#I think she was made in 2021

[cherry-dr0p]

Haven't shown Tumblr much of Alice yet so here's a post dedicated to her.

[ CW: A whole LOT of OCxCanon ]

( This will also be a seperate AU so Im gonna tweak some things to fit Alice's story )

Another TW: Blood/gore warning.. The picture is kinda graphic so be cautious please!!

Summary of her story:

☆ Part 1: Photographic memories blurred. ☆

Before his death

Alice Moore is a 23 year old woman who works in a cafe in Brighton. She was originally dating Brian Stells before his passing. They lived in an apartment together after being in a relationship for a few years. She worked in the cafe whilst Brian was searching for a job, as they both were pretty broke at the time. Soon, Brian found a job as a facility caretaker in the newspaper. Brian was quite eager as it paid well, but Alice was more convinced of his safety more than anything. Eventually, Alice reluctantly agreed and let him take the job.

Note about paragraph above: If this was in the actual TWF series, this wouldn't be showcased as such. Perhaps little hints and clues to the information above in the series but it wouldn't be outright said (other than her occupation and name probably. Its also worthy to note Brian is like 24/25 in my AU)

After his death

Fast forward to afterwards, and Alice would be seen pacing up and down her apartment, waiting for Brian. It had been 2 hours since he had been due to come back from work, and there was no sign of him. The phone instantly rang, and it was her best friend Elise. She had questioned if Brian had returned yet, and Alice denied it. Elise apologised and after some silence, Alice expressed her wishes to go to the police. After a bit of debating, Elise reluctantly agreed for Alice to take this to the police. However, before the call ended, Elise muttered one thing;

"Dont do anything stupid, Alice. Please."

Alice nodded and hung up, saying her goodbyes. Before she went, she spotted an old camera laying around that she borrowed from Elise for something. She picked it up and took it with her, as something inside her was screaming for her to take it; that it'd be useful.

She then went to the police station and expressed her concerns with Brian's disappearance. The officer/receptionist nodded and questioned if Alice knew anything about the disappearance. Alice explained what happened and it was clear he thought Alice was joking or telling lies. He joked that if she could find evidence herself, then maybe he'd take the case seriously. However, Alice took this as no joke and then went off to St. Juana's forest, taking a bus.

The search for evidence (The main part of Alice's story)

Alice soon arrived in St Juana's forest (where she vividly remembered seeing the facility was here in the newspaper) on a snowy night with a flashlight in hand; She always kept a mini one in her pocket in case she needed it. It was a long wander to find something, anything that could relate to Brian's death. It was odd, as during her wanders, she spotted a shadow moving from the distance and children laughing. Though, she shrugged it off as her paranoia coming in. However, she spotted something on the ground from a distance. She walked over to check it out. It was...

She stood there... shocked... It couldn't be.

Brian... He's dead.

She couldnt help but fight back the tears - blocking out her feelings - as she used the camera to take a picture. It was then she let her emotions flow. She could hardly believe her eyes as she fell onto her kneed and held him close, sobbing. The one person she trusted and adored more than anything was laying there in the cold, covered in blood with his body mangled and tampered with.

Eventually, as she was sobbing onto his deceased corpse, she heard footsteps from afar. Her automatic reaction was to sprint until she reached a big cliff, with a bunch of fluffy snow covering the bottom. She looked back, panicked.

"What do you want from me?!"

Alice asked in a panicked manner, still unsure of who the two figures were as she glanced back. They seemed to be human figures. As they came into view, it was Chris and Felix. Alice was confused as she clutched the photos she had taken of the scenery to her. Felix beckoned her to give the photos back as they could be used "maliciously", so he states. Alice doesnt budge, and keeps a hard grip onto the photos. As Felix gets closer to try and intimidate her, Chris following along nervously (he does not want to be there, but was likely dragged there). Soon, as Felix backs her into a corner, Alice looks back down at the high cliff, calculating her fall as she looks back up at him. She claims that she'd rather die before giving him what he wants and letting him get away with everything. She falls back off the cliff, both Chris and Felix panicked, racing down to get to where she is.

Alice... she's numb with the snow that covers her. She cant move her leg or arm, and her hands have a off purple/blue colour to them. Alice attempts to fight back the tears and fight the feeling of the excruciating pain, but she struggles. She bursts into tears.

Felix and Chris makes it down there. Without a second thought, Felix snatches the photos from Alice, as much as Alice keeps her grip. She grimaces at both Felix and Chris as they both walk off. Her conciousness is slowly slipping as she mumbles the words;

"I'm so cold. . ."

And then, she's gone. Or so she thinks.

She wakes up in a hospital bed, a few people surrounding her. Nurses, a doctor, Elise, and a strange man with a clipboard. Elise greets her and sobs, claiming that she thought Alice was gone. Alice looks down and spots some body parts wrapped up in bandages. The man with the clipboard exclaims to want to speak to Alice in private, in which those around her lets him. Upon questioning, at the time, as she's questioned, she cant remember anything. Alice panics, as this has never happened to her before. All she can remember is Brian's corpse.

It was weird. Alice was determined she was gone for good. But, it's best to make the best of being given a second chance.

☆ Part 2: Mending The Past For The Future. ☆

Note: Excuse the angel Brian joke doodle 😭 I jus was feeling silly whilst drawing this,,,

I haven't completely fleshed out this part, but through the next few years, Alice is determined to gather evidence to do whatever it takes to take revenge on Felix and what he had done to her. In this part, Elise becomes a facility caretaker in order to help Alice and gather information for her - as Alice's first step is gathering evidence and information about Bon's Burgers/K-9 and their employees' disappearances - but eventually dies herself, which fuels her fury more. At some points, Alice doesnt know why she's been given a second chance at life, as it's filled with agony with those she cares for dropping like flies.

I haven't totally figured out her death and if she dies, but yk. We are so back.

And that's all I have :3 as a little reward for making it to the end, have some Alice/Brian doodles

Most of these are months old but I still like them :3

Alice's main quote from the show becomes "I'm so cold" because aaahh

[petrovna-zamo]

Baby talk

[rythesquidprince]

i wen' a see the new Captain America movie today and it was sooo amazing I had so much fun!!! Even gots the Captain America popcorn bucket and everything! (Tiny little spoiler in the tags but not dat much just a character cameo hehe ^^)

[larry-hiatus]

Well I guess he just found out

[dontcrywrite]

WIP (RE)INTRO | A KINGDOM BETRAYED

genre | young adult, high fantasy, adventure, lgbtq+

pov | third, limited

status | storyboarding/outlining draft four

synopsis |

Tensions in the kingdom of Arla have never been higher. Their diplomatic relations with other countries across the Lucent Sea are strained. Old magic that hasn't been seen in at least fifty years is bleeding back into the kingdom, causing sickness and fear wherever it goes. Something is deeply wrong. It all comes to a head when the prince returns from a hunting trip half dead, and his entire personal guard killed. Helen Mast is determined to prove herself. A squire in the king's army, all Helen wants is to be granted the rank of knight and protect the kingdom she loves. A chance encounter with Muriel, head of the king's personal guard, leads to Helen being chosen to undertake a quest to retrieve a long lost magical artifact that grants unspeakable power to the worthy few able to wield it. It's the only thing, the king believes, that can give the kingdom enough power to save itself. She's joined by Cordelia Langston, eldest daughter of one of the oldest noble families in Arla. Cory has her own reasons for wanting to join the quest, reasons she's unwilling to share. As the two journey deep into the heart of Arla, they discover secrets more deadly than the last — and a conspiracy that threatens to destroy the kingdom as they know it.

I'm starting a new tag list for this wip, so please let me know if you want to be added!

Character info below the cut!

STARRING

Helen Mast [she/her]: became a squire when she was very young, is desperate to get approval from Muriel (and any other authority figure), has learned a few trivial magic spells but isn't very good at them, has a horse named Whiskey who is her best friend

Cordelia "Cory" Langston [she/her]: eldest daughter of Lord Langston, lives in the palace six months out the year, would rather be out in the woods than stuck negotiating trade deals, loves her friends and family so so much

Moss Pennbrook [he/they]: bard who invites himself onto Helen's quest, a few years younger than Helen and Cory, born with the ability to wield magic (first in their family to do so), has never been serious once in their life

Levi Sherridan [he/him]: only son of King Sherridan and heir to the throne, was officially declared crown prince on his 18th birthday (which took place a few months before the events of the plot), frequently travels across Arla to connect with the people he's supposed to be ruling

Emory Thornfell [they/them]: a squire in Helen's squad, chaotic ball of energy who should really not be given sharp objects, befriends the prince, keeps Helen updated on palace ongoings while Helen is on her quest

[white-cat-of-doom]

Griddlebone Playlist

This playlist is meant to outline the complex (and fundamental) emotion of love, and the pitfalls and joys of chasing after something grand that requires another to reciprocate the affection.

More specifically for this set of songs, the want for love while having the feeling that something is not quite right, either with the other individual involved, or within your own mind. Through isolating oneself into hollow emptiness after heartbreak, and due to feeling devoid of being wanted, it is hard to be vulnerable and let anyone back into a place of emotional attachment.

Did you ever actually feel what 'love' was? Are you really deserving of being loved? After everything, wherever can you find it?

川口雅代 (Masayo Kawaguchi) – Melty

ROMY – LOVE コマーシャル (Love Commercial)

越美晴 (Miharu Koshi) – 恋はファニー・フィーリング (Love Is A Funny Feeling)

宮原芽映 (Mebae Miyahara) – 悪魔のように微笑んで (Smiling Like A Devil)

いしだあゆみ & ティン・パン・アレイ・ファミリ(Ayumi Ishida & Tin-Pan-Alley-Family) – 私自身 (Myself)

麗美 (REIMY) – シャドー・ブレイ (Shadow Play)

竹内まりや (Mariya Takeuchi) – プラスティック・ラブ (Plastic Love)

工藤順子 (Junko Kudo) – 夕顔姐さん (Ms. Yugao)

Meow Meow & Thomas Lauderdale – Hotel Amour

Tracks 1 and 2, 3 and 4, 5 through 7, and 8 and 9, are meant to represent different sections of time in the life of the Queen.

Signature song with playlist: Meow Meow & Thomas Lauderdale – Hotel Amour

Track One: 川口雅代 (Masayo Kawaguchi) – Melty

“ううん･･･ ････何でもないけれど 少し 不安になっただけ" ("Ugh... ...It's nothing, but I just felt a little anxious") 知られた分だけ わたしから 冷めてゆくのが こわいから (I'm afraid that the more you know, the more you'll grow colder from me) "･･･そうよ･･･” (That’s right…”) すき間もない程に 昨夜 ひとつになったの (Last night we became one, with no gaps between us) しがみついたら 微笑うけど どうしていいのか わからない (I smile when I hold on to you, but I don't know what to do) Melty 手を引かれて 溶かし溶かされ 充たされるはずなのに (My hand should be pulled away, melted, melted, and filled up) Melty つかめないの どうしてかしら? 肩すかしされた 気分 (I can't grasp it, why? I feel like I've been ignored) 何にも言わずに 抱き寄せて (Without saying anything, I hold you close) 朝の光が あなたの景色変えないうちに (Before the morning light changes your scenery) “いやよ” ("No, no") ･･･言いかけてやめるのは うまく 言い聞かせるつもりね (...I'm trying to convince you to stop when I say it) 困らせたいの! (I want to embarrass you!) "お見通し” ("Foresight") 小悪魔ぶっても かなわない (Even if I act like a little devil, I can't compete) Melty 手を引かれて 溶かし溶かされ 充たされるはず充たされるはずなのになのに (My hand should be pulled away, melted, melted, and filled up) Melty つかめないの どうしてかしら? (I can't grasp it, why?) 何かが 違ってゆくの 何も言わせず 抱き寄せて (Something is going to be different, don't let me say anything, hold me close) めかくししてね ちぐはぐなこと 言わないうちに (Before I get too confused and say something foolish) Melty 手を引かれて 溶かし溶かされ 充たされるはずなのに (My hand should be pulled away, melted, melted, and filled up) Melty つかめないの どうしてかしら? 肩すかしされた気分 (I can't grasp it, why? I feel like I've been ignored) 何も言わずに 抱き寄せて (Hold me close without saying anything) めかくししててね (Please cover your eyes) 朝の光で 見えないうちに (Before you can see it in the morning light)

The initial apprehension of being more intimately involved, emotionally and physically, with another person comes with the realization that she felt nothing when it happened. She should be able to feel a deeper connection, but something is not right, and instead pretends and acts accordingly like everything is fine.

Track Two: ROMY – LOVE コマーシャル (Love Commercial)

指の中で タバコふかし 何もないのに 愛にまみれた (I smoked a cigarette in my fingers and was covered in love, even though there was nothing there) 気にするコトが 自分以外の あの人に対する 愛の神経 (What I worry about is the nerves of love for someone other than myself) いつか見た あの人はいない 私の人には ならなかった (That person I saw someday wasn't the same person I was) 私はなまけて ただならぬ犬より (I'm better than a lazy dog) ただの人を 選んでみただけ (I just picked a person) 私のコントロール あえてコントロール こわくてコントロール あえてコントロール 心に 私まかせ コントロール (My control, dare to control, I'm afraid to control, dare to control, leave it to my heart to control me) 頭の中で おもいふかし 何があるのか 夢のざわめき (I wonder what's going on inside my head, The buzz of dreams) ただならぬ人だから あえて こわがって あの人に対する 愛の恐怖 (Because he is an extraordinary person, I dare to be afraid of him, and the fear of love towards him) 抱かれる日は 心 うきあし もうひとりの私 かくしきれない (The days when I'm held in your arms, I feel happy, and I can't hide my other self) 私のコントロール あえてコントロール こわくてコントロール あえてコントロール 心に 私まかせ コントロール (My control, dare to control, I'm afraid to control, dare to control, leave it to my heart to control me)

A reflection on not feeling love when, or to the level, you think you should, while worrying how it will affect your partner. There is a comfort in being together with someone, but that surface level connection will eventually face the challenge of it being something more for them, and she is not prepared or ready for that.

Ultimately, it is up to Griddlebone to move forward in the best way that makes sense to her, and that path is one alone.

Track Three: 越美晴 (Miharu Koshi) – 恋はファニー・フィーリング (Love Is A Funny Feeling)

彼は時間に遅れて 私は指輪を忘れた だけど ゴメンも言わずに つまらぬ言い訳ごっこ 空は春 時は今 幸せですと言わんばかり だけど 二人の心は ちぎれ雲 (He was late and I forgot my ring But we don't say sorry, we make boring excuses, And the sky keeps saying that we're happy now in spring but our hearts are torn apart by clouds) 恋はファニー・フィーリング かまわず回る 恋はファニー・フィーリング 慣れっ子 だけど (Love revolves around funny feelings, but love is used to funny feelings) 彼は口笛吹きながら 私 ため息つきながら 通り過ぎる 街角 小鳥の歌だけ響く (He was whistling, I pass by with a sigh, Only the song of a small bird echoes on the street corner) いろんなことが あったけど みんないい思い出ばかり だから ここらでピリオド それがいい (A lot has happened, but we all have only good memories, So it's good to have the end around here) 恋はファニー・フィーリング 手を振りながら 恋はファニー・フィーリング 深刻ぶらず 歌いながら 笑ってサヨナラするわ オー ファニー オー ファニー ファニ ファニ オー フィーリング オー ファニー オー ファニー ファニ ファニ オー フィーリング (Love is a funny feeling, while waving, Love is a funny feeling, don't take it seriously, I'll laugh and say goodbye while singing Oh Funny Oh Funny Funny funny oh feeling Oh Funny Oh Funny Funny funny oh feeling)

In a goal to subside the loneliness and longing to feel proper love, Griddlebone moves through relationships over time to find the elusive 'love' she believes is out there. Scared of getting too involved with someone she holds minimal emotion for, she breaks off any connection before feelings develop from the other party, and plays it off as something lighthearted.

Despite her efforts, she cannot find someone who fulfills her inside the way she thinks love should be.

Track Four: 宮原芽映 (Mebae Miyahara) – 悪魔のように微笑んで (Smiling Like A Devil)

罠をしかけ待ってるん 悪魔のように 微笑んで (I'm setting a trap up and waiting for you, smiling like a devil) さあ ドアを 叩いて ドアを ひらいて (Come on, knock on the door, open the door) 泣きまねの 電話 かけて 街灯り 胸はずませ (I made a phone call imitating crying, and the street lights made my heart flutter) あの人を 呼び出したの (I called that person) 数えては 時間をかせぐ (Counting the time to buy myself some) 優しさを 言い訳して 赤い血が 流れる前に (Kindness, before I make excuses and red blood flows) 嘘をつく ずるいあなた 忘れてよ あの娘の事は (Forget about lying You're so cunning about that girl) 罠をしかけ待ってるん 悪魔のように 微笑んで (I'm setting a trap up and waiting for you, smiling like a devil) さあ ドアを 叩いて ドアを ひらいて (Come on, knock on the door, open the door) 待つだけの 女なんて さよならよ 今夜こそは (Say goodbye to the woman who only waits, tonight) 愛の 糸 足にからませ あの人を もう逃がさない (I'll let the thread of love entwine around my legs and never let that person slip away again) 罠をしかけ待ってるん 悪魔のように 微笑んで (I'm setting a trap up and waiting for you, smiling like a devil) さあ ドアを 叩いて ドアを ひらいて (Come on, knock on the door, open the door)

A new connection with someone shows promise, but she discovers that her partner is a cheater, something that hurts Griddlebone in a way that she has not experienced before. Not used to being treated as a second thought, and feeling like she is not worthy of love if made so inconsequential, she plots to destroy and expose her partner for what they have done to her.

All the joy and hope that she felt in locating a person that is right for her is now crushed, and she vows to not let herself be taken advantage of ever again in the pursuit of love.

Track Five: いしだあゆみ & ティン・パン・アレイ・ファミリ(Ayumi Ishida & Tin-Pan-Alley-Family) – 私自身 (Myself)

ひとりソファーに寝ころんで 恋の歌聞くでもなし 歌うでもなし (I lie alone on the sofa and listen to love songs, but I don't sing them) 私は日暮れを見つめています (I'm staring at the sunset) 部屋の窓には東京湾の 船の灯が小さく揺れて (In the window of the room, the lights of the ships in Tokyo Bay sway slightly) 一人ぐらしに疲れた時は 結婚なんか考えてます (When I get tired of living alone, I think about marriage) 夜汽車で旅に出る時は 色のない写真のように 素顔のままで 東京駅から出かけています (When I travel by night train, I leave Tokyo Station with my bare face, just like a colourless photograph) 幾度か恋にこの身を灼いて 歌を忘れた私だけれど (I have forgotten how to sing because my body has been burnt by love many times) 淋しさだけを心に積んで 今日もぽつんと歌っています (But today, I sing alone once again with only loneliness in my heart) くちづけ交す恋人にさえ 私の気持は言えないでしょう (I can't even tell my feelings to my lover who kisses me) 人に知られず流した涙 (The tears I shed without anyone knowing) 私は今日も歌っています････ (I'm still singing today...)

Moving on from her heartbreak, Griddlebone refrains from being involved with anyone else for a lengthy period of time, as that means she cannot be hurt once again. However, she cannot help but feel that the emptiness inside her continues to grow as time passes, even if she tries to remain strong willed. Her thinking is that she does not need anyone to sustain her happiness if she keeps the love she has to give tightly held internally.

Track Six: 麗美 (REIMY) – シャドー・ブレイ (Shadow Play)

淋しい笑顔と 言われるのに馴れても (Even if I get used to being told that my smile is lonely) 真夜中の鏡 覗けばつぶやくの (When I look into the mirror in the middle of the night, I whisper) Say, Love is the shadow play, shadow play Love is the shadow play 恋しても (Even if I fall in love) Love is the shadow play, shadow play, shadow play ひとりぼっちじゃ怖い (I'm scared of being alone) 街角の華やかさに 気がつけば急ぎ足 (If you notice the glamour on the street corner, hurry up) 片思いのままなら 恋も失くさず済むでしょう (If you keep your love unrequited, you won't lose your love) Say, Love is the shadow play, shadow play, shadow play Love is the shadow play, 密やかに (Secretly) Love is the shadow play, shadow play, shadow play 遠くあなた見てる (I'm watching you from afar) 気づかないで (Don't notice) darling 壊さないで (Don't break it) wow wow Love Love Love Love Love Love, darling, Love Love Love Love is the shadow play

Her loneliness begins to swell to a point of action, and Griddlebone cannot ignore it or remain dormant for much longer. She is unhappy being completely alone, and wants to feel any form of connection with another, but does not want to be hurt again.

Feeling unworthy of being loved due to her faults, her past pursuit of love becomes less of a task to complete and more of a buried burden she has to carry.

In order to protect herself from emotional suffering, she develops a cold façade to protect herself with.

Track Seven: 竹内まりや (Mariya Takeuchi) – プラスティック・ラブ (Plastic Love)

突然のキスや 熱いまなざしで (With a sudden kiss and a passionate gaze) 恋のプログラムを 狂わせないでね (Do not cause a malfunction to the love program) 出逢いと別れ 上手に打ち込んで (Type in encounters and separations well) 時間がくれば終わる (When the time comes, it ends) Don't hurry! 愛に傷ついた あの日からずっと (Since the day I was heartbroken, I've been having a life) 昼と夜が逆の 暮らしを続けて (That's been reversed between day and night) はやりのDiscoで 踊り明かすうちに (While dancing the nights away at the popular disco) おぼえた魔術なのよ (There is a magic I've learned) I'm sorry! わたしのことを決して 本気で愛さないで (Never love me seriously) 恋なんてただのゲーム 楽しめばそれでいいの (Love is just a game, all I need is to have fun with it) 閉ざした心を飾る 派手なドレスも靴も (The showy dresses and shoes decorating my closed heart) 孤独な友達 (Are my lonely friends) わたしを誘う人は 皮肉なものね いつも 彼に似てるわなぜか 思い出と重なり合う (The men who flirt with me are Ironically always similar to him for some reason My memories with him are overlapped) グラスを落として急に 涙ぐんでも わけは尋ねないでね (Don’t ask me why even if I drop my glass and suddenly glisten with tears) 夜更けの高速で 眠りにつくころ (When I fall asleep by the highway at dawn) ハロゲンライトだけ 妖しく輝く (Only halogen lights are mysteriously shining) 氷のように冷たい女だと ささやく声がしても (Although somebody is whispering that I’m an icy cold woman) Don't worry! I'm just playing games I know that's plastic love Dance to the plastic beat Another morning comes

Relationships become more of a pursuit of pleasure, rather than meaningful connection, for Griddlebone. A cycle of one night encounters to keep her company before the new day begins and she starts over again with someone new. Her self-worth starts to become tied with being seen as attractive and desirable by another person. She has convinced herself that this lifestyle will quell the void inside of her, although she knows in her heart that she is still painfully lonely. The isolation does not cease, no matter how many individuals she crosses path with.

Maybe one day she will not feel this way, but she believes it is her fault that everything turned out the way it has to this point.

Track Eight: 工藤順子 (Junko Kudo) – 夕顔姐さん (Ms. Yugao)

夕顔姐さん 部屋には 夏でもね (Yugao-san, even if it's summer in your room) こたつが置いてある 束ねたコードを つついてる ��屈な 白い猫が家族 (A bored white cat is pecking at the bundled cords next to the kotatsu table) 今夜のお座敷 長過ぎる いつもなら (The tatami room tonight is too long, as normal) 帰ってる時間 (Time to go home) お勝手の隅の 猫メシは 山盛りで (In the corner of the kitchen, there is a mountain of cat food) とても食べきれない (I can't eat it all) 明かりは点いてても 時計の音ばかり そろそろ聞こえて来る はずなのに (Even though the lights are on, all I can hear is the ticking of the clock) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さん 来年 数えでね 六十三になる (Yugao-san, I'll be turning 63 next year) 近頃男はダメだね 粋じゃない それが口ぐせです (Men are no good these days. It's not classy. That's what they say.) 衣ずれの裾は 萩の花 つい昨日 かけたパーマネント (The hem of my clothes was like a clover flower, a permanence that I wore just yesterday) 西に傾いた 大きな お月様 帰りを急がせる (The big moon leaning to the west hurries my return home) 浮かれ足の男 物欲し気な女 (A playful man, a wistful woman) 若いネオンの街に カラコロと (In a young neon city, colourfully) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 細い路地に入ると 犬達が吠えだす 待ちくたびれた猫は夢で聞く (When I enter a narrow alley, the dogs start barking, and the tired cat hears it in a dream) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta)

Years removed from the emotional low point of her life, the empty hedonism to fill the void inside her, Griddlebone has taken up residence with an older, single woman that has mirrored her own experiences in the search of love. The familiar sounds of geta beckon the arrival of her human home to Griddlebone, and her days are spent resting in the sun and keeping busy through the house, all while reminiscing of a past of incomplete love. She has become accustomed to a quiet, uneventful life where she is loved by Ms. Yugao as a sweet pet and taken care of like the beautiful Queen she is.

Still, there is an unshakable feeling that she has missed out on true love in her life, despite her current, content happiness.

Track Nine: Meow Meow & Thomas Lauderdale – Hotel Amour

Fun fact: Meow Meow played Griddlebone in the 2019 movie!

I looked for Love in the beautiful cities I looked for Love up in the air I looked underground though I knew that I shouldn't And still, no Love was anywhere I went to the place they call Heaven I went to the Hotel Amour I sat still and wrote Love some letters But Love doesn't read anymore I sang Love into my stories And I danced Love into my dreams But Love didn't find me Let alone blind me Love is nowhere it seems I looked for Love by pretending I wasn't I looked for Love close to the bone I fixed up some wings and I bought all the permits So Love could take flight when it was grown I followed the maps, I read all the signs I bought Love a building called "Home" I filled in the forms and I paid all the taxes Still, Love left me alone... My heart's still jumping out of my skin I've nothing to keep the feeling in I've nothing to do to make Love stay I've nothing to keep the darkness away You're all in the grandness of little things A leaf that's shaped like a heart A simple breeze, a feather Morning light, evening star And I'm singing to you my stories And I'm dancing with you in my dreams... Love... Love is everywhere... it seems

Throughout her life, Griddlebone has done everything she thought was correct to find and feel a form of love that made her feel complete, but could be deemed as unsuccessful in that pursuit.

Although it never manifested for her as love with another, she has felt the unconditional love of someone that cares for her as the most important thing in her life.

Looking back on her life now as a senior Queen, Griddlebone comes to a realization that love can now be found all around her. It was never her fault for not finding the idea of 'love' that she felt she needed, and there may never have been an instance where she felt that she had found the prize she was after, but love was always with her in the little things of life.

@the-cat-at-the-theatre-door I am not sure if you are still interested in these after all this time, but in case you are, enjoy :).

[plasterhound]

if i had a dollar for every character i made based on me that actually ended up being suicidal and i didnt notice until years later id had 2 dollars. which isnt much but its weird that it happened twice

[russellius]

can I ask what's the lore on george and carmen? how did they meet?

she's said this a couple of times, but i don't think there's any more details about it out there

[tesspool]

what year is it..? looks around

peep his outfit better under da cut. i cant draw for shit today.

[cuteniarose]

Each time I think I’ve finally become normal about This Fucking Family my brain comes up with shit like “Hey have you noticed how much Liba looks like young Sunat?” and now I want to throw up

[arapa1ma]

me if drawing messily and adding a bunch of random lines and z's on my art was illegal

^this is supposed to be my fursona in jail btw idk if this drawing is even comprehensible by someone who doesnt know what my sona looks like LMAO

[viviennevincent2]

This is WAS memeable

[borealing]

im gonna go off on one in the tags pls enjoy

[paoofthestars]

From an inside joke on a private friends discord to a beloved OC

On July 24, 2017, SHE was born. An international holiday

Happy birthday, Plunk! 👁️💜

Here's the time-lapse

[threadsoflacee]

something bright and joyous and hungry for exploration and sunlight and indulgence died inside me between the ages of 14 and 16 and now whenever i get dressed i can’t help but frown to myself in the mirror and think "everyone is going to make fun of me if i wear this dress"

[benisasoftboi]

I got covid and decided to pass the time watching the iCarly revival. Two key thoughts:

Nathan Kress is actually a really good comedic actor??? Like, to the point that I was pretty much just watching for him after a while??? I kind of wonder if he's a John Mulaney fan as some of his line reads reminded me a lot of him, very much in a good way, while still feeling like their own thing. But it's not just the way he delivers lines, he embodies the jokes in his physicality and facial expressions too, it's great. He can also bring emotion when called to as well, in the third season especially he plays his character's devotion to Carly with such sincerity. He's also the only one who plays any of the jokes anything close to subtle - I think he's also the only one who ever gets throwaway lines? In certain scenes Freddie ends up feeling like the only genuine, real person in a room full of caricatures, and while I don't have an issue with the characters being so exaggerated - it's iCarly (2021), the whole conceit is that it's a kids show for grown-ups and I think they achieve that successfully - it does really make me want to see what Kress could do on a more toned down, single-camera type comedy. Or just anything where he's allowed to be quicker - please, some casting director, put him in something without that albatross of a laugh track, I truly think he'd shine.

They made Spencer. So horny. And inexplicably heterosexual. And just generally kind of a dick? And so, so horny.