#I uh have no excuses | Explore Tumblr posts and blogs

flowercrowngods · 2 years ago

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based on this post, because at this point i think it's safe to say @unclewaynemunson is actually my muse or something (hi anna i hope this is okay even though it’s, like, way angsty and way too long huh)

🤍 also on ao3

Two days after Starcourt, concussed and beaten, Steve has a seizure.

His ears are still ringing when the doctor gives him a stern glance over the rim of his glasses and pronounces him unfit to drive. No, in fact, he claims Steve poses a real danger to himself and others if he sat behind a wheel again.

Immediately, Dustin and Robin jump to promising that they won't let him do that, and in another life Steve is sure he would be grateful, or at least reasonable about it, but in this one he has a horrible second where the floor falls out from under him and he wishes, for just one second, that his head had been shaken a bit more, just enough to–

It makes him nauseous even thinking that. Everything does, lately. He closes his eyes against the offensive brightness of the hospital room and lets the sound of Dustin's and Robin's voices wash over him as he takes a moment to really take in what the doctor's orders entail.

He can't drive anymore. No more late night drives to watch the street lights pass and lull him into a safer state of mind than his bedroom walls could. No more driving the kids to their DnD sessions, no more taking Robin anywhere at the drop of a hat, no more bickering, no more reign over the music, no more stern glances through the rearview mirror, no more "Shut up, Wheeler, or you're leaving the car."

No more "Thanks, Steve!", no more "I'll bring some of mom's cookies if you drive us to the arcade", no more "You're the best" or "You're a lifesaver" or "I owe you one".

No more place for him in the group, no more use for him, no more...

No more. Nothing. Now he's just Steve, would-be lifesaver, 'has-been babysitter', 'could-have-been somebody until he lost his license to drive because he wasn't quick enough, wasn't good enough, wasn't strong enough'. Just Steve.

He doesn't know how to be that. Who is Steve Harrington without his car, without the one thing he was good for anymore?

The pit in his chest is deep enough, dark enough to pull him in, and for a moment the very thing he is good for is misery.

He waits until a nurse makes everyone leave for the night, and then he cries. It makes his head hurt, pressure building behind his eyes, but he's used to being in more pain than any teenager should be in, so he curls in on himself and hides underneath the blanket.

Here's to hoping the others won't notice just how useless he is now. Not too soon, anyway. He wants another month. A painless month filled with laughter and hugs, and then they're free to leave, to pull back slowly. Calls unanswered, radio channels changed so he won't reach them, sheepish apologies and rain checks, because now Nancy will drive them. Or Jonathan. Hell, maybe Max will take the risk just to avoid him.

---

He gets a week of daily visits in the hospital, the doctors and nurses insisting on keeping him here, a watchful eye on his vitals, scanning his head three times during his stay, insisting he has head trauma of a severely worrying degree.

Nancy picks him up from the hospital and it's awkward, tense, too much left unsaid between them but there's no one else to do it. Steve's hands are shaking, gripping the seatbelt the whole way home – and then his heart falls when he sees his Beemer in the driveway. The glorious, trusty, wonderful, best fucking car anyone could wish for. His baby. His.

He throw up into the brushes when he realises that he won't get to take it on one last ride. Maybe he shouldn't be so attached to a car. Maybe he's being pathetic about it. At least he can explain away the fat tears in his eyes now, and Nancy doesn't press.

The first thing he does when Nancy is gone is calling Robin, and she's excited when she says, "I'll come right over!" and Steve wants to ask, how, but he keeps his mouth shut, biting his lip. It's stupid, but the thought of someone else driving Robin over makes his skin crawl.

"Alright," he says instead, his voice raspy, and he hangs up before she can detect something in his voice.

After that, he goes outside again and runs his hand along his Beemer. It's shining in the sun; he had it cleaned the other week, the full program, every step in the book to celebrate four years since he got her.

"Four years, huh," Steve says, his nail catching on a minor scratch that isn't even visible but might be more familiar to him than even his home. "Damn good four years."

He's talking to his car. God, it's so stupid, it's so stupid, it's so stupid–

Steve's knees give out and he gives in to the desire that's burning under his skin sometimes, the desire to just sit down and ignore the world. Because everything is less real when you're sitting down somewhere you're not meant to be, and the ground is warm, and Steve just wants the world to go. His head is leaning back against the warm metal of the driver's door, and he closes his eyes for a while, his head still spinning, his ears still ringing, everything still awful.

After a while, there’s a shadow followed by a weight settling down between him, a head landing on his shoulder, a hand taking his.

"I'm so sorry, Stevie," Robin says. The lack of dingus makes it more real, somehow. More tragic. More pathetic.

"I'll live." And it feels a bit like a lie.

---

He gets his month. A month filled with barbecues in his backyard, the kids coming by after school to check on him, and Robin has practically moved in. Joyce picks him up on Friday nights for dinner at their house for a change of scenery.

It’s a good month, though Steve feels trapped. Caged. A bird without his wings, a boy without his car. Steve without his one purpose, the one thing he was good for. He has to be picked up because they don’t trust him walking, or they have to come to his place. And soon the worried glances that are thrown his way are too much, caging him further, reminding him of what this is. A pity party — quite literally. No one trusts him anymore, there’s always someone jumping to help him, not caring or listening to his protests.

And he can’t leave, because “What if you have a seizure in your room?”

It makes him want to scream.

Maybe it shows, or maybe everyone’s just fed up with him now that he can’t provide his taxi services anymore, but after summer the Byers dinners stop and the kids pull away.

“Told you that’s all I’m good for,” Steve says with a mean, pained huff as he hangs up the phone. Claudia said Dustin isn’t home, but he could hear the kids in the background. It hurts more than it should.

“What is?” Robin asks from her place on the floor with her back against the wall.

“Nothing.”

She frowns. “Come on, dingus, you can’t start and then—“

“No, I mean it. Nothing. That’s what I’m good for now that I can’t drive them anymore.”

“Bullshit!” she says, and it comes out so harsh that it makes Steve flinch. He swallows. Right. Robin isn’t hear to listen to him whine about how he feels like he has no place in this town, in this group, in this life anymore now that his head is so fucked up he can’t even be trusted to live alone.

That’s why Robin is here, right?

The babysitter becomes the babysitted… or something.

She doesn’t care, not really. She doesn’t listen. She doesn’t ask.

“Steve, they’re kids.”

“Yeah, well. So am I.”

He turns away from her and ignores the tears threatening to fall. The door to his room falls shut and he would love to lock it just to make a point to the world at large, a point that it can’t shut him out if he shuts himself in, but he knows it’s too risky. If he has a seizure, Robin needs to get in.

He can’t even stay in his room alone without supervision anymore. What kind of a fuck-up is he becoming, where does it end? He’s already managed to chase away the kids, even Dustin only checks on him sporadically anymore, and it hurts. He wants to know why, wants to know what he did, how to take it back, how to get them back.

But then he remembers how it all started. Dustin needed a ride and someone to take a beating. Both of which he can’t do anymore without risking life and death of himself and others. He’s a safety hazard. He’s useless. He’s Steve fucking Harrington, which doesn’t mean anything anymore.

---

And then it’s spring, and Chrissy Cunningham is found dead in Eddie Munson’s trailer. The group is back together again, the Party assembled once more. And Steve, for a just one second, hopes that he can get it right this time, that he can do this again. One last time. Because Vecna slash Henry slash One surely is it.

But then they turn on him — even Eddie looks confused, which is a rather adorable look on him — the moment Steve tries to get a word in.

“You’re not coming with us, Steve.” That’s Dustin, and Steve just rolls his eyes, but then Robin joins in.

“Yeah, no, I’m with the gremlin on this, dingus.”

“Hey!”

“Oh shut it, Henderson.” She turns to him, her eyes softer but no less burning another hole inside Steve. “We can’t risk it, Steve.”

“Risk what?” It’s a challenge. His shoulders squared, his jaw clenched, he’s challenging her, and it’s cruel.

She holds his eyes, her expression icy, like he’s stupid. “We can’t risk you dying. We can’t risk you getting a seizure mid-fight or just by being in the Upside Down.”

“Hey, woah,” Eddie tries to get a word in, but Steve won’t hear him as the desperation, the loneliness, the feeling of being caged like a bird and still the only human left on a desolate planet, all that breaks free.

“We all know that dying in a fight is the only thing I’m good for anyway.”

The silence among their war council, as Max dubbed it, is deafening.

“What?” Lucas sounds small when he asks that, and Steve closes his eyes. He hadn’t meant for him to hear that. Any of them, actually. They weren’t supposed to know.

“Steve, that’s not true.” Dustin’s words are filled with disbelief and worry, and Steve hates the worry, it makes his skin crawl, it makes his heart race, it makes his fists clenched and it makes him want to scream again.

“What else then, huh?” he asks weakly. “What else is there? None of you even talk to me anymore since Starcourt. Since summer.”

“Because you were pulling away,” Nancy explains, though her words are weak and her mouth clicks shut when Steve looks at her.

“Because we’re scared.” Max this time, and Steve doesn’t want to look at her, doesn’t want to tell a child that she’s not allowed to be scared for him— not more than he is, anyway. It doesn’t make sense for him to be hurt. They don’t want him to die. That’s a good thing, right? They didn’t want to see him hurt, so they looked away. It makes sense.

But it also hurts.

Steve shakes his head and pinches the bridge of his nose before all but running from the trailer. He doesn’t make it far (“Stay close so we won’t have to worry”), just needs some fresh air and to sit down somewhere the world will become a bit less real again.

The stairs it is. He tries to breathe through the lump in his throat, clenching and unclenching his hands to get rid of the anger and the hurt and all that excess energy.

He doesn’t want to die, is the thing. The very thought makes him nauseous and panicky. He wants his life back. His car. The freedom to just jump in there and get away. He doesn’t want the cage or the worry or the hovering or the loneliness when he isolates himself from all that.

Face buried in his hands, Steve almost misses it when someone comes to sit beside him. The thick smell of leather and cigarettes tells him who it is without looking up.

Eddie doesn’t speak for a while, just sits with him as Steve calms down.

And then, after a while, he lights a cigarette and asks, “You get seizures, Harrington?”

Steve nods. “Sometimes.”

Eddie hums. “That sucks.”

He nods again, and then that’s that. But even though it was a rhetorical question and Eddie didn’t even need an answer, it feels pathetically good to be asked about something. About himself. It only makes the pit inside his chest deeper, cutting into his soul with a sharp edge, this tiny little moment of normalcy. He wants to cling to it. He wants to talk to Eddie. God, he hasn’t really talked to anyone in so long.

“Before Starcourt — remember, the mall? The fire? Yeah that was, uhm. More monster shit. And Russians who thought I was a spy and then… yeah. Anyway. Uh. We used to be friends, I think. The kids and I. They used to care — or I like to think that they did. And then I got one too many head injuries, and the seizures started, and then they… It became too much. For them, for me. And the caring stopped. And, like, it’s fine or whatever, but I still care, and I can’t let them do all that alone. I know that all I was good for was taking them somewhere with my car, but I can’t drive anymore, so now I’m just… I’m just Steve. No titles attached, no use or function or point.”

Eddie just stares at him, puzzled and intrigued and even a little sad, and Steve wants to laugh it off when the silence stretches.

“Sorry, that’s kind of a sob story, you—“

“Wait here,” Eddie says, stubbing out his cigarette before disappearing back into the trailer. Steve watches him with a confused frown but stays put. A minute later, the door flies open and a scandalised looking Max appears, followed by the rest of the crew.

“You what?!”

“Uh,” Steve blinks. “I what?”

“Eddie told us you think you’re useless and that we don’t like you and that all you were ever good for is driving us from A to B with, like, no personal value whatsoever,” Dustin fills in, sounding no less bewildered. “Is that true, Steve?”

And God, the kid is so good at making all his questions sound like dares that Steve instinctively wants to swallow and negate it, tell them that Eddie misheard, that he’s fine, that everything fine.

But then Robin’s whispered little, “Steve” stops him from doing that. In fact, the sadness and confusion on their faces makes the dams break once more, confronted with months of spiralling and no one to drag him out, no one to listen.

Tears spring to his eyes and he gets up from the stairs to properly face them. He shrugs. It’s as much of a confirmation as anything.

And then Dustin sprints forward and tackle-hugs him, burying his face in Steve’s chest with no intention to let go anytime soon.

“I’m sorry,” he mumbles into Steve’s shirt and Steve runs a hand through his hair immediately.

“It’s okay, Dustin.”

“No! It’s fucking not okay, Steve, stop saying that. You’re my big brother, you’re my best friend, you’re my hero! You’re the coolest guy I know and nothing’s gonna change that, okay?”

“Then why’d you leave?” His voice is so small, but Dustin only hugs him tighter.

“Because you were hurting and I was… I feel like all of that is my fault.”

“Why would it be your fault, Dustin?”

He shrugs, and it breaks Steve’s heart. Dustin thinks everything is his fault just like Steve thinks it’s his.

“It’s me who got you into the thing with the Russians. I insisted. And you were tortured for it, Steve! You… You told us to go, and we did, and then we came back and you were— you-“

“Hey,” Steve whispers, curling himself around and over Dustin. “Hey, no, it’s okay. It’s not your fault. None of that.”

“Okay.”

“I’m sorry I pulled away, Steve,” Dustin sniffles and looks up at him. “I swear it’s not because I think you’re useless. It’s just… I’m so scared.”

And it makes sense, somehow. The anger leaves Steve when he whispers, “Me too. And I don’t like it when you’re all scared and worried. I hate it.”

“I know. Sorry.”

“No, you’re not.”

“Shut up.”

And then they’re both laughing with tears in their eyes. Lucas and Max join them with their own promises that Steve isn’t worthless to them.

“Did you read my letter? You know, the one if…”

“No,” Steve says. “You told me not to.”

“Right. Anyway, read it. Whatever happens, I want you to read it. Because you’re my brother and you mean too much for me to, like, never let you know. But, uh. Billy died. And I hated him, but it fucked me up. And then you almost died, and then you almost died again; and then you just… collapsed. And I thought, I cant do this again, not with someone I actually like. Not with you. And I didn’t wanna watch. I watched Billy. I… I can’t watch you die, Steve.”

She’s crying by the end of it, and Steve pulls her against his chest. Shit, he hadn’t meant to make anyone cry like that.

“It’s okay, Max, I get it.”

“Not okay,” she shakes her head again. “I know it’s not. But—“

“I know.” He’s stroking through her hair. “I know.”

“Uh, guys? I hate to break up the heartfelt confession time,” Eddie chimes in. “But I think our window is closing.”

Right. The end of the world.

With one last squeeze to Max’s shoulders, he lets her go and they gather their things. Discussions about Steve’s joining their mission have been put on hold while their window is still open. They can continue this later.

Nancy drives while Max holds Steve’s hand in the back. They don’t talk and she has her headphones on, letting Kate Bush work her magic, but it’s fine. It feels a bit like healing.

He catches Eddie’s eyes on the other side and holds them for a while. Eddie smiles before looking away, and Steve does the same.

---

In the end, Steve doesn't climb the rope with them. He stays behind in Eddie's trailer even though every fibre of his being screams at him to join. But Nancy has a point when she explains to him that she and Robin got this. It's the first time he stays behind, and he hopes it will be the last.

They hug him before leaving, all of them. Promises are made to talk about this later, after, and he nods.

"Go save the world for me," he tells Robin, holding her tight, unwilling to let go.

"Only for you," she promises, and kisses his cheek before pulling away. "You better be right here when we come back."

He shrugs and gives her an encouraging smile. "I've got nowhere else to be, Buckley. Now go." The last words are whispered and it feels like goodbye. Steve should join them, he should be there! But his head is pulsing and he knows that one wrong move could leave him half blind with a migraine, and they don't need one more handicap.

The one thing he can do, though, is helping them climb the rope, and it makes him feel ridiculously proud, seeing them land safely on the other side, smiling up (or down?) at him. Robin and Nancy wave one last time before heading off.

That leaves him alone with Eddie and Dustin. The latter is already climbing the rope, itching to finally do something, preparing the trailer for their plan.

Only Eddie is left, and Steve looks over at him.

"Will you be okay, Steve?"

"Sure."

Eddie sighs and looks up at the gate, disbelief and resignation and even a hint of fascination in his eyes.

"It should be you," he says, and Steve frowns, confused. "You're the hero here."

"No," Steve huffs, smiling at the metalhead. "No, I'm no hero. The real heroes are already up there, and in California. The real hero died after Starcourt. I'm just the driver who lost his license, the boy with the bat. The protector who needs to be protected."

Eddie looks at him again, that kind of intense stare, the one that shows Steve that Eddie sees something in him. He wonders what it is, but isn't sure he wants to know.

"I think you're wrong, Steve." He says it with such gentle conviction that it takes Steve's breath away for a second, and something passes between them as they hold each other's eyes.

Eddie opens his mouth to say something, but then–

"Eddie!" Dustin is calling for him from the other side, and the boys snap out of their daze.

Steve steps into Eddie's personal space and pulls him to his chest. "Make him pay," he says. "But stay safe. Come back, okay? First sign of danger, you abort mission. Come back, Eddie. I'll be right here."

"Yeah," Eddie rasps, and he squeezes Steve once more. "Catch me when I fall through that gate in two hours?"

Steve laughs, a sad little thing, and he pushes Eddie away from him, hands steady on his shoulders. "Sure, big boy."

"Hey, that's my part."

"Say it when you come back, then."

This thing passes between them again, and then Eddie goes to climb the rope. Steve's hands find their way to his hips, steadying him, but Eddie is strong enough to pull himself up without problem. Huh.

"In the meantime, wrap your head around the fact that you're the one I'm coming back for, pretty boy."

And then Eddie is gone. Steve watches as he falls through the gate, landing on the mattress with more elegance this time, and then he, too, grins down (or up?) at Steve.

He gives a little wave, and then he is alone.

Plenty of room to think when your friends have gone on a suicide mission and you're the one who has to stay behind. The one who will have to do the explaining when things go south. The one who will have to watch and listen, helpless.

It makes him regret the past few months, the self isolation, all the times he pulled back, all the times he didn't push for an explanation or a conversation, all the times he hadn't asked the kids if they're alright because he was too caught up in all the ways that he wasn't.

God, he wants them to be okay. He wants to talk about this, wants them to tell him he's more than the driver without a license, more than the protector who needs protecting. He wants Eddie to come back and explain what he meant, say what he wanted to say. He wants...

He wants his old life back. But more than that, he wants them in his new life just as much. He wants to be brave enough for this new life and find a new purpose. Create one if he can't find it.

But he can't do it alone. He refuses to do it alone even one day more.

"Come back to me," he whispers, looking up at the gate from where he's sitting on the floor, back against the wall. "Come on guys, you've got this. Please work. Please, make the plan work."

And then, miraculously, it does. Eddie falls into his arms with an undignified squeal and the rest of the Party soon follow. They're unscathed, miraculously, and Steve cries as he holds them, all of them, in a group hug that makes the trailer smell like relief and grief and a new life ahead of them. Slowly, with an unnatural sound, the gate above them closes, and then silence reigns.

They cling to him now. Refuse to let go. Good thing he has nowhere to go as Lucas gasps and sobs into his chest, explaining what happened, that Jason almost destroyed the walkman, that Max could have died. And Steve runs shaky hands through his hair, pulling in Max, too, so the three of them can just hold each other for a second.

Dustin and Eddie are hugging beside them, and Nancy and Robin hold hands, a different kind of horror in their eyes, but they smile wetly at Steve as their eyes meet.

It's over. It's done.

They did it. They really did it.

Steve closes his eyes and holds Lucas and Max tighter. They don't complain.

---

Three days later, Steve's house is brimming with life again like it hasn't in months. Turns out, Hopper survived, and he hugged Steve for a whole five minutes, telling him he did good, he did great, he's a hero. Again with that shit that Steve doesn't believe, but he doesn't have the heart to tell Hop, so he just buries deeper into their embrace.

"It's good you're alive," he tells him, and the Chief sobs out a laugh.

"You too, kid. This town would be lost without you."

"Yeah, right," Steve laughs back, and then that is that.

Except, it isn't, because when he returns to the living room with Hop, Joyce and El in tow, everyone's standing, looking at him with timid expressions. Robin and Eddie are holding hands this time, and so are all the kids. They all look like they have something to say, and the only thing missing is a large banner that says INTERVENTION.

"Uh, what's going on?"

Dustin is the first to clear his throat, but only after Erica kicks him. "We wanted to apologise. For leaving you when you needed us the most."

Oh. Steve's shaking his head, placating words already on the tip of his tongue, ready to explain to them how that's not their fault, how that was all him, he could have said something, he could have asked, he could have–

"Steve," Nancy says, effectively cutting off any protest he could have voiced. "Just listen, okay? Don't say anything."

He looks at Joyce, who nods, and Hopper who looks about as lost as he feels.

Dustin continues then. "You deserved better, Steve, you really, really did. We all did, I think, but you... You put yourself in harm's way from the get-go."

"Yeah, you came to protect me when you didn't even like me." Jonathan this time. "No thoughts, just protection. I owe my life to you. Every single one in this room does, y'know."

"And what you got for it is severe head trauma and... us abandoning you." Nancy.

"You're not just the driver, Steve. You never were just a driver to us." Hell, even Mike is in on this? "You're annoying, you suck, and you don't even try not to act like you're everyone's big brother."

"You're family, Steve." Oh, baby Byers. That's what gets his eyes stinging and his lip trembling, so he bites down on it so they won't have to see. It's futile with the way they're smiling.

"Yeah. You're so much more than our babysitter," Lucas explains. "You're the best basketball coach."

"You actually listen to my music and read comics with me," Max continues with a smile. "You suck just a little less than everyone else in this town."

"Hey!"

"No, she has a point."

Steve's not keeping up with the who's who anymore, he's trying too hard to keep it together.

"You teach me new words," El says, smiling. "You give me your clothes, you take me shopping, you teach me how to deal with meanies."

And the list goes on. Everyone has something to say to him, something beyond the ways he can be useful. Something that he is to them, something meaningful, something that sounds a lot like purpose and family.

"And we were so scared, because you were hurt. Because of us. You were protecting us, and look where it got you. You're a hero, Steve. As real as they get, you are one."

"More than Wonder Woman," Max agrees. "More than Superman. You're Steve! And that's... He’s our hero."

"He’s our brother," Dustin says.

"He’s my son," Joyce adds, taking his hand.

"He’s our friend," Erica, Mike and El say in unison.

“He’s the one we stay for.” Robin’s eyes shine as she smiles.

“And the one we come back for.” Eddie’s smile is gentle, confident, and captivating. Steve can’t look away, even through his own tears.

---

In the following months, Robin gets her license and Eddie develops a sixth sense for whenever Steve needs to just sit in a car and ride around town, watching the street lamps pass and letting them lull him to sleep. There’s an upside to being a passenger, he finds, because he falls asleep like this a few times, always waking when Eddie kills the engine. He drives for hours sometimes, admitting with a blush high on his cheeks that he didn’t want to wake Steve.

Somewhere on the highway to Indianapolis, between three and four in the morning, Steve looks at Eddie in the soft glow of the night, and finds that he’s fallen in love.

And in the weeks and months and years that follow, he realises that that’s something new he’s good at.

#stranger things #steve & the party #steddie #steddie fic #but also not really. steddie is just something that happens along the way #this was meant to be short but uh. uh. whoops?#hi anna i am sorry feel free to ignore this i could have made this easier in everyone but they’re teenagers with trauma dammit #dio words #actually i just wanted an excuse to make steve sad. if you know me you know

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originalaccountname · 1 year ago

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Mori Ougai’s belief as the boss is [...] “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. [...] “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.”

Kafka Asagiri, for the BSD exhibition

On Mori and regret.

This man acts based on his perceived "optimal solution". It means relying on cold logic, detached from (his own and others') emotions. In that way, he fits right in as one of the smart characters of BSD, contrasting for example Dazai's way of working with/around people's feelings, and Fyodor's way of manipulating and twisting those feelings into monsters.

Mori remains cold, logical, distant, efficient. It meant disregarding Yosano's and the soldiers' deteriorating mental health during the war because the concept of an army that cannot be wiped out was too good. It meant following Natsume's plan and taking the old boss' place himself to fix Yokohama's underground and protect the city and its people. It also meant disposing of Mimic by sacrificing Oda in order to get the special ability business permit, despite (and perhaps because of) Dazai's attachment to the man.

The thing is, humans are not logical creatures, and will inevitably encounter conflicting emotions.

(does this look like the face of a man without regrets to you?)

Mori in Dark Era tried to pass on to Dazai his practice of putting aside his own feelings for the sake of choosing the most efficient solution that will benefit the group. It backfired spectacularly, so much so even, that Mori regrets it to this day.

For the BSD exhibition, Asagiri wrote some individual character commentaries, all very interesting insights into their characters and the writing intentions. For Mori, here's what he wrote:

“He who fell out of the optimal solution” Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting] Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”. (By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.) source and translation: Popopretty

(notice the inclusion of Hirotsu in this scene. Remember that later, Hirotsu suggests that Dazai knows why Mori did what he did to overthrow the old boss, which, in my opinion, is both a proof of Dazai's support in Mori's goal, and a reminder to uphold it.)

One of my favourite parts of the Dark Era light novel is a small scene during the epilogue that was not adapted into the anime. This is two weeks after Dazai defected:

To quote Asagiri again, "Therefore, no matter how much your heart aches, you have to ignore your personal feelings." Mori is conflicted about the outcome of the Mimic incident. He holds in his hands the Silver Oracle he himself gave to Oda, and reflects on its purpose: to "help the man mentioned above without hesitation in the face of any and all trials". Didn't he fail to do just that with Oda? Didn't he set him up and sent him to his doom? Didn't he abandon him to his trial?

But he rationalizes the events by saying he got the permit they so badly needed. No matter if he sacrificed one of his men. No matter if he drove Dazai away. He accomplished his priceless goal. It was a total success.

And yet, he poorly folds a paper airplane with the very Silver Oracle he gave Oda, throws it, watches it crash immediately, and mourns the loss of his right-hand man, without ever moving on.

But we have a direct example of Mori expressing regret.

The perception that Mori in BEAST is a completely different character than Mori is in canon, when that perception doesn't extend to any other character from that universe, rubs me the wrong way. The characters in BEAST are very similar to their canon selves, with some core traits getting a new twist. They are all one or two major life changes away from becoming these versions of themselves. As far as we know, Mori's only life-altering event was being forcefully removed from the Port Mafia by Dazai, and secretly put in charge of Atsushi's old orphanage.

Mori unambiguously made that orphanage a better place, as stated by Atsushi himself. BEAST!Mori is a lot softer, vulnerable and honest. That Mori offers to be a father to Atsushi while he heals. He also expresses regret in not being able to help Dazai when he was in his care.

I think it's very interesting, especially when knowing that Asagiri wrote both BEAST and Fifteen at the same time for the Dead Apple movie, because in Fifteen we have this:

The beginning of the first chapter of Fifteen is a gold mine. It is narrated from Mori's point of view, the man of logic and calculations, and yet it is full of doubt. He is alone and struggling to fix everything with so many people against him. But, throughout this scene about grasping at the Port Mafia's power, there is also this secondary thought being woven in, of Mori having started to actually care for Dazai.

The teenager is scary to him, smart enough to be a threat should he decide to be done with all this and turn against him, and yet, he immediately (and with a hint of sadness) finds that Dazai reminds him of himself. This lonely, lonely man found a kindred spirit, bright enough to grasp any situation in seconds and prone to using an uncomfortable obsession to divert and keep you guessing his true intentions. Mori entered Mentor Mode™ then. He taught Dazai his ways, he shared his struggles and thought process, he fought tooth and nail to keep him alive.

So when he asked Dazai why he wanted to die, it was with the concern of someone who has started to care. It was with the mind of someone who is trying to prevent the worst by fixing the problem at its source.

(translation: Reneray)

But it's also that self-projection/ability to relate that made him drive Dazai away, when he pushed too hard and forced Dazai to adhere to his optimal solution philosophy. Because Dazai cannot separate himself from his attachments, could not ignore his emotions like Mori does, and chose Oda over Mori's logic. From Dazai's point of view, that was betrayal. Mori and him were accomplices!

Dazai planted the idea that Mori was afraid of him taking over as boss, and Mori seems to agree with that thought (would it be because he feared for his life, or for Dazai's ability to replace him?) Yet, for a man afraid of his closest subordinate backstabbing him, he seems to be hanging on quite hard to the possibility of Dazai coming back, leaving his seat open to this day, inviting him back twice in the same arc, and...

(yeah I used this picture at the start too. "I hAvE nO rEgReTs" he says)

Mori may try to convince himself he feels no regrets and no guilt over his own actions by weighting gains and losses objectively, but he still hurts and has a very hard time moving on. He's human despite his best efforts, prone to mistakes and doubts. He's lonely and wishes to impart his knowledge onto others. His cold logic has both helped him in fixing the city, and alienated him from some of the people he most cared about.

In a similar vein, should the ADA employee transfer be of topic again, and should Mori clash with Yosano again, I wish we get to see some similar conflicting emotions in Mori between the usefulness of Yosano's ability, and Yosano herself as a person. The war was 14 years ago, that's a long time, and I want to believe that counts for something.

#there carrot i finished it 4 u #i can't be normal about mori and i've been having Many Thoughts about him #i needed that out of my system and lost the plot twice so uh. I hope this reads somewhat fine.#i could have started on twelve different tangents i have SO MANY THOUGHTS ABOUT MORI #i love mori i'm not even going to excuse or justify myself read the post #bsd #bungou stray dogs #bungo stray dogs #bsd analysis #bsd meta #bsd mori #bsd mori ougai #bsd beast #bsd beast spoilers #apparently i talk sometimes #what does it mean about him trying to get yosano back all these years later now that she's a grown-up with the means to oppose him?#is it only about her ability? or did 14 years of hardships made him reflect in any way at all?#food for thought (while we wait to see if that plotline gets cancelled or goes anywhere interesting)

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