#I still adore this show but man

[adh-d2]

Ok. I'm going to need to wait for the next episode to truly decide how I feel about this, but right now I'm like, pretty pissed off at Hunter and Wrecker?

You'd go to the ends of the galaxy for your sister, spend the rest of your lives searching for her, stop at nothing to get her back...yet when she returns with your long-lost brother you look at him like this?

Look, you've been on thin fucking ice since he told you he'd had his chip removed and you just believed him. The guy that you know had a mind-control chip in his brain. The effects of which you've seen and felt and know for a fact are impossible to resist. And you just believed that the people who put it in him in the first place voluntarily took it out? No follow up questions? No doubt?

How little did you care about Crosshair to begin with that you'd so readily accept that he was of sound mind and acting of his own autonomy?

Just for fun, let's review what you know about Crosshair right now:

His chip activated. He was forced to say, think, and do horrific things; and these things were outside of his control.

Those horrific things included trying to kill you. He's shot at you multiple times. He's an unparalleled marksman. He's always missed.

You left him behind on Kamino. It was the right choice at the time. He was literally trying to kill you, you didn't know why, and you couldn't have safely extracted him. But he still got left behind.

He has expressed how painful this was for him every time you've interacted since ("we didn't have a choice" "and I did?" | "They don't leave their own behind...most of the time").

He also said some really mean things to you.

He was horribly injured while under the Empire's control.

He rescued Omega from drowning.

He maybe had his chip removed? No need to confirm, I guess.

You left him behind on Kamino. Again. But he asked for it this time, and he said he knew what he was doing, so...

He became a prisoner of the Empire. In the facility that houses dissenting, disloyal clones.

He managed to get a message out to you while imprisoned. That message wasn't a cry for help, but a warning. Go to ground. They're after Omega. Protect yourselves.

Omega just told you he helped her escape the Empire.

AND, I CANNOT STRESS THIS ENOUGH, YOU LOOK AT HIM LIKE THIS?!

I'd say I'm not mad, I'm just disappointed...except actually nah I'm pretty mad.

Episode 5 is going to have to do some serious work to salvage my opinion of these two. Or at the very least stop framing them as the moral centre of the show.

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[landwriter]

watching dead boy detectives when you've lived in coastal bc

i love that they have a ship that services a metro area of 2.4 million people & all of southern vancouver island, to depict the ferry to (checks notes) port townsend, wa, pop. 10,388. cannot overstate how incredibly funny the scale is. on a regular day that route has more passengers than the entire population of port townsend. like a title card saying our beloved characters had to take three trains and a regional bus line and then smash cutting to a red london double-decker

that being said. bc ferries both as a crown corporation and as individual vessels is DEFINITELY haunted so this tracks actually

[nemmet]

thinking about be cool scooby doo fred on this delightful evening. he's afraid of widths. he gets emotional over a drumkit. he knows how to apply eyeliner perfectly. he's a sleep deprived, paranoid, manic danger to himself and others. he becomes enemies with a goat. his shoulders are so tense that they can break a chair. he goes to jail twice. where on earth did he get the funds to give the mystery machine all those high-tech upgrades. he hired a guy to make his epiphanies look more dramatic. the exterior of his house is an affront to god. he cannot take care of himself to save his life. he is a middle aged dad stuck in the body of an eighteen year old. he has childhood trauma related to halloween. he accidentally parked his van on a space shuttle. he is consistently aggravated by daphne’s commitment to the bit. he really needs to let go of those tiny red shorts. he's a court jester. he represents the order to his criminal father's chaos. he has control issues stemming from this but tries to overcome them for the sake of the gang and always apologises when he goes too far and knows that even when they wind him up it isn't a threat because he loves and trusts them so much and they care about him in turn even before he fully opens up to them about his childhood and—

[lilfriezatyrant]

✨I dub thee King Roach! ✨

[ricky-olson]

final arcane thoughts: super good, my show of all time. would rewatch forever. gorgeous love letter to animation. i can’t wait for more league shows

final arcane thoughts as a viktor enjoyer: what

[lock-my-feelings-in-a-jar]

Russ Ballard producing Daltrey's album

1975 Interview

Russ Ballard has something special. Call it professionalism, the sure touch, luck, talent, a mixture of the lot if you like, but everything he's involved in seems to turn out pretty good, even when it's something completely new to him, like record producing.

When he was fourteen, he wrote his first song and sold it to The Shadows after having had the sense to demo it after their style. Having mastered the guitar and scored quite a bit of acclaim for his playing, he turned to keyboards and now nobody hearing him play would think he hadn't been brought up on them. Argent reached the height of their success when he was with them, he gave Colin Blunstone a monster hit with I Don't Believe In Miracles and now Ride A Rock Horse is enjoying considerable favour. Its producer? Russ Ballard! The man, wearing his customary shades, exudes an air of quiet confidence. He can afford to. He's well respected as a musician and as a writer and he's now in a position many people could envy. After all, a singer of Daltrey's calibre doesn't call up just anybody and say "How about producing my album?"! What is really surprising is that Roger should ignore all the established record producers in favour of Russ, who has only ever produced one album before in his life and that was the solo one he made after leaving Argent.

How did his new role come about? "Well, I worked with Daltrey on his first album, played a little drums and piano on it, but I didn't produce that one, just put in some ideas. He must have liked them because when he was planning his second, he just asked me if I wanted to do it." Russ explained. In an issue of Beat dated April 1966, Daltrey himself described his voice in pretty disparaging terms. "I don't have a good voice, no-one needs to tell me that. I'm a screamer with a group and I'm happy. I'm not worried about my voice, though, it is developing and I can notice the change." He also added "I'd get a real kick if I could have a proper girl vocal group backing." It's taken nine years, but now he's achieved what he hoped for, a voice which no-one can deny is pretty exceptional, and backing singers led by Marsha Hunt, care of Russ Ballard! "I was involved with everything." said Russ. "Going through songs with him, deciding what musicians should be used, who would be good for this and who for that." For a reluctant producer, who admits that "I'm not really into production, even though it's a creative thing, I'd rather be an artist." Russ had some pretty definite ideas as to his treatment of the album. "I deliberately kept his voice well up because in so many recordings I've heard of Roger, he's been immersed in sound. He's got such a powerful and such a good voice which contains many aspects that people haven't heard before. What I set out to do on the album was to expose all those voices for the first time. I don't think it is a good thing for a producer to put his own standpoint on an album, the most important thing is to project the artist." Russ thinks that Daltrey's film work has given a lot more confidence and he also found getting to know him has radically changed the concept he had of The Who. "Many people would imagine Daltrey as an ego tripper, but he's not in the slightest. Before I got to know him well, I was under the impression that The Who were Pete Townshend's baby. But speaking to Roger, listening to his ideas, I think that a hell of a lot of his ideas must have always gone into The Who, a lot more than people think."

It was originally Roger's idea to record an album of his early influences. Then he changed rock horses in mid-stream. "By then we'd already recorded Walking The Dog and that Beachboys sounding song, so we were lumbered with them." The second idea was to project the different sides of Daltrey's voice in a collection of mixed rockers and ballads, including three songs of Russ's, Come And Get Your Love, Proud and Near To Surrender. "We didn't actually discuss the point but I felt he wanted to make a heavier album than the one we'd originally planned. Yet not totally heavy, but a record which would compliment the heavier stuff with lighter stuff. Right from the very first session when he sang the first song I could see his voice was so much better, I feel it's improved tremendously since the early Who days even though I think he had a good voice in 1964."

The next thing to decide on was the overall sound and the arrangements. Ex-Shadows drummer Tony Meehan was the man who worked on these. "I decided to make the sound quite sparse,-" explained Russ, "- rather than over-producing it. Some people just don't know where to stop. I decided that if a song called for piano and nothing else, that's what I was going to do." (Hence Phillip Goodhand Tait's beautiful slow rocker Oceans Away with the composer on piano.) "The most important thing in an arrangement is the song. If it's a good one you should be able to sing it with no backing at all and it should still sound great. If it's not, no matter how many extras you add it won't work." Russ reckons that having been in bands himself definitely helped him as a producer, enabling him to put himself in the artist's shoes. Yet he doesn't think he'd like to produce his own next album entirely alone. "When I was in Argent I found being produced by somebody else was very frustrating because I could tell people were veering away from the original ideas I'd had for my songs. That's why I decided to produce my first solo album, which turned out a bit of a mixture because I had a backlog of work to get out of my system. My next album will be slightly deeper, not so light-hearted. I hope to be co-producing it with Muff Winwood, whom I really admire because he's got such a good ear and can really make a musical point."

At the moment, Russ is doing very well with songs of his which are being covered by other artists. One called Heartbreak, has recently been recorded by Olivia Newton-John and yet another is currently being recorded in L.A. by Stevie Wonder's band. Russ has got a new band together consisting of the ex-drummer from Curly, Alan Wickett, bass player Tony Lester and guitarist Alan Skates- "He really does!" joked Russ. He's got three weeks booked in E.M.I. Studios to get the album done. As for his producing career, it looks like Ride A Rock Horse may be his swansong. What if Roger asks him to produce his third album? "Well… if I want to do what I want to do, that is, sing, play, write and record, I just won't have time to produce anybody." said Russ. There's nothing like getting out when you're on top!

[nicoscheer]

A bit of shirt shopping with Ellis

I can’t properly deal with the way he went from I to [] like he got BROAD

[epickiya722]

It's always so funny to me to get those anime AI trash ass ads (just give me the ads that show me how to play the game wrong and then my coins) and if a MHA character is being used it's either Bakugou or Todoroki. Like, I get in canon they have like fangirls or whatever but stop.

[astersofthesky]

I am currently watching the Death Note Drama (2015) and I couldn't help but notice how the characterization for drama!Light seems a lot closer to the manga than in the anime in a sense that both manga and drama Light have not developed the "god complex" yet early on in the series.

Expanding just because. Manga!Light did lose weight and sleep for five days when he did the killings. He hid himself in a blanket when he realized he killed two people. He was willing to sacrifice his life because it's already a "point of no return," meaning he can't stop even though he wanted to.

You know, very like his drama counterpart. Yeah, Ryuk actively manipulates drama!Light into the continuous use of the Death Note though, BUT even that feels a lot more closer to the manga because if you've read this analysis post about Light, you'd understand. Here's a TLDR tho, Light told Ryuk he'd be "god of the new world" because of three reasons;

(1) Ryuk is looking for entertainment.

(2) Ryuk could very much kill when he wanted to. What better way to entertain a bored shinigami by doing something unexpected?

(3)-this one is of my own opinion- Light was offended.

Anyways, back to the manga, we see Ryuk appearing and then proceeds to tell Light he dropped the note cause he was bored and that probably was like an ice cold bucket poured in Light "admired by all" Yagami's head. He thought he was "chosen" yet Ryuk denies this. Yagami Light is a prideful man, he has to make himself feel he was chosen because he's "special" as it always has been the case for him. He starts developing this idea in his head that "you're wrong ryuk, i am special because i am the only one who can do all these 'sacrifices' to enact justice. I will be someone special! I will be the new god of this world!"

Which makes you realize why he tells Ryuk that in what qualification does he see himself deserving the title, it's because he's the top student of japan! Yagami Light is so prideful he thinks he's doing something heroic and altruistic, when in reality, his pride was the biggest factor why he started this "kira" thing.

That's why i said drama!Light is closer to manga!Light in this regard. However drama!Light is just a lot more genuine and good in his intentions, but with people screaming in his ear "Kira is our savior! Kira is kami!" it's so easy to indulge to in the voices until you start to believing in yourself that what they say is real. Like waking up the pride and arrogance lying sleep in his subconscious.

This is why the anime differs slightly at Light's origin. Anime!Light is already a man with a "god-complex."

Imagine anime!Light trekking up a huge mountain of praises and he was just one step closer to the peak when suddenly he can't find any stone to further advance in his steps so he just stays there, dormant and bored because maybe this is the only height he can climb with his limited resources but suddenly, a magical rope appears and he uses that to pull himself towards the upmost top. The magical rope was the Death Note. The one thing he was waiting for so he can reach the higher heights.

So when he claimed "I will be god of the new world." you CAN see that this man REALLY believes he is higher that all humans, that he was a "god" over them, and the Death Note was a testament to that.

Meanwhile, manga!Light and drama!Light took its time to actually solidify their god complexes over the course of the series.

Short mention for movie!Light!! A man who had an extremely high sense of justice that actually believed in the justice system so he was heartbroken to know the truth that the system is very much flawed. He gets the Death Note and decides to do what the law can not. So I think he had also developed his "god complex" much earlier than the manga and drama Light because the very reason movie!Light started killing is because "The law is useless, the police is incompetent. My judgement is better and it actually BRINGS results." is a perfect recipe for feelings of superiority over the others.

It's really interesting, how these Light's vary from one another.

[citree]

I saw the new fallout show!!!!!! Had a great time watching it. Burst out laughing way too many times. Everyone losing their minds over timeline consistency and swearing off the show are missing out. Twas a fun romp and a good time 👍 I actually ended up loving several brotherhood of steel characters which was a total surprise to me. Probably had something to do with how wet and pathetic they were

Also Maximus & Lucy are such dorks ❤️ I didn’t even know there was a whole third character besides the dog. why is the entire tag just her and Cooper

[downtherabbitholewithlucy]

Fred looking Sweet in S O U R

[glitchfang]

did. did jessie just call a ten year old girl a prostitute.

[medicinemane]

I don't know... horrible things happen all around the world and it's not a competition

Atrocities are committed against multiple groups in multiple parts of the world at the exact same moment, and none of them erase each other. They all matter, all the people in this world who are being brutalized matter. There shouldn't be any line you draw where one group doesn't actually matter as much as another

You're welcome to prioritize your energy towards helping one group or another, but what's not ok is invalidating or dismissing people who are actively being harmed

Same goes for trying to figure out which social group has things worst (and lets be honest, always using a US lens)

Like... maybe the important thing is to prop each other up and help everyone get on their own feet rather than trying to... pick fights about if physical disabilities or mental illness are less respected (I'm trying to pick a more absurd example but sadly I've seen exactly that argument happen before). Maybe it doesn't really matter and what matters is helping who we can when we can

I'm tired of it, I'm just fucking tired of it. Support people, champion them when the world is just brutalizing them, but you don't need to throw a single other person under the bus to do that

Which seems to be an absolutely impossible lesson for people to learn

[crime-scene-psychic]

Truly did not think I would be half drunk, explaining to my father how to work an Xbox 360 controller in the parking lot of a bar at midnight today but that is certainly how my life goes I suppose