#I swear there was context

[olivsie]

My pumpking, my pumkingggg youre my dumbass pumpking say it to me. Pumpking, dumbass pumpking, tell your pumpking, that I'm your dumbass

Iiiiiii bet on losing pumpkingsss

I know they're dumb ass

And I pumpkin my place

By the dumb ass

And I'll be be looking in thier pumkpingsss when theyre dumbasssss

I'll be there by their pumpkings

I'm dumbass by their pumpkings

Will you let me, dumbass? Lose on dumbass pumpkingsss i know theyre dumbass and i pumpking my place, by the dumbass

How you'd be pumpking over me in my eyes when i dumbass

Someone to watch me dumbass,

Someone to watch me pumpking

I bet on dumbass pumpkings

- a parody for dumbass pumpking

[5ummit]

[renard-dartigue]

Hi now i'm curious what is the beef with the rappers

Man this is going to be long so I'll try to keep this simple and entertaining. I hope this comes across as clear cause I'm shook right now.

Here is a glossarie to break thing up:

Prologue (The Spark 🔥)

Round 1.1 (Physical Education 💪🏾)

Interlude part 1 (Roots 🏠)

Round 1.2 (2 Warning Shots 🔫)

Interlude part 2 (Pusha the Seer 👁)

Round 2.1 (Knifes Out 🔪 )

Round 2.2 (The Nuke 💥)

Epilogue (All eyes on him 👀)

My Theory 🤷🏾‍♂️

Highly recommend checking out the tracks yourself while you read along.

Prologue (The Spark)

Let it be known that I am a neutral party and that I don't take sides when it comes to rap beef. I was here for the music and creativity. I am just trying to recount events to the best of my knowledge. Sorry if some details are inaccurate.

Okay so basically, Drake, J Cole, and Kendrick Lamar are the Big 3 of the rap world right now.

A month ago, Future and Metro Boomin (two rapper who supposedly don't fuck with Drake anymore) released a song with Kendrick Lamar called "Like That". In the song Kendrick took a shot at Drake and J Cole, saying there isn't a big 3, its only him on top.

4 weeks ago J Cole dropped a track called "7 Minute Drill" that is dissing Kendrick. However, in a move that is very uncharacteristic of J, he took down the official track and formally apologized to Kendrick. Thus signaling his exit from the rap battle.

ROUND 1.1 (Physical Ed)

Drake on the other hand dropped "Push Ups" 2 weeks ago, a diss track that went after other rappers he doesn't like but mainly Kendrick. In it, he made fun of Kendrick's height and his contracts. He then ends the song with "I was really try'n keep it PG" meaning he has a nuke on Kendrick that people don't know.

Not long later, Drake dropped ANOTHER diss track "Taylor Made Freestyle" with Ai voices of Snoop Dog and fucking 2PAC! Kendrick has stated before that 2pac is one of his idols so this must have been a deep cut. In the song Drake claims Kendrick doesn't write his own music and uses the writers of Taylor Swift. Relating a rapper to pop music is seen as disrespectful.

INTERLUDE PART 1 (Roots)

Before I continue, I want to give a brief run down on how the public perceives these two rappers.

Drake portrays himself as a superstar, he's always on social media flaunting his success and partying with other celebrities, seeing alot of women and living a lavish lifestyle. His music is catchy, something you put on in the club. Most of his fan base praise him for his sick beats and witty lyrics. He's been in the music industry for a while and is no push over.

Kendrick Lamar is a very private person, doesn't expose anything about his personal life unless its on a track. He almost never gets into fights with anyone. He is a family man, stressing the importance of being there for his wife and son and encourages other fathers to do the same. His fan base praise him for his creative lyrics and highlighting the black American condition.

ROUND 1.2 (2 Warning Shots)

2 Day ago, Kendrick Lamar came back with his first official diss track on Drake called "Euphoria". In this song, Kendrick goes in on Drakes fake personality. Drake has always been known around the community as a bit of a poser, he grew up in Canada and was raised by his white mother, a relatively comfortable childhood. He was a star on the popular show Degassi when he was young. garnering him a fan base early in his career. Kendrick doesn't approve of Drake appropriating black American culture and acting like he some tough guy. When in reality he is a Canadian nerd thats disrespectful to 2pac. All throughout the song, Kendrick hits at things that many people have know about Drake, such as his behavior around underage girls. He also called Drake a deadbeat father who isn't in his son's life, even referencing his lost battle to Pusha T. Then Kendrick finally warns him that he has more dirt that he is willing to share if Drake takes things further.

Similar to Drake, Kendrick dropped another track called "6:16 in LA" later that day. This song focuses on Drake's environment, specifically the people he hangs with. Kendrick implies that Drake paid people to dig into his background and when they didn't find anything, Drake made up stuff instead. Kendrick then says that someone in Drakes group is leaking information to him about something even more serious. Also planting a seed in Drake's mind that his supposed friends don't actually like him, just like the clout from hanging around him.

INTERLUDE PART 2 (Pusha the Seer)

Taking a quick break again, we need to discuss something that occurred long before Drake's battle with Kendrick.

5 years ago, Drake was in a rap battle with rapper Pusha T, someone who was smaller than Drake at the time in terms of popularity. Pusha dropped a song called "The Story of Adidon" where he dropped a bomb that Drake had a kid and wasn't taking care of him. Drake initially denied it but it was later revealed to be true.

Since then Drake has never responded to Pusha T's diss track, making Pusha the current winner. And Kendrick is bringing it back into the light.

Round 2.1 (Knifes Out)

Around 2 am EST time of May 4th, Drake drops his diss track, "Family Matters" one of his strongest songs, switching his flow 3 times in the span of 7 minutes. In true Drake fashion, its a club song with a catchy beat. Like his previous diss, its aimed at multiple people but the main focus is on Kendrick, even bring up "I was really try'n keep this PG".

Drake doubles down on his black identity and mocks the fact that Kendrick and other rappers are saying he isn't black, (incorrectly assuming that they are coming at him for being mixed when the real issue is that he is appropriating black American rap culture as a Canadian mixed man who grew up in a safe environment) Drake not only calls Kendrick a fraud who only raps about black issues for attention, Or that his activism is performative. He makes a shocking claims that Kendrick is a wife beater. Then Drake says that Kendrick's son doesn't belong to him and implies Kendrick's producer was the real father.

The track caused an uproar. But only for the span of 15 minutes. Because Kendrick did the unthinkable.

ROUND 2.2 (THE NUKE)

Almost as if expecting Drake's move, Kendrick Lamar did what no one saw coming. He dropped his diss track "Meet The Grahams" about 15 minutes after Drake released "Family Matters".

This time around, in a fashion almost unheard of from him, Kendrick strips all the usual metaphors from his lyricism and structures his track like he is speaking to Drake and his family, 4 parts per individual.

Kendrick begins by speaking to Drakes Son, Adonis, the same son Pusha T exposed Drake for neglecting 5 years ago. He's apologizing to him for his father's behavior. Kendrick speaks to him softly but sternly like a mentor, telling him not to be like his father. Kendrick tells Adonis all the things Drake did and warns him not to do them too: involved with escorts, plastic surgery to appear more black, surgery to look more muscular, hiding a kid. (Kendrick stresses that Adonis is black regardless of being mixed, further highlighting that he isn't discrediting Drake's blackness because he's mixed but because he isn't being himself.) Finishing of by telling the kid to be proud of who he is.

The second half is Kendrick addressing Drake's mother and father, Sandra and Denise. Kendrick speaks to her like he's revealing tragic news, explaining to her that her son is involved in disgusting things. He goes down a list of things, his tone growing more intense and angry. Kendrick then claimed that Drake is employing and enabling pedos in his group, and hopes they die. Even implying that his group is going to be raided by the feds some day.

The third half is the MOST shocking of all. Kendrick begins talking to an unnamed individual, simply calls her babygirl. Similar to Adonis, Kendrick takes on a somber tone and apologizes to her for Drakes behavior. He says its not her fault Drake abandoned her, says that she is deserving of love. He warns her not to become a target for people like Drake to pray on and says she has so much to offer the world.

Kendrick revealed Drake has ANOTHER kid and isn't in their life! (Allegedly)

To close of, the fourth half is Kendrick speaking directly to Drake, his tone tired. He tries to reiterate that he doesn't have hate for him. However, Kendrick says Drake was the first one to go after his family and he couldn't let it slide. He once again calls for Drake to take the mask off. Then says this isn't a rap battle anymore, tells Drake he is fighting himself.

Epilogue (All eyes on him)

And so here we are, waiting for what will happen next.

Drake posted an Instagram story denying the claim he has another kid. But given what happened with Pusha T, we can't quite take his word for it yet. We should wait a bit to see if anything comes out.

Kendrick hasn't put out a statement on Drake's claims about him but given the recurring theme of Drake being a manipulative lier, Kendrick clearly denies it. Given how private he is, its difficult to prove or disprove it. Much like Drake's claims, we will have to wait and see if any evidence comes out about it.

Drake and Kendrick stans are at eachothers throats right now, arguing over who one and whats real or fake.

Right now everyone is looking to see if Drake is going to continue the battle or stay silent like he did with Pusha.

My Theory

Personally as an outside observer who only followed the beef for good music. I think this goes beyond a simple rap battle.

Here is my theory: Someone from Drake's clique told Kendrick that Drake and his producers were writing something about him. Real or fake, Kendrick was pissed. And so he drafted 3 tracks, dumping everything he hates about Drake into them. And then, with the leaker's help, Kendrick baited Drake into a battle, goading Drake to drop the "Family Matters" track so he can shut the battle down with "Meet the Grahams". Or maybe his first 2 tracks were a warning to Drake that if he released a track with lies on him he would reveal he has another kid.

I do think Kendrick initially had good intentions in trying to help Drake be a better person. But maybe the more he learned about Drake the less sympathetic he felt.

But I don't know thats just how I see it.

Thanks for reading my essay. I hope it made sense heh. I encourage healthy discussions in the comments and reblogs please. But everyone agrees that Drake is inappropriate with young girls. We won't argue over that.

[hellcifrogs]

Fanart of my own AU? Out of context?? More likely than you think! It's NaruFox's Team 7.2!

[cozymochi]

i hope Malleus will spend his years cursing blessing other peoples babies with gifts that will definitely not have long term consequences in their little lives!!

Ko-fi

[isjasz]

The Promised Neverland manga spoilers!

[Day 201]

Everyone blame cherrysherin2 (go check out this art that made me absolutely lose it) I take no responsibility

[vickyyrose]

drew our favorite child of divorce and if you haven't seen falsettos go watch it right now. or don't. I don't care. I'm just cool like that.

[nocek]

And this concludes the grand crossover event

(or does it?)

(it does but I was given a great idea for how to solve Gwen's problem :) )

the timeline of previous relevant comics:

[Jeff has a great fashion sense and Peter is the best hooker]

[Jeff is found and fucks are lost]

[bro landed up in the wrong universe and all he got out of it is a lousy bow]

[yellowballoondogs]

Everyone jokes about Scott summers being a cheater but like (and I swear I’m not defending cheating) he was at the lowest point of his life both physically and mentally. He went through severe psychological trauma that messed up his powers and his relationship. He went to a licensed therapist and friend, one who had helped his friend (Bobby Drake) in the past.

They didn’t even have physical sex. It was all telepathic and pushed by his therapist as “sex therapy” to fix his relationship. (and it wasnt even Emma to Scott it was a mental hallucination of Jean by Emma)

He said several times that he didn’t want it, even saying and I fucking quote “I don’t feel safe here”. And even after he was pushed into the “therapy” later on when given to chance to get hanky panky with Emma physically he declined.

I’m not saying Emma was a rapist or Jean was in the wrong for initially being piseed the fuck off but I am saying Scott was a victim and to consider his therapist making advances on him and pushing him into telepathic sex therapy to make him a serial cheater…. Yeah no

And I don’t wanna hear any shit about Jean kissing wolverine.

The x-men are all a bunch of fucked up traumatized 20 something’s with undeveloped brains and concussions living in a soap opera where giant robots and the government try to genocide them every week all while balancing powers they never asked for that usually threaten themselves or those around them and being hated for it. None of them should be expected to act like normal sane people, it was fucked up therapy and a little smooch, they’re fine.

[canon-gabriel-quotes]

Transcript:

Whats up, bestie! Oh- Oh are you being down on yourself again?

No, no no no no no no no no. Ba-baby. Babygirl.

The killing is awesome!

*Tower Unite/Gmod tower Sunshine Day.mp3*

Good job!

Yeah, sometimes they come back, there's nothing you can do about it.

But- but you did the killing! And that's wonderful.

I'm so proud of you... for the murder.

*tongue click* I would say your killing was quite ultra.

Audio Source

[t3acup]

"I really wish he did..."

I read "Along came a spider" not so long ago and I loved it sm SO HERE I MADE A LITTLE COMIC BASED ON IT.

[twooftheluckyones]

BAP BAP BAP BAP GET OUT GET OUT

[xulips]

can't you guys celebrate anything normally (happy luka anniv!)

[official-boob-posts]

she’s lactating

[marinatedsaltea]

The first ever experience

It took them only 100000 years to finally get confident enough

Bonus:

[walmart-miku]

Ok so a vast majority of us are familiar with the Gigantomachia arc in ORV but I took a classical myth class and obviously did my final project on ORV (bc it was to take a modern retelling of a greek myth and relate it to the original/classical myth version). But there are so many layers to Heracle’s involvement in Gigantomachia omg.

So in ORV, both the original myth of Gigantomachia and elements of Heracles’s myths are referenced during the Gigantomachia arc. The version of Gigantomachia in ORV most closely resembles Apollodorus's account from the 2nd century BCE. (This is also the Gigantomachia myth that my professor had my class examine)

For those unfamiliar with Apollodorus’s telling, Gaia, angered by Olympus’s victory over the Titans, enlists the help of Ouranos to birth the giants and exact revenge on the Olympians. The giants, invulnerable to the gods alone, wage war on Olympus. Gaia also tries to make the giants invulnerable to humans as well with a special herb but Zeus manages to get it before she can. Recognizing their limitations, the Olympians call upon Heracles, who deals the killing blow to the giants, securing Olympus's victory. (very similar to the version in the Percy Jackson Gods and Heroes book for those who know)

For Heracles, the way he’s portrayed in ORV deviates significantly from the original myth. In classic Greek mythology, Heracles is a demigod and son of Zeus. He commits some Greek crimes and has to do 10 labors for his evil asshole of a cousin that's also a king.  However, in ORV, Heracles is not a real hero but a construct—a composite of stories curated by Olympus to create the ultimate soldier. Heracles is not a constellation or incarnation, but rather a tool made to be used in Gigantomachia. The decision to portray Heracles as a construct stems from the Greek mythological timeline. According to Greek myth, Heracles was born after Gigantomachia and therefore could not have realistically existed during the events of Gigantomachia; however, Heracles does appear in Gigantomachia. (In class we were told to disregard this discrepancy and chalk it up to it being myth and fiction.) However, ORV addresses myth like it is reality. Yoo Sangah asks about this inconsistency, which allows reader’s to clue into what Kim Dokja already knows (from having read WOS NOT because he has a background in greek myth like Yoo Sangah does)

Furthermore, in my class, we discussed how in classical myths, Zeus created Heracles to enforce xenia on Earth. Xenia is the ancient Greek concept of being good to strangers. It’s basically the “love thy neighbor” of Ancient Greece, only more extreme. (Can’t turn away strangers because what if it’s Zeus or a different god, etc.) In ORV, the creation of Heracles differs with “Zeus, the god of lightning, had sowed his seed in preparation for Gigantomachia. As always, the 'seed' here was a metaphor. Zeus feared the giants and collected miscellaneous hero stories from across the world.” (ORV Chapter 330: Ep. 62 - God's Enemy, III). Zeus takes these hero stories and fragments and turns them into Heracles. These fragments include the 12 tasks and come together to create the story that is Heracles. But even though the way Heracles has been created has changed, he is still made for the same purpose. And that is to be a weapon and tool for Zeus to use to enforce his ideals.

With how ORV reimagines Gigantomachia as a recurring scenario staged by Olympus to prevent the giants from rising again. Each repetition of the scenario ensures Olympus's victory, reinforcing their dominance and the story. Due to this fact, Olympus creates Heracles as a weapon and retells the story of their success as a way to manipulate the system. The gods perpetuate the Gigantomachia narrative not only as a tool for victory but as a fabricated story made from fragmented myths. By repeatedly telling this false version of Gigantomachia, Olympus solidifies its victory anecdote within the scenario, ensuring their triumph against the giants every time. According to Kim Dokja, "Once it becomes a story, it can be said to originally exist. Isn't it amazing?" (ORV Chapter 330: Ep. 62 - God's Enemy, III). In other words, ORV explains how a “false” tale can become a real story. This accounts for how traditional Greek mythology describes Olympus’s victory through the involvement of Hercules despite the clear timeline discrepancies, as seen in Apollodorus’s The Library of Greek Mythology, Book I, The revolt of the Giants, “The others [giants] were destroyed by Zeus, who struck them with thunderbolts; and all of them, in their death throes, were shot with arrows by Heracles.” 

In addition, in older tellings of the world’s creation, Gigantomachia does not exist or is not written. For example, in The Theogony by Hesiod, Gigantomachia doesn’t exist. The Theogony was written before The Library of Greek Mythology, meaning that with how Heracles is a false story in ORV and was likely created for Gigantomachia then it makes sense for Gigantomachia to have been a story that became popular or well known later due to the effect of repeating Gigantomachia so that Olympus wins. 

I don’t know, this is a really long ramble but I think it’s amazing how Shingshong can take classical greek myth and it’s inconsistencies to create a new and compelling story about Olympus. It’s the perfect blend of familiar well known myths with a well done twist to it from how the Star Stream functions. It’s also just super impressive to me how well thought out the whole Giganotmachia arc is since I would have never realized how much thought went into ORV’s version of Heracles if I hadn’t taken this college class.