#I remember making them but I can't remember why I didn't post them

[bluem1lls]

HEAR ME OUT!!!! se-mi with comphet reader (angst) 😈😈😈

✧₊⁺ you'd have to stop the world just to stop the feeling

se-mi x fem!reader

✦ synopsis: you're so used to this perfect life. your career and your boyfriend. and it's miserable but is comfortable as it can be. until you met her, and now you'll have to spend the rest of your life waking up to be nothing more than his girlfriend, thinking about her saying "i told you so".

content: angst, comphet! reader, se-mi falls for thano's 'straight' girlfriend

authors note: thank you for the request! clearly inspired by good luck babe by chappell roan because i love to suffer jsjdfkfkj, i hope you like it! im sorry ive been posting more short stuff, the week is vvv rough on me with work but ill do everything i can to not stop posting! even if its a small work

✧₊⁺ your boyfriend was acting weird. i mean, he's a man. the first thing that came to mind was 'he's cheating'

✧₊⁺ if the bastard was cheating you would kill him. it was enough that he used both of your savings to place them in bitcoin, and of course.. lost it all.

✧₊⁺ and you forgave him about that (kinda) but cheating? yeah no. you didn't wanted to be like one of those actresses with a cheating boyfriend everyone knew about.

✧₊⁺ so when you decided to follow him a random night and a man invited you to play a game, you were all against it.

✧₊⁺ you were a prestigious actress for god's sakes.

✧₊⁺ "oh. i thought you wanted to know where your boyfriend was heading?"

your eyes widen. what was this? some hooker shit? a betting house?

fine. you needed to find out where he is.

✧₊⁺ of course you ended joining the game to see where your boyfriend was. you dumbass.

✧₊⁺ waking up in a room full of strangers, was sure an.. experience.

✧₊⁺ confused, you stood up. where was your stupid boyfriend and why was he here?

✧₊⁺ "thanos?" i called him, scared. "baby?"

✧₊⁺ as you saw a group of people gathering around a very familiar voice, your fear turned into anger. you ran, pushing everyone sorrounding him.

✧₊⁺ "are you kidding me? this is where you got in? you fucking idiot" i hit his arm as he stared wide eyed at me.

"b-baby what are you doing here?" he chuckled nervous. "you should go home, this is not safe-"

"i wish! but you know, i was following you thinking you were cheating but what the fuck is this? did you lost more money? why are you here-"

"well, i came to win back the money we lost, dont worry baby. when i win this we'll be free!"

i can't believe this.

✧₊⁺ as you turned around to fumble alone, a girl touched your shoulder.

"oh my god, you're the actress on my favorite tv show! can i get a picture"

oh god. here too?

with the best fake smile, you nodded, and suddenly, the same crowd that was sorrounding thanos was now admiring you.

✧₊⁺ there was no doubt that after the first game you wanted to kill him.

"we die!? you brought us to a place where we fucking die if we dont pass the games!?" i screamed at him

"chill baby... youre making a scene. remember that people are watching"

"well, who cares? theyre probably going to die in like two days! just like us you idiot"

✧₊⁺ but just like that you kept playing with your... lovely boyfriend. and his new best friend apparently. god you needed a girl in here. you missed your girlfriends.

so indeed, your boyfriend got you a girl.

✧₊⁺ "i got you a friend so you can stop being... so angry all the time. enjoy life babe, this is a one time experience"

the second game was about to start, we needed two people more in our group.

i was about to punch him as i looked at her.

oh.

✧₊⁺ "hi..i'm-" hello? why was my brain shutting down?

"i know. i think everyone here knows apparently" she plays with her piercing lip, smiling.

✧₊⁺ that made you so nervous???? she got you smiling and twirling your hair??

oh you haven't felt like this in.. so long.

✧₊⁺ so yeah, with every game and her being the only girl (besides you) in the group, you two got close.

like.. way too close.

✧₊⁺ holding hands, protecting eachother, laughing together. you spent more time with her than with your own boyfriend.

✧₊⁺ in your defense, every single minute with her felt... like something you never experienced with him.

✧₊⁺ "why are you still with thanos if you think he's stupid?" she said, rolling her eyes and manspreading besides me, while i kept complaining about my boyfriend.

"he's nice.. he really is"

"you hate him, i dont think is normal to hate your boyfriend you know?"

✧₊⁺ you knew. but what else can you do?

you told her. she knew all abouth how your parents raise you to be this perfect actress, with her perfect husband.

and you already let them down with the 'perfect husband'. you can't disappoint them again.

✧₊⁺ so when her touch made you sigh, when she caressed your hair as you stared into her eyes, when she held your hand to feel you close in every game, trying to protect you more than your boyfriend ever did, or when she whispered sweet nothing's to your ear, making you shiver, all you could do was ignore it.

✧₊⁺ of course, when she realized that it was stupid and you weren't actually going to leave your boyfriend and your perfect life for her, she gave up, looking for something (or someone) that could make her feel better.

✧₊⁺ please, she was hot. she didn't need you.

✧₊⁺ she would never admit that in every girl she kissed after that, she was picturing you.

the way she would be biting your soft pouty lips, how she'd show you your boyfriend was nothing against her. she'd kiss you until you were out of breath, her hands roaming through your body, grabbing your waist, your hips.

she bit her lip as she kept picturing your hands wrapped around her neck, going down her back up and down.

✧₊⁺ she was so down bad it was making her stupid.

she had to do something about this stupid.. crush.

✧₊⁺ so was it a surprise when you found her making out with a random girl in the bathroom? not really.

but was it a surprise when she stared right to your eyes while she did it? i mean.. a little.

✧₊⁺ you scoffed, washing your hands.

"that's disgusting. there are bathroom stalls for that" i said to both.

as the girl turned around, se-mi asked her to leave, saying that 'she'd take care of her later'. ew.

✧₊⁺ she turned around, pissed. yeah, maybe you can get in her head for hours and hours, but ruining her makeout session? you were out of limit.

✧₊⁺ "listen princess-"

"don't call me princess after you made out with a random " i mumble, bitter. "and don't scream at me pretending like you hate me"

her eyes filled with anger.

"listen to me, you can fake being this perfect actress with your boyfriend and everyone else" she said, pushing me against the wall, one of her arms on top of my head, trapping me there. "but not with me. you think i dont see your little lustful eyes? the way you stare at me how i bet you never stared at your boyfriend?"

"b-bullsh-"

"yeah. whatever" she scoffed. "lie to yourself if you want, go fuck the entire common room to prove yourself that you're this pretty straight princess that your parents want you to be, but don't play with me" with every word she said, she got closer to me. our heated bodies breathing almost in sync.

"tell me im lying princess. tell me that if i" she grabbed my chin, softly caressing her lips with mine. my body shivering as my hand grabs her bicep, my nails clawing there, leaving 'c' marks, to ground myself. "do this, you dont feel a thing. c'mon. stop me, pretty girl. tell me you shouldn't" she whispered against my mouth.

✧₊⁺ but the truth is that you couldn't move. you couldn't back away, but you couldn't do this to thanos, to your parents. it wasn't fair.

dad? he had all the contacts he wanted. he would destroy your career in seconds. mom? would never let you step your own house again. oh and your boyfriend? would clearly ruin you on the internet. probably leaking everything about you in seconds. your own fans? people are not as open as we expect them to be.

you can't do this. you can't let yourself have this.

✧₊⁺ "im sorry se-mi" a tear fell, almost wetting her face too because of how close we were.

her eyes shut close. she mumbled something under her breath as she quickly stepped away, breaking whatever moment we had going in.

"i dont want you close to me again" she said, turning to leave as i rushed to follow.

"please, a-at least let me have you as a friend se-mi please" i begged her. tears couldn't stop falling to my cheeks.

"i can't" she said, turning to face me. her eyes roaming my features with a hint of guilt and sadness. "how can i be your friend when i'm so.." she stops, pressing her lips together. "i-i picture you in every girl i kiss. i can't be your friend.

i bit my lip as i hug her. she stiffens but slowly lets herself go, hugging me back. her hand on my hair, softly caressing it for comfort.

"if we get out of here and.. you decide that you're done being his perfect wife, and maybe you want to be happy..with me..i'll be waiting. i promise" she whispers in my ear, kissing my temple.

✧₊⁺ so it goes. after the next game, the nerves make everyone vote to leave and just like that you're actually out.

✧₊⁺ and althought you don't hear from her, you know she's still friends with your boyfriend.

and although she doesn't hear from you, she follows your life like she did. watching every episode of every single show you're in, following you on social media.

and although you guys never cross paths again, if you or your boyfriend ever invite her to 'the wedding', she will throw that invitation to the trash, where it belongs.

✧₊⁺ you miss her every night. mostly, when you wake up feeling cold against the person that's supposed to be your future. you're sure you love her.

and she misses you too. and she knows she loves you. that's why she never tries to contact you again.

✧₊⁺ because she loves watching you smile. even if its not because of her.

[terioncalling]

Grieving (But Not)

Just a small DAV story thought from a post I previously reblogged about needing to grieve and not knowing why. More with Ambrose. Will probably change some later when I fully flesh all his plotlines out but plot bunny hit and needed to scribble.

He stayed mostly back after he spoke with Neve at the Wall of Light. There was something...weird...about it.

Then again, maybe it was just the almost constant skin-crawling presence of blight and darkspawn that he kept randomly picking up in Minrathous these days. Or maybe it was just whatever it was on a stick that they had grabbed for lunch.

Ambrose caught sight of the Viper coming up the stairs and nodded to him, grinding his teeth together slightly. The blight was only growing stronger in the man, and every instinct trained into him by the Wardens said to remove the blight. But he didn't because Viper had risked too much and fought too hard to die before his work was done. If he wanted help, Ambrose was willing to give it and the man knew it.

His eyes drifted back towards Neve at the Wall and Ambrose frowned. There it was again. That...tightness...in his chest and behind his eyes. Like he wanted to cry, but why would he? Sure, things were rough but they were making progress.

After the life he had lived, so long as he was alive and moving he counted it as a good day.

So...why did he feel like this?

"Pretty," Harding commented as she came to settle beside him. As Ambrose smiled down at her, she asked, "How do the Wardens remember the fallen?"

"Oh." He frowned and then replied, "Usually, only the big names get put up in places. Those who killed the Archdemons during their Blights and all that. But there's always records in each outpost, and copies of those get sent to Weisshaupt for the full records." Ambrose then paused and looked at the Wall again, adding, "The Marcher Wardens that I Joined under, they had a memorial wall sort of like this in their outpost and that was nice."

"And you?" He looked down curiously at her question and there was something oddly...earnest...about Harding’s expression. "How do you remember those you've lost, Rook?"

"I keep a journal," he replied, feeling a little confused. "Name. How I knew them. Some little tidbit about them, usually a funny one. It's back at the Lighthouse in my room."

Ambrose then frowned and asked, "Lace?"

"Yeah, Rook?"

"Do you ever feel like you should be sad but aren't sure why?"

Harding's head whipped towards him out of the corner of his eye and he startled. "You alright?"

"Y-yeah. And I...no, I can't say that I have."

"Hmm," Ambrose mused aloud, frowning at the Wall of Light as Neve moved towards them. "Guess it's just me then." He then clapped his hands together, grinning as he pushed the weird sensation to the back of his mind, and said, "Well then, ladies, shall we go kick the shit out of some Venatori bastards or what?"

Later, in the Lighthouse, Harding would slip into Rook’s room and find that journal he spoke of lying out on a side table. It was full of names of Wardens mostly but there were other names, some with notations next to them of how they had died. People that he hadn't managed to save.

What she realized with mounting horror as she flipped to the last filled in pages, was that what she had been slowly becoming more and more afraid of was true.

Varric's name was missing from Rook's journal.

[randomfoggytiger]

Hello Tiger,

I've never spoken out on this subject and I'm not going to again, but seeing Sunday's discussion, I can't remain silent. We have different concepts of what it means for a young woman to “thrive” and what it means for a man to assume a relationship openly, without looking like a deer in the headlights every time he is seen with his partner. So far, so good. As for the glaring age difference, it's controversial, but it's not the end of the world either. But what about the fact that a 55-year-old rich man goes after a 22-year-old girl, enters into a sexual relationship and brings her to live with him? 22 years! Do we have a different concept of that too? Is a 55-year-old man with a 22-year-old girl acceptable to you? For me, there's no justification - I'm still a fan of Mulder, but only of the character. For now. Please don't be offended: I'm a long-time reader of your site and even though I don't agree with your position on this subject, I enjoy reading it very much and I appreciate your willingness to write about the series. I wish you a happy 2025!! 🙏

I'm not offended, don't worry. :DDDD Age gaps relationships boil down to whether an individual can stomach that sort of dynamic or not; and no amount of logic or reasoning is going to dissuade a gut reaction. So, I get it when others can't stand it.

And thank you for the compliments! I try to keep church and state (my irl opinions and the series' meta) separate. ;)))

My Thoughts

I don't mind age gaps because I've seen/heard them done successfully-- however, those successes are incredibly rare. Stereotypically, it involves someone younger with someone older, and there's usually money to some degree. Exploitation is a huge risk to watch out for; and I've found the toxic relationships have two prominent factors in common: A. they quickly lock down a younger individual by knocking her up, thus making it harder for said individual to leave; and B. they dangle and lie and push off the type of commitment the younger individual expected, dragging on the process as long as possible while demeaning and belittling the younger person's sense of identity.

Why am I okay with David and Monique?

First off, we don't know how old Monique was when she and David began dating. She first appeared publicly at The X-Files premiere (with her friends and boss from the smoothie shop) in 2016. The two didn't appear publicly together until 2017; and I'm pretty sure she was on set a time or two while S11 of the Revival was filming. She would have been 24 or 25 then.

However, let's assume they began dating in 2015 when she was 22 (after she followed Brad on Twitter or Instagram, I can't remember which): I would immediately raise my eyebrows and go on the defensive. That would lead me down a long rabbit hole of questioning and double questioning; and I would have to arrive at a final conclusion with some sort of evidence to indicate if this was a predatory, creepy, weird, neutral, positive, or healthy relationship-- part of that process would include looking at relationships outside of the two primary "targets": kids, family members, exes, etc. Which I did, because there was a lot of ruckus (on Tumblr, sometimes Twitter) about the nature of their relationship. Next, I would look at the individuality of the people involved: was there an improper balance between the two-- was one beholden to the other? Speaking of which--

Secondly, I long suspected Monique had independence of some form apart from him-- her Instagram posts didn't change substantially after they moved in together except to now include him; she hangs out regularly with her friends; she has hobbies and interests outside of the relationship; etc., etc.-- and confirmed my suspicions yesterday with an old interview. Her parents, per the interview, were well-off enough to give her horse riding lessons... and ice skating lessons... and tennis lessons... and violin lessons... and soccer lessons, all at once (?) She traveled the world for tournaments before meeting DD.

Regardless, I just don't see David as the type to leave an ex high and dry after they part ways-- he went above and beyond to pay alimony and his kids's expenses post divorce (at apparently higher rates than is usual for his $$ bracket in NY, if I recall), and he brings all his past associates, exes, and family forward in his projects. Even if one wanted to write off their relationship as a sugar baby transaction, MP would still have the ability to network as DD's ex after taking the assets both would split post- (potential) separation.

Now, for the moral/ethical aspect: while many are against and few for the idea of age gaps, I-- personally-- weigh each case individually. Most celebrity age gaps are based on transaction, but knowingly. Leonardo DiCaprio, for example, dates only women younger than 25; but his girlfriends seem aware of that fact, and he markets them and their careers pretty generously (comparatively) so that they're established as models or socialites or etc. etc. etc. by the time the relationship comes to a close. (I've never heard one speak badly of him, but there's always that possibility.) If there is exploitation there, it's at least propagated by both parties.

In David and Monique's case, she hasn't used her relationship with DD to market this or that venture-- despite speculation that she would-- but doesn't hide it, either. He, meanwhile, brought her everywhere with him; introduced her to friends, acquaintances, and professionals along the way; and snapped countless photos of her and let her snap countless photos of him. They seem-- on a surface level-- to be attached, in love, and secure in each other. Not to the same degree that he and Tea had, but he's not the same man post- public "sex scandal" and (especially) divorce. And having gone through countless paparazzi pics of the two of them over the years, I've noted that he doesn't treat her differently than any previous "private citizen" ex, and initiates more physical contact in public than she does.

Swinging back around to the moral/ethical argument, is it right that a man thirty years MP's senior should date her-- one with kids, no less? It depends, to me. What is the health of the relationship? What is the health of their relationships outside of that relationship? Are they growing and changing or stagnating and regressing? I've seen both seem to progress rather than regress-- he and his directorial and podcast efforts, she and her arts and crafts and flower business. He and his kids seem to have a solid, loving, loyal relationship even after she joined his life; he and Tea have a cordial, publicly supportive, even loving relationship after their divorce; and he never seemed to abandon his responsibilities to his mom in her last years on earth. As for Monique, she and her friends and family seem (don't have too much information to glean from here) to still have a solid, loving, loyal relationship; she seems to keep out of business that doesn't concern her (DD and Tea's co-parenting); and she seems to not push his kids into compromising or uncomfortable situations.

As far as age gap relationships go, this appears pretty drama free, even-keel, and seemingly positive and healthy-- 'healthy' as in there are numerous signs of personal growth from both parties.

Personally, I think people settle into relationships where they feel most at home, or ones that reflect where they are in their personal lives. Those dynamics could be healthy or wickedly unhealthy; but they're where the person wants to be. (It's up to family and loved ones to rescue an abuse victim, of course, but that person picked someone who reflects how they feel about themselves in their minds, for example.) I don't know what initially drew Monique and David to each other-- maybe she makes a mean green smoothie. Maybe he has a ton of money she likes to spend (though their rather unglamorous lives, factored in with her parents' more-than stable finances, leads me to take this with a grain of salt.) All I know is what I've seen written up on the internet-- that Monique "saved him, in a way" (said a close friend-- who was not a bootlicker, because she also had biting criticisms of David to share)-- or leaked online-- that DD is MP's world and she loves him.

So, in conclusion: I'm very skeptical of any relationship-- age gap or otherwise-- and need to see proof before I believe that two people are actually in love or thriving. Furthermore, it's their business; and as long as his kids aren't feeling neglected, abandoned, or "less than", and as long as there isn't abuse, manipulation, or control, then I figure let the two in the relationship sort themselves out. ;))))

[rav3nston3]

somethin' a little different today, apparently i never posted like 10 things i had made of my map LAST YEAR so um. here's those. (in chronological order)

i can't remember why i never posted them, or if i even had a reason... but uhhh here's these!

[shirogane-oushirou]

no promises anymoooooreeeee i'll appear online when i appear online 😭 every time i say "ooh i think life is almost done being overwhelming!" it. becomes even more overwhelming in the dumbest ways. all i can manage rn when i'm not stressing myself into a shut-down state is staring at the wall while listening to youtube essays + mindlessly crocheting.

i might queue up ppls art and fics w/o commentary in the tags... i want other ppl to see what all of my cool friends have made, but i genuinely can't think right now with this monstrous brain fog. i'm really sorry, just. yeah. maybe i'll think of some way to make it up later!!! once the dust has settled!!!! but until then i wuv u and miss u. smiles.

[venting in tags including familial manipulation and ableism. i. didn't mean to write all of that, thiss was originally going to be a main blog post but. aaaaaAAAAAA!!!!!

also no need for replies or anything, i'd turn them off for just the one post if i could kjsndkn, i just needed to get things out and go eep jsjndsfdn ok bye bye bye bye!!!!]

[camellcat]

WTFFF I thought thirteen would be my new girl crush love of my life heart eyes wife you-came-after-twelve-you-must-be-better-than-they're-all-saying bbygirl and then I had to sit down and watch as she told a man who (if he were not a murderer, of course) literally every regeneration before her would've LOVED and FULLY SUPPORTED that "the systems aren't the problem. how people use and exploit the system, that's the problem. people like you" </33333 !?!?

[cryolyst]

~

[marypsue]

I freely admit that this post is more propaganda to try to get people to consider using a book journal than me actually believing that People In General keep book journals, but consider: keeping a book journal.

[sskk-manifesto]

What a good episode. Maaaaaan

[servuscallidus]

Reading Stazio's Thebaid (and watching L'Odissea 1968 rai miniserie), it's terrifying how the greek gods mess with people's minds to reach their ends. Zeus wants to destroy two cities, Thebes and Argo, and instead of bringing about a forerunner Sodom and Gomorrah (or second, I'm fuzzy on the timeline), he plants the thought in Etheocles' mind that he want to keep the kingship for himself and inspires bloodlust and a desire for war in the youths of Argo. He puppets the two cities by effectively stripping their leaders of wants, thoughs and personality and puppeteering them into a war no one wanted. We don't even know if the desire to keep Thebes was always there in Etheocles or if it's all Zeus' creation.

Basically, it never matters what a mortal wants, not because a god can effortlessly overpower them, but because a god can easily make it so that they never wanted anything other than what the god desires them to want. It's horrible. You can never know if what you wish and think is truly something that comes from you or if a god planted it so that you'd do their will

[gl1tchxr]

the dynamic between juxt and ny is unparalleled. they learn from each other without meaning to. they're both jealous of the other. they inspire each other to be better. they absorb each other's worst habits. they seem like they would get along least but they understand each other in a way no one else can

[parme-san]

good news everyone it does get better at least a little and after thinking about it i'm not quite as miserable or in despair as i thought i was.

[ct-hardcase]

hate when I can't see the chemistry of a popular fandom ship even if I want to

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[scarlettfevor]

Blonde Chaeryeong changed lives

[unma]

So I've calmed down. After today's events I find myself even more vindicated in my hatred for my family, but that's neither here nor there. I'm not trying to vent so often on this blog (feels too oversharey), so instead I'll let y'all know that my birthday is in two weeks! Specifically the 24th. So that's cool.