#I want to make one about her other stories but maybe this is too much spam

[literaryvein-reblogs]

Any advice for figuring out how to work on writing characters arguing?

I’m just curious and also I mistakenly derailed part of my writing over struggling to write a scene of characters starting an argument that was meant to escalate.

Writing Notes: Arguments

Arguing is full of tension.

Even benign conversations between friends so often belies subtextual personal agendas that are antagonistic or covertly full of anger or upset.

Honesty itself sometimes is the product of extreme tension and upset.

One’s resistance to telling the truth to another or admitting to oneself a truth can be excruciatingly tense and stressful, even between lovers.

SIDESTEPPING

You instantly create conflict in dialogue when you avoid “on the nose” responses.

On the nose means a direct response, sometimes even echoing the previous line.

You can avoid direct response:

With a statement that is unrelated to the prompting dialogue

By answering a question with a question

With a line of dialogue that is going to need some explanation

Also consider using silence:

“Are you ready to go, dear?” Bob asked. Sylvia said nothing.

Or use an action response:

“Are you ready to go, dear?” Bob asked. Sylvia picked up the mirror.

OPPOSING AGENDAS

Always know what each character wants in a given scene.

If a character in a scene is just taking up space, give him an agenda or get him out of there. Or cut the scene entirely.

Scenes require conflict or tension, even if it’s subtle.

Before you write the scene, note what each character wants.

Then spend a few moments playing with those motivations.

List 3 other possible motives for each of the characters, then mix and match to decide which ones will make for the best conflict.

It is also important to create tension among allies.

One of the danger points in fiction is when two friends, or people who are at least on the same side, have a talk about what’s going on. The trouble is there might not be any trouble between them. So much of the dialogue becomes a friendly chat.

This will violate Alfred Hitchcock’s axiom (Hitchcock once said that a good story is “life, with the dull parts taken out.”).

The fastest way to handle it is to make sure there is tension manifested from the start.

Create tension in at least one of the characters, preferably the viewpoint character.

Example: When you have Allison meeting Melissa, her college friend, for coffee, don’t have them sit down and start talking as if nothing’s wrong in the world. Put the trouble of the story into Allison’s mind and nervous system and make it an impediment to her conversation with Melissa. In Melissa, place something that might be in opposition to Allison’s needs. Allison needs to ask Melissa’s advice about a crumbling marriage. Maybe Melissa is full of news about her sister’s impending wedding to a wonderful man and gushes about the prospects.

Spend some time brainstorming about the ways two friends or allies can be at odds. Then weave those things into the dialogue.

DIALOGUE AS WEAPON

Look for places where you can use dialogue as a weapon, a means for your characters to charge ahead in order to get what they want.

Keep in mind that dialogue is action.

It’s a physical act used by characters to help them get what they want. If they don’t want anything in a scene, they shouldn’t be there.

Note that not all weapons are explosive. They can be small and sharp, too.

PARENT-ADULT-CHILD

A great tool for creating instant conflict in dialogue is the Parent-Adult-Child model, popularized in the book Games People Play by Eric Berne (1964). This school of psychology is called Transactional Analysis.

The theory holds that we tend to occupy roles in life and relationships.

The 3 primary roles are Parent, Adult, and Child (PAC):

The Parent - the seat of authority, the one who can “lay down the law.” S/he has the raw strength, from position or otherwise, to rule and then enforce his/her rulings.

The Adult - the objective one, the one who sees things rationally and is therefore the best one to analyze a situation. “Let’s be adult about this,” one might say in the midst of an argument.

The Child - not rational, and not with any real power. So what does s/he do? Reacts emotionally. Throws tantrums to try to get his/her way. Even an adult can do this. We’ve all seen clandestine videos that prove this point.

So it is a helpful thing to consider what role each character is assuming in a scene.

How do they see themselves? What is their actual role? (It may indeed be different than what they perceive it to be.)

Most important, how will they act in order to accomplish their goal in the scene?

Answering these questions can give you a way to shape your dialogue so there is constant tension and conflict throughout.

Also consider that the characters might change their roles (try something new) in order to get their way. Thus, this is a never-ending source of conflict possibilities and only takes a few moments to set up.

TIP ON DIALOGUE

Look at all of your dialogue exchanges, especially ones that run for a page or more.

Analyze what roles the characters think they’re inhabiting.

Rework the dialogue by getting each character to be more assertive in their claimed role. (Also note that a character can change roles as a matter of strategy. For example, if the Parent isn’t working, a character might switch to pouting like a Child in order to get his way.)

Sources: 1 2 ⚜ More: Writing Notes & References

Hope this helps with your writing!

[ahqkas]

BRUCE WAYNE never thought something as simple as a walk through the park could undo him so completely. he had been passing through on his way to a wayne foundation meeting, a brief moment of peace in his usually packed schedule, when his eyes caught the scene.

a toddler—no more than two, maybe three years old—stumbled through the snow, mittened hands clutching tightly to her father’s pant leg. she was bundled in a too-big scarf and a pink hat, hear head tilted to gaze at the snowflakes around her, her cheeks red from the cold.

he froze, mid-step, completely caught off guard by the wave of baby fever that crashed over him. it wasn’t like he hadn’t thought about children before. he already had a house full of them—though they came to him much older, with the weight of trauma already etched into their young faces. but this was different. she was different. he imagined a tiny girl like that in his life, her small hand slipping into his with absolute trust, her laughter filling the empty corners of wayne manor.

by the time he returned home, the manor blanketed in snow, his gloves still clutched in his hands, his thoughts had become a single drumbeat: i want that.

he found you in the library, a fleece blanket draped over your legs, a book in hand as you sat in your favorite chair by the window. the firelight flickered over your face, softening your features, making you look like you belonged in one of the stories you loved so much.

“you’re back early,” you said, voice breaking the stillness. you glanced up from the book and your lips quirked into a smile that stopped him in his tracks. “everything okay?”

he didn’t answer right away, his gaze tracing your features like he was committing them to memory. finally, he crossed the room, shedding his coat as he went, draping it across the back of the chair opposite yours.

“i saw something today,” he said, his voice low, almost thoughtful. bruce knelt before you, one hand resting on the arm of the chair as the other gently took the book from your hands. you let him, brow furrowing slightly as you tilted your head at his actions.

“what did you see?”

“a little girl,” his eyes locking onto yours. “she couldn’t have been more than two. she was holding onto her father’s leg, bundled up in a scarf that practically swallowed her whole. she was laughing.”

his words lingered in the space between the two of you, thick with unspoken meaning. your expression softened as you realized where this was heading, fingers brushing against his hand where it rested on your chair.

“she reminded me of something,” he continued, his voice dipping lower, rougher. “or maybe she made me realize something. i want that, with you. i want us to have a child—a little girl, a boy, i don’t care. i just . . . want it to be ours.”

your breath hitched in the back of your throat as your cheeks flushed—not just from the fire, but from the intensity of his words, of the way his eyes burned into yours like he could see every part of you—the future and the past. “bruce . . .” you began, voice barely above a whisper, but he leaned closer, cutting off whatever protest or question lingered on your lips.

“it’s all i could think about on the way home,” he murmured, his forehead brushing against yours, his voice dropping to a husky, intimate tone. “how much i want to see you holding our baby, to watch them grow up with you. to give them everything we didn’t have.”

you swallowed hard at his words, your soft hand sliding up to cup his cheek, thumb brushing over the faint stubble there.

“well, it’s a good thing we’re snowed in tonight.”

bruce froze for a moment, then a slow, knowing smile curved his lips. he rose to his full height, pulling you gently to your feet, the book forgotten as it tumbled to the floor.

“is that so?” he asked, his voice like velvet, rough and warm all at once.

you didn’t answer with words, just slipped your hand into his, your gaze steady despite the flush painting your cheeks. your husband pressed a lingering kiss to your forehead, then your lips, before guiding you from the library, the firelight casting long, flickering shadows in your wake.

and as snow continued to fall outside, the world quiet and still, the manor felt a little less cold that night.

[felassan]

David Gaider on Morrigan, under a cut for length:

"Morrigan began, waaaay back, as a bit of Morgan le Fey (hence the Dark Ritual) mixed with Delirium from Sandman. The Delirium elements subsided into more of a weird cadence of speech as my idea of Morrigan solidified - more cynical, wanting to connect but unable to. Originally, we were looking for a Middle Eastern actress to play her, as Shoreh Aghdashloo was slated to play Flemeth and we wanted a similar sounding voice -- but it was a real struggle, and then Shoreh unfortunately had to drop out to do a movie. So suddenly we had nobody for either character! Then, one day, Caroline (our VO Director) comes in with a recording sent by a rep for Claudia Black - who hadn't done game VO back then but wanted to get into it. And it was Claudia doing a slow *beat poet* rendition of Baby Got Back. I kid you not. I was already a fan, so I lost my goddamn mind. (Yes, I still have the recording. No, you cannot have it.) Naturally, we jumped on that immediately. As I recall, this was met with resistance from higher up - they had this image of Morrigan as young, like 18 years old (no idea where this came from) and complained that Claudia sounded "too old". Them: "She sounds like she smokes three packs a day!" Me: "That's what I like about her!" Caroline and I were determined, so we pushed ahead. We had to agree to get Claudia to sound "younger", which I was dubious about. The first two sessions we asked her to pitch her voice up and it was AWFUL. Claudia had to focus on sounding "right" instead of acting. So Caroline and I did the sneaky thing, and on the third session we asked her to just... act. Use her natural voice. We loved her performance so much we had the feeling that the team would love it too and forget their nonsense. They did. My best memory of Claudia was when we first met. I'd been flown down to LA for the initial sessions to help the major DAO actors find the character "voice" and, boy, was I nervous. It didn't help that I was a huge fanboy of Claudia's and she was going to be the *first* of all the actors I'd talk to. Caroline gave me a list of rules for "how to talk to a celebrity" - top of the list: DO NOT COMPARE THEM TO OTHER ACTORS. So I meet Claudia, and I'm sweating. I think: I'll start from the beginning, right? "Well, when I started writing Morrigan, the voice in my head was Helena Bonham Carter..." Claudia gives me a look and tilts her head. "So what you're saying is... I'm a very cheap version of Helena Bonham Carter." I'm mortified. I melt. I gasp and stutter and she lets me implode for maybe 30 seconds before she throws her head back and LAUGHS. So wicked. I love her instantly and forever. For the next several days, whenever she's in the booth and I make a comment to Caroline - which she can't hear, because the booth is sound-proof - she'd say "Oh, does he want it more like Helena?" And I'd melt into the desk in renewed mortification and she'd LAUGH. This is Claudia in a nutshell. Morrigan became a real touchstone for me, the heart of DAO. Way beyond her initial inspirations. Some said "she's just an ice queen" like some I'd written (Viconia, Bastila, etc.) but such categories are very reductive, I find. She had a voice I could instantly slip into, every time, without fail. The problem, after DAO was said and done, was with how we were going to honour the Dark Ritual going forward... or, more to the point, how we *weren't* going to honour it. I wasn't willing to let her go, however, so I had to figure it out. BUT... that's a story for another day. CORRECTION: A friend reminds me that the beat poet recording Claudia did was "Smack That" and NOT "Baby Got Back", and now I need to go give it another listen just because I can."

[source thread]

David Gaider: "Actually, when Shoreh's movie wrapped she came back and asked if the role was still available - her grandkids were VERY excited for her to be in a game. It wasn't, but as I recall Caroline was all "well, we have this role in ANOTHER game we're making..." Hence why she ended up in ME2." [source]

David Gaider: "Tali's accent was purely created by the actress - which made it a bit of an Issue when the time came to have more Quarians in ME2. "Do we get the actors to all try and mimic... whatever she's doing?" I'm certain Caroline could write a book about how THAT all went down." [source]

User: "I also never knew that Delerium was part of the inspiration for her (atleast in the beginning)." David Gaider: "It'd be difficult to see that now. The very first drafts were a lot more eccentric - more like Flemeth, I'd say, but times ten. The feedback I got was that she's a bit too LALALULU and I had to agree (and my idea of her was changing anyhow). So that slowly got weeded out." [source]

User: "What had you seen Claudia in that made you such a big fan already? (was it pitch black?)" David Gaider: "Originally? Farscape. Then Pitch Black, yes. I tried watching Stargate just for her, but coming in so late I kinda bounced off it." [source]

User: "My only complaint is, and has always been, why is she the straight romance when everything about her screams lesbian?" David Gaider: "I would have written it, if it’d been allowed (remember this was VERY new back then), but after all was said and done I’m kind of glad I didn’t. The friendship path I wrote for Morrigan with a female Warden is perhaps my favourite but of writing I did from back then." [source]

User: "Morrigant to me was such a fantastic character because of the way she sounded! Her introduction in DAO is iconic to me "Well, Well, what have we here?"" David Gaider: "You have NO IDEA how many takes that took. 😳" [source]

User: "Claudia Black did an amazing job with every line in every game." David Gaider: "She absolutely did. It took some time for her to get her bearings, but by the end of our first few sessions I actually went back and re-wrote a bunch of lines to match Claudia's voice. She informed so much of who Morrigan became." [source]

User: "are YOU the reason we see so much morrigan after dao? (positively, she is one of my all time favourite characters)" David Gaider: "Yes and no. She was always considered, by both me and the team, to be a "face" of Dragon Age. I'd have put her in DA2 if there'd been room, but thankfully that limitation is what allowed Flemeth to grow into her own." [source]

User: "were Morrigan and Flemeth always supposed to be Chasind, and/or did the Chasind have any ties to northern Thedas in earlier drafts of the character? The Chasind are universally depicted with dark skin except for Morrigan and Flemeth." David Gaider: "I don't think we had a very clear idea of the Chasind in general back then - they kind of got abandoned as a concept once we cut the Human Barbarian origin for DAO, and were only picked up again later." [source]

[mascdestr0yer]

NUMBER ONE (3)

Hopkins!Paige x Fem!reader

Warnings: Fluff, a bit cheesy, a girl and basketball player (zombies ref) Trope: Slow burn

Synopsis: Paige’s birthday so happens to be in your favorite time of the year, super..

A/N: i heavily base this story off like if andi mack and euphoria had a baby on fentanyl

“i see you,”

previous | Next

Part Three: The Party

It was nearly impossible to ignore the weight of your nerves as you stood in front of the rented house, a small mansion lit up by neon strobes and pulsing music. The party was in full swing, even from outside. Laughter, shouts, and the bass of music reverberated through the air. You adjusted the hem of your costume—a fitted black bodysuit paired with shimmering tights and thigh-high boots. You felt exposed, ridiculous even, but your mom had insisted the look was perfect, a balance of cute and daring.

costume

She had been annoyingly supportive about Paige’s party. “You only get one high school experience,” she’d chirped as you left, her knowing smile practically haunting you now.

Taking a deep breath, you pushed the front door open.

Inside, the house was alive with chaos. People crowded every corner, clutching red solo cups or nursing bottles of something undoubtedly overpriced and underage-approved. The faint scent of weed lingered beneath the layers of spilled alcohol, sweat, and too much perfume. The house’s grandeur—gleaming hardwood floors, massive crystal chandeliers, and ornate furniture—was dimmed by the wild energy of the partygoers.

You tugged nervously at your costume, weaving your way through the throng of people. A couple stumbled past you, their laughter loud and sloppy, and you swore you saw someone trying to climb onto the chandelier.

“Is Paige even here?” you thought, scanning the room for the birthday girl. Your stomach flipped at the idea of seeing her.

The living room was a sea of bodies. Someone had taken over the massive sound system, blaring a remix that rattled the walls. Groups huddled around a coffee table playing drinking games, while others danced like their lives depended on it. You spotted a few familiar faces from school—some people you liked, some you avoided, and others you’d barely noticed before tonight.

“Looking good!” a guy you vaguely recognized called out, winking at you. You offered an awkward smile, ignoring the way your cheeks burned.

You kept moving, making your way to the kitchen. The counters were lined with bottles of vodka, tequila, mixers, and stacks of mismatched cups. A girl dressed as a sexy devil was refilling her drink while another, draped in angel wings, was taking selfies by the fridge. You grabbed a soda, not trusting the dubious punch bowl everyone seemed so eager to dip into.

“Didn’t think you’d actually come,” a voice drawled behind you, making you nearly drop your drink. You turned to find Paige leaning casually against the doorframe, arms crossed, a lazy grin on her lips.

She looked unfairly good. She wore a black leather jacket over a cropped top, paired with ripped jeans and boots. Her hair was slicked back, and there was a teasing glint in her eyes that made it hard to breathe.

“I—uh—why wouldn’t I?” you stammered, cursing the way your voice wavered.

Paige’s grin widened. “No reason. Just didn’t think you were the party type.”

You shrugged, trying to seem unaffected, even though her gaze felt like a spotlight. “Maybe I just wanted to see what the hype was about.”

“Sure,” she said, stepping closer. The faint scent of her cologne—warm, spicy, intoxicating—filled your senses. She glanced at your cup. “You’re not drinking?”

“Not yet,” you replied quickly, suddenly self-conscious.

“Good. Don’t touch the punch,” she warned, lowering her voice. “Saw them dumping a full bottle of Everclear in it earlier. Don’t want you passed out before the night gets interesting.”

Paige’s presence was magnetic, and the party seemed to fade into the background whenever she looked at you like that—like you were the only one in the room. She leaned in slightly, her lips curving into a smirk.

“You look good, by the way,” she said, her tone casual but her eyes lingering on your costume.

Your heart flipped. “Thanks. You too.”

Before you could embarrass yourself further, a loud shout interrupted the moment.

“PAIGE! Beer pong, let’s go!” someone hollered from the living room.

Paige sighed, glancing over her shoulder before turning back to you. “Duty calls. Don’t go anywhere, okay?”

You nodded, too stunned to respond. She winked before disappearing into the crowd, leaving you reeling.

The night unraveled in a blur of highs and lows. Upstairs, you’d heard muffled laughter and the occasional thud of someone stumbling into a wall. People spilled out onto the balcony, their cigarettes glowing like fireflies against the night sky.

You wandered through the house, trying to feel less out of place. In the hallway, you passed a couple making out so aggressively that they almost knocked over a vase. In one of the bedrooms, the door cracked open just enough for you to glimpse a guy dressed as a pirate doing lines of coke off a mirror while a girl in a mermaid costume giggled beside him.

“What am I doing here?” you thought for the hundredth time that night.

Back downstairs, you found yourself near the dance floor, clutching your now-empty soda can. Paige was across the room, engaged in what looked like a heated game of beer pong. Her laughter rang out above the music, carefree and contagious.

You felt a pang of something—jealousy? longing?—watching her interact so effortlessly with everyone around her. She was magnetic, drawing people in with ease, while you felt like a shadow in comparison.

“Having fun?” a voice broke through your thoughts.

You turned to see a girl with dark lipstick and a cigarette tucked behind her ear. She was leaning against the wall, a smirk playing on her lips.

“Uh, yeah,” you lied, forcing a smile.

“First time at one of Paige’s parties?”

You nodded.

The girl chuckled. “Figured. You’ve got that ‘what the hell is happening’ look. Don’t worry, it’s always like this. Chaos is kind of her thing.”

You weren’t sure how long you stood there, making small talk with the girl, when Paige appeared again. She looked a little flushed, her hair slightly disheveled, but her grin was still firmly in place.

“Hey, you okay?” she asked, her eyes scanning you as if checking for any signs of discomfort.

“Yeah, I’m fine,” you said quickly, hoping your face didn’t betray the storm of emotions brewing inside you.

“Good.” She glanced at the girl beside you and raised an eyebrow. “Lena, don’t scare her off.”

Lena laughed, holding up her hands in mock surrender. “Relax, I was just keeping her company. You know, since you were busy being the life of the party.”

Paige rolled her eyes but didn’t respond. Instead, she turned to you, her expression softening. “Come with me?”

She led you outside, away from the noise and chaos. The backyard was quieter, lit by string lights that cast a warm glow over the patio furniture and the half-empty pool.

Paige sat down on the edge of the pool, motioning for you to join her. The water rippled gently beneath the lights, and the cool night air was a welcome relief from the stifling heat inside.

For a moment, neither of you spoke. The silence stretched, comfortable yet charged with unspoken tension.

“You’re different tonight,” Paige said finally, breaking the quiet.

“Different how?”

She shrugged, her gaze fixed on the water. “I don’t know. Just… different. I like it.”

You didn’t know what to say, so you stayed quiet, your heart pounding in your chest.

“I’m glad you came,” she added after a moment, turning to look at you.

The sincerity in her voice caught you off guard, and for a split second, it felt like the rest of the world didn’t exist.

Before you could respond, someone called Paige’s name from inside the house, shattering the moment.

Paige groaned, running a hand through her hair. “I should probably go deal with that.”

You nodded, trying to hide your disappointment.

“But hey,” she said, standing up and offering you her hand. “Stay out here for a bit. Breathe. I’ll come find you later.”

You took her hand, letting her pull you to your feet. Her touch was warm, steadying, and you hated how much you wanted her to hold on just a little longer.

And then she was gone, disappearing back into the chaos, leaving you alone with the sound of the water and the pounding of your own heart.

The thought made you exhale sharply, annoyed with yourself. You weren’t about to be one of those people who revolved their entire night around someone else. With renewed determination, you headed back inside, weaving through the crowd.

The house was even more packed now, people pressed shoulder to shoulder in the narrow halls. A cloud of smoke hung over the living room—someone must’ve started rolling joints en masse, because everyone had a cigarette or blunt in hand. You spotted a couple of your classmates lounging on the couch, their faces glazed over and dazed as they passed a joint back and forth.

On the stairs, people crowded in pairs and trios, whispering conspiratorially or slipping into rooms upstairs. The tension in the house was palpable—something raw, reckless, like a pot about to boil over.

You pushed through it all, your head buzzing from the mix of sounds, smells, and lights. In the kitchen, the punch bowl had become the epicenter of chaos. A group of guys was attempting to shotgun beers while one girl stood on the counter, yelling a countdown.

You were trying to make your way past when someone caught your wrist.

“Hey!” It was Lena again, grinning like she’d just won the lottery. “Come join us. You’re too sober for this party.”

“I’m fine,” you replied quickly, but she wasn’t having it.

“C’mon,” she insisted, pulling you toward the counter where the girl was still standing triumphantly, holding a bottle of tequila. “One shot won’t kill you.”

You hesitated, glancing around. The energy of the room was infectious, everyone cheering and chanting as the girl poured tequila directly into someone’s mouth. You didn’t want to look like a buzzkill, but the thought of drinking something so strong made your stomach twist.

“Don’t pressure her,” Paige’s voice cut through the noise like a lifeline.

You turned to see her leaning against the doorframe, her gaze fixed on Lena with an edge of warning. She looked almost irritated, her jaw tight.

Lena rolled her eyes but backed off, raising her hands. “Fine. No harm, no foul.” She wandered away, leaving you and Paige alone in the kitchen’s chaos.

“You okay?” Paige asked, stepping closer.

“Yeah,” you mumbled, your heart racing—not from the tequila, but from her. “Thanks.”

“Don’t mention it,” she said softly. “You don’t need to do anything you don’t want to. This isn’t that kind of party.”

You raised an eyebrow. “Are you sure? Because I think someone upstairs just broke a bed.”

Paige chuckled, her shoulders relaxing a bit. “Okay, maybe it’s a little that kind of party. But you don’t have to worry about it.”

Her eyes met yours, and for a second, everything else faded away again. The kitchen, the noise, the chaos—it was all background static to the quiet intensity of her gaze.

“Let’s get out of here,” she said suddenly, her voice low but steady.

You blinked. “What?”

“Just for a minute. It’s too loud in here.”

Before you could second-guess yourself, Paige took your hand and led you through the crowd. Her grip was firm, grounding, as she navigated the maze of people. She pulled you toward the back door and into the night again, but this time, she didn’t stop at the pool.

She led you around the side of the house, where the shadows were deeper, the party’s neon glow just a faint echo. There was an old wooden swing hanging from a tree, its ropes weathered and frayed, and she gestured for you to sit.

You hesitated but eventually lowered yourself onto the swing, the wood creaking beneath you. Paige leaned against the tree, her hands in her pockets, watching you with an unreadable expression.

“This is better,” she said after a moment, her voice soft. “Don’t you think?”

You nodded, the cool night air soothing against your skin. “Yeah. It’s… quieter.”

She smiled faintly, kicking at the dirt with the toe of her boot. For a while, neither of you spoke. It wasn’t awkward, though. It felt like a truce, a moment of peace stolen from the chaos inside.

“Why’d you come tonight?” Paige asked suddenly, breaking the silence.

You glanced up at her, startled. “You invited me.”

“That’s not an answer.”

You hesitated, your fingers twisting the hem of your costume. “I don’t know. I guess… I just wanted to see what it was like.”

Paige tilted her head, studying you. “And?”

“It’s not really my scene,” you admitted. “But it’s… interesting.”

She laughed softly, the sound low and warm. “Yeah, that’s one way to put it.”

A breeze rustled through the trees, sending a chill down your spine. Paige noticed and shrugged off her leather jacket, draping it over your shoulders before you could protest.

“Thanks,” you murmured, the warmth of the jacket settling over you.

She sat down on the ground in front of you, leaning back on her hands, her face lit by the faint glow of the string lights in the distance.

“Can I ask you something?” she said, her tone careful.

“Sure,” you replied, your heart suddenly in your throat.

“Why do you always avoid me at school?”

The question caught you off guard. You opened your mouth to deny it but stopped. There was no point lying; Paige wasn’t stupid.

“I don’t avoid you,” you said weakly.

She raised an eyebrow.

“Okay, maybe I do,” you admitted, your cheeks burning. “It’s just… you’re intimidating.”

Her expression softened, and for a moment, she looked almost hurt. “I don’t mean to be.”

“I know,” you said quickly. “It’s not a bad thing. You’re just… you’re Paige. Everyone knows you, everyone likes you. It’s… a lot.”

She was quiet for a moment, her gaze dropping to the ground. “You know, it’s not always great being… ‘Paige.’”

You frowned. “What do you mean?”

She shrugged, a small, bitter smile tugging at her lips. “People like me, sure. But they don’t really know me. Half the time, I feel like I’m just playing a part.”

Her words hung heavy in the air, and you felt a pang of guilt. You’d always assumed Paige had it all figured out—that her confidence and charm were effortless.

“I guess I never thought about it that way,” you said softly.

She looked up at you, her eyes searching yours. “Yeah, well… you’re one of the only people who doesn’t treat me like some… character. That’s why I invited you tonight. I wanted you to see that I’m just… me.”

Your breath caught in your throat. The vulnerability in her voice, the way she was looking at you—it was almost too much.

“I see you,” you whispered before you could stop yourself.

Paige’s eyes widened slightly, and for a moment, you thought you’d said too much. But then she smiled—a real, genuine smile—and your heart soared.

“Good,” she said quietly.

And for the first time that night, you felt like you belonged.

sorry if it's too short, hope you guys liked it taglist: @darlindayss @secretlifeofmarii @aavasstuff @ajcuteee @naipoohh @mrsengstler @thebignunfun @tired-duckling @julienbakerloverr @mrsarnold @slut4uconnwbb @abbyswif3 @svudetective @liviiyyy @hellokittyfeenie

[everything-fine-n-peachy]

two sides, same coin (n.jm)

pairing: na jeamin x reader genre: eldest/only daughter angst, fluff, strangers to whatever this is summary: y/n's one duty in life is to look out for others. romance who? however, jaemin comes along and maybe he can change her mind. alternatively, prom committee love story

Jaemin is the date-to-marry type. His friends call him grandpa for it but he doesn’t care, not even a little. No, Na Jaemin knew that the love he wanted was the kind that meant family heirlooms, photo albums of embarrassing baby pictures, and sharing warm coffee the morning after crying the whole night. He wanted the handholding and cuddles but only if it would include all the booboos in between that life inflicted. 

Don’t ask him why. He just knows. 

The thing is, despite everything Jaemin was such a hopeless romantic. Everyone would tell him to “just pick a girl” and while he’s happy for his couple friends, Jaemin just likes to march to the beat of his own drum. 

You, on the other hand, are the only daughter in an Asian household, your father is the dean, and everyone down to the school janitor knows you. That in itself was a sure fire guarantee that you could never entertain boys romantically, let alone find a boyfriend in high school. So you’re resigned not to. Love was way too complicated anyway. Besides, you had student council and prom wasn’t going to plan itself. 

But did you feel tired sometimes? No doubt. 

While there was a lot of love to go around, there were also a lot of responsibilities and a shit ton of expectations. On some days you just needed a break. Which is why even if you felt shy to admit it, you found Jaemin the most charming member of the prom committee. 

Jaemin didn’t exactly plan on signing up. However, he would much rather spend his time volunteering for something that was purposeful than get stuck being buggered on about why he still didn’t have a girlfriend. You, on the other hand, pretty much inherited the role of prom committee head, as did all senior student representatives every year. 

You didn’t intend to get close to Jaemin. Yes, you knew each other for your entire lives since elementary but you weren’t exactly from the same circles. But it just kind of happened. Prom was fast approaching, you liked to be precise in your work and Jaemin had a penchant nosing around. 

“If you need anything, you shouldn’t be afraid to ask,” he emphasized as he carefully placed a bandage on your finger. It was only a papercut but Jaemin insisted you sit down and take a break from sorting all the documents needed for prom. 

You shrugged, “Deadline is tomorrow morning.” You weren’t exaggerating but you didn’t make the rules and if those papers weren’t on the principal’s desk by 7 am, simply put, there would be no prom. 

Understanding flickered in his eyes as he smoothed the bandaid over your finger gently. He’d found you all alone way past school hours in a frenzy of folders and decided no one deserved to die by papercuts all alone.  

This wasn’t the first time this happened. In the course of the last few weeks, you’d eagerly scheduled meetings and town halls with the graduating class all in an effort to give everyone the prom they deserved. However, this had meant you skipped meals and went home late most of the time.

“This is way too much work for you,” he said as he started rummaging through his school bag. “This is the reason we have a committee.” 

The concern was highly appreciated but then again, who else was going to do the work if not you? “Jeamin, as much as I agree with you the reality is every senior is swamped with final requirements and-” 

“And you aren’t a senior?” he interrupted with an unimpressed expression. 

“I can handle the stress better than most,” you argued. 

“Yeah, clearly,” he snorted, which made you frown in his direction. 

Wordlessly, he offered you a brown paper bag. A smile creeps up on your face. If he was going to keep this up, someone’s heart was definitely going to be in trouble. 

“Let me guess, you accidentally ordered an extra meal, again?” 

Jaemin beamed, ”quite the opposite.” He cleared some space on the desk and gestured for you to sit across. 

You humor him and peer into the bag, chuckling, “this time it’s a whole lunchbox?” 

“I intentionally ordered two because I knew you would never listen to me.” 

You open the lunch box and feel pleasantly surprised that the food is quite warm. Your last meal was lunch and that felt like ages ago. “Thanks for looking out for me, you really didn’t have to,” you say. 

“What kind of friend would I be if I didn’t look out for you?” He pauses, and for a moment you feel like he’s looking straight into your soul. 

Hearing Jaemin call you a friend struck a chord in that if you were being honest, you haven’t really felt like you had any friends since senior year started. You haven’t had company like this in a while. Sure you had your best friends but they were busy trying to survive. You still had the occasional breakdown here and there, but more often than not, you knew how to handle yourself. There wasn’t much of a choice anyway. You didn’t want to blame your friends for needing more support than yourself, so you power through; just doing what needs to be done. 

Comfortable silence fills the room as you both eat thoughtfully. You appreciate the stillness and bask in the company of Jaemin. You think, better make the best of it while it lasts, right? 

A thought stirs in your mind and you’re compelled to satisfy your curiosity. “Jaemin? Why the prom committee?” 

“Why not? He grins. You laugh at his response, mentally slapping yourself because you actually anticipated this sort of crap from Jaemin. 

“Okay let me rephrase that,” you continue, “Is there any reason you chose to join prom committee?” 

He drops his form into the now empty lunchbox, appearing to give his answer some thought, “Well, when I asked the upperclassmen last year they said tickets would be discounted for committee members.” 

You nod thoughtfully, admiring his practical mindset. 

“But if you want the real answer, it’s because I felt like being a part of something we could all look back on,” he answered. 

You can’t help but smile at him, at his genuineness. Something about how open he was despite having spent only a month in each other’s company has your heart feeling a certain way. 

“And you, why student council for four straight years?” he asks with a quizzical expression. 

Your fingers trace the wood grains as you rack your brain for an answer. An acceptable answer would be, that you "cared a lot" or that you "want to make a difference". But instead, you gravitate towards something you don’t exactly want to admit, “I just, don’t want to think.” 

Jaemin bursts out laughing. “You’re saying that when you’re obviously doing all the heavy brainwork here?” 

“But that’s all it is, work,” you quip back. “When it’s work I know what to do. But with everything else?” 

The way your expression shifts is unmistakable for Jaemin. Doubt is not something he’s accustomed to when it comes to you. Yet, something about your vulnerability compels him to push farther. 

“Do you ever feel like people have a certain idea of what you need to be doing, anything outside of that is sort of like a crime?” He asks. 

You nod slowly in agreement, “Like ‘hey, since you’ve proven that you’re great at this, only ever be great at this. Don’t ask for help cause everyone is too busy. But also, you’re such a workaholic’.” Your words spill out faster than you can think. 

He hums in agreement allowing you to continue. “Everyone thinks they know what’s best for you but none of them actually offer any useful help,” you croak out. 

It’s quiet for a while before Jaemin breaks the silence, “Can I be really honest this time?” 

You raise an eyebrow at the interjection, “weren’t you being honest a while ago?”  

He ignores your comment and instead laughs it off. “What I wanted to say was, listening to you made something click,” he said leaning forward so his hands rested on the table. “I joined the prom committee to look for friends,” he said, pausing only to get a glimpse of your confused expression. 

“I know it sounds crazy but you aren’t the only one who feels alone,” he confesses.

“Everyone has this certain expectation that because I like to help out a lot, because I love love, that I’m not capable of feeling sad, but I am.” 

“You love, love?” you ask skeptically. 

“Was that the only thing you heard?” he asks, throwing his hands up. 

You don’t know why but you find it in your heart to giggle. “I didn’t know you were such a sap.” 

“Am not!” He counters. “I just have specific beliefs when it comes to love.” 

“And that is?” 

“That it’s supposed to be special, nothing rushed, never forced,” he explains. “It’s something that feels more warm and steady than jittery, if you know what I mean?” 

If Jaemin didn’t already fascinate you then, well he sure did now. You don’t know how the boy who liked to keep to his own business managed to conjure such deep thoughts. You find yourself nodding along. 

“I can respect that, I guess,” you finally say after some time. Sensing the time, you finally stand up to tidy the place and get back to work. 

“Thanks for being good company,” Jaemin suddenly says as he assists you in throwing the empty takeout bags in the bin. 

“You aren’t so bad yourself,” you reply. 

Jaemin thinks a lot while the two of you work. He thinks about the easy grace that you exude vis a vis being comfortable with vulnerability. And he thinks you’d battle him out for this, but he sure as hell didn’t believe that you were as cut-throat about life as your own friends labeled you. If any, he’d sure as hell vouch that you were a softie at heart. 

“Don’t skip meals,” he called out as the two of you parted ways later that evening. And you definitely wouldn’t be skipping any meals for the weeks to come. Not on Jaemin’s watch, anyway.

[the-main-daine]

Life Series Character Renders:

Featuring Martyn, Mumbo and Pearl

(I actually have quite a lot to say about two of these this time.)

Martyn:

Human.... ish. Hear me out on this one:

So Martyn has this fascinating background lore to the Life Series called Watcher/Eyes and Ears Lore. I'm quietly obsessed with this.

I love watching his lore streams after every series, and have come up with a few theories on my own: His thumbnails are always fully illustrated, so his character has a canon 'look' for every season, which I think is just, deeply cool.

But in his lore, there's also this space between SMPs, where the Watchers kind of... hold people until they can be used again. And since Martyn is the protagonist of the very cool story he's writing, I got it in my head that in this space between, Martyn isn't QUITE human. Maybe he was at one point.

Maybe he never was, I don't know.

But alongside all the cracks and stuff that have started to show up on his body; there's seams along the joints, and light shining within, as he starts to become more befitting as a vessel.

A vessel for what? No idea. I probably won't be drawing all those seams in any fanart comics of the series themselves - I imagine they get covered up when he's sent out into the world to interact with others in various SMPs - but I thought the idea was too cool not to draw at least once.

As a past winner, he gets his crown, and the burning eye of Mars by his name.

Mumbo:

Vampire Mumbo!

I know he doesn't have the grey streak in his life series skin but I love it too much I'm keeping it forever.

It makes him look so much more threatening and serious than he is.

Poor Mumbo. I was really rooting for you buddy. Better luck next series!

At least he still does damage with those End Crystals.

Pearl:

A lunar moth

As a winner, she gets her crown, and she gets her moon.

I'm not going to lie I want that lunar moth hoodie more than anything.

I had a lot of fun with Pearl: Her skin design is so simple (Well, maybe not this season, but usually) that it leaves so much room to interpret it. She's always going around with dogs, making her wolfish would've been really easy, but I think Moth suits her more.

There's a lot of mythology with moths being a little off kilter, mad, or leading people to madness that I think fits with Pearl's tendency to be a little bit of a loose canon, wild and unpredictable. Like a moth's flight patterns.

Red Hood Pearl had to put in an appearance here, especially with how it's sort of creeping to overtake her in Wild Life this season, and she just gets so earnestly threatening when she's on a red life despite still being all smiles and all laughs.

Unlike Gem or Cleo, I think there's an edge to Pearlie Pop on red that just reminds me of a horror monster, in the best, best, best way.

I haven't figured out heights but she's also the tallest.

[rnadett]

I have an extremely wild theory about the ending...

So...

PLEASE DO NOT READ ANY FURTHER IF YOU DON'T WANT ME TO >>>POTENTIALLY<<< SPOIL SOMETHING FROM THE FINALE!!!!

I WARNED YOU!!!

I'm not going into too much details, since I don't have too much time because of my work. 😭

So let's start with Ekko:

We already know that the key character of Act 3 is him, whose unique ability is to turn back time. From the previous part, we also know that Jayce has tried to kill Viktor before, but every time so far, he has failed.

I think what Jayce and Ekko are trying to do in ACT 3: comes from the same root, but in very different ways – much like how their characters have always been, with parallels to each other throughout the series from the beginning. (the poster above is also telling)

We’ve also seen countless scenes from Act 3 that were quite significant hints... I haven’t pieced all the anchor points together yet, but my theory is that many characters will die in the final ARC — including Ekko, who will most likely make one last attempt to rewind time so the sisters can succeed.

We already have this screenshot from Reed. And It's from s2ep9. Behind Ekko it's some kind of machine, I believe it's a time machine, but not for rewind seconds, but for more... So much more. And they built it with Heimerdinger together.

This environment and this machine also appears in these scenes from the trailers:

Also in the recent teaser Vi says this.

I mean c'mon, It can't be more obvious than this at this point.

Also I noticed something while I rewatched this trailer:

https://youtu.be/Sl-xmZTH6GE?si=rW5vFHJUWm0ECD6p

Parallels and flashbacks were deliberately included. I think those will be the key points for the time travel.

The fate of the characters from a dramaturgical perspective... Well, I think many main character will die, What will make the stakes of the siblings' success even more important.

Yeah... Almost ALL characters except the sisters.

For example:

Caitlyn... I think Caitlyn may not die by Ambessa's hands but there is a possibility. But either way she will die. But one thing for sure: her final act will paves the way for the siblings to succeed. This makes her redemption arc finalized. Ambessa also planted this idea in Caitlyn's mind. Sacrifice . (Maybe the only thing truly worth learning from Ambessa about leadership, though not in the way Ambessa intended it to be understood.)

And for Vi... Yeah, she will watch yet another person she loves and cares about die. The Arcane writers seem to enjoy making her suffer....

Since the story revolves around the two sisters, they will finish the story, as they started.

THE LAST DROP

So the final scene probably will be about the sisters and the final sacrificing. Many say, Jinx don't need a redemption, but I think everyone deserves one in one way or another.

.

.

It has been hinted - or a fact from episode one that Jinx/powder ruins everything. She got her second name because of this. It's her character.

“Vi always used to say, I can fix anything... Before I broke everything.”

But why is it like this? What is it based on?

I think the 'last drop' will be foreshadowing of the first season, where she tried to save everyone, but nearly everyone ended up dying.

Why this would be any different?

I think what moslty form Jinx is how many people 'believe' in her.

Jinx and Powder, as appeared in a methaphore in Season 2, Episode 6, symbolize a coin with two sides. Both sides exist within her, but which side prevails depends on the events that unfold.

In Season 1, Episode 3, Vi allowed her heart to be influenced by the protective love she felt, which prevented her from trusting her sister.

That's why I believe that this will not just be Jinx's redemption, and not only will it rewrite her story, but also Vi’s. Vi, whose personality is so protective that she often doubts everyone else - (including Caitlyn), will have to learn to let go of this feeling and trust others, even if it means there's a chance her sister might die.

So what's my prediction?

So, if I wasn’t clear enough, (since English isn’t my native language and there are so many things in my head at all once that I want to express but I don't have time for more 😭)

My theory is that the siblings will eventually bring everyone back to life, but it will come at a cost, and I think Jinx will be the one to make that sacrifice.

But her death will not be a sad thing from her perspective, she will be finally free from the burden and suffering she felt, also she will be free from her demons as well.

.

.

As for the fate of the other characters I mentioned here, I can’t say for certain. Unfortunately, due to the 10-image limit, I couldn’t attach more visuals, but I believe Ambessa will die at the hands of the Black Rose. This is foreshadowed quite well in the intro: first, we see Ambessa crushing the rose, then a petal falls, but we don’t actually see her destroy it completely. Later, we see her daughter stepping in to take her place, reaching for the same rose while petals are scattered on the right-hand side, symbolizing Ambessa.

I think this story arc will continue in future *Arcane* series.

As for Sevika, it’s pretty clear that Viktor will transform her after her death and bring her back to life. That’s how she’ll end up with another cool new arm. (The new Sevika poster is literally titled ���Armed and Ready,” by the way.) She’ll probably try to incite the Undercity against Piltover again, which is why we see in the trailer that Piltover is fighting Zaunite civilians.

My other theory for Sevika (Or a continuation of the above, perhaps a combination of the two. ) is that Singed will make her a new prosthetic to her... And it’s also possible that through Singed Savika will side with Ambessa.. Since Ambessa is very good at seeing what people need and how to manipulate them, she might offer Zaun's independence in exchange for her help.

From Corin Reveck’s side – He will succeed in bringing his daughter back to life (Orianna), and I think this is no longer in question... After nearly everyone in the series has suffered the consequences of his actions, directly or indirectly... One might hate this character, but he is the perfect example of someone who would do anything, sacrifice everything, and set the whole world on fire (and does) for the love of his daughter. He is fully aware that he has become a monster, but he doesn’t care.

From Viktor's perspective... I'm not sure what his story will be. Perhaps the fact that they’ve saved each other’s lives multiple times with Jayce will become a symbol that ultimately, they will end up taking each other’s lives together. At some point, there was a possible foreshadowing of this when the creators depicted a "Memento Mori" between the two characters in season 1, when they were at the place where they tried to jump separately. A "Memento Mori" is an optical illusion where the combination of various elements forms the image of a skull, symbolizing death and the transience of life.

Overall, please take all of the above writing as just a theory; many parts may not turn out this way, and in fact, nothing might happen as I’ve suggested. Have fun!

And yes, I know my post turned out quite long despite saying I don’t have time, but believe me, if I did have time, it would be about six times longer, with all the references and every thread detailed in full.

[taliesin-the-bored]

Tag game: tag nine people you’d like to know better.

Tagged by: @oneshoulderangel (Thank you for tagging me!)

Last song: At the moment, I have "Losing Your Memory" by Alan Star stuck in my head, which I suppose makes it my current song, not my last song. Hm. I get songs stuck in my head very easily, but the last one I had there for a significant amount of time was a mashup of different language versions of "Les Rois du Monde" for about a week. "Lehetsz Király", the Magyar version, is probably my favorite of them. It's worth a listen.

Currently watching: Normally, the answer would be "random mostly terrible old movies/shows" or "nothing much", but I currently have a hyperfixation on the musical Roméo et Juliette and have been watching it in multiple languages. (Thus, the song).

Three ships: This is hard. Maybe as a result of being on the ace and aro spectrums, I'm more likely to care about which characters are interacting than whether it's romantic or platonic. Here goes:

Kedivere/Bedikay. It can be romantic, platonic, or queerplatonic, but whichever way, I'm here for it. I probably spend too much time thinking about how in Cullwch and Olwen, when Cai gets mad at Arthur and marches out, Bedwyr stays behind, keeps acting like nothing's happened, and isn't the one to avenge Cai's death. The feeling of betrayal on both sides has a lot of unexplored potential. And the version where Bedivere dies and Kay fights to bring his body back safely while mortally wounded himself... And the version where Bedivere survives Camlann and Kay isn't said to fight in it, so they might be left together after their world has fallen apart...

Platonically or queerplatonically, Galahad and the Grail Heroine. I really like the tragic Grail Quest friendships, but I like theirs most, maybe because there's something weird and otherworldly about them both. I like it when characters are strange and endearing and doomed by the narrative.

Ever since reading John Matthews' retelling, which I read before the original, I've had a soft spot for Caradoc and Guinier. The Story of Caradoc is very disturbing, and I have some major qualms with Caradoc over a detail Matthews cut out, but all the same, there's a reason these two have the best track record with magical fidelity tests. Each of them would go to the ends of the earth for the other, and together, they're stronger than any curse.

Favorite Color: Blue, particularly royal blue and some teals.

Currently consuming: Black licorice with chocolate.

First ship: This is a hard one, since through elementary and most of middle school, I tended to go along with whatever I thought the author's intentions were and was more likely to unship something. The first non-endgame ship I got invested in was Sonya/Nikolai in War and Peace. I didn't like Nikolai, but Sonya did, and she was my favorite character, so I wanted her to be happy. The first non-canon couple I thought was meant to be together was also in War and Peace: Marya Bolkonskaya and Julie Karagina. My eighth grade self did not think their letters could be interpreted platonically. I still don't.

Last movie: If the musical doesn't count, the last movie I watched was Quest for Camelot, which was awful. Though not Robot Monster-level bad, Robot Monster has an elegance to its simplicity which Quest for Camelot lacks.

Currently working on: Various fics, most of them Arthuriana or CotRK-related (I am woefully behind on the Badfic Bingo), and (theoretically) an epic-style poem, though I haven't gotten much of it written for quite a while now.

Tagging: @gawrkin, @emperorcandy, @wildbasil, @gorewound, @knightsofsomethingorother, @ladyminaofcamelot, @tasosotaso, @amashelle, @gingersnaptaff (I have no idea who's been tagged so far, apart from the people on @oneshoulderangel's post, so I apologize for any multi-tags)

[lostsyren]

idk kinda need to see rafe jealous of sofia with another guy before this show ends, it'll be so satisfying to see especially with the current circumstances, like rafe one of the first times comes back to kildare and sees sofia he sees another guy flirting with sofia and rafe is seething about it maybe even causes a scene then queue an angsty scene with sofia getting mad at him because he broke up with her via a phone call and did not let her explain, but i know it'll never happen😭

knowing the pates they'll make rafe spend most of his time in lisbon and then like an episode back in kildare and then suddenly rofia get together after rafe realises he made a mistake bc their ass at writing😒

like i know they said their story will continue and i believe they will too but i want there to be good writing this time around, a rofia and sofia backstory!!!! they could insert them both so easily, like moments in s5 where any of these where she's thinking of rafe, something reminds her of him or doing the typical scrolling through picture scenes that elite tv ships do when the other misses the other and after any of these there's a slow fade to a flashback of their first meeting, it also makes no sense for them to put these lines here and there plus the showing sofia's family and then proceed to not explain them further or have an episode dedicated to her, they can easily do either but they aren't bc of time constraints and they deem the pogues storyline more favourable, idk maybe cut out those useless topper scenes for sofia the character people actually care about!!!!

I LOVE THIS SOOOO MUCH!! THANK YOUUU!!

Like yes, Sofia trying to move on and forget about him and Rafe seeing this and getting super jealous and mad, which only makes her angrier, because how dare he get mad when he was the one who ended their engagement so quickly? No because I need this scene for my sanity. Cue angsty argument which ends with Sofia being like

“Why do you care huh? You broke up with me and kicked me out of your house?”

“Because I love you!” (*impassioned declaration of love from rafe!*)

“Then why did you throw it all away?” (*her veneer of anger breaks and she shows him how much he really hurt herrrr!!*)

Someone write this or I will (after I get through my requests🙏😞bear with me)

Yessss totally!! I need to see how she reacted to his cruel break up and how she moved on/dealt with it. I neeeeed Sofia scenes outside of rafe, and I also need rafe to yearn for her in Lisbon!! Like yes, the elite looking through the camera roll and reminiscing!! Like Rafe wistfully looking at Sofia’s picture whilst he’s away from her and he suddenly regrets everythinggg!!!

No literally, why dedicate an episode to her family life and situation– they need to bank on it and show her family again, make them important to Rafe’s story in some way!!

Hahahaha the topper hate is so funny😭I love Austin thoooo, but I agree, replace his character’s screentime with someone else I BEGGG

[esmereldapearl]

PJO Future AU head-cannon stuff (some ARE taken from other peoples head-cannons bc they’re awesome):

- Will Solace would not be a medic/be in the medical field— I feel like just because he’s good at it doesn’t mean he likes it. Maybe he’d be a teacher because of his leadership skills.

- I feel like from working in the infirmary and having people close to him pass, Nico would choose a medical field job. I feel like he’d be an RN (registered nurse) or doctor and work at like an urgent care (er is too crazy for him— or maybe it wouldn’t and he’d like the chaos)

- I also feel like there’d be a not so great injury and Nico would be like “Oh let me see” then see it and be like “oh that’s really cool” not much would phase him— or it would but he’d find it fascinating

- I feel like the fact that they didn’t have these new kinds of tech when Nico was growing up also adds to his fascination. Like what do you mean x-Ray machines exist?

- I feel like Percy would do well with water jobs— like maybe he’d be a marine biologist and he’d find it fun to just communicate with the ocean life.

- Frank and Hazel would take a lot of dual credit classes or graduate early from highschool so they could focus on the camp— like they’d take online stuff so they could spend more time focusing on camp. (hope that makes sense) I’m not sure what I think their careers would be.

- Leo would own his own mechanic shop after going to trade school (saw on tiktok)

- Jason (revived) would be a professor of history— probably mythology.

- As a Valgrace shipper (dont judge pls) I think that they’d get together shortly after Jason is revived (not too short— six months after?) because they’ve been through a lot already and don’t want to risk anything again.

Now, onto kids because I don’t see these often but I find it fun to imagine:

- Frank would be a girl dad. He’s got two daughters and is just so happy with them and Hazel.

- Percy and Annabeth would have three kids, two girls and a son, in that order. I feel like Percy and Annabeth would work hard to have good relationships with their kids and finally relax. I feel like they’d be sorta protective but also be very relaxed with them- educate them about being mature and making good choices.

- I feel like Annabeth would realize how important names were and try to name her kids after popular figures in history who had good stories

- Will and Nico would probably have two kids, both adopted, but one would be one of Will’s half-siblings/half-nephews. The kid was really little, like four or five, when he got to camp and Will just kinda adopted him so he didn’t have to be full-time at camp. They also have a daughter but not until the son is like 12. She’s also adopted and is also a half-blood but I feel like they wouldn’t know who her godly parent is until she’s 12 and then be shocked because she’s like a child of Zeus.

- Leo and Jason would wait a while and focus on their relationship and careers. Then they’d adopt two daughters (not at the same time) and raise them where they don’t know about half-bloods until they’re older. They’d probably be half-bloods so that way they could raise them the way they wished they were raised. Leo and Jason don’t want them to have to see and experience the stuff they had to at such a young age.

- I don’t think any of them would name their kids after any of their late friends. I saw someone, a while ago, bring up that it could result in bad memories or just not be an okay time yet to do so. So— I don’t think that Annabeth would name her kid Silena and I don’t think Nico would name his kid Bianca.

- However, I do feel like Annabeth and Percy would name their eldest Sally after Percy’s mom (it would work well with the headcannon that Annabeth would name her kids after people with good stories) and have her middle name be a positive powerful historical figure.

(I realize I left Piper out— I’ve been forgetting a lot about characters recently and need to go back and reread HOO in order to grasp what I think she’d do in the future)

[whump-imagines]

Stomach Flu

Buddie x reader

Wc: 1700 ish

You laid in bed trying desperately to fall asleep. Some kind of stomach flu had found you and was clearly trying to kill you. All night you’d been fighting blankets because you'd be hot and then freezing and then hot again. And when you'd thought maybe you'd gotten comfortable the nausea would hit.

The toilet was your new best friend. You’d spent a decent amount of time clinging to the bowl for dear life. It was worse than any bad night of drinking you had ever had.

So now you were momentarily a comfortable temperature and not as nauseous so you didn't dare move as you begged for sleep to come.

Next thing you know the bed is jostled aggressively as Buck jumps onto the mattress and asks, “You're still in bed?”

The sudden movement sends a jolt of pain through your skull and nearly causes you to puke. You launch yourself out of bed and into the bathroom. Falling to your knees, you empty the non-existent contents of your stomach.

Eddie is knelt beside you a moment later. He takes your hair in one hand and rubs your back with the other.

“Ugh. My best friend, we meet again,” you mumble into the toilet bowl.

“Again?” Eddie asks. “What do you mean again?”

Rolling your forehead across the arm supporting your head, you glance at him and notice Buck in the doorway. “Well this is like the thousandth time I've been here since yesterday. I think I'm dying.”

Eddie runs his hand over your head then presses the back of his hand to your forehead. “Baby, why didn't you call us?”

“You were working. I didn't think I needed help puking my guts out.”

“One of us could have come home,” Buck says. “Or we could have brought supplies home.”

“Supplies?”

“Soup, Tylenol, tissues, maybe…” Buck listed.

“I'd just puke it back up. Everything in comes right back out.”

“Alright, are you done for now? Do you want head back to bed?” Eddie asks.

“Moving makes me more nauseous. And my head hurts.”

“Have you had any water?” Eddie asks.

“Tried. Failed.” You lean back and the world spins. “This sucks.”

Eddie shifts you so you can relax back into him. “I bet. We're going to get you back into bed and get a bucket so you don't have to come lay on the floor in here anymore. Okay?”

“‘Kay.” You snuggle into him, enjoying his warmth.

Eddie manages to get up and lift you without too much jostling. “Can you go lay on the bed and I'll give her to you?” He asks Buck.

“Okay.” You hear the jingle of Buck’s belt and then the clank of it hitting the floor. Next, your set gently on the bed cuddled close to Buck, his arm your pillow.

“You're warm,” you announce and you press yourself even closer and move your head into his chest.

“I'll be back soon,” Eddie says. “Try to get some sleep if you can.”

You whine, not wanting him to leave. “Where are you going?”

“Back to the station. We need an IV kit, fluids, zofran, and probably Tylenol.”

“I don't want an IV.”

“Sweetheart, you're very dehydrated,” Eddie explains. “If you can't keep down water then you need the IV.”

You sigh. “Fine.”

Buck chuckles and presses a kiss to the top of your head.

Eddie leans over and kisses your head then a quick parting kiss to Buck’s lips. “Love you guys. I'll be quick.”

“We love you, too.” Buck says.

A minute later you hear Eddie’s keys jingle and then the front door open and close.

“Sorry I woke you like that earlier.”

You snort a laugh. “Not your fault, you didn't know.”

He runs his fingers up and down your side and shoulder in random patterns. “Try to sleep,” he suggests.

“Can you tell me a story?” you ask.

“What kind of story?”

“I don't care. It's just soothing to hear you talk,” you tell him. “Might help me sleep.”

He starts to tell you all about flamingos because he knows how much you love them. He explains everything from how they get their color to their migration patterns and before long you feel yourself sinking into a peaceful sleep.

You wake to the sounds of Buck and Eddie laughing. You can tell they’re trying to be quiet but the giggles are shaking you and the whole bed. “What's so funny?”

“Crap. Sorry, we didn't mean to wake you,” Buck says.

“It's fine. I need to pee anyway.” You shift to roll onto your back but end up leaned against Eddie. “You didn't tell me what was funny.”

“Just a dumb video on TikTok,” Eddie explains. “How're you feeling?”

You take a moment to consider your answer. Your head still hurts but not as much. You still have nausea but it's much more bearable. “Shitty, but kind of better.”

Buck rolls and then stands before offering you a hand. “Come on.”

“Where are we going?” You reach over to take his hand, noticing the IV line for the first time. “I slept through that?”

“Bathroom,” Buck answers.

“Exhaustion will do that,” Eddie answers your second question.

Buck helps you up and your muscles protest the change in position. He wraps an arm around your waist as you sway slightly.

You take a deep breath and blow it out. “I'm good. Let's go.”

Eddie stands and grabs the bag of fluids you hadn't noticed hanging on a command hook on the wall.

All three of you head to the bathroom together and as you sit you look around. “I like this view of the bathroom much better than the other.”

“I prefer this, too,” Eddie says. “Especially the knowing you're not as dehydrated.”

“Yeah, you already look so much better than this morning,” Buck adds.

You slowly make your way back to the bed and as you're making yourself comfortable you catch a glimpse of the clock. “Holy crap! How is it almost 11?”

They both just chuckle. “That's what happens when you sleep for three hours,” Eddie explains.

“I think that's more sleep than I got total all night. Guess I needed a better pillow,” you laugh as you look at Buck.

“You could have had that all night if you'd called us. I'm going to go make you some soup,” Buck announces as he leaves the room.

“I'm not hungry.”

Eddie sits down beside you. “You have to try a few bites at least, okay?”

You pout at him. “I don't want to puke anymore.”

“You shouldn't. I gave you some zofran,” he tries to sooth you.

“Fine.” You roll your eyes “But you better have that bucket close by.”

He presses a kiss to your forehead. “It's on the floor right here, but you're not going to need it.”

“You're awfully optimistic given that I'm still nauseous.”

“You said you felt better,” he chastises. “Is it still as bad?”

Leaning back into him, you explain, “I said I feel shitty. Shitty is better than feeling like death. I'm less nauseous, but still nauseous.”

“I'm sorry you feel shitty,” he intertwines his fingers with yours and lifts it to kiss your knuckles. “The soup should help you feel less shitty. Hopefully you're just nauseous because you have nothing in your system. So just try a few bites, okay?”

Buck returns with a tray in his hands. “I have soup, the old fashioned chicken noodle just like you like. I also have saltine crackers, oyster crackers, sprite, and water.” He sets the tray in front of you and then leans in to kiss you.

You pull away quickly. “Don't kiss me. You'll catch this plague.”

“I'll risk it.”

You lift the spoon and drink a spoonful of the broth and then you pause, waiting for the nausea to get worse. When it doesn't, you continue slowly with more broth and then eventually the noodles and a couple crackers.

Eventually you manage to eat almost half the soup and a few sips of water before you set the spoon down. “I'm done. I can't handle any more right now.”

“That's fine. You ate way more than I expected,” Eddie says.

Buck takes the water and sprite off the tray and sets them on the bedside table before taking the rest away.

“Can I have my hand back yet?” You lift the hand with the IV line and give him your best pouty face.

He shakes his head. “No. I will unhook the fluids when that bag is gone but I want to keep the IV lock for now until we're sure you're going to keep all that down.”

You roll your eyes. “Fiiiiine.”

He laughs. “Do you want me to have to poke you again if you do puke more?”

You stick your tongue out at him. “No.”

“Thought so.” He boops your nose. “Glad to see you're feeling better.”

Buck returns and snuggles in beside you on the bed. “You want to pick a movie to nap through?”

You smiled and they both groaned. “Sleeping Beauty! Oh, wait, Enchanted… no, I actually want to be awake for that. Sleeping Beauty for sure.”

“Why do you make us watch princess movies when you know you're only going to watch ten minutes?” Buck complained.

“Because it's fun.” You shrugged. “Plus, then I get to dream I'm a princess.”

Buck raises an eyebrow. “Are you saying that if we switch to football as soon as you're asleep you're going to dream about that?”

“Probably.”

“Sleeping Beauty on one condition…” Eddie started.

“What?” you asked.

“Next time you get sick while we're at work, you call us immediately.”

“No,” you argued. “Because there won't be a next time. This is awful. I don't want a repeat.”

“Fine. If! If by some small chance it happens or if you just get the sniffles… you call.”

“Deal.”

Eddie gets the movie set up and you make yourself comfortable. This time you use Eddie as a body pillow and Buck drapes his arm over your waist.

The movie starts and you almost instantly feel yourself drifting. “Love you guys.” You mumble as you close your eyes.

They chorus an “I love you too,” as you fall into a dreamless slumber.

[adamnablelittledevil]

Only Blood Communion and Interview With the Vampire to go now. I'll make more elaborated posts about my thoughts once I'm done with everything, but here are some of my opinions:

TVA is absolutely my favorite (I've said it before and will say it again: the most purifying cry I had in my life, it destroyed and restored me in the best possible way), TVL, TQOTD and Prince Lestat are also on my top 4, though I don't know where to place the latter on my personal ranking. The others are sort of tied and the order changes according to specific aspects. Like, Blood and Gold covers a lot of eras and places of the world, has multiple interesting characters, so it's fun in the sense there's a lot of stuff to see, even if I'm not a Marius's fan and he isn't the best narrator imo. On the other hand, something like Merrick is more packed, just her, Louis and David (and some Lestat), but I just love her as a character and the whole story of her family. I can't really choose.

Memnoch would be the last because it was the one I struggled with (tho I loved Armand on it), I thought the concept was great and I could've loved it with a more active, intense and eventful execution. Prince Lestat and the Realms of Atlantis is second-to-last because most of the plot was dumb to me, the part that made sense was solved in an unconvincing way, I had to do a lot of suspending disbelief even for a supernatural/sci-fi story... But it was nice to have so many characters I love reunited, even if some didn't have lines, it's nice to know they're around and I enjoy the vampires having sort of a healthy little community.

Favorite character is definitely Armand, then Lestat, then Pandora, Maharet, Mekare, Flavius, Merrick, Bianca, Gabrielle, Mona, Benji, Avicus and Petronia (they didn't appear much and did awful brutal stuff, yes, but having an intersex/gender-fluid character was great and they had so much baggage I could empathize with them). Most after Armand and Lestat are tied. I don't know if I'd call Benedict a fave, but I'm somewhat attached to him (and I KNOW about those spoilers). I LOVE Vittorio and Ursula too and I hope they can appear in some shape or form on the show. I don't looooove Antoine, but he's alright to me. He just seems to be a poor/broke dude who wants to live, have friends and dedicate his existence to his hyperfixations and I can relate because same lol. I get him.

Favorite pairings (either as an OTP or brotp): Lesmand (👑👑👑), Pandora and Flavius (👑👑), Maharet and Mekare (👑, they just don't get more crowns because they don't appear as much as I wanted 😔), Armand and Benji and Sybelle (as duos and a trio), Armand and Riccardo, Armand and Bianca (pretty much Armand and everyone that isn't Marius lol), Lestat and Mona (their childish siblings-coded beef entertains me), Maharet and Jesse and Vittorio and Ursula (👑👑). I wish I had seen more of some characters/dynamics, tho.

MAYBE I could tolerate Marius and even love Magnus (he seems to have a sad and interesting story) if all I'd seen of them had been the content of the last trilogy, but given the previous books, I'm not sure I can enjoy Anne's decisions. I have a lot of mixed feelings about Magnus apologizing and Marius's behavior not even being seen as something to apologize for in the first place, but that's for another post.

Some of the books I would've been able to read and love with or without the show, some I only read to get information, but I'm mostly glad I'm equipped with so much of the lore now. That's not to say there aren't problematic things even for the genre that I need to compartmentalize and ignore (to some extent and not completely) for my enjoyment, because there is a lot of that, but it hasn't been a waste of time. And I'm glad I know what can happen in the future, make silly little fancasts and have events to look forward to seeing on the series. Obviously, opinions can change with the next books, when I re-read the novels or even with conversations and discussions... And that makes me excited as well.

[jackoshadows]

I think you slightly overstate Sansa's looking down on Jon- it's pretty clear in the text they care about one another. (And let's not forget she is 12 when we see them interact)

I mean, prejudice is prejudice. There is no overstating or understating it.

For Jon, as he mentions missing all his siblings the only thing he can highlight for Sansa is that she treated him differently after finding out that he was a bastard. Does that make her evil or imply that Jon hates her? No. He certainly considers her part of his family - as he says he 'even missed Sansa' - but for the most part Jon seems indifferent to her troubles and vice versa and they don't have much of a relationship.

As for Sansa being 11 when the books starts, her younger siblings Arya and Bran are able to look beyond classist prejudice and their mother's dislike of Jon to build a relationship with him. Arya gained the devoted love and loyalty of a brother who ended up dying to save her.

And the fact remains, that Sansa is now 13 and she still holds onto those Westerosi classist ideals. Which was my point in the OP. That even now, she would be horrified if anyone told her that she had to marry a bastard.

Jon mentions her like 5 times in his 42 POV chapters - where she is included along with Arya - and Sansa mentions him like 3 times in AGoT and once in the most recent book. That's about it. Jon never shows up in Sansa's nostalgic memories of home and family and she admits to forgetting about him in AFfC until Myranda Royce brings up his name. And Jon's concern is mostly for Arya, Robb and Bran.

Jon Snow straightened himself and took a long deep breath. Forgive me, Father. Robb, Arya, Bran … forgive me, I cannot help you. He has the truth of it. This is my place. - AGoT

We can see this in the contrast of the heavy emotions that Jon experiences upon hearing about Arya's marriage and his total indifference towards Sansa being forcefully married off to the enemy.

I suppose what I COULD see in canon would be them sticking together because they're too traumatized to live with anyone who isn't a Stark.

This makes no sense. House Stark is nothing special for someone like Jon Snow who experienced isolation and being treated differently so much so that he wanted to leave and join the Night's Watch at 14. Why would Jon - who is traumatized by his bastardy and his childhood of stigma and ostracization want to be with someone who did treat him differently and is a reminder of the person who emotionally abused him?

Jon Snow has loved and lost Ygritte and envisioned a life with Val who is no Stark either. His friends like Sam, Satin, Grenn, Pyp, Toad, Mully, Halder etc are outliers of Westerosi society - again nothing to do with House Stark. Sansa would have nothing in common with Jon's friends (except for maybe Sam) and wouldn't even like them the same way she didn't like Arya's friends.

Again, the only special Stark relationship is Jon and Arya. These two are the only ones I can see as wanting to stick together at the end. Jon literally calls Arya his heart and thinks Arya's home is wherever he is.

But they do love one another, and I hope they get to reunite. And in a world where George's first draft had Ayra falling in love with Jon….. we can't discount any possibilities lol.

In a world where George's first draft had Arya falling in love with Jon, there is the possibility that Arya and Jon ARE STILL falling in love with each other considering that 90% of the story beats from the original outline is still around.

ALL of GRRM's incestual romance in the series happens between very close siblings and if GRRM was to go there then it would be with Jon and Arya - there is certainly the build up for it over 5 books with these two mentioning and missing each other and Jon ending up dead at the end of ADwD to go save her.

GRRM in fact changed the original AFfC/ADwD draft to include more Jon/Arya moments. And where Jon originally was supposed to die in Hardhome while ranging, GRRM changed that to have him break his NW oaths for Arya and then get assassinated by his men for oathbreaking.

The Stark sisters are not interchangeable. Arya and Sansa are totally different characters with different relationships with their siblings. Jon and Arya bonded over being different and kept secrets from Sansa. Arya went to Jon for consolation after getting bullied over her appearance by Jeyne and Sansa. One can't just randomly replace Arya with Sansa in the original outline because one wants Jon and Sansa to get together.

If GRRM was at all interested in Jon and Sansa then HE WOULD WRITE FOR IT. Like he has done for Jon/Arya and Jon/Dany.

If he was going to change Jon/Arya from the original outline for whatever reason - like the loss of the 5 year gap which means Arya, Bran and Sansa are still children - then he would go for Jon/Dany: the more age appropriate romance with parallel arcs and actual foreshadowing and logical plot building and which would make narrative sense.

They are two of my favorite character in the series and all signs point to them walking very different (Separate) paths. But they do love one another, and I hope they get to reunite

They maybe your favorite characters independently but in the series they don't have much to do with each other. Jon doesn't much like the traditional ladies who uphold Westerosi patriarchal ideals and is always looking for an Arya in the women/girls he loves and admires - Ygritte, Alys, random freefolk girls. Sansa in the meantime seems to be imagining kisses with someone like Sandor Clegane. Jon and Sandor couldn't be more different.

If anything it's very possible we will see a Stark civil war type situation in TWoW. GRRM loves to write about dysfunctional families and House Stark is no exception. With a darker, more wolfish resurrected Jon Snow being named KITN by Robb's will - which possibly disinherits Sansa - and Sansa being backed by LF and the Vale we may see some Stark in fighting over Winterfell.

Also this is not an attack on you or anything, but I am baffled that you like Jon Snow and he is your favorite character and you are then sleeping on the Jon/Arya relationship. That's literally Jon Snow's BEST canonical relationship in the books. One of the best platonic relationships in the whole series IMO. Just unconditional love for each other and they would go to the ends of the world for each other.

And then there's Jon/Robb - such a sweet, tragic relationship with Jon nearly abandoning the NW for Robb and Robb defying his mother to name Jon KITN.

And Jon/Bran - Jon's happiness over Bran being alive and twirling Tyrion around the table is such a sweet moment. Jon wanting Tyrion to help Bran in whatever way he can. Bran wanting to name Halys' bastard son Larence Snow the heir to his father because he was reminded of his bastard brother Jon Snow. Bran saving Jon at the Queenscrown.

As a Jon Snow fan, Sansa is way, way down my list of fun, emotionally heavy, important, canonical Jon Snow relationships in the series. GRRM has not written anything for them so they are not really a priority for him either. Fans liking them together and wanting them together does not make it a thing in the books.

Similarly Sansa's best sibling relationships are Bran Stark - who actually shows concern for his sister being a hostage and Sansa shows concern for Bran. And Robb who is so angry at Sansa's forced marriage that he wants to cut off Tyrion's head as compared to Jon's complete indifference and nonchalance about the same marriage.

Sansa has far better canonical relationships in the series than Jon Snow and I will be forever baffled by this need in fandom to see these two get together or unite in favor of their more emotionally heavy relationships in the books.

Like Jon is my favorite character and I have been waiting for him to reunite with Arya since they first parted ways - 'Different roads sometimes lead to the same castle'.

One reason for why I find shipping Jonsa as a canon ship hilarious is that book Sansa would be so horrified if anyone suggested she marry Jon Snow!

And I think it's because Jonsa shippers themselves think differently to book Sansa. They know that Jon is a central character in the series, that he is a decent guy, has some secret parentage issues going on with the possibility of legitimacy, is loyal and forward thinking etc.

However, these matters don't concern book Sansa. She is a Stark - one of the last remaining Starks in Westeros. She is the eldest daughter of house Stark. The eldest daughter of the former Warden of the North and one of the formerly strongest houses of Westeros which still has a lot of loyalty from other Northern houses. She grew up with high expectations for her marriage.

She was formerly destined to be Queen of Westeros by marriage to Joffrey. She was considered for marriage to the Tyrell heir and would have been Lady of Highgarden. She married Tyrion Lannister who is heir to Casterly Rock. She is currently plotting to marry Harry the Heir - future heir to the Vale upon SweetRobin's death.

So as is seen by her as her right, Sansa expects a marriage to a very high born noble. So far all her prospects have been heirs to big houses and kingdoms.

In AGoT she thinks that the Stark Steward's daughter Jeyne Poole - The Pooles possibly being minor lords with a holdfast near Winterfell - was far beneath Lord Beric Dondarrion.

"Lord Beric is as much a hero as Ser Loras. He's ever so brave and gallant." "I suppose," Sansa said doubtfully. Beric Dondarrion was handsome enough, but he was awfully old, almost twenty-two; the Knight of Flowers would have been much better. Of course, Jeyne had been in love with Lord Beric ever since she had first glimpsed him in the lists. Sansa thought she was being silly; Jeyne was only a steward's daughter, after all, and no matter how much she mooned after him, Lord Beric would never look at someone so far beneath him, even if she hadn't been half his age.

For the same reason, Sansa would think that the bastard Jon Snow was beneath someone like Jeyne Poole.

In fact in her most recent sample TWoW chapter we see she doesn't think much of bastards. Five books in, with the very last published chapter, we see her matchmaking for the 19 year old Mya Stone with the much older, very low born, not good looking Lothor Brune because according to her that would be a good match for a bastard...

Alayne wondered what Mya made of Ser Lothor. With his squashed nose, square jaw, and nap of woolly grey hair, Brune could not be called comely, but he was not ugly either. Though he had risen to knighthood, Ser Lothor's birth had been very low. Brune would be a good match for a bastard girl like Mya Stone, she thought. It might be different if her father had acknowledged her, but he never did. And Maddy says that she's no maid either.

Sansa would be utterly shocked if someone suggested she marry loyal, honest, good Lothor Brune. He would be very low born for her. And if Lothor Brune is not good enough for Sansa how would she feel about marrying a baseborn bastard?

As much as Sansa would be joyful to reunite with her last living relative Jon Snow, she would rather match-make Jon Snow with some low born girl, some hedge knight's or freerider's daughter than marry him. And she would still think that a baseborn like Jon Snow would be lucky to marry someone higher up the chain like lowborn girls - the same way she thinks of Mya Stone and Lothor Brune.

Remember, bastards don't have any lands and are stigmatized as less than, being treacherous and lustful by nature of birth. Ned Stark gave Jon Snow no lands, instead packed him off to the Night's Watch.

Remember Alys Karstark dancing with Robb Stark and not Jon Snow because her father took her there to meet with the heir and not the bastard?

Look at Jaime's thoughts about Sybell Spicer:

"Your lord father promised me worthy marriages for Jeyne and her younger sister. Lords or heirs, he swore to me, not younger sons nor household knights." Lords or heirs. To be sure. The Westerlings were an old House, and proud, but Lady Sybell herself had been born a Spicer, from a line of upjumped merchants.

Or Lady Sybell's reaction to betrothing her son to Joy Hill. And this is only house Westerling.

"I have two sons as well," Lady Westerling reminded him. "Rollam is with me, but Raynald was a knight and went with the rebels to the Twins. If I had known what was to happen there, I would never have allowed that." Even from the grave, Lord Tywin's dead hand moves us all. "Joy is my late uncle Gerion's natural daughter. A betrothal can be arranged, if that is your wish, but any marriage will need to wait. Joy was nine or ten when last I saw her." "His natural daughter?" Lady Sybell looked as if she had swallowed a lemon. "You want a Westerling to wed a bastard?"

Also recall that the original arrangement was for two bastards to marry - Joy Hill, Gerion Lannister's bastard, to marry a Frey bastard.

So imagine Sansa's reaction to a suggestion that she marry the bastard Jon Snow... She would think it's a joke and laugh. She would be aghast and horrified. She would be repulsed and see it as punishment.

That's just how the high born Westerosi society thinks. Bastards are seen as the lowest strata. This is how feudal classism works in Westeros.

So unless Sansa gets suddenly and magically enlightened on classist prejudice, then Jonsa is something that is never, ever, ever going to happen. This is not even getting into what Jon Snow thinks and feels about the high born traditional ladies upholding Westerosi patriarchal ideals of femininity.

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon. her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[dunmeshistash]

Still want to make more posts with the exhibition stuff.. idk why I didn't care about it before I saw the pamphlet but now I care

[cuteniaarts]

@katkastrofa, circa 40-ish hours ago: Hey, what if our newest bunch of OCs adopted a baby from one of the other brothel girls who knew she couldn’t afford to raise one? That would make for some fun shenanigans :D

Me, with a notoriously non existent sleep schedule, instinct of self preservation or concern for my poor wrist: Alright, bet. Watch how fast I can make you fall in love with this hypothetical baby >:)

Daneli as a gentle and loving caretaker-turned-adoptive-mother is something that can be So Personal, actually, and originally I was going to leave it at this quick sketch, but then I got carried away thinking about what this child will grow up to be like raised by this little gang of misfits, so…

Here she is!! A little older and so, so beautiful, I need more of her in my life immediately, she’s way too precious

And, because I wouldn’t be me if I didn’t also add a sapphic element to this absolute cinnamon roll, a small crack ship that I’m only half serious about for when she’s a little older still:

All in all, we may be getting impossibly far from canon, but I for one already cannot get enough of sweet darling Kumisai <3

(I fully drew three pieces from scratch in 9 hours I cannot feel my brain or my hands anymore send help)