#I only recognized Joker Trap and Quartet Night

[notfloofaccount]

Does anyone know the names and order of all the songs from the AX 2024 Uta no Prince Sama Concert? I would love to make a playlist

[taffystake]

So......Are you ready for the encore?

Taffy’s Take: Dark Nights Death Metal #1

Written by: Scott “Hallowed Be Thy Name” Snyder

Pencils by: Greg “Panikiller” Capullo

Inks by: Jonathan “Motorbreath” Glapion

Colors by: FCO “Fixxxer” Plascencia

So....it has all finally come to this. The finale. The ultimatum in a long saga of stories that started in the original Dark Nights, began showing its hand in No Justice, and was fully fleshed out with Snyder’s Justice League run. And it opens with a resounding boom that rivets your attention straight to the story and won’t let go until the pages run out. 

We open with Sergeant Rock, preparing himself and an unknown audience for a conflict to come. When or where this is set is somewhat unknown, but the massive futuristic assault rifle he levels to emphasis his last line says that Rock is somewhere in the modern day.

After the credits page, featuring a map of the current world of the DCU and a message that calls Death Metal an “Anti-Crisis”, we cut to Wonder Woman, hard at work deconstructing the invisible jet with a buzzsaw-like device in the literal depths of hell (Originally Themyscira) when someone interrupts her over approaching people. Said person is the flaming, green-covered skeleton that Swamp Thing has become in this world and he says that someone is coming with prisoners. And as Diana walks through her prison to meet these people, we get to see the absolute myriad of villains entombed in the place, including Joker. Once they reach the quartet, we get to meet Batmage, a red-suited Batman, a cloaked figure, and.....Bat-Tyrannosaurus. After some very terse banter, Diana is forced to throw this unknown prisoner into the pits of Tartarus. But before he is cast into the depths, he mutters something to Diana that makes her recognize the person for a moment.

After that, we are shown Castle Bat and given a backstory of a specific field within that area and the rebels who died within the tunnels underneath it before pulling back to a panel of a castle, with The Batman Who Laughs’ twisted Robins and Joker dragons dominating the structure. And then we meet The Batman Who Laughs’ League, composed of pairings of heros and Dark Multiverse Batmen. We have Harley Quinn and Dr Arkham, Aquaman and Bathomet, Wonder Woman and Batmage, and Mister Miracle and Darkfather. With each of them, we get a small question about their current work, with the most noteworthy being Mister Miracle revealing that Superman has almost succumbed to the Anti-Life Equation. Content with their briefings, The Batman Who Laughs begins to explain how Perpetua, the god who created their multiverse, has destroyed another of their universe, leaving only 8 before The Batman Who Laughs and Perpetua can remake the multiverse however they desire. Before we can hear more, we’re dragged into Diana’s perspective as the true Batman engages in a psychic link with her, trying to advocate for a small victory rather than the sweeping final win that Diana desires. As her thoughts turn towards what happened to result in the current state of the universe and her lack of memory about what caused it, The Batman Who Laughs interrupts her as he can tell that she is hiding something.

And at that moment, an explosive arrow fires out of the nearby woods and nearly vaporizes The Batman Who Laughs. Sacrificing one of his Robins, we soon see Bruce stride out to exchange threats with The Batman Who Laughs, who takes with some jest before ordering an entire squadron of Dark Multiverse Batmen to kill Bruce. While the enslaved Justice League does their best to take advantage of the distraction, their Dark Multiverse minders are quick to detain them from any rebellious actions. So Bruce is left alone, simply standing in this field to face down an army. And as The Batman Who Laughs monologues about how disappointed the brave men and women who died in this field would be at Bruce’s actions, he asks him what he would say to justify himself.

His answer?

One word.

“RISE.”

And so, with a BLACK LANTERN RING ON HIS FINGER, BRUCE WAYNE SUMMONS AN ARMY OF UNDEAD REBELS TO FIGHT THE DARK MULTIVERSE BATMEN JUST PURELY TO DEMONSTRATE WHAT HIS METHOD CAN DO TO DIANA BEFORE RIDING OFF ON A SKELETAL MOTORCYCLE AND LEAVING ZOMBIE JONAH HEX TO CONTINUE LEADING THE ASSAULT.

And now, as the audience both in the know about all of that and not in the know but hyped as hell because BRUCE WAYNE WENT FULL FUCKING NECROMANCER sits in the afterglow of that amazing moment, we cut to a single page depicting the planet Ossex as the Main Man, Lobo, unearths something from underneath the living bone of the planet.

Having made it back to Themyscira, Diana is quick to continue with the rebellion, setting off into Tartarus to see who this mystery prisoner is. And its...Wally West, with a Dr Manhattan-style hydrogen atom drawn into the forehead of his costume. And with Wally, we finally get an explanation of what the hell is going on. See, with the traditional multiverses, they are created using the positive energies that were explored in the Justice League run, things like the Speed Force, the Emotional Spectrum, Imagination. The inverse, stuff like chaos magic and the forces of doom that Perpetua wished to bring to power (and succeeded at doing) are what Wally calls Crisis Energy. And whereas the positive energies wish to create a strong united universe, Crisis Energies wish to simply make only one thing, one moment, one person important. And so, when Perpetua was trapped after her attempts to make a universe of war out of crisis energy, she did her best to instigate crises and came back empowered with all that energy. Meanwhile, the league, empowered by the slightly failed efforts of Dr Manhattan to ‘fix’ the multiverse, gathered all the positive energy they could and then, between the last issue of Justice League and Death Metal, the two forces clashed. Which, since they were basically smashing tow inverse forces together, resulted in both sides burning themselves out.

Now, that block of text could be extremely dry feeling, but it works really well in the two page spread, with the word balloons beginning to form an infinity symbol as images of past crises ranging from the original Crisis On Infinite Earths to Emerald Twilight to Dark Nights Metal in the background. 

But back to the story. With that explanation done, Wonder Woman begins to theorize potentially going back to those crises and gathering this information for themselves in order to reshape the universe themselves. Resulting in....”The first Anti-Crisis” The Batman Who Laughs interrupts with, striding into Tartarus to cut his own deal with Wonder Woman to let him take control over Perpetua. If she helps him, she gets all the people Perpetua has trapped and their own planet. And after that, he emphasizes how she can’t out-plan him, how he’s already prepared for her to knock him out, use the invisible jet she was being forced to deconstruct and melt down to give her armor that would render her undetectable. Wonder Woman is quick to counter that despite all the knowledge The Batman Who Laughs says he has, that entire plan is what Bruce would do. So he is quick to counter, stating so then she’d make a weapon, some sort of sword?

But it seems The Batman Who Laughs didn’t account for two things. One, for Diana to have already made her weapon before he showed up. Two, she didn’t need to make a sword. And so, with a pull of its ripcord, THE CHAINSAW OF TRUTH CLEAVES ITS WAY THROUGH THE BATMAN WHO LAUGHS IN A SPLASH PAGE OF PURE ENERGY ERUPTING OUT OF THE DEMON WHERE THE CHAINSAW IS CUTTING THROUGH HIM!

The comic ends with two quick one panel stories. The first, with Batmage executing a final plan that The Batman Who Laughs had in place to unleash a final Bruce Wayne. Which only sounds mildly menacing, unti the art shows both a button with a watchmen-style frownie face and the final Bruce Wayne in silhouette, a glowing hydrogen atom on his forehead.

The other is a cut back to Sergeant Rock, still continuing with his tirade from the beginning of the comic before he is taken out of the moment by Batman coming to retrieve him for the big fight. And as Batman promises One last fight with everyone together, we get to see in silhouette that Sergeant Rock is missing his everything below his torso, revealing himself to likely be another resurrection from Bruce’s Black Lantern ring.

So, in summary, IM PUMPED TO SEE WHAT HEIGHTS THIS THING HITS! THE BIG MOMENTS WERE SO DAMNED COOL! THE ART IS STILL THE ABSOLUTE ALL KILLER NO FILLER THAT CAPULLO ROCKED OUT WITH IN THE LAST DARK NIGHTS METAL EVENT AND I CANT WAIT TO SEE WHAT NEW SPORES OF MADNESS HE GETS TO CREATE FOR THIS STORY! 

And while I’d like to be pure hype beast, that feels a little disingenuous when I do have some small moments that seem like they could be tweaked. Both of the long exposition scenes for the Dead Bats and the Positive Energy vs Crisis Energy could have potentially stood for another pass just to really tighten them up, but I will also admit that both those scenes kinda deserve to be long-winded. The Dead Bats to make sure that the setup for Batman with a Black Lantern Ring summoning an army at that point works and the Energy one because its explaining the entire setup for the rest of the event series and it helps lull things down so that the hype of Chainsaw of Truth can hit like it should. 

So yeah, this thing is absolutely something any Scott Snyder fan, any DC fan, heck Id almost venture to say anyone interested in comics read. None of the story elements of the comic intrinsically need you to know the backstory behind them, but there are definitely rewards for knowing DC continuity in general and Scott Snyder’s previous works in this arcing story. So yeah, I am going to sit here, vibrating in anticipation as I await the next issue of Death Metal from the Cowboys From Hell on their encore tour.