#I think some of this might be the best stuff I've ever written

[nobodysdaydreams]

My Fic About a Duckling Imprinting on Daniel Jacobi Has Begun.

A gift for @serial-serializednovelreader because she's awesome! 🥰

Please enjoy:

Chapter Summary: Minkowski grapples with feelings of guilt over what she did to Doctor Maxwell and considers how she might make things right. Meanwhile, Lovelace discovers that Jacobi has found a creative new way to utilize his more violent talents.

[black-and-yellow]

wham bam thank you ma'am, it's chapter 6, coming at you hot out the oven. This bad boy covers the ninth comic (peek the old art from it). If you're a Loudspeaker AU enthusiast, don't be afraid to give it some love.

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 36: To The Sea

Summary: It's time to move on. You're not sure where you're going exactly, but anywhere is better than Texas

Pairing: Poly 141 x reader

Word Count: 7,816 words

Warnings: ANGST, injuries, medical stuff, descriptions of pain and injuries, brief discussion about strangulation, mentions of PTSD and nightmares, so much crying, Alpha/Beta/Omega dynamics, Alternate Universe, angst, a very little sprinkle of comfort, language, mentions of medications, still very heavy emotionally

A/N: Not actually a lot of warnings for this one. It's a lot of dialogue and inner monologues. Not a lot happens, just mostly setting the scene for the next chunk of the story. Bring tissues though, the last part of the chapter emotionally wrecked me but also might be the best thing I've ever written.

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It’s warm outside. 

Not even the shade from the building can completely shield you from the dome of heat that seems to surround the base. It seeps into the concrete and asphalt that lock it into place, trapping everyone in a bubble that may as well be an oven. It’s always hot in Texas, though. You hate it. You’ve been spoiled by the cold, rainy seasons in England. You’d gladly take that over Texas. 

You’d take anything over Texas. 

The heat prickles at your skin, your arm starting to get sweaty in the sling. It had been Dr. Keller’s idea to keep your shoulder as still as possible so you don’t continue to cause yourself pain when you move. It still hurts, but at least you won’t instinctively try to use your left arm now.

Despite the warmth, there’s still a chill deep in your bones. The warmth of the pain medicine has worn off and you’ve been left with the perpetual ice that has seemed to coat your insides. Dr. Keller says it's the stress giving you a fever. Every nightmare, every flashback sends your body temperature spiking, your heart beating right out of your chest. You’re not out of the woods yet. It can take a long time to recover from that level of distress and the omega taking over. You almost regret it, but there was no guarantee you would have lived either way at that time. You did what you had to do, and it did work out in the end. 

But at what cost? 

Dr. Keller’s phone buzzes in her pocket and she pulls it out, staring down at the screen for a moment. “Kyle wants to come by.” 

You don’t want to see him. You don’t want to see any of them. 

“I think you should see him. Even if it’s just for a moment.” She squeezes your hand. “I’ll be right here.” 

It’s a predicament. Dr. Keller supports your decision to keep them away, putting some distance between all of you for the time being. Yet, she also says being close to your pack will help your healing. Having your pack around will help your omega settle once again. She needs that safety, that security before she finally lets go completely. 

You don’t want to be close to them, but you may not have any other choice. 

You sit there in silence, picking at the fabric of your sweatpants as you wait for Kyle’s arrival. Sweat has started to bead on your back, the day only getting warmer and warmer as the sun moves higher in the sky. You want to go back inside, back into the cool air conditioned building. You want to crawl back onto the hospital bed and lay there for the next few hours. 

You can’t. 

Footsteps approach, but you don’t look up. You know who it is. You don’t want to see him. 

“Kyle.” Dr. Keller greets. 

“Christine.” He says back. It still throws you off, hearing Dr. Keller's first name. She'll always be Dr. Keller to you. Kyle turns his attention to you, still standing a few steps from the bench you're perched on. “Hi, love.” He says. The affectionate nickname almost makes you wince. You don't look up at him. You don’t want to see his face. “I wanted to stop by and see how you’re doing.” 

You don't move, don't give an answer. You don't have an answer to give anyway. You shouldn't have to give an answer. 

He lowers himself onto the bench, sitting as far away from you as he can. “It’s hot today.” He says, adjusting his hat. Always wearing a hat. Maybe that's why he and Price work so well together. 

He stares at you for a long moment but you don't bother moving, your gaze still on your sweatpants. They're starting to get a bit warm, even with your perpetual chill. 

“I’m not here to apologize.” He says, breaking the silence. “You’ve probably heard enough apologies to last you a lifetime.” He shakes his head. “Words can’t fix what we did. Nothing can fix what we did, how we left you there. All we can do is give you what you need, try and make you as comfortable as possible.” 

Tears burn your eyes as you listen to him. He's not wrong, an apology won't fix what happened. No words will ever be able to fix what they put you through. You're not sure there's anything they could do that would make up for it. An apology still would have been nice, despite the fact you know how guilty he is. Their avoidance of you, their willingness to give you such space in an unknown place just proves how guilty they all are. 

That doesn't make things hurt any less. 

You slowly turn away from Kyle, angling yourself towards Dr. Keller. 

He doesn't say anything further in that regard, taking your movement as an answer to his non-apology. He leans forward instead, resting his elbows on his knees. “I just wanted to let you know that we’re getting ready to leave soon. We’ll be heading somewhere safe, somewhere quiet and secluded. I think you’ll like it.” 

Dr. Keller had informed you of that earlier after she went to speak to them. They've decided what to do, what's best for the pack again. You might have protested, except for the fact it meant you were getting to leave Texas. Where exactly they're taking you, you're not sure. You just know it's not Texas. 

“I want you to know that we’re here if you need us.” He stares at you for a moment longer before pushing himself up to stand. 

If, not when. 

Maybe they're finally getting the message. 

Dr. Keller stands, touching your right shoulder gently before she steps away with Kyle, speaking quietly with him, but you can still hear every word in the nearly silent space around you. 

“In an attempt to remain a neutral, professional party in this situation, I feel it would be appropriate for me to tell you not to beat yourself up too much about this.” Dr. Keller says. “The unprofessional side of me has many words I’d like to say to all of you.” She clears her throat. “That being said, on a positive note I can say you’re all doing the right thing for once, prioritizing your omega and fulfilling her needs, even if her needs require you to leave her alone for now. I know it’s hard, I know every instinct is screaming at you to help her, but just take comfort in knowing you are helping her. You’re doing the best thing you can do for her at this time.” Dr. Keller puts a hand on his arm, squeezing it gently. “Even if it is tearing you up inside.” 

“Thanks, Doc.” He says. 

“I’ll see you soon.” She says, patting his arm before she heads back towards your bench. 

You turn your head just slightly, not missing the way Gaz lingers for a brief moment before he turns his back on you, walking back down the sidewalk. 

It hurts. 

You want to cry with every swallow. No matter how much you chew, it doesn’t ease the pain of trying to swallow solid food. Even the worst sore throat you’ve ever had pales in comparison to this pain. Tears burn in your eyes as you eat, unable to refuse this time in favor of choking down some liquid nutrients. Even liquids make your throat ache, but they are easy to chug to get it over with at once. 

This feels like torture. 

Dr. Keller looks guilty as she spoon-feeds you the soup. Chicken noodle, something simple and easy but still something with some substance. It makes you think back to when you were sick as a child, your mother dutifully feeding you homemade chicken noodle soup until you reached the age you could feed yourself. 

You do feel like a child again, unable to even hold the spoon. Well, you could hold it, but it would have come at the expense of some burns from how badly your hand was shaking. 

So instead you sit here, being spoon-fed soup you can barely stand eating. 

“I know.” She says as a tear finally falls, your inhale shaky from the ache in your throat. “You need something in your system for the sedative. It’s a long flight and you’ll be sick when you wake up if you don’t have anything in your stomach. That’s going to hurt a lot worse than eating now.” 

Yeah. You’ve already figured that out. 

“Strangulation is a tough thing to survive.” She says, dragging the bottom of the spoon against the edge of the bowl to wipe off any soup that might drip on you. “Then again, so is getting shot, and distressing to the point of your omega taking over.” She holds the spoon up to your lips, and you’re tempted to refuse. “You’ve survived a lot, more than most could. And to look this good after...” 

You blink up at her, teary eyed and sickly looking, exhausted and bruised. Your left eye is still almost swollen shut, and your hair is tangled perhaps beyond saving, tied up in a bun at the top of your head. All just reminders of what you survived, all reminders of what happened to you. Of what was allowed to happen to you. 

You’re not quite sure when the last time you had a real shower was either. 

“I know.” She says, spooning more soup into your mouth. “You might not feel like it, right now.” 

“I want a shower.” You say, your voice still hoarse and cracking through your throat. A real shower might solve a lot of problems for you right now. It won’t fix much, but being truly clean would make a lot of things feel better. 

“I wholeheartedly agree.” Dr. Keller says. 

You give her a look. You don't smell that bad. She should know, she’s the one that cleaned the blood off of you and the one who gave you the sponge bath this morning. 

She gives you a look back. “I meant it would be nice to take a real shower. Once we get where we’re going, we can work on the logistics of a shower.” 

Right. You can’t exactly stand for a long time on your own, not to mention the problem of only being able to use one arm without bringing blinding pain upon yourself. That’s where the pack would come in handy. 

The thought of one of them seeing you vulnerable like that, putting their hands on you right now makes your skin crawl. 

A shiver runs down your spine, your body shuddering uncontrollably. You grunt as your shoulder screams in pain, another electric jolt burning straight through your nerves and down through your feet. Fuck. You mouth the word, squeezing your eyes shut. It makes your stomach churn, the soup starting to burn a path back up through your esophagus.

“Breathe for me.” Dr. Keller says, putting a gentle hand on your right shoulder. 

In and out. You focus on your breath, the only thing you can do without feeling like you’re going to go insane from the pain. It’s all you can do in this situation. It’s the only thing you can do at all. Breathe. Just keep breathing. 

Sometimes you don’t want to. 

The pain passes as it always does, leaving behind a subtle ache that will linger until the next flare of pain. It’s a constant, never-ending cycle that you can’t escape from. Weeks, Dr. Keller had said. It can take weeks to heal. You’ll be stuck in this cycle for weeks and weeks. What if it never heals? That is a possibility. It’s always a risk with any injury. 

What if the rest of your life is like this? 

You’re crying again, hot tears blazing a path down your cheeks. They won’t stop, they never stop. There’s a constant stream down your face, even in your sleep. You’ve woken to find your face and neck damp from the never ceasing flood of tears. 

How you can’t wait for the time to come when you have none left.

You’d welcome the numbness at this point, greet it like an old friend and invite it in for tea. Anything over the pain and tears that won’t stop. The depression-fueled numbness that had filled you when Price and Gaz left, then Soap and Ghost would be a welcome relief at this point. Anything would be better than the pain. 

You almost wish you were in a coma right now. Then you wouldn’t feel anything at all. 

Dr. Keller puts the spoon back into the soup bowl before rolling the table to the side. She puts a hand on your head, gently stroking your hair as you cry. The room is silent aside from your sniffles, Dr. Keller not having to say a single word. The silence is almost a blessing. You’re tired of hearing words, of hearing people speak. There’s nothing anyone can say that will do anything to help you, to comfort you, to make it better. 

There’s nothing anyone can do to make it better. 

You’re so tired of being like this. 

The sedative is kicking in before you even reach the airfield. She can see the way your head is drooping further and further forward in the car, your body jostling without any complaint. It had started kicking in before you even got into the car, as you offered very little resistance when Kyle helped her mauver you into the front seat. She chose Kyle out of everyone to help her in hopes it would be easiest on you. Your claimed alpha’s beta is a good place to start in rebuilding the bonds within the pack, and his calm demeanor certainly helps. He is a caretaker through and through, that beta trait prominent above the others in him. He would have made a good medic, had he gone that route. 

Your chin drops to your chest as the car comes to a stop in front of the plane, your body slumping to the side against the door. 

“She’s out.” Christine says, unbuckling her seatbelt. 

“Makes this easier.” Kyle says, getting out of the car. 

They maneuver you into the wheelchair, Christine easing your head onto your right shoulder to avoid aggravating the left. The less pain you’re in when you come out of it, the better, though pain will be unavoidable. Kyle pushes the wheelchair up the ramp of the plane, Christine following close behind. She’s glad she gave you the sedative before you left the med center to avoid as much pain as possible. She almost wishes she had given it to you earlier, as getting you into a sweatshirt had been a battle of its own. Though, the longer it stays in your system, the longer you’ll sleep through the flight. The longer you sleep through the flight, the longer they can delay the inevitable emotional storm of being enclosed in a tight space with your pack. 

If you’re lucky, you’ll be out of it long enough for them to reach the cottage without incident. 

John is waiting near the front of the aircraft, his eyes watching carefully as Kyle helps maneuver you into a seat. Even with the turmoil in the pack bonds, an alpha will always feel protective over their omega. There’s some things that can’t be undone, even in such a fragile state. Some instincts can’t be unlearned, no matter what. 

“I gave her a sedative.” Christine explains as she gets you as comfortable as possible in the seat. “It won’t last the whole flight, but it’ll take a while to wear off regardless.” 

“Is that more for her or for us?” John asks. 

“Both.” Christine says. “Mostly for her. It helps with the pain of moving around, but it will also keep her calm in close quarters like this.” 

“Here.” John says, handing her something. It’s a blanket, brand new by the feel of it. “Johnny made a store run this morning. It’s going to get cold in here, so he got the warmest one he could find.” 

Christine takes the blanket, the fabric thick and soft in her hands. It’s a touching gesture, speaking volumes of their desire to still care for you despite everything, their willingness to do what they have to, to keep the pack together. “Perfect.” She says, carefully draping it over you and tucking it around you before John gets you secured in the seat. 

“It’s going to be a long flight.” John says, taking a step back. 

“It is.” Christine says, pulling out her thermometer. She takes your temperature, letting out a hum at the number that pops up on screen. “I need to monitor her temperature.” She explains as John gives her a look. “It’s been spiking when she gets stressed.” 

“She's not quite out of it yet, is she?” John asks.

“Not quite.” She says, putting the thermometer back in her bag. “I’ve only seen two omegas successfully come back from that point, and I know the number across the board isn’t very high. It takes a long time for the body and the brain to get back to normal.” 

“And on top of everything that happened...” 

She stares up at him for a long moment. “She’s very strong. I knew she was a fighter, but to come out the other side even where she is now...” Christine shakes her head. “I didn’t want to say this at the time, but I was expecting the worst. When that call came in about what state she was in...” She bites her lip, holding the emotions back. “Her resilience and fortitude is what kept her alive. That and Simon’s courage to do what needed to be done.” 

“I know.” John says, looking past her. “We all owe a lot to him.” 

Christine puts a gentle hand on his arm. “You’re doing what’s best for her. No matter how much it hurts, no matter how much it goes against every instinct you have, it’s what she needs.” 

“That’s all that matters to us right now.” John says, staring down at her hand for a moment. “There’s nothing else we can do, so it’s time we start putting our priorities where they should have been the whole time.” 

Christine gives him a small smile. “I’m proud of you for that. It takes a lot to unlearn the things you’ve been told since the beginning.” 

The corner of John’s lips twitch before his face falls into the emotionless mask he’s been wearing for the last few days. “It’s about time we get our heads out of our arses.” 

“I can’t blame you totally.” She shrugs. “We were all just doing what the initiative was telling us to do. We couldn’t have known. There wasn’t any room to question it.” 

“I wish we would have figured it out sooner.” He sighs. 

“Things might have been worse if the truth did come out sooner. If you started digging into the initiative too soon, Shepherd might have gotten antsy and taken more drastic measures to stop the truth from coming out entirely.” She glances down at you. “I think this was all inevitable.” She turns her gaze back to John. “What happened, happened. None of us can change that. All we can do is keep moving forward with what we have right now.” 

He stares at her for a long moment. “The more time passes, the more I’ve come to realize why Kate chose you for this position.” 

The corner of her lips turns up in a smile. “Well, I am rather good at my job, which, among other things, involves advocating on behalf of omegas.” 

John huffs. “Wish we would have listened sooner.” 

“You can’t change the past.” She repeats, looking down at you again. “But you can change the future.” 

You woke from your sedation about four hours from Helston. 

Well, ’woke’ might have been too strong of a word for it. Your eyes opened, but you were still hazy, movements sluggish and entirely unaware of the world around you. You floated between sleep and awareness for an hour before finally gaining consciousness completely. Awareness took quite a while to return, though. Not until they were moving you to the car from the plane. 

Even still you’re groggy, slumped against the door in the back seat of the car. You blink slowly, eyes unfocused as you stare out the window at the blur of green passing by. 

“How is she?” John asks from the driver's seat, glancing up at the rearview mirror. 

“Cow.” You say, blinking slowly as the car passes a field of cows. 

“Still out of it.” Christine answers from the back seat where she's sitting next to you. Your response might have been enough to answer that. “Better than being in pain, though.” 

“How long will it take for her to get out of it?” Kyle asks. 

“Hopefully she’ll be more lucid by the time we get there, but it could take a few hours for it to completely wear off.” Christine says, wiping a bit of drool from your chin. “Probably not a bad thing. This is a big change, and with everything that’s happened, it’s going to take some time to settle in.” 

“Things are going to be rough.” Kyle says. 

“Yes.” She agrees. “Being enclosed in a small space with the people you want to see the least in the world isn’t an ideal situation. It’ll be an adjustment for everyone. I trust all of your abilities to adapt, though. Just don't go in expecting things to be the way they were.”

John's hands tighten around the steering wheel, his knuckles going white. Kyle cracks his window open, prepared for the thickening of John's scent in the air. Christine knows she hit a nerve, but it needed to be said. Even if you were open to forgiveness right now, even if they had chosen to go after you right away, things still wouldn't be the same. Things won't ever be the same. It is their fault deep at the root of it. Those cameras were put up because of them, you were taken because of them. You were chosen for the “initiative” because of them, because Kate thought you'd fit in well with them. Their decisions shaped your life, and will continue to shape your life. 

Can you ever come to forgive them? Christine likes to think so. She has the hope that they can put in the work and regain your trust and earn eventual forgiveness. She knows you'll allow them to try once the initial hurt and emotions begin to fade, once the two of you put in enough work to start processing the trauma around the events that happened. It will take time. Probably a long time. 

She'll be there every step of the way. 

“Ashley did some shopping for us, picked up some stuff to get us until we can get into town.” Kyle says, looking at his phone. 

“Good.” John says, his shoulders starting to relax. “Should wait a couple days before going. Get settled in.”

“She's still working on cleaning up. Probably still be there when we get there.” Kyle says, putting his phone back in his pocket. 

“That's fine. We’ll probably have to utilize her a bit.” 

“Doubt she'll complain.” Kyle says, looking out the window. “Be thrilled to have something to do besides work.” 

You let out a quiet groan, shifting against the door. “Hurts.” 

“I know, honey.” Christine says, carefully adjusting your left arm. “I’ll give you more pain meds once we get to the cottage.” 

“We’ll be there in half an hour.” John says, glancing up at the rearview mirror again before turning his eyes back to the road. 

The half hour seems to take the longest as you continue to become more and more lucid and aware. The pain sets in first, your brain picking up on those signals before anything else. John’s knuckles are white around the steering wheel as you begin to whine and whimper around every bend in the road and turn he has to make, every jostle of the car. Every instinct in his body tells him to pull over and comfort you, but he can’t. It’s more important to get to the cottage, and there’s no guarantee you’d even let him. It might make things worse. 

The last thing you need right now is for things to get worse. 

Christine breathes a sigh of relief as they pull up to the cottage, glad she can finally get you somewhere more comfortable. You’ve been in far too many uncomfortable positions today, moved around too much. She would have liked to keep you in Texas a couple more days, but she knew as soon as you were able to travel, the better. The sooner they could get off the grid, the better. 

The sooner they could get out of Texas, the better. 

Kyle is getting the wheelchair out of the trunk when Johnny and Simon pull up, not having been far behind. They likely took a turn around the back roads to ensure no one was following and to keep things from looking too suspicious. 

Christine keeps you from slumping out of the car as she carefully opens the door on your side. You’re more awake than you were, blinking up at her with almost startlingly aware eyes.

“Crutch.” You pout when she pulls the wheelchair closer. 

She gives you a look. “Honey I'm not sure you could even stand right now.” You may be more aware, but that doesn’t mean your body is working as it should.

You let out a defiant noise as you attempt to get your legs out of the car, trying to hide your grunts of pain and discomfort. 

She's tempted to stand there and let you try, but she knows all hell will break loose if she lets you fall. She's not willing to take that risk, not to mention it will cause you more pain to get you up off the ground. 

“Come on,” She says, stopping you before you can get your feet under you. “Nice and slow.” 

You let out a quiet growl of indignation but you allow her to help you, your legs trembling as she eases you up. Kyle is there with the wheelchair, getting it as close to you as possible so she can sit you down quickly. 

“Ow.” You breathe, eyes pinched closed as you breathe through the pain. 

“I know.” She says, patting your good shoulder lightly. She's glad she put you in the sweatshirt before you left Texas. It's chilly outside, chillier than it was further inland a few days ago. 

It's hard to believe it's only been a few days since you were taken. Barely even a week. So much happened in such a short period of time. It feels like it’s been weeks since everything started, but then again, it had been weeks since John and Kyle first left. It had been weeks since you had been around your whole pack together by the time you were taken. The deep depression you sunk into before the events of the last week had been draining you slowly for weeks before this. It had started before John and Kyle were deployed, back to that day when you revealed the cameras and the secret you had been hiding from them. 

How long you’ve gone in such turmoil. 

How far you still have to go. 

The path up to the door is rocky and uneven, the wheelchair jostling as she pushes it up towards the door. She can picture your face, the way it has to be screwed up in pain. You're silent though, holding it all in. She almost wishes you weren't being silent about it. 

The door is already open, light shining from inside as she approaches. Kyle is in the house already, having gone ahead to greet his sister. John is right behind the two of you as Christine turns to wheel you up the steps into the house. His eyes are on you, focused and ready should you fall.  

Christine would never let you fall, and from the way your hand is gripping the arm of the chair for dear life, you probably couldn't anyway. 

She wheels you through the entryway, the inside warmer thanks to a fire that's burning. It's a nice cottage, far nicer than she had been expecting judging from the outside. 

Johnny lets out a low whistle as he enters behind John, looking around. “Yer parents own this?” 

“It was given to our mum by our grandparents. They did some...renovations before they passed it on.” Kyle says. 

“Yer tellin’ me.” Johnny says. 

It looks new inside. New wood floors, freshly painted walls. The furniture looks like she would expect to find in an English seaside cottage, though. Kyle’s parents went to France for summer vacation instead of utilizing the cottage, and none of his siblings had wanted to use it, he told them. It looks almost perfect, like it came right out of a home renovation show. Kyle’s sister must have worked some sort of magic to get it this clean. 

It is a very nice cottage. It’s small, the door opening right to the main area. There’s two couches and a chair in the middle of the room around a coffee table. To the left of the couches is a fireplace, the fire already lit and crackling. It looks original, likely having been untouched in the renovations. There’s a door to the left of the fireplace closer to the main entryway. A bedroom maybe? To the right of the front door are two doors, one on the far wall and one facing the front door. 

The stairs are in the middle of the house, leading up to the second floor where there’s likely more bedrooms. On the far side of the main area is the dining area and beyond that is a sliding glass door. Around the corner on the far side of the stairs is likely the kitchen. She can see the fridge from where she’s standing. It’s new. Very new. Makes her wonder just how long ago it had been renovated. 

“Everyone, this is my sister Ashley.” Kyle says, introducing the other woman in the room. 

“Hello,” she says, giving everyone a wave and a dazzling smile. 

She’s dressed simply in jeans and a t-shirt, her medium box braids pulled up into a bun on top of her head. They look a lot alike, her and Kyle. Tall and slender and stunning. They have the same smile and the same soft brown eyes. She's wearing scent blockers, but Christine can imagine her having a soft scent like lavender or something fresh like mint. 

“There's two rooms down here, and two upstairs.” Kyle says. “The main bedroom is through there.” He points towards a door to their left. “I figure we'll give that to our omega. The bathroom in there has a walk-in shower.” 

“Perfect.” Christine says. That will make getting you in and out of the shower easier at least, and you won’t have to go far to use the bathroom.

“You should take the other room down here.” John says, looking at Christine. “So you can be close in case of an emergency.”

And so you don't have to be too close to them, so you won’t feel like they’re hovering.

He doesn't have to say that part out loud. 

“I put new sheets on all the beds.” Ashley says. “I also picked up everything Kyle sent on the list. Food, some clothes, some other necessities.”

You let out a quiet groan, Christine patting your head gently. You have to be exhausted and sore after the day. She should give you another dose of pain medicine like she said she would. You’re going to need it tonight. 

“Let's get you laying down for a bit.” She says, wheeling you towards the door. 

Kyle opens it for her, revealing a spacious room with a big window looking out towards the sea. You're going to spend a lot of time in front of that window, she thinks. The bed is in the middle of the room, and there’s two chairs facing the window. She’s almost tempted to sit you in one of the chairs, but laying down will be more comfortable for you right now. 

You're still too out of it now to care much as she wheels you to the double bed. With Kyle's help they get you horizontal, Christine draping the blanket at the end of the bed over you. It’s not very soft, but it will do for now. She’ll have to get the guys to pick up some soft blankets for you when they go to town. She has a whole list of things starting in her head she needs them to pick up.

She leans your crutch against the end of the bed just in case you might need it for an emergency. She hopes you’ll yell first, but you always have been stubborn. Being mostly bed-bound has only made that worse. 

“I’m going to go look through the things Ashley picked up.” She says, patting your leg gently. “Get some rest.” 

Christine leaves the door open a crack as she exits, wanting to give you a little privacy as you nap, or at least she hopes you’ll nap. It’s going to be a rough adjustment, and you’re going to need as much rest as you can get. 

“I’m assuming you’re Christine.” Ashley says, walking up to her. 

“I am.” She says, giving Ashley a smile. 

She can’t help but get lost in Ashley’s soft gaze for a moment. The Garrick siblings seem to share the same magnetic energy. There’s something almost ethereal about them. She could easily imagine them with glowing halos and angel wings. It’s almost like she’s being blessed with the opportunity to look upon her. She could spend an hour staring at Ashley’s face and not grow tired of looking at her.

“I picked up the items Kyle said you needed.” She says, motioning to the bags on the coffee table, pulling Christine out of her daze. “I couldn’t find the exact nutrient powder you asked for, so I got one that was as close as I could find.” 

Christine glances through the bags. She was thorough, getting at least two of everything. 

“I got warmer clothes for her too, since it can get chilly out here this time of year. Just some simple things for now until you guys get into town.” Ashley says. “I did some research too and I read that omegas like comforting things so I picked up some extra blankets and pillows” Ashley says, motioning to a couple bags sitting on the couch. “I also picked up this,” She pulls a stuffed dog from one of the bags, holding it up. “It was the softest one I could find. I thought it might help.” 

A small smile forms on Christine’s face, her heart fluttering in her chest from the sweet, thoughtful gesture. Ashley doesn’t even know you, nor did she know exactly what happened to you, and yet she went so far as to pick up some comfort items for you. You have nothing right now, only the borrowed clothes on your back. All of your belongings are still on base, all of the things that you had built to make your perfect nest. Would you want any of them still? Or have they been tainted by the events of the last few weeks? 

That Ashley thought to do this has warmth flooding Christine’s body. You can have some comfort now without having to wait for their trip to town. She almost feels the urge to cry. She wants to hug Ashley, thank her over and over for her kindness. Ashley has no idea how much her small act of kindness means, how much it's going to mean. 

A smile forms on Christine’s face as she stares at the stuffed dog. “It’s perfect.” 

You can hear it. 

In the distance, the quiet roar reaches your ears as you’re dragged from the sweet arms of sleep. It must be a dream, or perhaps the sedative is still clinging to your mind, making you imagine things. 

No. 

You’d know that sound anywhere. 

The effort to push yourself up to sit is a momentous one, every cell in your body protesting after a day of being moved and jostled. The last thing you want is to move right now, but you have to. 

The pain meds have done little to help.

The crutch at the end of your bed must be a thousand miles away as you sit there and stare at it. The ache in your body only increases as you become more and more aware of the pain, almost as if it can tell what it is your mind is planning. 

The door is cracked open, letting in a slit of light from outside. It’s dark in the room, the curtains pulled over the window. It’s a blessing compared to the bright yellow light outside the door. You welcome the darkness as your head begins to throb. You could call for assistance. You’d get more help than you needed. More help than you want. 

No. 

You need to do this. 

The effort it takes to get standing nearly sends you back onto the bed. The pain nearly blinds you as your feet touch the floor, your body leaning against the side of the mattress out of desperation. If you fall, you’ll never be alone again. You can’t afford that. You don’t want that. 

If you fall, you’ll never get up again. 

The breaths out of your nose are short and sharp as you reach for the crutch, fingers trembling in the effort to fight the pain threatening to blind you. You’re trembling like a leaf in a storm as your fingers finally wrap around the cool metal. The rubber bottom drags across the floor as you tug it over to you, holding it against your chest for a moment. 

Breathe. That’s what you need to do. Breathe. 

In and out. 

Nice and slow. 

The pain is only a memory. The pain is nothing. The memories forming at the edges of your mind will take over and wipe out the pain and the misery. You just have to be sure. You just have to be certain.

You push yourself upright using the crutch, tucking it under your arm. You should go back to bed. You should rest. 

No. 

You need to know. 

You need to be certain.

The first step you take nearly makes you sick. 

It’s like watching a baby deer walk for the first time, knees wobbling, feet shaking. You lean heavily on the crutch, your determination the only thing keeping you from tumbling to the floor in a heap. That might almost hurt worse than forcing yourself to stand upright. 

If you fall, you’ll never get up again. 

Inch by inch you move across the floor, silently grateful for the socks on your feet. They allow you to slide across the hardwood, but they also pose a threat. Slide too far and you’ll lose your feet. 

If you fall, you’ll never get up again. 

The determination and your desire for certainty is what keeps you sliding inch by inch across the floor towards that strip of blinding light in front of you. It’s hovering before you, threatening you. How do you know there’s not one of them standing guard, waiting for you to try and leave? You can’t know. You don’t have a clue what’s waiting on the other side of that door. It could be nothing. It could be your entire pack. 

Breathe. 

In and out. 

You take a moment at the door, resting your aching feet. Your body is throbbing from the effort to keep yourself upright, the sedative still numbing your brain and your movements. It’s like treading through honey, everything twice as hard as it should be. You can walk. You’ve done it before. You did it in the medical center. 

You can do it here. 

You use the crutch to push the door open more, your free arm still tucked in a sling to keep you from moving it. Reaching for it with that arm would have put you on the floor, would have caused more pain than you needed, would have made you fall. 

If you fall, you’ll never get up again. 

Breathe. 

The light burns. Explosions of yellows and whites erupt behind your eyelids as you screw them tight against the sudden onslaught. The sun is in the room, shining its rays directly into your sensitive eyes. Your stomach churns, your fingers tightening around the crutch so tight your knuckles begin to ache. The oppressive light makes you want to recede back into the darkness of the room behind you like a vampire shying away from the light of day. 

No. 

You won’t be defeated by the harsh artificial lighting. You need to know. 

You need to be certain.

The others are moving around. You can hear voices around the corner, voices upstairs with thudding footsteps. The air is thick with a mesh of scents, cleaning chemicals, and the burn of scent blocker. Your nose wrinkles at the sudden onslaught against your senses, your sedated brain making it all seem so much worse. 

You need to know. 

The hardwood floors continue and you use them to your advantage as you shuffle your way across the main area. The fire crackles as you pass, the popping of a log making you startle. Your feet slide again, your body pushing up against the crutch to hold yourself steady. 

If you fall, you’ll never get up again. 

Your target is dead ahead, a mile away but so close you can almost taste it. Just past the dining table and straight on till morning. 

Despite your snail’s pace, no one seems to notice you shuffling your way across the house. It should make you upset, the fact that none of them notice you moving around, but instead it makes you glad. They’d try to stop you if they noticed you, turn you around and shuffle you back to bed. Or worse, they’d carry you. 

How easily you could slip away, though. 

Well...in theory. 

Perhaps that’s why they ‘re not paying you any mind. How far could you really go in your current state? 

Why would you want to stray from the only safe space you have? 

The world outside is more dangerous with the state you’re in. Not just because of your injuries and your status, but also because you know Shepherd is still out there, and for all you know Graves is as well. 

He could be waiting right outside the door. 

No. 

They’d know. 

They’d protect you. 

They failed. 

You push past the fear in favor of certainty as you push forward, passing the dining table in your slow crawl towards the sliding glass door. 

It poses an entirely new threat as you stand before it, staring out the darkened glass. You have to get it open. Getting it open takes strength and you’re down to one hand that’s trying to keep you upright. 

You have to know. 

You have to be certain. 

You lean your weight on the crutch, ignoring the way it digs into your armpit as you reach for the handle. You click the lock, wrapping your fingers around the plastic before pulling. Your body screams with pain as you tug, the door sliding in the track as slowly as you had moved across the small living area. It’s almost as if it's mocking you. 

It’s open only as wide as you need to crutch your way through, doing your best not to knock your left shoulder against the frame. 

If you fall, you’ll never get up again. 

Breathe. 

You can smell it. 

The salty sea air invades your senses, slipping up through your nose and straight into your brain. Memories come flooding back of childhood vacations back when things were simpler. Back when nothing mattered but the sand and the water and avoiding getting chased by your brothers carrying the piece of seaweed they found. 

Polkadot bathing suits, bright red to be seen easily. Toes in the water, sand everywhere. The nap in the silent car home. 

How simple life was back then. How easy life was. 

Your heart aches for those days again. The days when you could exist without a care in the world, trusting your pack would keep you safe, trusting your family would care for you. Your mind yearns for that sense of safety and security again. 

The world is grey as you hobble across the porch, the grey seeming to go on forever. You missed it, the chill in the air, the gloomy grey overhead. How you yearned for the gloom of England while stuck in the heat of Texas. 

Anything is better than Texas. 

Your forward shuffle pauses at the edge of the deck, your eyes looking out into the grey. Your breath catches in your throat as you stare out into the distance, the ache in your chest intensifying. It blocks out the pain in your body, numbing you to everything else as you stand there, legs trembling from the effort of going the short distance from your room to the end of the porch. 

You can see it. 

Emotions swirl inside of you like a hurricane as you stare out where the grey water meets the grey sky in the line of the horizon. Those emotions threaten to choke you as you stand there trembling at the edge of the porch. There’s a breeze, a cold one that bites through the fabric of your sweatshirt and into the skin below, but you don’t care. 

You can’t care. 

Your legs shake from the exertion, the neverending exhaustion that’s settled deep into your bones. It’s not just a physical exhaustion, but a mental one as well. It’s been a long week. 

Only a week. 

So much has happened in a week. 

You want to sit. You want to sink down onto the porch and rest. 

If you fall, you’ll never get up again. 

There’s a pain in your chest as your breath catches in your throat. The emotions are whirling, tightening around your chest, squeezing your lungs until they feel like they might pop. 

Breathe. 

In and out. 

You needed certainty. You needed to know. 

You can hear it. You can smell it. You can see it. 

A single tear rolls down your cheek as you stare out at the sea. 

NEXT ->

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[thefreakandthehair]

grow where you're planted

written for ‘stuff’ | wc: 483 | rated: teen & up | tags: modern AU, no upside down, landscaper steve harrington, homeowner eddie munson, eddie munson & gareth friendship, confident!steve harrington, flirting, different first meeting @steddiemicrofic

“What is all that stuff?” Eddie mutters under his breath.

He’s alone in his shiny new shotgun house with no one around to hear his question but he asks it anyway because seriously— what is all that stuff? How much mulch does one Indianapolis front yard need?

A lot, apparently.

He keeps watching through the glass window in the front door as they slice open bags and pull plants gently from their pots. One of the landscapers, a lean guy who’s worked up a sweat with toned shoulders and moles that cascade from the side of his neck, runs his fingers through his hair. Dirt sticks to his temple as he bends down to plant something with yellow flowers beside the mailbox and Eddie wants to lick him clean.

“Jesus Christ,” he whispers to himself, yanking his phone from his back pocket.

Eddie: landscaper is too hot help Gareth: you brought this on yourself Eddie: there’s a guy in the shortest basketball shorts i’ve ever seen. like, 80s pin-up short. i’m in over my head Gareth: then go talk to him? Eddie: good idea, lets get all the bad ideas out now Gareth: i’m serious! Eddie: i pre-paid online for a reason, i can’t even look him in the fucking eye

Eddie looks up from his phone, intent to watch Shorts Guy from a distance only to find himself face to face with Shorts Guy through the offending glass window.

“Fuck!” He blurts, dropping his phone in the process. Please don’t be broken, he thinks as he tries to discreetly slide it aside with his foot and opens the door.

“Hey! Sorry to scare you. We’re all set,” Shorts Guy says with a smirk as he glances up and down from Eddie’s phone to his warm, flushed cheeks.

“Cool! Awesome!” His voice is about an octave too high– he clears his throat. “Looks great!”

“Thanks! If you’re satisfied with the work, leave us a good review. Goes a long way. And uh…” Shorts Guy does that thing with his hair again and Eddie might actually be sweating more than him now. “Maybe you can give me a call if you’re extra satisfied? And if your phone’s not broken.”

Shorts Guy nods to Eddie's discarded phone and what the fuck is happening right now? Eddie blinks and then shakes his head, grabbing his phone to find it blissfully still intact.

“All in one piece,” he says, turning the phone around toward Shorts Guy as if he needed to prove it. “I’d– yeah! Totally. I’d love to. Y’know, since it’s not broken and all that.”

Shorts Guy takes Eddie’s phone from his outstretched hand and saves his number as Steve. He texts Steve immediately, exchanging numbers and names before Steve’s even left the driveway.

Eddie: hey, it’s Eddie. extra satisfied. free this Saturday?

Gareth is never going to let him hear the end of this.

doubling up with a microfic and a gift for @starrystevie! happy birthday, bee!! here's some confident, sweaty landscaper!steve harrington for you! <3 I've been thinking about it for days and couldn't stop myself. love you!! have the best day!!

[cyberluvzu]

TICCI TOBY DATING HEADCANONS

Ticci toby x reader

Hello people, I haven't written in years but I have some spare time and have been DROOLING over Toby lately so I thought that I could do this.

(please go easy on me I literally haven't wrote anything like this in 2 years)

- COMPLETE LOSERRRR

- Absolutely no dating experience at all

- You're his first everything

- And because you're his first everything, he gets incredibly nervous when it comes to doing new romantic things ( especially something physical)

- He wants to do all the cute couple things with you but he's scared that he's gonna end up scaring you off or making you uncomfortable

- At the beginning of the relationship he would probably be so awkward

- You'd go to hug him and he'd just stand there like🧍

- Don't get me wrong he appreciates the affection, he just doesn't know how to respond because he hasn't had a good relationship with physical touch

- After a couple of months he would slowly start to be more open to physical affection and being more romantic

- Just give the man some time

- When you get to the point of being completely comfortable with eachother he goes CRAZY BRO

- When he does get comfortable he is constantly on your ass

- He comes back from missions and immediately wants to go to sleep with you in his arms

- Bro doesn't even care if he's all bloody, he WILL have you

- You will have to pry him off of you and get him in the shower, or at least change his clothes

- After you get him to clean up he is all over you

- Holds you so close and just knocks the fuck out

- I also like to think that he'll bring you little knick knacks when he goes out

- Flowers, cool rocks, maybe a couple of things he got stole when he was in town!

- He's kinda like a crow

- In the sense of, if he likes you, you're gonna get some stuff

- He likes going on walks with you, it's nice just being alone with you, away from his life

- Is somewhat totally obsessed with you

- When he's not with you he is always thinking of you

- On his mind 24/7

- Totally infatuated with you, loves you completely.

- Has an irrational fear that he might lose you and doesn't want you to ever leave him, because you're the best thing that's happened to him

- Gets jealous, but not in the aggressive way, at least not with you

- Might go kill that person that was hitting on you, but you don't need to know that!

- Will absolutely be passive aggressive with you though

- Says little things to let you know that he's still upset at you

- He just worries he'll lose you to someone else

- Someone give bro a hug already

- Speaking of that, he absolutely adores your hugs, wants to stay in your arms forever

- He likes hugging you from behind

- He also really likes to silently creep up behind you and scare the shit out of you, but ends up giving you a hug to make up for it

- He just loves you

------------------------------------------

GUYS IM BEGGING ON MY HANDS AND KNEES FOR Y'ALL TO REQUEST 😭🙏

I'm literally so in the mood for writing about silly little characters now, I have so so many more headcanons for Toby and all of the other pastas, but I'm gonna post this because I've delayed doing it for a while because I'm irrationally nervous 😭

[lamentationsofalonelypotato]

You Call It Madness But I Call It Love

Chapter 22: I May Be Right or I May Be Crazy

Pairing: Soldier Boy x f!reader, Reader POV, Soldier Boy POV

Summary: When the reader left Payback 40 years ago after a falling out with her childhood best friend she never looked back, but when two men show up to her apartment and start asking her questions about the past, the reader begins to think those things can’t stay hidden and starts to question what’s real and what’s fantasy.  This is a re-telling of The Boys Season 3, where the reader is a supe who's known Soldier Boy since 1927. The chapters will fluctuate between past and present. This is chapter twenty two of my "You Call It Madness But I Call It Love" series. (I'm so bad at summaries please forgive me!)

Word Count: 9.1K

Warnings: I'm going to label this one 18+ because it handles some heavy subjects! READ AT YOUR OWN RISK. Seriously it is DARK. THIS ONE IS REALLY DARK! Angst, Cursing, Mentions of Abuse (sort of- it's more the reader being used without knowledge of it and I'm not sure what to call that), Numbness, Mentions of character going through some HEAVY EMOTIONS and INTERNAL TRAUMA , Violence, Explicitly Described Torture, Fire, Graphic depiction of death, Blood, Gore, Sexual References, Family Problems. Soldier Boy might be, is, really, absolutely, completely a little OOC. Soldier Boy is really all you need as a warning.

Note: This is told from the Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. Reader is described as "curvy" occasionally. If you don’t like, don’t read, but if you do like, you’re my favorite!

A/N: I'm serious guys this one is really gory, violent, and bloody. I mean, so is the show. BUT this is an additional warning if you don't like reading that kind of stuff, please do not read this. It also handles a really delicate issue with the reader going through something that no one should ever have to. I've never written something like this before and honestly I don't think I ever want to again, but it had to be addressed...

Internal Monologue is in first person and is in italics

Series Masterlist

Masterlist

*********************************************

"Are you sure you want to stay here?" Ben says, gently pushing back a few strands of your hair from your face, fingers trailing against your cheeks, warmed from the morning sun that peaks through the large trees which shield Legend's property from the rest of the world.

Butcher had finally found Mindstorm, figured out which cabin he was hiding at, and although you wanted to go to make sure that Ben was alright, you knew that you couldn't go with him.

There was something you needed to do and you needed to do it without Ben there. It had to be handed delicately. You weren't sure what you would learn, what it would confirm or deny, and as much as it hurt you to be apart from Ben, you had to do it alone.

It was two days after your revelation, after you received what seemed like divine wisdom while staring at your daughter as if seeing her for the first time in forty years and understanding what it was that you'd forgotten. It had been hard to laugh off why you'd shattered a mug during Butcher's little pow-wow, even Rosemary was concerned after, but you'd waved her off and said that you were just getting accustomed to your new supe strength.

But Ben wasn't fooled. When you went upstairs to clean the alcohol from your clothes Ben had followed and tried to get you to tell him what was wrong, but you'd only said that you were tired. He knew you were lying, but he only sighed and hugged you because he didn’t really know what else to do.

And now standing outside of Legend's house while Ben, Butcher, and Hughie were about to go after Mindstorm you wanted to tell him what you believed, but you still couldn't.

You had to find out for yourself.

"Yeah. I don't want to leave Rosemary or Lou." You reply leaning in to his touch. It was true, you didn't, but it wasn't the whole truth and it made you feel guilty. You'd never lied to him before or well, hadn't tried to intentionally trick him. And it felt worse to do this now that the two of you were starting over, and when everything felt more wonderful than you could have imagined all those years ago.

Ben eyes you for a moment and you're suddenly worried that he's been a mind reader this whole time and he's just never said anything.  But then his expression softens. "Are you sure you're okay? You haven't said too much since the other day."

"I'm fine." You touch the front of his supe suit, laying your hand directly over his heart and feeling the gentle thud in the palm of your hand. It was difficult not to touch him now, not after the boundary had been crossed so many times over the past two days. Somewhere deep down you worried that Ben was still uncomfortable with you doing something so intimate in public.

You were aware that everyone was looking at the two of you, Rosemary and Lou standing more towards the house on the front porch and Hughie and Butcher were standing by Butcher's car parked in the long driveway. Butcher's car still had a giant hole in the roof from when Ben punched through it and when he saw the hole, Butcher had threatened to send Ben back to Russia and you threatened to melt Butcher into a puddle.

But Ben gently touches your wrist, where your hand rests against his chest, frowning slightly.

"Fine. I've got a few things on my mind-" You whisper, hating how easily he could read you, but at the same time you loved it.

Ben made you feel seen, and after years of feeling invisible, feeling like you were losing you best friend, and feeling like he would never care about you the same way, it made you happy and comforted.

"Then tell me. I want to help." Ben's hand slides up your wrist to your hand, entwining his fingertips with yours and surprising you again. He was being so open and thoughtful in front of everyone. His eyes search yours as if he was trying to see your thoughts and it made you smile again to understand how much he loved you and cared about you.

"Ben." You breathe, squeezing his hand. "I don't want to talk about it now. Can we talk about it when you get back?"

"Is it why you're not coming with me?" His frown deepens.

"A part of it. But I really want to make sure that Lou and Rosemary are safe."

Ben raises his gaze to look at where Rosemary stands frowning at the two of you, before he looks back at you. "Okay." But he doesn't seem happy with the turn of events.

You didn't blame him, you didn't want him to go face Mindstorm alone even with Hughie and Butcher. You still didn't trust Butcher and of all your old teammates Mindstorm was the most troubled.

"Can you promise me something?" You ask Ben, looking up at him.

"Anything."

"Watch out for the kid."

"The kid?" Ben looks confused. "Lou?"

"No. Hughie." You glance over to where Hughie is standing at the back of the car with Butcher.

Probably talking about the Temp V they're going to shoot up to take down Mindstorm.

You really didn't want to leave Ben with Mindstorm of all people. Mindstorm was probably one of the only supes that could do something to Ben. Ben did have some psychic immunity, but you thought that Mindstorm could peel away the layers, sink deep into his mind, make Ben see the things that always plagued him. And the last thing you wanted was for Ben to be trapped in an automatic loop of him listening to his father say what a disappointment he was. You were trying to make him forget those things, just as Ben tried his hardest to make you forget the things your mother said to you.

If Mindstorm put Ben through that, you were going to hunt him down to the ends of the earth and make him understand what it was like for someone to peel the skin from your flesh bit by bit and then make him eat that brain of his that he loved so much.

Plus you figured that the worst thing that could happen is Mindstorm would lock you in your own head and you'd have to spend your final hours with your dead mother, which yes that would suck, but at least at the end of it you'd have a new fun superpower to torture Mindstorm with.  Seemed like a good trade-off if you had to spend your last moments with the bitch herself.

I wonder what he'd make her say to me, what I'd see. I've heard it all before, don't really think that he'd make me see anything I haven't seen before or heard before.

"Why?"

"Hughie's not like us. None of this is him. He's different. He's a good person and all of this is-” You glance over at Hughie again, before looking at Ben. “ Just look out for him."

Ben's hand tightens in yours where it still rests against his chest. "Fine. But if that fucker comes for me I'm not going to tip-toe around Hughie's feelings. I'm going to kill Mindstorm, that's why I'm going there."

"I know." You nod.

"I mean you saw the shit he did to those kids-" Ben whispers the last part because he doesn't want Lou to hear, but notices Rosemary perk up, where she stands on the front porch.

"Yeah. I remember."

Mindstorm was more fucked up than most of the others on your team, found joy in making people see terrible things. And his favorite targets were children. Stan had a hell of a time covering that up, covering up Mindstorm's morning walks through parks and on the edges of elementary schools. He liked to live in their minds as he took them apart bit by bit, exposed them to his own twisted reality.

Mindstorm wasn’t a good person, but you knew that Hughie was.

"I'm not asking you to spare his life." You whisper back. "He was one of the worst from our old team. I'm just asking you to look out for the kid."

"I will."

You nod, still worried. He was going with Hughie and Butcher, but it still felt like he was alone if you weren't with him. The problem was you couldn’t see the way around it. This was your chance to go alone to find some answers, but you didn't like it, didn't like leaving Ben.

Probably about as much as Ben hated leaving you.

“I promise I’ll come back.” He murmurs pressing his forehead against yours, green eyes soft in the morning light. He was mistaking you hesitation for your fear of him leaving and never coming back.

You reach up with your free hand to touch his cheek. "I know." Your thumb gently rubs over his bearded cheek, smiling up at him. "I love you." You whisper.

Ben leans down and kisses you softly, just a fleeting brush of his lips against yours that leaves you wanting more. "I love you too Sweetheart." He murmurs with a soft smile.

Again you weren't used to that, used to him looking at you like you were his whole world, and you never wanted him to stop.

Ben pulls away and raises his gaze to where Rosemary stands arms crossed over her chest with Lou standing beside her watching with wide eyes.

"Be careful." Rosemary says, but it sounds pained, almost as if it took a large amount of effort to say, but you were happy she said something to him that wasn't meant to hurt him.

Maybe that's a good sign. You think to yourself, but then you notice the frown on her face. Or maybe not.

He nods once, but as soon as he takes a step towards where Hughie and Butcher are waiting by the car, Lou runs to him, her tiny arms pumping as fast as she can.

"Ben wait!" She cries, throwing herself against his leg and pressing her head into his right knee. "Don't go. If you go Aunty y/n will be sad again!" Lou mumbles into the fabric, hugging him tight.

Ben stiffens, his eyes shifting to you and for a second you see something unfamiliar flash in his gaze, something painful. It shakes you to your core, and makes you remember how he looked when he stood above your bed the night he came back and said that he couldn't lose you and when he sat in the car and showed you how upset he was that he wasn't there for you when you were pregnant with Rosie.

It made you want to pull him into your arms and hold him close, make him feel loved all over again, show him how much you wanted him here with you despite everything that happened in the past.

He crouches down so he can look Lou in the eye. "I won't be gone long. I'm a little harder to kill than these other sons of-" Ben stops to sensor what he was going to say and clears his throat. "Um. I'm a little harder to keep away than other people."

"Do you promise?" She says.

"Yes I promise honey." Ben smiles tightly.

"Take this for good luck." Lou reaches into the front of her bright pink overalls to pull out a small yellow flower about the size of Ben’s pinky, holding on to the stem in her little hand.

You have no idea where she got it, only that she was holding it out to Ben as if it had the power to save the universe.

Ben looks from Lou's face to the flower, but takes it from her. “Thank you.” He places it carefully in his pocket and zips it in, but before he can stand to go, Lou throws her arms around Ben’s neck and hugs him tight.

You're sure that Ben must barely feel it, you'd seen a supe try to choke him out and Ben only laugh at them. But this is different.

Ben doesn’t move, in fact it doesn’t look like he’s really breathing. His eyes flick to where you’re standing, wide  in surprise and you give him an encouraging smile, because Lou already loves Ben just as much as you do. Ben’s arms are still at his sides awkwardly, but he finally wraps one arm over Lou’s back to hold him to him, gently as if he’s afraid he’ll crush her.

"I'll come back." He murmurs to her. "I promise." But his eyes aren't on Lou, they're on you, open and almost earnest. Making you understand again that he didn't want to leave you, that he wanted to stay, but if he had to go, he'd always come back to you.

Rosemary watches with a frown from the porch, but doesn’t say anything. In the days that had followed their initial meeting she was still trying her best to let him know that she wasn't going to be his friend, that she wasn't going to forgive him.

It hurt you. You didn't say that to her, because you didn't want her to be guilted into liking Ben, but it hurt. It hurt to see your daughter push him away, when all Ben wanted was family. You understood that. Understood that in the way he treated Lou and understood it in the way he treated you.

He was so different than before and you wished Rosemary could see it like you did, but you understood that she needed to realize that all by herself no matter how long it took. You all had time.

Maybe that was the problem, Rosemary had an eternity to hate Ben, but maybe the good thing was that you had an eternity to make him feel loved.

Lou pulls back from him and you take her hand while Ben stands.

"Oi' while we still got daylight!" Butcher shouts from his car, leaning back against the door.

But just before you think Ben is going to go to the car, he steps close to you and kisses you so fiercely you don't remember how to breathe and then he's gone just as suddenly.

You watch the car pull away holding Lou's hand tightly, while it goes down the long drive and finally vanishes in the thicket of trees. It doesn't feel as warm anymore, you're not sure if that's because Ben is gone or because you're preparing yourself for what you have to do next.

"Here you go kitten. This is the only one I could find" Legend says walking through the front door of his house and past Rosemary to hand you a knee-length dark green leather coat. It was vintage, and you had asked him to find something that didn't make you look ridiculous. Legend had closets full of clothes that would have made you look like you were in a Solid Gold music video, and Ben had started wearing the clothes around the house because he didn’t have anything else.

Of course on him they looked good, Ben could be wearing a paper bag and a shower cap and still somehow pull it off.

"Thank you." You release Lou's hand to take it, putting your arms through the sleeves so it hung over your jeans and your black t-shirt.

I swear if I lose one more jacket someone is going to pay. Yeah, because that's what I should be upset about, losing another jacket.

"What do you need that for?" Rosemary asks.

"Lou." You crouch down next to her, smiling up into her freckled cheeks. "I want you to go inside and draw me a field of sunflowers okay?"

"A whole field?" Her eyes brighten.

"A whole field."

"Can I give it to Ben?" She asks.

"Of course you can honey. I think he’d like that very much.” You tuck her dark hair behind her ear before she turns and runs through the large wooden double doors at the front of Legend’s home.

You stand. "I have to do something."

"What do you mean? I thought you just told Ben that you weren't going after Mindstorm?"

"I'm not going after Mindstorm."

"Then what? You’re going to kill someone else aren’t you?” Rosemary crosses her arms over her chest, obviously upset.

You don’t answer.

“Why? Why are you doing this-“ She shouts exasperated.

“Something about everything that happened doesn’t sit well with me.”

“What do you mean everything that happened?”

“Ben was Vought’s golden boy. And I don’t understand why Stan Edgar would just let him be taken like that.” You look at where Legend stands. You didn't think that he knew anything about it, hoped that he didn't. He was one of your oldest friends and to find out that he had betrayed you the same as Payback had betrayed Ben wouldn't end well.

By now he's lit a cigarette, smoking it thoughtfully. "I've wondered the same thing. Stan Edgar was involved in everything, and for him to give the go ahead for Payback to hand Soldier Boy over, means that there must have been some money exchanged for him to green light it." Legend blows out a lungful of smoke that hangs in the air in front of his face. "Stan never brought up much with me, just that he was excited that the team was going to be given a chance to help out in Nicaragua." Legend frowns. "I will say that before the premiere that night, Stan seemed to already know that y/n wasn't going to be on that trip. In fact he was convinced that you were going to stay state-side and work with Vogelbaum on some things."

"Vogelbaum?" Rosemary questions looking at him.

"He was the main scientist for Vought, he had in fingers in every pie, knew the extent of all our powers, except mine." You wave a hand. "I always refused bloodwork, I didn't want him to be poking and prodding around in my DNA for too long. But he definitely was big on genetic testing. They were trying to make a new hero-" You pause remembering what Vogelbaum said the night of the premiere. You hadn't remembered what he said until now. When Vogelbaum mentioned the next generation of heroes.

"What is it?" Legend asks.

"Stan knew I wasn't going to Nicaragua. He knew that Countess would make Ben push me away, but what if he was working with Vogelbaum?"

"What would that help?" Rosemary interjects.

"The night of the premiere Vogelbaum said that he wanted me to come by the lab, to meet someone. He said that he was working on "the next generation of heroes" or something." You shake your head as if trying to move things back in place so you can understand. "There's something I'm missing about the whole situation. Some missing piece that doesn't fit." You bite the inside of your cheek. "Stan tried to come talk to me after Ben died, but I never heard what he had to say- I broke his nose and threw him out."

"Maybe he was going to try to get you to come to the lab again." Legend shrugs.

"But why were they so adamant about that it just makes no sense. Why was I important? Why me? It could have been anyone. Hell, they could have had Countess go instead of me. There were other women, other supes. Why did I matter so much?"

You glance at Rosemary again, examining her face and seeing the same thing you realized the other day. Deep down you understood why, but you wanted to be wrong, you didn't want to believe that someone would take that from you, that someone was capable of doing something like that.

"But do you have to kill someone to find out why?" Rosemary pleads. "I don't understand how you're okay with killing people-" She begins to say looking at you like she's never met you before.

"You think I'm okay with killing people?" You ask her. "You think I like this?"

"No but-"

"I've done a lot of shit that I'm not proud of. I've lost control. I've killed people. But believe me when I say that what I'm about to do, I do for you. It might not seem that way right now, but I hope that one day you can understand that."

"Mom I-" She starts, but you hold out your hand. She looks from it to you as if confused, but then finally takes it.

"If Homelander comes here, you kill him. Do you understand me? You don't give him a chance to speak, you kill him." You say, feeling your powers transfer into Rosemary. It didn't hurt, it never did, in fact if she did it to anyone else they probably wouldn't have noticed. Her ability was almost undetectable, the only thing that changes is the quick flash of molten gold in her eyes when she does so. But it was instantaneous and it didn't matter how long Rosemary held on to someone, all it took was skin to skin contact, one touch and that was it.

Rosemary's expression hardens. "Okay."

"I love you." You squeeze her hand once more before you let go.

"I love you too mom."

You take a few steps away from her. "I'll be back tonight. I promise. If Ben gets back before me, just tell him that I needed to do something and that I'll be back. Don't let him try to come after me."

"He's not the easiest person to tell what to do." She sighs.

"I know." You shrug. "He's just like you."

"He is not-"

"He is."

"You need to borrow the car kitten?" Legend asks, beginning to search through his pockets for the keys to his black 1967 Impala. It was in mint condition and Legend was proud of it.

He should be. It's a nice car.

"Nah I think I'll hitch-hike." Your smile is triumphant and maybe a bit mischievous, as you take to the sky, leaving the world and everything you know behind.

If only you knew what was coming.

************************************************************************

Stan Edgar was a simple man. He liked his whiskey neat, his coffee black, his cigars Cuban, his suits pressed, his dinner at 6 pm sharp, and his women poised. Stan Edgar rarely deviated from his plans, never cancelled a meeting, and took every phone call no matter how late. He read the Wall Street Journal each day, checked his blood pressure meticulously, and was in top shape for a man of his age. After years of shaping his image, Stan Edgar's life was the epitome of control and composure.

Not a hair was ever out of place, his apartment on the Upper East Side was perfectly organized, and he never got angry, he got even. He never lost a minute of sleep. He never raised his blood pressure and he knew the exact price that a minute of his time was worth.

He took his morning coffee in the dining room of his large five-bedroom penthouse apartment with a bowl of oatmeal while he read the Wall Street Journal and left his home at exactly 7 am only to return at 5 pm to read through various briefs before his housekeeper delivered his dinner to the same dining room table that he had previously had breakfast on.

When he was taken off the board from Vought, his schedule had deviated slightly, but it was easy for him to control the company, especially with the connections that Stan Edgar had worked his entire life to maintain.

Stan Edgar's life had reached a point of comfortable routine and after forty years it was as it should be. He knew the ins and outs of New York City, he had a stable home, various rental properties, rising stocks, and a control of most of the inner workings of Vought even with Homelander's hostile takeover. Homelander was proving to be a bigger problem than he hoped, but Stan Edgar did not allow himself to revel in Homelander's destruction of the company Stan worked so hard to build up.

Every moment in his life was mapped out to the second and Stan Edgar had worked hard to make it to the top, had crushed many an executive, assistant, and person to gain the power and status that he had.

When Forbes did a profile on him, they had proudly described his rise to power, of course there were details left out, pieces of Stan Edgar's life that he had worked hard to sweep under the rug. But he did not lose sleep over that.

His apartment is cold, silent, and dark when he walks through the front door at 6 pm sharp, odd because Stan expected his housekeeper to be standing there to take his coat as she had been for the past twenty years. The same navy blue wool coat he shrugs out of and hangs on the maple coatrack just inside the front door in his foyer.

You can hear the sound of his footsteps along the marble tiled floor as he makes his way through the silent apartment, his dark brown shoes polished to a shine, squeaking slightly against the polished tiles.

"Roberta?" Stan calls looking for his housekeeper. His voice caries through the darkness.

You could smell the tobacco from his last cigar on his suit coat, his heady cologne, and his hair oil that was just a little spicy. It was old fashioned, something that you could remember from the first time you met him.  You could hear the steady beat of his heart in his chest, perfectly maintained by the bottle of medication you had found in his bathroom only a few hours ago.

You already knew Stan Edgar's routine by heart, knew exactly how he spent his days, and the kind of person he was. Today was not the first time that you had trailed him, wove through the crowded streets behind his thin form as he moved oblivious to your shadowing, and watched his driver Carlos pick him up and drop him off at the correct times. You had done it many times, taken days to understand who he was, understand where he went at what time, and who he met with.

Nothing in Stan Edgar's life was a mystery to you.

Hughie's revelation of Victoria Newman's relation to Stan Edgar was not a surprise. It was a piece of information you held close to your heart if things between the two of you ever went South. You didn't fear her power and you weren't above torturing the weapon that Stan had turned her into. It would have been difficult, she was after all a senator, but it would be easy to inflict a small problem within her body telekinetically, something that looked normal to the naked eye.

Of course what you were about to do to Stan was going to be difficult to explain to the police.

You had contingencies in place for that though, there was nothing to worry your head over. The hardest thing you'd done today was get out of bed this morning and your day had included disposing of Stan Edgar's security detail, who hadn't even been able to touch you, let alone know that you were following him.

Some security detail.

You took a drag from your cigarette, leaning back in the high-backed chair in Stan's ornate living room, the tip burning orange in the darkness, the smoke obscuring your form where you lounge back against the faded green velvet. It already smelled like cigar smoke and you knew that it was where Stan smoked his nightly pipe after dinner, the velvet holding the strong scent of tobacco and Stan's ancient cologne. You hadn't had a cigarette since you were pregnant with Rosemary, but there was something about the drama of smoking one that you couldn't pass up.

Stan turns into the living room, but his foot hits something solid where nothing should be and he pauses.

"Roberta?" He says again hesitantly. "Did you move the couch?"

She wouldn't answer him, couldn't answer him. Killing her had probably been a mistake, but when you realized that she was an ex-hero hired by Stan as an extra precaution to make sure no-one entered his apartment, it had made you feel better, especially when she tried to electrocute you, which had surprisingly slowed you down, but not enough to spare her life.

You hear Stan's fingers fumble against the light switch on the wall and the hiss of his surprise when his hand comes back sticky and wet.

You can see him clearly in the darkness, Homelander's x-ray vision meant that you'd never have a problem seeing in the dark ever again. You watch Stan's nose wrinkle in disgust, confused at the discovery, but then watch as he reaches again and flips on the light, his eyes leveled at the ground trying to figure out what it was that he stumbled onto.

His security detail had come to sweep his apartment as they did each day thirty minutes before he arrived home, and it had been the last thing that they had ever done. The blood from the bodies was soaking through the hardwood floors and trickling down to the oriental rugs below Stan's modern living room furniture. The thick copper smell of blood was everywhere and you weren't sure how he missed it.

You hear the sharp intake of his breath as he sees the bodies, traces the ripped limbs and headless forms of his pathetic security detail at his feet. There were others in his bedroom, one in the kitchen, and another hanging from the horns of a moose head over the fireplace at your right where you sit, the blood flowing thick down the beige wallpaper and dripping onto the once pristine floors. There were nine in total, and although the past version of you would have maybe felt some remorse for their deaths, you were finding it difficult to, especially after realizing what you had.

"It's hard to find good help these days." You arch your brow taking a drag from the cigarette perched between your index and middle finger. "I'd say you paid too much for their service given how easy they were to dispose of. I'm kind of disappointed, thought that they'd be a bit more of a challenge."

Stan looks up from the bodies, eyes wide, to see you sitting there in the armchair. There was blood flecked over your shirt, on your jacket, in your hair and on your cheeks that you hadn't bothered wiping away, you figured that there would be more soon and you didn't care.

"Y/n." He keeps his voice composed, but you can hear his hand shift to his pocket for his phone.

It doesn't get far.

You telekinetically pull him over the back of the couch and force him on his knees in front of the ornate square coffee table poised in the center of the room. His hands palm down, fogging the glass with his body temperature. His body is outlined in bright purple, completely at your mercy and under your control, your own eyes glowing bright purple.

You allow yourself to take another drag of cigarette and let a cloud of smoke trickle out from your full lips. "It's good to see you Stan. How long has it been? Ten years? You look good better than my teammates did anyway."

"I was wondering when you were going to drop by." He says tightly eyeing you. "Are you going to keep pretending that you're not Indigo?"

You smile and laugh at him. "I think I'm done pretending."

You weren't surprised that Stan knew. When you'd seen him at your art show all those years ago when you moved back to the city you had suspected he knew, not to mention that he had called Legend to ask about you. It was unfortunate that Stan knew, because now you worried who else knew, but you also figured that the cat was out of the bag as soon as you fought Homelander.

Plus, maybe the secret would die with Stan.

"Is Ben here?" Stan asks, and you hear the way his voice sticks on Ben's name. His eyes shift to the dark corners of the room as if he believes that Ben will materialize from the shadows.

It's like him to be more afraid of Ben than me. No one was ever afraid of me. I was just Ben's little friend, another supe that they could dress up and put on display. They should have been afraid.

"No, I came alone. Thought I'd give him the night off."

"I’m surprised you let him back into your life after everything that happened." Stan replies, but you don't miss the twitch of his body as he tries to escape the grip of your powers. He wouldn't. Your hold was unbreakable for someone like him. If you had decided to use your powers on Ben or on Homelander, you were sure that it wouldn't hold them for long, they were too strong.

You examine Stan again. His body is rigid in your hold, head tilted up to stare at you, hair flopping forward into his face from when you yanked him over the couch, and his knees are pressed into the blood soaked carpet on the living room floor.

You knew what he was doing, he was trying to get inside your head, try to make you turn against Ben the way everyone else did, but you wouldn't fall for it, not again.

"Well you did you best to keep it that way, didn’t you Stan?"

"I don't know what you're talking about-" Stan's words are cut off in a gasp as your telekinetic grip tightens on his body, squeezing him tight for a moment before you release the pressure, but keep him where he is.

"Do me a favor, don't lie to me. It's insulting, plus we're old friends." You smile sweetly. "And I always love seeing my old friends. Especially ones who stabbed Ben and me in the back."

Your glowing purple eyes flick to the large painting on the living room wall. It's one of yours, a depiction of a quiet forest from your last show. It was weird to see a piece of the new life you crafted hanging there. "I'm flattered you bought one of my paintings."

"You always were talented. I was disappointed that you didn't start trying to sell them earlier. Probably would have sold more when you were a hero,  could have enhanced your image." He says, but you can hear the edge beneath his voice. He's trying to keep conversation, make this diplomatic, when he knows there's no way out. You’d made sure of that. No one was coming to help Stan Edgar.

"I sell enough now. Thanks though." Your body stands from the chair, listening to the rapid beat of his heart in his chest, and gesture to the collection of tobacco pipes that line the mantle beneath the body of the security guard. "My dad had a pipe just like this one." You stop at a simple one, not carved, plain, a dark cherry wood that tapered into solid black. "Used to smoke right before he went to bed every night. I spent a lot of time sketching him sitting in his chair by the fireplace, learning what he looked like, tracing the plains of his face." You take another long drag from the cigarette.

It was hard to think about your father after all these years, you hadn't thought of your family in a long time, not when you had Rosemary and Lou and now Ben. But you could still remember those quiet evenings when there was a hint of a chill in the air and your father would smoke his pipe and listen to music from the phonograph he had in the corner while you sat at his feet and drew him. Sometimes your mother would join him with her own embroidery in the matching arm chair next to his. As much as you never got along with her, you could see how much she loved your father and how much he loved her.

"I'd never met Homelander in person before a few days ago. I'd seen his face on billboards, on energy drinks but never in person. I would have realized it years ago if I had." You trace the gentle curve of the pipe with a fingertip, exhaling another trail of smoke.

"Realized what?"

"I'm only going to ask you this once Stan." You pause as you turn to look at him. "Why does Homelander have my father's nose?"

It was obscure. You knew that. But it was what you had realized the other day when you were looking at Rosemary, the one feature that distinguished her from Ben, the one piece of yourself that she had, was the same one that Homelander did. You suspected that the smell of hair dye you smelled when you met Homelander for the first time was to cover up the brown hair that he must have shared with Ben, just as the makeup on his cheeks would cover the familiar freckles Rosemary had. They could have been twins, you could see it now.

Stan doesn't breathe, his muscles straining under his suit as he silently fights for his freedom, his heartbeat thuds loudly in your ears, but he doesn't answer you.

Your eyes glow a dangerous purple and the ceiling light flickers above the two of you, the sound of the static with each blink breaking up the wet tap of the blood dripping to the floor and the low pitched thrum of your powers that fills the room.

"I don't know what you're talking about." Stan swallows.

"What did I say about lying to me?" You sigh, flicking the cigarette into the full length white curtains that remain closed over the living room windows, immediately catching fire. Of course they would, you'd soaked them in gasoline moments before Stan came into the room.

His eyes flick to the flames as they reach up to the ceiling, but the fire alarm wouldn't go off, you'd sabotaged it. 

"The human body can withstand 50 pounds of pressure per square inch before it starts to crush. I’ve never crushed anyone before, mind you I’ve also never been crushed." You shrug your shoulders turning back to look at him. "But I'm very interested to see what it will do to your body."

Stan utters one word. "Please."

"It's funny." You take a step closer to him, tapping your lip thoughtfully. "I didn't ask you to beg for you life, I asked you to answer a simple question."

Stan still doesn't answer. The high pitched snap of his fingers one by one breaking is sharp as you increase the pressure on his hands , like the crisp sound of a wishbone at Thanksgiving.

Stan inhales sharply, his gaze lowering to what used to be his fingers, not quite realizing what the sound was. You watch as the realization rolls across his face like thunderclouds on a stormy day, as he realizes  they have been reduced to mush beneath your powers and a scream rips from his throat, echoing through the empty hallways, but there's no one there to hear him scream. Blood swells beneath the ruined flesh, turning his skin a sickly shade of purplish-red, before oozing through the breaks in the tissue by the sharp points of what were the delicate bones of his hands.

"Ooo. That doesn't look too good buddy." You click your tongue. "You want to rethink your answer? Or do I have to do your toes to match?"

"Vogelbaum tried to tell you at the premiere." His voice is a weak growl, eyes not raising from his hands. "I tried to tell you too, but you broke my damn nose."

"Tell me what?" You hold your glowing purple hand over him like a warning prepared to crush whatever you have to, to make him speak.

He continues to look down at his ruined hands.

"Ah-ah-ah." You place a fingertip beneath his chin, feeling the stubble of his five o'clock shadow, so his gaze is now on you. "I want you to look at me."

"Ben was a manic, crazed, he needed to be replaced. He wouldn't follow orders, wouldn't listen to us. He only listened to you!" Stan spits, his eyes filled with rage and pain. "It was easy to turn the rest of the team against him. Countess was jealous of his attention on you, it was logical that she would be the one to break whatever you two had. Even Noir was easy to convince. He always was obsessed with you after you saved his life from that asshole." More blood seeps over the glass table.

You withdraw your hand from Stan's chin for a moment surprised. You knew that Countess was always trying to get between Ben and you, but the news of Noir's obsession was new.

"What do you mean Noir was obsessed with me?"

"Oh please." Stan seethes through his gritted teeth. "Did you really think that you kept losing things? Your hair ties, your underwear, your hairbrush, even that stupid fucking necklace you always wore! Noir was harder to keep out of your apartment than Ben whenever you were out of town. Not to mention he always asked to be put on the same interviews, given auditions in films you were in. Noir was always trying to get between Ben and you, but you never gave him the time of day. Do you have any idea how hard I had to work to make sure you never figured out that he kept breaking in to your apartment?"

Your body goes cold. You knew the necklace Stan was talking about, the pearl necklace that your father had given to you all those years ago, the one that you'd lost a few months before your birthday and never figured out where it went, and the one that Ben had replaced on the night he gave you everything you wanted. You had noticed some things missing, the hair-ties and hairbrush, but you thought you'd left in the hotel rooms that Vought paid for, you had no idea that Noir had been in your apartment.

Whenever he talked to you, you thought that he was being friendly, that Noir was trying to be nicer to you because the rest of the team avoided you due to your close relationship Ben, but you never imagined that he wanted to be more.

"Noir was first on board with the plan. It didn't take much to get the others to fall in line." Stan continues.

"What plan?"

"The plan to replace Soldier Boy. But it had to be handled delicately, there couldn't just be any supe that took over. It had to be someone worthy, someone who exemplified the bullshit American Ideals that Ben used to boast about in all of those ridiculous films."

"So what? You sent Ben off to fucking Russia and you replaced him with Homelander? You shoved all that American dream shit down Homelander's throat and look what you created. You created a fucking monster!"

"It wasn't supposed to be that way. Vogelbaum wanted the replacement to grow up with a mother. He saw how Ben lived with only a father's influence and he wanted a soothing reassuring person in the replacement's life."

"You're not answering my question." You snarl, your hands beginning to glow brighter as you tighten your grip on his feet, preparing to crush them into mush.

"We had the genetic material from Soldier Boy it was harder to get it from you!" Stan shouts, feeling the pressure intensify in his feet, thinking that if he answers your question you'd spare them.

You stop for a moment, tilting your head to the side. The heat from the flames on your left growing with every passing second as they spread to the other curtains on the second large window. “What are you saying?”

“Did you really think we didn’t know what you could do?" Stan almost laughs, but it comes out in a choking cough. "We knew. Your power is one of the rarest we’d ever seen. And Dr. Vogelbaum hoped that your son would have the same one, that your son would possess some quality that you had and the qualities that Soldier Boy had. The perfect weapon. The perfect supe." Stan croaks. "A supe that could adapt and walk away from death like you could. A supe that was perfectly under our control, different than Soldier Boy."

“Are you saying that Homelander is my son?” Your voice is dangerously low, no more than a snarl.

Stan swallows. “Yours and Soldier Boy.”

With those words, the bones in Stan’s feet snap loudly as they both are reduced to nothing, but crushed bone and flesh, never to be used ever again.

But his scream of pain is wiped out by the roaring in your ears as you realize what he's said, realize exactly what Vogelbaum did all those years ago, realize exactly why he asked you to come to the lab when you danced together at the premiere.

It was what you suspected, but that didn’t mean that you were any less ready to hear it. The wave of emotion that crashes over you squeezes your heart in your chest, because what kind of a monster would do that? What kind of person would take something like that from you or from anyone?

Anger, pain, shock, rage, and horror all war in your chest, grappling against your ribs, choking your next breath from your lungs, and make you feel as though your body is tearing itself apart.

You think about the hollow look in Homelander's dark eyes, remember what Hughie told you he was doing to Annie, what Hughie told you he had threatened to do, and remember what Butcher said that Homelander did to his wife. You remember how cocky and confident he was at the Twins home, how unaffected he was by the gore of the bodies on the upper levels, and remember the way he didn't seem to care that he was hurting Ben, that he killed Butcher, and then tried to kill you.

That monster is my son, is Ben's son. He's Rosemary’s brother-

You could feel the anxiety rising, threatening to rip your own heart out of your chest, but then it suddenly shifts to all encompassing rage. The entire room shakes with the force of your anger, spider cracks appearing in the drywall all around the room, the windows in the room shatter sending glass blowing outward onto the street sixty stories below the penthouse apartment, and the furniture begins to shift and slide along the floor restlessly as the flames flare bright red and orange and cause the wallpaper to curl black.

"How did you get my genetic material?" Your voice is eerily calm as you gaze at him, vision going red.

Stan looks up at you, painful tears in his eyes. "We couldn't do it when Ben was with you. He was so damn protective of you, if we tried to touch you with him around he would have torn us apart, so we had to wait for him to go shoot one of those stupid films overseas." He gasps. "Vogelbaum said that you wouldn't remember. Said that it would be just like a bad dream.

You freeze when he says that, the memory of the nightmare that had plagued you for decades flashing across your mind, every detail becoming crystal clear. The voice of Vogelbaum telling the nurses to hold you down, the smell of his breath, his face gazing down at you from between your legs with a sickening smile on his face, while you tried to clear your head, the sound of your own screams ripping from your throat as you tried to fight the drugs they pumped into your system to keep you quiet.

"Egg extraction was difficult." Stan coughs, blood appearing on his bottom lip. "You killed two nurses and two orderlies. Almost killed Vogelbaum."

"I should have." You spit savagely. "If he was here, I would make him suffer. How could you do that? How could you do something so inhuman-"

Your body doesn't feel like your own, your skin is too tight, your next breath catching in your lungs, and a shudder of absolute disgust shakes through your bones. You feel the urge to throw up, to expel whatever images you can, to purge yourself because it meant they had been inside you, touched you, defiled you in a way that they believed was justified. Disgust, shame, horror and pure uninhibited rage shift along your skin in waves crackling in the air around your body. Everything you know is a lie. Everything that you thought you knew about the past nothing more than shades of gray.

"In the name of science there is no boundary, no limit that cannot be surpassed." Stan tries to smile, but it comes off as a grimace and as soon as he opens his mouth, his entire front row of top teeth rip from his mouth and land on the glass table, flecking blood over the surface.

Stan sputters, choking on the blood, eyes widening in pain, but he continues, his voice sticking around the holes where his teeth once were. “Vogelbaum tried to tell you that night. Tried to get you to come to the lab but you refused. He wanted the subject to have a mother, a figure that he respected, a way of reigning him in-"

"You have taken everything from him!" You snarl grabbing Stan by the throat, raising him to your face. "You have denied him the right of family. You made him into something inhuman something unrecognizable-"

"We didn't do anything." Stan cannot hold on to your wrist, tries to raise his ruined hands to place them against you skin, but they only slide off leaving smears of his blood against your flesh. "You chose this. You did this to him. You denied him a mother. We tried to allow you into his life and you refused."

"Don't you dare turn this on me. What you did to my son is not my fault. You turned him into a monster because you wanted a puppet, a weapon you could control. What Homelander became is all you and Vogelbaum. It has nothing to do with me." You throw Stan back against the opposite wall. "You made damn sure of that."

He lands in a heap, tries to rise to his feet, but the ruined stumps no longer work so he props himself up against the wall,  taking shallow breaths, blood trickles down the corner of his mouth.

But Stan doesn't stay on the floor long, you raise him up, his body glowing again bright purple as he slams back into the wall, arms outstretched, legs hanging limply beneath him as he gasps for breath.

"When Butcher's wife had her son, Vogelbaum was happy he got another chance. Happy that Ryan had a mother figure to rely on, but Ryan has not turned out anywhere near as powerful as your daughter.”

Your jaw tightens as you tilt your head, fear breaking through the rage and numbness that has begun to build beneath everything else.

"What did you just say?"

"It took us years to find her, but as soon as I saw her at the art show ten years ago I knew. She's the spitting image of Ben. So we put things in motion."

"What things?" You snarl, tightening your grip on his chest so tightly that you hear the cracking of his ribs.

"Her ability to keep powers for 24 hours is unmatched. She’s almost indestructible. Almost as indestructible as you. She was so helpful in our development of our Temp V.” He exhales in one breath sharply, wincing in pain.

"What?" Shock grips you tight, holding you in place.

They used Rosemary for that? For the shit that Hughie and Butcher shoot up?

"The scientists at Vought couldn't figure out a way to temporarily give someone powers." Stan gasps. "But her blood was just what we needed to understand it."

"You took her blood?" You roar, the furniture in the room flipping back towards the door, crashing against the walls.

"She gave it to us. When I approached her she was adamant about not telling you. You were so against being a hero again and having her do anything connected to Vought.” He smiles around the holes in his mouth. "She agreed to help us if it meant leaving you alone. But-" Stan swallows again, gasping out another breath that sounds like a wheeze. "We were always watching. Always have been watching. There is no where you can escape us, no where you can go to get away from us. You think you're free?" Blood trickles over his dark lips and down his chin, but he continues to smile. "You never will be. And when your granddaughter finally develops her powers, she won't be either. Vought is already prepared for her, nothing can stop it."

Your face hardens at his mention of Lou, anger flaring deep in your soul, rational part of your mind no longer in control. There was no semblance of the control you were so proud of left.

You didn't know who you were anymore. All you knew was that this man had taken something from you, stripped you of what you were so long ago, and he would pay. Because you'd be damned if he was going to take Lou away too. If he really had already gotten to Rosemary, you'd failed her, but you wouldn't fail Lou.

You take in a breath, but the cold numbness is quickly coming to pick away at the heat of your rage, filling your chest cavity. "You've always been a snake, slithering your way to the top, choking the other people who challenged you, slimy, pathetic. You were afraid of Ben all those years. Cowered in the fucking shadows from his rage, afraid to speak, afraid that he would be your end. You were wrong Stan. You should have feared me instead. Because I am the end of you."

"Y/n please-"

But his next words are lost in the blood curdling scream that rips from his throat as his body begins to cave in on itself, the snapping of bone and the smell of blood filling the room as his limbs flatten and shrink into his body, ribcage caves in to his torso, his head crunching down into his neck until the thing that was Stan Edgar is nothing more than a soccer ball sized lump of flesh and ground bone, dropping to the ground with a sickening wet thud.

The flames lick at the walls behind you, steadily curving around the room as you stand there. Stan's blood is soaked into your hair, dripping down your cheeks, but the heady copper smell is obscured by the smoke that floods the room.

Despite it all you can't hear the sound of the flames, can't hear the sounds of the city below, can't feel the heat of the fire, can't feel the stickiness of the blood as it coats your cheeks. There's a buzzing your ears, that comes after Stan's death. An uncontrollable shudder shakes your body as you stand there in the ruined room, the cold feeling unfurling from the center of your chest like the petals of a flower. You can't feel anything, not rage, not shame, and definitely not remorse.

Because everything you know is a lie, everything you knew about Homelander, and now everything you knew about Rosemary. And if she hid that from you, what else had she lied about?

************************************************************************

A/N: I did try to warn y'all. This chapter was a lot, and completely out of my comfort zone and I really miss writing the happy fluff 😭. But this chapter had to be done. And honestly… the reader's Homelander is showing. Somethings I think he may have inherited even though he was kept apart from her.

If you'd like to read something a little happier please try my series:

Take A Chance On Me

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[absolutebl]

This Week in BL - Getting hot under the collar and in the kitchen and on the pool table and...

Organized, in each category, with ones I'm enjoying most at the top.

Aug 2024 Week 3

Ongoing Series - Thai

Monster Next Door (Thai Thurs Gaga ) eps 3-4 of 12 - one of the things I'm enjoying about this show is the fact that the introverted super shy uke is having hot fantasies, and the extroverted seme is having the sweet fantasies. It's another way this show is highlighting God being the world's greenest flagged seme BL has ever produced. (And he's being given stiff competition this year - trend alert.)

Anygay: God is so cute and so not cool and so in love and all the consent asking word salad coming out of this boy. I LOVE him. 

Diew: It’s ep 4 so I’ve decided we can talk face-to-face.  God: So how many children do you want? 

The teaching him to play basketball bit, where God politely asks to hold his hand, is so freaking adorable I can’t.

I'm thinking of calling this show the anti-Mame pill.

Blue pill? Red pill? GREEN pill!

My Love Mix-Up Th (Fri YT) ep 11 of 12 - We gotta talk. I do like this version, but it’s starting to feel lackluster. Perhaps it always was by comparison to the bright sparkle uniqueness of the original. Perhaps I didn't notice because I was distracted by G4. But now I gotta say it's become a bit disappointing and even my love for G4 can’t seem to bind me to this. Frankly, this show is making me want to watch either the Japanese version, or My School President. It’s never a good sign when a currently airing BL makes me want to stop that and go rewatch an old one I’ve already seen.

NO SINGING.

Meanwhile, the "locked on the rooftop" trope! I haven’t seen that one in years. Cool. Also cute kisses. They learning. 

This Love Doesn't Have Long Beans (Fri iQIYI) ep 7 of 8 - I can’t believe this is ending next week. But also I can. And I have thoughts.

I really love SailubPon. They might be one of my favorite newer pairs on the scene right now. But I just don’t believe in these characters or this couple. I don’t feel like they are going to have a lasting relationship. It feels like they’re just using each other for sex and distraction, and that’s how the script to set it up, and as a result they’re never gonna make it as a couple. As soon as the sexual fire between them burns out, what do they have to build a relationship on? Frankly? That would be fine if this were a modern love drama, and not a BL. But this IS a BL.

Putting the health code violators aside, I really do believe in the secondary pair, but they haven’t been given enough bandwidth to develop as a couple. There’s no way they’re going to adequately resolve Methas and JJ in the final episode.

At this juncture, I’m mostly finding this show annoying. Which in itself is annoying, because I wanted to love it.

Why is it that Thailand, the land of the best food in the world, king of BLs, struggles so hard to produce the restaurant set BL of my dreams? I’m really pissed about this.

That said, the Methas & JJ stuff is killer. Loved JJ running away. So good. Plus the age old decision - love or money? 

Battle of the Writers (Sun YT) ep 2-3 of 12 - The issue was me and I've managed to get hold of this show again. The story within the story is so ridiculously badly written I'm going spare. I’m not sure if the outside show is not ALSO badly written. That said, I do love how the 3 writer friends are all shipping our leads. It’s VERY silly. Meanwhile, cohabitation trope is a go. 

I like the side couple too. Stern Daddy + lost puppy is a very cute dynamic, I hope we get more than just crumbs. I actually am enjoying this show now. Ep 3 kinda derailed into this weird chimera novel that they’re all writing together and I’m finding that bit the least interesting, but I adore the domestic components which I think may turn out to be TutorYim's strength (if they're allowed to lean into it). 

Addicted Heroin (Thai Tues WeTV) ep 1 of 10 - Man I hope this gets some kind of distribution at some point. It was a pain to find and watch. But I enjoyed it. The focus is more on the seme in Thailand’s version. Which I don’t mind since that's rare in BL, and it’s more August on my screen. It’s all round softer than China’s version but still feels very familiar. I know some fans are struggling with it, but not me.

Sunset X Vibes (Sat iQIYI) ep 10 of 12 - I like that Sam’s crafty business espionage has paid off. Them teasing Sam & Yo really had me belly laughing. It was so funny.

Legitimate question. Would one put perfume on one’s cheeks in Thailand, as one does on wrist or sternum? Because of the sniff cheek thing? Scented face powders?

I do feel like with MosBank & SailubPon scorching up our screens, we’re being spoiled by some of Thailand‘s best high heat pairs at the moment.

I Saw You in My Dream (Weds Gaga) ep 5 of 12 - It remains kind of sweet and cute. It's also calm and slow moving. Oddly it reminds me of La Cuisine in its style and execution (if not content). I’m enjoying it more than I thought I would.

The Trainee (Sun YouTube) ep 7 of 12 - I don’t know. I’m getting bored.

Love Sea (Sun iQIYI) ep 10fin - Fort’s acting during the break-up was truly great. But I feel for Rak. It’s rough to learn that someone else is playing a long game with feelings while you were playing a short game with d**k.

Ultimately this is probably a solid 8/10 show but I’m mad I wasn’t madder at it, and I'm mad I was so bored throughout. So it gets a 7/10 and let us not speak of this again. I’d like to simply forget about it. Trash watch.

Ongoing Series - Not Thai

Sugar Dog Life (Japan Sun grey) ep 1-2 of 10 - OMG a uni student who looks young and a... COP! GAH. The subversion and kink of it all. I had to go grey to get it and I hate everything about what I had to do. But ya know what? Fucking worth every single repeated crash-causing advertisement.

I love it. The grumpy lonely little student cook and the cheerful mature police officer. What a fabulous dynamic. Is the cook looking for a boyfriend or a Daddy, and do we care if it has the same result? It is filmed VERY manga style camp. I’m a little nervous about that, but this means it’s also very fluffy and so damn sweet. It made me squeak with the cute. I’m gutted this didn’t get distribution.

Ironic that Tawada Hideya is in a new BL while Sunspot is re-airing.

Cosmetic Playlover (Japan Tues Gaga) eps 3-4 of 8 - Ah, the gays are doubting the bisexual again. How familiar. I like how this one is paced and moving through time, even if the relationship seems to be going comparatively slowly by contrast. I love the way Sahashi is always looking at Natsume, even when they’re in conversation with someone else. Ah yearning. I think the conflict was kind of inevitable, given the two personalities of the protagonists, and I like that. (No manufactured angst here.) But I still hope they can repair the breach and I’m still interested. Frankly this is so classically Japan - I don’t know what story beats it’s following and I’m not entirely sure where it’s going, but I kinda like that unpredictability. Makes me think it could go into "must you, Japan?" territory but fingers crossed.

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 9 of 10 - I'm enjoying it very much. I could do without the girl character. I know she’s more interesting than most (this is Japan after all), but she’s not really for me. It’s the complexity of the connection between the leads (and why they like each other) that’s being executed so brilliantly in this show (and in the manga, FYI). Both actors are so on point with their roles and the nuanced emotions required of these characters that every time it’s only them interacting I'm riveted. I could do without the rest of the cast tho.

Seoul Blues (Korea Fri? YouTube) ep 1 of 8 - I have a confession to make, I’ve been watching this whole series as it goes along. But this is the pair I absolutely like the most. I’m not sure I would necessarily recommend any of the installments, and I’m not sure how this one is going to go, but I’m VERY invested in this particular couple. They are so pretty!!!! This is a true friends-to-lovers struggle. I like that a lot. (Reminds me of I Cannot Reach You but a different dynamic.) Did I mention how pretty they are? And we already know they gonna kiss well. I bet the uncut version is stellar.

Meet You at the Blossom (China) - It's no one's funeral, turns out! Reports are in - not only are there kisses but it ends happily with wedding plans. So I'm eating crow, binging the fucker, and live blogging. I'm enjoying it. Ya'll know I adored Chinese BL before censorship. It has a certain unhinged quality I very much apreciate (and is the reason I'm so tolerant of the Thai pulps) that I think will marry well with Wuxia's effervescent and ever-present tropes. Watch me suffer here.

First Note Of Love (Taiwan Mon Gaga) eps 1-2 of 12 - About a singer with stage fright and his timid fan starring Charles (H4 the puppy one) and Michael Chang (the youngster in My Tooth Your Love), plus side couple featuring a Thai actor Jame (Koh in Gen Y) and Liu Min Ting (of Guardian fame). What a damn team. With their powers combined they are...

fine.

This is a fine BL. The fight scene was fun and I like the meet cute. I’m not sure about the chemistry of the leads, but I think they’ll probably do okay. I admit I’m struggling a bit with a singing and the music. Are you surprised? I think I like it enough, but I’m not wowed.

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 7 of 10 - Oh! Out of the blue attack kiss. What IS this show? I don’t get it at all. Bah. I guess they’re dating now. It’s… so odd...

It's airing but...

4 Minutes (Thai Netflix/Grey) - A rich boy at uni suddenly gains the supernatural power to see four minutes into the future. I have a source, but I've decided to hold off and binge if it ends okay, since it's only 8 eps. I depend upon y'all to tell me if it's safe.

8/16 The Last Time (Thai Fri YT) ? eps - Convoluted story of loss and possible reincarnation or something. Again delayed? Not sure what's going on with this one but the continued push-backs do not bode well.

In case you missed it

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer IS COMING IN SEPTEMBER!!!! (Yeah this is gonna sit here until then).

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Still Coming This Month!

8/22 The On1y One (Taiwan Thurs Gaga) 12 eps - announced in 2023 this one has a high school set stepbrothers trope and is reputed to be high heat. From Taiwan! It's made for me. Based on a novel Mou Mou from the Your Name Engraved Herein folks, so it could go dark. Still, I'm very excited.

8/22 The Paradise of Thorns (Thai movie) theater release - Jeff Satur is back but this does not look like a BL (the gay lover's death is the inciting event). More in Goodbye Mother vein. Looks dark and dramatic. He opposite and extremely well known actor Toey Pongsakorn who has never done gay before.

THIS WEEK’S BEST MOMENTS

WHY IS HE SO FINE?

I truly belly laughed. Sam & Yo did not go in the direction I expected, but this scene alone made me not mind that they curtailed the suffering Sam was rightfully due. (SunsetXVibes)

Tall boyfriend armpit, anyone? (Monster Next Door)

The two extremes of BL in one show (Long Beans indeed).

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many tags.

[maximumzombiecreator]

I would actually like to know what you consider the basics of improv to be! If nothing else, you phrase these things really well and in ways I haven't heard before, and I'm also aware there's a lot of things I don't know (I'm in a student run college improv group, our theory might be a bit lacking)

Be glad to. A lot of improv stuff is just oral tradition at this point, passed down in musty school drama rooms and community centers, so everyone has to pick it up somewhere. When I've taught people before, beyond the basic definition of what an improv scene looks like, I usually focus on a set of do's and don'ts.

Do's:

Make offers, and make them good offers. A good offer should be strong and elegant, like a power lifter in a ball gown.

Broadly speaking, I'd say the strength of an offer refers to how much it establishes about the scene, and how much what it establishes is different from a theoretical "default" scene. Typically, you think about how much an offer is establishing in terms of the questions words: who are the characters, what are they doing, where are they, etc. An offer that establishes "two characters who are old friends since high school meeting up at a coffee shop to catch up" is establishing a lot, but it's still a weak offer because it's such a typical scene. You're not adding much that can't just be taken for granted.

When I say a good offer should be elegant, I mean that it should be as compact as possible while still doing a lot. The typical inelegant offer is verbose and unnatural. A character walks into a scene and says, "Hey, big brother Billy, I hope you're recovering from the illness you've had for the last six months, ever since our father died," or some other expository nightmare.

So, the best offers are both. They create a lot of unique, interesting details about the scene, and they do it quickly. Let's say you stagger into the scene, miming carrying something under your arm, and say, "Doctor! I've been decapitated again!" In five words, you've established who you and another character are, where you are, and why, and you've implied a lot of very unusual details about the scene, world, and your character's history.

When thinking about elegant offers, it's also worth noting that a lot of offers that you should be making are physical. Depending on the type of improv you're doing, you might be physically embodying objects and the environment, and if you're doing background like that you can add a ton of detail that the audience can pick up without friction. But even if you're not, you can establish location through miming actions, you can create details about your character through how you walk and hold your body, you can endow others with traits through how you physically react to them.

That brings us to the next do: make strong character choices and enhance other actors' characters. People have written whole books on what comprises a "strong character" but for improv purposes I'd focus on three details: quirks, status, and connections.

Quirks are fairly straightforward: what makes this character unusual? Establishing character quirks is the focus of a lot of improv games and exercises, and the best quirks are quick to establish, significantly inform the character, and are handled with enough sincerity to make the character compelling rather than only funny.

Status refers to how powerful and important a character is. High status characters will command the room, low status characters will be ignored or mistreated. Status might shift over the course of a scene. The sheriff is a high status character until the king shows up, for example. Status might seem like an obvious thing to figure out from a character's role, but it's useful to play with it. What does a low status king look like? What does an employee-boss scene look like if you decide your employee is higher status than the boss?

Connections refer to the relationships between characters. This is going to drive scenes more than most other character details, and you almost always want to avoid unconnected characters. Choosing a connection to an existing character is a very good first choice when entering a scene, as it should immediately suggest a direction for the scene to take. This is also a reason to favour unusual connections. If two actors are in a scene where they're arguing about a fender bender they've been in, you could choose to enter as one of their friends, but it'll be far more dynamic if you choose a more unusual connection. What if you're one of their anger management therapists? Their boss? Their dominatrix?

In addition to creating your own character, you should add to other actors' characters. The main way you do this is endowment, giving the character traits through your offers. Direct endowment is when you simply ascribe them a trait. If you say, "Bill, you've been mayor for the last ten years," then you're obviously giving them the trait of "mayor." But there's also indirect endowment, where you add something to a character through part of how you react to them. If you flinch when another character moves suddenly, you're endowing them with the traits of being dangerous and erratic. If you speak to them very slowly and simply, you're implying something about how intelligent your character perceives them to be.

Putting it all together, the last big thing to do is build up. There can be a temptation in improv to build out, to add new details to scenes that sort of sprawl outward from the original premise. Try to avoid that. When you add new details, make them ones that build on the existing details. Instead of adding new tensions or conflicts, raise the stakes of existing ones. Reincorporate and re-contextualize things that have already been established. Incorporate audience suggestions repeatedly, using them to colour other offers.

Don'ts:

No blocking. This is the one even people who don't know improv know. If someone adds something to the scene, go with it. Don't reject or ignore offers, incorporate and build on them.

No wimping. Whatever the scene is, whatever your character is, whatever offers are made, fully commit. Bring all your energy to it. If someone says your character is on fire, don't just stop, drop, and roll and then go back to whatever else was going on. That's wimping. Be the most on fire that you can be.

No dithering. When you're in a scene, always be adding to it or moving it forward. Saying something that just fills space, at best makes a joke, and doesn't add to the scene is bad form, it doesn't give other actors anything new to work with. If you're dithering, you're forcing other actors to pick up the slack. This is called "gagging" if you're being funny by not adding to the scene, and is a great way to be popular with the audience and have everyone else hate you, don't be that person.

Don't make yourself look good at the expense of your scene partners. It's okay to get laughs at the expense of other characters, but not at the expense of other actors. Help others get into the scene, develop their characters, and give them things to respond to, add onto their offers.

Related to the above, don't steal the spotlight. If there's a scene going on that you're not the focus of, you should be trying to figure out how to enhance what's going on. Everyone can tell when an actor can't bear to be in a supporting role, and it's not a cute look.

More than anything, don't betray the trust of other performers. All theatre requires trust, but improv requires so much trust. If you lose that trust, you're done, you've got nothing.

[hischierswhore]

eternal pining | jack hughes

pairing: childhood bff!reader x jack hughes

warnings: major angst // unrequited pining // slight cursing // probably other stuff that i missed

author’s note: this might be the longest fic i’ve ever written??? anyways i’m backkkk and hopefully i’ll start being consistent soon. i have so much planned and this has been in the works for quite a while now.

You were sitting on the couch at the Hughes lake house as you discussed your plans for the day. Well, more like you were listening to Ellen & Jim as they told you that they would be leaving on a trip for a few days and Jack was just there. He was on his phone, typing aggressively like the world would end if he didn’t finish whatever he was typing.

A sigh left Ellen’s lips when she realized that her middle child wasn’t even paying attention to what she was saying. You looked at Luke & Quinn, who both also saw that he was just not focusing. Quinn extended his arm to hit Jack’s knee in attempt to get his attention.

You said bye to Ellen & Jim, wishing them a safe trip before helping them carry their bags to their car. As you made your way back inside, you plopped right back into the same spot you were in before.

Moments passed and you turned your phone off, sparking conversation with Quinn & Luke about what the groups plans were for today.

“What do you guys wanna do?” You asked, hoping someone would come up with something fun.

“Boat day?” Luke suggested and you nodded in agreement.

“Are you gonna join us, Jack?” you questioned as you turned around to look at your best friend. His eyes didn’t shift from the device in his hands, causing you to roll your eyes.

You were annoyed, so you moved off the couch and walked to your room to change into your swimsuit.

"Where are you guys going?" Jack asked as you, Quinn & Luke walked towards the deck, his phone now off and on the couch.

"Boat day. We were talking about it but you were too indulged in your phone to even contribute to the conversation" Quinn stated as Jack's mouth formed an 'o' shape.

"Are you joining us or not?" Luke asked, waiting for his brother to respond so he could finally get some sun.

“Oh uh yeah. I'll join y'all. Just give me a few to change" He hopped up from his spot on the couch and went to his room to change while you made your way outside, the other Hughes brothers following.

10 minutes passed and Jack had not yet come outside. You were all getting rather impatient and annoyed with the boy.

"Can we just go without him?" Luke sighed, beyond frustrated with his brother. Just as he said that, the boy trotted out of the house and down the dock to where you all sat. You all immediately noticed his lack of swim trunks and rather a button-down shirt & some jeans.

"Hey guys. Sorry to bail on you all but I've got a date in like-" He looks down at his phone for a moment to check the time. "20 minutes so I've gotta get going. See you all later" Jack waved as he hugged everyone goodbye.

Your heart shattered the moment you heard "a date". You had been hopelessly in love with your best friend since you were kids. You'd known the Hughes brothers since you were 6, and you'd all been inseparable since day 1.

The ever-growing crush you had on Jack was evident to everyone around you except for him. Quinn and Luke would relentlessly tease you when you three were together. Hell, even Trevor and Nico would join in on the teasing whenever you saw them.

You faked a smile at his words, hoping he couldn’t see the tears welling in your eyes. You looked around at Quinn and Luke, who had already been looking in your direction, knowing damn well what you were thinking.

"Have fun, J. See you later" You said as you looked down, seeing as your mood had now been more ruined than it was before and you didn't want to deal with all your emotions, or rather the cause of these emotions, right now. You knew that if you made eye-contact with the boy, you would have a breakdown.

Jack jogs back up to the house and shuts the patio door, leaving you and the two other Hughes brothers on the boat for the day.

2 pairs of eyes immediately found your figure as you curled into a ball on the couch and let it all out. Both boys immediately came to your side for comfort, knowing how difficult this must be for you.

Luke rubbed your back as you sobbed while Quinn held you in his arms, holding you ever so carefully.

Hours passed before you all decided to head inside.

“I’m gonna head up to my room. If he asks, I'm out. I don't want to talk to him right now" You told the remaining brothers before going into your room and locking yourself away.

— later —

Jack arrived back at the lake house.

“Hey, where’s Y/n?” He asked as he wandered into the living room, noticing his brothers sitting on the couch watching a movie but you were nowhere in sight.

“She went out” Quinn simply said, not feeling the need to give his younger brother details.

"Out? What do you mean she went out?"

"She's not here, Jack. She wanted to go out so she did" Luke shrugged, trying to focus his attention back on the movie.

"And you both let her go by herself?!" Jack was practically shouting.

"She's 22 years old, Jack. She can make her own decisions" Quinn paused the movie to turn his attention to his brother. Jack let out a huff and sat next to his brothers to watch whatever movie they had put on, still ever so slightly upset that you had gone out without him.

20 minutes had passed since that initial exchange when Luke's phone got a notification. He glanced down at it and immediately got up and excused himself to the kitchen with a simple "I'll be back".

“What’s up with him?” Jack whispered to Quinn, who shrugged and paid no mind to his brother's curiosity. Moments later, Luke emerged from the kitchen and raced upstairs quickly.

You had texted Luke asking him to bring you some medication for the growing migraine you had from crying nonstop. He quietly knocked on the door to avoid attracting Jack's attention. You slowly unlocked the door and let the boy in as he handed you the pills and a bottle of water.

"You good?" He asked as you had a hand on your forehead and your eyes were red & puffy.

"I'll be fi-" The words got lost in your throat as you heard footsteps ascending the stairs and you saw the one person you did not want to see: Jack.

You muttered "shit" as you tried to hide behind Luke's tall frame, which was to no avail.

"Y/n? What're you doing here? Aren't you supposed to be out?" Jack asked as he made his way to your doorway.

"I uhh, came back early. Didn't feel too great" You lied through your teeth.

"How'd you come in? And when did you even come in?" Jack questioned you as he leaned against the door frame.

"Came in through the back door. Didn't wanna make too much noise to interrupt the movie" You slowly tried to push your door closed, but Jack was blocking the way.

Luke was stood there, watching the encounter unfold.

"Oh what's that Quinn? We need more popcorn? I'll grab some" He shouted down the stairs to remove himself from the extremely tense conversation he was witnessing.

“What’s wrong?” Jack's voice was low as he slowly pushed the door open and grabbed your hand.

“I’m fine, Jack. I just don’t feel good” You were on the verge of tears as you pulled yourself out of his hold.

“You look like you've been crying, Y/n/n... did someone say something to you?" Jack's anger slowly increasing at the thought of someone hurting your feelings.

"Nobody said anything. More so what you did. But I'll be fine, I'll get over it" Thankfully, he had back up enough to give you space to close the door, and his reflexes weren't fast enough to grab the door handle before you shut and locked it, leaving him on the other side of the door.

Your words left Jack extremely confused. More so what you did. What in the hell did he even do?

Once you had locked the door, you slid down the back of it as more tears spilled freely onto your cheeks. Why did you have to fall for your best friend?

Jack stomped down the stairs, confusion & frustration written all over his face as he threw himself onto the couch.

“What the hell did I even do?” He screamed into one of the cushions. Quinn & Luke exchange a look before ultimately deciding to tell him bits of the truth.

“You went on that date” Luke said quietly, praying that Jack has heard him the first time so he wouldn’t have to repeat himself. Fortunately for Luke, Jack lifted his head up as soon as the words left his mouth.

“What does that have to do with anything?” Jack was more confused than before. He didn’t understand what was going on.

“How is it that we all see it except for you, dude? She’s in love with you. She’s been in love with you for years now, and you’ve never once noticed or acknowledged her feelings. It’s evident to everyone in our lives except for you. You leaving on that date today made her feel like shit” Quinn spoke.

“Well, it made her feel more like shit than she already did before. You neglected her all morning because you were on your phone and then when we all agreed to go on the boat, you bailed on us and she felt more forgotten than ever before” Luke added onto Quinn’s speech.

Jack sat there in shock. There’s no way that you, his best friend of 16 years, were in love with him. He couldn’t fathom the thought, but slowly the realization sank in and now he felt horrible for his behavior. He didn’t mean to hurt you. He never knew.

He didn’t say anything before he raced up the stairs and knocked on your door but received no response.

“Y/n please let me in. I want to talk to you. Please hear me out” Jack pleaded as he rested his ear against the door, listening closely in hopes of hearing movement on the other side.

Silence. All that could be heard was the sound of the fan circulating air throughout the room.

Quinn & Luke had followed him up the stairs and watched as Jack slowly fell to his knees infront of your door. They’d never seen him like this before.

“J, she needs some space right now. Let her get some rest and talk to her in the morning. It’s the least she deserves” Luke suggested as he placed his hand on his brother’s shoulder.

— the next morning —

You woke up to a massive migraine, probably from all the crying you did last night. You felt uneasy as you stood from your bed and made your way to the connected bathroom.

You knew you’d have to see him again. You couldn’t avoid him, hell it was his house.

You braced yourself for the day as you washed your face and changed into something more comfortable before heading downstairs for breakfast.

You overheard a conversation taking place as you silently made your way down the stairs, in hopes of not alerting anyone of your presence quite yet.

Just as you turned the corner and entered the kitchen, silence filled the room. You chose to not acknowledge it, just as Jack had not acknowledged your feelings for him.

You felt multiple pairs of eyes on you as you grabbed yourself a bowl to pour some cereal. You slowly carried your bowl to the dining room, where everyone was seated.

It was only then that you had noticed the extra eyes staring at you. Seated at the table included Quinn, Luke, Jack, Trevor, Cole & Nico. The latter 3 must’ve flown in early in the morning because they weren’t here last night when everything happened.

You softly wave at the 3 boys before placing your bowl on the table.

“Morning” you quietly said as you sat on the bench between Quinn & Luke, which was ironically as far away from Jack as possible.

Small talk is made and you barely speak unless you’re spoken to. You quietly converse with everyone except for the middle Hughes brother. He hasn’t said a single thing to you this morning except for stare at you occasionally when he thought you didn’t notice. Of course you did, you always noticed.

Breakfast finished & you kindly collected everyone’s dishes and headed towards the kitchen to clean them.

You stood infront of the sink on your own for about 5 minutes when you felt a presence behind you.

“Can we talk?” You knew that notice all too well. You placed the plate in the sink as you turned around slowly, resting the plane of your hands on the edge of the counter.

You took in his appearance for the first time since he left for his date yesterday afternoon. His eyes were swollen, much like yours, and his hands were fidgeting at the back of his neck.

“Sure” You simply spoke, not wanting to be the one to bring up the elephant in the room. Jack cleared his throat before he spoke.

“Could we maybe go outside? I’ll get Luke to do the dishes or something so we can talk in private” He suggested as you nodded your head.

Jack led the way to the backyard before holding the door open with a simple “After you”.

You sat on the couch next to the fire pit, leaving Jack to sit next to you.

You sat in silence for a moment, enjoying the calming breeze the morning had brought. That peace was interrupted when Jack cleared his throat and turned to face you.

“I want to start with an apology. I genuinely had no idea that you even felt neglected yesterday. I was a shit friend and I shouldn’t have ditched you for someone else. I know I messed up. And I’m sorry that it’s taken me til now to realize how you feel towards me. All this time I thought it was just you being friendly, I never knew you liked me. I was so confused by what you meant yesterday that the realization didn’t click until Luke & Quinn said it. I couldn’t believe the fact that I had been the one to hurt you and I will forever be sorry for that”

Jack looked into your eyes, and he swears he could see your heart shatter into a million pieces at every word. God, how he wishes he wasn’t the reason behind it.

“I’ve been in love with you since we were 6, Jack. I’ve spent years pining after you, only to watch you pine after every other girl on this planet. This summer was different though. You paid no mind to other girls and you treated me like I was yours, and I stupidly believed that things would change between us. That was until yesterday. You act all lovey with me one second and then suddenly I’m nonexistent the next” You watched the frown grow on his face as you spoke.

“I’ve never been in a relationship because I’ve been holding out hope for you, Jack. Hope for you to finally come to your senses and see that I’ve been here waiting for you this whole time, stupidly thinking that my chance will come” Jack stayed quiet as you let it all out.

“I’m in love with you, Jack. I have been for the longest time and I really shouldn’t be” You cried into the hands as he stared at you in silence.

“Y/n/n…” Jack was at a loss for words. He didn’t know you felt that strongly about him, or that you watched everything unfold from the sidelines of his life.

“I didn’t mean to hurt you, Y/n/n”

“It’s okay, Jack. I’ll be fine, I’ll get over it. I just don’t know if I handle anymore heartbreak” You sobbed as Jack brought you into his embrace, holding you in his arms.

Despite you feeling this hurricane of emotions, his arms still felt like home to you. He felt like home.

“I hope I’m not too late” He whispered softly, causing you to remove yourself from is hold, a look of confusion spread across your face.

“Huh?” You sniffled as you wiped your nose.

“I’ve been in love with you from the moment I met you. Not even, the second I saw you holding that little bear of yours as you walked into your new house, I knew you were someone special. Someone who would be the only consistent person in my life besides my family. I always thought you saw me as a friend and never anything more, hence all the failed relationships. I’ve tried to get over you so much since I thought you’d never return the feeling. I looked for you in other girls, but none of them were you, so they never lasted. You have been the only person I have truly wanted since we were 6, Y/n/n. I now know that you’ve felt the same this entire time, and I have somehow misread everything for 16 years. The timing of this is horrible and I’m afraid I may be too late, but please know I do love you, Y/n/n. I always have & I always will” Jack confessed as he held your hand in his.

You searched his eyes for some sign of this being a sick and twisted joke, a prank that would forever haunt you and ultimately be the end of your friendship with the boy.

But you found none of that. You found love & hope & sadness. He hoped that the love he had for you was enough to fill the hole of sadness that he had accidentally burned into your heart. He hoped that you would forgive him and give him a chance to redeem himself.

A shy smile appeared on your face before you removed your hands from his to wipe the tears on your face, and the tears that were slowly trickling down his.

“I love you too, J. You’ll always have a chance” A goofy smile took over your face as the boy brought you into a tight hug, holding you there for what felt like an eternity.

After who know how long, he finally pulled away and let you breathe.

“I’m so happy right now that I could kiss you, but I won’t solely because we just made up and I’m not trying to ruin my chances & lose you again”

“Oh shut up” You placed both hands on the sides of his face & pulled him for a kiss.

The world felt like it had stopped but like it was also spinning simultaneously. The butterflies you got in your stomach when his lips touched yours felt heavenly.

Jack, who was a little taken aback by the kiss, immediately kissed you back once he realized what was happening. One of his hands found its way to your face and the other at your hip.

You wish you could live in this moment forever, and you genuinely believed you could, that is until you heard cheering coming from behind you. You both pulled apart to see Quinn, Luke, Cole, Trevor & Nico all cheering from the patio.

“THEY FINALLY DID IT!!!” Trevor shouted as he jumped up and down.

“Hurt her again, Hughes & you’re gonna regret it” Nico said before making his way back inside the house. You looked back to Jack to see him gently caressing the back of your hand.

“Wouldn’t even think about it” he smiled as he pressed a kiss to your temples, holding you closer than ever before.

[runa-falls]

scratches and bites - 2

Pairing: Miguel O'Hara x Reader

Warnings: Could be a little off-canon for some characters, lots of plot, slight angst, Miguel is an helicopter mom, reader just wants some friends :(

a/n: ok. i didn't realize how much i wanted to put into this chapter so spicy stuff is coming NEXT chapter. promith. i've already written some of it. anyway, i'm glad y'all are enjoying my O'Hara content. I hope this lives up to your expectations lmfao

Summary: Miguel O'Hara is a grumpy man and you make him grumpy. You regularly go against his orders, create chaos, and invite danger. This is what you've been doing since he swept you away.

w/c: 2.2k

series masterlist | main masterlist

----

So being “Spider-Woman” turned out to be harder than you thought. It’s not all swinging from and shooting webs like you imagined. Apparently, there’s a spider-specific physical regimen you’re required to keep up with. Every day. 

You’re almost convinced that you’re being hazed into the spider-verse community because you are yet to see anyone else doing upside-down web squats on a 100-story building. Not to mention the life-threatening training simulations you were thrown into as soon as you arrived in Nueva York. 

“They can’t hurt you, Kid. They’re holograms.” 

“Yeah, that’s what they want you to think O’Hara, but my ass has been kicked enough to prove differently.”

“Alright, well they can’t kill you.”

Miguel has been “training” you for the last few months to become the best Spider-Woman you can be, pushing you harder than you’ve ever been pushed before. Though these days, this “training” is actually just him telling Parker to drill you in whatever he thinks will work. 

O’Hara attempted to do it himself for like three days, and it turns out he’s too impatient to take in a spider apprentice or even be in a room where you do anything but exactly what he commands. 

You should’ve expected it. 

Sure, Miguel is a naturally grumpy man, but you swear he has it out for you. He literally tenses whenever you enter the room and makes sure to barely meet your eyes when he’s forced to talk to you.

Actually, ever since you were dropped in the middle of Spider-Central, O’Hara has been ignoring you. Treating you like the plague. Always making the excuse that he’s too busy with things that are far more important than anything you’d ever have to say. As if he wasn’t the one who forced you to come with him in the first place…

It’s not fair. He was literally all you had. 

Months ago, he showed you a side of him, the one that convinced you that he actually brought you here for a reason, but now he can’t even look at you. Sure, you’re a particularly slow learner, and one that never really liked PE, but you deserve some slack. You left everything for him – for them. 

Meeting people who’ve gone through similar circumstances as you was quite interesting, to say the least. And it doesn’t stop at people either. Spider cars, dinosaurs, and cats were just the beginning. 

You’ve made a few friends. There’s Gwen, a 15 (or was it 16?) -year-old who mostly talks about her friend Miles, music, and…uh, Miles. It’s sweet how she gushes on about some guy without fully realizing how into him she is. Miles sounds great, really great, but you’ll probably never get to meet him because of the number of restrictions placed on your watch. Fucking O’Hara and his parental controls. 

Gwen is cool, she plays the drums and can do a bunch of acrobatic things that you’d never even attempt, but she’s also almost a half-decade younger than you. There’s only so much you can talk about before you start getting homesick. Of course, despite her young age, she’s still given more responsibilities and missions than you. If Miguel has one hobby, it would be undermining everything you do. 

“She’s been in the game longer than you have.” He always makes that excuse. 

And you always counter it with: “But I’m older! I can do more than just scream for help!”

“This isn’t a discussion.” That honestly might be his favorite phrase to shut you up these days. “You’ll be called on when you’re ready, Kid.” And that. 

“I am ready. And stop calling me that. I’m not a kid, I’m 20 years old!”

“Yeah, whatever.”

There’s also Peter Parker, your reluctant coach. He’s…something else. Sure, he’s your friend, but he’s more like a substitute teacher and crazy uncle type of guy. Usually, he listens to everything Miguel says, acting like a glorified babysitter, but sometimes, he’s up to bend the rules on some things.

Once he let you visit his dimension, claiming you’d need some real-life experience as a “friendly-neighborhood spider-woman”. You spent that day chasing down petty robbers and helping old ladies cross the road. Sure, it was a small field trip, but that was only the third dimension you’d traveled to at the time. 

Parker is also always trying to get you to hold his daughter whenever she comes to work claiming that “it’ll be good for your mental health, trust me.” Of course, for Parker, every day is “bring-your-kid-to-train-the-new-spider-woman-day”. And really, you don’t mind holding her, but not when you’re in the middle of sparing 5 of Doc Ocks tentacles. 

The baby is adorable, but you do worry about how she crawls up the walls. Parker doesn’t seem fazed. Actually, neither does O’Hara. 

Sometimes you wonder if O’Hara wants kids one day. He certainly handles Mayday like a pro, letting her crawl over his shoulders and paperwork. Would he possibl– No, actually, it doesn’t matter. It shouldn’t matter, because he left you. He’s not – couldn’t even be an option. – Anyway…

Parker and Mayday are nice company and the only real constants in your life, but you really just want to be a consistent part of the team. You don’t know how much longer you can spend your days doing swinging drills and spider crunches (don’t even ask). But Parker has actually been your rock these past months, to give him credit. He’s one of the few people that makes you feel like you belonged in this distorted array of spiders and dimensions.

Then there’s Hobie. 

The first time you met him you probably had literal stars in your eyes. Donned with a spiked vest and several facial piercings, he caught your attention right away. He catches everyone’s attention. Even his suit is cooler than everyone else’s with a spiked mohawk that surely gets in the way.

Unfortunately, just as you were hoping to take on the Brit as your mentor for all things spider, he was decidedly off-limits, courtesy of O’Hara. Apparently, his rebellious nature and brash energy make him a “bad influence”. 

“Seriously? You should be glad that I’m taking a bigger interest in my training.” You have your hands posted up on your hips, trying to make yourself look bigger than you actually are. Damn, O’Hara and his domineering presence!

He rolls his eyes openly, genuinely already done with the conversation. “Yeah…your ‘training,’ sure.” 

“What is that supposed to mean!” You practically whine it out.

“Don’t get distracted gatita, just do as you’re told.”

“Ok, what does that mean? I don’t speak Italian.”

“That was Spanish dumbass.”

Of course, that doesn’t stop you from hanging out with him anyway (though he’s not around as much anymore). Who knew making friends as Spider-Person would be so hard. You’d think you’d have a lot in common with everyone around you, but really, you’re all alone. Sometimes you think the spiders actually resent you deep down because you’re the only one that has never lost anything. Or had anything to lose in the first place. 

For now, you’re just moving through a sea of spiders, trying to catch a glimpse of what you’re supposed to be doing here. Trying to figure out why you were chosen over the infinite other versions of you in the multiverse.

—

So far you’ve been on 2 and a half missions. The half was when you were forcibly sent home and effectively grounded for a week. Apparently, talking to civilians while standing guard is prohibited, even when they’re selling dip’n’dots. What? It was a long ass mission. And it was hot! 

This one is your official third mission. It’s quite simple, in theory. Just travel to Earth-275A, infiltrate a tech lab, pick up some – worryingly volatile – equipment, and go home. Easy. 

Except, it didn’t exactly go that way. 

It’s just you, Miguel, Gwen, and Jess on this mission. You and Jess were placed on lookout duty (you on the roof and Jess on the ground with her bike), while Miguel and Gwen broke in and out of the building. It was all running smoothly, each spider occasionally muttering quietly through the radio whenever their positionings changed. Otherwise, it was silent. And frankly, a bit boring. 

You idly kicked around some pebbles that somehow found their way onto the roof of this tall ass building, sometimes smacking them against the half wall separating you from falling a thousand feet downwards. You were actually dying to get back to HQ because you briefly spotted Hobie talking to Parker and Mayday before you had to go. He’s been quite absent lately, and you want to show off some of the new moves you learned this week.

Then, there was suddenly action. 

A huge explosion surges out the right side of the building that O’Hara and Stacy were infiltrating. That mission plan was not kidding when they described the ‘volatility’ of the shit inside of those supply crates. Deep creaking and smashing objects follow the blast. You watch as the tallest building in the city starts to tilt. Shit, the explosion must’ve taken out some of the support beams.

You hear Miguel yelling your name through your earpiece, as well as heavy breathing and crumbling concrete in the background. 

“Y-yes? Copy–”

“You and Gwen collect the crate and get out of here. I already called for a portal. Jess and I will get surrounding civilians away from danger.” 

“Understood, sir.” You don’t usually call him anything like ‘sir’, but the stakes are high and complete compliance is needed at this moment. 

“Crate is located on the top floor, Stacy is already there waiting for my word.” You briefly shake yourself out, mentally preparing yourself to scale the larger building in front of you.

With a quick fwp, you attach your web to the nearly as tall building next to your target to give yourself some leverage. You jump without even giving yourself time to think about it, tugging slightly at the web, making sure to collect as much kinetic energy as possible. You release the web when you get to the highest point and spit out another web to get you to the top floor of the building. Luckily the blast took out the windows so you could easily enter the floor. 

There, Gwen stands next to a crate with several scientists and guards nicely pasted onto the walls with perfectly placed webs on each limb and over their abdomens. 

“Took you long enough.” 

“It’s been 30 seconds!”

“Relax, I’m teasing.” She shoots out a couple of webs and connects them to the crate. “Here, help me out with this.” You follow her movements, pulling at your webs slightly to get a good evaluation of its weight. Surprisingly, it moves quite easily, almost three inches from your soft tug.

“Why’re we both doing this when it weighs 100 lbs. We have super strength.”

“I dunno, Miguel just gave us the orders. There’s probably a reason. It doesn’t really matter.” You frown realizing you could’ve been down there helping O’Hara save actual lives but instead, you were ordered to assist a teenager on a one-person job. “The portal is opening in a few seconds on the roof of the building behind us.” Gwen doesn’t seem phased. “We can just swing it with us.”

“Isn’t this shit going to blow up if we move it too harshly?”

“Not when it’s in this protective crate.” She steps closer to the broken window, mentally measuring and planning out the escape route. “That explosion earlier was from an open container.” You hum, still torn over leaving Gwen to do the delivery so you can help people get out of the way faster. “You ready then?” She’s been watching you. Clearly, your thoughts are painted on your face.

You nod briefly, “Let’s go.” Together you take each side of the crate and use your other arms to swing yourselves over to the portal that magically appears. This time, that odd purring sound of the portal is completely blocked out by the chaos going on around you. Somehow the building has still only tilted a little bit since the explosion. 

As Gwen pushes the crate into the gateway, you look down at the streets, watching as Miguel and Jess work impeccably together as they save hundreds of civilians from falling debris and the inevitable demolition of the building.

Then you look back a Gwen, who’s ready to head home. Then you look down at them again. 

Then your eye catches on a red sedan sheltering a terrified family that sits under the chaos.

Gwen catches your eye. “Don’t.” 

“I have to.” 

“Migu–”

“Would do the same.”

“--Will mur-der me.” You sigh, but quickly shoot a couple of webs downwards without looking. Gwen has her arms folded, sharing that unamused expression that Jess loves to sport. Her feet are now temporarily stuck to the floor. You’re sure she could get out of it in a second, but you can tell, she’s not going to stop you. “Don’t die.”

Right before jumping off the ledge, you send her a cheesy smirk, “Me? Never.”

----

Taglist: @deputy-videogamer @danaeaurelia @reuxxi

[hexhomos]

Sorry, I'm asking here because asks aren't on your doomreed account, but do you have any fic recs for them ? You and vinnies art have intrigued me 😭 they both seem like such wet cats in different ways, and I love that

help i didnt know asks were off fixed that now thank you... I have two fics i keep in my back pocket as like, exemplary distillations of their whole thing (one in college vs one of their usual superhero stuff,) these are;

Supersymmetry and Night Blooms

Rly good examples of their usual shenanigans, the second one is directly based on a canon comic issue that *feels* like fanfic by a prolific yaoi author, the first is set in a modern-time re-imagining of the fantastic four where they meet in a supergenius internship thinktank for gifted youngsters. There's other fics that are good but i think they might be super confusing without canon context! which leads me to my second point. After you read these fics...

A lot, and i mean A LOT of official doomreed stuff feels straight up like fanfic. Either because its so beautifully woven or insane in concept (doctor doom points a gun at the real life Jack Kirby and Stan Lee to get himself written back into reed's life in his 3rd ever classic appearance, in the 60's, THAT'S the bodyswap issue)

or because the literal authors themselves come out to say 'they're soulmates' or 'they're in love' and Im talking abt this:

(^joseph culp, the first ever doom actor from 1994)

(^fantastic four (2019))

I've got even more stuff under the cut!! AND recs!!! CLICK! v v v

(^jonathan hickman, author of arguably the best FF saga & Secret Wars (2015)!!!)

(^Cantwell, author of the Doctor Doom comic!!)

These are excerpts from the canon fantastic four book, DOOMGATE:

There's even an RPG INSTRUCTION MODULE based on the idea of an earth where Reed & Victor partner up in college, Reed dies a tragic death (via their lab experiments) and Victor assumes such a traumatized widow role in his honor that he grows up to be a golden hero and protector of earth LOL (still a bit nuts):

This is not even to touch on the breadth of all their comic issues and little moments together. Victor canonically delivers Reed's second child and he chooses her name! Shes treated like his child too and calls him uncle doom!!

...Victor even asks Reed out on candlelit dinner dates for a yearly Latverian holiday!

In fact, that's the great starter doom/reed issue i keep recommending: read [ My Dinner With Doom right here. ]

If you enjoy that, check out my [ broader post guide for doomreed reading. ]

Still on the fence? try out these single comic issues:

Doctor Doom:

*Fantastic Four (1961) annual 2 (Classic origin of Doom issue) *Some call it MAGIC (the introduction of Doom's struggle w/ the devil for his mother's soul)

Doomreed:

*Marvel Two-in-One (2017) annual 1 *Marvel Two-in-One (2017) #11 (2nd fic i linked is based on this!!!!!!!!!) *'Duel Intentions' short story *Doom 2099 (2019) *Fantastic Four #700 special *Shame Itself (noncanon satire mini)

Anyway I've had a lot of fun reading these series generally and their big, year-spanning arcs are incredible. People hype up Secret Wars for a reason, Hickman's fantastic four builds up a really compelling doom/reed epic of cosmic divorce proportions. And its about love! And Forgiveness!

[azrielgreen]

There's a reason I always moderate comments but i approved this one so people can see how truly vile it gets sometimes. I'm not arrogant. I don't think the way I write is better at all. Exploring them on an authentic level means exploring this, or any, version of them with wholehearted passion, not that this is the authentic interpretation of them. Writing intense stuff isn't a brag, it's a warning so people can be prepared for stuff like arguments and confrontations. I always over-warn for CW stuff so that, again, people are prepared. I never once have asked people to read it. It's just there and I've tried my best to a) write something i loved and b) thoroughly warn those who might read it. Any interpretation of the characters is valid and worth exploring. It's so sad to see a reeled off list of all the way Steve "should be" and the implication that nothing but strict canon adherence could ever be a passionate, worthy exploration. It's... only fanfic? It's not real. They're not real. Nothing is real and everything is possible and that's supposed to be what's fun about it.

I write the characters very intensely, so yes, they are often out of character, sorry for... warning about that? I write different backgrounds for them and play with the negative space of possibilities and potential and i do this with authentic curiosity and passion because I love doing it and i get very into it. Sorry for warning about that too, I guess? When I first started writing in this fandom, some people pointed out to me that I could CW warn for them being OOC and that was new to me, i didn't think I had to warn for that. I thought people would read the tags, like in other fandoms, and understand that the story would do different things with the characters but it became clear that this was actually solid advice as this was a fandom obsessed with "canon adherence" and policing. So I thought I would CW as thoroughly as I could so no one would be shocked or disappointed and then maybe they wouldn't leave an essay of hate in the comments.

But ultimately, people like this would only be satisfied if I deleted everything and stopped writing. I barely participate in this fandom as it is beyond answering asks and writing. I don't rec my own work. The thing i don't ever want, and this is why it was worrying seeing something like YD becoming "popular", is for people to feel like they *should* read my work without having gone and looked for it via the tags. Without having found it naturally, just by browsing and thinking "that's definitely for me". I've only ever posted for small rarepairs in the past so a couple of comments on a fic always made me so happy. I write for myself and the few others in the world who might like it. I have never written for an audience. If you don't like something I wrote, it's not for you. Genuinely. Move along to the next, no? That's what I would do.

This was so spiteful and targeted. YD is so old at this point, I just don't understand people who do shit like this. I don't bother anyone and I try to be here for anyone who needs me. I CW as thoroughly as I can. I don't think I'm better than anyone. I think every single iteration of these characters is worthy and valid and what matters is how fun they were to write, for the author. I had so much fucking fun with these stories that seeing this miserable little rant seems pointless to me. I don't care if you didn't like it. I don't care if it wasn't to your taste. Writing it was what I wanted. Sharing it is secondary, always. It's fanfiction, written for free in my spare time. I didn't take up space, I didn't trample anyone. There is no reason for this beyond spite.

I am sorry about the vest/jacket mixup, however. Truly, genuinely from the bottom of my heart devastatingly sorry about that. I know it'll take time for people to forgive me and maybe no one ever will, I have to make my peace with that.

Anyway, thanks for loudly projecting your feelings onto me and my work.

💜💜💜

[dystopicjumpsuit]

Hiatus announcement.

Hi friends. I've got some stuff I need to focus on in my personal life right now, and I'm not able to balance that with keeping up with Tumblr and Discord. I'll be taking a hiatus starting immediately. I'm not sure when I'll be back, but hopefully it won't be too long. If you have submitted a request for a fic, design, or artwork, please know I'll do my absolute best to fill it when I'm back, but for now, I need to be present in my real life.

I love you all, and I'll miss you, and I can't wait to come back! I'll put a few more details below the cut in case you're interested. CW for medical issues.

My partner has been unwell recently, and this week, we discovered that they have a blood clot in their leg. Further testing revealed they have a serious heart condition. Unfortunately, they also have a preexisting vascular condition that makes blood thinners risky, but their PCP went ahead and prescribed a three-month course of medication for the clot since it's an immediate issue. We are waiting to hear if insurance will cover the meds; apparently this prescription gets rejected by insurers frequently due to the cost. (Thinking about the fact that some analyst in a cubicle could decide that my partner's life is worth less than a three-month course of medication is making me feel absolutely sick.)

They have more appointments scheduled with a cardiologist and a vascular surgeon, so for now, we're just kind of stuck in limbo. Their PCP gave us a long list of, "If x happens, go to the emergency room immediately. If y happens, go to the emergency room immediately. If z happens - you guessed it - go to the emergency room immediately."

At this point, I'm still trying to come to terms with it. My partner just turned 44. We have an active lifestyle; we eat healthfully; we don't drink to excess. We just got fucked over by genetic risk factors.

The scariest part is that we wouldn't have found out about any of this if they hadn't gone to the doctor for a completely unrelated issue. I'm trying not to think about it too hard, or my imagination starts to send me into a spiral.

Please allow me to get sappy for a moment:

If you've read much of my work, you probably know my partner better than you might think, as they inspire a lot of my characterization, either directly or indirectly. If you enjoyed the way I wrote Waxer in "The Sixth Language" or Jesse in "In Which Jesse Gets What He Deserves," then you have a good idea of their personality. They are extraordinarily kind and patient, funny and sweet. They have been here for me consistently for twenty years, first as my friend, and later as my everything. They've held me when I cried, and they've made me laugh every single day since I met them. They know me better than anyone in the world, and I trust them with my soul.

They are the only person IRL who even knows that I write fanfiction, and they have read every single fic I've ever written. They've served as my guinea pig when I needed to work through the physical mechanics of a scene, and they've listened to me ramble for hours on end about plotting and characterization. They've supported and encouraged me in this and so many other areas, and now it's my turn to support them through this.

If you've read this far, I just want to say thank you for all the love, support, encouragement, and kindness you've given me over the past year. This fandom community has truly changed my life, and I am more grateful than words can communicate. I hope to see you all again very soon, hopefully with good news. But in the meantime, please know that I love you all.

May the Force be with you. 🩵

[quirkwizard]

Battle Report: A Retrospective on the Final War Arc

The Final War Arc is finally over. It's been a wild ride. And while I had my issues with it, I ultimately think was a good arc. I think it may go somewhere in the 7/10 to 8/10 range for my tier list of arcs. Who knows though. With all of that done though, I wanted to take a chance to look back on this arc and talk about what's transpired. Now, is this a little premature? Kind of. At the time of writing and posting this, the epilogue is still going on. The series has not ended and any of my complaints may be null and void after all of this is over. However, the arc is massive. It's eighty chapters long with dozens of plotlines and characters all mashing up against one another. I want to take the time out of focus on everything that has happened and leave the epilogue to it's own post.

And with that context, it is a lot to cover. Even if it's not the epilogue, it's still everything from chapter 343 to 423. So this post is going to be more disjointed, stream of conscious writing about my thoughts on specific parts of the arc that are worth talking about instead of doing some deep dive on the whole thing. Sure, I think the civilian stuff with Eri and everyone else in the bunker is nice in it's own way and I think how the pilots are used is hilarious, but that isn't enough for me to talk about. If you want me to discuss something in particular or expand on something here, I may talk about it later or add it to the post. With all of that being cleared up, my retrospective on the finale of the Final War Arc.

Shoto vs Dabi: This is the first fight of the arc, and we are definitely starting strong. I've already gushed about how much I enjoy this bit ever since it happened, so I will keep this brief. Of course, seeing Dabi back and all of his spiteful glory is great. Though, if we're being honest, the real start is Shoto and his new Super Move. The Phospher reveal is such a cool power-up for Shoto, and it works great in so many ways. It's a unique and clever way to counteract Dabi's firepower without just trying to overpower him. And it all leads to this beautiful and distinct art of flowing ice. It's so cool. And the best part is that it acts as the perfect cap to his character arc of trying to define himself, combining the two halves of himself into a combination that is completely his own. That's not even getting into the numerous references to phosphor, giving this even more depth.

All For One vs Endeavor: In spite of having a lot of focus, I don't have a lot to say about the forest fight. It's a lot of the same stuff as the Tomura fight, though not as egregious. I will say that I think Enji's bits in this arc are rather underrated. Having Enji fight All For One is a good way to wrap up that part of this character, finally growing past his own insecurities relating to Izuku and All Might while still achieving something that would make him worthy of being the top pro. The flashback about his father dying saving someone adds so much context to who Endeavor is as a person, and I'm really glad we got it. And having Endeavor burn away the past version of himself is such a cool image and a good moment for his character. Honestly, I think Enji continues his hot streak as one of the best written characters in this story.

Tomura vs Everyone: I didn't much care for this part. It felt very repetitive. Characters attack Tomura. It doesn't do anything. Tomura starts monologuing. Repeat. They couldn't do anything to Tomura, but as Hori has shown, he's reluctant to kill off named characters. It's why, despite getting ragdolled, none of them died. It didn't feel like the threat of death was looming over any of them, making this big battle feel relatively low-stakes. So we're stuck in this cycle of Tomura beating all of them up for dozens of chapters, only for neither side to really get anywhere. It feels like we're stalling. That Hori simply needed Izuku out of the picture to delay the final fight for him and Tomura. Which, sure, I get, but he could have at least made what was happening with Tomura more interesting. What's worse is that this is so much time spent with AFO Tomura. A character who isn't nearly as interesting as some of his parts and is a watered-down version of both.

Spinner's Assault: This is by far the worst part of the entire finale. Let's ignore the politics and message and how they may or may not apply to the real world. This mini-arc is focused on Koda, Shoji, and Spinner. All characters I like to varying degrees, but none feel like they have earned this kind of focus. The whole mutant discrimination plotline feels woefully underdeveloped, so having it be the center point of this part feels jarring. And saying it only happens outside the city is such a handwave. Not only does that make no sense, as bigotry can happen just as much, if not more, in metro areas, but it has little showing within the world. Hori, if you wanted to set this up, maybe you should have actually had some major focus on stories out of the city. So having so much time dedicated to it just feels wasteful and frustrating. I could go on a longer rant, but I will save it for another time.

Bakugou's "Death": What a waste. Come on now, did any of you really think Bakugou died here? Or would stay dead? And having his resurrection tied to his clustered sweat feels like a slap in the face of Edgeshot. The guy who reduced himself to a thin string just to save Bakugou's life. On that note, having Edgeshot be the one to save Bakugou feels… out of place. Edgeshot is a pretty minor character with no connection to Bakugou. Many figured that this sudden change would lead to some boost for Bakugou, but it didn't. So why Edgeshot? Why couldn't Best Jeanist be the one to do it, the one that is more important to both Bakugou and the audience? And this doesn't feel like a major change for Bakugou. If you have your character die and come, there should be some greater change to them or how they act, but it doesn't. At least, nothing as major as a death and resurrection should have. The biggest effect it has is on Tomura, bringing him out of the control of All For One, and Izuku, showing that he wouldn't lose control and break again. Once again, Bakugou's grievous injury is more important to the characters around him.

Rewound All For One: One of the more controversial parts of the arc. Is it a reach for Garaki to make the drug? Kind of. Is it annoying to still have All For One around? To a degree. Does it lead to some frustrating moments like All For One not unleashing his biggest area-clearing attack to start with when he knows he's on a time limit? Yes. However, I ultimately feel as though this does more good for the story than bad. By giving All For One this timer, it gives him a more definitive weakness to exploit and a ticking counter in the form of his body degenerating. And by keeping him around, it gives him a chance to go against Endeavor, Toshinori, and Bakugou. That way, they're completing their own arcs without feeling like any of their efforts are wasted or overstepping each other's time in the ring with All For One.

Dabi's Quirk: This is going to be a more personal annoyance, but I'm really frustrated with how Hori handled Dabi's Quirk. First off, him instantly using Shoto's technique against him is such nonsense. You're telling me that seeing it is enough for him to replicate it with no training?And him suddenly making ice for himself also makes zero sense. He hasn't shown anything like that before, and nothing about his power implies that he could. And don't tell me it's literally Rei's Quirks, but that makes even less sense. I could explain that as an evolution of his ice resistance, but that's more me trying to make sense of it. Could you justify it as being Shoto's sibling and their powers having similar mechanics and traits? Sure, but a lot of it comes across more as a convivence to keep Dabi's corpse moving. At least his design is cool.

Wasted Students: While the manga actually does a good job of distributing attention, there are some students that I feel were shafted. A special mention goes to Sero, Ojiro, and Sato, whom Hori pretty obviously just shoved together to get them out of the way. The ones I'm thinking about are Iida and Momo. Momo was one of the 1-A characters who had some arc, so having her be relegated to a living printer feels wasteful. However, I can at least forgive this a little. Her moment was during the PLF War, and her position makes sense. But shoot, Tenya was done dirty in this arc. He doesn't have any really cool moments of his own and very little in the way of character moments. I thought he was going to have something done with Stain, but no. Most of his time in this arc is spent supporting Shoto, quite literally in the case of the Ice Jet maneuver. Wait, why was he even fighting Dabi? Tenya himself admits he's a bad match for this, so why was he there? 

Shiketsu Students: This is one of the few moments in the arc that actually surprised me, and it's a welcome surprise at that. As someone who thought that the Shiketsu students were interesting but underdeveloped, it was cool seeing them act as reinforcements. What was even a better surprise was Camie's "Glamour" trick with the fake Hawks. That has got to be the funniest movement in this entire arc, bar none. Of the three, Inasa gets the most focus, and I think he does pretty well with it. While I do like his soft cap on his arc with the Todoroki's, reflecting his growth as well as their own, I really enjoy how much he just shuts All For One down this arc. All For One is trying to do these big speeches and one-liners, and Inasa is out here yelling him down like any other two-bit criminal. It's equal parts hilarious and awesome.

Tokoyami:  On the flip side of my statement about students, I think Tokoyami is really good in this arc. Tokoyami is one of the less prominent characters in terms of development and actual emotional moments to support him. The arc did a good job of giving him some kind of arc for his character. About how he sees his powers and how hard they are to control. And I'm going to be totally transparent here, I just think full-power Dark Shadow is really cool. There isn't anything deep or nuanced here. Seeing this giant shadow mecha loom over the whole battlefield and make All For One go pale is super sick. It's not just all action and character, either. He probably had one of the best reactions to anything ever in the whole series when illusion Hawks "died". So in spite of my issues with the other students, at least Tokoyami was done well.

The Big Three: Yeah, I didn't really care for what was happening with a lot of the Big Three. They ultimately fall into the same issues as everyone else in the UA Battle Zone that I talked about before. And while their massive railgun attack was cool on paper, it all amounted to nothing. It all feels like such pointless fluff to tide the user's over. It's not even like they have anything interesting going on character-wise, either. Mirio is easily the biggest victim of this. Ever since Mirio got his Quirk back, he hasn't really been given any chance to act outside of the costume or really be his own character. Seriously, the biggest moment he has is him acting as the butt of the joke in order to distract Tomura so Izuku can get in. Was there really no better way to do that? And as much as I want to remember him for other stuff he did, like yelling at Izuku, there really isn't anything else that sticks out.

Gearshift: Again, a more personal gripe, but one that bugs me a lot. I really don't like "Gearshift" as a power. Like "Fa Jin", it doesn't feel like it expands on any of Izuku's capabilities, only doubling down on what is already there. Unlike "Fa Jin", this had way more potential that went unused. Being able to alter the speed of an object or person is such an interesting concept. And for all of the hype surrounding it, it doesn't feel like it's used to its full potential. Really? We couldn't think of a better Quirk for him. Or at least come up with something more interesting for this one to do? All it's used for is to give a power boost to Izuku and make him go faster. The only time it's used to do anything else is when he uses it to speed up Bakugou. Why couldn't we get more stuff like that? Or at least maybe giving it a chance to interact with Izuku's other quirks for combinations?

Gigantomachia Battle: I like this well enough. As much as the reappearance of what's his face frustrates me, that's more of a carryover from my problems with Midnight's death and not the fault of this arc. It's a good follow-up for the brief arc with Mina and I like how much her new move ties into their growth with its name. Plus, it gave Shinso a cool moment that felt natural without stepping on anyone else's toes. I will say that I'm pretty confused at the sudden turn with Gigantomachia, who only really seems mournful over what All For One did once. And the one time he did, it seemed more regretful that someone as pathetic as Tomura was the successor. Otherwise, he just seemed like a loyal thug without much personality.

Todorokis vs Dabi: For the dramatic resolution of the Todoroki family storyline, I find myself having very little say about it. It's good. I really like seeing the feral, demented version of Dabi who is barely held together. Enji's lines about people watching him and taking responsibility become twisted with Dabi's view of him and his actions. I like the monologue Shoto gives as he's flying to stop Dabi. I guess my issue is that the rest of it doesn't stand out as much to me. And the actual resolution doesn't feel any different from the way Shoto fought him. It came across like the earlier fight with him was just there to keep him occupied so Enji could fight All For One and didn't serve any real purpose for the characters. That there needed to be this resolution for everyone else in the Todoroki family and for Dabi as well, but doing it like this lessens some of the punch. 

Uraraka vs Toga: One of my favorite parts of the arc. This entire section was such a dark horse for me, someone who didn't put a lot of stock in the Uraraka and Toga storyline. It shocked me how invested I was in the fight. Just seeing how hard Uraraka fights is so enthralling to watch, going through so much to help Toga. And this is one of the few points in the series where Awakenings work, with an Awakening that actually feels earned and relevant to the character at that. All because she wanted to help and connect with Toga in order to save her. And if Toga did die here, I wouldn't mind because I think it fits. She was able to live and die as her own person, making her own choices. All in all, it's a highlight of the arc and a great capstone for both of the characters.

Aoyama's Section: Why does Aoyama have so much focus on him? I don't dislike Aoyama, and I'm glad one of the more minor characters is getting attention in a way that feels relevant to who they are. I just don't think he really needed this much space to himself, having his own battlefield and major villain to fight, with little to no other focus on other characters. Having him stand up against All For One felt like more than enough of a final beat for his character arc. It was him acting in spite of his fears, facing down the scariest person in the entire series. Hagakure's presence bugs me here as well, since it just reeks of convivence. And man, giving out yet another Awakening? Were these not supposed to be rare? It's yet another example of an Awakening that barely feels any different from before and doesn't feel earned.

Toshinori Yagi vs All For One: Unlike a lot of fans, I wasn't as bothered by this part. On paper, Toshinori fighting All For One with a massive mecha suit kind of flies in the face of one of the core ideas of the series. That people without Quirks cannot be heroes. However, the story makes it clear that this is something that cannot stand up against All For One, requires all the resources of his decades of hero work, has decades of experience as the top hero, and he's only doing as well because he's fighting All For One because he's acting irrationally. My only reservation is that All Might is using parts inspired by the students. While I think these are cool, it seems like this is supposed to be his big moment as a teacher. And... I guess the story wants us to believe that. I don't know. It feels like Hori hasn't really put in enough work to have this be a satisfying payoff. He only really has two or so scenes involving the other students outside of Izuku. I believe he's a proper mentor to Izuku, sure, but as a real teacher for the whole class? Not really. Don't get me wrong, the idea and execution of it were fine, but the set-up needed more legwork.

Stain's "Moment": Yeah, this is something I can't forgive. Stain is such a major figure in My Hero Academia, both in and out of universe. He's the guy who changed the whole trajectory of the story and brought a whole new level of respect for the story. Hori brings him back to restore Toshinori's motivation and give them plans for All For One. And then he comes in for a big moment in the final fight. Only to be ragdolled, having accomplished nothing. There was no final moment of sacrifice, no heroic last stand. Just slapped aside and exploded. Not only does All For One's escaping feel like a mass convenience, just so happening to have a Quirk to push all the blood out of his body, but it's so disappointing for Stain. It feels like an afterthought. Like Hori remembered that Stain was around and threw him in to die. He doesn't even get a moment in the ghost realm. Come on, Hori. If you went through the trouble of having his Quirk stolen, why not do something more with it?

All For One's Backstory: Yeah, I still think this part of the story is hilarious. This is so over the top and dark that it comes full circle into being funny again. All For One's backstory feels like some edgy teenager fanfiction. Like he was born to a drug-addled mother, literally drained the life out of her to the point she died. He was nearly eaten by rats at birth, he was the real first Quirk user, he's been killing people since he was four years old. It was to the point that I thought All For One was lying about it to make himself seem cooler or more inhuman than he really was. But no, we're actually supposed to believe all of this and take it seriously. I really have to wonder what Hori was thinking with this. Is it supposed to show All For One as evil to the core? But doesn't that go against the idea that it's nurture over nature? Or maybe it's to show that the worst circumstances made the worst evil? Okay, then why is All For One so unapologetically evil, supposedly even before he was born?

Bakugou vs All For One: I find myself having very little to say about any of this. It's a big-ole fight scene with Bakugou and All For One. It doesn't feel like it really completes anything from Bakugou arc outside of his hang-up with All For One and All Might retiring. Yeah, I'm glad it got tied up and that Bakugou got to save Toshinori, but it hasn't felt all that relevant to his overall arc. Maybe I'm downplaying this a lot more than I should, but that's just how I see it. The only major hangup I have is with the whole "people wanting it bad enough changed the future for All Might." I chose to interpret this as more metaphorical than literal. Like everything that's motivating Bakugou is pushing him forward, or that all of the steps everyone took up to this point defied fate. Otherwise, we are getting into some stuff the series never talks about and never explains. At least this fight gave us the "Bakugou deals bonus damage to children" meme.

Dream Hawks: Okay, this isn't so much a real problem, but I feel like this is a big missed opportunity: why isn't Stain the one getting the vestiges to rebel? You know, the guy who had such focus and determination that he was able to ward off an entire squad of top heroes from attacking him with sheer force of will. The guy who ironically sparked a whole villain renaissance with his words about the rot at the core of the world of heroes. It'd give his death some purpose and give him one final amazing scene against All For One, giving him a chance to redeem himself after all the problems he caused the world with his dogma. Ironically, he'd be dying a hero and stopping one of the biggest threats to the world. But sure, give another scene to Hawks. It's not like he's been already been a heavy focus of the arc.

Izuku vs Tomura: We've been waiting for this fight for a while, and it did not disappoint me. Not only is the part where we finally get Tomura back, immediately making this fight far more enjoyable, but the fight itself is so cool. You can feel the struggle, exhaustion, and desperation in each of Izuku's panels. We get to see more of feral Izuku. Who doesn't want to see more of feral Izuku? What's better is that we actually get Izuku using some interesting strategies against Tomura, like pushing up the rocks to stop the spread of "Decay" while using it as cover to perform a counter attack. And having this be topped off with the sacrifice of "One For All" makes this all feel that much more harrowing of an experience, with Izuku piece and piece of himself just at a chance of victory. It's one of the few final fights of a series where I was actually worried about the main character.

Shared Dreamspace: This might just be my favorite moment in the whole arc. We get all the shared visions as our two protagonists begin to understand each other more. And for all of this talking, it never once tries to excuse Tomura for what he did. Even Tomura talks about how he doesn't regret what he's doing or why he's destroying everything. He's doing it all for himself and the League. And while Izuku can understand this, he can't condone it, and it doesn't excuse what Tomura did. It's a good way for both sides to get their points across in order to get some kind of resolution without feeling like it's breaking either of them. It's all about understanding and learning from each other, which is what this conflict has been all about. It's all so well done and pretty much exactly how I imagined a confrontation like this would go down between these two.

All For One's Return: Is it kind of frustrating that All For One has returned yet again? Sure. I can understand people getting sick and tired of him, now more than ever. However, I think it's explained well enough not to bother me, and ultimately, the only way for the story to have its cake and eat it as well. It's a clean way to remove Tomura from the story without having to dirty Izuku's hands. Tomura has made it pretty clear that he has zero intention of ever stopping, and redemption was not on the table for him. It also gives Izuku a final fight against All For One, who, while not as personal to Izuku, is the biggest evil in the series. On top of that, it fits with the idea of everyone coming together to be the greatest hero by getting their licks in on All For One. It's what the story has been pushing for the whole time: One For All fighting back against All For One.

Oboro, Aizawa, and Yamada: As much as I wanted to get excited about this part, it did feel woefully undercooked. Oboro's condition and Aizawa and Present Mic's reaction to it feel pretty minor in the grand scheme of things. They only get one chapter to hash things out, and it feels very rushed. Which is odd because it has some of the biggest impact on the arc itself, with Kurogiri teleporting everyone around and being the lynchpin in the two major paradigm shifts in the arc. It's Spinner's whole motivation for attacking the hospital, it removed Aizawa from the playing field at UA, and it ends up sending all of the doubles from the island to the fight in the forest. What we got was nice, especially Kurogiri saying he wants Tomura back when they are all fighting All For One, but sadly, it wasn't enough.

The Final Run-Up: Look, I am the biggest sucker for moments like this. Izuku is still standing in spite of losing both arms. Then everyone is coming out of the portals to the final fight, all firing out their attacks to go down. It's like Endgame, but actually thematically relevant to everyone coming together to beat the greatest threat to the world. And the part where all the good guys are helping the protagonist forward just so they can deliver that final blow. I can't help but feel hyped up as each of the other students and heroes fight back against All For One. We get All For One going out like a total punk. And we can share a final vision between Tomura and Izuku. I cannot say anything analytical or in-depth about this. I just think it hits all these different sweet spots in me while still ending things on a good note, and it brings me so much joy.

[lilithofpenandbook]

I like to think that even though they weren't friends and didn't hang out, Severus and Lily still cared about each other, but couldn't outwardly show it. Severus himself knew he was a threat to Lily, and Lily knew that while Severus wouldn't ever hurt her, his friends might, and they might even hurt him if he was friends with her. And although they could never ever be real friends, not with them walking enemy paths, they still loved each other.

Lily, when she finally got with James (who eventually did charm her, as he always did, and who realised he had to make some changes for someone he loved), the first thing she told him was please, just leave Severus alone. Leave Severus alone, I've had enough. James promised he would. It's not her fault James lied to her. (the only lie he told her mind you, for all his faults he at least did love her and did treat her well. Pity that love didn't win over his hate for Severus).

Severus did his best to protect Lily. Kept making excuses to his friends, found ways to keep her at least from being harmed as best as he could.

Lily would sometimes see Severus alone in the library, just there. She knew he was miserable, but she also knew he was part of a world she could not enter and she by principle would not even speak to someone from that group. Yet she also couldn't bear to see him so alone. So she would send a house elf to go give him some food, give him a warm drink, make sure he's had something in his stomach, knowing he doesn't eat like he should.

Severus would sometimes see Lily practicing magic alone. She was trying desperately to get stronger, so that she wouldn't be dependent on James for protection, so that she could protect them both. Severus wanted to help, but he didn't dare speak to her. So it just so happened a spell or two of his, written on a piece of paper, just fluttered to her. Nothing offensive, just defense, but good defense.

Lily would sometimes notice that Severus was sick, and she knew he would never go to Madam Pomfrey and tell her he needed medicine. Nor would he ever actually make himself a potion- he never would do anything for himself, and it wasn't as easy for him to access Slughorn's stuff. Lily, then, would go in, make him a medicinal potion all while muttering about "stupid stubborn boys" and leave it where she knew Severus would find it.

Severus would see Lily sometimes struggling in the library with revision for a test, and sometimes she'd just fall asleep trying to revise. So he'd sneak in, carefully adjust her and give her a blanket. And "accidentally" leave his own revision notes for her.

Lily would realise Severus wasn't in class, and she'd look to see if his friends weren't there too or was it just him. If it was just him, she'd subtly look for him. Just to make sure he was alive at least. Sometimes she'd find him asleep in hidden alcoves, or in the courtyard under a bunch. So she'd sneak over and sneak him somewhere safer to sleep, and leave him a blanket.

Severus knows Lily forgets to eat during test weeks, so she just happens to find fruit around her when not in her dorm.

Lily knows Severus doesn't drink enough water, so he finds glasses of water just appear when he's on his own.

Just small things they did for each other because they did love each other, they really truly did. It was unfortunate fate pitted them against one another.

[luneariaa]

ᯓ★٠ ࣪⭑ HABITS. ( bucky b. )

just needed to let this random bucky imagine out,, also, the reader is mentioned to smoke at the beginning!! not much proof-read + doll nicknames + other than that, none 💙

i sincerely apologize for any mistakes as i never have ever written about him :")

tagging : @xxladyballadxx || dividers by @/saradika-graphics !! 💙

Another successful mission of the day, thankfully. And yet, the cigarette could be seen hanging in between your lips despite it all. It's not like you're stressed or anything, but rather, a force of habit.

Bucky isn't going to be happy if he sees you like this though.

You knew on how dangerous a cigarette can impact someone; you never understand it yourself as to why you continued that habit.

One of which you picked up even during the times when you and Bucky were still under HYDRA's control. Both of you may be free from any restraints now as much, but the bad habit simply caught up with you once more.

Free, but the mind hasn't forgotten. It disgusts you at times by how many heinous stuffs they're capable of doing.

A scowl was plastered upon his face while walking down the streets, until he reaches his intended destination. It's clear that something might've pissed him off earlier, but he'd rather not say it to anyone anyway.

In spite of everything that have happened, Bucky never stopped from letting his mind wander about you.

That is, until his expression changes to a pretty stern one, taking notice of how you stood against the wall-- the cigarette now in between your fingers instead of your lips.

"Again?" You could tell that he's displeased by the tone of his voice. Though, he still controls his tone usage as to not startle you or anything.

A soft sigh escapes from him, extending his hand out to you after. "You do know that smoking is bad for you, doll."

"Give it to me."

Instead of deciding to argue back, you merely complied because you genuinely felt guilty-- thinking that you might've made him upset by your behavior. "I'm sorry.."

He wasn't mad; no, never at you. He couldn't bring himself to blame you either. He understands.

After Bucky wordlessly threw and step on the cigarette somewhere on the ground, he holds out his arms at you.

"C'mere, doll." His eyes never once left yours; deep concern and understanding lies within his gaze alone-- one that he might not be able to express it verbally as intended, yet still and will try his best to convey it through his actions with the best he could.

You stayed within your spot for a few more seconds, before falling into his embrace, to which he catches your figure with ease.

"That's my girl. You're okay; you're safe with me, doll." He reassures, encircling his strong arms around you without any signs of hesitancy.

Bucky starts to take in your scent-- burying his face into your hair, completely relishing every sensation that you naturally have provided him.

Which fits as if you two are the missing puzzles that completed one another.

"Take it slow, and try to quit for me, okay doll?"

You couldn't contain the smile from forming upon your lips right at this moment, nuzzling your face on the crook of his neck comfortably. All while he slips something into your pocket, which you didn't bother to turn your head just yet.

When the two of you eventually pull apart from each other, he took the time to tuck several strands of hair behind your ear-- letting his hand linger upon your cheek for a while longer after.

His expression may come across as stoic, but you could clearly tell that he's merely concerned over your well-being at the same time.

"Whenever you got the urge wanting to smoke or something, I've slipped several candies into your pocket. It might help, at least a bit."

"Or we can just go and spar. Anything you want, doll, I'm alright with it, as long as it helps you in some way."

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