#I think about her quite often

[dmc-questions-anon]

Feel free to put how much you think about them in the tags.

[oddlittlestories]

Thinking about Cuddy.

House is a genius. I’ve written about how Wilson is equally talented.

But Cuddy is, too.

One of three(?) female deans of medicine in the country. One of the youngest. And every time the spotlight turns onto her, she does things no one else can do.

She has a kid by herself. Wilson points out that a man in her position would have a wife, two nannies AND two assistants. (She tries to hire an assistant and the job is so demanding they quit regularly.)

She consistently gets things for the hospital no one else can get and is the trump card only she can play. In 5 to 9, she gets (I think) 7%, which is far and away better than her opponent, her board, or anyone else but her thought she could get.

In season 1, iirc it’s implied SHE brings in Vogler, and she’s the only person who can stop him when he starts tearing the entire hospital apart to get at House.

In season 3, she ends the nonsense with Tritter.

She’s also the only person who can and will keep House on her team (no one will hire House or Foreman, other than her). And she’s the only person who can wrangle him, canonically (I disagree with canon, but Cameron does hand the reigns back to Cuddy with this exact statement). Moreover, she makes House an ASSET. In 5 to 9, she explains that PPTH is on the cutting edge, which includes their world famous ddx department.

And! Despite the fact that House routinely accuses her of being an administrator and not a doctor anymore, she still successfully treats patients from time to time. She helps ddx the babies in Maternity. She saves her patient’s baby in Fetal Position. In s5 Joy, she clocks that something is wrong with the mom when no one else does, and pushes until the diagnosis is made and saves both their lives. She figures out the diagnosis in Joy to the World at the same time as House, and is so kind and respectful to the folks caring for the baby, yet still makes sure she gives the baby what she needs.

I have to admit that I don’t remember s7-8 well enough to go through those, but it’s clear to everyone that Cuddy is a great doctor. Much like Wilson, she gets dismissed in part bc she gets too emotionally involved. And it’s also clear that no one really understands her work or how good she is at it. Everyone only sees their part, and she has to see all of it and make it all fit together, making sure everyone gets what they need. Her ability to flip between caring and hardass undermines her ability to seem tough, but it’s also necessary. If she couldn’t care, she wouldn’t take such good care of her people or patients. If she couldn’t toughen up, she’d let people walk all over her. It’s a unique style, and not without its pitfalls, but it’s all hers.

And like Wilson, she doesn’t get seen as a genius. In fact, she barely gets acknowledged as smart at all. A lot of her successes come from charisma and social intelligence. And those things often get dismissed in women, especially women who care as deeply and obviously as Cuddy does. The ability to juggle so many things gets dismissed as “basically being well-organized,” and also, no one really SEES what she does. It sometimes takes her a minute, but she reads people like THAT. She figures out and outwits that sociopathic drug dealer. She sees through most of House’s lies. She often settles with plaintiffs because of guilt, but she also often talks them out of suing the hospital in the first place.

Cuddy is just as good, and just as brilliant, at her job as House and Wilson. But she doesn’t get seen as a genius anymore than Wilson does.

[wolves-in-the-world]

the thing about eliot spencer as a character, right. the thing about him.

(and as always your mileage may vary on my analyses so if we disagree that's cool actually)

is that he is in fact a somewhat emotionally constipated idiot who is occasionally sensitive about his perceived masculinity and gets defensive about emotional intimacy around other men (largely hardison, who's much more comfortable expressing affection and embracing a softer kind of masculinity), but eliot displays enough emotional awareness and sensitivity and respect for women etc etc that anyone who's been subjected to that era of television will put on rose-tinted glasses without even looking twice.

(and he is, don't get me wrong, incredibly emotionally aware for a professionally punchy guy with enough trauma to sink the titanic. it still startles me to see.)

on top of which we have the layers and the accessories and the excellent hair with the secret braids and the way he barely has an ego and he's good with kids and protective of his team without taking it too far, and some of us never stood a fucking chance.

[puppyeared]

i like him

[banancrumbs]

brother, son, friend

very inspired on this!! fic!!! that broke my heart in many pieces and made me think of it for weeks <3

you can also look their ao3 here!

[firstroseofspring]

b’elanna vs her mother at similar ages, plus some sketches!

[raycatz]

I'm not including a situation where someone might be injured because in that case I'm thinking the bed goes to them by default or they are nominated for it. anyone who wants to be chatty goes to join the living room floor gang.

What are your thoughts and headcanons? Do you have thoughts on how the boys tend to approach assigning beds in inns? Who do the chain choose to sleep near when camping and why? What are their dynamics like when settling down for the night and getting ready for the day?

In "Mirror Vs Open Closet Door: Fight!" by Gintrinsic (here) Four refers to the chain's decision on how to split up between inn rooms as the "Link-per-room ratio" which I find very funny. He, Sky, and Time also talk about their thought process behind why they do or don't want to sleep in a room with some of the others which I find fun and interesting.

So! If you have thoughts and want to share them! *gestures to the post!*

[midnightclover]

puts bocchi under ur pillow

What's that I see?

My, my. How did such a cute little thing get in here?

[mariocki]

Hush...Hush, Sweet Charlotte (1964)

"Miriam? He really... isn't here, is he? Just now, I thought I heard... sometimes at night, when I wake up, it seems as if he really is here. Don't turn on the light. It's not real when it's light. It's only real when it's dark - dark and still."

[bittersweetresilience]

say hi to me i don't know, i just remembered being so much brighter, i guess

cigarette ash like wildfire burning holes in the nighttime open scars feel like barbed wire white lies flying high like a ceasefire dropping flags on the shoreline this is as far as i can feel right 'cause what you don't know can haunt you

and all we ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think for a while

don't drag it out living like that doesn't mean a thing

so let's, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars 'cause happy endings hardest to fake

and i wanna let you know i wanna let you go but i just can't bring myself to speak but this is how it goes the end credits, they roll this bridge was built over kerosene but we can watch it and all i ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think

so let's run, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars you can wish away forever but you'll never find a thing like today

[priscirat]

i don't want to go home

[rwby-confess]

Confession #166

[hellogoodbyeitsme]

My theory about Furina is that the girl we know is simply a meka/puppet expertly made to look like the real Furina (we know this is possible with Ei, she has two puppets in her likeness), and the reason Neuvillette HAS to be around her at all times is because she isn't allowed to talk about highly secret topics, unlike the real Furina, down under the opera house, under the Oratrice, powering her Gnosis with the people's belief (in Justice, of which she is the archon). I believe she must be holed up there, possibly buried in research, likely trying to solve the primordial sea crisis without alerting the research institute, and I believe that she was the one who called out to Lyney when he performed his trick.

Neuvillette, as the dragon bound to the hydro archon (I HATE when they throw away these tiny lines that reveal insane lore, like how Celestia stole the dragons' power to give to the archons, which I now believe to be what is stored within the Gnoses. This also informs my idea on what the Tsaritsa is planning, but that's another theory haha) is faithfully taking care of this Meka-Furina and covering for her weaknesses. When she doesn't have clearance to speak on a matter, Neuvillete steps in. When a matter has no bearing on her true, secret work, she is free to act as she wishes (though she does still have a sort-of retainer in Chlorinde, who seems to know plenty more than she lets on). He attends important meetings at her side and rules over the court, responding to the oratrice, in order to keep up appearances while the true archon is trying to solve the crisis. And perhaps, the supposed real Furina is the one calling the oratrice's judgements, instead of it being The People; and when she noticed something off about Childe, she overruled the guiltless charge.

I can't explain the "curse" thing, perhaps it's just tied to the oratrice or the primordial sea, I have yet to know enough about her to figure out the curse's nature, but I think my theory covers a lot of ground otherwise. A meka created only to be a figurehead doesn't need to have any power within it, and as we've seen with Raiden, puppets are capable of having their own personality. In the past I considered Raiden's personality to be the "robot is emotionally cold" trope, but now I think Raiden was created to be strict and unbending on purpose by a grieving woman, as such traits would make her a perfect ruler in the absence of the real one - which also makes her reaction to Wanderer's gentleness make more sense. Rather than "omg why is he crying?? Sweet boy be free! Rip!" it paints a "you and I were not built for this painful world, and I don't wish to hurt a being that feels so softly" painting. That was a tangent, but in any case, The Wanderer, another puppet, also has a unique personality. We know him well, and that he even has his own desires and goals. The Katherines are also unique, even if they have a much lower level of consciousness (?). So why shouldn't a Meka Furina have such a unique, at-odds-with-itself personality, a true facade inside and out?

I had more I wanted to say about this theory but I've suddenly forgotten because I'm SLEEPY thank you for reading I love you goodnight

[commsroom]

i think there's something to be said about what exactly it means to be "non-human" in a story that is as much about humanity as wolf 359 is, where even the dear listeners are defined less by their own perspective and more by what they fail to understand and therefore reflect about the human perspective - to the point that they don't even have their own voices or faces or identities that aren't either given to them or taken from humans. they speak to humanity as a mirror.

even pryce and cutter are "very much humans" - pryce defined by her resentment of and desire to transcend its limitations, and cutter by his aspirations to redefine and create a "better" type of human - and find the idea that they might not be human laughable. it's interesting that they have distinctly transhumanist aspirations when their goal is the narrative opposite of common science fiction fears: that we will expand the definition of humanity so much that we'll lose whatever it is that makes us human. pryce and cutter's transhumanism narrows the definition of humanity to the worthy and the useful, as defined by them; "there will still be a humanity; it'll just be our humanity."

in direct opposition to that, i think it's meaningful that the show instead expands the definition of humanity in ways that include lovelace and hera, who in another show with different themes might be considered (in the descriptive, non-moralistic sense) non-human. i will always make a point of saying that personhood and humanity are two often-related but meaningfully distinct concepts, especially when talking about sci-fi and fantasy. i am talking about humanity.

the question of how hera identifies, and what social pressures influence that, is a complicated one. i've talked about it before and i will talk about again. what's important for the purposes of this post is that i think the show considers her fundamentally human. think about her role in shut up and listen - consider jacobi's lion example and the concept of different paradigms - that even things that are close to humans, comparatively speaking, understand the world in different ways. whatever differences hera may have from the others, it's primarily in experience, not fundamental understanding. she shares their emotions, their concerns, their values, their thought patterns. she has an appreciation for music, which the show considers a hallmark of humanity. she fits within the framework of humanity as the show defines and is, in her own words, left feeling "uneasy" about how difficult it might be to communicate with beings who don't. and it's significant that this takes place in shut up and listen, of all episodes, specifically because the way she is clearly and unambiguously included in the show's understanding of what it means to be human highlights the ways she and lovelace are othered by eiffel's careless comments that suggest otherwise.

(i don't want to get too into these details for this particular post, but it's worth noting that hera will refer to 'humans' as a category, often when she is upset and feeling isolated, but has never said that she 'isn't human' - she has never been upset that people are treating her 'too' human. i've seen it said about the line "you need to get it through your heads that what goes for you doesn't always go for me", but that's a frustration related to ability and safety, not identity. far more often, she will refer to herself in 'human' terms - referring idiomatically to experiences or body parts etc. that she doesn't literally have - and is upset primarily with comments referring to her status as an AI. it does not diminish how being an AI influences her perspective and experience, but again, so much of that is in terms of ability that it feels almost inseparable from a discussion about disability.)

lovelace's humanity and hera's humanity are so interlinked and directly paralleled in the text that i think it's impossible to really argue one of them is "not" human without making implications about the other. in desperate measures, lovelace tells kepler he's "not human" and he responds "you're hilarious. on a multitude of levels." later, defending lovelace against kepler's repeated dehumanization, hera very pointedly uses the phrase "that woman." in out of the loop, hera says she's never met anyone who "worked so hard at being inhuman" as jacobi, who says "what do you know about being human?" hera very emphatically responds, "i know plenty." later, defending hera against jacobi's repeated dehumanization, minkowski pointedly uses the phrase "that woman." with the care taken towards language and the way scenes and turns of phrase will parallel each other, that's not a coincidence. it might seem strange to have the "non-human" characters be the ones to express criticisms based on perceived "humanity" (something hera will do in other contexts as well - "we don't have funerals for animals" etc.) but in the broader context of the show, i think it's the point.

so, whether hera would ever call herself human, or be comfortable with that, is a complicated question for another time and depends on a lot of other factors. but wolf 359 is a show about humanity, it includes her within its definition of what it means to be human, and i wouldn't be comfortable definitively saying she's not human because of that. it can't be a neutral statement within the particular context of this show.

[fatehbaz]

.

[mothbeasts]

i miss posting and making and engaging with ieytd content but I will be honest sometimes it feels alienating. as a lesbian.