#I want to pick apart these characters so much

[bisexualbaker]

Oh shit yeah I got this!

Okay, so our main characters, let's call them Steve and Monica, because I need names and don't want to think too hard. Anyway, they grew up together, were platonic ride-or-die for each other in high school, but drifted apart when they went to colleges in different states where they eventually settled down. Monica ended up in a very restrictive state and Steve ended up in a much more pro-choice state. They occasionally message each other on the internet, but nothing really meaningful, usually no more than a Hi on their birthdays or relevant holidays (etc).

Then one day Steve gets a call from Monica. Her recent ex-boyfriend—well, she'd really been thinking of breaking up with him for a couple of months before that, but the final straw was three months ago when she found him messing with her birth control. She immediately kicked him to the curb and went about disentangling their lives, went and got Plan B or equivalent ASAP, just in case.

Well, turns out it was too late: She was already pregnant, and didn't get real confirmation until very recently. And, well, surely Steve knows how things are in the state where she lives.

Steve does know how things are in the state where Monica lives. He also knows that Monica has never wanted to have children, since they talked about it some in high school. There could be various reasons here, from bad experiences with her own parents, to financial reasons, to health reasons, but he never saw fit to argue with any of them. Her choice, right? Meanwhile, Steve himself isn't really sure on the kids thing, but he's leaning towards "no thanks", because he is sure that anyone making the choice to bring kids into the world had better be 100% on board, and he's not, so that means no. (Also, if he feels the need to spend any time with kids, he's got local friends and/or family with little ones he can spoil.)

Anyway! Steve tells Monica that it sounds like she's been having a rough time, maybe he could come pick her up and she could spend a week or two at his place, get resettled after everything that went down with That Jerk (very clearly not saying what else they could, or rather will, be doing while Monica is visiting). Deeply relieved, Monica takes him up on his offer enthusiastically. Steve calls his job, takes a few weeks off of work, and drives over to pick up Monica.

They've got an appointment in Steve's state, but it's still some days away, so they take a leisurely trip back to Steve's. All the while they're reconnecting, and Steve is noticing that all of the things he liked about Monica as a friend in high school are still there, and are also things he'd really like in a life partner. Her sense of humor, her willingness to compromise, her determination to find a way to make things work, her money sense... She's also much more confident in herself than she used to be, which Steve finds really attractive.

Or at least, she's more confident in herself whenever pregnancy shit isn't getting to her. Steve already knew that pregnancy and kids aren't something Monica ever wanted, but if he ever needed more convincing, he's getting it both on this road trip and when they get back to his condo. Still, he does everything he can to try and keep Monica's spirits up, to distract her and/or make sure she's prepared for her abortion and everything it will involve. (All the while, he's also learning what he can to make sure he can help her through the aftermath. Apparently post-partum isn't necessarily just for giving birth; all those hormones and body changes can also hammer down after any other pregnancy ending circumstances!)

Steve drives her to the clinic, waits with her when she asks him to, waits for her during, and does everything he can to make her as comfortable as possible as she recovers. One thing after another is just more yes, yes, yes, this is what he wants in his life, Monica is who he wants in his life.

He's a bit stuck on how or if to confess, though; this was a deeply shitty situation for Monica, and it's also something he could hypothetically hold over her legally after everything, which he would never do, but he knows might make things more difficult for both of them. Then, a day or two before he's set to start driving Monica home, he checks in on Monica packing—only to find her crying.

Steve immediately asks Monica what's wrong, if he can help with anything, and Monica just starts crying harder. She ends up confessing her own feelings, how she started to fall for Steve when he didn't judge her for her shitty ex-boyfriend and how she wanted to terminate the pregnancy (which more than a few of her local friends had), and then everything else he did to make her feel happy and secure while helping her out just really sealed the deal! She got half way through packing before she realized that she didn't actually want to leave him, but she also didn't want to put pressure on him after he'd done so much for her already.

Steve immediately hugs her and confesses back, telling her he doesn't want her to leave either but didn't want to put pressure on her, and also maybe this was a little soon after all of the everything going on. But he would love to go out to dinner with her properly, before he takes her back home, and again when they get there, and then maybe they could see how things go from there? They can try doing long-distance for a month or two, and if they're both still certain, they can get together more formally and figure out where to live.

Fast-forward ten years, Monica and Jake are happily married, with three dogs and a tortoise. They still don't want kids.

The end.

Edit: Okay, this is not "and the person who got them pregnant", but it mostly still works!

there's an extremely niche plot in romance fiction wherein our invariably heterosexual leads fall in love after a night of passion leads to an unplanned pregnancy and they're now bound together by an impending child. I cast no judgment on anyone who enjoys this, but since I'm an evil gay and this is my personal nightmare scenario I want to see a zany romance novel premised on the opposite resolution: a couple falls in love while on a whirlwind roadtrip to obtain a legal abortion

[won4kiss]

﹙ 🎬 ﹚ ────FOREVER SOUNDS PERFECT.

(🐚) ── 𝓛EE HEESEUNG﹙희승﹚ ꒰ 𝓰. oneshot ៸ fluff ៸ established relationship ୨୧ㅤㅤ WARNiNGS : not proofread ៸ kissing ៸ petnames ៸ ❞ fiance! 𝓁ee heeseung x 𝑓! reader ˖ ݁𖥔 ݁˖ ꒰ WC : 0.6K ꒱ SYPNOSiS 𐙚 in the late hours of the night, you and heeseung indulge in a late night talk about your soon to be married future together .ᐟ ── LiBRARY

THE APARTMENT WAS SILENT WITH YOUR THOUGHTS.

the world outside could be heard slightly from the open windows, but now, wrapped in lee heeseung’s arms, everything feels still and perfect.

he’s lying on his back, and you’re curled against his chest, your legs tangled like it’s second nature. his fingers play gently with yours, occasionally spinning the engagement ring on your finger like he still can’t believe it’s there.

“you’re thinking about something, aren’t you?” you say, tilting your head up to catch his gaze.

his lips twitch into a small grin, warm and familiar. “maybe.”

you raise an eyebrow, shifting slightly to lift yourself on your elbow. “okay mr. nonchalant, spill.” ── 𝖱𝖤𝖲𝖳 𝖡𝖤𝖫𝖮𝖶!

heeseung sighed dramatically, letting his head fall back against the pillow with a thud. “i was just thinking about our wedding.”

your feel your heart skip a beat, but you play it cool. “oh? what about it?”

he taps his chin as if he’s deep in thought. “i’m still debating if i should cry when i see you walking down the aisle or just faint on the spot. both feel very in character for me.”

you giggle at his words, hitting his chest lightly. “be serious, hee!”

“i am serious,” he insists, catching your hand and pressing a gentle kiss to your palm. “you’re going to look so beautiful. i’m probably gonna cry a little… just so you know.”

you roll your eyes affectionately, your cheeks pink and insides warm. “good. then i’ll cry too, and we’ll be a mess together.”

heeseung grins and tugs you down so you’re lying on his chest again—his arms wrap securely around you, like he’s afraid you might slip away.

“i was also thinking about our first dance.”

“really?”

“yeah.” his fingers traced lazy patterns on your back. “i don’t know what song we’ll pick, but i know i’m not letting you go, even when the song’s over. we’ll probably have to be dragged off the dance floor.”

you can’t help but smile at the image forming in your imagination. “god—you’re such a sap.”

“for you? always.” he presses a kiss to the top of your head, lingering on your skin.

“and then after the wedding… we’ll go somewhere far away for our honeymoon. somewhere with a beach, maybe. just us, no schedules, just sleeping in, exploring, eating too much good food.”

“sold,” you mumble, snuggling closer into his embrace if possible. “but you know the best part?”

“what?”

“coming home.” you trace small circles on his chest, where his heartbeat is steady and comforting.

“starting our life together. making breakfast on the weekends, falling asleep on the couch watching dumb movies, annoying you until you can’t take it anymore.”

heeseung chuckles, tilting your chin up so you’re nose to nose. “i love the sound of that.”

you grin. “even the annoying you part?”

“especially that part.” his voice softens, feeling the seriousness despite the teasing. “i want all of it. every boring, silly, annoying little moment.”

you lean up and press a soft kiss to his lips. he smiles into it, chasing after you when you pull back like he’s not done yet.

“we’re gonna have the best life,” he says so surely, eyes sparkling. “even if we burn dinner or lose our keys or—i don’t know, accidentally adopt five dogs someday.”

“accidentally?” you laugh.

he laughs too, tipping his head back against the pillow. “intentionally. whatever you desire, baby. as long as it’s with you.”

you smile, settling back into his arms, feeling so impossibly safe and loved. “forever sounds pretty nice.”

heeseung hums contentedly, his lips brushing your temple. “forever sounds perfect.”

© WON4KISS 2024 do not repost, plagiarize, or translate.

NOTE. i love heeseung so much:( i think this will be my second to last fic of 2024!! my birthdays on tuesday that’s the only thing keeping me going rn ☹️ BUT HAIR APPOINTMENT ON THE 30TH GUESS WHOS GOING BLONDE🔥🔥🔥

୨୧ TAGLIST OPEN ‹𝟹 @mioons @nshmuras @suneng @pnghoon @shawnyle @laylasbunbunny @privareum @briefsaladfun @cyjzzl @sol3chu @txtlyn @d-dilemma @deezbin @iluvnikism @rikibwn @wonsprincess @niawonn @pockyyasii @kiss4noo @nineooooo @loves0ft @ancnymcnzjy @dazzlingjaeyun : COMMENT OR SEND AN ASK TBA.

[ghosts-and-glory]

Gonna be honest, no idea what that last asker was talking about when they said Narinder deserved purgatory more. The guy is messed up, don't get me wrong, but the sheep genocide was completely out of his control. There isn't even any evidence that he got locked up for anything other than inventing a way to revive followers!

Narinder is much more palatable than the bishops and the fandom tends to forget that making him pissy/angry all the time is actually pretty ooc (ESPECIALLY considering the time it took between updates). He liked you as a god, he was mad for a while as a follower, AND THEN HE SAID HE RESPECTED YOU AS A GOD BEFORE YOU EVEN FULLY FINISHED HIS QUEST LINE!

Tldr; Narinder isn't as bad as the bishops, torture is cringe unless it's character building :)

That cat spent a thousand years being punished, let him rest. He’s been punished for his betrayal, a thousand years of it. During the game his crime is trying to escape a prison that he would never be allowed out of. He’s given no opportunity to reform, no time to rest and no end in sight.

I do enjoy it when follower Narinder is a bitch, I just want him to be mean to me is that too much to ask?

I’m a chronic adhd rambler and I hate scrolling by long posts. More thoughts on Narinder under the cut.

I do think this bit of dialogue is telling.

If you resurrect he seems to imply that resurrection is what started him towards his betrayal. He points out specifically that that there are no other gods to stop you from playing with life and death, this action makes him see himself in The Lamb. His reaction to the funeral is more reserved. Maybe he’s disappointed, maybe he feels some level of relief that you wouldn’t repeat his actions, maybe a bit of both.

And there’s his dialogue after his defeat.

I was originally gonna say something about his murder dialogue but I got distracted by how fucked up he is. Narinder, baby, I know you’re the god of death but begging to die is not normal.

But yeah the point that he seems to respect the Lamb’s godhood kinda supports my game theory that the Lamb is more death than Narinder. At the end of his godhood Nari was corrupt, driven by revenge and power. Depending on your actions as the Lamb you are now either walking the same corrupt path as he did, respecting the natural order of life and granting rest, or a bit of both.

I do think its easiest to love Narinder out of all of the npcs in the game. Yeah okay he’s evil in that good tumbly sexler man kinda way but he’s also the character with the most content. He has the most dialogue, you meet with him the most, he’s got the hardest boss battle with unique mechanics. I get why he’s the fan favourite and why people like Narilamb, what gayer than being character foils? Nothing.

He’s my little meow meow and I’m mean to him cause I love him. Mwah.

[natashasbanner]

And another thing, these trials are all fun and games to Rio (obviously because there aren't any real stakes for her) right up until Agatha's about to get her feelings hurt. How very "still in love with my ex-wife" of her.

[thechthonicherbalist]

Lestat really deserved this after all the hurt Louis inflicted on him. Even if it was because Louis was lied to and manipulated by Armand. Of course the hurt between those two became monstrous. Of course they wronged each other. But why? Because Louis thought it was so bad of Lestat to try and protect him of Armand... All of these characters are very complex, with great depths and dark and light sides to themselves in their very unique ways. I have loved these books for over 15 years and I slowly come to love the series, in a very specific and kind of critical way. Both independent and intertwined with the books, now that I have started to re-read them from the beginning with my friend and the parallels become clearer again, I am mind-blown actually.

My babies will always be Lestat and Nicki, who have suffered such a tremendous loss, that is most relatable to me and many more things. I have another favourite I will not mention out of respect for someone's feelings. There is so much I have to say on these two. How I relate to Nicki's mental health and passion. How I relate to their childhood trauma. How I was created to be like Nicki and all my life worked to be like Lestat, how Lestat is indeed my light, the one that made me hold on in darkest times and reminded me... infused that taste of immortality into my existence... abandons my senses when I fall apart and get licked by the flames and torn apart and into madness by... ah well. And such mixed feelings on Louis... I love him, understand him and grieve him and resent him through the lense of Lestat. He's both relatable and makes me want to say "No, how could you?? Are you blind?? He loves you. He fought for you and you fought him with your anger, your vengefulness. You suffered and so you wanted to make him suffer with you... he deserves better than that, but please just be gentle and nice now, Louis. Lestat has set his heart on you, you're his everything. So just let yourself be loved and love him. You've both been through so much and he is so much more fragile and such a sensitive soul than he let's on, than you accept him for..." So very human, I could never hate him for it. But yes. The gift he wore like a curse. Hah. They could have had it all and yet it got consumed by the flames. I am glad Louis learned this very hard lesson and only made that mistake once in the books. And Armand... complex, difficult Armand, who is a very interesting character in a beautiful body and with a beautiful and charming personality on the surface and oh-such-deceptive depths to it. A master at luring people in, making them love him. Not neccessarily a favourite of mine. But certainly a character I look at with fearful respect. As a writer, I cannot even pick up his character to write from his perspective, I cannot comprehend it. So I have utter respect for the abilities of Anne Rice, the AMC series team and Assad Zaman for the amount of skill it takes to make such a character come to life in all his horrifying and compassion rousing details like that.

"I didn't know it was a gift... I wore it like a curse... I was selfish… I tried to make nights awful for you… I wanted you to suffer... Because I was… suffering."

Interview with the Vampire Season 2 | Episode 8 "And That's the End of It. There's Nothing Else"

[sukibenders]

Racism and misogynoir are so apparent in fandom, especially when it comes to shipping because why is it when a white male, sometimes female but I see it more with the former, character is on screen with a love interest, particularly woc, especially if they're black, and even with all the emotional scenes or just moments where they look at one another in ways different from the rest, it's met with "No, they aren't dating/the show is not going to put them together" but let the other love interest be white as well and suddenly it all makes sense? Heck, the examples I mentioned above don't even have to exist between the latter for some to STILL go and believe this rhetoric (eg. some Jace and Helaena shippers because, even if these two only interacted with a dance but yet we see Baela console Jace, after he seeks her out, apparently it's to far fetched to believe that Jacela could be a thing?!)

Sometimes it could be a headcanon that, largely, would make sense (and oftentimes was birth due to lack of respect that the poc characters could have been given by the writers *cough* TVD *cough*), and yet you'd still have people dismissing it left and right and spewing hate. At a HEADCANON! And I'm not saying that just because the other person in the ship is poc that you have to ship them, I'm not, but it's very apparent to many poc fans in fandom that unless the characters are swapping spit and doing the nasty, the possibility of them being viewed in any romantic lens feels too much of stretch even though their white counterparts don't have to jump through the same loops.

[ruvviks]

it's been a hot sec since i've talked about cyberpunk and i was initially working on a fic that would tell the story of this whole thing, but i've abandoned it many months ago and cannot say when i'll be picking it up again SO! i've decided to instead make this timeline. sorry in advance for how much information is in this thing the cyberpunk extended blorboverse essentially refers to the story parallel to the in-game events of cyberpunk 2077 that @mojaves and i came up with. we don't really have a better name for it but at this point the term has been used so many times that i feel like everyone here knows what it is by now, but at the same time we've never really explained the full scope of what the story is by now (it's a lot sorry). so in an attempt to get you guys a little bit more up to date with it all, here's a semi coherent timeline that describes the core events of the story and every branching story that came out of it! for additional background information, you can check out the following posts (timeline 1 / timeline 2 / timeline 3) to catch up with the continuation of the in-game storyline that's referenced in this timeline, but it's mostly irrelevant to everything here save for a couple of referenced events that cross over between the stories. it all ties together very intricately sorry about that. don't worry too much about it i've included my taglist down below to make sure people who are interested won't miss this post, but feel free to skip over this if it's not your thing! won't be doing a lot of this kind of stuff in the future but i'm trying to get back to the cyberpunk roots so this is kind of like, a good starting point and reference point for later posts!

The story starts in early 2077 and is centered around Sebastian Vidal, gang leader of the Cobras and previous test subject of Arasaka Special Programs (the linked page is a lot of information but gives the most coherent overview of what the branch actually is). The current director of the SERPENT projects, Andrew Colton, and Dr. Alana Cartier, both want him dead, to tie up their last loose end before the rest of Arasaka can find out and shut down Special Programs once and for all.

Over the past months they’ve been hiring various assassins in secret, to try and get Seb killed; however, these assassins keep failing, and their latest attempt lies in the hands of Cassidy Shaffer, an ex-corpo turned assassin with a strong moral code and plenty of experience to his name. With little to work with, as his mysterious client doesn’t give out much information, Cassidy starts with what he thinks is gonna be a quick and easy job– but he ends up hunting after Seb for essentially a year.

During this year, the two men have a series of wild encounters that get more and more insane the longer it goes on; it includes, but is unfortunately not limited to, Cassidy biting off a chunk of Seb’s ear, the two of them running over the highway, the two of them getting handcuffed together and chased by the NCPD then hit by a car right in front of the hospital, and Seb sensually licking blood off Cassidy’s face after having stabbed him when Cassidy wanted to strike at a concert Seb is visiting.

All of it comes to a sudden stop when Cassidy learns his client has been lying to him the whole time, and since he does not appreciate lying clients he ends up jumping sides and teams up with the Cobras to do some cleanup duty in Arasaka Special Programs. He and Seb work together to go after a list of targets to get the still ongoing projects mostly to a halt, while remaining in the shadows themselves as to not draw too much attention their way; and during this collaboration they meet several people from their past, bringing back both good and bad memories.

One of these people is Hanan Chisaka, the Head of Security at Special Programs. She ends up becoming the next test subject of Project Cobra after the last successful subjects, Xavier and Gabriel Mason, end up escaping in the midst of the chaos of Hanako Arasaka’s capture in mid-2077. Once Seb’s best friend and Cassidy’s mentor, she’s now forced to hunt the both of them down; but in their final confrontation she snaps out of the controlled mode Arasaka keeps her in and runs away with them, effectively leaving Special Programs without any test subjects. Another one of these people is Reid Bennett, Cassidy’s ex and ex-coworker back at MaxTac. He still works for the corporation and has been on an ongoing investigation into Arasaka Special Programs; seeing Cassidy alive and well, working together with Seb no less, piques his interest and he continues to look further into the case, which will cause him to make a very big mistake later on in the timeline.

By September 2078, Seb and Cassidy have successfully taken down all their planned targets and retreat back into the shadows, leaving Special Programs with many losses and no test subjects. With the APEX program discontinued a month earlier (incident discussed in this fic, which is a continuation of the in-game events), and Hanako Arasaka recovered and ready to take the corporation back from the hands of her corrupt brother, Special Programs ends up having to retreat for the time being, and cook up a new plan in the background.

Special Programs by this point is run by Andrew Colton, Alana Cartier, and Kaida Akiyama, three players who have been in the game for a long time already in the SERPENT projects’ runtime. Colton and Cartier are married– Cartier used to be married to Seb and cheated on him for a good amount of time when he was still at Arasaka– but their marriage is starting to fall apart. Akiyama has had to watch over Special Ops agent Ambrose Hawthorne for a while during his chase after the Mason twins, which ended up with the twins dead and Hawthorne going into early retirement (Arasaka doesn’t know the twins faked their death and Ambrose is now dating one of them lol), and xe is now determined to help Colton and Cartier get Seb back into Arasaka so the projects can continue.

Cassidy’s initial plan was to leave as soon as the collaboration would come to an end, but he has found his place with the Cobras and instead ends up officially joining them.The next chapter in the story is a more laid-back and easygoing chapter, in which Cassidy learns to be part of real life again, and in which Seb learns to let people get close to him again after spending years trying to convince himself he doesn’t need any help. Over the course of a little over a year (all the way to November 2079), the two grow even closer than they had already done, going on gigs together and, you guessed it, slowly but surely falling in love until they inevitably end up together at the end of it.

Not long after the two get together, Reid returns into Cassidy’s life. He wants to try and be friends again and Cassidy gives him a second chance, though this soon enough turns out to have been a mistake, with Reid trying to create distance between Seb and Cassidy and then going as far as trying to sell Cassidy to Kang Tao (one of the few corporations that have been hunting Cassidy down for a while now) in exchange for his own freedom from MaxTac (where he would have otherwise been stuck at for probably the rest of his life). Naturally, Reid can’t watch Cassidy get tortured for long and leaks his location to the Cobras, who find and free Cassidy and take Reid into captivity instead– he does not get killed, but instead has to sit out some time at a safehouse somewhere in solitude, where he gets to decide what kind of person he wants to be in the future.

This brings us to Elysium; a gorgeous spaceship which was supposed to be a relatively cheap escape from reality for everyone who wanted a refreshing break from Earth, but through Arasaka sponsorship has become just another cash-grab project to compete with the Crystal Palace– and considering the megacorporation has its greasy hands all over it, the secret labs in the spaceship are used for a series of very unethical experiments. Naturally so, it would be the perfect place for Colton to continue his SERPENT projects without the risk of Hanako Arasaka finding out and shutting the place down. He sends forces up to Elysium (obviously after his other attempts at relocating the project to space have failed tremendously, having lost contact with every single crew in the smaller Arasaka stations in orbit around the planet), but since he’s not there himself his cousin (one of the CEOs of Elysium), Maxwell Crane, unbeknownst to Colton, takes control of the SERPENT projects in space instead. From the earlier linked Special Programs page: “Project Eryx used the technology of previous projects, but took a completely new approach in the hosts it used; rather than focusing on the human psyche it attempted to create a new type of cyborg which would lack the humanity that caused previous projects to fail. The Cobra chips were no longer used and the software was instead installed directly onto the host’s mainframe. The flexibility of the new hosts– more robot than human, and in some cases the entire human aspect was lacking altogether– allowed for experimentation with highly advanced cybernetic enhancements and military grade tech and upgrades, turning the test subjects– dubbed ‘prototypes’– into dangerous, unstoppable killing machines.”

Things settle down for Seb and Cassidy, but this moment of peace does not last long. In January 2081 the two find themselves traveling to the spaceship Elysium, to investigate a curious situation in the laboratories– they’ve been hired by Arasaka without their knowledge and it’s a setup to get Cassidy killed and Seb back in Cartier’s control.

While in space, they learn that the secret labs have suffered an outbreak of the above mentioned prototypes. They quickly connect the dots and realize Special Programs is back in the game, and they work together with security guards Aubrey Valentine and Leon dello Russo to try and fix the situation before it gets out of hand. Obviously this fails tremendously and Elysium ends up on a complete lockdown after a ship-wide outbreak, which is eventually contained in late March of that year, with CEO Maxwell Crane dead, leaving only his wife Kinsley Osborn behind.

Elysium continues to exist and is rebuilt after the crisis, and Kinsley Osborn can now finally turn it into the retreat it was always meant to be. Previously, most Elysium employees were to be stuck in space for the rest of their lives; however, with Arasaka out of the picture they are free to leave as they please, which results in a gigantic cut in total employee count in the months that follow.

Seb and Cassidy return to Night City and take Aubrey and Leon with them. Aubrey reunites with his sisters; Becca, James, and Rikki, and soon after his return to the city he opens an LGBTQ+ nightclub called Bodytalk with them, found Downtown, City Center, in June 2081. Not only is it a fun place to hang out at, it’s also his main hub as a fixer, and he starts a collaboration with the Cobras to get business going between the gang and the club; and soon enough it grows into a large and powerful network of connections, which is the foundation on which the rest of the stories are built.

After this point in time, many many more things happen but it would take me another hour or ten to go into full detail of all of that, so instead here’s a quick rundown of some of the other things that Bodytalk gets involved in:

Reid Bennett is handed over to Aubrey and he starts working at the club, and he becomes a very valued employee as well as a good friend to many now that he’s no longer fucking insane

Kaida Akiyama returns from Elysium and shows up to Hanan’s doorstep, to ask for her help with getting out of Arasaka for good; much later on, xe starts working for Bodytalk as well, in an attempt to put xyr past behind xem and become a better person

Urban Dynamite starts performing at the club regularly, and it becomes their home base

Luna Serratos, Cassidy’s ripperdoc friend from all the way back to killing era, gets involved in the Harbinger case from Maelstrom (one of the gang’s most feared members); turns out the Harbinger is in fact Reuben de la Rosa, a by then 22-year-old kid who has ended up in Luna’s care with his friend Noah Telavera after the two got caught up in an explosion. She requests the Cobras’ help with getting Maelstrom to let Reuben go

Officer Michele Diaz from Militech (who used to be Cassidy’s boss) is demoted following the lawsuits after the Elysium incident, and her investigation into the incident in hopes to get her job back leads her to Bodytalk; she begins threatening them and sends the whole club and their allies into uncertain times

Many people get married. There’s so many fucking guys here we went a little insane with the numbers but there’s several weddings and there’s a whole polycule going on too feel free to send asks about this if you’re interested

Cobra Cybernetics releases a new line of cyberware, which is incredibly buggy and dangerous to the public; it’s brought to the club’s attention and it makes them realize that Luiza Vidal (Seb’s sister), who not that long ago asked them to kill her husband (William Colton (Andrew’s brother), CEO of Cobra Cybernetics), has gone missing; they now need to get involved without getting the news out that they actually didn’t kill William and that he is still alive somewhere, while also balancing out dynamics between Biotechnica (angry at Cobra Cybernetics for stealing their designs) and Arasaka (the actual reason why Cobra Cybernetics’ designs look like Biotechnica’s designs, because William stole designs from Special Programs after halting their partnership after the Elysium incident, but these designs had been stolen by Arthur Jenkins from Biotechnica even BEFORE that to be able to hijack the European Space Council’s cybernetics following the Frankfurt incident. Are you still with me)

Vitali Dobrynin (fixer and main character from the in-game events storyline and the continuation of it; Vincent “V” Mayer’s boyfriend) ends up visiting Bodytalk after meeting Aubrey at a Fixer Council meeting, which happens in late 2083; this essentially ties the two main storylines together, which means that yes, a lot of the characters from the two separate storylines end up meeting :]

Officer Ulysses Dimakos (used to work with Reid at MaxTac) is sent to investigate Bodytalk following the Cobra Cybernetics scandal, and ends up teaming up with the club to get MaxTac on a dead trail in exchange for his freedom of the corporation

On top of the Bodytalk / Cobras centered storyline, there’s a couple of side stories that are still connected to the whole thing but are more of a standalone thing with only a few touching points to the rest of it all:

This obviously takes place a lot earlier because it’s already mentioned above, but Special Ops agent Ambrose Hawthorne is tasked with chasing after the escaped Mason twins; naturally he lets them go and ends up going into retirement, and Xavier Mason later on ends up becoming Bodytalk’s part-time repair guy on account of knowing Kaida

Gabriel Mason ends up in a car crash with retired security specialist Ames Ortega, who was also in Elysium during the incidents there, and the two end up babysitting Ambrose and Xavier’s kids together while those two are helping Hanan with getting Kaida out of Arasaka (Are you still with me. Blink if you can hear me)

Mercenary Frankie Sayyad gets a promotion from his fixer, Vulture (real name Diana Crane, Maxwell Crane’s older sister and cousin of the Coltons), and becomes one of her Bloodhounds; he works together with Evelyn Harris, Nimue Nkuna, and Beckett Rydel, the latter being one of the very first test subjects of Arasaka Special Programs, and the four accidentally get themselves mixed into a mystery concerning their secretive fixer

Caleb Harris, ex-security at Biotechnica, ends up back at Club Bodytalk not long after the conclusion of the Cobra Cybernetics scandal, and starts working for Aubrey; he is partnered up with Ramiel Al-Masri, a mercenary who has been working for Vitali Dobrynin for a while and has recently joined Aubrey’s mercenary roster too, and together they dive into a series of gigs neither of them had expected

Journalist Bodhi Shankar has finally found more evidence and information surrounding the mysterious cult gang Umbra and its so-called Prophet, Thiago Salazar; however, his antics have led to him accidentally becoming part of the gang himself, and he has to figure out a way to get Thiago to stop listening to the supposed deity that the gang worships known as Scintilla, before she makes him do things that will get many people killed

taglist (opt in/out)

@velocitic, @deadrlngers, @euryalex, @ordinarymaine, @gurathins;

@mojaves, @shellibisshe, @dickytwister, @mnwlk, @rindemption;

@ncytiri, @calenhads, @noirapocalypto, @florbelles, @radioactiveshitstorm;

@strafethesesinners, @fashionablyfyrdraaca, @aemondtargeryen, @radioactive-synth, @katsigian;

@estevnys, @elgaravel, @aezyrraeshh, @carlosoliveiraa

[lotsofsq]

THANK YOU SO MUCH I COULD CRY i was grinning wider with every word oh my gosh thank you so much i’m so so happy to hear about you noticing, and finding joy in the little things i add!!

id love to tell you about my process! i love rambling about why i do certain stuff because sometimes i don’t even realize until after it’s down! often i have a feeling of a picture in my head and i just need to think of how to capture it

overall i try to do what feeeels right, but i often focus the most on differentiating eyes, i like for my designs to have distinct eyes and i was really able to do that with TMBS.

also with the colors they are a perfect set like the minimum pack of crayons

for reynie: i really wanted him to look gentle but not completely round, he’s very dependable so that leans more toward square shapes. reynie has always had a very specific look in my head because for years i pictured him looking like one of my childhood friends. his eyes both, look more asian, and lower eyelids often make a character appear more calm. the clovers are a little indicator i put often to show like?? good will almost? idk how to describe it but like when you can see the genuineness of someone.

for sticky: he’s such a nervous ball of energy and so sweet, he has this really round visual energy his eyes really mirror the shape of his glasses, big open eyes can be nervous or observant, in this case both! sticky has always been that deep blue color in my head, deep blue is a great indicator of vastness; the ocean, the night sky. fits well. yes little nervous sweats.

for constance: the epitome of angry squishy little kid, the almost white hair actually makes her look younger, since most people’s hair darkens as they age. i love her little tiny eyes, it makes her look like a stuffed animal. and i feel like the hair clip shows there are people who care enough to put it there. the little jagged lines always make me think of glaring and intensity

for kate: out of all the kids her eyes are the most realistic, she has a true eyelid and a natural shape to her eyes. i’m not entirely sure why i like to do that but i might be because i find her very wise, old soul kind of deal. i tried to make her look slightly older than the boys and i just adore her sunny disposition and humor, it’s so important for her personality. of course hee symbol is little rays of light coming off of her.

all these answers are kinda all why i did things instead of how, if you want that for anything i’d love to tell you if i can but i’m not sure that will be very interesting its a lot of trying until it feels right.

-

once again thank you so so much for this i hope you enjoy my response! it really touches my heart to hear people try to pick apart my art it makes me so happy

THE MYSTERIOUS BENEDICT SOCIETY!!!!!!

i’ll be posting most of my stuff chronologically so enjoy my journey

[ID copies from alt text: four headshots of the four society members: reynie is smiling calmly, his hair is sweeping left over his forehead. he is wearing a green sweater vest with a line of little sprouts on it over a button down. sticky has a nervous expression, he is fully bald. he is wearing a blue sweater over a button down. constance looks peeved and has wispy blonde hair with red hair clips. she is wearing a red coat over a yellow shirt. kate is excited and winking, her gold blonde hair is in a high ponytail. she is in a red and white striped t-shirt. all 4 have emphasized lines around them in their respective colors: reynie has green flowers, sticky has blue sweat beads, constance has red jagged lines, and kate has yellow radial lines around her. ]

[moeblob]

New OCs

(briefly, humans and supernatural beings have to team up for building better relations with each other and all the supernaturals can shapeshift and take on human appearances but also have their 'original form'.)

OK so I was GOING to draw fanart today - I had a fun idea and everything! But health anxiety (and anti-anxiety meds) wore me out so I kinda .... slogged through OCs as a treat to me. I am going to go to the doctor tomorrow so HOPEFULLY it's all okay.

[that-rackin-frackin-varmint]

Looney Tunes: Back in Action: - Removed Content

this part kills me.

Kate "We'll replace Daffy with a hot girl"

Bugs "I wouldn't want to hurt a girl"

Kate "Ok but we'll make you guys enemies-to-lovers"

Bugs (completely skipping the insinuation of romancing the girl) "Usually I'm the girl in the relationship"

[swiftfootedachilles]

im just gonna be honest gang obviously its gonna be easy for you to say youre in love with a character and theyre an angel when anytime they do something you don't like you brush it off as out of character

[ilikekidsshows]

I see what you're getting at, like, everything is nuanced, let's not generalize everyone who uses a specific approach to discussing stories, and so on, but, while I can't be sure of the anon's intentions, my intention with the post was to specifically talk about the refusal to engage with what is going on in the story, what has always been going on, and shutting down emotional reactions to it because they aren't analytical enough.

"Dismissing these kinds of fandom reactions only when they veer into the negative direction showcases the real motivation of the “it’s all just the writing” crowd. I need to dissociate from the show’s story in order to discuss why Marinette is still so beloved by the fandom, because I just can’t feel that way about her anymore. Similarly, the people dissociating from the story in order to explain why fans are disappointed and outraged by the story, can’t see anything worth getting upset about in the show."

I am talking about people who completely disengage from the idea that the show and its protagonist could be in the wrong. Of course there are people who still enjoy the show while feeling it needs some changes in its very makeup. But there are also people who refuse to see the problems as anything other "temporary bad writing", who think we just have to watch longer and the show will be good again.

I'm a writer myself. I have a master's degree in English literature. I know how to engage with writing in an analytical way, and have, in fact, done so over several of the things I also complain about. However, I'm also a member of the audience, and I watch and read stories to experience feelings. If a story fails to invoke specific feelings in me, it's failed as a story, same thing if I'd eaten food I didn't enjoy. I don't need to say "use this specific amount of these seasonings" to get that across, I can just say "there was too much ginger". Like, yeah, the former is more useful to the cook, but I'm not saying this stuff to the cook/writers, or even to the fans who say stuff like "Marinette is just a victim of bad writing and not wanting to see her own screen is wrong because of that". I'm saying this to the people reading my blog, who are also annoyed at seeing this stuff and want to vent.

Simply put, I am done with constantly excusing this show. New followers who are here only for my salt phase don't know this, but I used to defend this show so hard before the retool. I granted Marinette's character so much grace and good faith because I could see what the show was going for, only for the writers to increase those aspects of Marinette's character that I had to excuse in order to enjoy her on screen. This hasn't happened with any other character to this degree, except Chloé, who I was never that attached to, so I don't think it's hypocritical when I claim Marinette specifically has been made unenjoyable as a character, because I can't even watch past episodes with her, without seeing those character flaws that would later be glorified after the retool, because, as I said in the beginning, Marinette's character hasn't changed, the narrative around her character has.

Sure, I could write a hundred essays on how I think Miraculous' story could be more engaging, how it could more easily invoke the feelings I don't feel while watching it. But, at this point, what is the point? I don't feel like jumping through Marinette-shielding hoops again in order to engage in discussions with the fandom proper. I'm done with that. I feel like it doesn't matter how kindly or analytically anyone picks apart this show, because nothing is going to change. It's so hard to care about that kind of stuff anymore. I'm just tired, disappointed and angry and I'm dealing with it by ranting angrily. I'm pretty sure the same applies to my anons. There's a reason I call this blog a support group. It's tongue-in-cheek, but accurate. We're all just trying to cope in our own ways.

I get that alot of people go with the approach of "every Miraculous character is deeply screwed by the writers, so it's a writing problem" but at this point this feels like deflecting from the real problem

No shit stories and their characters are written by writers, but so many blogs I see now that go with that approach imo keep on dismissing the point of the problems people are pissed about because "well the characters aren't real, so I'm superior for saying it's the writers fault"

Guys, we KNOW they are fictional characters, you're not unique. But what is happening is that I get less and less out of the analysis posts from these blogs because they're beating around the damn bush especially when it comes to Marinette.

Yes, every character is screwed by the writing but Marinette has been retooled into the self-serving center of the universe who gets by though damn technicalities. This writing pattern is 2 disastrous seasons in, SHE IS THE PROBLEM.

You can try and sugarcoat that however you like by saying that Marinette is a fictional character so its the writers fault, but that doesn't change that Marinette's CHARACTER & WRITING is still the source of all the problems and that stories are being told to get emotional reactions. That's the entire purpose of a story.

No, I don't think people are doing it right by approaching all of Miraculous on a mere meta level. That's not how a story is supposed to be read. The meta level is an additional one on top of the emotional one, not the "rational way" to consume media.

And imo the analysis blogs I see around so much deliver less and less analysis posts I can do anything with. They are so caught up in explaining that the characters aren't to blame but the writers that they sideline why people are feeling the way they do.

There is this persistent dissonance in their posts about how apparently no amount of bad writing can change a character when that's just... objectively incorrect. Marinette for example is SUPPOSED to be compassionate and a thoughtful hero and partner/ leader to Cat Noir. Marinette in Canon though by this point is straight up NOT anymore.

But in their posts it's basically said that if people say that, then that makes them irrational because on a meta level the execution and effect of the writing is apparently irrelevant. Distant meta is king and the only rational way to engage with this story.

And I just don't see the point in that.

The outcome and the emotional effect of the writing is what actually matters. Not the intention behind it (no wonder people are using that excuse to defend Marinette's character. It's another variant of "but she MEANT well"). If Marinette is by now a toxic and even abusive partner and leader to be suck with, then that's the fucking damage the writing did. And said damage is DONE. That's her character NOW. Talk about the theory behind it however you like, the character CONCEPT is not Canon compliant anymore, and nothing is gonna change that besides facing the deeply rooted damage that has been done, analysing those on an EMOTIONAL level so you can then course correct the CANON character through the necessary development into becoming what the character was initially supposed to be.

Call me a dick, but just saying "the characters aren't real" is not a productive way of going about this dumpster fire anymore.

---

Another thing to take into account about the “it’s just bad writing” approach is that, like, it’s not like the way Marinette herself is being written has changed that much. What changed is how the narrative and other characters react to her and her behavior. Marinette has always been self-important, self-serving and self-obsessed, but these used to be treated as character flaws, signs of her immaturity and naivete she’d need to grow out of. Now we’re being told she’s flawless, actually, and has never done anything wrong ever and none of her mistakes were her fault. 

Like, I’ve recently been familiarizing myself more with the “my dear diary” teen drama genre, and it really is more of a dramedy genre if anything. Most of these series will have a self-important, self-serving and self-obsessed protagonist and the entire narrative is filtered through their self-centered world-view, because we’re basically reading their diary where they vent about things that annoy or excite them. Now comes the kicker: the “comedy” of the dramedy comes from how comically over the top these protagonists are when they clearly and obviously misrepresent their lives and themselves to the audience. Miraculous is leaning very heavily into this downright selfish protagonist archetype, but actually wants you to agree with the protagonist when you can see, with your own eyes, because this is a different medium, that the world isn’t nearly as unfair to our protagonist as she claims.

Here’s another kicker: if you aren’t laughing at the joke or projecting yourself onto the protagonist, you’re most likely gonna hate the protagonist of most “my dear diary” books. They tend to be the most opinion-splitting characters in their own fandoms, with readers either loving them or outright despising them.

Dismissing these kinds of fandom reactions only when they veer into the negative direction showcases the real motivation of the “it’s all just the writing” crowd. I need to dissociate from the show’s story in order to discuss why Marinette is still so beloved by the fandom, because I just can’t feel that way about her anymore. Similarly, the people dissociating from the story in order to explain why fans are disappointed and outraged by the story, can’t see anything worth getting upset about in the show. They think it’s all okay. They’re not approaching the show purely logically, they are still emotionally invested, they still like the show. Of course the seemingly logical approach to fandom unrest seems to just be defending Marinette and the show, because it is.

It’s basically a way to retreat from the criticism. Like, the accusations of Marinette being a stalker used to be easily sidelined with “it’s just a joke you don’t like” until they made it a sign of canonical mental instability. It was a way to say: "this is a silly thing to be upset about". Now we’re sidelining the abuse apologia with “it’s just bad writing, that’s not what Marinette’s character is”. What these people are actually saying is: “she’s made up, so my made up version of Marinette in my head didn’t do that.” Like, when you have to deny canon exists, your analysis isn’t analysis anymore; it’s headcanons at the very least, completely made up at most.

[10underoot2]

I really like the newlywed sequence in episode 13. It's something Haein knew she would do if she got a second chance at their marrige. She essentially went around Seoul participating in all things Hyunwoo did alone during the hardest time of their marriage. She said in an earlier episode at the school's playground 'Everyone here is in pairs, so why did he do this alone?' I've thought since then that it's not that he wanted to do it alone, he just didn't have her to do it with him. It's beautiful to see them now make all those things into such pretty memories.

I also love her trying to understand his reasons behind his hobbies. The baseball scene is very sweet. It in a way conveys how hard and messed up of a time it was for him but also holds no resentment. He's over it. They've learned from it, they're moving on. Yet it shows how much she still cares when she asks him if it made him feel better. I also love how it progresses. She's going to fill up her candy jar and his sole focus is now saving her. Its beautiful really. It's mundane and it shows growth. I like that.

There's a pinch of sadness for me too cause when Hae-in says she's gonna focus on filling up her candy jar all I could think was 'sweetie fill it all you want, it might still end up empty real soon'. It's cruel to her. And then there's Hyunwoo saying the most important thing for him right now is saving her. He's at a point where he's desperate enough to have her let go of that candy jar.

[sysig]

My kingdom for a "So you say” (Patreon)

[lilakennedy]

What really baffles me is that the instagram kiddos think that the first body isn't slim.

It is, it's literally a slim build.

It just goes to show how absolutely brainwashed these people are that they only see something as skinny/slim if you can wrap your hand around your entire thigh.

Everyone in the comments is talking about the current character being "skinny" - Our current character looks like cardboard next to the other NPCs. We have no knees. No wrists. It's not just about how dainty the character looks, the old character literally is lacking DETAIL.

Lacking detail does NOT equal skinny.

Even if you are super slim, you are not perfectly rectangular, you still have soft edges, you're a human.

People that say they look more like the current model, scare me.

Also, it is ironic how people will go: "SSO, You are hurting some of your players by not adding a slimmer body type!!" - But really, the only ones hurting anyone are the people that are hellbent on having that skinnier body type because the current one is not skinny in their eyes. It just further pushes the notion that someone is only "skinny"once its an extreme.

[thebiggerbear]

Okay, you know how obsessed I am with this man rn and with your writing of him, so you know I full on fan-girl squealed when I saw this

You’re asleep, curled up in the passenger seat of Joe’s car, his leather jacket draped around you. He turns up the heating, reaching over to alter the vent so the warm air blows in your direction.

Seriously, how do I get this guy out of my computer screen and here next to me??? This is so in character for Joe, btw, nicely done!!!

You’d scared the hell out of him tonight, calling him up at 1am drunk and crying, begging him to pick you up. He doesn’t think he’s ever dressed so quickly in his life. He’d found you hanging around outside that old bar the two of you used to visit, back when you were more than just friends.

Yep, it's confirmed, this one is going to kill me.

He gets part of the story as he helps you into the car. The man you were with, the one after him, he was fucking someone else. You’d caught him in your bed, left the apartment without so much as your jacket. Joe can’t say he’s surprised, there’s always been rumours about that guy, he’d tried to tell you that but you’d accused him of being bitter, jealous. It’s the reason the two of you stopped talking for a while because you were half right, he was jealous of the man who got to love you, the one that wasn’t him.

Me to the reader: Girl, fuck that guy, no pun intended. You have Joe Velasco in your life and right in front of you!!! What are you doing???

When he gets you back to his apartment, he tucks you up in to his bed and for a moment it’s like you never left. Joe has to force himself away because it hurts having you back here in his home, more than he ever thought. It’s just one night, he tells himself as he closes the bedroom door behind him. One night and then you’ll be gone again, just like the last time this happened.

Oh! This hurt so, so good, but damn did this break my heart. So not only is the guy she's with a POS but her calling him up drunk has happened before??? It fucking kills me on Joe's behalf. This man deserves the world and so much more.

It does leave me wondering what happened that caused them to go their separate ways. Obviously, she trusts him and they're close (after having been closer) but the guy who "gets to love you" (who clearly doesn't if he's fucking someone else) is the one that caused them to have a temporary chasm between them? Because Joe tried to warn her about him? Me to the reader: Girl, if you don't want him, I'll take him!!! I volunteer as tribute!!!

Oh, this just hit all of the angst spots in my heart perfectly!!! As always, the way you write this character just has me falling for him even more. Beautifully written!!!! And now, I will just happily sit here and dreamily gaze at pictures of Velasco for a solid hour -- a side effect that seems to be increasing each time you write this man who I now have kicked Dean Winchester and Soldier Boy out of my bed for and who I deem as my official fictional husband 😍

Hey lovely!

3 things for Joe Velasco - Drinking, car ride and warmth xx

Hope you're having a lovely start to your weekend!

Tagging: @kmc1989 @plaidbooks @witches-unruly-heart @storiesofsvu @rosaliedepp

You’re asleep, curled up in the passenger seat of Joe’s car, his leather jacket draped around you. He turns up the heating, reaching over to alter the vent so the warm air blows in your direction.

You’d scared the hell out of him tonight, calling him up at 1am drunk and crying, begging him to pick you up. He doesn’t think he’s ever dressed so quickly in his life. He’d found you hanging around outside that old bar the two of you used to visit, back when you were more than just friends.

He gets part of the story as he helps you into the car. The man you were with, the one after him, he was fucking someone else. You’d caught him in your bed, left the apartment without so much as your jacket.

Joe can’t say he’s surprised, there’s always been rumours about that guy, he’d tried to tell you that but you’d accused him of being bitter, jealous. It’s the reason the two of you stopped talking for a while because you were half right, he was jealous of the man who got to love you, the one that wasn’t him.

When he gets you back to his apartment, he tucks you up in to his bed and for a moment it’s like you never left. Joe has to force himself away because it hurts having you back here in his home, more than he ever thought.

It’s just one night, he tells himself as he closes the bedroom door behind him. One night and then you’ll be gone again, just like the last time this happened.

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