#I really want to be a professional concept artist

[1driedpersimmon]

Do you have any advice for people who might want to get into making comics like yours? I'm always pleasantly surprised by how fast you pump them out and even have other little projects/doodles on the side. How do you keep the quality consistent?

(sorry if this sounds a lil cold (?) i rlly love your peppercakes they r so skrunkly)

First off - Thank you !! I'm honored you like my lil guys and comics hehe! (and no worries on the tone !! I didn't think it sounded cold at all!)

Alright secondly lets see...

Short answer: You really just gotta start and keep going!! Once you start you get the momentum and it gets much easier (like riding a bike, which people like to use as comparison often).

Long answer:

Alright I thought about how to answer for this for a bit and I think I'll break it down to the main aspects.

So timing ! Basically I'm drawing 24/7 (and I'm currently not working as it's an off time for me, but I shall in a week and you will see that my posting frequency will decrease substantially). Ok maybe not 24/7 but I essentially am drawing from the moment I wake up to when I sleep (minus eating, restroom, working out, some errands) and while I do not say this is the key to being better, I'm just realistically displaying how much time I'm spending on drawing. (... one of my new years resolution is to not in fact do that and go out more because I feel like I'm being cooped up in my room a lot haha). But minus the amount of time I spend itself a lot of it has to do with the importance I take in speed drawing. And when I say that I mean quite literally how fast I can draw. AND I think a large part of where that speed comes from is how I like to generalize designs and just my overall process of drawing. (Which, I will not go over now but if you'd like I could make a separate post on how I go about doing my usual sketch, lines, colors, etc) Like, I love ff and all of it's crazy designs but it's so complicated I simplify everything till it's juussstt recognizable, and that's something I feel like really adds to the speed of things.

Also that's sweet of you to say for the quality haha (I always am thinking stuff like ah man this aint it... not my finest work, and then just post anyways cuz who cares I already made it heh)! That being said my quality wasn't alwaysss consistent! Here's an example of my very first "comic" I made for my characters:

And here's the same 4 panels I redrew just about 2 years later:

So I've been basically drawing comics for this for just about 2 years now (will be 2 years officially in a few months) and I most certainly did not get here in one night. I think, as I've mentioned, it's really important to keep up with the comic making (or drawing in general) so that, yes, you can get better, but the way you get better is that it becomes familiar to you. So you can approach concepts and ideas with a more experience. And I think a large part of what holds alot of people back is the idea that "ah I can't do this idea I'm not good enough." So what !! Still do it, I most certainly did it a couple years ago when I barely scribbled my ideas. And then you can totally go back and redraw it ! no "Rule" saying you can't go back and revisit your ideas, like hell even professional artists go back and republish their works with their improved art styles ! (ex. Tokyo Ghoul... even though I don't care for the story, it's still pretty cool! I think he even added more scenes? Anyways..). I think there was that one post going around where it was something like do it scared and that's really REALLY what you gotta do.

And that leads to my final point. You gotta love doing it. I like to make comics because I LOVE my characters, their story, and actually the act of putting it all together into a story, drawn comic, visuals, etc. And, I found my method of loving them. For me, what held me back was the "structure" of comics. I mean you can p much see that the way I like to do things is def not the "traditional" manga/western comic book style right? I won't go as far to say that I "made up this way" of comic making where it's one panel at a time but it certainly worked for me. (I have no idea how many comic wips I have collecting dust in my folders from my earilier days of making this comic where I just gave up 20% of the way in because I really could not vibe with the formatting, but then I figured out I really like to "thumbnail" comics (a result of when I was studying storyboards alot imo) and I went on from there).

This is where I feel like alot of people get stuck too. Where they really do like their ideas, their character, their stories and such, but as soon as they try and go through the process of creating in a certain way... the wind is just instantly taken out of their sails. And while I do believe sometimes you just gotta push through and do it anyways, sometimes that's not the right method to go about it. So instead of brute forcing a method of creation and eventually forming a bad relationship with the process, find a method that works for you. And maybe it doesn't look all that great or good compared to others, but that comes in time and as long as you like doing it, that's what really matters at the end of the day.

Tl;dr: be a lil freak, and lil weird about what you do (this applies to everything, not only art :3)

Alright so I think that's all the points? idk if you still want to ask me stuff, feel free to anytime :) Always happy to share my thoughts!

[horizontwinflames]

"Aloy and Beta grew up together" - concepts Part 1

Since on this AU Beta was raised as an Outcast, I wanted to give her a new haircut :D

From the HZD Artbook: "We wanted to ensure that Aloy would be immediately identifiable, regardless of what she was wearing, so her hair became a key motif that remained consistent across all of her outfits" Ilya Golitsyn, Senior Concept Artist.

With that in mind, I used the same line of thinking for Beta's outcast visual. I wanted to keep the "fringe hair to the side" detail because that's one of the key details in her canon design. With it being a bit longer, it also helps to make her look a bit younger than Aloy to reinforce the idea she's the younger sister.

And, of course, I couldn't forget the sun bleaching in her hair color; this natural effect is what gives the "fire hair" visual.

[blujayonthewing]

I WANT!! to be a person who does little dnd doodles immediately after sessions and I WANT to be a person who nature journals regularly and I WANT to be a person who brings watercolors to colorado and actually uses them I WANT to do art casually and freely and joyfully as a reflection and extension of being an active participant in the world!!! FUCK!!!!

[amplexadversary]

I wonder if a really dedicated collection of book nerds could get those Elaine Duillo style cover illustrations a foothold in the publishing industry again. There are certainly enough artists who can achieve that level of intricacy that a really really popular Trend might be able to do it.

Perhaps any of those bookbinding hobbyists might want to try to go pro and pair up with an artist to refurbish something well enough to hook the really rich art snobs into buying unique, custom pieces for a fuckton of money.

[eyivibyemi]

✧ I won’t really write descriptions for these, but see original post tags for explanation/commentary on the song snippet ✧

[jaehaeryshater]

Gilly, Ygritte, and Monster in Winterfell

art by @shebsart, commissioned by me

Shebsart came through once again guys!!! I’m so excited ^_^

For about a year and a half, since I got into ASOIAF, I have admired Shebsart’s work. Their Theon in particular is the closest I’ve ever found to my vision of him, I adore his hooked nose (Asha’s too!). They also have such an amazing Barbrey design and the Starks, including Jon, are amazing. I have paid for some Ygritte commissions before with other artists, and I have liked all three of them, but when it comes to the closest look of what I think of when I imagine her book counterpart is some of Shebsart’s old pieces of her (and Jon). I was looking for someone to draw Gilly and Ygritte and there was nobody whose opinion that I held in higher regard than Shebsart, as they were my favorite ASOIAF artist, so I asked them if they had any recommendations of who had their commissions open. They told me they actually considering opening their commissions and I have been working with them ever since, even though as far as I know they have not formally opened commissions. Shebsart has been really great to work with and patient, even though there’s been some trouble with payment barriers since we live in very different parts of the world. They’ve been professional and worked hard.

I have long imagined the possibility of Gilly and Ygritte as friends; I thought it was high time I got it depicted in some way. I think it would really benefit Gilly if she had some female influences that weren’t family members. Of course, she does receive this to some extent, but I think it would be very interesting for her to find companionship with a girl around her age that shared the general Freefolk culture, although of course her upbringing was wildly different than Ygritte’s. We know that Ygritte has some sort of soft spot for young children, or at least some sort of moral code that keeps her from killing them. This is one trait shown in both the books and the show. In the show, while I don’t consider anything that happened to it as canon, she specifically spared Gilly and Monster knowing that the others around her would not. I don’t think it would be much of a stretch that Ygritte would grow attached to Monster and have a soft spot there, even though we know she hates incest and would therefore consider his conception an abomination. Everyone in ASOIAF is misogynistic to some extent and some of the things Ygritte says about women are toxic, but I would like to think she wouldn’t victim blame Gilly or call her a whore as Stannis did. I definitely see Ygritte as a strong woman who would want to protect and stand up for someone like Gilly. And Gilly has great compassion and is all around a good person, so I think a friendship would be good for the both of them.

In the depiction above, Ygritte is Queen in the North, consort to Jon. This fits in the same AU as my previous Jon and Ygritte commission by shripscapi. I’ve said this many times, I respect people who hate Jon x Ygritte and they have very valid reasons, but knowing Jon’s character, as long as Ygritte lives, which she would have in this AU as the Battle of Castle Black does not happen, there’s no other choice in Jon’s mind for consort for him as King Beyond the Wall. For the timeline of this art, Jon was first crowned King Beyond the Wall and he went South with his people to get away from and prepare to battle the Others, seeking help from other rulers. His men battle the Boltons and because neither Rickon or Bran have been found yet, he is declared King in the North as well for the time being. His residence is temporarily taken up in Winterfell and the Freefolk settle nearby in close quarters. Jon goes towards the Vale as he’s heard word about Sansa, but Ygritte stays behind with some of the Freefolk. This is when Gilly is her lady-in-waiting. I wanted to show that Ygritte’s clothes are nicer than Gilly’s, but I still wanted both outfits to be respectable. I wanted the fashion to be reasonable for a Northern climate, so that meant furs. Besides, they are both Freefolk and furs mean a lot to them culturally. I sent references for clothing and Shebsart went from there. Some people say Ygritte would never wear a dress but I disagree if it was comfortable enough and she was able to boss people around and be smug, I think she’d wear it as long as it was advantageous for her. And besides, I imagine that Jon designed the dress herself and that’s flattering enough for her to like it. What I did like to show is that Gilly is taking more towards traditional “ladylike” activities like embroidery, while Ygritte isn’t interested. She’d rather sit around and talk and laugh.

Oh, and isn’t baby Monster precious????

Edit: I’ve seen someone say they think Ygritte would hate her life if this is what it was like, and I’m not mad at it or anything, but I don’t agree!!! To clarify more about this AU, Jon becomes King Beyond the Wall because the Freefolk believe that only someone with Stark blood would be able to negotiate with the Others, so they’d be doomed without him. So therefore it’s not just about her feelings for Jon, she’s married to the person she believes will be able to save her people. The influence she has on him is also major and a source of pride for her. In the art above, she is living in Winterfell and yes she’s wearing a dress, but that isn’t her life forever. The reason she stays and doesn’t go with Jon to the Vale is not because she’s a woman and he refuses to let her fight, but because in the main timeline she has a child already (this art has a bit of a fudged timeline, if I were to write a fic on this idea she’d already have had a child before they breached the Wall) and if Jon were to die, the child still has Stark blood and would still be the only hope against the Others. If she had been South and had died with Jon (Jon doesn’t die at this point, but the prospect is why she stays behind), the child would have a regent with their own motivations and wouldn’t have its interests at heart like Ygritte would. This is an important role that I do think at the end of the day, despite Ygritte not being the smartest person, she would take pride and be protective over. It’s not simply that motherhood has changed her and is a role that took over her previous personality, because that’s not true. It’s that there are greater things at play and she’s a key part of protecting the source of the realm’s salvation, so to say. She doesn’t live at Winterfell forever and when at Winterfell, she does boss around some Lords but doesn’t do any chores that she would find tedious. The most she does is sew together a wolf plushie for her child, which was incredibly poorly done. When Bran and Rickon are eventually found and thus Jon doesn’t have the title of Winterfell, they settle in lands previously ruled by the Umbers and she doesn’t wear a dress anymore, I have another commission by shripscapi that shows her usual attire but it is furs, she does hunt, she teaches her children to hunt and falconry. Her traditions are not stomped out in favor of Southron traditions. Her home is not a castle, but a small home slightly more impressive than the huts of the rest of her people, inspired by architecture during the Norman invasion. All in all, she’s really happy. The most important thing to her is that her people are safe, the Others are going to be defeated, and they’ve gotten past the Wall, a goal of her people for a long time. I guess I’ve just had a different view of Ygritte and the Freefolk than majority opinion. I think the Freefolk are more adaptable than people in the South generally are, and it’s impressive how they rallied together despite their differences when faced with the Others. I don’t think the Seven Kingdoms would be able to do that. So I feel as if she, as well as most of her people, would be very happy and feel a sense of accomplishment for being able to live on and live among people that, before the threat of the Others, would never be able to tolerate them and vice versa.

[art]

Creator Spotlight: @camberdraws

Hello! My name is Camber (any pronouns), and I’m a mixed media illustrator located in the southwestern United States. I love drawing everything, but I have a special interest in depicting strange creatures and environments, often accompanied by abstract imagery and mark-making. Professionally, I’ve worked creating concept art and 2D assets for museum exhibits, but currently, I am engaged full-time as a software developer and make standalone illustrations in my free time. I’ve been posting art on Tumblr since I was a teenager, and the site has been very welcoming towards my work to this very day!

Check out Camber’s interview below!

Did you originally have a background in art? If not, how did you start?

I’ve had an interest in drawing since I was barely sentient, but at thirteen years old I decided to become “serious” about art. I was all about reading tutorials and doing a ton of studies. I would tote my heavy instructional art books to school every single day (my poor back!) Despite all this, I decided to forgo art school in favor of a bachelor’s degree in Computer Science at my local college. Alongside my major, I received a minor in Art Studio with a specialization in fine art, which totally changed my views on creating artwork and drastically changed my style.

How has your style developed over the years?

As mentioned previously, my style did a 180 after I studied under some very skilled fine art professors! As a kid, my drawings were very realism-heavy and inspired by video game concept art. I mostly worked digitally, too. During college, I was thrown for a loop when we were instructed to do strange things like, for example, make a bunch of marks on paper using pastel, WITHOUT looking, and then turn said marks into a finished piece of art! I quickly and deeply fell in love with abstract work, and especially appreciated images that are not easily parsed by the viewer. Since then, I’ve made it my goal to combine abstract mark-making with more representational subject matter.

What is one habit you find yourself doing a lot as an artist?

Hmmm, one habit I really enjoy as an artist is strictly tracking the amount of time I spend drawing! I currently work a full-time job wholly unrelated to art, so I have to be careful with my time if I want to spend enough hours drawing each week. I created a spreadsheet that allows you to enter the amount of minutes you’ve drawn each day and calculate how much drawing time you still need to reach your weekly goal (I aim for 20 hours a week.) Having such a clear, numbers-based objective keeps me motivated to work like nothing else!

Over the years as an artist, what were your biggest inspirations behind your creativity?

I know this is a common inspiration, but Hayao Miyazaki’s work has been rewiring my neurons since I was a child. Seemingly all of my artistic interests can be summed up by the movie Princess Mononoke: it has strange/abstract creature designs, a strong focus on nature and environmental storytelling, and a mix of dark and hopeful themes. Additionally, I’ve been deeply inspired by video game series such as Zelda, Okami, Pikmin, and Dark Souls. But arguably, none of these have influenced me more than Pokemon! I’ve been drawing Pokemon since I could barely hold a pencil, and I haven’t stopped since! I believe my love of designing creatures originated with my endless deluge of Pokemon fanart during my childhood.

What is a medium that you have always been intrigued by but would never use yourself?

I’ve always been fascinated by 3D mediums and am so tempted to try them out! Whether that’s 3D models created digitally or sculptures made from clay, I profoundly admire artists who have this skill. Oftentimes, it feels like I don’t have time to delve into a totally different artistic paradigm. However, I feel very strongly that learning new skills can enrich your current work. I should take that advice and someday give 3D mediums a shot!

What is a recent creative project that you are proud of?

I am in the process of creating an art book (a dream of mine!) and have been executing smaller drawings of concepts I find interesting from both a visual and storytelling standpoint. A recent drawing for said book is that of a snail made of ink with an ink bottle as a shell, and it went absolutely viral! I’ve never had an experience like this as an artist before and it has been spectacular! I was able to open a shop using my newly acquired art printer and sell many prints of my snail. Creating something original, directly stemming from my interests, and having that resonate with so many people has been unreal. I couldn’t ask for more as an artist!

What advice would you give to younger you about making art that’s personal or truthful to your own experiences?

I would tell my younger self to chill out and experiment more! I was so caught up in the idea that I needed to have a realistic style to be considered “good.” I also believed that technical skill was the only measure of how worthy my art was. That’s not to say technical skill doesn’t matter, but I now firmly believe the creativity and voice of your ideas far outweigh the skill of execution in terms of importance. Technical skills should elevate ideas, not the other way around. Once I began to revel in strange ideas and stories for my work, depicted oftentimes in odd styles or mediums, I truly found my voice as an artist.

Who on Tumblr inspires you and why?

My peers here on Tumblr inspire me more than anything! Sharing my work with contemporaries and giving each other support brings me joy like no other, and keeps me motivated to continue creating. I wouldn’t be where I am today without them! @beetlestench, @theogm-art, @trustyalt, @ratwednesday, @phantom-nisnow, @svltart, @mintsdraws, @mothhh-hh, @jupiterweathers, @thesewispsofsmoke, @picoffee, @fetchiko, @kaisei-ink, and @pine-niidles just to name only a few!

Thanks for stopping by, Camber! If you haven’t seen their Meet the Artist piece, check it out here. For more of Camber’s work, follow their Tumblr, @camberdraws!

[superdillin]

That Time I was on Adventuring Academy

Ok it's a clickbaity title but I've been thinking a lot about where I was in this moment, and who I am now, and what an ENORMOUS difference there is, a verifiably ocean between moments.

We can get the obvious differences out of the way like:

my name

my gender

my camera situation

all of which have improved drastically I must say.

When I was asked to do this I had published my first game supplement ever, Neverland: The Impossible Island. And I LOVE it still. For what it is, it was a killer first project. A fully playable D&D setting for JM Barrie's Peter Pan setting, Neverland. Concept and execution, I did a pretty decent job.

Gang, I was SHITTING myself during this entire interview. And I don't really even mean just because Brennan was someone influential to me, someone I didn't know at all at this point, but I was new to interviews and being on a public platform too. I was even still new as a performer, which I would confidently say is my strong suit now. I was being held together by adrenaline. Now, it's kind of hard for me to watch myself stumble through that. I've come like...an exceptionally long way since then.

And I have more to say now than I did then. Brennan introduces me so kindly as a game designer but truthfully I wasn't yet! I had written a module for D&D, and that's all. Fine, and fun, and I did a good job - but I've learned so much and experienced so much and I have so much knowledge and love and feral, unabashed passion for games now that I wish I could tell this past version of me about. I get to share that now, every single week, on One Shot - introducing people to new games and beautiful artists.

What I care about in this industry has also grown and shifted. Back then I was still fighting my way through the horde of misogynists to create space as a seemingly feminine person in the hobby by getting my mits all over their favorite franchise (D&D).

Now, I want us free from corporate fast food games, I want people to see the magnificent iceberg of art and exploration and humanity that games have that we can experience. I want designers who are paid to create their own art, not serving a corporation's image for pennies. I want to radicalize this hobby against the colonialism and transphobia and imperialism that snuck into all it's roots.

Anyway I'm SO proud of who I've become and where this moment has led me and for how far away it seems. I've lived and I have grown and I've become someone I'm even more proud of.

((oh and one final aside - this was one of the most professional experiences I ever had, from not just Brennan but everyone who set things up behind the scenes. That also taught me a lot about what was acceptable and what was not, going into future, often less good, interviews. ))

[shocymer]

For Never to Forever

"What if the illustrator of your newest novel covers is actually your highschool enemy in the past?"

Pairing : Yunho × afab!reader

Word counts : 3.2k

Contents & warning : highly suggestive mdni! , fluff (maybe), college art students! Yunho, novelist! reader, short tempered Yunho (not in bad way), Hongjoong as reader manager, cursed words here and there, sloppy kisses, slightly dry humping, enemies to lovers.

× Happy Yunho Day! ×

Time is ticking like its always supposed to do, but Yunho couldn’t stop looking at it. The hour hand has only moved maybe a quarter of millimeter from its original position, made him annoyed even more. How could it not be, he just let his impulsive thoughts win over his professionalism few hours ago.

Well, It all happened this morning. He went to the nearest café where the appointment was made via email last night.

Sipping a cup of warm expresso that fulfilled his taste bud while waiting for his client. The café ambiance was so cozy, it plays as complementary role to his mood lifting. And the main reason of his happy self was, he got a commission for a commercial purpose the first time ever in his entire life. Plus, it’s not just an ordinary client, the request came from a well known novelist.

From : Eternal Sunshine

To : Me (Tyudongi99)

Subject : Commission Request For Novels Covers

Hello Tyudongi-nim.

I’m Eternal Sunshine, one of the novelist from Break The Wall Book Company Publisher. I really interested with your art. Would you like to work on my next novels cover? If you are interested, we can set up an appointment to discuss the further details.

I would be very grateful if you willing to accept my request.

Sincerely,

Eternal Sunshine

That’s the content of an email that Yunho received the night before. Kicking on his feet, he couldn’t believe his own eyes. He’s just a 3rd year college students that majoring in art. Never expected that opening commission on a whim would bring him to this. And then, he sent a quick replied as soon as possible that leading to today’s meeting.

“Oh hello, Tyudongi-nim.” A lady pulled her hand over to Yunho. She’s accompanied by a not so tall, with blonde lock man who’s standing next to her.

He shook your offering hand politely, “Hello, uhm perhaps Eternal Sunshine-nim?”

You nodded, throwing a simple smile before sitting right across to him. He’s staring at you closely while immersed in conversation. The way your hazel orb getting lighter when the sun beam hits them or the way your dainty lips curled when you smile occasionally. Somehow, all of it reminded him with the past. Wait wait, his past?!

He blinked his eyes rapidly, couldn’t believe what he just thought earlier. Your voice became a mere chant that drowning with the café hustle and bustle sounds at this very moment. He knew exactly who you are after the pile of his memories collided like it’s clicking on the switch inside of him.

“…so that’s the concept. I really-” a loud scrape noise coming from his chair was heard, interrupted your words. “-want you to..”

You turned your gaze out of the concept papers and found him staring intently towards you. Did I say something wrong? Am I offended him or something? Those questions played over and over on your mind nicely for solid three seconds, before his sarcastic laugh startled you.

“Well well, after all those great time. Now you’re asking this ‘going to be no where artist’ to work on your covers.” He crossed his arms while still looking down at you.

Your manager had the same reaction as you, dropping the jaw for a mere seconds. Then started to talk, craving for more contexts. “Ahem.. Tyudongi-nim, I’m sorry but what do you mean exactly?”

He snorted in annoyance, “She never appreciate my works on the first place to begin with.”

Oh great, It’s been a long time for your manager, Kim Hongjoong was facing a person like this. He took a deep breath, rolled the sleeve of his shirt to the elbow, before intended to give a long nice talk. “I deeply understand if her previous words probably hurt you, I’ll apologize on her be-”

“Ah right! Now I remember!” You spurted out, interrupting your manager just like adding gasoline to the fire in this situation. Both male gazes fixed on you. “Jeong Yunho right?” You got up from your seat, trying to match his height, and of course you can’t. He’s much taller than you, but at least you got those spirit to match him.

You snapped your fingers, before pointing at him. “Surprisingly, your attitude didn’t change at all.” Then, you poked on his chest with the same finger, “if you smart enough, you can figure it out by yourself why I said that to you.”

Furrowed the eyebrows while his face turning red as a boiled lobster, he slapped your hand away. How could he figured it out, if you’re the one who’s started to pick a fight with him in the high school. He thought to himself while his eyes still pierced into yours alternately left and right. The rationality went out of his head completely, and only anger was left behind. Hurting on his own ego, he grabbed the concept papers unwittingly then shoving it in his own bag before barging out of the café furiously.

Hongjoong and you exchanged glances after all of the ruckus. He ruffled his hair as if he still digested about what the actual fuck just happen, “you need to find another illustrator, like- how’d you find a weird artist with bad temper? Plus, he just left right away?!” You shrugged, giving him an expression like “I didn’t expect that either.” While tidying up less than a half of the papers left.

“But I think, you don’t need to worry about that.” You assured him that still yapping nonstop in the background. However, you knew Yunho so well despite his unreasonable hatred towards you.

Back to the square one in the young male artist’s flat who’s regretted it all. He just sent an apology email to your manager, after reading the concept papers thoroughly. Stopping the urge to bang his head on the wall surface, right after thinking carefully. He need some pocket money for the next months surviving here, how could he nearly miss this good opportunity due to his stupid action.

An hour has passed, all of the wait just paid off. A notification popped up from the email icon on his computer taskbar. His heart almost jumped out of the rib cage that your email address written on the screen instead of your manager. He clicked it with anticipation, perhaps all of the swearing and cursed words spilled in the email body because he deserved it. But it turns out a short sentence showed up instead, “Give me your contact information.”

He was silenced, typing the replied with a blank stare just like that. To be honest, he hated to admit about what you said in the café earlier. Only to realize that he didn’t change at all.

After he shared the chat ID to you, not too long your message coming through his chat lists.

(You) It’s much easier to discuss everything here rather than in email. And I think we need to meet again. Like you know, you just left half of the written concepts behind.

Even from the text, your unbothered manner radiating through it. He felt embarrassed due to how childish he was this morning.

(Yunho) Okay cool, when?

(You) Tomorrow afternoon?

(Yunho) Okay

On the next day, he pulled up to the same café after his morning class ended. First thing first to do was sketching the given concepts on a blank paper. He’s still remembered some details from yesterday and then he let you revised it when you arrived later.

Around 3 p.m. you almost there, to catch up the appointment with Yunho. Setting your feet on the sidewalk, you only need approximately ten steps to reach the café entrance. You saw your reflection on the glass window, before your focus shift to him. His prominent side profile and his soft cheek is a perfect combination. He’s still busy scribbling something with a serious expression drawn on his face, that made him hotter than his usual self. You can’t deny how attractive he is, even in the high school back then.

You came back to your sense, after Yunho knocking on the glass for few times, and read through the way his lips mouthing “are you okay?” from the opposite. You rushed in to the café in embarrassment that he caught up you’re gawking over him for quite some time.

“Ehm, y-you.” Still struggled to collecting yourself, your eyes darting to the table. His cup of coffee is nearly empty and some of his drawing tools scattered next to it. “How long you’ve been here?” You asked.

“11 or something. I don’t have anything else to do after class.” He explained it to you while busy on sorting some of his sketches. Then he handed it over, “I made several version of it, you can choose which one that suit on your taste.”

You took all of it, scanning thoroughly one by one. After thinking for quite some time, you drew out two papers of your choice to him. “I can’t decided between these two...” And yeah, the discussion continued until the evening of that day.

A week later, Yunho stomping on his way to your flat. Proceed to press your doorbell multiple times furiously. The reason behind it? He could counts on how many times you wanted revision. Not to mention he work fast and he wanted to report on every progress he made due to his own pretention, becoming a reliable artist for his clients. But for this one, he forgot to spell out his terms and condition especially about the revision limit.

Your sleepy face slowly appeared. You just opened your door after being annoyed with the doorbell rang over and over bombarding your eardrums. “What?” Out of all of the words that exist, why those one left from your mouth instead.

Yunho folded his lips into thin line for a split second and rolled his eyes after seeing you who’s completely clueless. He’ll fume at any seconds right after doing all of those ‘Jeong Yunho pre-angry habits’. You immediately stuffed your palm on his mouth as prevention, then pulled him into your flat.

He literally would protest but it didn’t happen, because you started to talk first. “Uhm, I know there must be something on your mind. But, we can sort it out together, right?” To be truth you don’t even know what’s wrong while you sat him down on the soft fur rug which placed in your TV room.

He removed your hand out of his face, “Is it fun for you?”

Ah, shit. He’s mad mad. You shushed him down, then you ran to the kitchen pantry on the pretext of making a cup of tea for him. Strangely, he complied. He just sat there quietly, while scrolling on his phone.

After you returned with two cups of the tea in your hands, you positioned yourself sitting to his opposite. “There’s like maybe.. you feel unsatisfied about something?” You asked him carefully.

Putting his phone to the side, he cleared his throat before answered you. “Listen, how many times did you asked for revisions?”

“A.. lot?” You’re not sure about the numbers and better not to mention it.

“Yeah right!” His veiny hand brushing through the strands of his hair, trying to pull back all of his sense. “You know what, it’s over than 25 times, it’s still only a week though!”

You’re confused as he did it all of it already, you meant to give it for a month task to do. “I didn’t expect that you do that so fast. I’ll pay you handsomely, okay?” You said that in your defense.

“Are you testing me? I bet there comes a lot more after I give you the last one.” Remembering all the sleepless nights he went through, plus he still kept up with the class schedule on the day time.

“Trust me, you’ll know why I did this. Or do you want to back off instead?”

He chuckled in anger, “Or do you mean to pick a fight on the first place?”

Your patience runs out as you literally fed up by those three words ‘pick a fight’ that feels like his only vocabulary since high school days, whenever he saw you. You pulled his collar, bringing his face closer to yours. “Now it’s my turn, listen to me. First, never in any slightest on my mind to mess with you.” You hardened the grip, “and second, please be matured Jeong Yunho, we are not a kid anymore!”

He pushed you down till you’re laying flat against the rug, he automatically join to fall as you still holding onto his collar for your dear life. Luckily, his steady hands kept himself from weighting on you. “If you’re not messing with me, why did you said all of that?”

“Said what?! Speak clearly! you always yapping that I picked a fight first, I said this, I said that. Just tell me what did I say before.” Your eyes getting redder as you worked up shouting at this stubborn young male, ruining your peaceful morning.

“You told me that I’m going to be nowhere with that kind of skills.” He took a deep breath, “You never know just a mere sentence, makes me think about it all the time.” The truth was he almost gave up on his dream when the insult coming especially from you, which he once had a feelings for.

“Because your art sucks back then.” You snapped. Before he’s going feral, you circled his waist with both of your legs, then turning him over to the side. Now you’re on top of him, while holding his shoulder to keep him stay still. You told the side of your story how you heard him talking with the group of his friends, meanwhile he’s your crush at that time.

You remembered how they’re talked on your back when you’re going insane preparing for the first debut novel.

“You saw her this morning? She’s such a book freak. Like every single days, I can see the pile of books on her desk, or in the library. To the point I’m sick looking at my own books.” One of Yunho’s friends talking.

First of all, it doesn’t matter if somebody else bad mouthing on you but it also came from him that making it worse.

Those friend slightly tapped Yunho’s upper arm, “She’s weird, right?”

Without hesitation he said, “Yeah she is-”

Enough is enough, you got up from the chair. You sure it was his voice, right on the opposite of the class wall to the corridor. You storming out of the class, hating to see your crush face. Then, you came back at noon only to mock his wobbly drawing on his sketchbook. Honestly you just want to take a revenge, but after you saw his badly drawn art, you can’t hold back your laugh. So that seems like you genuinely mocking after him.

Those newly information made Yunho speechless, which he’s still pinned down right now, under you. He averted his eyes from you that looking straight at him. “I never hate you okay, I even liked you.” You remarked.

He's still processing his thought, “I- I still can’t believed it”

Running your finger tips to his soft bear like cheeks, you cupped it and turned his head over so he looked back at you who’s alternately staring on both of his eyes to his reddish thin lips. “I’ll prove it, until you believed me.”

You pressed your lips to his all of sudden, made him flinched in surprise. Slowly but surely he kissed you back. The innocent kiss turn into a chaotic one as he hold the back of your neck to deepen the kiss. His tongue forced its way in, clashing on each other with yours. To the point you could hear the sound of both his and your front teeth bumped sometimes.

He sat up while continuing the kiss. His other hand busy tracing on your back, touched it by following your spine from the top to bottom. You slightly moved your chest forward in response, as his fingers tickling you, till the distance between both of you completely disappear.

You could feel his hard member poking through beneath his black jeans, while you grinding on his lap. He groaned between the kiss as you moving your hips back and forth faster than before. His digits slipped underneath the thin clothes you’re wearing, caressing your bare skin gently. A string of saliva formed after he decided to pull out from the kiss slowly, trying to stop before both of you coming undone anytime while fully clothed.

He lean on your slender shoulder, catching on his breath. On the other hand, you played with the tip from his nape hair while doing the same. Yunho and you stayed still for a while like that, till you realized there’s another pair of eyes watching you. When you turned your head to the front door, you saw your manager hanging speechless and slowly back away.

That lead you to slap your own forehead. Just forgot that you sent him text before, begging to be companied cause you didn’t want to deal with angry Yunho by yourself.

“No, it’s not like that manager-nim.” You wanted to stop him but Yunho still hugging you tight. “Please stay! Manager-nim, Kim Hongjoong!” Your plead is useless as his figure already disappear behind those door.

⁠✧

Today is Sunday morning, both of you went to a picnic date. Spreading out the mat with beautiful pattern on the grass field, you breathing in the fresh air. It’s located on the side of the lake. This was Yunho’s idea to bring you here, he said that giving it as a reward after spending full month of hell ride.

His design immediately approved by the editorial team without any problems by the end of last month. All thanks to your crazy revisions, he managed to survive walking out of the editorial room alive while people around including you said that they’re super annoying to begin with.

Now, Yunho busy painting on his sketchbook as his back lean to yours. Both of you sit back to back, enjoying the morning atmosphere. Chatting about a lot of topics here and there, while you’re flipping the page of your favorite book.

“I’m curious, how did you find me?” His skilled hand stained the colors from the tip of brush onto the paper surface.

“Hmm.. I don’t really know if it’s you behind the tyudongi artist tho.” You said that without taking your eyes off those collection of printed words.

He mixed another colors on the palette and back to questioned you, “I mean, why choose me out of another artists? I don’t have any experience on the big project like this.”

You stopped your activity then change the sitting position to face him. “Huh? I saw your works hanging in the local art exhibition few months back. Isn’t it also a big project?”

“Ah that thing, the artists doing it voluntarily without being paid. So there’s no pressure behind.” He explained to you clearly.

You nodded, “I see.. Uhm yeah, basically I was interested in your painting which the title is Forever, as I remember it.”

Yunho’s gaze shift to you as he realized something, “with the n or without the n?”

“Do you mean for never or forever?” You were dumbfounded by him. But he remained silent looking straight at you even though you are waiting for his answer. You sighed, “there’s no n between it, I’m pretty sure.”

He chuckled softly that you took his bait. “Then..” Putting his drawing tools aside, he grab your waist, pulling you into his arms. “There’s also no end between us.” He kissed your blushing cheek.

“Be my forever okay?”

a/n I had so much fun writing on this. and annoyed yunho looking hella hot, proof 1, proof 2, proof 3 (© tiktok edits)

[barblaz-arts]

Stephanie Beatrice had played my 3 favorite characters (Rosa Mirabel and Vaggie) and since I watched Encanto and B99 I have my head canon that Vaggie have both Rosa and Mirabel personalities.

Any way, I just want to know what is your head canon or theory about her? ( specifically about Lute calling her weak and why the other exorcist hate her)

Since she is your girl, I would love to read your essay about her.(I’m joking you don’t have to write that much I just like to read your post)

Thank you

"My girl"... Am I just "that one artist who's the biggest Vaggie stan" to you guys? (I won't mind it!)

Oh man! I do have some ideas! A lot of my headcanons were already kinda sorta mentioned in my fic/art tho, so sorry if you're not getting a lot of new info

- I have this headcanon that Vaggie's always been "softer" than the other Exorcists, which is what I assume Lute meant when she said she "always knew [Vaggie] was weak". I know it probably has more to do with how little time each episode has, but what if Lute was so ready, already behind Vaggie when she let that kid go, because she knew this wasn't the first time Vaggie spared a sinner? Maybe that was just the first time Lute actually caught her. Maybe she's always had her suspicions, when Vaggie's kill count would lower every year, and she'd sometimes find Vaggie saying a sinner got away somehow despite cornering that demon moments ago.

- although she's gotten used enough to her lack of depth perception when it comes to her hand eye coordination, especially when fighting, i like to think her reading ability could never truly go back to the way it used to be, so she has trouble reading/ writing/texting (if you notice, i always showed instances of this in my fic ;> )But because she's the hotel manager she still has to deal with them because of paperwork and shit, so she has prescription glasses that help. I'd wanted to include a scene in the First Guest where Vaggie almost cries after seeing Charlie thru the glasses for the first time, because she didn't think Charlie could be any more beautiful, but i scrapped the idea because I couldn't expand the concept enough to an actual scene that could be relevant to the overall fic. I probably should have just mentioned it in a paragraph or something, but by the time i remembered id already posted the chapter I intended to add it in. Maybe I'll use it for another fic.

- she prefers femme clothing so she doesn't really have a reason to do this, but she learned how to do all kinds of ties so that she could do Charlie's whenever

- she grew her hair to compensate for her lost wings

- she wasn't exactly a great cook before she Fell, but she was pretty capable when she lived alone in Heaven. Cooking for Charlie tho gave her the motivation to get better and actually enjoy it

- an angel trait that she could never truly abandon is being a stickler for rules. She's very strict on everyone and herself with these things, within reason. So even when she and Charlie started dating, she insisted that they can't sleep together until they've had their third date. When they're on the clock, they have to be professional and avoid flirtatious advances in front of staff and guests. Charlie didn't mind because she prefers privacy too.

- Vaggie's physical appearance slightly changed gradually the longer she stayed in hell. As an angel, her sclera was paler, her incisors duller, and her skin grayer. But as time passed, her sclera got more and more peach/pink, fangs sharper, and skin more purple toned

- i still like to think that Vaggie's old backstory back when only the pilot was out (having died in 2014 in her early twenties who worked as a sex worker in El Salvador) was still true. Maybe it's just because I've liked Chaggie since pilot, and I've grown really attached to that backstory. I also just really don't want Vaggie to be Heavenborn for some reason. Among the cast she just seems the most grounded to reality to me, so having her revealed to have never been human and born "divine" just doesn't seem right to me. I also just think it'd be cute and funny if it turns out she's chronologically the youngest in the hotel even tho she's basically everyone's strict not-mom.

- idgaf what Adam says, I wanna think that "Vaggie" is short for "Evangeline". I used to have these 2 coworkers in their late 50's to 60's who had Evangeline as their government name, but one of them goes by "Vanj" and the other "Vajee". Being older Filipino women who aren't really too fluent in English, they never thought there was anything wrong with that when they grew up with their nicknames. I like to think that the case was the same if Vaggie used to be human. I'm not sure how common English is in El Salvador, but I'm willing to bet it's possible she could have been given that nickname as a kid by an older family member who didn't know a lot of English. Also Evangeline makes more sense to have been the name of an angel cmon now...

[creaman]

Hi there! I apologize for taking up your time, I am just so curious: When you tackle a comic, what does the process behind it look like?

Asking because I found myself scrolling through your blog once again and couldn't help but marvel at all the beautiful effects you use, at how flawlessly the structure guides the viewer's eye across each page, how the graphic weight seems to always be in just the right places…, and wonder how you learned doing this. Everything you put out looks incredibly professional and I aspire to reach your level of skill 😌❤️

Thank you Finz!! You're no bother at all, I'm an open book. This is such high praise for a guy that really doesn't have a set process, I feel like a hack. Ha. Rest assured my style is still developing. Besides the referencing of the linework and composition of official comic books, (practicing by redrawing panels for fun), explaining the process makes me feel like a serial killer but I will do my best.

(WIP Riddler panel, scrapped Scarecrow composition)

My comics usually stem from a single panel or concept — I like to focus on/emphasise particular panels of my pages, the heavy hitters, the main piece that catches your eye. I know I'm not a profoundly technically proficient artist so I prefer visually interesting elements and formatting, i.e. drawing characters outside their frames, negative space, notation, perspectives etc.

(Kung Fu Panda 4 sketch god I hate Kung Fu Panda 4)

I like to establish 'main focus' panels, the bits of the comic that really, well. make people want to chew on it. This is where the technical effort is concentrated, really, and the rest of the comic is generally build around these concepts.

('Restaurant Balthazar' focus panels)

Textures and effects are done on individual panels first, then the entire page as a whole to even out the unity. Generally, blocking in shadows, hatching for visual interest + middle tones, then textures/half-tones, then highlights.

(Script excerpt WIP)

I'm not a writer per se, but having a vague 'script' in your pages helps with pacing and direction. Comics are a versatile story-telling medium. I only really do scripts for comics longer than 2 pages. An optional but recommended strat is to send your script to a friend for a second opinion.

(Script excerpt — 'Restaurant Balthazar', annotated by @vincepti0n I don't know why he drew a face in the middle)

With the script crudely slapped together, I rough out the thumbnails and composition with the text, prioritising coherence and clean integration of previously mentioned 'main focus' panels.

Settling on a composition sucks the hardest. Drawing is fun, thinking makes brain hurty. Variety is good! Close-ups, wide shots, visual metaphors. Every panel is its own artwork.

The text bubbles are usually added in post, yes, but I'm just one guy and I don't have a writer to call me a good boy for doing things correctly. Bite me.

(Early 'Restaurant Balthazar' drafts)

In addition, keeping the text graphics in mind help create a sounder composition wherein even if the panels don't read cleanly left to right + top to bottom, the text can stagger and create the same reading order effect.

Panels and concepts are constantly tweaked, and my comic process is still highly experimental. A lot of industry standard comics aren't illustrated to their full potential due to deadlines and such — I strive for visual epiphany by treating each panel as its own artwork, and every page as a a bit of a mural.

(Old art hurts the soul)

Constantly experimenting allows you the insight of looking at your current art in comparison to your older works. In more recent works, I've been blocking in more shadows wiht lineart with thinner lines and more line weight, and learned to integrate the subject characters with less plain, abstract backgrounds.

TLDR: I have no idea

[shmaba]

I’m going to assume that at this point you’ve all seen Critical Role’s new show Candela Obscura and at least skimmed through the Quickstart Guide (you have done all that riiiight??) So I wanted to compile all the things I’ve done that have been shown so far. Its long so read below the line!

I’m going to try to avoid spoilers. So feel free to read without worry. I’m also going to try and avoid breaking any NDA like a good professional. So I will not be doing some deep dive behind the scenes thing. Only visuals that have already been publicly shared are going to be on here

The very first thing I did on this show was the concepts for the main set. Everything is practical. Nothing is green screen or cg or whatever. Some people think it’s just good cg but nope that's all real. You could touch it! (don’t touch it, there are ghosts)

There were multiple iterations on the design, each with their own vibe and statement piece. CR narrowed it down to what you see in the show: a sort of storage hall with an odd clock contraption behind the GM. I think I called this design version the “Abyssal Hall” or something like that (I gave the different versions names to better keep track of which design was being discussed)

The company Flip This Bitch built the physical set. They turned my silly little art into a real thing. So they did all the actual magic of making this set come together in the end! They deserve a lot of the credit for it looking so good in the end.

Also that little piece of art in the bottom left of the preshow is a section from the final concept art of the set.

That contraption behind Matt is based on astrolabes and clocks. This isn’t really meant to be a literal astrolabe or a clock as we would use them in our world. Narratively this isn’t a device that measures either of the things that a traditional astrolabe or clock does. This is a special magickal tool that does a secret third thing.

Also I did concepts for the GM screen. You don't really see it besides in the fancy-shmancy preshow. There were a number of more intricate designs for it but CR went with the simpler option since the only part that would be visible on stream is the top, so that's where I put the most detail.

I should also note that I did not design the logo! It’s pretty prominent on the GM screen but I was supplied an already existing logo for this.

NEXT is the Taliesin enclosure set that you see in the trailer. This is actually meant to be like the lantern room on the top of a lighthouse, minus the big light beacon (You could say Taliesin is the beacon).

Also in the trailer you see a couple brief sketches I did for some world building concepts:

Speaking of sketches there are a number of art pieces of mine in the Quickstart guide

A lot of my art is sketches. They’re all meant to be like notes and drawings from members of Candela as they travel and notate their findings. Most of the notes on these sketches are my actually my notes when I was doing world building concepts, but they replaced my handwriting with a font because my handwriting sucks lmao (also likely for ease of future localization).

Also the cover of the Quickstart guide uses line art of a part of that astrolabe clock set piece. This line art was part of the deliverables that was sent over to Flip This Bitch for construction. They’re just using pieces of those set concepts everywhere!

As you can see I’ve done a lot of art for this project. I was part of this project when it was still early in development. It’s changed quite a bit from where we started. 

I wasn’t the only one that made all this art happen though. Other artists, writers, and designers got to add their own vision to this. It was very much a collaborative effort that took a long time to happen. It’s very exciting to see everyone’s hard work come to fruition and there is a lot more to come!

[calpalsworld]

context this was me freaking out realizing that drawing characters and worlds over and over again is actually a thing that some ppl professionally

IM A VIS DEV ARTIST?????

[cartoonistcoop]

ShortBox Comics Member Interview: Jona Li

Throughout the month of October, the Cartoonist Cooperative will be sharing interviews with members of the Co-op who have a new comic available at the ShortBox Comics Fair 2024! 

NOTE: The Cartoonist Cooperative is not affiliated, associated, authorized, endorsed by, or in any way formally connected with ShortBox.  

Today’s spotlight is Jona Li and their new comic for ShortBox, Rewired

We’d love it if you could introduce yourself and tell us about your background in comics.

Jona Li: Hello! I’m Jona and I’m a comics artist based in Tkaronto. I’m an animation school grad so I was originally working in the animation industry before I decided to do comics full-time, which was possible largely thanks to an arts grant I got from the Canadian government. I’ve always drawn short comic strips and one-pagers in my free time, and comics have always been my go-to medium for storytelling. My first real foray into comics was exhibited at ShortBox Comics Fair 2022, and since then I’ve done a couple of other short comics for anthologies and zines organized by friends. Even though my professional background is largely in animation, the comics medium is still something that has stayed a passion of mine, both with consuming and making them. I’m excited to continue to possibly make comics full-time.

Tell us more about your new comic?

JL: My new comic Rewired is a speculative short using surface-level sci-fi elements to tell an interpersonal story about someone who’s willing to change anything about themselves for someone they love. I guess it’s an inherent tragedy where you know it won’t go great either way–you can’t really change who you are without consequences and you can’t fully understand another person enough to fully cater yourself to them. The MC thinks interpersonal relationships and romance can be solved like a math equation, but the worst and best thing about people and relationships is that it’s unpredictable and indefinite. In many ways, it’s also an allegory for neurodivergence–wouldn’t it be great to simply program yourself to behave a certain way so others will like you more? That’s kind of what I was trying to do with this comic.

Tell us about your creative process; how did you develop this comic and what are the steps you took to bring it to the final stage?

JL: I had a lot of trouble at first coming up with a short and concise idea for something that’s ideally just twenty-ish pages long. At first I tried out a more lighthearted, comedic short about two friends reconnecting and having a blossoming romance while trying to give a burial to a dead cat they found. I guess I never grasped the characters enough for that one, so I looked around for other inspiration. 

I really like the concept of mundanity mixed in with the fantastical, something like Yokohama Kaidashi Kikou, where an android girl runs a café in a post-apocalyptic setting. That was kind of the blueprint for the comic I have now. From there, I wrote out the general beats for how I want the story to go, and then I wrote the script and did my thumbnails. 

This was actually the first time I ever had a proper thumbnail stage while doing a comic, the last few comics I did were purely just me making it up as I go…in the end I still changed a lot from my thumbs to the final sketch. Then I decided on the general look of the comic, which is what you see now! 

Read the rest of the interview HERE! And dont forget to check out the Shortbox Comics Fair to support these lovely creators!!

[lacrimosathedark]

The Radioapple Haters™️ are at it again.

This time they're attacking shippers with the newly released Playbill.

There's so many issues with that. Beyond harassing people for ships is dumb.

This is what people are pointing at.

This is on the cast info page. It says Lucifer misses his wife.

So, three things about that.

Firstly, We Been Knew, babe.

His very first appearance, after his daughter says her parents split up, he's in a room covered in pictures of not just said daughter, but her mother too, and he's still wearing a presumed wedding band. If that's not "showing not telling" with a goddamn airhorn, idk how more clear it could get without Lucifer flat out saying he misses Lilith. So like...this is not new info. So there's nothing to really rub in. We knew this.

Secondly, this is in-character Lucifer saying this.

I'm not a professional, but when I was in high school performances, we wrote our own little Playbill bio info things. That seems to carry into professional ones too. If you can read the actual cast, some of the the actors less entrenched in the fandom culture have basically an IMDB of their relevant previous roles, while the ones you see at cons are more personable. Those were written by the actors. So, logically, the character bios are written as if by the characters. This could not be made more obvious.

So, logically, you can read that little above as Lucifer himself actually saying he misses his wife. Which leads me to--

Third, break-ups are messy and painful and Lucifer not moving on, unwilling to remove his ring or call Lilith his ex, doesn't mean they are still together. Hell, they could still even be technically married, doesn't mean they're still romantically entangled.

Look, I know the only seeming one-sided relationships in the show is Vox/Alastor and Adam/Lilith and every other "pair" are together or at least friendly (Chaggie, Huskerdust, Cherrisnake, Staticmoth, Guitarspear) but not every separation has to be a violent resentful split. Lucifer is explicitly Depressed™️ which can be hard for any partner to deal with, especially someone as ambitious as Lilith. It wouldn't be surprising if she, not even cruelly, thought she'd be more successful away from him even if he still loves her.

And all this is on top of the fact that most Radioapple shippers don't expect their ship to happen (some hope it does, some hope it doesn't, I'm personally neutral on the concept), and that a lot of writers and artists explicitly acknowledge and use Lucifer's love for Lilith in Radioapple because people love the drama.

I have several posts listing why one might ship Radioapple so I won't go off about it here, but suffice to say the entanglement between Lilith and Alastor and how the two are similar and different makes interacting with Lucifer interesting from any angle.

This also hurts me personally a bit because a lot of these people are Lucilith shippers and, yall, I'm one of you. I don't want them to get back together for many reasons, but I would love to see endless flashbacks of them obnoxiously in love. Most of my favorite works of fanart aren't even Radioapple, my primary ship, but Lucilith, in large part because of how adorable they are. How indulgent or smitten Lilith can look. How adorably excited or flustered or just happy Lucifer can be.

I love Lucilith. I adore Lucifer. I just also think his interactions with Alastor are funny and intriguing.

We don't need to hate each other. We can try to keep our little sandboxes separate, but we can play nice when we spill into each other, can't we?

I am really just so sick of the silly in-fighting. It costs zero dollars and zero energy to not be a dick. Need to type out a rant to get it out and off your chest? cool. But you can post it privately or delete it instead of going into peoples' ask boxes and and posts to be nasty. Not having the self control and wherewithal to not go out of your way to be a dick to people is honestly pretty pathetic. If you think you're so much better, prove it by being better, or being smug in your space. Making people feel like shit for a nonexistent fictional relationship does literally nothing for anyone and makes YOU look worse.

Dislike the ship all you want. No one cares either way. Just don't waste your limited time in this life making your distaste everyone else's problem.

[bogleech]

I completely missed that a Mortasheen book was getting kickstarted! What's the best way to get updates on that? Is there some way to sign up for a bogleech.com news letter? I don't want to miss when it comes out

Oh it was kickstarted three years ago, but with the intention of coming out in only one year. A lot of stuff happened :( It's a tabletop RPG that's actually been in development by other folks for now a grand total of I think 15 years, with me just being the art and concept side. I was never really let in on 90% of that development or what caused it to go on that long but now I have enough stuff together that I should be able to get the book out for real in 2024, with the help of the remaining gameplay dev Morgan Mullins, a huge boost of additional development help from @gutsygills, and a dozen different artists I've paid to contribute.

Having sunk so much of my life into it, I won't make it at all possible for people to miss when it comes out. It's basically the thing I have to bank on as my main career for the foreseeable future, the first book is only intended as the start of a series of expansions, it'll have its own official website and get pitched to actual gaming stores. I've been really sweating to make it look as professional-ish as possible.

Like the core D&D books it will have to be fairly pricey, we're looking at 200-300 pages, but I'd also put out much cheaper digital versions, and maybe little skinny "monsters only" books for people who just want to look at those :)

The stats/abilities on these pages are already a little out of date, the gameplay system had some last minute updates following a lot of backer playtesting!

I dunno how many people reading this have maybe never heard of Mortasheen yet but it's a horror-comedy flavored homage to Pokemon and Digimon set in a world sort of like ours, thousands of years from now where there's goofy monsters and mutants and biotech while humans are very rare and endangered. Actually the setting most similar to it now is Adventure Time of all things, if it had a whole lot more body horror and no magic (but lots of biotechnology indistinguishable from it). But when development of this game began, Adventure Time was just that weird short pilot Nickelodeon passed up on. Now it will be coming out after Adventure Time had a finale, sequel movies and the first season of a followup series. It has literally taken more than an entire Adventure Time to get this done :( I did not mean for an answer to an ask to go on this long but it occurs to me as important information for my followers in general!!!