat asked. Well, she tells. You know, you can’t say no to her.”

“Ha, yeah,” you agree. She isn’t just strong-willed, she’s intimidating.

“I usually end up just drifting around until everyone’s distracted, then I dip,” he explains. “Or find somewhere quiet.” He quiets to take a sip, “how about it? Everyone’s out here, there’s a sofa up on the deck.” Your teeth chatter as you try to taste the cider, “and A blanket.”

“Mm, it said it wasn’t supposed to get cold,” you look down embarrassed. You finally get a mouthful. It’s sweeter than before. Maybe because there’s no whiskey.

“Huh, well, you don’t gotta hang out with a boring old man like me. Just figured I’d offer,” he says.

“Thanks, that’s nice.”

“Well, I can be nice when I want to,” he raises his glass slightly and turns away.

As he marches off, you watch his back. Your eyes wander around. No one else even notices you. They’re all so wrapped up in each other. Even Natasha’s barely stopped to chat.

“Wait,” you call after Bucky, “I could sit down.”

He stops and turns as you scurry after him. The fire light flickers and limns the sharp angles of his face. He waits until your right beside him to continue on.

“So, you already know what I do for work. What about you?” He asks as you climb the steps in tandem.

“I’m a cashier,” you answer. “I work at a pet store.”

“Hm, I like animals,” he leads you to the sofa. You can see the glow of the fire but the voices aren’t so raucous from up there.

“Yeah, we mostly just have birds and hamsters there. Nothing very big. It’s a small place,” you explain. “I... It’s a new job.” You keep yourself from mentioning that the shelter helped you find it. It’s not really what you want to do forever, but it’s something.

“Still, that’s nice. You get to help people in your own way. Make sure they can spoil their pet,” he leans back as he balances his glass over one knee and you drink deeply from your own. “I got a cat. Demanding. A bit abusive.” He laughs then chokes on it. “Jeez, I’m sorry. That was a bad joke.”

You shake your head, “no, it’s not... really. I’m not upset.”

“You sure?” He angles towards you.

“Yeah, really. I can handle it,” you say.

He nods and hums, “yeah, I’m sure you’ve dealt with worse than words.”

You’re silent as you look down at the cup. You take another sip. He clears his throat as he shifts in the seat. He reaches back to put slide his phone from the back of his jeans. He leans forward to place it on the table.

“Ugh,” he sits back. “Better.”

You smile, “well, you don’t just work, do you? When did you get your cat?”

“Oh, she just made herself at home really. It wasn’t exactly a conscious or willing choice,” he laughs. You fold one arm around your middle and shiver again. “Ah, where’s that blanket--”

He reaches to the back of the couch and pulls down the blanket. It hits his glass and he loses grip of both. He huffs as he soaks the flannel in cider.

“Damn,” he stands and holds out the sopping blanket before it can drip onto him or the couch. “Just like me. Hold on. I’ll go get another blanket and clean this up.”

He untangles the cup from the blanket and sidles past you. You sit back silently as he heads for the back door. You glance over and consider sneaking over to the table to pick at the leftovers. Instead, you huddle down against another evening breeze.

You finish all but a mouthful of side and reach to place it on the wooden table. His phone lights up and draws your attention. You blink as your eyes instinctively find the screen. You get a glimpse of the wallpaper right before it goes dark again. Huh?

You shake off what you think you saw and the phone lights up again. You lean over and sink your teeth around the gasp that threatens to spill out. That can’t be.

You check over your shoulder before you reach for the phone. You tap the side button and gape at your own image staring back at you. There’s a chat bubble floating on the front screen; new messages. You tap and expand the preview. It’s from Nat; ‘you find her?’

Your stomach sinks and you nearly drop the phone. The door opens and you quickly set it back down and sit back. You cross your arm and stare out at the other guests. Nothing can happen as long as you don’t leave.

He comes back and you flinch as he drapes a blanket over you. He drops down onto the couch as he pulls it snug around your front. He drags his grip down the edges before he lets go. “Better?”

“Mhmm,” you agree and blink. Your eyes feel dry. You reach up to rub them.

“Really good cider. You’ll have to send me the recipe,” he insists.

“Sure,” you slur and try to shake it off. “I’ll find the link...” you swallow and cough. You don’t feel right. You need some space to think. “I need to use the bathroom, one sec.”

You try to stand but don’t even get your ass off of the sofa before you slump over. Your head crashes into Bucky’s shoulder. He opens his arm around you and rubs your back. He hushes you as you babble.

“You’re okay, baby,” he rubs your back, “I got you.”

You try to make a noise but you can’t. You can’t whine or whimper or scream. You can just squeak as he pushes you back up so you fall back against the arm.

“I measured...” he says quietly. “You shouldn’t pass out.”

You gurgle and lift your arm. It takes so much effort that it drops down like a bag a sand. The cider...

He shifts and stands, moving your leg behind him before he lowers himself back down. His hand rests on your thigh. His thumb presses into your soft flesh.

“God, you’re so beautiful, doll,” he traces up and down the seam of your pants. “Absolutely gorgeous.” He runs his finger along your pelvis, making a vee back and forth, “soft and... warm.”

“B--B—B--” you stutter.

“The moment I saw you, I knew you needed me,” he moves even closer, his hand crawling up your stomach. “Whoever chased you into that place, he didn’t deserve you. You deserve better.”

He moves carefully, lifting himself and twisting onto his knees. His hand glides back along your thigh as he folds it around him. You twitch but can’t do more than that. He bends and holds himself over you.

He curls an arm under your head and nuzzles you. Your eyes roll back as you hide behind your eyelids. This can’t be real. What is he doing? How can he have photos of you on his phone? And that text... did Natasha set this up? Why would she do that? She’s your friend.

“Look at me,” he growls. His voice is scary. Your eyes snap open and you groan. The tip of his nose rolls around yours. “God, you’re beautiful. Doll, I’m gonna take such good care of you.” He leans his pelvis against you as he presses down, “I’m going to keep you safe.”

He tilts his hips until you feel his bulge against you. Your eyes round and you puff out a foggy breath. What is he doing?

“Don’t look away,” he snarls as he slides his arm back and grips the back of your head. “Mmm, I just... I love the way you look at me. The way you feel beneath me.” He rasps as he rocks his hips steadily, “I can’t wait to have you on me, doll. To feel you on top of me. Around me. Mm, I wanna taste you so bad.

“Mm, your chest,” he touches your tits, “your stomach, your hips,” his hand explores with his declaration and he hooks his hand under you, “your ass. All mine.”

His coarse whispers tingle through you. What he says is nasty and wrong and yet it’s thrilling. Terrifying because you can do nothing to stop him. Defeating because all the people only feet away won’t either.

#bucky barnes #dark bucky barnes #dark!bucky barnes #bucky barnes x reader #fic #one shot #autumn #mcu #marvel #winter soldier #avengers #captain america #dark fic #dark!fic

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cybernaght · 1 year ago

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The fandom echo chamber: fanon, microanalysis and conspiracy brain

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe.

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”.

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours.

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we?

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals.

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation.

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth.

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space.

Eventually, this chimaera becomes a reality.

Part two. Microanalysis

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling.

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season.

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal.

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal.

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works.

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time.

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever.

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding.

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs.

Part three. The Conspiracy Brain.

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To.

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another.

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership.

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake

C) this must be done on purpose

D) here is why

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another.

Three, Intentionality

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed.

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media.

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic.

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking.

Unfortunately, people make mistakes. We are all fallible that way.

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness.

Conspiracy theories create alternate realities, very much like we all do here.

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all.

All I am saying is… listen.

Do you hear that echo?

I do.

#fandom thoughts #fanon #good omens #good omens 2 #bbc sherlock #merlin bbc #think piece #it's been years and I still have no idea how to tag #conspiracy theories #fandom content #all fandoms

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burntheedges · 1 month ago

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Pas de Deux Masterlist

Din Djarin x f!reader | 18+ | ~40k words | updates on Wednesdays main masterlist | ao3

summary: When Din Djarin – principal dancer at Concordia Ballet Company and generational talent in the classical style – suddenly left CBC and joined the Nevarro Ballet Theater mid-season, it shocked the ballet world. You never would have guessed that he would change your life, too.

full fic tags/warnings (spoilers!): modern AU, ballet AU, fluff, angst, flirting, dancing, lots of ballet terms (I’ll define things/link videos/etc. -- see below), misunderstandings, character study, romance, pet names (sweetheart, beautiful), lots of tension, later: smut, kissing, grinding, fingering, p-in-v sex, creampie, each chapter will have its own tags, Din lifts reader (see note below about reader)

a/n: welcome to the Din ballet fic!! I started writing this in April and it’s finally finished! I’ll post a new chapter every Wednesday, there are 14 total. There’s some smut coming but it’ll be a while, folks. See my notes below about reader in this fic and ballet in general. Thank you @katareyoudrilling for being the best beta, as always!! This fic is so much better because of you. 🧡 And thank you to @almostfoxglove for reading over it and confirming I didn't forget all my ballet, lol. 🩰

note about reader: in this fic you’re a ballet dancer, first soloist at Nevarro Ballet Theater company. I haven’t mentioned the reader’s body size or shape (or hair) basically at all, even to the point of avoiding clothing (except for costumes), but I understand the image that goes along with ballet – I danced for almost 20 years. Din does lift you many times. Please feel free to picture whatever you want, but I know that this might seem more limited. You also have a best friend named Adrian who is in the company with you. I never specified age, but to make first soloist most would be in at least their early 20s. Din is 27.

Chapter list and notes about ballet under the cut! Comment or reblog to join the tag list. 🥰🩰

Chapter List

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7 - coming Wed 11/27

...

some notes about ballet: I will share links to videos and such as much as possible, but here are some definitions to get us started – principal, (first) soloist, corps de ballet, variation, and class vs. rehearsal:

Principal - this is the highest level a dancer (of any gender) can reach in a company. Dancers are ‘promoted’ through the ranks. Principals usually have exceptional technique and artistry and can perform solos, pas de deux (partnering), headlining and/or the most challenging roles, etc. (e.g., the white (Odette) and black (Odile) swans in Swan Lake, both usually performed by one principal). Sometimes dancers are hired directly in as principals (like Din, in this fic). Smaller companies might have 5-6 principals, while larger ones could have as many as 20. Nevarro is somewhere between medium and large and has around 14 principals, including Din.

First Soloist - not every company has this rank, but it’s in between principal and soloist. Nevarro has 4 but they are counted among the soloists (12-14ish total). Soloists are often understudies for larger parts, and first soloists would do the same. In this fic reader is a first soloist, just promoted at the start of the season.

Soloist - this is sort of a middle level, for dancers who are doing very well and have proven themselves capable of taking on bigger roles. Many ballets have multiple roles, including supporting roles in the narrative, for soloists and principals to showcase many dancers’ talents. A smaller company might have 5-6 soloists, and a larger company might have as many as 20. (Larger companies also do more shows.) Nevarro is somewhere between medium and large and has around 12-14 soloists, including first soloists.

Corps de ballet - this is the lowest/starting level in a company. It’s where most would start from and has the largest number of dancers – these are the dancers who come out on stage in large groups or form the background unnamed roles in narrative scenes (like a party). Reader started in the corps and was promoted to soloist and then first soloist.

Variation - a solo dance, usually a piece from a larger ballet (e.g., the Sugar Plum Fairy in the Nutcracker). We say ‘variation’ because there are many ballets that have been choreographed differently by multiple people in the ballet world (e.g., there are famous versions of the Nutcracker by Petipa, Gorsky, Balanchine, Nureyev, Baryshnikov… and more). So there can be multiple variations of a solo from a single ballet, and more can be created or altered, etc. But in general the term just means solo.

Class vs. rehearsal - most companies distinguish between ‘class’ and ‘rehearsal’. Class is for the whole company and focused on improving technique. It’s quick and often repetitive and everyone sort of knows what to do. Most people would have ‘their’ spot at the barre and fall into a typical order for going across the floor. After class, most would go into multiple hours of rehearsal, PT, strength training, etc., depending on whether it was a performance day or not. Most companies are rehearsing for more than one performance at a time, so they might have a longer rehearsal for the show coming up this or next weekend, and a shorter one for another performance a bit farther away. But in the days leading up to a show, that show’s rehearsals would probably take over. This can vary by company. On show days, most would have fewer rehearsals with a 1-2 hour break before the call time to get ready.

Season - companies have 'seasons' which just refers to their plan for shows/schedule for the upcoming year. They might refer to like a fall season and a spring season, or the might have a full year schedule with different parts (fall/winter/spring), or they might have only a spring season that runs into early summer. It depends on the company and the size! In this fic Nevarro has a fall season and a spring season, but they tend to think about it as a full year for contracts/etc. They would have 3-4 big shows planned (think Nutcracker, Swan Lake, Giselle, Onegin, etc.) in each part of the season (so, 3-4 in fall and 3-4 in spring). And then they'd fill in the gaps in the schedule with "mixed programs", which are programs with multiple smaller ballets or pieces that feature a lot of dancers. So a mixed program might have a 20 minute Balanchine ballet, a pas de deux, a full corps piece from a larger ballet, and a piece for like 8 dancers. or something. Mixed programs are often when choreographers-in-residence and on staff get to debut their own work.

#din djarin x reader #din djarin x you #din djarin x f!reader #din djarin fanfiction #din djarin #pedro pascal character fanfiction #the mandalorian #nbt fic #pas de deux fic #here we go folks #x reader

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inlovewithpandora · 13 days ago

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ꕥ — Found Someone Better / The Foundation

Artists — Tonowari x fem!avatar!reader

Genre — Chapter Three

Lyrics — For the past couple of weeks you’ve been on the island Tonowari has been your karyu, showing you the ways of the Metkayina. With each lesson there’s a growing tension between you, causing you to feel bold enough to make a move.

Music Advisory — Pre-Atwow, slight timeskip (a few weeks), teacher/student dynamic (in the beginning), mentions/implied widow!tonowari, small scene of domestic violence (flashback w/ Neytiri), crying, slight hurt w/ comfort, kissing, awkward tension, love confession, new side character;

・Some of the topics above can be considered triggering to some. If you don’t agree with any of the content above or it makes you uncomfortable please dni! You’re responsible for your own consumption!

Duration — 7.1k words

Index — Kelku - Home・Karyu - Teacher・ Tewng - Loincloth

Words From Artist — After a long wait chapter three is finally here! Thank you to everyone who has commented, liked, and reblogged chapters one and two, I appreciate all the love and support! This chapter took a long time to write because I wanted to make sure it was at its best once it was posted. This chapter is an important part of their story which is why it’s longer than my other chapters, I would highly encourage reading the entire chapter.

・Also, I’m beginning to write future chapters and special addition chapters that will take place between volume 1 and volume 2 of the series and I want to incorporate any ideas you all may want to see so if you have any ideas feel free to send them to my inbox and I’ll work them into future chapters any way I can!

・Lastly, comment below how you feel about this longer chapter. Some of my future chapters might be a little lengthy (around 6-11k) and I want to know if you guys enjoy the chapters longer or if I should keep the chapters short (around 3-5k).

I hope y’all enjoy and always feel free to comment and reblog, I love reading y’all reactions!

Current Platforms — Chapter One ・Chapter Two・ Series M.list ・Series Taglist・Main M.list

“You must breathe from here,” Tonowari places one hand on his stomach, puffing out his chest as he inhales and straightens out his back, showing you where you must focus your energy. “Let your mind go clear and your heart rest.” You’ve been with Tonowari for the past few hours, learning about all the different aspects about becoming Metkayina from fishing to swimming. You were anxious in the beginning because you were worried that your fondness for Tonowari would be shown through your actions but so far it’s been going well, you’ve been able to keep your emotions under control.

You’ve been trying your best to replicate the breathing technique he’s displaying but for some reason you just can’t get it right, you keep breathing from your lungs instead of your diaphragm and it’s frustrating because you don’t want to embarrass yourself in front of him. When Tonowari notices your struggle he decides to help you, like any good karyu would. “From here, y/n.” His low tone vibrates through the air while pressing his large, callous hand on your abdomen, making a shiver run down your spine. You weren’t expecting him to touch your stomach and you most certainly didn’t expect his hand to be inches away from the waistband of your tewng. When you think things can’t get anymore nerve wracking, you feel his other hand make contact with your chest, mindlessly resting his hand right above your cleavage. “Your heartbeat is fast, try to focus.”

“Sorry.” You mutter out while looking down at the sand beneath you to avoid his gaze as a purple hue spreads across your cheeks from embarrassment. How can you possibly focus on breathing when you have this beautiful man hunched over your frame and looking down at you with a powerful gaze? As Tonowari instructs you to breathe in and out, inhale deeply and exhale slowly, your eyes wander his figure, watching the rise and fall of his broad chest that was partially covered with intricate tattoos. “Am I doing better now?” You ask timidly, hoping you’re doing the right thing and not making the same mistakes you were earlier.

“Much better, I think it’s time we move on to your next lesson.”

—

You and Tonowari have moved to the shallow end of the water so he can teach you how to ride the Marine Na’vi’s mode of transportation. The Olo’eyktan begins to whoop and click his tongue, drawing the attention of one of the many animals in the surrounding area. “This is an ilu, you must ride this in order to go to different places within the reef.” As Tonowari explains what to do, you mount the ilu, making sure you feel comfortable before reaching behind your back and grabbing your kuru. “Make the bond gently.” He instructs while holding the ilu’s kuru at an angle. You lean your hand forward, allowing your tendrils to connect with the ilu, causing a soft crackle sound to fill the air as tsaheylu forms. When the bond is successful the ilu begins to squirm underneath you as their pupils grow wide from your emotions intertwining with theirs.

“Feel her breath, feel her strength.” You take a deep breath while closing your eyes, allowing your mind to become one with the sea creature. “Hold here.” He places his hand on the handle of the ilu’s saddle and you copy his actions, wrapping your hand around the brown leather material. “Your posture is incorrect, it must be strong when you dive.” Tonowari was going to talk you through getting into the correct position but since his hands were free with nothing to do —and he wanted another excuse to feel your skin— he decides to put you in the correct placement.

His right hand comes across your lower back while his left hand grips your thigh before scooting you up on the seat of the saddle. “Now remember, when you dive back in, good position. Very important.” He wanted to emphasize his words because he doesn’t want you to fall off and hurt yourself. You nod your head in response, taking in his words before you command the ilu to dive into water. The feeling of riding an ilu was much different than anything you’ve experienced, feeling its body move up and down to generate momentum and propels through the water is something you’ll definitely have to get accustomed to. After riding for a few minutes you start getting the hang of it, when you feel confident in your stance you click your tongue, causing the ilu to leap out the water and dive back in.

As Tonowari watches from the shallow end, he nods happily, proud that you got the hang of it so quickly. He wasn’t expecting you to figure out how to properly ride so soon in your lesson since you weren’t used to the reef and doing these types of activities in the water but you’ve proved him wrong. After a while of riding Tonowari motions to get you to come back in since it’s almost time for your son and his children to come home from school. You come back to the shore, gently breaking the bond with your ilu and bringing your leg from over the animal’s body and walk back towards land.

Since Tonowari ends your lesson for the day, both of you spend the next hour or so walking around the village exchanging stories about each other’s clan, telling each other numerous amounts of information. The two of you were soaking up everything the other was saying, wanting to learn more about each other’s culture. You begin to enlighten him on everything you know about the Omatikaya, from the perspective of being a clan member and as a human who was also a scientist. The topic changes from the different flora and fauna to how the clan gathers together to add their unique designs to the mother loom that’s given a place of honor in the common area of Hometree.

While you’re getting consumed into your sweet memories of the forest you don’t even realize you were only a few feet away from your kelku. In your mind you see this as a perfect opportunity to show Tonowari some memorabilia of your time with the clan. You invite him into your marui and begin showing him blankets you weaved, jewelry you’ve crafted, and a few more pieces you think he would enjoy seeing. As Tonowari listens to your stories and sees the bright smile that adorns your face he begins to wonder why you left the forest. From his perspective it seems like you had a wonderful time when you lived among the Omatikaya so he’s curious as to what pushed you into fleeing. His desire to know what happened in the forest that led you here is starting to get the best of him, the question is echoing in his mind and he knows it won’t end until he properly asks.

“y/n, I must ask. If the forest was filled with such fond memories, why did you leave?” As the words are coming from the Olo’eyktan’s mouth he can feel a ping of nervousness strike his chest, having a feeling that the topic could be shaky territory by the way he watches your body grow tense at the mention of why you left. You weren’t expecting him to ask your reasoning behind your move at this moment so it caught you off guard. The forest was filled with amazing, beautiful memories you’ll forever cherish but there’s also been dark times that you wish you could forget.

“Neytiri, I feel like I’m the only adult in this house that cares for Lo’ak. You and Jake stay away from him as if he’s a disease but both of you practically smother the other kids with attention. It’s not fair to him, he deserves all his parents to show him love, not just me!” You were getting frustrated with your mates treatment toward Lo’ak, you know Jake would be a tough cookie to crack but during most situations Neytiri is the level headed one out of the pairing so you were hoping that if you expressed your concerns to her she would be able to receive what you're saying instead of ignoring it.

“My parenting is the same with all the children, I do not favor one more than the other.” You can see her tail beginning to wip behind her, her ears flattening against her skull, and her face expressions quickly changing. All of those elements put together could only mean one thing, she’s angry. You hate when she gets upset, unlike Jake she reacts before she thinks of the consequences and when she lashes out she doesn’t care if you get hurt in the process. “What are you trying to imply, y/n? That I am a bad mother, that I cannot provide motherly love for them?!” The hiss that follows her question is sharp and quick, her tone is slightly calm but you can still hear the anger that’s trembling behind it which makes you a little more worried but you have to stand your ground, she needs to know what she does affects your son.

“I’m not saying you’re a bad mother but…” You had to stop yourself for a second because you feel like you’re about to tell a lie. If she’s treating Lo’ak differently than the others than she is a bad mother no matter which way you try to spin the matter. Maybe Neytiri will finally get it if you tell her to her face and not sugarcoat things like you usually do to spare her feelings. “Actually, I take that back. If a mother plays favorites among her children that makes her a bad mother because she isn’t treating them equally so yes, you are a bad mother!”

This is what set Neytiri off, she’s so pissed that she couldn’t even control her body and what she did in response to your remark. The Na’vi woman opens her palm and sends a harsh slap across your face, it was so quick that you didn’t see it coming but once it makes contact the impact is so strong it forcibly makes you turn your head in the direction of the hit, bringing ample amounts of pain to your cheek, causing a tint of purple to rise to the surface. You stand there in a state of shock, tears clouding your vision as you look at Neytiri’s who’s yelling at the top of her lungs. “How dare you say that to me?! I am a good mother!”

“You’re not Neytiri, stop lying to yourself and to me! When you’re out with Neteyam, Kiri, and Tuk, taking them for little adventures around the forest, you purposefully leave him home with Jake! What type of good mother does that?! And you only have the balls to do it when I’m not home because you know I wouldn’t let that slide!” You shout at her before moving your hand over your cheek, feeling some pain from the aftermath of the slap. “And you want to know something else?” You move closer to her, closing the gap between both of you. “A good mother would never hit the mother of their child and a good mate would never lay a hand on their wife!” The more you yell at Neytiri with a tone laced with anger, the more you comprehend that she hit you, your wife, the woman who’s supposed to love and keep you safe decides to inflict pain on you. “How could you hit me, Neytiri?! I’m your wife, you’re supposed to protect me not harm me!”

You haven’t thought about that day in a long time. You pushed it deep down in your memory bank, trying to forget the first time your ex-wife put her hands on you but when Tonowari asked you about your reason behind leaving the forest it brought the argument to the front of your mind. That memory along with others are painful, they cause you so much heartache that you wish they could be erased so your brain doesn’t have the chance to remember the hurt you felt during those moments. As you begin to come back to reality you feel something drip onto your arm, making you realize that your eyes have produced tears and they’ve been streaming down your face this whole time.

Tonowari can see the loss of light in your eyes, the tears freely flowing down your cheeks, and the way your body shivers at the mention of your past life in the forest. He didn’t mean to bring up any bad feelings or memories, he didn’t mean to make tears escape your pretty golden eyes, he was only curious about what took place that made you come to the reefs and now it’s clear to him that it wasn’t something pleasant. “I apologize for bringing up the topic, I didn't mean to make you upset or—”

“It’s okay, Tonowari. I know that you didn’t mean any harm.” You cut him off from his apology, not needing to hear anymore. You know that he’s curious and wants answers, you feel as if you owe him that because he accepted you and your little ‘itan with open arms but you're just not ready to reveal that part of your life story.

“You can tell me whenever you feel comfortable, no rush.” Tonowari places his hand on your bicep, squeezing it gently as a form of reassurance and to let you know that he’s here for you. He can see that you have a story to tell and he’ll be ready to listen whenever you’re ready to share.

“Thank you, that means a lot.” You give him a small smile, allowing him to see a little peek of your canines before you place your hand over his. As you look the Metkayina man in the eyes your heart rate starts to rise at a fast pace and you can feel your stomach tying in knots. In this moment you feel like a teenager again, all the emotions that come with liking someone hitting you all at once. Tonowari’s a sweet man, he’s slowly seeping his way into your heart and honestly you're not opposed to it.

You’ve known him for weeks now and you love everything about him, how great he is with his children, his kind and gentle nature, how he’s an authority figure within the clan but doesn’t let the power get to his head, you’re not only physically attracted to him but also to his personality. With both of your hands touching, feeling the warmth radiating from the other's skin, it's like sparks of electricity are burning through your skin. His touch makes you want to melt and you haven’t felt this way in years, that jittery feeling that sits and stirs in the pit of your stomach when looking at someone almost feels foreign to you but it’s nice, you’re glad that you can still feel all these emotions about someone after Jake and Neytiri, maybe it’s possible that you have another shot at being in love.

Seeing that your tears are still dampening your cheeks makes Tonowari's heart clench with pain knowing that he can’t do anything to dissolve the sadness that’s overshadowing you, especially since he’s the one who caused said tears by questioning your past. He doesn’t like seeing your beautiful face stained with tears so he resolves the issue by using his unoccupied hand to wipe them away. It comes as a surprise to you, before you can process what’s coming you feel his hand caress your face, his thumb gently gliding against your cheek and underneath your eye, wiping away the tears on one side of your face before moving on to the next.

His soft touch sends a shiver throughout your body, his callous hand feels so warm against your face and his eyes glisten with a sense of care and kindness. Your body is feeling things that your brain is barely able to comprehend, it’s wanting to act on emotions regardless of what your mind is telling you. Your eyes flicker between his eyes and lips, wondering what it would be like to kiss him. It’s been so long since you’ve felt someone else’s lips against yours, it would be nice to feel some sparks again, to get that electrified feeling in your veins when you kiss someone. ‘Do it. Kiss him.’ The thought echoes through your mind while trying to decipher if it’s a good idea. Before you psych yourself out and say no you just mumble “screw it.”, place one of your hands on one side of his face, and kiss him.

His lips feel so good against yours, that spark you were hoping to feel is there, you can feel it surging through your veins and causing your heart to thump against your ribcage. The kiss creates a warmth spread through your body, it makes you feel good about making the split decision to kiss Tonowari until you begin to have second thoughts about it. You start to realize that you don’t feel Tonowari’s hand touching you in a loving manner, his body seems slightly tense, and his lips aren’t making an effort to reciprocate the kiss as you would like. In your mind all those things put together must mean that he doesn’t want to kiss you and that he definitely doesn’t see you in a romantic way like you hoped he did, causing all the tingling emotions you felt earlier to quickly seize and your body to run cold with embarrassment.

You quickly pull from Tonowari and start spewing out an apology, hoping it’ll make the moment less awkward even though you doubt that’ll happen. “Tonowari I’m so sorry, I don’t know what I was thinking, I’m such an idiot-” You spring to your feet and nervously run your hands through your braids, something you tend to do when you're in uncomfortable situations.

“It’s alright, y/n-”

“No, Tonowari it’s not. It was stupid of me to-”

“Mama!” Lo’ak runs inside the marui with speed and bursting to the seams with energy, wanting to ask you something. When you hear his little voice you mentally thank Ewya for the intervention so you don’t have to deal with the discomfort between you and Tonowari right now.

“Yes, Lo’ak?” You reply to his call while turning to face the entryway of the room you're in and giving your son your undivided attention.

“Can I go play with Rotxo for a little while?” Since being here Lo’ak has made a few friends, including Rotxo who was nice to him when he first started attending school. The two boys usually always play together while at school but today they went to play by the beach and roam the island a little and they know they need parental supervision for that which is why he’s asking you for permission.

With Lo’ak wanting to hang out with his friend this gives you the perfect opportunity to get out of this embarrassing situation with Tonowari and will allow you to clear your head a little and figure out what to do going forward. “Yeah, you can play with him. I’ll change into something different and then we can leave. Okay?” Lo’ak nods his head and goes to another area of the marui and starts gathering a few of his favorite toys and places them in a woven bag so he can show Rotxo later.

With Lo’ak now gone it just leaves you and Tonowari again and before he has the chance to rehash the previous conversation you decide to speak up. “It would be best if you leave now.” Your eyes avoid meeting his gaze and you can barely get out the words before feeling a wave of nausea thinking about how you physically expressed your feelings for a man that doesn’t feel the same way.

Tonowari doesn’t show any resistance and respects your wishes, not wanting to make you feel worse at this current moment and decides to speak with you later when you both can talk in private. He gives you a slight nod, acknowledging your words and showing that he hears you before leaving like you asked. When you watch the entryway flap close behind him as he walks outside you let out a frustrated sigh and run your hand down your face, wondering how you could possibly be able to see and talk to Tonowari again since now he clearly knows you have romantic feelings for him.

You want to figure this out as soon as possible so you can calm your nerves but right now you have to put that on pause and go into mother mode for Lo’ak and meet his new friend and his mother. You take a deep breath and rest your mind, shifting your attention to getting ready to go into the village and mingle with your new clan members. Once you change into a new matching set and drink a few sips of water you're ready to take Lo’ak to his playdate and try to forget about your crash and burn moment with the Olo’eyktan.

—

It’s sunny around this time of day, the ocean water is slightly warm and the aquatic life is very active, fish swimming calmly in the water, energetic Ilu leaping out the water every so often, and sea otters sunbathing and basking in the sun's light. When you and Lo’ak make it to the heart of the village you can see Rotxo who’s standing next to an older woman who you assume to be his mom and when him and Lo’ak make eye contact they immediately run to each other before dashing off to play, making you chuckle at their eagerness. “Lo’ak, stay where I can see you!” You shout to him because you know if you don’t he’ll start roaming all over the island and you won’t know where he is.

“Padma, it’s nice to meet you.” The woman says as she walks over to you, starting up a conversation. You’ve seen her around the village a handful of times since you arrived but you both never crossed paths before so this is the first time you’ve talked with her.

She extends her hand out for you to shake and you comply, wrapping your hand around hers in a firm shake before introducing yourself and telling her your name. “It’s nice to meet you as well, it seems like our boys are getting along nicely.”

“Yes they are. I’m glad they found each other.” She says with a soft smile before she turns and picks up the woven basket next to her that is filled with multiple different fruits and places it on her hip so she can take it home with her. “Would you like to come to my mauri and help me prepare a snack for the boys?” Padma assumes that after all the playing the boys will be doing they’ll be hungry and want a little treat.

Padma watches how your facial expression changes and notices the look of concern that comes across your face when you focus your attention over to Lo’ak showing Rotxo his wooden ikran toys, knowing that you want to keep an eye on him at all times. “Don’t worry, my mauri faces where they are playing so you’ll be able to watch him and make sure he’s safe.” When you hear that it makes you feel better, which means you agree to going with Padma to her home.

It only takes a few minutes to make it to her mauri and when you walk inside Padma invites you to come sit down next to her in the common area and places the basket of fruit between the both of you. She takes her knife out of its sheath and begins to cut away the skin of fruit while you start cutting another fruit into cubes. “So, y/n, how are you liking it here so far?”

“It’s taken me a while to learn and adjust to all the new lifestyle aspects but other than that I’ve been enjoying my time here so far.” Being among the Metkayina has been different but it’s been fun, being here makes you feel more free to be yourself and you don’t feel the need to have your guard up or always have to be fearful about going home at the end of the day. Going home to a relaxed environment is something you’ve always wished for since your past relationship started to derail so to have that now makes your spirit feel at peace.

“That’s good to hear, have you made any friends yet?”

“No, I don’t think the women in the clan are too fond of me yet.” Most of the Matkayina women haven’t been very receptive to your presence amongst the clan yet. Whenever you're walking around the village, trying to complete your daily tasks until you find a permanent role in the clan, some of them will stare at you while others will exchange hushed words while you walk by. You know the reason they aren’t receptive to you is because you’re a dreamwalker and your DNA contains human genes and honestly you don’t feel any sort of way about it because you dealt with the same thing when you first joined the Omatikaya. It took a while for them to warm up to you and start befriending you so you know it’ll be the same here. The only difference is that at least with the Omatikaya you still had your scientist friends in the lab so you weren’t completely alone but here you don’t really have any form of friendships except for Tonowari which you’re grateful for, regardless of your current situation with him but you would like you to find some women to hangout with.

“Well, consider me your first friend here.” Padma says with a smile, wanting you to feel welcome and that you have someone in your corner and like you have a sense of community here so you don’t have to be alone. Hearing that makes a small smile curl onto your lips and you begin to feel like you’re officially starting to build a new life here.

For the next hour or so you and Padma talk about multiple topics, asking questions and sparking up conversations to help the both of you bond and get to know each other better. While you're listening to Padma talk about how she met her mate and their love story, you begin to think about what happened between you and Tonowari earlier. You know that you can’t ignore him and that you have to talk to him about it but you have no idea what you’re going to say the next time you see him. While Padma is talking she notices how your mind is elsewhere and that you've zoned out of the conversation. She can see that something is on your mind and she feels like it would be rude of her not to ask and see if there was any way she could help. “y/n, is everything okay? I can tell your mind somewhere else.”

Before answering her question you wonder if you should tell Padma what’s troubling you, that you're having trouble in the love department which is kind of surprising to you since you’ve only been living among the Metkayina for a few weeks. On one hand you don’t really want to say anything because you aren’t a fan of telling your business but on the other hand you don’t know what to do about Tonowari and it would be good to get some advice. “There is something bothering me.” A small sigh escapes your lips before placing your knife down and putting the fruit you’ve prepared in a wooden bowl. “I have feelings for someone here, me and him are getting along well but I think I messed things up with him.” You decided talking to her about what’s going on would be best but to protect your privacy and Tonowari’s, especially with him being Olo’eyktan, you decided to keep his name out of the conversation.

Padma wasn’t expecting you to need advice relationship wise, not because she didn’t see you finding love with someone on the island but because you haven’t been here long but nonetheless she’s willing to help you in whatever way she can. “What do you mean ‘you messed things up’? What happened? If you’re willing to share of course.” You begin to tell her what happened with Tonowari, specifically the part where sparks flickered between you two and that you kissed him out of the blue, not wanting to give away too many details but give the important parts that’ll help Padma understand what’s going on between you and Tonowari.

As you talk and explain Padma listens carefully, wanting to make sure she hears everything before giving her opinion on the matter. Once you finish talking she gathers her thoughts and starts giving her advice. “I think that you just need to talk it out with him, it could’ve been a reason why he didn’t kiss back. When you kissed him he could’ve just been taken by surprise because he didn’t expect it.”

“You’re right, that could be it. I’ll talk to him and hopefully it goes the way I want it to. Thank you Padma.”

“Of course, I hope your mind is at ease now.”

“It is, and I’m hoping that this conversation stays between us.” You imply that you want the conversation that just took place to go no further than these four walls and Padma respects your wishes and promises not to speak of it with anyone. While the conversation shifts to another topic you can hear little voices and footsteps approaching and within the next few seconds Lo’ak and Rotxo come running inside asking for a snack, good thing you and Padma were already ten steps ahead and have something prepared for their rumbling stomachs.

—

The sun has started to slowly fall behind the horizon, causing the clear blue sky’s to fade and turn into a beautiful mixture of red and orange. With all the playing, swimming, and even a little roughhousing the boys have officially tired themselves out. Both Lo’ak and Rotxo's eyes are starting to grow heavy, meaning it’s time for them to take a nap. While Lo’ak and Rotxo are saying their goodbyes, you and Padma make plans to hang out later in the week, she tells you that she knows a great place on the island to have a picnic and you definitely can’t wait to go since you haven’t fully explored the island yet.

Once you and Padma wrap up your conversation, you grab Lo’ak by the hand and start walking along the spongy pathways around the village and make your way to your mauri. “Lo’ak, how was your time with Rotxo? Did you have fun?”

“I had so much fun, Rotxo is the coolest! He showed me how to do all these tricks on his Ilu and while we were in the water he caught a fish with his bare hands!” Lo’ak tells you about everything he and Rotxo did his voice is laced with excitement while he tells you each and every detail, making you smile at the fact he enjoyed his time with his friend and that he’s adjusting well to living with the Metkayina, especially socially. “I’m glad you had fun, yawntutsyìp.”

You and Lo’ak continue talking as you walk home which makes the walk seem shorter than it usually is. Since Lo’ak has a newfound burst of energy he believes he doesn’t need a nap but you tell him otherwise. “Lo’ak, if you don’t take a nap you’ll be tired later at dinner and-” When you turn the corner and are a few steps away from the entryway of your home you can see Tonowari standing in front of your mauri, causing your words to become lodged in your throat at the sight of him.

You were planning on talking to him, at the earliest tomorrow so you could have a night to figure out what to say and gather your thoughts but since he showed up without you having any prior knowledge you have no idea what you’re gonna say to him so now you have to rack your brain on what to say. Lo’ak is still standing beside you and the conversation you need to have with Tonowari definitely isn’t for children’s ears so you send him inside. “Lo, go inside and clean up so you can take your nap.”

“But Mama, I don’t wanna take a-”

“Now, Lo’ak.” When your son hears the sternness in your voice and the seriousness written on your face he makes a beeline for the mauri and does as you told him to. Once he makes it inside and you see the flap close behind him, you turn your attention to Tonowari and try to mentally prepare for the pending conversation. The Olo’eyktan walks closer to you before you can do it yourself, making your words begin to scramble in your brain and your mouth to start moving at a mile a minute before you can stop yourself. “Again, I just want to say I’m so sorry for kissing you out of the blue like I did. I shouldn’t have just assumed you have feelings for me, it was impulsive and-”

Before you can finish your rant, telling him how sorry you are for making things awkward between you both, Tonowari closes the gap between the two of you while his eyes lock intensively with yours, making your heart race. Suddenly, he leans in and presses his lips firmly against yours, causing your eyes to slightly widen in shock and your body to freeze while your mind is racing as you attempt to process what’s happening. The warmth that’s radiating from him overwhelms your senses, making you feel like you're on a sugar high. After a few seconds the initial shock fades you begin to relax and kiss him back, allowing your feelings to take over.

You lean into Tonowari, feeling his strength as he pulls you closer to him, one hand cradling your cheek while the other finds its way wrapped around your waist, anchoring you in place. His large hands on different parts of your body makes you want to melt in this moment. His lips are soft and insistent, moving so tenderly across yours that it takes your breath away. As the kiss deepens you can almost taste the sea salt on his lips, it’s intoxicating yet captivating, making the world feel like it’s fading and turning into a blur.

After what feels like hours but in reality is minutes, Tonowari pulls back and both of you are left breathless, making a smile appear on both of your lips, his because he feels a wave of joy and yours because you're still a little surprised that he kissed you and how amazing a kiss it was. It’s been many years since you’ve had an intimate kiss like this before, feeling another warm body against yours was a feeling you definitely missed and are so glad to have that again with someone you genuinely like.

“y/n,” The Metkayina begins, his voice low and filled with sincerity, still lingering in the warmth of the moment you both shared, hoping he can gather the right words. “You don’t need to apologize, earlier I wanted to kiss you but I was taken aback, at that moment I didn't know what to do.” When you kissed Tonowari earlier he was in shock, he didn’t know how to react so he just froze up. Since Ronal died he hasn’t had feelings for anyone so when he met you everything felt so new and different to him, he didn’t expect to feel a connection with anyone again, especially with someone so different from him but he loved the way you made him feel.

“I didn’t mean to catch you off guard, I was just caught up in the moment.” You reply softly, beginning to feel a hint of shyness creep into your voice due to the way Tonowari’s eyes feel like they are peering directly into your soul.

“I’m glad you did, if you hadn’t I wouldn’t have known you felt the way I feel for you and we wouldn’t be here now.” He reassures you that everything that has happened was meant to be, the two of you were meant to share your first real kiss a few feet away from the ocean waves that are crashing against the sand, it was already written in the stars that the two of you would share such a special moment on the part of the island that’s secluded, meaning you don’t have to worry about prying eyes of the village, it would just be you and him, exploring your connection without fear.

“So, what does this mean for us?” With Eywa giving you a second chance at finding love you don’t want to beat around the bush or once he goes home begin thinking about what the next step is so you decide to be blunt and ask him upfront so you can have a clear understanding. “Where do we go from here?”

“I want to explore what we have and where this connection can lead but I want to take things slow. It’s been years since I was in a relationship and I don’t want to rush into anything, I want everything to happen the way Eywa intends.” For years Tonowari was hesitant on opening his heart again, afraid that he would grow to love a person just to lose someone else he’s grown to care for. Now that you’ve broken the walls he set around his heart he’s ready to find that special connection with someone and he’s willing to take the risk of being hurt because to him you’re worth it.

“I understand how you feel completely, I think it would be best to take our time and just further build our connection.” You’re glad you and Tonowari are on the same page with how you should go about your relationship because you want to take things slow with him, wanting to make sure you can fully trust him before letting him into your life completely.

“I like the sound of that.” Tonowari replies with a soft smile before he reaches for your hand and intertwines your hand with his. The warmth of his grip sends a comforting shiver through your body, grounding you in the moment. The gentle pressure of his hand against yours feels like an unspoken promise, a commitment to explore the connection blossoming between you.

Since Tonowari has a little free time and Lo’ak was inside sleeping you decide to take him down by the shore with you. With your hands already connected it’s easy to guide Tonowari a few feet away from your home and closer to the water before you find the perfect place to settle. Both of you sit down in the warm sand and you lean against Tonowari, resting your head on his shoulder while he wraps his arm around your waist and pulls you closer to him, making you relax under his touch.

It feels nice to have a man by your side, a true man, not someone who disrespects and treats you like a burden. When you left the forest you didn’t know if you would find love again, you didn’t even know if you wanted to try and find someone again after what you endured but it seems like Eywa had her own plans in motion, allowing you and Tonowari to meet was definitely her way of telling you that it’s okay to open your heart again.

As you sit nestled against him, you realize how different this feels. Tonowari’s presence is calming and genuine, a total contrast to the chaos of your past. He listens intently when you speak, his gaze always filled with warmth and understanding. The way he holds you makes you feel valued, cherished even, which is a new feeling for you, but one that you love.

You take a moment to appreciate the beauty around you—the colors of the sunset painting the sky, the gentle sound of waves crashing against the shore, and the feel of sand beneath you. In this peaceful setting, you begin to let go of your reservations. The fear that once held you captive starts to dissolve and replaces itself with hope that maybe you can build something real with him. With every soft touch and shared glance, you sense the possibility of a future where love isn’t synonymous with pain.

As the minutes pass, the conversation flows effortlessly between you, filled with laughter and shared stories. Tonowari speaks of his childhood, his eyes lighting up as he recalls the joyous moments which allow you to see a different side of him while you share stories from your life in the forest, a few that are a little more personal to you than the ones you told him earlier today and will help him get to know you better than he did before. Each story that’s told deepens your bond, revealing layers of who you both are and allowing you to grow closer. Occasionally, Tonowari leans down to press a gentle kiss to your forehead or cheek, gestures that send shivers through your entire being. You can’t help but smile, feeling a sense of safety and belonging you thought you’d lost forever. The world around you fades, leaving just the two of you, wrapped in your own cloud of shared comfort and emerging trust.

As the last rays of sunlight dip below the horizon, casting a warm glow around you, you lean closer into Tonowari’s embrace, feeling a sense of peace settle in your heart. In this moment, surrounded by nature’s beauty and the man who makes your heart flutter, you realize that the walls you once built to protect yourself are beginning to crumble. With Tonowari, you sense a future filled with possibility—a future where love is not only attainable but also vibrant and real. With laughter still echoing between you and the gentle waves serenading your moment, you realize that you didn't just find a refuge from your past, but the promise of a beautiful journey ahead—one that you are eager to explore together.

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