#I really don't know what to write today

[khaire-traveler]

The gods breathe the air in our lungs. Their breath shakes the leaves in the trees and blows gently against our skin. Their touch is as light as the rays of the sun, and just as the sun, it can burn with too much force. We are fragile beings, and the gods know this. They treat us the tenderness of a shepherd to a newborn lamb.

[marcelineuntitled]

fanart for The Great Miyagi Prefectural Cherry Blossom Viewing by @kings-highway (on ao3)

[dustykneed]

Hello! Random whipper snipper! Share a WIP of your work!

ooh, with pleasure. six the musical araleyn fanart? in the year 2k24? more likely than you think xDD

i realize this looks finished, but technically i'm still deciding whether to add a background or not lol. still, for the sake of sharing a proper WIP, here's a line or two from an araleyn brainworm WIP that i started reworking yesterday (mild tw for religious guilt and period-typical internalized homophobia from aragon's pov):

She remembers sharing her bed with Anne at Henry's behest, remembers the nights of tossing and turning and trying not to think about Anne asleep next to her-- remembers waking up to dark hair spilling across her pillow and the press of blood-warm bosoms against her own, softer than sin, as hot as the Devil, remembers lying still as death, mouthing prayers into the heat of Anne's neck like an act of penance.

[sciderman]

(Idk if someone asked this already) since we’re on the topic of gender

sci what is gender to you and how do you see it in you and how you express it in your art?? (Just a young queer artist who wants some light shined upon them 🥺)

i 'unno ¯\_(ツ)_/¯

[mulders-too-large-shirt]

s3 episode 24 thoughts

here we are. the s3 finale. i am so excited!!! and after such a fantastic last episode, my expectations are high. also, having now seen 3 season finales, i have the sneaking suspicion that this one will also be a cliffhanger, which will get on my nerves a bit i’m sure as i get all my s3 stuff around before beginning s4, but again i extend my retroactive sympathies to the people who had to wait like a year to actually see what happened next back when it was airing. 

(author's note: since this one involved a lot of shape shifting, writing a play-by-play description of what was going on was quite tricky. just know i did my best and hopefully that is what matters <3)

this episode description makes it sounds like i’m gonna cry from some mulder family angst. i am preparing myself mentally. 

we shall begin.

we open at a food court sort of situation, which makes me once again mourn the fact that i missed the golden age of malls, as i would have devoured that. oh, it actually seems to just be a restaurant. well, my own wishful thinking, i suppose.

this man is very upset and making others uncomfortable with his loud yelling slash crying. so he pulls out a gun which makes people even more uncomfortable. he says the kids can leave but everyone else has to stay which seems like it will make things much worse for those kids?? but i digress.

a second man emerges from the back, asking the fellow with the gun to please not shoot. this second man is in a suit and tie, and has a very calming presence. to me, he shall be calming man. calming man talks him out of shooting, and i’m thinking yes!! what a save!!!

... until the gunman sees the police arrive, and then he DOES start shooting into the crowed. this is so sad to see happening. shooter has a bullet wound to the chest from the snipers outside sent to stop him, but calming man says he is not going to die, and heals him by placing his hand on him????

WOAH….. calming man….. you have powers…… get him in a hospital STAT, we need him to lay hands on a LOT of people... like a priest with a 100% success rate

mulder and scully are rolling up to the scene. scully is baffled because there is no one that needs medical attention, despite hearing that a bunch of people got shot!!

so she talks to one of the guys that was shot, and he only has a little hole in his shirt, which she simply lifts up and looks under. and i was laughing because she was in Doctor Mode but it is lowkey weird as hell to just lift some dude’s shirt up and analyze his tummy LMAO. oh she is so endearing to me. this man explains that even though he was shot, calming man touched him and said everything would be okay, and it was! that's suspicious. that's weird.

mulder is peeking his head into the car where the shooter is being held (typical mulder activities, peeking his head into places and whatnot) then he gets right in there with him. the shooter’s name is mr. muntz, and mulder wants to know what happened. mulder has some messy hair going on, but he is speaking very calmly and professionally... that oxford psych degree is showing!

mr. muntz says god spared his life, assuming that calming man must have been sent by god OR is god himself. which i suppose is a logical conclusion to draw.

somehow, calming man just DISAPPEARED from the scene. which is not what you want a guy to do in such a situation!!! unless, perhaps, he has fled to do some more miracle working, in which case i hope he teleports far and wide.

cutscene to rhode island. this lady is approaching a house, which is filled with plastic covering all of the furniture.

(author's note: i literally had no idea that "this lady" was mrs. mulder. and honestly given how much attention i pay to all the details- from the exact episode mulder mentioned jimi hendrix that one time to knowing scully did her residency in forensic medicine- i have no excuse for this. it is deeply humbling to realize the limits of my memory, which so often i think is close to fool-proof. i apologize to mrs. mulder but i, for some reason, thought she had brown hair. please accept my heartfelt apology, mrs. mulder. i have only seen you briefly before, which is a reason, but not an excuse for such a careless mistake)

she walks in, and sees a door is open to the outside. so she (author's note: mrs. mulder) follows along, and who does she see but CANCER MAN??? he remarks that everything changes but the sea. well the sea is constantly changing so take that, cancer man.

this woman (MRS. MULDER, god i'm cringing at my past self) wants to know what exactly he wants from her, and he says “we used to have so much to say to each other” ???? “SO MANY GOOD TIMES AT THE MULDERS’ SUMMER PLACE” HUH???

he makes a jab about how bill wasn’t as good at water skiing as he was, but that could be said about so many thing, couldn’t it? and WHERE DOES THIS DUDE GET OFF? 

(this is funny because cancer man lowkey sucks at his job and i won't let him forget that. like at the big UN council meeting everyone was pissed at him for losing the tape and trying to kill skinner and being generally just Fucking Bad at his work, so for him to say all this is quite comical)

the woman says she has repressed it all and i don’t blame her because i would also want to repress any moments with this man, but he says he came her to make her remember something. they’re fighting as a camera takes pictures. WHO IS TAKING PICTURES OF THIS?

okay, back to the virginia crime scene with our agents. calming man has given his name as “jeremiah smith”, but left a fake P.O. box and has no driver’s license. suspicious!!!!

mulder gets a call from skinner- one that “might cause him some alarm”. it’s his mother!!! she has been admitted to the hospital in rhode island, in serious condition!!! skinner stumbles on the pronunciation of the town she's in, but clearly it means something to mulder, because he knows where she is!! he says he is on his way

next thing we see is him bursting in into the room, with scully waiting behind him. something so lovely about scully coming along to be with him at such a terrible moment.

OMG IT’S HIS MOM….. why did i forget what his mom looked like?? am i actually the worst at this?? (<- the moment i Realized)

he grabs her hand and puts his hand on her forehead (i’m going to cry) and scully comes in and explains that she had a stroke. he notices that she is cold and puts another blanket over her (oh my gosh... such an attentive and caring son) and scully tries to reassure him not to think the worst, that people recover from these situations all of the time. i paused to write this down and he has this big sad eyes and i’m gonna CRY. he’s touching her hair and whispering “mom” and AUGHHHH. his only remaining family member...

apparently a 911 call came in… i guess that it was probably cancer man who called. and who probably did this somehow.

OH! she opens her eyes! he smiles at her and tells her everything is going to be okay. ohhh, sweet man...

scully realizes mrs. mulder wants something to write on, and busts out a pen and paper because she is always prepared!!!! and i love that about her!!!

so mrs. mulder writes on the paper “PALM”, which he looks at and repeats, but it’s not clear if he gets what that means or not. here i am thinking that it means some sort of treasure will be hidden beneath a palm tree

he’s watching her being taken away to another hospital as scully looks at some paperwork to figure out what exactly happened to her. and she uses her doctoral skills to tell him that they are optimistic on her recovery. it’s so sweet 😭😭😭 she does everything she can to ease his worries. i love her!!!!!!

but mulder thinks there is a correlation between what went down at the shooting in virginia and here- because she wrote the word “palm”, which is what calming man used to heal the victims of the gunman. and that seems like a stretch to me and to scully, but a grieving mind works in intricate ways, and we already know that mulder has the most intricate of minds, so maybe he's onto something.

he senses that it’s a bit of a leap, and she tries to very gently explain that it might not mean anything, that her brain has been radically changed. she says she is gonna drive him to the nearest motel (😭😭😭) and he says no, we’re going to DC and finding out who this calming man "jeremiah smith" is. omg buddy let her book you a motel and get some rest... but no, for he has entered his bloodhound mode, and there is no stopping him in such a situation

so now it’s 8:25 am the next day, and they are watching some tapes from the news footage while she sits on his desk. and sure enough, they find the guy on the newsreel- calming man jeremiah smith- and they even see that he vanished! it seems like someone else took his place, wearing the same clothes??? now how would that work….

mulder decides he must leave, and where to? “if i told you, you’d never let me go” <- okay well at least he’s sort of honest? scully reminds him he hasn’t slept in 24 hours, but he goes on anyway, telling her to give him a call if she finds anything on the tapes. a sigh from scully as she wonders what the hell he is up to.

now we’re at the social security administration, which is frankly pretty dystopian- so very aggressively white, with spaced out desks, giving extreme retro futurism in that special 90's kind of way. but here is the calming man at a desk, as tons of people in suits and with microphones come in! calming man jeremiah smith walks out the back door and is snagged… under the watchful eye of CANCER MAN??????

seriously, what does this dude even DO beyond be mysterious and nosy?!!!

so they put calming man jeremiah smith in a full body restraint and bring him into some sort of jail cell???? i just KNOW he was not read his rights, too...

mulder, meanwhile, has driven all the way BACK to rhode island, to the house covered in plastic. it is very quiet and dark. he makes his way outside, where we see someone watching him. it’s X!!!!!

X opens the door and tells mulder that cancer man was HERE WITH HER. IT WAS ON HIS ORDERS THE PHOTOS OF THEM FIGHTING WERE TAKEN!!! or maybe it was him hiding in the bushes snapping the pics?? that option is funnier to imagine, so i shall.

X is shocked that mulder didn’t know his mother and cancer man knew each other, but he very seriously says that he has no idea. and X clarifies that he didn’t hurt her, she collapsed AFTER he left- it was X that made the phone call to 911!

ah, that makes more sense than cancer man doing the calling, as i had suspected. although, clearly cancer man WANTS something from her, so maybe he would want to save her life. but then i had assumed he was the one who somehow made her have a stroke- but if he wanted something from her, nearly killing her would make that hard, right? unless he just comes close enough in killing her to scare her... hmm, i'm theorizing, and it feels like some sort of sick chess game.

OH! it seems cancer man wants something in this house. and mulder is surprised because on the day his parents divorced, she promised to never set foot here again. in the "SUMMER HOUSE"- yes, that was the wording he used. bro... how much money were they paying his dad to mess with aliens for them to live in martha’s vineyard AND have a summer house? 😭😭 that was blood money they were paying him fr and it must have been a hell of a paycheck. i have student loans, maybe i should get into the alien secrets business.

so whatever is here has to be important. but mulder tells X he has no idea what it is. xXseems to be hiding something, but maybe that is just his face.

back at the FBI, scully is heading out- or possibly heading back into work? as she does this, “jeremiah smith” arrives! she is very taken aback but jumps into work immediately. he says he is here to turn himself in, because it was claimed he fled a crime scene.

SO WAS THAT NOT HIM IN THE FULL BODY RESTRAINT?? or are we dealing with teleportation here? i mean we have healing already, teleportation isn’t much of a jump i suppose. 

(i was so damn confused lol)

now we are with calming man jeremiah smith in skinner’s office, where he claims that everything seemed like a dream from the moment he told the man to put his gun down forward. he claims he doesn’t remember anything, not even giving a false address. he only remembers showing up for work the next day. so... was his body like possessed or something?

he’s like “what did i do wrong :(“ and scully says he didn’t do anything wrong!!!!! skinner says that he can go, but to let them know if he leaves town. she shrugs her shoulders at skinner, not knowing what happened. scully is so kind...

back to rhode island, where mulder has a flashlight. the house is covered with children’s artwork and whimsical chickens. he’s looking through all of the stuff for anything of interest. it’s a fascinating walk through of how they must have lived, with her sewing kits tucked in drawers and toys in boxes. something about seeing their childhood makes my heart want to melt. poor kids, they had no idea what was to come...

he’s getting angry at not finding anything of use, tossing things around, before sitting on the now non-plastic covered couch, when he pulls her note out- and realizes that “palm” is an anagram for “lamp”! is this a clue??? must we inspect the lamps??? of which there are many???

yes, we must. he’s throwing this first one into the wall like link when he sees a pot that might have a rupee in it. but it doesn’t seem to have anything useful in the first one, so it becomes a lamp tossing session. and in the second one, he finds a metal tube thing!!! 

when he presses the side of the metal tube thing, a giant needle emerges!! is this one of those needles they used in s2 to vanquish the nearly indestructible aliens?? are there more in any other lamps??

now cancer man is back in the jail cell with the dude he took hostage that i thought was calming man jeremiah smith. well, whoever it is, he has jeremiah smith’s face. cancer man very dramatically sits in front of him and lights up. jeremiah says he isn’t ashamed of his actions, but cancer man says he isn’t “allowed to put your indulgences ahead of the greater purpose”. OH! so this must be a real life alien. that takes people’s shapes? i suppose?

YES! like that hit man did in the s2 arc that wound up with mulder nearly dead after the battle of that strange submarine!! whose blood induced the virus that led him to be soaked in an ice bath! i’m recalling!!

so, calming man jeremiah smith says he no longer believes in the "greater purpose", to which cancer man replies “then your fate is just”.

now hold on. what are you going to do to this man? there might be some intergalactic diplomatic repercussions for acting unwisely here, bucko.

they’re having a poetry off as they talk about duty and the terror of jeremiah smith giving the people hope. cancer man says men can never be free because they are “weak, corrupt, worthless, and restless”, some of my favorite adjectives . so he sees himself as this authority figure adjacent to god in this world in which man no longer believes.

well he's wrong on many accounts for 1. he is not god, just a guy who lowkey sucks at his alien job, and 2. scully is very much a believer of god and science, so take your stupid dichotomies and ego and smoke on THAT, cancer man

oh, but the tables are turning. “how many must die at your hand to preserve your stake in the project?” ooooh read him, calming man jeremiah smith!!! get him for me and again for missy.

cancer man seems deeply unsettled and tries to get out because calming man jeremiah smith is no longer calming man… HE HAS A NEW FACE?? IS THAT DEEP THROAT! he seems deeply scared… was cancer man scared of deep throat??? what was their power dynamic?!? oh, the things we will likely never know...

i have missed seeing deep throat around. but cancer man basically says that this alien’s execution date is coming. damn. they kill you for saving others. we really live in a society...

back to mulder, who is barging into skinner’s office. he tells his secretary to hold his calls, and it is appearing evident that he has not slept in a long time. he walks right into a meeting between skinner and scully, and says he wants his name and everything about "him"! which "him", you ask? you know the one!

“i want the smoking man smoked out; i want him exposed to be the murdering son of a bitch that he is” he says, and YAAAAS i have been wanting to say these lines for 3 seasons now!!!

skinner is not pleased with this, and reveals that he doesn’t even KNOW his name, nor how he can find it, and they are yelllling. mulder says to scully that cancer man is trying to kill calming man jeremiah smith, but she says that he had JUST been there, and he works for the social security administration, which sets mulder off on another quest. in which she joins!!

(skinner says something really interesting here- that there might have been a time when he could have been able to find out cancer man's identity, but that time has since passed. very interesting, i'd love to know what that means...)

off to the faraway and magical land of the social security administration, where mulder apprehends jeremiah smith. he looks to scully asking what is going on, and she also has no answers. 

so they get to the FBI and he starts to bolt!!! he falls down and comes up… with a new face?!! and then he disappears into the crowd!!! 

SO WHAT IS GOING ON??? are there TWO ALIENS?? are they TELEPORTING?? are they shapeshifting?? HUH??

cancer man goes back to the individual i shall now refer to as the “jail cell alien” because he no longer bears the face of calming man. damn, this is really confusing to write out, and very much tied to visual media as a storytelling vessel. i hope that you are familiar with what i’m talking about so you have any idea what i’m even saying, because i realize it sounds deeply incomprehensible.

alien asks why cancer man is so afraid of him, and claims that he knows everything about him. OH! “you think you’re god- you’re a drone, a cataloguer, chattel”, says cancer man, to which he is met with the reply “what you’re afraid of is they’ll believe i am god”

HEY WHAT! so what exactly is this dude’s job description?? like, either of them.

they’re talking about god and belief and fear and rule- “they don’t believe in Him, but they still fear Him” <- ooooh banger line on part of the cancer man.

(it seems that there is probably some very intentional real-world commentary on the illusion of freedom under democracy, the nature of the surveillance state, and how people are satiated under capitalism with all this talk to appeasement and there not being a god, but i’m not trying to crack that right now. i’m trying to figure out what this alien dude does beyond heal people and be cryptic. he says that humans have love, which makes them “better than us- better than you” SO WHAT DOES THAT MEAN? can he feel no love?)

they’re referring to some sort of process, and how cancer man wants to be involved when it begins, which i’m guessing is referring to some sort of alien-human joint conquest or hybridization or something?

GASP! alien changes his face again and proclaims that cancer man is… DYING OF LUNG CANCER!

fork spotted in kitchen. however, cancer man is sincerely gagged and doesn’t believe it. the absolute buffoonery going on…

now the alien from before that had escaped from the clutches of our agents has shape shifter again?? into the hit man we saw in s2! with the special alien killing needle!

so my memory is foggy… these aliens that the hit men are hunting are dissenters from the overall alien regime, right? they’re not different species of alien entirely? 

but then what/who are the little grey ones…. are we witnessing intergalactic warfare here…?

(i gotta be so honest, i come here for the lingering tension between mulder and scully, so i’m a little fuzzy on how the actual alien stuff works)

anyway, the cronies of cancer man are bringing the hit man and his lethal needle into the cell where they’re holding the alien formerly known as calming man jeremiah smith, but… he isn’t in there!!!!! where did he go!!?!

so we have two aliens, both shapeshifters, taking the same face at times, one trying to kill the other. also cancer man is here and mulder’s mom is in the hospital, and for some reason she had one of those needles in her house. okay, i’ve got it.

back to the hospital- his mom isn’t getting better, and he is struggling to hear that, pulling a chair next to her while his eyes fill with tears. he’s crying as he holds her hand to his cheek. poor mulder :( losing all of his family :( it’s so sad honestly to see him cry :(

he leaves the room, attempts to compose himself, and sees cancer man in the hall!!!! uh oh! so mulder GRABS him, throws him against the wall, and pulls out his gun, saying “you gonna smoke that, or you want to smoke on this?” <- WHEW!!!!!!! he was not playing around before but now he is a NEW level of locked in… but careful… if you kill him, what he knows goes with him….

he even offers to give him brain damage but not kill him, so he can suffer like his mother does (DAMN!), which prompts the reveal that cancer man has known his mother since before he was born. he thinks about this and decides that he does NOT give a fuck.

he claims that SHE contacted HIM, (which isn’t what happened because we SAW what happened at the start of the episode?? he wanted her to remember something??) and also that he has possible information on his sister’s location. how many people are going to use this line on our guy...?

mulder puts the gun down as a nurse walks in, pivoting to asking where his sister is- but the man who might have that information has disappeared, according to cancer man. so he must be referring to the alien formerly known as calming man jeremiah smith.

mulder keeps saying that he has what he wants, presumably referring to the lethal needles, but cancer man denies wanting anything except to see how his mother is doing. he furiously puts his gun away. 

back to scully cam!!! it’s late at night, but she is still at work, and she has her glasses on because she’s on the computer <3 she seems… puzzled. for the social security administration has records on SIX different jeremiah smiths, all from different locations, but with the SAME FACE!!! this is weird enough to prompt a call to mulder, who has no service, but is very angry in an empty parking lot. 

X emerges into the parking lot- he is always emerging from places- and asks if he has “it”. he demands mulder give it to him, but he refuses. 

mulder (correctly) points out that it is a weapon used to pierce the back of an alien's neck, which is the only way we can kill “them”. and X says it’s value will soar when the truth is revealed, so i’m wondering if we can get a rough time frame on when that will be so i can get my things in order before then. X says they will kill him for it, even if it risks making him a martyr and his research coming to light. oh, they must want it really bad... maybe it's a special kind of needle you just can't get on earth.

mulder says to X, so you’re talking about colonization, and you have a date, don’t you? but he refuses to give the weapon over. prompting a battle! they seem pretty evenly matched, and they both pull their guns out. 

“if you shoot me, you’ll never find it” “i ought to shoot you anyway, after everything i’ve given you” says X, and WELL! X, you didn’t really do all that distribution of clues to mulder out of the goodness of your heart, did you… you’re leading him on a little quest on cancer man’s order’s, aren’t you???? I THINK YOU ARE!! but i don’t KNOW, because why then would he SNITCH on cancer man with those photos??!!!!

(not super clear on why exactly mulder wants to keep this thing other than keeping it out of the hands of evil, but maybe that is enough of a reason for him)

so they both have guns pointed at each other, and they’re limping away, and X announces that mulder is a dead man one way or the other. ????!!!!! i do not want him to be a dead man...

scully comes home to her place at 1 am… but someone is at the door. someone claiming to be jeremiah smith!!!! chat... do we believe it? and how did he even find where she lives...

he asks to be let in… and she is gonna let him in…? with only 3 minutes left in the episode….?! seems a risky move!

he says he has information on her partner and his sister. and scully says, well why didn’t you bring that up before!!! a very valid question! but get this- it's because he’s never SPOKEN to her before- that other man was an imposter, sent there to kill him!!!

OOOOH okay. so now the dual shape shifting aliens thing makes sense. one sent to hunt the other for breaking the rules... got it.

her phone is ringing as this goes down. it’s mulder, saying that “they” are looking for jeremiah smith, and to meet up off the I-95. so it’s very dark and creepy as they go to the rendez vous point.

mulder makes scully get behind him, getting between her and the alien formerly known as jeremiah smith (🩷) as he pulls out the alien killing needle. and this guy claims to be the OG calming man that healed those people, but that’s not really enough evidence for a guy like mulder. despite mulder's suspicious, the alien keeps saying he can explain everything. but first, mulder orders that he must come to see his mother.

OMG! so he wants to use the alien's powers to heal his mother! do you think it could work? i mean, a stroke and a bullet are different kinds of hurt... but maybe he could pull it off?

OH NO!!! who rolls up to this dark and creepy scene, but the hit man!!! a loud crescendo of music is playing and we get a TO BE CONTINUED

DAMN YOU, CHRIS CARTER!

i mean, i knew a cliffhanger ending was coming, but STILL.

okay, so what am i thinking about this episode… i am thinking that i don’t really know what is going on or where the loyalties lie. but it seems that alien colonization is eminent? and where does X fall on all of this? i assume he wanted the needle killer tool so HE could kill the REAL alien formerly known as calming man jeremiah smith, like cancer man wanted, for rebelling against their alien treaty and healing someone. but if that is what he wanted it for, and he is aligned with cancer man, why did he go behind his back to do the snooping on him with mulder’s mom?? was he trying to get mulder as an ally to do cancer man’s bidding through sneaky tricks??? or was he going to keep the needle out of cancer man's hands, and felt he could do it better than mulder could, so that by asking him to give up the needle, he would be saving mulder's life and risking his own? does he actually give a damn about mulder? also, how many different kinds of aliens are there??? and are they all lying about samantha?

so huh. umm. that was a lot of questions and not a lot of answers.

as interesting as this episode was plot-wise, and as much as i love angst, and how it pains me to see mulder mourn the potential loss of his mother, something in this episode just didn’t quite compel me. and then i realized: not enough scully. a criminal mistake, imo. takes what could be an amazing episode into an inherently mediocre one. 

but, what we did see of her was her kindness, using her doctorly knowledge to try and lift mulder’s spirits, risking a lot of danger to try and get the answers for him, even if it means getting involved with alien bullshit. maybe she thinks it’ll bring her answers about her sister and her own abduction… yes, that has to be it. still, a grave sin to omit her. it just feels fundamentally Off.

so, that was the end of s3! well, as i have done twice before now, i’ll make my season wrap up posts before i get onto s4- even if it does end with a cliffhanger that is honestly SO rude. i’ll have to go over all my notes again to find the best moments and compile them, which is always a task (even if it is a major treat). and i have a feeling there will be a LOT of favorite moments this time around. plus i'll update the masterpost.

thank you to everyone who read this far, and reads this blog at all. i can't believe i am on season 4! it really makes my day to see people's reactions to the episode, learn fun facts, and experience the community in this fandom that i am otherwise denied by my persistence in avoiding spoilers. please feel free to go back and interact with old posts, too- it makes me so happy when i get notifications from that.

until next time, you agents in a dangerous back alley with some skirmishing aliens!

[the-priestess-of-dawn]

Been thinking about a postgame scenario that goes in a direction I don't think canon would ever take in a million years, but like... I think it could be really compelling...

And that's the idea of Chrom becoming Plegia's king after Grima's defeat. And specifically giving up his claim to Ylisse's throne to do it (leaving it to Lucina when she's old enough).

Because here's the thing... The game ends with Grima's defeat/Robin's return in the sacrifice ending. It doesn't address what happens to Plegia at all, and while I personally maintain that Aversa is the most qualified candidate to rule, her canon ending provides that she goes back to the village she was born in. So, fine. Let's give her that.

But SOMEONE has to do SOMETHING because realistically, Plegia is in dire straits. Validar, the king and the leader of the Grimleal, is dead. He gave, like, ALL of Plegia's resources to the Ylissean League (well, okay, we don't know how much, if any, he left in reserve, but... He really needed Walhart gone and it's not like he had any reason to think that anyone would need resources once Grima was running around, so... chances are good there's little to nothing left in the wake of the averted apocalypse). And the population has been utterly devastated, because not only did people (exactly how many is unclear, but presumably it took more than just a couple) have to sacrifice themselves to renew the fell dragon's power, but Grima was also spawning Grimleal onto their back at the final battle. Their losses are so immense...

So first of all, Chrom is definitely responsible for taking all their resources and setting half of them on fire (Now to be fair, Flavia and Basilio are also responsible, but... Idk, I kinda feel like they'd bicker with each other over who has to do the crappy parts of the job and then agree that they should just ask Chrom if he can do it. Like "Haha, if you didn't want to deal with thieves ambushing the Longfort to steal construction supplies, you shouldn't have gone and beaten me at the last tournament!" "Oh, shut up. Let's see if Chrom can send his thief friend over to talk these guys down. Or kill them, whichever." I mean, Chrom is always going to be their guy who knows a guy.) There's just no way Chrom would abandon the surviving Plegians who need help anyway, but especially not when he knows the war with Valm would've ended before it could begin without them.

Of course, there's the historical hostility between Ylisse and Plegia to consider, but... If anyone's protesting, it's probably the Ylisseans. Because the survivng Plegians, uh... probably were never Grima's most devoted followers in the first place (if you really wanted to give Grima your life, you'd rush to the front of the line at the Dragon's Table, right?) and even if they used to consider themselves true Grimleal, the religion's leadership is destroyed, and—for the purpose of this scenario, I'm considering it post-sacrifice ending—the fell dragon is gone and not coming back. These people narrowly avoided becoming Grima's breakfast or Grima's meat shields. They all almost certainly know someone who wasn't as lucky. And the one who saved them... Well, it was Chrom, wasn't it? Because he believed in humanity enough to challenge the concept of fate, a fate that the people of Plegia were surely taught was inescapable. Despite their history with Ylisse, it's hardly unreasonable for them to see Chrom as a savior to them specifically. The second coming of the Hero-King who ought for the lives of all humans, really.

And yeah, I'm going here... Chrom is Marth's descendant. Marth was Altean. Former Altea is is modern Plegia, so technically, the people can argue that he's actually theirs.

Doesn't it sort of make sense, even? Plegia is ruined, the god to whom the theocracy was devoted killed. "What we need is to restore the glory of ancient Altea!" And who better to help them than Chrom, Marth's successor in blood and in spirit?

But Chrom would frown and say no. Of course he's going to help them restore their country to prosperity—or at least to independent, peaceful functioning. But king? Sheesh, that's going too far. Come on guys, you don't really want that. Besides, he's already ruling Ylisse...

Except, he's not ruling it as Exalt. At least, not at first he's not. He forswore the title when he started his rule and in canon he is only official welcomed as Exalt after Grima's defeat. But what if he just... continued to not accept it. It's not like he ever wanted to be Exalt. He only has the right to rule because Emmeryn died—because he failed to protect her. It has nothing to do with any of his successes.

But if the Plegians made him their king, then it would be because of his own accomplishments.

And in a way I also can't help but find it heartwarming, because it was the Plegian people who got him to truly understand Emmeryn's ideals. He wanted peace, he wanted to follow her path, but it wasn't until the Plegians took her sacrifice for the peace offer it was and refused to continue fighting Ylisse that Chrom was finally able to comprehend what it meant that Emmeryn believed that all people wanted the same thing, that peace is something for everyone and not just purehearted saints like her who would never hurt a fly. So wouldn't it be sweet to expand on that existing connection? For the people who once bore a grudge against him and his nation to say, actually, our home is your home and you belong with us... For Chrom to reach back and decide that these are his people and that he will protect them...

Especially because that's what he's always done for Robin. Your father doesn't get to determine your path for you, your past doesn't dictate your future, you always have a place beside me because we are two halves of a greater whole. This AU is definitely a chrobin AU, because when Robin gets back I want them to rule at his side (after all, I do have feelings about Grima's loyalty to a people who have been praying to them to end their suffering for a thousand years).

Now, I do think that Chrom would never leave Ylisse while little Lucina was still growing up, but... Honestly it would probably take quite some time to establish a castle for Plegia's new ruler anyway (especially if they go super hard on the Altean revival theme and want it to be IN former Altean territory, which has become the "border wastes" and undoubtedly needs some help... But EVERYWHERE in Plegia needs help, so what better time to give the land some attention?) So when Lucina is an adult she can take over as Ylisse's true Exalt, and Chrom can focus his efforts on the other side of the border. I think he'd still be awkward about the whole thing, approaching it like "Well, I guess I'm here if you all still want me..." but Robin's there to give him confidence and the people there are SO excited for their hero to come and live with them and together they all usher in a new era of peace and prosperity as Ylisse and Plegia themselves become like two halves of a greater whole.

[comfortlesshurt]

okay, I promised I was gonna do the outline for my fic today. so that's it. i'm gonna do it, and i'm not gonna draft a word of actual fic until i do

[uitzinnigmp3]

family dinner

Sokka had been so excited for today, and he was convinced everything would be fine. But it was not fine. Actually, it was horrible. And the worst part was that it wasn’t even that bad. No, Sokka realised, his father and his boyfriend were just extremely stupid.

or, zuko thinks hakoda hates him. hakoda thinks zuko hates him. sokka is so tired.

[read on ao3]

written for @zukkaweek day one: modern au | family drama

[hidey-writes]

wip wednesday

There’s a quiet murmur of sound in the room, movement and conversation. Gu Yiran waits, lets it wash over him until he can make sense of it. Two people speaking in low voices, the occasional lilt into a question before the sound dips back down into [murmuring]. Ding Guozhu, and Zhang Xiaoguang. The quiet metal sound of a thermos opening, and Ding Guozhu’s voice cuts out for a moment.  Zheng Bei’s voice isn’t there.  Neither is Yaoyao’s, Gu Yiran reminds himself.   It’s only that — The last thing Gu Yiran remembers, concretely, with any certainty, is Zheng Bei. The look on Zheng Bei’s face, bursting in through the door, the way his expression changed when he saw Gu Yiran, something almost frantic in his eyes. The very last thing Gu Yiran remembers is the shape of Gu Yiran’s name in Zheng Bei’s mouth — not Gu-laoshi, for once, but Gu Yiran. To Gu Yiran’s right, the door to the hospital room unlatches.  Ding Guozhu and Zhang Xiaoguang’s conversation quiets as the door swings open. First, Yaoyao’s voice, “I bet you’re all starving! Lao Jiu—” and then footsteps coming toward Gu Yiran’s hospital bed, too light and quick to be Zheng Bei’s. There’s a hurried shushing from the corner. The door closes too fast to admit a second person.  Gu Yiran’s eyes are already open. He’s already disappointed.

from the third draft! hopefully the penultimate draft - at least the one scene i have drafted feels like it's only about a draft worth of revision from being done, so i'm optimistic. i'm trying a new thing where i am simultaneously constructing the "outline" / very chaotic list of events by scene for the third draft while also starting to write it. i think i'm liking it so far.

[thefrogdalorian]

Sometimes I find myself thinking about Din Djarin a little too much that I get concerned and think that I really should go to therapy...

Well, I'm finally doing that (again) tomorrow... :)

Feeling pretty nervous about it but hoping that because I now know I'm autistic it will help me understand/explain things a little better! Hopefully this is the start of a journey to finally become a healthier, happier version of myself :)

[bookshelf-in-progress]

Daughter of the House of Dreams: A Fragment

Author's Note: This is the opening to a long-abandoned "Sleeping Beauty" retelling that I no longer plan to write, but I still like it as a piece of prose, and it sparked my enduring interest in second-person narration, so it feels relevant, and why should long-dead authors be the only ones who get to have their unfinished fragments published?

If you ever travel to Monetta City, be sure to visit Faraway Lane. Walk past the glittering new shops, and the shoppers in their bright silk dresses and top hats, and you'll find a cozy stone shop at the end of the street. This shop isn't grand and mighty like the other shops. It won't sniff and turn you away if your clothes aren't the latest fashion. It's a grandmotherly old shop that shakes its head at the prancing and preening of the younger shops, and invites you in instead. It holds no wares in its windows; it hardly has windows at all. But it has a warm and wide wooden door, with a shingle hanging above—Alessia Day, maker of dreams.

Don't ponder the sign's message too long—it means exactly what it says. Just slip inside, shut the door behind you, and look. Don't breathe too deeply, unless you want a week of crazy dreams, but allow yourself one gasp of astonishment. You won't be able to stop yourself. No living person has failed to feel awe toward the rows and rows of shelves, longer than streets and taller than palaces, filled to bursting with glass bottles in such bright colors that the dresses in the other shops' windows would weep in envy. Some bottles are the size of thumbnails. Most fit comfortably in the palm. Some are as large as breadboxes or steamer trunks or carriage horses, but the shelves manage to fit them all. And each bottle is filled to the brim with dreams.

If you don't understand, ask Alessia Day. You'll find her at a counter half a mile from the door, polishing bottles and humming a song you've heard but can't remember. She's an old woman now, and proud of it, but squint your eyes and start to daydream, and you'll see her as I remember her—a willow-wand girl with shining brown hair and eyes that sparkle with half-formed jokes.

Tell this girl how pretty she is (she'll laugh and call you crazy) and ask about her dreams. She'll tell you of her stock and sell you any dream you ask for—daydreams and pipe dreams, dreams of love, dreams of adventure, dreams of loved ones lost and loved ones found and people you've never met but wish you had. She'll show you dreams of lush and perfect islands, dreams where fishes fly through the air, and dreams where people swim the seas with fishes' tails. She'll pull down dreams that last a second but linger a lifetime, dreams that fill a month of stormy nights, dreams that fade on waking and dreams that drown out memories. If you let her, she'll talk of dreams until you drift off, and she'll bottle up your dream while you doze.

But if you're smart (I know you are) you'll step to the counter with a clear glass bottle, empty of everything but air, and ask for her story instead. She'd distill it in a dream for you, and be glad to do it—I once saw her whip it up in half a minute, and I'll bet she's even faster now. Buy the dream, but don't drink it right away. You won't be ready for it. Linger in the shop a while. Hear the story first from Alessia Day's lips, in that voice of hers that's sweeter than singing.

You won't believe half of it, but when you stagger from the shop and wander the empty, starlit streets, you'll ponder over passages until you stumble into bed at sunrise. And when you wake, the world will be different—you'll see tiny footprints on the windowsills, know things about the shadows on the walls, tip your hat to creatures in the corner of your eye, and realize there is another color no one else can see. You'll laugh and call it your imagination, but every second Tuesday, you'll start to wonder if the old woman was right, if the things she told you were true.

If you drink the dream she made, you'll know. I'll understand if you don't—some things are easier not to know. But if you do, and dream through her story, come to my house and ring the bell. My man will let you in—he'll know you by the wonder on your face. He'll bring you to my study, set you in my oldest, softest chair, and get us both settled with a steaming pot of tea. Then, once you've finished babbling, I'll close my eyes and tell you my part in the tale.

[rapidhighway]

hey i might be controversial but im not really feeling the 12th doctor so far

[byanyan]

can i just be emotional on main for a sec & thank y'all again for sticking with me & supporting my weird little brand here these last few months while i've been like. worse than ever about getting any writing done? just like. hhh. all of u putting up with my shitposts & liking the hcs and whatever else i shove out onto the dash while i'm struggling with energy for replies, and everyone who still wants to plot & develop our dynamics despite me being the WORST at keeping up with dms (& being somehow even worse at being the one to actually initiate dms), and!!!! those of you who continue to indulge me by sending me asks despite the fact that you've been waiting 5 years for me to reply to our thread!!! i appreciate u guys sm, like i don't think u actually understand just how much. i mean this so sincerely: thank you

[chaos-has-theories]

I mjdjsnd. Done

[fratboykate]

Papi, are you alive? Thunderbolts trailer leaked and we got Hailee back from the dead (and there's the movie with Andrew and Florence and its KYAU coded as fuck) Kate and Yelena content galor this week. PLEASE COME BACK. We've been deprived for a year. It's been jail for too long. Grace us with Kate x Yelena content again. Pretty please.

*taps mic* Is this thing on?

[recitedemise]

𝗚𝗮𝗹𝗲 𝗶𝘀 𝘁𝗲𝗺𝗽𝘁𝗲𝗱 𝘁𝗼 𝗱𝗮𝗯𝗯𝗹𝗲 𝗶𝗻 𝗮𝗹𝗹 𝗳𝗶𝗲𝗹𝗱𝘀 𝗼𝗳 𝗺𝗮𝗴𝗶𝗰, 𝗱𝗮𝗿𝗸, 𝗽𝗿𝗼𝗳𝗮𝗻𝗲, 𝗮𝗻𝗱 𝗳𝗿𝗶𝗴𝗵𝘁𝗲𝗻𝗶𝗻𝗴 𝗼𝗿 𝗼𝘁𝗵𝗲𝗿𝘄𝗶𝘀𝗲. Still, chalk it up to his thirst for knowledge, not so much for any thirst for power. Gale, a scholar—inquisitive, curious, and infinitely probing—boasts an insatiable desire to learn all that he can. However, as a follower of Mystra, he's solely from her Weave that he's encouraged to pull from; yet, despite this urging, this unspoken rule, the chasms of the Shadow Weave yet bubble in his thoughts. It's powerful magic, of course, warped under Shar like bones or metal, but still, the arcane is mystery, and the arcane delights him, and even clouded by corruption, it still harbors its worth. Put simply, Gale believes that all magic is essentially fair game. After all, it exists on their plane, sits waiting there a touch like a well for your thirst, and so long as you're careful, what's the harm in sampling? In the Shadow Cursed lands, he'd felt the itch to indulge himself, to whet his need, and when he fashioned that lantern without his goddess' permission, there sprung a devilish delight that timidly gripped him. It was like, well, being a boy again, to be honest, with his hand in a jar of biscuits he'd been told to not touch. It was an act of rebellion, spurred a quiver by Mystra's spite, sure, but far more than that, it came from a weakness to feel its power, and to feel the heft of it and to taste its tang. If it's one thing about Gale, it's that he so thoroughly loves magic. And even if said magic is cursed and bedeviled, it'll always have a draw for him, tamable or otherwise. To be sure, there is some hubris at play here as well: he'll be careful, he tells himself. He can manage.

For better or for worse, Gale, though more morally aligned than not, can still find himself weak to temptation.