#I say like I've done it more than 1 other time

[local-lamppost]

Initial thoughts cause it's 4am

Spoilers

First off, wow... it's really good. I've been saying that if season 2 is as good as season 1 Arcane would be my new favorite show and we are on track. Anyway, just gonna list stuff until I can process/rewatch a billion times

Mel lived! I was so certain that they would just kill her off, make that Ambessa's motive (give Jayce a reason to keep fighting the Undercity) but it's much more interesting keeping her involved in the narrative. Love her trying to bother understand and undermine her mother. Those Black Rose guys best not have hurt a hair on her perfect head.

Speaking of. What in the Utena are these Black Rose magic people? I love the look of their magic. I wonder how they can corrupt people. Is it a spell? Do they slip them something?

Love how the divide of Jayce and Viktor was done. Jayce betrayed Viktor's wishes of destroying the Hexcore. Last season, Viktor wanted to forget about using the core to save himself after Sky and begged Jayce to destroy it when the core wouldn't allow Viktor himself to do it. In Jayce's mind though, the core is the solution to Viktor's problems. He didn't know it killed Sky or that it can influence Viktor, but all Viktor can comprehend is that Jayce didn't trust him. Didn't keep his promise. And this is fresh off of Jayce's season 1 antics against the Undercity, so Viktor's faith in his partner was already shaken. Viktor's also comfortable in his mortality/death, even though he wants to prolong it like every other human, but Jayce can't fathom loosing Viktor-the man who saved his life and made his dreams reality.

(Side note: Am I a JayVik shipper? I never considered myself one, but after writing this...)

JINX HAS A KID! I love this choice. Give Jinx a kid so she is able to learn what Silco and Vi had to go through with her, that no matter how big or dangerous a scheme to take this child into account. The confrontation in ep 3 really showed what Jinx will have to consider now that this kid's decided to adopt her as an older sister or something. Especially nice detail of how Vi-who has always had to consider the kids in her life-immediately stops fighting and starts looking for ways to keep the kid safe.

I was wondering how Jinx would loose a finger and Caitlyn shooting it off to save Vi is just- The fact that the only way these two can show they care about Vi when it comes to each other is by hurting the other.

Sevika's new arm is fantastic. It's a peace offering from Jinx, but also a way for Jinx to feel better (it was something she could fix). The mechanics of it are really fun. It reminds me of Kite's weapon from HxH with how it didn't always work/give her what she wanted in the fight. I especially love the victory rockets and built in theme song.

Ambessa is so interesting. Between her character song to the introduction of just what she is fighting against, I am very intrigued. She reminds me of Cersei Lannister, except she loves her kids as more than just extensions of herself (as of what we've seen, but I think that'll stick). Her using Salo to establish herself-which also keeps Mel safe by distancing her-but also dropping him in order to prop up Cait at her first opportunity is such a clever move. She truly is the fox and the wolf, but she is above all a mama bear.

Not much to say about Heimerdinger or Ekko yet, but I am definitely curious to see what they do about the wild runes with Jayce. The three of them have a fun dynamic, what with Heimerdinger still being peeved about magic/being ousted, Ekko hating topside and having a new reason to do so with them poisoning his tree, and Jayce being recently seperated and divorced from both his partners.

Vi is an enforcer. I didn't know how they were gonna handle this, but they did it so well. Of course she wants to fix things for the people her sister hurt. She feels responsible. She can say she doesn't blame herself, but how true is that? Why else would she be wearing a badge if not for her guilt? She is desperate to do something right and being an enforcer seemed to be a way to make Cait happy, get her gauntlets (what she believes is necessary to make any kind of change), and be first in line in the hunt for Jinx. She says that her sister is dead, that Jinx is a desecration to Powder's memory, that they are not sisters but isn't it supposed to be 'nothing is going to change that'? How much of all this is just something Vi is telling herself to keep going? Cait is her motive right now, but after ep 3 I definitely see why she starts spiraling.

(2 Side note: Her new best friend/drinking buddy is such a real one. They have a bender in the gutter together and now he's following her into and out of the enforcers. I wonder if he knew Vander? In any case, he is a delight.)

Cait and Vi kissed... CAIT AND VI KISSED! Then NOTHING HAPPENED AFTER! NOTHING! No immediate break up, nope.

So Cait. I love Cait and I am hyped for her arc this season. I am ready to fight tooth and nail for her. I am a Caitlyn defender. So what she's being manipulated into leading a military state due to her grief/unresolved anger/guilt/Ambessa being better at this than her, she looks amazing in her cape. It balances.

Seriously though, the writing for Cait especially is so solid. She is desperate to hold herself and her family together, to protect her city. She still wants to protect the innocent, to heal the Undercity, but her anger at a select few of those she wants to help is clouding the greater image for her. Vi seems to be acting as her better half, the side that cares for the innocent-the protector. Ambessa is the agressor, encouraging Cait to take drastic military action against the Undercity as a whole. Vi's disillusionment with Cait is due to the fact that Cait desire to heal, not harm, is what caused her to fall for Cait to begin with. To see more than some privileged topside enforcer, but a woman who genuinely cared and was willing to abandon her peaceful naivety to learn for the greater good of strangers.

I'll also point out that they separate when Cait starts blaming Vi for them loosing Jinx. Before, everyone but Cait put responsibility on Vi, she was supposed to be the one to help lighten the load and absolve some of the guilt. Now Cait is becoming another one of those who slam the blame on Vi. She changed. Why does everyone around VI change?

Can't wait for the next batch of episodes.

[dropoutconfessions]

Season 2 of mismag has undeniably made me an Evsam shipper. Their relationship just feels so organic and, in my opinion, is developing so naturally. I've never liked Evan/K in the romantic sense, love their dynamic as friends though, their relationship just felt so rushed to me. Now I understand that season 1 was only four episodes so they didn't have an abundance of time to focus on it beyond what they did. To me it was very one sided up until they got together in ep 3, up until that point Evan hadn't said or done anything that suggested he reciprocated in anyway, I know he said after the fact that he'd had a crush on K as well but it always felt out of nowhere and very tell don't show, to me. Now all that being said, if others have different interpretations than me, that's totally valid. The wonderful thing about shipping is that it's subjective, all our interpretations are correct when it comes to our experience of the show, one doesn't take away from the other. What frustrates me is when (some) people have to constantly be like "how can people ship Evan/Sam?! It's so wrong! They're platonic!" Like damn let people have their fun, sheesh, no one's saying you have to ship it too. Anyway, I'm really loving this season and can't wait for more episodes.

-

[blessedarethebinarybreakers]

Hey, just today I've decided to stop seeing my parents and siblings for an indeterminate amount of time, and to possibly even break off all contact if it has to come to that. They refuse to acknowledge me as the person i really am and I can't keep sacrificing my mental health and me up for that. Will you please pray for me? And if it's not too much to ask, do you perhaps have a bible passage to strengthen me during this time? I still want to stay close to God, because I know the way God created me was correct and good. Thank you

~Micha (they/them)

Hi Micha,

What a difficult, courageous thing you've done. I will absolutely hold you in my prayers; I pray you will find relief in having finally made the hard decision, and continue to live into flourishing.

The Bible story that comes to my mind is a strange one, only told by Mark (3:20-35):

Very early in Jesus's ministry, as he gathers followers and gains attention, his family is apparently very concerned.

Perhaps they know this path puts him in danger; or maybe they just worry about his "lifestyle" reflecting badly on them. Either way, they know they have to "take control of him;" after all, he's clearly "out of his mind" (v. 21).

So his mother and siblings hurry to a house where Jesus is teaching, but it's packed so full they can't get inside. So they send a messenger in and also call for him from outside (vv. 31-32). I can just imagine their calls: "Please honey, this isn't like you! Who influenced you to go this way?" "You're the man of the house, you can't just abandon us to hang out with queer friends and say edgy things!" "What will the neighbors say?"

But when Jesus is told his family is out there calling to him, he answers, “Who is my mother? Who are my siblings?” Looking around at those seated around him in a circle, he said, “Look, here are my mother and my brothers. Whoever does God’s will is my brother, sister, and mother.”

We know Jesus's love for his mother. I am sure he loved his whole family with the infinite depth of God. Yet he risks losing them, says hard words he know will probably hurt, because if they make him choose between them and living out God's will, he has to choose God's will.

We don't know whether he ever reconciled with his siblings; they don't appear anywhere else in the Gospels. Maybe this was their last encounter, not even face-to-face. Maybe his brothers could not abide his abnormal lifestyle and chose to cut him out of their lives.

But we do know Jesus reconciles with Mary, the mother who proclaimed divine revolution as a newly pregnant teen (Luke 1:46-55) — yet who seems to waver now, either out of fear for her son or failing to understand that what he's doing now is the revolution.

But I like to imagine when Mary hears what Jesus says about family, the implication that she is only mother to him if she continues to help him in living God's will, she immediately corrects course. She will keep supporting him, even when she doesn't fully understand.

Sure enough, Mary supports him all the way to the cross, all the way to the grave. They are present for each other, comforting each other through the worst moment of both their lives.

[Jesus even fuses his biological family and his found family together from the cross. Now that he will no longer be the "man" in Mary's life who offers her legal and social protection; and now that he won't be there to love on his Beloved, he offers John to Mary, Mary to John. "Woman, here is your son. John, here is your mother!" (John 19:25-27)

Is that queer or what?? As his final act on this side of the tomb, Jesus essentially makes his mother and lover mother-in-law and son-in-law! ...I can't not think of the AIDS crisis, where dying partners would pass their beloved's care over to surviving loved ones.]

___

Jesus always prioritized chosen family over biological family. A biological relative can be part of your chosen family, but belonging to that family is no more automatic for them than for anyone else.

Jesus shows us that when family fails to support us in doing God's will — in this case, taking up the invitation to co-create yourself with God, to commit your own small rebellion against the status quo, to prophecy resurrection as embracing your queerness brings you to new life — they cease to be family in the way that matters most.

That rupture can be mended at any point, if and when those who did harm seek to make amends — and receive consent to do so. Whether or not reconciliation ever takes place, we seek out others who will celebrate us and support us in our efforts to glorify God with our lives.

___

God of love, Hold Micha close in this time of loss and and changed relationships. Comfort them in the knowledge that this rupture is no fault of theirs, but caused by parents and siblings refusing to embrace all they are, and failing imagine a fuller Kin(g)dom, a vaster love, a more colorful Image of God.

Spirit of courage and wisdom, guide Micah towards those who will delight in all that they are. Help them build a family founded on love, equity, and mutual support. Wherever their journey takes them, make your unconditional love, your unwavering presence known to them.

Amen.

[nuclearanomaly]

Sir Aymeric of Waterdeep? ⋇⋆✦⋆⋇ Happy Birthday @aethernoise ⋇⋆✦⋆⋇

[yazmarina]

walk me through it

for the love circuit series

—you're used to being flirted with in front of the camera. but something about franco is really doing you in.

franco colapinto (f1) x fem!reporter reader

warnings/notes: smut, unprotected sex (no condom, yes birth control), guided masturbation, lewd photography, lots of flirting, franco is shameless (naturally), some Spanish sentences and phrases

a/n: will resume hit play for a bit after this one! enjoy franco girlies mwa

Your job was simple enough. Well, for today, at least.

Stand in the media pen, gather statements, and piece together a couple of stories later that evening for publishing first thing tomorrow morning. All in a day's work, like all the other days before.

You've grown immune to the charms of rich, adrenaline-seeking men. Didn't take you too long, the illusion breaking as soon as any one of them opened their mouths. Some you tolerate more than others, but some you'd rather steer clear of completely.

This isn't to say that you've brushed all of them off. You might have agreed to a date here and there but nothing ever stuck, the nature of your jobs a bit too similar and all too different at the same time. You've given up on the prospect that you'll somehow end up with one of the many Formula 1 drivers you've interviewed and spoken to. And you've spoken to a lot. You've had this gig since you were shipped off fresh from uni and one too many 'What happened there?'s and 'Tell me about qualifying's can put a damper on the romantic side of things.

But someone new's in town. Well, er, new in the paddock. And you'd be lying if you said you weren't even a little bit excited.

He's charming, that much you can already tell. He walks into the media pen like he's done it thousands of times before and you have to actively suppress a smile as he walks over. Confidence is always a plus. For the interview, of course.

"Hola, Franco. Antes que nada, enhorabuena," you greet warmly, extending your arm over the barrier to place the microphone nearer to him. Hi, Franco. First of all, congratulations.

Franc's eyebrows shoot up, a wolfish grin settling on his face. "Oh. I thought this was an English interview?"

You smile back. "It is, but I know my way around Spanish, as well."

"Ah," Franco nods. "Gracias, _______."

"You know my name?" You ask, momentarily forgetting that you're being taped and recorded. You clear your throat, ignoring the quiet snicker from your cameraman.

"Yeah, I've seen you around and watched some of your other interviews," Franco confirms, a hand settling on his hip as he leans against the barrier, closer to you.

You can smell his perfume from where you stand.

"Thank you, I've heard and seen a lot about you as well," you respond, trying to return to your original train of thought.

"Which is why I want to ask you how it feels on your first day as a Formula 1 driver," you quickly follow. "Have you done anything special to prepare for this weekend? Other than the obvious, of course."

Another easy smile spreads across Franco's lips. "I've definitely added to my training and done some new things to prepare. I haven't done a full F1 weekend before so everything will be new."

"We definitely don't have reporters like you in the lower Formulas," he adds.

You feel a violent blush rip up through your neck all the way to your cheeks. As if the Monza heat wasn't enough.

"Well, I'm glad you could meet me here," you manage to get out.

The thing is, Franco isn't even the most attractive driver you've met. He's definitely up there, but not the most.

That's a discussion you have with yourself semi-weekly: ranking the drivers in terms of attractiveness, factoring in personalities and general attitudes towards the people around them, specifically the media.

Look, people love to shit on the media and press, calling journalism all sorts of derogatory words, but you're just here to do your job, like anyone else. And it gets pretty fucking hard when your boss is ringing your phone every five minutes demanding four stories by tomorrow and drivers are sassing you out as if you asked them if they've murdered their whole family.

So, naturally, the way they treat you determines a big chunk of how you think your day is going to pan out.

And right now, Franco seems to be lifting your spirits just fine.

"What are your goals for this weekend? Are points on the horizon for you at your first F1 race?" You continue, trying not to stare at the way Franco starts to rub at the back of his neck, bashful all of a sudden.

"We'll try," Franco begins. He plants both his hands on the barrier and leans even closer. You have to physically take a step back.

You gulp. Franco smiles.

"Anything is possible this weekend."

-

"You broke the internet last night."

You scoff, sending your cameraman a vicious side-eye. It's crowded in the paddock today, everyone wanting to get a glimpse of the new rookie, it seems. Such is the eagerness for this young driver that even that 30-second clip of your interview with him blew right up in your face. Your inboxes at capacity, your own voice speaking back to you with every other swipe on your TikTok.

It's not all bad, though. A tweet with one of your Instagram photos attached to it captioned 'TE ENTIENDO MUCHO FRANCO ES MUY LINDA PERIODISTA' did weasel out a chuckle from you.

Your cameraman shrugs, gesturing with a jerk of his head in front of you.

"There he is. I'm sure he knows all about it."

You look over to where he's pointing and lo and behold, Franco is right there, chatting with a few Williams team members, his race suit hanging undone around his waist. He turns to you even before you can fully register that it's him you're looking at.

But your training kicks in even faster. A megawatt smile appears on your lips and you wave enthusiastically at Franco.

"Hi."

"_______," Franco says, face lighting up at the sight of you. Your name seems to fall even more effortlessly off his lips.

You reach over and pull him into a half-hug with one arm, but both his arms wind around you and you have no choice but to squeeze back.

"You saw?" Franco asks, a gleam in his eye as he pulls away. His hand remains casually on the small of your back.

"Saw what?" You know what it is he's asking but you'd like to hear it from him.

"We went viral, no?" Franco says with a laugh, reaching further around you and squeezing your waist. You lean into his touch, heart jumping as his fingers graze just underneath your cropped top.

"That's all because of you," you reason, pointing an accusatory finger at Franco. "I bet you say that to all the other reporters."

The Williams team members standing nearby burst out laughing and even your cameraman affords a snicker. A deep blush spreads across Franco's face as he rubs your side reassuringly.

"No, no, I don't. Just you," Franco admits with another lighthearted laugh.

"Sure," you say with exaggerated skepticism. You pull away from his touch, catching his hand before he slips it fully off of you.

"I'll talk to you later," you say. And it's fully intentional, the words you choose to say. I'll talk to you later. Not 'I'll catch you later' or 'I'll see you later'.

I will talk to you later.

Franco understands, giving your hand a squeeze.

-

Later that day, you pray that no one catches you grinning behind your hand as Franco takes the chequered flag at qualifying.

P11.

Almost there.

-

"Hi. Come in."

Franco beams at you from across the threshold, stepping into your room with slow, measured steps.

"Great qualifying," you compliment, eyes traveling down Franco's body, noting the way his team kit hugs his frame just right, his hands shoved into his pockets, exposing just his arms, veins and all.

Your eyes snap back up to his face when you hear the door shut in place.

"Q2 on your debut. Not bad," you go on, taking a step back. Franco takes one toward you.

"You're just repeating what you said at the media pen earlier," Franco points out. He reaches out and gently circles an arm around your waist.

Always straight to the point.

Like this morning.

You tried not to make it so obvious when you ran into Franco earlier, but all you could think about was The Message.

You were doing your cursory social media checks a few minutes after you had woken up, still snug in your bed and unwilling to get up just yet. A message in your Instagram inbox caught your attention, sitting at the very top of your 'verified followers' tab.

Franco Colapinto: hola, hermosa 😉

It took a minute for your motor functions to return, your fingers hovering over the keyboard as you pored over what to reply. You settled on a nonchalant greeting, asking if Franco needed anything.

You realized rather belatedly that this was looking a little familiar. You wished he wouldn't say the dreaded answer, the more-than-predictable response that every man liked to use.

Franco Colapinto: you, maybe?

You groaned into your pillow, not because you were repulsed by his answer, but because you liked it. If you were easy, then so was he.

You: i finish work at 9 pm tonight...? 👀

It's 9 PM now. Franco's in the room and your hand is running up his chest.

Easy.

"It's such an honor," Franco teases, backing you up further into the room. His hands feel heavy on your waist and your heart hammers against your chest.

"I get to work with people like you now," Franco continues, stopping right in front of the bed.

The kiss comes as a shock more so because of how good Franco kisses. One of his hands is now cradling the back of your head, keeping you in place while he licks into your mouth, groaning with every pucker of your lips.

You pull away for barely a second to get both of your tops off before you dive back in, seemingly too desperate and too starved for each other's mouths. Franco's hands are everywhere; they run down your arms, paw at your waist, tugging at the belt loops of your jeans.

You giggle as he pulls you even closer, your bare chests pressed against each other. Franco pulls back and peers down at you, reaching behind to unclasp your bra. You let it fall, already guiding one of his hands to your tits.

"Couldn't stop staring at them?" You ask, your voice rising with an innocent lilt.

Franco kneads at the mound beneath his hand, eliciting a moan from you. He grins.

"I wanted you to notice," Franco admits simply, kissing you again.

"Perv," you mumble against his lips. Franco laughs, already undoing his trousers.

You wiggle your own way out of your jeans, letting Franco get the shortest of glimpses at your baby pink underwear before you discard them off to the side.

"Mierda, you're so sexy," Franco compliments as you crawl backward onto the bed, laying back and letting your hair splay out beneath you.

Franco pounces on you like a man starved, bare atop your own naked body, his arms caging you in.

"Big moves from somebody so new," you whisper, carding your fingers through Franco's soft locks.

"I like to make a statement," Franco says with a shrug. He glances up momentarily, something piquing his interest off to the side.

"Is that your camera?"

You crane your neck to see where he's looking and sure enough, your personal DSLR is right there on the bedside drawer. You look back at Franco, an eyebrow raised.

"You wanna use it?" You ask, not expecting him to actually say yes. But a mischievous grin settles on Franco's face and you feel your heart skip several beats.

"Knock yourself out," you say.

Franco reaches for the camera and fiddles with it for a few seconds. His eyes scan over your body and you suddenly feel the urge to hide away with how hard he's looking.

"May I?" Franco asks, brandishing the camera. Your mouth falls open as you realize what he's asking.

"You can keep them for yourself. For your eyes only," Franco hurriedly adds, planting his knees firmly on either side of you.

You stare up at him, a million thoughts running through your mind.

"Just...touch yourself."

You gasp, stunned at his proposal. Franco watches through the LCD monitor, glancing up at you through his lashes. Your bottom lip slips between your teeth, and as if on instinct, your hand inches down slowly between your legs.

"You're in front of cameras all the time," Franco reminds with a smirk. "This should be easy for you."

You suppress a whimper at his words, your fingertips swiping through your slick folds. You're already soaked and you start to wonder if it started even before Franco got here.

The shutter clicks and the lens whirs, sharp against the soft breaths you're letting out. Franco is concentrated, snapping photo after photo as you rub yourself closer to release. But it's not enough. You need more.

"Franco...," you implore, peering up with bright, begging eyes.

"Slowly, mi amor," Franco coos. "Just where you like it. Right there."

Click.

"Harder now, but still slow. Yes? Feels good?"

You whine, eyes fluttering shut as your pleasure picks up again. Several clicks. You're panting now, the tendrils of release wrapping themselves around you.

"Faster, yes, like that," Franco eggs on. Your fingers speed up against your sensitive clit and a litany of Franco's name spills from your lips. Before you know it, he's putting the camera away. You reach for him, gripping the back of his neck as he smashes his lips into yours.

Franco bites down on your lip and you cry out, your orgasm washing over you like a tide. You arch against Franco, feeling his own stiffness heavy on your thigh.

You blink, Franco's face coming into focus, barely an inch from yours. He watches you closely, pupils blown wide and plump lips even redder. You hook your legs around his waist, letting him know that you're not done yet.

Franco is quick to pick up, smiling as lines himself up with you. The groan that escapes him is nothing short of delicious as he pushes himself in. You gasp along, the stretch a welcome sensation.

Franco wastes no time and pounds right into you, catching you by surprise. You let your head fall back against the mattress, a long, drawn-out whine erupting from deep within your chest as Franco licks a stripe up your neck.

Your whole body quakes with how hard he's thrusting into you but you're clearly enjoying it if your wanton moans are anything to go by. Franco meets your eyes and you pull him down, wanting nothing more than to drown in those lips of his.

It's feral and it's unrestrained, spurred on by the knowledge that this is more than unprofessional in your line of work. Not illegal by any means, but risky enough to warrant warnings from your coworkers. Never sleep with a driver unless you're committed.

Oh, well.

Franco groans loudly in your ear, movements losing their rhythm as he speeds up. You're clinging to him as if he'd disappear if you let go, your own belly tightening once more with that familiar feeling.

Franco. Franco. Franco.

He kisses you just as he finishes. Passionate, eager, heady. You feel him inside you, a different kind of elation filling you as you release all over him.

Franco pulls away to allow yourselves to breathe. He pulls out, rolling over to your side. You hug your folded knees to your chest, too lazy to get up and find something to deal with the mess.

"No hagas eso. Eso es demasiado doméstico," Franco jokes, moving closer and planting a kiss to your shoulder. Don't do that. That's too domestic.

"Relájate, estoy usando anticonceptiva," you reassure with a lighthearted roll of your eyes. Relax, I'm on birth control.

Franco hums, laying an arm over you. He pulls you close and you face him, reaching up to brush away some of his unruly hair.

He plants a gentle kiss on your forehead.

"Happy that you're a Formula 1 driver?" You ask, grinning.

Franco chuckles. "Very."

[sonicboomseason3]

a brief recap of what has been going on with the sonic movieverse in the past several months:

paramount has come out in public support of israel

keanu reeves, a man who has publicly rubbed elbows with none other than benjamin netanyahu, reportedly gets cast as shadow for the upcoming third movie

james marsden, the guy who plays tom, got exposed as having written a letter of support for a convicted pedophile

there's fucking??? zionist propaganda in the knuckles series???

kind of connected to the last point but adam pally, the guy who plays wade, is evidently pro-israel too

this is a complete and utter joke.

EDIT AS OF 4/30/24: if people see this version of the post, i'd really appreciate it if you reblog it instead of the other versions, as it's the most updated one with all the information that i want included. thank you :]

you know, it's been a few days since i've made this post, and some of you (not most) are staying determined in defending/justifying/giving the benefit of the doubt to keanu for that photo with netanyahu, whether it's because "it was a decade ago," "him being civil to someone he ran into at a party one time doesn't mean anything," "he's probably just silent because his pr managers won't allow him to speak up," etc. i've made my thoughts on the matter quite clear by directly responding to these people, but at this point, i'm tired of both seeing them in my notes and repeating myself, so take this as my final word on the issue.

i can't help it if you don't think the photo with netanyahu is damning, and i'm done engaging with everyone going out of their way to tell me that. i obviously disagree, especially after finding out that 1. the host of the party, arnon milchan, is a former israeli spy who has a history of developing israel's nuclear program and promoting apartheid in south africa (information that had broken out a few months prior to the party and thus would've been fresh news around the time keanu chose to attend) and 2. keanu has been caught hanging around at least two other weirdos, but if you don't find any of that to be cause for reasonable concern, then there really is nothing else i can say afaik.

with all that said, i'm beginning to realize how strange it is that these people's first instinct when seeing this post is to start debating about keanu's political stances without ever acknowledging any of the other bullet points. you guys realize that this isn't just about him, right? i know tumblr reading comprehension is known for being piss-poor, but like… you realize that i was trying to make a point of how there are MULTIPLE terrible things that have broken out about the people and company involved in the sonic movies, right? and yet, a lot of the people leaping to speak on keanu's behalf in my notes are completely ignoring the parts where i bring up paramount, pally, etc. all in favor of zeroing in on the singular point about keanu and making bad faith assumptions about me for holding him accountable. really makes one wonder where your priorities lie if, in a post that talks about so many other things, me accusing an a-list celebrity with, according to google, a net worth of almost $400 million is where you draw the line and apparently the only thing worth your acknowledgment.

ultimately, what i'm trying to say is that the intention of this post was just to gather up everything that i had been hearing for the past several months and put it all together in one place. there were a bunch of people who didn't know about at least one of the bullet points before seeing this post, and i'm glad that i could help inform them, that was what i was hoping to do! but as for the keanu thing, i've said pretty much all i can say for now, and i don't want to derail the original post even more than i may have already. unless something new comes up, i'm done talking about him.

[idolomantises]

Wasn't sure when it would be the best time to discuss this, but since the ending is drawing near... yes, Bugtopia is ending.

It was a decision I really wrestled with myself for months over it, before finally concluding that letting it end after 40 episodes was the better option. Just to be clear, webtoons did not force me to end the series. They even offered to give me a pay raise to continue the series. It was my decision due to a multitude of personal factors. I'll just repeat what I said on my patreon:

I just want to say, first of all, thank you all so much for patiently waiting for my series to release and for supporting my work as I began developing the series. Bugtopia was a series I genuinely loved and adored and it made me feel so incredibly happy that people were turning their heads towards a series about weird bugs and their natural lives.

However, as you can probably guess, it pains me to say that I am concluding the series after season 1. I had 4 seasons planned with new characters to introduce, but unfortunately, I cannot see myself continuing to work with Webtoons and I want to pursue other projects.

This decision was due to a compiling number of issues with the company, the final straw was when they had a mass layoff, fired my editor that I've been working with for two years, and did not inform me for a week, leaving me in the dark until they randomly assigned me with someone else. My new editor is great and I'm glad I'm working with someone so patient and understanding, but this decision to fire my previous editor, the one who got me the job to begin with, without prior warning made me feel disrespected and disregarded, and it killed all motivation I had for properly completing the series.

I also felt incredibly overworked, I was spending vacation days working on comics and avoiding time with family just so I could get something done for webtoons once I come home. I feel like so much time was being wasted away for a company that paid me so little that I had to work twice as hard building up funds on my patreon. Bugtopia just ate up so much of my time. The pay also didn't make up for it. It's commonly assumed that webtoons authors make about $800 for the episodes they do, but that's not true. In fact, you can make far less depending on the amount of panels expected for your contract. It doesn't help that the artwork i did for banners and promotions were all things I had to draw and didn't get paid for, and the work I gave was either tampered with or scrapped, making me feel like I spent more hours of my day wasting time. There were also comics I had to censor and scrap, likely due to another series being in hot water for its racially insensitive content. But it was just extra work I wasn't being paid for. It also frustrated me because I was seeing other series with far more explicit content getting away with a slap on the wrist (turns out you can't say "fuck" anymore without it being hit with a mature rating, disappointing!)

In all honesty, it just felt like webtoons needed me more than I needed them. I was making more money from patreon in a week than I was making from webtoons in a month.

Personally, while I don't really regret my time with Webtoons and met some great people along the way, I honestly don't think any artist should work with them. You will be severely overworked and underpaid, and will barely be featured in ads unless your series becomes an instant hit immediately. It doesn't really matter how successful you are, you're just a product to Webtoons, put yourself above the corporation.

I have tried my best to provide you all with a satisfying conclusion to Bugtopia, even if some episodes may feel rushed or incomplete, but I completely understand if the conclusion isn't to your liking and I do apologize, but I could not continue working on this series if this was the mistreatment I was going to continuously get. I owe a massive thank you to my editor and assistants for helping me complete the series, I truly don't think I could have ever finished it without them.

Though I am done with Bugtopia, that does not mean I want to stop projects entirely, so please don't feel bad for me. I have a lot of upcoming projects and ideas in the works, and I'm still continuing the Monsters and Girls series.

Will Bugtopia ever return... possibly. I retain complete ownership of the series after a few years, and I wouldn't mind continuing the canvas series (or possibly starting over). Unfortunately I don't think I can continue the Webtoon Original as it belongs to webtoons now, but never say never I suppose!

[flightyalrighty]

FIRST | PREVIOUS | NEXT CH 1 PG 36

Infested will return on June 27th. --- Thank you to the following Ascended supporters: @chaogongoozles, @fiiresiidefrfr, @elizard4227, @grogar, Ezzoh, @susivoi, @calculuscacophony, Eros, @ivycorp, @summersdale @borrelia, @mizukiz, @sanicdetails, @combinegrunt-echo-1, Pica, @veeceear, @quackenburt, ItsmeMonarch, @memendoemori, @trans-girl-sonic, & savarsenic

Content Warnings | Store | Ko-Fi (Discord!) | Read On Comic Fury! DISCLAIMER: "Infested" is a horror comic ft. content not suitable for those under the age of 17.

A long-winded looking back on things below the cut:

The first few pages of Infested were uploaded to this blog on March 2nd, 2023 -- Over a whole year ago! I was so busy, too, that I completely missed its birthday (Sorry Infested). Looking even further back than that, the original story was was something I began writing on December 25th, 2022 (Merry Christmas).

It took two years to get to this point.

And hey, not to toot my own horn about it, but completing even one chapter of a webcomic is a big deal. Especially for me. My first webcomic, Fight/Flight, didn't get very far. I completed the prologue, started Chapter 1, and then had to drop it for a number of reasons (I didn't really agree with what baby-me had to say, politically, anymore).

This comic was born from a lot of intense feelings. The story, itself, too. Some good. Some bad.

I had been forced to move away from my hometown, and with that move, I lost the physical connection that I had to all of my friends. I lost the familiarity of a place I'd known for most of my life. I'm now stuck somewhere... Worse. It felt like a cage. Still does. Disconnected from the life I thought I would be living after college. I didn't have health insurance, either -- Got kicked off of it because of the move -- And as a result, I was off my antidepressants.

So there I was, at a pretty low point in my life. I miserable and lonely and every single day dragged on. And on. And on. And I felt so disappointed in myself. That disappointment became self-loathing, and it all kinda spiraled.

Have I mentioned that I'm a huge Sonic fan? I don't think I need to. I'd say it's pretty obvious. But for the sake of this story, I'll say it again: I'm a HUGE Sonic fan. I've been that way since 2003 with Sonic Heroes. The franchise has been in my life for over two decades. I had a monthly mail subscription to Archie's Sonic the Hedgehog. Sonic the Hedgehog was something that I truly loved more than any other piece of media. It brought me endless joy. Until I didn't.

I had dropped Sonic after Lost World was... Itself. I had already felt pretty irritated with the Meta Era, and Lost World was the final straw. The last bit of hope that the series could recover was snuffed out when Forces was released. It was over. I was done. If Sonic was truly that embarrassed by itself, if they had truly lost touch with what made the series so great, then I wouldn't waste my time any longer. I was so sure that I had to just... Grieve and move on. My beloved childhood game series was dead. Long live the king or whatever. I'd just bitterly read IDW Sonic and think about what could've been. I was lucky to have that comic, at least. Archie had been canceled, too, after all. I was lucky to have my scraps.

Then Sonic Frontiers came out. And it changed everything.

And my god, it was everything. It was everything to me. Flaws be damned, it was everything. To. Me. The spectacle. The serious tone. The vastly improved writing. Kellin Fucking Quinn. It was FUN! It was actually FUN to PLAY. He was back. I was back. Sonic pulled me by my hand out of the ocean of misery I'd fallen into, and he looked me in my eye and he said;

"Hey. You're gonna be alright."

Metaphorically speaking. Sonic The Hedgehog didn't actually literally speak to me -- And sure, okay, maybe it's a little dramatic to describe a game as this great Depression Annihilator but I'm dead serious when I say that, for that time, before I was able to get back on my meds, I was self-medicating with Sonic.

Sonic was all I was thinking about. I reread the Unleashed arc in Archie Sonic, which got me sorta realizing something, and which led to my post where I said something along the lines of "Sonic would hide a zombie bite."

Archie Sonic would, at least. Because he basically did do that in the Unleashed arc of that comic. He let that problem fester until it became an even bigger problem because, ironically, he didn't want to be a problem.

So one thing led to another. I thought more about Sonic becoming a zombie. Bada-bing, bada-boom, Infested was born.

I didn't expect it to get the attention that it did. I felt lucky when the first page I drew Rouge on (Page 6 I think?) blew up. The right people saw it at the right time. I'm extremely grateful for that.

I'm extremely grateful for all of you.

So yeah, one chapter. Woo! Here's to many more.

[burntoutdaydreamer]

Weird Brain Hacks That Help Me Write

I'm a consistently inconsistent writer/aspiring novelist, member of the burnt-out-gifted-kid-to-adult-ADHD-diagnosis-pipeline, recently unemployed overachiever, and person who's sick of hearing the conventional neurotypical advice to dealing with writer's block (i.e. "write every single day," or "there's no such thing as writer's block- if you're struggling to write, just write" Like F*CK THAT. Thank you, Brenda, why don't you go and tell someone with diabetes to just start producing more insulin?)

I've yet to get to a point in my life where I'm able to consistently write at the pace I want to, but I've come a long way from where I was a few years ago. In the past five years I've written two drafts of a 130,000 word fantasy novel (currently working on the third) and I'm about 50,000 words in on the sequel. I've hit a bit of a snag recently, but now that I've suddenly got a lot of time on my hands, I'm hoping to revamp things and return to the basics that have gotten me to this point and I thought I might share.

1) My first draft stays between me and God

I find that I and a lot of other writers unfortunately have gotten it into our heads that first drafts are supposed to resemble the finished product and that revisions are only for fixing minor mistakes. Therefore, if our first draft sucks that must mean we suck as writers and having to rewrite things from scratch means that means our first draft is a failure.

I'm here to say that is one of the most detrimental mentalities you can have as a writer.

Ever try drawing a circle? You know how when you try to free-hand draw a perfect circle in one go, it never turns out right? Whereas if you scribble, say, ten circles on top of one another really quickly and then erase the messy lines until it looks like you drew a circle with a singular line, it ends up looking pretty decent?

Yeah. That's what the drafting process is.

Your first draft is supposed to suck. I don't care who you are, but you're never going to write a perfect first draft, especially if you're inexperienced. The purpose of the first draft is to lay down a semi-workable foundation. A really loose, messy sketch if you will. Get it all down on paper, even if it turns out to be the most cliche, cringe-inducing writing you've ever done. You can work out those kinks in the later drafts. The hardest part of the first draft is the most crucial part: getting started. Don't stress yourself out and make it even harder than it already is.

If that means making a promise to yourself that no one other than you will ever read your first draft unless it's over your cold, dead body, so be it.

2) Tell perfectionism to screw off by writing with a pen

I used to exclusively write with pencil until I realized I was spending more time erasing instead of writing.

Writing with a pen keeps me from editing while I right. Like, sometimes I'll have to cross something out or make notes in the margins, but unlike erasing and rewriting, this leaves the page looking like a disaster zone and that's a good thing.

If my writing looks like a complete mess on paper, that helps me move past the perfectionist paralysis and just focus on getting words down on the page. Somehow seeing a page full of chicken scratch makes me less worried about making my writing all perfect and pretty- and that helps me get on with my main goal of fleshing out ideas and getting words on a page.

3) It's okay to leave things blank when you can't think of the right word

My writing, especially my first draft, is often filled with ___ and .... and (insert name here) and red text that reads like stage directions because I can't think of what is supposed to go there or the correct way to write it.

I found it helps to treat my writing like I do multiple choice tests. Can't think of the right answer? Just skip it. Circle it, come back to it later, but don't let one tricky question stall you to the point where you run out of brain power or run out of time to answer the other questions.

If I'm on a role, I'm not gonna waste it by trying to remember that exact word that I need or figure out the right transition into the next scene or paragraph. I'm just going to leave it blank, mark to myself that I'll need to fix the problem later, and move on.

Trust me. This helps me sooooo much with staying on a roll.

4) Write Out of Order

This may not be for everyone, but it works wonders for me.

Sure, the story your writing may need to progress chronologically, but does that mean you need to write it chronologically? No. It just needs to be written.

I generally don't do this as much for editing, but for writing, so long as you're making progress, it doesn't matter if it's in the right order. Can't think of how to structure Chapter 2, but you have a pretty good idea of how your story's going to end? Write the ending then. You'll have to go back and write Chapter 2 eventually, but if you're feeling more motivated to write a completely different part of the book, who's to say you can't do that?

When I'm working on a project, I start off with a single document that I title "Scrap for (Project Title)" and then just write whatever comes to mind, in whatever order. Once I've gotten enough to work with, then I start outlining my plot and predicting how many chapters I'm going to need. Then, I create separate google docs for each individual chapter and work on them in whatever order I feel like, often leaving several partially complete as I jump from one to the other. Then, as each one gets finished, I copy and paste the chapter into the full manuscript document. This means that the official "draft" could have Chapters 1 and 9, but completely be missing Chapters 2-8, and that's fine. It's not like anyone will ever know once I finish it.

Sorry for the absurdly long post. Hopes this helps someone. Maybe I'll share more tricks in the future.

[weneeya]

What about clingy gf!? Like the JJK boys with a girl who’s super clingy.

clingy girlfriend w/ jjk men pt.1 / pt.2 m.list | rules

note. thank you for your request! I love the idea of them with a clingy girlfriend omg hope you'll like what I've done! feel free to ask for stuff <3

Gojo Satoru 

clingy himself so never complaining 

always glued to each other  

loves when you’re being clingy first 

Satoru was sitting on the couch of your apartment, waiting for you to get ready. You just left to take a shower but it was taking longer than expected. He didn’t say anything though, giving you all the time you needed to make yourself even prettier than usual. 

Suddenly, he felt arms coming from behind him, putting themselves around his neck. It was you, obviously, and soon your head was resting against his. A slight smile appeared on his lips before he rested his hand on your arm, stroking it softly. 

“You’re okay?” he asked, not moving from an inch. You simply hummed as an answer, eyes closed like you were about to fall asleep. “Needed you,” you said in a low voice which made Satoru chuckled. You were so clingy, sometimes he wondered who was the worst between you and him. Even if you were probably on the same level. He knew he was acting just like this all the time. 

“Come here,” he said, grabbing your hand to make you move from behind the couch to get in front of him. He made you sit on his lap and both of you stayed silent. You were like this all the time, and sometimes people wondered if you weren’t glued to each other. But you didn’t care, because you were both happy with the other being so clingy. 

Geto Suguru

finds it adorable 

thinks you’re so cutest when you ask for attention 

always ready to give it to you

Suguru was currently reading a book, while you were sitting right in front of him in the library. You were sighing, again and again, because of how bored you were. Not only bored, but only missing some attention. You wanted your boyfriend to be taking care of you and not being busy with this stupid book which was apparently way more interesting than you. 

You sighed once again, louder than the previous times, and Suguru raised his eyes from his book to look at you. He slowly raised an eyebrow, and the only answer you gave to him was a pout on your face. A smile appeared as he seemed amused by your behavior. He wasn’t stupid, he knew very well what was the problem here. 

He put his book to the side, now completely focusing on you. You seemed a bit surprised, blinking a few times before you looked away, your face a little warmer than before. 

“What? You have all my attention, isn’t it what you wanted?” he said, and you simply stammer some unintelligible words. He laughed softly and you looked back at him, before he took your hands between his. He guided them to his lips, leaving a kiss on the back of each of your hands. He always loved to give to you the attention you needed. 

Nanami Kento 

doesn’t really mind 

if it makes you happy, then it’s good for him 

never pushing you away

Kento was sitting at his desk, working on some very important papers that couldn’t wait any longer to be taken care of. It had been a few hours since he started to work and you were starting to miss him a bit too much. You knew he didn’t like to be disturbed when he was working, but you also knew that he wouldn’t tell you no either. 

After knocking at the door, and hearing him telling you to enter, you got inside of the office. He was still working, not even looking at you when you arrived next to him. You looked at him, a sad pout on your lips. 

“Kento, please..” you said, not explaining anything more. You knew he was going to understand what you meant. He simply put a bit more space between him and his desk, softly taping his thigh. You couldn’t help but to smile, coming on his lap in a second. 

You rested here, against his chest, sitting on his lap while he was working. You didn’t need more than that, you just wanted to feel his warmth against you and to know that he was really here with you. 

Toji Fushiguro

acts like it’s annoying, always complaining 

secretly loves it

something feels off when you’re acting differently 

You had been pushed away by your boyfriend, Toji, for the third time this week.You were a bit insecure all the time and his behavior towards your clingy habits wasn’t helping at all. He was always complaining when you tried to be close to him, and you were starting to think that he was hating it. So you decided to stop trying for the rest of the week. 

He had been alone in the apartment for a long time, he started to realize it. It was weird, you would never leave him alone for so long usually. Something was feeling off, and he didn’t like that. You were sitting on the couch, reading a book in silence, when he entered the living room. His gaze rested on you, and he came closer with no hesitation. He cleared his throat and you raised your eyes to him. 

“Mh? What’s wrong?” you said, and he raised his eyebrows. He couldn’t believe that you were really acting like it was normal. “Seriously? It’s been almost three hours since I saw you!” he answered, clearly annoyed by the situation. You frowned slightly, putting your book on the side.

 “I thought you didn’t like me being clingy?” he sighed, shaking his head from left to right at your words. “It’s not that. Just, please, don’t stop. It’s weird.” you were a bit surprised by his words. You didn’t expect him to react this way. You tapped the place on the couch next to you, and he sat here. In a second, you were resting between his arms, a smile on your lips. Everything felt way better like this, for both of you. 

Itadori Yuuji

always happy when you’re hugging him or clinging to him 

makes him feel loved 

almost starts to act like you 

Yuuji was talking with Megumi and Inumaki, a smile on his lips as always. Everything seemed to be okay, as they were talking about Yuuji’s improvement, or stuff like that. Until you arrived behind him, giving him a back hug with no hesitation. You missed your boyfriend so much, even if you saw each other the day before. 

When Yuuji felt you hugging him from behind, his smile grew even more, becoming as bright as ever. He rested his hands on your arms as your head peeked from behind his shoulder. “Hi guys,” you said, and they answered you in different fonts. You didn’t want to intervene in the discussion more than that, you just wanted to see your boyfriend because you missed him 

Everyone was used to this : you were always close to Yuuji, no matter what could be happening. You just needed to be close to your boyfriend, feeling him close to you. It was like a vital necessity. And Yuuji was never complaining. He loved having you close, it just made him feel loved like he needed to. In the end, your relationship was working well this way. 

Megumi Fushiguro 

a bit embarrassed because not used to it 

not as affectionate as you but doesn’t love you less 

never complaining because he knows it makes you happy 

You were outside with your boyfriend, Megumi, walking peacefully in the streets. You were talking about what you did during the week while he was silently listening to you, his eyes looking at your face from time to time.

While you were walking, you decided to grab Megumi’s hand in yours, holding it softly without saying anything about it; He looked at you, eyes wide, but didn’t let your hand leave his. He wasn’t the type of boyfriend to be very affectionate, you knew it ; and you were always reassuring him about the fact that it wasn’t a problem because you loved him for what he was. 

He was always taken by surprise when you were being clingy in public with him, even if it was something discreet because you didn’t to make him feel uncomfortable. After calming his comprehension problems, Megumi simply blushed very discreetly, squeezing your hand so slightly but enough for you to feel it. He wasn’t as demonstrative as you, but he loved you just as much as you did with him.

I really love doing hcs like this it's really fun pls do not hesitate to ask for more stuff like this!!

[all-purpose-dish-soap]

02 / 627 words

You challenge Gaz to a pushup competition. And lose. What did you think would happen?

He keeps at it, though, maybe as a flex. Half-envious and half-curious, you lay on your stomach with your arms folded under your chin and watch him go. Gaz pushes himself up and down at the same even pace. You could always saboratge him, shove him over, but the satisfaction wouldn't last. Especially with his self-righteous ass taking it as permission to be a martyr about it. Wouldn't be the first time.

"Can you do those one-handed?" you ask him.

He glances at you. "Doesn't do much good for my triceps, but yeah, I can handle it."

"So what? Triceps, pff. The point of one-handed pushups is looking cool."

"If you can pull it off."

"Can you?"

"Obviously."

Gaz pushes up a little harder, repositioning one hand so it's centered under him when he comes down. The other hand he puts behind his back. To your disappointment, he continues with ease. He holds his body in perfect alignment despite the sheen of sweat glazing his skin.

"Wow, fine." You make yourself sound as unimpressed as possible. "Of course you can do it with your dominant arm. What about the other one?"

Gaz switches sides without missing a rep, making it look just as easy. You frown.

"That what you meant?" he asks.

"Yeah. Yeah. Okay, that was smooth," you admit.

"It's all in the form. Keep everything straight and taut. Can't do it properly if your body's all loose and jerking around."

"Uh-huh," you say absently. "What about weighted pushups? Like what if there were something on your back?"

"I've done it before. How come you want to know?"

"Just wondering what if I, like, sat on your back while you did it. Do you think you'd be strong enough?"

"Ah, is that it?" Gaz grins. He pauses his reps with his arm taught but slightly bent, bracing him in a plank. "Try it."

"Really?"

"I can take it."

"I'm heavy."

"Mmm, sure you are. Come on."

Gaz lowers himself to the ground. You hesitate, but he's not letting you back out. He's calling your bluff and he knows it.

"Chickening out?"

You huff and push yourself to your knees. "You wish."

You feel like a ton of clumsy bricks, lowering yourself down onto his back. You really try not to think about how your hand lands right above his shoulder blade or how his tank top leaves so much of his muscled back and shoulders exposed or how your ass slides against the firm curve of his lower back. You pray you're not too heavy. But Gaz either doesn't notice or doesn't mind. As soon as you're situated, draped over him sort of on your back and sort of on your side, he resumes his reps. Slower. Like he's accommodating you as you adjust.

You keep as still as you can. Gaz is as focused and professional as ever. But this is a bit more intimate than you anticipated. Damn him for forcing you to contend with the consequences of your actions. It's impossible not to notice and feel his back muscles at work. His strength is impressive. You're dismayed at the very idea that you thought you could beat Gaz in a test of arm strength. Hubris, that's what it was.

"Is this... helping? The weight?"

"Helping my training? Yeah, it seems to be working. You're good resistance."

"Oh. Thanks. Glad to be of service."

"Yeah? You feel alright on top of me?"

Your cheeks go a little pink at his phrasing. "Yeah. Best seat in the house."

"Is it?" Gaz wears a cheeky smirk, though you can't see it. "Keep it there, then. I like a little extra motivation."

...

[part 1] / part 2 / part 3 / part 4 / part 5

more Gaz / masterlist tag

[gotham-daydreams]

Not Tonight

[Platonic! Yandere! Neglectful Batfam × Gender Neutral! Sibling Reader]

[Warnings: Mentions of Neglect, Reader generally not having a good time.]

(Not proofread. Not too much Yandere shown. Mostly angst with Reader. Set up(?))

2nd chapter here. Chapter 3 Pt. 1, Pt. 2. [Series Masterlist]

๑۩۞۩๑————————————————————๑۩۞۩๑

How many times have you heard them say that? How many times have you tried to do something with them, to share your passion — or even just have some coffee with them, only to hear them say that phrase time and time again.

"Not tonight."

Well, what if you didn't ask them during the night? What if you asked them in the afternoon, or just when they were already up and about?

"Sorry! I can't right now, patrol reeeally kicked my ass last night. Besides, I have some other things that I have to get done, but maybe next time! For sure!"

Okay, right. That makes sense. Sometimes their line of work can be tough and draining, especially when someone is trying to run Gotham to the ground that night. So what if you just try to ask them when they aren't so busy? It may really limit the times you can ask... but you'd still try. Maybe it could also help if you asked for smaller things, like if they'd just like to spend a little time with you before going out again, or if you could just hang around them for a while? Nothing big, and anything was fine. Even if it was just sitting next to them, and having some small talk. Or maybe just the sitting part if talking was too much.

You'd take anything at all.

"I'm actually heading out right now, so I can't stick around. Go ask someone else."

"Can't you see that I already have enough compang with Titus here? Go bother Drake or something, I don't care."

All you could hear was snores past the door when you went to ask. So you moved onto someone else, hoping for a yes as your heart began to squeeze.

Someone had to agree eventually, right?

You begged the Gods as you traveled down the long halls. The chills of reality creeping up on you.

"Sorry, I'm going out to hang with some friends, but maybe next time!"

"..." She just looked at you before shaking her head, and taking her leave.

"I've got something to do at the moment, sorry, but hey, maybe you could ask your old man? Oh! Or maybe Alfred. That's a good idea."

Dick was out in Bludhaven, and you didn't want to bother Barbara considering how bisy she must've been the other night. So, you had no other choice. You asked, heart bleeding from how hard it squeezed.

"Not now."

Simple, to the point, and sharp.

Bruce's words were as cold as ever, and yet the echo in the cave only seemed to make the gap between you and him feel so much bigger. Even as you just nodded, eyes pointed to the floor. Taking your leave with a soft sigh that barely escaped you.

The elevator ride was longer than you remembered. The cold chill in the air grew freezing even as you stepped out, and now stood in one of the many halls in the Wayne Manor. Portraits and pictures decorated the walls, their painted and photographed eyes staring at you. Their gaze far from soft, but at least it was present. At least they, in that way, felt present.

You swore the only times they ever smiled at you that wasn't faked, or just for the sake of appearances was in those paintings and photos. Honestly, it was also probably the most times they've even looked at you too, and as sad as it is — you did say you'd take anything, right?

A 'no' or 'maybe' was part of that anything, technically. It's just not what you were hoping for.

Sighing again, you stared up at one of the portraits, eyes shinging under the lights as everything you refused to say made itself so clear for a moment. You didn't want much, and never asked for more than what you were given. You didn't think so anyway.

You always followed the rules, you did more than just excel in all your classes no matter how hard it was for you to understand certain things, and you even tried to get into things your family seemed to enjoy without pushing too hard.

You studied up on all the pets Damian had so that you could not only care for them properly, but maybe even take care of them with him some day. You played games and read reviews on games you saw Tim play just for a chance that maybe you'd get the opportunity to play with him. You picked up boxing and have even been practicing your aim with an airsoft gun, and have also been going to certain place when you could to practice using real guns and learn about them just so you'd maybe be able to have a conversation with Jason, and even connect with him in some way. You even read nearly all the books in the library just to have a sliver of hope for something, anything.

You learned sign language in three different languages and tried to find out what Cassandra was interested in, just to have some kind of interaction with her. Even writing on small note cards in serval other languages in hopes she'd give some kind of response, even if you forgot to put your initials and such more than several times. You participated in gymnastics in hopes of getting closer to Dick. You tried to find out what Barbra was into so you could also hold up a conversation with her if given the chance. You've tried to match Stephen's energy and do things she likes and have even taken up material arts as a means to maybe be a little closer with everyone!

Yet it never seems like enough.

Your schedule was so packed and filled with activities and extra lessons of all kinds, just so that you could feel like you had something in common with someone in this family. So that, when given the chance, you'd be able to form a connection with one of them and your efforts and sacrifices wouldn't be in vain. Though that still had yet to happen.

You weren't even a vigilante as you tried to persue your own passion and dreams, and yet that one single thing seemed to be keeping you away from everyone else. The one thing you were unwilling to do for them just seemed to make the gap between you and the rest of the family grow bigger. They're constant and continuous dismissals only seemed to further that point.

Just... what were you doing wrong? Was you not being a vigilante and constantly putting yourself at risk every night really putting that much of a dent in your relationships? Did your dreams really get in the way of that? Just because you didn't want to put yourself in danger? Just because you wanted to pursue music instead?

You took up art despite not being super interested in it before. You've been reading all of your life. Your stretched, ran, exercised, cooked, cleaned, organized, sang, wrote, danced, and even sculpted. You picked up almost any hobby someone could have under the sun, even if it began to feel like a chore and a job to you, just so that you could have something, anything in common with this family.

Though now you've gone through countless 'hobbies', and dropped many more since nothing seemed to be working, it... it still didn't feel like enough. Like you had to be doing something more despite having lost countless hours of sleep, just to go through the list of hobbies you had written down that you had left to try. You even took up some sports you were somewhat interested in, and yet nothing clicked.

Though is that really surprising when no one noticed how many times you snuck out for lessons and practice, or how long you were out? When you'd even forget to return to the Manor sometimes, and anyone still had yet to notice you were even gone in the first place?

... You couldn't help the small chuckle that escaped you. It was broken in every way, and yet empty all the same. Maybe you were finally taking after Bruce, but you wouldn't get your hopes up.

You looked up at the painting as if it'd give you all the answers, and yet dismiss you at the same time. The disappointment you felt was normal to you at this point, but the aching pain that came after was always the hardest part. Yet you still stared at the painted faces as if they were your real family, and the people close to them. Looked at the calculated and skilled brush strokes as if they'd give you what your family couldn't. What they refused to give you at every twist and turn, no matter how much you tried to accommodate to them. To do things for them. To just feel worthy enough to stand by their side. To be closer to them.

Though in the end, it is only that. A painting. A well crafted piece that, no matter how skilled the artist, could never truly capture how distant and vague they felt when you were the one standing to the side. No matter how much experience the painter had, they'd never be able to express and show how this poor excuse of a family felt to you, because they were only like that around you.

Maybe you'd feel special if it didn't make you feel like you were wasting your life living like this...

Eventually, you were able to tear you eyes away from the painting. The moon beginning to rise as you were sure the Manor was becoming more empty than it usually was, as more of its visitors and residents left.

The painting itself was nice even if it was one of many that didn't include you, with the number of photographs without you in them being much higher. Honestly, it used to be one of your favorites despite how bittersweet you feel about it now.

You still remember that day, but that would be implying that you forgot the others.

Regardless, you managed to pull yourself away from the spot you had been stuck in for the few moments you were trapped inside your own head. You tried to make yourself feel a little better, and give yourself some reassurance that maybe tomorrow would be different some how, and if not? Perhaps the day after, and the day after that.

Yet it all failed as you passed by more and more memories. Some were events you had participated in, sure, but the pictures made it look like you were never there in the first place. Heartwarming moments littered the halls, but you only recall seeing them from a distance — or being aware that the moment had even happened only when you saw the picture be put up.

It was like the very universe was trying to send you a sign with your constant failures and your family's persistence, intentional or not, to keep you at a distance. You didn't even know if it was appropriate to refer to them as your 'family', and maybe it wasn't considering things, but you still weren't sure.

You had been fighting for a chance to talk with any of them about anything at all for the longest time, because you wanted to be a part of this family. You wanted to spend time with them and really give this 'new life' of yours a chance, but now that 'new' part of this life had worn off. It was hard and honestly more draining than it was rewarding at this point, but you still wanted to give it a try.

Sure, it had been years at this point and now you were just about to go into college, and when you had first arrived here you weren't even middle school, yet little to no progress had been made — you never gave up. You haven't given up. So maybe you could try for a little longer? Just... a little bit, not too much this time, and figure something out?

You almost felt a little sense of hope return to you, no matter how redundant and helpless this situation felt and seemed. Yet it all came crumbling down again when you passed by one of the rooms, and saw something taped to the door.

It was a flier for your performance. One that would be happening soon.

Since your siblings began to pay less and less attention to you as time went on, with your conversations with them growing even shorter, you opted to just tape fliers of your upcoming performances on their doors. Though only the performances you'd thought they'd enjoy, and just hoped that they would show up, if they wanted to, when you stepped onto that stage and approached the instrument you'd be playing for the evening.

You tried texting and other forms of communication at first, but those quickly stopped working and so you just opted for this, and of course it was just as effective as the others.

Alfred was really the only one who listened to your music when you performed, and you only knew that because you caught him playing one of the live performances you had done on the television one day. He not only going out of his way to record the performance, but also trying to find the channel it was broadcasted on.

Ever since you've tried to give him the correct channel number when you do live performances, but that still didn't feel like enough. You loved and appreciated Alfred from the depths of your heart and soul, but what would it take for one of your siblings or close family friends to notice you like that? What would it take for your supposed father to even care to listen to your music? To watch a performance? To not turn you away?

It was only in that moment did a new emotion fuel you. Crawling it's way up your spine as you carefully took the flier in your hands, looking it over before ripping it off the door.

This. This one small thing was all you wanted from them. Over everything else, you just wanted to see one of their faces, one time when you looked out to the crowd when you performed — but every single time, all you saw were strangers.

Every charity event, every gala, every party- that's all you were surrounded by, strangers. Even when you caught small glimpses of them, they were always doing something else, and completely off in a totally different world than your own. That distance along creating a large void-like gap between you and them, and yet it only ever continued to grow. Even when they stood next to you, it was like you couldn't be further apart.

The reality of everything was crushing. Near deadly as you could feel your chest and lungs tighten, with your fingers digging into the paper enough to tear it apart, and reaching your palms as they formed crescent moons, soon drawing blood. Yet nothing could compare to the weight of your heart, and how heavy it felt to carry in your chest.

As you finally moved on from the door, your mind raced. Memories and flashbacks filling your head as every word and notion flashed before your eyes. Barely even paying attention to where you were going, but not caring enough to pay attention.

Every dismissal and excuse thrown your way. Every head shake and blank look. Every confused look, and realization that you were standing there the entire time. Every birthday that passed with the same wish never being granted. Every celebration spent on your own. Every message left on read. Every note ignored. Every time you were forgotten. Every time you were left behind. Every time you brought yourself home, and every time they never noticed. Every night wasted, trying to come up with different things to do only for all of them to turn out fruitless. Everyday that 'maybe' never cones true. Every time you looked out to that sea of strangers, hoping to see someone you recognized, only to find none. Every hour you wasted trying to do something for them while they never once thought of you.

Maybe you'd cry if you could. Then again, maybe not.

You already had spent too many tears over failures you recovered and grew from, and hardships you faced and fought. You've already cried just a little too much during those night you just couldn't handle being so alone, in such a big place anymore. Besides, you've cried enough over people who've never once thought of you. Who never once tried to make time to even see one of your performances, or even allow you to spend a few minutes in their space.

You've given them enough, you think. Especially since after you spent years trying to just make it two thirds of the way — they couldn't even reach that one third of the gap you couldn't. They didn't even try, at least not anymore, and after you had tried to make it easy. Yet, you only hurt yourself in the end.

They never cared about you, and maybe they did once upon a time, but good does that do now when you're trying to go out of your way to make things convenient and easier for them, only for them to skip out on you anyway. No text, no call, no message, no indication, nothing. Just pure silence.

Maybe you were asking for too much, but was it really so bad to want to be loved? And by the people who are supposed to be your family no less?

Hah, who are you kidding at this point. You've just been living in a house full of strangers, and you're the only one who hasn't seen it yet. They've already long since cast you out, and it's only now have you come to truly realize it.

Especially now, as you stand in front of the foot of the door to the music room. Staring at the knob as if it'll turn itself.

You weren't surprised, honestly. Playing music had quickly become an amazing outlet for you, and you had always come here to seek out what little your family couldn't give you; comfort. So it was no wonder that as you collapsed mentally, you had subconsciously brought yourself here.

And yet, only one thought entered your head in that moment.

'They don't deserve to hear my music.'

Perhaps it was now that you decided they had lost the privilege to do so. After all, ever since you had started having performances, even ones in front of wealthy crowds, your 'family' had seemingly been avoiding them like the plague. Never daring to even attend one, for whatever reason, and sure you could understand why they didn't attend the ones you performed at night — but they couldn't use that excuse anymore. You have strictly been playing during the after noon, and at sunset at a push, for over three years now. You've been playing in front of crowds and releasing music for four.

So, you turned away, walking off to your room as your thoughts still stormed. Anger fueling you as you barely remembered storming into your room, collecting any valuables and belongings you had and stuffing them into a bag or two. Not caring about clothes, and only what you deemed important and meaningful to yourself as you just grabbed and shoved everything into a bag if you could.

You could clearly tell now that you obviously weren't wanted, and that no one here even wanted to do the smallest things with you. That even asking to just spend a few minutes with them was too much. So you were doing the only sensible thing, and getting the hell out of here. Moving so quickly that your breathing became uneven, but you didn't stop until you had packed everything you needed, or was important to you in some way.

You only really had a second thought about all this when you were at your window, just about ready to jump out until you paused for a second.

Looking back at the door to your room, you couldn't help but hesitate. There was only ever one person in this entire Manor who treated you like family, and actually put in effort to not only be with you, but to indulge themself in your passion. That met you at the half way mark, and even went a little over sometimes. Since even if everyone else had ignored you — Alfed was there, even if despite all of his efforts you still couldn’t handle this, and maybe that was also your own fault in some way.

You still didn't want to stay, you couldn't anymore, but shouldn't you at least say goodbye? Maybe? After everything... at least he tried.

...

You settled for second best.

Quickly, you grabbed a flashcard and wrote down something before pocketing it and moving back to the window. You may not have any equipment for this kind of thing, but you still managed to scale and work your way around the wall, and managed to reach the window to Alfred's room.

You took a little peak inside, and when you saw that he wasn't there, you opened up the window just a bit, place the small note on the windowsill, and closed it. Then, you skillfully and carefully made your way down, and snuck off to Gotham City. Making your way to a friend's place as you crashed there for the night.

Never once did you look back.

Nor did you ever feel inclined to.

------

Later that night, when Alfred read the note, all it said was:

I'm sorry, Alfed. - Y/n

Just with that alone, it was like he understood everything despite the little that was said. All he could wish you was luck, and that you'd be safe wherever you went.

Suddenly, just like that. The nights where melodies would lull the residence of the Manor to sleep, and bring a temporary, mellow peace to all who heard such a tune, were long gone...

Guess they'll just have to find it, and bring it back.

--------

Kind of rushed at the end there, hope it isn't too bad for a first post. There's probably a lot of mistakes, so apologies for that.

[maximumzombiecreator]

I've seen a lot of posts recently where people say they can't find players to play non-5e TTRPGs with. As someone who moves countries every few years, I've had to rebuild my roster of local TTRPG players from scratch a number of times. Here's how I do it.

Caveats first: while I've done this in small cities, I have always done it in cities. If you're in, like, a rural environment, you might just not have enough interested people around. You can always do it online in that case. I'm not really going to cover finding players online, except to say you should probably look for communities for the specific system you want to play. Most of them are enthusiastically looking for new participants. Especially game masters.

Okay, first things first, you gotta find people. I generally find I get better results if the search is location first. That is, rather than using city-wide or regional Looking For Group type internet groups, I look for physical locations that host gaming groups. Local game stores, public libraries, gaming cafes/bars, etc.

Being location first helps avoid some common bad behaviours. Online LFG groups often have a few shitty people hanging around who can't find long term groups because they're shitty. They'll jump at the opportunity to join new groups where people don't know them, because everyone else knows better than to game with them. But location-based groups are better at filtering this. Someone who harasses people at an LGS can be banned from the store, but decentralized online groups struggle to handle these situations in my personal experience.

Being location first also solves the next problem, which is giving you a location to play. Eventually, when I have a long term group, I'll host games in my home. But there needs to be a level of trust before that feels safe, and we're looking for randoms, so for now we need a public gaming venue. If, for whatever reason, there aren't dedicated gaming spaces where you can do this, I've had the most success gaming in cafes or restaurants during off peak hours. I've run a bunch of games in restaurants from, like, 2pm-5pm on a Saturday, and as long as you're buying drinks and some snacks or something, and being polite and non-disruptive, it's typically not too hard to get permission.

Now, if that local group has enough interest in a non-5e system that I'm interested in running, I'll happily do that, and it's pretty free from there. Most people who are willing to play one other system will gladly try others if they find they like playing with you. But even in big cities, I feel it's pretty often the case that postings for local games of other systems don't wind up actually finding successful groups.

So, here is the bit where, unfortunately, finding people to play non-5e games with involves playing some 5e. Community groups are always looking for more GMs to run games, so I will set out to run a number of short 5e adventures, each with different groups. These are typically oneshots that I have the option of extending for another 1 or 2 sessions.

I always run adventures that I've written myself for these, because I want my particular GMing style to really come through. Looking for players is a two way street. I'm looking for people I like GMing for, but I'm also looking to make sure they know what they're getting. Especially if I'm going to ask them to play a system they've never tried, they should know that there's going to be something they enjoy. So, these short adventures are full of the types of silly but sincere NPCs I tend to run, the open-ended scenarios I prefer, the tropes I favour, etc. If someone isn't going to enjoy playing with me, I want them to know it from this adventure.

I structure the adventures to give me a lot of flexibility in terms of how long they run. They're nearly always mysteries, but with some active component to the mystery, so that if things drag or dawdle I can have the villain show up and force a final confrontation. They're also structured to have a natural "next thing." You find and defeat the villain, but there's an implied next villain you'll be going after. That way, if the group is working well and I want to continue, it's easy to present the option to the group. But if I'm not interested in continuing with the group, the next thing can just serve as an "and the adventures continue" implied epilogue, and the game still feels complete.

I don't like players just bringing their own character sheet to the table. Someone who brings a disruptive character can ruin a session without me getting much useful information out of it, other than that I don't want to play with that person. And if it ruins the experience for the other players, I'm often out the opportunity to game with those people, through neither of our faults. I've experimented with both asking players to submit their characters in advance or making them choose between a collection of premade characters. The former is a good check for whether people will put in a basic amount of effort and follow instructions, but it can dissuade people who are just looking to dip their toes into playing for the first time. The latter can turn off players who are into crunchy games and are excited about character building. As a result, I'll usually choose the approach based on what non-5e system I'm currently most excited about running. Do I want to get together a group for a rules-light game? Premade characters it is. Looking to run some PF2e? Please submit your character sheet in advance. Some locations also do more drop-in based games, in which case it's premades all day.

As I'm running the game, I'm observing the players. There's a simple vibe check, obviously. Do I like playing with this person? But I'm also looking at how they play. What are they here for, what's exciting them? Are they struggling with finding optimal turns in combat, or do they like mastering a system? Are they curious about the world, or do they glaze over when the spotlight isn't on them? Do they light up in dialogue scenes? Do they want to try crazy things outside of their on-sheet abilities? Remember, later, I'm going to try to persuade this person to try to play a game they've never played before. I need to know what specifically is going to excite them.

I have (always with permission) recorded sessions before to go over in making these choices, but honestly even just a few small reminder notes will help me unravel things later. If a session goes well, I'll ask at the end for people to give me their contact information if they'd be interested in playing again. Non-committal, at their comfort, and it doesn't single out people that I don't want to play with. I can always just not call them. Usually I find I'm interested in playing again with a little more than half of the players I meet this way. In my experience, it's fairly rare for a player to say they're not interested in playing again, TTRPGs rule and there's a DM shortage.

What I usually do is keep running these until I have enough people in mind to run something else, even if it isn't the system I'm most excited about. Probably it would be better to spend more time in this starter phase building up more connections, but after running like 4-5 5e adventures, I'm usually more than ready to run anything else, and if I have to shelve my Lancer ideas because I've mostly found crunch-averse players, I'm usually fine with that.

So, next comes the invites. Now, most players I meet this way will eventually be open to playing most games, but listen: you can put people well out of their comfort zone for their third TTRPG, but you gotta be real careful with their second. Most of the time, the game I'm inviting people to will be their first real exposure to a non-5e TTRPG. If they don't like it, they will run back to the safety of 5e and you will never get them out of it again. So I am very careful in picking the right system for the players I am inviting.

Whatever the new system I want to run is, I will set up a pilot session for it. I am very clear to players that I will teach them the system at the session, they do not need to know it in advance. Eventually, when I have a reliable group of TTRPG people to play with, I'll expect them to be able to pick up systems without a ton of help, but for players that are only used to the complexity of 5e, the idea of learning a new system is daunting. I rehearse the teaching of the game session. It's the only thing for TTRPGs I ever rehearse, but I want to know down pat how I'm going to quickly teach a new system and make it feel approachable and non-threatening. I'm also very clear that this will be a single session, with the possibility of turning into a campaign if we like it. All of this is structured to feel very safe. No initial learning required, no long term commitment, with a GM you already know you like.

But even as safe as that is, you still have to pitch the system. Why should the player be excited about playing this new game? Don't go all TTRPG nerd on them and explain all the details of the system, or use a bunch of jargon. Give them one or two things to be excited about with short, detailed anecdotes to back them up.

"We're going to be playing Blades in the Dark. It's a game where you play a gang of criminals in a haunted, steampunk dystopia. Every session you'll do heists, but instead of meticulously planning them, you start right in the action, and when you need to have planned for something, you can do a flashback scene to explain your preparation. One group I ran this for got busted by guards during an early heist, but used a flashback to create a scene where they had gotten a buddy of theirs a job as one of the guards, and he helped them out of the situation. And for some reason they fell in love with this bumbling goof I improvised to be the buddy, and then on a bunch of future jobs they kept using flashbacks to get him jobs wherever they were robbing. So this one idiot was just a de-facto crew member who worked a dozen different inside jobs despite being about as sharp as an eraser. And eventually they fucked up and got him killed, but they brought him back as a ghost, because you can do that in Blades in the Dark."

I find using a specific example of play really helps get peoples' imaginations going, which is what is going to help them say yes. And that example is tailored to what I know that player vibes with, what it is I think that makes them a good fit for this game.

The last detail about the invites is that I'm telling them, not asking them. It is not, "Hey, are you interested in playing this new game?" It's "I'm going to be running this new game. If you're interested in playing, please let me know what times work for you." If you're asking, you're going to get some "well but can it be 5e?" If you're telling, then they can choose to learn a new game in order to keep playing TTRPGs with a GM they know they like, or they can choose not to play at all.

Once you get enough yesses for a game, you run it, and then from there you're on your own. I think those are basically just friends you have at that point, and I'm not gonna tell you how to have friends.

Hopefully at least one person finds all that useful!

[izadi234]

Forget me not

-Warning: Contain yandere themes, neglected! gn!reader, mention of low self-esteem, the writer's first language isn't English.

Yan! Batfamily x gn! reader

Chapters

Chapter 1

Chapter 2 (You're here)

Chapter 3 Chapter 4

Chapter 2

The moment you retreated to your room Alfred's gaze hardened as he looked at the kitchen door through which you had left.

With a sigh he returned to making breakfast, however, something couldn't stop going around in his head.

Why?

Why do you have to leave?

Why do you have to leave ME?

He doesn't blame you. Your "family" has done nothing but ignore you and push you aside on more than one occasion since you arrived at Wayne Manor. And if it weren't for him, Bruce wouldn't have remembered to pay for your needs and education.

No. He could never blame you for your decision, but he can blame Bruce and your brothers. He had never felt such anger for them, not even when Martha and Thomas died at the hands of that cruel man. But that never had a solution, but this did. His family has a solution and he was going to fix it for you and for you. To always have his ray of sunshine at his side.

He wasn't going to lose you without having fought a war.

But for now, he had to stay calm. He sighed once more and finally relaxed as he served breakfast on the plates. He has to talk to Duje after you told him about your decision.

He had to think with a cool head. As he had told Bruce many years ago: "Fear doesn't make you think clearly" and not only was he scared of his little ones going out into the world alone, he also had anger built up. And he was going to use those two feelings to his advantage.

It was not for nothing that he was a very feared soldier during the war.

You were in your room as usual texting with a friend when Duke knocked on your bedroom door before coming in.

"Hey (name)!" said Duke happily who sat on your bed while you sat at your desk

"Oh hey Duke!" you greeted him with a smile anyway "How was school today?"

"A little boring, but at least it's Friday now" he chuckled

"And you? How was your day?"

It's now or never.

You sighed and got up from your spot to sit next to him on your bed.

"I have something to tell you Duke…" you put a hand on his shoulder

"And what is it?" He asked worriedly seeing your seriousness "Don't tell me it's something bad"

"No, it's nothing bad. At least I don't consider it bad" you started to say "But, Duke, I've decided to move out of the mansion"

"…What?…" he said in a quiet tone of voice surprised by your words

No, it can't be…

"I know it's sudden, but I can't stand this place" you sighed "I want- No, I need to start over without being in the shadow of others"

You turned to look at him and caressed his cheek.

"But this doesn't mean we won't see each other again. We'll be able to talk and keep in touch" you offered him a smile

Without saying anything, Duke hugged you and nestled his head in the crook of your neck. You put a hand on his neck and caressed him.

"Just… Don't forget about me…" he said after a few minutes of silence.

He pulled away from you and wiped away some tears that threatened to fall from his eyes.

"I could never do that, brother," you wiped one of his eyes with your thumb.

After that emotional conversation, you and Duke spent the afternoon in your room talking and watching movies on your laptop. However, Duke's mind was still on that conversation.

There was no chance that you would leave him. He had to find a way to prevent you from leaving his side.

The week you moved went by so fast that when you realized it, you were already taking the last box with your belongings out of the mansion.

You looked back at that mansion one last time and felt like that little kid again who arrived with fear and excitement to what he would call home for years. But soon your face darkened as you remembered the suffering you had experienced there. Without thinking twice, you turned around and got on your motorcycle, but not before securing your last box. You started the bike and left Wayne Manor.

You hadn't said goodbye to Alfred nor Duke but you left a letter on both of their beds wishing each of them the best, thanking them for everything and giving them the phone number of your second cell phone in case they needed something or just wanted to check on you. However, you didn't leave anything else, not even an address. You wanted to completely erase the Waynes from your life, you wanted to erase the fact that you were a Wayne too. You wanted to forget them so much that you turned off the cameras in the mansion for a period of time so you could take out your things in peace, so that no one would see the license plates of your motorcycle that you had been keeping at a friend's house and whose motorcycle was registered.

If nothing else, you had developed the same paranoia as Bruce and decided to take every measure to avoid being located. You even thought about going to live in Metropolis or Star City but the rent and sale of apartments there were much more expensive than in Gotham. Maybe when you earn more money once you finish college.

But for now focus on your present.

Before it is taken away from you.

When you got to your apartment you let out a sigh that you didn't know you were holding. You looked around, there were some pieces of furniture that came with the apartment like a leather armchair that was a little worn but looked pretty new, a wooden bookcase, several coffee tables, some pots and kitchen stuff. The only thing you had to buy was your bed but your best friend did you the favor of giving you a headboard for your bed as a gift of independence and you only bought a mattress. It wasn't as comfortable as the one you had in the mansion but at least you had things you could consider yours. NOT thanks to Wayne, but thanks to your efforts.

You put the box on the kitchen counter and before going to your room you saw several boxes.

Damn... You hadn't thought about how lazy you were going to be when you had to unpack.

That same day you left, Alfred had returned from going grocery shopping. At that time of the morning you and he used to spend the morning together, while you were in your online classes, he did the housework along with the food. Between the breaks you had between classes you used to go see what he was doing in the kitchen and you were his personal taster.

Now that you were on vacation, you spent more time with him because Bruce, Tim and sometimes Damian went to Wayne Enterprises, Dick and Jason weren't usually at the mansion and Duke, Cass and Stephanie were training in the Batcave or with their friends. For that same reason Alfred was alarmed when he called your name and you didn't answer.

He quickly went up to your room only to find it completely empty. His heart raced and he started to sweat lightly.

You couldn't have left so quickly, right?

He went down again and checked all the rooms in the big mansion and found nothing. Only his own room was missing. As he entered he could see an envelope of your favorite color on his pillow. He approached and read it.

In the letter you apologized for not saying goodbye to him in person but if you did you were more than sure that you wouldn't be able to leave. You also left him a private cell phone number where he could call you and you wished him all the best.

It had been a long time since Alfred felt the need to cry but without realizing it he had already shed a few tears. He couldn't believe that his little one was already gone.

After having shed a few tears, he quickly wiped his eyes and composed himself. No, he couldn't cry because you were going to return. He was sure of that.

However, he would let you enjoy your independence a little before implementing his plan for you to return home to your family. With him.

But first he'll have to talk with Duke.

Helloooo! I hope you liked the second chapter! If you did leave a heart and i'll see you in the next one. I kind of think this chapter is kind of bland but the story is just begining. This are the first impressions of you leaving the Manor but soon enough the rest of the family will appear.

Thanks you for reading!

-Izadi <3

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@eyeless-kun

[alastor-x-reader-stories]

"Bite Me" - Alastor x Reader - Part 2

prev

You....really shouldn't have bitten Alastor.

It was a threat, yep, and the guy did need to learn his actions had consequences, but...er. Was that really worth this?

The Radio Demon had practically been your shadow for the past week. His expression never changed, his tone never shifted. You were like, 90 percent sure he was thinking of the best way to kill you for maximum pain.

Pain wasn't good. You were allergic to it.

...That line usually got a chuckle out of whoever heard it, or in your case, whenever you thought it. However, this time, it didn't quite tickle your funny bone as it usually did.

Because Alastor was standing right there.

And staring at you.

In your goddam bedroom.

"....Hi." You said, chewing on your bottom lip.

Alastor's gaze darted for a second to your lip, then back to your eyes. And he said nothing.

"...Did you need something?" You said.

He continued to stare at you, unblinking.

You sighed "Listen, if you're going to kill me can you just hurry up already? I'm sure it beats how awkward this is."

Other than the slightest twitch of an ear, he still didn't respond.

You huffed, narrowing your eyes as a growl permeated through the air. "At least say something!"

He didn't.

"OKay, fine!" You snapped, throwing your hands up in the air. You crossed them over your chest with a pout, giving Alastor a mean side-eye. "Keep standing there doing nothing. I guess I could use a new hat rack anyway."

"...You don't have any hats?" He said, tilting his head to one side.

"I'll get some so I can justify having a hat rack." You said, tail flicking.

"Mhm... So, how sincere is this threat?"

"What?"

Alastor straightened his posture, taking a couple long strides to stand right at your bedside. "You make a lot of threats, my dear. And I've only ever seen you carry 1 out."

"Usually people listen to me." You said, rolling your eyes.

"So you've never actually follow through before?" He tilted his head to the opposite side than before. His grin seemed to stretched a bit, ears becoming less stiff.

"Does that make you happy?" You said, turning to face him "That you're the first idiot who made me actually do something?"

From how he practically beamed you can only assume it did. You sighed, flopping down onto the bed on your side. The intent was to ignore him until he got bored and went away or got sick of you and killed you.

Instead you found a shadowy tendril wrapping around your middle, rolling you onto your back. Alastor grinned down at you, his body a perfect 90-degree angle bent at the waist.

"I'm the first one you've bit?"

"...Yeah?" You said, raising an eyebrow. "I mean. I think I bit people when I was little and pretending I had rabies, but not really intending to hurt them..."

His grin widened. "How did I taste?"

...

"What."

"I want to know. How did I taste?"

Oh right he was a cannibal. You grimaced internally. Was that just something cannibals got giddy about? 'Hey I'm the first person you've eaten hurrah!'

The tendril around you gave a firm squeeze. You sighed and met Alastor's crimson eyes, giving him a flat look of your own.

"Dry and tough- like badly made jerky."

He laughed. "Well, of course! You bit into my jacket! Silly creature, you."

"....Well, you asked."

"That I did, that I did." Alastor hummed. He tilted his head too far to one side, leaning in closer to you "Would you care for a taste without my jacket?"

"No." You responded curtly.

The silence was palpable. Neither of you broke eye contact or changed your expressions for several moments. Those moments seemed very, very long.

His eye slowly twitched up and his ears dropped ever-so-slighty-

"Hm. Well, it's not like you'd manage that anyway."

"Probably not. Are we done?"

Another beat of silence passed before the shadows tendril dissolved into mist and Alastor was standing up straight again.

"Now, I wouldn't say this matter is done, but I suppose it could wait."

You sat up, staring at him. The more you stared, the more his eyes couldn't seem to decide on what to focus on. Was he...nervous?

That encounter didn't go anywhere else significant. He simply said a farewell and left you to your own devices.

===========

Your eye twitched as you took a long, deep breath.

Alastor was being so horribly, horribly annoying.

The last couple days he resumed his role as your shadow, but this time solely with the task of irritating you. He'd chew loudly, he'd step in an off-rhythm on purpose, he'd claw the surface of things you couldn't stand the sound of and it made your ears hurt and your jaw ache from how much you were grinding your teeth.

You had enough.

"Will you LEAVE ME ALONE!?" You snapped at him. He didn't so much as flinch, simply tilting his head and he leaned closer to you.

"Or what?"

"I'm going to shove your hooves so far up your ass you'll be coughing up horseshoes for a week-"

"I'm a deer, not a horse." He said, eyes crinkling up in amusement at your 'threat'.

You hissed out an agitated breath before taking a couple deep, long breaths and you felt your jaw lax (a little) and your temper die down a bit.

"...Yeah, you're right." You said after a moment "And I'm sorry. I didn't really have much of a reason to snap at you like that."

His eyes narrowed and you couldn't be bothered to wonder why. You said a curt goodbye and meandered off, feeling his eyes trained on your retreating form. You couldn't be bother to think about that, either.

~~~~~~~~~~~~~~~~~~~~~~

Hi it's me the writer. Letting you all know that this is not planned in the slightest and i'm just winging it. No smut will happen EVER though because I don't wanna write it. So kindly look elsewhere if that's what you want. I will put a poll here though with considerations for potential next installment

[orteil42]

some undifferentiated thoughts about my Starfield playthrough as i have them. i am a game developer with a strong interest in procedural generation and i've enjoyed a bunch of other bethesda games so this might get pretty mean sorry

(this is a long one)

starfield dialogue is already exhausting me "oh you must've been living under a moon rock ;)" get it! because they're in space! this would've been too corny for the Jetsons

there's a kind of cheap dusting of space theme over everything. the food isn't salmon but alien salmon. it's not seaweed but alien seaweed. cooking alien stir-fry. come on

cannot get over how clumsily the theming is handled. books, board games, weapon names revolve heavily around space. these people have been living on alien planets for hundreds of years yet have this unending sense of novelty about it. the game takes itself completely seriously but feels like it's attempting to parody itself

people's EYEBALLS are CLIPPING THROUGH THEIR EYELIDS

a woman is speaking to me in french. her accent is about as believable as her haircut

these are some of the worst reflection maps i've ever seen

next to nothing is interactive. you can sit in chairs and sleep in beds and that is about it. can't even drink from people's toilets. disgraceful

game helpfully crashes 5 seconds after i decide i should get some sleep. very handy!

my character has not said a single thing since i started playing. not one peep. this is an unmitigated improvement over Fallout 4 i'm so glad honestly

the more i poke around the big city the more the NPC quips feel like something out of gen-1 pokemon. can't get enough of this coffee :) this city is where it's at :) spacesuits are comfy and easy to wear

very strange sense of altered reality from the quest dialogue too. has anyone at bethesda met a person before? i move on to some mission that has me scanning wildlife on a faraway planet hoping this will, somehow, feel less alien than human conversation

just as with No Man's Sky, every planet is uniformly dotted with equidistantly-placed points of interest that you slowly make your way to (no vehicles besides your jetpack) which always turn out to be some cave or building identical to those you've cleared before

unlike with No Man's Sky, the seamless exploration is faked and the biodiversity is nil. you do get an impressive amount of raw loading screens however

the prefab bases and power stations found everywhere on planets seem to have very sparse, very specific slots for spawning consumables, which results in encountering some giant industrial installation in the middle of nowhere with, i don't know, a loaf of whole-grain sandwich bread just casually sitting next to it all proper. there is no breathable atmosphere here. who is eating this

planetary traversal is a CHORE. i am saying this as someone who loved Death Stranding

heinous "hold to confirm" buttons sprinkled in various flow-breaking places throughout the interface

enemy AI is abominable. nobody is pathing their way to get my ass. "must've been the wind" taken to the next level. an infant playing peekaboo has more object permanence

hoisting yourself up on ledges when jumping is…nice

companions randomly nowhere to be found. persists through multiple fast-travels and loading screens until, just as randomly, they pop back up

storage space is now limited! unlike in Fallout 4 and virtually every other bethesda game, your containers now hold a finite item capacity. god forbid we let the player have fun

baffling inventory UI. i imagine there's a mod out there that completely overhauls it the way SkyUI did for Skyrim. this should not be needed! how are your UIs getting worse a decade later!

scanning the precious few species inhabiting some dusty planet; one of them is this arching red root i've already seen several times before. my job done in this biome, i travel (read: teleport with a loading screen) to the polar region to find some other species. the first one i catalogue is the exact same red root again but this time it's named "boreas root" todd howard is a genius

some alien horror comes at me full fangs out. i hop on a pebble. obscenely, i am safe

procedural terrain generation beyond dull, impossibly unimaginative. these people have not had one critical thought on what makes a procedural world interesting. beginning to feel validated in my belief that only i should be trusted with proc gen. along with perhaps tarn adams

jokes aside this is making me feel genuinely insane. there have been excellent procedural generation techniques that produce compelling explorable maps for decades now. bethesda absolutely has the budget and know-how to do miles better than this yet somehow they just…do not? the same way Pokemon has decided to just no longer bother with their mainline games despite being the highest-grossing media franchise in history? hello? what is for real going on

some of the most cynical breadcrumbing i've seen in years. approaching some random cave and this person in space gear, who in the vast immensity of the infinite cosmos just happens to be snapping pictures right here, tells me more-or-less verbatim "if you like this place, you should see this other place" [other random cave has been added to your map.]

i do not like how good this makes No Man's Sky's gameplay look. it depresses me how much i have to hand it to No Man's Sky for at least not fucking up this bad. please stop making me wish i was playing No Man's Sky instead this is grotesque

i think i've exhausted my interest and patience for this game at the moment. i'll get back to the main story at some point and try some other systems ie. crafting and base-building to see if there's any engagement to be found but so far, my god. my god