#I think the violently changing them is what really gets me

[epickiya722]

I don't think I expressed enough how much I do actually like that Yuji is this... I don't know how to really put it into words but... how Yuji is this unique embodiment of horror and strangeness.

Like, just the details of his character makes him stand out to me. Everyone in JJK has some bit of oddness to them, and he has own unique kind.

He looks like sunshine personified and he is. He is the sweetest kid there is. And he looks like the typical "Oh, he must be the normal one who has to adapt to the horrors the other have to go through" character. Ha ha... no, he is the horror. He is the "creepy child" trope without even showing that he is.

Yuji is the kind of horror you actually have to put thought into to even realize "Oh, wait, that is actually fucked up". Fridge horror, the horror that you think nothing too much of until you really open your mind to it.

Like, he's this own level of odd with how he behaves and thinks.

First, it's his interests. Yuji didn't mind really being in the occult club. Of course, his reasons was that the club time allowed him enough time to see his grandfather. But also, even though he didn't have to really participate, he actively does. Iguchi and Sasaki exploring haunted places? Yuji tags along and isn't frightened at all. Mind you, they like going go haunted places because they like being scared. Why folks watch horror movies and go to attractions, right?

Yuji will play with an oujia board.

Fan of a movie series titled the Human Earthworm and actually can find the beauty and love in said movies. He's so real for that.

So far it's just simple stuff like that, right?

First time seeing a curse? Admits to being scared, but barely even flinches. When Megumi talks about the Cursed Finger and mentions how curses want to eat it? His response?

"Why, is it good?"

IT'S A FINGER?!

When informed about Inumaki's technique? What was the example he uses? "So if he says 'die' then it will happen?" Out of all the examples?! He was more impressed by the technique than actually fearful of it.

That Cursed Doll he had to train with? Called it "cute" and Gojo questioned that. In fact, when meeting Yaga, Yuji commented on how the dolls were cute.

How he fights is even a little odd and unsettling. He immediately goes into action, doesn't even need to hear the bell. He always has this look on his face that "Yeah, your kneecaps are mine". Not once has I ever recalled he actually smiles during a fight. Unlike some of the others who have showcased some enjoyment or some type of being unhinged in a "to hell with it" mood, Yuji always has this almost animalistic glare, that kind of unhinged. He isn't holding back, even against normal people like the high school bullies in chapter 163. Sometimes I question if he even knows how to hold back.

He doesn't like to get violent or kill. If he has to, he will. But it's just not anything he can brush off or be like "Yeah, I like doing it".

Then the idea of dying? Yeah, Yuji makes it clear he knows people will die. Execution placed on his head? He accepts dying with Sukuna instead of asking if there's any way to work around it, find a solution. Keep in mind, Sukuna is downright evil and does nothing but make life hard for Yuji every chance gets.

However, by the end, Yuji changes from choosing to die with Sukuna, so that no one else has to suffer, to offering Sukuna to live along side him even if no one accepts that.

Oh, let's not forget his family.

Yeah, Sukuna I just mentioned? That's his uncle by soul reincarnation. Jin, Yuji's dad who we don't really know what happened to him, is the reincarnation of Sukuna's twin that Sukuna ate in the womb. Doesn't stop there.

Yuji's mother, Kenjaku? Actually a 1000+ year old sorcerer who body hops by implanting their brain into whatever body they find convenient for their plans. One of those bodies happen to be Kaori Itadori, Jin's wife. Jin's dead wife. Kenjaku played wife in a woman's dead body, the same body Yuji was born from.

Yuji was born out of a corpse. With one of the Cursed Finger somehow already sealed inside him.

His other family members include Death Paintings: Choso, Eso, Kechizu, Noranso, Sho-oso, Tanso, Sanso, Kotsuso, and Shoso. His older siblings (technically) through Kenjaku, who was possessing Noritoshi Kamo's (the ancestor) body at the time. And guess what? Their blood consists of a human's blood, a cursed spirit's and Kenjaku's.

Yeah, like them, Yuji isn't really human. Again, born with one of Sukuna's Cursed Fingers already sealed in him. Without Cursed Energy, he was already outrunning cars and possessing strength not normal for the average human.

Oh, wait, and let's not forget his 'appetite'. He will eat anything if it means saving people. And he has. Other than Cursed Fingers, the other Cursed Objects Yuji consumed are his own siblings 4 - 9. Mind you, they were akin to fetuses contained in glass jars. (He isn't happy about eating them or anything for that matter though. I wouldn't be either.)

In all, he's just fridge horror with a some goodness mixed in there. I'm just rambling here.

[olympeline]

Been thinking about why I found Arthur in the Dark so impressive and it made me realise something kinda significant. Something significant that I’m going to put under a read more because it revolves around a heavy subject. So I wouldn’t advise looking beyond the cut if you’re sensitive to that kind of thing.

Less important, but everything below is a big spoiler and, guys seriously. If you like USUK and can handle darker fiction - no pun intended - give AitD a try. Don’t spoil yourself here. Go try it first and then come back if you’re interested. Try it if you’re neutral on USUK. Or, heck, even if USUK is a ship you dislike but isn’t an outright NOTP. I’d still recommend checking out this comic. Arthur in the Dark is still worth a read in my opinion. It’s that good. But enough gushing. Read on for the meat of this post.

Ready? Here we go: Arthur in the Dark has one of the best depictions of rape I’ve ever seen in a piece of media. “Best” as in most skillfully crafted for narrative purposes. Honestly and truly. Not even kidding. Which is kind of amazing considering it’s a depiction that came from a fan comic based on a jokey, anime gag series. Why do I feel this way? A couple of reasons:

Firstly, the rape in AitD is frighteningly, tragically realistic. Something the majority of fictional rapes are not. We tend to think of rape as taking place in a dark alley in the inner city. Stereotyping up a scene of a bottom feeder, criminal man dragging a (young, attractive) woman away to violate her. They’re usually total strangers and it’s always violent. These kind of rapes do happen, but statistics tell us they’re the minority. The majority of rapes happen like the one in AitD did: between two people who know each other well. Friends, romantic couples, even family members, make up the bulk of rapists and their victims.

Most narratives prefer the less common type of rape. Usually because the creator doesn’t want to tell a story about rape. Not really. What they want is a gut-punch to add easy drama and darkness to their creation. The sliding scale of “irredeemable bad guy” roughly goes: murderer → cold blooded torturer → rapist → child rapist. Making a villain a rapist is one of the worst things he - because 99% of the time it’s a he - can be. Conversely having a character be raped gains them instant sympathy because people are moral and empathetic creatures at heart. Most creators know this and throw in a rape for the shorthand: “Look how evil our villain is!” Which often makes the rape and its aftermath feel artificial. In no small part because the rapist characters, by virtue of being written to be the worst of the worst, don’t come off as very human. They can’t be when their main purpose is to be loathed by the audience. I could go on because there’s tons more to unpack about rape in fiction, but you get the point.

The rape in AitD isn’t like that. America and England know and love each other. Their relationship is complicated (oh boy, is it ever!) but that part of it is never in doubt. They’re each other’s most treasured person and have been for centuries. They’re not a duo made up of a flat, hate bait, villain on a collision course with their victim. Who’s doomed to suffer and be pitied until the creator decides the audience has had enough of their trauma and shuts it away so the story can move on. America and England are two people living together, going through a period of immense change and stress, trying to manage as best they can, and sometimes getting it very wrong. From a narrative point of view, this makes what happens between them so much better and so much more upsetting at the same time.

Which brings me nicely to reason number two of why this particular rape works: the build up. Like everything else in AitD, America raping England is carefully planned out and set up. The chocolate bar scene, man. Brilliant, I have to say. Alarming, uncomfortable, and brilliant. The scene in the garden is not just sprung on the reader for a jarring “Oh no! Oh shit-!” moment. If your typical under written rape is a cheap jump scare, the rape in AitD is a carefully crafted slowburn dread. Early on we start to become aware we’re building to something bad. From the foreshadowing, the art, the atmosphere, etc. We just know a storm is coming. It’s done without America acting OOC too, which is very important. It’s how he can come back from what he did. Something that would be impossible if the author didn’t handle this setup well. America’s actions aren’t right, but they are understandable. That’s the crucial distinction. The psychology of the whole thing is so very well done. America was in love with England and had been for a long time. The guilt he felt tormented him because of what their relationship was in the past. Caught between his human side and his immortal one. The guilt helped keep America in check because he didn’t want England seeing the lustful way he’d begun to look at him. Then they started living together and England was suddenly vulnerable. Vulnerable in more ways than America was aware. Which is another vital detail of how the creator keeps America sympathetic, but more on that in a moment. England willingly went blind so he wouldn’t have to see when America - the man grown from the child he raised - looked at him with lust. The guilt America felt peaked, only to clash with the realisation that he could freely indulge in his fantasies. Indulge and push (again, chocolate bar scene) now the usual moral restraint - England seeing his desire - was removed.

Meanwhile, England himself felt that same guilt but his was also laced with panic and despair. He didn’t want to lose or strain his relationship with the most important person of his centuries long life. Pulled between human standards of morality and the very inhuman existence of nation-people. Incidentally the clash between their existence as humans, while also being something more than human, is brilliantly done in AitD. It’s something that’s hard to get right - especially involving such taboo topics - but Hotama nails it. USUK usually handwaves the implications around England raising America, but here it’s made part of the narrative. Part of the tragedy, part of the resolution. Good stuff. Anyway, England begged Arthur to take his sight away so he wouldn’t have to see the way America looked at him. Then banished Arthur back into the dark in an attempt to run away from his problems. But without Arthur - without his strength - England couldn’t stand up to America when he needed to. Not that America was aware of any of this because he never knew about Arthur. Which brings me to point three: nuance of blame.

“Blame” is a very loaded word in this context, so I’ll do my best to talk about this carefully. Rape in the media is almost always black and white. Absolutely evil, irredeemable rapist. Absolutely blameless, sympathetic victim. But real life isn’t always that simple. Obviously the rapist is always the perpetrator and the one most in the wrong. I need to make that very clear. But the scene in AitD illustrates that sometimes a victim could have done more to help themselves. Not always, but sometimes. This is a delicate subject so I hope you understand I’m not trying to victim blame. Just saying that rape, like all crimes, doesn’t always deal in absolutes. Unlike media, real life is often complicated and tragic. Good people can give in to temptation. Be weak, do bad things, or allow those bad things to happen. England told America to stop, but failed to follow it up when needed. When America pushed for more and used England’s own words to argue he’d already been given consent, that was when England needed to push back. Interpretation comes in here but, personally, I think if England had told America to stop when prompted, America would have. But England didn’t and he gave in instead. Something America took as a tacit “yes.” Again, not right, but understandable in how it could happen. Their power imbalance had grown extreme, stress and feelings were running high, they were struggling to connect as they used to, England’s prior cowardice and separation from Arthur prevented him from being strong when he needed to be, America was ignorant of his problem, and it all came together in a horrible, tragic mistake. All throughout, the rape continued to be brilliantly, awfully realistic. America not noticing - either genuinely or from denial - that England was not enjoying what was happening. England quickly becoming too distracted by the pain to do anything other than focus on enduring it. Then the aftermath where America didn’t realise what he’d just done due to coming down from a post-sex, post-stress euphoria. Awful, miserable, horrifying, tragic, perfectly crafted scene.

Which brings me to my final reason why this comic impressed me in its depiction of rape: where the story goes from there. Where it goes and how the narrative builds from the rape instead of trying to move on because the “shocking” part is over and now we’re in diminishing returns. Going back to my first point, too many stories see rape as something that happens in an isolated part of the narrative. It happened, it was shocking and brutal, now it’s done and we can move on because we didn’t plan to interweve the rape with the rest of the story. So we won’t give it the weight it needs. At best the victim might get a few scenes expressing their trauma later on - maybe a callback or two - but that’s it. It’s shallow. Plenty of fictional rapes could be replaced with a savage beating and nothing would change. In the worst cases you could remove the rape, not replace it with anything, then run the story with minimal problems. Not so in AitD. There, the rape isn’t just another semi-important plot point. It’s a crucial one which couldn’t be replaced with anything else. The whole first part of the story, the engine of the narrative, is built around America and England failing to deal with their changing relationship. A relationship between a pair of humans who also happen to be strange, immortal beings that ordinary humans can’t understand. Changing from platonic/familial to romantic over hundreds of years. With romance comes lust. Lust can be perfectly healthy just like any other bodily appetite. In this case it became twisted by circumstance, and the only “suitable” narrative payoff was rape. Nothing else would have had the necessary impact.

Then there’s how the rape compares to the final sex scene in some classic narrative juxtaposition. The final sex scene which happens to be the only one in the comic that’s fully consensual on both sides. The one that goes beyond sex and becomes real, honest to goodness lovemaking. It’s a perfect contrast. The rape scene had all the trappings of a classic romance. Right down to it being their first time and taking place in a rose garden. But it’s tragic, horrifying, and deeply unsexy. Then, near the end of their story, America and Arthur get lost on their road trip and have sex in their car. Their crappy, cramped car, where they’re surrounded by ordinary luggage, both of them sweaty and a little cranky with each other after a long day. It’s awkward, ordinary, imperfect and gorgeous. If we didn’t have the rape before to show us the nadir of this relationship, the healing and the dawn that came after wouldn’t be half so meaningful. A very strange thing to say without context, but it was a perfectly done rape that gave the audience the payoff of perfectly done lovemaking. It’s no small feat to get a reader to cheer for a romantic resolution after all of the above. Kind of in awe of Hotama’s skills, I tell you what.

Up to this point and I don’t know what else there is to say other than, geez. This comic, man. Blew me away. I’m so happy I rediscovered my interest in Hetalia if for no other reason than I got to read Arthur in the Dark. I’m a bit of a bookworm in my spare time and I’ve read quite a lot of classic literature over the years. Classic literature with rape scenes not crafted half so well as AitD did. Really think about that. An amateur fan comic based on a jokey gag series about national personifications being silly with each other. Did better at something than the books we hold up as the best of the best. Can’t really say anything else than that is genuinely bloody amazing

[mariacallous]

When most Americans think of fascism, they picture a Hitlerian hellscape of dramatic action: police raids, violent coups, mass executions. Indeed, such was the savagery of Nazi Germany, Stalinist Russia, and Vichy France. But what many people don’t appreciate about tyranny is its “banality,” Timothy Snyder tells me. “We don’t imagine how a regime change is going to be at the dinner table. The regime change is going to be on the sidewalk. It’s going to be in your whole life.”

Snyder, a Yale history professor and leading scholar of Soviet Russia, was patching into Zoom from a hotel room in Kyiv, where the specter of authoritarianism looms large as Ukraine remains steeped in a yearslong military siege by Vladimir Putin. It was late at night and he was still winding down from, and gearing up for, a packed schedule—from launching an institution dedicated to the documentation of the war, to fundraising for robotic-demining development, to organizing a conference for a new Ukrainian history project. “I’ve had kind of a long day and a long week, and if this were going to be my sartorial first appearance in Vanity Fair, I would really want it to go otherwise,” he joked.

But the rest of our conversation was no laughing matter. It largely centered, to little surprise, on Donald Trump and how the former president has put America on a glide path to fascism. Too many commentators were late to realize this. Snyder, however, has been sounding the alarm since the dawn of Trumpism itself, invoking the cautionary tales of fascist history in his 2017 book, On Tyranny, and in The Road to Unfreedom the year after. It’s been six years since the latter, and Snyder is now out with a new book, On Freedom, a personal and philosophical attempt to flip the valence of America’s most lauded—and loaded—word. “We Americans tend to think that freedom is a matter of things being cleared away, and that capitalism does that work for us. It is a trap to believe in this,” he writes. “Freedom is not an absence but a presence, a life in which we choose multiple commitments and realize combinations of them in the world.”

In an interview with Vanity Fair, which has been edited for length and clarity, Snyder unpacks America’s “strongman fantasy,” encourages Democrats to reclaim the concept of freedom, and critiques journalists for pushing a “war fatigue” narrative about the Russian invasion of Ukraine. “There’s just something so odd about Americans being tired of this war. We can get bored of it or whatever, but how can we be tired?” he asks. “We’re not doing a damn thing.”

Vanity Fair: The things we associate with freedom—free speech, religious liberty—have been co-opted by the Republican Party. Do you think you could walk me through how that happened historically and how Democrats could take that word back?

Timothy Snyder: Yeah. I think the way it happened historically is actually quite dark there. There’s an innocent way of talking about this, which is to say, “Oh, some people believe in negative freedom and some people believe in positive freedom—and negative freedom just means less government and positive freedom means more government.” And when you say it like that, it just sounds like a question of taste. And who knows who’s right?

Whereas historically speaking, to answer your question, the reason why people believe in negative freedom is that they’re enslaving other people, or they are oppressing women, or both. The reason why you say freedom is just keeping the government off my back is that the central government is the only force that’s ever going to enfranchise those slaves. It’s the only force which is ever going to give votes to those women. And so that’s where negative freedom comes from. I’m not saying that everybody who believes in negative freedom now owns slaves or oppresses women, but that’s the tradition. That’s the reason why you would think freedom is negative, which on its face is a totally implausible idea. I mean, the notion that you can just be free because there’s no government makes no sense, unless you’re a heavily drugged anarchist.

And so, as the Republican Party has also become the party of race in our country, it’s become the party of small government. Unfortunately, this idea of freedom then goes along for the ride, because freedom becomes freedom from government. And then the next step is freedom becomes freedom for the market. That seems like a small step, but it’s a huge step because if we believe in free markets, that means that we actually have duties to the market. And Americans have by and large accepted that, even pretty far into the center or into the left. If you say that term, “free market,” Americans pretty generally won’t stop you and say, “Oh, there’s something problematic about that.” But there really is: If the market is free, that means that you have a duty to the market, and the duty is to make sure the government doesn’t intervene in it. And once you make that step, you suddenly find yourself willing to accept that, well, everybody of course has a right to advertise, and I don’t have a right to be free of it. Or freedom of speech isn’t really for me; freedom of speech is for the internet.

And that’s, to a large measure, the world we live in.

You have a quote in the book about this that distills it well: “The countries where people tend to think of freedom as freedom to are doing better by our own measures, which tend to focus on freedom from.”

Yeah, thanks for pulling that out. Even I was a little bit struck by that one. Because if you’re American and you talk about freedom all the time and you also spend all your time judging other countries on freedom, and you decide what the measures are, then you should be close to the top of the list—but you’re not. And then you ask, “Why is that?” When you look at countries like Sweden, Norway, Denmark, France, Germany, or Ireland—that are way ahead of us—they’re having a different conversation about freedom. They don’t seem to talk about freedom as much as we do, but then when they do, they talk about it in terms of enabling people to do things.

And then you realize that an enabled population, a population that has health care and retirement and reliable schools, may be better at defending things like the right to vote and the right to freedom of religion and the right to freedom of speech—the things that we think are essential to freedom. And then you realize, Oh, wait, there can be a positive loop between freedom to and freedom from. And this is the big thing that Americans get a hundred percent wrong. We think there’s a tragic choice between freedom from and freedom to—that you’ve got to choose between negative freedom and positive freedom. And that’s entirely wrong.

What do you make of Kamala Harris’s attempt to redeem the word?

It makes me happy if it’s at the center of a political discussion. And by the way, going back to your first question, it’s interesting how the American right has actually retreated from freedom. It has been central for them for half a century, but they are now actually retreating from it, and they’ve left the ground open for the Democrats. So, politically, I’m glad they’re seizing it—not just because I want them to win, but also because I think on the center left or wherever she is, there’s more of a chance for the word to take on a fuller meaning. Because so long as the Republicans can control the word, it’s always going to mean negative freedom.

I can’t judge the politics that well, but I think it’s philosophically correct and I think we end up being truer to ourselves. Because my big underlying concern as an American is that we have this word which we’ve boxed into a corner and then beaten the pulp out of, and it really doesn’t mean anything anymore. And yet it’s the only imaginable central concept I can think of for American political theory or American political life.

Yeah, it’s conducive to the joy-and-optimism approach that the Democrats are taking to the campaign. Freedom to is about enfranchisement; it’s about empowerment; it’s about mobility.

Totally. Can I jump in there with another thought?

Of course.

I think JD Vance is the logical extension of where freedom as freedom from gets you. Because one of the things you say when freedom is negative—when it’s just freedom from—is that the government is bad, right? You say the government is bad because it’s suppressive. But then you also say government is bad because it can’t do anything. It’s incompetent and it’s dysfunctional. And it’s a small step from there to a JD Vance–type figure who is a doomer, right? He’s a doomer about everything. His politics is a politics of impotence. His whole idea is that government will fail at everything—that there’s no point using government, and in fact, life is just sort of terrible in general. And the only way to lead in life is to kind of be snarky about other people. That’s the whole JD Vance political philosophy. It’s like, “I’m impotent. You’re impotent. We’re all impotent. And therefore let’s be angry.”

Did you watch the debate?

No, I’m afraid I didn’t. I’m in the wrong time zone.

There was a moment that struck me, and I think it would strike you too: Donald Trump openly praised Viktor Orbán, as he has done repeatedly in the past. But he said, explicitly, Orbán is a good guy because he’s a “strongman,” which is a word that he clearly takes to be a compliment, not derogatory. You’ve written about the strongman fantasy in your Substack, so I’m curious: What do you think Trump is appealing to here?

Well, I’m going to answer it in a slightly different way, and then I’ll go back to the way you mean it. I think he’s tapping into one of his own inner fantasies. I think he looks around the world and he sees that there’s a person like Orbán, who’s taken a constitutional system and climbed out of it and has managed to go from being a normal prime minister to essentially being an extraconstitutional figure. And I think that’s what Trump wants for himself. And then, of course, the next step is a Putin-type figure, where he’s now an unquestioned dictator.

For the rest of us, I think he’s tapping—in a minor key—into inexperience, and that was my strongman piece that you kindly mentioned. Americans don’t really think through what it would mean to have a government without the rule of law and the possibility of throwing the bums out. I think we just haven’t thought that through in all of its banality: the neighbors denouncing you, your kids not having social mobility because you maybe did something wrong, having to be afraid all the damn time. African Americans and some immigrants have a sense of this, but in general, Americans don’t get that. They don’t get what that would be like.

So that’s a minor key. The major key, though, is the 20% or so of Americans who really, I think, authentically do want an authoritarian regime, because they would prefer to identify personally with a leader figure and feel good about it rather than enjoy freedom.

You mentioned the word banality, which makes me think of Hannah Arendt’s theory of the “banality of evil.” What would the banality of authoritarianism look like in America?

So let me first talk about the nonbanality of evil, because our version of evil is something like, and I don’t want to be too mean, but it’s something like this: A giant monster rises out of the ocean and then we get it with our F-16s or F-35s or whatever. That’s our version of evil. It’s corporeal, it’s obviously bad, and it can be defeated by dramatic acts of violence.

And we apply that to figures like Hitler or Stalin, and we think, Okay, what happened with Hitler was that he was suddenly defeated by a war. Of course he was defeated by a war, but he did some dramatic and violent things to come to power, but his coming to power also involved a million banalities. It involved a million assimilations, a million changes of what we think of as normal. And it’s our ability to make things normal and abnormal which is so terrifying. It’s like an animal instinct on our part: We can tell what the power wants us to do, and if we don’t think about it, we then do it. In authoritarian conditions, this means that we realize, Oh, the law doesn’t really apply anymore. That means my neighbor could have denounced me for anything, and so I better denounce my neighbor first. And before you know it, you’re in a completely different society, and the banality here is that instead of just walking down the street thinking about your own stuff, you’re thinking, Wait a minute, which of my neighbors is going to denounce me?

Americans think all the time about getting their kids into the right school. What happens in an authoritarian country is that all of that access to social mobility becomes determined by obedience. And as a parent, suddenly you realize you have to be publicly loyal all the time, because one little black mark against you ruins your child’s future. And that’s the banality right there. In Russia, everybody lives like that, because any little thing you do wrong, and your kid has no chance. They get thrown out of school; they can’t go to university.

We don’t imagine how a regime change is going to be at the dinner table. The regime change is going to be on the sidewalk. It’s going to be in your whole life. It’s not going to be some external thing. It’s not like this strongman is just going to be some bad person in the White House, and then eventually the good guys will come and knock him out. When the regime changes, you change and you adapt, and you look around as everyone else is adapting and you realize, Well, everyone else adapting is a new reality for me, and I’m probably going to have to adapt too. Trump wants to be a strongman. He’s already tried a ​​ coup d’état. He makes it clear that he wants to be a different regime. And so if you vote him in, you’re basically saying, “Okay, strongman, tell me how to adapt.”

Yeah, we could talk about Project 2025 all day. This new effort to bureaucratize tyranny—which was not in place in 2020—could really make the banal aspect a reality because it’s enforced by the administrative state, which is going to be felt by Americans at a quotidian level.

I agree with what you say. If I were in business, I would be terrified of Project 2025 because what it’s going to lead to is favoritism. You’re never going to get approvals for your stuff unless you’re politically close to administration. It’s going to push us toward a more Hungary-like situation, where the president’s pals’ or Jared Kushner’s pals’ companies are going to do fine. But everybody else is going to have to pay bribes. Everyone else is going to have to make friends.

It’s anticompetitive.

Yeah, it’s going to generate a very, very uneven playing field where certain people are going to be favored and become oligarchs. And most of the rest of us are going to have a hard time. Also, the 40,000 [loyalists Trump wants to replace the administrative state with] are going to be completely incompetent. When people stop getting their Social Security checks, they’re going to realize that the federal government—which they’ve been told is so dysfunctional—actually did do some things. It’s going to be chaos. The only way to get anything done is to have a phone number where you can call somebody at someplace in the government and say, “Make my thing a priority.” The chaos of the administration state feeds into the strongman thing. And since that’s true, the strongman view starts to become natural for you because it’s the only way to get anything done.

You’ve studied Russian information warfare pretty extensively. A few weeks ago the Justice Department indicted two employees of the Russian state media outlet RT for their role in surreptitiously funding a right-wing US media outfit as part of a foreign-influence-peddling scheme, which saw them pull the wool over a bunch of right-wing media personalities. Do you think this type of thing is the tip of the iceberg when it comes to Russian information warfare?

Of course. It’s the tip of the iceberg, and I want to refer back to 2016. It was much bigger in 2016 than we recognized at the time. The things that the Obama administration was concerned with—like the actual penetration of state voting systems and stuff—that was really just nothing compared to all of the internet stuff they had going. And we basically caught zilcho of that before the election itself. And I think the federal government is more aware of it this time, but also the Russians are doing different things this time, no doubt.

I’m afraid what I think is that there are probably an awful lot of people who are doing this—including people who are much more important in the media than those guys—and that there’s just no way we’re going to catch very many of them before November. That’s my gut feeling.

While we’re on Russia, I do want to talk about Ukraine, especially since you’re there right now. I think one of the most unfortunate aspects of [the media’s coverage of] foreign wars—the Ukraine war and also the Israel-Hamas war—is just the way they inevitably fade into the background of the American news cycle, especially if no American boots are on the ground. I’m curious if this dynamic frustrates you as a historian.

Oh, a couple points there. One is, I’m going to point out slightly mean-spiritedly that the stories about war fatigue in Ukraine began in March 2022. As a historian, I am a little bit upset at journalists. I don’t mean the good ones. I don’t mean the guys I just saw who just came back from the front. [I mean] the people who are sitting in DC or New York or wherever, who immediately ginned up this notion of war fatigue and kept asking everybody from the beginning, “When are you going to get tired of this war?” We turned war fatigue into a topos almost instantaneously. And I found that really irresponsible because you’re affecting the discourse. But also, I feel like there was a kind of inbuilt laziness into it. If war fatigue sets in right away, then you have an excuse never to go to the country, and you have an excuse never to figure out what’s going on, and you have an excuse never to figure out why it’s important.

So I was really upset by that, and also because there’s just something so odd about Americans being tired of this war. We can get bored of it or whatever, but how can we be tired? We’re not doing a damn thing. We’re doing nothing. I mean, there’s some great individual Americans who are volunteering and giving supplies and stuff, but as a country, we’re not doing a damn thing. I mean, a tiny percentage of our defense budget—which would be going to other stuff anyway—insead goes to Ukraine.

And by the way, Ukrainians understand that Americans have other things to think about. I was not very far from the front three days ago talking to soldiers, and their basic attitude about the election and us was, like, “Yeah, you got your own things to think about. We understand. It’s not your war.” But as a historian, the thing which troubles me is pace, because with time, all kinds of resources wear down. And the most painful is the Ukrainian human resource. That’s probably a terribly euphemistic word, but people die and people get wounded and people get traumatized. Your own side runs out of stuff.

We were played by the Russians, psychologically, about the way wars are fought. And that stretched out the war. That’s the thing which bothers me most. You win wars with pace and you win wars with surprise. You don’t win wars by allowing the other side to dictate what the rules are and stretching everything out, which is basically what’s happened. And with that has come a certain amount of American distraction and changing the subject and impatience. I think journalists have made a mistake by making it into a kind of consumer thing where they’re sort of instructing the public that it’s okay to be bored or fatigued. And then I think the Biden administration made a mistake by not doing things at pace and allowing every decision to take weeks and months and so on.

What do you think another Trump presidency would mean for the war and for America’s commitment to Ukraine?

I think Trump switches sides and puts American power on the Russian side, effectively. I think Trump cuts off. He’s a bad dealmaker—that’s the problem. I mean, he’s a good entertainer. He’s very talented; he’s very charismatic. In his way, he’s very intelligent, but he’s not a good dealmaker. And a) ending wars is not a deal the way that buying a building is a deal, and b) even if it were, he’s consistently made bad deals his whole career and lost out and gone bankrupt.

So you can’t really trust him with something like this, even if his intentions were good—and I don’t think his intentions are good. Going back to the strongman thing, I think he believes that it’s right and good that the strong defeat and dominate the weak. And I think in his instinctual view of the world, Putin is pretty much the paradigmatic strongman—the one that he admires the most. And because he thinks Putin is strong, Putin will win. The sad irony of all this is that we are so much stronger than Russia. And in my view, the only way Russia can really win is if we flip or if we do nothing. So, because Trump himself is so psychologically weak and wants to look up to another strongman, I think he’s going to flip. But even if I’m wrong about that, I think he’s incompetent to deal with a situation like this. Because he wants the quick affirmation of a deal. And if the other side knows you’re in a hurry, then you’ve already lost from the beginning.

[freetheshit-outofyou]

You Republicans/Conservatives make me sick with your two faced double talk. President Biden has never called trump a threat to democracy even though he is. He and Kamal are trying to save this county from people like you. If we don't stop your strangle hold on this Democracy America will die and the only light of freedom in this world will die with us.

(1:45) The amount of Kool-Aid you have to drink to believe your own bullshit must be astronomical. The United States is not a democracy, we are a Republic. You really should learn the difference. I’ll sum up for you. A Republic is guided by our Constitution, a Democracy is ruled but the majority. I have said it before and I will continue to say it, what has been done to Mr. Biden by those who want to stay in power is nothing short of televised elder abuse. I feel for him, having watched my grandparents falter and fail because of cognitive decline is heartbreaking. We did not parade them around at their lowest and we sure as hell did not cut bait on them when a better plan came around. It sickens me to see how the left has handled this entire situation. They have left him no dignity, and they are perfectly ok with that. I’m not sure what Left leaning echo chamber you have been living it but there is no shortage of examples of Mr. Biden, and those who work for him calling not only Mr. Trump but Republicans a “Threat to Democracy”. A simple YouTube search will give you all the proof you ever need. You won’t do that of course because it would not change your warped mind. You think political violence is perfectly ok when it is pointed at the Right or the Center to get your political way. You are the problem, you are also exactly who the President and the Whitehouse are shooting their messaging at. They want you mad and violent, they want you to lash out at your perceived political rivals, and you dimwits keep taking the bait. What’s next, you’re going to take out the January 6th talking points to prove how dangerous the right is? You know the most non-violent supposed over through of the democratic process in US history while failing to mention that the Lefts only candidate is a person who was placed there. A person who has not received one primary of caucus vote from anyone in the US. A person who has never debated or faces a single opponent in their party and a person who has never had to answer for anything she has done in the last 3 ½ years, or ever. ALL of that is against the democratic process in all of our history.

[star--nymph]

It’s so important to me that the basis of Eurydice’s and Dorian’s relationship, the core of it, is that they recognized each as abuse children. Eurydice not understanding Dorian’s speech or coping mechanisms until she met his father in the tavern and knew intimately—though maybe not consciously—what this was because she had known it. She knew a father that did not love his child as they were, did not understand them, did not want them, violently tried to change them to fit his preferred mold. That all he wanted was an object, no a son. And she marveled at Dorian’s ability to acknowledge it and refuse to play into any longer.

Brave. When Eurydice meant Dorian was brave, she meant in a specific way and he knew it. That’s why he paused—because Dorian is smart and perceive in a way she isn’t and he doesn’t need that many clues to know how they were bonded.

and yet for all that Eurydice curled around him like a protective older sibling, offered him the elven name of ‘brother’ and stood vigilant over him.

and later that night when they were drunk and Eurydice spoke the things her father had done to her and then begging Dorian not to say it, not to make it real because she would not—could not— hear that her father did not love her (that she wasn’t ready), he let her have it.

But he kept that secret and watched her, waiting until she was ready—when it was her turn to be break apart and be brave.

[bonefall]

Firestar getting treated to a character assassination after The Darkest Hour is my villain origin story tbh

You can see the EXACT moment where the brain worms go terminal when Tigerstar dies in front of him, and he starts going "oooga booga he was strong and noble and had good traits... well need him to fight all these evil foreigners..." Just ceremorphose already, this is #NotMyFirestar

[even-disco-baby]

YOU — “No. There is still a chance.”

DOLORES DEI — “You think so?” Her voice is weary.

EMPATHY — Everything about her is weary. She is the Innocence of weariness, of heroically borne suffering.

CONCEPTUALIZATION — That is the picture you have painted for yourself, at any rate.

YOU — “You looked back. That’s the memory, the moment, that I can’t stop returning to. You looked back. I had a chance, for just that moment…”

DOLORES DEI — She meets your eye, gaze still forever cast back over her shoulder. Time stops. The stars are stilled, the ocean silent. There is *nothing* beyond this memory. Nothing at all. All of infinity is contained in this single moment when anything and everything was possible.

“Oh, Harry…” She sighs, soft as eiderdown. “We never had any chance.”

And just like that, the wave of time collapses under its own weight, obliterating everything. This moment was six years ago. She is gone from here. Gone, gone…

PAIN THRESHOLD — You cannot leave. There was nothing outside of this moment, and now there is nothing at all. It’s all gone. There is no point. I’m sorry. I can’t do this any longer.

VOLITION — Please, don’t say that…

“Okay. Well, fuck me, then.”

“How would *you* know?! You gave up! You didn’t even try!”

“We *must* have had a chance, at some point… Doesn’t everyone get a chance, if nothing more?”

“How could you say that…?”

DOLORES DEI — “Because it’s true,” she says, matter-of-fact. “There is no moment in time that you can turn back to, no branching paths, no infinity. There is only what happened. I looked back… and then away.” She closes her eyes, turning her back to you.

“The moment ended. *We* ended. That is all.”

SHIVERS — A wave crashes against an unseen shore, ocean spray tickling the back of your neck. You shiver, but no one shivers with you. You are alone in this intersection. Why are you here?

“Why can’t *I* end?! Why can’t this all just stop? Please, make it stop…”

“Ended? I’ve barely even started! I got a chance to start completely over as somebody new! I don’t need you anymore! You’re just dead weight to me now.”

“No. That wasn’t the real ending. We’re a part of something so much bigger than this intersection, telling a story that encapsulates all of history! There’s *more* to this, it *means* something.”

“Then… What am I supposed to do now…?”

DOLORES DEI — “No, Harry.” She turns back to you again now, and she looks… sad.

“We were not metaphors. We were people. Our narrative was not intelligently designed. It simply followed the patterns of history, because those are the only patterns we *know.* We tried to create something new, but we failed. There is no narrative reward for our failure, no satisfactory ending. There is only the immutable past and the unknowable future.”

RHETORIC — There is no assurance of what is good or deserved or what may bring relief. There is no assurance of punishment, either. There is no assurance of anything. Not even of a future. I don’t know what to say to make this bearable.

VOLITION — Even so… As long as you live, *something* is promised. Can you live with that?

I can’t, I just can’t do this anymore…

I can. It’s enough.

I don’t know. I just don’t know.

I can at least try for a little longer…

VOLITION — That’s all I ask. That’s enough.

[distantwave]

[wiitzend]

trying not to get worked up over something i saw on youtube so i'll just say this: the complete and utter lack of empathy in people is truly frightening, especially when its aimed at yound children. how can you even fuction as a person with that much hate in your heart.

[evilminji]

Okay, you know how bird don't ACTUALLY look the way we think they do?

They are far more colorful? But only to the eyes of other birds?

And it has to do with how light reflects off them and how their eyes are shaped etc etc.?

Well..... humans can see the most shades of green, right? But! We sure as shit can't see UltaViolet and InfraRed? Or shades BEYOND those. Ectoplasmic colors. Magical ones. Third eye, need to see with your SOUL type ones.

Danny? Could very well still have lil baby "kitten's eyes who haven't open yet" syndrome.

He thinks the Zone is Green and his hair is white.

But it's not.

His hair is Starlight colored. Frost. His suit is specifically "the void between stars" colored. Which looks... different? Then black? No, no, guys. How can you guys not see it? It looks REALLY different! How did he not NOTICE before?! They're not ever CLOSE to the same shade! It's like calling salmon and hot pink the same. You know... if you were to compare an actual fish and some irradiated, violently glowing version of "hot pink".

......guys?

His gloves are.... guys, these ares stars. Pressed so close together there's no gap. His body is the night sky, all rearranged. He's wearing SPACE, guys.

*continues to stare at his gloves for the next five hours*

Now... why is this relevant? Because! Danny slowly, as all humans do, adjusts! It's like finally having glasses after years of blurry vision. He... forgets, what it was like, not NOT See Zone Colors. Not completely, mind you, but enough he has to be reminded.

And the Zone? A Realm of the Dead. Specifically, the great catch-all and highway of the Dead. They get EVERYBODY. Misfits and vagabonds. Those who don't quite fit. Funky lil dudes. And of course, assholes, but everybody has those! See, Zone colors?

Are DIFFERENT.

They're all of um!

It's like looking at the technicolor, stobe light, multi galaxies in one, Sun. Tingly(tm)!!! You get used to it. What helps? Is that as garish as the Zone is? The painting and grand tapestry of it all? Keeps changing. Like weather. If it's too much for you, you can stay inside your Lair until the current Color changes. Until the designs shift. Vibe changes.

There are even glasses for that! "Temperate" areas for people to set up, that get headaches or are just... kinda killjoys. Too each their own. Though the stormy areas? Those guys are freaks. Watch out for those guys. They're the kind who stare directly are stars until their eyes burn out.

Where was I? Oh yeah! Danny!

No longer a wee baby, smol baby, twig-o!

Sad. We miss it.

But he did get used to Seeing The Colors. Got a handle on his powers. And! Finally worked with his parents on how to safely turn the portal OFF. There was much booing. Cries of "kill joy" and "booo! You suck!". But? Like? Dude DID have the right to protect his home. Go to college. What can you do?

Problem with THAT is? Baby grew into his "built like a brick shit house of constantly running off to literally tackle the Supernatural excellence" Fenton genetics. He Tall. Muscles! And he PUMPING out "somethings fucked up with me" Vibes!

Add in his DEEPLY Sus off hand comments. Weird ability to tell when someone has or is about to die. Basic immunity to the cold. Fuckin EYE GLOW?

Ha ha... *Horror movie screams from his college dorm mates*

Clearly a demon!

He gets kicked out. Well... not kicked out. He's a model student and broken no rules. They'd never survive the lawsuit. But... he's? STRONGLY INCOURAGED to finish his education elsewhere. Repeatedly. By like... 15 colleges.

Sam is not just livid, she's actively foaming at the mouth.

Breathe, Sam! Remember what your doctor said! Your mortal body can't handle that kinda Vengance spiral! Think of your blood pressure! Breathe!!! (Were not for the laws of this land... and the weak, fleshy constraints of her mortal form!)

Thankfully? Tucker's been interning, remotely of course, with Wayne Industries. He asked his manager where he could find some of those scholarship forms. (Since Gotham University is just a touch out of Danny's price range.) Manager wanted to know why. And oh! Oh holy shit. Apparently? Danny is the hot new office gossip.

People in the main office are OUTRAGED. Danny's "too spooky"?! Too FUCKIN SPOOKY!? Are you KIDDING THEM? Even juicier, a Meta kid from some wacky ghost hunters turned scientists. From a line of Supernatural hunters. Wants to be a aeronautics engineer.

Ooooooh how SPOOKY! Better watch out! He'll design an ENGINE at yooooou!

Fuckin casuals. Non-Gothamites are WEAK. "Too scary" their collective asses. Yeah, maybe the kid SHOULD come too Gotham. He can be the weird kid. Mildly unsettling or something. His powers won't be SHIT in Gotham. Just remind him to buy a gas mask.

So! Danny gets his Scholarship! Merrily packs his bags for darker, Gothic hellscape hills. Unaware... that Constantine has been following reports of a "demon" that he's? 80% sure is a Banshee but MIGHT be a winter spirt with a shtick? For the past 13 colleges. He's getting closer. And this sucker is a strong one.

Not "this is going to cause me serious, life imperilling danger" strong. But more? "Man, that cat is HUUUUUGE". Could he still get mauled a lil? Yeah. Scratched to all hell and back? Probably! But DIE? Unlikely.

He just needs to know why the FUCK this spirit his hanging around colleges.

Which is made harder... by the fact that what HE sees? And what OTHER people see? When they look at this guy? Separate things. Yeah, he'd LOVE to give you guys a description! IF HE HAD ONE.

@the-witchhunter @hdgnj @hdgnj @spidori @babbling-babull @nerdpoe @lolottes

[luveline]

hey jade! maybe this is a tad more angsty than you'd like but could I request prison!Spence getting a visit from bombshell!reader and Amy? or a phonecall with them? q

ty for your request <3 mom!reader, 1.4k

“Best behaviour,” you’re whispering, hand on Amy’s small back, her shoe digging into your hip. “I’m serious, baby. Big feelings are okay, but we can’t be loud. We can’t shout.” 

She frowns. Amy’s been a little against you these last few weeks. “I’m not shouting.” 

“I know.” You try and fail to divide your attention between her and the line you’re following. You almost miss the sound of the buzzer that ushers you forward. “Okay, I’m right here. I know everything has been super scary, and you’re my brave girl, but I’m right here. You can tell me anything. Okay?” 

She rubs your chin with her nose. “Okay, mom.”

“Okay. Let’s go see daddy!” you cheer under your breath, enthusing your voice with some false joy. 

Your nerves threaten to make you sick, but you have to be the put together one. This is the strife part of the marriage you’d signed up for. Though no one can blame you for handling it poorly —who could ever expect Spencer to be where he is right now? 

You carry Amy into the penitentiary visitor’s room with apprehension, shoulders stiff, fingers aching against your little girl’s rough denim jacket. The room is laid out strangely, but there’s a clear division between the prisoners and the visitors, though there’s no overarching perspex. There are dividers, sure, but you can touch him. You can see him sitting near the middle of the room, his hair in violent disarray, his eyes locked onto you already. 

You speed up your walking. 

Desperate, your knee knocks into a chair as you try to touch his face. 

Spencer lets you for a half a second, before he moves away. “You’re not allowed to touch me,” he says, voice laden with a raw apologeticness that threatens to trip you up immediately. 

“Daddy!” Amy says, squirming in your arms, her foot on the desk as she tries to shove herself over the short partition. 

Spencer, in a dads instinct, reaches for her without thinking. “Amy, Amy,” he says. 

“No touching!” a guard shouts clearly. 

Spencer pushes Amy gently back into your arms and holds his arms up in surrender. The guard veers his way, but walks off again when he sees Spencer’s compliance. 

“Daddy,” she whines, holding out her hand. 

“Sit down,” Spencer says to you. 

You sit down. The gap between both you and Amy and Spencer widens, her little legs pumping restlessly into your thighs. You’ll be bruised as a soft pear when you go home, but you barely feel it now. 

“Shh,” you say, wrapping your arms around her like a straight jacket. You don’t really have a choice. “Shh, baby, shh. Remember what mommy said, okay? We have to be quiet, or they won’t let us see your daddy anymore. We have to follow the rules.” 

“It’s okay,” Spencer says. He clears his throat. “Hey, Amanda?” 

She looks up in surprise at her full first name. “What?” she asks. 

“God, it’s so good to see you.” His voice thickens with emotion, but he keeps a tight handle on it. “I miss you so much, sweetheart. So much.” He looks at you. “I miss you,”  he says again. 

“We miss you too.” You wipe your nose. “It’s weird just being mom and Amy at home.” 

Weird isn’t the right word. Amy has cried herself sick five nights a week for the last month, because if her mom is home, why isn’t her dad? Why can’t she talk to him? Where did he go? 

“When can you be home?” Amy asks, reaching toward the glass again. 

Spencer looks around the room before he reaches over the half-partition to hold her hand. He gives you a look: watch my back. 

“I don’t know yet,” he says, holding her hand tightly, and giving her fingers little squeezes, “I’m sorry, princess.” 

You give him a look of your own: change the subject. 

You miss Spencer more than you’ve ever missed another person. There’s never been a feeling as acute as this in your life, you don’t know what to do with yourself when you aren’t with him. The only thing you can do is be Amy’s mom, and you’ve always felt that Spencer made you better at it. Without him, you’re struggling. 

He looks like he can tell. 

He diverts his attention from you to Amy again, ducking his head, his face posed into his most loving smile. “You’re so pretty, just like your mommy. You’re getting prettier every day, aren’t you? Mommy told me you’ve been helping make your own dinner. That’s amazing. You’re my smart girl.” 

“I make– made our favourite last night.” She struggles over ‘favourite’, but she’s as smart as her father. The words come easily. “We had, uh– butter chicken! And mommy made…” 

You blink a small tear from the corner of your eye. “I made garlic naan. We toasted them under the grill, didn’t we?” you ask with a sniffle. 

“Yes!” She looks back at you. “Dad’s plate.” 

You wipe your cheek quickly. “We kept you some,” you say, fighting as hard as you can to stop yourself from crying at the table. You can’t break down here, and you won’t. “Amy was worried you’d come home and be hungry, so we saved you some.” 

Spencer leans far over the table to squeeze your wrist. Behind him, the prison guard begins making their way to your table.

“Spencer.” You lean away before he can get caught. 

Spencer snatches his hand back to grip the partition. 

He smiles. “Angel,” he says clearly, looking you straight in the eye, “you’re doing so good. I can’t believe how amazing you are.” 

“I’m gonna fix this,” you promise. 

“No, no, angel, I just need you to look after yourself, and my princess.” He gives Amy a smile dripping with affection. “She needs lots of looking after. Don’t you, Amy? I know mommy’s doing such a great job looking after you.” 

“I miss you,” she says. 

“I miss you too.” 

“Can I have a hug now?” 

He looks back, right into the watchful gaze of the guard. He turns back with a smile that’s nearly convincing. “Not right now, I probably don’t smell very nice, and they don’t want me to get my gross smell on you.” 

“Ew, daddy.” 

“Ew,” he agrees, wrinkling his nose. “I wish I smelled like you and mommy. What smell is it today, baby?” 

“Persimmon,” she says. She preens at the suggestion that she smells good, relaxing against your chest. 

You kiss her temple. 

“Persimmon,” Spencer says. He couldn’t sound more proud. “You know what? Persimmons have lots of meaning. They’re a symbol of perseverance.” He remembers to dumb it down. “People who eat lots of persimmons are strong, they can get through anything. Maybe when you and mommy go home, you can share a persimmon, and I can eat one here, and together we’ll be strong while we wait for me to come home.” 

“You can come home now,” Amy says. “Come home with us!” 

“I can’t,” he says gently. “It’s complicated.” 

“I think daddy has the right idea,” you say, interrupting his explanation unapologetically, “I think we should go to the market when we leave and pick all the different fruits, and I’ll send some for dad here, and we can eat them at the same time.” 

“Like a picnic?” 

“I can make little sandwiches, and we’ll get your teddies,” you agree. “Whatever you want. But first, I think you need to tell daddy all about this week. What book have we been reading? Oh, and we got you some new shoes ‘cos your feet got bigger!” 

He smiles lovingly. “Oh, they did?” he asks softly. 

You know he’s gutted.

(Spencer gets out of prison almost two whole months later. He gives Amy a huge box of tangerines (with the white lie that they are persimmons, hard to find in DC, and your sweet girl doesn’t know the difference yet) with a new pair of converse wrapped in a red silk bow, promising that he will never miss another fitting. He doesn’t know where to start with you, that much is obvious, he’s so grateful to be home and he’s sick to his stomach with guilt, too. He doesn’t realise the only thing you needed was for him to come back. 

The diamond necklace is a nice gesture, though not half as valuable as his face pressed to your neck as he sleeps, Amy on his stomach, their long fingers sticky with orange peels. It makes all your silent crying worth it.)

[kittyfrisk9]

IdeaDpxDc—There are better ways to meet someone.

Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.

Dead On Main. Soul mates.

---

"Exactly... what does this ring do?" The shining ring was still attached to his finger. This wouldn't worry him if it weren't for the fact that, with each passing minute, the ring emitted more light, and that can't be good.

The cult leader refused to speak. He wouldn't even look at him, seeming particularly attentive to the material the floor was made of. Very funny that now he was scared of him when, an hour ago, he was giving a very cliché speech about how humanity was doomed because it would summon the evil of evils.

It wasn't very smart of him to perform his summoning precisely in Gotham City, home of the Dark Knight.

Red Hood was getting impatient. He placed the hand without the ring on his weapon; if words didn't work, a real threat to his life would. And this didn't really break Bruce's 'no killing' rule because the gun was only loaded with rubber bullets. However, just as he was about to advance and shoot the guy, he saw Batman grab the leader's tunic collar and lift him up.

The man, of course, screamed in fear. "Speak, what does that ring do?" No jokes. Batman's voice was deeper than usual, showing that he was upset, no, rather angry.

Or worried, but Jason could never consider that possibility. For the moment, he was only surprised, although it didn't show through his helmet.

"I-I don't know," the leader replied. Poor guy, he seemed about to cry. Batman, not content, tightened his grip even more; he wasn't willing to tolerate a lie this time.

Red Robin raised an eyebrow. "You managed to gather a bunch of magical artifacts for your summoning and you don't know what they do?"

The man looked away. "No..." The rest of the cult members also looked away. Very brave and stupid of them to all agree to lie to the bats. Jason himself wanted to mock them, but the ring kept shining. He couldn't mock when the ring kept shining and he didn't know what it meant.

From the communications, Robin could be heard. "Tt, this wouldn't be happening if Hood hadn't put on the ring." Jason suppressed a growl.

"Kid, I didn't put on the ring. This thing stuck to me the moment I touched it." It was true. In the middle of the operation to stop the ritual, Jason had pulled the ring, which at that moment was a kind of necklace by the chain that ran through it, from a member who was wearing it. The ring in his hand began to glow and suddenly teleported to his ring finger, then stopped shining. It was when everything calmed down that the ring began to release a different, but constant light.

Approximately ten minutes have passed since then, he thought as he looked at the ring, ignoring all the magical stuff; it was actually a very simple ring. Suddenly, the ring began to blink.

Oh, no. That couldn't be good.

Batman, fed up with the leader's silence and his followers, threw the man meters ahead. "Oracle, call Zatanna now, we need more information about the ring," he ordered as he approached the man who was in pain from the fall. The guy, terrified by the violent aura of the Dark Knight, tried to retreat.

Finally, Nightwing stepped between the man and the brutal beating he would receive if he didn't speak.

"It's okay, B, calm down." With his hand on his father's shoulder, Dick tried to ease the atmosphere. "I understand your concern. We are all worried about what the ring might do to Hood. But we can't let fear and anger control us. Hood is important to all of us. He is our brother, your son. We can't lose our cool now. Let's call Wonder Woman. If no one wants to talk, she can help us with the lasso of truth."

Total silence. Jason didn't know what to say; he didn't think his family would react like this over a blinking ring. That is... he doesn't know. Suddenly, the ring's light began to blink faster.

Batman, after Nightwing's words and seeing the change in the ring, understood that he couldn't waste time with someone who wouldn't talk. "You're right, thank you Nightwing." Looking at the others, he said: "We need to act quickly, we don't know the effects the ring might have on Hood. We need to take him to the cave for a thorough analysis, no discussions." The last part he said looking at Jason. "Until then, don't try to take it off or use it."

Jason scoffed, as if he would.

"Oracle, you heard, call Diana. Red Robin and I will take care of the rest of the cult. Nightwing, take Red Hood to the cave." Batman began giving orders as he reached the leader and began dragging him towards the rest of his cult. The leader, in a failed attempt, tried to resist. "Agent A, please prepare a stretcher. Understood?"

Everyone nodded.

On the other hand, the touching speech and the strange family moment of the bats seemed to soften the heart of a girl from the cult, who in a whisper said: "The ring, nothing will happen to him." Although she spoke quietly, everyone present heard her.

The leader, panicking that the information would be revealed, exclaimed: "Catrina, shut up!" However, he was struck by Batman, who was already fed up with the guy.

"What do you have to say about the ring?" he asked.

The woman hesitated to speak. "We thought of using the ring to subdue the king of the dead and make him listen to our orders..." She paused, not knowing how to continue. "There is a real legend about the ring. A long time ago, a witch wanted to know who her soulmate was, so she created the ring. This allows one to be guided to their soulmate through the red thread. I think everyone already knows what the red thread is." Nervous, she looked around. Only Nightwing nodded, and that was enough for her to continue telling. "Well, the witch's red thread connected with a prince. Unfortunately for everyone, the prince was not happy that his soulmate was a witch. So he had her killed." The girl looked at her hands; that part of the story was sad. "The witch was angry, but still wanted her soulmate to accept her, so she rewrote the ring's original purpose. It was no longer something that united you with your soulmate, but now it was something that allowed you to subdue your soulmate... uh, this." She pointed to a book that was lying in a corner. "With another spell, in fact, it can be used to subdue anyone, even a king of the dead."

With the whole story already told, Red Robin asked: "So, what is the ring doing to Red Hood?"

"It's tracking his soulmate. I... didn't get to put the other spell on it. I could only activate the ring's primary function. Your brother will be fine."

That definitely changes things. Jason swore he could hear his heart beating. A soulmate, wow. He admits he's read many romance novels and maybe once dreamed of it, but for it to actually happen, wow.

Suddenly, the ring stopped blinking. Five seconds later, everyone saw a red thread shoot out from the ring's gem. It quickly moved in one direction, went through the wall, and kept going. The process was like a fishing rod when it catches a fish.

"Does this mean it already found its soulmate?" Red Robin asked. Astonished by the red thread, he tried to touch it but his hand went through it; apparently, the thread was intangible to anyone else.

"Yes," the cultist also seemed astonished.

Jason felt a look on him, turned, it was his brother. Oh no, not that look, he knew that smile; Dick would tease him so much in the coming days. For his part, Batman sighed in relief. Well, it wasn't such an extreme danger, but it was still dangerous. "Agent A, cancel the stretcher." He never imagined this would mean a soulmate case. "Oracle, don't cancel the call to Zatanna or Wonder Woman, we need to verify the information. We'll stay here until the police arrive."

How nice it would be if everything ended like that, right? With Dick joking with Jason, Tim analyzing the thread, Barbara laughing at the turn of events, Bruce relieved and Damian surprised. However, one must remember the story.

The witch changed the ring's original purpose. Unexpectedly, the thread began to retract, as if it had caught something. It did so so quickly that Jason grabbed his hand in pain. It was then that everyone had a bad feeling. The wall the thread had previously passed through suddenly exploded, the noise and dust alerting everyone, especially when once the chaos disappeared, something horrific could be seen.

An arm. A fucking arm. Apparently freshly torn from its owner. Oh, no. What did it do to his soulmate?

...

Somewhere else in the world, somewhere in the United States, Danny gasped in pain. What the hell? What was that? Ancients! Where is his arm?

---

Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.

Edited on 06/21/2024 - Note two: Thanks to redflagshipwriter, who continued this idea below. And to Sakuravalelp who made me laugh with the complement.

[cultofcipher]

Bill Cipher thoughts (BoB Spoilers Ahead)

I'm really sitting on how Bill's displayed so much of himself indirectly in the BoB. How during the Love section he denies having exes, marking them out. How said exes show up SEVERAL times scratched out or are regarded with this bitterness of someone who did NOT do the breaking up part. Bill got dumped. Every time. And is desperately trying to bury his feelings.

And that's something I think the Book of Bill really highlights in a way. The fact that Bill has feelings. That deep down he's a broken triangle. It's all over the book's writing. Him pointing out how to use denial and rationalization and other bad coping mechanisms to basically ignore and lie to himself (and show us how to do it) and basically convince himself that he is as heartless as he tries to be. Him avoiding his exes. The tone he uses and the avoidance really giving the "I don't handle breakups well and I'm still petty about it". Him constantly telling himself that he's fine. He's not fine. Him crying over Ford leaving and getting wasted. Him being bitter about the henchmaniacs not calling. His regret over what happened to his world. His loneliness. GOD his loneliness. His self-hatred. His scathing remark about definitely NOT having some tragic backstory that humanizes him and how he's not an "I can fix him case". Calling himself a monster. His longing for home. The "Last one breathing". The "I tried to change the past". The "my hands shaking, as I realized I could never undo the". The "until there was no one left but me, covered in blood, alone in the universe". The goddamn "I don't want to die alone" Valentine's card. The last few pages. Just, the last few pages. That isolation, his pained "I'M FINE". The almost sad plea for someone to let him out.

Bill cares. He's fucked up, unstable, violent. But he does care about people he gets along with and he feels understand him. For every "I'm just playing the bit" and using people with nice gestures, I think a fraction of that is somewhat genuine. And he hates it. He hates his own vulnerability. He hates his lack of apathy. He's denying himself his own emotions constantly under so many layers of distractions, eldritch horrors, and repression. He can't think about home, about failure, about how every relationship he's ever had, platonically or otherwise, ended. And it wasn't on his terms.

Him talking about/to his mom when he's drunk. How his mom called him Billy as a kid. How his home life sounded simple. How Bill as an individual is anything BUT simple. And how his drunken state holds such fondness for that simplicity, yet it was suffocating. How he would've broken free eventually, inevitably, because he knew that's who he was. It's his nature. He was destined for more.

How it cost him everything.

How he's constantly chasing insanity like it's a drug. Like he needs the power trip to stay high. To not think too hard. To drown out his emotions and his self-reflections and everything he hates about himself.

How in Gravity Falls he still tried to get Ford to side with him after everything, cause that was his vulnerability showing, for the slightest glimpse of a moment. Cause he doesn't want to do it alone. Him reaching out to the reader in his book, because he doesn't want to do it alone. Can't do it alone. Even when he eventually betrays that person, I think him offering Ford that cushy spot alongside his henchmaniacs makes me think that yeah, Bill actually would've upheld his end of the deal.

He thinks he wants multiversal domination. He thinks Weirdmageddon is his Magnum Oppus. His purpose. But he's so lost. If he ever does get what he wants, he won't know what to do with himself. He'll be faced with the "Now what?". He'll hit the end of the road and realize how unsatisfying it is. How this isn't what he wanted.

How lonely it is to be God.

I think the Axolotl sees that in Bill. It's why he doesn't try to destroy him or attack him or anything. He sees that inner self of Bill. Sees him for what he really is. Someone who needs a LOT of therapy, a true, honest to goodness friend or partner in his life, and maybe a more sustainable life purpose or hobby. He has so much potential and in a way his pursuit of power, rather than being an actualization of his abilities, is a waste of them, because it gets him nowhere.

And he needs help, even if he doesn't think he does. He's a depressed alcoholic frat boy trying to drown his misery in a way that hurts and kills worlds. He's a girlfailure, a bisexual/pansexual disaster (he's at LEAST canonically bisexual or at MOST canonically pan cause this guy has dated both ways).

Bill's book is so incredibly amazing for what it is. All the lies, all the unrealiable narrator parts of Bill's facades and flaws and him being himself and all of his genuine thoughts and feelings bleeding through the lines and showing themselves but only in a way that you can really understand if you understand him and can tell when he's lying and when he's not. To see the real parts of him, and everything else. This book was perfect, and it was perfectly imperfectly him. This truly is Bill's book. It's so him in such a raw and genuine yet dishonest way. I'm gonna cherish this damn book forever.

[purplecoffee13]

NFWMB - part 1

Summary: “Harry is a retired boxer who owns a gym and teaches self-defense classes. He considers himself a strong man, but when a gorgeous innocent woman attends a try-out class, she manages to leave him weak in the knees…”

Wc: 4.3k

Tropes: boxer!Harry x innocent!reader

Warnings: mentions of violence and SA

A/N: hello everyone! This is my new series NFWMB, named after one of Hozier’s most horny songs😄. I am so incredibly excited for this series omg it’s gonna be so good!!! If you don’t believe me, go listen to NFWMB and you’ll get a vague idea of what’s coming ;)

P.S. header = pov change

General Masterlist

Series Masterlist

Harry Styles was not one for regrets.

His life may not have turned the way he expected it to, but he was still proud of where he had come.

Being a professional boxer was a risky job, and Harry had known that when he had decided that it was going to be his career. But there was no other logical option. Harry was an exceptional boxer who was able to go pro at age 18, where he defeated a lot of men who were older and bigger than him.

It was his passion, it always had been. Which was something that was quite remarkable, especially to his closer family members, because Harry was anything but a violent person in his day to day life. He was quite reserved, and managed his temper very well. The years in the boxing ring did harden him quite a bit, his reserved nature developing into something more akin to stoicism.

Nevertheless, Harry loved boxing. It wasn't so much a fight to him, but more of a puzzle. Each opponent had its own made up riddle, and it was up to Harry to solve it as quick as possible. Much like a dance you learn the steps to along the way. A perfect combination of intuitive technique.

He hadn't planned on having to retire at the age of 27 already. It was supposed to be his peak; it had been for almost all boxers in history, and he was looking forward to how far he would be able to push his body during his prime.

He never got the opportunity to get an answer to those questions. A car accident got in the way.

He wouldn't have been able to stop it, he knew that, and he had forbidden himself from thinking about what could've happened had he not taken that specific road back home that horrible night. There was nothing he could do about it now, so there was no point in dwelling on it.

After a year of recovery, he was slowly able to get back into the rhythm of his old life again. Well, except for the boxing part. Knowing that his career in that field was over, he began thinking about some other options of his, and decided on fulfilling another dream of his: opening a gym.

He had always wanted to do it, but he always imagined to be retired by the time he would start on that.

Now, two years later, his gym was already in multiple locations, but Harry was still working at the first one he opened. He would visit the other ones every once in a while to see how everything was going, but he was mainly at the one nearest to his house. It was special to him, the place where it all started.

Despite running the place, and therefore not needing to be on location all the time, Harry was at the gym 24/7. He wasn't a personal trainer—wasn't really his style—but he would help people and teach self defense classes to women.

Every Thursday between 6 and 9, he would teach groups of ten women everything they needed to know on defending themselves from whatever threat they may run into. It was one of the things he was proudest of; the turn out at those classes. That these women put their trust in him, and let him help them become even tougher than they already were.

Tonight, after teaching the last group, Harry had gone to the bar with some of his friends. One of them was Sophie, a woman he had become friends with since she'd joined his self defense class. She was a great person with an impeccable sense of humor, and Harry was glad he had introduced her to Greg, his best friend. They were basically made for each other.

Harry had to admit that he envied his friend for the relationship he had. He was happy for them, but sometimes couldn't help but think that his lack of a partner was this one puzzle piece that would make his life even better. All in good time, he reminded himself.

"Hey," Sophie caught Harry's attention when she waved her hand in front of his face. His gaze shot to hers, eyebrows raised. "So, I was talking about your self defense class today at work. You know, promoting your business and all."

Harry chuckled at the cocky tone in which Sophie told her story, chin up high. He mumble a soft 'thanks', to which she grinned.

"You're welcome. Anyways, I have this new colleague and she seemed so intrigued by it, but she was too insecure about joining. I mean— she didn't outright say that, but I could just tell." She huffed, Greg rubbing her back. Sophie was a very happy person in general and wanted the best for everyone, this new colleague of hers included. Harry had the same habit, it's why he immediately suggested:

"Why don't you invite her along next week? A free try-out."

"But your try-out classes aren't for another two weeks." Sophie noted.

It was true. The self defense classes had become very popular, and since Harry taught them himself, he had scheduled one night of try-out classes a month. He was only able to take on so many people, but he didn't mind making this exception.

"She can join your regular class." Harry shrugged, and Sophie's eyes beamed with excitement.

"Thank you Harry!" She squealed happily, giving Greg a hug to channel her enthusiasm. "Oh, I hope she'll come along!"

"I'm sure she will." Harry assured her with a smile, and took another sip from his beer.

Y/N had never been one for risks.

She had never been the type of person to take the leap of faith, relying more on familiar feeling of security. Why risk hurting yourself when you could be safe and content?

It was the logic she had always operated with, the logic she had been taught from a very young age. Y/N had had a sheltered upbringing. Her parents wanted her and her little brother to be as safe as possible, and that was just fine to Y/N.

Her little brother was the more feisty one of the two, and his childhood consisted of a lot of fighting. It hurt Y/N to see the people she loved so much be so angry all the time, and it only motivated her to be as good as possible. She never drank, smoked, or went to parties. She turned in her homework early and got an A on almost every test. It did put a strain on her relationship with her brother, especially since Y/N's behavior would be used as ammunition towards him.

They still didn't talk all too much, but Y/N hoped that one day, she could repair that relationship again.

Moving a few towns away was a big deal for her parents, but the wonderful job she had gotten as a secretary at quite a prestigious law firm had made it all worth it. They helped her with moving into her apartment, but Y/N would regularly visit them on both weekdays and on the weekends. All in all, she'd had a safe, comfortable, content life.

Until a few months ago.

It was a Friday night, and Y/N had agreed to a date. One of the lawyers at the firm, Oscar, had been flirting with her ever since she started working there. Not wanting to be impolite, Y/N never outright rejected him, and so the flirting continued. She was a bit uncomfortable about it — especially since he was nearing his forties and she was only 23 — but figured the banter was part of the job. She was so shocked when he did ask her to go on a date, she said yes.

It wouldn't be too bad, she figured. She would just go on the date and tell him she wasn't interested afterwards. It could be casual, and no one would be too hurt. The date was definitely out of her carefully moderated comfort zone, but she would step out of it for one night.

The date was fine. Like she had expected, she wasn't interested in Oscar in a romantic way. Still, she listened to his stories, laughed right on cue at all his jokes, and told some of her own anecdotes as well. The dinner was great, and he even offered to walk her home.

They were nearing Y/N's apartment when Oscar had suddenly slowed down his walking pace. She only noticed when she was a few feet away from him, and walked back to where Oscar was standing.

"Are you okay? We're almost there, I promise." Y/N smiled politely, much like she did in the office. Oscar didn't say anything in response, only the corners of his mouth quirking up ever so slightly.

"You're so beautiful, do you know that?" He  complimented her, and Y/N looked at her feet, not quite knowing how to handle the flattery.

"Thank you." She said softly, and froze when Oscar's fingers tilted her chin upwards. Her eyes widened when he suddenly leaned in and put his mouth on hers. After the first few seconds of pure shock slowly passed, Y/N pulled her head back.

Not getting the hint, Oscar grinned and leaned in again, this time with both his hands on her face. Y/N let out a yelp, stumbling backwards. Her body's alarm bells were ringing so loudly, but Oscar must've been deaf to her body language because he backed her up against the wall and kept kissing her.

Y/N cried out as she tried to push Oscar off with her hands, but he only grabbed them and pinned them above her head. Finally, not knowing what else to do, she lifted her knee and kicked him right in the crotch. Oscar shot backwards, groaning loudly as his grip finally loosened on her. He looked incredibly angry.

"What the fuck?!" He bellowed, standing up straight again. Y/N's lip quivered, tears running down her face.

"You wouldn't stop." She said softly, almost in a whisper. Her entire body was shaking from the adrenaline. Oscar's mouth opened to say something, but the conversation got interrupted.

"Oscar!" A woman's voice shouted from down the street. He turned his head, and his face morphed from sheer rage into a lovely smile, the same one he always put up for Y/N back in the office.

"Sophie!" He said, but the mention of her name sounded strained. Sophie... Y/N recognized her name, but she hadn't ever met the woman. She was one of the three female lawyers at the firm. Had been working there for only five years, but her reputation was so badass, everyone knew who she was.

"What are you doing out tonight?" Sophie asked as she gave Oscar a hug, and turned to Y/N. "Who's this?"

"This is Y/N." Oscar replied. "She's a secretary at the firm."

"Nice to meet you." Y/N extended her hand, and Sophie shook it.

"Nice to meet you too! How come I've never seen you around?" She tilted her head.

"I— I work on a different floor."

"Well, I'm glad I met you, Y/N!" She said, the kindness in her tone being a real comfort after that scary moment she just had to live through. Somewhere in the way she said it, and in the way her eyes softened slightly, it almost felt like Sophie knew.

"I— I should go. It's getting pretty late." Y/N decided that this could be her sweet escape.

"Right, I'm gonna bring Y/N home." Oscar said, and your eyes shot to him. Anxiety filled your lungs until all you could breathe was fear. You didn't want to be alone with him. You had no idea what he would be able to do to you. What were you going to do about it? You weren't even half as strong as he was.

"Oh, which way is it?" Sophie asked, turning to Y/N, who was about to open her mouth but got interrupted by Oscar.

"That way." He pointed toward the direction of Y/N's house. Sophie side eyed her colleague, then nodded.

"Exactly the way I was going! Let's go." She hooked her arm into Y/N's, and began walking, ranting about how it was unacceptable that they didn't work on the same floor.

Y/N wordlessly nodded along, filled with gratefulness to Sophie or the universe—or both—for not leaving her alone with Oscar again.

She got home safely about five minutes later, not daring to look Oscar in the eyes as she hugged him and said goodbye, and she only allowed her tears to fall down her cheek when she closed her front door.

Y/N spent the rest of the weekend in bed, not in the mood to do anything. By Monday, she felt both better and worse. She had had some time to come down from the shock of what happened, but the terror that filled her at the realization that she was to see Oscar again, had her stomach turn. On Monday morning, she even got into work late as a result of a wave of nausea that hit her once she'd grabbed her keys, spending the time she used to drive to work to puke her guts out instead.

Later, she'd found out that Oscar had called in sick that day. It gave her some time and space to breathe. Sophie visited her the same day, and she hadn't stopped visiting since.

Oscar did eventually return to work, but they never talked anymore. Y/N didn't dare to look him in the eye, and she avoided him at all costs. One day, about two weeks after everything happened, she did see him waiting by her cubicle, but she hid in the toilet for half an hour and by the time she returned he was gone.

It had been two months since that horrible event, and Y/N had entirely isolated herself. Back to the normal routine, back to what was familiar. It gave her a sense of control. She was fragile, and sensitive. She had just pressed down her sadness and anxiety that lingered as a result from the date, and instead focused entirely on what she could control.

She figured it would be easier. Well, except for the mental breakdowns she'd get when something small didn't go right. The dishes not being cleaned, her vacuum not taking up every speck of dust; it just set her off. It wasn't healthy, but she had no idea how else to deal with these things.

When Sophie mentioned she was following self-defense classes a couple weeks ago, Y/N's ears had perked up. She tried to be subtle about it; asking questions to pry some information about the classes from her. But, being the amazing lawyer she was, it didn't go over Sophie's head, and before she knew it she had an invite to a class.

"See you next week!" Harry exclaimed as the last of the women from the 7pm class left the room. He was still busy putting everything back into place before the next class which would commence in about five minutes.

He was just about done with everything when Sophie walked in, another girl walking in close behind her. Harry couldn't really make up her face, as she stayed closely behind Sophie, even upon nearing him.

Sophie looked proud, probably feeling very accomplished about the fact that she had been able to convince this colleague of hers to take her up on her offer.

"Hey!" She greeted Harry cheerfully, giving him a quick hug. He was still smiling when he turned to the woman standing next to Sophie. His mouth went a bit dry when he took in her face.

"Harry, this is Y/N."

For starters, she was a bit shorter than Sophie, and quite frail too. Her hair was up in a ponytail, leaving her features to be admired out in the open. Her eyes were soft—radiating mostly insecurity at the moment—and wide. Those Bambi eyes and plump, rosy lips...

She looked so... innocent?

He wasn't sure if it was the right word, but he was sure that he had to say something before the silence became too long.

"Hi Y/N." He repeated her name, seeing the slightest flicker of surprise run through the eyes of the woman in front of him. But the slight relaxation of her body told him that his usual trick was working. It was a typical 'strategy' that he would often use with people who were a bit unsure about him. His voice would soften, he would always wear a hint of a smile on his face, and he'd repeat people's names to create a bit more of a familiar environment. It always worked, and he was glad it did. He never wanted anyone, especially a woman, to feel uncomfortable around him.

"Hi." The corners of her mouth tugged up.

Angel.

That's all he could think of as he looked at her. Jesus Christ, she was beautiful.

"Thank you for joining the class. You don't have to join in on everything if you don't feel comfortable. Just observe and see if this is something you would like to practice more often, okay?"

The girl in front of him nodded intently the second he had finished talking. Her eyes widened ever so slightly before she peeped out an, "okay."

Harry grinned, his gaze shooting to Sophie—who was looking at him with this suspicious look on her face that she only got once in a while—before calling everyone in a circle and commencing the class.

This girl, Y/N, turned out to be a real distraction for him. He was so focused on trying to read how she was feeling that he trailed off during explanations a couple times. It was embarrassing, really. He was a grown man for God's sake, why couldn't he just concentrate?

Y/N only joined in for a couple of the basic movements, but she stayed back for most of the class. Her big eyes observed every movement Harry and the others made, impressed with how developed everyone seemed to be in their techniques. He noted that it only seemed to make her more timid, though.

His eyebrows kept knitting every time he looked at her, getting lost in his thoughts on how he could help her become more comfortable in his class. She'd caught his stare about halfway through the class, and at the way her eyes shot to the floor he realized that his gaze was actually doing the completed opposite of what he wanted to do, which was help her.

When the class ended, Harry gave his usual speech about how good everyone had done their job, and that he would see them all next week. Afterwards there would always be a couple of women hanging around to ask questions, and he would stop a few on their way out to compliment their improvements. When the rest of the women had left, Sophie walked up to Harry, Y/N following closely behind.

"Great class, Styles. Thanks for teaching me some ass kicking again." She teased, smiling at him before she took a sip from her water bottle.  Harry chuckled, shaking his head faintly.

"Glad you liked it." He turned to Y/N. "What about you?"

Her cheeks started heating up, mouth falling open ever so slightly. "M— me? Oh, uhm, yeah, pretty good."

"I'm going to use the bathroom really quick, I'll be right back." Sophie chimed in, and began walking towards the door. "Keep her company for me, will ya Styles?"

Harry almost laughed at how Y/N's eyes nearly popped out of her sockets at Sophie's announcement. She was nervous around him, and it was quite endearing, but she didn't need to be. Although it was very cute, Harry wanted her to be comfortable around her.

"You hated it, didn't you?" He said as soon as Sophie was out of sight. Harry was amused, watching Y/N scramble for words when she realized what he had said.

"What? No, no of course not! You're great! Teacher— you're a great teacher, I mean." She stumbled over every last one of her words, making it sound even less convincing than it already was, even though she did really mean it.

Harry solely raised his eyebrow, indicating that he did not buy any of that, and it was all it took for her shoulders to slump and a little sigh to leave those pretty lips of hers.

"It's really not you, I promise. I just get... a bit nervous in group settings, especially when it comes to sports. I don't even go to the gym." She confessed, and Harry nodded. That certainly made more sense. His heart warmed a bit at the fact that she reassured him that he wasn't the reason she wasn't liking the class all too much.

"Why don't you go to the gym?" Harry asked further, his tone soft. He didn't want to press too much, but he did want to know more about her.

"It's... embarrassing." She shrugged. Harry chuckled.

"I go to the gym all the time. I mean, I own this one. I can only imagine how embarrassing I must be."  He joked. He had to say he thought it was pretty funny, the way she blushed as he teased her.

"No, I didn't mean it like that! You're not embarrassing at all— I mean, you’re like the opposite. You're lean, and strong. You have like— big arms and you know what you're doing." She ranted, and had no idea how much Harry's ego was fueled by the compliments she was unknowingly throwing at him. "Whereas I— I have no idea what to do at a gym. I hate the idea of people being able to watch me and judge me if they want. Not that I think everyone's focusing on me all the time! I— I don't think that..."

Y/N's heart was racing as she finally got herself to stop talking. It was a nervous habit she had always possessed. As soon as something got awkward, her mouth would open and it would just never shut again. All communication skills flew out the window as soon as something — or in this case someone — made her nervous. She couldn't even remember half the words she just said.

"I can teach you, if you want."

The offer was as unexpected to Y/N as it was to Harry. He hadn't quite anticipated the words rolling off his tongue, but he didn't regret them either.

"It'll be a private class, and it can be in a closed room, like this one, or after closing time. Whatever suits you." Harry tried his hardest to sound casual, and not like what he was offering was something he literally never did. He had to hire a cleaner at home because he was too busy to get around to cleaning the house, that's how much he had to do. But the prospect of losing even more free time did not seem to bother him at all. In fact, he hoped Y/N would take him up on his offer as he scanned her face and waited for her to say something.

"No, I wouldn't want to ask that of you. I'm sure you're busy with a lot of other things." She declined politely, but he didn't miss the glimmer of hope in her eyes. Those private classes had sounded intriguing to her, he just knew it. So instead of accepting her rejection, he shrugged.

"How about this. I'm always in till late on Tuesday's. If you're sure you don't want private lessons, that's fine. But if it does sound like something you want to do, just be there at 9. I'll be there either way." Harry suggested. He didn't wait for a response — hearing Sophie's footsteps nearing — and instead said,

"Just think about it, alright?"

Y/N merely nodded, not even able to croak out a 'yes' before Sophie walked back into the room.

"Okay, I'm ready to go. Y/N?" Sophie asked, watching as her friend agreed and grabbed her things before walking towards the door where Sophie stood.

"Thanks for the class." Y/N turned around and smiled at Harry, throwing him a small wave as she started following Sophie out the door.

"Anytime." He winked at her.

"Bye Styles!" Sophie shouted, her keys clinking as she waved at Harry, behind her.

"Bye Soph." Harry called out, his eyes still transfixed on the girl behind his friend.

He didn't take her eyes off her as they walked towards the exit, taking in every detail of her delicate body as she moved further and further away from him. She was painstakingly beautiful. How had she just walked in? As soon as the girls disappeared behind the door, Harry let out a big sigh.

"Fuck." He murmured under his breath.

He really hoped Y/N would take him up on his offer. Harry had very quickly and very suddenly developed this intense need to help the girl, and that couldn't mean anything good.

Maybe he'd never see her again. She did sound very unsure. Besides, who said that she even wanted to go to this class? For all Harry knew, Sophie could've just used her manipulative convincing tricks, and Y/N, the polite angel she was, would've felt too bad to decline. Maybe, she thought he was an ass and didn't want anything to do with him.

In spite of the countless theories flying through his head, he knew that she wanted it. He had seen it in her eyes. She did really want to join the class, she was simply too nervous. But whether she would take him up on the offer, that was the question. He'd have to wait until the following week.

Strangely enough, he couldn't wait until it was Tuesday. He couldn't wait to find out…

[freakassfemme]

streamer!gf! abby head cannons ✩°｡⋆⸜ 🎧

this came to me so violently. i couldn't get it out fast enough

✮⋆˙ initially she gets popular with a male audience through first person shooter games and her custom builds of old ass computers from like, random 90s scrap lots she finds on ebay

✮⋆˙ is playing black ops or something for a throwback Thursday and bumps into some random kid on voice chat who tells her to play Roblox (she's never heard of it)

✮⋆˙ lev explains it to her and she finds the concept really weird and kind of funny so she agrees and streams it one day, which SHOVES her through a portal to popularity

✮⋆˙ hot buff nerdy girl w glasses on my computer? yeah her demographics change REAL fast

✮⋆˙ surprisingly she has a lot of fun with it. she thinks the games people recommend her are really hilarious and her chat eats it up

✮⋆˙ never mentions being gay until someone makes a Chappell roan reference in chat one day and just casually she's like "omg my girlfriend loves her"

CROWD GOES WILDDDDDDDDD

✮⋆˙ very quickly they want to meet you. abby refuses at first, but slowly allows you to weasel your way in, whether it's through playing on your switch in the background, blurred out, or you running after bear and alice to try to rush them out of abby's office

✮⋆˙ soon enough you're sitting down live because abby can't place on dress to impress and she's pissed

✮⋆˙ it becomes a joke, but she loves it. she really enjoys making more light-hearted content and connecting with different types of people rather than vaguely-threatening tech bros

✮⋆˙ has a thing where if anything gay happens on screen she salutes the camera or gives the craziest side eye

✮⋆˙ still goes back to her roots and plays the most random old games she's had to pirate off some sketchy websites and download suspicious files to obtain, just laughs nervously when everyone's freaking out about it

"whaaaat? no, the internet is really nice to me. it would never do that -- oh FUCK" (mods are rushing to blurr out her IP address)

✮⋆˙ has the driest, most sarcastic humor that everyone adores.

"I want to rip your bicep off with my teeth... that's really normal of you."

"you think you could do it better? yeah? is that going to be before or after your homework?"

✮⋆˙ very minimalist, black setup with some black ambient lighting that's low-key like hot as fuck

but she's really clumsy and trips a lot, especially because it's dark. her monitor is falling like every other night and she's lucky it hasn't cracked

✮⋆˙ constantly bombarded with edits of her to muse that you'll be running in to show her midstream. she gets the biggest, most shit-eating grin

also didn't really understand what an edit was until you showed and explained it to her lol

✮⋆˙ eventually, as she opens up more and becomes more of a charming personality than a stoic bro-type, she starts making other friends.

yeah she becomes friends with streamer!ellie <3

as the time goes by, she and ellie get really close. there's definitely multiple streams of you, abby, dina and ellie playing mario kart or luigi's mansion on some first generation wii

✮⋆˙ abby teaches you how to jailbreak anything and everything from a 3DS to a switch, even when you're freaking out that she's going to lock it and you'll have to get a new one

✮⋆˙ eventually she sets you up a little corner in her office for when you join her on her streams. it goes from being one camera to you both having separate monitors, and yours is obviously much more colorful than hers

✮⋆˙ on very, VERRRRRY rare occasions she'll say something like "gotta lock in" or "ate", and its usually after like the most gruesome scene in a horror game and like 20 seconds delayed

like imagine her saying "gotta lock in" trying to be funny and finally getting into the bathroom in silent hill and then just sitting over the sink with her jaw on the floor for fifteen seconds

"Jesus Christ, am I going to get banned for showing that?"

✮⋆˙ really gets into analog horror and eventually starts drafting her own concepts, which pushes her into the rabbithole of ARGs

✮⋆˙ loves when people make virtual stickers of her, she thinks its really funny and though she never gets into "merch", she doesn't mind people turning stuff into actual stickers. she thinks its even funnier when she's never seen a screenshot until someone sends her it as a sticker

lets you keep them all and put them on the fridge or your water bottle

✮⋆˙ never does anything risky on stream but is no stranger to leaning back in her chair for a good time if you tiptoe in one night after she's logged off

[starlost97]

— distractions.

summary: You always hated when Max got into fights, and because of that, he stopped. However, when you came into question, he just couldn't help it.

tags: fluff, Max Verstappen (almost) fights, Max Verstappen is protective, walk him like a dog vibes, 2018!Max Verstappen, gn!reader.

characters: Max Verstappen.

warnings: almost a fight, lots of swearing, shoving.

a/n: I remember having so much fun writing this one! the prompt was "them hearing someone talking shit about you while you're not near". I didn't write what they said (just wrote that they said something)! also this one's a part of the shortfics series (that I desperately need a name to) as well!

word count: 491.

requested?: yes! by a friend.

Max was known for his temper. At 21 years old he still got into fights, and for some time there was nothing that could stop him.

Then he met you, an incredibly sweet person that — for some reason — fell in love with him almost as hard as he fell in love with you. So now he had a reason to think before doing.

Still, when he heard someone muttering all the things that they would do to you, every piece of self-control that he had broke to pieces.

"What did you just say?” He asked, his voice a bit louder than usual. “Are you fucking deaf? What the fuck did you just say?”

“You are hearing things, Verstappen.” The man said, now a bit more courageous as he stepped closer with his hands in his pockets.

“Why don't you act like the man you pretend to be and own what you just fucking said?” Max said, shoving him hard against the wall.

“What's your fucking problem?” The guy asked, now getting angry.

“My problem?! You are asking me what my problem is.” Max asked, more to himself as he tried to process what he just heard. “I’ll show you exactly what my fucking problem is.” He said, violently grabbing the guy's collar and shoving him against the wall one more time. Max was angry enough to break the man's nose right there, but then, he heard a familiar voice.

“Max!”

In seconds, the guy was on the floor. Max didn't even hesitate to let him go and turn his attention to you, who had your arms crossed and looked at him with a look of disapproval.

“You know I don't like when you get into fights.” You said, making Max smile.

“I'm so sorry, babe. When he started talking shit about you… God, it was stronger than me.” He said, caressing your cheek with his thumb and kissing your forehead. He let his eyes linger around your features for a bit. “How can you be so pretty? I can't comprehend it.”

Someone might say that he was trying to change the subject so he doesn't get in trouble, but truly, everything about you was a distraction factor. Your rosy lips and how kisseable they are, the way your hair looks and feels so soft against his fingers, and your eyes…

God, your eyes.

Max was going crazy, really. One of his favorite things about you — even before you started dating — would be your eyes. And now when they look at him carrying such love…

Max likes to talk about how not even the greatest of the poets could express the feeling that those pretty eyes conveyed him.

“What were we talking about?” He asks, genuinely, as he comes back to reality, making you chuckle.

“Nothing important.” Max smiles at your answer, getting distracted once again by your pretty lips, which he gently kissed, now distracting you too.