#I think this part might be more relatable than what I am about to say
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corseque · 2 days ago
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Hi! I've been following you for ages for your great Solas takes and immaculate taste in sad men. I've been thinking about this because I have a Dragon Age Inquisitor who is an abomination, what do you think Solas would think about abominations/do you recall him ever talking about them? Both Anders/Justice and the more demonic unwilling variety.
Personally I would assume he'd be initially horrified because that might seem like a violation of consent for both parties, but after learning more about them he might grow more curious/respect actual unions a mage might have as an abomination. I am basically just workshopping an OC and hitting a wall and you're the local Solas sage, so... XO
Oh, that's so nice..
Solas is more chill with willing abominations than you might think. And he seems to know all about it already. In Jaws of Hakkon, in the quest called “In Exile” you meet a young mage named Sigrid Gulsdotten who had been willingly possessed by a friendly spirit in order to teach her magic. Which is what the Avvar do culturally to make mages safer.
Sigrid was getting old enough that it was time for her and the spirit to part ways, but she didn’t want to give it up because she didn’t want to lose the spirit as a friend/confidant. Solas has a surprising amount to say in Jaws of Hakkon in general about how the Avvar interact with and relate to spirits, and he talks a lot in this quest too. He is very gentle with her. Let me look up exactly what he says. When you find clues about the mage's failed ritual to part with her spirit, Solas says (a mage in your party always speaks here):
"Residual magic. Someone was casting a spell, and was interrupted. Or stopped."
"If a mage was performing a ritual to part with a spirit, she may have needed to replenish her strength."
Then later, when you talk to her, the conversation goes like this:
Sigrid: "I could not do it! I have no close companions in the hold! No kin! I cannot lose my only friend!"
Inquisitor: "You're friends with this… spirit?"
Sigrid: "It has taught me with patience and kindness since I was a child, frightened of the fire I could suddenly call down."
Solas: "A great comfort. But you are no longer a child."
Sigrid: "Some mages need the help of a god all their lives."
Solas: "Very well. Perhaps, however, ask yourself if it is help you need, or companionship."
Sigrid: "I do not wish to lose the one who loves me."
Here is a playthrough that has this dialogue:
youtube
At the end of the quest, if you recruit Sigrid for the Inquisition, Varric, Sera, Vivienne, Iron Bull and Cassandra have strong negative feelings about it, while Cole approves. Solas doesn't seem to approve or disapprove, as far as I can tell. He doesn't say anything, at least. When talking to the Shaman about this Avvar practice, you get this conversation:
Inquisitor: "You let spirits possess your mages on purpose?"
Shaman: "What better teacher than one woven from magic? The spirits in the hold have helped us in this way for hundreds of years. Once a mage masters their powers, their teacher departs, duty ended. Unless the mage is weak."
Inquisitor: "What happens to these "weak" mages?"
Shaman: "Their teachers stay with them and the other gods watch them both, so neither soul turns sick. If one does sicken, or the mage stands in risk of harming the hold… One day, they do not wake in their bed. It is very sad. It is what must be done."
Solas: "It is kinder than what happens in many mage Circles."
So Solas seems to understand the reality that abominations become corrupted more easily, and that it's probably best for abominations to separate willingly.
Solas offers to separate Lucanis and Spite, and says their forceful combination was "a crime against [them] both" so I can only assume that it's the willingness factor that he gets upset by, along with him always being upset at the thought of spirits becoming corrupted.
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irrealisms · 1 day ago
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hi! yr probably not lookin for asks anymore, but. what's your lifesteal elevator pitch? i know absolutely nothing abt it or any of the folks on the server except the vague things i've absorbed frm reading yr analysis as it crosses my dash, but it compels me, etc.+ also merry christmas! <33 🎄🌟
good news: i am always looking for asks
bad news: my parents DID go to sleep and i was able to wrap presents and put them beneath the tree and so on, so i wasn't going to do more asks tonight
good news again: i actually already have a lifesteal pitch. in a google doc. bc i'm normal
the pitch does assume you're basically already into mcrp and just curious about lifesteal in specific BUT we went to dsmp together so this works out
I really love shitty little tryhards causing problems via impressive feats of minecraft, and lifesteal is full of those. if you like people being good at minecraft, I really recommend lifesteal--in s2, clownpierce was top 50 worldwide at crystal pvp, and now he's washed and in s6 there are 2-3 (depending on who you ask) lifestealers who are better than him at pvp (admittedly maybe not at crystal); in s4, there's some stuff that's impressive in ~vanilla (eg parrot wins a 1v1 while on one heart) and some stuff that's impressive through exploits/social stuff (eg a group of people use a glitch + social engineering to get /op and prove to mojang that the glitch is a security issue that needs patched). every season is like this! lifestealers have backdoored the server 3 seasons in a row (s3-5). for a more recent weird Lifestealer Behavior, rekrap and jumper filled in every end portal room and built new fake ones to make it look like the world glitched and generated without them. lifesteal is weird and constantly coming up with new weird yet impressive things to do. a lot of stuff that's currently banned on lifesteal (F3+A, pie ray) are things i only learned were possible from lifesteal. (on the flip side i'd say: if you are not into shitty little tryhards making weird impressive clickbait, you probably won't like lifesteal, although you may still like hearing about it from time to time.)
related to them being shitty little tryhards causing problems: the rules are...more of a suggestion. getting around the rules, and hiding from the server owner and/or other players that you're doing so, is often part of the fun of lifesteal! (see also the thing where i mentioned that it's been backdoored three seasons in a row.) if that's intriguing: check it out. if not: once again, you have been warned.
lifesteal absolutely has lore and some people roleplay on it, there is nonzero c/cc divide, but it's more like traffic life than, say, late dsmp--it's fully improv, not scripted, and even more than traffic life it is genuinely adversarial. you can sometimes be confident that someone is in character but you can never be sure if someone is out of character, on lifesteal-- things like "going to someone's house irl to turn off their computer" or "lying about your homework/school/sleep schedule" or "changing your entire discord layout so that when you DM someone they think you're someone else" or "claiming you need their footage of an event for your video when actually you just want to see where their spawn point is" are all things that have been done on lifesteal that are considered fair game! everything on lifesteal is real; sometimes this goes well, sometimes it doesn't, but both are interesting to see imo because they are real
partially for this reason and partially for other reasons, lifesteal is fascinating to me as a piece of unique storytelling? a lot of mcyt is doing interesting things with its medium and being improv, lifesteal's not fully unique in that, but definitely if you like that you might like lifesteal. along with the improv, there's the fact that many lifestealers lie about what actually happened in their videos (comparing different videos with the vods, or in some cases with "what people say in various vods" when events weren't streamed, gives some fascinating insights imo--how do people frame their stories? how honest are they? what do they blatantly lie about, what do they gloss over or omit, what do they include in full? who, if anyone, do they see as the heroes or villains? whose videos agree with each other, and whose present a totally different story?), and the fact that conflict about "where do we want the story to go next, what do we think would be an interesting video/the best ending" is often the driving motive for in-character wars and conflicts! if you're interested at all in lifesteal and storytelling, check out barrier blocks part 2 by @mering/@myrmica, which is a deep dive on eclipse federation and the end of lifesteal s4 (those are my special guys); it dips into some academic game studies and it's really, really good. i genuinely cannot recommend it highly enough. (part one is also real good for non-lifesteal-specific discussion of mcrp!)
if you want a more specific plot summary (esp of s4) and/or "how do i actually, like, watch this" (of any seasons): hmu! but that's my pitch. also, read barrier blocks
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chrysanthemumgames · 2 days ago
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I have a perhaps personal ask, and at the same time struggling with how to phrase it. I've been looking into making an interactive story myself, however, I... cannot code. For the life of me. I can tell one hell of a story, but coding it beyond my grasp, and the system I currently use, while it ought to be simple enough even someone like me could do so, isn't exactly working for how I want it to. Do you perhaps know anything anywhere that I might start looking for someone who would be willing to work with me? I am so sorry if this is a bothersome ask.
Hi anon!
I'm probably not the best person for advice on this, because I've never been in that situation before. I've put some thoughts under the cut, with the caveat that only a small portion of them actually address the question you've asked, with the majority being related but perhaps not helpful for you, depending.
So, I think where you'd go to find a coding person depends on what language you're using. If it's ChoiceScript, probably the forums. If it's Twine... I honestly don't know. Maybe the subreddit, though you'll want to double-check that such requests are not against the rules there.
I sincerely doubt you'll have an easy time finding someone, though. Most folks who code in the systems used for IF are IF authors who taught themselves the coding techniques in order to tell their own stories, not someone else's.
That said, and this is the part you can ignore, because you know yourself better than I do, but... I'm pretty sure you can learn to code. It's not easy, necessarily, and it doesn't come intuitively to everyone, but there are resources out there to help you. Again, this will depend on what system you're using, but the CS forums are very useful for figuring out CS (as is the wiki, once you know enough to parse it). For Twine, there are loads of archived posts on their forums and on the subreddit for specific questions, but for general ones, the documentation for your preferred program (e.g. SugarCube), the Twine Cookbook, and similar resources will break things down into smaller, more digestible chunks. I personally recommend the Twine Grimoire (volumes 1 and 2), for basic interface aesthetics, once you get to that point.
Here on tumblr, @/nyhelism, @/cerberus-writes, @/manonamora-if, @/idrellegames, and others have all answered questions about Twine coding or even in some cases made templates that take a lot of the work out of it. Most have a masterpost regarding things they've answered about Twine or made for others' use, but be sure to check that they're currently accepting coding questions before sending them any, of course.
Learning to code may be slow and incremental, and lots of people manage better if they start with a small project just to learn how to do the basic things in their language of choice. I'd really recommend figuring out what you need your game to be able to do, and learning those functions one by one—it's less overwhelming than trying to tackle everything at once while also writing a huge project.
If all else fails, my most esoteric suggestion is to familiarize yourself with the basic principles of symbolic logic. I took a class in it as part of my degree, and have since also taught that class, and I think understanding things like the logic of conditionals (if statements) as they're used in coding (rather than natural language) really gave me a leg up in learning to code. Not that I'm an expert, but I know enough to make a basic game, at least.
Most (all?) of these things should be findable with a google search; I know there are at least some Twine tutorials on youtube as well, though I'm unsure of CS or any of the languages I'm less familiar with, like Ink, etc.
I do apologize that the section where I encourage you to do the thing you don't think you can do is longer than the one where I answered your actual question, but that's the part I might actually have something useful to say about. If you're absolutely certain you can't do it, I'm sorry for banging on about it, but if you're not sure or on the fence, maybe give it another go before trying to find another person. I've seen a lot of writers looking for coders in the past, but maybe only once was a coder offering their services to writers (and that was a long time ago).
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coolnonsenseworld · 1 year ago
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Voltron and it's characters have been a sore topic for me ever since it ended. Sometimes I find myself missing them, which is stupid because I can go and watch it whenever I want (which i havent been able to do since it ended). Even if I did manage to re-watch it, it wouldn't be the same. The warmth and comfort the show once brought me is gone and replaced with a feeling that I guess the best word for it would be grief, because I know how it ends. Unfairly. But your art brings that familiar comfort back. I know this probably sounds incredibly dramatic, because it was a cartoon aimed at children, but Voltron, specifically Lance and Keith, were so special to me. Those characters were there for me when everything was just so, to put it lightly, so so much. And like, im not a teenager anymore, i dont need to go to a show about teenagers fighting purple aliens in giant colourful mecha lions when i need comfort anymore, but theres still that tiny fourteen year old part of me that deperately misses the comfort they brought, like they're old friends that i dont talk to anymore. And i guess this i why im sending you this message. Your art is not only beautiful, but is also so kind to them. A lot of people only think about voltron and remember the bad, which I myself am very guilty of, but whenever you post about it you only show the love you had for it and its characters. And i just wanted to thank you for that. For reminding me that even though the show ended in a way that hurt me, those characters still helped me in a way that i will always be grateful for. And you deserve to know the impact your art has on people, so thank you
It's like I've written it to myself, Anon, wow! Thank you so much!! And I am happy to hear that, because it's a similar experience for me - though, I think fictional characters don't exist until you make them - perceive them, interpret them - until you love yourself enough to see your own happiness in them. I can't grieve klance, when their safety remains in my hands.
I also want to add my more elaborate comment to it, from a perspective of someone who keeps being here, but will make another post, you will be able to find it in the notes.
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tsukasalover · 3 months ago
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I can think of a lot of reasons why I like and have gotten attached to tsukasa more than any other fictional character and i think if i had to keep it simple (or else id be rambling for hours) id say
1. He’s so interesting. I usually pick up the extremely mischaracterized blonde characters anyways but he gets my brain working real hard. its almost 2am and i cant think straight but theres something about his duality that keeps me glued to him and the amount of Layers he has and how removing even one layer or completely ignoring how both his huge ego and kindness + selflessness coexist can really mess up your perception of him. There was something quite short i wrote about how both sides make him. Well. Him. back when his colofes dropped since i was so annoyed at the people Not getting it (while most never even read the STORIES 😁) anf ive been screaming this for a year now Please. Also the way his dream and being a good big brother go hand in hand have captured me. I really like fictional siblings and they fill something personal i miss and Looove looking at the roots of characters. Discovering where this and that and connecting events to what started their behaviors or helped their personality bloom. So seeing saki and toya play such an important role in his life keeps me HOOOKEDDD. I took the bait like tiny fish. Dont regret it. Never will. I like my fictional characters like layered cake. Thats basically how i see them. I had a yummy chocolate cake with so mant layers the other day 🤤 but anyways. I also really like when characters have to learn and grow as people after making really bad mistakes or being straight up assholes so it really took a while even after mainstory but once i got to see more of him with saki and read dazzling i was like. This is the guyyy. Youre mine now lets go. I dont like perfect characters but.. you see.. when characters who have (sometimes way too much) confidence and are dramatic yet are shown to truly be good people who enjoy making others happy… alright.. now im listening… Sign me up…
But really he has almost everything I’ve ever looked for in a character. Starting with the fact that he’s a theatre kid. And blonde. Of course emu nene and rui + more fictional characters have made their way into my heart and ive gotten attached to them on very Very personal levels but when it comes to this Idiot who wants to be a star and reminds me of a dog its something that i dont even know how to explain sometimes. Why is he here? What are you doing inside of my head. Ill never have one solid answer because he takes up too much space in my mind and i become incoherent too often when talking about him.
2. Ignoring my first answer, He is ugly. My favorite punching bag. Cartoon character. Begins floating when he smells pie. I dont know anymore
3. he just like me fr (Which is terrible i dont like that)
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o-uncle-newt · 6 months ago
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I read Possession by AS Byatt after people told me "if you liked Gaudy Night you'll like this" and WELL.
Warning- spoilers for both books abound below!
So it sounded great- as a lapsed academic (though not in the field of literature by any means) there's a part of me that loves reading about academia because it's full of such obsessive people, and this book seemed to be exactly that and so I was excited.
Then I read it, and on the one hand, my first thought was "all these people are dull as heck, the only sane modern-day one is Val, and at the end of the day the historical stuff is just two people having an affair, who cares." My second thought was "there's just enough stuff here that makes me think that maybe the author knows that all of this is stupid, like the fact that Val is obviously one of the few sane ones here." But the ending made me doubt even that. Essentially, and I say this even as that lapsed academic, the author could not convince me to care about the important things at stake here, and as a result couldn't get me to care about the people who only seemed to care about those things.
I didn't care about Ash and LaMotte- they came across as two people high on their own supply who had a tawdry affair. (And each of them is the less interesting person, as a person, than their official partner!) As a result of not caring about them, I couldn't POSSIBLY care about Roland, Maud, and the rest of their crew, because their only functions were to be possessed by, and weirdly possessive of, these two entirely unworthy individuals, whose in-universe historical and literary significance Byatt couldn't convince me of, and to use that possession as a mirror for their own very lame romance. Beyond that they're utterly uninteresting, and there isn't even meant to BE much beyond that so it's not that surprising.
Anyway, I didn't like this book much, but it still made me think a lot. And there's a way in which a certain kind of person might say "well if it made you think then that's surely a sign of some positive quality" and... maybe? I don't know. I didn't hate all of it, and some parts were interesting, and I do have a whole separate list of things about the book that bug me including a breakdown of some of the book's (perceived by me) themes that I particularly disliked lol. Perhaps I'll post it another time. So I guess you can say it spurred me to thought, but loads of things that I don't like do that, and the only positive thing that that draws from me is that they're not downright dull.
The thing is, after finishing the book I was immediately struck by that "if you like Gaudy Night..." element, because it has a situation that felt weirdly similar (if for totally different reasons)- a young scholar stealing a letter from a library/archive. The circumstances are different- in Gaudy Night, the scholar does it to hide its existence so as not to contradict his thesis, and in Possession, the scholar does it so as to explore the document further, though still secretly- but there are still some interesting parallels vis a vis class. Possession goes into the class thing more than Gaudy Night does, but neither book goes much into it- the scholar is lower-class and someone who has scraped their way to their position, and is encumbered by a female partner of lower social and academic standing, and in the end they are juxtaposed against scholars who come from an elevated class and who have more money and opportunity. In Gaudy Night, Arthur Robinson is judged by the likes of Lord Peter Wimsey and a college full of women who don't have to do anything but think, teach, write, and grade papers; in Possession, Roland has to convince a bunch of academics of standing and resources to take a chance on him (and while this is more about money than class, he's the main one who's like "maybe it's good if Lady Bailey gets her wheelchair"). Byatt elides over this at the end by having him magically become in demand and on his way to achieving his academic goals, but I think in both books, the class element really could have taken on more significance in the text.
(I'd add as well that Byatt pits the upper-class and moneyed Maud, who of course is doing things for "the right reasons," vs the evil American businessman who clearly... doesn't care about Ash enough? Despite how much he clearly and obviously cares about Ash? The book was way more interesting when he seemed like a valid rival to the British team, who only thought that they deserved the letters more because of their obsession, rather than how it turned out at the end where the American dude is an actual cartoon villain. What made him genuinely less worthy besides having money without class, and of course having the bad taste to be American? What makes one scholar's possession more justified? Sayers was never this unsubtle.)
So that made me think more about Possession vs Gaudy Night, and the thing is, there are actual living people in Gaudy Night! Say what you will about the unworldliness of the academics at Shrewsbury, but you get a very keen view of their personalities by the end, even as they are (by necessity given the rules of their world) subsumed by academia, or subsume themselves in it. And the people who do fall in love are REALLY in love, and you understand why...
And somehow a book from 1935 feels far more interrogative of the possession (or lack thereof) found in love and romance, and just about the place of women in academia and relationships overall, than one from the late 80s. In Gaudy Night, Harriet accepts Peter once she has determined that despite their power differential (brought on by class, money, history, and to a degree gender) he will not threaten her personhood, because he has proven himself to her. In Possession, Maud accepts Roland because she has the power (money, class, position, even height) and so Roland actually cannot threaten her- and yet still that final scene is about her being taken by him, basically to prove some kind of a point. In contrast, in Busman's Honeymoon, the euphemistic sex scenes are about Peter trying to please Harriet.
When I say it's to prove a point, I'm paraphrasing Byatt, incidentally- who said: "And in the case of Maud I had made it very inhibiting. She was a woman inhibited both by beauty (which actually isn't very good for very beautiful women because they feel it isn't really them people love) and she was also inhibited by Feminism, because she had all sorts of theories that perhaps she would be a more noble kind of woman if she was a lesbian. And so she was a bit stuck. And Roland was timid because I am naturally good at timid men. It's the kind of men I happen to like. He's a timid thinking man, so of course it took him the whole book." I mean... yikes, but also that explains a lot. Maud can only bring herself to be with a man who is weak/effeminate (?) enough to justify whatever weird psyche Byatt has imagined up for her, but still she needs to get over her inhibitions and under him because... reasons. I don't know.
(Height is also interesting here as a point of contrast- Byatt makes Maud taller than Roland to make a point about how on the one hand she retains the power but on the other hand there is now even more of her that has to surrender. Peter and Harriet are the same medium height and wear the same size gown.)
I think the thing that most stuns me is how regressive Possession feels when it comes to gender politics on relationships than Gaudy Night does. I'd need a whole other post to talk about this, but the theme of Possession seems to me to be "relationships that produce things (whether art or children) are worth more than ones that don't." Roland is better with Maud than with Val because Val is a second rate scholar who drags him down (while supporting him financially) and Ash is better with LaMotte than with Ellen because LaMotte didn't only inspire his writing (Ellen's contributions are described only in the negative "didn't impede"), she gave him the child that Ellen refused to. Incidentally, in both cases it's the man pursuing a relationship that will give HIM something... But, to paraphrase Peter in Busman's Honeymoon, one wouldn't want to regard relationships in that agricultural light. Gaudy Night is about how two people can produce great things without each other but choose to be with each other for their own, and each other's, happiness. They aren't each less apart, and as I noted in a prior post, they don't need to solve cases together or conjoin their work in order for their relationship to be worth something. It is worth it for them to be together because it encourages some kind of inner balance within them and between them, as people. They enjoy collaborating but that is by no means the basis of their love (and, incidentally, I think that a lot of, if not most, detective series romances fail this basic test of "would they have fallen in love if they were accountants who met on a dating app." Peter and Harriet definitely would have- would, say, Albert Campion and Amanda Fitton have? I do NOT think so).
And here's the thing- another reason why Byatt's quote above is so off-putting is that it makes it clear that not only in the text but on a meta level, the purpose of the relationships is to prove a Point. I found Roland and Maud to have zero chemistry, and honestly I was expecting them to get together 3/4 of the way through and split up at the end when it turned out they had nothing in common- it seemed like that kind of book. I was kind of stunned when they only got together at the end in an "it's meant to be" way because nothing about it seemed meant to be. They were stuck together by that one thing and they each apparently needed the relationship for some kind of self-actualization or historical rhyming or other. (Whatever I say about Ash and LaMotte... at least they seemed to like each other!)
Peter and Harriet... they get together because they love each other. Do they change over the course of Gaudy Night, and over the course of the other books they share together? Of course they do. But if it makes sense, I'll put it this way- Harriet doesn't accept Peter's proposal as proof that she got over her hangups, Harriet gets over her hangups so that she can accept Peter's proposal. Her hangups only matter because they were keeping her from this particular kind of happiness- she was a fully actualized person even with them. She is a person who does things for human reasons so that she can build a mutually happy life with the person she loves, not a little plot mannequin being moved around in order to tell the author's desired Message. People can say what they want about Gaudy Night and its flaws, but despite the intricacies of its construction, nobody can call the characters' actions and motivations anything but brutally human.
Whether within their universes or on a meta level, the books have SUCH different things to say about the value and nature of love, the place of and purpose of sex, the place of art and intellectual accomplishment in relationships, all of the above in the context of femininity… and I can't help but feel that each time, Gaudy Night wins the contest. It's possible I'm missing something major about Possession, and maybe sometime I'll post the rest of my notes about the things I disliked and people can tell me what I'm wrong about- but if nothing else it made me appreciate Gaudy Night even more, so for that I'm grateful.
#possession#as byatt#gaudy night#dorothy l sayers#lord peter wimsey#harriet vane#i'm not tagging all the characters from possession bc i don't actually really remember their full names and i'm too lazy to look them up#I also saw recs for possession for “if you like jonathan strange and mr norrell” and “if you like jfsp s9”#for jonathan strange and mr norrell i actually have several Thoughts#and am happy to share if asked#but i'm perplexed by the jfsp comparison#though a reading of ellen ash as asexual vs uncle newt would be...interesting#i guess it's based on romances contrasted through time?#also- i've seen people claim that possession is satire#to which i say#BS!!!!#the way that book is written either literally every word of it is satire and none of it is meant to be taken seriously#or it's serious as gospel#the only bits where some parts felt like they might be meant to be “satirical” in relation to other parts#came across more as caricature than anything else#cough cough lesbian feminist american professor... i mean jeez#which reminds me#any future writing i do about why i disliked possession#will have to include my take on that thing some women writers do where they're really WEIRD about how they write women#(sexually but in a way that they THINK is clinical to the point of objectivity)#while barely even describing what the men look like#and not having the women be physically attracted to them#another contrast point with sayers actually#who is perfectly prepared to have harriet be physically attracted to peter
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omarwolaeth · 4 months ago
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Hearing some thoughts on Rin's lines about Clear Wing.
I don't disagree that it feels off-putting or wrong (whichever you prefer to describe it as), but I imagine her reasoning doesn't necessarily boil down to seeing herself as above Yuugo (though it's very possible it partially is; they both lived in a dog eat dog world - the City - and they're commons to boot - so they're fighting one another to duel Jack up until she's kidnapped, even if Yuugo says they were going to do it together), as much as it boils down to her being the responsible one.
Yuugo really isn't, so it might possibly be that, given how dependable of a monster Clear Wing (and Crystal Wing) are, Rin thinks her burn deck is a better fit for such a monster than Yuugo's luck based deck. The answer to this is obviously no as soon as anything to do with Zarc or Ray comes into the picture (Clear Wing and Yuugo are both cut from the same quarter of the Supreme King Dragon, even if it was by En Winds.)
Or, Rin is probably jealous she doesn't have effect negation in her monsters, and is bullying Yuugo about it because she's seemingly never really dealt with her frustrations in any other way (because Yuugo's always there.) Or maybe because Clear Wing is a unique card and Rin wants a copy too.
Alternatively, this is somehow the same thing as Yuuri's sadistic streak; a hold over from their Original self, and Ray decided Clear Wing should've been one of her monsters. As if Zarc would lose one of his dragons without a fight, though.
(Additional note I think is important but couldn't figure out where to put it in; Rin's defeat line in the overworld implies to me that Yuugo expects her to win her matches, like it shouldn't be hard for her. Yuugo's never gotten angry at her even if she's gotten angry at him multiple times and she's probably afraid of what he'd think - either this hasn't happened and she's worried all his frustrations with her would ungracefully tumble out, only putting up with her because she wins and can get food on their table even if we know that wouldn't happen - he loves her so much he'll ramble about her to anyone given half a chance, or it has happened before and Rin doesn't want to experience that sort of thing again, as though it would embarrass her.) (So her self esteem is either rock bottom when it comes to losing. or she's got too much pride to admit any of her losses to the one person who adores her)
#marwospeaking#The City done fucked up these two kids. they gotta win or they're considered nothing more than dirt at the bottom of the slums#Not excusing her at all on this though. it really is rude of her. but it does present an opportunity to explore what's going on in her head#You know its bad when. out of the two responsible ones. Yuuto is somehow the less mean one. Rin what the hell#It's also possible these are things she'd never actually say in front of Yuugo. but DL doesn't have that so she says these words anyway#(she might not have ever wanted to voice that opinion either. but DL has her do so anyway)#I wonder how Clear Wing feels on this; She is more than dependable in getting a 7 out. designed to do that even#(which makes me think that Ray wanted to get a hold of Clear Wing - none of the others can intertwine their decks so easily..#.. so what reason/s could there be for that? other than it's the easy option for a character who only physically shows up in the last..#.. stretch of Arc V.)#But as There For Yuugo as Rin can/could be. she's still a part of Ray in the end. and Clear Wing is still scared of Ray from the last time.#I am willing to give DL the benefit of the doubt that Rin's feelings might be made clearer. and that this is just misdirection by omission#but this event also has Ruri to contend with. so I can only get so optimistic about Rin's character exploration here#on an unrelated but related note. Rin *please* just let Yuugo hug you. even just once. He missed you more than he'd miss anything else#Seeing him get nothing but kneed in the gut for wanting to hug Rin makes me more and more sad for his situation
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medicinemane · 1 year ago
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#one problem that's got me right now; aside from my stomach audibly churning wanting something more; is no one listens#people try to listen; and people think they listen; but they don't actually listen#there's always advice to be given; there's always their own perspective to be imposed on things#and everyone means well; everyone's real damn caring you know? that's part of why I don't just say this shit#but no one actually listens#...why is it that so often when I listen to people they're like 'Exactly!'; but when people listen to me it's like... you didn't hear me?#am I just pickier? or when I listen is it that I go broader strokes and avoid advice?#I'll often take a shot in the dark just based on looking inward and seeing how I'd be feeling in that situation#and... and this isn't a brag or something; but I can't remember the last time someone didn't feel validated by it#(which must be blindness on my part; I must have missed the times I made people feel more alone)#(I certainly don't always even manage to find something worthwhile to say; but when I do people seem validated)#but that's me turning inwards and just presenting how the situation makes me feel; and that making people feel seen#(like once again; not fucking bragging; but people will act like I saw right through them)#(when I was just tossing out something that I was only like 70% sure of and felt probably insulting or something)#but then I complain that people impose their own perspectives when talking to me... when me doing that seems to be what works#so why the fuck is that? is it that I more use myself as a thing to look at to relate to them while not really giving advice?#is my real complaint more like 'no one seems able to listen without trying to offer advice'?#also like... no one seems able to like... fucking trust me; or think for a second I might have lived this shit (possibly longer than them)#like... in a non emotional example:#once was talking about how I gotta heat my room with an electric radiator and the person starts telling me about how I gotta do it#like '3 ft away from any object' type advice and it's like...#I've been doing this for like 4 years; radiator sits about 6-8 inches from my bed and the cat spot; wood never gets more warm than sunlight#like I'm no fucking guru on it; but please don't treat me like and idiot you need to teach when you haven't actually used this stuff#why the hell can't anyone trust me? I got myself a fucking house; you know? why is it always always always advice#I'll talk about a situation; be doing more or less all anyone can do; all you have to say is 'yeah fuck that asshole'#no no; advice on what I need to tell someone about how to deal with that asshole that's not as nuanced as what I'm already doing#you share your biggest fears and just get fucking advice that won't work on how you can fix them#...kinda makes me want to blow my brains out as much as the hunger does right now#wish someone would mimic me on this; cause I seem to know what I'm doing#'gee sorry to hear that; that sort of thing is hard to deal with; you're doing a good job getting through it'
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mad-hunts · 3 months ago
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as far as jack could tell, jervis was really out of it; and it made him wonder it was due to something that had happened while he was out with his father, or when they'd gotten here. perhaps both. jack gnawed on his bottom lip, his eyes darting to jervis's hands, which were flexing like he was struggling with something. an eyebrow rose as jack contemplated asking whether he needed some pain medication.
since he didn't receive an answer to his question yet, jack figured he might as well introduce himself. ❝ uhh, well, you don't have to talk to me if you aren't feeling up to it. my sister told me that you fainted in front of her out there — so, i understand if you're still feeling sick. my name is jack, ❞ he scratched at the back of his neck as he continued to observe jervis. whenever the man tried to get up, jack approached him and was about to caution jervis that maybe he shouldn't by lightly touching his shoulder.
but he remembered matilda telling him something about the other really not liking to be touched, so he merely was going to verbally tell him. up until jervis laid back down himself, anyhow. jack couldn't hold himself back from frowning at his poor present state before venturing out of the room with a 'i'll be right back.' and indeed he had been, with two different vials, alongside a few syringes to inject into that IV bag: should jervis want to be medicated. jack figured it'd be easier to just do that rather than forcing him to swallow anything.
he placed those also on the table before tilting his head at the quote jervis had said until it clicked a few seconds later, ❝ that's a quote from through the looking glass, isn't it? and one that the red queen said in the story if i remember correctly. she was basically teaching alice that staying in the same place is falling behind, right? ❞ jack squinted his eyes at that before a thought came to mind. a soft snort left him, but one that was done of an innocent sort of amusement rather than malice. ❝ that is a kind of roundabout way of talking about survival of the fittest. but hey, lewis carroll was all about the whimsy of things, i guess. and its no big deal. ❞
jack pretended not to see the tears that the other shed for jervis's own sake. the blood on his lips was something he couldn't ignore, no matter how hard he tried, though. jack grabbed a washcloth from his pack and held it out towards's jervis's hand. once it was out of his hand was when jack set down that teacup, the slightly too long stripped pants he wore swaying across the ground. ❝ mm, you and dad were both asleep for nearly four hours. sure — i don't think that's silly at all. i keep something on me all the time from when my brother, julien, was still around. ❞ the bracelet he showed the other on his right wrist then seemed to be made up entirely of tiny conch shells.
julien was a big fan of the sea, which jack thought made his death all the more crushing. after seeing the state that the stuffed animal was in, he figured that that bunny must've been really loved; though it didn't really matter by whom it was. the end result was the same, as love changes you. jack knew this well as he'd never wanted anything more than to be embraced by the warmth of it.
he quickly shook that thought off, only to grab the two vials he got from the fridge once more. ❝ eh... the four hours actually went by rather fast. ❞ jack cleared his throat then, ❝ you know, i couldn't help but notice that you aren't looking so hot still, and so i grabbed some meds for you. but i won't force you to take them. i have a pain reliever as well as something that relieves vertigo. are either, or both of these, something you want? ❞
Eigengrau.
A faint hum buzzed in his ears; his mouth was so dry it felt like he’d swallowed a wad of wool.
The thin sheet beneath him brushed his fingertips as Jervis flexed his hands, cracking his eyes open a sliver. The room tilted, everything blurring at the edges. Ah… so he had fainted. Just as he’d suspected. No glasses, then.
"Hey. Ahh, you're awake… That's awesome. How are you feeling?"
The new voice was barely a whisper, young and uncertain—belonging to a boy, maybe sixteen or eighteen by the timber. Was this another of Barton's assistants, a friend of Matilda’s, or perhaps her brother? Jervis couldn’t quite remember; hadn't Barton mentioned something about having more than one child?
He winced, his body feeling heavy, leaden; aching everywhere. Slowly, he exhaled and tried to push himself upright—tried being the keyword. The effort brought only a wave of vertigo, dizzying and blue-hot, making his vision swim.
… ohh, god…
He swallowed thickly, curling into himself. Something wasn’t right. His glasses and gloves weren’t the only thing missing. He was in his socks, jeans, and a now damp charcoal t-shirt, his body slick with cold sweat. His graying auburn curls clung to his neck in tangled ropes. His boots were beside the cot, his messenger bag on a desk across the room. His overcoat and maroon button-down were draped over a chair.
A flicker of discomfort in his right arm. Burning. Tugging.
Jervis glanced down at the source: a plastic tube. A peripheral IV catheter.
"Ah, you know... 'It takes all the running you can do, to stay in the same place,'" he muttered, his voice clipped and hollow; Bermudian accent casual, almost detached. He turned his eyes to the boy; offered him a faint, strained smile. "Keeps things interesting, I suppose... but I appreciate your concern, lad."
He lifted his fingers to his cheek, feeling the moisture trickle down—salt on his lips. Tears, sharp and stinging. Jervis flinched and quickly scrubbed them away with the heels of his hands.
Cold metal pressed into his spine, tight around his neck—the chain with his and Sylvie’s wedding rings twisted against his skin. He must’ve been thrashing in his sleep. There was blood on his lips.
"Forgive me…" His vision swam as he watched the boy set a teacup on the small table beside the cot, just within view. "But I'm afraid I've rather lost my sense of time. How long has it been since I…?" He paused, his voice barely steady. "... if... if you don’t mind, could you please reach into my coat pocket? You'll find a small cuddly toy. A rabbit..." He rubbed his mouth, lowered his eyes. "It sounds foolish, I know... but it... it was my daughter's, you see..."
The boy nodded, moving quickly to retrieve the toy from Jervis’ coat pocket, and placed it on the table beside the teacup. The bunny was missing one of its button eyes, its white fur faded and matted. A pink satin ribbon around its neck was frayed and tattered.
“Thank you,” Jervis said hoarsely. “I must have been out of it for quite a while.”
#divingdownthehole#tw: mentions of child death.#tw: medication.#tw: illness.#ooh okay okay 👀 that song was also a really good listen while reading your reply! like GAH you are just so good at selecting songs-#that capture the vibes of your replies perfectly tbhhh. BUT hiii!! and aww well i was just telling you the truth about how i felt but#its no problem at all emi!!! and OMG really? honestly i didn't get that impression at all as i thought your reply perfectly described-#just how complex the effects of trauma on a person can be as characters are a reflection of real life people so it only makes sense-#that jervis's mind is just... so chocked full of images related to the things he's been through despite him not wanting to be reliving#these events or seeing them anymore you know? and i honestly can't blame him for seemingly not wanting to do either of those things as#recovery + healing isn't really ever a straight path as you pointed out there. thus i didn't think any of it was overdramaticized or#anything of that nature! so don't worry you're totally good with that!! but yeah jervis as a character has really been dealt a bad hand#in my opinion and that's really unfortunate because no one deserves having to lose their parents or lose their daughter ):#and jervis is at a spot in his timeline where he has still lost alice relatively recently right? so that's just. UGH i feel so bad for him#tbh as having to experiencing one of your kids dying sounds really terrible.#but AWW well thank you so much for saying so!! it makes me so happy to hear that you're always excited for them. but yeahhh-#trust me when i say their madness may be even worse when they're just amongst themselves unfortunately enough ahahhh... 🫠#but i'm so honored? that you were intrigued?? by my description of him??? like AHHH i'm giving you the biggest hug RN and i just-#want to say TYSM once more!!! but yes i'm not going to lie because jack + julien were basically like brothers before barton-#even came along jack was very attached to him and julien didn't like killing people either so he was sort of a good influence on him#which might be part of the reason why he is the way he is now TBH but sadly dysfunctional family dynamics often leave people#suffering in their own way from it as you said. but AHH thank you!! you're so sweet PLSSS like i'm glad that you find him interesting-#BC he is a good person at heart unlike barton but they contrast in a different way than say jervis and him would since he tries-#to live his life down the straight and narrow buttt that doesn't always happen for him. and yesss barton is back to bother everyone / hj#LOLLL but gosh you're right!! i think i remember you mentioning it back then :00 but yeah i did some casual research on on it when you-#mentioned the quote in your reply and i thought that the red queen hypothesis had something to do with darwin's survival of the fittest-#idea + it turns out that i was right so i am somewhat proud of myself for that NGL lmao but TBH that is just another example of you-#using such good character writing with jervis because subtext and nuance is like one of those things that i find hard to write sometimes#but what a character doesn't say is also just as important AS what they say so its interesting that you'd bring that up. but huh i never-#actually thought of it that way before but that does definitely seem to check out if i'm being honest. BC grief never truly goes-
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grison-in-space · 4 months ago
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Has Biden actually done anything at all? There's evidence going around and I think it's compelling, the alternate to voting is instead doing actual social work and participating in protests and organizing political action, which is a good idea i think
1) Yes. Inarguably this has been the most effective progressive domestic administration since I have been alive, and I'm in my thirties. What in the fuck are you talking about? It's not perfect, but it's better than we've seen in fifty years: Obama tried, but Democratic Congressional organization was just not yet used to working with a completely obstructionist GOP Congress in the wake of the tea party.
Even in terms of foreign policy, this is also pretty much as good as US involvement gets. Sorry. Our foreign policy has been shaped by monsters for decades, and that's even without dealing with our huge and active branch of Christian doom cultists. There ain't a candidate in the world that could stop the entire accumulated momentum of geopolitics with a snap of the finger, and I'm not really willing to pretend that Biden is particularly notable for not managing to fix Israel/Palestine relations.
2) In your own words, anon, what precisely does organizing political action entail without participating in the political process? Do you think that abstaining from the part of the gig where you, the citizen, get to say which official gets the job somehow makes your opinions matter more to your elected public officials? Have you ever organized to get so much as a municipal one-time library project budget expanded? Are you perhaps only skilled at political argument with people who already agree with you on the Internet?
What is your leverage, and could it reasonably be described as "extortion" or "blackmail" or "political corruption?" Because those are pretty much the only things on the table that can work more effectively to drive an elected official than a disciplined coalition of political allies (who can be purchased with, you guessed it, votes) or a reliable bloc of voter support. Your vote matters less than the ones you bring with you, sure. Do you think that not voting yourself somehow helps people organize to drive more votes? Have you perhaps replaced your complex reasoning skills with a rapidly dying jellyfish?
3) Holy passive vagueness, Batman! "Evidence is going around." What a masterpiece of a sentence! How it suggests everything while providing nothing! What evidence? Who collected it? Who is talking about the evidence "going around?" Who is listening? How many of them are there? What did they think before? The more I think, the more questions I have, and damn if they ain't predisposing me to be even less charitable.
Like, this is so catastrophically poorly supported that I have to confess that I not only believe this is probably an ask in bad faith (i.e. by someone who is expecting to piss me off or otherwise engage with me adversarially, probably spammed to a whole host of blogs at once with no expectation of response) but I actively hope that it is. The alternative is to have to grapple with the reality that some people are so uncomfortable with the responsibility of moral agency that they're willing to release useful levers of legal and social power just so that they never do anything problematic with that power. Much better, of course, to wash one's hands of anything that might have the stink of responsibility clinging to it. Might fall from the membership of the Elect if you actually get yourself all muddy by doing things, I reckon.
I don't even believe that voting is the only lever we have when it comes to our elected officials or that votes are necessary to secure change, and I am certainly not talking about the presidential ticket alone when I talk voting. What I do believe is two things: one, that voting is a potential lever of power on the emergent chaos of the society in which we live. And two, that anyone telling me to leave a lever of power on the ground without a damn good reason is either incompetent, malicious, or both.
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exeggcute · 2 years ago
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the great reddit API meltdown of '23, or: this was always bound to happen
there's a lot of press about what's going on with reddit right now (app shutdowns, subreddit blackouts, the CEO continually putting his foot in his mouth), but I haven't seen as much stuff talking about how reddit got into this situation to begin with. so as a certified non-expert and Context Enjoyer I thought it might be helpful to lay things out as I understand them—a high-level view, surveying the whole landscape—in the wonderful world of startups, IPOs, and extremely angry users.
disclaimer that I am not a founder or VC (lmao), have yet to work at a company with a successful IPO, and am not a reddit employee or third-party reddit developer or even a subreddit moderator. I do work at a startup, know my way around an API or two, and have spent twelve regrettable years on reddit itself. which is to say that I make no promises of infallibility, but I hope you'll at least find all this interesting.
profit now or profit later
before you can really get into reddit as reddit, it helps to know a bit about startups (of which reddit is one). and before I launch into that, let me share my Three Types Of Websites framework, which is basically just a mental model about financial incentives that's helped me contextualize some of this stuff.
(1) website/software that does not exist to make money: relatively rare, for a variety of reasons, among them that it costs money to build and maintain a website in the first place. wikipedia is the evergreen example, although even wikipedia's been subject to criticism for how the wikimedia foundation pays out its employees and all that fun nonprofit stuff. what's important here is that even when making money is not the goal, money itself is still a factor, whether it's solicited via donations or it's just one guy paying out of pocket to host a hobby site. but websites in this category do, generally, offer free, no-strings-attached experiences to their users.
(I do want push back against the retrospective nostalgia of "everything on the internet used to be this way" because I don't think that was ever really true—look at AOL, the dotcom boom, the rise of banner ads. I distinctly remember that neopets had multiple corporate sponsors, including a cookie crisp-themed flash game. yahoo bought geocities for $3.6 billion; money's always been trading hands, obvious or not. it's indisputable that the internet is simply different now than it was ten or twenty years ago, and that monetization models themselves have largely changed as well (I have thoughts about this as it relates to web 1.0 vs web 2.0 and their associated costs/scale/etc.), but I think the only time people weren't trying to squeeze the internet for all the dimes it can offer was when the internet was first conceived as a tool for national defense.)
(2) website/software that exists to make money now: the type that requires the least explanation. mostly non-startup apps and services, including any random ecommerce storefront, mobile apps that cost three bucks to download, an MMO with a recurring subscription, or even a news website that runs banner ads and/or offers paid subscriptions. in most (but not all) cases, the "make money now" part is obvious, so these things don't feel free to us as users, even to the extent that they might have watered-down free versions or limited access free trials. no one's shocked when WoW offers another paid expansion packs because WoW's been around for two decades and has explicitly been trying to make money that whole time.
(3) website/software that exists to make money later: this is the fun one, and more common than you'd think. "make money later" is more or less the entire startup business model—I'll get into that in the next section—and is deployed with the expectation that you will make money at some point, but not always by means as obvious as "selling WoW expansions for forty bucks a pop."
companies in this category tend to have two closely entwined characteristics: they prioritize growth above all else, regardless of whether this growth is profitable in any way (now, or sometimes, ever), and they do this by offering users really cool and awesome shit at little to no cost (or, if not for free, then at least at a significant loss to the company).
so from a user perspective, these things either seem free or far cheaper than their competitors. but of course websites and software and apps and [blank]-as-a-service tools cost money to build and maintain, and that money has to come from somewhere, and the people supplying that money, generally, expect to get it back...
just not immediately.
startups, VCs, IPOs, and you
here's the extremely condensed "did NOT go to harvard business school" version of how a startup works:
(1) you have a cool idea.
(2) you convince some venture capitalists (also known as VCs) that your idea is cool. if they see the potential in what you're pitching, they'll give you money in exchange for partial ownership of your company—which means that if/when the company starts trading its stock publicly, these investors will own X numbers of shares that they can sell at any time. in other words, you get free money now (and you'll likely seek multiple "rounds" of investors over the years to sustain your company), but with the explicit expectations that these investors will get their payoff later, assuming you don't crash and burn before that happens.
during this phase, you want to do anything in your power to make your company appealing to investors so you can attract more of them and raise funds as needed. because you are definitely not bringing in the necessary revenue to offset operating costs by yourself.
it's also worth nothing that this is less about projecting the long-term profitability of your company than it's about its perceived profitability—i.e., VCs want to put their money behind a company that other people will also have confidence in, because that's what makes stock valuable, and VCs are in it for stock prices.
(3) there are two non-exclusive win conditions for your startup: you can get acquired, and you can have an IPO (also referred to as "going public"). these are often called "exit scenarios" and they benefit VCs and founders, as well as some employees. it's also possible for a company to get acquired, possibly even more than once, and then later go public.
acquisition: sell the whole damn thing to someone else. there are a million ways this can happen, some better than others, but in many cases this means anyone with ownership of the company (which includes both investors and employees who hold stock options) get their stock bought out by the acquiring company and end up with cash in hand. in varying amounts, of course. sometimes the founders walk away, sometimes the employees get laid off, but not always.
IPO: short for "initial public offering," this is when the company starts trading its stocks publicly, which means anyone who wants to can start buying that company's stock, which really means that VCs (and employees with stock options) can turn that hypothetical money into real money by selling their company stock to interested buyers.
drawing from that, companies don't go for an IPO until they think their stock will actually be worth something (or else what's the point?)—specifically, worth more than the amount of money that investors poured into it. The Powers That Be will speculate about a company's IPO potential way ahead of time, which is where you'll hear stuff about companies who have an estimated IPO evaluation of (to pull a completely random example) $10B. actually I lied, that was not a random example, that was reddit's valuation back in 2021 lol. but a valuation is basically just "how much will people be interested in our stock?"
as such, in the time leading up to an IPO, it's really really important to do everything you can to make your company seem like a good investment (which is how you get stock prices up), usually by making the company's numbers look good. but! if you plan on cashing out, the long-term effects of your decisions aren't top of mind here. remember, the industry lingo is "exit scenario."
if all of this seems like a good short-term strategy for companies and their VCs, but an unsustainable model for anyone who's buying those stocks during the IPO, that's because it often is.
also worth noting that it's possible for a company to be technically unprofitable as a business (meaning their costs outstrip their revenue) and still trade enormously well on the stock market; uber is the perennial example of this. to the people who make money solely off of buying and selling stock, it literally does not matter that the actual rideshare model isn't netting any income—people think the stock is valuable, so it's valuable.
this is also why, for example, elon musk is richer than god: if he were only the CEO of tesla, the money he'd make from selling mediocre cars would be (comparatively, lol) minimal. but he's also one of tesla's angel investors, which means he holds a shitload of tesla stock, and tesla's stock has performed well since their IPO a decade ago (despite recent dips)—even if tesla itself has never been a huge moneymaker, public faith in the company's eventual success has kept them trading at high levels. granted, this also means most of musk's wealth is hypothetical and not liquid; if TSLA dropped to nothing, so would the value of all the stock he holds (and his net work with it).
what's an API, anyway?
to move in an entirely different direction: we can't get into reddit's API debacle without understanding what an API itself is.
an API (short for "application programming interface," not that it really matters) is a series of code instructions that independent developers can use to plug their shit into someone else's shit. like a series of tin cans on strings between two kids' treehouses, but for sending and receiving data.
APIs work by yoinking data directly from a company's servers instead of displaying anything visually to users. so I could use reddit's API to build my own app that takes the day's top r/AITA post and transcribes it into pig latin: my app is a bunch of lines of code, and some of those lines of code fetch data from reddit (and then transcribe that data into pig latin), and then my app displays the content to anyone who wants to see it, not reddit itself. as far as reddit is concerned, no additional human beings laid eyeballs on that r/AITA post, and reddit never had a chance to serve ads alongside the pig-latinized content in my app. (put a pin in this part—it'll be relevant later.)
but at its core, an API is really a type of protocol, which encompasses a broad category of formats and business models and so on. some APIs are completely free to use, like how anyone can build a discord bot (but you still have to host it yourself). some companies offer free APIs to third-party developers can build their own plugins, and then the company and the third-party dev split the profit on those plugins. some APIs have a free tier for hobbyists and a paid tier for big professional projects (like every weather API ever, lol). some APIs are strictly paid services because the API itself is the company's core offering.
reddit's financial foundations
okay thanks for sticking with me. I promise we're almost ready to be almost ready to talk about the current backlash.
reddit has always been a startup's startup from day one: its founders created the site after attending a startup incubator (which is basically a summer camp run by VCs) with the successful goal of creating a financially successful site. backed by that delicious y combinator money, reddit got acquired by conde nast only a year or two after its creation, which netted its founders a couple million each. this was back in like, 2006 by the way. in the time since that acquisition, reddit's gone through a bunch of additional funding rounds, including from big-name investors like a16z, peter thiel (yes, that guy), sam altman (yes, also that guy), sequoia, fidelity, and tencent. crunchbase says that they've raised a total of $1.3B in investor backing.
in all this time, reddit has never been a public company, or, strictly speaking, profitable.
APIs and third-party apps
reddit has offered free API access for basically as long as it's had a public API—remember, as a "make money later" company, their primary goal is growth, which means attracting as many users as possible to the platform. so letting anyone build an app or widget is (or really, was) in line with that goal.
as such, third-party reddit apps have been around forever. by third-party apps, I mean apps that use the reddit API to display actual reddit content in an unofficial wrapper. iirc reddit didn't even have an official mobile app until semi-recently, so many of these third-party mobile apps in particular just sprung up to meet an unmet need, and they've kept a small but dedicated userbase ever since. some people also prefer the user experience of the unofficial apps, especially since they offer extra settings to customize what you're seeing and few to no ads (and any ads these apps do display are to the benefit of the third-party developers, not reddit itself.)
(let me add this preemptively: one solution I've seen proposed to the paid API backlash is that reddit should have third-party developers display reddit's ads in those third-party apps, but this isn't really possible or advisable due to boring adtech reasons I won't inflict on you here. source: just trust me bro)
in addition to mobile apps, there are also third-party tools that don’t replace the Official Reddit Viewing Experience but do offer auxiliary features like being able to mass-delete your post history, tools that make the site more accessible to people who use screen readers, and tools that help moderators of subreddits moderate more easily. not to mention a small army of reddit bots like u/AutoWikibot or u/RemindMebot (and then the bots that tally the number of people who reply to bot comments with “good bot” or “bad bot).
the number of people who use third-party apps is relatively small, but they arguably comprise some of reddit’s most dedicated users, which means that third-party apps are important to the people who keep reddit running and the people who supply reddit with high-quality content.
unpaid moderators and user-generated content
so reddit is sort of two things: reddit is a platform, but it’s also a community.
the platform is all the unsexy (or, if you like python, sexy) stuff under the hood that actually makes the damn thing work. this is what the company spends money building and maintaining and "owns." the community is all the stuff that happens on the platform: posts, people, petty squabbles. so the platform is where the content lives, but ultimately the content is the reason people use reddit—no one’s like “yeah, I spend time on here because the backend framework really impressed me."
and all of this content is supplied by users, which is not unique among social media platforms, but the content is also managed by users, which is. paid employees do not govern subreddits; unpaid volunteers do. and moderation is the only thing that keeps reddit even remotely tolerable—without someone to remove spam, ban annoying users, and (god willing) enforce rules against abuse and hate speech, a subreddit loses its appeal and therefore its users. not dissimilar to the situation we’re seeing play out at twitter, except at twitter it was the loss of paid moderators;  reddit is arguably in a more precarious position because they could lose this unpaid labor at any moment, and as an already-unprofitable company they absolutely cannot afford to implement paid labor as a substitute.
oh yeah? spell "IPO" backwards
so here we are, June 2023, and reddit is licking its lips in anticipation of a long-fabled IPO. which means it’s time to start fluffing themselves up for investors by cutting costs (yay, layoffs!) and seeking new avenues of profit, however small.
this brings us to the current controversy: reddit announced a new API pricing plan that more or less prevents anyone from using it for free.
from reddit's perspective, the ostensible benefits of charging for API access are twofold: first, there's direct profit to be made off of the developers who (may or may not) pay several thousand dollars a month to use it, and second, cutting off unsanctioned third-party mobile apps (possibly) funnels those apps' users back into the official reddit mobile app. and since users on third-party apps reap the benefit of reddit's site architecture (and hosting, and development, and all the other expenses the site itself incurs) without “earning” money for reddit by generating ad impressions, there’s a financial incentive at work here: even if only a small percentage of people use third-party apps, getting them to use the official app instead translates to increased ad revenue, however marginal.
(also worth mentioning that chatGPT and other LLMs were trained via tools that used reddit's API to scrape post and content data, and now that openAI is reaping the profits of that training without giving reddit any kickbacks, reddit probably wants to prevent repeats of this from happening in the future. if you want to train the next LLM, it's gonna cost you.)
of course, these changes only benefit reddit if they actually increase the company’s revenue and perceived value/growth—which is hard to do when your users (who are also the people who supply the content for other users to engage with, who are also the people who moderate your communities and make them fun to participate in) get really fucking pissed and threaten to walk.
pricing shenanigans
under the new API pricing plan, third-party developers are suddenly facing steep costs to maintain the apps and tools they’ve built.
most paid APIs are priced by volume: basically, the more data you send and receive, the more money it costs. so if your third-party app has a lot of users, you’ll have to make more API requests to fetch content for those users, and your app becomes more expensive to maintain. (this isn’t an issue if the tool you’re building also turns a profit, but most third-party reddit apps make little, if any, money.)
which is why, even though third-party apps capture a relatively small portion of reddit’s users, the developer of a popular third-party app called apollo recently learned that it would cost them about $20 million a year to keep the app running. and apollo actually offers some paid features (for extra in-app features independent of what reddit offers), but nowhere near enough to break even on those API costs.
so apollo, any many apps like it, were suddenly unable to keep their doors open under the new API pricing model and announced that they'd be forced to shut down.
backlash, blackout
plenty has been said already about the current subreddit blackouts—in like, official news outlets and everything—so this might be the least interesting section of my whole post lol. the short version is that enough redditors got pissed enough that they collectively decided to take subreddits “offline” in protest, either by making them read-only or making them completely inaccessible. their goal was to send a message, and that message was "if you piss us off and we bail, here's what reddit's gonna be like: a ghost town."
but, you may ask, if third-party apps only captured a small number of users in the first place, how was the backlash strong enough to result in a near-sitewide blackout? well, two reasons:
first and foremost, since moderators in particular are fond of third-party tools, and since moderators wield outsized power (as both the people who keep your site more or less civil, and as the people who can take a subreddit offline if they feel like it), it’s in your best interests to keep them happy. especially since they don’t get paid to do this job in the first place, won’t keep doing it if it gets too hard, and essentially have nothing to lose by stepping down.
then, to a lesser extent, the non-moderator users on third-party apps tend to be Power Users who’ve been on reddit since its inception, and as such likely supply a disproportionate amount of the high-quality content for other users to see (and for ads to be served alongside). if you drive away those users, you’re effectively kneecapping your overall site traffic (which is bad for Growth) and reducing the number/value of any ad impressions you can serve (which is bad for revenue).
also a secret third reason, which is that even people who use the official apps have no stake in a potential IPO, can smell the general unfairness of this whole situation, and would enjoy the schadenfreude of investors getting fucked over. not to mention that reddit’s current CEO has made a complete ass of himself and now everyone hates him and wants to see him suffer personally.
(granted, it seems like reddit may acquiesce slightly and grant free API access to a select set of moderation/accessibility tools, but at this point it comes across as an empty gesture.)
"later" is now "now"
TL;DR: this whole thing is a combination of many factors, specifically reddit being intensely user-driven and self-governed, but also a high-traffic site that costs a lot of money to run (why they willingly decided to start hosting video a few years back is beyond me...), while also being angled as a public stock market offering in the very near future. to some extent I understand why reddit’s CEO doubled down on the changes—he wants to look strong for investors—but he’s also made a fool of himself and cast a shadow of uncertainty onto reddit’s future, not to mention the PR nightmare surrounding all of this. and since arguably the most important thing in an IPO is how much faith people have in your company, I honestly think reddit would’ve fared better if they hadn’t gone nuclear with the API changes in the first place.
that said, I also think it’s a mistake to assume that reddit care (or needs to care) about its users in any meaningful way, or at least not as more than means to an end. if reddit shuts down in three years, but all of the people sitting on stock options right now cashed out at $120/share and escaped unscathed... that’s a success story! you got your money! VCs want to recoup their investment—they don’t care about longevity (at least not after they’re gone), user experience, or even sustained profit. those were never the forces driving them, because these were never the ultimate metrics of their success.
and to be clear: this isn’t unique to reddit. this is how pretty much all startups operate.
I talked about the difference between “make money now” companies and “make money later” companies, and what we’re experiencing is the painful transition from “later” to “now.” as users, this change is almost invisible until it’s already happened—it’s like a rug we didn’t even know existed gets pulled out from under us.
the pre-IPO honeymoon phase is awesome as a user, because companies have no expectation of profit, only growth. if you can rely on VC money to stay afloat, your only concern is building a user base, not squeezing a profit out of them. and to do that, you offer cool shit at a loss: everything’s chocolate and flowers and quarterly reports about the number of signups you’re getting!
...until you reach a critical mass of users, VCs want to cash in, and to prepare for that IPO leadership starts thinking of ways to make the website (appear) profitable and implements a bunch of shit that makes users go “wait, what?”
I also touched on this earlier, but I want to reiterate a bit here: I think the myth of the benign non-monetized internet of yore is exactly that—a myth. what has changed are the specific market factors behind these websites, and their scale, and the means by which they attempt to monetize their services and/or make their services look attractive to investors, and so from a user perspective things feel worse because the specific ways we’re getting squeezed have evolved. maybe they are even worse, at least in the ways that matter. but I’m also increasingly less surprised when this occurs, because making money is and has always been the goal for all of these ventures, regardless of how they try to do so.
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neil-gaiman · 6 months ago
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Hello!
Thought this might be fun. Context: I was with my boyfriend this morning, we’ve been together for more than two years and circled around each other for an embarrassing amount of time in our teens, we met as competitors, Physics Olympiads. Now, we both have some very specific kind of almost opposite personalities. Quite literally night and day, and the fact is reflected on our clothing, I always dress in black/dark grey/burgundy, jeans and blazer or shirt, he tends to wear almost always light colours and shades of blue/khaki (I mockingly call him “blueberry porridge” at times), shirt and pullover or simple tees. We found out about the existence of Good Omens right after S2 was released, since in our department at Uni (Physics) our colleagues, probably also thanks to my customary round shades and partially dark red hair, started referring to the two of us -to me in particular- in a very peculiar manner you might have an idea of. We had to watch the series and read the book. We discovered our colleagues were far more right than it seemed (it’s positively creepy). It became our main source of entertainment. There have been plenty of such conversations, and fights came to an end exactly like this, but the scene that happened this morning was so spontaneous on his part that had me laugh particularly hard so here I am sharing it.
I came back from a small walk, threw my sunglasses on the lectern I have in my room and kicked off my shoes as I usually do. He glared at me as he usually does when I act like that (he’s the “untie your shoes one at a time, loosen the laces a bit and neatly put them near the bedroom door possibly on the same tile” kind of person). This time he added “You see, we couldn’t possibly have children, you’d teach them all the wrong things, you savage”. And I answered, sarcastically and without thinking too much about it “THEN you’ll teach them the good ones so we’ll cancel out and they’ll grow up normal”.
We silently stared at each other for a good 5 seconds. And then he just shouted “HARRY THE RABBIT” and energically waved a towel he was holding in my face.
My life has been a fucking storm till some time ago, and now it’s almost 8 months of it being like this every day. Seriously, thank you (also for the disastrous first kiss. We can relate, for surprisingly analogous reasons, but that’s a bit too personal to share online. What I’d like to say is, even with so many people not liking that part, we ultimately rebuilt our trust in each other thanks to it). Now I have my daily dose of “Get thee behind me foul fiend” every time we try to get through some door at the same time. And every time he says that he lets me get through it first, and I get to give him an annoyed “when-are-we-growing-up” look we both know is as phony as a three-dollar bill.
My heart has been warmed.
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dissociacrip · 7 months ago
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i saw that one disability-related post a while ago about dental care but i can't find it again so i'm gonna mention a few things as a (mild to moderately) mentally & physically disabled person, whose teeth hurt when i eat sweet stuff now + i've had a root canal due to a fall + i'm learning to take care of myself, that may or may not help other folks with their dental routine
note: i am not a dentist & this info is mostly what i've gleaned secondhand from dentists, so yeah, i am not an expert in any capacity
water flossers aren't as effective as regular flossing (doing both is actually what's most effective) but they're better than nothing & helpful in cases where coordination problems or other issues might prevent regular flossing technique (i imagine this also depends on the quality of the water flosser)
if you use one of the plastic pre-made floss picks things, rinse the string off in-between each time you use it to floss one side of a tooth, it's tedious but it mimics moving to a new (clean) part of the thread like you do with regular floss
if you get an automatic toothbrush, get one that does circular rotation rather than just vibrating or whatever, as this mimics the tools they use in a dentist's office + imitates the circular motion you're expected to make with a standard toothbrush (which is also hard with coordination issues), i got one that does this pretty cheap from walmart (it's an oral-b but i forgot the specific type) + it automatically times it for you
if you have white spots on your teeth that are uneven with the shade of the rest of the tooth those are potentially white spot lesions due to demineralization; whitening products can make this worse rather than help it, but some products can help with remineralization such as mi paste topical tooth creme, which contains calcium and phosphate (i have yet to try this myself but it seems to get suggested by a lot of dentists, orthodontists, etc. for white spots on teeth & it's also supposed to help with sensitivity and tooth health in general because the white spots are lesions so it's not purely cosmetic!)
it's advised to not rinse your mouth immediately after brushing as this potentially dilutes & reduces the effects of the flouride (if you use fluoride toothpaste), stuff says to wait at least 15 minutes or so
just giving your teeth a quick scrub (even if it's without toothpaste and just water) is better than not brushing your teeth at all
if you have trouble seeing a dentist for financial reasons, try to see if there are income-based or charity dental services in your area, sometimes dental schools also provide low-cost/free dental care
that's all i can think of for now, i wish i had more advice for people who struggle to be able to brush their teeth at all in general but this is all i got unfortunately :(
additionally - you're not bad, useless, gross, or a failure if you struggle to (or can't) maintain oral hygiene; this stuff is much easier for some people than it is to others & those who take it for granted like to forget that, no one deserves to be mocked or looked down on for being disabled & struggling to/not being able to do """basic""" stuff like this!
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ineffable-romantics · 1 year ago
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Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:
This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:
First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)
These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.
I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.
This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.
Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.
This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.
If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.
With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.
Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can
Food
Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).
This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.
Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.
(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)
Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.
The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.
And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.
It's What Humans Do
In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).
He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).
What the "humans do" that angels wouldn't understand is messy, physical forms of love.
But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.
Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?
Angels, Demons, & Asexuality
Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.
Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)
And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).
The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.
I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.
Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.
Except...
Brielzebub
We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.
For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.
And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).
Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.
Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.
Crowley & Aziraphale's Dissatisfaction
But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?
And it doesn't seem to be enough for either of them.
At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).
So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?
I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.
After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)
Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.
However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".
Someone should tell that to Aziraphale's face, then.
I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.
But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.
(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)
More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.
Aziraphale's Hedonism
Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.
It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.
Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.
Dancing
I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.
I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.
We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.
(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)
As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.
Love Languages
I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.
We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.
You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.
The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).
And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.
So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.
So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.
"You said 'trust me'" / "And you did"
Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.
First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")
(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)
More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.
Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.
The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).
Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.
Also also: "Aim for my mouth"? Come on.
The Birds & The Bees
Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.
Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.
Probably not important. Just thought it was worth mentioning.
The Kiss™ & Religious Trauma
The Kiss. Where to even begin?
This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.
Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.
It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.
Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.
Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.
So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.
I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.
What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.
All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.
(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)
Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).
Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.
In Conclusion
I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.
So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.
You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.
But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.
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Bonus feature: the very silly notes I made to myself that inspired this post
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catboybiologist · 13 days ago
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Hey it's a life update that probably no one cared about or asked for
tl;dr: I'm likely quitting my PhD via mastering out, and leaving my program in June.
sappy, overly emotional vent/explanation:
I'm wrapping up my first quarter as an out-of-the-closet trans woman. I've had some serious conversations about where me and my work stand. This was always my intention after coming back from my summer hiatus/social transition: see how "reentry" works, and then assess from there.
For those that don't know, PhDs in the US take 5-7 years. Oftentimes, however, they either give you a master's along the way, or give you an option to quit halfway through with a master's. I'm in my 3rd year and have more than enough to use that option. I've toyed with this idea before, but it feels a bit different now. Last year, I was burned out from science, my project was failing, and I was under constant stress of boymoding and remaining in the closet. Now, I'm out and proud, and I deeply love my project and find it exciting. I fixed some things.
Unfortunately, I have a recurrent problem. Whenever something goes wrong in my life, the first thing to drop off is my ability to drive forward my own thesis project in a coherent way. What the actual problems are vary, but that motif stays the same. I could list off what's going on right now, but I think y'all can assume a bit of what a mid-20s, broke, recently transitioned trans woman in the US is going through at the moment. There's a lot of specifics, of course, but I'm not at liberty to say most of it.
So I'm looking around and realizing I have scraps of half finished projects, I've given support and help for other people's projects.... and then made little progress on my actual thesis. It's enough to pull together into a master's thesis, and maybe even another paper or two, but.... not a PhD.
And then there's the other side of it. The nicer reasons. Could I stay here, buckle down, maybe add years to my degree, and get through it? Probably. But honestly? I don't really want to put myself through that now. It used to be that academics was all I had. It was all my failures and all my successes. It's what I threw myself at, because I genuinely had nothing else going on. Since transitioning, the world seems so much more beautiful and rich, so much more complex and vast, with so much more to do in it. I've even had more negative experiences unrelated to academia, and while they've sucked, they've shown me that life is so much bigger than it was before.
To be blunt, to experience more of my life... it helps to have money, and it helps to have career stability. It's not the only factor by far, but certainly one defining moment when making this decision was trying to create a timeline and budget for transition related surgeries, and realizing that its near impossible in grad school.
Not to be dramatic, but I've also had a couple extremely jarring experiences in the past year that are reminded me that life is short. And I want at least some time to enjoy it.
My heart is honestly broken here, and I'm feeling extremely emotional about this. I love my lab, my colleagues, the environment of doing research, and my project. But I'm realizing that it might not be viable, or what makes me the happiest at the moment. I'm genuinely a bit distraught, and I've been crying a lot for the past few days. A lot of me feels like this is what I am, and this is what I'm good for. That I'm failing myself and every mentor that got me here. Some part of me knows that isn't true, some part of me can't let go of those feelings.
But, I know this doesn't mean "never". So many of the people in my program are significantly older than me, coming back later in life to get their degrees. I'm honestly almost positive that I'll come back to a PhD someday if I quit now. In my 30s or beyond, I think that I'll be able equipped to handle it much better.
So what's next?
Obviously, nothing is decided, and I'm just spitballing here. But I'm honestly shocked at how many viable options I have, in a very good way. A cursory scroll of Indeed was honestly therapeutic. As I said, I still love the academic research environment. I just need more money and stability, and would prefer to have a slightly different relationship to the work I do than a thesis project. Ideally, I would want to be a staff researcher in an institute or academic lab. That lets me keep a lot of the things I like about what I do now, while also making literally 2-3 times the money and having a more stable position.There's positions out there that maximize the contexts I'm the strongest and happiest with, while still being more steady and paying more. Hell, even if my responsibilities were identical, but I had more pay, I could probably more effectively address the personal problems I'm going through right now. I'm gonna stay in California for a lot of reasons, and I'm lucky that there's so many options within the state.
I have a bit of an oddball set of experience. I'll actually have two nonoverlapping master's if I do this. I already have a MS in bioinformatics, which was granted by a CS department. But my current program is in more "pure" molecular and cell biology. I'll have 5 years of grad school, 8.5 years of research experience if I include undergrad research, and instead of a PhD, 2 MSs. Which is kinda funny. But it think it helps represent my experience for what it is. I like to consider myself a "full stack" bioinformaticist- someone who can do both the experimental and analysis portions of experiments that produce large data. Hopefully I'll be able to put that to good use.
I have a lot of professional contacts that I'll slowly be reaching out to over the course of the next 6 months while I tie things up. I know this is a wildshot on tumblr of all places, but if anyone has any recommendations, advice, or contacts, I'm all ears- both for professional and job hunt related things, and also the emotional state I'm in right now.
Thank you to everyone that's made up this wonderful community we have online. I hope I'm not letting anyone down. I'll still be a biologist, I'll still be my trans self. I just won't be "Doctor" anytime soon.
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octahyde · 1 month ago
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Ok actually one thing that really really bothers me about how widespread people are negatively reacting to the anime just for the fact that anime onlys are going to be in the fandom is like
This is going to make TWST so much more accessible
Like… not everyone can sit down for several hours and read a visual novel. It’s very time and focus intensive. Not everyone can read logs of the dialogue on wikis, either. There are several people who are unable to enjoy this story based solely on medium. A good example is my qpp; he loves TWST. He loves the story. He loves the characters. But he can’t get past Book 3 because the format is completely inaccessible to him. He’s tried. I’ve tried with him. He just… cannot do it. The novels are a godsend because it’s a way he can finally read the story in a format that works for him. The anime will also help a lot because he’ll be able to hear the voice acting, which is a very important part of TWST’s story telling.
Or even just in general, I don’t think I need to post about how I Like Horror, but I am unable to read anything longer than a short story. In particular, I am almost fully unable to read King because of how incompatible his writing style is- despite really wanting to. I have tried and failed to read Pet Sematery more times than I can count. The 80’s movie, though? I love it. It lets me experience a very important work to the genre in ways I would otherwise be completely unable to. Same with Misery.
Like… it’s super frustrating to see people advocate for story accessibility in things like video games, only to turn around and say “except for things I LIKE, they’ll get my favs wrong!!!” Especially when it’s in a fairly inaccessible medium.
I especially have a bone to pick with Idia fans I see on Twitter doing this. There’s a lot of fear “normies” will be ableist about their favorite cartoon character, while… in the process being extremely ableist to actual human beings. It’s extremely frustrating and upsetting to see people prioritize their (heavily mentally disabled, I might add) favorite fictional character over actual irl disabled people. I don’t think people, especially autistic people who can’t do VNs, should be limited from a beautiful story just because other people you can block Might Make Incel Jokes.
(My qpp? He’s autistic. And schizophrenic. And has CPTSD. He relates a LOT to Idia just from what I’ve told him about her and her arc.)
Like… get your fucking priorities straight. I was hyperfixated on Danganronpa when the DR1 anime came out. I was hyperfixated on Persona 4 when the P4 anime came out. Ace Attorney has been one of my absolute favorite series since middle school, and I was going through my obligatory hyperfixation phase I have every few years when the AA anime came out. I massively prefer the YuGiOh manga to the DM anime.
Anime onlys are EXTREMELY easy to avoid and are not the fucking end of the world.
Especially in a fandom with so many autistic people. Have some empathy for disabled people who have different symptoms than you do.
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