#I tend to think of his issues in a different way that's all

[walnutcookie]

I can talk about glisten and looey in the tos au because thats not spoilers giggles. ive been thinkings about them. this isnt about anything specifically im just gonna be yap yap yapping away abt them

since ive been asked before: no ships are canon in this au, but the relationships are intentionally kept vague, so interpret them however youd like! (except for proships.)

FOR CONTEXT: glisten and looey are artists in this au! :] they use silly wacky machines and tools to help them create art, trying to inspire kids to create art themselves while also demonstrating how machines can be useful in the subject of art

glisten and looey mean so much to me aughhfhgh. Two toons who are haunted by how people percieve them. their personalities are so different but i feel like they share a lot of the same insecurities... In most circumstances i dont think theyd ever be close enough to talk about that with each other, but in this au since the toons were born with the one they were paired with, they all have an extremely close bond with their pairings. they were in such a vulnerable state when they were first created but they were there to help one another adjust, and they spend most hours of the day with or near their partner, so they all become pretty inseperable. Because of that, in this au glisten and looey are comfortable talking to each other about their insecurities :] its nice for them to have someone who understands them even if their issues are different

i dont think looey is much of the gossip type, he doesnt do it much with other people but oh BOY when hes with glisten hes a yap machine. they spend hours just yapping about nonsense and drama GNFLFJF painting session and they just yap the whole timeee

They both have issues when it comes to recieving praise for their work - imposter syndrome plagues both of them, and they both feel a little undervalued by guests and their peers for how much effort they put in. glisten tends to put a lot of emphasis on what parts he did specifically in the art he and looey make together. if you insult looeys art he WILL get pissed off and defend his talent, its not that he thinks looey is a bad artist at all but he worries that people will think that looey is a better artist than him and feels like he needs to make sure people know what how skilled he is so that people dont think looey is better than him. There are some underlying competitive feelings but he cant really help it, he knows its not a competiton and tries to fight those thoughts but tis just how his brain works </3. Looey is the opposite of this, where they feel too goofy and unprofessional for his job, and he feels inferior in comparison to glisten whos charismatic and dresses well and talks so confidently about his art ,,, (to specify i dont think one is exactly better than the other! i dont know exactly what their art would look like, im still thinking abt it, but its less that one is better and more that theyre both more skilled in different aspects of art, which is part of why their pieces they work together on look so good.)

glisten does looeys makeup along with his own every morning >:] being a painter hes just good with brushes in general so every morning he wakes up, puts his makeup on, and then puts matching makeup on looey hehehe,,, he dislikes looeys sense of fashion but try as he might he cant help with that part GBDLFNFK. (Looey never likes the clothes glisten dresses them up in, it doesnt feel like him. glisten always has to dress elaborately so he feels professional but looey doesnt feel professional in the Slightest so it feels too fake to dress that way. they feel silly in the Bad Way not the looey silly way)

I think the actual classes they teach would probably have like a bunch of art desks where kids can mess around with a bunch of tools and gadgets to help them make straighter lines and circles and stuff, maybe those cool desk tops that spin yknow... Theyd show off the bigger tech they use to make their own elaborate art too like in the second photo above but maybe theyd also give kids a step-by-step on how to draw one of the toons, similar to the animation studio classes at disneyland if you know what i mean ? I can imagine theyd both be super supportive towards the kids too teehee,, glisten would praise their artwork like it was made by picasso and then looey would jump up and down and call it awesomely terrific. I havent thought much about how each class would work ngl

[wisteria-lodge]

About the gender in hp thing: I know JKR wrote the books wanting the patriarchy to have minimal impact on the world but even through a couple of the metas you wrote you can see that that’s not the case. In your character crying post there’s a clear implication that showing that kind of emotion is a weakness but also that it is not masculine. Equating strength with masculinity is foundational for cultures with strong patriarchies, and this idea infests every other aspect of their lives. Idk because of that and many other reasons I have a very hard time of writing the wizarding world as anything other than a patriarchy

This is a watsonian analysis vs doylist analysis issue.

I 100% do think that JKR went out of her way to really, really downplay the importance of gender in her worldbuilding - and this contributes a lot to the specific feel of the world. You could genderflip, idk. Neville. Snape. Draco. Hermione. McGonagall. and almost no plot elements or character dynamics would change. (Maybe James would bully Severus slightly differently? Idk. He honestly might not.)

Compare HP to something like His Dark Materials, another British fantasy series released at the same time, marketed to the same demographic... in which gender politics are REALLY important. Lyra conforming or not conforming to specific gender norms hugely impacts the way a lot of other characters treat her. So much of Mrs. Coulter's character has to do with how she's navigated the back ways and side avenues into power, because the patriarchy that runs *that* world is extremely explicit and plot relevant, and there's a lot she just can't do.

Now is JKR *good* at writing a gender-blind world? Not really no. So she's stripped out the importance of gender in a fairly surface way, while leaving evidence of the foundations intact. Everyone's a het couple, women take the husband's last name, Molly and Petunia are at home while their husbands work and there's no inverse of that situation, Fleur's father walks her down the aisle at her wedding, it's important that Hermione be able to tame her hair when she wants to, but for Harry it doesn't matter...

There is ALSO the narrative voice poking through and putting its own spin on everything. This is where we start getting judgment (for example) directed both at girls who are too feminine, and at girls who aren't feminine enough. Or sexual assault not really "sticking" if it's directed at boys. We don't have a character talking, in-universe, about how it's wrong for a woman not to want children. We just have a book where the only women who don't have kids (or take care of kids) are villains. Same thing with masculinity = strength = no crying. That's something the narrative framing / bias of the author brings to the table, but it's kept out of the mechanics of the magical world. I guess you could say Harry and Draco equate crying/fainting with weakness (but not explicitly anti-masculinity)... but then Lupin goes out of his way to separate 'fainting' from 'weakness' anyway.

Interestingly, gender is much more baked into the muggle worldbuilding. (Part of why I think leaving that aspect out of the wizarding world was a deliberate choice.) Smeltings is an all-boys school, so is St Brutus.' Dudley teases Harry about his "boyfriend" Cedric, Vernon sizes up Arthur and Mad-Eye by how masculine they are. At the beginning of Book 4, Dudley's diet is this very gendered conflict between Vernon and Petunia, where Vernon doesn't want a "little nancy boy for a son" - and that is one of the only truly gendered insults in the whole series. "Crybaby" almost counts... but the Slytherins tease Hermione for crying too, so idk. They tend to go for pretty gender-neutral insults, like "poor" "unimportant parents" "looks like a chipmunk" ... etc.

Like... I'm trying to imagine a scene were Lucius lays into Draco for not being masculine enough, and I can't. I think that in a canon-compliant fic, a scene like that would feel odd. The conflict would need to be framed more like a "you disgrace the name of Malfoy with your weakness" or "never tell anyone outside the family what you're thinking" or "your believe yourself to be more intelligent than you truly are." Not "you need to man up."

[spanishskulduggery]

Hi! Native Spanish speaker here

Could u explain the difference between Chilean/ Uruguayan-Argentinian Spanish?

I have amigos gringos y estaria bueno explicarles.

Me di cuenta que sabes español así que puedo pedírtelo asi jajaja

Muchas gracias! 🫶🏻

Saludos desde Uruguay 🇺🇾

I'm not even sure where to start, the accent itself is so different even though Chile is very close to everything else

I'm going to list some differences in no particular order as they come to me

-

I think it's because Chilean is a bit of an outlier compared to what they call rioplatense Spanish... like there are similar trends, but it's pronounced differently

The main grammatical difference I've found is that Argentina uses vos for everything - more than tú, more than usted... it's a lot of vos

[Historically a singular vos was quite fancy and the way you addressed nobility and people very politely; the common term of address Vuestra Merced turned into Usted over time. In Spain, vosotros is now plural and informal. But depending on the time period, vos still shows up in historical dramas and fairy tales or things set in medieval times like fantasy. It's my understanding that multiple languages have something similar....... in English, our informal "you" was "thou" tú and "you" was formal, but then "thou" became obsolete]

The voseo in most of South America is usually understood as more intimate and friendly than tú

The big exceptions to this are Argentina and Chile

In Argentina, again, vos is the de facto 2nd person singular pronoun [I believe plural is still ustedes "you all"]

In Chile, vos has a different meaning from what I've been told. It's not vulgar but it's kind of impolite. If you're addressing someone as vos in Chile it can read as "dude" or "bro" almost, it's very familiar and not how you'd want to address someone from the older generations

While Argentina uses vos for everything, Chile uses vos for close friendships or where informality won't cause offense

The other main issue is the conjugation of vos

The majority of South America (including Argentina) conjugate vos like the vosotros form just without the I

...Like vosotros sois "you all are" in Spain then turns to vos sos "you are" in South America; they keep the S, but omit the I

Chilean voseo usually takes that vosotros form but omits the S sound and leaves the I

And so you get something like vosotros habláis "you all speak" turning to vos hablái in Chile [while it would be hablás in Argentina or the rest of Río de la Plata]

The verb that always trips you up with Chile is going to be ser because there are two forms; vos soi but I've more commonly heard vos eri(s)... like I've heard Chilean eri puro blabla which is "you're all talk" but literally "you're all blah blah"

The other one that's a little weird is ir just because of how vosotros normally works

In Spain vosotros id "go" as a command, ve for tú, but then vas for regular rioplatense commands, and then Chile says vai which is like if you tried to say ve but had your mouth way open

Chile (specifically those from lower income backgrounds) tend to omit the S more than most, while the higher income backgrounds or those trying to sound more posh tend to pronounce things more fully

The very informal aspects of Chilean Spanish are associated with the working class, which is probably why it's considered impolite (or maybe uneducated is the better word? it's a class distinction) to use those kinds of pronunciations and vos but it does depend on the area

...

The other weird thing about Chilean Spanish, which is sometimes common in rioplatense Spanish outside of Argentina, is that sometimes people use vos forms with tú as a pronoun

You might see tú eres or tú eri... or tú vas or tú vai

-

And I don't know if it's a thing in Argentina but I see Chilean Spanish sometimes using double reflexive pronouns. I think the common example is that Chilean Spanish might say me voy a irme, where you would typically say/read me voy a ir or voy a irme

Sometimes translations write it a bit differently to imply it's a different and more informal or regional way of saying it; so I've seen me voy a irme get translated as "I'mma head out" or "I'm gonna go" - it's not a 1:1 translation but it does portray that it isn't technically considered "correct" but is understandable

-

The common expression that I had to learn to sort of make sense of it was Chile's ¿Cachai? which is "Got it?" or "Understand?" which is from cachar (in Latin America it's like "to catch" like, "Did you catch that?" both in physical grabbing and understanding, but it's less common outside of Latin America) - it can be used as a filler word, but it is literally like "right?" or "got it?" or "you know what I mean?"

The only other expression I know for Chilean Spanish is qué fome which is "how boring" - I think they still use that

There's more of a generational and class divide in Chile as far as Spanish expressions

In general though, Argentina's accent (and rioplatense in general?) sort of sounds Italian. The Chilean accent is... very hard to understand, there's a lot of unique grammar and the accent is like Italian but more rural to my ears, not in a bad way but to me it sounds like if you were speaking Spanish with a southern drawl almost

...

As far as general vocab, I think Argentina and Chile agree on a lot of the regional words like the word for "car" is el auto which is probably from many German immigrants, they use extrañar for "to miss someone" like most of Latin America

But I do know the one that trips me up constantly is "computer". Spain says el ordenador. Most of Latin America says la computadora. Chile says el computador

Some typical words you should maybe know for Chile:

fome = boring

guagua = baby [from Quechua, I think it's the sound of a baby crying; Caribbean countries sometimes use la guagua for "bus"]

pololo/a = boyfriend, girlfriend

el computador = computer

¿Cachai? = Got it? / Right? / Understand?

el cahuín = gossip [I think it originally meant "party/assembly" for the indigenous people, sort of like in American English you might hear "pow-wow"; but cahuín is when you get together and gossip, so it can also mean "shady business" or "intrigue" or "something sketchy"]

po = (generally means something affirmative; it comes from pues but po is used so often it's like "yup" or "uh huh" or "of course" but can show up at the end of practically any sentence)

hacer perro muerto = "to dine and dash", to eat at a restaurant without paying [lit. "to do a dead dog", the rest of Spanish tends to use hacer un simpá which is from sin pagar "without paying"]

weón / weona = dumbass / dude [informal way to address someone - sometimes an insult sometimes not, kind of impolite, comes from huevón "dumbass", again means "big balls" I think since it's "big egg" and los huevos are slang for testicles]

la wea = thing [it's really comparable to how some countries say la vaina for "thing" - it's informal, it's everywhere, and for some reason it sounds almost rude if you didn't know better]

...

And I know I said it already, but po. No, but seriously po is so Chilean I cannot stress this enough it's just an all around affirmative - I don't know if you can use po wrong, it just shows up at the end of sentences

Also I don't know if Argentina says it but I'm pretty sure Chile uses bacán as "cool" - if I remember right Argentina uses chévere

I think it's common in most of Spanish now, but particularly Argentina/Chile and rioplatense Spanish are known for using chao/chau as "goodbye" since it comes from Italian ciao; this is as opposed to something more formal like adiós or more Anglicized "bye"

Every so often you will hear tschuss or something equivalent in Argentina which is from German as well

Chile tends to share a lot of regionalisms with Peru and Colombia and generally it's like countries that are in the Andes or were connected to the Inca Empire or some of the indigenous tribes

Argentinian Spanish you should maybe know:

che = hey / bro (a go-to word like "hey"... it's a bit like the Chilean po but it usually calls attention to something or it's affirmative; can also be "bro/dude")

el pibe = boy la piba = girl

la mina = chick (usually a girl/woman you don't know the name of; it's not polite but it's not mean)

boludo/a = bro / dumbass, idiot [it can be an insult "has big balls", but it can also just be like... "bro" or "dude"]

And if I remember right the slang term for money here is la plata which is literally "silver"

The main thing about Argentina people talk about is the accent particularly with how they pronounce LL

Spain tends to pronounce LL as if it were LY with a bit of an L sound in there still... Latin America sometimes pronounces it like a full Y/I sound... parts of Central America give it a hard J sound

Argentina gives it a SH sound; so llamar or lluvia can sound like "shamar" or "shuvia" in Argentina

...

Also I think in Argentina you hear la remera for "t-shirt" [lit. "rowing shirt", from el remo "oar" or remar "to row" but sometimes remo "oar" can be "limb" on your body], and Chile says la polera which I think is from "polo shirt"

General Spanish will say la camiseta which is the diminutive of la camisa "shirt/chemise"; in textbooks they typically say la camisa is a "shirt with long sleeves" or a "dress shirt", and la camiseta is "a t-shirt" or informal shirt

And I'm not sure if they both say this, but it's my understanding that they use la frutilla for "strawberry" in rioplatense Spanish; usually it's la fresa

Mexico does this too if I remember right, although for them la fresa means "posh" or "snobby" like it's slang for a rich person or someone who acts fancy. I'm not sure if it also means that in Argentina and Chile

There are also different linguistic quirks of Argentina like lunfardo [regional Italian-inspired words, specifically from Lombardy], or vesre which is... I don't know I'd call it closer to Cockney where words are played with or backwards [revés "backwards/reverse" -> vesre]; like la mujer "woman" is sometimes jermu which is the same word just the syllables are backwards

...

And Chilean Spanish has been called the Quebecois of Spanish; similar enough but also very different and more irreverent in other ways... though to me I find it's probably closer to how English-speakers see Australian English, a little hard to follow sometimes and the accents are very much class-based, where there's a way to sound posh and a way to sound distinctively not posh

Argentina is more like if you had an Italian person speaking Spanish then sprinkled in a bit of German, lots of rising and falling tones, almost lyrical, sometimes like someone is speaking in very fast accent marks (both Spanish and Italian accent marks á then à, just so many rising and falling tones)

[allthebooksandcrannies]

My parents and I have been getting back into Superman and Lois after only seeing the first season as it was coming out, and my mom asked me why I think it doesn't bother me so much when the characters are making objectively rash or illogical decisions/accusations, suggesting maybe it was because I was already so bought into the DC fandom in general that it didn't bother me.

At the time I didn't have an answer for her other than knowing that wasn't the reason, since it definitely does annoy and frustrate me, but I've been thinking about it. Bc yeah, I'm still enjoying the show a lot and am getting more and more into the show, while the last three shows I tried getting into with them, my dad and I both tapped out bc we were cringing too much at the characters choices. So what was different with Superman and Lois?

And I think the answer is Clark.

Not only because there is truth to my mom pointing out how much I love a well-written Superman (and Tyler being my favorite on-screen version of the character), but also bc Clark's usually the member of the main cast making the "best" choices: compartmentalizing in a crisis, prioritizing safety over ego or temporary emotions but also treating emotional health as important and worth occasionally taking careful risks for. He balances the paranoia and coldness of characters like early General Lane by knowing when to put his family and friends first, but he also can put aside the personal when needed, whether that's putting aside a grudge to team up with a former antagonist or being the voice of reason when Lois or one of the boys are making a dangerous or hurtful choice/behavior bc they're caught up in an emotional response.

And when this Clark does mess up, it's usually pretty justified and he still recognizes and apologizes for it without making excuses. And then he actually does better in the future bc he learns from his mistakes, which is so refreshing to see.

The other shows I was struggling to get into, the protagonist was either the problem or just as bad as the other characters with making decisions with easily foreseeable negative consequences for potential little reward, not learning from those mistakes and repeating them, and then acting like the very foreseeable consequences were totally unpredictable and not at all their fault. This makes it really, really hard to get invested in these characters and their shows bc I'm torn between second hand embarrassment and wanting to shout "I told you so" at the screen.

But i CAN root for Superman and Lois's Clark Kent. And the characters who are making choices that feel obviously unwise to me (an adult with adult regulation skills) are usually the teenage characters who are acting in completely age-appropriate ways for teenagers. The teenagers are written exactly like children of their age, with all the short-sightesness, emotional regulation issues, and black-and-white morality that goes with it. And these conflicts and character flaws make the story better bc the writers give them the respect they deserve. Yeah, a teenager is going to think that his first love is going to last forever, and yeah, his adult parents are going to know that's unlikely and immature, and yeah, that doesn't make it any less meaningful to him at that moment. The writers get teenagers and the way that everything is bigger to them bc of their life stage in a way that few shows tend to understand and fully explore, especially among shows not written solely for teens.

[antinousletmehit]

Okay so I just really wanted to know about antinous and his sister's backstory and relationship

What's their bond like? Does he actually care about her under all that attitude? What are there interactions like? Do they work together well? What about their parents?

Idk I just love the way you write, and I'd like an elaboration on them please and thank you :)

I HAVE BEEN ITCHINGGGG FOR SOMEONE TO ASK ME THIS

Okay so basically Antinous sees his sister as a extension to himself. He still cares about her yes, but also he just sees her as another part of himself. Any compliment she gets is a compliment to him, and any insult she gets is an insult to him. But he still cares about a lot more than he can admit.

As for their parents, his father left for war and their mother was very shitty. They lived in poverty and their mother only cared for herself, going as far as to punish those two for anything they did wrong. But since Antinous cares too much for his sister, he took the beatings that were originally his sister’s.

Eventually though, when they grew up a bit I’d say like Antinous was in his early to mid teenage years he took y/n and ran away from his mother’s house. Tiny issue, they were now street rats. Which meant Antinous—being the oldest—had to go out and steal food for him and his sister. (I have a lot of one shots written for when they were younger.)

As for interactions, he tends to spar and play fight with her. He claims it’s to help her with self defense, but it’s really just so he can spend time with her more without seeming weak.

Working together is a bit of a tough one because those two can’t seem to agree on anything, but if there’s a suitor that’s been particularly annoying they’ll set aside their differences, and pull off a string of elaborate pranks to entertain themselves.

Antinous is also VERY protective of his sister and will literally beat any suitor who even THINKS about touching her in anyway, shape, or form.

He’s like a mixture of a shitty but also not shitty brother?? Emotionally speaking he’s terrible at comforting her and often makes it worse, and doesn’t bother to apologize. But protectively he’s willing to fight even a god to keep her safe.

[yujeong]

I know the fandom loves making Pete have low self esteem in the sense of finding himself ugly and unworthy of being Vegas' "boyfriend" (to the point of having seen the tag "Pete's canonical low self esteem issues" in fics), but can I suggest the opposite?

Can we make Vegas feel self conscious about his appearance post canon?

Vegas, who now can't wear the clothes he used to because his scars will be visible, Vegas who now can't ride his bike or drink or party or torture or kill or stay awake all night or FUCK like before, Vegas who finds showering a chore, which leads to him letting his hair turn greasy on his head, who smells, whose breath stinks because he can't get up to brush his teeth, Vegas who now has to expose every single part of his everyday life to the most important person in his life, even the ugly parts, even the disgusting parts that he hates.

How could he bear Pete watch him struggle like this, how is it fair for Pete to have to deal with him unshaven and smelly and rotting in bed all day?

(Vegas, of course, is a huge hypocrite, because he kissed a feverish Pete who hadn't brushed his teeth in days, and found the taste sweeter than any type of candy he's ever eaten, because he ate Pete's ass when it had barely been washed at the safehouse and it was so good he couldn't stop, even after Pete had lost his mind in pleasure, because the black bags under Pete's eyes made him look otherworldly, because he became obsessed with Pete looking sick and tired as he laid next to him on the hospital bed, below all the layers of guilt he felt for putting Pete through hell multiple times.)

Please, please, I need it, and I need Pete to have the most confused look on his face as he hears Vegas whine and obsess over things he deems unimportant, because what Pete wants, what Pete has always wanted, is Vegas in his life, alive and with him.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[jonsnowunemploymentera]

Jon becoming KiTN in Winds (specifically) would actually be bad as far as themes go

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[acrobattack]

i think it’s fun that blossom and buttercup butt heads the most vs brick who targets boomer and more or less gets along swell with butch

[nightingale-prompts]

Lazarus What?!

Phantom pinched the bridge of his nose as he tried to take in what he was just told.

"Explain it one more time. I need to know if I got this right." He said his frustration mounted.

They were standing at the edge of the Lazarus pit. The Ghost hero had been searching for wells formed from ectoplasm on this planet.

"We-" Superman spoke first.

"YOU SAW A BIG FUCKING POOL OF OTHERWORLDY GOO AND DECIDED TO SWIM IN IT?!" Phantom exploded.

"Well, it does heal and revive people," Flash said hidden behind Wonder Woman.

"Well that makes it perfectly safe and healthy for you doesn't it," Danny said sarcastically. "It's not safe at all! You people are just tossing corpses into this thing and think it's a miracle that people come out alive! This stuff is a waste pit made from the leakage from my realm!"

"Waste? Like as in-" Clark's face gritted in disgust.

"Not like human waste but still waste. Our bodies take in new ectoplasm and the old tainted stuff flows out. Like a fish breaths with it's gills. The old material tends to collect in different spots like a dump of toxic waste. And you people are bathing in the used materials." Phantom explained.

"And why is it so dangerous." Batman finally spoke up after considering the information.

Phantom sighed.

"The reason why the goop is bad is because it's tainted. As in it has remnants of the ghosts that expel it. When you dump the corpse of a freshly dead person in the goop it melds with the person giving them the ability to persist beyond death and linking them back to their soul. That sounds good, but the soul is now infected with the random assortment of attributes of the ghosts that are in the goop. It won't do much to you though. Barely affecting you in any negative way. Now if you keep putting bodies in the goop you create a big problem as the ectoplasm is invected with the freshly dead's issues. If someone evil, vengeful, or unbalanced is put in the waters parts of them will stay behind. Constantly using the ectoplasm will cause someone to go insane as it corrupts them. If someone dies painfully enough, it will also persist in the ecto and create a revenant. Like an avenging super soldier hellbent on revenge so their soul can rest. The ectoplasm will also become less potent over time, and eventually, the only thing that can come out is zombies." Phantom tried his best to spell everything out like everyone present were idiots.

"That explains many things." Batman said pinching the bridge of his nose.

"WHAT DO YOU MEAN! ARE YOU TELLING ME YOU ALREADY DID THAT?!" Phantom was turning red now.

[twistedlovelines]

who in the twst cast lets you put a ribbon on it. (Diasomnia, Rollo, Crewel)

NSFW, MDNI, gn! reader <3

(Heartslabyul, Savannaclaw Vers.) (Pomefiore, Ignihyde Vers.) (Octavinelle, Scarabia Vers.)

Diasomnia

Malleus Draconia

Of course he lets you put a ribbon on it. He would raze down entire kingdoms for you. A ribbon is nothing . The moment you mention it, ribbons appear out of thin air, dancing around you in a flurry of the finest silks procured from all across Twisted Wonderland. Whether you prefer a more simple ribbon, or one decorated with gold and jewels, he will offer you all that your imagination could dream of and more. Every single option you choose will be laid on a display with care, and he’ll be surprisingly reverent in doing so.

Genuinely treats this as an act of courtship and treasures the act of you tying the ribbon around your cock with such delicacy and tenderness. Every brush against his skin sends a heightened sense of pleasure through his body- more so than usual. The slipperiness of the silk is simply divine against his skin, but frankly, your touch is what brings him over the edge. 

Silver

Oh? He’s never really hard about putting ribbons on one’s cock, but he doesn't feel super strongly about it either way when you mention it. He does have experience making flower crowns, though, so if you want to do a styled pattern on the ribbon or want to do a particular type of knot, he’ll do his best to help! The skin of his cock does tend to be sensitive, so take care not to use a bow made of polyester; otherwise, he’ll be overstimulated and not in the fun way :(

He may or may not fall asleep with the ribbon on. It just feels so soft and nice against his skin…as aroused as he is, the caress of the fabric lulls him to the waiting arms of sleep. However, if you took precautions and worked him up a fair bit beforehand, he enjoys the added sensation of the ribbon combined with your own hand <33 Slightly tightening the bow while he’s temporarily dazed works wonders- the sudden constriction jolts him awake and makes him want to chase this pleasure until he’s spent.

Sebek Zigvolt

He’s so bewildered when you mention it to him. It reminds him of the tales Lilia told him, where royalty and maidens alike would grant knights their favor with a ribbon or handkerchief…hearing of a similar tradition in a sexual context makes him incredibly flustered. He will ask if this is an odd human courting ritual of yours. (He’s disappointed when you say it isn’t . Just a little .)

Put in so much time searching for a ribbon after you mention it tbh. It’s special to him, even if you had only brought it up as a passing interest. Of course he’s going to find one that’s made with enchanted silk, one that’s been created by nothing but one of the best. (He may ask Lilia for help in this area, as the older fae is likely to have expertise in fabrics and whatnot). When it’s actually tied around him, he feels as if his soul is going to leave his body. The soft, act of possession as you tie a ribbon around his cock make him incredibly weak, and he’s practically putty under your hands for the rest of the night <3

Lilia Vanrouge

Oh he’s having fun. He has plenty of ribbons from when he was experimenting with different fashion styles, so you’ll have a fair share to choose from!! From ribbons with frayed edges to ones with fine embroidery, the only issue you might find is having to untangle them all and pick out which one you like best ^^; He even offers a few suggestions that are more in-depth than you’d expect…

If you can’t choose one, he offers that you try multiple in one night (or even in one round!). Why not try all that you can in order to experience this kink to the fullest? I don’t think he has a particular preference for any particular fabric, although he does seem to gravitate towards ribbons that have more lace and textures to them! Will most definitely bring it up again whenever the craving strikes, and will have absolutely no shame in asking if he could do the same to you <3

Misc.

Rollo Flamme

Oh. Oh dear. He becomes incredibly fond of the thought even as he vehemently scolds you for having such perverted thoughts about him. He already carries around a handkerchief with your signature scent on it, of course he would want you to claim him properly as well. Despite this, he can’t help but feel flustered and ashamed. To do something so lewd in such a loving manner…he can’t contain how incredibly horny that makes him.

He’ll spend time with you picking out a ribbon, though he already has one in mind. One of classic silk with a bit of a lace trim- there’s simply no other ribbon that could do. When you finally tie it around his cock, it takes all of his might to not cum on the spot. The sheer intimacy of the moment overwhelms him, and he can’t help but want to have your touch engulf him wholly as he succumbs to your desires. 

Divus Crewel

You want to tie a ribbon around him? You better understand what a commitment that is, pup. He typically prefers to dom in the bedroom, and you wanting to collar him (in a sense) is quite the intimate proposition. If you ask this of him, he takes it all rather seriously. Taking you to specialty boutiques to pick out a ribbon that would symbolize your bond best, to lending you a book detailing different types of bows and styles one can decorate their lover’s cock with. 

He’s patient throughout the whole ordeal, watching your every move with bated breath. Every single loop the ribbon makes around his cock, every knot you make…he engraves every movement in his mind as he feels pre-cum drip over the edges of the luxurious fabric…He will pay back the pleasure that you will draw from him tenfold <3

a/n: Thank you for reading the final installment of my "who in the twst cast lets you put a bow on it" series! If you have any ideas you want me to elaborate on, feel free to stop in my inbox <3

[barleyo]

Consequence.

Adoptive Dad! Enji Todoroki X Fem! Reader (smut)

A/N: nobody asked for this but idc :3 i wrote this as a b-day present for myself!! i luv this old abusive man so bad oh my god!!! nasty old man who tries to be good but fails so miserably :3 old man who is just MEANT to be awful and abusive and gross!! luv it!!! i wanted to do a full on incest fic w him but idk if anybody would be interested >_< just let me know!!

Tags: adoptive-incest (daddy-daughter), age gap (18-50s), p in v, purity, sexual abuse mentions, loss of virginity, allusions to physical abuse, size difference, creampie, gross nasty stuff in general

Wordcount: 1.6k

Once all of his kids had given him a final 'fuck you' and left him on his own, Enji felt the pressure of loneliness crash down on him. Being on top in the hero rankings was worthless to him when he came home to an empty house. Every second he sat alone in his house, he realized that it was simply too big for just one man. It had never been a home, only a house where a fragmented family resided. Only once his kids fled did that realization hit him. 

He needed to fill the space and quick, and more than that, he needed to start over. He wanted to redeem himself somehow. Whole new family for a whole new man. 

But dating was hard at his age, and all the decent women were taken. Only fame-chasing whores were interested in him at this point, and he couldn't blame them. What the hell else did he have to offer? No woman would want to be with a tired, emotionally constipated, divorced, middle-aged man. Nor would any want to have kids with one, especially not at his age. 

Adoption it was. Simple enough. Plenty of kids in the system. Plenty of needy little brats that could benefit from his new-found, new-wave parenting tactics that he read up on in his abundant spare time. 'Don't abuse your kids.' Who would've thought it? Crazy. 'Top ten reasons why your kids won't visit you when you're in the nursing home.' Well, shit. 

He knew he had to go older. He would be absolutely damned if he would take in a toddler, or worse, a tween. He wasn't ready to raise anyone— he needed something already broken in for the most part. 

17? Yeah, that should be fine. He could do that. Old enough to take care of itself for the most part. Another body in the house was what he needed, not another responsibility. A girl? Yeah. Girls were supposed to be easier, right? Girls are sweet and grateful, always considerate and willing to help out. Girls are gentle and tender. 

Just his luck. He got the most clingy girl the foster care system had to offer. It was, at most, a bit irritating for the first few days when you were skittish and nervous around him all the time, but he understood. The problems occurred when you started to get comfortable.

He thought he wanted an affectionate little thing, especially considering the radio silence he received from his biological children, but this was just too much. Wherever he was, you needed to be. All day, all night. Twenty four hours a day, seven days a week, excluding when he was on patrol. 

Enji knew that adopted kids tended to have abandonment issues, or whatever, but did you have to be such a damn velcro child? It was cute, in a way, the first year or so of your stay with him. He kinda liked it, having some positive attention finally turned his way, but at a certain point it was just too much. 

Like when you turned 18 and decided that sleeping alone was no longer an option. Of course, he gave in. He tried to argue back, but the threat of tears from you was too much for his now mended heart. He was trying to change, damn it. He couldn't possibly not give you everything you ever asked for. 

'Oh, what's that? Sleeping in daddy's bed isn't enough? He has to spoon with you until you fall asleep? Honey, do you really think—? No, no, don't cry. Okay, okay, I'll do it.'

Or when spooning wasn't enough, and you needed to be massaged before falling asleep in Enji's arms, taking up his bed like nobody's business. 

'What's wrong, baby? Daddy's already rubbing your back, what else do you want? Touch you where? Baby— okay, since you said please.'

Every night, his thick fingers ran tight circles over your clit, strong arms holding you tight while you flailed and wriggled against him. You never seemed to get used to his touch. It was just too good. He split you open with his index and middle, curling into the spot you couldn't quite reach on your own. Every night, like clockwork. 

But, of course, you, the mouse who was given a cookie, asked for more. Fingers weren't enough. You needed more from daddy. Sleep didn't come easily enough for you after his skilled touches. You whined for him after every exchange, but he just couldn't give you what you wanted.

Daddy would do almost anything for his baby, anything you asked! Hell, if it made you happy, if it helped to ease the guilt he carried from his older four screw ups, why not? If it helped to mend the hole he created in his own heart, he'd pepper you in every kiss and suck and touch you as much as you wanted him to, but—

he really didn't think he could deflower you. 

The idea was too much, way too much. Kind of hypocritical of him. Finger banging and slurping on his adoptive daughter was well and good enough, but playing a little game of 'just the tip' was a line he didn't know if he could cross. 

It was tempting, and every time he turned you down he felt like a real douchebag, but he didn't trust himself with you. You were so small. He was anything but gentle. He had broken enough of his kids in other ways, he didn't exactly want to add to the score. 

Your cunt was swollen and drooling after your near nightly ritual with Enji. Crawl up into his bed, whine, scratch at him and beg for his sweet touch. You always got what you wanted, except for one thing.

"Why not?" you whined, gripping onto his forearm as he curled his fingers into you from his spot behind you, lazily acting as your big spoon. 

"This is enough." His teeth were gritted softly, trying to hold himself back. "You cum like this just fine."

You let your mouth hang open, shuddering silently at how he seemed to speed up and abuse your g-spot. "Not enough," you were finally able to make out, legs clenching in an attempt to force him to stop. 

Enji huffed, ignoring your whiny excuse. He hated when you locked him out like this, trying to keep your cunt from him like some type of half-assed punishment. Moving your legs back open, spread even further now, he continued fingering you with the same brutal, forceful pace. 

"You're being bratty, baby. I don't appreciate when you act like that," he said simply, looking down at your convulsing body. 

"You always say that," you said, pushing his arm as you tried to squirm away from him to pout. "You don't wanna 'cause you don't love me. Don't wanna get close t'me." 

That was his final straw. He had been holding himself back for your sake, but he could not handle the hurt tone in your voice, even if he knew you were faking just to get him to bite. 

He pulled his fingers out of your hole and pushed them into your mouth, stuffing the digits down your throat. He slipped his girthy cock out of his boxers, jamming the wide tip into your needy warmth. 

"You know that is not true," Enji said, already fucking into you without regard to how you were almost too tight. He'd fix that. Make you fit like a glove soon enough. "I spoil you enough, and you still want more?"

You moaned, sound coming out muffled from his fingers blocking your words. He pulled them out, strings of saliva coating your cheek as he brought his hand back to your clit. 

"Jus' wanna be closer to you 'nd feel you."

He scoffed, pushing down on your clit with too much force, bringing you to the edge of climax already. 

"No, you're a spoiled brat. I give you too much," he said, not meaning a damn word that came from his mouth. "Got used to getting whatever you want, huh? Selfish little pussy taking everything it can get." 

The pure euphoria you get from him being rough with you for once is unmatched. Daddy gave you what you wanted all the time, and you liked it, but he was too gentle with it. Like he was scared to mess up or make a mistake (again). You needed him to correct you, you'd wanted him to fuck some sense into you for so long.

You clenched the silky sheets on the bed, hands trembling while he pounding into you, hips cramming against yours spastically. 

God, he was ashamed. 

Not because he was fucking his daughter, hell, he came this far without problem. He just usually was much better in bed. Your gasps and shaky moans did little to appease him. Any other time, he'd be composed and sophisticated with his strokes, but he was sloppy and needy now. 

His cock kicked inside of you, twitching when he spilled his seed. He was so caught up in his own embarrassment that he hadn't realized how dangerously close he had gotten. 

"Daddy, did you—?"

Your question was interrupted by his hand covering your mouth, unstable thrusts continuing to fill your senses. You couldn't care that he came in you when he made you feel this good.

While your legs shook and your pussy gushed, one thing was made very apparent to both you and Enji:

This was the first time he let himself go and fucked you, but it would definitely not be the last.

[sukifoof-art]

heres a silly little post pacifist au i've had for a Good While now which is why i tend to draw hyperdeath asriel and frisk being siblings a lot theres some Info under the cut if ur curious

OKAY SO BASICALLY i like to imagine that after leaving the underground flowey is able to come to terms with. Being Flowey and through therapy learns how to be more open and frisk and papyrus help him a lot through this. i think toriel already Knows hes flowey just cuz of the way he acts shes like "i dont know how. but that is my son boy." and one day he comes home from therapy and goes I Need To Tell You Something. I Am Asriel. and he braces for the way she reacted in the underground but this time around she just goes "im so glad you finally feel comfortable telling me" and they both cry it out

as flowey becomes more comfortable with being himself he starts to mess around with his face to prank frisk cuz he just NEEDS to be an annoying older brother and after he works out his various issues and can see himself more as he is an not there being a clear distinction between asriel and flowey in his brain (ive talked about this a lot i think he sees asriel as different from him cuz of trauma and therapy will help him kind of calm down and go "im still me im just different and older now and also traumatized but despite everything its still me") i think he would be able to make himself look like hyperdeath asriel as its what he feels most comfortable looking like

he still goes by flowey and he moves around like flowey but when hes just standing there he needs a cane both cuz i imagine it kinda hurts and he doesnt have good balance. i like to think that despite being a weird grumpy guy who sits at home all day cuz hes not ready to interact with lots of people yet hes actually a very good brother who cares a lot about frisk and the people around him <3 big brother flowey SO real btw ask to tag if needed

[joelscruff]

imperfect for you (joel miller x f!reader)

masterlist | a/n written for @janaispunk's 1500 kisses challenge! i got joel + nose kisses with this lovely moodboard and actually managed to write something!!! believe it or not this started out as a drabble lmao. i hope you like it jana - sorry it's a bit late, and congrats again on your milestone 🤍 summary: you never thought joel miller would accidentally call you baby. warnings: age gap (joel is mid 40s, reader is 23), fluff, very brief instance of blood, tending to a wound, joel is eepy, soft kisses, cuddles word count: 5.5k ao3 dividers by @saradika-graphics

"When's the last time you slept?"

He doesn't bother to grace you with an answer, hands clenched on the steering wheel as you barrel down the vacant stretch of highway back to Lincoln. He's been ignoring you for the past fifteen minutes now, eyes straight ahead, brow furrowed, jaw clenched. But he looks pale, almost sickly, the whites of his knuckles stark against the sudden greenish hue of his skin. The last thing you need is for him to pass out and for the two of you to crash into a damn ditch.

"I'm just saying," you continue with an exasperated sigh, "I could drive the rest of the way, we're almost there."

No reply. You roll your eyes and cross your arms indignantly in the passenger seat, returning his icy demeanor. He's in one of his moods again, the ones only Tess really knows how to handle, but you'd volunteered to try your hand at a supply run in her stead which means she's not here to mediate. You should've known some issue would arise, stubborn Joel inventing problems in typical Joel fashion.

"You could've tried to last at least one more hour pretending to like me," you mutter, loud enough for him to hear. He doesn't say anything.

Almost a year of working with them now, and you still don't understand him. You're not sure you ever will. Tess, she's much easier to understand, much more open to being understood. She'd seen your potential and taken you under her wing, brought you in to help, taught you everything you needed to know about smuggling. And Joel... well, he's a different story.

"You know, Tess thinks I have promise," you continue anyway, expression crumpling into a scowl, "She thinks I can do this. I don't get why you don't."

No answer.

"And don't say it's 'cause I'm a kid, because I'm not. I'm twenty three now, I'm past the point of being called a fucking kid. The shit I've seen in that QZ-" you cut yourself off, shaking your head, "I'm not a kid."

His lack of response is beginning to hurt deeper than you'd really like to admit. You glance over at him again; he's still staring straight ahead, still ignoring your presence. It makes unwanted tears prick in your eyes, nose stinging a little as you peer down at your lap and fold your hands together.

You'd been excited for this supply run, probably against your better judgement. You'd wanted to show him how much you know and understand, how hard you've been working, how you're up to the task. Hoped maybe he'd give you a smile - rare, but not impossible - and tell you that you did good, that he sees potential in you too.

You care what he thinks, almost more than what Tess thinks. And you know why, can sense it deep in the pit of your stomach and in the way your heart stutters when he looks at you, but you're clearly living in a fantasy world if you think he's ever gonna get past whatever this stigma is that he has against your age. She's too young, Tess. She'll get hurt, Tess. She shouldn't be doin' this, Tess. You've heard it all, muffled through closed doors in a dark and damp hallway.

He doesn't want you, and you're not sure how much longer you can go on like this. If he's not willing to change his stance, view you as anything other than an inconvenience...maybe Tess will have to find somebody else to help out.

"I know what I'm doing," you mumble, a tear dribbling down your left cheek, "I just wanna help."

You spare him one more look, fruitlessly hoping that maybe he'll feel bad now that he's made you cry - a childish thought, considering you're trying to make a case for being mature, but you can't help it. You know he's capable of being gentle, of being kind. You've experienced it with him before, quiet moments between the two of you in his apartment while waiting for Tess to return, making small talk, him peering at you with a softness in those brown eyes that have since made frequent appearances in your dreams. Moments where you swear you felt wanted under that gaze, but it must've been in your head, because you certainly don't feel wanted right now.

He doesn't look well, you have to admit. His skin is covered in a sheen of sweat, getting paler by the second, turning an unnatural grey color akin to some of the hair on his head. His eyes are glassy, dark bags settled beneath them that you've noticed getting worse and worse over the past few weeks. You shoot a glance at his hands again and are surprised to see that he's loosened his grip, that his fingers seem to be trembling against the rubber.

"Joel," you say, raising your voice a bit, "Joel, are you okay?"

His lack of response no longer angers you - it worries you. Carefully, you reach over and slowly wrap your hand around his right wrist, eyes trained on his face. At your touch, he finally turns to look at you, almost like he's only just noticed you're even there.

"You say somethin'?" he asks, voice raspy, a bit slurred.

Your grip tightens on his wrist, "I think you should stop the car."

He looks at you curiously, dazedly. It's the expression of a man who's running on two, maybe three hours of sleep in the last few days. You choose your next words carefully, eyes flickering back and forth toward his face and the road that he's suddenly no longer watching.

"Let's slow down a bit," you murmur, thumb stroking gently along his skin - he's warm, warmer than normal - "I'm gonna drive the rest of the way, okay?"

You expect some pushback, an attempt at an argument, but the tiredness is setting in quickly. Without any hesitation he eases his foot off the gas and you hurriedly reach your own leg over into his space to push down on the brake. He doesn't seem to notice the way your bare leg brushes his jeans, the crease in your knee bending over the warmth of his thigh.

"There we go," you say softly, bringing the car to a slow stop. He's still looking at you, eyes unfocused as you carefully lean over a little more to unbuckle his seatbelt. You try to ignore how good he smells, how big he is compared to you, putting all your attention on getting him out of the front seat. You unlock his door and then unbuckle your own belt, hurrying out of the car to his side.

"M'okay," he mumbles as soon as you open his door. You start to help him out, and you think he's becoming a little more aware of the situation now, allowing you to pull him to his feet as you tug open the back door. "What's happenin'?"

"You're just tired," you tell him softly, "It's okay, you can sleep in the back, I'll drive."

"Bill n' Frank's," he says as you lead him the right way, pushing him a little and helping him place his knee down on the seat, "Y'know where it is? You remember?"

"I do," you tell him confidently, your hand coming down to press flat against his back - he's so solid, heat radiating against your palm, "Only twenty minutes away now, I got it. You just sleep."

He doesn't argue; in fact, he makes your job easier by crawling onto the seat and settling down with a low groan, rolling onto his back and breathing deeply. You can't help but let a small smile cross your features, watching as one of his hands comes up to rest atop his belly, the other dangling onto the floor. His eyelashes flutter a little, lips parting, and you're about to shut the door when he speaks again.

"I know you jus' wanna help, baby."

You stand there for a moment just staring at him, confusion racing through your thoughts. Goosebumps rise on your flesh as the last word repeats like a mantra in your head, steady and slow as Joel drifts off. It's only when the door is shut and you're in the front seat that you're able to put some meaning to the words, eyes wide as you stare at the faded lines on the road.

I know what I'm doing, you'd said, I just wanna help.

You leave him in the car when you get to Bill and Frank's, typing in the gate code with a backward glance at his loose form in the backseat. They must see him on one of the security monitors, because as soon as the doors open you spot them sprinting out of the house toward you, a scanner gripped in Bill's hand. Typical.

"He's okay," you tell them as soon as you're out of the car, instantly alleviating their stress, "He's just exhausted, I think he needs to sleep for a little while."

"Understatement of the century," Frank replies with a relieved laugh, eyeing the backseat, "Think we can get him in the house?"

"Just leave him in the car," Bill says with a wave of his hand, already turning to head back towards the house with the scanner hanging out of his pocket, "He'll be fine."

Your gaze meets Frank's and he rolls his eyes, "Come on, baby, let's get him upstairs." Your brows go up at the pet name, the same word that had fallen from Joel's lips only twenty minutes ago, but then Bill is shuffling back over with an annoyed look on his face and you quickly realize he's not talking to you.

Getting Joel out of the car proves to be a lot more difficult than getting him in. You try a gentle approach at first, brushing his arm and stroking his skin with your thumb again like you'd done earlier. You can feel Frank's eyes on you as you squeeze Joel's bicep, his wrist, his thigh, and you pretend you don't see the look that passes between him and Bill as you step out to let them take a turn.

Bill goes for a much more aggressive approach, shaking Joel's shoulders wildly and practically yanking him out of the car. Understandably, Joel wakes with a gasp and kicks his legs out, hand reaching for his pistol as he frantically tries to escape Bill's grasp. Before he can grab it though, he's suddenly falling forward, knees buckling as he faceplants onto the pavement beside the car.

Well, that certainly wakes him up. His hands press into the gravel and his head shoots up, blood trickling down his nose as he peers up at the three of you, stunned.

"Oh, for fuck's sake, Bill," Frank groans.

"That was not my fault."

Ignoring them, you kneel down and gently touch Joel's shoulder, a concerned look on your face as you eye the splattered blood on the ground, "Fuck, are you okay?"

"What in the hell is goin' on?" he groans, turning to look at you, "Did Bill just break my fuckin' nose?"

"Don't be dramatic," Bill barks, spinning on the spot and heading into the house, "Shoulda just left you in the car."

Joel starts scrambling after him, rising up and standing on wobbly legs, hand reaching for his pistol once again. You and Frank grab him before he can do anything, both of you taking an arm and holding him back.

"Joel, you're exhausted," you tell him quickly, utilizing all your strength, "You just need to lay down. Please."

He turns his face to look at you and something flutters in your chest when you catch the way his eyes soften, the anger in his expression fading as he acknowledges your presence. You can vaguely make out Frank watching the two of you in your periphery, but you try your best to ignore it, instead opting to give Joel a reassuring smile.

"Let's just get you cleaned up, okay?"

You're grateful that Frank leaves you alone with Joel to tend to his nose. You've only met him a handful of times, but each time he'd somehow been able to clock the way you interact with Joel, the way you look at him. The last time you'd been here he'd subtly pulled you aside to give you a few words of wisdom.

"You do realize he's extremely unavailable, right?"

"I- I don't know what you're talking about."

He'd smiled, tapped his nose and given you a knowing look, "And I don't just mean because of Tess. That man is emotionally constipated, kiddo. He's an island." He'd laughed then at your confused expression, shaking his head, "Just be careful, s'all I'm saying."

You'd gone to walk away, forget the conversation even happened, when he'd softly called after you:

"And I'm pretty sure Tess would hang your head on her wall."

You think of those words now as you stand in front of Joel in the small bathroom off the landing, lip between your teeth as you eye the cut on his nose. It isn't broken, thank fuck, but you can see some dirt and gravel in there that you need to clean out.

"It's not broken," you tell him softly. He's sitting on the edge of the bath tub, peering up at you with a much more alert expression. The fall definitely woke him up, not to mention the choice words he and Bill had thrown at each other as you and Frank helped him up the stairs. He's still exhausted though, and he needs to rest.

"I know it's not," he grumbles, "Just wanted to give Bill a piece of my mind for once."

You laugh softly as you reach for the damp cloth beside you, bringing it up to carefully pat it against the gash on the bridge of his nose. You can feel his eyes on you, watching and assessing as you do your best to wipe the area clean.

"I can do that myself," he murmurs.

"I just wanna help," you say quietly, and your eyes fall to his in a knowing glance. He doesn't seem to remember though, just nods and lets you carry on.

It's rare for you to be this alone with him. And by that, you mean this far from Tess. You're painfully aware that it would be impossible for her to walk in at any moment, to see the way you're standing over him, touching him. Frank's words from last time echo in your head but you're not quite sure you believe them; would she really be that angry if she knew how you felt about Joel? It's not like he'd return it, right? The man is twenty years your senior and, as Frank said, extremely unavailable. Not to mention Tess and Joel's relationship has been a point of confusion to you for a year now, still unsure exactly what they are to each other - would she really care?

You reach for the antiseptic - one of the many perks of having an injury in a supply house - and carefully dab some onto the cloth. Your hand trembles a bit as you reach up to carefully hold Joel's chin, your thumb getting lost in his greying beard.

"You haven't shaved in a while," you breathe, your eyes meeting his, and you wonder if you've already crossed a line by even noticing.

He doesn't seem to mind though, sighing deeply, "I haven't slept in a while, so let's hurry this up," he eyes the cloth, "Don't gotta warn me, just do it."

His words bring you back to the present, and you slowly ease the cloth down onto his cut. He hisses a bit, a normal reaction, but it only takes a few seconds to clean and then you're already reaching for a bandage, reluctantly letting go of his chin.

"I was worried about you, before. In the car," you tell him softly, unpeeling the adhesive, "Why haven't you been sleeping?"

His eyes fall to the floor, "I just don't sleep good. Never have."

"Is there anything I can do?"

He shrugs, gives you a humorless laugh, "Handful o' pills and a couple sips o' whiskey usually does the trick."

It makes sense, then, why these past few weeks he's seemed worse. It's been longer than usual since your last supply run and the three of you had started running out of vital supplies over a week ago now, not only for buyers but for yourselves. Joel had written whiskey near the top of the latter list, along with hydromorphone which he'd underlined several times.

"You should've told me you weren't feeling well," you murmur, applying the bandage carefully, "I could've driven the whole way."

"Could've, should've," he dismisses you with a grunt, "Doesn't matter now, does it? We got here, that's what counts."

You linger a little longer than you should on the bandage, thumb falling to gently trace the crease of his nose as you assess your work. It might scar, but it feels pointless to voice this - he already has so many, scattered across his face and neck like confetti. It hurts a little, knowing he's been through so much, seeing the evidence written all over him.

"My mom had this superstition," you tell him softly, a smile playing at your lips as you trace one of the scars under his eye, soft and delicate, "Whenever I got hurt, skinned my knee or busted my elbow playing, she'd bandage me up and then kiss it. She said a kiss would seal her love in there, keep me safe and protected. And if it scarred, that meant it worked."

He blinks at you, expression faltering a bit, "That's...that's a nice thought."

You shake your head, "It's silly, and not true. But... but I still do it anyway, even though she's gone. Just in case," you bite your lip, "I mean, who doesn't wanna feel a little more safe? A little more protected?"

Your gazes lock, and neither of you seem to move, caught in the stillness of the moment and the way your thumb is still stroking his face. You know you have limited time, maybe a few seconds before he breaks it, so without much thought at all you lean down and lightly press your lips to the bandage, eyes closed.

He inhales sharply, a sound that triggers butterflies in your tummy as you hold your mouth against his nose, soft and sweet. It's the closest you've ever been to him, even if you're kissing gauze and not skin - you can still feel the warmth radiating from him, sense the way he freezes below you. A squeaking sound pierces the silence, his hand squeezing the edge of the bath tub tightly. It startles you, your eyes blinking open as you pull back to look at him.

His cheeks are tinged pink, eyelids heavy as he peers up at you with slow blinks.

"You're tired," you breathe, unable to stop your hand from flitting to his hair, pushing a little behind his ear, "Let's get you to bed."

The Joel Miller in Bill and Frank's guest room is not the Joel Miller you thought you knew.

This Joel is loose, pliant. He lets you lead him into the bedroom with a hand on his back, lets you carefully turn him on the spot to reach up and undo the buttons on his flannel. Frank had told you on your way up to make sure Joel didn't get blood on the sheets, so you're only following orders, only doing what you were told.

"Sorry," you murmur softly, fingers shaking every so often as they toy with the buttons, sticky with his blood. Joel doesn't seem to notice though, retreating more and more into the sleepy state he'd been in earlier.

Once his flannel is off you assess his t-shirt and jeans, and you're not sure how to feel about the fact that they didn't get dirty in the fall. On the other hand, though, you're not sure you'd have been brave enough to take them off. Instead you help him toward the bed, pull back the sheets and carefully push him ahead.

"There you go," you whisper, helping him under the covers and pulling the blankets back over him. The sun is streaming through the window, casting the golden light of early evening across the bed, and while it's quite beautiful you shut the curtains anyway, knowing he'll sleep better in darkness. When you turn back around, he's already fallen asleep, lips parted, face peaceful. A different man.

You don't linger, even though you want to.

It's around ten o'clock when you decide to check on him again. You'd watched a movie with Bill and Frank, feeling more than a little unwelcome as Bill tossed you a few dirty looks every so often, though Frank repeatedly told you to ignore him. Now they're in bed downstairs while you pad from your own room across the hall to Joel's, turning the knob carefully. The hinges squeak a little as you open it and you wince.

"Who's there?" you hear Joel grumble from the bed. So much for just taking a peek.

"Me, just me." You push the door wider and walk inside, eyebrows going up when Joel turns on the bedside lamp. He seems a little more rested, although you know he still needs a full night's sleep. "I sent a message to Tess through the radio to let her know we're not coming back tonight - well, Frank did. Picked a song called Tomorrow or something like that."

"Hope it was the Johnny Mathis version," he mumbles, and you watch as he brings his hands up to rub across his face. He accidentally dismantles the bandage and you step forward without really thinking, hurrying to his side and reaching down to fix it.

His hand comes up to grab yours and you freeze in place.

"I can do it," he says, giving you a curt look and then releasing your hand to adjust the gauze himself.

Well, you suppose lax and sleepy Joel couldn't stick around forever. You stand awkwardly by the side of the bed, toying with the edge of the blanket as he rubs his eyes and sits up a little, leaning back against the headboard. He looks so much older in this light; you can see the little flecks of grey in his beard and hair that have been starting to get more noticeable lately, the crows feet, the wrinkles.

He's so handsome.

He turns to look at you with a frown, as if he's only just realizing what you said, "We can go back tonight, I'm fine."

"You're not and you know it. Besides, it's already past ten and now I'm tired, I won't be able to drive."

"I can drive."

"Joel," you surprise yourself by sitting down on the edge of the bed, narrowing your brow as you give him a serious look, "You can't drive. You almost fucking killed us both."

"No I-"

"Yes you did," your tone is firm, suddenly angry - are you angry? - "If I hadn't been talking to you, if I hadn't noticed something was wrong, you would've driven us off the damn road."

He goes quiet at that, frown deepening, the lines on his face more prominent in the low lamplight. You sigh, eyes falling to rest on where your hand is settled on the bed, only inches from his. Part of you wants to reach out and touch, feel the warmth of his skin, the rough of his palm - the other part decides to do something even more stupid.

"You called me baby."

It's out of your mouth before you've even really acknowledged it, and once the words have tumbled out you know there's no taking them back. Your gaze snaps back up to his, slightly surprised to see that he doesn't seem very shocked by your admission.

He clears his throat a little, averting his gaze and shuffling a bit under the covers, "Did I?"

"...Yeah."

You think maybe he'll say something else - anything else - but he doesn't. God, it really is like pulling teeth with him; he's so fucking beautiful but so impossible, never being able to expand on something unless prompted, never being able to answer a single question without jerking you around first. How the fuck has Tess managed to deal with it for so long?

The thought of Tess sends a wave of guilt through your body, Frank's words echoing in your head, but you shove it down.

"What made you... I mean why..." your voice is soft, apprehensive and shy in the quiet of the bedroom, "why'd you call me baby?"

A beat of silence. Then-

"Don't ask me that."

The mood has shifted, your sudden anger ebbing and his annoyance fading into something else, something on the brink of being real. He's avoiding your eyes, peering at the window with the curtains drawn and tapping his fingers anxiously against the mattress, so close to your hand. He's nervous; you're making him nervous.

You stay silent, hoping he'll speak again, hoping maybe just this one time he'll tell you what he's thinking.

"I don't know why."

The words are barely a whisper, almost like he's telling you a secret, and he leaves them hanging in the air briefly before amending - "Well," he sighs and finally looks at you, an emotion you can't place crossing his features, "that's not true. But... I didn't mean - fuck, I was passin' out, for Christ's sake, I didn't realize-"

He cuts himself off again, raising his hand up to press his fingers to the bridge of his nose, briefly forgetting the bandage. He winces when he comes in contact with the gauze, "Can I take this off? It's drivin' me fuckin' crazy."

"Let me do it," you say quietly, inching forward on the bed and reaching for his face. He flinches when you go to touch him, and your hand freezes mid-air.

"Sorry," he mutters, shaking his head like he's shaking off a sensation, a chill, "Go ahead."

With careful - and slightly trembling - fingers, you remove the bandage from his nose. It looks much better than before, no fresh blood in sight, and you suppose it's okay for him to keep it uncovered for the night. Without really thinking about it you gently thumb the side of his nose just shy of the cut, the tips of your other fingers brushing against his cheek.

"It's not too bad," you murmur, and before you know it you're suddenly cupping his jaw, feeling the weight of it in your palm. Your gaze falls to his lips, your thoughts going a mile a minute.

You realize you're close enough that you could kiss him, if you really wanted to. If he really wanted to. All it would take is one small movement, one little push from the both of you, one leap of faith...

And then he whispers your name, almost a warning, and it's like his thoughts are mirroring yours - like he can see exactly what you're picturing, wishing for. Your eyes meet his and you feel a flutter in your stomach when you see the way he's looking at you, a quiet hunger hidden in the deep brown.

You decide to test the waters. You lean in and softly press another kiss to his nose, this time without the gauze in the way. Just like you'd thought, his skin is hot under your lips, soft but scarred, and his smell - god, he smells so masculine and safe, invading your senses as your lips trail downwards to press a small kiss to his cupid's bow, then another to the corner of his mouth. It's sharp, prickly from his scruff, but it doesn't bother you in the slightest - in fact, you kind of like the dull pain, the way it grounds you, keeps you in the moment.

"Baby," he whispers, and a soft little whine falls from your lips without meaning to as your lips move to ghost across his mouth, going for another kiss - a real kiss.

He pulls away before you get there, but then his hand comes up to touch your face, big and wide. He holds you like you're precious, small. His baby.

"S'not right," he whispers, though his thumb strokes your cheek soothingly, "S'not okay for me to want you like that."

You close your eyes at his touch, breathing deeply, "But you do."

"Yeah, I do," you hear him murmur, "You know I do."

"For how long?"

He doesn't respond right away, just continues to stroke your cheek, hold what feels like all of you in his warm palm. You tilt your head a bit to the side, eyes fluttering open to look at him again. You catch the way his lips turn up a little at the movement.

"Too damn long," he sighs, "But that don't... that's not..." he brings his other hand up to cup the other side of your face, holding you still as he peers at you in earnest, brow furrowed, "Point is, we shouldn't... you shouldn't be out here alone with me. Tess knows how I-" he cuts himself off again, and you can see now how difficult it is for him to communicate like this, to be open and honest, "I told her it wasn't a good idea."

"Why?"

He laughs lightly, thumbs circling the apples of your cheeks, "'Cause look where we ended up." He swallows, eyes falling to your lips, "Look where you are right now, baby. Look where my damn hands are for cryin' out loud."

"Keep calling me baby," you breathe, a desperation in your voice that betrays your emotions, tears pricking in your eyes as the weight of this conversation comes crashing down around you. He wants you - he's always wanted you. His words to Tess about not wanting to put you in danger, wanting you to stay away, those soft looks you've shared in his apartment, the small talk, all of it - it's because he wants you.

"We can't do this," he murmurs, leaning in to press his forehead to yours, eyes closing, "I can't do this, you're so- you're too-" he groans, fingers digging into your hair, "You're so young, baby."

"I don't care," you whine, butting your head forward to chase his lips, suddenly yearning to be kissed and held and protected by him, be wrapped in his embrace.

But he pulls away, removing his hands from your face and shuffling back a bit on the bed, away from you. Your hand drops but you reach out pathetically for him anyway, moving closer, attempting to pull the covers back. His hands capture yours and he squeezes them firmly, shaking his head.

"You need to go back to your room," he tells you, and his tone has changed from soft to serious, "It's late and I'm... well, you know I'm fuckin' exhausted. And you've had a long day." He looks at you with pleading eyes, like he's silently begging for you not to put him in this situation, "Let's just call it a night, okay?"

"But-" you start, tears shining in your eyes.

"Please," he breathes, "Please don't make this harder than it needs to be."

You do not want to get up from his bed. But you do.

You do not want to leave his room. But you do.

You do not want to lie awake in your own bed, staring at the ceiling, thinking about how his hands felt on your face, the way his eyes searched yours, the way his skin felt under your lips.

But you do.

You lie there for hours, thumbs twiddling against your belly, tears trickling down your cheeks every so often. All you can hear in your mind over and over again is the word Baby, punctuated by that soft groan he'd made, the way his thumbs had stroked your cheeks, how large and warm and safe he'd seemed in that bed.

All you want to do is be in that bed with him.

So it's no surprise when, as the sun is beginning to rise and that warm golden light starts to stream through your window, you crawl out from under your blankets and cross the hall one more time.

"We shouldn't" he murmurs when you climb into bed with him, when you tuck yourself into his side and bury your face in his shoulder, but his hands are already in your hair, fingers stroking along the back of your head.

Your bodies mold together like they've always been meant to fit that way, your legs tangled with his, arms trapped under big biceps and hairy forearms, breasts flush with his suddenly bare chest.

"I wanna be your baby," you whisper.

The nose you'd kissed brushes slowly up and down the side of your face, and he doesn't hesitate this time. He reaches up to turn your head, presses his lips against yours and lets you melt into him. Lets you trail your hand downward to unbutton his jeans in the silence of the early morning.

"You already are."

[7ndipity]

Dating A Foreign Partner

Ot7 x Reader

Summary: How the members would handle being in a relationship with a foreign S/o.

Warnings: brief mentions of racial/cultural discrimination,

A/N: Thank you to @bethanysnow for requesting this, I hope you like it!😘💜 I tried to keep these a bit lighter, but if there’s something more specific that any of you would like to see, lmk!

Masterlist

°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•

Jin:

Sounds cliche, but I think he would really enjoy trying foods from where you're from, especially some of the more ‘unusual’ ones(I literally found out the other day that pb&j sandwiches are considered weird in Korea??)

I think you two would accidentally confuse each other with lesser known cultural differences, like when he first asks you to be official after only like two dates(which is normal in korean culture, but not so much in western dating)

Would become very aware of the prejudices and discrimination that foreign couples deal with in both your countries. Like, obviously he was aware it was an issue before, but dealing with it first hand made him realize just how much of an issue it was.

It would make his heart soo happy to see you learning how to speak Korean or embracing different parts of his culture.

(Secretly studies your native language to surprise you for your birthday or anniversary)

Yoongi:

I might be projecting a lil bit, but I can honestly see him having a foreign partner. Idk, I just see him not really paying much mind to things like race/nationality, he likes who he likes and that’s it.

Might be a little shy about how much more comfortable you are with things like casual skinship tho, but he also kinda secretly loves it.

He would really love that you’re so direct sometimes, rather than trying to ask for things in a more roundabout ‘polite’ way that is considered proper in Korean culture. He would love that you’re to the point, like him.

Would be so flattered if you made the effort to learn Korean, grinning so big the first time he hears you use even something little like “Hajima” correctly.

He’d do the same with your language too. Learning about your culture would be really important to him, he wants you to know that he appreciates you and where you came from.

Hobi:

Tbh, I totally see him with a foreign partner, he would love the variety and unique energy that you bring to each other's lives.

I think he would tend to forget some of the differences in how you both grew up until you mention something more drastic like school safety drills and he has to do a double take like “wtf?!”

I think he would love how open and expressive you are about your home and culture, and loves learning about where you came from. You’re his favorite person, he wants to know as much as possible about you!

Would have soo much fun teaching you about all the different holidays and traditions in Korea that differ from where you’re from.

Would be soo surprised if you learned to speak Korean, even if it’s just a few phrases at first. He just gets so happy and giggly hearing you speak.

Namjoon:

I think most people consider him the most likely out of the group to have a foreign partner, and tbh I kinda agree.

He would make a serious effort to learn as much about your country/culture as he could, possibly even wanting to visit there sometime with you.

Despite being pretty well versed in a lot of other cultures, he would definitely still have little moments of culture shock over random things like educational systems. Like I can imagine his surprise/confusion over the more lax approach in some schools or someone being homeschooled(hi).

Would be super impressed if you already knew some korean when you met, but if not, he’s more than happy to help you learn.

Lowkey quite protective over you, bc he knows how harsh Korean media can be towards celebrities having foreign partners.

Jimin:

Thinks your Korean is super cute! He finds it absolutely adorable the way you say certain words, and he loves the way you speak slowly and softly when you’re focused on pronouncing certain phrases correctly.

If you’re new to living in Korea, he would do his best to help you settle in and adjust to the differences in day to day life, as well as comforting you on the days when you feel homesick.

Loves learning about your culture, tho I think he would prefer learning from you than on his, just so he can watch how excited you get talking about your home.

Would be soo excited if he finds any similarities between your cultures, whether it’s how you celebrate certain holidays, or a similar dish. He loves finding those little connections.

Another who would be rather protective over you, especially if he knows you have anxieties about certain things due to public safety issues where you’re from. He just wants to make sure you to feel safe

Taehyung:

I know a lot of people see him as rather traditional when it comes to things like dating/relationships, but I could very much see him with a foreign partner, especially since he talked about wanting to live abroad at some point in the future.

I think he would find your different perspectives really refreshing, you really help broaden each other's horizons.

I honestly think he would be another who would sometimes forget the differences in how you both grew up until he brings up something and you’re like “We never did that??”

Lowkey brags about you every chance he gets like “Oh ,Y/n’s from (country name), and they were teaching me about-”

He never treats it as if you’re some sort of novelty tho, he just really loves you and wants to show you that he supports you and shares your pride for who you are and where you’re from.

Jungkook:

I think he would have a lot of fun with a foreign partner, learning about each other's cultures and sharing stories about your upbringings.

Might take him a while to adjust to things like your relationships/dynamics with other guys, just bc that’s not quite as common in Korea, but I could see him actually really enjoying it if you fit into his friend group bc of that.

Another that would feel rather protective over you for similar reasons as Joon. If anyone so much as looks at you weird, he’s gonna shut them down soo fast.

He loves hearing you speak in your native language, there’s something about it that’s just so soothing and melodic about it to him. But it’s only when you're speaking, it’s not the same with anyone else.

Would ask you to teach him so that he can hear you speak it more(study dates where you help each other would be super cute and cozy)

Taglist: @sopebubbles-replies @btsw1fe @this-must-be-my-tardis @whitefoxgirl @bethanysnow @coffeedepressionsoup @main-bangtansmauyeondan @feminympho @a-gayish-unicorn @dfqcsqueen @mother2monsters @comingupwithacoolnameishard @bo0o0o0ooo @captainorangegoose @k4ngelz