#I wanted to put heroic sacrifice there but that was too much of a spoiler I guess

[eldritch-sanctum]

This year has been really life-changing for me you know. I learned about dual fandom brainrot mode.

I curse you all with this.

[lyscot-blog]

I find adding scars to elves makes them 10x cooler. As a kid, Illidan is my warcraft 3 pick, I love it whenever Iorveth opens his mouth and Captain Mithrun is one of my all-time favourites. All of them have scars and all of them are hunters (demons or humans). Of course there are other scarred elves. But my love lies in the three. They have a common pattern be it by design or story arcs. But why? Why do I like this pattern so much? Let me try to justify myself to myself.

*Spoilers for Dungeon Meshi, Witcher 2 and Warcraft 3??? (not that heavy I guess, spoilers for Mithrun's past tho)

For my heart to elven scars, let’s talk about an archetype of elves. To be honest, I like dwarves more (love Senshi of course and Muradin). Elves are usually portrayed as the word "divine", attractive, forevermore, pure, vined and shaped with the letter V. They are humans but "better". An impossibly polished human. But maybe that’s why I find most elves boring. They're too clean, too good, too skilled. Many put elven flaws as being too prideful with their perfection that they refuse to lower their sharp noses for other races. Nothing more to that than an arrogant side character. I want more but for me they're either so perfect or have a veneer of perfection.

Elves with scars? The outer layer of perfection is slashed open. You can see the scars, the flesh, the mistakes, the flaws, and they bleed just as any other creature. It tells you a lot. To see a misfire and their eyes are often the target. Ethereal beauties with enchanting eyes and nigh accurate vision, gone. Scars runs down their face, forced to show their flaws. Their pride stripped away. Nothing left but a ruined elf. A mess in both appearance and style. Illidan overcomplicates himself, Iorveth’s wears ragged leftovers and Mithrun cannot do anything. But I much prefer this over the polished and decorate look of typical elves. It's like preferring to wear ripped jeans over a cleanly ironed skirt.

But ultimately they would despise whoever ripped them apart. Illidan, Iorveth and Mithrun are willing to sacrifice themselves to meet face to face with those that disfigured them, the enemy they vowed to rid the world of. The enemy that sought to ruin them forever, to ruin what makes an elf, an elf. Ostracizing them. Sparing them, reminding them. Morphing them into a vassal of vengeful vendetta, cynical and blunt. It will forever be a part of themself. But it's hard to say if they ever truly accept their scars. Still, they don’t care to keep up the elven grace and pride anymore, they are outsiders now. But they are not alone. They are leaders of their own group of course. Illidari, Scoiathel and Canaries are a collection of outcasts, far from perfect.  Though they might suffered alone back then, they found their own community and companions that accepts them. In each of their stories, they even found unlikely loyal allies (at least in a Witcher 2 path and Warcraft 3).

It’s still the rule of cool in the end, but I definitely will be attached to them as I dive deeper into their character. I root for those dead-focused haywired eyes. Getting myself so engrossed to see them being not so heroic, yet trying to their best to seek their own justice and self-worth.  They’re never truly aimless, they just need to find their target.

[bratgoatswiss]

Apologies for length, have to save the cut for spoilers.

I FINISHED VEILGUARD!

I have. So many thoughts and emotions about it and I'm still processing but I just wanted to counter some of the vitriol I'm seeing from people who are doing the Fandom thing with what I hope are reasonable, normal thoughts. Ha. Haha. Anyway. Mostly spoiler free but there's one small thing and one BIG thing that is that I'll put under the read more.

There was a lot to like about this game. The combat was fun and I think upon a 2nd playthrough it'll be even better. Some of it could get repetitive but its not a big gripe.

The characters were very endearing and felt well fleshed out as people and I enjoyed spending time with them. Most of the side quests were related to your companions in some way and I thought that was clever. Some were more interesting than others.

The writing has been contentious and I can see why. It can get cheesy and predictable in places, but overall I thought it was very similar to DA2. I enjoyed it and thought it reflected some realistic responses to what was happening around you. If you're here for gritty edgelord shit 24/7 go play Dark Souls you weirdo.

I can only speak for the Lucanis romance cause I love an angsty man, but it was perhaps, underpadded. It was slow and sweet and I did like it very much but I could have used some...more you know? I didn't even get to see my own tits and that's tragic.

Solas. I did not romance the egg in DAI. I do not like the egg. I liked how I got to handle the egg. So much. I've seen the Lavellan romance scenes and if there's any uproar from the Sollavellans (one l or 2?) it's because they didn't let you see the 2 of them fuck nasty in high definition for an hour. It's Rooks story now. You're fine. Go write fanfiction.

The lore. Hoo boy. Honestly they really did put everything in a blender and fished out what they liked. Everything is made up and the points don't matter. I don't LOVE that they retconned so much of what was in Origins. Zevran and the Crows especially seems really odd. I THINK the idea is that it's been like 20-30ish years since all that and stuff has changed or information was wrong or inaccurate or whatever? But that seems lazy. I wish they'd addressed it more with SOMETHING. But also there's 3 games worth of lore, not to mention comics and novels and like. I get it. But consistency guys. Add more codex entries or something. This is my biggest gripe. It did not impact my enjoyment too much. I loved what was added.

Spoilers below

That ending was so ABRUPT?! At least with DAI you got a ending party and final scene with your LI but here you get some end cards and voice over? I would have accepted that if we were getting DLC but this?? This is insane! Bioware I am begging on my knees to give us at least a "well we did it!" scene. The ending was epic but the ENDING was a disappointment.

Now. The suicide mission. I spent [redacted] number of hours investing blood, sweat, and tears of friendship into these 7 assholes and there is NO way to save 1 of them?? And you have to choose between Harding and Davrin??? Just those 2?? There should be a way to save them! Don't give me the no matter what crap! I don't want CONSEQUENCES I want FRIENDSHIP. If you could do it in ME2 you should be able to do it here. Also. Can we not have it be 50/50 heroic sacrifice with a black man? Like. I know you can technically choose but like why make it an option. It just feels weird.

So yeah. Initial thoughts and feelings. Overall good with some stuff I really disliked. I will be normal about this eventually.

I'll probably regret sending this out into the world when the sollavellens find me. Oh well.

[burninglesbian]

Spoilers Episode 8. You know what scene.

This will be a long one, I think. And maybe a controversial one, who knows. So buckle up.

Izzy's death was necessary for Ed's happy ending. It may shouldn't have happened now and not the way it did but his death was inevitable. I knew it from the end of season one, I knew it from the start of season two, I was hoping it wouldn't happen in season two but I knew it would have to happen at some point.

Blackbeard is the antagonistic force of the show. Not Edward himself but the legend. It's making Ed unhappy and it's torturing everyone around him (both metaphorically and literally). And at the end of the day Ed is the main character so it's clear that he will get his happy ending. And his happy ending is getting rid of Blackbeard forever. Izzy is too heavily linked to Blackbeard. He was Blackbeard. Like He said, "Blackbeard was us. You and Me." Blackbeard was Edward Teach and Izzy Hands. And now Izzy Hands is gone and so is Blackbeard. They buried Blackbeard with him. Ed is free. And he can now get his happy ending.

I have mixed feelings about his death. Like I said, I totally understand that Izzy needed to die. However, I don't like the way how he died. And I think it was too early.

Let's start with why it was too early.

I understand that David Jenkins was/is worried about not getting a third season and wanted to give the story a nice finish in season 2. However, I think it was a bit too much of the good thing. Because I genuinly can't think of a way the third season could play out and still be linked to the other two seasons. The main antagonist is gone. Yeah, that bitch Ricky is still out there and all. But as I mentioned, Blackbeard was the main antagonist. Blackbeard is dead. Ed has his happy ending, being free of the legend and piracy itself, having the chance to live a normal life with his lover. Where do we go from here? Why should we go anywhere from here? We got what we were building up to from the very first moment we met Ed. But we got it too early. If Izzy were still here in a third season then there would still be a reason for Blackbeard to be there and we could have more moments about Ed relapsing or struggling. The drama! You know, the good stuff. Of course, technically that could still happen in season 3 but it would make everything we got in this episode feel unearned.

Another thing I didn't like was the way he died. Instead of a heroic sacrifice it was an accident. Izzy's arc went from hating the crew to loving and protecting the crew with all his heart. Going from tormenting them to sacrificing himself for them would've felt nicer. Izzy's arc went from being annoyed at Ed being vulnerable to understanding and seeing Ed as he truly is. Protecting Ed when he can't do it himself for a moment would've felt earned. Izzy's arc went from hating Stede to seeing Stede as an equal and sees him as Ed's ticket to happiness. Jumping in front of a bullet for him would've proved that he puts Ed's well being over his own. Or anything more heroic than what we got.

Now enough of the bad stuff, let's get one thing out: The leading up to that moment wasn't ideal but the moment itself was everything I could've wished for. It was beautifully shot, beautifully acted and most of all beautifully written.

Let's remember where we started with. Izzy was the antagonist of the story; the villian, even. He was mean, cruel and hateful towards anything soft and open. Stede's gentle way of piracy, Lucius' open sexuality, Ed's sentimental self. In season 2 Izzy has suffered a lot. Like, a fucking lot! And he deserved the apology he got just like he deserved the love he got. However, we shall not forget why everything went to shit to beginn with.

"This is Blackbeard. Not some namby-pamby [...] pining for his boyfriend." And when he made Ed angry enough to snap, he was enjoying what he was seeing. Blackbeard was so important to him that he was gleefull to see the soft and gentle man turn violent in an instant.

"There he is."

Izzy was cruel to Edward. Edward was cruel to Izzy. Izzy got his apology. And for a while I was scared that this was it. Izzy got to move on from the cruelness he experienced at the hand of Edward but we all seem to forget that Izzy should apologize, too. Turned out, all I had to do is wait.

In Izzy's last moments he begs Ed to stay with him. He's bleeding out and he knows that he's done for. So he begs Ed to stay so he can apologize. He starts out with a simple and earnest "I am sorry." And what follows is beauty.

Blackbeard was created by the both of them. Both of them are Blackbeard. But they didn't create him for fame and reputation. They built him as a protective cloak against the cruelness of the world. Ed had gotten tired of wearing that cloak, Ed had wanted to see the world behind their protective wall and be himself. But Izzy was scared and forced him to stay put. Izzy made Ed miserable to protect both of them. And in return it turned Blackbeard against them.

Blackbeard became a bigger threat to them than help. And the cruelness Blackbeard was supposed to protect them from wasn't so bad once you had people by your side. Family that is soft and gentle and protects each other. Izzy wanted Blackbeard to go.

Izzy had wounded Ed badly, to the point where he thought Ed was gone entirely. That Ed was gone and he was only a shell that wore Blackbeard's face.

Ed used to have people who were ready to protect him from the cruelness of the world because of love. They hated Blackbeard for understandable reasons. But they knew Ed as well. And they love Ed. Izzy knew that.

"Just be Ed."

After those words Ed breaks into sobbing. Ed was there, alive and strong.

"You're born alone, you die alone."

That's the mind-set pirates grew up in. But Izzy wasn't alone. He was surrounded by a crew that became like a family to him. And he was in the arms of the person he cared about the most. Ed was crying, shaking and being the most vulnerable we've ever seen him. Something that Blackbeard never would've done. And in his finale breaths Izzy raises his hand and strokes the soft, teary face one last time and with so much love he gives us a parallel that shows us how much he has grown as a character.

"There he is."

[s0lar-ch3ri]

apologies for being less active now, school started up like a bitch (take a thinkies post, possible spoilers ahead)

what if gill and chip like swapped "moral" codes in a sense. gillion lies about who he is and what the underseas like and shit as to hide from the truth and out of fear for what happens if he doesnt (could also be some form of rebellion of the elders treatment of him). hes still a heroic and "honorable" to the public eye, yet he has a bit more fear. fear that his friends will find out and he'll be exiled again but it will feel oh so much worse because as time goes on it eats away at gill more that hes getting closer to them so he has more to lose. fear that one day hell have to pick between the truth or someones life or something and at first, while theres a little doubt, he feels confident that hed sacrifice them for his sharade to be kept. but, as gillion keeps being the hero, the lovable "idiot" (GILLION IS NOT AN IDIOT HES JUST CONFUSED ON OVERSEA CULTURE NO MATTER WHAT YOU THINK OF HIM ALRIGHT??), he wants to actually be the character he plays, because he wants to go back to (or actually be, up to you) being an undersea hero, maybe even just a hero for both worlds, and he no longer can find himself able to sacrifice one for his own safety/comfort, and it scares him how much hes changing. yet, he'd keep lying, because the one with nothing to lose doesnt want his "only" strength to be proven false too.

and chip? why would he be more honest? he probably wouldnt, lets be honest, hes chip bastard for asters sake! well, maybe he could lie less, but i doubt hed give it up entirely. so how would he work? well, with how much others have helped him not just survive but live, he finds it more comforting to put trust in them. he'd lie to protect others, hed lie to get out of a situation where theyre in danger, but he doesnt prefer it. he chooses trust, not exactly blind but by the gut feelings (to add some mystery around niklaus, hed be one of the few people he couldnt find a single trusting vibe) he uses like a compass. is he still a bit of a coward? absolutely! he could even be seen as a bit more careless with it, thinking more how to get this to end with all them safe rather then keeping them safe in the moment.

the reason they duel? obvious of course, but gillion is revealed to have lied. some gamble in the casino battle causes gillion to have to say it. and chip is fucking stunned, because he didnt have to help gillion. he didnt need to pick him up from the sea that day. how long was he lying to him, the captain (at that point, chip was indeed the captain) of the ship that gave him water for his gills? how long was he planning on keeping it? chip dioesnt care. the next day, he immedately confronts gillion for it. gillion says similar arguements he does in canon, but more so as reasoning as to why he did it rather then why chip shouldnt have. and chip isnt having a word of it.

im not sure if gill would still win, or by some magic, chip would win this time. each would be dramatic. gillion winning, yet not wanting to finish it, and chip telling him ("orders from your fucking captain gillion tidestrider." and when that doesnt work? "orders from your once friend gill.") that the only way hed let this slide is if he finished the job. chip winning by a thread, fueled only by rage at his betrayal, and he has gillion at the end of his sword and he looks into his eyes and just, "get off my ship, gillion. get out of here before i change my fucking mind with mercy." jay steps in, with her whole speech and everything, and everything plays out the same (yeah i could never change the hot sauce prank).

AND MAKE NO MISTAKE! CHIP STILL GIVES THE FLAG BOOBS AND THOSE KINDS OF PRANKS! thats just because the crew (every once in a while gill doesnt understand it) gets its a simple joke and its chip bastard! why wouldnt he?

these are my thoughts but you guys add your own shit to it id love to see it

[atlanticbones]

WARNING:

SPOILERS FOR SAW X

Welp, time to embarrass myself...

Okay, so, two things to bare in mind:

1. This isn't really a legitimate review, just my initial thoughts right after seeing the film.

2. I've never seen a Saw movie in my life up until this point, so my opinion may have been different had I seen the previous movies. All I knew were the premise of the series and a decent idea of who John Kramer is supposed to be.

This movie was fucking great. Up until this point, I've never had much of an incentive to watch a Saw film, I only went to see this one because my friend invited me and I thought why the hell not. Turns out going to see it was the best thing that could have happened. Not only did it drastically improve my mood, but it also gave me an incentive to check out the other films in the series.

First of all, I've always have a soft spot for Red & Blue Oni dynamics, more specifically, when the two of them are allies. Seeing two opposite personalities interact in a friendly manner is always fun to watch. While it's not as pronounced as the likes of Ronnie & Bull (friendly) from NFSMW 2005 or Kaito & Kokichi (unfriendly) from NDRV3, there's definitely a hint of this with Kramer (Blue Oni) and Amanda (Red Oni), with Amanda being more emotional and vengeful and Kramer being more calm and focused on his, shall we say, questionable form of redemption.

5D Chess anime moments are a guilty pleasure of mine. They're ridiculous, but always fun to watch and genuinely exciting when done well. I think you already know where I'm going with this one, so let's just move on.

Again, I haven't seen any of the other Saw movies, so I could've had a different opinion had I seen them, but I found Kramer to be a genuinely lovable guy in this movie. I am well aware that he isn't a good person, after all, removing someone's eyes and snapping their fingers is way too extreme of a punishment for thievery, but most other things he does in this movie is shit that I can support. Him being a father figures to that kid and attempting to save said kid at the cost of his own life was fucking heartwarming.

John Kramer is definitely still a villain, there's no two ways about it, but I like this movie's bad vs bad, lesser of two evils (sort of) dynamic. John Kramer, as an anti-villain extremist who thinks what he's doing is for the greater good, up against Dr Pederson, a genuinely fucked up scumbag. Again, I haven't watched the other Saw movies, so idk if this happened in any of them, but I loved it here. It's a good way of making a fucked up villain like Kramer, more genuinely heroic while keeping him in character.

I also love the (I swear there's a word for it, I just don't know what it is) of the final girl. This trope often involves the killer being a pure evil monster who only wants to kill and hurt people and the final girl being a heroic ultimate good guy. At first it seems like the movie is going with this, with Kramer being unflinching towards the brutality of his traps and being in complete control of a nightmare scenario, whereas Pederson has a friendly demeanour and is usually seen with a sweet smile and when her and her associates are put in the traps, she appears to be encouraging them to beat each trap. But near the end, John Kramer, the murderer with a brutal history, attempts to sacrifice himself to save a random child's life and is a sweetheart towards him, whereas Dr Pederson, turns out to be a selfish prick who's willing to let those close to her die for her own sake (also, let's not even forget her scamming sick and diseased people). As a franchise that revolves around the trope of "who you are in the dark" this is a great way to do its tenth installment.

So yeah, overall, nice film. Sorry if I sounded like a fucking idiot, my media literacy (if that's even the right term) skills aren't that good. I am definitely going to check out the other movies in this franchise cause goddamn!

[oracleofsecrets]

Playing Final Fantasy IV

Part of the Quest to play all 16 FF games

Side note, I think this is the first series logo where the primary protagonist isn't in it. LIke, that's not Cecil that's Kain lmao

Hours logged: 21

Also HELL YEAH SNES time :D

Firsts: 

Halfway tent[restore party hp&mp]/save points in dungeons god BLESS

White chocobos and black chocobos 

Five party members

Battle formation (rows)

Active battle system

LEARNING MAGIC FROM LEVELING UP!!!

Ethers

The iconic boss music

Worsts:

Five party members. It gets stressful managing that many characters, and no one can stay alive. Multi-target healing magic gets diluted even more

Fixed battle formation (only characters in the second and fourth slots could be put in the back row, where they take and deal less physical damage, making it useful for casters)

General impressions / Semi-live blog

BIG step up in story complexity, though the characters still fall pretty flat. Golraz reveal did Nothing for me.

Incredible story elements, like one of my faves: high fantasy meets high tech (especially when high tech is from the ancient past). The Tower of Babil was really cool designs, and Zot interior is similarly cool

Oh, an old stone looking tower right? Bam. Scifi tech interior

The fucking GIANT OF BABIL. GARGANTUAN LASER-SHOOTING MECH

It's ALSO a dungeon you have to go into to deactivate it. I think the giant's Balls was the core that you had to destroy? Like you enter from the mouth and work your way down...

Chocobo village shaped like chocobo :D

Institutional Corruption time…. Killing for Crystals

Yeah fuck the RAF

Dark Knight skill doesn’t suck ass! Er. As much. 

Hey man what the fuck (fighting the girl) (searching the town much much later gets you bomb fragments…)

Oh I hate having five party members. This is too stressful. No one can stay alive. Healing magic gets diluted even more… Edward why do u suck so bad

Magnetic Cave is fucked up and evil (no metal equipment or weapons allowed, or else that character is paralyzed in battle). But clever

Enjoying the airship version of the overworld theme, and that it has variations

“Cinematic” fights (you don't input anything) are mildly interesting

Rating: 7/16 with Pixel Remaster

Story is fine, has Very Enjoyable worldbuilding elements. Five-member party and order setup is a Lot to deal with though

Some more thoughts below that are into Later Game Spoiler territory. And in case you don't want to see good ol' creepy jrpg final boss Creature design. It's only 16-bit at least

Paladin conversion was cool. Esp the “fight urself” part which was Not Fighting. Inchresting to see a Conscience in the plot

Dark crystals and dark world like ffiii. Going to the Moon will be cool though

Heroic sacrifice count: 5.5

Update: 4.5 

Update 3.5

Update: 1.5 (Tellah and half Edward)

I predict Kain is next

LUNAR WHALE!!!! Actually a High tech space/air ship. Going to the moon! Spooky moon overworld music 

Golbez brother reveal didn’t really do anything for me ¯\_(ツ)_/¯ 

Lunar subterrane was cool and tough final dungeon. It was like 10 floors? For sure a gauntlet that you Had to extensively explore if you wanted the Best Weapons

Zeromus final form fucked up and evil looking. Love that. Kinda reminds me of Metroid

[lastthroes]

and now that i'm actually on (o)shi no k(o)

read more for spoilers for the latest chapter, aka 165. it's been leaked: officially it's not released yet. warning for extra salt if you don't want to read that

if it wasn't because there is only a chapter left (i've been running on the sunk-cost fallacy for a while now), i would have dropped this. if i knew beforehand that i would be sitting through several chapters of the mc's senseless and agonizing death, i'd have never picked it up for starters

not only aqua's death solves nothing, and if anything feels conflicting with how the manga wanted him to live instead of giving in into his suicidality (which apparently it's okay now if it's an "heroic sacrifice"). but jesus. was it really necessary to drag it on like this?

i don't even understand what's the point. it would be fine if this was that kind of manga, but it never was, so it comes really out of left field. ai's death shaped this manga entirely, and it never treated her death like this. whatever self-awareness that there was in aqua wanting to keep ruby from seeing ai's corpse? yeah, that's gone now

everything in these last chapters is morbid in the exact way a fourteen years old being edgy would make it and think it's deep. this conclusion in itself feels like nothing but bland shock value, throwing away any semblance of tying hanging plot threads together or keep any theme consistence (i'm forever mourning how much the manga said that ruby shouldn't just be ai's copy, just to make her become exactly that. she's even the focus of her former band now. give me a damn break). i know it went off the rails long before the ending, i actually found it a chore and stopped reading for a good while since the point about finding ai's killer and the revenge, and even the critique on the idol industry, became secondary at best. when it became some harem-lite amalgamation, slowly killing whatever interest i had. can't even blame the fandom for being nothing but ship/waifu warring when it feels that's what the manga most cared about through a good chunk of it

and then coming up with these "twists" that are impossible to believe, like ruby's fake death plan somehow being a success, or aqua's supposed master plan… he's a doctor. are you really going to tell me he doesn't know that forensic agents can tell what's a self-inflicted wound from one that isn't? what about the fingerprints? and why does this manga pretend he's right? am i supposed to feel sad at kana slapping aqua's corpse? because i don't. it's pathetic, and not in a good way. i don't even think drown people will look as nice as aqua does

this made me dislike aqua in the end, as well as probably the manga as a whole; my favorite character, that also happens to be one of the most underutilized parts in this story, also becomes a complete shut-in surrounded by trash bags after deluding herself with talking to goro by putting his glasses on a ball. what's this, the 'cast away' movie?

i know the manga implies ruby eventually picks herself up so aqua still "saved" her future as an idol (another excuse for drama that really did not make sense, but regardless, i'm sure what ruby's choice would've been if she had to choose between being an idol or having her twin brother), but i honestly really do not care anymore. fifty pages are not going to make justice to ruby recovering from all of this, and even if it did, everything's already too wrecked as an ending. and, as i said in the previous post, aqua's whole reason to exist and die being "protecting ruby" simply doesn't land in the same way it would have had they actually build up on this bond as twins instead of wasting pages into turning aqua into an attempt of an oblivious harem protagonist and then forgetting about said bond

and of course a certain subset of shippers are treating aqua killing himself for ruby as some kind of win, for "being who aqua loved most". what kind of win is this? that ruby had to stare at aqua's corpse (and apparently his family learned of his death once he was identified on the damn news of all ways? really, where was the realism left in this story?) when she had already lost goro and ai, not to mention the familial abandonment she suffered as sarina (which is probably the reason she latched so hard on goro for starters) and her own life and death? when the story has confirmed her fears about causing misfortune to anyone who gets close to her?

[velveteen-vampire]

i cant go over absolutely all the context and so my summary isnt going to hit as well as the actual story but hopefully it is still interesting to read!

spoilers for crystal tower and like half of the shadowbringers expansion under the cut

alright to get started: graha first appears in the crystal tower raids. he’s a historian who studies the anicent civilization of allag because it’s his special interest and also he has inherited a Magical Glowing Red Eye that is somehow related. you and him and some other characters investigate this big crystal tower left by the allagans and eventually the story reveals that the red eyes are a mark of royalty and that graha is distantly descended from the royal line, allowing graha to take control of the tower and all the magic its got. a whole lot of other things happen during those quests (a lot of you killing bosses and saving the day) but i’m not getting into it because i dont remember its not important ^w^. at the end of the quests graha decides its his responsibility to seal himself away in the tower until such a time comes where the rest of mankind has technology advanced enough to utilize the tower properly. and then he’s gone

uuuuntil the post stormblood quests when you and your friends start getting huge headaches with a mysterious voice speaking to you. this one by one drops everyone you care about into a coma (scary!!!) until eventually you go back to the crystal tower to find a little dohicky that instantly sends you to another world. there, a cloaked figure who is the crystal exarch and Definitely Not Graha welcomes you to this new world and catches you up on the situation. he shows you his cool city that is built around exactly the same crystal tower from before but in this new place.

you ask “why is that here.”

he says “i teleported it here same way i did to you and your friends”

you ask “wheres graha”

he says, unconvincingly “whats a graha”

from there, theres a whole lot of shadowbringers plot happening but the jist is that you have to save this new world in order to avoid a calamity happening and killing you on your original one. the crystal exarch is very helpful on his but still very mysterious and secretive. as the story rolls on he makes vague statements about having been inspired by a hero in the past and admiring them so much and wanting to be just like them and wanting to be at their side.

because of plot reasons, you are fucking dying! youve got too much light energy in your body and youre going to turn into a big monster. the exarch has a solution. he takes all your corrupted light and tries to heroically sacrifice himself to save you, and in the process revealing himself to be graha all along (wow!). and all that talk earlier? he was vaguing you to your face. youre his hero. he was actually awoken in the future, AFTER the calamity youre currently trying to stop, and then sent back in time and to this alternate world to try and fix everything. fortunately (?) his heroic sacrifice is thrawted by another character shooting him with a gun and kidnapping him, which means you get to rescue him :)

in the process of rescuing him you do find a solution to your problem that does not involve catboy murder which means that graha is free to help your friends find a way to un-isekai themselves. that way ends up being storing their souls in some crystals so you can bring them through a portal and put those souls back in theie comatose bodies on your home world. but we’re not doing that yet! theres some loose ends to tie up

in the post-shadowbringers quests another villain happens. its not really important what he’s doing but what important is that graha uses the last of his strength helping you kill that guy. luckily, before he can die for real life, he puts his soul into one of those crystals so you can bring that back to your home world and put it back in his body, which is still snoozing away in the crystal tower. which you do!

the soul from the present and his soul from the future combine to create one stable conciousness, and graha gets to leave the tower early. from that point on he joins your party and goes from the old and wisened mysterious figure of shadowbringers to the worlds most autistic catboy. the weight of the world gets lifted off his shoulders and he immediately starts being moe. other characters tease him about clearly beinf obsessed with you. he’s overall so happy to be here.

give me all the catboy lore i love that guy

okay im going to give you all the catboy lore in a reblog so that it doesnt end up in the tags so hold on a second

[rainbow-scarab]

Some thoughts the themes of normalcy and heroism in Encanto. Definitely spoilers ahead.

Forgive me if I get any details wrong; I've only seen it once. But I think I remember enough for this overview.

I really enjoy Mirabel as a character. She's...normal. And I don't just mean she's not magical. She's the heroine, but she also seems quite like a normal girl. She is full of both good qualities and flaws.

The story of Encanto is interesting. The characters are full of all these wonderous abilities, as well as the miraculous events that led to the magic. But the story mostly revolves around the very real elements of interpersonal relationships and relation to the self. It seems...almost all of it takes place within the house. And though the Madrigals are important figures in the village, the scale of conflict, what's at stake, seems to reflect more on the personal level in emphasis.

Due to all this, Mirabel, as a heroine....doesn't have the typical hero feel to me. But I don't say this to reduce her importance. The emotional wellbeing of the characters IS what it revolves around. Family is what it revolves around. And those small intimate stakes are very much what Mirabel is pursuing. And yes, she is trying to save the house, the magic, as well. That's what the story starts as. But by the end shifts to the family wellbeing in a truer manner.

Mirabe.....I feel like....she's NOT more heroic than her family. She's not necessarily a better person. But I feel like her position as the only family member without powers puts her in the position to be the hero. She can try to do something different. She doesn't have the same role or expectations as the other family members. And, she's left in emotional distress due to this. This pain, and the want to do something for herself and her family (the kind of thing that's been difficult for her to do, as this role of helping has been tied to having a gift), drives her forward.

(By contrast on the subject of heroism, take Bruno, who is extremely self-sacrificing, but also extremely avoidant. Or Luisa, who's willing to take on way too much work to make it easy on others and just keep it all inside. Or Isabela, who feels so dedicated to how she's "supposed" to be as a member of the family that she would sacrifice her whole future. All acts out of goodness, but not ones that drive the family towards change)

As we go through the story, we see how...well, how NORMAL the other family members are.

This is kinda what I'm trying to get at here, uh.

Mirabel doesn't need to be made more special in the story for her to be a hero, though yeah, I do love her; she's wonderful.

But to see the other family members she interacts with, and learning...the depth of their characters, their emotions, their pains....the outward image of specialness peels away to reveal a core of something more real. They are a family, full of stress, and love, and dedication. And the cracks grew and they fell apart.

The enemies Mirabel confronts? She fights misconceptions among the family, lack of communication, hiding true feelings...her own stubbornness (her endless list of complaints she felt compelled to give at the thought of ever connecting with Isabel, anyone??), accusations (mutual, in the shouting match between her and Abuela Alma that ended up bringing down the house?).

Things fell apart. But I really feel like this is what needed to happen. In this vulnerabe state, at the end of the movie, house destroyed, powerless, they came together and were able to open up and love and take care of each other. And that's when they became stronger than ever. And beautifully, things were fixed again.

Love and togetherness are mundane. But also the deepest and most precious thing they could have between them. The family members may have had their powers restored to them, but the family came together at its core around love.

[raven-at-the-writing-desk]

raven-san, can we please have a wedding crashing where jade needs to marry this girl from another crime family to consolidate power and become the next head of the leech mob :)) but floyd's like I'M BORED and annoyed that his brother's being snatched up by a random chick, so he asks basketball bros, and azul, to help save jade?

This one is super long, so I added some extra sections and placed the rest of the wedding crashing below the cut!

***Spoilers for Jamil and Floyd’s Unique Magic!!***

"I object to this wedding...!"

Pre-Wedding Jitters

A call comes for the twins in the dead of night, without warning. It’s their parents with exciting news: they’re naming Jade as the next Don Leech. The catch? The Leech mob’s in the middle of a merger with the Worm mob, and he’ll have to marry Don Worm’s daughter to secure the deal.

Jade, ever the dutiful son, is honored by his future title and calmly agrees to the arrangement. On the other hand, Floyd’s annoyed by the idea, and can’t keep quiet about his irritation. He calls out to his twin in the darkness.

“... Ne, Jade.”

“Ee, Floyd?”

“Are you really okay with going through with this? You’re just gonna do what they said? Even though you don’t know the Worms at all? Even if you’ve never met that girl before?”

“It is a request coming directly from father and mother. How could I refuse them? And, furthermore... If I do not undertake this task, then it would fall to you, the next choice to inherit the title of Don Leech. I cannot allow that to come to pass--fufu. You do so enjoy your freedom, yes?”

“... Jade, you’re so dumb sometimes. What’ll happen to your freedom, then? Will you get so busy with being the big boss and being married... that you won’t have time to play anymore?”

“... Perhaps. But that is a sacrifice I am willing to make.”

That thought doesn’t sit well with Floyd--not at all.

“I trust that you will make your own fun of the situation,” Jade reassures him. “You always do.”

As the weeks pass, Floyd sees less and less of Jade around, since he has to prepare for the wedding. Jade reassures him that he’s doing just fine, but Floyd can see right through his lies. He can tell that Jade’s more frazzled than usual--there’s a lingering to his words, and a longing in his eyes, savoring every last bit of autonomy he has before his fate is forever sealed.

Floyd hates it. He hates being lied to by his own brother, and he hates feeling powerless to stop the wedding. Floyd’s so angry that he develops this murderous aura in the weeks leading up to the wedding, which makes everyone around him shy away.

One day, he gets sick of being in the water--it’s a reminder of the wedding to come--so Floyd plays basketball on land to vent. He ends up chomping down so hard that he deflates a ball, then dunks another basketball so hard, he breaks the net.

He sprawls out on the ground and angrily shouts at the sky. His basketball bonks him on the head... and that’s when an idea hits him: maybe he can’t stop the wedding alone, but no one said he couldn’t phone some friends.

Assembling the Dream Team

Floyd first dials up Azul, who agrees to help after some whining and signing a contract agreeing to pay Azul handsomely for his services (... although truthfully, the octopus does want to help Jade, but doesn't immediately agree to do it because of his pride as a businessman).

Floyd also calls his old basketball buddies for help! Jamil and Ace are much more adamant than Azul, but Floyd strongarms them into pitching in. ("Umihebi-kun, Kani-chan, if you don't help me rescue Jade, I'll get suuuper mad, you know? I don't think you'll like me when I get mad. Moray eels are strong hunters, so I don’t think it’ll be a problem for me to track you guys down and give you a good squeeze~" "OKAY, OKAY, WE'LL DO IT!!")

Together, the four boys meet up to scheme of a way to disrupt the wedding without jeopardizing the Leech mob's future. Floyd actively leads the discussion, allowing his hidden genius to come to the surface.

Ace doesn’t contribute much to the strategy (laid out by Azul), but he does keep the spirit up with some jokes. Meanwhile, Jamil provides snacks for them when they work late into the night (though he keeps passing semi-glares to Azul whenever the octopus compliments him or tries to be friendly).

In preparation for the crashing, Azul brews some potions to give Jamil and Ace so they can take on temporary merforms. After all, the wedding will be underwater, in the Coral Sea, and they’ll need tail fins.

The date of destiny draws ever closer... and Floyd's never been so excited to cause chaos in his whole life.

The Crashing - Team Azul & Jamil

They split into two pairs on the day of the wedding—Azul and Jamil, and Floyd and Ace. Floyd uses his position as the future son-in-law to Don Worm to arrange a meeting between himself and the don... except Azul and Jamil will show up instead.

Don Worm shows up to the meeting in his finest clothes (which is very little, given that he’s a merman), sounding a bit annoyed the sudden summoning. “Make this quick, I’ve got to go see my baby girl’s big day... Wait. You fellas aren’t the F. Leech boy.”

“No, we aren’t, sir. We are his representatives... Proxies, if you will,” Azul insists, giving his warmest and most welcoming smile. He uses a tentacle to tug on Jamil’s tail, forcing him to smile too. “You see, there is an important business matter we needed to discuss with you on behalf of Floyd.”

“Hoh? And what would that be?”

“I believe my business associate would be better off explaining the matter than myself.” Azul gestures to Jamil, who has his head down.

“Oi, what’s with you? Don’t you know who I am, boy? It’s rude to not look your elders in the eye when they are speaking to you!! Show me the respect I deserve, from one professional to another!!”

“My apologies, sir.” Jamil looks up, locking eyes with the mob boss. “... Is this better?”

“Yes, that’s...”

“Snake Whisper.”

Don Worm suddenly goes glassy-eyed and slack-jawed. Azul claps at the sight, showering his partner with compliments. “As expected of the talented Jamil-san! Even one look from you can bring a mafia lord to his downfall. Truly, your Unique Magic is most impressive!”

“Save your flattery for later.”

Azul’s lips curl into a smirk as he whips out a golden contract from his briefcase and offers it to the don. “Now then, if you wouldn’t mind, sir... sign on the dotted line.”

The Crashing - Team Floyd & Ace

Ace and Floyd rush to the wedding venue, their tails cutting through the water like knives as they swim at a breakneck pace. Ace can barely keep up with Floyd, who surges far ahead.

“H-Hey, should we really be barging in like this?! Don’t mob families have weapons and other dangerous stuff? Is there a backdoor we can take instead? Hello?! Floyd-senpai, are you listening to me?!” (He isn’t.)

The open, underwater comes into view, and Floyd barrels in without any hesitation, tearing right through some decorations and knocking over the wedding cake with his tail. A loud CRASH! echoes through the waters, drawing eyes to him.

Jade stares at his brother from the altar—wide eyed, but a mirthful smile on his lips. Floyd waves to him, and then to his mom and dad in the crowd of guests. “Hiii, Jade! I’m here to pick you up now.”

The Worm girl starts sobbing, wailing something about how her special day’s been ruined, and where is her papa to put an end to this? At her signal, security guards, and some of the rougher looking guests—Worm family associates—lunge at Floyd, claws and teeth out. A few of them have produced wands, and what seem to be guns—loaded with harpoons.

“Bind the Heart!” Objects and stray magic go flying in all directions, hitting both people and wedding decorations. Cloth tears, columns crumble—but it’s one man against many, and he can only bind so many hearts before the blot starts to stack.

Ace makes it just in time, sending their foes and their weapons hurtling through the water with a blast of wind. “This is why I said to be careful, dammit! Your Unique Magic’s such a crapshoot—don’t just use it whenever, or you’ll be sushi!!!”

“Ahahahah! Kani-chan’s being all heroic today! That’s so cute. Don’t worry, I can play my part, too...!!”

Using his tail, Floyd hooks around a drifting merman and chucks him straight into another. They collide with a CRACK!—but Floyd barely registers it. He’s already bolting off, grabbing heads and smashing them together, slicing through others like a knife through butter.

There’s a crazed, frenzied look to him, gleeful laughter cutting through the waters and mixing with the Worm bride’s screeching. I forgot how scary Floyd-senpai can be, Ace realizes. (Jade and Floyd’s parents are cheering for him from their seats.)

Jade looks quite proud of his brother, even laughing along to the brutal slaughterfest. His bride stares at him incredulously. “Stop that brute! He’s ruining MY special day!!”

“No,” Jade replies calmly. “I don’t think I will. This is far too amusing to let it end so soon.”

She lets out a frustrated scream and launches herself at her groom, hands going for his throat. The Worm girl is slammed back with a strong hit to her gut, courtesy of Jade’s tail.

She flies back, slamming into a column—and feels a tail wrapping around her and squeezing tight. Constricting her to the point where it was difficult to breathe. A livid mermaid glares down at her, teeth bared in a snarl.

“No one lays a hand on my children,” Mama Leech declares. “No one.”

From the corner of her eye, the Worm girl can see that Jade has cast off his bow tie and flitted over to Floyd, embracing happily in a battlefield adorned with red ribbons trailing through the water. Her vision is abruptly blocked off by a broad-shouldered merman wearing a grimace.

“Now then, what shall we do with this one?” Papa Leech wonders aloud—though from his tone of voice, he has nothing good in store.

The Aftermath

“You’re all fish bait when daddy hears about this...!” the Worm girl warns, her words raspy. “Th-The merger won’t go through...! There’ll be war between the Leeches and the Worms...!”

A loud throat clearing comes from behind. “Fortunately, that won’t be happening.”

Azul and Jamil make their appearance, the octopus merman smugly showcasing a contract. “Ashengrotto—Azul Ashengrotto, legal and business extraordinaire at your service, Don Leech and Lady Leech.”

Papa Leech grunts. “What’s that you’ve got there?”

“This?” Azul’s smirk widens. “Why, it’s a prenuptial stating that, in the case that an act of violence is enacted by the bride toward the groom, the marriage is considered null and void... and the bride’s family assets are to be claimed by the groom. Signed by Don Worm himself.”

“Wh-What?! Impossible!! How did you get daddy to sign such a stupid deal?!”

“Oh,” Jamil says nonchalantly, “we have our ways.”

“So... Uh, Jade-senpai’s still gonna be the next Don Leech?! And he’s gonna be in charge of an even bigger and richer family... How is that any better than the situation before?! You’re just giving him more resources for committing crimes!”

At that moment, two hands come down on Ace’s shoulders, causing him to freeze up.

“Kani-chaaaaan! Everyone!! Thanks so much for your help~”

“Yes, you have my sincerest thanks, Ace-san, Jamil-san... Azul.”

“It is my pleasure to assist such VIP clients. Ah, but there remains the matter of my promised payment—” (Jamil and Ace internally groan at Azul’s words.)

“Payment?” Don Leech scoffs. “After the ballsy operation you boys pulled off today... I’m more inclined to give you job offers instead of a one time sum. How do you lads feel about being hired as the Leech family’s personal lawyer, interrogator, and... well, whatever the heart one is good at.”

“My, my! Such a generous and lucrative offer—“

“There is no way I’m accepting that, especially if that means working with Azul.”

“Oi, I’ll have you know I’m good at lots of stuff!! I’m the one that saved Floyd’s tail fins, is no one gonna acknowledge that?!”

“You did amazing, sweetie!!” Mama Leech chirps—her tail grip tightening until the Worm girl passes out. Ace leaps back in fright. “As a reward, why don’t you let me give you a hug?”

“S-STAY BACK!!”

“Ahahahah! Everyone’s getting along so well, Jade. Isn’t this fun? You wouldn’t be able to enjoy this if you had gone to get hitched.”

“Fufufu. You are correct, Floyd. How sad it would have been if I were to miss out on touching moments such as this. From the bottom of my heart... I thank you for thinking of me, and for rushing to my aid. I could not have asked for a better brother.”

... What Floyd doesn’t know is that this was all according to keikaku Jade’s own machinations. He would never take the order to marry lying down—but he couldn’t outright defy it without immediate consequences, either.

Thank the Great Seven Jade has reliable puppets friends to help him out of a pinch. I’ll be certain to put the additional funds we have gained to good use... Perhaps to start a little mushroom farm.

[along-came-atsushi]

The way Dazai protects Atsushi

When we imagine someone who is protective, mostly it is a person who bursts into a fit of rage or someone who heroically and willingly throws away their own life if it means to protect others. A good example for this would be Kunikida’s actions on several occasions. Dazai is less a person to obviously show rage or to heroically throw himself in front of someone.

Which doesn’t mean that he doesn’t care at all, it’s quite the contrary. And it’s sometimes very subtle and tricky, because he always has plans within plans and tries to achieve several goals with a single plan.

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I will only focus here on Dazai’s actions that solely have to do with Atsushi. I’m not going to bring up every single hidden agenda or goal Dazai is also trying to achieve.

In addition, this post has been tagged as #Dazatsu just to be safe. But of course it can be read from a platonic POV.

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Beware: Spoilers starting from chapter 83 and for 55 Minutes!

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How Dazai gets Atsushi into the ADA

Dazai practically tricked and then it may seem like he pressured Atsushi into joining the ADA, even after Atsushi already said that he doesn’t want to join:

The reason for Atsushi’s refusal was not that he didn’t want to join, because he just simply didn’t want to join. But because he lacks the self-confidence in taking a task like this. He doesn’t believe in himself and his abilities and thinks he isn’t fit for the job. This lack of self-confidence together with the fact that Atsushi constantly gets pushed by either people around him or his circumstances to keep relying on himself rather than others runs like a red string through his story.

Dazai on the other hand sees a great potential in Atsushi. In the moment where Atsushi saved him from drowning, he already planned to team him up with Akutagawa. Not only because of their abilities and their compatibility in battle. But because Atsushi would be the person to “teach Akutagawa how to put that sword away”. In other words: to value life. Which is something that Dazai wasn’t able to teach Akutagawa (I covered this in another meta and won’t explain it here any further).

Another reason is that the things Dazai states above are simply the truth: If Atsushi doesn’t join, then there is nothing the ADA can do to help him (or it would be much harder and complicated for them). He needs to do everything a normal adult in society has to do, which is harder for Atsushi than other people, since he has been abruptly kicked out of his orphanage without any further help or assistance. Not to mention that he is perceived as a monster and not in control of his own ability, and therefore a wanted criminal and dangerous ability user. This could lead Atsushi in either getting killed or falling into the hands of other shady organizations who have far worse intentions for him. Saying the above is less Dazai trying to manipulate Atsushi and more him just telling what would happen and to be realistic.

Having Atsushi join the ADA for Dazai does not only help Atsushi to live a safer life and make it easier for Dazai to keep an eye out for him, but also to give Atsushi the chance to safe other people in the progress.

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The Entrance Exam

Since Atsushi refused there was no way for Dazai to have him join the ADA the easy way and then only later testing if he really was worthy of being a true member. Just like it has been the case with Dazai’s entrance exam (Dazai freely joined the ADA after being recommended and was perceived as a new member immediately. Only during his first case with Kunikida was he secretly being tested of being worthy, which he succeeded). Therefore, a plan under a pretext was needed in order to test Atsushi and convince him to join.

During the ADA’s meeting for planning Atsushi’s entrance exam (which is told in the first part of the ‘Untold Story of the ADA’ novel) Dazai anticipated that Atsushi would either convince the bomber (played by Tanizaki) or somehow defuse the bomb himself. Neither of his predictions happened, instead Atsushi was willing to sacrifice himself so that he could protect others. This selfless action honestly surprised Dazai, which not many people are able to achieve, because he always predicts their actions:

Since it’s been hinted by Dazai that he already lost other people close to him in his life, even before Ango’s betrayal and Odasaku’s death, Atsushi’s action probably could’ve served as a trigger for him. He had to realize that there is a possibility that Atsushi would sacrifice himself to protect others. Especially since he doesn’t deem his own life as worthy and has been told many times to be useless and to “just die in a ditch somewhere.”

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“Stalking” Higuchi

Dazai immediately recognized Higuchi to be a PM member and that she’s contacting the ADA under disguise for ulterior motives. The scene with Higuchi is a good example that Dazai does many things which either annoys other people (flirting with her) or are seen as him just being lazy and/or fooling around (listening to music and singing), while in reality he is already following a hidden plan.

Flirting with Higuchi distracts her and everyone else from Dazai slipping a wiretap in her jacket. It helps him to let everyone just act naturally without the possibility of revealing anything by accident. Furthermore, it makes people underestimate Dazai, because for everyone else he was just fooling around.

Due to the reason that the PM contacted the ADA under disguise as soon as Atsushi was their new member could have been already suspicious for Dazai, suspecting that it has something to do with Atsushi and was not just a regular attack on the ADA. Later on, this gets confirmed when it’s been stated that The Guild set a bounty on Atsushi for some reason.

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Is Dazai following Atsushi around?

When Atsushi accompanies Ranpo on his murder case Dazai surprisingly shows up:

This meeting could be just a coincidence, of course. After all it’s just Dazai fooling around again (or in this case, trying to commit suicide again). But since the case with Higuchi has shown that Dazai loves to pretend to do something else, when he in reality is following a hidden agenda, it might be that he showed up there on purpose. Maybe just to see how Atsushi was faring and to eventually intervene if something serious would happen (like he did when Atsushi and Akutagawa were fighting for the first time). Especially with the PM on Atsushi’s tail now.

In chapter 84 it has been revealed that Dazai indeed does have an eye on Atsushi. When he can’t do that himself anymore, he makes sure to ask Akutagawa to keep an eye on him instead:

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Going far for Atsushi’s sake

After getting to know about the bounty, Dazai lets himself get captured by the PM on purpose, without informing any other ADA members, and stays inside the prison until seemingly a right time draws near. He is willing to do this, even though he knows full well that he is perceived as a traitor and that certain people will not welcome him with open arms.

When Chuuya mentions that he suspects that Dazai must be here for a certain reason, Dazai then states that he does all of this mostly for Atsushi. He even goes so far as to provoke a second punch in the face from Akutagawa, by belittling him in saying that Atsushi is a better subordinate than him, after Akutagawa threatens to kill Atsushi.

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Probably the most visible scene where Dazai openly shows anger and shock towards someone hurting Atsushi (or hurting someone he cares about in general) is during the incident with Q:

He doesn’t act like this again the second time when Atsushi brings him the doll to nullify Q’s ability, even though the whole city is in chaos. He’s also less concerned about Naomi and Haruno in that moment and more focused on Atsushi during this. Which doesn’t mean that he doesn’t care at all for others, knowing that Naomi and Haruno are able to handle their situation (which is confirmed by them later). But it also shows that Atsushi is his main priority.

Throughout the story Atsushi slowly notices this himself. At first he is hesitant to believe that he is Dazai’s “most trusted subordinate” and worries that Dazai might be mad with him should he go overboard with something (e.g. during 55 Minutes when he was able to surprise Dazai who was hiding in the trash can).

He only ever claims to have Dazai’s trust, if it means to provoke Akutagawa (which he does for a different reason, but I’m not going to expand on this here). Later, he even wonders how Dazai would react/look if Akutagawa came back with the news of him having died: 

Which means that Atsushi’s former mentality of people not caring should he die gets replaced by having someone actually be mad/sad about this.

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Hiding his “dark side”

It may not be that visible in the anime, since some scenes are either left out or interpreted for the sake of jokes. But the manga makes it clear that Dazai struggles with guilt because of his own past (e.g. when Atsushi asks the other ADA members what they’ve done before joining the ADA, aside from everyone else Dazai looks away. This suggests that this question and the closely related memories of it are uncomfortable for him. Another example is his reaction when he asks Kyouka how many people she has killed).

Dazai is well aware that he can’t hide his past from Atsushi forever and that he sooner or later will find out. This is then almost immediately revealed to him by Akutagawa.

However Dazai still tries to hide his “dark side” from Atsushi. Apparently, he doesn’t want him to see that he’s capable of being cruel or that Atsushi may become too aware of anything that could reveal more of Dazai’s past and the things he has done. During certain situations Dazai purposefully doesn’t let Atsushi go or stay with him:

1.) When he pushed Atsushi out of the room to “interrogate” Kouyou:

2.) When he pretended to need to use the bathroom, because he knew they were being followed:

3.) When he meets Ango:

(Even Kouyou comments on how Dazai lets Atsushi out of certain business.)

The reasons for this may be that he’s afraid to reveal this “dark side” of him to Atsushi and that he doesn’t want to drag him into the business of the underworld. It could also be that he’s afraid that Atsushi might see him in a different light and that he’ll turn deprecating towards him. As of now Atsushi doesn’t know the full extent of Dazai’s past and actions. But due the fact that he’s aware that Dazai was a former PM member (an executive even), he must also be aware that some answers will be frightening. Furthermore, he must also already have some ideas about Dazai’s past.

Throughout the story Atsushi has been shown to be sympathetic with different characters, trying to understand their actions or the reason that drives them. Even when these characters fought against or tried to kill him in the past (Kyouka, Lucy, Akutagawa, Fitzgerald, Sigma). Therefore, I doubt that Atsushi will see Dazai in a different/negative light, should his past be fully revealed. But this is something Dazai may not anticipate, since he doesn’t see himself as a good person and as someone worthy of redemption.

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Dazai believes in Atsushi

Dazai has an overwhelming believe in Atsushi and his abilities. He reassures and compliments him from the very beginning:

“Nice, Atsushi. You’re like a real detective already! It’s such a joy to see you grow up so fast!” [After being send back in time] “Ha-ha-ha! I never thought you’d be able to scare me like that! You’ve grown Atsushi!” – 55 Minutes

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“Oooh!” Dazai squealed in excitement. “Look at you, Atsushi! Impressive!” – 55 Minutes

Contrary to Atsushi, who struggles to acknowledge his own self-worth and has little to no faith in his own abilities.

This is the reason why Dazai sometimes pushes Atsushi (not only literally but also figuratively) to do things on his own, whenever he realizes that Atsushi is hesitating. He’s throwing him in at the deep, in order for Atsushi to learn more self-confidence:

He sends him on several missions alone (e.g. sneaking into the Moby Dick) or with other people (e.g. Akutagawa), because he knows that Atsushi is able to do this, even without him:

“[…] It’s up to you to prove the detective agency’s innocence and set us free. You can do it, right?” Atsushi knew – Dazai only asked people if they could do it when he was certain they could. – 55 Minutes

Atsushi’s actions get firmly planned into Dazai’s predictions, knowing that he will choose the right decision:

This great believe in Atsushi gets also noticed by other people (e.g. Mark Twain and Akutagawa):

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In return

Dazai’s positive influence on Atsushi also has a positive effect on his psyche: The headmaster’s voice and image inside his mind – the person who always drags him down, tells him to be useless and that he will “not make it” – slowly gets replaced by Dazai’s voice and image – the person who cheers him up and tells him to believe in himself:

It’s no doubt that Dazai was the person who helped Atsushi to live a better life and he is perceived as “the man who saved me” by Atsushi himself. For this reason and his self-confidence Atsushi admires Dazai and is grateful to him.

But on the other hand, Atsushi was also willing to save Dazai despite his dire situation. Not only does Atsushi put Dazai on a pedestal, it is also Dazai who puts Atsushi on a pedestal and who sees him as the person able to help, protect and maybe even change others.

[miraculouscontent]

(miraculous asks)

Anonymous said:

Oh My Gosh!!!! I was just thinking about Party Crasher and man I hate how they had Ladybug get captured for the men to save! It's a continuous thing you see in media: strong heroic woman gets put in peril so that the men can shine. I didn't even realize it until you said it! I get that it was probably meant to be a "role reversal" of Chat always getting kidnapped or brainwashed for Ladybug to save, but the fact that this is the "guys' episode" it read like "well damn, we can't have the guys be strong if a girl is in the way; let's have the girl get captured so the boys can prove their worth by rescuing her!".

At least in Sandboy, Ladybug was still competent and came up with the plans, but this?! It makes me sick, and it's all too easy to fall into these traps; even Kim Possible did it! In my magical girl story, the heroine does get put in a magical coma and require someone to bail her out, but it's her female friends AND her boyfriend who save her, so it's not just a girl being weakened so a boy can be powerful, especially since said boy actually does a minority of the work required to save her; the focus is on the female characters so it's her girl friends who do most of it. I still ended up scrapping that side plot anyway, and do you know why? Because regardless of who saved her, I still didn't want my female protagonist to be put in distress at all due to the unfortunate implications! Needing help in a fight? Sure. But outright being captured or kidnapped? Nah fam.

I was honestly thinking about that when the first episode came out. Like, they could’ve just had Marinette NOT SHOW UP in time so the guys take care of things, which at least gives more of a message that Paris wouldn’t go to hell just because Ladybug is a little late or something.

And yeah, the “boys squad episode so gotta toss the girl out” is... sigh.

Anonymous said:

I think the writers were trying to show Chat angsting to show his regret instead of an actual apology. Still doesn't explain why Aeon didn't bring up her death afterwards. Did Olympia delete that from her memory banks?

I guess? :|

I don’t know why Chat can’t just apologize without fishing or trying to earn sympathy. Like JUST SAY YOU’RE SORRY, DAMMIT.

Anonymous said:

If you haven't read Maribat, then you won't regret it. I am not in the DC universe but I started reading it and WOW. Literally every single time Marinette is a badass queen and gets her complete revenge and is actually happy! Even if you absolutely love Lukanette (which I have nothing against) you should totally try it.

Appreciate the comment, but I find it hard to ship other Marinette ships outside of Lukanette. Ivanette is a very loose exception and it’s not like I ship it hard or anything.

Anonymous said:

Despite not being a Lukanette shipper I love you. Why? Because you amazing, so right in literally everything and I love you <33

gkdfjgfdngjkfdg thank you

bat-anon said:

The NY Special made it so that Max is literally the only Black/Brown kid that doesn’t exist to make Love Square happen and that just makes me hate it even more.

I wish you didn’t make me have this realization because I hate it.

At least Delmar existed in the New York special???? I guess???? I dunno, I’m trying here, I don’t recall him doing anything love square centric.

Anonymous said:

I honestly don't mind Alix's outfit as Bunnix! I feel like it fits her, plus she's an adult so its not much of a problem, not saying it can't be improved however. I DO have issues with the designs for the underage girls outfits however....those are very sus

Yeah, the problem I take with Bunnyx’s is that it’s a bodysuit. If there was just more definition, like having actual boots, I wouldn’t complain as much.

Anonymous said:

I actually just really like the idea of the new bee being a genuinely nice person who becomes friends with Marinette. Not exactly close friends (since I like the idea of friendly working relationships without actual personal stakes in them). I also enjoy the idea of the new bee having some small animosity for Chat Noir- just because their personalities aren't the greatest mix. I also think that it would make sense for the miraculous of subjection to be at odds with the miraculous of destruction

Full agreement but we know how much the writers are resistant to have characters go against Chat.

Anonymous said:

Not gonna lie the scene where the girl squad gets akumatized almost makes it seem like they got akumatized on purpose, similar to Manon in Puppeteer 2(although she was a little kid who was probably just imagining she could enact revenge). And why can't they have a uniformed design, like they're a team but wear different colors, similar to the Sailor Senshi(like, Alya's the leader and wears orange, Rose wears pink, Alix wears green, Juleka wears purple, and Mylene wears yellow). It's so boring.

Mood.

Not to mention that WE ARE SO TIRED OF THEM GETTING AKUMATIZED INTO THE SAME AKUMA.

AT LEAST PALETTE SWAP THEM.

Anonymous said:

Relating to the Didn't Need Burrows and Treatment of Marinette bingo cards, have you considered making one for whenever the show fails at girl power? It could say things like "sexualized frames of teenage girls" "boy tells girl what to do" "girls don't get to keep Miraculouses", and "girls are forced to apologize whenever a situation goes wrong". And in the center, it could say "Don't show this to your daughter!"! Lol! What do you think?

lol I feel like I have enough cards, otherwise I would.

Anonymous said:

I saw another post that talked about Miraculous New York, and they theorized that it was rewritten to focus more on Marinette and Adrien in order to get viewers invested in the Love Square again after more people started to lose faith in the ship. Do you think that's a possibility?

I think so. The whole special comes off as trying to reassure love square shippers because of how hard it goes for him. I cut out Marinette’s crushing and it cuts like 18% from the episode, meaning it’s even worse than Season 3 (15%).

Anonymous said:

Maybe the point of the [break-up episodes] is meant to discourage people from shipping Lukanette and Adrigami too?

Spoiler alert: didn’t work.

Anonymous said:

Are we not gonna talk about how in one ask, somebody legit said "(long dreamy sigh) Viperion"? Like same.

RIGHT????

Same.

Anonymous said:

Ml fandom: I hate how Ladybug keeps secrets from Chat Noir! He sacrifices himself for her all the time and she never appreciates him for it! He has EVERY right to get mad at her!!

ML Fandom when Chat Noir does the same thing in the special: ....Wow Ladybug was way to harsh on Chat Noir!! She doesn’t appreciate him at all!! Shes so mean to him!

:|

i hate it

Anonymous said:

Idk if it's just me, but a majority of the fandom is split in two; it's never one or the other "MARINETTE SUCKS AND IS A HORRIBLE PERSON GUARDIAN MARY SUE WHO SEXUALLY HARRASSES" or "ADRIEN SUCKS HE WAS NEVER ON MARINETTES SIDE" but im personally on the latter, but not to that extreme. i hate videos bashing marinette and then never acknowledge adriens faults

Yeah, the fandom gets more divided as time goes on because of the writers trying to increase the drama/tension.

Anonymous said:

I am PERSONALLY offended they gave Luka the snake miraculous. Snakes have such a negative connotation. A lot of people insult Lila by calling her a SNAKE. And now those ML writers DARE insult the best character in ML?! HOW DARE THEY!?????

I adore Viperion but I agree that I first heard he was getting snake and was like, “BUT MY BOI???”

It gets awkward too because other animals like the pig have negative connotations, like how Daizzi basically means “idiot/stupid” and they’re giving it to the freaking blond character, really???

Anonymous said:

I think that Ivanette would be even better if Marinette was plus-sized character.

I see why you’d think that. I just disagree because then it turns the ship into “let’s pair the heavyset characters together because they heavyset.”

Anonymous asked:

On the topic of romance failures and general series salt, my main issue right now is how the series puts so much focus on romantic relationships while failing to consider other levels of relationship or what they affect.

On the L² front I can completely buy Marinette being in love with Adrien. Most of the time she genuinely wants him to be happy and is ready to take a step back for him, however much it hurts. But in terms of romantic love? It. Is. A. Crush! But if we step back from the formula, what is there left between them? Their civilian relationship is held together by a “comedy” of errors and without that there is surprisingly little left. Well, besides two “best friends” desperately trying to make it happen because somehow they lost their individual characters and instead of being friends became matchmakers?

I too like Luka and Marinette together. Their relationship is pretty nice to see and all. But sometimes it feels like it happens in a dimension of its own, like the writers want to make the endgame clear in that the “sideships” can be easily cut out of the big “how they got together”-recaps. I especially miss reactions from and interactions with Juleka. She is Luka’s sister, Marinette’s friend, and IIRC someone aware of if not even a bit player in the great shipping game. She is in a prime position to step up and bring progress on all fronts: She can talk with Luka. She can either give Marinette helpful pointers or go “All in or nothing”, i.e. trying to make Marinette get her Adrien-feelings in order as she does not want her brother to get less than Marinette’s full heart. Similarly, she can counteract “friendly acts” and stop humiliating situations from escalating, or she herself can escalate them in the “All or Nothing”-scenario. Yet she remains basically a background character who gets little attention from the camera and almost no “non-focus identity”

As for Kagami, I may be too biased. *Any* positive Kagami/Marinette relationship is to me what Lukanette is to you. So naturally I have lots of opinions when it comes to her role ;) But can I just say that Adrien/Kagami is the weirdest ship for me? They have a few cute scenes and I think if they’d spend a lot more time together, they’d do each other good but I don’t know how they work. “No Hesitation” Kagami would lob Adrien’s head straight off with all his…everything. If we are meant to take Adrien’s love for LB seriously (and I guess we have to because how in the name of sanity is any form of the stated endgame gonna work otherwise???), how does Kagami fit into that picture as a girl who can hardly express emotions while Adrien is the definition of a  guy who can not stop flirting or goes for all kinds of romantic gestures? Sometimes it feels more like a “social fit” and “Mommy/Daddy approves” kind of deal which is quite the shame! Normally I like these kind of relationships in fictions but they need a solid underlining or good development. One they haven’t and one the series has not been giving to anyone so far.

Yeah, the whole thing with the love square versus side ships ends up feeling extremely forced. Keeping Luka away and forcing Adrien into Lukanette episode are the biggest giveaways, basically a big fat sign that says, “We know Marinette would forget that Adrien exists if she hung around Luka for more than five minutes.”

AND YEAH, KAGAMI WOULDN’T PUT UP WITH ADRIEN’S GARBAGE. I liked Adrimi but it’s definitely more flawed than Lukanette.

Anonymous said:

Watched your opinion on the New York special and I agree with you. It was mediocre at best. It could have been something nice, like if they added Kagami and Luka, for example, so that we can get a bit of development from the new couples on season 4, so that it doesn’t feel rushed when they start dating on season 4. It could also be a good opportunity to see the other temporary heroes one last time, since Marinette technically has the miracle box.

They could have had an epic fight with the American Superheroes, maybe even giving the bee miraculous temporally to Aeon or Jess so that we didn’t need to see their awful and uncreative superheroes designs. It would have been nice if they made something more useful other than being characters that believe that Adrien and Marinette are “Meant to be”, like, we already got a ton of these already, couldn’t we get someone who didn’t feel something about this ship? It has so much wasted potential that I don’t even know how to start. Do you agree with anything I said?

I agree, yes. They could’ve easily thrown Luka/Kagami into the mix (or had Marinette/Adrien stay behind while flipping perspectives or something; flawed but they could make it work).

Anonymous said:

I'm rereading ladybugout and wow... the moment of silence after "chat deserves that kiss" gets me every time. Everyone stopping and just staring because wow he really just said that

Me whenever Chat Noir opens his mouth in the show.

Anonymous said:

I saw the Backwarder post you just talked about and yes, it is so totally ridiculous. They forgot another thing, though. Miraculous isn't just about comedy, action, and romance, it's about embarrassing Marinette. And the fact that almost everyone in the comments was acting like the medicine scene at the end was funny was just stupid and saddening to hear or read about, because it shows how people have been conditioned to hate and rally against Marinette without even realizing it. Granted, there was one lady who said it reminded her of her husband, so I guess that's okay(but all it means is that Adrien will be Marinette's--aka "his lady's"--husband like eeerrrgh!). And there was one person who said they liked that Juleka's advice because "If you're friend isn't willing to commit crimes for your happiness, is she even your friend?". But everyone else liked the ending. And I don't get the person who said we got "Subtle progression with Adrien and Marinette". We're right where we started.

Weeeeell, I understand the “comedy, action, romance” comment because all of those basically boil down to embarrassing Marinette or invalidating her. Comedy and romance goes without saying while action involves her dealing with Chat “Nice Guy” Noir.

Anonymous said:

Is it just me, or does Snow White's "Red Shoes" form look a lot like Marinette. I know, I know, Marinette is Chinese and Red Shoes is Korean, but they still look strikingly similar. They're bodies are really similar, too, but that might just be because animation tends to use eerily similar body types for its female characters on a whole. It's sad and it makes me think of how cute Marinette would be if she was fat. I also think Snow White was cuter than Red Shoes but that's kind of the point.

I think it’s the body type thing but that’s just a guess since I didn’t immediately make the connection.

I agree that Snow White is cuter.

Anonymous said:

Am I the only one who's never liked "destined to fail" characters? Basically this is when characters aren't allowed to be good at/succeed at something or else the whole universe will somehow fall apart. Think of how in The Amazing World of Gumball, if Richard gets a job, the world will be in complete and utter chaos. So he's better off as a lazy, bumbling dad. In Phineas and Ferb, Candace is always trying to rat out her younger brothers but if she gives up or succeeds something bad will happen.

TV Tropes put it the best: "Not only is she not allowed to succeed, but she's also not allowed to stop trying!"(conveniently under the Cosmic Plaything trope). I just don't like it because it shows that the writers just want to lead them on with the promise of success then snatch it away at the last minute. And now we're back at Miraculous Ladybug, where Marinette is humiliated every time she doesn't sign a gift that's for Adrien, and yet when she does, everyone in Paris DIES. Except for...HIM.

you: *mentions Candace*

me: [a million awful flashbacks]

Also, yeah, it’s so hard to watch, especially in “Chat Blanc” because it’s like, “Oh, you want to give a gift to a boy and you dArEd to use your powers for it? Congrats, but everyone else is DEAD and you can hang out with him as much as you want! You’re welcome!”

Anonymous said:

I think it’d become a “faintest idea blackout card”rather than a bingo.

(referring to my “Faintest Idea” card)

We’re getting there.

darkmoonravewolf said:

I hate that everything on that list could happen and very likely will

(referring to “Didn’t Need Burrow”)

Yeah, and it makes me sad :’)

Anonymous said:

That’s be real here. Miraculous ladybug is not a show about Marinette; Miraculous Ladybug is a show about Adrien. Adrien is the real main character.

Notice that when they focused on Adrien in “Lies,” they only cut back to Marinette (IN A SCENE THAT CAN’T EXIST) to have her fawn over him.

Anonymous said:

Is it just me or are Lady Noire's eyes huge? Maybe it's just the green but they seem way bigger than Marinette's

I’m not sure, but considering Rena’s facial structure being different from Alya’s, it wouldn’t surprise me.

asexual-individual said:

With what you've said about Adrien lacking a reason to exist outside of development for Marinette and Gabriel, I have to wonder how different the show would be if Chat Noir's identity was also kept from the audience. Adrien would still be there as himself, but he only gets as much focus as Alya, and Chat Noir's identity is treated as a mystery (a Tuxedo Mask type mystery, but a mystery all the same).

I see what you mean but it might cause Adrien+Chat’s screentime to feel excessive once the reveal happens, because suddenly their screentime gets combined and it’s like, “oh wow so the combined screentime is his then.”

Anonymous said:

I know that the kwami's really only exist so we can hear our protagonists' thoughts outloud (like what the Coraline movie did with adding Wybie to the story). But honestly, what's the point in having magical gods in the jewelry if you're not going to do anything with them?

Marketing with “cute” side characters.

guisendisguise said:

It's funny, originally, I had shipped Marichat in the sense that Chat and Mari start hanging out and both fall in love with the other's supposedly less perfect, more real selves. Then Luka was introduced and I ended up putting both lukanette and marichat at the same level. Then S3 hit and killed any love I had for Marichat. The writers themselves killed the Love Square for me. At this point, it's very clear they are living in a delusion where the Love Square could ever work narratively without Deus ex Machina or Deus Lo Vult (God wills it). Basically, they've gone past scraping the bottom of the writing skills barrel and are now shoulder deep in the hole they dug thru the bottom of said barrel. I'd like to point out that the bottom of the barrel is writing poop and now they're digging thru the useless plastic landfill the barrel was sitting on top of

Uggggh, yeah. Any appreciation I could’ve had for Marichat died in “Weredad.” I already didn’t like Adrien/Chat and then “Weredad” just showed his complete lack of... well, ANYTHING.

cosmostellar said:

Honestly feels like MLBs writers are going based off the "JUST IMAGINE EVERY POC CHARACTER YOU'RE WRITING AS WHITE" instead of, yknow, fleshing them out while developing them also in the context of their cultures and giving them these little things that the audiences who belong to the same minority can identify with. I don't mean "have Marinette walk in qipao 24/7" bcs thats just... bad on its own but man, /some/ casual acknowledgments of her culture would be nice.

Reading the sentence “JUST IMAGINE EVERY POC CHARACTER YOU'RE WRITING AS WHITE” physically hurts me.

Anonymous said:

Ok, I've always thought that Chloe was robbed of redemption (they held it in front of us, but then jerked it away while Astruc says, "She's irredeemable! We thought she was redeemable, but she wasn't :)!" What are your thoughts! Also, I just recently found your blog and I really like it :)

Thank you!

But I have no sympathy for bully characters, so I didn’t want Chloe redeemed. Maybe I’m still bitter about my own bullying experience, but I just wasn’t here for Marinette being forced to forgive Chloe, which is basically what they did until they backpedaled.

The time spent on her was wasted though and that I can agree on.

Anonymous said:

Me: Writes a 1k rant about how the tweet makes no sense as the "mistake" is about motivation and not the critical plot. Also me: Remembers that in MLB the plot always comes back to the romance. Finally me: Wonders why he got involved with the series post-S3 when all the red flags were already everywhere.

Mistakes were made.

Anonymous said:

I'm semi-catching up on miraculous, and- is it my impression, or does Kagami rebel against her mother more in few episodes she's in (even though her mother's influences on her seem to be stronger in general), than Adrien in the entire show? I /know/ that I don't want to see Adrien free himself from his father w/ the desperation I want to see Kagami free herself from her mother and realize that the standards she's held up to are unhealthy and too strong.

Yeah, I’m way more invested in Kagami than Adrien.

Anonymous said:

Am I the only one confused about whether the staff stopped caring and half-asses the series or cares too much and over-produces the hell out of it?

Nah. It really feels like they secretly hate the love square so they have to keep forcing it.

Anonymous said:

ngl I haven't watched any new episodes since Chameleon and I've been getting all that Miraculous News via tumblr to avoid that Marinette Brand Second Hand Embarrassment™

Understandable.

Anonymous said:

If they aired the 6th one first WHAT WHAT HAPPENED TO LEAD UP TO THIS???? WE ARE ON SEASON FOUR WITH TWO SPEICALS, GETTING A THIRD, AND ANY DEVELOPMENT WE HAD HAS GONE BACKWARDS, SUCKED, OR STATUS QUO YO-ED AWAY!!!!! HOW THE HECK DO WE GET ADRIENETTE FROM FOUR SEASONS OF NOTHING?????? I USED TO FANGIRL AT THIS NOW I AM TERRIFIED.

Answer: We don’t get Adrienette. We get forced love square and rushed/fake “development” of it while being constantly confused as episodes air out of order.

Anonymous said:

im sorry But adrienette has been suck in this limbo of one sidedness for 3 seasons. neither of them have become closer, neither of them have confided in one another, but somehow people still ship it? at least luka was able to make a move on marinette lol adrien still repeats the same boring “shes just a friend” line. adrienette is a really boring ship.

lol don’t apologize, you’re absolutely right.

nahte123456 said:

Very minor bit of salt to throw to the pile, but can this show just decide on how strong Miraculous holders are? Yes it's a cartoon and not the focus but in the Furious Fu episode we literally get Ladybug dodging lighting and then Su who seems mostly human and is at least slower then Fu was outspeeding her. It's distracting trying to figure out what is and isn't a serious threat in this show.

The deciding factor in the strength of the miraculous holders is “whatever works for the plot.”

Anonymous said:

At this point the only thing I'm excited for concerning Miraculous Ladybug is when it gets a reboot in like, a decade with actually competent writers

Best case scenario is that Zag goes bankrupt and Disney/Netflix picks up the series and gives it to competent people.

Problem is that the love square has been ruined so badly for me that even a “good” version of it wouldn’t be something I’d be into, but still.

Anonymous said:

Honestly, the problem with having all of Marinette's mistakes result in huge disasters (ex. Feast), is that is gives off the impression that teenagers aren't allowed to make mistakes. This show clearly doesn't like giving second chances to the protagonist, so why would life give one to you? Am I right, kids?

Exactly.

Marinette makes mistakes and suddenly the world is ending.

Anonymous said:

If your gonna watch the show, at least pirate the episodes so the writers dont get your support

Don’t worry, I have no interest in financially supporting the show.

Anonymous said:

ml in a nutshell: wasted potential, then giving themselves more potential, only to turn the rest of it into a dumpster fire

Yup, that’s it.

Anonymous said:

u know, when My Little Pony, Sofia The First, and fanfiction carries out character development, respect, romance, and the main plot better than the original show, especially when the shows mentioned above are aimed more at little girls and the original show is aimed at slightly older audiences... somethings wrong

*sigh*

And then it’s like--people will excuse the show because “it’s a kids’ show” and then I’m just “okay then, why are there actually good kids’ show?”

If shows get a pass for being for children then all childrens’ shows should just not try and be garbage since the standard is so low.

Anonymous said:

ive seen some cool fic ideas/concepts/reviews that made me think: ml could use so much more looking into how a character thinks in some situations. one fic i read had alya in chameleon (i know its been forever since the ep came out but hey) not question lila cus she thought: "hey, lb wouldnt befriend a bad person" w and added a plot line of lila making her think lb was cobsidering replacing rena rougue. like, just a few lines to make them seem better pls?

YES. Like, show us characters’ perspectives and why they’re rolling with the facts that they’re rolling with, otherwise they just end up looking like jerks.

We sort of got it in “Ikari Gozen” with Kagami but of course it was just to make Marinette look bad.

Anonymous said:

You know I’m honestly considering making reviews of this show and if I do I could create hour long rants about the show just from that mans twitter.

Yeaaaaaah, once you had in the Twitter stuff, it just becomes, “okay so this is going to add another hour or two then.”

Anonymous said:

Okay one thing that bothers me is how plain marinette's suits are despite being a DESIGNER. Her multimouse suit it just blocks of color and her ladynoir suit is just grey with green lines. I think the lines are supposed to represent actually clothes. Like the limes on the calves are supposed to make it look like boots but why not actually GIVE her boots. (Right, because she has to have a skintight suit unlike the boys who get some layers.)

THE SHEER DISRESPECT OF HAVING THE FASHION DESIGNER WEAR SUCH A PLAIN SUIT.

It also goes to show who really designs here, like oh, interesting, the girls get skin-tight simplistic bodysuits and the boys gets all the cool stuff--

Anonymous said:

I heard some people in my class saying they watched Miraculous Ladybug for the first time, and they were saying how good it was, and I was like: 'Oh you poor fools. You have NO idea what it's truly like.'

You know what they say: ignorance is bliss.

bat-anon said:

Isn’t it INTERESTING how in Frozer, Luka understands that Marinette is torn between her crushes and continues to support her even though he knows she probably won’t chose him, and in the exact same episode Chat Noir refuses to help save the city because Ladybug told him AGAIN that she wasn’t romantically interested in him? HMMM 🤔😑

dbfgjbdfjkgf

I’M REMINDED OF “FELIX” WHERE IT’S LIKE--THEY WERE CLEARLY TRYING TO SHOW HOW MUCH “BETTER” CHAT NOIR IS THAN FELIX, BUT LUKA WAS THE RESPECTFUL ONE.

Anonymous said:

You know what I want to see? An evil kwami, like they just want to commit crimes. No moral high grounds, just chaotic evil.

That’d be amazing just because I wouldn’t be able to take them seriously.

Anonymous said:

Watching S1 and S3 episodes back to back, it feels like reading salt fics at times, especially in regards to the L². Like, Marinette was happy about weird plans, she both needed and wanted the final push, and most of the time there was at least something coming out of it. Nowadays it just makes her sad, Alya and the girls act *against* her, and we get shipping for shipping's sake.

That’s a good point. The shift from Seasons 1 to 2 to 3 is rather noticeable.

Anonymous said:

I hate how Adrien's busy schedule seems to only matter when it's used to make Marinette feel bad, but the second Marinette has a bit more to do, it somehow has a negative effect on not only her, but also everyone/everything she cares about, like, what's up with that??

I’m reminded of “Lies” here and I hate it. :|

Anonymous said:

Honestly, the way the show treats teenage girls is horse ass. The show treats the teenage girls of this show as if they're stupid, naive, emotional, clumsy, and need a boy to tell them what opinions to have. Marinette is always treated like the show's punching bag and blamed for everything that goes wrong because she's "emotional" or "obsessed with Adrien", Chloe could've been redeemed but the writers would rather keep her a brain-dead Alpha Bitch Valley Girl(even though Gabriel and Felix, the latter of whom is a teenage boy introduced in one episode, get to be treated as redeemable, despite the things they do being far, far worse), and Lila is a conniving, self-absorbed fox.

And even though Kagami seems better, she's still roped into the "girls catfight over an oblivious guy" cliche and so far, all of her akumatizations have been because of Adrien. Whenever Marinette tries to move on from Adrien the other characters tell her what's good for her and steer her in the "right" direction because she apparently can't think for herself, and the writers LOVE to use the girl squad to tell us who Marinette should be with, because they apparently know better than she does.

Plus the show loves to treat all the girls as the same, making them all either fight over Adrien or be obsessed with shipping, as if teenage girls are all one assimilating, homogenized group(also when they treat Marinette as if she's "just as bad as Chloe", rinse and repeat for the other ladies.). Honestly, the show feels like it was written by those types of people who think "teenage girls are the worst" so they make them all mood-swingy, obsessive, showoffs, emotional, and downright clingy.

Plus the way Thomas Astruc talks about the female characters on Twitter is even worse, and only serves to make this more evident: he claims Marinette "has poor control over her emotions"(all the while calling Adrien "perfect"), that Chloe was racist in Kung Food "because she's stupid"(so rather than having that scene serve as a lesson on respecting other's cultures, he just did it to pick on Chloe and make her look "stupid"), that she's incapable of being redeemed, that Lila's unlikable but Gabriel and Felix aren't(even though he claimed Felix was a terrible character and a "cliche", that's not what the show says my guy), and other such nonsense.

Other Twitter users have also called out Miraculous Ladybug and its stereotypical treatment of teenage girls. The only shows I've ever seen do this worse are those pretentious "darker" Magical Girl "deconstructions" aimed at grown men such as Madoka Magica and Yuki Yuna, as well as most shonen/seinen shows such as Naruto and Death Note, which says a lot. Honestly, whenever I feel like watching a show with empowering and respectful depictions of teenage girls that treats them as bright and intelligent and actually unique from one another, I just watch Equestria Girls, Liv and Maddie, LoliRock, ANT Farm, Moesha, PreCure, or Sailor Moon. Because the way the show acts towards them is deplorable, absolutely deplorable.

Yes to all of the above. Almost all of the girls are involved in love affairs in some way, the two teenage girls are irredeemable while Felix got a sympathetic backstory right away (Chloe took forever to get hers which is a failure), and Marinette is flawed because she’s “too emotional” (a misogynistic stereotype).

Anonymous said:

Hi, I'm the anon who got upset at the lady who made the "Miraculous Ladybug is a Mess" rant, and yes, thank you zodiacspirit17 for liking and agreeing with my rant! I'm glad someone else saw that video! And ugh, Marinette learning to love Chat Noir? Really? I don't remember that line but I also don't want to go back and revisit it to make sure so I'll take your word for it. Ew. That was actually one of the things I hated about the Glaciator scene. Chat was supposedly comforting Marinette by taking her to the rooftop where he planned Ladybug's date, and yet only Marinette finds out about Chat's crush on Ladybug and comforts him on that(while rethinking her feelings), while all Chat knows is that Marinette's heart was also broken. He never asks who it is, or tries to help her get over her crush even if he doesn't know it's coincidentally him.

I know it's because of the "love square" but it's unfair that only Chat's love problems are directly addressed. Come to think of it, the reason Chat took Marinette to the rooftop...I know he was doing it in-universe to help her instead of intruding on her personal feelings(which might have also been why he didn't ask her who her crush was, he was probably thinking along the lines of "we don't have to talk about it right now, we can just have fun!"), but meta-wise, since we know she's Ladybug, the writers were probably trying to tell her "See? This is what you could've been doing, but you missed it. Shame on you!" That's a huge issue I have with the show: characters will do things in-universe to help Marinette, but the show has a different motive in mind. Compare to how Tikki gave actual advice to Marinette in Puppeteer 2, but the writers intended that for the statue scene so they could embarrass her in front of Adrien and the thousands of eyes watching the show(except we're not laughing.). Even if characters do support her, the writer is using them as props for her ritualized humiliation. And yet Luka is the problem somehow.

If Marinette needs to learn how to love Chat Noir, then it should at least be balanced out by Adrien learning to Marinette. I'm sick of this double standard that "girls need to learn to accept boys who like them but guys can do what they want". Another thing she said was that "Marinette needs to learn to define herself outside of who she's crushing on." NOPE. NOPE. NOPE. You see, unlike Adrien, Marinette HAS a life outside of who she's crushing on: she has school, she has Kitty Section, she has her "girl squad", she has her parents, she has her outside family, she babysits Alya's and Nino's siblings, and she has OH YEAH HER FASHION DESIGNING! I didn't even count being a superhero since Adrien does that, too. She has so many things to do outside of Adrien, and yet the fact that she makes gifts for Adrien or dreams about Adrien or wants to have kids with Adrien somehow makes her nothing but an "Adrien fangirl"?

First of all, she's the bloody protagonist?! That's such a "Real Women Don't Wear Dresses" argument, that she can't have her own life AND be in love at the same time! And somehow her crushing on Luka also means her life revolves around him, too! But Adrien's life doesn't revolve around Ladybug even though he doesn't really have anything going for him in his ordinary life? Outside of being rich, hot, white, and male, that is? What are his interests and hobbies, besides what Gabriel lets him do to pass the time? He doesn't even like modeling! And the Agreste plot is more about Gabriel, Emilie, and Nathalie than it is about him.

And what about his friendship with Nino? He didn't even care that Nino was getting strung along by Lila with the others! What about his friendship with Chloe that also waxes and wanes? Granted, Chloe's not a GOOD person, which that lady acknowledged, but she at least tried to change and has more development than him, the writers just won't let her change. I hate when people come for Marinette for doing literally anything when the show won't let her have agency and progress. It's so unfair of her and I wish they could see that. These double standards are driving me insane and they're sexist(maybe even a little bit racist, too), and it hurts even more when a woman's doing those things.

(I had to cut off some of this ask because I didn’t get all of it, so I cut it off at the point where it still seemed like a full ask.)

I FEEL THE “GLACIATOR” THING SO BAD. It hurts even worse when you realize that “Frozer” has to take place after “Glaciator,” so Chat Noir heard that Marinette has love problems and then ignored it to ask her for advice about his own love problems later on. The total lack of insensitivity???

Also, the idea that Marinette’s life would revolve around her crush on Luka is stupid. It’s the exact opposite, in fact.

Meanwhile, Adrien has so little going for him and the “interesting” parts of him involve who he’s connected to or what his father has forced him into.

[stillness-in-green]

Thoughts on Chapter 314 (and surrounding events)

Being a loose summary of several things I thought about in relation to the leaks, what they say about the series as a whole, a bit of new operating headcanon on the Peerless Thief, and a dash of how fandom is responding to the revelations. Spoilers, obviously.

This chapter makes it quite clear that the HPSC absolutely would have gone in and eliminated the PLF quietly, lethally, and wholly unlawfully if Hawks hadn't reported back the numbers that he did. The only reason the raid involved non-Commission-affiliated heroes at all is because the PLF's manpower was simply too much for the Commission to deal with via their usual methods. I'm both appalled that the disregard for human rights in HeroAca Land is somehow even worse than I thought it was and smug that that tiny little piece I recently posted criticizing the PLF's treatment has turned out to be totally justified and supported by the canon.[1] (Note that this does not absolve Horikoshi of the responsibility to, himself, treat the PLF better than paper dolls tossed into the incinerator of Plot Irrelevance when they cease being convenient to his story.) The fact that the Commission was forced to involve heroes might mean Re-Destro, Mr. Compress and the others are somewhat safer than might otherwise be the case. Because of the involvement of the unsuspecting stooges law-abiding heroes, and because the botched raid became such a huge disaster, there’s far more public scrutiny on this than would otherwise be the case. Of course, "accidents" can still happen,[2] especially in a chaotic environment, but the factors above (combined with Clone!RD murdering the bejeezus out of the Lady Prez) do, I think, suggest that there probably isn't an organized push for quick solutions going on behind closed doors.

I don't think Nagant has been around for a terribly long time or that there was an uptick in vigilantism in recent years—I think the scene where she mentions vigilantes becoming accepted as heroes is just in reference to the early history of heroism. It's in keeping with what Tsukauchi Makoto described in Vigilantes, and forms the basis of the current system—the current system that Nagant was a single cog in a big machine grinding away to preserve.

Speaking of Nagant and the system, it's interesting to me that one of the groups Nagant apparently targeted at the HPSC's behest was corrupt heroes—those who colluded with villains or specifically goaded/incited civilians into using their quirks illegally, thus turning civilians into capital-V Villains in the eyes of the law. One might easily say that targeting corrupt heroes (albeit using a much broader definition of "corrupt") was Stain's whole shtick, but it actually puts me more in mind of the Peerless Thief, Harima Oji. Harima punished greedy or corrupt heroes with theft, and presumably with a measure of declaration and exposure,[3] then distributed their money back to the streets. Someone who ridicules those who abuse their power, and gets away with it for long enough to build a reputation: that right there is a recipe for a folk hero. The HPSC, in whatever form they existed at the time, obviously couldn't let that go on—such repeated humiliations would weaken peoples’ faith in (and obedience to) the system the HPSC was trying to build. At the same time, though, it would also weaken faith in the system to openly acknowledge that system's flaws, to acknowledge that some pretty awful people had found their way into the heroics business specifically for the power and ability to abuse it that the title of Hero afforded them. Public trials would make it a matter of record that some heroes—and, accordingly, heroes at large—did not deserve the public's unquestioning faith. Obviously in a system that was built from the ground up on faith, that was unacceptable. And so Harima was branded a supervillain for exposing the system's flaws, while the corrupt heroes who embodied those flaws to begin with were—and continue to be—quietly disposed of at the HPSC’s discretion.

There's a lot of talk around about how Lady Nagant is stupid, or hypocritical, or delusional, or whatever other dismissive adjective people want to use, because she expresses a preference for AFO's rule over the HPSC's. Firstly, I think it's dubious Lit Crit to fault a character for not being a Paragon of Rationality, especially when they're under the cascading stressors Nagant has been under since she was, what, 13? 14? Forced to live this dichotomy of smiling gallant hero and ruthless covert assassin, had her life threatened by the man who'd taken her in,[4] probably dumped in Tartarus until such time as her trial could be held,[5] and kept in those ghastly, dehumanizing conditions for who knows how long? How shocking, that her objectivity might be somewhat compromised! Secondly, it's not like she's saying that AFO's rule would be a sunny walk in the park. The kanji she uses doesn't even mean "better"; while it can mean serene or tranquil, her more likely meaning is clear/transparent. Her phrasing indicates that she's aware it would be pretty bad; she's simply of the opinion that at least his rule wouldn't be a sham, a pretty lie. It would be bad, but everyone would know it. No one would have these comforting illusions they could lose at any time; if you stepped out of line and got shot in the head by an assassin, well, at least you would probably know you that being defiant was running that risk, rather than never seeing it coming because you'd been told all your life that Heroes Didn't Do That To People. Again, this is a woman whose life was shattered no less than three times by the duplicity of the highest acting authority in this comic.[6] She doesn't have to be Objectively Correct By The Standards Of Ethical Utilitarianism—nor do you have to agree with her choice that because she doesn’t want to live in the Matrix, no one else should get to either—for her opinion to make sense from her own perspective! Thirdly, while I think it's fair to say that the HPSC and AFO actually use fairly similar methods to recruit followers and punish dissenters, we have no idea how much Nagant herself knows about AFO's recruitment tactics other than her own brief experience of it. And while AFO is a controlling and manipulative bastard, at least in his case it's coming from a man who openly styles himself as a Demon King, not an organization positioning itself as lawful regulators of the protectors of society at large while secretly training child soldiers to flagrantly violate every law protecting the human rights and due process of that society's people.

Overhaul's presence is delightful, and yes, he is a victim of Hero Society, if only because Hero Society could have put him in some kind of prison-based rehab facility after Shigaraki was through with him, but chose to dispose of him in Tartarus instead, for absolutely no justifiable cause. I suspect it's only due to Horikoshi not being very interested in the harsh realities of the trauma caused by enforced isolation[7] that Overhaul is the only Tartarus escapee that talks to himself and has dissociated from reality almost completely. Overhaul's maiming was not the fault of Hero Society, nor did Hero Society force him to torture Eri and repeatedly commit cold-blooded murder. But his madness? Yeah, I'm pretty comfortable laying that one at Hero Society's feet, actually. I can’t wait for Deku to have to face the victim that Chisaki Kai has become due to levels of systemic cruelty and negligence that really ought to be criminal—and which, if this were real life, would be.

--------Lately, footnotes are really popular with us!--------

[1] Lady Nagant: *talks about how the Hero Society everyone believes in is illusory, a thin fake over a brutal reality, and that returning to the false simplicity of that status quo will only cause history to repeat itself* Me, two weeks ago: Hero Society will never stop creating its own villains so long as, every time it fails people, it does nothing but shrug and write off the victims as unavoidable, inevitable sacrifices for the greater good.

[2] Yes, I'm still highly suspicious of the "Destro committed suicide in prison" claim.

[3] Compress tells us Harima “preached reformation,” but regardless, you don’t dress up in a modified kabuki costume and waltz midair through nighttime cityscapes raining cash out of the sky if you’re trying to keep your activities a secret.

[4] And her family situation couldn't have been much better than Hawks', if she was targeted by the HPSC to begin with. I would guess she was an orphan in the childcare system, easy to move from whatever alternative care arrangement she was in, be it an orphanage, a group home, or simply mature enough despite her relative youth that she lived alone on government support payments—that kind of thing isn't as unbelievable in Japan as it is in the U.S.—to the HPSC's care.

[5] And given what we learned between this chapter and 297, I doubt she was even allowed to be present for it. Japanese law states that everyone by default is supposed to be present for their own trial, but as in the U.S, that right can be waived if the defendant proves themselves to be a threat to the safety of the judge, court staff and other attendees. And of course, what a threat the HPSC could have painted her as being!

[6] At least until Hori deigns to show us a damn Diet session.

[7] To say nothing of the physical consequences of spending six months stuck in a tiny room with no natural light while frequently being strapped into a straitjacket, of which there should also be several.

[kittyprincessofcats]

RWBY Volume 8, Episode 14 - The Final Word

Thoughts on the final episode of RWBY Vol 8 under the cut.

Also, I will from now on reblog spoilers for Volume 8, which will be tagged with “RWBY v8 spoilers” if you want to blacklist them.

tw: Since the episode itself had the same content warning, I should mention that I will be discussing themes of suicide in this post.

Also, everything I’m about to say is *my* personal opinion. I’m not trying to tell anyone else that they’re supposed to feel the same way about anything in this episode. In turn, please don’t tell me how to feel about it either.

- I should start by bringing up what I said in my post about episode 13, because all of that is going to become relevant now:

So... that all aged... interestingly.

- Next, I should say that I actually did end up getting spoiled about Penny’s death. I was trying really hard and didn’t go into any tags, but literally one day before this episode was released to the public, Tumblr recommended me two blogs with the titles “Penny deserved better” and “Justice for Penny Polendina”… so I drew my conclusions from that. And while I think those blog titles are valid sentiments, I do wish people would wait a week before putting spoilers in a blog title. But then again, I was weirdly glad to get spoiled this time, because it meant I was more emotionally prepared.

- And now, on to my very controversial opinion about this finale: I… uhm… I actually liked it. There, I said it. I liked it. I’m seeing a lot of takes from people who hated it, and that’s totally fair, but personally, to my own surprise, I liked it. (It’s kind of interesting that last time I said it would be “awful writing” to kill Penny now, then it happened, now the whole fandom is complaining about it being awful writing… and I’m here going “actually… that wasn’t so bad”.) That’s not to say that I’m a fan of everything in this finale, especially re: Penny – but overall, the good outweighed the bad *for me*. (Stressing again that this is just how *I* feel.)

- I think the main reason I feel that way is because I honestly expected way worse. If you read that thing I wrote last week^, you see I expected multiple character deaths. I was incredibly nervous. And after I’d already spent a few minutes genuinely thinking Yang died (because of a badly worded episode 13 spoiler I accidently saw), I had to think about the kind of deaths that would be a dealbreaker for me and make me drop the show. (Let’s say it like this: If either of Bumbleby ever died for real, I would be done with this show immediately.) So, in short, I was terrified of the finale and expected it to be the kind of finale that ruins the show for me (which has happened in far too many fandoms so far) – and it wasn’t. I have mixed feelings about how they handled Penny’s story, too, but this finale didn’t ruin the show for me and I honestly felt way worse after the Volume 3 finale. Maybe that’s because I wasn’t prepared for it at the time, but this time I spent a whole week being super anxious, so when I’d actually finished the finale, I just felt overwhelming relief.

- Okay, so let’s talk Penny: Back in Episode 12, I already wasn’t a huge fan of the idea to make her human (if that even is what she was?), but I think I said I’d reserve judgment on it until we see where they go with it. Obviously, it feels unsatisfying to have the show just kill her off after everyone’s been trying to save her all volume. And of course, it’s never fun to see a favorite character of yours (and Penny is definitely a favorite of mine) get killed off. The way it happened (a character who’s been trying to sacrifice herself the whole volume finally doing so through assisted suicide, even though there could have been several potential ways to still save her) feels incredibly unsatisfying and depressing as well. The “heroic sacrifice” cliché isn’t new, but there’s still a difference between a sacrifice that feels necessary and like it really was the only way (Hazel, Vine) and one that feels more like a character being over-eager to sacrifice themselves even though there might have been alternatives (Penny). So really, I understand why people don’t like this, especially because the narrative, so far, seems to validate Penny’s choice by having her plan work. And that does send the opposite of the “fight for every life”, “no one is replaceable” message this volume had been going for until then.

- And this is why, I think Penny’s death is meant to be awful. Volume 9 might prove me wrong on this, but I think we haven’t seen the end of this storyline yet. For me personally, it’s too early to judge this plot-point by itself because it depends a lot on how they deal with it in the aftermath and how things go from here. (For instance: I hated Pyrrha’s death at first because going into a fight she knew she couldn’t win also felt like a needless heroic sacrifice to me. It was only how the aftermath of it was handled from there that made me be okay with it.) So basically, what I’m asking is: How will the other characters handle Penny’s death now? Will Ruby (or anyone else) get angry at Jaune for agreeing to kill her? How will Ruby grieve in general? And, most importantly: Will the narrative really treat Penny’s choice as the “right” one or will it challenge that view? (And was there maybe more going on that we know because I’ve been reading those “Penny is alive” theories and… oh boy.) So yeah – for me it depends on how it gets handled from here.

- Also, I just want to say that I really appreciate RT putting a suicide trigger warning in the beginning of the episode and I wish people wouldn’t twist that into a bad thing. (I’ve seen some takes along the lines of “If they had to put a warning, that means they were aware it’s a harmful message, so that makes it worse” and… please don’t do that. Content creators putting trigger warnings on things is a good thing. Also, this might be a controversial take, but I don’t think fiction always has to “send a good message and teach you a lesson.” The important thing is that RT were aware that this episode could be upsetting/distressing to people and that’s why they put a warning and the suicide hotline’s number in the description.)

- Anyway, I’ve been rambling for too long. My point is: I understand the criticisms and agree with some of them, but I hope the writers know what they’re doing here and I want to believe that they do. I also love all the theories about Penny coming back (in Winter’s mind, for example) and I think they’re not actually that unlikely. And if Penny doesn’t come back, then honestly, I’m okay with that, too. At the end of the day, she’s a fictional character. I can always go and read fanfictions where she’s alive and lives happily ever after with Ruby and nothing that happens in canon can ever take that away. Canon only has as much power as you want it to have. I can enjoy the canon show and the story they’re telling (even if Penny is dead for good this time), while still also enjoying my AUs where she’s fine. One doesn’t harm the other.

- (Also, let me take this moment to shamelessly promote my favorite cartoon show because I think this is relevant to the interests of anyone who hates the “person who’s been trying to sacrifice themselves the whole time ends up doing just that” story: The main character in She-Ra and the Princesses of Power is self-sacrificial to the point of it being unhealthy, but the show explicitly doesn’t treat this as a good thing. When she tries to sacrifice herself for the greater good in the final arc and says it’s better that way, this is treated as a problem, and the lesson she ends up learning in the end is her life has value, too, and that she deserves to be happy. (The show’s also very gay.)

- I don’t know if brought any of this across properly. Basically… I’m not happy about where they went with Penny either, but I am okay with it. I still enjoyed the finale and will continue to enjoy the show. And I want to focus on the things that make me happy about RWBY and made me happy about the finale, so I’ll talk about the rest of the episode now (while rewatching it because I’ll forget stuff otherwise):

- Have I mentioned I really love the Volume 8 opening? Because I really do.

- That shot of the destroyed whale is still awesome.

- I love how the episode opens with all the fights we left off with (Winter vs. Ironwood, Penny vs. Cinder, Harriet vs. Qrow, Ruby vs. Neo) and cuts between them. Also, the music is amazing!

- Elm admitting that Harriet is their friend and that being what finally gets through to her was a nice conclusion to their little arc, I guess. Vine’s sacrifice and his admittance that they’re his friends and he’s doing this for them were touching. Honestly, Harriet is right to blame herself for his death. That said, while this volume made me strongly dislike her, I do hope she now gets an arc about actually dealing with her grief and changing. I think that would be way more interesting to see than still having her be bitter, especially after what happened in this episode.

- Qrow causing good luck to stop the bomb was a nice little moment and honestly makes sense. Good luck and bad luck are just a matter of perspective, after all. What’s bad luck for yourself will be good luck for your enemies and vice versa. So, maybe Qrow technically caused “bad luck” for the bomb? Either way, I like the idea of him realizing that his semblance is more than what he thought.

- Cinder breathing fire during the fight was awesome. I need GIFs of that.

- Blake was amazing in this episode! I love that she didn’t let her grief over Yang consume her, but got up and kept fighting, kicked Cinder in the face and told Weiss to get up. Good stuff!

- I wonder if Cinder’s “You should have never been born” line to Ruby was just a generic “I hate you” line or meant something more.

- Do people honestly think that Cinder betraying Neo was unexpected or like… super unreasonable for a villain? Neo did threaten her – most typical villains don’t react well to their underlings threatening them, so I really don’t see why some people are so shocked or downright offended about this (is it just because they like Neo?).

- Weiss being the last one standing and using Blake’s weapon in the fight was absolutely amazing.

- The tragedy of Jaune sending Nora to bring the Huntsmen and Huntresses back through the portal while not knowing the portal is a one-way deal…

- Cinder knowing that Salem is back because her Grimm arm started hurting was a super interesting moment. And Weiss’ shocked face in that moment was quite interesting, too.

- I wonder if Penny really meant dying when she said “Let me choose this one thing”. To me, it sounded more like she meant choosing the next Winter Maiden. Also, her “trust me” to Jaune is an interesting line. Between that and us not seeing how that conversation goes on, I wonder if there’s something we don’t know here. (*puts on my “Penny is alive” tinfoil hat*)

- I’m glad they at least didn’t graphically show Penny’s death – which is an interesting choice again, because this show doesn’t usually shy away from making deaths graphic and portraying them in all their brutality. So, the fact that we don’t see the act itself and then just cut to Penny’s conversation with Winter was interesting. (But I am glad about it because I didn’t want to see that.) It might honestly just be because of the nature of Penny’s death that they didn’t want to show it too much (and that’s fair).

- “You were my friend.” Gosh, this rewatch is making me cry now 😭. (I also think it’s interesting that Winter calls herself a machine and Penny is now the one who corrects her. It’s a nice callback to Ruby telling Penny she’s their friend and “not just a machine”.)

- I was also just reminded that Penny died thinking Ruby was dead… ouch. This possibly hurts me more than Penny’s death itself.

- People have also pointed out that when Penny transfers the powers to Winter, her aura looks yellow (like Jaune’s) with only some green sparks (like Penny’s). Hmm… I really wonder if there’s more going on here.

- “I won’t be gone. I’ll be part of you.” Who’s cutting onions in here?

- Honestly, the main reason I kind of forgave them for killing Penny was because THAT MOMENT of Winter opening her eyes with the powers while that epic music plays was just amazing to witness. And her fight with Cinder? EPIC. BREATHTAKING. BEAUTIFUL. I’m not even that into the idea of Winter as the Winter Maiden (I honestly thought Penny, the robot girl, becoming the Winter Maiden was a much more interesting plot), but the way it was done in this episode was great. I’m glad we’re finally getting that rivalry between Winter and Cinder, because their arcs parallel each other in so many ways. And I love the symbolism of Winter only getting the powers that Ironwood chose for her after she betrayed Ironwood. I like the idea that she only became worthy of them after turning on Ironwood (which does work well with her Volume 7 arc).

- Oh, by the way, I really hate the “Team RWBY will become the four maidens eventually” theory. Even if it didn’t require characters to die, I just think it would be cheap and way too obvious, and I think it’s boring to throw all the magic powers at the main characters. So, if they only made Winter the Winter Maiden so she can eventually die and pass it on to Weiss, I’ll be very annoyed. (But I hope that’s not where this is going.)

- I’m also just realizing that Cinder asking “How am I supposed to take her power if she’s dead?” about Penny a few episodes ago was foreshadowing… damn.

- Jaune’s sword breaking was a really cool and symbolic moment, too.

- Winter trying to save Weiss from falling and not reaching her in time really got to me. I’m mostly not that affected by any of Team RWBY falling into the void because… come on, we know they’ll be fine. But Winter thinking her little sister just died is… oof. Maybe it’s because I have two younger sisters, but stuff like that really gets to me.

- Also, Winter going through that portal and seeing her family after she just (as far as she knows) lost Weiss… ouch. They never got to all reunite with each other (yet).

- I absolutely LOVED that final scene between Salem and Cinder. They’re both such fascinating characters and I just live for their interactions. Cinder talking herself down (even though she got the relics, so she knows she succeeded at the most important part) was amazing on her part. She did learn from Salem! It’s also interesting that even though she got what Salem wanted, Cinder didn’t get what she herself wanted (the Maiden Powers). I feel like that’s eventually going to become important.

- I wonder if Salem believed Cinder’s lies or not. I’ve seen some interesting opinions in both directions here. (Also, again, I don’t get why some people are so shocked and offended about Cinder lying? I’ve seen so many “I hope she pays for her lies” takes and… really? That’s her biggest crime in your eyes? Lying to another villain?? I don’t think any of you villain-haters feel bad for Salem here, so why… oh. Oh, nevermind, I just understood. They’re not mad that Cinder lied, they’re mad because they wanted Salem to kill her. Gosh, that’s so dumb. Face it, people: That’s not going to happen because Salem still needs the Fall Maiden’s powers. She’s not going to kill Cinder anytime before Cinder opens the last vault.)

- Cinder killing Watts with the staff was kinda funny, tbh. Also Salem’s proud little smirk in that scene kills me.

- “And that’s checkmate.” THAT. Okay, THAT was the best line in the entire episode, I don’t make the rules. What an epic moment!! Gosh, have I mentioned I love Cinder to death? What a queen! This volume really completely changed my opinion on her. I’ve already said that she’s my standout character of the volume, and I stand by that. It was her volume in so many ways and it’s so fitting that she gets to say the last line. It’s also such an interesting line in so many ways: 1) Because this episode is called “The Final Word”, is the only episode in this volume that doesn’t have a one-word title, and the actual final word of the episode is “checkmate”, it implies that “Checkmate” is the real, hidden title of the episode. And that fits so well! They could have easily just named the episode “Checkmate”, but revealing it like this works even better. 2) I also love the chess symbolism in this volume in general. There was a really great analysis about it on here somewhere, but basically: Salem is the king, Cinder is the queen (the king can’t die and barely moves, the queen is out there getting rid of opposing player pieces). And the interesting thing about that here is that the king can’t actually checkmate anyone else, only other chess pieces can. So, it’s very fitting that Cinder is the one who says “checkmate”. Also, in a game of chess, you often have to sacrifice your own pieces to win, which is what Cinder did. 3) I also LOVE the realization on Ironwood’s face when he realizes that he’s been so paranoid about Salem, but he’s actually been playing Cinder all along. (Someone else on here pointed out that there’s something super poetic about Cinder, someone who was very much a victim of Atlas’ systemic problems, being the one to defeat Ironwood and destroy his kingdom. Ironwood was ready to sacrifice all the poor people from Mantle for his own goal, and a poor person who was hurt by people in Atlas is the one who destroyed him. Yeah, yeah, Cinder’s evil and all, but I love it! 4) It’s also really interesting to me that Salem said “This game is not yours to win, it’s mine” to Cinder in the first episode of this Volume, but in the end, Salem ended up being gone for the entire last part of the volume and Cinder is the one who got to say “checkmate.” IT’S JUST SO GOOD.

- And ngl, I’m super happy for Cinder. She really got it all. Yeah okay, she didn’t get the Maiden Powers (and I hope she never does, because one person being two maidens at once is lame), but she got the relics, got rid of her enemies and co-workers (or so she thinks), destroyed the kingdom that she was a slave to, got back into Salem’s good graces… good for her! And apparently one of the buildings that you see being flooded was the Glass Unicorn? Amazing. Love that.

- (Yes, I’m team “redemption for Cinder please”, but come on… it was never going to happen this volume. And if it never happens, that’s okay, too – I’m loving her as a villain as well!)

- Also, I hope that all the people who were specifically criticizing Cinder for not being a competent enough villain are very happy now. Because there you have the competent villain you said you wanted! I mean, I’m saying this as someone who used to criticize Cinder’s character for not being interesting/deep enough. I used to say that I’d like a backstory or something that makes her more interesting/compelling to me. But as soon as we got that backstory, I happily switched sides to team “I like Cinder now”. So, I better not hear any complaining from the “I just want her to be a more competent villain” faction now!

- Yeah, I admit I’m getting annoyed with the Cinder hate. Everyone has a right to their opinions, but it gets frustrating when you’re going through the tag of a character you like and half of the tag are people talking about how badly they want that character to die. (Maybe use a seperate tag for it?)

- (I’m just realizing that I said “Well, at least it was only one character death” earlier, but people like Ironwood and Watts actually did die… I just didn’t count those because I don’t care. Sorry not sorry.)

- We decimated Salem’s faction quite a bit this volume, didn’t we? There’s only Cinder, Tyrian, and Mercury left. I wonder if Salem will get some new people on her side.

- Overall, while I did like this episode, I feel like Volume 8 got weaker towards the end. Most Volumes were at their best towards the end, but I feel like episodes 8-11 were the strongest parts of Volume 8, while episodes 12-14 were still good, but not as good.

- My prediction is that Volume 9 will (of course) be Tearm RWBY’s way out of the void (or whatever that place where they ended up is called) – And I quite like the theory that we won’t see the other characters at all and it’ll be focused only on what’s happening in the void.

[sou-ver-2-0]

Just finished watching Danganronpa: Trigger Happy Havoc!

That was a wild, bumpy ride but I’m glad I watched it. Definitely got better in the second half. Should give me some better perspective on the killing game genre.

I’m still sorting through my thoughts, but the main topic running through my head is the tonal difference between DR and YTTD when it comes to portraying death. Especially the difference in how they treat executions. 

Vague spoilers for the first Danganronpa game under the cut. I don’t talk about who lives and who dies. And I’m not going to talk about the more obvious offensive tropes. I keep thinking about the relationship these two games have with death, and how that affects their portrayals of justice and injustice. 

Before I go any further, I should make a clarification on the different rules in both killing games, since that affects the tone a lot. With Danganronpa, our characters are motivated by the mastermind to murder one another, and if they can get away with murder then they get to escape their prison school, but everyone else in the school will die. However, if the rest of the cast can solve who the murderer is, then only the murderer faces execution. 

Meanwhile, in YTTD, death is decided by majority vote, and by the bad luck of drawing the Sacrifice Card. Our characters are motivated to logically pick someone who is “safe” to vote for--since voting for someone with an “unsafe” Card will result in a massacre--but emotionally they are also motivated to pick “suspicious individuals.” 

This means that Danganronpa’s killing game is more concerned with “bringing the killer to justice,” while YTTD’s killing game is more concerned with “voting to kill those you hate.”

Put another way, the morals of Danganronpa lean on the side of your detective friend, who wants to bring the truth to light for the greater good and “serve justice.” Meanwhile, the morals of YTTD force you to question your detective friend, because “serving justice” may not be his main goal at all. The detective in DR is a good girl whose self-righteousness is always backed by the narrative. The detective in YTTD is a shady man who makes increasingly selfish choices.

What I’m saying is that YTTD manages to be subtly anti-cop in its messaging, which is the big reason I like it more.

What stood out to me the most about Danganronpa was how it indulged in such shameless glee when it came to killing its characters. This is most notable in its executions, which are all over-the-top and absurdly funny. But this glee was also present in subtler ways, like the “concluding comic” sections where protagonist Makoto describes how the killer committed their crime. As Makoto describes the murders, the attackers are often drawn enjoying themselves, with wicked smiles and even laughter. This allows the Player to rationalize to themselves that the killer is an awful enough person to deserve execution. 

In contrast, when YTTD kills its characters, it forces you to sympathize with them. Instead of indulging in glee, it indulges in sympathy.

There has only been one “grand execution” in YTTD so far: the Human Flower. While the Human Flower is similarly absurd as any of Danganronpa’s executions, it isn’t meant to be funny at all. The entire sequence is meant to be devastating, to show the injustice of killing a little girl.

The reason there haven’t been more “grand executions” in YTTD has to do with its “indulgence in sympathy.” While Kai and Shin also die by majority vote, they get to be heroic in their final moments. They are allowed the agency to resist the kidnappers, and so they both escape the public humiliation of a grand execution.

Additionally, when YTTD introduces us to “suspicious individuals,” so far it has taken care to humanize them. Professor Mishima isn’t a bad person; he just has a scary laugh. Alice may have gone to prison for murder, but he’s also a sweetheart who wants to make things right. Fake Reko is willing to kill her counterpart, but she’s unwilling to kill her friends, and we see how she was driven into a corner. And then there’s Shin, who sends the deadly Sacrifice Card to the Player, but he is willing to sacrifice himself to save a little girl.

Even Keiji, YTTD’s shady detective, is often meant to by sympathetic. He was not always selfish. Hypothetically, he could start making selfless choices later in the narrative. And he is just as much a victim in this game as anyone else.

I don’t want to go too harsh on Danganronpa for this. As I said in the beginning, I liked the story better as it went along. This is definitely because the central figures of the fourth and fifth trials were portrayed more sympathetically! I won’t go into detail, but we’re suddenly forced to question how good, honorable people could be the primary suspects.

There’s another reason I don’t want to go too harsh on Danganronpa. It’s because there was a little voice in the back of my head while watching the game that said, “Maybe this is more honest.” When we read or play stories about killing games, aren’t we here for pleasure? Don’t we also feel a kind of enjoyment from the deaths in YTTD? Because playing a videogame is a safe way to experience a rush of emotions that wouldn’t be “fun” in real life?

Those are my main thoughts about Danganronpa: Trigger Happy Havoc, and how it relates to YTTD. Thanks for reading!