#I really want to see more people talk about the story and the themes of this game they’re so good

[mysteryanimator]

Breaking down Castlevania Nocturne Season 01 - Episode 06 "Gulity Men to be Judged" Olrox and Mizrak scenes (almost) shot by shot!

With episode 08's breakdown (which you can read here), I'm deciding to tackle episode 06! I'm glad people enjoyed my last breakdown as much as I did writing it! While I will try to be as in-depth as the last, I will try to keep it concise because there is a lot I want to cover with a 30-image limit AND I am not just covering the "I'm not in love with you" scene. I will be covering their other scenes in this episode because I cannot understate how extremely important specific shots are.

To preface this again, this is not the end-all-be-all for these scenes. This is just me making observations based on my media analysis and production studies and a deep passion for visual storytelling/storyboarding. I also consider myself an amateur, so please take what you will from this. My terminology may flip flop, and I will be super casual and informal in this analysis. However, I hope I still get my points across well!

Scenes will not just be "the curtain is blue because it is." Heavy moments with character interaction are important. They have very little time to go over this scene, they have a budget, they have a deadline, so every choice matters and it needs to push out a very specific message.

What is this? A close-up to start off this new scene?

I've talked before about how establishing shots are used to establish a new scene, which often than not is a big expansive shot of the area and of the characters/plot we're following. This still does that. In fact, this shot alone is giving us massive clues to what type of story we're getting. We're getting a much more closed-off private conversation that we shouldn't be privy to. We're getting a view of Macheoul from Olrox's inn, as if we're pulling away from the bustle of life just for a moment.

I'm going to be talking a lot about windows so let me set up the foundations to start us off. Symbolically, windows are important to get a deeper view into a person. Freedom, transparency in conversation, openness, and connection.

We're also getting a close-up of Mizrak and his eyes are cut off. Eyes are another symbolic way to showcase connection and openness but we're not seeing that. Intentionally. Contrasting things are happening. This is already alerting us that this is going to be a tense private scene where things are being bared out for us but things are still going to be closed off from being shared. Also a-ha that curtain being pulled off to the side, which previously it wasn't in episode 04. It is as if we're unveiling a bit more about these characters.

Now we get this long shot.

Hey, so fun fact, you know in the fan-animatic (which you can watch here I'm sorry for the self-plug lol, I was also writing this analysis when making that animatic), I had put in an absurd amount of divider/window themes it might've gotten really over the top (whoops). I was directly referencing those themes from this. Naturally, this inn room references 1750s architecture and how there is a lot of vertical and horizontal detailing, however, I will be excessively pointing them out in this breakdown, so let me also lay the foundations of how important these vertical lines are as well.

In a scene, you can make characters feel at a distance, divided and such not only by using physical distance between other characters and objects but implying it by having vertical lines between them. It can create invisible walls and borders, separating a character from the situation at hand.

Even when characters are really close to each other, putting a vertical line between them in the background can make all the difference. Example, you can a close distance physically, but they cannot connect on a deeper level because there's a metaphorical border by putting a vertical line between them in the background.

These borders pop up a lot in previous episodes surrounding Mizrak and Olrox. The only time it doesn't is in episode 08, where they're out in the open and Olrox unveils something he has guarded up until that point.

The gap between them for most of this scene is HUGE. This has to be established from the get-go to help build upon later scenes where the gap gets closed.

Olrox and Mizrak are both presenting closed-off poses. Mizrak is fully faced away, arms crossed, while Olrox has his leg crossed over himself as he reads, also not in any form facing Mizrak.

By the way, I want to point out, Olrox has the book the Abott uses to turn people into night creatures, he's reading it in Mizrak's presence. Olrox STOLE the book and presumably, Mizrak has seen it being used. Which, this whole scene gets alluded to in episode 4 around the time Olrox passes Mizrak the head. They both were planning to conspire together or at the very least, feed each other information from their side. They're both reluctant players of their team, seeing flaws in the plans of their 'leaders' as much as they do in their enemies. So without overstepping a line, Olrox and Mizrak forge a temporary alliance, which that line gets blurred by simple human emotions.

Close upppp

Oh my god guys he said the episode title !!! I think this goes without saying that each episode title is a line said from a character in the show, and that it is super important

We're still noticing this MASSIVE GAP between Olrox and Mizrak. Also, check that divide there. The vertical divides that are happening are the wooden wall detailing, the candle, more notably the window, that vertical line the biggest/important divide in the scene once again.

Mizrak is shoved into the corner of the screen, he's not important right now so he doesn't take up too much of a focus and, therefore is smaller. Which also means when Olrox follows up with the line "he's threatening you", there's less weight to the line because it's not the main focus, it's a joke. There's no real threat.

Which establishes another thing- their dynamic. In episode 03, Mizrak scoffs and chuckles "and you expect me to believe you care, vampire?" By Olrox chuckling out "he's threatening you" it shows us that this dynamic is reciprocated. They both make jabs at each other, which they know won't actually hurt them. This also means they know how to jab at each other and make it hurt. Foreshadowinggggg~

From here on out, Olrox gets a lot of close up shots, that are framed to JUST focus up on his face (and hand but I will talk about that later).

I'm going to end up skipping a few of Olrox's close up shots in this analysis because I'll end up repeating the same thing, but this is important. We need to see Olrox emote up close because he doesn't ever emote in a very 'animated' lively way. Compare how Richter/Annette/The Abbott and so many other characters emote, their hair and body drag with their face. Olrox does that super rarely because he controls himself. So here, when we get a sliver of his emotions, we're getting up close and personal with him.

Mid....shot? I'm going to be less picky about my terminology because what's important here is the message being conveyed to the audience.

Mizrak turns away from the window (not fully yet) to face him. I need to point out- that Mizrak is super pushed off to the side of the screen, but then his reflection is crossing over that divide.

So as mentioned, having a vertical line is intended to make the characters feel separated from each other. Having a character cross the border can mean they want to overcome the metaphorical walls that are being set up. For better or for worse, it depends of on the character's motives and the context of each respective shot.

Mizrak is passing through a divide to get insight into Olrox. The curtain, again, pushed and tied off to the side. A window. A view into the past. Which I need to make clear, only Mizrak's reflection crosses over the boundary, as if to let his inner self connect to Olrox. While physically, Mizrak keeps himself guarded in case.

By the way, Olrox is fully in his own box. A frame inside a frame if you will. This helps draw attention to a character BUT also fully isolates them. Mizrak, by this question, is calling out Olrox. It's an isolated incident solely caused by Olrox.

Olrox indulges him in this conversation, but he's not fully facing him. He periodically does, but never fully.

I want to point out, that we have gotten Olrox from a front view, and now we're getting a 3/4 view. The next will be a side profile of him, as if he's turning inwards.

By the way, horizontal lines can act to lead someone in a direction. Because this is a western show made for a western audience, most of the audience will read left to right. So naturally our eyes will start left of the screen and move right (unless there's a major focus placed else where). This also just helps in general to move from shot to shot as it will imply for us where to look next, for the upcoming shot. This is also indicated by the massive empty space on the right of Olrox.

So this shot. His eyes are purposefully covered up and Mizrak turns around. Also it looks very similar to the third shot of this whole entire scene but with those key differences I mentioned. It's to alert to us the tone of the section has shifted.

Right now, Olrox is beginning to open up about a vulnerable personal matter from his past, but we can't see him emote—not yet anyway. He will choose and decide when to invite us into his emotions. We see Mizrak reacting to him though. Still giving him that space, but he's now engaged into Olrox's conversation.

Ok skipping a shot forward, but this close-up of him closing the book is basically telling us his mission to dig further into the Abbott's plans is unimportant now. As is closing off the current story he's reading to tell Mizrak a story of his past.

Also followed by the line "He was proud to be Mohcian, with roots deep in the land and forest" as he balls his hand into a fist against the book.

Hands are a superrrr common thing to use for symbolic purposes. It can represent connection. Humanity. Strength. Many more than this list, but a lot of human symbolism and motifs tie down a lot to what Olrox's previous lover is like- along with what Mizrak is like.

Pspspspsps in episode 3, Mizrak's introduction is with his hands, might be a stretch though because that intro is also cross-symbolic. Regardless I thought it was important to at least flag

CLOSE UP SIDE VIEW.

This cut from his hand to his face honestly makes it so gut-wrenching because you're suddenly slapped with Olrox emoting. Olrox's side profile here is acting here that he cant fully face his past, he can't fully face Mizrak as he talks about his past love. Sure he will here and there look over to him, but he can't hold it.

Also, this is what Mizrak would be seeing. While yes, a close up shot so its not entirely a one for one POV shot, we can argue Mizrak is only focused on Olrox's face. We as an audience are forced to be focused on Olrox's face and his face only because of this camera shot. Who is not to say Mizrak is also a part of the audience. Especially since the next shot is of Mizrak looking at Olrox.

Mid shottttt

So cutaway shots like this can help with things like avoiding to keep animating Olrox talking/moving because that will eat up your deadlines, budgets, etc (I think, I can be wrong). This also gives us insight into Mizrak because we haven't seen him for a few shots and oh my god, Mizrak is emoting too.

Right now, Mizrak is pulled away from the window divide. He's giving him the space to talk. Divides are not always bad, again it depends on the context of the shot and what you want to portray.

Also, we're seeing Macheoul behind him. People get to walk freely, poor and rich, sinners and saints and all the people who sit in the middle of those divides. Until Ezerbet's plan becomes finalized. There are a lot of colonization themes in this show and this show is about fighting for freedom. In order to show what freedom is like, the privilege to have it, we must acknowledge the opposite.

We're doing it through Annette AND Olrox.

Mid shot again, featuring Olrox instead.

Now this is supposed to be a mirrored version Mizrak's shot because now Olrox is turned towards Mizrak here as well.

Mizrak mirrors the traits of Olrox's previous lover.

As Olrox talks about his previous lover, we as an audience begin to notice how Olrox's previous lover matches the themes of the show. Revolution. Fight for freedom. This also foreshadows that Mizrak will end up fighting with the revolutionaries, Annette, Maria, Richter.

Skipping one of Olrox's close ups to where Mizrak begins to prod at Olrox's story. He is a little bit too invested in Olrox's life.

MIZRAK CROSSES OVER THE BOUNDARY. THAT DIVIDE. The window divide that keeps them in their separate boxes, he's crossing it over to call him out. He leans forward, then leans back as if to prod him and then go back into his safe zone. His box.

This close-up cut is in between Olrox and Mizrak talking. It's supposed to completely throw us off because its so sudden because we're not expecting this AT ALL. Sure we know Olrox would get riled by this comment, but it's so fast its a literal blur, and this shot doesn't last that long either.

He's also choosing to run. Which in a way, make its slightly more terrifying. He has the ability to float, and (please correct me if I'm wrong) would be cheaper/faster for him to just float really fast. So the choice for him to use his feet to get to Mizrak is a conscious choice.

Which I won't lie, it brings me to this line.

"She said to me, if you would love me as a man, then live as a man, Travel as a man." 

Said none other than Dracula himself in the first episode of the first Castlevania series. Olrox has a lot of times where he just chooses to walk/run, "travel as men do. Slowly." In turn, he's way more human still, despite his supernatural speed. There are also just a lot of parallels between Dracula and Olrox but I digress. It's pulling away from my analysis, but I thought it was a very important thing to note.

This is a low-angle shot. This shot is TENSE. Low angled shots are to make the character's seem powerful, larger then life because it puts the camera, in turn the audience, beneath what we're watching. At a lower place.

I'm here yet again to point out the divide. Mizrak even leans AWAY from the divide, as if to go back into his box. Olrox taunts the divide when he leans over. Not yet crossing it.

Until.

This close-up shot is so diabolical and it's so masterful.

Which, let's get this out of the way- It looks like they're about to kiss because they're that close to each other. We know they won't not, but it's the tension and the conversation we're having now just adds to it. We as an audience are now wondering what Olrox has planned for Mizrak because why is he that close? It is also not harmful bait either because we have them both naked in bed with each other prior. This is a set up for something bigger for season 2. (Or season 3... season 4... guys please stream Nocturne so we can get more seasons.)

Mizrak is pushed into his little box as Olrox stands over that divide and has an overwhelming huge visual weight over this scene. Mizrak, despite having very little of the screen, and being cornered by Olrox, is being very bold and questioning Olrox and his plans.

There are other ways to have someone feel like they have power over a scene besides a low-angle shot For instance, you can have them take an overwhelming amount of the screen so they feel big and powerful. To make someone appear weaker, you make them smaller in the scene (in other cases it'll make a character feel unimportant, like much earlier for that long shot, however in this case it is not). Right now, Olrox is trying to overwhelm Mizrak. This shot is suffocating, there is very little space between these two characters AND the visual breathing space for the eye to rest is almost nonexistent because Olrox takes up so much space. He's trying to read him and pull out his insecurities at this very moment. It won't work though. Olrox knows a lot about Mizrak. He has analyzed this man back and front, inside and out (I mean that metaphorically, but sure, you can take it literally too) but this is an impulse reaction, much like how Mizrak in episode 03 had an impulse reaction to pin Olrox to the wall.

Olrox feels threatened.

We don't know step by step what lead to the death of his lover, what drove Julia killing to him, but Olrox has opened up and Mizrak immediately begins prodding at his life the moment he mentions Julia killed his past love. How dare Mizrak tell him the person he would do anything for, that his death, was his fault. How dare Mizrak say Olrox would turn him. How dare Mizrak presume he loves him.

How dare Mizrak overstep the invisible boundary they've established.

Olrox moves off that divide back into his box.

BTW, side tangent:

I don't know if this was intentionally done but Mizrak's angle is really similar here, the key difference being his eyes and being shuffled into the corner more. Also, Olrox is there LMAO, but his eyes are cut off. It's like, in one truth being revealed, another one is being hidden. This is the very first shot of Mizrak we see in this section versus the very last time we see Mizrak in this section. Though this I'm a bit unsure about so I won't delve further than that.

Ok, tangent out of the way, the last shot for this scene!

This feels like a POV shot from Mizrak.

Front facing. Dead center. No fanfare at all. Blunt. Straight to the point. There's no hiding the truth. He is the subject of main focus.

Olrox is not lying, but it's not the full truth either, which is alluded to the fact the shot gives off the impression that it is symmetrical but it's not. Visually, the weight is so much heavier to the right, purely because of the bed, more of Olrox's face is exposed and the lights. The other side of Olrox is in the shadow and his hair covers up his eyes and parts of his body.

I'll split the shots into two without annotations just so you can see what I mean. Having this shot be split down the middle is wild because they feel soooo different from each other.

This one line is SO NUNANCED, there are so many layers to this (like an onion). So as we get a statement from Olrox saying he isn't in love with him. There is more then meets the eye, much like this shot. The front Olrox puts on.

Love is a very complex emotion, as is all emotions.

Regardless of love, the ending shot of this interaction is supposed to hit us like a brick wall. It forces us to face directly what Olrox is saying and we (including Mizrak) cannot turn away from what he has displayed. It feels heavy as Olrox's glowing eyes bore into us.

The scene concludes, and Lacrimosa, the song Edouard sings throughout the entire section, ends. I don't talk about music because I'm not well versed in that area, but I've gathered that Lacrimosa is a hymn sung in catholic masses. Lacrimosa literally means to weep. It's about mourning. I've seen it here and there about the Virgin Mary/Lady of Sorrows, things about mourning over sinners preparing to be judged for eternity.

We enter a scene, where Olrox mourns a lover, followed by Mizrak judging Olrox for what he did to preserve that love. His sin, his guilt.

Before we get into their later conversation, Mizrak and Olrox's reaction to the arrival of Ezerbet says a lot so I'll quickly touch on that.

Wow this mid shot honestly says a lot about the characters, how they pose and how they hold themselves, AND why they're even conspiring with each other in the first place. It's literally just for a second, its a still image except for the petals. You can recognise how, despite their very tense relationship with each other, they both share their disdain for Ezerbet's plan. No matter their differences. No matter the argument they had before.

Omg Myst what does this window divide mean? I hear no one asking, well, its almost like Mizrak is finally confronted with the vampire world, confronted that the vampire messiah is here, crossing over to look at what's happening. Crossing over to look into Olrox's world.

NOW, let's dive into their later encounter!

We're establishing a new scene, so this is our establishing shot. Looking onto the streets of Macheoul celebrating their Messiah, while we pull back into the private thoughts of Mizrak and Olrox once again. They're also back in their respective boxes, as you can see through the window's dividers.

We will never get to know what happened between the "I'm not in love with you" and this present moment, but they know to go back to their respective places, there's a much more pressing matter.

THIS SHOT IS SO IMPORTANT TO ME FOR A PARTICULAR CALL BACK.

I'm calling this out, it's a reference to episode 04.

When they're both behind their respective partners, they look at them so forlornly, while the other recounts the horrors of their lives LOOKING DOWN. They're both also put at the same heights. Like Olrox is really tall, but for the sake of having these scenes parallel, he's sitting.

Also, the way Mizrak's head turns to look at Olrox in episode 06 gives me unbelievable psyche damage because he's looking at him so gently and Olrox never gets to see and it makes me ache so bad. I love animation y'all.

A massive theme of these two looking at each other from behind with such worry and pain, like episode 08. It will probably appear again in later seasons because it happens A LOT with these characters, so this won't be the last time.

Here we have a high angle close up shot! God this expression he makes breaks me.

While not as extreme as other examples in episode 04 or episode 08, its still a high angle regardless. This high-angle shot looks DOWN onto Olrox and makes him appear more vulnerable, to feel powerless. Couple that fact he pushed further to the side of the screen, taking up the same amount of space on the screen as the literal bed. He talks gently, but talks about the horrific events he's witnessed in the past. He's sidestepping for now. The argument they had, that doesn't matter now.

What matters is that he's going to basically relive it again if nothing is done about Ezerbet. People will die for the sake of power, for the sake of amassing a paradise that only cultivates for their personal needs.

Olrox's eyes poke through without the 'glow'. It just pops against the dark interior of the room. This allows for us, the viewer to be drawn to his eyes. How distraught he feels.

Did you accidentally miss that shot of him where he looks forlorn at Olrox, BAM, you're getting a close-up of it. (Also another cutaway to into not animating Olrox talking.)

Also, the line that they cut to going "They said were they doing it for their god." GOES TO MIZRAK. They could've cut to any line but they chose this line. Mizrak has been convincing himself for this entire season he's doing this for God, horrors and sins committed. It was for God. There's a difference between the Abbott's and Mizrak's justifications to do these things, the Abbott's more plainly put out and explored in season 01, which I won't explore here because then this analysis will get too long (and I haven't fully analyzed him yet so I could be wrong) but the Abbott fears what he has built is being torn apart and will sacrifice others to keep his position.

Mizrak. He has nowhere else to go. The world has abandoned him and God has saved him from whatever trial and tribulation he's gone through. Therefore he will do the same for others, as God has done for him.

The people in charge of this scene knew it was important for us to see Mizrak's reaction here. We need to see a more gentle version of Mizrak because prior, Mizrak had just been a very closed-off yet fiery stubborn man, who would literally growl at the people who he saw as a threat and would continue to do so. Not that long ago we saw him tearing into Olrox, indirectly telling him it was his fault that his lover died.

Yet now.

He's listening. He's here. He understands.

Which by the way, Mizrak always constantly has this very specific eye highlights in his eye, which (in my personal opinion) makes me drawn to looking at his eyes first whenever his face is shown on screen. This a very good example of being drawn to his eyes first because, amidst the darkness of the interior, you're drawn to his eyes. Then you notice how softly, how concerned he looks. Which is the main premise of this very specific shot. Mizrak, despite being guarded, can be gentle.

This close up shot allows us to transition to the next scene, cutting off Olrox's eyes in the reflection as we look out into the streets of Macheoul. We're now being pulled away from their private conversation, as we will now not be allowed to hear whatever Olrox will undoubtedly tell Mizrak and Mizrak to Olrox.

We now close off episode 06's breakdown!

I am honestly such a sucker for the division lines in a composition to portray distance even when people are close to each other. I am also a massive sucker for call backs and parallels, I literally cannot get enough of them. Like a WHOLE mood will shift completely if you shift character and camera placements.

Hopefully, my own opinions on the matter didn't sway you too much, so I'm hoping this implores you to rewatch Castlevania Nocturne! Look out for those key details not only in Mizrak and Olrox, but in a lot of characters in the show as well! Each character within a shot is framed in very particular ways for a reason. So we must wonder why and question it. I also hope this gives you a deeper appreciation for the work that goes into shows like these!

Anyways, hope you enjoyed reading as I did writing this!

[senseandaccountability]

One thing that I really dislike about Veilguard is that (spoilers through most of act 2)

the tone of the Lighthouse crowd is so chipper, so life coach-y whereas DA sidequests in their usual way are all about death and despair and little codex entries about idk people dying alone in the dark not because of some god’s failure but because people suck and betray each other out of greed and fear. See: overarching theme of the series.

And the Crossroads are LITERALLY FALLING APART AT THE SEAMS with Solas’s guilt and regret and you can, as you poke around there, fight a Boss Champion called The Betrayal of Felassan which the Caretaker says is extremely powerful because FELASSAN and there are notes and codes entries scattered everywhere that tells a much more subtle story not just about him but about the past. But it drowns in the many variations of the same group convo circled around the topic “so Solas regrets what he did?” WELCOME TO THE MEETING ROOK, YOU ARE ONLY TEN YEARS LATE LET’S START FROM THE BEGINNING AGAIN, SHALL WE? The main narrative is trying too hard to make him a (very sexy) Trickster God of Trickery and it exhausts me when the minor things like Solas’s memories and the codex give me a much, much better character and depicts an Empire that got corrupted by its own brilliance and lack of boundaries and Solas and the likes of him being counterweights to that, forming the line that should not be crossed, questioning authority - which is ANOTHER CRUCIAL THEME FOR THIS SERIES. The subtext talks about the dangers of blind worship, of hierarchies (please remember Solas proto-anarchist takes on society in DAI, his genuine disgust at all sorts of servitude, his spite if you abuse your Herald status, his entire CHARACTER) and abuse of power, of entitlement and lack of morals. You can do this thing, but should you? That's one of the crucial things about Solas as a character too, it cuts through the best and worst of him. His greatest fear, as he tells a friendly route Rook after Blood of Arlathan, is to end up like Elgar'nan, entitled and blind. As a summary of this moral conundrum the game gives us “SO SOLAS AND MYTHAL WERE DOIN’ IT?” and Rook’s refusal to accept that is written like “ewww, not the guy in my head doing it with Mythal” like some overgrown teenager. THAT DOESN'T EVEN MAKE SENSE, ROOK? 

Also, the lack of subtlety and nuance about the Veil thing drives me batty like Solas tells Rook that he had made a plan to minimize the damage done to the world when the Veil was meant to go down. No follow up for that though. Like, is that a possible option to consider? Solas says Varric wouldn’t have agreed to thousands dying (I’m really not even sure about that characterization of Varric) and Rook is meant to just let that go? Come on. I want Rook to talk to Solas - THE CREATOR OF THE VEIL - about the Veil. I am so extremely uninterested in “exchanging verbal jabs” with the Dread Wolf (I hated you so much, Purple Hawke, you were part of the reason I stayed away from the DA fandom for years) I WANT THE LORE OF THE VEIL AND ITS ACTUAL CONSEQUENCES OVER THE PAST TEN YEARS WHAT ABOUT THOSE, FEN’HAREL TELL ME WHAT YOU HAVE BEEN UP TO. 

Sorry. Those were… some words. 

I don’t even think Act 3 is going to solve these issues for me (NO SPOILERS), but we’ll always have fanfic, I guess. I’ll write a coda where everyone is miserable and has existentialist convos about mortality and morals and faith. 

--- A friendly reminder of this DAI banter that never fails to break my heart, and tell us the truth about Solas in a less clunky way than group conversations at the Lighthouse:

Cole: You didn't do it to be right. You did it to save them.

Inquisitor: Solas, what is Cole talking about?

Solas: A mistake. One of many made by a much younger elf who was certain he knew everything.

Cole: You weren't wrong, though.

I really, really wish Veilguard's main narrative gave me a sense of wanting to depict this.

[prettyoddfever]

the "Ryho" mindset is still happening

I didn’t like how part of the fandom treated Ryan during the pre-split years. This might end up being a lengthy explanation but bear with me because it’s relevant to the modern fandom.

So it was a well-known fact in 2006 that Ryan was straightedge/sober (Spencer was too, but he got less attention from the media). Being straightedge kind of became part of Ryan’s image (here’s a random example) and a lot of fans really connected with that. Then Ryan got drunk for the first time at the end of 2006, and we started seeing pictures of him partying with friends in early 2007 before the band even went to the cabin. 

By summer 2007 Ryan was like a completely different person. I get that the drugs & alcohol probably helped him become more outgoing, but I also think he was just becoming way more confident & comfortable as he grew up. And SO many fans seriously hated the change. Fans still randomly criticized the other 3 guys, but that stuff seemed more like the regular small complaints that happen just for the sake of complaining when people are bored (ex: Jon’s beard existing or vanishing). The stuff about Ryan was very different in tone and there were some consistent themes throughout the last half of 2007: Ryan was too in love with Keltie, he dressed like a hippie now, and he partied a lot. Basically, he was changing. He was no longer the same person that he was during the Fever era.

It honestly seemed like many fans were angry at this new version of Ryan for taking the old version away from them, as though they had some sort of ownership. There was tons of drama over the fact that we were seeing lots of pictures of Ryan partying with various friends (some of whom posted detailed stories about their nights or how drunk everyone was). Some fans said Ryan was a hypocrite or a liar and tried to make him out to be an alcoholic, as though he’d personally betrayed them by destroying who he was "supposed" to be.

However, I think most of the complaints were actually rooted in something bigger: Ryan looked happy.

I felt like a lot of the younger fans had latched onto the idea of a shy, wounded guitarist who needed to be saved or *understood* or whatever… you know the cliche I mean??  That was the vibe that the media sometimes tried to give him during the Fever era, so even they knew it would sell! But now Ryan was partying a lot with a wide range of friends, was dating Keltie, had completely abandoned his Fever-era aesthetic, and seemed to be closest with Jon in 2007 instead of Brendon. He was “destroying” the static image of Ryan that fangirls had taped onto their bedroom walls.

I remember a decent amount of fans actually admitting that they wished Ryan would go back to being depressed. Like they literally wanted him to be unhappy & unsure of himself because they liked him better that way. Others accepted that Ryan was changing and were happy for him, but still thought his bitter lyrics were better. And then even if other people wouldn’t admit that they were clinging onto an old version of Ryan, their main criticism still seemed to revolve around the fact that Ryan was living his life, having fun, and being different than he was the previous year.

I saved one fan’s post because it summed up some of the complaints this year:

The nickname “Ryho” really took off in late 2007.

Obviously a ton of fans loved Ryan (and the kids who were bashing him still claimed to love him too). The petty criticism just became annoying to me. People slammed his new clothes, his new hairstyles, the way he carried himself or talked, his weight/body, his “creepy” fingers, and the “girly” things he told Kerrang he liked (pumpkin spice candles, vanilla milkshakes, his puppy, and Titanic). Even the kids who used to love Ryan’s mild arrogance were now holding it against him. A lot of the fans who were criticizing Ryan in the last half of 2007 jumped right back to being his “fans” once the Pretty. Odd. era got going and things were interesting again, but I guess it shouldn’t have been surprising that so many fans were able to easily switch to bashing Ryan once again in spring 2009 when he was changing yet again. It’s like they were so focused on what Ryan wasn’t doing that spring (ex: recording the third Panic album) that they couldn’t see or accept what he was doing: building a whole new life for himself in a completely different music scene with the new crew of friends he’d been hanging out with for a while (Alex Greenwald’s scene).

One of the things that stuck out to me in late spring & summer 2009 was how many fans felt rejected by Ryan (and Jon). Those fans had basically idolized prior versions of Ryan and were hurt to slowly watch him destroy all of that as they realized he didn’t want to be part of the machine of the music scene that the fandom still loved. That hurt translated to them lashing out in anger.

So you know how I mentioned that in 2006 part of the fandom liked the idea of a shy, wounded guitarist who wrote bitter lyrics and needed to be *understood * and saved? And they resented Ryan for destroying that concept in 2007 and taking away the Ryan that they loved? They wanted to view him as a static character and couldn’t accept that he’s a constantly-evolving human. This is still happening today. Some fans are still upset that the version of Ryan that they want was taken away (ex: Ryan left the Fever era behind, left Panic behind). Except now instead of resenting Ryan for the choices that he made, some modern fans have rewritten the past to blame external forces like Brendon instead. I've been trying so hard to wrap my mind around this for a while, so here's my take on it... keep in mind that this is just my own observation/guess. Ryan isn't very visible now, so people are free to project a lot onto him. I think that by blaming Brendon (who is the visible one left), people can still happily view Ryan as a helpless victim who needs saving, and never feel rejected or betrayed by his choices... it's like Ryan didn’t actually want to leave them, and could still be the person that they need him to be. Idk I'm still trying to comprehend what happened to the recent fandom tbh.

I'm absolutely not saying that all of Ryan's current fans are like this!! It's just that some little bits I've seen are concerning because they essentially take away Ryan’s agency & erase him. Even on a smaller scale, I've still noticed how some modern fans focus heavily on stories that dramatize Ryan's pain & portray him as a passive victim, regardless of whether those stories conflict with reality. Like why exactly is that angle a priority? Some examples:

Camisado is for dancing

the "funeral picture" isn't real

Lollapalooza was a fun show

June and July are different months

Ryan participated in the stage gay

some of the Ryden stuff could probably qualify too

Keep in mind that I'm saying this as a fan of Ryan. I am genuinely happy to see that he has so many newer fans! But sometimes I'm a little concerned that patterns might be repeating and maybe some people are more focused on their own creation of a character/image than an actual musician who has had many many phases.

[jonsnowunemploymentera]

I see your point, esp in regards to how GRRM sometimes unsuccessfully blends various historical elements when world building. With the aspect of ruling, he wants to tackle these issues not in the appendices of ADoS or extra-textual works. He wants to give a careful exploration as the story unfolds in the main story that the entire fanbase will read. Who ever reads the appendices? I mean how many people have even read The World of Ice and Fire in this fandom?

GRRM explores these things with Jon, based on my response to the screenshot in the first place, from ACoK up to ADWD; and presumably in TWoW and ADoS. He wants to actually show how Jon, his answer to Aragorn, evolves as a ruler before the story is done. How he succeeds, fails, succeeds again. So if Jon ends up in a position as a ruler, if he even survives the story in the first place, he as a writer will be satisfied with how he got there. It’s a personal thing for him—not a slight against Tolkien. I’m not too fussed about Rhaenyra and the events in F&B because he doesn’t really mention them when talking about “the tax policy”, and F&B has received enough lashings over the years for being his worst installment in the saga of Ice and Fire. It’s certainly not as well written as the main series for a start.

You bring up an important distinction with:

The fact that there's no longer a dark lord trying to conquer their lands suggests that this will be the case, since the kingdom's weakness was exacerbated by the threat of Mordor.

ASOIAF is more involved, since the political theatre has been evolving outside the magical threat so far. Defeating the Others won’t really settle the political matters as they’ve transformed over the series. GRRM doesn’t seem to think that he can give us a satisfactory resolution to what has occupied the biggest narrative space this far in the last few pages of ADoS. Now this series is incomplete, so we don’t really know what the climax will be. It certainly gets complicated when we factor in Bran as the intended final ruler, because he has nowhere near the level of experience that Jon and Dany have.

And re

It's not a sore point for me, it's the way the fandom acts as if Jon was making the right choices (the show certainly did so) when all it takes is a closer examination to realize how poorly he's governing.

Really? Because it’s usually Jon fans (specifically) trying to make a defense of his ADWD arc. The fandom at large seems to think he would be a terrible king and that he did a bad job as Lord Commander; this is no doubt exacerbated by the Meereenese Blot essays which have permeated fandom discussion over the last decade or so.

George's problem is that he ignores all of this and winds up making Tolkien out to be a less serious writer than he actually was.

Tbh, GRRM won’t stop gushing about the impact Tolkien has had on him as both as reader and writer of fantasy. But the problem is that a lot of things are projected over his relationship with his predecessor’s works. It’s like when you see a ton of articles saying “meet George R. R. Martin, the anti-Tolkien”….when GRRM himself has said that he wants to make ASOIAF the same level of low fantasy that LOTR was, and that he wants to explore the same themes LOTR did but in his own way. It is not so much that GRRM sets out to make Tolkien look bad on purpose, it’s that people are reading into his minor quibble with the quote. It’s the same thing with his opinion on Gandalf’s resurrection. He gets a lot of flack for it, and I’m not going to add to the dog piling. At the end of the day, he really should be allowed to have an opinion of a work he clearly cherishes.

This is actually so funny because….isn’t this literally the point of Jon’s political arc as a ruler in ADWD? 😭 What policies can he enact to ensure that the Watch and the wildlings are fed through the winter? The question even comes up during Alys Karstark’s wedding, because Jon knows that the Watch is down to its last sticks of butter. This is the same arc GRRM uses, along with Dany’s in Meereen, as a reference of how he would like to explore this very question. Btw Jon Snow is arguably Aragorn’s closest parallel in ASOIAF so 😭

[otaku553]

Thinking very hard about nine sols. I have like. 2 other AUs also on the mind as well

But for now it really fascinated me how both yi and ji have immortality but are at different stages in their life and handle it differently, so I played around with what would happen if their ages were swapped such that Yi lived through history and became the Kunlun Immortal, and Ji joined the Council as a young Sol.

Yi / Ji Ageswap/Roleswap AU

Though they’ve swapped positions in time, I wanted to keep their powers and personalities mostly the same. Yi’s aged up design is based on his statue outside of the Four Seasons Pavilion. I’m still thinking through whether or not Yi would still propose the Eternal Cauldron Project with the experience of having lived through history, and I think so. I think living even longer and having to watch more people he loves die before him would make him even more strongly attached to the idea of immortality and longevity, and ensuring the survival of as many solarians as possible so that he doesn’t end up alone on Penglai in the end. I don’t think Ji would be able to kill him because it seems like Ji and Yi’s immortalities differ— Yi can always regenerate as long as the Fusang is healthy, while Ji, as shown in the game, can die if he takes too much damage.

I have a lot more thoughts in this au so I might do a few more doodles at some point but just this for now!

[jaypgartifacts]

homestuck 🤝pokemon scarlet & violet

time shenanigans

[abyssal-luka]

that reminds me, have you ever seen how weird they got about stimboards on tiktok? fucking wild

[theoscout]

I went through the notes collecting screenshots of things that jumped out to me

Posts that were too long to be screenshotted: link 1, link 2

The history of the Disney company is so fucking fascinating and complicated that I could spend the rest of my life studying it.

I hate the company. I love the media. I want it to burn. I was profoundly shaped as a person by some of the art its workers have produced. It's evil. It's beautiful. It's an eldritch horrorterror personified as a charismatic mouse. It's a nightmarish example of capitalist hell. It destroys as much as it creates. It's a flaming trainwreck. I can't look away.

It's the goddamn Elephant's Foot of media studies.

[ambrosiagourmet]

I've been thinking about Laios' succubus lately. Mulling it over a bit.

Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.

When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.

So let's dive into those three things, and what I think they say about the succubus scene's purpose.

Laios is never fully frozen by the succubus

So. If you compare Marcille and Chilchuck's reactions...

to Laios':

-

There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.

Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."

And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!

Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.

2. Volume 9 is all about drive and desire

I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.

For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:

And ends with a question of what desire brought Laios to the dungeon:

It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.

In addition to Laios, we see it with Marcille...

Izutsumi

Kabru

and Mithrun

Hell, we even get it for the demon!

It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.

The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.

With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.

The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?

Something to consider as we look at the next point...

3. the rest of the chapter is a seduction, too

This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.

Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.

(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)

But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.

Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.

-

So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.

As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.

But the details of what actually happens tell different story: one in which the Lion is wrong.

First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.

Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.

And it's this realization that he cites later as part of his reason for refusing the Lion's offer.

He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.

Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.

I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.

Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.

The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".

He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.

Whatever the case, he's wrong about Laios, and the story shows us this over and over again.

After all, look at how the succubus interaction plays out:

A monster uses Marcille to appeal to Laios...

He realizes that something about the situation is wrong, and rejects her.

It changes strategies, and makes new offer: to turn him into a monster.

It also assures him that his friends are, or will be, taken care of.

He accepts. Or rather, allows the monster to have its way with him.

But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.

We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.

The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.

The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.

Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.

And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.

This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.

And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.

It's about how they are wrong.

[maikaartwork]

Artists, let’s talk about Instagram commission scammers

There’s been a huge rise in commission scammers recently, mostly on Instagram. A lot of new artists don’t know what to look out for, so I figured this might help people.

How they begin

Usually the scammer will write to you asking about a commission. Something deceptively cute - mostly I encounter asks about pet portraits, with one or two photos sent. They’ll probably try to sell you a sweet little story, like “It’s for my son’s birthday”. They will insist that they love your artwork and style, even though they don’t follow you or never liked a single piece of your art.

What to look out for:

Their profiles will either be private, empty, or filled with very generic stuff, dating at most a few years back.

Their language will be very simple, rushed or downright bad. They might use weird emojis that nobody ever uses. They will probably send impatient “??” when you don’t answer immediately. They’re in a crunch - lots of people to scam, you know. 

They’ll give you absolutely no guidelines. No hints on style, contents aside from (usually) the pet and often a name written on the artwork, no theme. Anything you draw will be perfect. Full artistic freedom. In reality they don’t really care for this part.

They’ll offer you a ridiculous amount of money. Usually 100 or 300 USD (EDIT: I know it might not be a lot for some work. What I mean here - way higher than your asking price, 100 and 300 are standard rates they give). They’ll often put in a phrase like “I am willing to compensate you financially” and “I want the best you can draw”, peppered with vague praise. It will most likely sound way too good to be true. That’s because it is.

Where the scam actually happens

If you agree, they will ask you for a payment method. They’ll try to get to this part as soon as possible. 

Usually, they’ll insist on PayPal. And not just any PayPal. They’ll always insist on sending you a transfer immediately. None of that PayPal Invoice stuff (although some do have methods for that, too). They’ll really, REALLY want to get your PayPal email address and name for the transfer - that’s what they’re after. If you insist on any other method, they’ll just circle back to the transfer “for easiest method”. If you do provide them with the info, most likely you’ll soon get a scam email. It most likely be a message with a link that will ultimately lead to bleeding you dry. Never, and I mean NEVER click on any emails or links you get from them. It’s like with any other scam emails you can ever get.

A few things can happen here:

They overpay you and ask for the difference to be wired back. Usually it will go to a different account and you’ll never see that money again. 

They’ll overpay you “for shipping costs” and ask you to forward the difference to their shipping company. Just like before, you’ll never see that money again.

The actual owner of the account (yes, they most likely use stolen accounts to wire from) will realize there’s been something sketchy going on and request a refund via official channels. Your account will be charged with fees and/or you get in trouble for fraudulent transactions. 

You will transfer the money from your PayPal credit to your bank account and they will make a shitstorm when they want their money back, making your life a living hell. They will call you a scammer, a thief, make wild claims, wearing you down and forcing you into wiring money “back” - aka to their final destination account. 

Never, EVER wire money to anyone. This is not how it’s supposed to go. Use PayPal Invoice for secure exchanges where the client needs to provide you with their email, not the other way around.

You can find more info on that method HERE.

What to do when you encounter a scammer:

Ask the right questions: inquire about the style, which artwork of yours they like, as much details as you can. They won’t supply you with any good answers.

Don’t let the rush of the exchange, their praise and the promise of insanely good money to get to you. That’s how they operate, that’s how they make you lose vigilance. 

Don’t engage them. As soon as you realize it might be a scam, block them. The sense of urgency they create with their rushed exchange, and pressure they put on you will sooner or later get to you and you might do something that you’ll regret later.

Never wire money to anyone. Never give out your personal data. Never provide your email, name, address or credit card info. 

Don’t be deceived by receiving a payment, if you somehow agree to go along with it. Just because it’s there now doesn’t mean it can’t be withdrawn. 

Here is a very standard example of such an exchange. I realized it’s a scam pretty fast and went along with it, because I wanted good screenshots for you guys, so I tried going very “by the book” with it. 

Please share this post, make it reach as many artists as possible. Let young or inexperienced artists know that this is going on. So many people have no idea that this is a thing. Let’s help each other out. If you think I missed any relevant info, do add it as an rb!

Also, if you know other scam methods that you think should be shared, consider rb-ing this post with them below. Having a master post of scam protection would AWESOME to have in the art community.

[gallusrostromegalus]

Hi! I enjoy your stories very much. As a shy person myself wanting to push myself out of a shell I am curious if you've always been naturally good at meeting people, or do you get social anxiety too? Sorry if this is a super random/personal question. I appreciate you!

I used to get REALLY bad social anxiety but then I accidentally threw myself off the deep end on the first night of college when I heard people assembling furniture out in the hall and thought "If I do not get up right this second and go hang out with those people I'm going to lie here crying about how much I miss my family all night and they wouldn't want that."

So I went out in the hall and said "Hi! I'm [Gallus], and I thought I should meet people instead of being a miserable wreck in my room!"

And then we spent the rest of the night assembling dorm furniture, talking about weeb shit and generally having a good time! and every single time I've gone and introduced myself to someone since then, I've either made MORE friends and had a good time, or had, at worst, a perfectly neutral time. So that positive re-enforcement really helped.

Anyway, the three Guidlines to Meeting People:

Meet people at places they expect to meet people. People do not want to make friends when they are busy with something else- see how much we hate it when people come to the door when we were working or cleaning. But when they're at somewhere they expect to socialize like a Hobby Meeting, a convention, The Club? they're THRILLED to make friends and tbh probably glad you broke the ice. Go to places where people who share interests with you are meeting. They'll probably adopt you.

2. The Worst Thing that will happen is that you will lightly confuse someone. No for real. Nobody is going to scream at you and you're not going to terrorize someone by saying hi. It's fine.

3. Sample conversation script for those of us who have brains that make us act like we're in a movie:

*Be At Place to Meet People* *See someone who looks interesting to talk to, who is not actively doing a physical task or already having a conversation* You: Hello! I love your (Physical aspect of their appearance they chose: Hair color, lobster-themed dress/Dog/Orbital mechanics tattoo)!" Them: Oh, thanks! It (single sentence of explanation: I did it myself/It has pockets/He loves people/I got it for completing my thesis!) (this is a sign that they are open to social activity) You: That's so cool! I'm (you name), and I'm new here. You seem like cool people, can I hang out with you? Them, and I actually for real swear this will be the answer 90% of the time: Sure!

Congratulations! You have introduced yourself to someone. Continue to be a huge dweeb about the thing you have a mutual interest in and you will shortly have a new friend!

[daincrediblegg]

no you know what I'm going to scream about the stuff I talked about in the tags of this post publicly

I'm tired of the well-meaning "don't feel bad if your work only gets 20 notes your genius is what counts and do it for you!" bullshit. I've had a good handful of friends who have straight up DEACTIVATED in recent months because their work was not getting reblogged AT ALL. No, it wasn't from lack of not being well-liked, no it wasn't from lack of trying to make sure it was getting out there to the people they knew would engage with it. It was because no matter how much they were praised privately for their work, when push came to shove, absolutely NOBODY reblogged it and gave it the audience that it was due, and I'm tired of people shoving the "unsung genius" narrative as an excuse for it. Nothing excuses that. And the boop event really proved that.

because I know given the opportunity, indiscriminately pressing a button (sometimes 10 thousand times, as I did) is not beyond this website's capability. y'all loved doing that. and look at what it wrought. nothing but love and affection and happiness. just from a couple of quick clicks of a little paw button. sure. nobody knew who you booped but the other person (which is how likes used to work on this website, btw). there was an element of anonymity to it. but that is kind of the core of this website that no other social media platform still has: the ability to be anonymous. and hyper-curating a blog on here like you might on twitter or instagram to project an image is simply not viable. and hey. you wanna know a secret: literally nobody cares what you post or whether it goes with the "theme" of your blog or not. yeah. I know. CRAZY concept in this day and age. but literally. I myself have reblogged things that have had nothing to do with whatever I am currently fixated by and you know what happened to my follower count? not a damn thing. in fact, I actively try to reblog things specifically BECAUSE it's my friends who made them (even though I'm not always good at KEEPING UP WITH HOW MUCH THEY POST @prismatica-the-strange will NEVER GO UNRECOGNIZED by me).

And you know what fucking sucks? I have to deal with this too. surprise right? you ever wonder why I reblog fics or art I post like 20 times the day that I post them? do you ever wonder why I ask about tag lists and beg for asks all the time? IT'S BECAUSE EVEN I GET LIKE. 5 LIKES ON THE THINGS I POST. AND THE REST OF THE REBLOGS ARE MINE SO I CAN MAKE SURE THAT PEOPLE WHO WANT TO SEE WHAT I MAKE GET TO SEE IT. and I say that knowing that I'm certainly not an unpopular blog, or an unpopular writer. I know that people love the stories that I create. Hell, half of the people that I've talked to about lady terror have told me that they consider her to be canon (AND EVEN SOME!! THOUGHT SHE WAS!!! WITHOUT EVEN HAVING WATCHED THE SHOW! WHICH IS STILL SO SO WILD TO ME!!!) But especially in the last 4 years (which really dates this phenomenon), my posts, no matter how well received they've been amongst people I've talked to about them directly, I still go into the notes and at least half (often more than half) are MY reblogs to make sure people saw what I posted. and it happens every single time, and I can't tell you how much it crushes me considering that it used to be that I would be able to post it only once, and people would reblog it sometimes even HUNDREDS of times.

It's not about popularity. it never has been. it's not about anxiety. or shifting website cultures. even if you lurk, the simple fact is, that if you want people to keep making what you love. you have to reblog. your theme won't suffer because you reblogged a fanfiction that you really admire. your posting won't be ruined because you reblogged some fanart from someone in a different fandom. really. I promise. and if people do unfollow you for that? who needs em. followers come and go but you should NEVER have to cater to them. on this website it has ALWAYS been the other way around. lean into it. make it yours. put stuff you ACTUALLY WANT to be seen and that you love and appreciate on your blog. no matter how old it is, how new it is, no matter how niche or off-theme it is.

so please. if you really want to show your appreciation for someone's work? you reblog. it's really as easy as that. check the tags. add some when you reblog if you like. but please for the love of god reblog. it's as easy as booping and even more rewarding for the people who you reblog from. if you want to let someone know that their work is genius and appreciate it? show it. reblog. then DM them if you're too nervous to say what you want to say but not in a public forum. but for christ's sake. REBLOG.

[southfarthing]

what with all this talk of fanfic and ai and feeding other people's work without permission into ai programmes to 'finish' a fanfic or whatever... it's just showing how people see fic as 'content'? a fanfic as something mass-produced and official, something to consume at a distance and then talk about in a vacuum? something to use for your own purposes and something over which you have a claim?

fanfic is written by fans like you. written out of love and passion and a lot of effort and hard work, so that the author can share their enthusiasm for the characters and stories with other fans. like you. they aren't these untouchable, faceless people above you – they're your peers. gifsets, fanart, fanfic – they're all made by your peers. mutuals. friends.

if you want to know more about the fic, talk to the author! so many fic writers leave their socials in the end notes of their fics – talk to them! they're not going to be affronted or judgemental. chances are, they're going to be over the moon that you like their work and want to engage and discuss the characters and the themes etc. they made you happy with their fic, and you would be making them so happy in return! (and what does a happy writer do? write more!)

as a fic writer, I made one of my closest tumblr friends because she read my fic and left a really nice comment, and then we got talking and brainstorming loads of headcanons and fic ideas together! fic writers want to talk! if you enjoy someone's presence and contributions in a fandom, let them know!

and for the love of all that is good, don't feed someone's hard work into an ai programme!!! whether you post it (which is just horrible tbh) is beside the point – you're facilitating the plagiarism of their fic!

[sing-you-fools]

thinking about Good Omens 2. and stories, and the shape of them, and Terry Pratchett and his themes. and something clicked.

Aziraphale is cackling.

it's not just the ball. he spends the entire season trying to force the story into a shape it's not, and everyone suffers for it.

i've seen some less than charitable takes on Crowley's actions and they all ignore how much Crowley did try to talk to Aziraphale, did try to ask Aziraphale questions, did try to help, only to be ignored or brushed off. because his questions, his offers, they didn’t fit with the story Aziraphale was telling himself.

quiet, gentle, and romantic. it was, if you're our favorite Angel - right up until the end, at least. because he decided that's the story he was in. from the very beginning, he's off in la-la land, living out this romcom with a cute little mystery wrapped up in it, completely ignoring what's actually going on around him. i'll set Nina and Maggie up! (completely ignoring that Nina tells him she has a partner, and at that point, he has no reason to think she's anything less than happy.) i'll take ~our~ car to go do investigate this silly little mystery (he's not taking it even a little bit seriously!) while you stay here and run the bookshop and it will be so quaint and domestic! soon we'll dance and confess our feelings that we obviously share because we're already so clearly a couple we just need to finally say it!

Crowley knows the entire time that they're in a horror story but Aziraphale ignores every attempt he makes to point that out because it doesn't fit the story he decided he's in the middle of.

he brushes off Crowley's concerns and questions - his QUESTIONS! - like they're nothing. he doesn't want to see it, so he doesn't. and Crowley should have told him more?

why would he?

when you are CLEARLY in distress and it's being BLATANTLY AND WILLFULLY IGNORED, what the fuck are you supposed to do? "Crowley didn't comminicate" well okay if I were having a panic attack about something and my husband completely ignored it, chattering on about our dinner plans or whatever, that wouldn’t exactly make me want to open up about what was wrong! that would send the very fucking clear signal that he didn't want to know!

words aren't the only way we communicate and Crowley's body language, the entire season, is that of someone who is living in a horror story, knows he's living in a horror story, and is fucking terrified. if Aziraphale were paying any attention to Crowley instead of focusing all his energy trying to set things up just so for the big climax of his love story, he would know something major was wrong.

why would Crowley have told him how cruel Gabriel was about the execution when Aziraphale's already so thoroughly convinced that heaven is pure and good and has shown over and over through the millennia that he's not really open to considering that it can be cruel!

just look at them at the dance. Crowley freaking out because there's a horde of demons out there and Aziraphale giggling as they go to dance. that's the whole season!

you know who Crowley reminds me of this season?

he's watching helplessly and with increasing levels of distress as Aziraphale shoves every plot point into the romcom hole even though it's obviously not remotely romcom shaped! and i'm sick of people saying he was abusive because he raises his voice about it a few times!

[smileysuh]

comfort cuisine

🌙 starring. Johnny Suh x afab!Reader

🔮 preview. You’ve never felt a feral need like this before, but it’s not necessarily the primal type of drive. Instead, it’s a feeling of wanting to be close to this man- who you’ve been next to for so many years, but unable to touch. Except, he’s touching you now, and you want more.

tw/cw. unprotected sex, breast worship/massaging, big dick Johnny, fingering, pussy stretching prep, 'it's finger licking good,' praise, dirty talk, masturbation, multiple reader orgasms, cumming together, creampie, soft sex, longing, fluff, etc… I pet names: (hers) honey.

👹 rating.18+ explicit I wc. 10.8k

🍭 aus. aged up/widower dad!John, best friends to lovers, Chef!John, etc…

☀️ mlist + an. I'm so happy that people loved Line Chef Mark in my fic Real Talk, I received so many messages about giving Head Chef John his own love story, and this is what I came up with in the past four months :) it's a little different from what I normally do, but I wanted to continue with that 'slice of life' theme and venture into a plot line I've never tried before with widower/single dad John :)

Prologue

“I’m so sorry about this,” Johnny’s voice distracts you from the breakfast you’re making, and you turn around from the bacon to look at your friend. “I really wish I didn’t have to keep calling you and asking for favours like this-”

“Johnny,” you shut his rambling up with a pointed expression, “stop, it’s okay.”

“It’s not-”

“John,” you repeat, “seriously, we’re good. Given… the circumstances, I honestly don’t mind.”

The circumstances… neither of you can bring yourselves to say it. You know that if you say it… if you say ‘I don’t mind helping out since the death of your wife’ Johnny will just about break down, and he doesn’t have time to do that, not when he’s got to be at work for seven am, prepping the kitchen and getting ready for the day.

Even by calling this situation a ‘circumstance,’ you can see a half glazed expression overtake Johnny’s face. He’s frozen for a moment, and you take the time to study him.

You think it’s safe to say neither of you expected any of this to happen. 

You’d met him in culinary school- he’d been a young guy, a new dad who’d had a daughter at nineteen, with dreams of opening his own sandwich food truck, ‘like Subway, but gourmet,’ he’d always explained. 

Now, he’s a twenty four year old wreck, doing his best to climb the ladder in the food service industry, mourning the loss of his late wife, struggling to take care of his daughter, his dreams of a food truck long since forgotten in favour of chasing a head chef status to earn him enough of a salary to pay for everything in a one income household-

“Seriously,” your words snap the single dad back from his zone out, “we’re good. I’m making breakfast for Soonbok, I’ve got her lunch packed, I’ll take her to kindergarten, pick her up after- you just have to remember I have a night shift, gotta be at my own restaurant by five at the latest.”

“Five, yeah,” Johnny nods, swallowing thickly and toying with his daughters small pink backpack. “One day, I’ll be higher up on the food chain, and I’ll have better hours- I promise this isn’t a forever thing.”

“It’s an ‘as long as it needs to happen’ thing, okay? Don’t sweat it,” you assure him. “Here,” you take some of the crispy bacon out of the pan, putting it onto a scrambled egg bagel you’d prepared, “you need breakfast too.”

Johnny just about melts looking at the food. “You’re so good to me.”

You offer him a smile. “That’s what friends are for.”

One

Johnny swears his age is catching up to him. It’s not even four oclock and he’s feeling tired, letting out a groan as he says goodbye to the nightshift guys and heads to change out of his head chef attire in the staff bathroom. He’d turned thirty this year, and as he looks at his face in the mirror, he thinks he’s starting to see it.

On his way out of the back door, Johnny bumps into one of his line cooks. Mark Lee is pressed to the wall where people usually lean to smoke, his girlfriend closing him in with her hands on either side of his head. Back when she was expo, everyone used to call her Sunshine, but in her dealings with Mark Lee, Johnny’s come to realize that he’s the angel, not her. 

“Aren’t you two on the clock?” Johnny jokes as he walks past.

Sunshine pulls away from Mark, offering the head chef a grin. “We’re on a vape break.”

“Sure you are,” Johnny laughs, shaking his head.  “See you two back in there, better only be five more minutes.”

“Aren’t you done for the day?” Mark asks, confusion written on his face, along with lipstick marks that he’s hurrying to wipe off.

“Grabbing happy hour with a friend, but be careful Mark Lee, I’m always watching. Just because I’m sitting at the bar doesn’t mean I’m not judging you.”

Johnny can hear Mark mutter something under his breath, and Sunshine is quick to try to calm him down, but as Johnny turns the corner to head to the front entrance of the restaurant, he hears the back door open and close, signaling the end of the little ‘vape break.’

When Johnny joins you at the bar, you’re chatting with Jeno, and the sight makes an unexplainable emotion tingle up his spine. Out of all the front of house staff here, Jeno might just be the biggest manwhore, and he’s had a thing for cougars for a while, although there’s only a handful of years difference between the two of you-

“What are you guys talking about?” John asks, taking a seat on the dark green leather hightop stools surrounding the bar.

“Which virgin drinks are the best,” you respond casually. “I was going to get an iced tea, but Jeno convinced me to try one of your new virgin lemon ginger fizzes.”

“That’s called upselling, honey, you should know that, seeing as you’re in the industry,” Johnny grins.

“Yeah, well, you’re the one who invited me here, so I figured you’d be paying.” You take a sip of your straw, looking at Johnny with a smirk, a playful glint in your eyes. 

“Are we getting food?” Johnny asks. “I might as well take care of that for you too.”

“I’ve got time,” you respond casually. “Don’t work for an hour, lets get our ‘nosh’ on.”

Johnny can only laugh at your antics, turning to Jeno, who’s watching with an amused grin. Everyone here knows you and Johnny are close, you come here often enough to see him, the two of you catching each other for a half an hour here or there between his day shifts and your night commitments. 

Johnny orders three appetizers off the happy hour menu, two things he knows you like, and one that’s more up his alley. “Make sure Yuta isn’t back there slacking off,” Johnny warns Jeno, knowing that two of the items will be coming from the ‘bottom end’ of the expo line, which is where Yuta runs the show after Johnny’s off.

“I’m sure he’ll pull out all the stops for our MVP,” Jeno grins, typing the order into an ipad. “Do you want a beer? We’ve got new rotators.”

“Don’t bother trying to upsell me,” Johnny scoffs. “House Lager, and don’t fuck around with the foam.”

“You run a tight ship here, captain,” you tease, bumping Johnny’s elbow.

“Speaking of-”

“Don’t try to recruit me to work here again,” you’re quick to warn.

“Damn it,” Johnny shakes his head, pretending to be quite upset about your rejection. He does feel it- he does think you’d be a great member of the team, and he’d love to offer you a dual head chef position, but it’s not in his power to do so, and that fact haunts him every day. Working for a company limits what he’s able to do, and sometimes, even at age thirty, Johnny still thinks about his dream to open a food truck, with you by his side. “No, in all seriousness, I wanted to talk to you about Soonie’s birthday.”

“Right, she’s turning eleven soon, that’s quite the milestone,” you grin, playing with your straw.

“I asked Doyoung if I could open early for her birthday, it’s a Sunday, I was thinking some of her friends and their parents could come in for a brunch an hour before we’re open for the public.”

“That’s a great idea!”

“Here’s the catch, Soonie was raised on your breakfast food. As much as I try to make things for her, and I hate to admit this, by the way, she always says your cooking is better. So I was thinking… maybe you’d want to come in that day and help me out with all of this. With your skills, I wouldn’t need Hyuck and Mark, it could be just us, and I’m sure we could make a birthday breakfast Soonbok would never forget. It would be like old times, like back when we were in culinary school.”

He loves the way you’re smiling at him, giving him space to rant. 

When he’s done, you cock your head to the side, only wasting one beat before you say, “I’ll do it.”

“Really? I don’t have to bribe you with money or anything?”

“Jeeze, have I ever asked you for money, John?” You smack at his arm, clearly slightly offended. “I’m doing this for Soonie… and maybe a little for you too.”

“Don’t go soft on me, killer,” Johnny teases. “Everyone around here’s too soft these days.”

“Says the softest dad I know,” you roll your eyes. 

“Shh,” he warns, “don’t say that loud enough for Jeno to hear.”

“As if everyone doesn’t already know.”

The two of you continue to chat and joke, a short while later, the head manager, Doyoung, shows up carrying food. It’s funny for Johnny to see Doyoung balancing two items on one arm, the third in the palm of his hand, but he supposes Doyoung started somewhere too, the same way John had. 

“VIP happy hour appetizers,” Doyoung sighs, setting the food down. 

“As opposed to regular happy hour appetizers?” you grin, immediately reaching for a fry.

“These are special,” Doyoung insists, “pretty sure Yuta spit in them.”

Doyoung is a pretty regal man, he’s not one to joke around- but for some reason, when Doyoung is in your vicinity, he loosens up a little. Everyone loosens up around you, you radiate a safe space kind of energy, the kind of energy that makes Johnny’s tense shoulders relax, his smile softening.

“Then I’ll be sure to eat all of this,” you respond. “Tell Yuta more spit.”

Doyoung shakes his head at you. “I’m sure Johnny’s tried to poach you already, but if you ever want a job, you can have his.”

“Hey!” Johnny laughs.

“I’ll consider it,” you grin.

“And I expect a plate of food for this brunch thing,” Doyoung continues. “I’ve heard nothing beats your breakfasts, even though you work nights.”

“Someone has been talking about me again,” you muse, eyes shifting to John.

“What can I say?” He holds his hands up in defense. “I speak only the truth.”

“Your reputation precedes you,” Doyoung insists. “Anyways, have fun you two, I’ve got food to run, our new expo girl isn’t filling Sunshine’s shoes too well.”

There’s a glint in Doyoung’s eye before he scurries away, and Johnny turns to watch the new expo girl practically short circuiting with take out orders on the line. 

“Poor girl,” you sigh. “It takes a certain kind of person to work in a restaurant.”

And an even more specific type to do what the two of you do as chefs.

Two

You’ve been on a few first dates this year, and this one is definitely a bottom three. You’ve had one drink, and you already feel like finding a way to slip out early. 

Initially, you’d been intrigued by dating a man in finance, but it’s clear now that you’re in two completely different worlds- and to make matters worse, he mostly talks about himself. He’s oozing this obnoxious confidence that makes you grimace every time you sip your drink, and not from the alcohol.

Your date is in the bathroom when Johnny calls.

“Hello?”

“Hey, you!” His voice warms your heart. “So Soonie is at a sleep over tonight, and I was thinking about making a Soonbok style menu for her birthday, all Soonie style names for food and such, planning a menu just for her- are you up to anything? Can I go through it with you?”

“Actually…” your gaze shifts to the bathrooms, “I’m on a date.”

“Oh.”

“It’s going so bad, and planning Soonie’s birthday would be such a better use of my evening. Listen, can you come pick me up? I’ll text you the address, you can come and call me when you’re outside, pretend it’s a family emergency or something-”

“You got it, I’ll be there right away.”

Fifteen minutes later, you’re hopping into Johnny’s car, letting out a deep sigh of relief.

“That bad, huh?” he asks.

“I don’t even want to talk about it right now,” you groan. 

“Here, distract yourself,” Johnny hands you a piece of paper, and you realize it’s a mock up menu for Soonbok’s birthday. “This is just a prototype, I was messing around with styles on some fucking site called Canva-”

“I didn’t know you were good at this sort of thing,” you gasp, taking in the intricate fonts and colouring.

“The site did all the work, trust me,” Johnny scoffs, pulling out into traffic. “Read it over and let me know what you think.”

You begin to scan the menu. There’s Soonie Side Up Eggs, and Boken Avocado Bennies, Soonbok Style Slapjacks and Suh Family Breakfast Sammies. 

“I’m shocked you came up with this many names related to Soonie and Suh,” you say.

“I spent my entire shift thinking about them in the back of my mind while I worked,” Johnny admits. “They’re not cheesy or anything, right?”

“They’re definitely cheesy,” you confirm, “but Soonie is going to love them. You’ve always been cheesy, John, and she adores you for it.”

You notice Johnny’s skin turning a little red, and it’s not just from the reflection of the traffic light illuminating the inside of his car while you wait for it to go green. 

You continue to study the menu, thinking hard the entire way back to Johnny’s house.

He’s got a modest three bedroom townhouse, with his and Soonbok’s rooms on the top floor, and the guest bedroom on the main floor with the kitchen and living room. The kitchen is, without a doubt, the heart of the home, and the two of you make your way there as soon as you’re past the threshold.

“I have some thoughts,” you admit, setting the menu down and pointing at one of the items. “Soonbok toast,” you announce, a twist on french toast, “it says here that it comes with a berry compote. I can tell that this is one of the dishes more geared toward others, because if this was really for Soonie, you’d know that your daughter doesn't even touch berry or apple crisps. She picks at the oat brown sugar on top, but doesn’t like cooked berries or fruits.”

“Yeah…” Johnny leans next to you, scratching the back of his neck. “That was the only one I wasn’t sure on, but for brunch, you have to have a french toast option, right?”

“We can still do french toast, but I think every menu item should be something she’d actually love, don’t you agree?”

“A hundred percent.” 

“What if, instead of berry compote, we do an brown sugar glaze type sauce?”

“That could be doable,” Johnny admits. “Should we try to make one now?”

“Can we do it in the morning?” you ask. “Honestly, I had one drink at the bar, I’m tired after a long shift, and I’m ready to have a few more drinks then pass out.”

“Drinks are a good idea,” Johnny grins, already heading to the fridge. “It will give me more time to think about how to make the brown sugar glaze, and I’ll get on top of that in the morning.”

“Exactly. Chef hours are over, we can just relax,” you insist, heading to collapse on his couch.

“Chef hours are never over,” Johnny reminds you, cracking open a beer and approaching so he can hand it to you.

“It’s one of the reasons dating is so hard in our profession,” you sigh, taking a swig of your drink.

“The hours make it tough,” Johnny nods. 

“So does the mentality,” you remind him. “We just… we think a little differently than others. We’re all a little too committed to our work.”

“That’s not always a bad thing, you’ve just gotta find someone you’re compatible with, someone who will appreciate that about you.” 

“Says one single chef to the other,” you laugh.

Johnny clinks his bottle against your own before taking a large gulp. “Touche.”

Three

Johnny is doing his best to work quietly, aware that the guest bedroom is just a short distance from the kitchen as he whips up eggs for the french toast batter. 

He manages to get all the way through to the cooking before you sleepily putter into the kitchen, adorned in one of his spare shirts for when you sleep over unexpectedly. You look adorable, but Johnny can’t bring himself to focus on you as he perfects the brown sugar glaze, careful not to burn it.

“Almost done,” he calls over his shoulder, “take a seat then try this with me?”

“It smells good,” you tell him, pulling out a chair at the island kitchen counter. 

“Thanks, honey, I was up last night thinking about it- had to wake up early to try it out.” He lifts the french toast onto a plate, dipping a spoon into the glaze to coat the breakfast. “I hope I didn’t wake you up?”

“The smell did,” you muse, grinning as he brings the french toast toward you, setting it down and opening a drawer to retrieve two sets of utensils.

The two of you cut into the toast, and you lift your fork. “Cheers,” you grin, and Johnny touches his food to your own before you both go in for a bite. 

The french toast is cooked to perfection, and although the brown sugar glaze is a little sweet for his liking, Johnny knows Soonie’s sweettooth will appreciate this adjustment to the recipe.

But when Johnny lifts his gaze to you, he sees apprehension in your eyes. “Did you like it?” he enquires.

“It’s really good, don’t get me wrong,” you assure him quickly, “I just think… maybe it’s missing one or two things.”

“Like what?”

“Mmm…” you cock your head to the side, “we both know Soonbok is a fan of nuts, peanut butter is her usual go to but she likes others too- what if we finely chop some pecan or walnut and add that in somehow?”

“That could work,” Johnny nods. 

“Do you mind if I take a crack at it?” you ask. 

Johnny laughs. There are very few people he’ll allow to use his kitchen, and luckily you’re the one at the top. You’ve been cooking here for so many years that he doesn’t have to guide you to anything, you stand up and immediately go in search of details to make your french toast masterpiece come to life, and Johnny happily takes a back seat while he finishes his own creation.

You go for a bag of pecans, dumping a small amount onto a cutting board before you begin to finally chop, leaving an array of different sizes of chunks. Soonie has always been a texture specific child, and Johnny loves how you incorporate all the little quirks of his daughter into your cooking like this.

In a pan with some butter, you begin to toast the nuts, getting prepped on your bread by using the already made batter he’d created earlier. As you put the toast into the pan and check the nuts, you cock your head to the side again, an endearing trait you do when you’re thinking.

“What about oats?” you suggest. 

“Do whatever you think is best,” Johnny encourages you, heading to the fridge to grab some orange juice and a nearly empty bottle of prosecco he’d opened for a recipe two nights ago.

Johnny watches you add oats to the browning pecans while he makes mimosas, and in no time at all, you’re plating the french toast, with a spoonful of the newly toasted additions, and a few spoonfuls of brown sugar glaze.

“There,” you announce, bringing the food to the table. “I added a bit of cinnamon and brown sugar to the buttered nuts and oats while you were making drinks.”

“Cheers,” Johnny grins, lifting a forkful of your creation to gently touch it to your own.

As soon as he bites into it, Johnny knows that this is a winner. The crunch of the nuts, and the oats- the added fats of the butter- the slight taste of cinnamon on the toppings- 

“Wow,” he breathes, leaning back in his chair. “Soonie really wasn’t joking when she said you’re the best breakfast chef in town.”

“Stop it,” you laugh. “You made the glaze! We did this together!”

Johnny goes for a second bite. “This is the stuff that will stick to your ribs,” he muses, not caring that the calorie content was just inflated by the addition of butter and nuts, “Good ol’ comfort food.”

“No, John, you’re a head chef now, this is comfort cuisine,” you correct him with a grin. 

Johnny swears your eyes are sparkling as you smile at him, and it makes his heart skip a beat in his chest. It’s times like these that he realizes just how smitten he is with you. You’ve been there for him, through thick and thin. There’s no way he’d be where he is now without you, and he’s not even sure if you know the full extent of it.

But at the same time, because you’re his rock, Johnny doesn’t want to overstep. He can’t lose you, not now, not ever. Soonie lost her mom to a car crash when she was three, and there’s no way in hell Johnny’s going to do something that could potentially make her lose you too.

Four

“Hey, you,” you grin, finishing pouring your glass of wine while you put your favourite chef on speaker.

“Hey, yourself,” Johnny responds, and you can practically hear the smile in his own voice. “Listen, uh, I need to ask you for a favour.”

“Shoot.”

“Two of my line chefs called in today before dinner- pretty sure they’re both hungover or something. Anyways, I’m staying, and it’s a busier night than projected- Soonie is done Girl Guides at seven, and I know it’s your night off, so if you’re busy I can find someone else, but-”

“I’ve got you,” you interrupt him. “Girls night with my favourite girl is a better plan than I had.”

“Really? You sure?”

“A hundred percent.”

“I’d say I owe you one, but at this point, I probably owe you more like a thousand.”

“And don’t you forget it,” you laugh, pouring your wine back into the bottle. “Take care of work, and I’ll take care of our girl.”

A couple hours later, you’re in Johnny’s familiar kitchen, making spiced popcorn and virgin cocktails. Soonie wants to be a chef, just like her dad, and she’s getting better every day. You love giving her soft instructions and lending a helping hand on bigger jugs of juice that her tiny fingers can’t quite hold.

Soonbok has a love for all things disney and music, and although this is probably the third time you’re watching it with her, the two of you settle in for the live action Ariel.

While Johnny is primarily a chef, back when you were in culinary school, he used to sing to himself when he was working. He was always quiet, but loud enough for you to listen to his beautiful voice. Like her father, Soonbok has a way with music, and you adore watching the eleven year old belt out Ariel songs.

She’s tuckered out from Girl Guides however, and about halfway into the movie she cuddles up next to you, her eyelids beginning to droop.

When Johnny comes home as the film is ending, Soonie is fast asleep, and you quickly motion at him to be quiet as he steps through the door.

Johnny is careful as he sets his keys and bag down, kicking off his shoes and putting away his jacket. He tiptoes toward the two of you. “How long has she been out?” he whispers.

“Half an hour or so,” you respond in a hushed tone. “How was work?”

He lets out a sigh. “Could have been better, but I’m home now. Should I get this little one to bed?”

You nod, watching the way Johnny bends down to gently lift his daughter off the couch. She stirs in his arms. “Daddy?”

“Hi, Soonie,” he beams down at her. “Did you have a good girls night?”

“Can y/n stay longer?”

Johnny’s eyes shift to you, and a smile forms on your lips. “I guess I can’t say no to Soonie, can I?”

“Here’s the deal, Soonie, y/n can stay longer, but I’ve gotta put you to bed. You had a long day, didn’t you, sweet girl?”

“Uh huh.” Soonie yawns, cuddling closer to Johnny’s chest, and the sight makes you melt.

Johnny carries her out of the living room and up to the second level. He takes some time tucking her in, and then he comes back down to join you, holding two beers in his hands. 

“So two line chefs called in, huh?” you prompt, tucking your legs up and making room for the large man on the sofa.

“I expected it from Haechan, but Mark’s generally pretty reliable. His girlfriend was on shift today, so I know he wasn’t skipping to be with her- I’m guessing they got pretty messed up last night.”

“They’re young,” you point out, accepting a beer from him. “We used to be young.”

“Used to be,” Johnny laughs, taking a swig of his drink. 

Looking at this man- this father, you realize maybe he never really got the chance to be young. At twenty five, he had a six year old, he wasn't running around blacking out and getting hung over, he was working his way up the employment ladder, dreaming about a better future for his daughter.

“You mentioned Mark has a girlfriend, I think I’ve heard about her a few times now, it’s interesting that she was in and he wasn’t.”

“I’m going to be honest, I love Mark, he’s a great kid- but, he can sometimes be peer pressured into things. Haechan has a hold on Mark unlike any I’ve seen, they bring out… interesting sides of each other.”

You laugh at the description, and it’s clear there’s more on Johnny’s mind, so you wait for him to continue. 

“It’s nice that Mark is young and in love, I can understand that- but at the same time, I just hope he doesn’t make the same mistakes I did. Not that Soonbok is a mistake, of course- I just mean that… life is fragile. You think you’re going to be with someone forever, and then you’re reminded of how frail things can be.”

You frown at his words. Even after all of these years, Johnny still holds so much pain about his lost wife. You want to do your best to help Johnny in every aspect of his life, especially emotional, but this is a topic you never know how to approach. He’s right for grieving, his ex was his first love, his true love- how is there anything you could ever say to make him feel better about her passing?

You open your mouth, only to close it, and Johnny watches you intently. Sometimes he looks at you, the way he’s looking at you right now, and you wonder if he feels the same level of connection with you that you feel with him. You wonder if he wants you to kiss him, if a kiss would make him feel better, if it would - if even for a moment - help him forget about the pains he’s faced in his life.

But it’s because of the pains he’s faced that neither of you can close the distance, you’d like to think about it that way at least. Even after all these years, it’s still too early, so you simply reach out and gently squeeze his hand.

Johnny offers you a smile, and you’re glad that in some small way, maybe you’ve helped him.

Five

It’s a pretty slow day after the lunch rush, so Johnny is sitting in the back office with Doyoung while they pick at their food. They often eat together once things settle down, and today is no different. 

What is different, however, is the topic of conversation Doyoung brings up. “How’s y/n doing?” he asks, taking a bite of his salad.

“She’s good. She helped me lock in a french toast recipe for Soonie’s birthday, so that was pretty helpful.”

“That’s nice,” Doyoung nods, “but I’m more interested in what’s going on between the two of you.”

“What do you mean?” Johnny asks, looking up from his schezwan beef noodle bowl. 

“I mean, you two have been friends for a long time. There’s a lot of history there.”

Johnny’s shocked that Doyoung is bringing this up. Out of all of the chef’s coworkers, he had not pegged Doyoung as being the man to bring up relationship gossip, and the whole thing takes him off guard for a moment. 

“We’re good friends,” Johnny says finally.

“I know that,” Doyoung rolls his eyes. “What’s holding you back from being more? It’s clear how much you two care about each other.”

Johnny looks down at his food, using his chopsticks to play around with a red pepper. “We do care about each other,” he confirms. “She was there for me with Soonie when no one else was, and I’ll always be grateful for that.”

“So why don’t you tell her how you really feel about her?” Doyoung presses. “It’s obvious in the way you look at each other- a smart woman like y/n, I’m shocked she hasn’t figured it out for herself by now.”

“I think, because of our history, there’s this… invisible line,” Johnny tries to explain. “Things are good the way they are now, if I try to mess with that… I could lose everything. And I wouldn’t just be losing it for myself, I’d be losing it for Soonie too.”

Doyoung lets out a breath, turning to face Johnny. “I get that it’s hard, but, you’ve got two paths ahead of you. If you give it a try, it could either end well, or badly. But if you keep yourself in this weird middle friend zone place, it’s like you’ve created a house at the crossroads, and that will never lead you anywhere.”

“When did you become so wise about love?” Johnny scoffs.

“Sumi has helped me with it,” Doyoung admits. “I met her here, we started off as friends. I’m her manager, so I had my own reasons for never taking the leap. I had my own house at the crossroads.”

“What made you finally give it a try?”

“She was there for me when my dad died,” Doyoung frowns. “Anyone can be there for you when things go badly, but when a woman truly gives her all to making things easier on you- it’s not something that should be ignored. After everything you and y/n have been through, you both deserve to give it a try.”

“How are you so sure she’d want to give it a try?”

“Because she looks at you the way you look at her.”

Six

Cooking with Johnny might just be the easiest thing in the world. You’d thought that, due to it being Soonie’s birthday, maybe tensions would be high, but as the two of you collaborate in the kitchen, bumping hips and easily communicating, things feel as they always have: easy. 

Within fifteen minutes, the two of you have seamlessly cooked thirteen breakfasts for yourselves, Soonie, her four friends, and six adults… well, seven, if you include the Boken Avocado Bennies you’d whipped up for Doyoung.

While there are a number of staff puttering around doing pre-opening tasks, it’s Doyoung who takes the time to help you and Johnny bring all the food to the table. You love watching the stoic manager announce the Soonie-inspired brunch food names, and it’s clear that Soonbok is also enamoured by the shift in Doyoung’s countenance. 

Before everyone begins to eat, you take a group picture on Johnny’s phone, loving the massive smile on Soonie’s face.

As you’re about to sit down, Johnny asks one of the other moms to take a picture of just you, him and Soonie. With the two of you on either side of the birthday girl, you can’t help but think that this feels like a family picture. 

In a way, Johnny and Soonie are your family- but in the same breath, you’re cognisant of the fact that - had circumstances been different - it would be Soonbok’s mom in this picture right now, and not you. These are shoes that can simply never be filled, no matter how much you wish you could.

The thought isn’t one you like to hold on to, and it’s a thought that’s popped into your head innumerable times throughout the years. Taking your seat next to the birthday girl, you watch her try the french toast, her eyes lighting up.

On top of her own food, Soonie picks at yours and Johnny’s. Both of you are more than happy to share so she can taste more than just one of the special items Johnny had concocted for her. 

Brunch is full of laughter and girlish giggles that light up the deserted restaurant. It’s clear how important Johnny has made Soonie feel today, and that brings you more joy than you could ever express out loud. 

As things wind down, you and Johnny begin clearing plates to the dishpit. The two of you are shoulder to shoulder, and you’re overwhelmed by an odd sense of longing that you can’t quite describe.

Johnny turns to you, mouth opening as if he’s about to say something- but as servers pass behind you, it’s clear that there’s no room for him to say whatever it is that he wanted to say to you.

You clear your throat, watching a line chef pop up next to Johnny to stack the dishes for dishwasher prep. “You should go back to Soonie,” you tell him, “I’ll finish up with the cleanup.”

“Are you sure?” he asks.

“Of course, it’s Soonie’s day, go be with her.” You offer him a smile, and Johnny reacts by reaching out to squeeze your hand.

Without another word, he leaves you to your thoughts, and the feeling of need that’s growing steadier and steadier in your chest.

Seven

Johnny doesn’t know quite what to do with himself. Soonie’s birthday was yesterday, and today's day shift had been quite slow. He’s feeling restless with Soonie over at a friend’s place tonight, and he tries to drown himself in liquor- whether it be to chase away the loneliness or to gain courage, he’s not sure, but by nine oclock, Johnny finds himself dialing up your number.

“Hey, you,” you answer.

“Hey, yourself,” he grins. “Watcha up to?”

There’s a pause, and Johnny can hear people in the background. “I’m out actually.”

“Oh?” Johnny’s spirits dampen. “Out on another hot date?”

“Not so hot actually.”

Johnny bites at his lip. “I’ll let you go anyways.”

“It’s alright, I stepped out when you called. Do you need something?”

“I guess…” Johnny takes a breath. “I got into the liquor-”

“Say no more, I’ll be right over.”

Eight

“So…” Johnny grins as the two of you head into his kitchen, “how did the date go?”

You scoff, watching him pour a glass of wine. “How do you think it went? I’m here with you, aren’t I?”

“I mean… I am pretty hard to compete with,” Johnny flashes you a sexy grin… and proceeds to knock over the glass of wine. “Shit- fuck!”

“Listen, you go take a seat, and I’ll clean this up,” you laugh, watching him lumber toward the sofa. You make quick work of the mess, and when you’re done, you approach him in the living room.

“Come sit,” he prompts, patting the spot right next to him.

“Someone’s feeling awfully cuddly today,” you giggle when he grabs your hand to pull you down where he wants you, leaving no space between the two of you.

“What can I say? I’m a cuddly drunk.” 

“I can see that,” you note, assessing him.

His gaze dips to your lips, and your skin tingles. 

“Thank you for yesterday,” he says quietly.

“I told you, I was happy to help for Soonie’s special day.”

“It’s not just that,” he insists, “you’re always happy to help. I seriously-” he swallows thickly, “I seriously couldn’t have done anything I’ve done without you.”

“Don’t be so self deprecating,” you warn him, gently pushing his shoulder. “You’d have gotten anywhere you wanted, with or without me.”

“I still don’t have a food truck,” Johnny pouts.

You’d thought maybe he’d given up on that dream- although you’ve held onto hope for Johnny, more than he knows. “Now that you mention it, actually,” you say, pulling out your phone, “I’ve been looking at food trucks for sale online for a minute, and-”

Johnny’s gaze softens. “You’ve been researching for me?”

“Just a little,” you brush it off, trying to find the listing that you’d saved three days ago. “I found this decent looking one at a good price-”

“I think I love you.”

“Huh?” you freeze.

“I didn’t mean it,” Johnny says immediately, and your heart sinks. “I don’t think I love you, I know I do.”

“John, please, that’s the liquor talking.”

“Drunk words are sober thoughts,” he insists. “Look, you’ve always been there for me. We work together- and not just because we’re both chefs. Something about this,” Johnny gestures between the two of you, “it just works, and I know I’m not the only one who sees it.”

“Yeah?” You decide to play a little coy, seeing as this confession is coming from a drunk man. “And who else sees it?”

“Doyoung, for one.”

“Doyoung?” You let out a laugh. “Have you been gossiping about me with him?”

“I swear I didn’t bring it up,” Johnny defends himself. “Doyoung said I look at you with love, and that… that you look at me the same way.”

“Well… maybe Doyoung needs to get his eyes checked?”

“Don’t play with me,” Johnny begs, pulling you closer. “There’s always been a line between us, one we’ve both been too scared to cross… but, I think-”

“Now you’re crossing it,” you finish for him. “What made you want to do that?”

“Soonie’s birthday,” Johnny admits. “Our little family picture.”

“Our family picture,” you repeat, melting inside at the fact that he’d viewed the photo in the same light you had.

“Yeah.” Johnny nods. “Our family. Mine, and yours.” 

His hand finds your thigh, and you can’t help but reach out to cup his cheek, stroking your thumb across his angular bones. “I’m not sure what to say,” you admit.

“We don’t have to say anything,” Johnny assures you. “Just kiss me, and we can forget about the world for a minute.”

Your heart is racing in your chest as you hesitantly close the distance between your lips. It’s a gentle first kiss, but it soon grows hungry, and you’re not sure if that’s due to his appetite or your own.

His tongue swipes across your lip, and you open your mouth for him, letting out a soft sigh as you get lost in the feeling of the man who’s been your best friend for years.

His hand on your thigh squeezes, and before you know it, he’s pulling you onto his lap. Your knees dig into the sofa on either side of him, and you’re hesitant to fully sit down- a kiss is a kiss, but grinding on Johnny is something else entirely.

“Johnny,” you whisper, throwing your head back to look at the ceiling, wondering how you got into this situation.

“Yes, honey?” He presses kisses along your throat that have tingles shooting up your spine.

“You’re drunk,” you say finally.

“If I’d known you liked me too, I would have done this ages ago.”

“It’s not about that,” you laugh. “It’s about the fact that you’re drunk, and I want you sober when we do this.”

“Do what?” he teases, squeezing your hips, his tongue grazing over your jugular.

“You know what,” you retort with a huff. “Look, you’re right about the line neither of us wanted to cross.”

Johnny pulls away from your throat, looking up at you. “Huh?”

“The line. The unspoken line. All these years, something has been there, between us- but, we both respect your wife, we respect Soonie- I think… I think the time is right for this now, well, not right now, but, once you’re sober again.”

“You’re right,” Johnny concedes. 

“How about we watch a movie, then we can go to sleep.”

“You’ll stay over?” There’s a boyish excitement in his voice and it makes you melt.

“Uh huh.”

“Will you stay in my bed with me?”

“Just for cuddles, but only if you promise to drink a bunch of water before we sleep, I don’t want you hung over in the morning.”

Johnny grins. “You got it, honey.”

Nine

Johnny wakes up next to a warm body, and it’s the first time in years. Your presence is the only thing that proves to him that last night wasn’t a dream, some twisted fantasy- No, you’re real, and you’re here, and you’d kissed him back-

He stays cuddled with you for a while, basking in the glow of being in love, truly in love, and finally able to admit it to himself. It’s been so long since his wife, and part of him had forgotten the feeling- maybe that’s why it had taken years for him to realize how much he adores you.

After a while, Johnny decides he needs some water- and he wants to make breakfast for you. He wants to spoil you the way you spoil him.

Johnny is careful as he exits the bed, taking one last look at your peaceful face before heading down to the kitchen.

It’s easy for Johnny to get lost in the act of cooking, focusing on bacon at first before switching to eggs. As it was a few days ago, the smell of food wakes you up, and soon you’re joining him by the stove.

“Watcha making?” you ask, wrapping your body around his.

God, the feeling of you is- fuck, he can’t even describe how good it is.

“Wanted to make you breakfast,” he tells you, plating your food first. Once he has you settled and sitting, he quickly throws together a breakfast sandwich for himself.

“You and your sandwiches,” you laugh, digging into your bacon and eggs.

“How did you sleep?” he asks, coming to join you.

“So well,” you tell him, bumping your knee against his own, “even if someone snores.” 

Johnny can only laugh, he’s dealt with Soonbok complaining about his loud snoring for years. “How are the eggs?”

“Good!” 

You’re so chipper this morning, and he loves it. Johnny takes a bite of his sandwich- you’d cooked the eggs at the brunch birthday two days ago, and he realizes Soonie was right. “Your eggs are better,” he muses.  

“I’d planned on making breakfast for you, but you jumped the gun, big guy.”

“I wanted to pamper you for a change.”

“Cooking is my love language,” you tell him. “I’m excited to make you breakfast more often.”

“I like the sound of that,” he smiles.

“When’s Soonie come home?”

Johnny checks the clock on the stove. “In an hour or so.”

“As much as I’d love to see her, I think maybe it’s better if I’m not here when she gets home,” you say thoughtfully. “She’s a smart girl, I bet she’d be able to tell that something is up.”

“She definitely would,” Johnny confirms. “I don’t think I’ll be able to keep my hands off of you that much if you stick around.”

You giggle, reaching over to squeeze his knee.

“How are you feeling about last night?” Johnny asks.

“I’m feeling good, how about you? Still remember all of it?”

“In perfect detail,” he breathes. “Although… a little reminder wouldn’t hurt.”

“Oh, it wouldn’t?” you tease as he leans in, cupping your face so he can press his lips to your own. 

God, you’re such a good kisser. It just works. It’s hard for him to even pull away, but he doesn’t want to overwhelm you.

“Take me out on a date,” you say.

“Hmm?”

“A date,” you repeat. “Just because we’ve known each other for years doesn’t mean we can skip steps.”

“I respect that,” Johnny nods. “I’ve got a busy week, and it will have to be a night where Soonie is out, but… we’ll make it work.”

Johnny’s so certain it will work, because things between you have always worked, and he can’t wait to see where this takes you. 

Ten

It’s been a week, but finally Johnny found time for that date night. Soonie is out with friends again, so it’s the perfect opportunity to get some alone time with the man who’s been on your mind constantly.

He picks you up in his old Dodge truck, compliments your outfit, and refuses to tell you where you’re going or what the plan is.

When you arrive back at his place, you’re honestly not even surprised. “Let me guess, you took me to the best chef in town?”

“You know all my lines, honey,” he grins. 

“So, chef, what’s on the menu?”

“I thought maybe you’d take a seat and let me cook for you.”

“As if I’d take a back seat,” you scoff. “What are we making?”

Johnny had made hand made fettucini before he’d come to pick you up. You let him take lead in making a white wine, garlic cream sauce with button mushrooms, spinach and crispy prosciutto, but you insist on being his sous chef and taking care of the chicken.

The smell is heavenly, and as he finishes it all off with fresh herbs, you think you start to drool a little.

“For a guy who claims to specialize in sandwiches of all things, you’re pretty good with italian,” you muse as you take your first bite and nearly moan.

“I’m pretty good with a lot of things,” Johnny laughs. 

“Look at you being all cocky.”

“You love it.”

He’s so right.

The two of you chat and laugh together while eating. It’s one of the best meals you’ve had in a very long time. When dinner is over, Johnny suggests a movie. As the two of you settle on the couch, he prompts you to come closer, and soon, the two of you are cuddled together as if it’s the most natural thing in the world.

He’s so warm and comforting- you find yourself dozing off a little, although, maybe it’s something of a food coma from all the pasta.

Johnny brings his lips to your ear, and you shiver when he asks, “Should I carry you to bed, honey?” 

Part of you wants to tell him you’re not Soonie and you won’t be calling him daddy any time soon- but another part of you wants to lean into this. It’s been so long since you felt like you could be babied, and if anyone is going to bring out that side of you, it’s going to be Johnny.

“Won’t I be too heavy?” you ask, cognizant of the stairs he’ll have to climb.

“Have you seen my arms? I won’t drop you, honey, I promise.”

You allow him to scoop you up, and you feel like a giggling school girl again as he takes you up to his room. “Do you have a shirt I could wear to sleep?” 

“Choose anything,” he tells you. “When you’re changed, you can join me in the bathroom, I went and got a toothbrush for you.”

Before you know it, you’re cuddled in Johnny’s bed, wearing panties and one of his big shirts. He’s pressed to your back, his mint tinged breath warm on the nape of your neck. There’s no pressure for sex, no pressure for anything other than the situation at hand, and you can tell you’re both very content with it. 

Soon, you’re drifting off to sleep in the arms of a man who’s been a cornerstone of your life.

It’s a deep, dreamless sleep, and it passes in the blink of an eye. You awaken to light beaming through his window, a warm body behind you, and something hard pressed against your ass.

You laugh to yourself- morning wood isn’t something men can help. Even so, you stir a little, adjusting to get more comfortable.

Johnny releases a sleepy groan.

You stay still, not wanting to wake him, but it feels like the damage is already done when he wraps you tighter in his embrace. “Morning,” he whispers, pressing a kiss to your shoulder.

“Hi,” you respond lightly.

Now it’s Johnny’s turn to shift, and you feel his body tense when he does so. “Fuck,” he goes to pull away, “sorry, I uh-”

“It’s okay,” you assure him, grabbing his forearm so he can’t move away, “keep cuddling me.”

Johnny returns, flush against your back, his hard cock pressing even more firmly to your ass.

“Are you sure you’re alright with this?” he asks.

“More than okay with it.”

“Yeah?” He leans forward, pressing his lips to your throat. “Are you okay with this, too?” Johnny mumbles, his hot breath fanning across your skin.

“Uh huh,” you sigh, wiggling your bum back against him and arching your neck to give him better access.

His hand finds your hip, gently squeezing you through the shirt you’re wearing. His lips are soft against you, but there’s a need in his motions too, and he begins to grind against your ass.

You let out a groan when he finds the sweet spot just below your ear, and he licks at it, making you moan louder.

“Are we going to do this?” he asks, nipping at your earlobe.

“Fuck it, yes.” You can’t hold back anymore, you turn in his embrace, quickly mounting him and smashing your lips to his own.

Johnny grins into the kiss, holding your hips while you settle on top of him, grinding down against his clothed cock while your tongues begin to clash.

His kisses have you seeing stars, your mind going blank except for him.

Soon, his hands slip under your shirt, slowly grazing up your sides. “Can I take this off of you?” he asks.

You open your eyes to look down at him, studying his pretty lips and his chocolate eyes. 

Instead of responding, you sit up, grabbing the hem of the oversized T and lifting it over your head, tossing it to the side and baring yourself to your best friend for the first time.

“Fuck,” Johnny groans, gaze falling to your tits. His hands stay at a respectable location on your hips, and you grab one to lift it to your breast, adding pressure so he knows he’s allowed to give you a test squeeze.

Johnny begins to massage you, and you throw your head back, releasing a groan, swiveling your hips against him.

His thumb brushes over your hardened nipple and you mewl loudly, core throbbing from the stimulus.

“You’re so beautiful,” he whispers, propping himself up so he can take your nipple into his mouth.

You cup the back of his head, keeping him on your chest while he worships you. His other hand finds your neglected breast, gently pinching and massaging while he sucks on your sensitive bud.

“John-” You don’t even know what to say, you’re entirely wrapped up in him. 

You’ve never felt a feral need like this before, but it’s not necessarily the primal type of drive. Instead, it’s a feeling of wanting to be close to this man- who you’ve been next to for so many years, but unable to touch. 

Except, he’s touching you now, and you want more. 

Johnny pulls away from your breasts, cupping the back of your head and drawing your lips to his again. “We should take our clothes off,” he suggests.

“That’s the best idea you’ve had all week,” you laugh. 

He helps you off of him, and you lay next to each other for a moment, both fumbling to get naked. As soon as you’re fully nude, Johnny rolls on top of you, slotting between your thighs. His lips find yours again, and his free hand trails down your body, teasing through your pussy lips.

“You’re already so wet,” he muses.

“I’ve wanted this for a long time,” you admit.

“Me too,” he assures you, capturing your mouth with his own while he teases a finger into your hole. You push your hips up, wanting more, and you latch onto his strong shoulders, moaning into the kiss.

Johnny’s a big man, and his finger is enough to have you wriggling below him. “Easy, honey,” he grins, looking down at you with eyes full of adoration. “Gotta stretch you open.”

“Fuck,” you groan- does this man read erotica in his spare time? How is a thirty year old, single dad, this well versed in dirty talk even though you’re pretty sure he hasn’t been laid in forever?

He adds a second finger, curling them to find your gspot. As he pumps his hand, lips pressed to yours in a mad frenzy, you can hear your wetness with each motion. 

It feels unreal- have fingers alone ever done a number like this on you?

Johnny twists his hand a little, knuckles dragging along your sensitive inner walls. It’s like he’s trying to carve out a space for his cock, although, you know now that this won’t be enough. He’s thick and throbbing on your hip, his length so large you think he might just blow your entire back out when he slips it into you.

Even though you’re eager to be - for lack of a better word - impaled on him, Johnny takes his time kissing you, his fingers continuing their motions. “Wanna rub your clit for me?” he asks, moving his mouth to your neck. “I want to watch you cum.”

Your toes curl at his words, and you bring your hand to your pussy, drawing circles on the sensitive bud while he continues to stroke your inner walls.

Your core throbs around him, whimpers of pleasure escaping you. 

“You’re being so good for me, honey,” Johnny tells you, making your insides flutter even more from the sincere words of praise.

Cumming hasn’t always been the easiest thing in the world for you. There are many partners you’ve had who never had the wherewithal to get you there- but somehow, Johnny just knows you. Or maybe, it’s because he knows you- because you feel safe with him, that you feel yourself getting closer and closer to the edge.

It also helps that it’s your own fingers on your clit, you know exactly what you like, what pressure, what motions- the digits working you open are just an added bonus that have you seeing stars as you make your way to your peak.

“John,” you gasp, tits pushing up toward his chest when your back arches. “I’m gonna-”

“Let it out for me,” he encourages you softly. “You deserve it.”

“I deserve your cock,” you whine, shocked at your own blatant neediness.

Johnny only laughs. “After,” he assures you, “I promise.”

A few more circles of your clit has the cord in your stomach snapping, your orgasm washing over your like warm summer waves. Your entire body tingles with delight, gasps leaving you as your pussy fully throbs around his fingers, your clit pulsing with desire.

“So pretty,” he whispers, bringing his lips to yours.

From the way he smiles against your mouth, you can tell he doesn’t care that you’re moaning so much he can hardly kiss you.

It’s a closeness you’ve never felt before, and he helps you through your orgasm until you’re pulling your hand away in favour of grabbing his shoulders.

Johnny takes his fingers out of your core, and you watch under hooded eyelids as he brings them to his lips, sucking them clean and releasing a groan. “Everything you do tastes better than what I bring to the table.”

You laugh. He’s such a fucking chef.

“Some might even say it’s…” you stifle a giggle, “Finger licking good.” 

Johnny lets out a laugh, eyes lighting up. God, you love this soft, laughter infused sex- you’ve never experienced anything like it.

You grab the back of his neck, drawing his mouth to your own. You can taste yourself on his tongue, and there’s something so erotic about it. He moans loudly, rubbing his cock between your wet pussy lips.

The tip of his cock is stimulating your clit and it sends jitters through you. You can feel how soaked you are, and you wouldn’t be surprised if this ended with a wet patch on his bed from how turned on you’ve been throughout this whole experience.

Johnny seems intent with grinding against you, but you’re lacking patience today, and you reach between your bodies to grab his cock.

Johnny breaks the kiss, pressing his forehead against yours and looking down at where you’re gripping him. He doesn’t say anything, his gaze shifting back to your own. There’s a question in his eyes, and you’re both aware that this is the final line. Once you cross this, there’s no going back.

You bring his cock to your wet hole, and with very little effort, you help guide the head of his cock inside of you.

“Fuck,” Johnny groans immediately, fists bunching at the pillow on either side of your head. “You’re so tight- are you sure you’re good with this?”

“You’re just- fuck,” you whimper as another inch sinks into you, “you’re just big!”

“Maybe you’ll have to get used to it,” he grins, pushing deeper.

You moan loudly, clawing at his shoulders. “Maybe I will,” you gasp. 

He brings his mouth close to your own, until your lips are just brushing, eyes meeting when he says, “I’m looking forward to it.”

As he kisses you, he pushes fully into your warm, wet, throbbing core. His hips are flush to your own, and you swear no one’s ever been this deep inside of you.

Your legs shake on either side of his hips, body suspended in this odd purgatory-like place between extreme pleasure, and an uncomfortable feeling of being stretched more than you’ve ever been stretched before.

“Are you good?” he asks, lips moving to your cheek while you struggle to aclimatize to his cock.

“Yeah,” you nod quickly. “Just- fuck me, it will be easier.”

“If you say so, honey.”

The first thrust has your toes curling, eyes clenching shut with pleasure. A sound that’s never come from you before leaves your lips- a sound you’ve heard in porn, but always thought was an overexpression.

Your fingers dig into Johnny’s shoulders, and he holds you close, mouth finding your neck while he begins to fuck you.

Although, would this be called fucking?

The fluidity of his motions- the way you’re clinging to each other- it feels more like making love, and your skin tingles with the realization.

“Johnny?” you whisper.

“Yeah?”

“Tell me you love me again, like you did when you were drunk.”

“I love you,” he says immediately, holding you even tighter. “I love you so much that sometimes it hurts.”

Your entire body both relaxes and is set on fire by his words, your core throbbing desperately around his massive cock. 

“Johnny-” you whimper.

“Tell me you love me too,” he pleads.

“I love you too,” you whisper, threading your fingers through his hair and bringing his face close to yours so you can look up into his eyes. “I love you too.” 

Johnny’s hand finds your thigh, hiking it higher on his hip. Somehow, he hits even deeper now, and you wriggle below him, more sounds of pleasure escaping you and filling the room.

“You sound so good, honey- I won’t last if you keep squeezing me and moaning-”

“Then don’t last,” you gasp. “Want you to cum.”

“Where should I cum?”

“Inside- I’m on birth control, just- fuck, Johnny, cum inside.”

He groans, pressing his mouth firmly to your own, his tongue dancing along yours as his motions get even faster.

You’re clinging to him for dear life at this point, and when he slips a hand between your bodies to rub your clit, you nearly begin to cry from how good it feels.

“Love the way your pussy sucks me in when we play with your clit,” he tells you. 

Fuck, fuck, fuck-

“Do you think you can cum for me again? I don’t want to be the only one cumming.”

“Yeah, yeah- fuck, yeah, I can cum again,” you whimper desperately.

“Let me know when,” he instructs, adjusting his motions ever so slightly so each thrust has his cock dragging against your gspot.

You let out a squeal of delight, your thighs shaking around his hips, stomach muscles clenching almost painfully-

“Fuck, John, I’m there- shit, fuck-”

Johnny shuts you up with his lips against your own, and for a second time, your orgasm hits you.

Your core clamps down incredibly hard on his cock, and Johnny groans deeply above you, fingers twitching on your clit. He keeps his pace, and a moment later, you feel his cum filling you up, coating your walls with warmth.

The feeling of his large length throbbing in your own oversensitive hole has your entire mind going fuzzy, and you kiss him like a woman lost, like a woman so completely in love that nothing else matters.

You ride out your orgasms together, until you’re both shaking. Only then does Johnny come to a stop on top of you, kisses turning to a more gentle nature as he holds you close. 

“I love you,” he tells you again.

You smile, blinking up at your best friend. “And I love you.”

Epilogue

The two of you are in the kitchen cooking brunch. Johnny is pressed to your back, watching intently, asking all sorts of questions about how you cook eggs to make them so delicious and superior to his own.

“The secret ingredient is love,” you tease.

Johnny can only laugh, holding you tighter.

He’s so lost in you, that he loses track of time, and as the two of you are sitting down to eat, Soonbok walks through the front door. She stops in her tracks when she sees you, letting her little overnight bag slip to the ground.

“Oh, hi, baby,” Johnny stands up immediately.

“Hi, daddy,” Soonie says, allowing her dad to pick her up for a hug while her eyes shift to you.

“Did Sabrina’s mom drop you off?” Johnny asks, looking out the door to wave at Soonie’s friend’s mom as she drives away.

“As always, daddy,” Soonie laughs. “I didn’t know y/n was coming over.”

“Surprise,” you grin, also standing so that when Johnny sets his daughter to the ground, she can run to give you a hug of your own.

Once Soonie is done squeezing you as tight as her little arms can muster, she looks between you and Johnny. For some reason, Johnny feels his heart beginning to race, there’s a knowing in his daughters eyes.

“What’s going on?” Soonie asks finally.

“Y/N and I just had a little sleep over,” Johnny tries to explain, and the concept isn’t a new one, you sleep over frequently… in the guest bedroom.

“So…” a wicked grin appears on Soonbok’s face, “Does this mean you’ll stop trying to get me to call her auntie now?”

“What?” Johnny lets out a surprised laugh.

“You heard me, daddy,” Soonbok’s smile widens. “Does this… does this mean we’ll be a real family now?”

Johnny lets out a shuddery breath. In the years you’ve been helping raise Soonbok, Johnny has broached the idea of her calling you Auntie Y/N, as a respect thing, and his daughter has always refused. Had she seen the connection this whole time? Has this been something Soonbok has wanted ever since she was a five year old with an inquisitive mind and an even more discerning eye?

Johnny’s gaze shifts to you, and you flash him a warm smile.

“Yeah, baby,” Johnny picks up his daughter. “We can be a real family now.”

☀️ mlist + an. Thank you so much for reading! This was such a fun project for me, thank you so much to everyone who encouraged me to write for Chef John, he deserved his happy ending :)

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🔮 preview. The man ordering can’t see you lying on the floor of the food truck. He has no idea what’s going on- and you feel like tempting fate a little. You bring your hand to your pussy, beginning to rub yourself through your pants, adjusting the vibrator ever so slightly as it buzzes inside you. Johnny nearly drops the tomato he’s holding, quickly tearing his gaze from yours. You’ve never seen him trying to focus this hard- and failing. What had been your torture initially, has just become his own, and you kind of love it.

cw/ tw. Unprotected sex, exhibitionism (fucking in a food truck), use of vibrator while helping a customer, vibrator as a makeshift gag ball, breast worship, fucking with half your clothes on, fingering, multiple reader orgasms, big dick Johnny, pussy stretching, dirty talk, praise, breeding kink, etc…   I petnames. (hers) honey

👹 rating. 18+ explicit I wc. 3.1k I teaser wc. 230

🌙 starring. Johnny x afab!Reader

bonus

You love working with Johnny. Sure, it had been rough at first, getting his food truck on its feet, but it’s been two years, and with some insanely good marketing, you’re now running one of the top trucks in the city.

It’s a joy to watch Johnny fulfill his dreams every day- his odd obsession with sandwiches of all things has only added to your connection. Watching him smile and charm guests makes your heart swell with joy, and on the rare occasion Soonie comes to do the register and take orders, it feels like you’re just one happy family.

Today, however, is a weather disaster. The forcast had mentioned light sprinkles, but cuddled next to Johnny looking out at the torrential downpour, you both feel a little bamboozled.

“You know what would make this more fun?” Johnny asks.

“Customers?” you suggest.

“Yes, but also… I got you something.” The chef flashes you a sly smirk, and you pull away from his shoulder to asses him.

“Am I going to like where this is going?” you ask.

He was single for so long- and there’d been so many sexual things he’d missed out on during that time, but the two of you are making up for it every moment you have alone. You suppose this is a moment alone, so you’re not really shocked that his mind is in the gutter.

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[remi-thirsts]

𝐅𝐀𝐕 𝐏𝐎𝐒𝐈𝐓𝐈𝐎𝐍?

pairing: gojo, geto, choso, and toji x fem!reader (separate) summary: celeb!au where the boys are interviewed and asked a pretty personal question ! (I took nanami out bc I don't think he would want to share your business with the world) content: kinda suggestive, established relationships, allusions to sexual themes, mentions of dacryphyilia in toji's, pet names, cursing, celebrity!au (model, singer, actor, etc) wc: 1.4k

♡ 𝐒. 𝐆𝐎𝐉𝐎

"Yes, yes! Thank you for joining us today, Gojo-san. All of your fans are excited to see you play the new lead role in this upcoming movie!" For the past hour Gojo has been answering questions many of his fans have with an interviewer who has gathered some of the most asked questions.

"Next question!" The women exclaims excitedly, when she reads the card she pauses in shock, "Um.. who put this card in there...?" Now the white haired actor was curious.

"Well, what does it say? I'm sure it can't be that bad." His cocky attitude is showing, but a huge percentage of his fans like when he's like this. It makes fantasizing him all the more creative and exciting; or so you hear.

"Uh...uh. Um-" She remembers the camera is rolling, and this is live TV. "Many fans know you have a girlfriend and a lot of them want to ask,

"What is your favorite position?"

Gojo knew his PR team would probably get on his ass for answering this question instead of moving on to a different one but he doesn't care- at all.

"This is a tough one... hm. I guess if I had to choose I'd say cowgirl. I love the way she rides," he pauses for a second before continuing with excitement, "She's hella good at it too! Every time I watch her bounce on it my eyes about roll to the back of my-"

"OKAY. Thank you, Mr. Gojo!" She interrupts, quickly turning to the camera with a very forced smile.

"There you have it! We'll be back after a brief commercial break!"

♡ 𝐒. 𝐆𝐄𝐓𝐎

Your boyfriend, Suguru, started a podcast about his music life with his band mates two years ago. Since his group already had quite a huge fan base, it was no surprise they took to their podcast with excitement.

Usually the group would talk about funny backstage stories or moments where their performances were almost ruined. Today they're doing a Q&A, the questions that are most asked will be answered first, while less popular questions will be answered later.

"Oh shit, people wanna know Suguru." He quirks an eyebrow, the raven haired male leans his mic towards his lips so the people can hear his voice.

"Know what?" A sly smirk forms on his face because he knows there could be at least a million things 'the people wanna know.'

"They wanna know what's your favorite position to have your girl in." The lead singer snickers whilst asking the question. Suguru clicks his tongue and taps on the desk a few times.

"I really like to have her legs behind her head cuz I can reach really deep that way."

"Sooo, mating press?" Their lead singer is just as nosy as their fans so of course he's gonna press on.

"Hell yeah, man." Some of them clap and others laugh at Suguru's openness.

-----

You were really busy but you decided to tune into your boyfriend's podcast after a bunch of people tagged you on twitter to go listen to today's episode.

When you hear Suguru tell all 2 million of his podcast listeners what position he likes to fuck you in, you scream into your pillow and turn into a giggling mess.

He never knows how to keep his mouth shut, and you love it.

♡ 𝐂. 𝐊𝐀𝐌𝐎

You're laying on your boyfriend's bed listening to him play his game. Choso's a big time streamer at this point. Four years ago when he started his fan base was quite small and he just enjoyed the few who would join his gaming streams. Now, Choso streams as work and he still loves it just as much as he had long ago.

"Thank you for the tip 'prettyem0b0y22'," Usually Choso reads aloud whatever message they leave with their tips but he hesitates this time.

"Uh- you don't really expect me to answer that, right? She's laying on the bed right now."

That statement immediately grabs your attention, you glance at his monitor screens, trying to get a peek at whatever his fan was asking of him.

It seems plenty of others want to know the answer to this question too because the chat starts speeding up, meaning that they're spamming.

"Guys come on, I'll turn chat off if you guys don't stop." Choso is as scary as a cute little kitten, so they just keep at it, and now you're curious too. What could possibly be that bad that he didn't want to answer it and to be fair he has answered some pretty crazy questions before.

"Indulge me Cho, what did 'prettyem0b0y22' wanna know?" His head swings so fast he could have gotten whiplash from it. His cheeks are burning pink and his brows furrow in confusion.

"I promise it wasn't anything crazy, don't worry about it." Oh, you're worrying about it alright. His strange behavior prompts you to spring up off the bed and walk your way over to his desk.

Instead of just taking a quick look at the chat, you make yourself comfortable in your boyfriend's lap. Obviously the chat goes absolutely crazy when they see you make this gesture. Choso is no doubt embarrassed but he slings an arm around your waist anyway.

"So what was the question he couldn't answer in front of me?" Prettyem0b0y22 wastes no time sending another hefty tip.

"I asked him what's his fav postion with you." When you read the whole thing aloud some giggles leave your lips.

"He likes when I ride him while facing him. For what reason? He's a titty man." Choso gasps as you expose both of you. The risks are high, anyone, literally anyone could see this clip and think something about you, but you don't care. It's your body and his, people don't have power over how you two interact with each other.

The chat explodes with all kinds of things, most are shocked emojis, while others are spamming the cherry emoji. Luckily, Choso's moderator team puts slow chat on and does a few other precautions to settle the situation.

"Baby- I- what if your family sees this? Or worse your boss?!" His concern is absolutely adorable.

"Well I guess I'd have to start a streaming channel of my own?" Everyone in his chat is totally on board with that idea. They've seen you play for Choso before and they think your commentary on games is quite funny.

"I don't want you to lose your job though." This time he whines in pure worry.

"I won't, baby. It'll be alright. Don't overthink it."

♡ 𝐓. 𝐅𝐔𝐒𝐇𝐈𝐆𝐔𝐑𝐎

Toji's got what people want to see in model catalogs and magazines. The slutty waist, the well defined but not too defined muscles, his beautiful eyes and long lashes. Toji is a picture perfect model, which is what landed him his modeling gig and even a whole career a few years later.

A journalist, who's particularly interested in his dating life more than his modeling career asks him a bunch of dating related questions.

Some have speculated that Toji was dating, but he neither confirmed nor denied those allegations. You and Toji agreed to keep your relationship on the down low, because having a bunch of strangers in your personal business was not desirable.

The journalist woman words the questions in a way of inference.

"Assuming you had a girlfriend, Fushiguro-sama. What would your favorite position in bed be?" At first Toji groans but then when he registers the question he decides he'll answer it hypothetically when in reality it is something he likes to do with you.

"Hypothetically speaking, if I had a girlfriend my favorite position with her would be missionary, because I'd want to look at her pretty face when she's cryin' on my cock." The journalist writes that down, Toji knows everything he says will be censored but the people will still be able to figure it out.

"Missionary, really? Many people online have guessed you were a doggy-style kind of guy. Based off of your twitter statement that said and I quote 'Love it when her ass is phat. Love squeezing that thing.' End quote"

Toji lets out a deep laugh before answering the woman, "Doggy-style is for people I don't care about, people I don't want to look at, my girl- if I had a girl, she wouldn't be just any fuck."

More theories start to surface after Toji's slip up of words, and that's okay, because they don't know you and you don't know them.

divider: @/plutism