#I opened the doc mostly because I was bored
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malachitezmeyka · 6 months ago
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I somehow managed to pull off the same reverse-psychology-esque trick on myself two nights in a row lmao
That is, apparently, “I don’t think I’m gonna write today” are actually the magic words that will set your mind into ultimate writing gear. Unlike “I feel like writing something”, which is practically a curse on every last one of your creative prospects
Another 1066 words added to the Mermaid AU WIP, and unfortunately the boring exposition has been ‘spiced up’ by way too much comphet. Kuvira sweetie I’m so sorry give me another day and you’ll finally get to meet your beautiful lesbian mermaid lover 🥲
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the-way-astray · 5 months ago
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The Ultimate Anti-Keefe Sencen Rant (Part One: Keeper through the first half of Unlocked)
taglist: @ahoyimlosingmymind @lucyshypemaster @myfairkatiecat @lilliesandlight @noideawhattodoorsay @sacrificialloving @i-want-to-be-hit-by-a-car @loreintheaether @whatistheretofearlookatrunfrom
Disclaimers before I start:
Do not, I repeat, do not hit that read more button right now. You will regret it. I promise you, you want to open this post in a new tab before you hit that button. This post brings new meaning to the word "long". To give you some numbers, this post is about 75 pages long in Google Docs, size 12 Times New Roman font. It took me more than three hours to read through it. You shouldn't expect to read this entire thing in one sitting. Do not, under any circumstances, hit that button without opening this post in a new tab. I'm warning you.
This rant will be very biased against Keefe. I'm only listing the things I do not like about Keefe. I have not listed a single thing I enjoy about him, few that there are. So if you're going into this looking for an unbiased "pros and cons" analysis, you've come to the wrong place. This is not an analysis. This is a rant. Do not confuse the two.
I will only list things I do not like about Keefe. If you want to argue that "oh, but [other character] did that too, and you didn't mention them!!!" that's because I'm not getting into any gripes with any other characters in this particular post. I despise Forkle just as much as I despise Keefe, for instance, but this is not a Mr. Forkle rant. This is a Keefe rant. This is solely focused on the things I do not like about Keefe. I may or may not agree with you on whether that other character that supposedly did the same thing deserves to be scrutinized for it, but the point still stands that I will not be getting into any Keefe vs. [other character] debates. In my rant, I do occasionally compare Keefe to other characters, but that's just to highlight my points about Shannon's treatment of him.
I am not a Sophitz shipper. I don't ship Sophie with anyone, actually. This rant does not come from a place of "Fitz is a better love interest for Sophie because Keefe sucks so much!!!" I will just put that to bed right now.
Feel free to pick fights with me or tell me that I'm not being fair. Feel free to counter every single one of my arguments. But please don't make bad faith arguments like "Keefe was basically just waiting around for Sophie and Fitz to break up in Legacy!!!" that are just not true in the slightest. (Yes, that is in defense of Keefe, I'm just trying to show an example of a bad faith argument.) I tried my best to be fair and not extrapolate anything beyond what I genuinely think Shannon Messenger intended for the audience to understand. So if you want to make a counter-argument, I kind of expect the same.
I actually really like fanon Keefe. No problems there whatsoever. Every single gripe I have is with canon Keefe. So, obviously I will only be discussing canon Keefe moments in this rant. I won't be talking about fandom issues at all.
My problems arise with both Keefe the person (his personality) and Keefe the character (the way he's written/his character arcs/development), so obviously this will be heavily critical of Shannon Messenger's writing. Just be aware. But I don't hate Shannon. In YouTuber withcindy's words, I find her writing to be unbearable sometimes, but I hope she gets her coin. I don't want this to make anyone hate Shannon. I don't hate her, her writing choices just frustrate me sometimes and I think it's fair to criticize them. There are many things I love about Keeper, like the worldbuilding (I have an entire post in my drafts ranting about how great the world is for the themes Keeper's trying to convey). I directly "address" Shannon at several points, but that's mostly for the sake of not making this a boring slog to get through.
I don't have physical copies of Keeper, Exile, Lodestar, or Nightfall as of the making of this rant. So quotes from those don't have citations. Every other book has a page number. I probably should've cited chapter numbers instead for those four but I didn't think of that at the time. Oh, well.
This will be very negative and discourse-y. I'm not really planning on sugar-coating anything. In my opinion, it's really important to be able to criticize the things you love, and I do love Keeper. So if you want to have a purely positive, uncritical fandom experience, it's probably not a good idea to keep going. Also, if you ship Sokeefe or like Keefe, just be prepared. While I personally do not believe they/he were written well, I understand that some people do enjoy them/him. I don't want this rant to make any people that genuinely love Sokeefe or Keefe start hating them/him. If you don't like Keefe or Sokeefe, you've probably come to the right place.
This entire rant is my personal opinion. We can agree to disagree. I get that some things I say are completely subjective, such as when I talk about Keefe's humor. That doesn't mean I think that anyone who loves Keefe's sense of humor is an idiot. I do use some strong language to describe some things, but that doesn't mean I think people who have different opinions than me are stupid. We just clearly have different tastes when it comes to things like this.
New disclaimer that I need to add right before posting this: I am not that blue anon (or any anti-Sokeefe or anti-Keefe anon). I don't even know how they managed to do that on anon. I also don't think Keefe was emotionally cheating with Sophie in Legacy. That's a completely bizarre statement to make. However, I do find that some of that person's statements are valid, however weirdly and passive-aggressively they made them, but I'm going to try to address it in a more respectful manner. So hopefully, if you continue reading this and you do like Sokeefe or Keefe, you at least understand where I'm coming from.
Keeper
“‘I mean, I can’t really blame her’—he gestured to himself—’but still, it’s awkward, you know?’” I don’t tend to like characters that brag about their looks. I know it’s a popular male-love-interest trope, but I can’t stand it. It makes the author feel like they’re trying way too hard to make the character ““““““cool””””””. Yes, I know he’s joking, but it quickly goes way too far later.
“From his disheveled blond hair to the way he’d rolled up his sleeves and left his shirt untucked, she could tell—he was cool.” Again, the narrative tries way too hard to get us to buy into the “cool bad boy” thing and it just makes me cringe so hard.
“He clearly wasn’t going to let it go [ . . . ]” Just keep in mind, Keefe just met Sophie a second ago and he’s already starting to push her for things she doesn’t want to tell. Yes, in this case, it isn’t particularly serious, but this definitely becomes a habit later on.
“‘Wow, most girls would be crying about a wound like that—most guys too. Even I’d be playing it up for sympathy and stuff.’” Going to let this go because they fix Keefe’s sexist comments in the graphic novel, so it clearly wasn’t intended for him to come across that way, but I’d just like to say that I’m so tired of the casual sexism in YA novels as a way of making a male love interest seem “cooler” or “snarkier”. It makes me cringe every time. (Keefe isn’t the only one that’s like this either. Fitz and Dex both make similarly sexist comments as well earlier: “What is it with girls?” said by Fitz and “Girls” said by Dex.) It comes across as even more annoying when you consider the whole thing about how the Lost Cities are supposed to be gender-equal. Shannon. What the heck.
“‘Makeovers?’ Keefe scoffed behind them. ‘You girls sure know how to have fun. Maybe you can braid each other’s hair and giggle about boys while you’re at it.’” Again, I’m going to let this go because they fix it in the graphic novel, but oh, boy. I have no idea what Shannon was thinking when she wrote this. All the guys make sexist comments, but Keefe easily gets it the worst. It just proves my point about how Shannon jacked it all the way up to eleven in an attempt to make Keefe “cool” and “funny”. 
“‘Actually, maybe that last part is a good idea. You could get the dirt on Foster, find out which guys make her heart go pitter-patter.’” This is completely subjective, but I find Keefe’s general sense of humor to be incredibly cringy. Like, who talks like that and doesn’t immediately cringe at themselves??? In real life, if someone spoke like that, I can guarantee that everyone around them would laugh at them. Also, he still doesn’t know Sophie very well and he continues to put her on the spot.
“‘Eh, that’s what they all say. But deep down girls always have one guy they can’t take their eyes off—isn’t that right, Fitz?’ ‘Why are we talking about this?’ Fitz complained.” Say what you will about Fitz, but I will forever be grateful to him for shutting down that nauseatingly cringy shitshow.
“‘Aw, don’t go getting good at alchemy, Foster.’” Again, this is completely subjective, but I find the way he calls Sophie by her last name to be a cheap trick to make him seem funnier and cooler. Which, in my humble opinion, it doesn’t.
“He winked, reaching for her hand.” Again, completely subjective, but my number one pet peeve when it comes to love interests in fiction is winking. Why is it that everytime an author wants to make a guy “cool”, they just make him wink so much you’d believe he has an eye twitching disorder??? Keefe is so unoriginal as a character. I have seen this sort of male love interest a thousand times in a thousand different YA series. 
“‘It’s almost too easy to annoy you, you know that?’” The thing about Keefe is that he doesn’t just joke around. He usually jokes around with the intention to annoy or embarrass someone. 
“[ . . . ] forced instead to sit alone in the corner while Keefe winked at her [ . . . ]” He winked at her throughout the course of an entire detention??? Wow. That’s just. Okay.
[cut because character limit]
“‘What do we have here?’ Keefe asked, snatching a red box from her thinking cap. He was definitely back to his old self without his father around. He glanced at the card and cracked up. ‘“Dear Sophie. I really enjoyed our dance, and I hope we can do it again sometime. Love, Valin.”’” Another example of Keefe making jokes that are just straight up embarrassing for someone else. Also, he just grabbed her present like that without her permission??? 
“‘I’m just teasing—sheesh.’” Keefe literally pulled the “But it was just a joke!” excuse as justification for putting Sophie on the spot like that. Wow, such a great friend.
“Keefe nudged Dex’s arm, then grinned at Sophie. ‘Interesting.’ ‘What?’ Dex asked. ‘Which one’s your gift, Dex?’ Sophie interrupted. She didn’t have to be a mind reader to know what Keefe was going to tease Dex about.” Here we mark the start of Keefe using his empathy to learn people’s secrets without their consent. He feels not a hint of remorse for it, and instead uses it as a way to breach people’s boundaries and embarrass them. As a lot of people have already said, Keefe is the primary reason empathy should have similar restrictions on it to telepathy. 
“She stared at Dex for a minute, so amazed she wanted to hug him. She knew Keefe would have a field day, though, so she fought the urge.” You shouldn’t be scared to hug your friend in front of your other friend for fear of what the other friend will say. 
“He’d hardly looked at her gift when he opened it, too distracted by the tunic Keefe gave him, which had I know what you’re thinking—and you should be ashamed of yourself embroidered across the front.” I will give credit where credit is due, though. This was cute as hell. But it also makes me frustrated, because it shows that Keefe can be a good friend if he tries. It’s not like he straight-up doesn’t know how to. He just doesn’t. Which is arguably worse.
“‘Yeah, busy juggling two girlfriends,’ Keefe interrupted. Alvar grinned. ‘Three.’ ‘Three?’ Della’s voice was as horrified as her expression. ‘Alvar, that’s awful.’ ‘Are you kidding? It’s awesome!’ Keefe corrected. ‘You’re my hero.’” That’s right, everyone. The sweet, thoughtful, funny, perfect Keefe dreams of being a cheater one day. What the heck, Shannon? Why would you make a guy you clearly want your audience to like and will eventually be the love interest a wannabe cheater? It’s clearly because she wants to make him seem cool and funny! So hilarious. Although this is more on Alvar. I know the fandom headcanons about polyamory, but given the use of the word “juggling”, it’s more likely that Alvar is a cheater. But I will also assume that this was another product of Keeper’s time, and will be changed in the second part of the graphic novel.
“‘All right, enough girly drama,’ Keefe said, shoving his way in. ‘I was part of the rescue too, remember? I’m the one who knew the tree you told Fitz about was the Four Seasons Tree, so if it weren’t for me . . . ’” How self-centered do you have to be to make the rescue about yourself??? Like, my guy. Have some self-awareness. Also, acting like Biana apologizing is just “girly drama” instead of a very real emotional moment is so, so degrading (and misogynistic, yippee). Disgusting behavior (which I wouldn’t mind if he ever apologized for it and showed some development, but it’s Keefe, so he never does, of course). 
“‘Ella!’ Sophie buried her face between the floppy ears, ignoring Keefe’s snickers.” Imagine laughing at your supposed friend (and crush) during an emotionally and physically devastating recovery period because you found it funny that she sleeps with a stuffed animal.
Exile
“‘Hey, a guy’s gotta look his best for the ladies.’ Keefe patted the back of his head. ‘Right, Foster?’” Ah, Keefe’s trademark cringily atrocious “humor” starts again. 
“‘Why do you need my help? Aren’t you the expert?’ Keefe snickered. ‘Ooh, good one, Foster!’” Another thing I don’t like about Keefe is that Shannon uses him as narration sometimes in order to pat her own back over making a joke. Like here, Sophie makes a comment regarding Vika’s ability to train Silveny, and we, the audience are obviously supposed to be like “Ooh, good one, Sophie! Get her ass!” But instead of just letting the audience have their natural reaction, Shannon feels the need to tell us what she thinks we need to feel. It becomes annoying because Keefe does it so much. It’s like Shannon doesn’t trust that the audience will have the correct reaction, so she has Keefe have that reaction so the audience knows what to feel. It’s basically the writing equivalent of saying “Get it? Do you get the joke? The joke was that Sophie made fun of Vika. Do you get it now?” This is more a Shannon thing than a Keefe thing, but Keefe gets it the worst. 
“‘Lame. I vote for The Unstoppable Team Keefe! Or Team Foster-Keefe if you’re one of those egomaniacs who needs your name in there. I can share some credit.’” Ah, here we start with Keefe’s list of atrocious nicknames for things. It’s one of my least favorite aspects of the way Shannon writes “humor”.
“‘What was up with the whole Amazing Flying Foster routine?’” Completely subjective, but I find Keefe’s nicknaming tendencies really grating.
“‘That’s another day of detention, Mr. Sencen,’ Sir Rosings shouted. ‘And one for you, Miss Foster!’ ‘Ooh, we can be detention buddies again!’” It’s a little thing, but Keefe never feels regret when he gets someone else in trouble. He only lathers it up with more teasing. I’d be so angry if someone got me in trouble and it wasn’t even my fault. It’s just terrible behavior.
“‘I’m not talking about anyone. I’m talking about you. And I know you’re up to something. I can feel it.’ He grabbed her hand, sucking in a slow breath as the crease between his brows relaxed. ‘I can feel your hope. It’s not much—but it’s there. And there has to be a reason for it. Besides—you’re going to need my help. Who knows the Vackers better than me?’” Keefe uses his empathy to force his way into Sophie’s fixing-Alden’s-mind plan. He tries to read her emotions without her permission so that he can use it as justification to get her to let him help. It’s just so icky. He then manipulates Sophie by insisting she needs his help (even though she logically doesn’t). 
“‘It’s a date, Foster!’ Keefe shouted, turning every head in the corridor and making her grit her teeth so hard her jaw hurt. ‘Looking forward to it.’” Keefe stop humiliating Sophie in front of everyone challenge. 
“‘Wow—you really sleep with this thing? I thought Fitz was kidding when he gave it to you when you were recovering.’ Sophie snatched Ella away [ . . . ]” Keefe continues to make fun of Sophie for her stuffed animal tendencies. You know, it’s possible to be funny and make jokes without actively tearing people down. But wait, you may say. Keefe shows some development later because he starts to sleep with his own stuffed animal! Doesn’t that mean he learned and grew? No, I would argue back at you. The issue is not actually that Keefe made fun of Sophie’s stuffed animal in particular. The issue is that most of Keefe's jokes actively revolve around making fun of someone and putting them down. And that never changes, even later in the series. This is simply one example.
[cut because character limit]
“‘This isn’t nearly as exciting as I thought it would be,’ Keefe complained as Sophie finished explaining her theory about removing Alden’s guilt and how she was trying to track down her own journal. ‘When do we get to, like, fly into the line of fire or sneak away to the Forbidden Cities?’” Another thing I don’t like about Keefe: he’s so whiny. For no reason. Shannon loves to use his whininess to make him ““““““relatable””””””. And he never develops! Ever! Most of the things I list about Keefe here would be fine if Shannon acknowledged them as character flaws and let Keefe develop. But he never does.
“He reached out and brushed Grady’s arm. ‘Whoa—that is some serious tension radiating off of you. Is it that bad?’” Again, here we see an example of Keefe breaching boundaries and using his ability to get people to tell him things they aren’t comfortable telling him. If Keefe was a Telepath, this would be breaking the law. In case you care. 
“‘Is that a diary?’ Keefe asked as Sandor handed her the sparkly journal. He tried to snatch it, but Sophie yanked it away just in time.” I- I don't even have the words to describe how atrocious this behavior is. Keefe just casually tried to invade Sophie’s privacy. For a joke. And imagine if she had written something embarrassing in there and he’d managed to grab it from her. He’d never stop embarrassing her over it, never stop spilling its contents to other people casually in the name of “humor”. And he’d treat it like a joke, instead of a very serious breach of personal boundaries.
“‘Should’ve figured it would have something to do with a boy.’ ‘I was five, Keefe.’ ‘What, and cute boys didn’t exist when you were five? Well, it’s true you hadn’t met me yet, but . . . ’” Ah, Keefe’s trademark cringy-ass flirtation starts. For the record, I think this might be my least favorite aspect of Keefe’s “humor”. I don’t tend to like characters that go on about how good-looking they are. I just find it so incredibly cringy and tone-deaf. But that’s just my opinion.
“‘Now we know they still have the pages. So we just have to figure out a way to steal them back.’” Ah yes, Keefe’s straight-up stupidity, which isn't quite my least favorite quality of his, but is the most frustrating. He’s really, really stupid if he thinks he can just. Track down the Black Swan and steal the pages back from the infinite amount of places they could be. 
“‘Hey, Captain Mood Swing,’ Keefe said, gently grabbing her arm.” Keefe’s cringy sense of nicknaming humor continues. 
Also Keefe’s nickname for Silveny will never not be the most cringeworthy thing in the entire series. His nickname humor is already horrible enough, but combine it with his tendency to crack potty jokes like he’s six? Simply atrocious.
“‘It’s just a theory right now—I need to think it through.’ ‘You mean we,” Keefe said, hooking his arm through hers. “We need to think it through. Team Foster-Keefe!’” Keefe stop forcing yourself into Sophie’s personal business challenge.
[cut because character limit]
“‘So, let me get this straight,’ Keefe said when Sophie was done explaining the new plan. ‘We don’t know where we’re going, or how long it’s going to take us to get there, and we’re flying to meet the Black Swan—who may or may not be evil murderers—and this whole thing could be a trap?’ [ . . . ] ‘Awesome! ’Bout time this project got a bit more exciting.’” Keefe is so fucking tone-deaf. He learns they need to go meet the Black Swan (who at that point they thought were maybe-murderers) to heal Sophie and that’s what he says? Wow. Real upstanding guy. It really just shows how he thinks this whole thing is a game, not a serious issue. (Yes, I know he later says that his jokes are a mask and that he does care and see the seriousness in an issue, however that doesn’t change the fact that his jokes are just straight-up insensitive to the people around him.) Also, remember what I said about Shannon using Keefe as narration? She does it like this, too, where she’ll recap a lot of what she just wrote using Keefe as a mouthpiece, just to make sure the audience really gets it. It’s a sign of insecure writing. But it’s not boring recap exposition, because a funny character says it! Right, guys?
“‘Of course I told them. Sheesh—you act like I’m some sort of troublemaker.’ He winked.” Take a shot everytime Keefe winks. You won’t even make it through half the series. It highlights another issue I have with Keefe. He thinks he’s so cool. With the swagger and the winking and the hair and the clothes, he tries way too hard to be ““““““cool””””””. And for me it just makes him extra cringy. But that’s completely subjective. Yes, I am aware it is a mask. It does not make it any less cringy. It just doesn't feel like something anyone would ever do in real life. I don't know how to explain that it just feels unrealistically fake. It’s just so . . . try-hard-y to me. 
“‘No—for the millionth time. You’ll know when we are because we’ll stop flying.’ ‘Okay, that’s how I’ll know when we’re there. But how are you going to know?’” Another example of Keefe being intentionally annoying, and another example of Keefe being so stupid you have to wonder if his abusive parents dropped him on his head as a child. Two for one!
Keefe continues to be stupid and annoying on purpose for a few more lines of dialogue during this scene, but it’s too much and I don’t want to copy it all. I’ve already put a sample in the previous bullet. 
Have to say, I love how annoyed Sophie is by Keefe in Exile. Everytime she is forced to involve him, she expresses visible annoyance. Wish that carried through the entire series.
“But then he leaned closer—close enough that she could feel his breath on her cheek as he said, ‘I know I crack a lot of jokes, Sophie, but . . . that’s just because it’s easier, you know? It’s how I deal. But that doesn’t mean I don’t care. I do. A lot.’” Ah, the famous boy-behind-the-jokes confession scene. First of all, why does he need to lean closer and get all up in Sophie’s personal space??? Especially since they are already really close together. That is so ugh. Secondly, just because he uses humor as a coping mechanism, doesn’t mean his jokes have to be rude, annoying, embarrassing, cringy, over-the-top, cracked at the wrong times, and just plain stupid. It’s possible to have a sense of humor that’s, get this, actually funny and cheers people up instead of tearing them down.
[cut because character limit]
“‘You don’t have to be. I meant what I told Sandor. I’m not going to let anything happen to you.’” How chivalrous. And how exactly is he going to do that? By being stupid at the kidnappers? Just the fact that Keefe thinks that he can protect Sophie shows how unprepared he is. But seriously, Keefe has only demonstrated stupidity up until this point. I still don’t understand how Grady thought it was a good idea to involve him. He’s just as vulnerable as Sophie, so that’s just a second person that’ll get hurt if something goes wrong. He’s not a bodyguard and he doesn’t have any training or special experience that would qualify him to protect Sophie. He’s just some guy. I think the logic was “Sophie’ll have a second person to protect her in case of an emergency”, but that makes no sense, because Keefe can’t bring anything to the table in terms of protection for Sophie. But how else are we going to kickstart a fan-favorite ship?
“He leaned back, taking his warmth with him. But at least she felt like she could breathe again.” Yep, Sophie literally felt like she couldn’t breathe because Keefe was all up in her personal space.
Everblaze
“‘Want me to push you?’ Keefe offered, laughing as Sophie jerked away from him ‘Come on, it’ll be fun—for me at least.’” (4) I have a physical copy of Everblaze, so I can list page numbers, and boy it didn’t take long for Keefe’s jerkish tendencies to show. He literally admits to Sophie that he’d find it fun to watch her be uncomfortable, which not only makes him completely selfish, but also somewhat cruel.
“But he shot Sophie a look that seemed to say, You will tell me everything later [ . . . ]” (63) Again, an example of Keefe insisting he should be a part of Sophie’s personal business. Why does he constantly want to know every single thing she knows? It’s none of his business.
“‘Dude, what is up with them not rhyming?’” (113) Shannon also does this thing where she’ll make Keefe use the same joke over and over and over. This is only the second time Keefe has made this joke, but it happens again and again and again. And even though the first time was pretty funny, the overuse kills the joke. 
“‘Write this down, Gigantor: You may not want to meet, but we definitely do. Name a time and a place or we’ll pelt you with sparkly poo.’” (114) I really wish Shannon would stop with the potty humor. Keefe is fourteen, not six. It makes him look even more annoying and childish. 
“‘That’s why you keep me around. Well, that and my stunning good looks.’” (115) More of Keefe’s trademark cringy and tone deaf flirtation. Nobody talks like this in real life, Shannon, because they would be laughed at.
“‘But I’m coming over after school and you’ll tell me whatever you’re hiding.’” (121) It is so annoying how Keefe thinks he’s entitled to Sophie’s secrets. He doesn’t ask her. Just forces his way in, just like he forced his way into everything else. It’s textbook manipulation. And she does. Not because she trusts him. But because he forces his way into everything. 
“‘You let Keefe help.’ ‘Not by choice.’” (124) Sophie literally admits that she didn’t want Keefe to help her. But in typical Keefe fashion, he forces his way into everything, because he’s nosy and rude and can’t keep himself in line. I’ve said this already and I’ll probably say it again, but I wouldn’t mind this if Shannon treated it like a real character flaw instead of just a quirky little trait. I would be okay with it if Keefe realized what he was doing was wrong and apologized and made an effort to get better. But he never does. 
“‘This is just a normal day for you, isn’t it?’ Keefe asked . . . ‘Go to school find out you’re covered in a dangerous substance, melt off a few layers of skin, and then hail your besty Councillor, tell him you’re ditching study hall to save the world, and he says “Cool, I’ll come with you!”’” (149) Leaving aside the objectively incorrect spelling of bestie, here's another example of Shannon using Keefe to recap and narrate at the audience. It’s like she doesn’t trust us to understand the story ourselves. You don’t need to pat yourself on the back by summarizing what just happened, Shannon. It doesn’t make it any less exposition-y if the character info-dumping stuff we already know at us is ““““““funny””””””.
“Keefe replaced it immediately. ‘I could do this all day.’ [ . . . ] Then he snatched the rest of Sophie’s effluxers and raced away, stabbing them in random places all over the grassy field.” (179) Keefe understands why guarding the school from ogres is so important, and yet he treats it like a joke. I’ve seen people say that Keefe can be serious when he knows something is important, but here he is, abusing a serious security protocol for cheap laughs and frustrating Sophie. He tries his very hardest to be annoying and honestly if I were Sophie, I’d just walk away and let him do his own thing. He can’t be serious, and he’s incapable of thinking about anything except playtime for more than a few seconds at a time. 
[cut because character limit]
“Okay, I’ve changed my mind,’ Keefe said . . . ‘Let’s plant this somewhere she’ll trigger it.’” (181) Keefe gets Sophie in trouble and once again shows no remorse. I don’t understand why Sophie hangs around him when she doesn’t need him in any capacity (at this point) and all he does is annoy, embarrass, and get her in trouble. If you want to get in trouble, that’s your prerogative. But dragging others unwillingly into your plan is one of the most selfish, egregious acts you can do.
“‘Has he ever even had detention?’ ‘Only when he listens to me. [ . . . ]’” (183) Yet another example of Keefe dragging someone down with him, this time being Fitz.
“‘Clearly it’s not a good idea to get you angry. Uh-oh, should I be afraid?’” (221) Keefe continues to be annoying on purpose.
“‘Oh—maybe we could be the Keefitzter!’” (343) When will Shannon stop torturing me with this painful nickname humor?
“‘That doesn’t really have the same ring,’ Keefe told her [ . . . ]” (344) This is like the third time he’s made this joke. Repeating a joke over and over doesn’t make it funnier; it’s quite the opposite, actually. 
“‘Nah, I’ll save it for my own wedding. Make my bride feel even luckier.’ He winked.” (396) I think the worst part is he really thinks he’s being smooth there. Honestly, it just comes off as needy.
“‘ . . . keep in mind that Miss Foster is, and always will be, my first priority.’ ‘Mine too,’ Keefe said [ . . . ]” (408) Another thing that strikes me as incredibly weird with Keefe is this strange obsession he has with Sophie. It becomes incredibly apparent in later books, but it definitely starts here. Sophie should really just be another random friend he’s made at Foxfire, but he’s willing to go to so much trouble for her, but why? There’s not a particular reason. Sophie didn’t do anything that meant he owed her and therefore had to help her and they didn’t have a particularly strong bond at all before he forced his way into her reverse-Alden’s-guilt plan. It’s understandable now that they’re closer friends, but the fact that he was just ready to fly across the ocean for a somewhat random girl is just. Very strange. Keefe is a massive case of obsessed-with-the-love-interest syndrome that plagues YA novels everywhere you go. And he doesn’t even have a particularly good reason.
“‘Cute and smart. No wonder Dex gave you a ring.’” (410) Keefe continues to make unfunny jokes that embarrass Sophie for his own amusement. 
“Plotting and scheming really were Keefe’s forte.” (431) We’ve been told this, but it’s simply not true. Keefe hasn’t come up with a single good plan up until this point, so I don’t know what Sophie’s talking about. Telling isn’t showing, Shannon. Show us a single good plan that Keefe has come up with. You can’t just tell us that and expect us to believe it because “Oh, it’s Keefe!!!”
“‘Admit it, Foster—you’ve been checking out the Keefster. And maybe even . . . the keester.’ [ . . . ] ‘[ . . . ] Unless you’d rather I go first so you can admire the view.’” (440) I think this might be Keefe’s cringiest joke yet. It’s a perfect combination of Keefe humor: annoying, embarrassing, tone-deaf, a dash of potty humor, all topped off with a finale of horrific flirtation. 
Neverseen
“‘I totally could’ve pulled that off. But then again, I’m Batman, so’—he draped an arm over Sophie’s shoulders—‘I could be your hero any day.’” (9) Keefe's horrible flirting is back. And he very obviously sees himself as Sophie’s “hero”, ready to save the day for her, as if she’s completely helpless. (I know it seems like this is just a joke at the moment, but there are several moments later on down the line that prove this point. I just wanted to put this quote here so I don’t miss it later.) That’s another thing I hate about Keefe. He’s always sacrificing a good plan for his own, because he thinks he’s smarter than everyone else and wants to be the hero. (Again, there are several moments later that showcase this, we’ll get there.)
“Keefe grabbed Fitz’s wrist and pressed his fingers against the exposed skin. ‘Hate to break it to you, but I can tell you’re hiding something.’” (26) Another example of Keefe breaching personal boundaries and using his empathy to extort secrets out of people to get him to tell things they wouldn’t ordinarily tell him. This happens a lot starting in this book, and yes, I am going to point them all out. By the way, what Fitz was hiding was not at all important to their mission. It’s a secret of Sophie’s that Fitz accidentally saw and was forced to tell because of Keefe. And Keefe tries to make fun of Sophie for it, but is cut off.
“‘[ . . . ] and tell the Black Swan to knock it off with the lame, non-rhyming riddles.’” (27) Shannon, repeating a joke for the umpteenth time isn’t going to make it funnier. And Keefe gets this the worst.
“‘You know he’s going to keep pushing until he gets what he wants, right?’” (31) That quote is said about Keefe, for context. And yes, I do know that. It’s one of Keefe’s most annoying qualities. But what I want to focus on is the fact that Shannon herself acknowledges that. It’s not like she isn’t aware. She just doesn’t want to give Keefe any development, instead treating it like a quirky little habit. 
“‘Uh, you guys are totally ignoring the much more important question,’ Keefe interrupted [ . . . ] ‘Am I the only one who’s noticed that dude is naked?’” (38) Keefe doesn’t know how to be serious, even when the time calls for it. They were in the middle of a discussion about how the Neverseen could’ve set a fire in the Forbidden Cities, and Keefe just jumps in and completely derails the conversation for a joke. Keefe. Learn the time and the place for this sort of behavior. No, indeed, Keefe cannot be serious, even when the time calls for it.
“‘They’ll have to keep their faces very close together,’ Mr. Forkle noted. ‘Foster and I volunteer!’ Keefe shouted.” (59) Volunteering someone for a very uncomfortable experience without their permission, ah yes, my favorite. And yes, Dex does it too, and so do Fitz and Mr. Forkle. I’m not exempting any of them from the blame. I’m just saying that this was something Keefe unironically said (and he said it first, too).
“He leaped from his pleisosaur to hers and prodded Sophie’s eckodon to swim away from the rest of the group.” (63) Shannon forgot to add “without Sophie’s permission and without giving any thought to breached personal boundaries” to the end of that sentence. Seriously, he just leaped onto Sophie’s eckodon with no sign she wanted him to, just because . . . he wanted to? Sophie’s wishes? Never heard of them.
“‘Relax,’ he said, tightening his grip on Sophie’s waist. ‘I won’t let you fall.’” (63) I hate when Keefe does things that Sophie doesn’t need “for Sophie”. It’s his worst quality, by a long shot. He projects what he thinks Sophie wants and then tries to fulfill his projection. Sophie wasn’t even scared she was going to fall. And he randomly starts putting his hands all over her. But I guess when you’re a love interest, that can be seen as ““““““romantic””””””. Keefe stop treating Sophie like a helpless object that he needs to save challenge.
[cut because character limit]
“‘I will never let my mom hurt you again.’” (63) It’s hilarious that he thinks he can control that. Just adds to his mind-numbing stupidity. There’s naivete, then there’s Keefe. Also, this entire scene is the first in a series of scenes that I like to call “forced consolation”, where either Keefe or Sophie will try to reassure the other of some fear they don’t have or are just not in control of. Shannon loves to lather these scenes up with “I promise I won’t hate you”s and “I will do everything I can to protect you”s and all sorts of other things that feel either forced or over-the-top. And at the end of the scene, you feel nothing’s changed or developed. It’s just Sophie and Keefe repeating things at each other and at the end you just feel like it was handled with too heavy a hand and you didn’t really get anywhere. In other words, it’s one of Shannon’s favorite forms of filler.
“‘Thanks,’ he whispered back, so close she could feel his breath on her cheek.” (65) He managed to be even creepier! Wow! This feels incredibly forced, too. I think Shannon assumes she can make any scene “romantic” if she makes Keefe lean too close to Sophie and then makes a mention of Sophie's heartbeat.
“‘We know some of the Neverseen are hiding in Ravagog. Give me a green crystal and I’ll hunt them down.’” (90) Moments that make me want to shove Keefe into a brick wall. Is he stupid??? Like, genuinely. He is so dumb. I cannot stand stupid characters. Maybe that’s me, but oh my gosh. This. This is just. I don’t even have the words to describe how stupid Keefe is. And the worst part is Keefe clearly thinks this is a smart plan. Like, wow. He’s so arrogant he genuinely thinks he’s the savior they all need. Not a stupid, reckless boy with no experience or training who’s going to get himself killed. Keefe. What are you on.
“‘Why is everyone assuming I’m going to get caught?’ Keefe asked. ‘You guys are clearly forgetting how awesome I am!’” (91) Because you will. Hundred percent guarantee. He knows nothing about ogres and their technology, nothing about sneaking into places with a large amount of security, he probably doesn’t even know what a Markchain is and why he’ll be found out because of not having it. The English language doesn’t have the words necessary to describe how dumb Keefe is. And he doesn’t even realize it. He’s just so convinced he’s better than anyone else and that other people haven’t created anything strong enough to hold the all-knowing Keefe Sencen. But stupid characters that genuinely think they’re amazing is a personal pet peeve of mine. 
“Fitz said something else too, but it was drowned out by the plethora of gagging sounds coming from Dex and Keefe.” (96) I don’t like Dex either, but that’s not what this is about, so we’re gonna leave that alone for now. Anyway, Keefe and Dex are both incredibly immature, acting like six-year-olds as opposed to thirteen and fourteen. And it’s rude. It’s not a good quality. They clearly do it on purpose to be annoying, so. Tearing down people because you can’t keep your nose out of their business is just not good behavior. Again, I’d be fine if Keefe showed some development. But as far as I know, he never apologizes for his rude behavior at all. (I believe Dex does, though, so Shannon clearly knows this is a possibility.)
“‘In fact, after I swear fealty I should have you all call me Emo.’” (110) I don’t think you know what emo means, Keefe. Also, in my humble opinion, it makes no sense that elves have a concept of being emo. My guess is this is Shannon’s attempt to make Keefe seem more like Tam. But more on that later.
“‘You’ll be Sophitz! Or Fitzphie!’” (110) I hate it when authors put ship names in their stories. It’s so cringy and almost feels like the author is trying to pat themselves on the back for acknowledging a certain ship in the series. And of course, it’s an undeniable aspect of Keefe’s “humor”. I can’t just not address it. 
“‘We can be Keefex!’” (111) Another instance of putting ship names into the series, although I doubt Shannon meant it that way.
[cut because character limit]
“‘Yeah, Fitz can pull off anything.’ Sophie blushed as she considered the implication of her words. Keefe groaned. ‘I knew we should’ve gone with the balding elixir. Next time!’” (123) To be fair, the argument I’m about to make is very thin, and I acknowledge that, so feel free to disregard it. But notice how Keefe immediately suggests a balding elixir right after Sophie complimented Fitz’s looks. It’s almost like he’s jealous of Fitz, which is not a bad thing, necessarily. Jealousy is a very natural thing to feel. But so many people try to make arguments that Fitz was cruel and jealous toward Keefe later on down the line, so I thought I’d point out an example where (in my opinion) Keefe is being jealous.
“‘And don’t think I was going to allow a Sophex meeting to happen.’” (135) More cringy ship name “humor”. 
“‘Anyone else getting tired of the Black Swan bossing us around?’” (142) God, Keefe’s whininess is so annoying in this book. Yes, the Black Swan are being annoying. But he should’ve dropped it after the first few times that he complained. Complaining isn’t going to fix anything and only makes him look annoying. 
“‘Is it okay if I enter your mind?’ Fitz asked. ‘Dude, do you realize how creepy that sounds?’ Keefe interrupted. ‘It’s less creepy than reading her feelings all the time without telling her,’ Fitz argued. ‘Hey, it’s not like I try to do that! You’re just mad that Foster can’t hide things from me.’” (144) Keefe gets bored, so he interrupts Sophie and Fitz’s cognate training for no reason. You know, because he’s incapable of keeping his nose out of others’ business for two seconds. And not only that, he has the audacity to say he doesn’t try to read Sophie’s emotions. Sure, he’s not doing it all the time, every time, but he does it when he feels she’s hiding something. I’ve already pointed out several instances of this, and there are many more to come. Instead of letting her keep her secrets and tell him on her own time, you know, out of trust, he uses his empathy to force it out of her, or pressure her to talk when she’s not ready (which by the way, is a textbook sign of a toxic relationship). He does this to people besides Sophie, as well. So yes, it is creepy. Way more creepy and toxic than asking someone for permission, by the way. So not only is Keefe straight-up lying about not trying to read Sophie’s emotions, he’s defending it. And the last part where he says that Fitz is jealous because Sophie can hide things from him. He’s missing the point entirely. When someone tells you something willingly, without being extorted or pressured, they trust you. When you have to force them and guilt them into telling you, they don’t trust you. So Fitz has no real reason to be jealous here. Keefe’s just being an asshole.
“‘You make her super nervous,’ Keefe answered for her. Sophie wished the Black Swan had given her laser eyes so she could skewer Keefe with her death glare.” (144) Keefe not only reads Sophie’s emotions without her permission, he also breaches several boundaries by announcing them to the entire room before she’s ready or when she doesn't want to. Why? Because he’s selfish and wants to cause a scene. Why? Because he’s bored. I wish I were kidding. That is seriously the reason. He got bored. He doesn’t care about Sophie’s feelings, or else he would respect them. 
“‘Promise me you won’t hate me,’ he whispered.” (175) We go into another one of Shannon’s famous forced consolation scenes. It makes no sense that Keefe would worry about Sophie hating him. He hasn’t done a single thing to make her hate him. Shannon just realized that she needs something for Sophie to comfort Keefe over, so she pulled something out of her ass. And it makes no sense. 
It makes so little sense that Sophie tried so hard with Keefe, but didn’t do the same with Fitz and Biana in Exile. This forced consolation scene goes on, ending in a “window slumber party”. Another thing I don’t like about Keefe is that it’s very obvious that Shannon favors him. It’s very unsubtle.
[cut because character limit]
“Keefe ruined the moment by grumbling. ‘But you didn’t learn anything! You had the Neverseen right in front of you—you talked to him!’” (197) That’s right, everyone. The sweet, selfless Keefe blamed Sophie for failing to learn anything! Which, by the way, he never apologizes for and never shows remorse for.
“Sophie heard him mumble under his breath, ‘He was right in front of them.’” (198) Keefe continues to blame Sophie for not figuring anything out, as if he could’ve done any better.
“‘My mom was probably part of everything that went down with Jolie.’” (221) No??? No! Jolie died over sixteen years ago. Keefe says this in response to the knowledge that his mom joined the Neverseen shortly after becoming pregnant with him. Keefe is only fourteen, meaning Lady Gisela was not part of what went down with Jolie. This is probably just Shannon forgetting her timeline again, but oh, boy, does it make Keefe look stupid. 
“‘When you or Fitz start dating, there will be crying in the Foxfire halls.’” (236) Another example of Shannon trying way too hard to make him seem “popular” and “cool”. It appears she hasn’t set foot in a school, because that’s not how it actually works.
“‘Everyone loves the bad boys.’” (236) Did. Did Shannon unironically write that??? I’m laughing. Oh my gosh. The sheer tone-deafness and cringe, I can’t.
“‘And Fitz isn’t perfect, by the way.’ ‘He’s close enough.’” (238) No??? Nobody is. And here’s a fine example of another forced consolation scene. Keefe lathers it up with the self-pity and feeling sorry for himself, and later on down the road, Shannon realizes that and her solution to that particular problem is hilariously atrocious. I’m writing this quote in blue so that it’s easy to come back to later, because I’m going to talk about it once we get there. But for now: Keefe’s personal pity party is clearly only there to make the audience pity him. All he’s doing right now is acting weirdly whiny and jealous of Fitz for . . . being “perfect”? Which again, jealousy is natural. But Keefe has never in his life tried to achieve perfection, and has in fact always tried to do the exact opposite, so why would he be jealous of Fitz for being perfect all of a sudden? It’s completely out of character for him. Shannon. You can’t just make Keefe jealous of Fitz for the sake of being jealous of Fitz because you want a forced consolation scene. It has to make sense. Keefe would never be jealous of Fitz for this particular reason. Keefe doesn’t try to be perfect at all. Why would he care that Fitz is “perfect”?
“‘I hate watching it,’ he whispered. ‘Them and Della. It’s all so happy and easy.’” (238) Wanted to include this because this is a good example of how jealousy actually works. Keefe has never had a loving family. So naturally, seeing a loving family would make him jealous. So, again, I will give credit where credit is due: this makes sense for him. 
“‘And you’re also there when your friends need you.’” (238) That is a laughably twisted version of the events of the previous couple of books. Keefe is not “there when his friends need him”, rather he forces his ways into their plans by either pressuring them or using his empathy very dubiously. The way Shannon has tried to twist Keefe into this pitiable, pathetic boy is just. Not working, when you consider what he’s been doing for the past few books. Just straight shot after straight shot of him annoying and embarrassing the crap out of Sophie and extorting things she very clearly doesn’t want to tell him out of her.
“‘[ . . . ] you promised you wouldn’t hate me.’” (239) Obligatory “don’t hate me” plea from this particular forced consolation scene. 
[cut because character limit]
“His aim with the throwing stars was flawless [ . . . ]” (343) How??? He hasn’t had any proper training??? And this goes for the climax of Exile, too, by the way. Shannon once again wants Keefe to be flawless at everything and save Sophie, but she fails to make any of it make sense, because Keefe never trains with throwing stars. This is a textbook sign of a character the author wants to make look “cool” without making it make any sense whatsoever. Why is he good at using throwing stars? Not because he trained! Probably because Shannon just wanted to make him look cool and badass. 
“‘You know what I think when I see things like that?’ ‘I never should’ve agreed to help such a loser—even if he has awesome hair?’” (345) Here’s another forced consolation scene. Why would Keefe think Sophie thought that, when literally a few seconds ago she confirmed she didn’t? I’m not kidding, Sophie literally says “‘You shouldn’t have to carry all that alone’” (345) just a couple of lines right before this line. She clearly doesn’t think Keefe is a loser, but he’s so wrapped up in his self-pity, he’s not listening to her. Shannon’s trying to milk the shit out of this, so she repeats the same thing over and over and over to instill pity for Keefe. And again, she lathers it up and uses too heavy a hand, so it just feels like we’re suffocating in Sophie’s pity for Keefe, not to mention Keefe’s pity for himself. 
“‘I have a major dark side, Sophie.’” (347) Shannon tried to make this all serious and dark, but it just made me laugh. Like, no. He doesn’t. He doesn’t have a dark side whatsoever. He’s stupid, sure, but he’s really soft, too. The fact that Shannon is trying to get us to believe that and trying to put us on edge is laughable. 
“[ . . . ] ‘and it’s a lot creepier when it’s Sophorkle.’” (369) Did. Did Shannon actually write that???? And the editor saw nothing wrong with that??? Oh, boy . . . I don’t even think I have to explain this one. And yes, this is in the name of Keefe cringy-ass “humor”.
“‘If you’re saying we should sneak into ogreville instead of sitting here watching Dex poke a gadget with sticks, I’m in,’ Keefe said [ . . . ] Keefe tried to drag her toward the door.” (405) Why did Shannon make that so literal? She literally made Keefe just be like We’re going to Ravagog right this minute, and then had him drag Sophie to the door. Like, wow. The literalness of the action is just so cartoonish and comical. Like I’m watching an animated cartoon for seven year olds. I don’t know how else to describe this.
“‘I say we storm Ravagog,’ Keefe said. ‘Who’s in?’” (457) Keefe continues to push for a plan that has no merits whatsoever and will just put people in danger. You know, because he couldn’t use his brain if his life depended on it. Also the way he says it implies he sees it as this fun joke-like thing, not something that needs serious thought put into it.
“‘And I thought secret Telepath conversations were the worst. Just so we’re clear,’ he told Tam. ‘I’m the president of the Foster fan club. And we’re closed to new members.’” (474) Keefe acts jealous of Tam for . . . talking to Sophie. What a great guy. What a non-possessive, non-controlling, completely justified thing to do. He acts like Sophie just talking to a guy is a threat to him. And let’s be honest, he says that the Foster Fan Club is “closed to new members” because he’s worried about whether Tam could like Sophie, or vice versa. And the fact that his idea is to try to stop Tam and Sophie from talking to each other is easily the ickiest thing he has done. Like, please go bang your head several times into a wall, Keefe. Hard.
[cut because character limit]
“‘Someone needs to tell Shade Boy the role of Troublemaker with Daddy Issues is already filled.’” (478) I- I don’t even have the words to describe how uncaring this is. Keefe literally sees a struggling teen and his first thought is “My ‘position’ is in danger”. How selfish is that? Tam (and Linh) have struggled way more than Keefe can even comprehend and yet all he can think about is this stupid jealousy he has for Tam. Also, the fact that he literally thinks in stereotypes and archetypes is laughably bad writing on Shannon’s part. Dumbing people down to categories to check off is atrociously terrible writing, and this is another symptom of Shannon using Keefe as a narrator to tell the audience things she doesn’t trust us to pick up on ourselves. She doesn’t trust us to know that Keefe is a troublemaker with daddy issues, so she has to tell us. Just like she doesn’t trust us to realize the same about Tam, so she has to tell us. 
“He’d turned into the boy in the boobrie dude’s tent again—scared and angry and lost.” (479) That doesn’t justify his callousness and horrible behavior towards Tam. Just because you can see why someone is doing something, doesn’t automatically absolve them of blame. Someone should’ve kept Keefe in line by explaining how tone deaf that comment was. But of course, since it’s Keefe, his actions will always be justified by the narrative instead of corrected.
“Keefe laughed. ‘Annnnnnnnd, the Foster panicking begins.’ ‘I’m not panicking,’ Sophie told him [ . . . ] She ignored Keefe’s laughter as she gave Fitz permission to enter her mind.” (496) First of all, counting and typing out all those Ns was a nightmare. Second of all, I think the reason Keefe’s intrusive behavior is accepted is because it’s just so normal. It’s just something you expect to happen with him because it’s Keefe, and treated like a joke. But it shouldn’t happen. Just because Keefe can feel Sophie’s emotions, doesn’t mean he has to tell them to people she’s clearly uncomfortable telling them to. And third of all, he laughs. He laughs because she’s panicking. What an upstanding guy.
“‘Whoa, now everything’s red and ripply,’ Fitz said. ‘Is that because she’s angry?’” (497) Keefe literally annoyed Sophie for his own amusement and fun. You know, as good friends do.
“‘Just tell them to stare into each other’s eyes and they’ll be good.’ ‘None of that, Mr. Sencen.’” (497) I will give credit where credit is due, Shannon did finally hold Keefe to a modicum of accountability. But this is the one time in all his atrocious behavior that he’s been held accountable, and even then, he never says sorry. 
“‘Why didn’t you tell me about this?’ Fitz whispered to her. ‘Dude, you don’t get to ask that,’ Keefe told him.” (505) Fitz can ask whatever the hell he wants. Especially concerning a group that they are all fighting. Telling someone they don’t get to ask why something was hidden from them is so completely out of line. And guess who calls Keefe out on this? Nobody.
“‘Because I seem to remember you having a bummer few weeks and then everything went back to perfect Vacker-land. So where’s my perfect fix?’” (505) Keefe disregards other people’s feelings and problems if he sees them as not as bad as his own. Now, you might be thinking, didn’t Fitz lash out at Sophie during Exile? Why isn’t that bad? Well, that’s not as bad because Fitz realizes what he did was wrong, apologizes for what he did and tries his hardest to improve and develop. You’ll notice we don’t get a similar heartfelt apology from Keefe for this incredibly hurtful and invalidating statement, or anything else he does or says throughout this book.
[cut because character limit]
“She knew Keefe didn’t want to talk to her, but when she saw his lights on she couldn’t walk away.” (507) Another piece of evidence suggesting that Sophie paid way more attention to Keefe and spent way more time making sure he knew she was there for him than she did with Fitz and Biana in a similar situation. Here Keefe is mad at her, not wanting to see her, and she still tries too hard to make him see reason, which is not something she does with anyone else. And that is another thing I hate about Keefe: Shannon shows clear favoritism toward him. He gets let off the hook for things other people don’t. He gets Sophie trying and trying and trying to make him see reason when he’s mad. And later, he gets a plotline all to himself, and takes up so much page time, it squeezes the other characters out. You can already see it in this book. 
“[ . . . ] she could’ve sworn he muttered something about Sophitz.” (510) Keefe is a horrific friend. He tears Sophie and Fitz’s cognate relationship (and friendship) down every chance he gets, and nobody calls him out on his incredibly possessive behavior.
“‘How are you going to get inside the city? And if you do get in—what then? You don’t even know where you’re going.’ ‘I’ll figure it out.’” (560) Keefe is so unbelievably stupid. The justification Shannon gave was that the guilt is making him reckless, but recklessness doesn’t equal stupidity. And when Sophie asks him perfectly valid questions, he says “I’ll figure it out”, meaning he put not a single thought into this. He’s really so arrogant that he thinks he can just walk into Ravagog with no plan and steal the cure. God, he’s so stupid, they should just leave him out of their plans for everyone’s safety. Stupid characters are a particular pet peeve of mine, so if I seem angrier than I should be, that’s why.
“‘Fine. I’ll wait until tomorrow night,’ he said. ‘Then I’m leaving.’” (561) Sophie didn’t even manage to completely dissuade him, she just stalled him. That proves that Sophie can’t save him from himself. Nobody can. And later, Keefe puts so much more than himself at risk. He has Sophie constantly worrying about him, so his actions affect her, too. That’s selfish behavior. And how much does he grow from it? I’m sure you can guess. 
“‘Yeah, this is why I should go by myself,’ Keefe said. The suggestion was met with a resounding ‘No!’ But Sophie knew Keefe wasn’t going to listen. If she didn’t figure something out, he would go alone.” (564) They just talked through all the challenges of their plan, none of which Keefe has a solution to, yet he’s still arrogant enough to believe that he can do it all himself. Stupid characters that think they’re great are the worst kind of character to me. The fact that Keefe genuinely thinks he can sneak past ogres and find the cure is mind boggling. He thinks he’s so great that he won’t get caught, but we know he would’ve. Someone is going to pop out of the ground and say “Well, he’s only fourteen!!!” Yeah, he’s fourteen, but this is straight stupidity, not youthful naivete. And the fact that Sophie specifically thinks to herself that he’ll go if they don’t figure something out just proves how selfish he is. Nobody wants him to go alone. He’s not achieving anything for anyone, and his actions do more harm than good. So, no, his actions are not selfless. More so the opposite than anything. He’s doing something that nobody wants and nobody needs. Except himself, of course. 
[cut because character limit]
“‘Oh good, Bangs Boy decided to join us,’ Keefe grumbled [ . . . ]” (570) Instead of being grateful for extra help that could get them out alive, Keefe continues to take shots at Tam for no reason. No reason other than he’s strangely possessive of Sophie, of course. Also, can I just say that Shannon wrote this rivalry so poorly? It’s not even a rivalry. It’s completely one-sided. And in later books, Shannon tries so hard to convince us that Keefe and Tam don’t like each other and it’s this whole thing and it’s all drama and this and that and the other. But she puts so little effort into describing why they don’t like each other that it falls so flat. Tam doesn’t even dislike Keefe. My guess is that he just (rightfully) sees Keefe as a nuisance. So really, it’s just Keefe that has this pathetic hatred for Tam, while Tam barely even acknowledges Keefe. As he should. But that’s just a guess. To know for sure, Shannon would actually have to focus on characters that aren’t Sophie and Keefe, so. 
“‘How do we know his little Shade tricks are even going to work?’” (572) Valid point, but Keefe is so unnecessarily mean and rude with that comment.
“Keefe snorted. ‘How does it feel to be rejected by dust?’ ‘Pretty good, actually,’ Tam snapped back, ‘since it means I can survive this mission.’” (573) Yeah, get his ass. About time someone called Keefe’s constant whining out. Keefe continues to haggle on Tam’s power, which will no doubt save his life several times, for no other reason than his pathetic hatred for Tam. 
“‘I could be back with the cure while the rest of you guys are still sleeping.’” (575) Words cannot describe how much I want Keefe to try to do just that, so the ogres can lock him in a cell and we never have to see him or his stupidity or arrogance again.
“Dude, you did not just insult the Hair.’” (581) Have some more cringy Keefe humor.
“Sophie couldn’t fight back her sob as Keefe handed Alvar the cache.” (661) We’ve at last arrived at the famous betrayal scene. And this is Keefe’s most selfish, asshole-ish action yet. First of all, it’s not him who was entrusted with the safety of the cache. It was Sophie. Which means that by handing over the cache, he puts her in massive potential danger with the Council, not himself. But that’s typical Keefe behavior. Thinking about how your actions will affect the people around you? Never heard of her. If the Council entrusted the cache to him, then it would be somewhat less selfish, because he’s the one that would then be in trouble with the Council. So he puts Sophie in danger and tosses the world’s most important secrets to a terrorist group without a thought in the direction of how he’s going to get it back. And for what? For the miniscule chance that the Neverseen would trust him and he could learn something important enough to finish this? That’s the thing with Keefe. He’s stupid, but he doesn’t think he is. He takes huge risks where the reward can’t in any scenario measure up to the price. It was a stupid risk. Not in any capacity could anything he learned ever measure up. But of course, Keefe thinks it’s brilliant. Because, you know. He’s stupid. Tell me why anyone trusts this guy again? Oh, and in case you think that Keefe learns or grows from this mistake, just you wait.
“‘I have to do this,’ he said. ‘Please don’t hate me.’” (663) Keefe has no right to ask this of Sophie in this scenario. He’s chosen his path, and that was his choice. He will and should suffer the consequences of that choice. Including all the people who now see him as a traitor. But of course, since this is Keefe, he doesn’t suffer a single consequence, and Sophie never truly hates him, although that would’ve encouraged at least a single iota of development for Keefe’s arc. 
Lodestar
“‘Sorry my note was so hasty. Next time I’ll make sure it rhymes.’” Sorry, no more page numbers, I don’t have a physical copy. I don’t know why Shannon insists on running the rhyming joke into the ground. Repeating the same joke over and over doesn’t make it funnier. 
So the thing about this scene where Keefe breaks into the principal’s office is that he does get held somewhat accountable. Every time he makes a joke and isn’t serious, Sophie calls him out. When he plays dumb and says he didn’t expect Sophie to hate him, she calls him out. He tries to defend his atrocious plan, she shuts him down. But that doesn’t last. 
“And there it was. Keefe’s guilt.” I still don’t understand what Keefe is guilty over. Because Shannon doesn’t bother to make it make sense. No logical person would feel guilty over their parent’s betrayal. Especially not when they didn’t like that parent much to start with. But how else are we going to get our precious forced consolation scenes, if Shannon can’t make up something for Keefe to angst over?
“‘What is the Lodestar Initiative?’ she pressed. ‘And what other lost memories did you recover? You said there were more.’ ‘It doesn’t matter.’ ‘Obviously it does.’” Sophie tries to get solid answers from Keefe and he continues to withhold. These aren’t just any old personal secrets either, they’re secrets that have something to do with the enemy they’re both fighting. By keeping this information away from Sophie, Keefe actively hinders her cause. But of course, he’s so stupid and arrogant and thinks he knows what’s best for Sophie that he’ll never see it that way. He is such a frustrating character and this book is almost the worst portrayal of him. 
“‘There’s always a choice, Keefe.’ ‘Yeah—I’m going to find a way to end this on my terms. That’s my choice.’” Wow, Keefe is such an arrogant idiot. He really just admitted that he was the only person he was going to listen to. Not anyone smarter than him, more experienced than him, hell, not even Sophie, who he’s supposedly doing this for. No, it’s just his way or the highway. Because he thinks he’s smarter than everyone else. Including their enemies, who have proven time and time again to be at least twenty-two steps ahead. He doesn’t even bring up his plan with the Black Swan. They might’ve taught him or told him something that could help. But no. He does it all himself, but he only cares about his own opinion, and Sophie’s. Oh and by the way, Sophie doesn’t call him out on any of this this time around.
“‘What happens when they notice it’s gone?’ He shrugged.” He literally just admitted he didn’t have a plan. That’s his thing. He’ll do something reckless (like giving Sophie the pendant back) and then not think about the consequences. He is so stupid, it hurts my soul. I cannot fathom how he manages to entertain this delusion that he can beat the Neverseen single-handedly. 
“‘You’d rather keep hurting the people who care about you?’ ‘I’m helping you!’ ‘And hurting us.’” He’s not helping. At all. Helping would be executing a plan that everyone agreed was a good idea. Helping would be brainstorming ideas for a plan with a group, so they can figure out all the pros and cons and go from there. Helping would be being there for the people that need him. But, no. Keefe instead embarks on a selfish quest to end things all by himself so that he can feel good about himself and maybe even so that Sophie will think highly of him. He doesn’t care about anyone else, he just cares about himself. If he did care about other people, he would consult them and consider their advice instead of disregarding it and assuming he’s the smartest person in the room, when in actuality, he’s most likely the stupidest. By a lot.
[cut because character limit]
“‘That’s what I’d been hoping for. But [Fitz] didn’t even raise his voice. He just looked away so I wouldn’t see him crying. So did Biana. Even Dex teared up.’ Seconds ticked by. Maybe minutes. It felt like forever before Keefe whispered, ‘What about you?’ [ . . . ] ‘I also helped you escape,’ Keefe reminded her.” Another thing that is so irritating about Keefe is how he doesn’t care about anyone except Sophie and puts her on this pedestal. He doesn’t care about any of his friends as much as he does Sophie, and he only bothers opening up to her. He doesn’t try to form a bond with anyone else, and he neglects all his other friends for Sophie. In this example, when Sophie tells him how the others reacted, he simply changes the subject back to her, instead of saying something about the others. When Sophie tells him how she reacted, he acts interested again. 
“‘Even if it is, the things you’re doing are real. That cache could destroy everything. And you handed it over like it was no big deal—’ ‘Because it wasn’t! They can’t open it. They’ve had all their Technopaths working on it, and they can’t break through the security.’ ‘And when they finally figure it out?’ ‘I’ll steal it back long before that happens. I can handle this, Sophie.’” No, he can’t. He’s proven that he’s incapable of thinking even an inch into the future, with his response to the monocle pendant situation. There’s no feasible way Keefe could’ve known how incompetent the Neverseen’s Technopaths are at getting into the cache. He’d never even heard of a cache before Neverseen. So it could’ve backfired massively. And how is he going to steal it back? He has no plan. He doesn’t know what he’s doing.
“‘It’s not a test. They . . . sent me here.’ ‘Why would they do that?’ Keefe’s eyes returned to the ceiling. ‘Probably because I suggested it.’” So let me get this straight: Keefe told the Neverseen to send him to Foxfire where all his friends go to school, and he thinks they didn’t find that suspicious at all? I'm laughing. Honestly, that’s hilarious.
“‘Miss Foster understands Mr. Sencen in ways the rest of us simply cannot. [ . . . ] He opened up to her. Leaned on her. Trusted her.’” Yes, because she wouldn’t leave him alone. Which is not a level of effort she put into anyone else’s problems. Think about when Fitz was spiraling over his father in Exile. Or when Fitz got stabbed. She didn’t pay nearly as much attention as she did to Keefe in his times of crisis. Again, Shannon has a massive bias toward Keefe. He’s treated much better than the rest of the supporting cast. But somehow, despite that, he doesn’t get any development at all. And the reason Keefe opened up to Sophie and nobody else is because he only cares about her opinion, and nobody else’s. He pedestalizes her heavily.
[cut because character limit]
“‘Need I remind you that Keefe’s doing the same thing our daughter tried to do?’” Oh, boy. I hate when people use this argument. In short, while Jolie and Keefe had the same plan, their executions couldn’t have been more different. Jolie was reached out to by both sides and the Neverseen had no idea that she was involved with the Black Swan at all. The Neverseen are well aware of Keefe’s involvement with the Black Swan. So, where Jolie just had to get the Neverseen to trust her, Keefe has to convince them that he betrayed his friends, a much harder task. Jolie also had a feasible motive, to get her bad match status erased. Keefe doesn’t have anything even resembling a possible reason for why he’d want to join the Neverseen. So the Neverseen are going to be even more suspicious of him. Jolie trained. She told the Black Swan what she was doing. She planned. Eventually, she got the Black Swan’s approval and she had their help. Keefe, on the other hand, did not do a single modicum of actually valuable training. He didn’t tell anyone, and he didn’t talk his plan through with the group. Nobody thought it was a good idea, and nobody’s helping him. He’s completely on his own. Keefe also has to live with them, which Jolie never did. That’s more opportunities to slip up, and a small difference like that can add up. And I know I’ll sound like a broken record, but Keefe is just. So stupid. He doesn’t think about his actions and their consequences, just barrels right into them. Jolie has proven to be very clever, leaving a list of clues that she knew only a Black Swan member would be able to find. 
“‘Oh good—so the thing That Boy stole is putting all of us in more danger,’ Grady muttered.” For the record, I find Grady to be an incredibly immature guardian, with what and his calling Keefe “That Boy”. But that’s not what I’m here for right now. And he does make a good point right here. Keefe is putting them all in danger, and he doesn’t even know if what he’s doing will have any sort of payout.
“How does Fitz not pee his pants every time you do this—or wait, DOES HE?” This book easily gets it the worst when it comes to Keefe’s humor. The potty humor is at an all-time high, and Keefe is even more cringy and annoying than usual.
“Besides—if she was going to trust Keefe, she had to trust him.” Why??? He didn’t do a single thing to earn her trust. Why should she trust him??? This shouldn’t be about Sophie’s feelings, they’re in the middle of a war, and that’s what should matter. Keefe has compromised a very important piece of intelligence, so she shouldn’t be trusting him at all. “Oh, but he's her friend!” Yes, he’s her friend, but the war is always more important than foolishly placing your trust in the wrong hands because of . . . feelings.  
“[Keefe] Luck had nothing to do with it. I planned it perfectly. [Sophie] That’s exactly the kind of overconfidence that’s going to get you killed. [Keefe] Not necessarily.” He really thinks he didn’t get lucky and that the whole thing was because of his “perfect” planning. But no plan is perfect. That fact that Keefe doesn’t know that is proof as to why he shouldn’t be doing this. A good planner understands that every plan has inherent risks and never, ever gets cocky because something can always go wrong. Keefe’s just not willing to see the risks to his plans. And that makes him dangerous. And so, so stupid.
“Yep—it’s a date. Tell your boyfriends not to be jealous.” Have some more cringy Keefe-style flirtation. 
[cut because character limit]
“[Sophie] Keefoster? [Keefe] Sounds way cooler than Sophitz or Dophie, right? And don’t even get me started on Bangs Boy.” Keefe’s cringy ship name humor is back at it again. I’m pretty sure he uses ship names more than the entire fandom combined. God, Shannon needs to stop using him to pat herself on the back. Keefe once again displays jealousy toward not only Tam, but Fitz and Dex. He subtly tells Sophie that she should be with him, not any of them, which is so utterly out of line that I don’t even have the words to describe how much I want to punch him in the face for his possessiveness. It’s not his right to tell her that. Also, objectively speaking, Keefoster sounds atrocious. It also sounds like “Keefe Foster”, and I’m sure Shannon is patting herself on the back for seeming so subtle. Sokeefe is a much better ship name, but is never actually brought up in the series. If Shannon intends to continue with this atrocious in-story ship-name-dropping, she could at least use a good one.
“[Keefe] [  . . . ] it is kinda nice having someone look out for me. [Sophie] You don’t make it easy. [ . . . ] His floating thoughts made it clear how determined he was to protect her.” Yippee, another forced consolation scene! Sophie and Keefe basically tell each other that they’re out to protect each other. Sophie says Keefe doesn’t make it easy on her, which is true. He takes advantage of her trust, runs into dangerous situations without a care in the direction of how it’ll affect Sophie’s mental state. And Keefe doing this whole thing to protect Sophie . . . no. Just no. He’s already admitted he’s doing this because he’s only willing to do it his way. He wants to do this for a multitude of selfish reasons, one of which is Sophie’s opinion of him and his character, which is not the same as doing something “for Sophie”. He’s doing it for himself. He doesn’t care about Sophie’s opinion on what he should do, or he would’ve listened to her. And the part about how it’s “nice [to have] someone look[ing] out for [Keefe]” is just. I can’t even. Keefe is so whiny. Plenty of people care about and look out for him. The Black Swan, frustrating as they are, Alden and Della, his friends, even Grady and Edaline. But of course the only one he cares about is Sophie. Because he only cares about Sophie’s opinion of him and nobody else’s. 
“You can ignore it all you want, Foster, but sooner or later you’re going to have to solve the triangle. Or should we get real and call it a square?” Fantastic, some more horrible Keefe flirtation! Also my feelings on authors using the term “love square/triangle” in their books is pretty much the same as my feelings about authors using ship names in their books. It’s so pick-me, like Look! I acknowledged the love triangle in my own book! Aren’t I the greatest? Isn’t that so self-aware of me?
“There you go, rocking the whole adorable-when-you’re-angry thing. I think that’s what I’ve missed about you the most.” Keefe infantilizes Sophie by saying she’s cute when she’s angry. She is trying to express her feelings, and all Keefe can do is be all Awwwwww. Isn’t that so cute? She’s angry! How adorable. It’s a form of invalidating someone’s feelings, by treating them like they’re just entertainment or by brushing them off like that. It’s some of the most manipulative behavior out there. It also saves Keefe from having to actually take Sophie’s feelings into account. His infantilization of her also shows up in his incessant need to protect her. It’s icky and gross, and authors should stop encouraging this behavior.
“Yes, I will call you Lady Lectures-a-Lot every time you transmit to me.” Have another example of Keefe’s cringy-ass nickname humor. 
“[Sophie] And can you focus for one second? [Keefe] I suppose I can try. . . . ” Keefe continues to try to frustrate and annoy Sophie on purpose. You know, for his own entertainment. As good friends do.
[cut because character limit]
“‘We also found my favorite bramble jersey,’ Fitz added. ‘I knew he stole it.’” Because stealing your best friend’s personal possessions and never giving them back is a completely normal thing to do. 
"But she needed to see Wylie’s memories for herself and make sure Keefe wasn’t there.” Here’s an example of Keefe’s decisions impacting Sophie. Her mental health has been on a decline the entire time she was at Dex’s; all she thinks about is whether Keefe will be involved and whether he’ll be able to trick the Neverseen and how he’ll get out of this one. All she does is worry, worry, worry. And it’s all on Keefe. He didn’t take Sophie’s advice into account when he made his decision (which he would’ve done if he truly cared about her) and it’s affecting Sophie.
“‘I know you’re going to get mad at me for saying this. But before we keep trusting him, we need to find out what he knows—and I don’t just mean the little bits he tells you during your nightly flirt sessions.’ ‘That’s not what they are,’ Sophie snapped. ‘Maybe not for you. But I doubt the guy who calls himself the president of the Foster Fan Club is going to have a bunch of private convos with you and not use that chance to try to keep winning you over.’” Exactly. Thank you, Tam. Finally, someone in the story who gets it.
“‘Keefe—we’re serious,’ Sophie said. ‘Oh, I know. Fitz is giving me his “I’m so serious” scowl. And you’re hitting me with a whole mess of emotions.’” Can’t believe I have to put up with Keefe again after all this page time without him. And does he know that? Does he really? Because if he knew, he would be serious. But Keefe is incapable of acting serious, even when the time calls for it. All he can do is joke. 
“‘We need to make sure you weren’t involved.’ Keefe rolled his eyes. ‘Would I be here if I was?’” Yes??? He could do all kinds of things. And Fitz was perfectly valid when he said that they needed to make sure Keefe wasn’t involved. Keefe is currently working with the enemy. It’s as simple as that. It’s not unreasonable to want to know if he was involved with one of their plans. On the other hand, it is unreasonable for Keefe to ask them to put all their trust and faith in him when he’s working with their enemies. He needs to stop demanding everyone change to accommodate him, and accept the consequences of his actions. 
“‘I would never be in your position,’ Fitz argued. ‘Yeah, you’re better at taking the easy way.’” No, he’s better at taking the smart, unselfish way. He’s better at not throwing everyone’s faith and trust in him down the drain because he wants to be the hero. 
“‘They have a network that stretches way farther than you could ever imagine. I’ve only seen a tiny piece of it, and it’s seriously terrifying. I can’t fight it without making some hard calls!’” By Keefe’s own admission, the Neverseen’s organization skills, plans, and goals are “seriously terrifying”. And yet, he thinks he alone can defeat them by working from the inside out. He also uses the word “I”, like he thinks he’s the only one. A Freudian slip if I’ve ever seen one. No, Keefe, you are not the only one fighting the Neverseen. 
“Uh, hello—you have me. I know I got a few details wrong yesterday [ . . . ]” Keefe says he got “a few details wrong” as if those few details didn't result in someone getting tortured. He’s incredibly incompetent, but trying to hide it. He’s got it flipped, actually. He got the plan as a whole wrong, and only got a few details correct. He didn’t get any actually useful information, and still thinks they should rely on him despite the fact that he’s proven he has nothing useful to offer. Because he’s stupid and arrogantly wants to believe that his way is the best way.
“‘Dude, are you blushing?” Fitz asked. ‘Only because I can feel what Foster’s feeling,’ Keefe snapped back. Sophie rolled her eyes. ‘I’m not feeling anything.’” Nothing particularly wrong with this, just this exchange makes me cringe every time. But that’s subjective.
[cut because character limit]
“[Sophie] You get why we had to make sure, right? [Keefe] It’s still not awesome knowing you guys sat around talking about how you don’t trust me. [Sophie] You don’t make it easy.” They can’t trust him. This is bigger than Keefe’s pathetic boo-hoo-my-friends-don’t-trust-me. They would if they could. He ran off and joined the enemy and they’re in the middle of a war. They have to think with logic, not emotion, and logic always says that anyone working with the enemy can’t be trusted and must be treated as such. It’s not a personal attack on Keefe. But Keefe will always see it that way.
“I can’t worry about that, Foster. I can’t think about what-ifs or maybes. I can only take it one day at a time—one assignment at a time—and fight my way through.” Did- Did Keefe just admit he doesn’t plan ahead? And try to spin it so it looks like a good thing? This is the guy they’re supposed to be trusting??? This is the guy that thinks he’s smarter than the Neverseen, who, by his own admission, have networks that stretch farther than the mind can comprehend? Serious???
“And ten minutes ago you thought I was Wylie’s fourth kidnapper. Remind me to thank Bangs Boy for that the next time I see him. And the Fitzster.” Thank them for making a logical decision? During a war? Yes, you should. 
“[Keefe] Aw, come on, Foster. I’m the cute guy who chooses to save the kids, remember? How can you resist me? [Sophie] Who said anything about cute? [Keefe] It totally goes without saying. Don’t even try to deny it.” Keefe’s flirtation is back and cringier than ever!
“[Keefe] And in the meantime, maybe I need to lose this cloak and see what happens. . . . [Sophie] Bad idea—especially after you took such a risk to meet with us today. [Keefe] There you go again with your logic. It’s really cramping my style.” First of all, why does Sophie need to tell him that losing the cloak is such a bad idea when Keefe himself literally said a few pages ago that it was a bad idea? Is he really that drawn to ideas that seem stupid? Is he really so arrogant that he thinks he can get away with that a second time? And secondly, here’s another example of Shannon using the same joke again and again.
“Ugh. I guess you do need to see that memory, don’t you?” This isn’t the best quote (said by Keefe, for context) to represent what I’m about to say, but oh, well. I can’t copy this entire scene down because this goes on for a while, but Keefe literally stalls on his end of the bargain he makes with Sophie for quite a long time. He considered not even holding up his end, even though Sophie had already held up hers. He only relents when he realizes Sophie needs to see the memory. Which is not good. It shows that he can’t be trusted to hold up his side of a deal unless he decides he needs to. 
“Keefe turned away, watching the waves crash onto the beach. ‘I don’t want you feeling sorry for me.’ ‘I can’t help it. But it’s not pity. It’s . . . I don’t know what the word for it is. I’m too conflicted.’” So, remember that quote I wrote in blue? We’re circling back to it. I said that Keefe is constantly feeling sorry for himself and that the scene just drowns in his self-pity. Shannon then realizes that this isn’t really a good thing necessarily, and her solution is just to have Keefe say that he doesn’t want Sophie feeling sorry for him. This is a sentiment that continues through the story, where Keefe claims he hates people pitying him. But that’s just Shannon telling us that. What she shows us is a completely different story, and that reveals that Keefe does nothing but wallow in his own self-pity, usually during his forced consolation scenes. It doesn’t matter that Keefe apparently doesn’t want anyone to pity him, because Shannon spends so much time trying to convince you to pity him that the whole thing falls flat. There are several more instances of this, but for now I’ll just write this in blue as well, because these two quotes are connected in one larger point I’m trying to make. 
[cut because character limit]
“[Keefe] Wow. That’s just . . . He burst into a fit of snorty giggles. [Sophie] I’m glad you find this so amusing. [Keefe] You don’t? Don’t tell me you actually believe him.” This isn’t about whether or not something sounds strange or funny or ridiculous. It’s about whether or not it’s plausible. At this point in time, it was very plausible that Keefe was created as a counter to Project Moonlark, even though he’s older than Sophie. So they were treating it like a real possibility. But Keefe laughs at it, because it sounds stupid to him. He doesn’t even consider it. Just immediately discards the possibility. Which isn’t a good thing. It’s a very close-minded attitude to have. Which is not good in the middle of a war.
“‘They know I’m here,’ Keefe told her. ‘There’s an ogre enzyme that stinks like the entire world is rotting, and I may have accidentally knocked a vial of it into the laundry basin while I was washing Fintan’s favorite cloaks. It can only be removed with selkie skin, so they sent me to get what I need to clean up my mess.’” I’m laughing so hard. Collecting selkie skin probably isn’t going to take more than a few minutes, and they’ve been talking a long time, so the Neverseen are definitely going to be suspicious of him. Honestly, this plan is even dumber than I remember.
“‘And I used those five seconds to drop off the bead before I headed here. It was perfect.’” Every time Keefe describes a stupid part of his plan and then refers to his plan as “perfect”, I take psychic damage. Smart people know that no plan is ever perfect. So the fact that Keefe thinks his plan is shows why he isn’t ready to be a double agent.
“‘Woo-hoo for bonus Keefoster time! Try not to get jealous, Fitzy. She still likes you better than me—but someday I will wear her down. I’m sneaky like that.’” Was- Was that a real line??? That Shannon actually wrote??? And then didn’t immediately erase? Keefe is such a jerk. This line proves he just sees Sophie as the rope in the tug-of-war he’s playing with Fitz. He doesn’t care about her. He just wants to “wear her down”, as if a real person with real emotions is something he can just mess around with until he gets what he wants.
“You’re so cute when you worry, he told her.” More classic Keefe infantilization. He once again invalidates Sophie’s feelings by dumbing them down and acting like they’re this cute, quirky, inconsequential thing.
“Fine. Forgive me for trying to have a little fun after yesterday’s drama.” Did you know. That it’s possible. To have fun. Without infantilizing others? More of Keefe’s jokes being mean/rude/generally atrocious behavior.
“[Keefe] She puts Bangs Boy to shame—and she doesn’t have stupid hair. [Sophie] I thought she always hid under her cloak. [Keefe] She does. But as the crowned king of good-hair land, I can tell when I’m talking to one of my rightful subjects.” Keefe’s jokes about his hair are so painfully unfunny and come off as cocky when Shannon oversteps. Which she does. A lot. We get it, he styles his hair to look a certain way because he’s such a wannabe bad boy. Now can we talk about anything else?
“But after everyone went to sleep, I tore open the seam in my cloak and found another black disk right where you said it would be.” He . . . tore the disk out of the cloak. When they have no idea what it does. And they know the Neverseen put it there for a reason. And he’s trying to be careful. He just tore it out??? How’s he going to put it back in and make everything seem normal again??? Is he really that dumb?
“Actually, I’m pretty sure this is good enough news that you’re going to want to kiss me—and I’m happy to accept an IOU, by the way.” Ah, Keefe, your humor never fails to make me cringe.
“[Keefe] ‘Ode to Keefe Sencen—that brave, lovable nut. He may not have teal eyes, but he has a really cute—’ [Sophie] KEEFE!” Keefe’s favorite pastime of annoying Sophie rears its ugly head once more. Also, will he stop comparing himself to Fitz for two seconds?
[cut because character limit]
“[Keefe] And brace yourself because I’m about to blow your mind. Are you ready for it? [Sophie] I’ve been ready for the last five minutes. [Keefe] You think you’re ready. But there’s no way you possibly can be. [Sophie] JUST TELL ME.” More of Keefe annoying Sophie just for the heck of it. I honestly don’t understand why she’d constantly want to be around someone who’s so annoying, it makes no sense.
“Just like I haven’t gotten any more info about the ogres’ test, or King Dimitar’s meeting with Fintan, or Fintan’s cache, or any of the things I can’t get anyone to talk about [ . . . ]” I don’t understand how Keefe is so stupid that he can see all this evidence right in front of him, even admit it to Sophie, and still think his plan to join the Neverseen was a good one. I- He’s just so stupid. He just ignores every. Single. Red. Flag. Just because he thinks he’s smarter than everyone else. You cannot trust someone this tone-deaf. You just can’t. I don’t know why the narrative keeps pushing the idea that Keefe just needs Sophie’s trust and he’ll be fine. Can’t he understand that Sophie just cannot trust him? That it’s just not possible?
“[Keefe] I did warn you. I just didn’t know the specifics. [Sophie] I know. But that’s the thing neither of us have wanted to admit. If you can’t give the specifics, everything you’re doing is worthless.” How stupid do you have to be to have to have that spelled out for you? You need to give specific warnings or they’re worthless. But Keefe needs to believe what he’s doing is worth something. How else will he keep his head inflated?
“He thought she didn’t have a plan, and that everything she’d said was just an angry rant.” Wow. Just wow. Keefe doesn’t trust Sophie, nor does he listen to Sophie. He only listens to himself. Sophie just admitted that to herself. By not listening to her and taking her advice to heart, he invalidates her feelings and her plans for his own. Now, why is Sophie’s plan better than Keefe’s, logically speaking? Because Sophie has a specific idea of what she’s going to do now. Keefe doesn’t. And he doesn’t listen to her or take anything she says into consideration. If he genuinely believes he’s doing this “for Sophie”, he’s seriously delusional. 
“Is this going to be another one of those nights where you spend the whole time yelling at me to come home? Keefe asked, making her sit up straighter as his thoughts filled her head. Because as much as I love it when you get all feisty on me, now’s really not a good time.” God, Keefe is so subtly invalidating. He treats Sophie like she’s just his personal worry machine, not a person with valid concerns and ideas. The flippant way he talks about her worry for him makes me so mad. He takes her worry for granted and throws it back in her face, without a care for how it would affect her mental health. He brushes her off and invalidates her because he thinks he’s so much smarter than everyone else. Not to mention he calls her worry “feisty” and further infantilizes her feelings and ideas. 
“‘Dude, save your daddy issues for another time,’ Tam ordered. ‘Fintan doesn’t care about you. He doesn’t trust you. And if you go back to him, he’ll destroy you.’ Keefe’s eye roll was epic. ‘Don’t you need to go fix your bangs or something?’” In case you need more proof that Keefe is the stupidest, most pathetic idiot ever. First of all, Tam brings up a valid point. And Keefe’s response is to make a personal attack. You know, because he’s stupid and has nothing actually good to say in response. He’s completely pathetic, with his stupid rivalry with Tam clouding all his judgment. He treats Tam’s suggestion like it’s stupid because . . . Tam is the one who said it. He can’t even dignify Tam with a proper counterargument. He is so stupid, I can’t stand it. He doesn’t know when to stop joking around or when to stop taking shots at people. He’s straight-up mean, and this isn’t even a time to be joking. This is a serious situation, and all Keefe can think about is this pathetic animosity he has toward Tam. 
[cut because character limit]
“‘Please don’t do this,’ she begged. ‘If you leave here with that crystal, you’ll trap us—and you’ll compromise Alluveterre.’ ‘The Black Swan can sacrifice one hideout for what this will get me,’ Keefe said. ‘And you can teleport. There has to be a cliff around here you can jump off to get the momentum.’” Yes, what this will get you. What that’ll get you is . . . something that you turned over to the Neverseen yourself (Kenric’s cache). This whole mess is Keefe’s fault. If he had just been less stupid, he wouldn’t have to sacrifice the Black Swan’s hideout to get the caches. Yes, Fintan’s cache would be a gain, but it’s not strictly necessary or needed. Nobody asked him to get it, he just arbitrarily decided that it’s what they need. You know, because he thinks they need it. He doesn’t understand risk or reward, and he doesn’t understand that some things aren’t worth sacrificing. Other people will have different opinions on whether or not something’s worth something else, but Keefe doesn’t do teamwork. He hijacks plans, then ruins them. He works off of what he, an inexperienced, scared, reckless teenager, thinks is best. Then he executes his atrocious plans without a drop of consideration from anyone else. 
“[ . . . ] but I’m even better at fixing things.’” No, no you’re not, Keefe. When has he ever fixed a single thing, up until this point in the story? Never. He’s only ever tried to do things that would get him killed but then is always stopped by Sophie. No, not stopped. Stalled. Even Sophie can’t reel him in. He’s only ever made Sophie go out of her mind with worry over him. He has no credibility to say that he’s ever “fixed” something. It’s simply untrue. The truth is: Keefe messes things up way more than he fixes them. 
“‘[ . . . ] know that I will end this.’” Keefe still thinks he’s everyone’s savior, he still thinks he’s the hero they all need, instead of the idiot all their carefully arranged plans are ruined by. I have never seen such a stupid, idiotic, arrogant, blind character. But maybe I just need to read more.
“You realize I’m not actually pooping, right? I mean, I know we’ve shared a lot of things, but I don’t think poop should be one of them—unless it’s sparkly and from an alicorn. Or blasting like a geyser out of a gulon.” Keefe knows Sophie is mad at him, and knows he should be grateful she’s even reaching out to him, and yet all he does is make the stupidest, unfunniest jokes to annoy her. It’s like he’s trying to sabotage his relationship with her. Also, Shannon’s use of potty humor never fails to feel incredibly out of place and so, so juvenile. 
“It doesn’t matter what I think. It’s not like you listen to me. The thought had a snap to it, and Sophie could see Keefe’s mind sting. But she wasn’t going to apologize.” Good. She shouldn’t. He deserves to feel that “sting”. All he’s done is ruin things, worry Sophie, and think he’s the greatest ever. He deserves to be put in his place. This isn’t even half of what he deserves. 
““I’ll be outside Lumenaria as soon as I bust out of here. I don’t care if there are patrols, I’ll find a way to evade them. I want to be close—that way if you need me, I can help.” Keefe, you realize you can’t just bypass security, right??? Like, they’re experts, and you’re a stupid teenager. You can’t just hide from them forever. Also, wow. The sheer arrogance Keefe needs to have to assume that Sophie’s going to need him, and him in particular. He still sees himself as Sophie’s savior.
[cut because character limit]
“[Sophie] I wish he wasn’t coming here, she told Mr. Forkle. It’s way too risky, and he’s only doing it because he feels like he needs to make everything up to me. [Mr. Forkle] He does need to make it up to you. Haven’t you realized that yet? That’s why you and Mr. Sencen work so well together. You both push each other to believe in yourselves. Don’t go easy on him now because you’re afraid he’s too fragile. The more you let him prove himself, the more he’ll realize he’s still worthy.” He does need to make everything up to Sophie, but Mr. Forkle is just. So wrong. If someone consistently ruins everything, they shouldn’t be given several more chances to prove that they’re “still worthy”, especially not without some additional reflection on their actions and especially not in a high-stakes war. They’ll just mess everything up again??? That should be common sense to a leader of a rebel group. Keefe needs to learn his lesson, and the only way to have that happen is to punish him for his actions. He needs to face consequences, and in a way that makes sure he doesn’t screw anything up again. And that’s by forcing him to stand on the sidelines. He cannot be allowed onto the “battlefield”, so to speak, when he actively puts everyone in danger by being there. He needs to understand everything that happened was his fault, and he needs to do something to stop himself from screwing it all up again.
“Keefe’s smile was somehow both breathtaking and heartbreaking, but it faded as he stroked her cheek [ . . . ]” Why is he randomly stroking her cheek when she just got up??? It’s so weird. Nobody does that. It’s weird and he needs to stop. And no, “they’re good friends” is not a good excuse. It’s incredibly strange to start touching someone’s face out of the blue. I can practically see Shannon patting herself on the back and thinking it makes their bond so much stronger. Really, it makes it so much creepier.
“‘All those months with them, thinking I was playing everything perfectly. I bet they were onto me the whole time. Just like my mom said. And they were planning this.’ He punched the sand, sending it spraying around them. Sophie held him tighter. ‘This is not your fault, Keefe. None of us realized what they were up to.’” Ah, another forced consolation scene, my dearly detested! And, look, Shannon even squeezed a “It’s not your fault” in there. While Lumenaria coming down is obviously not Keefe’s fault, it definitely speaks to his ego that he thought he was smarter than the Neverseen. Yes, he’s realizing now that he was wrong, but it doesn’t change the fact that he should still have to face the consequences. He joined the enemy without anybody’s approval. He can’t work with a team without hijacking everything himself and overturning everyone else’s ideas. He should still have to face the consequences of what he did. “I know now that I was wrong” doesn’t change anything. It doesn’t show any real consequence. It shows a tiny bit of growth, but nothing solid or meaningful. It’s a throwaway line that you could honestly miss if you weren’t paying close attention.
“‘It’s still huge,’ Sophie promised. ‘I know it doesn’t feel like it—but the secrets in those caches have to be important. That’s a victory!’ ‘A pretty weak one,’ he grumbled, trying to look away. She reached up and turned his chin back, waiting for him to meet her eyes. ‘You have to let this go. Don’t let this ruin what we have here.’” No, he’s right, Sophie. For once in his life. Sophie tries to comfort Keefe, and this entire scene feels so weak, like Shannon is desperately reaching for drama to fuel her beloved forced consolation scenes. In reality, it’s very simple. The caches have nothing on real-life implications. So, yes, the caches are a victory, but it’s a very, very weak one, and not at all worth the things Keefe did to get them. Also, Sophie grabbing Keefe’s chin like that is very, very weird behavior. Nobody does that with their friends, just grabbing their chins to force them to look at them.
Nightfall
“He’d also been working every day to make up for his mistakes.” Thank you for telling us that instead of showing it, Shannon. If he really felt sorry, he’d understand that he needs to change and stop being so reckless before he can safely be a part of plans and schemes again. If he doesn’t realize that, he’ll never stop putting people in danger.
“So, when Fintan asked for my blood, I told him he needed to prove that I could trust him by answering one question. And once he did, I had to hold up my end of the deal.” In case you’re wondering, the number of things Keefe screwed up during his time with the Neverseen is now: compromising Alluveterre, giving up his blood, freeing Alvar (although we know that probably wouldn’t have mattered, since they got away, but Keefe didn’t know that at the time, so I mean), and being wrong several times about the Neverseen going after Grady and Edaline. 
“But Fintan interrogated me when I got back, and I had to use the crystal to convince him not to burn off my arm.” This is the guy Keefe thought trusted him, by the way. Come on, he can’t be this stupid. 
“[Sophie] Do you really think Fintan would help you steal the caches if they’re actually important? [Keefe] Yeah, Foster. I do. Because he had no idea that he gave me the other piece of the code phrase weeks earlier, after he had too much fizzleberry wine.” Wait, the leader of the Neverseen got drunk in front of a teenager he doesn’t trust, and Keefe didn’t find that suspicious??? At all??? Really??? I can’t believe Keefe is that dumb . . . actually wait. This is Keefe. Never mind, I believe it entirely. 
“Trading my blood was a bad call. But I SWEAR the caches are still a score.” Keefe’s cockiness has come back in full force, y’all. Remember that forced consolation scene at the end of Lodestar where Keefe lamented about how the caches were a weak victory? Well, why bother with consistency? He thinks they’re a “score” now! This is what I mean when I say the forced consolation scenes are so dumb and only there for Shannon to milk some worthless comfort between Sophie and Keefe. She has to force it, which means half the time it makes no sense, so she either has to pretend it didn’t exist and reset for the next one, or contradict herself like she did here. Either way, it will just lead to another forced consolation scene, and eventually there’s only so many times you can take Sophie and Keefe having the same conversation over and over again.
“I’ll fix this, okay? Keefe promised. I’m going to fix everything. You mean ‘we,’ Sophie corrected. WE are going to fix this.” Speak of the devil. Here comes a forced consolation scene. Also the fact that Keefe still believes he’s going to fix everything by himself shows he learned absolutely nothing from his mistakes. It’s Keefe, so why am I surprised that he’s gotten zero character development?
“Does that mean you don’t hate me? Keefe asked. His mental tone sounded softer—almost timid. [Sophie] I told you, I’m never going to hate you, Keefe. [Keefe] But I keep giving you new reasons to change your mind. [Sophie] Yeah, you really need to stop that. She offered him half a smile, and he gave her the same when she added, But we’re in this together.” Wow, Shannon didn’t even take that long to dive into a whole mess of a forced consolation scene, complete with a trademark “Don’t hate me, please”. Again, it makes no sense why Keefe thinks Sophie would hate him. She’s talking to him, isn’t she? And she never stopped. She isn’t mad at him and she doesn’t hate him, and that’s plainly obvious to anyone with a brain. But how else is Shannon going to milk the drama for all it’s worth, if not by repeating the same conversation over and over and making her characters look dumb in the process?
[cut because character limit]
“Sophie fussed with her jeweled sleeves—which matched the emeralds lining the knee-high boots she’d slipped over her lacy gray leggings. Biana had frustratingly pointed out that elaborate clothes would do a better job of disguising her gloves, so Sophie was trying to force herself to get used to wearing glitter and frills. Keefe’s lips tilted into his famous smirk as he crossed the room to stand closer. ‘I meant that as a compliment, Foster. Sparkles look good on you. So does the new hairdo.’” I know this is a (very annoying, very harmful) trope in fiction, but the fact that Sophie is visibly uncomfortable wearing fancy clothes, and Keefe's only response is to be like “Well, it looks good!” is so objectifying and degrading. It shows that he doesn’t particularly care about her feelings or comfort, only the way she looks to him. I get that it’s a trope, but most things about Keefe that I’m criticizing are tropes, so. 
“He reached up, his fingers skating gently along the edge of the intricate braid weaving through the front part of her hair.” Possibly Keefe’s most creepy trait is the way he just . . . randomly touches Sophie. Like completely out of the blue. He’ll just touch her face or hair, which is so strange. Like that isn’t normal, and you shouldn’t be touching someone there without explicit permission. Especially not in such a . . . implicative way.
“‘If you’re trying to impress me, it’s working,’ he told her, and she felt her cheeks warm—until he added, ‘But, you always impress me, so maybe you were thinking of someone else?’” What makes him think she’s dressing up for him specifically, or even for someone else? That’s such an arrogant assumption to make. As if everything Sophie does out of the ordinary must immediately be for him or some other guy. Also, if Sophie and Keefe are so close, why doesn't he know about her plan to dress up to hide her gloves?
“Somehow he’d moved closer, and Sophie’s throat went dry as he reached up and touched her braid again.” Keefe sure invades Sophie’s personal space a lot in this scene. That’s not romantic, by the way. It’s creepy and possessive.
“‘[ . . . ] and while I’m sure you and the Fitzster won’t mind the excuse to stare into each other’s eyes—’ ‘It’s called Cognate training,’ Sophie corrected. ‘And that’s not what we do.’ ‘Keep telling yourself that.’ Sophie ignored him.” Again, Shannon making the same joke over and over again isn’t going to make it funnier. Also, Keefe is once again annoying Sophie because he thinks it’s funny and cool. Sophie having to ignore him shows that she doesn’t want to talk about it.
“‘And yeah, she’s fooled me in the past. But I’ve had a lot of time to think about things, and I’m pretty sure I’ve figured her out.’” You’d think that Keefe would learn not to underestimate a Neverseen member from his double agent catastrophe (and he did, canonically), but of course, Shannon now needs to undo all his (small bit of) character development so he can make the same mistakes over and over. He is so stupid. And arrogant. And so many other things. If he thinks he can outsmart his mom, who’s been playing the long game this entire time, without a care or thought in even the vaguest direction of a plan, then I don’t even know what to say. And his use of the words “I” and “me” prove that he still thinks he can do this all himself. With no input from anyone else. So tell me, where exactly is his development from his failed double agent disaster?
“‘Pretty sure?’ Sophie repeated. ‘You want to risk everything on pretty sure?’ ‘The only thing I’m risking is me.’ ‘Which is way more than I’m willing to lose.’” Again, Keefe doesn’t care about anyone’s feelings about a plan except his. He only wants to barrel his way through life and he’ll do what he believes is the best thing for everyone, regardless of whether or not everyone else agrees. His constant need to risk himself is tiring and repetitive. When is he going to change and grow? It’s also incredibly selfish. He knows how that will affect his friends and loved ones, especially Sophie. And yet, he still wants to do it anyway. 
[cut because character limit]
“‘Keefe snorted. “I’m betting Bangs Boy won’t.’ ‘Well, maybe he would if you’d stop calling him Bangs Boy.’ ‘Yeah, but that’s never going to happen.’” Shannon once again makes a pathetic attempt to create this narrative that Keefe and Tam have this mutual dislike of each other and it’s funny because they’re similar and this and that and the other. Again, no, the “rivalry” started when Keefe got jealous of Tam because he saw Tam as competition over Sophie. And Tam doesn’t even hate Keefe. He just finds him an excruciating nuisance. Which he is.
“‘Sorry, Gigantor,’ he said through gritted teeth as he scrambled to the other side of the room. ‘Foolish is my specialty.’” Keefe displays a resistance to valuable character development and change, almost as if Shannon heard complaints about Keefe’s lack of development and doubled down on it, but none is as bad as this book gets it. Keefe adamantly states that “Foolish is [his] specialty”, as if that justifies his actions, and talks about being stupid as if it’s just a quirky little personality trait, not a flaw he needs to work on and fix. It’s not a flex. It’s something that he needs to fix, and as soon as possible, too. He can’t just keep being stupid and, when confronted, say “Well, that’s just how I am, so you’ll have to deal with it”. That is so selfish, I can’t even process it. He displays such a resistance to change, such an arrogant attitude toward himself where he thinks he’s fine the way he is, that even though he actively puts people in danger, he doesn’t see a need to work on himself.
“‘I’m all good now, Foster. Unless you want to try kissing it to make it better.’” Have some more hideously horrific Keefe-style flirtation.
“‘Unleash the lecture! Here, I’ll even start it for you.’ His voice shifted up to an uncanny impersonation of hers. ‘How dare you ambush me, Keefe? I don’t care if you’re the most gorgeous guy I’ve ever seen—WAY better looking than other guys with their dimples or weirdly teal eyes. You had no right to show up and surprise me like that!’” Keefe just can’t stop bashing Fitz or Dex, can he? He’s so possessive that he actively brings down his supposed friends in his quest to gain Sophie’s attention and approval. Tell me, if he’s really meant to end up with Sophie, why does he act so insecure about her friendships with other guys? And the fact that he’s treating a very serious issue like a joke shows, once again, that he cannot be serious. He can’t think about other people for even a millisecond if it means going against his own wishes. And when it’s all over, all he wants to do is joke about it and hope that calms the other person down so he won’t have to face the consequences of his actions. It’s really quite manipulative, if you think about it. Means that he can distract the other person from the fact that he disregarded them and brush it all under the rug. 
“‘Don’t I at least get points for not hailing her by myself, making the deal alone, and running off to Ravagog without you?’” No, because he still forced his own plan onto Sophie and didn’t care about her opinion at all, despite the fact that apparently they’re a team. Remember, Sophie did not have a say in any of this. 
“‘I didn’t want you hesitating because of me, so I thought I’d make the hard decision for you—but everything after that was up to you.’” There is no good justification for taking someone’s choice away from them, and the fact that “everything after that” was “up to” Sophie is irrelevant, because she’d already been forced into a course of action she didn’t believe was correct.
[cut because character limit]
“‘Or maybe you’d rather I put my incredible Empath talents to work and help you solve the complicated square you’re always telling yourself is a triangle?’” More cringy humor that’s Shannon's horrible attempt to be self-aware in her own story, featuring the literal use of the word square and triangle with regards to Sophie’s love life.
“‘Come on, Foster, admit it—that was pretty clever.’” There is nobody on the face of this planet that brags as much as Keefe does when he pulls one tiny, slightly smart thing.
“‘Did the Mysterious Miss F. just agree that I’m a genius? Because that’s what I heard! And it’s filled my heart with all the warmest, softest fuzzies.’” This quote is only a couple pages after the one before and oh, boy. Keefe really can’t stop patting himself on the back for a single good idea. I wonder where that comes from . . . maybe that arrogance I was talking about . . . 
“‘But whatever it takes, it’s going to happen. Do you know why?’ When she didn’t answer, he took both of her hands, and she couldn’t ignore the rush of warmth that tingled through her when she met his eyes. There was no teasing glint to be found. Just pure determination when he told her, ‘Because Team Foster-Keefe is going to win.’” Shannon’s ability to cram forced consolation scenes into just a few lines is truly astounding. First of all, this is incredibly cringy. I’m sorry, but it’s true. Keefe’s dialogue has never been so horrifically embarrassing to read. Also, the way he just randomly grabs her hands and stares into her eyes is so weird and so forced. Isn’t that what he’s always making fun of Sophie and Fitz for? At least they have a good reason. So that also makes him a hypocrite. 
“‘Just the usual,’ Keefe told him. ‘Foster’s going on and on and on about how she can’t live without me. It’s really quite exhausting.’” Keefe’s flirting is at its worst in this book. It’s genuinely so bad, I can’t understand how it can be mistaken for charming or funny. 
“‘His idea of excitement is when he changes the way he parts his hair.’” More examples of Keefe tearing people down using his jokes, even if it’s subtle.
“‘Maybe not run off and join the enemy?’ Fitz suggested. The words were like a record scratch, screeching everyone into awkward silence. This was the first time they’d all been together since Keefe’s betrayal. Keefe cleared his throat. ‘Yeah . . . so . . . about that.’” Keefe only apologizes because Fitz brings it up. He never would’ve done it without that. He doesn’t bring it up himself, so it doesn’t really mean much. Yes, Sophie tries to tell him he doesn’t have to apologize and he still does it, but he wouldn’t have without Fitz bringing up how he ran away. 
“‘I’m sorry. I know you think I’m an idiot for running off. And . . . I guess I am. I thought the fact that my mom had built something she called my “legacy” meant that I was valuable enough to the Neverseen that they’d bring me in on all their plans and I could find a way to stop them. But it turns out I’m worthless.’” He’s not worthless, he’s stupid. And the wording of this is very intentional on Shannon’s part. It’s intentionally worded to attract pity and sympathy. It’s poor Keefe again, being called worthless again, oh, we should all go and feel sorry for him now. He is such a pity magnet. And he didn’t even apologize for the right thing. He apologizes for being stupid, sure, but he never apologizes for disregarding everyone’s feelings and ideas and forcing his own plan into action without consulting others. He never apologizes for not considering others’ feelings. It’s all just me, me, me with him. 
[cut because character limit]
“‘No, you’re not.’ Surprisingly, the words came from Tam. ‘Having a family like yours messes with your head,’ he added, tugging his bangs over his eyes. ‘I know how that goes. You still made a bad call—or lots of bad calls, actually. But . . . if you don’t do it again, we’re cool.’” Oh, and it works! The next line is Tam telling him that it’s not his fault, because his family’s bad! That doesn’t change the fact that Keefe made a decision to not tell anyone what he was planning, deciding to compromise several key pieces of intel so he could get back something he gave away, and generally be very arrogant. He didn’t consult or talk with anybody about it. Yes, Tam acknowledges that Keefe made “bad calls”, but where’s the mention of Keefe’s utter disregard for ideas that aren’t his?
“‘The only reason I’m including Keefe is because his mom seems to want him involved. Why else would she insist we contact her with his blood?’ ‘Plus, y’know, Foster can’t live without me,’ Keefe added. ‘Don’t make me smack you,’ Sophie warned. Keefe smirked. ‘I’d like to see you try.’” First of all, Sophie’s reasoning is chock full of logical fallacies. Yes, Keefe’s mother wants him to be involved, but why does that mean he, in particular, needs to go to Ravagog? They have no information at this point that says that he needs to be the one to go. And why should they listen to Keefe’s mom anyway? They don’t trust her. Also, Keefe annoys Sophie on purpose once again, and his annoying flirting gets even worse. Also, Shannon insists on making the same joke over and over, but this time, the last time he made that joke was less than a chapter ago, so it’s even more annoying. 
“‘Should we take bets on how many stairs Foster makes it up before she trips?’ Keefe asked. ‘I say she’ll lose it on the sixth step.’” Who. Wrote this??? It’s genuinely so bad. I swear, almost everything Keefe says in this book is top tier cringe.
“He snickered. ‘At least this proves I know you better than the Fitzster.’ ‘No, it’s that I have more faith in her,” Fitz corrected. “That’s what being Cognates means.’ ‘And yet, I seem to remember Foster hiding some sort of important secret from you during your trust exercises. Did something change while I was gone, or . . . ?’” Keefe is so weirdly possessive of Sophie. He acts like every single thing is this ridiculous tug-of-war over her with Fitz. He never passes up an opportunity to take shots at Fitz, his supposed best friend. Also, guessing when someone will trip is pure chance. That doesn’t show any sort of bond at all. I’m going to interpret that as a joke, because there’s no way even Keefe is stupid enough to believe that. He prods at Sophie and Fitz’s weak spots (the secret), like he’s hoping it will unravel. All he cares about is putting down Sophie and Fitz’s cognate relationship and bolstering his own relationship with Sophie. It’s such a disgusting yet subtle thing to do. Honestly, if Shannon had handled Keefe better, he could’ve been a character that could be used to teach kids about subtly manipulative and toxic relationships.
“‘Ugh, anyone else ready to vomit from the Fitzphie?’ Keefe asked. ‘I am,’ Dex said, as Linh asked, ‘Did Fitzphie become an actual thing?’ ‘I don’t even know what “Fitzphie” is supposed to mean,’ Tiergan noted. ‘Want me to explain it?’ Tam offered.” Seriously. Who wrote this. Shannon. What. What is this. The excessive use of in-story ship names is atrocious, but Shannon decides to double down on it. Leaving that aside, Keefe expresses a desire to “vomit from the Fitzphie”. Tell me that’s not possessiveness. Keefe is such an atrocious, toxic friend, and Shannon really cranks it up to eleven in this book. All he does is whine about how close Fitz and Sophie are, tear their cognate relationship down, claim his relationship to Sophie is better, and generally act very possessive of Sophie.
[cut because character limit]
“‘Ugh, score one for Fitzphie,’ Keefe mumbled.” Here, we see Keefe literally track points as if Sophie is a game he needs to win against Fitz (his “best friend”). All Keefe does is act jealous of Fitz and Sophie because he selfishly wants to be with Sophie. His constant whining is so annoying and again, Shannon use of ship names in-book is the most cringy, appalling move I’ve seen her make.
“‘I know! Our little girl is growing up and getting so snarky!’ Keefe pretended to wipe his teary eyes. ‘I’ve never been so proud.’” “Our little girl” . . . that totally isn’t creepy or infantilizing at all. The way Keefe talks about Sophie here is genuinely so gross, even if it is a joke. 
“‘We still do,’ Sophie argued. ‘We just have a lot going on.’ ‘And yet I sure seem to see a lot of Keefe these days. . . .’” He’s not wrong, Sophie. You kinda, sorta neglect everyone that’s not Keefe. It’s annoying how much attention he gets when he’s not even the main character.
“Keefe spotted the crush cuffs about ten seconds after he got to Havenfield the next morning—despite the long-sleeved tunic Sophie had worn to keep them covered. And he dragged out the rest of the story with a relentless bombardment of questions.” Can Keefe keep his nose out of Sophie’s personal business for even a minute??? The “dragged” here is very telling: Sophie would not have chosen to tell Keefe all this of her own free will. He bombards her with questions, and so she tells him, not because she wants to, but because she knows that he won’t shut up until he has the full story. This is Sophie’s secret. Sophie’s business (and Dex’s). Keefe has no right to ask about the cuffs at all. The fact that he “retelentless[ly]” asked her questions until she was forced to tell him the entire story is not a good thing. It does not demonstrate trust, but quite the opposite: a breach of personal boundaries. Keefe is so toxic, I honestly find it impressive how Shannon has twisted him into a seemingly perfect-angel love interest.  
“‘In his head, he wanted the Dexphie ship to set sail so badly that he kept fighting for it, even when he got some pretty clear signals that he was bound for a crash.’” I’m sure you can guess my feelings about the use of the word “ship” in-story with regards to romantic ships. Shannon really needs to stop making Keefe act like he’s outside of the story observing it like the audience is. It’s just. Too cringe. 
“Keefe smirked. ‘So that’s what kept you up tossing and turning? Wondering if I’ve registered for the match?’ ‘Ugh, that’s so not what I was saying.’ ‘Suuuuuuurrrrre it wasn’t.’” Keefe once again annoys Sophie just because he thinks it’s funny. Also, thank everything that’s holy for e-books. I would not have looked forward to typing that whole word out by hand. 
“‘Everything?’ Keefe asked. ‘Even . . . ’ He made an obnoxiously loud kissing sound. Sophie shoved him away.” Keefe’s horrific flirting is even cringier than normal in this scene. Nobody talks like this. And his favorite pastime of annoying Sophie comes around again.
“But then he leaned back and added, ‘I have way too much fun annoying you.’ Sophie sighed. ‘That does seem to be one of your talents.’ ‘And you adore me for it. In fact, maybe we should find out if we’re meant to be.’ He puckered his lips and Sophie shoved him a little harder that time.” Keefe blatantly admits that he loves to annoy Sophie. Annoying someone is not the basis for a good relationship. What are Keefe and Sophie even going to talk about once the Neverseen are defeated? It’ll just be Keefe annoying Sophie and Sophie acting annoyed, and Shannon pretending that’s romantic. And the part where Keefe says Sophie “adore[s] [him]” for annoying her??? What??? There are several points in the story where it’s clear that this isn’t true (and I’ve pointed out all of them, hopefully). Nobody likes being annoyed. Especially not on the regular and especially not when that’s Keefe’s only real personality trait. Put this all together with some of Keefe’s heinous flirting, and you get the recipe for a perfectly cringy scene. 
[cut because character limit]
“‘Do you realize that thanks to you, sweet, innocent little Dex has now kissed someone before I have? And you too?’” It’s not a competition, Keefe. Geez. Also, wow he really thinks that because he’s a “cool prankster rebellious bad boy”, he should be the first one to get a kiss??? That’s what the “sweet, innocent little Dex” comment is telling me. Does Keefe really, actually think in stereotypes???
“‘I realize it’s hard to believe, considering . . . ’ He waved his arm in front of himself, like his looks said it all. ‘Don’t get me wrong—I’ve had plenty of offers, but . . . ’” Kill me now. This is a fantastically cringy line, complete with Keefe’s cringy tendency to draw attention to his looks. We get it. You look good. It doesn’t need to be your entire personality. 
“‘How about I steal the Fitzster’s match packet for you?’ Keefe suggested.” I hope that wasn’t a serious suggestion. Genuinely. But Keefe is such a shitty friend, I think he would’ve done it if Sophie had wanted him to. He’s willing to steal a very personal document and give it to someone Fitz doesn’t want to see it. You know. Just because.
“‘Am I supposed to see this as bravery?’ Dimitar asked him. ‘The arrogant young elf lord who dares to taunt me?’ ‘Psh, like the Council would ever make me a lord,” Keefe snorted. “Though, Lord Keefe does have a nice ring to it.’” Who responds like that to that sort of question??? Keefe was accused of arrogance by a king that has something he desperately needs and his response is literally just make jokes. More evidence that he can’t be serious even when the time calls for it.
“‘That’s not what we agreed on!’ Sophie snapped. ‘Maybe not. But I’m not going to let you face any consequences for this.’ Keefe slipped his mom’s scroll from his pocket and Sophie felt her jaw fall, wondering when he’d stolen it from her.” I think you know what I’m going to say, because I’ve said it a million times already: Keefe doesn’t care about Sophie’s feelings or input, he hijacks their shared plan for his own, he steals from her, blah, blah, blah. But you might be thinking, Wait, but Sophie does get mad at Keefe this time and does hold him accountable this time. He actually learns and grows! And you would be partially correct. But not completely. So this quote is mostly here because I’ll refer back to it later. I’ll write it in red so you can find it easier. 
“‘That was an incredibly dangerous move,’ Lady Cadence told Keefe, blocking him from following the ogre king. ‘Oh, you want to talk about dangerous?’ he asked. ‘How about the part when you almost started a brawl with King Dimitar? You were supposed to be the person at this meeting that he actually likes—that’s why we brought you!’” The two scenarios are not even remotely comparable. Keefe acted irrationally, with no inkling as to how Dimitar would react. He didn’t know what would happen, and he clearly planned this all in advance, even though he knew it was dangerous. Lady Cadence simply pointed out a breach in trust in her relationship with King Dimitar and told him she didn’t appreciate it. She knows Dimitar and considers him a friend, so she knew she wasn’t in any real danger from him. The idea that she “almost started a brawl” with the king is a complete exaggeration. She also wasn’t planning on having that conversation, it simply came up.
“‘And you can hate me if you want. But I made a promise when I found out my mom was with the Neverseen—she only gets to hurt me. It’s the only way I can live with myself.’” How noble. Except it gives him a convenient excuse to play the hero and ruin a group-made plan in favor of his own because of his own arrogance and overconfidence. So, not so noble. 
“Keefe grinned. ‘You really are adorable when you worry. But you don’t need to. I wouldn’t have agreed if I didn’t know I can handle it. See?’ He pulled his hands free and showed her how steady they were.” More of Keefe’s infantilization of Sophie! Yay! And if he really thinks he can handle it, he’s a massive idiot. A massive, arrogant idiot.
[cut because character limit]
“His motions were somehow both sluggish and erratic, and when he tried to pivot, the weapon slipped from his grasp.” And here is where we need to talk less about Keefe as a person and more about the way he’s written. Here, it’s explicitly stated that Keefe is terrible with a blade. Makes sense, he’s never handled one before. But, as we know, he’s about to defeat the ogre king in a sparring match. Keefe largely uses his skills in the match, but in terms of plot, it still makes no sense that he’d be able to defeat the king of a species whose entire culture is based around fighting and war. Yes, he’s trained in his skills extensively, but he’s never actually used them in a spar like this. There’s so much more to battle besides simply throwing everything you’ve got at your opponent. Dimitar should be able to predict what Keefe’s going to do next, even if Keefe tries a sneak attack, because Keefe’s never learned to hide that and never learned how to disguise his next move. Dimitar should be able to wear Keefe out so much that he doesn’t have the energy to use his skills anymore, because Keefe’s never learned how to conserve energy in a useful manner during a battle and never learned how to make every single strike count. Dimitar should be able to take Keefe down in a single strike, because Dimitar should know where the body’s weak spots are and how to cause the most pain with the least effort, which Keefe doesn’t know. So, no, Keefe simply using his skills should not be enough to defeat Dimitar when he has nothing else in his arsenal. And this is all to say: the point of this sparring match is to make Keefe look a hero. Even if it makes no sense. Keefe is written to be triumphant in this scene. It’s plot convenience at its finest. Shannon loves to do this with Keefe, where she’ll make him have some ability he realistically wouldn’t have because she needs him to be somewhat badass to uphold his “bad boy” image. 
“‘The grip on that one’s faulty,’ Keefe mumbled, kicking the weapon aside and snatching a dagger with a palm-length blade. ‘This one looks perfect for sneak attacks.’ ‘You can’t sneak up on him in an open ring,’ Sophie argued.” More evidence of Keefe just straight-up being incompetent when it comes to fighting. Which is fine by itself. But he can’t be incompetent at fighting and also win a sparring match against the king of a species known for their legendary fighting skills. Again, this scene is a massive example of plot convenience to make a character look good. It shows how Shannon favors Keefe. Honestly, he should’ve just lost the sparring match. Would’ve made the scene more interesting, and might’ve given Sophie, the main character, a chance to shine by quickly improvising a way to talk King Dimitar into giving up the starstone anyway. It might’ve also curbed Keefe’s ego, though I doubt it. 
“‘The only loss will be yours!’ Keefe sidestepped Sophie and charged into the ring, dagger raised, eyes wild, leaping for the ogre king.” Another example of Keefe’s straight-up stupidity. 
“‘There you are,’ Keefe whispered, his breath warm on her cheeks. ‘You’re good now, right?’” Keefe stop breathing all over Sophie’s face challenge. 
“‘I’ve never been so proud of us!’ Keefe said, holding up his hand for a high five.” I’d just like you to remember that Keefe can feel Sophie’s emotions. He knows how angry she is at him right now. And his immediate reaction is to try to joke his way out of it instead of treating it seriously until he’s forced to by Sophie. He literally tries to dumb this down and make it seem like it’s not as bad as it is so that Sophie won’t be mad at him. It doesn’t work, but it’s an incredibly manipulative thing to do. 
“‘Awww, my girl keeps getting snarkier and snarkier,’ Keefe said proudly. ‘I’m not your girl,’ Sophie snapped back. ‘And don’t think I’m done being mad at you!’” Keefe calling Sophie “my girl” is a form of infantilization, because he obviously doesn’t mean “my girlfriend”. Thankfully he gets called out on it. This time. 
[cut because character limit]
“Foster’s not ready to face her feelings,’ Keefe stage-whispered. ‘I’m ready to strangle you,’ Sophie countered.” Keefe’s joking here (and in the process annoying Sophie, but what else is new), but the implication is obviously that Sophie’s too scared of her feelings to face them and that she needs Keefe to swoop in and decipher them for her. Her own feelings. Do you see how that might not be the best thing to say, Keefe? Do you? Even if someone is wrong about their own feelings, that’s their prerogative. It’s always their choice of whether or not they want to face their own feelings or not.
“‘Maybe you’ll finally knock some sense into him.’ ‘I doubt it.’ Keefe winked, but Sophie looked away.” More of Keefe acting like his stupidity is just a quirky little trait instead of a flaw that could cost him or someone else their life. Being stupid is not a personality trait. It’s a flaw. He needs to stop treating being stupid like it’s this innate trait that’s just a part of who he is. It’s not.
“‘I’m guessing at least a week. Maybe more.’ ‘Yeah, that’s not happening,’ Keefe told him. ‘You’ll regret it if you don’t,’ Elwin warned. ‘Play this smart and the most you’ll have is a thin scar. But if you’re not careful, you could end up with nerve damage.’” Is Keefe really so stupid that he’s going to choose to have permanent damage because he won’t bed rest for a week of his life? This is. I can’t even.
“‘That depends on what my mom tells us,” Keefe argued. “If we’re heading straight to Nightfall—’ ‘You’re not going to Nightfall,’ Sophie interrupted. ‘You’re doing bed rest until Elwin says you’re better.’ Keefe smirked. ‘It’s cute that you think that.’” Why does Keefe need to be so stubborn about everything? Even this??? He literally throws away a perfectly smart thing to do with no drawbacks because . . . he wants to be with Sophie when she goes to Nightfall. That’s it. Again, he pedestalizes Sophie to such an extent that it makes him stupid. 
“Keefe wrapped his arm around Sophie. ‘Foster gets all worked up when she’s trying to protect me.’ ‘That’s not what this is about!’ Sophie snapped, pulling away.” Keefe literally tries to flirt his way out of Sophie’s anger, with a dash of infantilization thrown in for funsies. 
“‘Though would it kill you to do the smart thing, just once, and actually listen to someone when they’re giving you good advice, instead of thinking you know everything and doing whatever you want?’ Keefe considered that for a second. ‘Yeah, that might actually kill me.’” I seriously have no words. Keefe literally admitted that he’s stubborn to an excruciating extent, stupid, and arrogant, and he doesn’t see a problem with that at all. He genuinely just believes that they're innate parts of him, not flaws. 
“Sophie couldn’t look at Keefe after that. She didn’t want to see the hurt in his eyes as she dug out her home crystal.” If he’s hurting in this scene, then he deserves to be hurting. All he’s done is do stupid stuff and hijack everything without consideration for other people. So, yeah. He deserves it. 
“‘In case you need help deciding, I’d go with the part of you that wants to run over here for an epic Team Foster-Keefe hugfest, and not the part that wants to rip off my arms and smack me with them.’” Oh, yeah, I almost forgot. Starting in this book, Shannon uses the suffix “fest” incessantly, and doesn’t stop. It’s such a terrible choice that while it’s cringy the first few times, it quickly becomes unbearable as she keeps doing it. And Keefe gets it the worst.
[cut because character limit]
“‘I’ve also been eavesdropping outside—plus, Forkle hailed me this morning and caught me up on everything that’s been happening. So I already know about the giant beast things my mom made, and how we have a drugged Alvar in custody, and how all that boring stuff from Lady Cadence’s report about bacteria turned out to have something to do with flowers, and how there’s apparently another Nightfall in Atlantis that’s not part of my legacy, and that’s where we need to go to get your parents. Oh, and my mom wants us to steal from it and destroy it—which totally kills the fun, but I’m still game for blowing a Neverseen hideout off the planet.’” Another example of Shannon using Keefe as narration. It’s like she doesn’t trust that her audience will follow the story, so she feels the need to recap it. But wait, that’s boring! It’s fine, just have a ““““““humorous”””””” character do it! It’s a trick a lot of writers do when they think their audience is stupid, or they think what they wrote is too convoluted and want to make sure their audience has it straight. It’s also something authors do to pat themselves on the back, like, See? I wrote all that. And you just spent the last third of the book reading all that. Now, appreciate how much work I put in. I’m not saying Shannon doesn’t deserve praise for that plotline, and I genuinely think it's good, but I can’t stand it when she uses Keefe as a summary or narration gimmick. She could’ve just had Keefe say “I know everything I missed” and left it at that.
“‘How much groveling am I going to have to do before you trust me again?’” Keefe shouldn’t have to “grovel” to regain Sophie’s trust. Groveling is just words, no action. To regain trust, he’s going to have to prove that he won’t hijack everything and take over again. This is why this particular arc (miniarc?) of Keefe’s makes no sense. He only goes through this development because Sophie was mad at him, not because he actually realizes something about himself. And then Sophie immediately trusts him again and lets him work with her on everything again without any period of time where she’s suspicious of Keefe. What I’m saying is, Keefe’s breach of Sophie’s trust never really impacts their relationship. They have a fight, immediately make up the very next time they see each other, and then it’s over and done. There’s no period of time where it’s still a sore spot. No work to get to a point where Sophie feels like she can really trust Keefe again. As a result, it falls completely flat because Keefe didn’t earn anything. He just apologized and that’s it. But that shouldn’t be it. He should have a long way to go from now. An apology is just the start. Sophie shouldn’t forgive instantly. It just feels so cheap. It really shows how Shannon just wants a quick fix to Keefe’s problems instead of a real arc with real character development. 
[cut because character limit]
“‘I’m sorry, Sophie. Really. And I’ll do whatever it takes to make it up to you. That’s why I stayed in bed, even though I knew my mom had to be dragging you into a million dangerous things. I wanted to prove that I could do the right thing. Well, that and Ro threatened to tie me down and cover me in flesh-eating bacteria if I didn’t, and I could tell she meant it.’” Keefe says that he stayed in bed because Sophie would’ve wanted him to and because he wanted to “do the right thing”. That’s . . . not what his motive should’ve been. His intention should’ve been to get stronger and heal. That’s it. There should be none of this nonsense about “doing it for Sophie” or “doing the right thing”. He should want to get better so that he doesn’t have permanent damage. Again, his weird obsession with impressing Sophie and doing whatever he thinks she’ll want is showing through, and had Shannon been a better author, she could’ve made it a flaw and related it back to his abusive parents and how he’s always craving attention because he never got enough from them or something. But instead, it’s hailed as a great quality. So, remember when I said I’d refer back to that quote I wrote in red? This quote is a primary example that, while he does apologize to Sophie, he doesn’t actually change from this incident. There are several moments down the line where you will see that Keefe still hijacks plans and still disregards Sophie’s feelings. An apology, sure, but there’s no actual growth. (I’ll put this quote in red too, so it’s easy to see that these two things I’m bringing up are connected into one big point.) So to people making the argument that Keefe was finally held accountable and developed from this whole thing, I hate to say it, but Keefe is just as infuriatingly arrogant as before. 
“‘Because you can be wrong and still smarter than these guys,’ Keefe told her with a grin.” Ah, Keefe’s arrogance never fails to make me cringe practically out of my body. Maybe if he was more open-minded, we wouldn’t have to deal with his stupidity.
“‘So maybe you do it wrong,’ Tam suggested. ‘It’s a puzzle,’ Keefe argued. ‘The pieces should only fit together one way.’” Keefe is so stupid that he literally tries to claim that the “pieces should only fit together one way” after just having seen evidence to the contrary. Literally, I’m not kidding, Sophie just put the puzzle together differently than him like two seconds ago and he says this. I knew he was arrogant, but damn. Can’t Shannon tone it down a little to at least try to make it seem like she gave Keefe actual development?
“‘She probably thinks I’m too dumb to put the key together the right way.’” This logic is so stupid. Even if Keefe was dumb enough to not be able to put it together, it’s not like he works alone. Someone in the Black Swan or something would’ve figured it out. And his mom knows that. His entire argument here makes no sense.
“He reached up and wiped one of the tears trickling down her cheeks.” Another weird example of Keefe touching Sophie’s face. It’s quite creepy, and it’s strange how Shannon tries to make it seem touching.
[cut because character limit]
“‘Okay, two choices,’ Keefe told her, standing up and tilting her chin toward him. ‘You can tell me what’s wrong. Or I can put my Empath powers to work—but keep in mind, Option B will likely pick up on all kinds of other feelings.’ Sophie gave him her surliest scowl, but he didn’t back down.” First of all, here’s another example of Keefe touching Sophie’s face creepily. Secondly, Keefe just extorted Sophie’s personal feelings out of her. He just threatened to use his empathy on her if she didn’t tell him what was going on. He then said that if she didn’t tell him the thing she obviously doesn’t want to tell him, he’d not only use his power on her and figure it out, but would also probably pick up on other things she doesn’t want him knowing about. Sophie then makes it very obvious that she doesn’t want to do it, but he “didn’t back down”, by which Shannon of course means “didn’t respect Sophie’s feelings and her right to keep them to herself”. That is so. That is just. I don’t understand how Shannon somehow managed to twist this into Keefe caring about Sophie. He threatened, coerced, manipulated, and extorted her into telling him, sure, but caring about her??? Don’t make me laugh. Keefe is possibly the most toxic character in this entire series, and it is disgusting how Shannon gives the impression that this is caring behavior, or correct in any capacity at all. When someone wants to be left alone, you leave them alone. Keefe needs to go back to seventh grade health class, where they teach you that no means no. 
“‘I take it that means you haven’t joined Team Foster-Keefe?’ Ro asked. ‘Because I have to admit, they’re pretty cute together. Especially when she gets that look in her eye like she’s going to tear off his head.’” Ro is . . . a whole other subject. But oh, god. Shannon. What are you doing. If someone consistently and constantly “gets [a] look” in their eye like they’re “going to tear off” the other person’s head, then that’s a sign that that other person is annoying and that they don’t enjoy spending time together. The other person is obviously driving the first person crazy and enjoys it, so why would you encourage that??? Stop feeding into this narrative that that’s a healthy thing to have. It’s not. It’s completely toxic for Keefe to take pleasure in annoying Sophie, and it’s disgusting that Sophie is just expected to put up with it.
“‘Figured you guys would say that,’ Keefe told them, ‘even though you can’t really stop us.’ He winked at Sophie.” Oh, boy. Shannon’s really leaning into Keefe’s “bad-boy” persona, isn’t she? Someone needs to explain to her the level of cringe this invokes. Also, the winking is back. Wow, isn’t Keefe so cool. You know, cuz he winks at Sophie like they're in on a secret or something. Isn’t that so badass.
“‘But I think you’re also forgetting, Foster, that we’ve managed to get a lot done when school is in session. We stopped the gnomish plague while going to Exillium—and you managed to look into the Everblaze while juggling midterms. You even got your abilities fixed—and healed Alden—during the first term this year.’” Shannon, please stop using Keefe as summary and narration. We know. We read the series. We don’t need you to recap it for us. We’re well aware.
“‘You’re welcome for making it so you don’t have to stare at ten thousand reflections of yourself every day,’ Keefe told him. Sophie elbowed Keefe as she sat beside him. ‘You don’t get to brag about leaving me covered in shattered glass.’” Keefe literally just joked about destroying Foxfire . . . wow. The audacity is. Just, wow. Sure, Sophie calls him out, but it’s very light-hearted. Again, Keefe is incapable of being serious, even when the topic or time calls for it.
[cut because character limit]
“‘Much as I’m enjoying this sudden overflow of adorable Foster-rage—it’s not worth it.’” Ah, more of Keefe infantilizing Sophie and invalidating her feelings. If someone finds your anger or worry “adorable” and acts like it’s this cute little quirk, then that’s never a good thing. Especially if they enjoy it. Someone who cares about you should never enjoy seeing you angry or worried. 
“‘Uh, we all know Foster can’t bear to be away from me—and art is about honesty. That’s why I made sure I have the best hair.’” Sometimes, I wonder how some of the shit Keefe says can even be real. How is he not collapsing from the cringe? Keep in mind, this is all taking place in front of a large audience.
“‘Only for some people,’ Biana noted. ‘He gave the rest of us mood candy. Again.’” Yes, because he only cares about Sophie and prioritizes her over everyone. He only cares about her feelings and her wishes. He doesn’t extend the same courtesy to anyone else. In other words, he pedastalizes Sophie to such an extent, it makes him blind to other people’s wishes. He has such tunnel vision, it’s funny. He’s very neglectful of his other friends.
“‘I’m sure she didn’t. This’—he traced a finger over the crease between her eyebrows—’doesn’t make you very convincing.’” Keefe really needs to stop touching Sophie’s face weirdly.
“He strode over to her, and she tried to back away but crashed into the wall.” Ah, the infamous scene. Keefe once again invades Sophie’s personal space. He moves toward her, and when she tries to move away from him, he doesn’t let her move. Wow. Real upstanding guy. This is not romantic. This is creepy. 
“‘Oh, I know. But you’re forgetting something, Foster.’ He was close enough to reach out and gently tuck her hair behind her ear as he leaned in to whisper, ‘I like a challenge.’” And then, as if creeping all over Sophie wasn’t enough, he gets up in her face, touches her face, and says this cringy-ass line. Again, this is not romantic. This is creepy. 
“‘On the one hand, the look on Fitz’s face is pretty priceless right now, and I know it’s killing him not to say, ‘But we’re Cognates!’ But on the other hand . . . don’t go thinking this lets you into the Foster Fan Club, Bangs Boy!’” Can Keefe let any guy in their group do anything for Sophie without immediately seeing him as a threat?
“She could feel him reaching for her glove—and yanked her hand away.” Keefe tries to breach Sophie’s boundaries. But what else is new.
“If she’d had it her way, she’d be alone. She’d even tried asking Keefe to leave, but there was no getting rid of him.” Sophie literally asked Keefe to leave her alone, and he didn’t. He disrespects her boundaries, invalidates her feelings and assumes that she wants him around all the time, even when she tells him she doesn't want him there. That’s not being caring, that’s thinking you know someone else’s feelings better than they know their own feelings. This might be Keefe’s worst act yet. When someone wants to be left alone, you leave them alone. You don’t assume that they don’t know their own wishes and encroach on their space, instead. It’s disgusting and manipulative, and the fact that Shannon said that in a throwaway, forgettable line shows that she doesn’t understand how horrific that is. It’s also another example of Keefe being arrogant and assuming that Sophie always needs him when she’s down. Only him, because he knows her so well! It’s very cocky and somewhat entitled behavior.
Nightfall Short Story:
“‘Look! I’m all better!’ Keefe promised [ . . . ]” Why did Shannon have to make Keefe so unbearably annoying. Like, seriously. He’s told he’s going to have permanent damage if he doesn’t do bed rest and his reaction is literally Oh, well. He needs to stop treating serious issues like jokes.
“‘I can always pry those pouty lips open and pour it down your throat,’ Ro added with a smile that showed every single one of her pointed teeth.” Why is Keefe refusing to take his medicine??? Is he really that stupid and excruciating?
“‘It’s only for a week’ ‘Uh, do you realize how many times Foster can almost die in a week?’” Does Keefe really think he can stop Sophie from almost dying??? Just because of his . . . presence??? Wow, he’s even more arrogant than I thought. 
“He didn’t care what anyone said. Sophie needed his help.” Oh, boy. He really does see himself as her savior. How adorable. And by adorable, I mean obsessive and creepy. Is he really so stupid and stubborn that he’s willing to risk doing permanent damage to his body just so he can . . . see her? He won’t even be able to go with her to Nightfall??? What exactly does he think he’s going to do?
“Then he was lost to his floaty dreams, most of which focused on the gold-flecked brown eyes he could never get out of his head.” What Wattpad author held a gun to Shannon’s head for her to write this??? Damn . . . he really does have an unhealthy obsession with her. 
“‘It is. It’s going to take me a little while to make it—but it’ll seriously top every gift she’s been given before.’” Fantastic. So he’s still as arrogant as ever. Even after whatever miniscule amount of character development he supposedly gets in this story.
“From that point on, he only had one goal: to be whatever Sophie needed. Not the hero. Not the one taking charge of everything. Just a guy ready to listen and help and be there for her. A friend. Until she was ready for more.” The fact that his “one goal” is essentially to be obsessed with Sophie is kinda. Not good. Keefe is a classic case of obsessed-with-the-love-interest syndrome. It takes over everything and he can’t even do a week of bed rest without obsessing over her every single day of it. Also, the part at the end where he says ���Until she was ready for more” . . . bro. I do not have the words to describe how disgusting that is. He just sort of . . . assumes that one day he and Sophie will end up together. Now, think back to all the times he’s begged Sophie not to hate him. Even at this moment, he knows Sophie’s angry with him. If he truly thought she would hate him, why would he assume that he’d end up with her someday? It’s a walking contradiction. It’s so revolting to assume that one day someone you like will end up with you. It also proves my point that Shannon only throws all those “Please don’t hate me”s in there to attract pity for Keefe. If he actually believed she would ever hate him, he wouldn’t assume so readily that one day she would be “ready for more”. Pick a lane Shannon: he can either be sure Sophie will want to be with him someday, or he can think she hates him, but you can’t have it both ways. They’re opposites.
Flashback:
“‘[ . . . ] forced herself to meet Keefe’s ice blue eyes. ‘I’m fine.’ When he raised one eyebrow, she added, ‘I’m just frustrated [ . . . ]’” (7) That’s right, the page numbers return. And I have physical copies of the rest of the series, so they’re here to stay. It may seem like Keefe is just trying to check on Sophie and make sure she’s okay, which is a noble cause, but when someone says they don’t want to talk about something, that means they don’t want to talk about it. That does not mean you prod and prod until they spill. So many things Sophie tells Keefe get twisted and people think she tells him because she trusts him, but more often than not she doesn’t and he just prods her or extorts them out of her.
“‘You’re so adorable when you worry. I’ve told you that, right?’” (12) Yes, you have, and saying it more doesn’t make it any less icky and gross and infantilizing. It’s like he’s dumbing Sophie down to this object who only exists to entertain him with her adowabuw wittle feewings, instead of a person with very real, very complex emotions.
“He traced his thumb over the sliver of skin between her glove and the edge of her beaded sleeve. ‘There’s something you’re not saying right now. I can feel it.’” (12) Keefe once again breaches boundaries because he can’t keep his nose out of other people’s personal feelings. He has no right to just help himself to Sophie’s emotions like that. It’s a massive breach of boundaries, and then using that to try to pry the secret out of her is nothing short of repulsive behavior.
“‘Come on, Foster. It’s me. You know you can trust me.’” (12) Does she? Does she know that? Because it seems like in order to trust Keefe, Sophie would have to know that for herself, instead of having Keefe feed that to her. Sophie likely does trust Keefe, even if her trust is misplaced, but saying it like that is very, very manipulative. And Sophie really shouldn’t trust Keefe, because almost everything she tells him is manipulated and extorted out of her. She’d tell him a lot less if it weren’t for his toxic traits and extortive empathy. 
“‘Lord Hunkyhair,’ Keefe corrected. ‘What? It’s accurate.’ He tossed his head like he was in a shampoo commercial.” (20) I forgot about this atrocious nickname.
“‘Fintan knew Keefe would be dumb enough to go after them,’ Ruy added, ‘so he had our Technopath make a couple of replicas.’” (89) I mean . . . he isn’t wrong about Keefe’s stupidity.
“Tam and Keefe had been feuding since the moment they’d met—even though they were so similar it was kind of hilarious.” (117) Again, if Shannon wants us to believe that Keefe and Tam have this deep rivalry, rather than Keefe being jealous of Tam and Tam thinking Keefe’s annoying because he gets possessive of Sophie, then she’s going to have to put a lot more effort into it then that.
“‘It’s okay to hate me,’ Keefe said from the doorway.” (138) Oh, boy, here comes the forced consolation scene pity-party. That’s going to take up a whole two chapters, by the way. I don’t know about you, but I really don’t want to watch Keefe wallow in his own self-pity while Sophie strokes his ego for two entire chapters. 
“‘Fintan’s good. His emotions always felt normal when I asked about the caches. A little nervous. A little suspicious. Exactly the way he would’ve felt if they were real.’” Wait, Keefe asked Fintan about the caches??? This is just getting better and better, by which I mean Keefe’s getting stupider and stupider. My guy. Have some subtlety. When asking about something you want, you don’t just outright ask that. Keefe’s even dumber than I thought. Seriously, how did he think he was smarter than the Neverseen?
[cut because character limit]
“‘Don’t beat yourself up about the caches. We’ll figure something out.’” (140) That’s the thing, though. Keefe needs to do some serious thinking about his choices and how they affect the entire thing. He needs to have that development. But Shannon wants to convince the audience that he’s fine the way he is. He doesn’t need to repent and change! He just needs to be entirely devoted to Sophie and everyone will still love him. He faces no consequences for running off with the Neverseen at all, despite the fact that he set them back. A lot. He’s still allowed to be in on all their plans and still trusted. Do you see what I mean? It’s like it never happened. It’s like he never ran off to join the Neverseen. There’s no impact. Everyone still trusts him, everyone still relies on him, nobody’s wary, nobody thinks he’s going to mess something else up, even though he’s proven, time and time again, that he’s reckless and cannot be trusted. Keefe cannot be trusted. But the narrative refuses to acknowledge it. He should be forced to sit on the side while everyone else comes up with a plan that excludes him. That should be when he realizes he can’t be trusted because he thinks he’s smarter than everyone and messes everything up. Keefe’s arc practically wrote itself for Shannon, but she refuses to let her character have growth. Keefe needs to have people, especially Sophie, be mad at him, so that he can realize what he did that was so wrong.
“‘You don’t have to tell me I’m a jerk,’ Keefe mumbled. ‘I already know.’” (147) Does he? Because if he was truly sorry, he would volunteer to sit on the sideline, so he knew he wouldn’t mess anything up again. He would volunteer to face whatever consequences he should’ve had coming for his actions. But he doesn’t. Because he isn’t truly repentant. He’s just throwing a pity party for himself. In the end, he’s just a pity magnet whose only purpose in the story is to lay it on thick so that he can gain more and more pity. There’s really nothing to pity him for. He did the action, so he has to face the consequence. It’s that simple. But he doesn’t. Remember what I said about how Keefe, despite Shannon claiming he doesn’t want pity, really does nothing but wallow in his own self-pity to make the audience feel sorry for him? Well this entire scene is a prime example.
“[ . . . ] every reckless decision he’d made over the last year was all part of his desperate attempt to relieve the shame and fear that were eating him up inside. That was the problem with guilt.” (148) By the way, Keefe’s whole “legacy” backstory is just another excuse for his actions. In the barest sense, nothing Keefe’s mom does or plans for him is on Keefe. He has no control and none of that’s his fault. So the fact that Shannon built his entire story on the fact that he’s guilty over something he didn’t do is so stupid I don’t have the words for it. If he doesn’t have something to be guilty over, how can he be a pity magnet? But if he does have something to be guilty over, he’d actually have to do something to deserve that guilt, right? So Shannon tries to have it both ways. Her precious Keefe can’t do anything actually wrong, or he won’t be so perfectly innocent anymore. So where’s his sob story going to come from? Oh right, he’ll just feel responsible for his mom’s actions. A perfect fix to the conundrum. But really it makes no sense at all. And it gives her every excuse to heap a suffocating amount of pity on him while simultaneously having him insist he hates pity.
“‘Too bad I’m stuck being the designated loser,’ Keefe said under his breath.” (149) Quite the pity party he’s throwing for himself there. Nothing ever got accomplished because someone wallowed in their self-pity. And that’s all Keefe does. 
[cut because character limit]
“‘Do you trust me?’ she asked. ‘Of course I do---that’s not the problem.’” (151) No, he may think he trusts her. But he really doesn’t. If he truly trusted her, he wouldn’t keep thinking he’s smarter than her and making plans without consulting her. He would value her input in his plans if he trusted her. He would stop feeling this incessant need to protect her and trust that she’d be able to handle herself. Because, let’s face it, more often than not, Keefe ends up giving Sophie more grief and worry than anything. She’s always worried about him and he’s even set her progress back several times. But he still thinks he needs to be there for her all the time. Not to mention, he doesn’t trust her decision when she says she doesn't want to share her feelings and thoughts with him, so he forces them out of her. True trust isn’t constantly leaping into that person's business and constantly trying to save them when they don’t need or want you to. True trust is trusting that they know what they want and need, and acting accordingly. 
“‘Umber wouldn’t have been able to find you if I hadn’t given you that pendant. Just like the day the Neverseen broke Silveny’s wing because of the Sencen crest I was wearing.’ ‘And you know what both of those things have in common?’ Sophie asked. ‘You had no idea that the Neverseen were manipulating you.’” (151) You know what I’m going to say. Forced consolation scene. The first statement Keefe says is valid. That mistake was on Keefe. He’s the one who thought he was smarter than everyone and then made such horrible mistakes that Sophie and Fitz will now have to recover for a third of this book. That was entirely on him. And honestly, pity shouldn’t be the automatic reaction. Anger is fine, too. But if Sophie’s angry at Keefe (as she should be), how can the narrative continue to pity him? But Keefe’s second statement is clearly thrown in there to attract pity. Look, it’s poor Keefe again, blaming himself for his mom’s actions again. It’s not pitiable. It’s just plain stupid. That wasn’t on Keefe in the slightest. The narrative then tries to equate both these actions with each other in Sophie’s statement, which is clearly an attempt to absolve Keefe of any blame for what he did when he was with the Neverseen. He underestimated his opponent and in his overconfidence, thought he could outplay them. He took a stupid risk without considering what his team would think and stole the pendant back without a thought in the direction of whether the Neverseen would suspect him. He even says in Lodestar that he didn’t know what he was going to do if the Neverseen figured out what happened (I have the quote up there somewhere). That’s the thing. That entire situation is on him. It’s his mess and his fault. But the Sencen crest isn’t. Shannon, please stop comparing two incomparable situations to make Keefe look good. Also, what does Keefe even want? What is the point of him doing all this wallowing? Does he want Sophie to blame and hate him? No, obviously not. Does he want to be punished and face the consequences of his actions? No, because if he did, he would suggest that. So, in the end, all his wallowing, and dare I say whining, is just that: whining. It leads nowhere, does nothing, results in no ideas for how Keefe wants to prevent something similar from happening again, and is just Shannon trying to make Keefe pitiable. There is no point to any of this. It results in no change, no development, no ideas from Keefe about how he will change, which makes it the perfect recipe for an easily resettable conversation. Because that’s all these forced consolation scenes are. The same exact conversation, which results in no change, so that it can be had over and over and over. 
This scene is so unbearably long, and for what? Unfortunately, I can’t copy down the whole thing, but oh, boy. Shannon really needs to stop these horrible forced consolation scenes that eat up so much time. 
[cut because character limit]
“‘Ugh, I shouldn’t tell you this, since it’ll just make you think I’m even more messed up than you already do—’ [ . . . ] ‘All I know is, weapons and blood don’t bother me the way they bother other people, so . . . yeah. Feel free to think I’m super creepy—” (161) The forced consolation is really being laid on thick. Shannon has switched from Sophie comforting Keefe over his guilt over something he didn’t do (over and over and over, just so Shannon can really annoy the point into us) to Sophie saying Keefe isn’t creepy because . . . weapons and blood don’t bother him. Huh??? Why would someone get freaked out because someone else isn’t bothered by blood??? That doesn’t automatically make them a killer. What kind of leap in logic is this??? But of course, Shannon has to have something to fuel her forced consolation scenes, and she’s burnt out all the Keefe’s-guilt-over-his-mom thing, so she has to switch to something else. Also, Keefe couldn’t be more of a pity magnet. He literally thought that Sophie would hate him because . . . weapons don’t freak him out. While they’re in the middle of a war. Wow. Shannon so badly wants us to pity him, it’s pathetic. Sophie needs to be Keefe’s personal assurance robot over something, so now it’s his nonaversion to blood. That’s the thing. Sophie always has to reassure Keefe of some dumb thing he shouldn’t worry about, and Shannon loves to blow it out of proportion to make it seem like this huge thing when it’s not. That’s why her forced consolation scenes are so forced. Because the consolation happens over the stupidest things. And there’s so many of them, like Shannon’s trying to convince us that we should really think this is something worth spending so much page time on. 
“‘Well, I think it’s safe to say that the Fitzphie slumber party is a total snoozefest,’ Keefe said [ . . . ]” (219) Keefe’s incessant use of ship names and the term “fest” returns with a vengeance. I honestly don’t get how Shannon didn’t see how juvenile his dialogue sounds. He doesn’t sound fifteen. He sounds six.
“‘You’ve had this campus to yourself all night every night, and you haven’t caused even a tiny bit of chaos.’” (223) Is this guy for real??? Serious??? While she’s literally on bed rest? I- I don’t have the words to describe how stupid he is. And if he isn’t being serious, then oh, boy, are his jokes so atrociously bad it concerns me.
“‘I’m really not in the mood.’ ‘I know—that’s what makes it extra fun. Go on.’” (225) Keefe stop salivating at any opportunity to annoy Sophie for his own amusement challenge. Keefe stop being a selfish piece of shit challenge.
“‘I thought if they saw me as Captain Committed, they’d teach me something good.’” (227) Shannon really needs to stop with the atrocity that is her nickname humor. 
“‘I shouldn’t have brought up any of those worries. Edaline warned me that you need to stay calm right now.’” (231) Nothing to say about this right now, but just remember this quote. I’ll touch on it in a little bit. Coloring it green to make it easy. 
“‘Rest. Recover. Take whatever medicine and time you need to get strong again. And trust the rest of us to cover anything that comes up while you’re down.’” (233) If only Keefe had taken his own advice a book ago . . . and someone's going to say "But he learned his lesson, didn't he?" To that, I say I've already covered all the reasons why he really didn't.
“‘I didn’t get swoony,’ Sophie felt the need to point out. ‘Keep telling yourself that, Foster. Keeeeeeeeeep telling yourself that.’” (235) First of all, counting those Es out was misery. At some point in Nightfall, Shannon really starts to jack up the amount of times she does that stretchy-word thing. And secondly, Keefe’s lack of self-awareness is as cringy as ever.
“‘I think Scaley Butt should be near Krakie so it looks like they’re swimming together. And then Bitey could be close to The Stink so it looks like he’s trying to chomp him.’” (251) A perfect example of Keefe’s atrocious mixture of potty humor and nickname humor, in the worst way possible.
[cut because character limit]
“‘Yeah, what time should we arrive to catch the Great Fitzphie Ooze Fest?’” (301) Someone needs to take away Shannon’s ability to type the word “fest”. Also Keefe’s horrible nicknames paired with immature humor strikes again. 
“‘I thought you weren’t supposed to be teasing Fitz,’ Sophie reminded him instead. ‘I’m not, but . . . he makes it so easy.’” (303) So when Keefe doesn’t want to set Sophie’s recovery back, he takes measures to make sure he doesn’t (remember that quote I told you to remember?), but when he has to do the same with Fitz, he doesn’t even seem remorseful when he slips up. He clearly favors Sophie, and remember, Fitz is supposed to be his best friend. He really doesn’t care about Fitz or his recovery at all. But he cares about Sophie’s.
“‘Hear that, Ro?’ he interrupted. ‘She’s giving me her serious voice.’” (304) Another example of Keefe infantilizing Sophie and dumbing her feelings down for the sake of a joke. Awwww, isn’t her serious voice so cute? She only does that when she thinks she has something important to say to us grown-ups! Awwwwwww. 
“‘He really doesn’t know when to quit, does he?’ Ro asked Sophie. ‘I’m pretty sure it’s a disease,’ Fitz told her. ‘Coping mechanism,’ Keefe argued.” (309) Shannon, pointing out Keefe’s flaws doesn’t give him character development. You actually have to like. Develop him. Also, the fact that Keefe had the perfect chance to reflect and change and instead decided to be as resistant to growth as he always is really says something about him.
“‘Why else would you spend so much time helping Miss Foster’s cause?’ ‘Uh . . . you’ve seen how cute she is, right?’” (312) Oh, gosh. Shannon really cranked Keefe’s atrocious humor up to eleven for this book, and since a good chunk of this book is filler, that’s all we have to go on for a good section. And if I thought it was bad when it was sectioned out, it’s even more unbearable now that Shannon is dumping it all on us at once. First of all, Keefe basically flat-out admitted a good chunk of his motive is because he wants to impress Sophie. People will argue and say that he’s just joking, but reading his short story was proof enough that he’s not really kidding. And second of all, Shannon really uses the word “Uh” a lot in this book right before someone makes a joke. It was fine at first, but it becomes so noticeable as the book goes on. It’s like she’s trying to tell us to brace for a joke. 
“I tell Keefe that stuff because it’s been the only way to get him to open up to me, she explained.” (323) Actually, more often than not, she doesn’t want to tell him anything. Usually, he forces it out of her with his empathy or manipulation or his general annoying demeanor. But thank you for twisting the narrative, Shannon. 
“Keefe guessed most of the story on his own, and I couldn’t deny it because Empaths are annoyingly impossible to lie to.” (324) That is not what happened. It’s explicitly said that Keefe “dragged the story out of her through relentless questions” (paraphrase, I have the real quote up there somewhere). He didn’t have to ask that. He could’ve respected Sophie’s boundaries and feelings. But he always has to stick his nose in everything when he thinks it’s his business. Fitz actually has a way better reason to know than Keefe; he just wants to improve their cognate relationship, but Keefe just wants to be nosy.
“She wasn’t sure if they were allowed to tell him—but it was so much easier than arguing.” (336) Keefe has literally annoyed Sophie so much that she doesn’t even think it’s worth the fight to keep a secret. That’s not good. It means that Sophie just succumbs to whatever he wants without a thought. That’s pretty much the highest sign of a toxic relationship.
“‘But you're kinda scraping bottom if you’re using me as the model of good decisions. Especially decisions concerning my parents.’” (337) Once again, Keefe shows that he’s fully aware of how dumb he is, he’s just so overly stubborn that he refuses to change. Shannon acts like this is an innate part of her personality and refuses to acknowledge it as a flaw. 
[cut because character limit]
“It’s always fun when you get feisty.” (355) I’ve said this about a gajillion times, but Keefe’s infantilization of Sophie is so horrific, it’s like he doesn’t care about her at all. He just sees her emotions as amusement for himself. 
“My life isn’t perfect, Fitz argued. Maybe not. But it’s pretty close, dude. I mean, yeah, Alvar’s a creep—but you still have your dad. And your mom. And Biana. And you’re still top of our class. And you’re Foster’s Cognate and . . . even without all of that, you’re still a Vacker. You’re always going to be the golden boy everyone expects greatness from. And I’ll always be the mess.” (360) Wow, Keefe is throwing quite the pity-party there for himself. If he didn’t want pity (which he explicitly says), then why does he keep saying he’s a mess? What are people supposed to say to that, besides You’re not a mess? Does he want them to tell him he’s a mess? This is a real thing people do, by the way, where they say negative things about themselves so that other people will reassure them they’re wrong. Keefe’s a massive hypocrite. If he truly didn’t want any sympathy, he wouldn’t keep saying he’s a mess and keep forcing the subject. Also, Fitz’s life is not perfect. Especially not now. I touched on this briefly before, but Keefe wouldn’t be jealous of Fitz being the top of their class. It makes no sense, when Keefe goes out of his way to cause trouble for himself in the academic department. It might make sense if Keefe tried and studied and still never matched Fitz, but we already know he doesn’t care. So this is another statement that’s just meant to attract pity and sympathy.
“Sophie had no idea what that meant—but it didn’t matter. I’m always going to be your friend. So am I, Fitz added. You sure about that? Keefe asked [ . . . ]” (361) Again, if Keefe really didn’t want pity, he wouldn’t keep going out of his way to say things that invoke pity. He would try to stay as far away from the subject as possible.
“‘Remember that? Such a classic Keephie moment!’” (380) Shannon needs to stop doing this whole self-aware thing. It doesn’t make her look smart to have Keefe talk about the ships in this series like he’s not involved in the story. It’s incredibly cringy.
“Is this that thing adults do where they make you think they’re giving you what you want but really they’re just wasting your time?’” (381) Another thing Shannon does is try to make the kids ““““““relatable”””””” by having them complain about adults all the time. Which is not how teenagers actually are. And once again, Keefe gets it the worst. Also, ungrateful much? Tiergan essentially offered to give him what he wants and he still fights it.
“‘Yeah, well [Sophie wearing Linh’s tunic] still breaks the fan club rules. As penance, I’m getting you a tunic that says, Empaths Give Me All the Feels, and I expect to see you wear it twice as often as Bangs Boy’s.’” (421) This is a joke, but the fact that Keefe makes such a big deal out of the tunic says a lot about his pathetic jealousy of Tam.
“Nah, he likes you better than me. Everyone does.’ ‘No they don’t.’ ‘Oh really? Tell me this: Have you heard from the Fitzster since he went home for the happy family reunion?’” (519) Another example of Keefe wallowing in self-pity. This book easily gets it the worst. It feels like everytime Keefe’s on-page, Shannon uses it to invoke more and more pity for him. If he doesn’t want people to pity him, then why does he keep saying things that invoke pity??? He doesn’t need to. Again, what exactly does he want Sophie to say? “Yes, Keefe, everyone hates you”? He is such a pity magnet and I get so tired of his constant whining because Shannon just does it so much. Then Keefe has the audacity to turn around and say shit like “I don’t want your pity”. Like, Keefe. My guy. You kinda sorta aren’t really giving them a choice with the things you say. 
[cut because character limit]
“‘Everything okay? Need me to leap over there? I will—I don’t care if Ro wins the bet.’” (521) First of all, if Sophie was not okay, what is Keefe going to do to make her feel better? Talk to her? He’s already doing that right now. Maybe read her emotions and extort a secret out of her? Also why does he automatically assume that Sophie needs him when she’s feeling down? That’s just. Such a bold assumption to make. Also, the fact that he’s so obsessed with Sophie to the point of throwing his bet under the bus just because she . . . looked tired? Is not good. That’s not a good thing. It’s a textbook sign of obsession. And Keefe’s obsession with and prioritization of Sophie is incredibly toxic. Again, if Shannon had made that out to be a negative quality on his part, it would be fine. But instead, she makes it seem like a desirable trait. He’s probably not willing to do that for anyone else, too. Like I’m sure he wouldn’t be willing to do that for Fitz, since he’s already admitted that he hasn’t talked to Fitz since he left the Healing Center. That’s on Fitz, too, sure, but a relationship goes two ways. So it’s also on Keefe.
“‘Sounds like I need to head over there after Daddy’s little hugfest tomorrow.’” (522) I just ranted about his obsession with Sophie, but this line is mostly here because it’s another example of Shannon’s love for the term “fest”.
“‘I can tell there’s something you're not telling me right now—but I’m not going to force you to talk about it. If you say you’re good, I’ll trust you.’” (522) Where did this sudden change come from? I know I’ve complained about this incessantly for this entire rant, but this seriously came out of nowhere. There was no development that led to this. It’s also a complete throwaway line, like blink-and-you-miss-it kind of thing. It’s a good thing, but it feels like Shannon randomly realized how creepy Keefe has been this entire time and shoehorned this in so it’d make him feel less creepy. Well, telling isn’t showing, Shannon, and it doesn’t change the fact that Keefe does this. A lot. 
“‘[ . . . ] if you and Fitz are visiting troll-baby hives without me, I am definitely losing at life, you know?’” (671) Someone needs to tell this guy that he doesn’t have to be a part of everything that happens in Sophie’s life. 
“‘So . . . you don’t hate me?’ Sophie rolled her eyes. ‘Ugh, how many times do I have to tell you—I’m never going to hate you!’ His smile looked tired. ‘Well. I guess that’s good enough. For now.’” (684) Again, Shannon really tries hard to make us pity Keefe. Also, that last part. Sophie not hating Keefe being “good enough” “for now” obviously implies that Keefe expects something more from her in the future. Shannon almost certainly wrote this with Sokeefe implications in mind, which is such a shitty thing for Keefe to say. He’s basically saying “You being my friend is fine for now, but one day I expect something more”. It’s honestly incredibly shitty. But also really subtle. So it can be skipped over or accidentally ignored.
“‘Thank you for thinking about me,’ he whispered. ‘No one does that.’ ‘Lots of people care about you, Keefe,’ Sophie gently corrected. He sighed. ‘I guess, but . . . ’” (725) The end of that sentence should be “those people who care about me aren’t you, and yours is the only opinion I care about because I pedestalize you heavily”. Again, if Keefe really didn’t want pity, he wouldn’t keep bringing things like this up. Plenty of people care about Keefe. He just pushes them all away except Sophie and then turns around and basically claims Sophie’s the only one thinking of him. Again, he prioritizes Sophie and then gets all woe is me, nobody cares about me except Sophie when he is the one pushing them all away.
[cut because character limit]
There isn’t really a quote to go with this, but Keefe only uses his emotional-calming breezes for Sophie, when it’s been proven they can work on anybody. He doesn't use them to help Fitz, although Fitz definitely could’ve used a couple throughout the climax of this book. He doesn’t use them to help Linh, either, when Linh learns about Tam. It's another way he pedestalizes Sophie to an unhealthy extent, and it’s not a good thing. 
Flashback Short Story: Keefe
“‘Sophie’s not some prize that Fitz and I get to fight over. She’s a person. And she has her own feelings—and no one knows those feelings better than I do!’” Again, it feels like Shannon randomly realized she had Keefe act like a jealous, possessive, manipulative asshole for the past book and wanted to turn that around so she added this in. But saying it doesn’t make it true. The mountain of evidence I’ve provided should make that clear enough. Again, it’s part of Shannon’s not-so-subtle pedestalization of Keefe. And the part where he says “no one knows those feelings better than I do” . . . oh, the nerve. The only reason he knows why she’s feeling what she’s feeling half the time is because he uses his empathy to extort her secrets out of her. It’s usually not because she wants to tell him or trusts him with whatever she’s feeling. 
Legacy
“‘Tell me why you have that cute little crease between your eyebrows.’” (70) You already know what I’m going to say. Keefe finding Sophie’s worry cute is textbook infantilization. But also, if he finds her worry and anger so adorable, what’s he gonna do when the Neverseen are defeated and Sophie doesn’t have as many things worrying her?
“‘You already know my mom gave me a letter to deliver to a house in London with a green door,’ he reminded Sophie as she made her way over. ‘And you said Fintan told you she sent me there to recruit somebody.’” (75) Yet another example of Shannon using Keefe’s dialogue as narration for things the audience already knows. I’m sure you’ve all heard of the “As you know” cardinal writing sin, but this is even worse than that because writers usually use it to convey something the audience doesn’t know. But Shannon literally used this to convey something the audience is already aware of. What the heck??? Shannon, stop treating your audience like we’re stupid. We read the previous book. We know what’s happening.
By the way, Sophie has some of the issues I’ve talked about here, too. Within a few pages alone in this chapter, she’s already gotten butthurt that Keefe left her out of one of his personal projects and tries to force her way into it (being nosy about things that aren’t strictly her business) and grabs one of his notebooks without his permission while he looks visibly uncomfortable and flips through it (invading his personal privacy). So it’s not just Keefe that has the problems I’ve listed here. But this list is strictly about Keefe, as I’ve said, so I won’t talk about anyone else, so in case you’re thinking “Well, [other character] did that too, and you never talked about it”, it’s because this list is solely reasons I don’t like Keefe. 
“‘I’m not sitting any of this out! And if you try to lock me up, it’s on.’” (88) Keefe once again demonstrates a startling lack of growth. He acts like a petulant child whose parents won’t let them go outside while it’s raining or something. He just got information that the Neverseen, specifically Tam, have been ordered to kill him. And knowing this, he insists on not “sitting any of this out”, even though he knows that he’s been ordered to be killed. He once again doesn’t care about how this might impact Sophie’s mental health, and his stupidity is back with full force. When you’re told that someone wants you, specifically you, dead, you listen. He’s so headstrong and arrogant that he thinks he can just, what, not be killed by pure determination? The Neverseen have already proven he can’t just do that. If Keefe could just make a single smart decision in his life or listen to a single good piece of advice, he might not be so annoying and frustrating as a character all the time.
“‘If something goes down in Loamnore like Forkle’s predicting, I will be there with you guys. Just like I’ll be there for anything else that happens—so let’s not make this into a fight, okay?’” (90) Once again, Keefe proves that he cannot take good advice. He throws his loved ones’ mental health under the bus because he’s too selfish not to sit one battle out for their sake. He still hasn’t faced a single consequence for the whole running-off-to-join-the-Neverseen thing, which he admitted in the last book was his biggest mistake. Actions like that should have consequences. And when you’ve been preemptively warned that you might be killed and still choose to go into the battle . . . wow. That’s just plain stupidity. And again, the fact that Keefe is willing to forsake Sophie’s opinion on the matter is ridiculously arrogant and taking-over-ish.
[cut because character limit]
“‘You’ll say, “Wow, that’s the hottest Wanderling I’ve ever seen! Who knew a tree could have such awesome hair?” And then you’ll all sit under my stunning leaves and write poems about my general amazingness.’” (91) Again, Keefe doesn’t know when to be serious. You can’t just joke your way through everything. Some things need to be treated with an appropriate amount of gravity. And Keefe doesn't know when to shut up with the jokes. It’s not a good quality. It makes him tone-deaf and insensitive. 
“‘I can joke about anything!’” (91) Like I just said, this isn’t a flex. It’s not a good thing. It’s very much a bad quality to have. People don’t need jokes all the time. They need them during appropriate times. 
“‘We’re always complaining that we don’t have any good leads. But I’m the lead. And I can’t help you guys if I’m hiding.’” (93) Keefe’s even stupider than I thought, which is really saying something. If Keefe’s the lead, then by definition, he doesn’t have to go anywhere to be useful. His argument is literally “I’m a lead to possibly useful information so you should let me go places”. Serious??? Real??? Bro. Keefe can be a lead sitting at home just fine. You don’t have to go anywhere to draw in a notebook. The fact that this is his argument and the fact that it’s not countered is just plain ridiculous. And stupid. Did I mention stupid? Because this argument is so stupid.
“‘Master elixir maker, ultimate gadget manipulator, and he scored a Foster kiss before Fitzy.’” (94) Keefe literally just casually spilled Sophie’s secret, emphasis on secret, to Sandor and Ro when he knew Sophie didn’t want him to. That’s just. And it’s treated so casually by the narrative. Sophie gets over it in half a second, and she just tells Keefe to stop distracting her. That’s it. This is a huge violation of trust and privacy and Keefe just every-so-casually violated it to try to distract Sophie for half a second. That’s just. It’s so. That is revolting behavior. It’s toxic, it’s selfish, it’s embarrassing (for Sophie), and Keefe, once again, faces no consequences for his actions. The line is a complete throwaway one, and Shannon’s attempt to make this a seemingly normal thing to do instead of the disgusting thing it really was is pathetic. I’d also like to mention that just a book ago, Sophie wouldn’t even tell Fitz, her cognate, who only wanted this information for the sake of their bond, the full story, because Dex had not consented to having the secret spilled. And now Keefe just spills it and you’re telling me Sophie’s just chill with that???
“‘See, but “smart” isn’t my brand. I’m more “reckless dream guy without a care”! It’s part of my whole “bad boy” image.’” (95) Did. Did Keefe just describe himself using blatant stereotypes? Wow. I- That’s just. Wow. Shannon really doesn’t have a single iota of shame. Also, her trying to make Keefe’s recklessness seem like a personality quirk instead of a very real flaw that could get someone else or himself killed is very troubling. Shannon. Stop treating Keefe’s recklessness like a good thing and stop letting him do reckless things without a hint of consequence. I promise nothing bad will happen to you if Keefe is allowed to grow and develop like a good character.
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“‘Yup! But I can’t stop her, so I might as well let her take you down with me.’” (97) This is Keefe talking about Ro using him as a lie detector to extort Sophie’s secret out of her, by the way. Which Keefe agrees to do. Which he wouldn’t do if he really was a good friend. Just like Sophie wouldn’t have to make this deal with Ro if Keefe would just listen to good advice for once and do the smart thing. But he doesn’t care about Sophie’s mental health, and he doesn't care about Sophie’s feelings, because or else he would respect them by agreeing to stay out of the Neverseen’s way and not using his empathy to extort secrets Sophie clearly doesn't want to share out of her. And Ro. Honestly, she’s even worse than Keefe, partly because of her personality, but mostly because of the wasted potential. Keefe was always going to be the “bad boy angsty prankster with daddy issues that causes trouble” trope that we've seen a million times. But Ro could’ve been so much more. She’s the ogre princess, and the most Shannon could do with her is make her a Sokeefe fangirl.
“‘He just doesn’t take no for an answer—you know how Keefe is.’” (147) Take that quote out of context, Shannon. I dare you. I wish Shannon would stop treating Keefe’s toxicity as a quirky little trait. The “you know how he is” implies that he’s like that because Keefe’s just Keefe, not because he forces his way into everything even when he shouldn’t. No means no. That is the number one rule of a healthy relationship. We teach this shit in school to teenagers so they don’t end up in abusive relationships, come on, Shannon. Even some random kid with a C- in health class knows more about toxic relationships than you do.
“‘I just love how it took you less than a day after your little chat with Bangs Boy to cut me out of everything.’” (215) Why are we looping back to this conversation??? We already spent almost a hundred pages of the book on it, and no, that is not an exaggeration. You can check. But of course, Keefe can’t not whine. He can’t not be annoying. He can’t not be stupid and nosy and unconcerned for his own safety and take everything Sophie does without him personally.
“‘Not saying she wouldn’t try. But I bet you anything Keefe will find a loophole.’” (270) I really wish people would stop acting like Keefe’s this super smart, all-powerful entity that can get out of any situation just because he’s Keefe. More often than not, Keefe is really stupid. He’s certainly not smart enough to figure out a way to escape an ogre dungeon. People need to stop acting like Keefe could get out of anything. It’s just another way Shannon tries to convince us he’s this smart guy, which is another way of propping up his arrogance.
“‘Yeah, Dex told me all about how not exhausting that was last night, when he checked in to tell me how things went for you two in London, while someone was off doing something with Mr. Forkle that was clearly both frustrating and intense—as most things with Forkle tend to be.’” (351) Sophie immediately goes to Keefe, and he subtly blames Sophie for not telling him what happened because of what she was doing with Forkle, which he even admits was frustrating and intense. That is such an asshole move, I can’t even. He literally blames her for not checking in with him because she had an emotionally exhausting day. Wow. It’s like he expects Sophie to be as obsessed with him as he is with her. 
[cut because character limit]
“‘But do you really think you’re going to be able to leave here without telling me what happened with the Forklenator? If you do, you’re going to be sorely, sorely disappointed—and covered in biscuit crumbs.’” (351) Again, Keefe as good as admits that he’d force Sophie to spill if she didn’t tell him what happened with Mr. Forkle. His extortive ways need to stop being glorified and start being treated like the horrific manipulation it is. 
“‘Soooooooo, what you’re saying is, you think I’m the king of bad decisions,’ Keefe said, laughing when Sophie fumbled for an apology. ‘Relax—I know what you meant. I’m just giving you a hard time. And you have a point. I’m not necessarily great at doing what I’m supposed to do and giving people what they want. And I’m not usually sorry about it either.’” (352) Those goshdarned Os. Shannon. Please stop doing that. It’s so annoying. And why is Sophie trying to apologize? It’s clearly Shannon’s way of making Keefe seem somewhat right. But the truth is, Keefe needs to have these hard truths shoved in his face. He needs someone to tell him unapologetically that he makes horrible decisions and he needs to reflect on that and change. And lastly. That third sentence. Keefe literally sounds . . . proud. Of the fact that he’s never sorry. He’s never sorry about his horrible decisions and he’s fine with that. His arrogance extends so much so that he knows he’s made bad decisions and knows that he should apologize, but doesn’t. And then he brushes that off so casually, like Haha, I don’t apologize for my mistakes. Aren’t I so quirky? People who are genuinely trying to be better usually aren’t like that. Keefe's toxicity and refusal to change even when he knows he should is so frustrating. Like he’s completely resistant to change and Shannon thinks that’s cool and badass. It’s not. It’s cringy and try-hard and most importantly, annoying.
“Keefe snatched Fitz’s wrist. ‘I knew it!’ ‘Knew what?’ Fitz shouted, trying to wrench his arm away. Keefe tightened his grip. ‘Shhhhh, let the Empath work.’” (367) Oh, boy. Keefe really is such a manipulative asshole. He grabs Fitz’s hand to read his emotions because he wants to know why Fitz is offering to search his dad’s memories. He really can’t respect his supposed best friend’s privacy, can he? He can’t control himself; when he wants to know something he needs to have it right away. He breaches people’s trust and boundaries. Fitz tries to “wrench his arm away”, meaning that he’s uncomfortable and clearly doesn’t want this. But Keefe instead tightens his grip and forcibly extricates what he wants out of Fitz, even having the audacity to say “let the Empath work”. What an asshole. Honestly. He’s such a piece of shit. He’s a terrible person and the fact that Shannon is romanticizing this behavior is revolting.
“Keefe smirked. ‘I think the moral of this conversation is, females are cruel.’” (369) I know I said I was ready to forgive Keefe’s sexist comments in the first and second books because they likely weren’t intentional in the way they came off (and are more of Shannon’s problem than Keefe’s really, but all of Keefe’s problems are inevitably Shannon’s, so) and they’d been removed from the graphic novel, so it was safe to say that Shannon didn’t want them there on second thought. But this book? It was released in 2019, seven years later. So yes, I’m counting this. And I said this once or twice already, but authors need to stop having male love interests be so casually sexist as a way of making them ““““““cooler””””””. Especially in a world where sexism isn’t supposed to even exist, oh my goodness. 
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“But she couldn’t leave without making sure Keefe was okay. He assured her he would be—and the third time he said it, he almost sounded convincing.” (371) That’s right. Sophie checks on Keefe not once, not twice, but three times to make sure he’s okay. Because . . . his dad’s going to have his memories searched by Fitz. Something that doesn’t even really involve him. But Sophie didn’t show even close to the same level of concern for Fitz, even though he’s clearly going through something with Alvar and Keefe explicitly says he’s feeling a mixture of embarrassment and anger. She doesn’t try to talk to him about it, doesn’t try to make sure he’ll be okay. Nothing. But Keefe has to be pampered and pitied. Of course. It shows another clear prioritization in the narrative of Keefe.
There’s not really a single quote I can pull to show this from Legacy (although there is actually a quote from Flashback page 48 that I have up there somewhere), but Sophie claims she understands all of Keefe’s actions because he’s doing it because of guilt with what happened with his mom. Every reckless decision he’s made was in an attempt to cope with that, right? But now, Fitz is going through the same thing. And not for a single second does Sophie try to apply the same understanding to Fitz about what it must be like to feel guilt and shame over a traitorous family member. Instead, all that spare pity goes to Keefe. The double standards, honestly.
“‘And don’t think I’m going to forget about the E.L. Fudges you owe me,’” (371) It’s a small thing, but Keefe never actually asks Sophie to get him the cookies. He just demands it from her, and now she apparently “owe[s]” them to him. 
“‘I mean, I feel like if there’s one thing Fitzy and I both excel at, it’s making you angry.’” (542) You should never excel at making someone you care about angry. That’s not a good thing. (Yes, this applies to Fitz as well, but at least he always apologizes and makes amends. Keefe, not so much.)
“‘Okay, but just because you guys are smart enough to think of that doesn’t mean the Neverseen are,’ Keefe argued. ‘And even if you’re right, isn’t it worth it to double-check?’” (558) Is he really this stupid. Please tell me this isn’t real. Keefe. This is the Neverseen. Of course they’re smart enough to think of that! They’re always a million steps ahead and for the last seven books, we know that underestimating them leads to terrible things. Keefe’s stupidity is really just so. Ugh. And no. It’s not “worth it” to “double-check” a place where they know the Neverseen frequently go. All Keefe ever wants to do is run straight into danger without a plan and all Sophie (and the narrative) ever does is let him without any consequences. 
“‘Yeah, well, then you proved my mom’s a murderer, so excuse me for freaking out a little,’ Keefe snapped, tearing a hand through his hair.” (559) Freaking out would be understandable. And he is. But Keefe wants to go straight to London to a place where the Neverseen are known to go without a plan just because . . . he thinks it will trigger a memory. No guarantee, he just thinks it will. This guy is so stupid, and I’m so tired of the way everyone in the story (mostly Sophie) just bends to his will. Because it’s Keefe. 
“‘I don’t care about safe or smart right now,’ Keefe added quietly. ‘I care about finding the truth. Just let me walk those streets. That’s all I’m asking.’” (559) No, “all [he’s] asking” is to go to a place where they know the Neverseen go. He also literally admitted that he doesn’t care about safety or being smart. Why the heck does anyone take this guy seriously? He should be put in his place right now, not encouraged. But that’s what the narrative does. Instead of punishing him for his reckless behavior, the narrative instead glorifies it. Not to mention, he’s not supposed to go anywhere the Neverseen could be right now. Because they think they’re trying to kill him. 
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“Mostly, though, she’d seen Keefe like this before—dangling by such a very, very thin thread. There was too high of a risk that it would snap and he’d run off without her.” (560) And when Keefe needs something, everyone needs to bend over backwards to accommodate him. He’s such a spoiled brat and it’s so tiring to watch the narrative justify his actions over and over again. He gets special treatment. As soon as he needs something, even if it goes against every single logical decision that could possibly be made, Sophie will make sure he gets it. Or at least Shannon will. He should not be encouraged, he should be punished for this. 
“‘I know I’ve made huge mistakes in the past, but I’m trying to learn from them—and the last thing I ever want to do is let you down. Okay?’” (568) He says, while going on an excursion to a place where the Neverseen regularly go after blatantly admitting he doesn’t care about safety or being smart. He just wants to get his way. That’s his problem. He’s so emotional, and not at all rational. He can’t see two steps in front of him because all he cares about is himself and what he thinks he can find, and he’s willing to sideline smarter ideas because he still thinks he’s smarter than everyone. So no, he has not learned a single thing. It’s laughable that he thinks he has. And we also get more pedestalization of Sophie, with him saying he never wants to let her down. What about letting Fitz, his best friend, down? What about the rest of their team? What about Mr. Forkle? What about Alden and Della, who he thought of as his own parents? Goodness.
“[ . . . ] she was planning to use midnight as the ‘we need to get home and face the consequences of our actions’ handy cutoff [ . . . ]” (573) It’s worth it to say that Sophie doesn’t want to go to London. She never did. She only goes because Keefe goes, and she knows that he will do something dumb if she is not there to babysit him. She knows it’s a bad choice, but she (rightfully) doesn’t trust Keefe, so she takes the responsibility to make sure they get home safe on herself because she’s knows Keefe will not prioritize that. The fact that she goes is again, another clear show of her lack of faith in Keefe, because all he’s done is do reckless stupid things. To say Sophie trusts Keefe is blatantly false, because if she did, she would not have given into him so easily even though she herself thinks this is a bad idea and she would have trusted that he wouldn’t try to run off himself.
“‘Thanks for the warning, by the way,’ he told Tam. ‘As you can see, it worked super well.’” (579) Keefe is just so. I don’t even have the words. Not only does he not listen to Tam after being warned about a possible attempt on his life, but he literally flaunts his disobedience and stubbornness in Tam’s face. He’s so arrogant, he literally cares about one-upping Tam over the possible attempt on his life. 
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“‘We had her,’ Keefe said again. ‘And Tam would’ve been free if he’d just come with us.’ [ . . . ] Just like she stopped herself from reminding Keefe that when he’d been with the Neverseen, there’d been a moment when he’d chosen to help Alvar escape instead of fleeing with her and her friends. They’d have that conversation later. Once Keefe had calmed down. And once she’d had more time to process what had happened—because even if Tam did have a good reason for what he’d done, it could still end up being the kind of mistake they’d all pay the price for.” (587) Except they never do “have that conversation later”. Shannon loves to drop the ball on important conversations that should take place between Sophie and Keefe in exchange for her forced consolation scenes. Then she says that even if Tam’s “betrayal” had a good reason, they’d still all pay the price. Which she never thinks about when Keefe did a similar thing in Lodestar. She never allows herself to think that Keefe may be in the wrong after Keefe escapes with Alvar and the crystal. Even though Keefe did that of his own free will and Tam was forced. Just. The double standards when it comes to anyone that’s not Keefe. It’s just another example of how the narrative favors Keefe. 
“‘This . . . is the nicest thing anyone’s ever done for me—by a lot.’” (598) Again, with the pity-partying. I don’t understand why Shannon insists on making Keefe wallow in all this self-pity. He takes any opportunity to remind Sophie of just how terrible his life is, even when it’s not relevant, and then we’re supposed to believe he doesn’t want pity? That’s laughable. Why would he keep saying these things if he didn’t want pity or sympathy? That’s not how that works. Also, this statement is objectively untrue. Alden and Della cared for him as much as they could. All the adults offered their places when he didn’t know where to go. But, once again, Keefe only cares about what Sophie does for him. He takes everything else for granted. It makes him come off as whiny. I think offering your place to stay is a much better favor than getting someone cookies, but okay. Why must he be such a pity magnet?
“‘I mean . . . the next time I see Bangs Boy, I’m going to kick him somewhere extra sensitive.’” (598) For what? For helping Gisela escape? Like Keefe did with Alvar when he was with the Neverseen? Oh, what a hypocrite. By that logic, someone should kick Keefe, since he did much worse things. Here’s a list: compromising Alluveterre, giving up his blood, freeing Alvar (which probably wouldn’t have mattered, given the whole Lumenaria thing, but Keefe didn’t know that at the time), being wrong several times about the Neverseen going after Grady and Edaline, giving up the cache and bringing back fakes, and giving Sophie the tracker that led the Neverseen to her and Fitz. Where’s his punishment for all that? Why is everybody so ready to forgive him? Of course, Sophie doesn’t call Keefe out for any of that despite saying she would not even fifteen pages ago (the quote from two bullet points ago). 
“‘If you have other things to do—’ Keefe tried to tell her. But Sophie shook her head, channeling Sandor when she told him, ‘I go where you go.’” (625) Sophie then sidelines her duties for Keefe’s incredibly stupid mission to find two black bottles from literal years ago. When I say the narrative favors Keefe. This is what I mean. Sophie puts Keefe above her team. She cares more about his ill-fated search for the bottles than she does about her own job. Shannon. Stop acting like everything Sophie does when she blatantly puts Keefe above everything is justified. 
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“‘Uh-uh, Foster. You’re not making me sit all this out.’” (643) Keefe is really so dumb that even now when he has all the information, he still wants to go running straight into danger. And I think this is a good time to talk about one other thing. You can count on two things when it comes to Keefe. One: He’ll always throw a pity party for himself and mope around and whine and cry and be all It’s all my fault, woe is me, and then immediately follow that up with a “I don’t want your pity”, as if that lessens his pity-partying, and two: He’ll always want to be in on the action because he thinks he’s smarter than everyone else, although he’s usually the stupidest person in the room. However, these two things are directly contradictory. If Keefe really thought everything was all his fault, he would volunteer to sit missions out. He would say that he’s a liability and that he’s trying to work on himself and that he wants to make sure he won’t fuck anything else up, so he’d want to sit out things like this to ensure he didn’t mess everything up. That’s how I know he doesn’t actually care about anyone but himself and his wishes, and that he’s just trying to make everyone feel bad for him when he brings up how everything is his fault. If he really did want to change and improve, he’d do some self-reflection, realize he’s always the problem, and tell everyone that he’s going to not go into the field so he doesn't mess everything up like he always does. Yet, he’s the opposite. He always wants to go straight into the action without a thought or plan. When he throws his pity-parties, he never explains to Sophie how he’s going to stop himself from messing everything up again. He just says “I’ll do better, I’m trying to be better”, and then he just leaves it at that. If he truly felt that everything was his fault, he would not always think he’s smarter than everyone and override everyone’s plans with his own. Bottom line is: Keefe’s a massive hypocrite. Every single thing he does or says is in stark contrast to something else he says or does. And the narrative just lets him get away with it, every time. He is so frustrating. 
“‘You won’t be missing out on anything, except watching me fail epically at being Team Valiant’s leader and Fitz’s girlfriend,’ ‘You’re not failing at either of those things,’ Keefe assured her quietly.” (644) Oh, she definitely is. And Keefe is a major part of that, too, because Sophie favors him over everyone, including Fitz and her team. But that’s not his fault, it’s the narrative’s. What is his fault is telling Sophie that she’s not bad at these things. Good friends know when to call out their friends on their bad behavior. They don’t instead tell their friends to stick their head in the sand and ignore it. They don’t pedestalize their friends to such an extent that they are incapable of believing they could ever be in the wrong. This is an extreme example, but if your friend was an alcoholic, would you tell them that everything’s fine and that they aren’t failing miserably at life because they’re drunk before ten in the morning everyday? No, because good friends know when to call their friends out. They don’t encourage it or sugarcoat it. If Keefe would stop pedestalizing Sophie, he would tell her that yes, this is all her fault, actually, and he would assure her that she can still fix her mistakes and might even give her pointers on how to do that. But Sophie is failing at these things. It does nobody any good to pretend she’s not. Navigating this miserable minefield of a forced consolation scene and getting to this quote actually made me put down the book and laugh. Because seriously. How is this real? How?
“And Sophie started to shake her head, but he reached up, gently grabbing her chin.” (644) Another example of Keefe creepily touching Sophie without her permission. It’s not okay, even if they’re close.
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“Sophie closed her eyes, taking a second to remind herself that Fitz had every right to be upset. But for some reason that felt hard to believe at the moment.” (675) There’s no real quote that goes with what I’m about to say, so this’ll have to do. This has more to do with the way Keefe is written rather than the character himself. When Keefe has a reason to go batshit, Sophie’s there with him, usually in an atrociously written forced consolation scene, comforting him and telling him it’s not his fault. When she’s not, the narrative at least justifies his actions a considerable amount. Most other characters don’t get that same treatment. For example, Fitz. Fitz told Sophie and Keefe both (well, actually, it was forced out of him by Keefe, but details, am I right?) that he was searching for Alvar. It’s that same mix of guilt and frustration and anger and embarrassment (the last two are canonically confirmed, page 367, I have the quote up there somewhere) that causes him to embark on this quest. Sound familiar? That’s exactly what Keefe feels with regards to his mom, and his feelings manifest as reckless decisions. They make him stupid. They make him overly emotional. They make him dangerous. And most notably, they make everyone fall over themselves trying to feel sorry for him. Of course, Keefe does deserve some sympathy, but the amount that the narrative showers on him is completely over-the-top. Where is that treatment for Fitz? He embarks on a mission to find Alvar to relieve himself of those same feelings, which isn’t viewed with nearly as much sympathy as Keefe’s reckless decisions to do the same with his mother are viewed with. Then when Keefe and Sophie take over his project and completely screw him over, then literally let Alvar go which is exactly what Fitz has been trying to avoid which they are fully aware of without even getting Fitz’s permission, the narrative makes Fitz out to be the bad person. He’s just trying to do the same thing Keefe is, in a less reckless, dangerous, stupid, and emotional manner, may I add, and he’s instantly villainized for it. How much do you want to bet that if this exact thing had happened except it was with Gisela and Keefe, the narrative would have tripped over itself to justify Keefe’s (rightful) anger? Oh wait . . . it already did. With Tam in London. I almost lost sight of that moment among the mashpot of similar moments that are all designed to heap as much sympathy as possible onto Keefe. That’s what I’m saying. Most people don’t care as much about Fitz’s feelings as they do Keefe’s, not because his feelings aren’t valid, but because the narrative drains any excess sympathy you might feel for him and dumps it all onto Keefe. It’s nothing but biased writing. 
“‘I mean, how hard is it to shape a threat into a clever couplet or two?’” (694) Shannon needs to stop making the same joke about rhyming notes. Also, Keefe once again demonstrates a lack of seriousness during a crisis.
“[ . . . ] ‘you don’t have to worry. I’m not going to let my mom hurt anyone.’” (694) As if he can control who his mom hurts. You would think he would’ve learned that by now, but it’s Keefe. I am not even close to being surprised. Also, another example of a forced consolation scene with no point! Yay!
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“‘Did I not mention?’ Keefe called from somewhere in the shadows. ‘I brought friends.’” (729) Exactly. So he didn’t have to come. He claims he came to help out with an exit strategy using Linh’s dwarven bodyguards, right? So really only Linh was necessary here. Keefe didn’t have to come at all. His excuse was pathetic. He really can’t stay out of the crew’s way, even when everyone, including Keefe himself, agrees that it’s the best plan. But he can’t help but hijack their shared plan for his own. Sound familiar? That’s right, it’s what he did in Nightfall and so many other books and claimed to be learning from. But this right here is proof that he didn’t learn anything. The crew’s entire plan hinged on the fact that Keefe wasn’t going to be in Loamnore. That was the whole point. So by coming, Keefe didn’t just trip up a few small details, he literally ruined their entire plan. He didn’t have to come, he came because he wanted to. Because, once again, he really thinks he’s smarter than everyone. His arrogance never fails to astound me. 
“And she wondered how much it had cost Tam to give her that warning about Keefe. How desperate he’d been to avoid the exact situation they were now in.” (740) And Keefe knew that. He knew exactly what it would mean for him to come to Loamnore after explicitly and clearly being told not to. He’s literally that ungrateful of all the warning attempts, all the ways Tam risked his life to deliver them, and completely takes Tam for granted. He’s a horrible excuse for a person, honestly. 
“‘I know,’ Keefe told him. ‘And I tried to listen.’” (744) What does that even mean??? Excuses, excuses, excuses. He could’ve listened if his head wasn’t so far up his own ass. Once again, the “reason” that Keefe came to Loamnore was because he realized they didn’t have an exit strategy, right? But the exit strategy didn’t need him. It needed Linh’s bodyguards. He was completely and utterly unnecessary.
“Keefe slept through the next day—and Sophie chose to stay in the Healing Center with him.” (774) Which she never does for anybody else. Not Fitz in Neverseen, not Biana in Nightfall. As a matter of fact, she never even checks in with Biana on-page to see how she’s doing after the Nightfall incident. More examples of Sophie and the narrative favoring Keefe to such an extent it’s ridiculous. And of course, Sophie will neglect several things and people because of this. And it’s even worse because Keefe brought this all upon himself, while Biana and Fitz didn’t.
“Victory? Didn’t they care about what happened to Keefe?” (776) The narrative is so caught up in what happened to Keefe that it’s completely biased. What happened in Loamnore was a victory. Everyone survived and Enki was made to pay for what he did. That is literally a victory. But as soon as something bad happens to Keefe, that’s enough to make it so that it’s not??? It’s another example of biased writing. 
“He hadn’t woken up the next day either—the third day—even after Sophie decided to transmit the plea over and over.” (778) Sophie literally stays in the Healing Center for three days to look after Keefe, who’s not even awake for her to talk to or cheer up or anything. So she’s effectively wasting time, but of course the narrative doesn’t see it that way. How else will Keefe get his special treatment? How else will Sophie neglecting everyone for Keefe be justified? It’s honestly such an insult to both Sophie and Keefe as characters. Keefe is favored far too much by the story and it’s very obvious that Sophie would do several things for him that she wouldn’t for anyone else (and vice versa), like stay in the Healing Center with him while he’s unconscious for three days just wasting time. 
Unlocked Part One (Sorry, I only finished everything up until the novella. Part Two coming soon, I guess?):
First of all, I have to say that Keefe’s editing of his file is just ridiculously immature, even for a sixteen(?)-year-old. It’s very obvious that Shannon did this because people like Keefe so much and because she’s trying to make Keefe seem “cooler” and more of a bad boy. Personally, I find the attempt hilariously pathetic, but it probably landed with most people, so. And his edits are so boring and unwitty, too. Typical Keefe.
“SPYBALL APPROVAL: None [BUT I HAVE FRIENDS WITH CONNECTIONS, THAT’S ALL I’M SAYING. . . .]” (92) Why would you. Say that. In an official file. And purposefully cast suspicion on people around you. Why.
“SIGNIFICANT CONNECTIONS: [ . . . ] [SWORN PROTECTOR OF THE MYSTERIOUS MISS F]” (93) I would say this is probably a joke, but given Keefe’s attitude throughout the series, It’s very clear that it’s not. Why would you embarrass yourself like that in an official government file???
“[[ . . . ] SHE THINKS SHE’S WAY SMARTER THAN SHE IS. [ . . . ]]” (93) Oh, I think she’s pretty smart. Gisela’s shown time and time again that she’s capable of outwitting and manipulating people into doing what she wants. Meanwhile, here’s Keefe, a stupid teenager, who, by the way, as of this point hasn’t gotten the better of her even once. So I’m not really sure how much we should be believing this guy.
“[[ . . . ] ‘HE KNOWS FOSTER BETTER THAN YOU DO! BETTER THAN SHE EVEN KNOWS HERSELF’?]” (94) I- I don’t even have the words. This is the cringiest thing I’ve read today. Possibly the cringiest thing I’ve read this year. Why is he saying this weird shit in an official government file??? Is Shannon really that desperate to show us that Keefe has a crush on Sophie??? Also, nobody knows anyone better than they know themself. To say that is to write off someone’s feelings. Sophie will always know Sophie better than Keefe knows Sophie. That’s just how it is. Also, this section is about his empathy, nothing to do with Sophie. But see how his mind jumps right to her and immediately connects her to it? That's a textbook sign of obsession and pedestalization. Sophie has nothing to do with his strong empathy. But he brings her up anyway. That’s not a good thing. 
“[THOUGH . . . KEEPING IT REAL? THE FOSTER OBLIVION CAN BE KINDA NOT COOL SOMETIMES.]” (94) Why the hell would you say that in an official government file??? Also, the fact that he thinks the “Foster Oblivion” is not cool . . . like that’s literally none of his business??? God, I wish people would stop harping on Sophie for being oblivious. It’s literally none of their business and also not a bad thing. Sophie can decide what she wants or doesn’t want to believe.
“[BUT THE REST OF THE STUFF IN THIS SECTION IS SOOOOOOOOOOOOOOOOOOOOOO GETTING REDACTED. SERIOUSLY—BOUNDARIES, PEOPLE! FOSTER’S AMAZING—AND OBVIOUSLY WORKING WITH ME MAKES HER EVEN MORE AMAZING. . . . ]” (97) First of all, counting out all those Os was hell (there are twenty-two). Shannon really needs to stop doing that. That’s what italics are for. Second of all, “boundaries”? Oh, wow. This is so funny, considering all the times Keefe violates Sophie’s boundaries all the time. So not only does he encroach on her space, now he’s a hypocrite. He (rightfully) thinks it’s weird that the Council have an entire section speculating on their relationship, but then in a previous section he says that the Foster Oblivion can be “kinda not cool sometimes”? What?
[cut because character limit]
“[[ . . . ] FOSTER GETS TO DO WHATEVER SHE WANTS, OKAY? SHE CAN LIKE WHOEVER SHE WANTS OR BE CONFUSED ABOUT WHAT SHE’S FEELING. SHE CAN EVEN BE OBLIVIOUS—IT’S HER LIFE. HER CHOICE. AND EVERYONE NEEDS TO STAY OUT OF IT.] [EVEN ME.] [ESPECIALLY ME. I WOULD NEVER WANT TO . . . ] [NEVER MIND. MY POINT IS, LET THE POOR GIRL FIGURE THIS OUT ON HER OWN. [ . . . ]]” (98) If you’ve seen withcindy on YouTube, you probably know about the whole “It’s your choice” thing and how Rhysand invented feminism. If you don't, I highly recommend watching her ACOTAR videos. They’re hilarious. Anyway, that’s what immediately came to mind when I read this scene. Aw, how noble Keefe is. I really wish Shannon would stop beating the audience over the head about how good and sweet and pure and selfless and kind and amazing and spectacular and perfect and angelic and endearing Keefe is. Like Shannon, show not tell. Every time Shannon wants us to see how perfect Keefe is, she just makes him spit out some bullshit that nobody would realistically say. Then he just turns around and continues with his shitty actions, and Shannon thinks that makes him the perfect guy. No, it does not. He’s honestly giving fake-woke vibes with this word vomit. You know, the kind of people that say all the right things but never put it into action? That’s Keefe. He claims everyone needs to stay out of her life because it’s her choice, but then he goes around reading her emotions without her permission and extorting information out of her that she isn’t comfortable sharing. What a hypocrite. Honestly, Sophie should be running. He then says to let Sophie figure it all out herself and even he shouldn’t interfere, which directly contradicts all the times he himself interfered and made jokes about Sophie’s romantic life for his own amusement. More hypocrisy! Love this guy.
“[[ . . . ] I DIDN’T FIGURE IT OUT FAST ENOUGH, AND SHE USED ME FOR A WHILE. BUT THAT’S ALL DONE NOW, AND IT’S ONLY A MATTER OF TIME BEFORE I TAKE HER DOWN. LET’S MOVE ON, SHALL WE?]” (98) Here, we have a serious contradiction. We’re constantly told Keefe feels overwhelming guilt at his mother’s betrayal (for what reason, I can’t fathom, but whatever) and that he thinks he messes everything up. But at the same time, he’s also easily able to brush right past it and claim that at some point he will for sure “take her down” (because his arrogance is the only thing that can trump his guilt). 
“[[ . . . ] I REALLY DON’T NEED ANYONE REMINDING FOSTER HOW MAD SHE WAS AT ME. [ . . . ]]” (100) Another example of the section having nothing to do with Sophie (it’s about him becoming a Mercadir), yet Keefe still somehow managing to drag the topic of Sophie’s anger at him into it. She’s on his mind all the time. I cannot emphasize enough how strange it is to think this is a good thing. It’s not romantic, it’s obsessive and borderline creepy. Also, Sophie is not going to read this file. Calm down, Keefe.
“[WHY IS THERE NOT A SECTION ON MY AMAZING HAIR????]” (100) Have some more old-school, cringy Keefe “humor”. Ah, it’s just like the good old days when he would talk about his hair almost non-stop.
[cut because character limit]
“But I was only half listening because she gets this cute little crinkle between her eyebrows when she’s trying to be serious, and it makes me want to reach up and smooth her forehead with my fingertip—and I’m betting she’d think I was super weird if I did that, since it’s not like she’s my . . . ” (481) Yes, this is an actual thing Shannon wrote that got past the editors without anyone dying of cringe. First of all, I hate the way Keefe talks about Sophie. She’s just this soft, kind of ditzy, child-like sort of figure in his head. He admits that he doesn’t care what she has to say, he just cares about how adorable she looks while she says it. This is a textbook sign of a toxic relationship. You should care about what your partner/crush says, because that shows that you see them as a person, not as your personal cover model. Also “trying to be serious” paints Sophie as this impudent little child who’s trying to get the attention of the older, more experienced adults and it very much implies that Sophie is not serious, but awwww, look how cute she looks trying to be serious, isn’t it adorable? Except Keefe and Sophie are the same age. So this is another case of textbook infantilization. I hate how this is made out to be normal and healthy in this series, it makes me so angry. And that last part isn’t anything specifically bad but it reads very oddly and is not at all the way real people think. What the heck.
“Pretty sure I’m just stalling, because this feels kiiiiiiiiiiiinda pointless.” (481) Not a Keefe-specific thing, but Shannon needs to stop stretching out her words like that. Especially since he’s literally writing this. Who writes like that??? Just underline it please, Shannon.
There’s a whole paragraph here on page 482 (if I had a digital copy I would copy-paste it here just to show you how cringy and long it is, but sadly, I don’t) which is clearly Shannon just trying to make Keefe look smart while also rubbing his daddy issues in our faces so we can drown in our pity for him. It’s not funny, which I assume it was meant to be. It comes off really, really cringy.
“I’m sure I’ll be digging into my mess of mommy issues soon enough. For now, let’s get back to the day Daddy Dearest met the Mysterious Miss F, shall we?” (484) Correct me if I’m wrong, but the point is this whole draw-memories-and-write-about-them thing is to try to find stuff Keefe’s mom might have erased from his head, right? So why is he completely sidestepping that very valid quest for a deep-dive into his daddy issues? This is not an issue I have with Keefe the person, but rather the way he’s written. Shannon sidesteps what makes logical sense for the story in order to fluff up the story with more Keefe content. In other words, the story’s coherence and logic is sacrificed for more Keefe page time where it doesn’t make sense. And I’m sick of it. It’s ridiculous, and nothing short of shameless fanservice.
“Once they do, they either feel awkward, or weird, or they start pitying me for having such a horrible family.” (485) Maybe if you wouldn’t talk about it all the time and rub it in people’s faces all the time, people would pity you less, hm? (And I am not saying Keefe shouldn’t talk about it, by the way. I'm just saying talking about it so much is not indicative of a person who wants to repress this or doesn’t want people to pity them. If Keefe truly didn’t want anyone’s pity, he wouldn’t keep bringing up his family all the time when it’s not necessary. But he does. It’s really contradictory. Pick a lane, Shannon.) It’s very clear Shannon only has Keefe constantly talk about how much he hates everyone’s pity because she needs to hide the fact that half the time, he’s the one committing that particular act. 
[cut because character limit]
“Thankfully, Foster didn't do that. She just felt sad—and a little bit indignant. And if I hadn't already known I liked her, I would’ve—” (486) First of all, what? Sophie has pitied Keefe for his horrible family several times over the course of the story. It’s constantly shoved in our face as every single other character takes a backseat in the story because poor, precious Keefe needs his pity from the audience, remember? So he’s not even right. Also, how is feeling sad for someone significantly different than pitying them? In both cases, you understand what the other person’s going through and wish it weren’t that way. You feel sorrow at the other person’s suffering. Pity is bad, but feeling sad for someone is good? What? Shannon’s really out here in the trenches trying to make Sokeefe sail off of weird, irrelevantly tiny details and minute differences like this. Keefe literally says that if he hadn’t already liked her, he would’ve started liking her . . . because of that completely insignificant difference. What. What, what, what. The entire point of this horrifically put-together explanation of the memory is to push Sokeefe. Please, can we please involve Keefe in something that isn’t designed to push Sokeefe? That last sentence . . . nobody talks like that. Certainly nobody writes like that. I think it’s supposed to be cutesy, like awwwww, look at poor Keefe with his adorable crush on Sophie, he’s so down bad, but it comes off so weird.
“[ . . . ] I guess that might’ve also had something to do with the bumps and scrapes and broken ribs I got when Mommy Dearest and her Neverseen buddies showed up and tried to steal Silveny. [ . . . ] But that’s not what this memory was about.” (486-487) Once again, we are veering in the exact opposite direction of what the point of this all is. Why do we care about Sophie and Keefe on an alicorn? What exactly does that have to do with Keefe searching for memories his mom might’ve taken from him? Nothing. It’s just another example of Keefe and Sokeefe being pushed above all sense and logic. It’s ruining the cohesiveness of the story. Why do we care? What is the point? 
“All I did was make a bunch of jokes to distract her—and it was super fun feeling her get all annoyed and embarrassed. I mean, look at that adorable blush! I could see it even with the moonlight washing out most of the color.” (488) Keefe’s thoughts about Sophie are truly heinous. He enjoys annoying her and embarrassing her, even back then, when he didn’t really know her that well? Wow, sign me up! I love it when guys annoy and embarrass me. Makes me feel really great. Definitely makes them well-rounded and grounded in reality. I suppose the comment on Sophie’s blush isn’t infantilization in this case, but the way Shannon tries so hard to push Sokeefe at every moment possible is really grating on me. And that last sentence. Who talks like that??? “I could see it even with the moonlight washing out most of the color” what the heck. Why does he talk so stilted like that??? Who. Talks. Like. This.
[cut because character limit]
“In fact . . . if I’m keeping it real . . . I’m pretty sure that blush is the reason I drew this memory. [ . . . ] That was the first time it felt like . . . maybe I had a tiny shot at making this brave, beautiful, blushing girl like me. [ . . . ] But there’s a teeny, tiny chance. And that’s enough. For now.” (489) This all feels so incredibly forced, like Shannon wants so desperately to show you why Sophie and Keefe would be so good together before she actually puts them together. It’s such an insecure way of writing. You shouldn’t have to spoonfeed your reader with weird rambles to show why a pair clicks. The readers should be able to see that themselves through the genuine, candid interactions you write. Through their dynamic. Through their relationship. But Sophie and Keefe’s relationship is chock full of boundary breaching, constant annoyance and embarrassment, and a lack of trust. So spoonfeeding it is! Also the way Keefe thinks about Sophie is just so. Ew. To me. Like it’s so over-the-top for no reason. Nobody thinks like this, even about their crush, even about their long-term crush, even about their long-term crush who they really, really, really like. I cannot believe this got past the editors, I am dying of cringe here. Also, I really wish Keefe would stop tacking “for now” at the end every time he talks about who Sophie will pick, because it really undercuts his supposed support for her choices. What, sometime in the future, he’ll feel like a chance isn’t enough? That’s what that “for now” is giving.
Keefe: I don’t want your pity. Also Keefe: “It’s super, super fun to be me, isn’t it?” (491) (Yes, I am aware that he said this in a private journal. But he says plenty of stuff like this out loud, too. So yeah, he really is just an overhyped pity magnet.)
“Any trust I was supposed to earn from handing over Kenric’s cache vanished the second Sophie did. And I knew the Neverseen were never going to trust me.” (494) He knew that from the start? And didn’t just leave after that? He knew his plan was hopeless and still went along with it. I know I’m beating a dead horse but somehow this makes his plan even stupider than it already was, which is pretty stupid. He literally knew his plan was bullshit. And he still did it. Because he wanted to “save[] the day and fix[] everything” (493). What the heck. Keefe is just. I don’t know how this is a real character. He is just so infuriatingly stupid, I’m actually speechless.
“And I’m pretty lucky no one got seriously hurt, and that Foster forgave me. I wasn't sure if she would.” (494) She really shouldn’t have, not without some serious work on Keefe’s part to gain her trust back. And what has he done since then? Oh, right, he’s hijacked their shared plans, refused good medical advice until he was forced to, extorted her feelings out of her, spilled personal secrets, and not agreed to stay away from the Neverseen when they thought they were specifically gunning for him. Where has he ever done anything to show even the slightest bit of development? He’s basically the same Keefe. No growth, no change. It really is a miracle that Sophie forgave him. Oh, wait, no it’s not. Because Shannon’s writing the series, and she needs Sokeefe to happen. Right. I forgot.
[cut because character limit]
“Sometimes I still worry that some tiny part of her holds it against me. That she’ll never fully trust me. That she’ll always see me as the guy who betrayed her and stole from her and ran off with the enemy.” (494) This would be really cool to explore if it was actually done. Sophie holding this against Keefe and struggling with that in the aftermath of Lodestar would be an awesome way to develop their relationship and have them overcome that hurdle and give them both some much needed development. But we know that aside from a single line at the beginning of Nightfall, Sophie never really blames Keefe. She just immediately forgives him for his time with the Neverseen. It’s pathetic writing. Something like that should have consequences. But it doesn’t, because then our poor Keefe will have to be *gasp* villainized. There could be this whole arc about how Sophie doesn’t trust Keefe the same and it impacts their relationship subtly and both of them feel it but don’t want to talk about it and it’s this giant, gaping hole. Then finally there’s a climax where Keefe confronts her about it and maybe she yells at him and he agrees that he’ll do anything to get her trust back. Then he does it. He does the smart thing, takes the smart advice. And he learns. He understands what he did was wrong and is truly a different person now. Honestly, the fact that Shannon explained this out shows me that she’s aware the possibility of this arc exists, but unfortunately, didn’t actually put it into action. Would it have been the most original conflict ever? No. But it would’ve been much better than whatever this dumpster fire of a lack of an arc she actually wrote is. I think I might’ve genuinely enjoyed Sophie and Keefe as a couple if she’d just made them have some distrust that they overcome through genuine work and growth.
“I make myself remember that expression every time I have to be around Fitzphie. It stops me from screaming, DON’T PICK HIM—PICK ME. [ . . . ] I did that. Not sure I deserve to be forgiven.” (494-495) One thing I really don’t get is why we need this commentary. Half the actual novella is written from Keefe’s perspective. I’m sure Shannon could’ve snuck in something to this effect into his actual inner monologue. Instead, we get this incredibly unsubtle, beating-over-the-head of a pity party. The implication here is that Keefe feels if he hadn’t made so many mistakes, he would’ve been a better partner for Sophie than Fitz, which is not his right to decide. Even if Keefe was a perfect angel who’d never made any mistake ever in his life, Sophie still has the right to choose who she wants to be with. Being a perfect person doesn’t automatically make you entitled to a romantic relationship. So the fact that Keefe thinks this is just so icky and gross. Seriously, the only thing stopping him from being unsupportive of Sophie and Fitz’s relationship (who are his friends, may I add) is the reminder of his own mistake? So if he hadn’t made that mistake he would shamelessly think he was a better choice for Sophie? This is borderline “nice guy” behavior. Then at the end he throws himself a pity-party as a little cherry on top, but of course he doesn’t actually think that, because if he was truly worried about whether he should be forgiven or not he would try to be better. Listen more. Deflate his head a little. Stop thinking he’s the smartest one in the room all the time. But he doesn’t, because he doesn’t care. He is a walking contradiction, the definition of a hypocrite. He annoys the shit out of me.
Also this memory contributed nothing to finding his erased memories and was instead just another vehicle to beat us over the head with Sokeefe content, which makes the Everblaze memory the only one that has actual significance to the task at hand so far.
[cut because character limit]
“I almost lost her. And if I had, it would’ve been all my fault. All of this is my . . . ” (497) Keefe go one page without throwing yourself a pity-party challenge (impossible). Seriously, instead of blaming himself for things that are his fault and that he can learn and grow from, he blames himself for this??? I don’t know how Shannon is even coming up with this stuff. But how are we going to get our pity-parties, no matter how little they make sense, if she doesn’t pull drama out of her ass? Also, once again, this memory has nothing to do with Lady Gisela or Keefe’s erased memories or anything to do with his condition at all.
“That’s been my plan for a long time—and not because I don’t think she can take care of herself. Because she shouldn’t have to. She’s dealing with enough pressure and responsibility and people trying to kill her. If there’s anything I can do to make things easier for her, I’ll do it. No matter what.” (499) I really wish Shannon would stop beating us over the head with all the reasons Sophie and Keefe are perfect for each other. Stop spoonfeeding us, Shannon. If they really do go together well, we’d be able to see it from their bond with each other. We don’t need to have all the reasons they should be together listed out in front of us like we’re reading a textbook. Shannon makes Keefe say all the perfect relationship green flags, as if any normal person talks, writes, or even thinks like this. This is an amazing example of Shannon’s tendency to tell, not show. Now that we’ve covered the tell, let’s talk about the show. Keefe feels the need to take care of Sophie because “she shouldn’t have to”. Okay, but that goes beyond just her physical health. What about all the times she’s wondered what stupid shit he’s going to do next and worried about him? What about her constant need to babysit him so he doesn’t do something dumb? What about the fact that she’s started giving into his plans because she knows she can’t stop him (when they go to London, for example)? Does he care about her enough to think about how his decisions might affect her? Is he even really taking care of her in any effective way? Oh, and this next part actually made me laugh out loud. Sophie’s dealing with so much pressure and responsibility, what if I made that worse by constantly doing stupid things and making her not trust that I’ll listen to good advice? What if I made that worse by making her constantly worry about me because she can’t trust that I’ll do the smart thing? “No matter what”, my ass. If Sophie asks him to sit something out, he doesn’t. If Sophie asks him to obey good medical advice, he won’t. If Sophie comes up with a plan with the group, he ruins it. He’s clearly not willing to do even the most basic things for her. Again, telling us this doesn’t make it true, Shannon. If you look at Keefe’s actions throughout the story, they tell a very different story. When has Keefe ever done anything to make Sophie’s life easier?
Also, this is another memory that doesn’t add anything to Keefe trying to trigger his lost memories. Just more Sokeefe propaganda. Yes, I’m calling it propaganda, because as I’ve hopefully made painfully clear, often the things we’re being told in this commentary thing don’t align with Keefe’s actions throughout the story.
[cut because character limit]
“Or the fact that I was only there because Alden basically asked me to join Team Fitzphie. (Yeah, I know. I wanted to say no. But I said yes for her. She deserves to decide what she wants—even if it’s not me.)” (500) Even if it’s not you? How generous of you to make that clear, Keefe. Sure, Keefe’s above the bar, but the bar’s in hell, so I don’t really know how much that means. Also, he only came because of Sophie? Sophie? The trial wasn’t even personal for her. It was personal for Fitz, his supposed best friend, and Biana, who he apparently thinks of as a sister. And he came for Sophie? Keefe’s gargantuan tendency to pedestalize Sophie and revolve every single one of his decisions around her strikes yet again. He wanted to say no, and the thought of Sophie changed his mind. Sophie. Not Fitz and Biana, for whom this would certainly be a strenuous occasion. Sophie. Goodness. 
“Pretty sure that’s what my mom is counting on. . . . And before I go any farther down that depressing thought-path, let’s move on.” (501) Isn’t that the point, though? To think about his mom and try to see if that triggers anything important? He really should go down that path. Why does Shannon keep sidestepping the actually valuable point of this exercise in favor of . . . whatever the heck it is that I’m reading???
“Pretty sure that proves this project is a waste of time. It hasn’t triggered any new memories. I haven’t learned anything new about stellarlune, or those humans my mom killed, or the letter I delivered, or anything else. Seems like a pretty epic fail. But what else is new?” (502-503) No??? Keefe cannot be this dumb. I refuse to believe it. Maybe the reason the project failed was because . . . none of the memories you chose were of your mom or anything to do with her projects, with the exception of the third and last one, and in those cases the connections to the behind-the-scenes of his mom’s projects were so vague that it’s hard to get anything solid. We know for a fact that Keefe drew the human guy holding the letter. Why didn’t Keefe try to write about that? That actually has a connection to his mom’s project. Same things with the shattered memory they discovered. The memory he remembered about his mom using a starstone to leap to Nightfall. The memory of his mom talking to Brant and Alvar. Anything actually connected to what he’s trying to find. No shit you aren’t going to remember stuff about stellarlune if you draw and write about riding an alicorn with your crush. Are we being for real right now??? And yeah, Shannon could’ve done any of the things I just described. This Keefe-draws-his-memories-and-comments-on-them concept is actually a great idea, Shannon just used it in the worst way possible: to push Sokeefe instead of actually using it for its intended purpose. Imagine how cool it could’ve been if we got a drawing and commentary on the letter or the starstone, or even anything Keefe may have seen during his time with the Neverseen. This is such a waste of potential it pains me. I really wish Shannon would stop sacrificing logic for the love triangle. It’s ruining the story.
Congratulations, you made it to the end. That must've taken you at least a few hours. Go drink some water. I'm going to make a Part Two after Unraveled's release, so. That's a thing.
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cameronspecial · 1 year ago
Text
Thorn In My Side, Rose In My Hand (Part 6)
Pairing: Rafe Cameron x Reader
Warnings:  Under Age Drinking, Under Age Marijuana Use, Violence and Displays of Toxic Relationship Acts. If I missed one, please let me know.
Pronouns: She/Her
Word Count: 3.1K
Summary: Rafe throws a party in an attempt to see Y/N. Y/N finds out a heart breaking truth. 
Masterlist
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Rafe knows Y/N is ignoring him. No matter what he tries, she never so much as utters a word in his direction. So he is giving her some space. He could say that he isn’t throwing a party for the sole purpose of hopefully seeing Y/N for a split second if she chooses to come, but he’d be lying. Normally, he goes from room to room to check on people. Today, he is in the kitchen, guarding the stuff he bought specifically for Y/N in case she shows up. He sees someone reaching for the hard kombucha in the fridge, “Touch that can and I will throw you out of my house faster than you can say kombucha.” The person quickly closed the fridge and exited the kitchen. “You better not be opening that Oreo package,” he threatens to Mason, who Rafe knows has been eyeing the package. 
“Dude, come on. I told you that she isn’t coming. She went to something that Wilson is holding. It sounded fancy. So let me just have one, please,” Mason begs while he inches toward the package again.
“Still you never know. Maybe she’ll get bored and stop by?”
“I love you, dude. And I want to see you guys together, but I think it’s time to call it. I don’t want you to get your hopes up.” 
“I know my chances. I still have hope though. We are meant to be, I just know it.”
———
Y/N sits at the dinner table with all of Wilson’s friends. He is having a dinner soirée. Honestly, Y/N is bored out of her mind, but Wilson is her boyfriend and this is typically a girlfriend's duty. La Bleue Fleur is catering and the topic of conversation is that uninteresting Civil War documentary that Wilson made her watch.  Y/N is pushing around the leftover garnish on her plate as she is the first person to finish eating. “Y/N, what did you think of Timothy Satonis’ masterpiece?” Allen asks, looking toward the girl. She is caught off guard by the question because she has mostly been left out of the conversation. “Uhh, not gonna lie, I zoned out during the movie. Docs really aren’t my thing,” she replies to the group, which causes them to look at her with horror in their eyes. The group is awkwardly silent for a second before Wilson directs the conversation to something Y/N can be involved in, “Did you guys know Y/N is Cassie Y/L/N’s daughter?” 
This sparks a conversation between the dinner guests. “Have you met her?” Hailey questions excitedly. Wilson smiles with pride, “Yes, I have. We met when I took Y/N to Midsummer. Later on,  I gave her a manuscript of my book when I visited Y/N’s house the other day. Hopefully, she can pass it on to her publisher and it gets published.” Y/N finds it strange that Wilson would say it like he was the one to ask her to Midsummer when in reality she is the one to ask him out. “That is an amazing idea. Y/N, what is your favourite book of hers?” Josh inquiries. “Um, probably Murder in The Deep. The series is inspired by my love of murder mysteries and the main character, Arabella, is modelled after me. So it feels pretty personal and sentimental to me. She even mentions me in the dedication and named a murder victim after me.” “I see. Wilson did not tell us you were one of those types of readers,” Josh remarks with judgement in his tone. She turns towards Wilson to see if he will stand up for her. He doesn’t, so Y/N once again zones out as everyone else continues talking about her mom like she is not there. She feels a little uncomfortable, but she doesn’t say anything to avoid making anyone else feel the same way. 
After dinner and dessert are finished, the evening continues in the family room with a game of trivia. Y/N is usually good at trivia as she is on track to being valedictorian and she loves to know random, obscure facts. However, this game of trivia is all related to the same topics, which bore her to death. “If you’re a fan of Ella Fitzgerald, Benny Goodman, and Miles Davis, which museum in Kansas City will be music to your ears?” Allen reads from the card. Hailey rings her bell quickly, “Amerian Jazz Museum!” The group claps at her answer. Y/N didn’t even know there was a museum only for Jazz music, let alone that it was in Kansas City. Hailey takes the next card, “Bela Bartok and Romantic composer Franz Liszt are typically considered the greatest composers to emerge from what European nation?” Y/N wants to be included in the game, so she tries to take a guess at the answer and rings her bell, “Is it Germany?” Wilson shakes his head in disappointment and she can see the embarrassment in his eyes. “Of course, it is not Germany, Y/N. Everyone knows they are from Hungary. If you do not know the answer, then do not bother answering the question,” he chastises and Y/N feels as though she is a child. 
“Excuse me, I’m going to go to the bathroom,” Y/N excuses as she gets up to find the bathroom, hoping to escape the situation. Y/N knew she should stand up for herself, but she didn’t wanna make a scene because that would also be embarrassing. She is walking back to the family room when she hears her name being spoken. She stops just outside of the family room archway, hiding behind the wall. “I do not understand why you are dating her. She has no substance at all. She is vapid and I do not know how you can spend so much time with her,” she hears Hailey complain. This absolutely guts Y/N because this is another one of her insecurities. When compared to the intelligent life of the part, Elizabeth Huntington, she felt uninteresting with her more reserved personality. However, nothing prepares her for the feeling of what Wilson says next. “It is about looking at the advantages. Y/N may be vapid, but I got to meet Cassie and hopefully, I can be mentored by her. It is the only reason why I asked her out. I heard a rumour that the Y/L/N’s like to spend time on the beach where we met. I figured I was bound to meet one of them eventually.”
Y/N could continue to just stand there and be sorry for herself, but her blood is now boiling and she decides to stand up for herself, no matter how much she wants to cry right now. She steps out from behind the wall, “I may be vapid, but at least, I’m not a lonely boy, who is so obsessed with an author that I stalked her and her family. It is so sad that you used another human being just to get your boring ass manuscript read. My mom showed me the manuscript and we both agree that you sound like a giant stick in the mud even when you write. You don’t have to worry about putting up with me any longer because we are over!” This isn’t her finest moment, but she storms out in a hurry. She can only make it so far before she realizes that she could not walk home all the way. Her vision is blurry, meaning she could not see three feet in front of her. 
She decides it is safer to call someone to come pick her up. She takes out her phone and dials her brother’s number, “Dude, why are you calling? Are you a boomer? Anyways leave a message at the beep.” Voicemail. She calls her parents and gets voicemail again. Right, they are staying on the mainland for the night because her mom has a back-to-back book signing there. She goes to call Lacey, but notices she has a voicemail from her friend. “Y/NNNNN, I love youuuuu. Before you ask, I amz totes not drink. Drink. Drunk, lol. Okay, maybe I am. But, I wants you to know I loves you. Alsoooo, I total- total- totally made out with Derren. He is so h-” The voicemail cuts off before Lacey could finish her drunken rant. This causes Y/N to stop crying for a second and giggle at Lacey’s drunken antics. But the realization that she only has one other person to call whom she felt comfortable with makes her feel anxious because she is not even sure he is going to answer her call after the way she has been ignoring him. 
———
Rafe sits on his couch with Elizabeth on his lap and her tongue down his throat. He was able to convince her that saying Y/N’s name during Midsummer was a mistake, which leads to them having been making out for the last ten minutes. Even with the raging music of the party, Rafe could hear the beginning notes of “The Book of You and I” by Alec Benjamin. It is the ringtone he assigned for Y/N. He must admit it is a strange song to have chosen because it talks about a breakup and he and Y/N haven’t even started their story. The song reminds him of her and he knows Y/N loves the song just because of the mention of a book. She loves the idea of a love story being a book of the two people in the relationship. He immediately pulls away from Elizabeth, leaving the girl frustrated again to go answer the phone somewhere quieter. The song couldn’t even make it to the second note because Rafe answers it. 
“Y/L/N, are you hurt?” he immediately interrogates with worry seeping into his voice. With Y/N ignoring him for the past couple of weeks, he knows it must be serious if she is calling him right now at night. “Ca- Can y- yo- you pi-pick m-e u-u-up, please?” he hears her struggle to say through her tears. Rafe’s eyebrows knit together in concern, “Absolutely, send me your pin and I’ll be there immediately.” Y/N whispers a meek okay and goodbye before hanging up the phone, not giving him a chance to ask further questions.
———
Once again another party ended early for Y/N’s safety, but seeing as Rafe threw the party just to get her attention, he had no problem with ushering everyone out of his house as fast as he can. He doesn’t even wait for everyone to be gone before hopping into his jeep and driving off to the location Y/N sent him. He held very little regard for his own safety as he drove past stop signs and red lights. All that matters is making sure she is safe. He finally gets to his destination, the end of Wilson’s driveway. Y/N sits on the decorative rock in a full-on sobbing fit. Rafe jumps out after double-checking he put the car in park. He wraps his arms around her shoulders and pulls her into his neck without saying a word. After a few minutes, she calms down enough to tell him what happened. “He was only dating me to get to my mom. He said I was vapid and I know it’s true, but it just hurts to hear someone else confirm it.” Rafe blood boils at how Wilson made Y/N feel, “You are not vapid. You’re a rose. When you meet a new person, you are the bud. You are more reserved around them. But when you start to bloom, your passion, love, and joy start to show. Just like how when a rose starts to open up you start to see the beautiful red colour that hides within. Wilson was just too selfish and boring for you to do anything interesting with him.” She smiles up at him and nods her head in understanding. “Wait, here for a second. I’m going to go do something real quick before we leave,” he explains before getting up and walking toward the front door.
Rafe knocks on the auspicious door and waits for Wilson to open it. “What are y-” Wilson tries to say, but he is interrupted by Rafe’s fist punching him in the face. “Come near Y/N again and I’ll do a whole lot worse,” he warns, running off toward Y/N. She stands there shocked at what just happened. She giggles at the image of Rafe coming towards her. He grabs her hand as he passes by and drags her toward his car. Once he helps her up, he goes around and drives off, watching in the back mirror as Wilson and his friends finally catch up to the street. Rafe pulls out his phone to play “Getaway Car” by Taylor Swift, which causes Y/N to fall into hysterics.  
Rafe drives Y/N to Tannyhill because he knows her parents aren’t home and that Mason is probably still in a guest room with Amanda, even after the party is ended. “Where is everyone?” Y/N ponders out loud as she sees the empty house. Mason told her about the party Rafe was throwing. “Sent them home when you called,” he informs her without skipping a beat. He says it in a matter-of-fact way that she knows he doesn’t want her to feel guilty. The car stops and they see Mason come out to join them outside. “Dude, where did you go?” Mason pauses when he sees the tear-streaked face belonging to his twin. “Y/N/N, what’s wrong?” “Wilson was only dating me because of mom,” Y/N mumbles, attaching herself to Rafe. His being there during her time of vulnerability has caused her to feel comfort in his grasp. Mason’s face contorts into anger, “HE DID WHAT! I’M GOING TO KILL HIM!” Y/N quickly goes to her brother’s side and puts her arm out so he can’t get past her. “Don’t worry. Rafe already punched him for me,” she assures her brother, who pulls her into a hug. “Mace, you didn’t pick up your phone.” He grimaces and places a kiss on her forehead, “I know, I’m sorry.” “It’s okay, Rafe was there,” she whispers in the nook. “Should we go home?” Mason asks. “No, can we go to the balcony?” She replies, looking between Mason and Rafe. Both boys nod and follow her to her desired destination. 
Rafe and Y/N make a quick stop to get her more comfortable clothes, so Mason goes to get some snacks. Rafe goes past his room, heading towards Sarah’s room. He looks back to check in with Y/N and notices she isn’t following him. She is paused at his door, waiting for him to follow her. “What’s wrong? Sarah’s room is this way,” he points in the direction of the room. Y/N looks at her feet while shifting her weight between the two, “Actually, can I borrow some of your clothes, please? They are comfy.” Rafe smiles at her suggestion, “Of course, you can, Y/L/N.” he takes her inside. He gives her a plain gray T-shirt and black sweatpants. It may be a mundane outfit, but Rafe loved how she looked in his clothes. She is practically swimming in his shirt because he is so much taller than her and she had to tie her sweatpants very tight so they wouldn’t slip down so much. They both giggle at her constant need to pull up the pants as they head to the balcony. 
———
Mason sits opposite from Y/N and Rafe with a joint in hand while Y/N cuddles herself into Rafe’s arms. They’ve been talking about anything and everything just to cheer Y/N up. “Why the dude never used contractions was so fucking weird. He sounded like such an old person,” Mason jokes while taking a drag of his blunt. Rafe laughs, “Those stupid button-up shirts he’d wear all the damn time. With his name monogrammed onto them. He looked like such a douchebag in them.” This continuous mockery of Wilson has cheered Y/N up. “I caught him ironing the collar of it. Only an asshole is that uptight,” she joins in while taking a swing of her hard kombucha. The boys nod in agreement. Mason snubs out the joint and gets up from his seat, “I’m gonna head to bed. Y/N, you cool if we sleep here?” She nods; originally, she was supposed to sleep over at Wilson’s house. With that, Mason leaves the two alone. 
They sit in comfortable silence, drinking their drinks and looking up at the stars. She has now shifted so her head is on his chest and his arm is around her neck. Y/N opens up the pack of Oreos placed on the coffee table in front of them. She untwists the top of the one she picks up and gives the bottom with the cream on it to Rafe. Understanding what she wants him to do, he grabs the bottom and eats the cream for her before handing it back to her. Y/N and Wilson never had this unspoken language while they were dating. “Why doesn’t anyone love me for me?” She wonders as she gives him another Oreo. “Someone does. He’s just waiting for you to be ready,” Rafe whispers without realizing that she heard him. She looks up at him from her position and he looks down at her. She closes her eyes and starts to lean in to kiss him. No matter how much he wishes he could lean down to meet her lips, he knows this isn’t the right moment, so he pulls away. “As much as I want to kiss you right now, I would rather our first kiss be when you are feeling less vulnerable and are 100% sober,” he tells her. Disappointment is written all over her face, but she knows that he made the right decision. She would prefer their first kiss to feel more right and not just because he is there being sweet to her after a breakup. She nuzzles back into his chest and they go back to just enjoy each other’s company. Her light snores tell him she has fallen asleep and instead of waking her up from her slumber, he picks her up and takes her to the other guest bedroom. He tucks her into the bed and admires the serene look on her face as she sleeps. He lightly kisses her forehead and goes back to his room to welcome the sleep. 
Taglist: @itsalexwin @sublimepenguinpeach-blog  @gillybear17  @terraeluce​  @f4ll-for-you​ 
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dead-girl-tells-stories · 11 months ago
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P.O.V: You wanna write a fic, but the fic takes the cannon, rips it to shreds, picks up the pieces it wants (throwing the rest into a flaming trash bin), then mixes them in a bowl that contains head cannons and original ideas, then...
Okay, now that I've typed that out, that's technically every fic...
But trust me, mine is 10 times worse. I'm basically writing my own original story with characters everyone already knows and loves, and...
Okay, I'm just gonna stop now.
But seriously though, this is a reminder to every writer (mostly to myself tbh) that no matter how outlandish, bad, amateurish, or whatever it is that's stopping you from writing your fic, do not let it stop you.
Because it doesn't have to be a stunning work of art remembered for the ages because you're not Shakespeare. It doesn't have to be the same or similar to everyone else's because that's what's popular right now. Because that's how things get boring. And even if you do write the same stuff as everyone else, remember that someone out there will love it just as much as everyone else's.
So what if you use tropes that not everyone finds appealing, rest assured that someone's going to love that shit.
And so what if your fic has absolutely NOTHING to do with the cannon! That's going to be someone's favorite fic of all time. This goes for original stories as well!
I have way more that I wanted to say but fell asleep and forgot. (The life of a writer *cries*) But anyways uhhhhhh.....
Go forth! Grab that pen and paper! Open that Google doc! (Or both if you're like me :) And go write that story that's been plaguing your mind. Go finish that WIP that's been your drafts FOR MONTHS!
Go and create that new world. That new possibility. That story that you and so many others will love.
You are a writer...... go do what you love.
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jq37 · 8 months ago
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The Report Card – Fantasy High Junior Year Ep 10
Maximum Loser
Welcome back to Fantasy High where the Abernant sisters are having sandwiches in front of the burnt ruins of their old mansion. You know, normal sibling activities! As we learned last week, Aelwyn is working for Kipperlilly (Adaine calls her Cottoncandy Bitchfuck which is one of my faves just for the levels of obvious disdain and degrees of separation from the original name) and Adaine wants all the info ASAP. Here is a rundown of what Aelwyn tells her (along with speculation on my part):
KP seems to be loaded in a way that isn’t connected to her parents' jobs (Dad is a realtor and mom is a clerk for the treasurer’s office). [Could she possibly be getting the money from her party member with a rich dragon ancestor? And could she be using her mom’s government job to get inside info somehow?]
KP has been employing Aelwyn as her “arcane errand girl”. She’s basically been getting her magical contraband which Aelwyn figures are spell components. Adaine asks why their party wizard Oisin can’t just do it and Aelwyn says that KP was very adamant about him being “protected”. [Does that mean protected as in not in trouble so he doesn’t get expelled and mess up their party comp or protected as in “I don’t want him to know what I’m doing because he wouldn’t approve”?]
KP never had Aelwyn steal a cloud rider engine for her but she did have Aelwyn download schematics for one which she thinks was so that it would be on her browser history not KP’s. [Aelwyn, do NOT get framed for this girl’s crimes I’m BEGGING you.]
Similarly, KP never texts Aelwyn any info. They always talk in person so she keeps clean at least on paper. 
There are two specific things that Aelwyn had to procure that were kind of hard to find because they’re more divine than arcane: Devil’s Nectar and Ambrosia. [We don’t learn what the properties of those are exactly but they seem pretty clearly to be the divine and infernal versions of the same thing. Maybe they can make a god or a devil? Sounds like it’s part of the resurrection plan–or maybe they want to raise a new god?]
Anyway, Aelwyn promises to shoot Adaine a text the next time KP reaches out to her so she can spy via scrying (I'm reminded of Spy, Tongue, Curse again). She also shows Adaine her tiny apartment full of senior cats and microwave dinner trays that’s sorely in need of a deep clean. Adaine invites her to swing by Mordred to get her laundry done and maybe hang out and Aelwyn seems tentatively receptive, even though the aggressive positivity of the house and its residents (who she does ultimately care about) majorly grates on her. 
[Also! Not plot relevant but their relationship progress is in full swing with open “I love yous”, only slightly undercut “I believe in yous”, and kisses blown as they say goodbye. I’m trying to be super streamlined with this recap so I can get it finished on time but I had to at least quickly mention how delighted I was by this scene which I have watched so many times. They’re doing it! Sisters!]
We next cut over to Riz who is in the car with his mom and he’s so so so over this whole semester. He keeps talking about everything that’s going on with the bored, anxious, almost whiny, but mostly resigned tone that makes her pull over and force him into a nap. Here are the mystery relevant bits of their conversation pre and post nap:
Sklonda’s case was defending a married firbolg couple–Alonso and Hespia Loam. Frosty Faire was supposed to be held at their farm but then they were accused of embezzling and the event pulled. [Firblog are giant-kin if that matters.]
They maintained their innocence and Sklonda believed them. The case was actually going to be a slam dunk because they found forgeries and docs submitted on their behalf. But then they got murdered so the case was over. [Forgeries and docs submitted on their behalf reminds me of Lucy’s god change form.]
Sklonda thought this case was strange because there’s no financial incentive to frame the loams. [Sounds like the motive could have been just moving the festival to a different location to me.]
The reason they were under suspicion was that amounts of money matching what was embezzled from Frosty Faire were deposited into the Loams' account but Sklonda was able to show that that was all bogus and that the Loams didn’t even use online banking and that a Bastion City VPN was involved. But again, before they could track that down beyond “somewhere in Solace” it got shut down due to the murders (which the cops are now investigating btw but this is a Brennan story so how useful will they really be? [This is also giving me KP vibes but in fairness, that girl is just suspicious.]
Lola Embers is the one who recommended the move from Loam Farms to the Thistlespring Tree. [A possible Ruben request since he’s her client?]
Riz also tells Sklonda all about what’s going on with the demon stuff and the Lucy stuff and the campaign stuff. Sklonda is concerned about the demon stuff but she’s honestly more concerned about Riz breaking his back and losing sleep over Kristen’s campaign. She’s very fired up and a bit incredulous that he’d work so hard for his friends who, from her POV, are always slightly bullying him (“Your name isn’t The Ball. It’s Riz!”). And, while she’s on it, he would be a great candidate himself! Riz assures her that their dynamic is fine and then worries her again right away by saying he’s absolutely gonna check out the crime scene. She sighs deeply and says they can check it out together because she knows she’s not talking her son out of it. (She also says she’ll try and get some info from her old co-workers but again, cops in a Brennan world so we’ll see how useful they are.)
Post Grix exploding, Jace hosts an impromptu assembly: Things are bad y’all! With Aguefort gone and Grix blown up (not to mention Yolanda dead), they’re getting to the point where it’s not clear that the school will be able to continue functioning. 
The whole cleric track is going pass/fail which none of the Rat Grinders seem to have strong reactions to (Ruben smirks and Buddy looks confused, but the rest look bored or unfazed). This news especially sucks for Freshmen and Sophomores who won’t be able to take the Last Stand exam Porter mentioned in an earlier episode. Some upperclassmen who maybe weren’t doing so hot (like Max and his party) look kinda stoked. Fig does insight on Jace and her roll is low (5) but he seems like he’s sincerely stressed about this unforeseen situation. 
Post assembly, Hilariel calls Fig (after 18 missed calls to Fabin’s phone which is on Do Not Disturb) to invite everyone over to spend The Lunar Yulenear (fantasy Christmas) with them (and also inform her that Gilear’s string of good luck is still going strong. He cracked his back while limboing and grained 2 inches in height!). Fig turns that into invites for everyone at Mordred (including Aelwyn who is a wanted criminal in Falinel and Sandra-Lynn who is Gilear’s unfaithful ex–wild crew). Fabian wants the chance to talk to his mom but by the time Fig hands over the phone, she’s already hung up. 
Riz fills everyone in on the Loam Farms situation and Gorgug worries that the soil at his house is corrupted now. Adaine reminds everyone that Fig is still super cursed and they should probably start looking into that soon. Kristen and Fig get naked for no reason so we’re gonna move on from that to Fabian getting a text from Mazey. Apparently she's just gotten some big news and she doesn’t know exactly who to talk to. He rushes away from his naked friends as quickly as he can (so valid) and goes to meet up with her. (While he’s en route, Riz wonders if the RG’s killed rats were being killed sacrificially and Fig wonders if Lucky FROSTblade had anything to do with the FROSTyfolk festival). 
Fabian meets up with Mazey who congratulates him for killing Grix since he mega-sucked and was shooting nets at kids. Then, she says that she knows that Fabian and his party have kinda always had the school’s back over the past few years and she trusts him which is why she’s telling him what she’s about to say. Remember how anything Aguefort says, even as a bit, is canon? Well, apparently he said once in an email that if there’s no principal then the school becomes a democracy and the student body president becomes principal. Fabian is baffled: surely the vice principal would become principal, right? But no. The system is set up so that there’s always one all powerful principal and one VP who is supposed to be Kalvaxus (remember, he was supposed to be imprisoned there forever). So she’d have to take classes (has to be a student enrolled in good faith) AND be principal and she doesn’t feel like she can do it. Fabian is awkward but encouraging and says he’ll do his best to help her and ask his friends for advice. When he does, Riz right away is like, "They’re gonna kill her, dude,” so Fabian rushes back and invites (practically begs) Mazey over after school so he can keep an eye on her. 
Once school is out, Fig does her bodyguard thing and secretly trails Mazey so she gets to Seacaster Manor safely. Once she’s there, she and Fabian have a bit of an awkward beat and then Mazey, who has clearly misread the situation, tries to make out with him. Fabian pulls back which makes Mazey confused and embarrassed. Fabian really quickly tries to reassure her that it’s not that he didn’t wanna kiss her. He’s just not in that mode right now and she’s in danger and they’re trying to kill her. She has NO idea what he’s talking about so he Facetimes Riz and the Mordred crew to explain. Mazey says that killing her wouldn’t make the killer the new Principal–it’s not Pokemon Champion rules. But Riz says that every person who’s had the top spot has been sidelined or killed so it’s safer to be careful. Maybe killing her would prompt an early election and whoever wins will be promoted early. She asks if this suspicion is just because they hate the Rat Grinders and Riz says that they have good reasons to be suspicious. They are all outraged though when Mazey says that the Ratgrinders famously hate them and have since Freshman year. [Hilarious that they were apparently publicly seething and haven’t been on the BK’s radar at all.]
Anyway, Mazey says she appreciates the concern but rushes to leave, embarrassed. Fabian tries to salvage the awkward encounter and tell Mazey that his reaction was about how stressed and worried he is, not about how he feels about her and Mazey seems genuinely concerned about him. Like, as a person. Is he eating? Is he sleeping? Is he being cared for in this big empty house? Fabian musters some bravado about how he’s a legend and the legend continues but it’s mixed in with some super obvious red flags about making his house a place people want to come to so he won’t be alone. Mazey says she’d still want to hang with him even if he wasn’t a Maximum Legend and then leaves to his cavernous, home, solo. 
Back to Adaine! Her next big roll is Mystery and she wants to learn about the giants and their gods. She uses a portent to get a 27 (which she needs because clues cost more right now) and here’s what she learns:
So first off, Ruvina is a Seasonal god (Winter) vs Sol, Helio, Cass, and Galicaea who are Celestial gods (Sun, Moon).
A bridal gift would only be given to the spouse of a sibling so that means that the missing dead god is Ruvina’s sibling. Brennan specifically mentions how hard/weird/complicated it would be to be prevented by Oblivati Mori from speaking of a spouse or sibling. 
There’s no mention of the missing god but there are mentions of the OTHER seasonal gods so Adaine can determine by process of elimination that the missing god is the summer one. 
She wonders if Sol or Helio stole the summer domain since they’re sun gods but Brennan said if they did, it wasn’t in one violent act. There’s no obvious crusade or anything like that. 
There is a certain point where “Sun” starts being capitalized like a name (like how in the Bible God is He not he). 
The bridal gift is only mentioned in early texts, not recent ones. Recent texts have a lot of mentions of fire. 
She doesn’t find any text concerning the gods followers. She does however find text that says “Beware the blades of the red fire”. These seem to be connected to the shatter star rage crystals but there's no clear timeline of them showing up once the god died. It seems like they existed at the same time. 
So, a lot of info but no big Aha! moment yet. 
She rolls Work for her third track and fails so she takes a stress token (up to three now). She only rolls well enough to not get fired (which, girl, just get fired! Make money another way! Ask your newly caring sister for some funds and don’t ask where she got them!). 
Lastly she rolls to relax but fails (been there girl) and has a deeply unsatisfying massage given to her by Lydia. 
Kristen is up next and her first roll is Popularity (makes sense) on the middle schoolers (you lost me). In fairness to Ally, there is method to their madness. They said in the Adventuring Party that the idea was that the school is across the street from where the bodies were found so maybe they could do some recon. Still, on the face of it, bonkers plan and Riz is low key wondering if his mom was right about them picking the wrong candidate. Anyway, she passes and now has advantage on charming any new middle schooler she meets lol. Brennan also makes her roll Perception and on a 14 gives her nothing. Ominous! 
The second thing she’s interested in is Relationships and she wants to talk to Lydia and also Buddy. With Lydia, she wants to know if there’s a way for them to talk to Bakur. Lydia says that Bakur is conscious and aware but she can’t talk to him because it would compromise the security of his gem prison. However, if they come up with a safe way to talk to him she’s game to participate, especially since she’ll def be a target if stuff with Bakur’s god is going down. Lydia also mentions that it seems like Cass might have been especially vulnerable in the Astral Food Court which makes Kristen even more suspicious of Kalina than she already was since she was the one who suggested that plan in the first place. 
Riz does Detect Evil on Lydia with his necktie so he can recognize Bakur’s magical aura on anyone else in the future and Brennan says that will also give him the ability to recognize anyone connected to Bakur’s god in the future. (Riz also says he wants to do the same on a Helioic cleric and the moon, presumably for the same reason but he doesn’t explicitly get to it this session). 
They then check on Fig to try to figure out what the heck her deal is and they find a lot lol. There are four main things happening with her aura. The strongest is the anarchy sigil on her forehead that marks her as the Archdevil of Rebellion. The second is her burgeoning paladin rage aura which matches Lydia's but seems more fiery and is also unaligned. The third is her warlock mojo which is unaligned as well. And the fourth is the lemony yellow aura of her curse. Her being a tiefling doesn’t even crack the top five of what’s going on with her apparently! 
Anyway, on to her second relationship thing–Buddy. Kristen finds him putting a Rat Grinders sticker on her locker which she peels off, clearly annoyed. There are three main important parts of that conversation which are as follows:
Kristen asks if there’s any rage talk happening at the Helioic church right now and Buddy says that Sol is angry–lots of people left the church during the months of night situation which makes sense. Worshiping the sun god during eternal night feels like a losing proposition. 
Buddy thinks it would be a great idea for his grandpa–Helioic evangelist Bobby Dawn–to become the new Cleric teacher to save everyone from going Pass/Fail. Kristen thinks that sounds like a nightmare and I have to agree. Buddy says that it’s fine because the cleric teacher has to worship *some* god, right? Might as well be Helio. But we know that’s untrue because Yolanda gave up her active connection with a specific divinity in order to minister effectively to her whole class. And I can’t imagine whoever raised Buddy would make a fair teacher who’s welcoming to all faiths. 
Buddy wants to “take Kristen into counsel” about her brother who he thinks is going down a dangerous path as he’s being exposed to various worldly elements at Aguefort. I have no idea what Buddy considers a dangerous path–for all we know Bucky is actually fully fine and coming into his own. Buddy offers to take Bucky under his wing and Kristen casually but very firmly says, “I’ll never let you do that.” [She really should check on him though, just in general.]
They close the conversation off with some faux cheerful/polite sniping about how Kristen’s god died again (point Buddy) that ends with Kristen saying that Cass will come back again as opposed to Helio who only came back once (point Kristen!). [She also tells Buddy, as she’s wont to do, that she met Helio and thought he was a total frat boy loser–just mentioning it in case it comes up again. He seems pretty sure that Kristen will come around though. Tres prodigal son.] 
Fig’s turn! She aces her Paladin, Bard, and Warlock classes–A+ across the board. [She gets to roll her Bard class at a DC 5 even though it’s her second track for reasons Brennan doesn’t tell us. We also learn that Lucilla Lullaby is now on sabbatical after her conversation with Fig. Girl, go to therapy.]
Anyway, Fig is working with Porter and Zara and they want to talk to her. She’ll have to pick her pact soon and though she’s doing really well, they’re not quite buying that her powers are coming from her deviation to Cass or doubt. Porter recognizes that protective, German Shepherd energy in her and when Fig floats rage (protective rage) as what’s motivating her, he has a positive reaction. Him jumping on the rage thing would already be a little suspicious but the next thing he says is, "If there was some other power like that that you knew could support Cassandra, [and] was connected to your friend Kristen, maybe that's a worthwhile thing to explore.” And I very much want to know if that’s a Porter nudge or a Brennan nudge because that really sounds like he’s hinting towards Cass’s sibling. Incidentally, Porter is an Oath of Ancestors paladin and an earth gensai since we’re keeping track of affiliations. 
For her next track, Fig wants to roll Mustery and ooh boy, Nat 20!
Here’s her bonkers/genius plan: She disguises herself as Wanda and boards a bus she knows Ruben will be on from all her recon. Adaine casts Nystul's Magic Aura on her to make sure that any detection spells will ping as whatever they want them to and not Fig. When Ruben boards the bus, she says that when she made a hasty exit after the festival she was breaking up with her boyfriend and when he asks what music she’s listening to, she shows him a fake episode of the Complicated Women Podcast about Lucy Frostblade. Ruben is instantly rattled and starts looking for the podcast but “Wanda” says it was an early release episode she got because she knows the producers. She lies and says they’re talking bout how they found Lucy’s body and Ruben says he used to be in a party with her. When Fig asks what she was like, Ruben speaks positively of her. She says she was noble and stuck to her guns. He’s really itching to get more info about the podcast and Fig says that she’ll send him the MP3 if he gives her an email. Ruben gives her Lola’s email (They have SOL instead of AOL in Solace) and his cell and then Fig Dimension Doors away, mysterious as ever. 
For her final action, she tries to roll Relationships for Riz but she doesn’t roll high enough to catch him with how busy he is. She still leaves him a nice note and signs it from Gorgug. In response to that, Riz sends back a very long, gushy text that’s so grateful for the check in. Gorgug has no idea what he’s talking about but returns the gesture by making him an Artificer Infusion: A Medal of Wit which gives advantage on Int checks and throws for an hour (one time use). Cute all around!
Let’s close out the episode with Fabian. Popularity: 29. He’s maxed out the track. Any stranger he meets at Aguefort is charmed by him for a minute. He gets a neck tattoo that says Maximum Legend. For Mystery, he wants to check in with his dad to ask about Hell/Curse stuff (but he clearly mostly just wants to hear from his dad). He fails and takes a stress to succeed with the help of the AV Club. Skrank and Shellford help him set up a little broadcasting booth that can reach the Nine Hells assuming Bill has the correct equipment. He tries to broadcast and the equipment is working correctly but Brennan rolls a 3 in front of the board so he gets no response. He speaks into the void about how he’s a Maximum Legend while in his house, utterly alone. 
He rolls for Fighter: B. He rolls for Owlbears. Fail. He rolls for Bard–the DC is 25 and he gets a 24. He’s at four stress so the next token will be a rage token. The table persuades him to take Fig’s cursed Bardic instead. He gets a single point which gets him to the 25 which is a D. Then Brennan gives him a Con save. He fails. Brennan says that, with that fail, he loses control of an important bodily function. He gets to choose which one it is and in front of who like a nasty game of Clue and…look. I’m gonna try and say this as delicately as possible but Lou is not making this easy for me. Lou’s decision is that he will lose control of his bowels in the middle of bard class. That’s as far into it as I’m gonna go–if you want the gritty details you’ll have to get them from the man himself. 
Terpsicore, his teacher, is very supportive and kind about it, but one of his classmates, Quincy, takes his lute and breaks it, calls Fabian a Maximum Loser, and quits Aguefort on the spot. He headbutts the door, making his head bleed, and says, “I fucking hate this school!” 
Which, on the one hand, valid sentiment to the latest bout of (almost literal in this instance) Aguefort bullshit. But headbutting the door to the point that he’s bleeding? Sounds a little bit like rage star effects to me. Is it connected? Or was this just the last shitty straw for Quincy? We’ll have to tune in next time to find out!
Honor Roll
Fig for Her Clutch Investigation Skills
Fig has honestly been killing it just in general lately. A pluses across the board? What a GPA jump! But I have to particularly commend her for skillfully keeping Ruben on the hook the way she has. This is maybe her most perfect ratio of bit to plan so far. It’s so funny but also going so well. And that Nat 20? Chef’s Kiss. 
Detention 
Lou (the player) for Describing [REDACTED]in Graphic Detail
I don’t care if Quincy was affected by the rage star or not. He was right. That *was* nasty. 
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vimesbootstheory · 4 months ago
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CK S6 Pt1 Thoughts
Do we still call this "the cut" or did we leave that behind on LJ? Anyway the thoughts are under the cut. I haven't looked at anyone else's thoughts yet, no idea whether this is echo chamber stuff or if I watched a different show than the rest of you.
Overall I honestly had a blast, I'm probably gonna talk more here about stuff I disliked but that's because positive stuff kept me glued to the screen while negative stuff sent me to vent in the notes doc I had open in another window lol
Eagle Fang was Johnny's thing, not an extension of Kreese's Cobra Kai, and I was so angry at the show for not understanding that that I burst into tears
I continue to think that the big cast is spreading character work too thin, such that most characters were either made much less interesting than they have been in previous seasons (e.g. Daniel, Miguel) or were given too little time with the character work they had (e.g. Robby, Kenny) or both.
Characters I made particular note of who are now boring: Daniel, Amanda, Sam, Hawk.
I was surprised in particular how Daniel was given virtually no character work other than this token Miyagi thing. I prefer when Daniel's a bitch. Daniel being The Reasonable One is incredibly boring.
We kinda got slutty gi back? In hallucination form? Briefly?
This was a hard realization: I don't think I ship Daniel/Johnny in these episodes. I'm still absolutely bonkers for them in previous seasons (1-4 mostly) and in the fandom sphere but honestly I wanted Johnny away from Daniel most of the time in s6e1-5. I found it really off-putting how much Daniel was trying to change Johnny into someone he's not.
Fave new character was Kwon. Enjoyably silly. I like his anime hair.
Delighted that Jarmen baby is a girl, even more delighted that the topic of the baby was pretty backgrounded, didn't spend a lot of time on it.
I am filled with incandescent rage that they neutered SamTory; it was weird rooting for Johnny's terrible strategies to make them frenemies instead of friends. But it looks like they're not quite done yet so I'm gonna cool my heels on this point.
Team Captain nepo babies lol. I would be so pissed if I were any of the other Miyagi-Do students.
Loved Johnny championing his female students. In an ideal world I would not have had a little voice at the back of my head wishing he'd spend the same kind of quality time with Robby (How about some Robby time? Robby? Robby now? Johnny and Robby?); nevertheless for what it was, I still really like Johnny supporting Devon and (to a lesser extent) Tory. Meanwhile Daniel over here in his sexist era I guess, ok. Like he really only wanted to send his daughter and no other girls.
Peyton List is the part-season's MVP, obviously obviously. She was so great. Kicked ass, kicked acting's ass. Tory was probably the meatiest character of the season, too, though that's not saying a ton.
My worst fears were not realized re: Johnny's character. He still isn't the fully-realized guy he was in early seasons, but relative to other characters, he's having a pretty OK season IMO. Knock on wood.
I was unexpectedly all riled up on Anthony's behalf. Why does he HAVE to get into karate? Why does he have to be Daniel 2.0? At least this was addressed textually.
So pissed on Kenny's behalf. Justice for Kenny. He deserved one of the top 6 spots. He got poo pants instead. Jesus Christ.
Loved the Lawrence vs Barnes fight, very metal, excellent choreo, love watching Zabka move. I would bet the cobros are lighting up at having an answer on that particular head-to-head.
This has been a running thing with Cobra Kai for a while, but I'm not even sure how I as an audience member was supposed to see Johnny's current teaching style? Honestly I loved his day of blended-style lessons. Obviously broken glass in the koi pond is not a great idea. But like. Jesus Christ, Daniel, katas HAVE STRIKES. WHAT DO YOU EVEN WANT.
Did they really just write Chozen out without any goodbyes? :(((
Daniel's ego flare-up and "I'm the boss" moment, contender for only interesting aspect to his character in these five eps. Hell yea hell yea. Show some goddamn teeth Daniel LaRusso.
One thing I think CK excels at and has always excelled at is keeping the stakes up for tournament-style fights, such that more often than not, I can't tell just through narrative signposting who's going to win. Robby vs Miguel in particular was a nail-biter. I did a full-body arm-pump when Robby won. Though the stakes were weird because it's not as someone can't win in Barcelona if they're not a captain? That was confusing and makes me think it's going to be their way of doling out successes across the main four kids. Like Robby and Sam for the captains, and then Miguel will win, presumably Tory too when she flip-flops back to team good guys again.
Interesting acting/directing/writing (idk which) choice during Robby vs Miguel, Johnny visibly rooting for Robby.
I love that Johnny brought up losing his mum when Tory's mum died, but I really hope they get the chance to bond over it at some point.
The fuckin magic jewel bottle cap got me so bad. Resourceful DIY toys is poor person realness and it was so cute and heartbreaking.
It's weird that new!CK got into the tournament because it's clearly not really the same dojo, so they haven't really qualified.
I'm so pumped about Kreese being the main villain. That was true before the season began and I still feel that way.
I'm excited for part 2!
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misc-obeyme · 4 months ago
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here to say i also agree with the other anon and love how you write mammon !! and if you do decide to finish one of those drafts, I'll def be the first to reblog! or at least I'd want to be lmaoo. I just love him so much 😭
I think I'm at lesson 73 in the game now?? I NEED to beat it before Tuesday, but my family is traveling tomorrow to mexico, and it's gonna be a long drive </3 minimum 14 hours, sometimes a full day if my dad naps. I'll have limited signal, but Google docs works offline so maybe writing time?! if I'm not asleep akskd.
also !! i wanted to ask if you have any favorite composers or music pieces? for research purposes of course 📝 👀
And I can't remember if you said you had a keyboard before you got the new piano, but if you do, what are the biggest differences? I'd imagine it sounds smoother and ... Crispy? (Is it hard to move a piano?? Like do they unscrew the legs to be able to get it through doors??)
you don't have to answer because I can totally google these things, but I also like seeing you talk about your piano akwkdjf
Hope you're doing well !!
- ✨ anon
omg, well maybe I will finish one of those stories... I had a handful of ideas from my last Mammon phase... okay, let's be real. I gotta stop calling them phases, the reality is that I just think about him a lot asdl;kdsfjkf. When I tell you I'm so obsessed with the Mams/Barb ship right now... it plagues me so much. BUT no my other ideas were x reader lol. And I don't know why I never finished them, I guess I got distracted? I think it was my OC's fault. In fact, I'm pretty positive it was. But even if it wasn't, I'm still blaming Arrie for everything.
AH you're SO CLOSE! I know I got really obsessed with getting through season four right before NB came out 'cause I was like, there is no way I am not having the full story before this new stuff starts! Anyway, I hope you're able to get there, even with the drive and lack of signal! I hope you have fun on your trip!
Hang on, you LIKE seeing me talk about my piano!?? I was like, man I must be so annoying about it lol. I'm happy to answer any such questions, but uh... just be aware you may be opening some flood gates!
OKAY I really rambled about this piano stuff, so I think I better put it under a read more just to save people from scrolling forever...
Now when you say composers, do you mean classical composers or more modern ones? Because if we're talking classical, the answer is Bach. Like that is a pretty standard response, probably. And maybe I'm a lil basic for being such a huge Bach fan, but I don't care. Beethoven was also excellent of course, but that guy was sooooo overdramatic, all his songs are like bombastic while Bach was like, nah it's all about keeping exact tempo. Most of my other classical music stuff is like... I have specific pieces from different composers that I like, rather than being really into one composer specifically. Like Mozart is great and all, but Fantasia in D is by far the best of his stuff as far as I'm concerned. OH but I do like most of Chopin's stuff, too. But nothing can top Bach for me asldkfj.
If we're talking piano solos specifically, though, you're gonna get mostly Beethoven. Fur Elise is like the classic piece that all piano students are taught at some point. Moonlight Sonata is another incredibly popular one from him. You'll also get a lot of Pachelbel's Canon in D, which is really boring imo. It can be fun to play if it's an unusual arrangement, but generally speaking trying to play that song puts me to sleep lol.
Now if we're talking more modern composers, my favorites are Ludovico Einaudi, Toshifumi Hinata, Alexis Ffrench, and Yiruma. This is like more modern piano solo stuff, though. All these people are still alive lol. But I love their piano music, listening to it really kind of informs how I play when I'm doing improv style stuff.
Though I feel I would be remiss if I didn't mention classic jazz piano stylings, too. I named my piano after one of my favorites, Hazel Scott. Jazz piano is insane and incredible and it always blows my mind. There are a TON of amazing jazz musicians. And you'll get a lot of good piano players that are not in the classical style too and who tend to span genres, such as Stevie Wonder and Ray Charles.
Anyway, I'm not entirely sure if that's the kind of rambling you were looking for on that first question lol! But feel free to ask me more specific things if you'd like!
As for the second part of your piano related questions, I did indeed have a keyboard before I got the piano. However, it's important to note that there are many different kinds of keyboards. The one I had was bought used and even before that, it would've been an extremely cheap one. I think you can buy a new one for like $400? Mine only had 76 keys (as opposed to the full 88 a piano has). And there are keyboards that come with even fewer keys (like 56 or something?). These are mostly good for classroom situations or where you only need to say, add a bit of piano into a larger song with other instruments. They do okay as a replacement for a real piano, but they're really not made for that.
However, there are keyboards in the thousands of dollars that I think are more commonly called "digital pianos" nowadays that are made to replace a real piano. I've never had or played one of these, so I'm not sure how obvious the difference of the sound would be. That being said, I've seen them used in concert situations many times. So I suspect the most expensive ones probably sound pretty close to a real piano. Or at the very least, they act more like a real piano does.
My cheapo keyboard still had keys that could sense how hard you were pressing them. And this let the keyboard know if you wanted your note loud or soft. But honestly it barely made a difference lol. I would think that kind of feature would be much better and higher quality on an expensive digital piano.
Similarly, my keyboard had an option of "grand piano" as the sound the keys produced. Digital pianos also usually have a grand piano setting, so they might sound more like a grand piano even if they're just a standard upright. The Yamaha Clavinova is a good example of a digital piano. It can range from like $3000 to $8000 depending on what version you get.
So I can definitely tell you the difference between the sound of a keyboard like my old one and the piano I have now, but there are a lot of versions of keyboards that might sound better than mine did.
The thing that really informs what a piano sounds like is the strings inside it. When you hit a key on the piano, a tiny little hammer (sometimes two) hits a string that's tuned to that note inside the piano. So the main thing a keyboard lacks is actual strings. It's just playing the sound of a string that was being hit somewhere else and then recorded. And a real piano is also heavily impacted by the environment it's in. If you've got a piano in a small space, with a lot of stuff around it, it might sound a little more muffled than if you had in a larger more empty space. That's more about the room's acoustics than the piano itself, though.
I think I know what you mean about "crispy" lol! Like the keyboard has a crisper sound. And yeah, it does, and also it doesn't ring quite as well. I got a sustain pedal for my keyboard, so it was able to hold notes a little longer, but it's nothing like the way it works for a piano. The sustain pedal on my piano is really amazing, it'll hold that note for what feels like a million years lol.
The piano is more resonant, there's more space for the sound to be creating within the instrument itself. I have an upright, but it's a tall upright. This is so that there's more room for the strings, kind of like a grand piano but instead of the strings being horizontal, they're vertical. Grand pianos always sound better. And you can open them to make them even louder, too. You can open an upright, but it doesn't have quite the same sound. It's very close, though, and honestly most people probably can't tell the difference lol.
And yes, it is hard to move a piano! They have to be transported by movers who are specifically piano movers. Because there's a lot that can go wrong if they're not properly handled or packaged. They're also heavy, so you need two strong peeps to do it!
How they do it depends on the type of piano. An upright will fit easily through most doors, so they don't have to take anything apart. A grand piano, on the other hand, is obviously incapable of going through a door at all, so it does need to be taken apart. I think they do take off the legs, so they can turn the top part sideways and move it through a door that way. So the strings aren't too disturbed, since that's the important part. Famous bands and musicians that use real pianos on stage have a whole crew for this specifically. If they want to use their own piano, they have to have a piano crew to move it from venue to venue for them. Most venues have a house piano, but a lot of musicians are picky about this kinda stuff. If they've got enough money to hire a crew to move their piano every time, they probably do. And they'll need to have a piano tuner in there, too, because inevitably moving a piano that often is going to require it to be tuned after nearly every move.
Pianos do better if they stay in one spot for the most part. They settle into their environment, not just the room they're in, but the strings and hammers sort of acclimate to the amount of humidity in the air and that kind of stuff, too. Generally, if you're just moving a piano to a new location that's nearby, you should be okay. But if you're moving it across states or into new climates or different altitudes, you'll want to get it tuned within two months of moving it. It just takes that long for it to adjust.
ANYWAY. I'm sure you now have WAY TOO MUCH INFO than you ever needed about this stuff asdflkjf. I don't get to talk about it all that often and honestly I didn't realize I had this much to say about it lol!!
I hope some of that helped and I apologize for getting so wordy about it!
I am doing well and I hope you are, too! 💕
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lottiecrabie · 1 year ago
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am I missing something did you say why you’re retiring?? you will be missed you have served us well 😓✌🏼
i don’t think i’ve explained why! if you avidly read every single one of my asks you would know that i’ve toyed with the idea of discontinuing linecook the series and keep it as a one shot multiple times before, and that i’ve alluded to almost dropping off the face of the earth and retiring lottiecrabie during the summer. i’ve felt this way for some time now and i kept pushing it off and hoping it would eventually go away — or finding a miraculous bout of inspiration that chased those thoughts away. unfortunately, it wasn’t so.
the reason is honestly just that it doesn’t make me happy anymore. i’m unmotivated and uninterested. i usually flitter in and out of fandoms pretty often because i have momentary obsessions, and i believe this is one i’ve lasted the longest in, but i’m kinda over it now. i mean, i love the 1975, but i don’t want to write for them anymore. it doesn’t make me Buzz.
the thing that continued to fuel me for a while was the fact that i genuinely love writing and i love those stories, and i wanted to tell them, but it’s not enough to keep me going. i haven’t even opened my google doc since i posted pfms4 and that was more than two weeks ago.
i do want to finish pray for my soul still. first of all because i’m so close, and also because it would be extremely unsatisfying if i didn’t. it would also feel pretty full circle to end it there.
i don’t really know what i will do with this account. when i say i will retire i mostly mean i will retire my matty healy smut writer career. maybe i’ll find a new obsession and recycle this account. maybe i’ll hang around to talk to people. maybe i’ll still make blurb nights when i’m bored. anyway, all this retirement talk isn’t for until i’m Done with pfms5 and that, again, could very well take me forever.
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disticfiction · 5 months ago
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Joker sighed as he laid on the gurney. He was so sick of this. Of getting hurt in the most menial ways, then ending up in the medbay. It never got easier, just more and more boring. He groaned, gripping the side bar in frustration. He didn't know why he was there. It was just his arm. And not even his full arm, just his ulna. And his ulna wasn't even broken, it was just cracked!
"Calm down, Jeff. Let it go," he told himself.
He then took a breath and closed his eyes, laying his head back. He knew the rules. All injuries, especially his, needed to be reported and treated; no matter how stupid he thought it was. Still gripping the bar, he looked down at his other arm, stiff as a board and wrapped gently in a cast.
"Ridiculous. But I guess I could use a nap."
He had been overworking himself lately, which is how he fractured his arm in the first place. He'd earned a break, or at least that's how he justified it. He hated not working, not being productive, but it's not like he could do anything else. He wasn't cleared to leave, so he simply gave in to the fatigue.
Before long he was out cold, sleeping soundly. He wasn't sure how long it lasted, but when he woke it was with a start. He'd heard a loud click that shook his dreams, but when he opened his eyes he was greeted with only darkness. That was disorienting, but he quickly deduced the lights must've blown a fuse.
No problem, he thought. He could fix that blindfolded. With a groan he moved to sit up, but froze when his legs and arm fought against him.
"What the—?"
He couldn't see, but he could feel. It took him a moment to realize, but his legs were tucked between the middle bars of the gurney, his uninjured arm handcuffed to the side rail.
"What the fuck?!"
His reaction was instinctual, but dangerous. Trying to brute force his way out hurt, his legs shaking as he tried to slide them through the gaps. After some wriggling he realized he'd definitely be able to pull his legs out, but only with the help of his arm.
He was stuck. A brief flurry of fear rocked his body, then anger. He tried to reach for the cuffs with his casted arm, but he could barely lift it. As he tried, his toes curled with desperation, his muscles flexing.
And that's when he noticed: his pants were gone.
"What the hell?! Doc, did you do this?! Is anyone there?! Hello?!"
He didn't get a response, but he did get an action. Fingers. He felt the shock of them touching his inner thighs, then slowly traveling upwards. The pit in his stomach returned as he was forced to accept this wasn't a medical examination, and whoever was touching him definitely wasn't Doctor Chakwas. These hands were rough, ragged, and clearly knew what they were searching for.
And they found it. Joker gasped as three of those fingers found his secret. His clit. They pinched it gently, sending a wave of pleasure shooting up his spine. He tried not to cry out, but he couldn't help it. It was so sudden, so unexpected, and it hit all the right nerves in his sensitive little cunt.
"S-stop! Get the fuck off'a me!"
He tried to pull at his cuffs, but the smallest yank sent pain radiating up his arm, and that pain triggered a horrible bout of clarity. Any attempt to fight back would do more harm than good, so he swiftly gave up. Not because he wanted to, but because he knew, logically, that he'd lose regardless. He could lose and remain mostly intact, or he could lose and break every bone in his body.
"Shit..." he sobbed, feeling more vulnerable than he ever had in his entire life.
And then, suddenly, he felt something cold press against his entrance. His eyes popped as whatever it was spread his crease, probing somewhere it shouldn't have. He reacted as if in pain, if only to prise some sympathy from his assailant, but they said nothing. They only pushed harder until the thick, metallic object slipped inside.
"Augh!"
Joker grit his teeth, his fingers squeezing the bar he was cuffed to. Something was inside him, stretching him, pushing deeper. He felt every inch rub against his neglected walls as they strained to adjust. He tried desperately to see who was doing this, but it was just too dark. Pitch black, even. But the fingers kept working his clit, rolling it in no particular rhythm as the object slipped deeper and deeper with the aid of his building slick.
"Ugh! S-stop..."
It felt so good. He hadn't felt this good in a very, very long time. But he still wanted it to stop. It wasn't right. It was rape. It didn't matter how good it felt—did it? He winced, his eyes squinting shut as the object reached its goal, slamming into his cervix.
"Ah!"
He was full. His whole pussy was stuffed by a complete stranger. Or perhaps it was someone he knew, which made the situation so much worse. Who on the ship was capable of this? He didn't have time to think about it before the rod, or whatever was inside him, began thrusting in and out. Slowly at first, then faster, before he was ready.
"Oh guh—! Ugh! Ugh!"
He couldn't even try to keep quiet. The pleasure was unreal. This person, whoever they were, knew what they were doing. It seemed they even took his condition into consideration, knowing his legs were the most susceptible to injury. Perhaps that's why they weren't cuffed or tied down, just awkwardly trapped.
"P-please! Ugh! S-stop!"
Tears welled in his eyes as the thrusting turned into pounding. Hard, violent pounding. His hips bucked, his clit aching as it throbbed between the stranger's fingers. His mind began to blank as he felt a familiar sensation creeping up on him, his back arching. Familiar as it was, it had been so long it almost felt new.
The ecstacy of release.
"Aaaugh!"
Joker wailed as his first orgasm in years wracked his body, his hole pulsing rapidly. The rod, or whatever it was, was so big it barely left any room for convulsions. He wasn't even sure how it fit, but it was so good. Sweat rolled down his face, his chest heaving, his brain waiting for the pause, but it never came. The ramming continued, the brutal assault overwhelmingly fervent.
"Wait! Stop! I-I already—!"
But the stranger kept going, driving the rod in and out at a breakneck pace. If not for the soft cushioning of the gurney, Joker's pelvis might've been ground into dust, but that precaution was probably planned. Everything about this lewd act was clearly meticulously calculated.
"Oh God! I'm gonna—!"
As Joker's eyes rolled back, he heard a faint chuckle from the shadows. Impossible to make out, but he didn't care anymore. His hole was getting fucked. It was getting fucked hard. But for the first time ever, he wasn't worried about breaking every bone in his body. It felt incredible, his clit reeling and insides ringing with pleasure.
As if sensing the inevitable, the stranger squeezed and pulled at his clit, then rammed the rod in and out with the last of their strength. Joker's eyes flashed as he felt his hole cling to the metal, chasing the high he shouldn't have felt. It was so wrong. It was so wrong and yet...
"Aaaaaugh!"
The rod and fingers quickly pulled back, a stream of liquids bursting from Joker's core. His screams echoed through the room, so loud he wondered why no one heard it. A wave of white hot pleasure rushed to every point in his body, from his toes all the way to the tips of his ears. In that moment of timeless haze, he truly thought he'd pass out.
And then he collapsed, twitching and moaning as his hole spasmed, as if searching for the size that once filled it. Drool coated his chin, his eyes wandering but seeing nothing. He couldn't move, he could only bask in the aftershocks of pleasure. He did try to speak, but his mouth felt paralyzed, only able to make gross, pathetic garbles.
"Ugh..."
After a while, the door to the medbay swung open with a pleasant hum, the hall light pouring in. He struggled to lift his head, but it didn't matter. His vision was blurred, and all he could see was the unfocused silhouette of a man. Or was it a woman? He couldn't tell. He could barely breathe. The figure moved slightly, as if throwing something, and he soon felt something light land on his stomach.
Then the doors closed. The stranger was gone, but the lights switched back on, so blinding Joker groaned, squinting and blinking. Once he found his bearings, he looked down to see the key to his cuffs. So that's what they threw. With a grunt he grabbed it and released himself, which was difficult with his cast, but he persevered.
He was free. Weak and tired, but free. After a while, he managed to sit himself semi-upright, his legs still spread and trapped between the bars. He didn't want to look, but he knew he had to. Reluctantly, and after much hesitation, he looked down to examine his hole, and he gasped.
It was red and throbbing, still rife with pleasure and stretched wider than he'd ever seen. The damage that rod had done was undeniable, and yet every thrust felt like paradise. How was that possible?
"Oh God..."
He fell back again, melting into the sensation. He needed time to recover. Though as he laid there, his legs still stuck between the bars, a nagging thought crossed his mind. There were only so many crewmembers on the ship, and one of them had just raped him. He had no idea who it was, or even what species they were. They could've had five fingers, but he only felt three. Were they human, quarian, turian? He had no clue.
But he wondered if they'd do it again.
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unknown-writez · 2 months ago
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Misfit Toys
Chapter Five: Creation of Minx- Part Three
 He pulled me up off the bed and continued talking “Time to meet the gang. I took the liberty to get you some threads even stopped by your place for some things. You have a nice diggs.” he continued my head imagining my front door broken down and an apartment that was probably disheveled and ransacked. “Gordon and the rest of the GCPD are gonna get a kick out of that. I bet they think I was kidnapped.” I thought laughing in my head at the make believe reactions I could picture. “I threw away all the boring stuff of course. I’ll be right back, get ready then I can introduce you to everyone.” Jerome finished a hint of excitement in his voice that pulled me back down to earth. He pulled me up from the bed and spun me around making me a little dizzy before giving me a quick hug. His warm body against mine bringing a comfortable and weird sense of safety for a moment. I didn’t want to move. Letting go he turned to leave shouting “Don’t go anywhere without me!” over his shoulder as he walked out everything now silent. Looking around the large room I got the sense that we were somewhere expensive. The walls were painted a deep red and the floors were polished black and white marble. There was one king sized bed with fresh clean black bedding now all bunched up in a messy ball. Across from it on the other side of the room there stood two large black and gold wooden wardrobes in between them a long matching dresser holding a tv. Giving the room a 360 I noticed there were no windows on the walls. Only pictures of random stuff, a carved black marble fireplace and two black doors with fancy golden handles and detailings on the wall the black velvet headboard of the bed was up against. The doors on different sides of the bed. “One of them had to be a luxurious bathroom and the other was probably just a closet.” I thought walking over to one of the wardrobes the ground cold under my feet. Opening it up I was surprised to see mens clothes and a bunch of random stuff. “This must be Jerome’s room.” I concluded not wanting to mess with his stuff. I swiftly closed the wardrobe going over to the other one hoping it was my stuff. Opening the other I immediately recognized my shoes. All my different docs lined up perfectly. Going through the shirts I only found a few of my original tops most of them being new and flashy with cool designs, bright colors and different textures. Some  with leather straps or lacey others with metal rings and studs. Definitely not boring as Jerome put it. Deciding to get dressed I opened up some of the dresser drawers only to find the same style of a variety of bottoms. Some pants, shorts, skirts and undergarments. Going back to the wardrobe I skimmed the hangers finding a half orange half purple velvety top that was laced up with green cord and tied in The front and on the sides. Rummaging through the pants I found what looked to be the matching half and half corduroy bottoms. Taking off my old clothes I was wearing I threw them to the side onto the spotless floor and slipped on the new ones that fit like a glove. Going back I  grabbed a green military style belt and a pair of black holographic docs to finish it off. When I was done putting on my shoes I went to one of the doors near the bed hoping to find a bathroom my assumption being correct when I went inside and found a large golden framed mirror over a double black marble faucet with medicine cabinets on both sides a couple of drawers and regular cabinets under the sinks. On the other side of the room there was a big bath and shower and another door that led to the toilet. Walking in front of the mirror I had to admit I loved the way I looked despite my red eyes from crying so much and my crazy hair. I had always loved bright colors and statement pieces but could never wear them because of work. My favorite clothing items mostly sat in my closet unused till the weekend came. Now I felt like me. I felt comfortable in my own skin, something I hadn’t felt in a while.
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bluebrainrot · 2 years ago
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Here's a ROTTMNT fanfic W.I.P I'm not going to finish,
it's 3k words long.
(TW/CW for injuries and feelings of guilt which result in reckless activity.)
oh god, he was so fucking bored, 
Sure Leo had practically gotten his shit handed to him in a nicely wrapped up present with a tiny blue bow by the Krang a couple months ago,
and sure he ended up passing out for an entire week after the adrenaline passed which gave his entire family a heart attack,
but that didn't stop the numbness crawl it's way through his chest, the small prickling feeling of dread make its way up his neck, or the heavy pit that stayed in his stomach as soon as he was left alone.
Boredom, Yeah, it's totally boredom, it could literally be nothing else, not fear, or anxiety, or guilt that he was the reason his family and the entire world was almost destroyed.
No, he was just bored.
He picked at his bandaged arms, staring at the ceiling scheming, he would make his escape tonight
"Nardo, do not." Donnie had entered the med bay and went to check his vitals,
"I wasn't going to do anything?!" Leo shot back, giving his brother an incredulous look,
Even though Donnie swore that twin telepathy wasn't a thing (or that they were twins because "We are literally two different species' of turtles, Dum Dum.") Donnie always knew when he was gonna pull some bullshit, 
"I mean stop picking at your bandages, Dum Dum." 
"Oh," Leo mentally sighed and decided to fidget with his fingers instead.
The plan was still on.
"And don't even think about leaving the med bay." he said momentarily glaring at leo, after he finished checking Leo's iv, 
Fuck.
"I- Me? Never. I'm out of commission, doc, you know that," He said faking a hurt tone, as if he was offended that Donnie would assume such a thing.
"I'm stuck here, I can barely stand," he pouted at Donnie, that was only partially not true. Leo had practiced hobbling around when everyone was asleep, 
Donnie raised a drawn on eyebrow at him, to which Leo returned with a half grin half smirk, 
There was a pause of silence before Donnie sighed, 
"Alright," Donnie started, 
Leo mentally cheered and smiled, 
"but i guess since you're stuck here," Donnie paused for a second, "I'm sure you won't mind me keeping you company?"
Leo's face fell while it was Donnie's turn to smirk, 
"I'm sure you'd love to have me, your older twin, stay with you." He continued with a smug grin, as he looked at Leo, who was busy looking half terrified,
Leo recovered and attempted to grin back, 
"Yea, sure," He blinked taking a minute, before opening and closing his mouth in thought of what to say next,
"Great." Donnie said, "Now, if you don't mind, dear brother, I need to get somethings done before I join you." He said with a monotone flourish before he left the med bay, 
as soon as he was out of earshot Leo cursed, sour that his dear twin brother managed to snuff out his plans, he laid his head back down on the pillow rolling his eyes at the ceiling,
his head was cramped with the thought of new york, how he used to run along rooftops with his brothers, fight crime, Go to "Run of the Mill" and annoy his second father figure Señor Hueso, 
he mostly missed the sounds, the bustling alive streets that were never quiet, which felt like a stark contrast to the med bay, 
where the only sounds were machines beeping signaling that Leo had somehow survived, dripping of sewer pipes buried somewhere within the walls, the hushed whispers and conversations that would happen infront of the med bay when his family thought he was asleep,
it all felt like too much, or too empty, sure his brothers would come in and talk to him, 
or try to, atleast.
It would usually end in an awkward silence as if they had no idea what to say, because what do you say to your brother who had sacrificed himself, who resigned himself a fate with practically no chance of survival?
it was usually with Raph that conversations died fast, because there was always something else he wanted to say, always something that just died on the tip of his tongue, Leo often wondered what it was, 
a part of him thinks it would be about Leo's stunt at the docks, how because of his inability to shut up they had been spotted, 
how he had disobeyed Raph and went after the key on his own without a single thought or plan on how he would have gotten out on his own, 
how Raph had to sacrifice himself for Leo and deal with the consequences which was forever memorialized on his face, an ugly scar over his eye, a reminder on how it was Leo's fault.
The sane part of Leo knows that Raph did not hold it against him, but it still was a terrifying, ugly thought that felt like hot coals were being shoved down his throat and burned smoke into his eyes.
with Mikey conversations flowed somewhat smoothly, Leo could sense he desperately wanted to bring out Dr. feelings but would supress it, 
They would continue to talk about skateboarding or a meme Mikey got from April, but no matter the subject Leo's eyes were always led to his baby brothers hands and forearms, 
They were painted with faint scars, jagged, thin and ran along his arms like dead tree branches, it was a show of Mikey's love and determination; a mark that shouldn't have to be there. 
Leo knew that Mikey struggled, his hands were filled with tremors, he could barely hold a pencil or a paintbrush anymore. 
Leo may have sacrificed himself, but Mikey? Mikey gave up his art, his ability to breathe life onto a blank page and Leo was the one who took it from him.
He had heard Mikey crying one night, from the darkness he could hear sniffles permeating through the lair, that reminded Leo of when they were kids and Mikey would skin his knees by tripping over his own feet from running too fast, 
Leo hated hearing Mikey cry which is why he had found those old knee pads, but this, this required more than knee pads, a bandaid, soft words and cuddles.
Leo had asked him about it one night and to his surprise Mikey answered truthfully, he had told Leo everything, how even though he was glad that ge managed to save Leo, he missed being able to draw, to paint, to create. 
That night ended in both Mikey and Leo crying, one with relief of finally unburdening themselves with pent up emotions, and the other with guilt.
Mikey was always so much stronger than him in that sense, he was so willing and open with his feelings. 
He would never tell Mikey this, knowing he would most definitely break out Dr. Feelings, but It made Leo feel sick with himself, It was another weight added to his stomach, another way he could torture himself,
Another reason as to why he should have been left in the prison dimension.
Leo couldn't believe his baby brother felt the need to save him.
He didn't need saving.
He didn't want it, not at the expense of his family.
If Mikey hadn't saved Leo, he wouldn't had to give up on his art. Not for a brother that fucked everything up.
But with Donnie it was different, it was easier.
His twin was never one for feelings or emotions, and rather preferred to sit with you in silence, and usually used small touches; a hand on your shoulder, as a way offering his presence as an anchor, or to say I'm here.
Leo was grateful for that in many ways, 
however, in this case, he wasn't.
Donnie had returned with some mush he called Leo's dinner,
Leo couldn't eat anything solid, Thanks to the Krang and his temper tantrum in the prison dimension, which in turn led him to have a diet of liquids and baby food.
Leo whinned as Donnie placed the plate of mushed up peas in front of him, 
"c'mon Donnieeee" he dragged, 
"I've been having shitty mashed peas for the past month. It's fucking disgusting and flavorless and boring."
Donnie gave him an unimpressed look, "Leon, you know very well why you have to eat the peas," Donnie sat down on the chair beside the bed, where for the past month or so, his brothers had been taking turns, to watch over an unconcious Leo.
The seat was, from what Leo had heard, had mostly been occupied by Raph. Donnie and Mikey being very close seconds.
"you're the team medic, and as team medic you know that your stomach pulled an AllMight and half of it got destroyed." Donnie crossed his arms as he talked and shifted in his seat.
"yeah, I know that, DonTron" he rolled his eyes, "I didn't ask 'why?' I just want something other than fucking peas, or atleast something with salt." He glared at the plate on his lap.
Donnie sighed, "Leon. Eat the fucking peas." 
Leo frowned at Donnie then the plate of peas, then at Donnie, then peas, Donnie, Peas, Donnie, Peas, and grimaced.
he groaned before using the plastic blue spoon that kindergarden children were most familiar with, and took a bite of the room temperature peas, making a disgusted face as he swallowed, 
He looked back at Donnie who was still seated next to him with his arms crossed, unimpressed with Leo's antics.
Leo scooped another spoonful, bringing it up halfway and paused, stared at the peas, and put it back down, turned to Donnie, 
"DonDonnnn, my arm hurts," he pouted.
Donnie pinched the bridge of his beak and groaned,
Leo smirked,
"Nardo, I swear on the pizza supreme in the sky." He looked at Leo, borderline glaring at him.
Leo stared back with a blank face, before it contorted into one of pleading.
Donnie swore under his breath that his brother was going to give him an ulcer before they turn 18, 
"Fine. Fine. I'll try and find something else."
Leo smiled back at Donnie. "Ohmigosh! Thank you, Thank you so so so much, Donnie, you are the greatest brother ever, have I ever told you tha-"
Donnie held out a finger to shut him up, "I said 'try'." He gave a tired sigh before he continued,
"and whatever I bring you have to eat it. no complaining, nothing. Got it?" He said eyeing Leo.
"Todd scouts honor." He said before drawing a cross with his finger on his plastron.
Donnie got up, narrowing his eyes at Leo as he got to the door of the med bay, before leaving. 
Leo wait a few minutes before he grinned, sat up and stretched over to place the peas on donnies seat, 
he swung his legs over the bed, using the iv stand to stabilize himself, before taking a few explorative steps, 
Leo removed the iv from his wrist and used the stand for a couple more steps, before attempting to stay upright on his own.
he wobbled, and stuck his arms out like a tightrope walker to keep steady, his face focused, tongue sticking out as he tried his best not to fall over.
Leo took a few more steps before he could comfortably walk, more like limp, around the Med bay.
He started making his way through the med bay trying his best to quiet his foot falls, and leaned out the door to see if anyone was coming, after he was satisfied, he went back in and made his way to one of the vents, 
he opened it and scurried inside, closing the vent behind him, his mind made an inkling thought of an among us joke, before he snickered and moved on.
Leo had memorized the ventilation shafts as a way to fight his boredom one night,
He made the necessary turns till he made it to his subway cart room.
He clambered down, and entered his room filled with Jupiter jim and lou jitsu posters and action figures, comic books sat in teetering piles near his unmade bed, as his twin katanas laid across his desk.
he grabbed his katana holders that was draped on his desk chair and struggled it over his carapace before taking one katana and placing it in the holder and using the other like a makeshift crutch.
he made his way to the back door of the subway cart and opened it, 
Leo used this exit many times before, especially on quiet nights when his insomnia was acting up and drinking tea or rewatching jupiter jim or lou jistu movies weren't working,
he'd make his way out of the abandonded subway tunnels, up to the surface and wander around, 
Leo did the same thing he'd been doing in the two years after Shredder had destroyed their first home, Before the krang Fucked up everything.
Except, now, he stumbled down the subway tunnels with his katana as a crutch rather than easily stroll like before.
Leo found his way to the surface taking a minute to stare at the sky, 
The similar sounds flooded his ears. The people. The constant movement and chatter. The soft goan of a new city being rebuilt over an old one.
Leo felt at peace, he felt lighter, as he dragged himself out of the abandoned subway catacombs, and made his way up onto the rooftops with the help of an old fire escape, 
he had at first decided to aimlessly wonder around to take in the sights and the feeling of his city.
It had been a long time. Way too long.
as he walked around he noticed that even though it was familiar, it was all so vastly different.
As the sounds of construction took up most of the air, there were more people than ever queuing up infront of food drives, and there were more crumbling and abandoned buildings than usual. 
Leo's face hardened, as he realized that these were all effects of the invasion.
Of the catastrophic event that rocked practically everyones shit.
He felt the stubbling feelings of guilt prickle its way through his chest, as he stared down at his city, his home.
Leo shook his head, he was here to feel better, to not feel bored anymore. 
That what he was going to do.
he pushed back the all encompassing thoughts and dread, all the way to the back of his mind, tonight is his night. 
The only night he'll allow himself.
Leo needed to get serious; about his family, his city, and himself.
Because it was never about him, it was never supposed to be. 
Leo looked back at the sky almost inky and dark, but dented with the city lights, proof to him that new york was healing and that it would all be ok.
Leo's stomach grumbled, as he was lost in his thoughts.
Leo hummed as if to let himself know that he recognized he was hungry.
a few mummbled thoughts went through his mind before he managed to pick one.
Run of the Mill. Señor Hueso.
He needed to check up on Hueso, and eat something that wasn't fucking flavorless peas.
Leo made his way across the rooftops till he reached the alleyway where Run of the Mill was hidden. 
He opened the mystic door and sauntered in, putting an air of "I'm completely ok, the casts, bandages and sword i'm using to keep myself from falling on my face are a fashion statement nothing more."
Leo was greeted with the warmth, smells and sounds the restraunt usually had, and for a second his mind melted, it was so familiar, it was exactly as he left it, and Leo loved it.
Too many things had changed and he was so glad that atleast one thing was the same.
Leo with the same sauntering pace limped with his sword, up to the counter, flashing a grin to the waitstaff.
"Heeeeeyyyyyyyy," Leo had proped himself against the counter, leaning his sword next to him.
The yokai manning the counter was a type of humanoid black bear who wore a black button down, and had an annoyed snarl placed on their face as they looked down at Leo.
"Do you think by any chance you can get me Señor Hueso? you see he is like a really good pal of mine," He paused expectingly, waiting for the bear to go get Hueso, but they stood there, still snarling.
"we are muy close, super duper close like almost like a mentor/mentee type of deal or one could even say father and son?" Leo stopped, raising his nonexistent eyebrows, a small part of him wondering if he should just leave.
But he continued anyway "actually more like uncle and nephew, anywhizzle, I'm sure he would love to see that i'm doing amazing," Leo gestured to himself, which would more likely disprove his point rather than help it.
"after the entire almost end of the world thing at the hands/tentacles of chewed up bubblegum." He tried to give the bear a smile in an attempt to convince him, 
there was silence as the yokai and Leo made eye contact for a solid minute, the bears ears flicking from time to time.
Leo broke first and groaned, "It's fine i'll just get him myself." and gave the bear a sarcastic smile, before peeling himself off the counter and hobbling into the bustling restraunt with his weight on his katana, towards Hueso's office.
The bear grunted as he did so, and greeted the next customer with silence.
Leo slowly weaved his way through the waiters and tables before making to the door of hueso's office, promptly knocking before he let himself in,
grinning as (humanely?) turtley possible, as he greeted Hueso with a "Heeeeyyyyy Boneman," and finger guns.
Hueso was on his office phone, his eyes, eyesockets? widened as he saw the turtle barge into his office, 
He muttered a quick assurance to whoever was on the phone before cutting the line.
That's it! Thanks if you read this far ^_^
Here's a picture of my grand uncle's cat as thanks.
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theskyexists · 5 months ago
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So why the snow? Why did the memory change? Why did the Doctor cry? Why can't he remember? Why couldn't anyone see her face?? No explanations for this in the episode. So rewrite. (Also wish it hadn't been just four mostly disconnected mysteries and mystery women (Mrs Flood, Susan Triad, ruby’s mother, the woman in 73 yards).)
We're doing that rtd theme: the most ordinary woman in the world is the most important but we make it make sense. The mundane should not exist BESIDE the magic, the magic should elevate the mundane.
Basically the essence is that Ruby broke that piece of time using the time window when it shorted in ep 1. And the dusting of Unit and all the panic in the streets is moved towards the end of ep 1. And Sutek has a voice over about how every Susan in every place that The Doctor’s ever landed is destroying life now. And it's all the Doctor’s fault (And there's no scene where the Doctor and Sutek have a slow and boring conversation and standoff).. And the Doctor storms into the time window and uses the memory TARDIS and that bit of cracked time to place them outside time. ‘this eddy, this crack, this memory of time. YOU made it Ruby Sunday when you broke the the time window, because you looked so so hard. All so you might be able to see your mother's face. That's why this little bit of time is so strong, it comes through everywhere, snow, singing, and so broken, muddled, even I can't remember. And THATS because… I am cracking open this little bit of memorytime and pulling us through beyond it RIGHT NOW.’ Goes on about how maybe, if theyre lucky, they’re not affected by Sutek’s power if they can just get THROUGH because it's just slightly out of true with time.And Ruby and Mel remember the TARDIS for him and he tries to remember the night. And then he tries to take off and the thing half explodes and the time window disappears and all that's left is the scene hanging in the darkness of nothing.
Ep 2
The beginning is the Doctor arriving at the dying woman's place and getting the spoon. Great atmosphere, establishes immediately that everything has gone to shit, and things are DIRE. And things have changed drastically, we are in a new world and there are things we don't know about the story because of this.
Then the Doctor RUNS towards the Tardis and dives in. He barely makes it as it's already dematerialising and it is still on fire. Ruby and Mel and him try to tie everything together and the spoon makes it work. Fire extinguisher. They barely make it, the Tardis takes off roughly and langs rougher. they're pulled back to the cracked moment in time, a frozen moment of that night hanging out in nothing. Exposition Doctor: now they've fixed the TARDIS a bit they should be able to do longer hops out into reality. Closed the doors back up and they go into a hop we get the scene in space where the dust races across the continents. The Doctor despairs. First the flux and now this, he's a virus after all, a parasite, he's killed the universe (this is about adoption, so please refer to tecteun !!). Ruby and Mel say: no. This wasn't you. But he says: It's me!! It's me!! I came here and it's happening because of me everything I ever touched. And there's nothing! Nothing I can do!!! He probably screams.
Scene with Ruby sitting in cracked time, crying about Carla and Cherry. The Doctor sees it, sits next to her. Ruby: says and i STILL dont know who she is, laughs. Like it matters now. The Doctor goes: why not, its the end of the universe, lets go. Lets go who cares if we cross our own timelines now! Ruby's like: won't she be dust. The Doctor says: maybe, but she's special, this place in time is special. They try but the Memory TARDIS will not go.
Sutek probably shouldn't get a scene but if he does he shouldn't be worried about Ruby, he should be like: the Lord of Time, they say he's immortal, that he came from beyond the universe like my siblings the gods. How did he escape? All of time and space is dead!
Back to the Doctor and Ruby, they have the screen, the Doctor is trying to sonic it but it's delicate, but when Ruby touches it, the image changes (‘do that again’) and some talk show is trying to get through (gwilliam). RUBY recognises the man. (‘how dyou know that) They can't get it to show up. The Doctors like, it doesn't make sense, it's like there’s a perception filter, like the TARDIS has. Liminal space. 66 metres. 73 yards. ('What...how dyou') You see things at 73 yards. Ruby takes the screen and steps backward, as though she's done this before. The Doctor is like woahwoah woah. Because there's barely an ounce of reality beyond the memory. They go out into the dark, walking backwards lit by the screen, holdin onto each other, the Doctor (don't blink) never losing sight of the memory TARDIS. Ruby holds the screen up over the memory of her mother, a flash of the fairy woman, then gwilliam and the Doctor remembers DNA.
Is it worth it? We can't just sit here forever. (Though technically maybe they could). At least we can find out who she was. Try and find out. At the end of the world. Mel’s exhausted (death catching up???) but is in favour. When they step out, the doctor tells them: they only have so much time until they have to return to the memory TARDIS or it will leave without them back to cracked time. And Sutek will be able to sense them. The moment Mel steps out he tries to possess her. Harrowing dust scenes. Mel leaves, the Doctor and Ruby, snow, carollers. Does the computer have a match?? We don't find out, ruby snatches the screen to her chest, because Sutek arrives. Turned Mel tries to dust Ruby but the Doctor steps in between. He suffers but doesn't die.
Sutek says, you won't stand up to my direct power. Immortal life versus eternal death. Who are you? My brother and sister ? Regen slurp scene. Ruby's like: stop please stop. Goes: don't you want to know how we managed to escape you? Lots of people escaped that way, dont you want to find them? Its on this computer and offers it up. Drops it (gasp, her DNA answer!) and leashes sutek.
The doctor then TELLS RUBY ‘bringing death to death means life!’ Triumph!!! life! Cherry and Mrs flood. Carla, Kate. The planets are back!!! Then he goes still and serious. He's going to have to be a monster. He goes to hang out in the TARDIS doorway. It SHAKES which explains holding on like that. He doesn't shout but talks loudly. ‘ life wins. Death loses. You lose. And I lose. Because there's no other choice. I'm sorry.’ cuts sutek off. He stares into the vortex as sutek dissipates.
Next scene, ruby asks whether they can go look for gwilliams dna data base again, the Doctor says huh? That never existed, gwilliam stepped down the day he was going to be handed access to the nuclear codes (‘somebody saved the world that day’). Ruby is like: huh??? ‘but…..there's another way’ the Doctor says. the doctor has to fix that bit of cracked time, placing the memory TARDIS back, and in that moment, anything might be possible. and ruby steps out a final time into the memory, which is not a hologram and not quite real. It's a chance. She can wade out between time and memory. ‘ go, go you're not here and you're here, this is our only chance to see, in between the temporal pixels, the snow resolving into image. Go and look!’ and she wades out. And the Doctor is stood next to his earlier self. And Ruby looks and makes a small sound and her mother hears it and sees the Doctor and points. (The memory changed) And the Doctor looks and she's pointing at the street sign. Ruby road. Oh. ‘She named you, Ruby. She named you after the street.’ And the Doctors both cry. The memory dissolves.
‘did you see her face?’ yeah…yeah!
And they're stood in Unit base (not the time window). And Morris : ‘description? Just kidding, that's why we had you wear a camera.’
And BAM photos. Kate reads out the story. The rest goes the same way. Except the ending.
The Doctor leaves her behind for being too busy? Nah it needs to be a little different.
‘Ruby. You've got Carla, Cherry, Claire (?), you'll be meeting your dad. Don't leave them.’
‘Will I see you again?’
‘Of course’
Ruby points out the stuff about Susan.
The Doctor says: you’ve shown me something Ruby Sunday, something I'll never forget. And…I will see Susan again too.
A decision and a sudden knowing in one. BECAUSE THAT WOULD DELIVER ON THE SUSAN BAITING. THE SUSAN THATS STILL TO COME.
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downatfraggleblog · 2 years ago
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Riley’s Fraggle Rock Reviews!
Season One, Episode One- Beginnings
Beginnings are always hard, aren’t they? Even if you have a vision for what you want your project to be, it can be hard to get to that point from nothing. You have to start *somewhere*, while making sure everything makes sense for your audience and keeping them entertained and promising that “This will be great! Really!!”
...Admittedly, this is more for me than for Jim, Jerry, and the incredible team of performers, puppet builders, crew members, songwriters, and gorg wranglers who worked their baloobiuses off to get Fraggle Rock made (because *surely* the work of one woman typing reviews about a decades old show is harder than actually making the show was). I’m not sure how to start things here myself, so I feel a little better seeing the crew of Fraggle Rock is in the same spot that I am on this one... more or less.
So! Without further ado, I want to welcome you to the review series! (If you’re looking for more information on the series, check the ‘about’ page.) If for some reason anybody reading this does not know anything about Fraggle Rock, I will be highlighting the names of all the major characters and groups in this episode. There are a lot of elements at play here, but I’m sure you’ll do just fine. Now, I know what you’re here for- let’s start the episode! How does Beginnings begin?
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We begin with a dark workshop. *The* workshop, actually, as we see old handyman Doc and his loyal dog Sprocket begin settling into this old, dusty room. I always assumed the workshop was the front room of the house, as we often see Doc bringing in groceries and talking to neighbors, but he explicitly says he is converting an “unused room” into his workshop. Did they always live here? My personal theory is that Doc inherited the house from an old friend or relative, who simply used some other entrance to the house, as I simply can’t believe Doc just had a whole room lying around for who knows how long. He doesn’t strike me as a man to make waste of a whole room like that. Besides, I find more whimsy in him settling in here just as things begin stirring in the world just below his feet.
Speaking of which, just about five feet down and ten feet to the viewer’s right is fraggle explorer Matt, who is lamenting the end of his journeys charting out the caves of Fraggle Rock.
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(I can see where Gobo gets his sense of style from!)
His wish for more adventure is quickly granted when a magical force (Doc) penetrates the cave wall (moves a box out of the way), opening a portal to the mythic “Outer Space,” a legend to fragglekind. The exposition from Doc in this scene is kind of flat, but I quite enjoy Matt’s antics here. He quickly rushes home to prepare for this new adventure.
Here we meet Matt’s nephew Gobo, who suffers from protagonist syndrome but has a healthy dose of eccentricity to balance the mixture. Matt trusts Gobo with his papers as he begins to pack (along with one of my favorite bits of physical humor in the episode).
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“I am leaving my books and maps with you for safe keeping!” he says as they thud on the cave floor. (Look at his arms— he’s rod handed. I wonder how many takes it took to get this shot perfect…)
Gobo pages his uncle’s (presumably now damaged) tomes and here comes our first song of the series, “Hip Hip Hooray!” Despite the name, I’m not quite fond of this sequence. I feel like it’s mostly here to showcase some of the new puppetry tricks still being toyed with for the series, but we will see just about all these tricks honed much better in later episodes (swimming fraggles, waldos, fraggles “balancing” things on their nose). Admittedly, I am quite a fan of the one fraggle just before the song balancing on one foot atop another’s head, but I’ll let you find that one for yourself ;) Otherwise, the song is boring and so is the staging. Anyways, let’s meet some more fraggles!
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(I find it adorable that Wembley comes out following Boober in their very first shot onscreen together. Just something I appreciate!) 
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Enter gloomy Boober, silly Wembley, and daredevil Red. After an endearing slapstick sequence, the trio all find themselves tripping over one another in Gobo’s room. This scene doesn’t really forward the plot in any way besides establishing these three as characters, and I honestly don’t mind too much.
After the brief visit from his friends, Gobo sees his uncle off on his newest adventure in what is probably my favorite sequence of the episode, and our second musical number, “Follow Me”. Not only am I getting a wave of nostalgic pathos, but the interactions between uncle and nephew are very charming to watch. Gobo’s interactions with Matt in this song and the sequence that shortly follows are endearing because of how natural they feel. There’s genuine chemistry between these performers, having worked together on the Muppet Show and first few Muppet Movies, but beyond that the relationship between Matt and Gobo feels like a real family. They are by no means perfect, but there is clearly a lot of love for one another. It’s a shame that a lot of relationships highlighted in Season One fall to the wayside as the writers figure out their footing.
Matt tasks Gobo with receiving messages he will send back home as he explores Outer Space, and while Gobo says he could never, his uncle doesn’t quite hear that last part. Gobo, feeling a sense of obligation to his elder, sees no way out of it, and wishes Matt goodbye. “Think of me as Uncle Travelin’ Matt,” he replies, and a music cue tells the audience (and, seemingly, the fraggles onscreen) that this name will be important. With that, he’s gone out the door, and Doc is none the wiser. Sprocket, on the other hand, is freaking out at the discovery of these strange little creatures coming out of the mysterious hole in the wall. 
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We catch up with Gobo a little later, when the nurturing and dreamy Mokey asks him why he’s been so down. Gobo doesn’t know how to talk about his feelings, which Mokey interprets as needing space to process things. Gobo announces to nobody in particular that no, he needs *help*, and Wembley (unaware of his friends anguish?) eagerly calls Gobo to look at a musical construction made by the diminutive, formic Doozers. We get an instrumental sequence here as Doozers build a new bridge with tiny construction tools. (Sequences like these are quite common in the earliest episodes of Fraggle Rock, and while they often can be fun, they can really stop an episode in its tracks...)
By the time Wembley finishes his song, the Doozers have trapped him in with the new bridge they just assembled, as Gobo glumly comments. “It’s a good thing I’m hungry,” Wembley proclaims, as he begins devouring the highway before him.
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(If you’re new here, no this isn’t just a Wembley thing. All fraggles do it.)
Wembley asks Gobo what’s wrong, and Gobo again cannot elaborate, so he heads out to go get some wisdom from Marjory the Trash Heap (Again, if you’re new here, she’s their oracle. And yes, she is a talking pile of compost.)
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In order to get to her, however, he must cross the Gorg’s Garden, guarded by the titanic Junior Gorg. His blundering mammoth size proves no match for a fraggles’ speed, however, and he misses Gobo as the latter makes his way to the oracle in question.
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Her heralds (sons?), the murine Philo and Gunge announce her presence and the pile of compost awakens. She declares that Gobo has “Troubles,” and breaks into the highest energy segment of the episode, our last new song, “I Seen Troubles”. I adore this sequence, especially with how much fun everybody seems to be having and how high energy it is. It’s a spectacular contrast to the rest of the episode, in the best possible way. 
Gobo explains that he doesn’t know how to do what he promised his uncle, and that he feels alone and scared of the terrible monster (Sprocket) that he will have to contend with. “Alone? Then don’t be alone!” Bring some friends, Marjory says, friends help. Philo and Gunge declare that to be all, and Gobo goes back to recruit his friends to tag along and help him out. Boober finds the request terrifying, and Red doesn’t believe a word of it, but the group agrees to go.
The sequence where they enter the tunnel to Outer Space has great scoring, and establishes a few running jokes, such as Wembley here bumping his head on a pipe. Everybody is subsequently stopped by a ‘Hideous, Round Thing’ (a red ball Sprocket lost down the hole) blocking up the doorway to Doc’s Workshop.
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I hope this wasn’t bothering any of you before, but I just can’t help but be irritated by the fact the Hideous Round Thing is floating about six inches off the ground. Come on! Couldn’t they just have one of the Fraggle Five bend offscreen and pick it up? Couldn’t be bothered to do that?
Regardless, Gobo bravely ventures out of the Fraggle Hole and into Outer Space, past a sleeping Sprocket, only to find his uncle’s message when Doc comes in with the mail, various magazines and… a postcard for one Gobo Fraggle? Doc puts the errand card in the trash (...instead of checking with his neighbors? Perhaps more proof Doc just moved in.) and Gobo makes for the safety of Fraggle Rock. Only problem is the commotion woke up Sprocket, who now has Gobo by the collar of his cardigan, and everybody is freaking out. Mokey finally decides to throw the Hideous Round Thing at the monster to get it to let Gobo go.
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This of course works, as dogs love their balls, and Gobo zips back into the tunnel with a “whoosh” sound- another running gag in the making. Red apologizes for not believing Gobo, and they head back home, singing a reprise of Hip Hip Hooray. That night, Gobo reads the message proclaiming his uncle is okay, and finally the young fraggle can rest easily.
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(In actuality, Matt almost got hit by a car, ran into a fire hydrant, and mistook a bunch of children playing baseball for horrible warriors. He simply thought Gobo would find Outer Space too preposterous to put all that in his letter back home.)
We end the episode back on Doc and Sprocket, who have just finished setting up shop (literally). Sprocket barks down the hole at his new ‘friends’, and Doc declares that one of these days he’ll get around to boarding up that revolting crack in the wood paneling.
Final Rating- 6/10
Song Score- 3.5 radishes out of five “I Seen Troubles” and “Follow Me” are both spectacular songs, and I like them both in very opposite directions. I Seen Troubles provides a great energy boost to an otherwise meandering episode, and the fun everybody had during it is infectious. Follow Me is a wonderful lullaby for the soul, and one of the series’ classics for a reason (Oh yea, it’s coming back!). “Hip Hip Hooray,” however, brings the score down for its mediocrity, both times it comes about. It’s not horrible, but it’s weak as cardboard.
Story Score- 3 radishes out of five I admire the determination of the writing crew, getting every main character and group on screen with ample time to shine. However, the episode feels both very busy and very hollow at the same time, and the actual plot of the episode is kind of short compared to all the little side bits we run into (Gobo’s friends visiting his room, Wembley playing his song on the Doozer construction, etc.). None of these little bits really push the episode forwards either, but I do think all of this can be forgiven by a writing team that is still figuring themselves out.
Performance Score- 3.5 radishes out of 5 Everybody seems to be having fun! The quick establishing moments of Mokey, Wembley, Boober, and Red all do a good job giving the audience a nice feel for each character, and the physical comedy in this episode is very good, better than I remembered. The puppetry stunts are mostly standard for the series going forward, with many of them improving greatly beyond this episode, but there are a few novel ones as well, such as Matt dropping his books. Score is also a little low for this episode due to it being in what I like to call the “Glum Gobo” era, before Jerry really figured out the light inside Gobo’s character. Don’t worry, it’ll come with time.
That was Beginnings! It’s not perfect, but that doesn’t surprise me. The show is still getting its footing. This is by no means an episode I’d skip in future watchathons, but it’s not one I’ll go out of my way to see when I’m thinking about the Rock. Part of me fears I rated it so middle of the road because I don’t have much to review it on other than memories of other episodes, but I think it is still a fair rating. I apologize if this one was a little wordy too, there was a lot to cover! Next episode up to bat is “Wembley and the Gorgs”. I’ll see you there!
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the-cloudy-dreamer · 2 years ago
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How about 8, 14, and 20 for the Choose Violence asks?
I’ll make all my answers Sandman related since that’s the fandom I’m primarily active in here! Thanks for the asks TJ 🖤 ( also please don’t take this seriously this are all of course my own opinion!)
8- common fandom opinion that everyone is wrong about
Daniel Hall is somehow a cinnamon roll that cannot do wrong? Listen I will not say that is a wrong opinion as such but it’s not very factual is it? We don’t know much about him so I don’t get this interpretation of the character specially when they use this to somehow make Morpheus look like the surly one or someone who was broken and had to be changed completely to be valid.
So really it’s the Morpheus slander and that they pin this two one against the other when they compare and contrast them that annoys me! You can love this two individually or as a whole just —one does not negate the other.
14- that one thing you see in fics all the time
I see plenty of fandom canons that are being spread around like butter! some I find endearing such as Dream wearing Doc Martens because how cool and fitting is that? But it’s been brought to my attention from people who know better that this is factually incorrect and show Dream just wears a pair of black boots.
Now Hob Gadling? My guy at this point is the fandom Mary Sue which hey! fair enough we actually don’t know much about him in canon and an immortal man leaves such an open variety of interpretations!
Buuut he is one step away from sainthood according to fandom and that’s respectable but I disagree since I view him in the more grey moral value side.
I don’t think a little cinnamon roll would be cut out for immortal life as well as Hob has managed to! Gotta be at least a bit ruthless or selfish to make it through, I think!
20 part of canon you found tedious or boring
Dream’s canon romantic relationships! That’s to me the least interesting thing about him and he is a very interesting and complex character but his relationships are so *waves hand around* bland?? I get that all of this mostly exists as background noise but still it’s so painfully boring to me I’ll rather pretend they don’t exist.
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dahlialeef · 1 year ago
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This or That Tag
Thanks to @sam-glade for the tag! :D You can find their post here.
I'll be (lightly) tagging @sender-paulson, @alesseia, @oh-no-another-idea, and @wordswrittenbynight. Have fun everyone!
Historical or futuristic
I tend to lean more towards historical things because history is a personal interest of mine.
The opening or closing chapter
I tend to actually start my story from the end, because I like to know what I actually plan on leading up to, so I usually prefer the closing chapter.
Light+fluffy or dark+gritty
I'd say although I do enjoy some darker things, I mostly like to write things on the lighter side.
Animal companion or found family
Found family just makes my heart cry. I love it.
Horror or romance
I cannot write horror for the life of me😭 so I'd definitely say romance, even though I don't write that as much either.
Hard magic system or soft magic system
Most of my stories take place in a world which I've been building for about two years now, so the magic systems definitely have set sets of rules.
Standalone or series
I might make work on other projects that could count as a sequel, but both can stand on their own. This just has to do with my own personal lack of attention span.
One project at a time or always juggling 2+
I literally have to dig through my Google docs whenever I want to know how many drafts I have💀
One award winner or one best seller
Although I think it would be really cool to have an award winner, a best seller would probably generate enough money for me to live off of without taking on an office job, I might have to take on a side job, but that's better than something I find absolutely boring.
Fantasy or sci-fi
Fantasy is just a part of me at this point. I love everything to do with it and I don't think I've ever written anything that isn't fantasy.
Character description or setting description
I love describing settings because I feel like those help set the mood more, and I also find character descriptions a little hard.
First draft or final draft
Definitely first, because I feel like I'm more free in that one.
Love triangle in everything or no romantic arcs
I'd say I usually steer clear of romance, and I personally don't really like love triangles.
Constant sandstorm or rainstorm
I'd rather get wet than have sand in my eyes.
Well, that was fun! Have a lovely day everyone!
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northerngoshawk · 2 years ago
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4, 16, 19, and 22 for the wip ask game!
because I forgot to ask for a snippet for the wip ask game:🌹
lol no worries, i'mma do it all in this ask for convenience 😌 thanks for the ask, choco!
for this game, i will be talking about my only active wip: my forbidden lovers au for kataang!
4. What percentage of your WIP do you think you have done so far?
uhhhh if we were to go by section, little over 1/3. i have 4 out of 12 sections completely written with one being written out right now and the rest mostly summary notes. but in terms of word count, right now my doc reads 10k, and i haven't even written out the majority of these sections. projected word count is 20k minimum, so i have to split this into at least two chapters.
these sections are turning out to be really, really, really long 🥲
16. What are you most excited about with finishing this WIP?
actually finishing it
but i'm also really really really excited to share this fic with the world. i have yet to see a fic that has this exact premise, and while i wish i wasn't the one to write it, it doesn't really matter in the end, so long as this fic exists, yanno?
also finishing all the kataang scenes, because i missed writing for them 🥺
19. What is a favorite line of dialogue so far?
ah, good question! needless to say, i don't really want to reveal the context for fear of spoiling all the goodness, but i will share this little snippet 😌
“But…” She swallowed thickly, suddenly finding it very hard to breathe, and looked down at the ground. “There is something that he needs to apologize for.”
trust me, once you see the context this line is in, you'll understand why 🤣😌
22. What is a spoiler you can give us for something incredibly insignificant in your WIP?
so since this wip is going to be so long, my supposed "spoiler" should be pretty obvious. but whatever lol
so the "spoiler" here is that Aang and Katara get together at the end of the fic, aka NO DEATH and NO SADNESS at the end. but again, not a big surprise. the focus on the fic is less going to be about that and more about how they get together, especially in lieu of this alternate universe's societal pressures on Aang and Katara. okay, that sounds a lot deeper than it actually is, but the point is, the focus will be on the journey, not the endgame 😌
(oh also this is a childhoodfriends!kataang fic which plays a part in the worldbuilding of this universse)
and since you asked for it, i will give not just one snippet, but a few paragraphs' worth 😌 (slightly modified to prevent spoilers)
After a pause, Katara cleared her throat. “How’d you figure?”
She had meant for her words to come out scathing, accusatory, but all that left her was a half-hearted, weary question. She could no longer bring herself to care enough to be angry. And maybe, just maybe, a part of her was curious on how Sokka came to that conclusion.
Sokka dragged his eyes up to Katara. “He was the only one who could make you smile,” he said. His mouth twisted down and his eyes shadowed with the vestiges of grief. “Ever since…”
Katara swallowed, her throat suddenly tight.
The stone pendant hung heavy from her neck.
After a moment of silence, Sokka seemed to gather enough of himself to continue, “And even now, you’re not happy. Not really.” Sokka looked back up to Katara, his expression unusually somber. “You haven’t been happy since they took him away.”
Katara couldn’t help but bristle at the implication in his words, even as a small part of her heart twinged at his words. She opened her mouth to retort, but the look on Sokka’s face halted her. Maybe it was the tiredness in his eyes, the bags underneath them. Maybe it was the raggedness of his expression.
Maybe it was the way he looked so much like their father—old, weary, sad.
“Katara, I want you to be honest with yourself.” Sokka’s eyes bored into her soul. “When was the last time you were happy? Truly happy?”
i'm super excited to share this wip with the world, and i hope you guys will enjoy when it comes out!!
WIP ask game
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