time to play my favorite game ! ( looking up my favs names on ao3, reading through random ones and seeing how long it takes until I get mad )
3 notes
·
View notes
Sex positivity is also about not calling Ace people prude and using virgin as an insult 👍 hope that helps
9K notes
·
View notes
as much as i understand shigaraki's death, narratively speaking, i'm also so goddamn tired of society needing martyrs.
what made me fall in love with shigaraki is that he's an excellent villain. all his character development built towards him becoming a more competent, driven, effective villain. he became an incredible symbol of fear just as deku became an incredible symbol of peace. this is who he was, in entirety. there is nothing else shigaraki could be.
when shigaraki told izuku, in his final moments, to pass on the message to spinner that "shigaraki fought to destroy until the very end," it really emphasized how it would have dishonored him to be vegeta'd, as it were.
shigaraki made it his mission to tear down hero society. this was his noble mission. this is what made him a hero to the league of villains. because he saw the systemic evils, he saw the evils that hurt his friends, and sought to destroy it all.
there's something to be said about trying to change someone who doesn't want to change, but for shigaraki, it was more than just trying to rehabilitate him from mass murdering. because to him, and the league of villains, what he was doing WAS the right thing. to tell shigaraki not to destroy would be akin to telling deku not to save. "you may not understand, but that's what makes me the villain."
there was a binary choice here: either he'd be left free to complete his mission and destroy everything, or he'd be stopped, permanently.
Izuku, by reaching tenko's heart, but ultimately stopping shigaraki, was choosing the only third option he had: declaring that he would not let all of society be destroyed, but not without promising that he'd do everything he can to reform it here on out.
shigaraki destroys. deku saves.
that's it. that's the bnha narrative in its most basic foundation. horikoshi did not fail to tell that story.
I think what ultimately fucking sucks about this ending is that it's too realistic. society often DOES need a martyr - or often martyrs - to realize that they fucked up, that they let an evil persist too long. they need a shocking enough tragedy to point to and swear they'll never let it happen again. society needs to be rocked to its very core before people can be motivated to get their heads out of their asses and work together towards reforms.
and that in itself is an evil, that people can't see how much harm they're causing or condoning without some horrific tragedy.
i think we're all mad at horikoshi for failing to follow through on the story because we didn't WANT the realistic ending. we wanted the hopeful one. the against all odds one. we didn't want another story about society using the image of martyrs to get its shit together. because we already know that story. and we're so so so tired of it.
especially when we know it only leads to a temporary peace.
because people forget. they put in enough reforms to feel good, and then get comfortable and ignorant again. when does that cycle end? when can we finally notice the evil in time to PREVENT it? so that everyone, 'heroes and villains,' get a happy ending?
I think our anger with the bnha ending is good. we want different - not just in fiction, but in real life. we're willing to hope for different. we should hold onto hope and fight for different.
81 notes
·
View notes
i love how similar the fall guy and bullet train are because david leitch i'm perceiving you so hard. i'm seeing how you shape your ideal version of masculinity and present the emotional action hero as sexy and capable and not at all undermined by his depth of feeling but made stronger for it. it's beautiful and subversive and quite frankly it's gay as hell. genuinely i find it extremely interesting how he handles this balance so gracefully in a way that makes colt and ladybug funny, real, and desirable to both the men and the women in the audience
70 notes
·
View notes
yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
153 notes
·
View notes
that can’t be an easy pose for stiff and injured limbs.
808 notes
·
View notes
There are only two episodes left in The Boys S4, but having seen the leaks and with what we got, I have some opinions.
My conspiracy theory is that they got too many cooks in the kitchen (writers in the writer’s room)—plus the writer’s strike and pandemic happening during this time—and it’s starting to make sense how they dropped the ball with this season.
33 notes
·
View notes
album-length Hornblower playlists, anyone?
Boy Strange - a Horatio Hornblower playlist
Glow, Miracle! - an Archie Kennedy playlist
Waiting For The Thunder - a William Bush playlist
St. Elmo's Fire - a Captain Pellew playlist
49 notes
·
View notes
happy valentine's day! here's the suzuran gang here to tell you sometimes you don't need a romantic partner, being with your friends is just fine :)
69 notes
·
View notes
anyway my other venti's history shaping how he is headcanon is that as a wisp he was rarely taken seriously — people are kind to him and will put faith in him due to his being an elemental being, but between a little wind wisp vs a storm god, the wisp isn't doing much they're in the middle of the archon war, great strong gods are getting struck down all the time. (Even later as a god he's seen as the weakest god, possibly the god with the unlikiest of origins out of a group who were gods and powerful being before reaching archonhood)
But the bard treats him not as a contender, not as a god candidate, not even as their hope to take down Decarabian but as a friend.
So he doesn't take himself seriously either, he knows he has the power now yes but habits remain and he doesn't want to be a tyrannt, and in the end the most impactful relationship in his life will always be the bard who treated him not for his role or his potential but as a friend to love and cherish and understand
30 notes
·
View notes
ok ok ok like i thought “the chosen” would suck cause “blah another series about the life and times of jesus” like we GET it it’s been around for CENTURIES you guys make the same damn movie all the time
but it’s actually legit really good? lots of pretty good representation! not everyone in the movie is white. actual portrayals of jewish culture instead of just ignoring that part. disabled people. matthew being autistic. characters that aren’t just two dimensional. the people in it feel like real people. there’s actual jokes, jesus cracks a few and they’re really funny?? so far nothing hateful, no gay or transgender bashing. it calls out the church for being judgemental and hateful in a way that’s very tasteful
it’s not perfect tho. jesus is…still white for some reason? despite mary not being white? and no one else around him being white? no gay people in it which is kind of a bad and a good thing…but it’s a portrayal of jesus and the people around him as human. as real life people who felt things and made jokes and rolled their eyes and stuff. also the guy they cast as jesus is pretty hot as are all the disciples. which isn’t the point or whatever but i can’t say i’m complaining. it’s free online and i think it’s worth a watch!
73 notes
·
View notes
Aforementioned Napoleonic AU! Martian !! I said it would just be a wip but then oops, I basically finished it! Ty to everyone who was interested :D
Really really proud of these I'm ngl! I rendered in a really different way than ever before and I'm very satisfied with it :D
Ramble about historical influences(basically me being a nerd about who I consider the F1 drivers of the Napoleonic era):
So I wanted to explain my thought process because I think that the specific context behind the uniforms I drew is very relevant, as I didn't just pick them on a whim.
I drew them in Hussars' uniforms(Austrian Empire = Red Bull, but like obviously not 100% accurate because the uniform colors are based off the RBR racesuits.) Hussars are, in my opinion, the F1 drivers of their time. Let me quote several things that led me to this conclusion:
"During the Napoleonic period, hussars, as in all armies, were employed as scouts, given raiding missions or despatched to harry and pursue a defeated enemy on the run. Mounted on light, nimble horses..."
"...Their flamboyant costume and their reputation for daredevil acts..."
"...developed a romanticized image of being dashing and adventurous.
Okay....so they're dashing and adventurous, riding specifically on fast, light horses, dressed in flamboyant outfits committing daredevil acts...sir that is literally an F1 driver!!! Tell me they aren't the historical predecessor to F1 drivers!!!
I have this big book of Napoleonic uniforms(yea I'm a nerd) and I was paging through it to see what uniforms I wanted to draw(I have a habit of drawing my one oc in the Napoleonic era. So when I started drawing fanart, I'm like of course I must draw them as this!) Austria's normal uniforms in this era are soooo boring compared to France's, so I was really 😒 about drawing them, but then I came across the Hussars, and then started noticing all these similarities and thought it was perfect. Also I need to mention the fact that Austria's royal cipher at the time was literally this:
IT'S "F1", IT IS LITERALLY FUCKING F1, WHAT THE HELLLLL!?!?!?!? I had like a partial mental crisis coming across this, at that point it was destiny for me to draw this
*I forgot to include actual ref images 😐, so here you go!!
*I wrote most of his around when I started this drawing, which was all the way back in April. And it's really interesting to consider now that I was basically immersed in the history of the Austrian Empire for a month. I apologize to everyone in my life who had to endure my lecture on why Hussars are the F1 drivers of their time. But god I could not hold it back when I saw some of these uniforms in person. And it was cool to pull out this drawing, even if it was just a wip, and be like "oh hey I've drawn these!!" Anyways, I digress.
Obviously the martian drawing is a direct reference to this pic from Malaysia 2010:
My thoughts on this picture:
I almost wanted to draw Seb in the Austrian Kaiser's outfit, but it is nowhere near as slay as the Hussar uniform, so Hussar uniform it is!
I have many thoughts and opinions on the lore of this au so pls ask if you're curious but it's also just a lot.
94 notes
·
View notes
had an odd dream that i was reading a comic book. sketched a couple of the pages i could remember.
27 notes
·
View notes
(mgv) okay but. buuuut. amber is compared to house (specifically wrt wilson's attraction of her) but now the only difference isn't that she's a woman, but she's an alpha woman at that, the exact "opposite" of house (brush over the fact that that's a pretty binary view of gender for the time being, i'm just trying to make a point) and she's not afraid to posture to reinforce her claim of wilson. she never stoops to house's level of trying to bite or circling him or whatever, though. she stands her ground and meets him head on until house is forced to yield for one reason or another. whereas wilson nearly praises house for being somewhat mature (mature for house confronting one of wilson's new lovers, anyway) house meanwhile loathes the fact that he can't stop this, how he rankles so terribly at pale eyes of an alpha staring him down until he submits all these years later
7 notes
·
View notes