#I think people also don't like me because I talk too much I get personal in art posts and I talk a lot

[lovelytayforce]

I agree with this comment here so hard, I remember getting blasted for calling readers who don't comment "leeches" on R/Fanfiction and I'm glad people are seeing that for what it is even if it's four years late

So, I'm gonna share my own little story here because discord has actively ruined communities for fanfic (and art too I'm not gonna leave y'all out cause my bestie @zoetiger-1106 is an artist who deserves way more praise than she gets!!) The reason why authors and myself see the "I'm shy" shit as an excuse is because the same people will type long ass tirades on Discord without a single thought. YOU CAN EDIT AO3 COMMENTS PEOPLE! If you make a mistake, read it back over and edit it. I've watched it happen in real-time with one of my favorite commenters on my one-shot where they left a short gushing comment and then came back and wrote more, you have no excuse much less reason to go "Man fandom keeps telling me to not critique and I might make a mistake so I will say nothing and consume like the average TV and Streaming consumer who thinks there doing something!" YOU have a lot of power with comments and even those bookmark tags hell just copy-paste what you put into those bookmark tags as a comment I DON'T CARE AT THIS POINT USE THAT LIL BOX TO VOICE SOMETHING!!!! God this is all over the place idc but I read back at those bookmarks, and saw people call my works the best and super cool and I APPRECIATE THAT but tell me! Stop taking the easy route, I been blasted for misunderstandings over comments multiple times cause people take my "tone" terribly cause it sucks being black and emotive online yay and for some reason people think !!!! Is bad? yes, I've been hit with that but I keep on trucking cause fuck whatever some weirdo thinks about exclamation points! Anyways back to discord and why I hate it now, I was in a small fandom, KFP got invited to a discord cause ONE person commented on my works and saw they talked about my fic, and at first, I was happy and people TALKED about my chapters at length in the fanfic channel. I basically was the ONLY ONE posting consistently in that channel and it was great but also I wanted that on my fic to show I improved so guess what I did? I went all in trying to one-up myself to be noticed, to have the acclaim my peers did so it would evolve outside of discord channels but it never happened. And Imma tell y'all now; it never will. Readers prefer convenience over your hard work, they are not gonna take time for you no matter how much you improve. People told me over and over while I looked for solutions for this; "We can't make commenting look like an obligation." "Add more prose, space these paragraphs better" all this just for no one to take the initiative and say something SINCERE towards a work they love on it. I've had to tell my own ex-friends now to go leave comments on works they called Masterpieces while ignoring me. Despite the fact they wanted Gen content in which I WROTE. Or met people who have very weird "I don't review" rules for themselves despite getting motivated by reviews themselves!! We're in a shitty time for creatives much less community cause we don't see each other as humans much less want to treat each others as we desire to be treated. Fanfic readers want to treat authors like showrunners and I hate it. But then your peers will tell you 'not to worry about engagement" and no I am because why is my hit count going up every day but ain't no one saying shit? Make it make sense!! I sat in that community commenting as much as I could, especially on long fics; it wasn't all perfect but I TRIED. I didn't expect shit back but hey it would have been nice but it never happened and again I learned; it never would. That's the real issue, no one wants to give no more; just take and take and take til you're sucked dry of passion worse than any corpo out right now. It's why I thankfully switched fandoms. I got ONE consistent commenter and they are better than that ENTIRE SMALL CLOSED COMMUNITY!! So, to any discord reactor for fanfic you better skip on to that message you made and copy and paste it in this box right here and never utter "I'm shy" ever again cause we see you, our friends tell us about you. You are not as anonymous as you think! 🫵🏽

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[teaboot]

Hey! Bamboo toilet paper person here. Your response was very thoughtful-- I want to apologize for placing the onus of climate issues on individual action, haha. I work at a zoo that bills itself as being very heavy on conservation messaging, but as a non-partisan organization we're obviously not allowed to talk about the evils of capitalism. This means that in our programming, we MUST place the responsibility of stopping climate change on individual guests, encouraging them to make more environmentally conscientious decisions like buying reef safe sunscreen or reducing carbon emissions by driving less. The most "political" we're allowed to get is telling people to stay educated and vote in favor of laws that will have a positive impact on the environment. I think I've been drinking the Zoolaid a little TOO much recently, because you're totally right-- the vast, VAST majority of damage to the environment is caused by major corporations, not random people working around their own unique needs. It was also low key a little ableist of me to take issue with that ngl.

Obviously no obligation to respond to this publicly (though it's fine if you choose to do so), but I did want to thank you for your response and mention that it did get through the nonprofit mission-based-organization propaganda living rent free in my head haha. Cheers!

Hey, you work at a zoo? That is SO cool, aadsdggjjg@!!!

And hey, no worries, you totally had a good point about endless waste and trying to counter it where possible- Just from personal experience involved in the barest edge of the fashion industry, I really, really, REALLY hate the idea that, like... people can't access simple shit like plastic straws, even if they're the best, most practical, least-harmful option for them.... because a 12 year old made up some random number for a school project about plastic waste

Where, as a zoo person, I imagine you're already aware that the average sea turtle is WILDLY more likely to die from abandoned plastic fishing nets or ocean-dump grocery bags than accidentally get a straw inside it

So here we are, using paper straws!- which may be an improvement, or may not, I don't have that data, and construction emissions are their own thing- BUT WE STILL HAVE OCEANS FULL OF ABANDONED NETS

WHICH ARE OBJECTIVELY WORSE, but MUCH harder to get rid of, and as the average person doesn't USE fishing nets, it'd much harder to market as a "You, not me" sort of issue.

Cleaning up fishing nets isn't trendy. It isn't sexy. You can't troubleshoot a cute little trendy solution for it that you can market to upwardly-mobile tweens.

But a reusable water bottle? A cute canvas tote? A metal straw? That's a solution you can buy and feel good about.

Never mind that you need to use a single cotton reusable bag somewhere like a million times before the cost of its construction counterbalances the cost of a single grocery bag every time you shop- which, hey, some of us were reusing as trash liners for their wastebaskets, or bundle bags for donating clothes, or lining for our leaky winter boots!

If a better option is available, I'll take it. But as ZERO HARM is next to impossible at this time, I personally am gonna aim for MINIMAL HARM as long as I can.

...sorry, I didn't mean to ramble off again.

But hey, if your nonprofit is doing good things, feel free to shoot me a link! I can post it on my blog :D

(Link to original post for context lol)

[bugflies00]

i have so many thoughts about the tommy song/video and theyre a jumbled mess. i wouldnt call this an analysis this is just. most of my thoughts surrounding the video and what it shows about tommy

one of the things that stuck out to me (outside of how depressing and just like. is this guy okay) is something that ive always respected tommy for because he's always stuck with it and its his like. fervent conviction in people doing things theyre passionate about. thats always been one of the things he talks about all the time!!!

when AI started appearing he was talking about death of creativity, with the internet he's always talking about how the real tragedy is the algorithm killing people's passion by driving them with views and money, and even when he talks about youtube itself, and nowadays standup, its so full of passion.

and i think thats really important because it would be extremely easy for someone like tommy, who's in the process of maturing his online image from a very loud, immature and PASSIONATE persona, to make fun of it. it would be so easy to do like so many other creators and laugh at how "cringe" it was and make a quick cash/attention grab with a funny clip of him laughing at himself. but he never has. well don't get me wrong he's laughed at himself or old videos but it's always just. good natured taking the piss out of himself, it's never this like. mocking your younger self who was so excited to do what they did only because now its "cringe".

not only is he constantly giving that advice to other people (its been years of him replying, to any kid in his chat or donations asking advice on how to be a creator etc, "just go and do it if you love it!!"), he's coherent with how he applies it to himself. he realised he was making cash grab tiktok react vids and hated it so much he just stopped uploading for a while.

i dont know i just think there's something admirable about being able to still be sincere in a time where everything especially online has to be processed through a layer of irony. and its even funnier because he's more sincere THROUGH the irony i mean he's literally going into standup.

letting yourself create something that "means" something is fucking hard especially when half the internet still sees you as a kid who screams around. except the thing is that kid DID make stuff that mattered and that meant something because he was, in his own words, having fun.

i think thats what the format of the video was about too. i mean i think it was pretty clearly not a song thats meant to be streamed, its not purely music, its also a video because tommy is also first and foremost an editor who went to film college. its also not a "comedy" song like he's made some before, because those were all intentionally created to land as many jokes and make a big buzz— which doesnt mean they were bad! im philza is a contemporary lyrical masterpiece. but they had a specific purpose and it was to make people laugh and i think this video was completely like. opposite of what peoples expectations are of tommy. the "wow hes not a child anymore hes being mature🤓" reactions are the most obvious aspect of this (which, like, its been a while, get with the program).

i think the point of this was to make something that genuinely meant something but that was also like. as unpalatable to the algorithm and to the TommyInnit Viewer as possible. even now that he's gone into making quieter, more reflective videos, we've never had the flashing texts and the projector images and just all of that. hes always talking about how he hates the way the "youtube formula" has dictated the course of content and stolen all creativity for youtubers. its not meant to be a YouTube Video tm. its just meant to mean something to someone, and obviously process some sort of personal emotions, and i just think thats. yeah. yeah

i mean he even says so outright. "this needless, self indulgent spiral of self gratification" is pretty damn explicit. its not meant to be funny content its really a cry for help or for just. anything at all really

it was also a lot about perception, yknow the "entertainer" dilemma, "its all attention porn"... theres a layer of this point thats universal, everyone struggles with how they're perceived and i think any "artist" or "entertainer" figure can see themselves in it, but there's also a layer thats completely impermeable to most of us because it touches upon the sheer absurdity of a "youtuber". especially one of tommy's popularity. especially one who blew up so so fast so young. i honestly think its IMPOSSIBLE to process that. its about the ethics of having millions of people's time so readily available to you if you just press the right buttons to make the algorithm happy and then you've got them. im like 75% sure i remember him saying this on stream once, something like "your time is valuable" and if a fan didnt value him as an entertainer they should drop him.

and even here^ thats the saddest "lmao" ive seen in my life SORRY LOL but its really just. yeah im not gonna repeat myself it speaks for itself. perception and internet expectations and all that

one of the other images that stuck out to me was also this:

"yeah i know its too much like bo burnham but it wont be in a year though. in a year it will be like tom simons. just let me figure out what that means, ok?"

a lot of the video is about. influences and inspirations. the bo burnham references are so obvious he's poking at them, but i think he's raising a good point about the creativity that he's constantly praising. its never something that springs up on its own, its all about looking at others work and making it your own and feeding yourself with all those experiences and slowly, surely building your own way of doing things (tommyinnit "minecraft talent show" and "a tribute to dream smp" serial quackity + schlatt impersonator would know all about that) ->

and its daunting! its fucking scary to move away from that! which is also the main vibe i got from the video which, outside of his own issues with how he's perceived online, was the sort of existential dread that comes with actually creating. its one thing to preach you need to be passionate and create, its another to sit down and create something thats BY you. its a part of growing up! and we're literally seeing him do it live (well the bits that he chooses to show obviously)! thats also part of why i think tommy's so relatable to so many people is that he's so like. honest and real about what it's like to grow up, simple as that, and growing into yourself.

"this was everything to me" and using the picture of his younger self... man. theres obviously so much sadness underlying the whole thing but i think the nostalgia and melancholy in mourning being someone who was only inspired/excited by your interests and role models is universal. and obviously for tommy a lot of those influences turned out. well i think it was pretty damn clear who/what he was referring to here. ->

i don't think i need to go too in detail about that, especially cause a lot of the video was clearly a way to process his own personal emotions. especially with those next few images. i just hope he's okay and that god doubles his pain and gives it to mr beast to quote my friend bronzetomatoes. man.

of course he had to end with a funny clip about a hot anime girl and i think that kinda. sums it all up in a way. if that makes sense. at the end of the day its about the fact that he has to use humour to make the thing work when its out in the open, even when he tries not to and to be actually honest, but theres also the fact that hes literally a comedian and creating something "honest" IS through humor. its kindof a double edged sword

right well that was my jumbled mess of psychoanalysing tommyinnit i hope he is alright and all that because well that was. something

[mirrorcatcreditcard]

Take I haven't seen in the fandom yet:

Luka doesn't want to be freed.

"Now, MirrorCatCreditcard," you may say, "that's nonsense. Any human would want freedom from that system."

If you're thinking I'm gonna convince you that Luka doesn't know he wants freedom yet, you're wrong. I'm here to talk about indoctrination/conditioning, grooming/emotional manipulation, my own experience with those topics, and how all of the above connects with Luka as a character. If a deep dive like this is too much for you, please tap out for your own sake.

Luka's life was planned before he even existed. There has never ever been an alternative option. There is no life for Luka as anything but what Herperu chose. Everything in his life has been planned to have him be the perfect pet human idol. That is what he must be.

Fandom, I don't think most of you actually understand this and have dissected what this means (shout-out to the Luka stans who are getting there/have guessed similar things). These words we know have alternatives and are not set in stone are Luka's "gravity makes rain fall to the earth" and "water makes things wet." They are facts so deeply ingrained within him that even if shown the contrary he remarks that the person showing them is just disillusioned.

Take his commentary on Mizi and Hyun-A in the art book. He looks down on Mizi for not being able to control any of her emotions. How does he talk about Hyun-A? He has her at 70% affection yet shows a patronizing attitude—she's the one in denial at reality.

Now, how did we get here? How is a human so "delusional" and set in the control?

He's been conditioned.

Some of you don't know what I mean by this from experience and/or research, and count yourself fortunate that you don't. I pray you never experience such things firsthand. Don't worry about ignorance. Familiar or not, I will explain.

When you are surrounded by only one truth and reality, that is the way you interpret life. If a parent tells a child "the moon goes to sleep during the day," until the child learns otherwise, that's what they believe. Now take that child-like belief and add some toxic environments to the mix. With time, any other kid would learn that the earth rotates from their peers or adults around them. But if the creatures around them all say and believe the same thing "the moon goes to sleep during the day," then that is what the child continues to believe. Years of that same thing being the only truth make that false knowledge into a fact in the person's head, and everything that supports that fact is taken as truth or on the right path to truth.

"This is kinda silly though," you guys are no doubt murmuring, "All of this is a hypothetical. Give us something that makes sense or that someone could actually see happen in our society."

I'll give you my own experience then. My parents taught me that God is real. My parents taught me that I will be damned I do not follow the commandments of the scriptures. I didn't need to worry though. As long as I was obedient to the God who loved me and wanted what was best, I would be saved despite being born an awful sinful human. I was homeschooled, only interacted with people of similar beliefs, and taught that people too different from me in ideology or with radical beliefs against my own were trying to harm me and my family. I believed the people who raised me because why would people who love me lie to me? My task was simple. I needed to obey God and love everyone, especially them. Love meant giving up my entire being and living only as servant and sacrifice. After all, being selfless to the utmost was the greatest form of love.

Let's go back to Luka. His guardian, Herperu, when questioned about any surprises while training Luka, stated not only that he was the one who endured the "tough moments" but also that "(Luka) owes his success to me, and naturally, he should be grateful." This sentiment is echoed by Luka in his interview (shown on Patreon). My god, it's giving parents with disabled kids who brag on social media about how much trouble their kid is and how much they do for them. Sickening. This shows exactly what environment Luka has lived in though.

When you are manipulated into having something as your reality, everything else is fiction and delusion.

Let's review what exactly is Luka's reality.

Heperu is the one suffering if Luka has any difficulties being obedient.

Gratitude is what Herperu is owed because he goes through so much trouble to make Luka a star.

Love/care is shown by owning another's autonomy.

Emotions and bodily reactions exist, sure, but someone should be able to control them; and if they can't, someone should control those reactions for them.

Segyein are superior and the good ones for dealing with humans. Humans must be disciplined and shaped to how an segyein wants it to act to be considered deserving of this goodness.

(Luka)'s perfection is defined by his guardian.

Luka's life is directly connected to being the perfect performer. His guardian praises his abilities with the statement that no other pet human will ever be as perfect as him yet leaves an underlying threat saying that it will be no good if a pet is not trained properly. This has probably been mentally (if not physically) beaten into Luka's mind: his greatness doesn't stop him from being able to be disposed of. The human instinct to want to live has been explained to him as Heperu's wish for him to live and that has been further distorted as a duty to live for the stage he has been placed on.

Luka believes fully that there is a debt in play here. In his interview, he mentions repaying love. He thinks the relationship between fan and idol is completely normal, encouraged, and healthy. Performance is the most important thing. Being where he is is a privilege.

There's a chain here:

Heperu indoctrinated Luka into believing what he says is all true.

The guardian manipulated him easily to do what he wanted with his body and mind.

The years have been spent constantly conditioning Luka to be the god who encapsulated fantasies for the audience.

He is continually being groomed to exist for the entertainment and enjoyment of segyein.

Circle back to my first point of this post. Luka does not want to be freed. He doesn't know what freedom actually is. He sees freedom as either foolish denials of reality (and doesn't consider that actual freedom) or as controlling the song and stage when he performs (something he learned from Hyuna). He cannot want something he cannot understand. He cannot want freedom in the sense the fandom keeps speaking about.

It's funny. From the moment Luka was revealed to be hated by the fandom, I wanted to know why. Instead of digging and finding horrific deeds, I instead found a character who portrayed my own traumas and experiences. I instantly attached and delved deeply into learning about this thirty year old singer. Why does he express himself in a certain way? Where do we first see mention of him? Who does he have emotions towards? How was he trained? What makes Luka himself? I have past essays/replies to other's theories if you're interested, but in this one I got personal and didn't sugarcoat the facts. If the fandom can't handle deep thought, we shouldn't be discussing this incredibly profound and depth-filled web series.

As always, thank you for your time, and I hope my thoughts allowed you to open your mind to new things. Mostly, I hope you enjoyed them 🫶

[cicadabooks]

aaaaa finally i feel justified for reluctantly finishing the first Monk and Robot book with a :/ face, and then feeling even more :/ :/ :/ about reading the 2nd book. Which I did not read, and it looks like this was the correct choice, for me.

"Underbaked" is a decent summary of the first book - people (....often white people I feel like....) would recommend the book and how they loved it, and when I finally read it, I was just like.... This author is over-reaching and floundering around in areas she doesn't know much about. (And also this book felt very White Person writing world building to me.) Even the final pep talk by Mosscap rubbed me the wrong way. It was obvs just Not the Book For Me. (Also winning a Hugo.... It's not the worst book, but...? I think people are being bamboozled a bit.)

I remember the author's approach to nature was weird. I remember thinking "people live in nature, we're part of nature, and to just have the two drastically split is disturbing. Also I don't think this author has ever actually walked through the woods, or at least not more than three times."

OP's line above ("The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature.") is making me specifically remember what I didn't like. :( wtf. Are indigenous people and their land stewardship a joke to you. Where were you when the Dakota Access Pipeline protests were happening last decade. That was a large amount of news. At this point, this is a you problem, Becky Chambers.

Also shoutout to "also tbh I think Becky chambers has also just never gone fishing in her life and was not curious enough about her own concept to research how you're supposed to kill a fish" in the comments section from OP -

Because, as I mentioned earlier, I had the same reaction even in book one!? About doubting if the author actually spent time in nature, or considered nature a lot, or knew much about nature (for a book that... spends time in nature...). Neither the first book's vibes, or this wretched fish thing, are the vibes of people I know who spend time in the wild (as a hobby or professionally).

(Also, I think those people I know, and me, and many other humans, would be miserable being cut off from wild nature. Some things are just in the blood. I was always yearning for the ocean growing up, and I swear it was handed down to me by blood from my mother who grew up on an island. When I finally lived in a place near the ocean and got to be in ocean waters a lot more, I was like YES I AM HOME and happy in my bones. Every time I get too sad it's because I have spent too much time away from ocean and some proper wilderness.)

(and we're not even getting into how much human culture, esp indigenous cultures, have cultural transmissions tied in with nature.)

(Like I know OP's essay was more examining passivity and the implications at large in these books.... Whereas looking back, I think I got stuck on "Humans aren't allowed to go into nature" in book one and I was horrified by this and I never got past this part. This book was a dystopia for me.)

Anyway OP thank you for summarizing the 2nd book, yikes and also that was fun to read.

Also this is all ironic/sad because I actually liked the author's first book! When I read it years ago. (A Long Way to a Small Angry Planet) It was fun! I love me a motley crew of people in space ships becoming friends and having adventures. I had issues with the handling of sex/gender stuff, but at the time I gave it a pass. The rest of the books in that series didn't stand out to me, but I picked up whatever the author wrote anyway. I was disappointed when I picked up these monk robot books more recently. We're not even having, like... having that much fun here :( There's apparently fish dying in bizarre ways.

ykw i am having so much fan watching you be a hater, that i’ve decided to ask for more. PLEASE give us a rant about a book you hated.

Haha aw I'm honored. And uh I hope you don't have any particular attachment to Becky Chambers. Sorry in advance.

But A Psalm for the Wild-Built won a Hugo and I do not get the love. Book 1 was nice enough, yeah. Book 2 had me tearing my hair out.

Sibling Dex is a restless Tea Monk who serves the God of Small comforts on the science-fantasy planet of Panga. I genuinely love the idea of a tea monk - part therapist, part confessor, travels around to the different towns, mixes tea blends for people, lets them talk about their worries and fears and stresses, and gives them, if not advice, then sympathy and a listening ear and some calming tea. This is meaningful work but they're unhappy. After doing this for a while they're still unsatisfied with their life, so they go into the woods searching for self-actualization, and meet a robot named Mosscap, a wild robot that lives in the woods. See, hundreds of years ago, all the robots "woke up" and became sentient one day, then they staged a quiet rebellion against humanity's greed and industrialization by walking into the woods and never coming back. Now, the continent is split in half: humans stay on the Human Side, and robots stay on the Robot Side. The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature. The rpbots are welcome to come to the Human Side, they just never have. Dex is the first person in a While to venture into the woods of the Robot Side, and the first human since the great walkout to see a robot. Mosscap gives Dex a lot of philosophical pep talks about not pushing themself so hard, about allowing themself to just rest and appreciate the world without feeling like they need to be Providing A Service to justify their existence. It's a nice theme. Underbaked, imo, but nice. Relateable.

Book 2 was a goddamn mess.

Book 1 mostly takes place in the wilderness of the woods, so it's okay if the nice utopian human community Dex comes from was sketchily-built. It Just Works, and everyone Is Just Nice, this is a science-fantasy parable. There were some issues I had with it - like the strict ideological and physical divide between Nature and Humans, and the fact that Dex's religion seems to be the Only Religion In The World, and it's vaguely secular-humanist with the gods being not "really" gods but names given to primordial forces and philosophical concepts, and the religion not really making any demands of its adherents in any way except to become their best selves and devote themselves to what they like... it's potentially interesting, but overall kinda lazy. It felt like Becky Chambers was aware of the idea that having an enlightened-atheist sci-fi utopia is Problematic, so she made there be a central religion, but she also didn't want it to have any of the ~icky~ things religions have, like belief in anything supernatural, or dietary restrictions, or creeds, or codes of behavior, or expectations to make any kind of sacrifice in any way. All the gods "ask" is that humans observe and appreciate the world. But whatever.

In book 2, Dex and Mosscap return to Dex's society, and the book seems to want to explain how the world works, and oh my GOD is Chambers not prepared to do this.

"Observe and appreciate" is all anyone is asked to do. Book 2, A Prayer for the Crown-Shy, is an ode to ultimate virtue of Doing Nothing. There's this attitude I see in a LOT of utopian fiction, where the author is bluntly just not a good enough author to imagine a utopian society where people act like people, so in the world of Panga, utopian society is achieved through 1) homogeneity 2) no one giving a crap about anything.

As far as I can tell, there is the one religion. Most people are Fine with this. Most people are Fine with anything. There are no characters with distinct personalities. There's no money, except there is, except it's not real money and no one will deny you anything if your balance is in the red, even though your balance is available to be seen by anyone - this does not cause any kind of shame or pride or competition in any way, and Dex doesn't understand why it might. There are no hierarchies or governing bodies, people just volunteer to step up when things need doing (this is portrayed as great and not deeply concerning). There are different communities, but in them, everyone is uniformly nice, friendly, and helpful at all times. There are some parts of nature, like the seashore, where people are not allowed to go because they'll ruin the environment, and this is accepted as correct and necessary. Most people live in hippie, pro-recycling, high-tech, end-of-history green communities; there's one group they visit, however, that doesn't trust technology, and lives in a vaguely sci-fi-Amish way. You might think, Dex travelling around with a robot, this might cause conflict! It does not. The people from this community calmly explain their anti-technology position, Dex calmly explains their pro-technology position, and they politely respect each other. "Not bothered either way" is a phrase that turns up in various permutations a lot and is held up as the good, mature, responsible way to be.

There's a scene where they catch a fish for dinner, and instead of killing it, the scifi-Amish guy says "We let the air do that for us, and they let the fish slowly suffocate to death in the air while they all look on solemnly and sadly. This is portrayed as a deep, beautiful moment of them witnessing and honoring the final moments of a living being's life. And not. y'know. them torturing a living being to death so they can keep their own hands clean.

This is what I mean about the valorization of passivity: observing is all you are ever obligated to do. Letting a fish die in the air is better than killing it quickly and humanely, because doing things gets your hands dirty, while letting things simply happen is the Correct way to do it.

At the end, Mosscap and Dex blow off all their promises and appointments and just hang out at the beach chilling out instead, because do what you want forever, you don't have to do shit. This is the happy affirming ending. Mosscap you fucking said you'd meet with the city leaders as the robot ambassador to the humans, did you tell them you were blowing off this commitment because you didn't feel like doing that anymore??? Did you even let them know??????

It is SUCH a baffling book. The theme wants to be "you are more than your job, you deserve to just Be" and ends up feeling like "you don't have to do anything ever, and no one can make you do anything you don't want to do if you don't feel like it, and you don't owe anyone anything and searching for a purpose in your life is just making you stressed out so chill at the beach instead."

The thing that drives me crazy is like. Mosscap cheerfully tells Dex about robots that spend twenty years in a cave watching stalactites form because they think it's beautiful, and those robots are just as much a valued part of society as anyone else. Appreciating beauty and wonder is good enough, you don't need to be productive. And I'm just. fuckin. like. Humans are not robots! Robots don't need to eat or sleep! Humans need food, and clothes, and shelter, and medical care, and if we don't have SOMEONE working to provide that, we Die! Nice as it would be, we CAN'T just all do nothing forever until we feel like it! We can't do that!

And at the same time, the book bizarrely treats wanting a purpose in life as like... almost disordered. If you are seeking a purpose in life it's because you just haven't let go of your guilt and relaxed enough. It's bizarre. Valorization of passivity. Humans aren't meant to be in nature so we just Shouldn't. Doing nothing and having no strong opinions is the most self-affirmed you can possibly be. Letting a fish suffocate is more moral than quickly breaking its neck or spiking its brain. Someone else will do it. Who, if we're all supposed to be resting and only doing what we feel like? Don't worry about it.

"The heart of this book is comfort [...] There is nothing in it that can hurt you." YOU LIAR BECKY CHAMBERS THE FISH SCENE STILL DISTURBS AND UPSETS ME TO THIS DAY

[raven-at-the-writing-desk]

So... twst anime—

I feel I should be much more excited than I actually am. Don't get me wrong- I am excited ( for Leona animated content ) to see how they'll handle some things- but apart from the worries you listed, I just... I know this sounds a little gatekeepy but an anime will mean more ppl will know and talk about the story and I fear that they won't go into the game/other content and thus have a limited opinion on characters/events and misunderstand them. Basically I fear that characters will be even more mischaracterized than they already ( sometimes ) are by the current fandom 😭 ( specially Leona- gunshots )

[Referencing this post!]

I feel like there's for sure been mixed reactions to the recent anime news. The general consensus is excitement, but occasionally I've also seen skepticism or worries that the anime won't be as good as the long period since the initial announcement would have had us believe. That's to be expected; we won't know the quality of the anime until we watch it ourselves.

Mmm, there's that age-old sentiment again 😅 The thought of, "More people will be exposed to Twst because of this; I'm worried they will misunderstand the story/characters." It always seems to make a comeback whenever a new major piece of Twst media is announced... It happened when the official EN localization was announced too. People were jumping to conclusions and worrying that the influx of "EN-only" folks and/or a sub-par localization would lead to newer fans not seeing the story and characters the same way as the JP side did. I'll repeat what I said back then (as I think the same logic applies), along with a few additional points/expansions, as are relevant:

As you've said, mischaracterization happens, even now. This is normal in fandom, and it doesn't necessarily make fandom a "bad" space. Variation in thought is a normal human thing in general and I don't think it should be discouraged. If everyone thought the exact same way, life would be boring and we would have a limited number of ideas circulating.

This thinking sort of presupposes that the Twst fandom is currently without issues (or has few of them) and that it is the growth of the fandom that will cause problems. From experience, I can tell you that fandoms always have their toxic pockets. Fandoms growing larger just exposes more of those pockets because, statistically speaking, with more bodies present, there's a higher chance something will come to light, be it a personal squabble, a cultural difference, actually serious allegations, etc. It's a natural part of a fandom's lifecycle.

How other people interpret the story/characters should have limited or no bearing whatsoever on your own enjoyment. It does not erase your own views on the story/characters either. If you find that your concerns about others are becoming overwhelming, I'd encourage you to take a step back and think about what in this fandom makes you happy.

I feel that the mentality I mentioned earlier stems from an "us versus them" mindset. We're viewing current Twsties as the "in" group and everyone else as the "out" group... when, really, I think it might be healthier to perceive the "out" group as potential Twsties. Like... instead of fearing them as strangers coming in to "taint" the fandom, let's try to think of them as "friends we haven't met yet". After all, these anime-first or anime-only Twsties could end up being your next buddy, someone cool you meet at an event, a Twst content creator you enjoy, etc. Try to reframe your thinking!

Lastly!! We have no idea how the anime will go. They might not make it solely the main story just because it’s a manga adaptation. The team might have weaved in vignettes/event stories or bonus content exclusive to the anime which helps flesh out the characters.

I think that about wraps up my thoughts. I hope that helps alleviate some of your concerns. Hang tight, keep an open mind, and pray that the L*ona content in the anime is good 🤡

[jacketpotatoo]

Initial Thoughts on Arcane S2 (spoilers)

I think season 1 was far stronger because it told a much more focused story and centred its themes on the relationships of the characters. What I love about s1 is that you could pick two characters from anywhere in the show, and they'd be foils of some kind, or parallel each other, etc. We don't get enough time with characters talking to each other for that in s2. In s1, so much of the insight we gain from characters is through their conversations with each other - this is effective because they're there and reacting to each other, so you get the deeping of their relationships alongside development of the plot. I think this is why people resonate so strongly with Ep7 - it's so contained. The expanded cast of characters and expanded plotlines mean that at times, it feels like they're checking off plot beats rather than letting the story develop as its characters do. But this is also why I find the jayvik storyline to be the most compelling part of s2 - it's this beautiful medley of greater themes and personal ambition wrapped around inextricably in the other. I found the show's thesis on healing and destruction and the cycles of human violence compelling, and I liked that magic was a sort of tech/industrialisation stand in. Viktor had some GREAT lines that I need to spend some more time unpacking. Cosmic yaoi soulmatism is beautiful. Also speaking of episode 7, I also thought Ekko's arc was incredible and the best and he's the best and I love him.

That being said, I definitely think the ball was dropped on the class commentary. The writers simply took on too much - just trying to explore the class tensions between Zaun and Piltover is enough to take up the entire season. And it's so deeply integral to the politics of the season, and to the balance of the relationships of various characters, that it's just a bit. sigh. Especially when nearly all the new characters introduced get killed off. And we don't get much focus at all on Sevika, who's one of the only main characters involved in revolution. I love Isha, but she felt so much to me like a plot device to me that i find it hard to reconcile. And the lack of class-commentary sours their portrayal of Caitvi alot for me. I personally think Cait's revenge to reconciliation arc was handled fine, and that a verbal apology wouldn't mean as much to vi as the action of freeing her sister did, but the last line of the show is hard for me. "I'm the dirt under your nails." I get that it can be interpreted multiple ways (see: non-problematically), but that had to have crossed the writers' minds. Is it intentional then? A reminder of Vi's insecurities, simply glossed over by Caitlyn? Does it just draw attention to the inequality of their relationship, indicate that there's further work to be done between them and individually? Honestly I feel the same way about where Zaun/Piltover is left off politically. This sort of ambivalent state that isn't endorsed (the sneers the council throws at Sevika are intentional), but is unfortunately realistic. I don't think the ending is a happy one at all. Ambivalent really is the word I'd use to describe it.

I also figure that I need to rewatch the show in full, including season 1. Thoughts might change! I'm still working things out in the brain. I do still think Arcane is a fucking beast and a triumph, and I will forever be inspired by it. I love these characters. every shipper won something and I think that's beautiful. Fortiche's animation is revolutionary.

[altraviolet]

Oh! I just remembered something about your story I’ve been meaning to ask. I noticed maybe.. 3 times that some bots beginning to explain something to soundwave, and then instead say something like “Ah, you don’t care anyways.” Soundwave always responds in his mind “You don’t know how I feel.” I could be wrong but I don’t think that was ever fully addressed in your story. Like, soundwave just lets it slide. Why exactly? Also even after some people get to know him somewhat they still assume that?

ahhh the "you don't know what i care about" line. one of my favorite recurring threads throughout the fic :D

it's not so much "soundwave just lets it slide," it's that Soundwave Cares About Rodimus, and the three times that line is used, he cannot/will not expose this secret of his to the person he's talking to.

First time:

[Rodimus] “Can I come in?” Soundwave stepped aside. Rodimus slouched on his bed. He looked up at Soundwave. He glanced at the poster of them on Enceladia. His spoiler went down. “You don't care about anything, right?” ?? you don't know what i care about “Well?” “Incorrect. Several... things are important to me.”

Here Soundwave is talking with Rodimus, so he's obviously not going to say anything. It's far too early in the fic for that. The phrase combined with "several things are important to me" is a signal to the reader that Soundwave cares about Rodimus.

Second time:

“That's what I felt during the gray years,” said Drift. He reset his vocalizer. “That's why Rodimus couldn't fix it. He tried so hard to make me happy again. He was so happy when we- I mean, he and I-” Drift's eyes flashed. “Never mind. You wouldn't care.” you don't know what i care about, thought Soundwave as Drift hurried away. His processor chewed on Drift's words, repeating them over and over. “That's why Rodimus couldn't fix it. That's why Rodimus couldn't fix it.”

Here Soundwave is talking to Drift, and he's extremely not going to tell Drift what he cares about.

Side note: these paragraphs tie up the gray years from Soundwave's point of view. The reason Rodimus couldn't fix Drift's hurt is because Drift didn't love him the way he loved Ratchet. The only thing that would've made Drift feel better is Ratchet.

Third time:

Swerve held up the data pad and whistled. “Wow, there's a lot of really specific requests on here. Things I haven't served since...” His gaze moved to a model replica of the Lost Light behind the bar, surrounded by a few dusty, empty bottles. “Since... never mind. You won't care.” you don't know what i care about

Here Soundwave is talking to 0001 Swerve back in the 0001 dimension. He wouldn't waste his time correcting Swerve's assertion. Swerve assumes Soundwave wouldn't care about the Lost Light. He does, but he can't say why without having to answer a ton of questions. Also, shortly after he spots 0001 Rodimus. There's no reason to engage in conversation with this Swerve, whom he will never see again.

Another side note: Soundwave stating openly to himself that he cares about something, in defiance of assured statements by other characters, shows how he's changed since the very beginning.

So this isn't an unaddressed, loose thread. It's a deliberate demonstration of Soundwave's character change and a realistic portrayal of how he would react in those situations: he often defaults to silence.

[just-your-average-author]

TIT RECAP/THOUGHTS

SPOILERS OBV

Okay so firstly the open PSA that Dan wrote about "no photos or videos if you do, I will sue your ass to the ground" and "no flash photography do you want Phil to fall off the stage...again?!?!?" killed me. it was so cute

preshow playlist, stunning, beautiful all around bops.

the sudden cut off of the music and lights to signal the show started, genuinely shocked and I was SAT let me tell you.

THEY CAME OUT AND THEY WERE REAL?!? NOT A SIMULATION?? listen I still can't get over that, I can't believe they were real people who look and sound exactly like they do on my tv at home!! I was so focused on them and soaking every moment in, I couldn't handle it

have I mentioned how attractive they are?!?!?

okay also literally Phil straight up STOPPED THE SHOW BECAUSE HE HAD TO SNEEZE AND DAN JUST STARED AND WAS LIKE PHIL WTF and I loved every second I was like yes this is straight up what they do in videos, let's have our little squirrel moment babes.

plus it made it feel even more silly and improv, overall I know obv they scripted a lot but it was sooo interactive and they ad libbed so much and I adored it

the dollhouse recap i swear wtf. first off, it was such a creative and fun idea and the different sets, and dressed up dolls that the clothes matched!! also okay I'm so sorry I had no idea the random sex positions would be a theme of the show so I was gobsmacked, but the 69ing during pinof??? "so we did what 2 closeted twinks did upon meeting each other for the first time.... put sharpie's cat whiskers on!!!" shut up for the love.

I genuinely loved the role model or no-el model segment. my show was in NC so they first option for Dan as the Mr. Lawyer was he bans ___ and someone said south carolina and they both just were rendered speechless and were like damn oh dear but laughing too.

The boxing match was so hot dear heavens, Dan's expression when Phil came out in the fake- *cough* I mean very real abs. He was acting for his LIFE.

the confessions were so good, just wish it lasted a little longer. the yapping was good and also idk if this was standardized but the whole thing where Phil said "I have a cute but also sociopathic thing going on and I think it's working for me 😌" like shut up you're so adorable

omg the quick change where they kept their mics on and narrated so many innuendos I was dying omg so silly and so funny I loved it. I was really impressed with how fast they changed, but also talked the whole time.

I loved every single solitary part of this show and I loved how they joked about how they were sorry we all went to school with whiskers then got out in the trash (cause yeah basically) and how they literally did raise us and should be blamed for us being feral not our actual legal guardians.

okay so. this show 9/10. here's where the last 1 point went.

please don't kill me, but I wasn't a fan of the song. I'm not entirely sure what it was, but the whole show was so raw and perfect and then the song was just really synthetic and overly autotuned where I personally didn't even hear their voices. like I couldn't tell who was singing which part. the ukulele part was cute, and I really hoped that would've been all of it, I guess the internet is here and interactive introverts and everything's fine just was so good you couldn't raise the bar again, but that was just my personal opinion, I know a lot of people loved the song and it was catchy and cute, I'm just not personally a fan of kpop/synthesized music so I was a little disappointed in the song but the dancing slapped so hard.

Dan flawlessly executing every move and strut and making eye contact with us while Phil very intentionally was focused on not tripping or walking off the stage and looking at Dan a few times to check if he was doing it right MY HEART.

cuties, gay, both of them, love them

overall I spent last night frantically calculating if I could afford to spontaneously go see the Nashville show as well and spend another 10 hours in the car today but regretfully thought against it.

[awriterinthenight]

"I Have What?"

requested: @narkissistikos

words: 3267

warnings: swearing, suicide references, reader gets attacked, (I know the title is kinda bad, but if you read the story, then it's kinda funny), Miranda is actually a bitch like I hate people like her

summary: You're a mortal who keeps seeing weird monsters, but everyone thinks you're crazy, so when you're at an amusement park and get attacked by a monster, you meet the one and only Luke Castellan

Everyone said you were crazy, that none of it was real. Your parents didn't believe you, they thought you just had a wild imagination, your friends tried to ignore the weird things you told them about, and everyone judged you when they would you talk of monsters. Monsters weren't real was what everyone told you, but you would swear on the gods that they were, and that you could see them.

Eventually you were brought to a doctor, but they also called you crazy, an attention seeker, or that you just had a wild imagination. Everyone thought you just saw these things because you were always cooped up in your room drawing fantasy creatures from old myths. Your doctor recommended going outside, hanging out with friends, and trying to forget all the weird things you believed you say.

So once your parents told your friends, your friends decided what better to do than bring you to an amusement park. How could you not have fun there with the endless rides, greasy food, and the sound of hundreds of screaming kids? So fun (I'm being sarcastic).

You needed this, which was a major lie your friends and family told you. Just like every rich family, they can't have their little screw up who might be crazy, being shown out in public that way. So now here you are, three doctors, a bunch of medication that didn't work, and about 20 cover ups of your "stunts" (as your parents called them), later in your own personal hell, have fun.

"First we should do the Tilt-A-Whirl, then we can go on the bumper cars, then get food, then head to the Ferris Wheel," Stephanie said. With her everything had to be planned out, which wasn't so bad, but sometimes it sucked since then no one could divert from the schedule.

"I think that guy is looking at me. Do you think he's cute? Cause he's cute," Miranda said, looking at something that looked like it crawled onto Earth. Miranda was one of those girls who only talked about guys, and by the time you had a full conversation with her, you'd wish someone would pick her already.

Now you might be thinking, 'why would you be friends with those two if they made you want to jump off the top of the Ferris Wheel'. Well Little Sally, the only reason we hangout with them is because we have to. Stephanie was your mom's best friend's daughter, so if you two weren't friends then apparently your mom's had failed as friends, which made zero sense, but whatever. And Miranda was apparently a package deal (that no one ordered) with Stephanie.

The only decent one in your group was Christina. She didn't talk much, but the glances the two of you sent each other were louder than Miranda's laugh when a guy was around. Christina had been your friend since the beginning of middle school, and for some reason stuck around till now. She was your only real friend in your life, and the only one who cared. She might've thought you were also a bit crazy, but hey, it at least made you funny.

"Let's just get this over with," you said, walking towards the Tilt-A-Whirl.

Miranda groaned, "Don't be such a bummer, we're here to have fun," you and Miranda probably would've murdered each other by now if it wasn't for Christina reminding you that colleges don't accept you if you have a murder charge.

You rolled your eyes, turning away from her as Christina spoke to you, "If you don't upset her too much, then I'll buy you a slushie as compensation."

"Fine, but only if it's blue," you only drank blue slushies, they were like crack to you. You had made it through the Tilt-A-Whirl without hurling the two girls off the ride, and had made it through bumper cars with running them over either, so a wins a win I guess.

You were getting food now, since you were more likely to murder someone on an empty stomach, which was not a good thing when Miranda was around. Christina was busy getting you guys slushies like she promised you, while Miranda was flirting with the cashier when she was supposed to be getting you burgers. You stood in line for cheese fries when something caught your eye.

'Was that a snake!' you questioned yourself, as you swore you saw a snake slither out of the hat the cashier at the popcorn stand was wearing. You tried to slow down your breathing since it sped up from the shock. 'It's just another reason they think you're crazy. Don't let them think you're crazy’ the words everyone told you ringing through your head again.

The guy behind you seemed to notice that you seemed a bit out of it, "Cool shirt," he said, referring to your AC/DC shirt.

It caught you off guard, and you had to look down at what shirt you were wearing, "What- oh, uh thanks," you managed to stumble out, a bit embarrassed since the guy was kind of cute, but you have bigger problems right now.

"Are you okay?" he asked, seeming to be concerned about you in your shocked state. I'll take things that have never happened before for 500 Alex.

You looked up at him, taking in his brown hair and the scar on his face, "I-I'm fine," you told him, trying to think of an excuse since telling a stranger you saw a snake in someone's hair is something only bat-shit crazy people say, "I just witnessed someone sneeze into the popcorn, not something you usually want to see when you're about to eat," you lied, or at least tried to. How the fuck does someone know if their bad at lying or not? Welp, guess it's up the gods if he thinks I'm weird or not, oh look nothing new.

Surprisingly he let out a small chuckle, "I never trust any of the food here, I'm just getting some for my friends," he said.

You nodded, your mind still a bit distant. The strange guy nudged you a bit, "Hey, you're next," he said, since the person in front of you left.

"Oh, thanks, sorry," you said, quickly before walking up to the cashier. That was the last you said to the mystery guy, since he didn't talk to you again after you ordered. You made your way over to your friends, sitting down next to Christina.

"Oh my god," Miranda started, as you started to want to gouge out your eyeballs, "Who was that guy you were talking to? He was so cute, do you think he has a girlfriend?" she asked, then continued to talk about him, asking a million questions that you wouldn't know since you talked to him for not even a minute, and it was a lie you told, so that you didn't look fucking crazy.

"I don't know Miranda. I talked to him for like 30 seconds and it was about some lady who sneezed into the popcorn, by the way, don't get popcorn," you told her, fed up with her million questions.

Stephanie eyed you and said, "You don't need to be so rude, she was just asking," that's it you were jumping off the Ferris Wheel.

Christina could sense the tension, so she intervened, "Did you guys see Evan and Quinn walking around? I didn't even know they were going out," she gossiped, since it was the best diversion to use on the two. You zoned out, preferring to keep you sanity. Which was ironic since when you looked at the lady at the cotton candy stall, you swore she had wings, fangs, and claw-like hands. Okay, maybe you were fucking crazy.

The other weird thing was then when you looked back she looked like a normal person again. Even weirder was that the brown haired stranger looked at her too, then right at you. Something was definitely going on, but you sure as hell don't want to know.

You and your friends were about to head onto the Ferris Wheel, but something inside you told you not to.

"Stop being such a loser," Miranda complained, since she always had to have a problem with you.

"Stop being such a bitch, then maybe I will," you said, walking away. That wasn't your best comeback, but it'll do for now. You stood by yourself against a fence, contemplating why you didn't get on the Ferris Wheel. Was it A) the thought of being high up with Miranda was too tempting to push her off, and you didn't need a felony charge, B) that food was not sitting right, or C) did it have something to do with that the lady from the popcorn stand who now had wings, fangs, and snakes for hair, was about to attack the brown hair boy from earlier. If you picked C) then ding, ding, ding, we have a winner.

Shit.

You ran forward, pulling the boy back by his shirt before she could attack. His friends turned to look at the boy now on the ground, as you felt the greatest humiliation ever. The lady was gone, now making you look like a crazy person who attacked someone for no reason.

"What the hell is wrong with you," he yelled out in anger, dusting himself off as he stood up.

You stumbled back, confused to what had just happened, "I-I," you could barely make out any words, "I swore I...fuck," you said, running into the nearest bathroom to hide in.

You were crazy, you were bat-shit crazy. You were seeing things. Everyone was right. There's something incredibly wrong with you. Why would you do that?

In the midst of trying to call yourself down, you didn't even notice the woman next to you washing her hands, "You're really pretty, it's a shame what I'm about to do to you," she said, making you scared? confused? You didn't know anymore.

"Wha-what," was all you could stumble out, taking a step back.

She let out a breath, "You keep getting in my way, and I can't have that," she shouted at you, before lunging to attack. You had some self defence lessons, plus the skills from random rich people activities like fencing, plus great fight or flight instincts, so before she could rip your throat out, you dodged to the side. She ran into the sink, breaking it which probably hurt like a bitch.

Are you crazy, or are you crazy? Is what you kept asking yourself. The weird lady (more like a creature thing, since she had her wings and fangs back) lunged at you again, but you ran out of the bathroom this time.

You'd made it a good distance away from the bathroom when you accidentally ran into someone, literally. Your face hit their chest, making you stumble back a bit, and you would've fallen if it weren't for someone else catching you.

To your horror it was the boy and his group of friends from earlier. And to make it worse he was the one who caught you, "I got you," he said, "Now where is she?" he asked, his voice sounding rather urgent.

Your brain was still spinning as you tried to process everything, "Wha-what, you can see them?" you asked, entirely confused as to how they knew the things you kept seeing.

"Yes, but that's a conversation for later. Where did you last see her?" the girl of the group asked, and may you add, she seemed a lot scarier than everyone else.

You took a moment to catch your breath, "The bathrooms by the food stalls. It was the one from the popcorn stand, she tried attacking me," you told her, knowing that sentence sounded a bit crazy.

The boy still holding onto you nodded to the rest of the group, which consisted of 2 others, "Stay here," he said, as he started to head off with the others.

You snapped out of your dazed state and caught the boy's hand, "Wait, first tell what those things are," you demanded, finally wanting to know what the things you were seeing actually were.

"Later, just stay here for now," he said, trying to pull his hand away, but failing. Luckily for you (and unluckily for him) you were a pretty strong person.

"No," you said, standing your ground, "I've spent my entire life terrorised by those things, and now I have a chance for answers, so just tell what they are."

The boy seemed to have to bite back a smile, "You're feisty, you know that," he said, only making you more annoyed.

"And you're an asshole, are we going to spend the entire time naming each other's flaws, or are you going to tell me," you retorted.

He let out a sigh before speaking, "Let me go and I'll tell you, promise," he said, you had no other option so you let go, and trusted he would tell you, "Their gorgons, but I'm guessing you've seen other monsters. Do you know both of your parents?"

That was a weird fucking question, but not the weirdest thing to happen to you, "Why would you ask that, what relevance does that have to any of this?" you questioned.

"I-I just-" he said, trailing off when his friends had returned, but this time being attacked by gorgons, "shit." He then left you standing there, as he pulled out a sword from some random object. What the actual fuck is going on.

You watched the three people fight, as the people around you minded their own business, steering clear of the fight. How were they so calm, could they not see what was going on? You were too caught up in your thoughts to notice the dagger coming straight at your face. The boy turned around, a look of horror, then relief washed over him, as the blade went straight through you, falling onto the ground.

At that moment the boy realized you were mortal, and you realized your life is fucked up. Once again snapping out of your daze, you say the girl on the ground with the gorgon about to attack her. Without thinking (let's be honest, when do you ever think) you grabbed the dagger, throwing it at the gorgon. It hit her straight in the neck, causing her to fall to the ground and disappear.

The two boys quickly killed the other gorgon, helping up the girl as they made their way towards you, "You okay?" the brown hair boy asked.

"Oh, you know just another Tuesday," you said, your voice full of sarcasm.

"It's Saturday," the other boy said, not getting your sarcasm.

The girl hit him on the chest, "She's being sarcastic, dumbass. He's not the brightest person."

You nodded, "So, why can I only see the monsters, what are these monsters? Who are you guys? Why could no one see what was going on? Why did that dagger-" you were cut off by the boy with the scars, whose name you still didn't know, which was annoying.

"Woah, calm down," you shot him a glace, since that definitely wasn't the best thing to say in this situation, "You can see the monsters cause you have clear sight," he explained as if that made any sense.

"I have what?" you asked, still confused.

The boy seemed a bit apprehensive about telling you more, due to...issues we won't get into right at this moment, so the girl spoke up, "It means you can see through the mist," which once again did not help.

"That also doesn't explain shit, what even is the mist?" you asked, wanting someone to explain to you what was fully going on.

The other boy spoke up, "Should we tell her everything, or maybe bring her to Chiron?" he asked.

The boy went to speak, but the scary girl spoke first, "We can't just leave her clueless, we have to tell her."

"It could make her life worse though," the brown haired boy said.

They continued to argue until you spoke up, "Are you going to keep talking about me like I'm not here, or are you going to explain?" you asked, frustrated by what was going on.

"Look just let us talk for a moment," he said, before leaning closer to you, "Then we'll tell you everything, I promise," he said, his voice now rather low.

You knew better than to trust the word of a pretty boy, but dam was it hard not to, "Fine, but you better explain everything." The boy nodded, walking over to his friends as they huddled to talk. They weren't that quiet so you could hear almost everything. Something about a camp, and someone named Chiron, and how it would be a lot for you, and blah blah blah.

Their huddle came to an end when the other boy who didn't talk much shouted, "Would your parents care if you were missing for a little bit?"

Normally that would be a weird question, but nothing seemed to bother you anymore, "I don't even think they would notice if I disappeared for a year," you shouted back.

The boy approached you again, his friends standing a little ways away from you two, "We're going to take you somewhere where everything can be explained to you. You don't have to go, but if you want answers it might be your best bet, since it's a lot," he explained.

"I want answers, but why should I travel to some mysterious place, with three strangers whose names I don't even know," you countered, a bit sceptical.

"Fair point," he said, "Then here, I'm Luke Castellan," he held out his hand for you to shake.

The dumb gesture made you smile, something you hadn't done all day, "Y/N L/N," you introduced, still holding onto his hand.

Luke could feel his heart speed up a bit from how you were still holding his hand, and the fact that he made you smile, "Will you come with us now?" he asked hopefully, "I promise you won't regret it."

"That's usually something someone says before they do something regretful, but fine, I'll go," you said, watching his face light up with excitement.

"Great, my friends will get us set up to go, just know the way there may be a bit unconventional," he said, still holding onto your hand.

"I would expect nothing less," you joked, excited about what the future held for you.

You two waited for Luke's friends to come back, and made small talk trying to get to know each other, "I'm sorry for yelling at you earlier," he said, referring to when you made him fall down.

"In my defence I was trying to save you from a gorgon," you said, trying to not be embarrassed by your actions.

"My hero," he joked, as his friends arrived with the chariot.

"I don't think anything can surprise me anymore," you uttered, no longer surprised by the weird things you saw.

Luke let out a chuckle, "Oh trust me princess, there's a lot crazier things in this world that will surprise you," he said, the name sliding off his tongue by accident.

You tried to not let the effect the name had on you show, but you rather liked it. You didn't know what the future held for you and Luke, but you were rather excited for it. Unlike Clarisse and Ethan who already wanted to jump out of the chariot.

Current Taglist (ask to be added)

@almost-gabrielle @scarlett-8 @atashiboba @that1deerpersondownstairs @herondale-lightworm

[utilitycaster]

You are right, popularity isn't that important but I'm glad anyway that f/f is the most popular in the CR fandom thanks to Imodna, because it's just nice for once!

You know what's funny is that I suppose I thought of Imodna in passing for this, but it wasn't a significant aspect of my consideration, nor was popularity, and it's depressing that you sent this question because it makes me fear we're stuck.

The ship I had in mind that I like is Dot/Cleo from Unend, which I think is really interesting and am frustrated that whenever it comes up in the Midst server the conversation just goes GOTH GF PINK GF GOTH GF PINK GF GOTH GF PINK GF with no discussion of who they are as people - how Cleo is canonically a nepo baby, but she actually is fantastic at her job of observation because she is warm and kind and genuinely interested in everything around her, and how Dot is hiding absolute terror and misery about everything but is also competent and helpful, and trying to shove them into aesthetic categories ignores all that.

The ship I had in mind I didn't like and which really set it off is that Neve/Bellara from DATV is pretty transparently an attempt to get Neve away from Lucanis, even though they'd both make each other miserable - ie, they're putting forth a Grumpy One Soft For Sunshine One ship to get rid of the women to make way for a ship that includes a man (regardless of what gender you're playing Rook, Lucanis is a man) and I realized that it was in many ways stunningly similar in tenor to Beau and Jester, or Vex and Keyleth, which were both ships that were popular among F/F shippers, and what does that say? I'm saddened by the fact that the ships I'm told by fandoms are beautiful and meaningful and at times harassed for saying aren't that great are, in the end, almost identical in structure to the ships people throw out to push the women of the story out of the way of an M/M or M/F ship. Like, doesn't that suck? Don't you want to do better? Isn't it pretty fucking miserable that any attempt to talk about treating female characters as complex and existing in canon in the work and actually being people with PREFERENCES and not some malleable nothing you can throw at anything to get the ship you want is met with passive aggression and petty popularity contests? Doesn't it make you furious, if you are a woman, that even in fiction - even in fantasy heroic fiction where women can save the world and break reality - everyone's first instinct towards female characters is to be like "lmao no you are not the person you say you are and want to be, you're the person I want you to be for my convenience"? Don't you want to stab the next person who decides that it's more important to climb to the top of the list on ao3 by sacrificing everything complex and thorny and difficult and interesting for a bigger number of fics that could be about literally any two people because there's nothing about the women they're about in them?

Like, really, what does it say that when I say "I feel like fandoms treat F/F as an afterthought and as between two entities that are less than people" multiple people decided the response was "ACTUALLY, some M/M ships are treated badly too? sounds like you hate women? here's a ship I know you openly think is bad and I'm going to send it?" I think of you, anon, in your passive-aggression here, the way I think of tradwifes. I'm not mad, I'm just sad you've gotten trapped in this mentality and this life of serving some goal that doesn't let women be people, and I hope you break free; but I must admit I'd do pretty much anything not to become like you.

[poetry-protest-pornography]

kpop sampler

my dear @auriette was asking about my non-skz kpop feelings, and i have so many of them, so i thought it would be fun to make a little playlist.

i'm sticking with the 10 link limit (which is v hard) but if you also have a lot of kpop feelings, please rb with a song/group rec of your own!

in no particular order:

The Rose (k-rock)

i love them. They are super funny on social media, and their music is incredible. Screaming this song at the top of my lungs fixes me a little every time. Woosung is also a soloist and he's amazing.

WOODZ

This song gives me the shivers.

He also has a cover of Hype Boy that is A+

The duality of man.

I think WOODZ is vastly underappreciated, and i wish more people were as into him as i am.

Ateez

i know i already talked about them a little bit, but i have to do it again because i love them. just a bunch of insanely talented, stupidly hot weirdos. i love that they're all nerds who make legos together and that everyone but hongjoong and jongho have zero concept of personal space. wooyoung and san are medalists in the kiss your homie olympics. (woo is also bffs with changbin and also yeonjun from txt)

i'm still obsessed with this song and this MV. the ateez lore is very intricate and this is basically cinema.

TXT

insane dance skills, super talented, great music. it was hard to pick which song of theirs to include here, but this is defintely a favorite. def check out devil by the window" also.

they collabed with the jonas brothers and anitta and both songs were incredible. yeonjun just released a solo album. more talented goofballs. i love them.

OnlyOneOf

i am obsessed with OOO. they are incredible. they do most of their own choreo, they committed to making their MVs queer af and include messages of acceptance and support for the lgbtq community in the notes for all their videos. they paired themselves up and talk about kissing each other casually.

and they back it all up with high concept MVs, insane choreo, and great music that will absolutley get stuck in your head. picking a song was hard, but this choreo is too iconic

Hwasa

i am obsessed with her. she is also in mamamoo, who are great, but i am currently absolutely obsessed with her cover of lunch. but this song which is a pretty direct call out of the rampant body shaming in the industry is so much fun.

KARD

kard is the only mixed gender kpop group i know of, and we need more.

they are all adults, and their music and MVs are, too. killer dancey tracks. their friendship is a lot of fun.

BM is also a soloist, and has some very explicit horny songs that don't bother with the (barely) innuendo that kard plays with. he's also hilarious on SM, and on the daebak show

Enhypen

they're just good. i love a concept album, and they killed it with this.

Evnne

i love them.

they were all on boys planet, and i love all the groups that formed from that show (i was going to cheat and make a whole playlist of bp groups, but i'm just going to share this one and i'll make a whole separate bp post)

this video and song are just so fun, and they're so good, and i wanted to yell about them.

(all the boys planet boys are also stray kids levels of obsessed with each other, which i appreciate --zb1 is probably the worst-best about this, but they're all super close)

oh gosh only space for one more... ahhhh who to choooose

Blitzers

this is just so much fun

no one really sounds like blitzers. the horns and big band elements are wholly unique and fit surprisingly well. they are super talented and clearly having a good time with what they do, and it's just a good time.

I hope you like at least some of these songs/groups!

(Now, to play by my own rules and not add another ten in a reblog unless specifically asked to do more!)

Please add your favorite kpop/krock groups to share the joy of good music that we can all be super normal about together!

[jamethinks]

For me personally I can only enjoy a love story if there is a solid friendship underneath. If I can't see these two characters existing purely as friends then I am not going to get invested in the relationship. I've never been interested in love as much as I am interested in companionship.

This is one of the reasons why I love Twiyor so much. I love seeing them hang out and talk and be vulnerable with each other. I love watching them fall in love with each other and get closer. Opening up and just growing you know.

Which is why I can not engage with 99% of fandom content because it's all based on the idea that they are in love with each other and just don't know it yet. So the progress isn't them falling in love it's them understanding that they are in love which I fucking hate. I thought this was a slow burn thing. I can't read any of the twiyor fics bc its like they're already in love and have the relationship of two people that are in love and I just don't think anyone did anything to earn that.

If you don't drag your ass back and give me all the sweet interactions and intimate moments and map out the way the characters feeling go from platonic to romantic istg I am gonna get a gun-

When I say I love slow burn I mean I love slow burn. GIVE ME THE SLOW. Fuck that love at first sight shit. I want that first kiss to be blindsiding but also just so fucking right.

And for that reason the very random damianya fic where the author was a bit too fixated on Anya's period will remain one of my favourite sxf fics. That shit was so slow burn they still haven't gotten together yet. That's what I want.

[hydine]

Ok, so this post is more for me personally to get my thoughts in order, bc my Crow!Rook just committed to an exclusive relationship with Lucanis, which means I was in his fade... mind... prison... thingy... Whatever it was

The people we see are projections (it's a thing in psychology) of how Lucanis thinks those people see/think of/talk about him. Caterina and Illario are obviously being there, as they're family. Why Harding and Neve? Well, they're potentially the first ones he met on the team, who meet him with distrust. Bellara is not in his mind prison, because I don't think she was too antagonistic towards him, alas I don't remember what their early banter was like, but I don't think she left a lasting negative impact by distrusting him openly. During the fireplace scene she seemed defensive/deflective, at least. With Harding, well, there was that banter where she subtly threatened him with an arrow, and Neve, she openly voiced her distrust in the fireplace scene. My best guess, they're family now, and he thinks he failed Harding and Neve, failed their trust. Just like he thinks he failed Caterina, because he's an abomination. He's housing a demon in his body and he might lose control and when he loses control, people might get hurt because of what his demon-possessed body does, and therefore he must be dangerous, so people think negatively about him - is what he thinks, that's what we see in his mind.

The thing is, Spite - to me - doesn't appear too aggressive as long as nobody antagonizes him. That's why Spite likes Rook, and lashes out at Lucanis in the fireplace scene. But Lucanis doesn't really understand this. He thinks Spite is a demon, so he must be inherently evil and dangerous. So they're in discord. As Spite is in Lucanis' mind, he is in this prison, and he just wants out. Not necessarily out of Lucanis' body, but out of this prison, that Lucanis has built around Spite, to control him, control the demon in him, as well as himself. And of course it looks like the Ossuary, because that's where he "met" Spite. Lucanis was locked up in the Ossuary, as much as Spite. He kept it familiar, controlled, contained.

Why is Rook not in there? "Because Rook opens doors". She's is literally opening doors, not antagonizing Spite, not distrusting of Lucanis, clearing away any doubts. Rook is showing the way out of this prison by trusting Lucanis. Rook is his way forward. Lucanis also had never any reason to project anything onto Rook in his mind, because she never gave him reason to. She made it clear to stand by him, see Lucanis as he is, his own person, but also accepts Spite - they're a package deal now. She even encourages them to work together, instead of trying to suppress Spite, so they can resolve their discord. Rook absolutely trusts Lucanis. To keep control (not necessarily over Spite, but himself, as in "not giving up"), to work things out with Spite - heck, given that she is romantically interested in Lucanis, she trusts him, AND Spite, with her life.

It is only after seeing/understanding/confirming that Rook is absolutely fine with Spite and will not abandon/lose trust in Lucanis because of him, that he is ready to commit to an exclusive relationship.

Anyways, that's my interpretation of it. ¯\_(ツ)_/¯

[gutsondisplay]

I'll just say it

If you assume someone is a predator because they are pro c, I'm going to assume you think being attracted to someone automatically means you'll assault them

Let us not forget that shit is complicated

Because someone dating a therian or transspecies person can seem like contact to some, the other person *isn't* human, so what then

Because one or all parties being transage can be contact to some, they *do* now have a larger age gap

And some DO mean Chrono adult and minor relationships, but how far is too far? If someone is 18/19 and dating a 17 year old while the older one is a 🗺️, what then?

What if someone's zoo platonic? Or experiences attraction that isn't sexual in nature? Do you let them be with animals in a qpp?

And necro's who got the consent of their partner before they died?

Yeah, the types of people who do just wanna fuck exist, trust me I know them, but the types I just listed ALSO exist as much

And some people find it easier to say comp or pro c, because getting down to deep specifics isn't always necessary or wanted

Am I pro c? No, I'm tired contact, I don't fucking care, just don't hurt anyone without full undoubtable consent

So please

Knock it off

That or just ACTUALLY talk to a person/look through their stuff before assuming, I know it's Tumblr so I'm asking a lot, but it's beyond annoying

[creatingblackcharacters]

For the follow up questions, I wanna give my two cents on 6. "If everyone only hangs around people who aren't antiblack, why is the space still so overwhelmingly antiblack?" Part of that is bc people are def just bad at judging from the inside whether their group is racist or not, absolutely. No one likes admitting they or the circles they're in are racist, so there's a bunch of ppl who'll do their best ostritch impression and ignore it. But imo part of it is because the ppl who are racist are probably not following this blog or thinking about questions like this. In my experience talking about fandom racism (or sexism) is preaching to the choir, since the ppl who need to hear it rarely run in the same circles as people who care to talk about it. Not always ofc, but if ur the type of person who only thinks about white boys, ur probably not following creatingblackcharacters.tumblr.com, even if u nominally agree fandom racism is a problem. Bc at the end of the day, ur gonna flock to the corner of fandom talking about white boys and nothing else. And if ur the type to actively deny fandom racism is a thing, ur DEFINITELY not following a blog like this. A lot of the time I feel like ppls antiracism efforts in fandom get nowhere not just bc ppl are unwilling to consider they themselves might be racist (THOUGH THAT TOO!!) but also bc the antiracists and the racists genuinely DON'T run in the same circles as much. We just block and/or avoid each other. Which, ofc, makes it even more important to confront racists directly, something I've admittedly not done as much myself. Thinking this through has def made me reconsider that. I wanted to answer this question specifically bc I've driven myself nearly insane over the years asking myself exactly this, very glad to see someone else asking the question and starting this discussion, helped me reach the conclusion that although it may be unrewarding and often unproductive, the only way to combat fandom racism rlly truly is to confront racists directly, individually, on their posts. I obvs don't expect everyone to do this, but I think it might be the only way to pierce their echo chamber.

Hm!