#I need to think about the background info more

[vampiremansionpoolboy-moved]

going insane over the fact that happiness and care and concern and love is underneath every interaction between newt and hermann in pacific rim

[tevintersnakes]

no working on wips, only sporadic sketch practice and redoing DA-Antyllus' scar ref sheet cos uh... last time I did one was in 2016, this is 60% me just trying to do an anatomy study at this point

[brittlebutch]

i can’t stop thinking about this weird little storm chaser AU my brain dreamed up where bill&ted are the POV characters but crucially not the main characters but the problem is that I truly don’t know anything about storms and I worry I’m not smart enough to understand if I do start researching LOL

[abyssalscreaming]

.

[zillychu]

designs for a zine piece! enjoy some background story my illustration never needed under the read more (fair warning I did NOT edit this at all):

newbie mage apprentices Sam and Tucker who became friends bc they're kinda… the ones at the bottom of their class and struggle the most, for different reasons. they become besties over time and practice together!

except one night, something goes terribly wrong. they spent the last few nights preparing for a project, a bigger spell that needs an intricate circle with precise measurements to work. but when they try to activate it, well… 

oops. they summoned a demon.

which is, for one, extremely illegal. only certified demonologists are allowed to summon demons because they're so dangerous. anything less than a perfect binding circle and thoroughly researched info on the demon, including their true name, is even remotely safe.

but, weirdly enough… the demon seems just as surprised as they are. as Sam and Tuck frantically try to figure out how to dispel the demon, they realize–oh god, did their circle actually sufficiently bind the demon? it can't leave. they watch the demon tentatively poke it's claws into the air around the boundary, and watch it fizzle, retreating back with a strained hiss.

okay. okay, they can do this. without death looming over their heads, they can figure out how to send the demon back. it's cool, it's fine. except while they leaf through their books, they notice the demon watching them. it looks kind of… curious. timid. interested in what they're doing. it catches them noticing his staring, and it. apologizes? it seems flustered?

weird, okay. they keep looking, and the demon starts talking. at first, little comments to itself. mumbles that soon get just loud enough to hear. little “ooh, is that a telescope?" and “is that what fire looks like up here?" and “that must be for making charcoal…”

Sam is the one brave enough to be like "are all demons as chatty as you??” and the demon gets flustered again, apologizing. says he's just never been topside before, he's only read about humans in tomes. oh wow is that the moon outside? it really IS blue up here! is it always blue? what are you doing up? I thought humans slept at night?

Sam and Tuck can't help getting pulled in with the demon's genuine curiosity. they're wary though, since they know demons can be clever, conniving. there's a number of ways a demon can get the upper hand on a summoner who has them bound. if he gets their full names, gets them to smudge and break the circle… there could also be ways they aren't aware of. so they consider their words carefully, but engage in some chatter while they research.

it's almost morning by the time they find a way to send the demon back–but as they prepare the spell, the demon says WAIT WAIT and they stop, uncertain. the demon starts stammering out how this is weird but like… he really had fun tonight. he doesn't get to just hang out much, especially with anyone his age.

Tuck is like “how do you know our ages??" and the demon points out "oh, you said something about Paulie’s 18th birthday party, so I thought…” and they're both like oh shit we didn't even notice we did that?

“Paulina" Sam corrects in her dumbfounded stupor. 

“Right, Paulina!" the demon snaps his fingers, but quickly loses his confidence when Sam and Tuck continue to stare at him like they're not sure what's going on. he coughs and fidgets and says “um, well, I was just wondering, I guess… if you wanted to summon me another time, I wouldn't mind. you see those circles there? yeah, that's what summoned me. the candles helped too I think. oh, it doesn't need all those runes though, probably don't want to redraw all those.”

Sam and Tuck are practically gawking, but… for some reason, this demon looks so sincere. so much like them, awkward and lonely and genuinely curious.

it's a bad idea. a terrible one, even. the demon probably noticed they're newbies and not demonologists. it could be hoping they make an error in their circle, or mess up a candle, or reveal their names on accident. 

But, well. They're stupid. they're also eager for anything to help them in school, and too empathetic for their own good. they send the demon off with a yeah, no. they then think about it for a week, and end up summoning the demon against their better judgment.

the demon is shocked and so happy, they can't help but be a little endeared. they lay down some ground rules, take care to be as safe as possible… and soon, this demon that introduces himself as “Phantom" becomes a nightly visitor. they talk about their worlds, find out they share a lot of common interests, and help each other in their studies. which, hello, demons also study? bro are you serious??

they play games, laugh till their ribs hurt, and open up to each other on a far deeper level than anyone expected. over time, Phantom becomes a true friend.

Sam and Tuck quietly begin to lament the fact Phantom is stuck in that damn circle. they want to take him places, let him see the human world he seems so interested in. they want to paint his stupid claws and noogie him between his dumb horns and hug him.

but it's an astronomical risk. it's legal for a demonologist with a proper permit, but it's still considered a grave taboo to grant access to a demon outside a circle. there's just too much at risk. demons can be dangerous enough to lay waste to entire towns, take multiple teams of military-rank mages to take down.

they wouldn't risk it… if they hadn't snuck into the library’s restricted section and copy a page from a demonologist book that gives them good framework for a contract. they make some edits to it though, giving Phantom at least a little wiggle room to protect himself if need be. and allow him use of transformation magic so he can hide somehow. but they spend weeks making sure they have airtight wording to ensure Phantom can't cause anyone or anything any substantial harm. 

when they finally bring the contract to Phantom, he's stunned. he cries. nothing needs to be said, they all know the gravity of their proposal. even if they ask for proof of Phantom's trust in turn, first. they ask for his full name, so they can bind him. just temporarily. but in that moment, they'll have full control over him. they could instead tell Phantom to serve them, force him to obey their every order. even if it's just for a moment, giving them his full name with the proper circle and incantation, is putting his life in their hands. 

Phantom, with tears still in his eyes, smiles warmly and nods. with only a breath to steel himself, he gives them his full name. Daniel James Fenton.

magic sparks in the circle, and Sam and Tuck finish the incantation. ethereal chains sprout up to wrap around Phantom's arms and legs, which makes him jump–but the unwavering trust in his eyes makes the two humans choke up.

they release the binding. all that's left is to break the containment barrier in the circle, so Phantom can walk free.

“Uh, about that…” Phantom laughs sheepishly… then proceeds to step outside of the circle, merely wincing when the barrier zaps around him.

Sam and Tucker gawk. Phantom scratches his neck. “Y-yeah, so… your barrier circle was already broken that first night. It's, uh… right over there. You missed a spot.”

abject horror overcomes them because this entire time Phantom's been visiting, he could have broken out? EASILY?? THEY WOULD HAVE BEEN DEAD.

Tucker falls to his knees, but soon starts to laugh. it's kind of hysterical at first but slowly, he and Sam are genuinely laughing. they're so STUPID, and Phantom is the most un-demonlike demon they've ever HEARD of. Phantom is still flustered, stammering out apologies because he wasn't trying to deceive them or anything! he just didn't want to scare them! without a proper containment circle they technically couldn't send him back either, so he just… went back using his own magic each time they “dispelled" him. 

once they've calmed down, Phantom morphs his body into a human form–which shock Sam and Tuck, because uh, only elite demons are capable of that. they were expecting an animal, or straight up going invisible. Phantom laughs it off, says he just, spent a lot of time practicing bc he's so interested in the human world (not a lie, but). he proceeds to adopt the nickname Danny, and they all have FUN WONDERFUL SHENANIGANS

(and sometime in the near future, when faced with something truly threatening he needs to protect them from, Danny reveals that. well. their contract also had some holes in it. and he's had access to his full demon power this whole time. whoopsie! it's a good thing he genuinely loves them and doesn't want to hurt anyone, or their asses would be SO dead lol)

they're about as normal about his full demon form as you'd expect from me btw:

[understandableparadox]

a comprehensive list of everything wrong with hazbin hotel.

quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.

oh and spoilers. i guess.

the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.

the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.

the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.

the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds

the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.

the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".

having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.

don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.

if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.

pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.

there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.

this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.

this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.

13. Charlie:

(see what i mean about that red thing?)

as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.

her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice

its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.

character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.

now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.

she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?

14. Vaggie

why did you name the lesbian vaggie...? Don't do that maybe?

I like how her design is almost moth like but again i feel as though you could have amped that up.

she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.

i honestly dont have much to say about her. she is fine.

christ kill me, lets just get the big one out of the way

15. Alastor.

God Damn

where to start.

"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?

his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.

tumblr sexy man bait

he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.

his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.

his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.

he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.

personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.

im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.

16. Angel Dust

what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.

all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")

I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.

not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.

i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.

same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.

17. Carmilla carmine

are... are you supposed to be a rabbit...?

Big Yoai Hands

ballet fighting style, could have been cool, wish she fought more like sanji or chun li.

A single mom that works to hard, who loves her kids and never stops-

her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.

i wish i had more thoughts on them, fucking rip.

18. cherri bomb

that's not a punk aesthetic that's 2010s alt

decent character, they showed up once or twice i guess, no real thoughts.

19. egg boiz

absolutely perfect, i have not notes on them, these are perfect creatures.

20. Emily

im so fucking happy to see a singular blue character

does the naive dreamer bit better then charlie

We really shouldnt have seen her until the end of season two or middle of three.

good contrast with the other angels on screen.

Wait she is supposed to be black??? Where???

21. Husk

keith david you absolute delight, Why on gods green earth did they only give you one singing part?

one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.

has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.

huge potential, little pay off.

22. lillith

I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.

alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.

23. lucifer morningstar

no notes, funniest charecter, did a song based on friend like me.

few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.

would have liked more snake stuff on him, maybe some more goat things like horns.

that is such a stupid fucking staff lmao.

24. Adam.

alex brightman you absolute fucking delight, you should have had more songs.

I wish his design was more focused on the idea of him being a glam rock wash up

I fucking hate his mask

We shouldn't have met him until the end of the season.

25. Niffty

again she is supposed to be a bug or cockroach but nothing about her points to that.

token straight

keeps rocketing back and fourth between sexulization and infantilization

you had kimiko glenn but didnt give her a single fucking song?

26. Sir Pentious

the secret season one redeemed.

the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.

essentially a child after the first episode.

actually a snake which i appreciate.

no where near steampunky enough.

27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.

28. Valentino

gOD THERE IS SO MUCH RED

only a moth some of the time.

sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.

it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.

29. Vox

legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.

propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.

why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?

same body shape as literally every other male character.

tumblr sexy man version of pyrocynicals fursona.

30. Valvette

the actual poster child of the shows huge problem of "Show me, don't tell me".

apparently the glue that holds the villains together. never shown.

apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias

we know so much about her from things outside of the show.

was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.

im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.

but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.

this took a bit to write, im tired, thanks for reading.

[am-i-the-asshole-official]

AITA for choosing my cat over my trans friend?

Some background about my cat first.

I (25F) have a pet cat named Max (not real name. It would be too identifiable if I used his real name). Max is a rescue. He had been abandoned by his previous owner because he would meow too loudly. This had happened several times, so he has been in and out of the shelter a lot. None of the previous owners had tried to figure out why he always meows so loudly, so I took him to a vet. It turns out that Max is deaf, so I don't blame him for meowing so loudly. He can't hear himself! He is scared of strangers and tends to hide, so I don't try to force him to come out if he doesn't want to. I also don't usually take pictures of him because the cameras and phones scare him. I just do what I can to respect his boundaries. Max isn't just a cat to me. He is my treasured family who brings a smile to my face everyday. I can't imagine life without him.

My friend, Amelia (22F) is trans. Her folks are transphobic and were not accepting of her when they found out. However, they had not kicked her out of her home right away. They had given her a week to pack her things and find a place to stay. I'm not sure what they were trying to do with that but another friend, Nina (24F) thinks that they did that as a manipulation tactic to get Amelia to retransition and Amelia thinks so too.

But the week had passed and Amelia couldn't find a place to stay. Nina had said she would have offered, but she lives in a small apartment that hardly had enough room for two people. So Amelia had asked out friend Ted (26M) who had also said he couldn't because he was housing his younger siblings since their parents had passed and he was struggling financially.

So that left me. But Amelia said she wouldn't be able to stay unless I got rid of Max. Why? Amelia is highly allergic to cats. Whenever she had come over to my place in the past, she had to take allergy medicine to keep from having severe allergies around Max. The allergies are bad enough that they could trigger an asthmatic attack. I told her that I refuse to get rid of Max because of his past with being abandoned. I do not want to become one of the people he distrusts, not after it took so long to get him to feel comfortable around me.

Amelia is upset with me for this and says that she doesn't want to have to always take allergy medicine. She said that I should get rid of Max because he is just a cat and his needs are not as important as hers when she could become homeless soon. I argued that he wasn't just a cat and was part of my family. Max would be staying no matter what. Amelia ended up renting a motel room, but she couldn't afford to stay for more than 4 nights. Nina ended up taking her in, but that has made her own living situation harder.

Amelia and Nina are calling me an asshole for choosing Max over giving Amelia shelter. They are saying that I am being a horrible ally and friend by valuing an animal over a human life. I don't think I made the wrong choice by choosing Max, but it doesn't feel great that they are starting to tell some other friends that I am being transphobic for not choosing Amelia. A part of me is saying that I should have chosen Amelia, but that same part is also saying I would fee guilty for being one of the people to also abandon Max if I chose to do that. Amelia and Nina barely talk to me aside from saying that I am being a transphobic asshole for "choosing an animal over a trans person's livelihood." I am thinking about just cutting them off now, but I'm afraid that would just lead to more backlash.

AITA for choosing my cat over my trans friend?

What are these acronyms?

[pomefioredove]

I LOVED the stim headcanons sm! it scratched my autistic brain in a good way :333

I was wondering if you could possibly do headcanons with the rest of Diasomnia, Pomefiore, and Heartslabyul with the same premise (the stimming thing)? I can see Trey being very accommodating for the reader :3

Thank you! 🩷🩷🩷🩷

hi anon I was in therapy yesterday for the first time in a while and when I got out I realized I had been stimming the ENTIRE time

dorm leaders + jamil

*ੈ✩‧₊˚ reader who stims!

type of post: headcanons characters: ace, deuce, trey, cater, epel, rook, sebek, silver, lilia additional info: romantic or platonic, reader is gender neutral, reader is yuu

now, I don't think Ace makes fun of it, but he definitely...

"you're doing that thing again,"

listen, it's not that it bothers him, or distracts him. it's not even weird!

he just... finds you really... interesting?

will say you're an "interesting critter fr bro" and leave it

Deuce is the complete opposite

he will never ever say anything about your stims

won't even ask

he just really doesn't want to be rude. he's not that guy anymore!

(you don't know how to tell him that he stims without realizing it)

he's like your knight in shining armor... kind of

*ੈ✩‧₊˚

guys I hate to say it but Cater has 100% armchair diagnosed most of the people he knows

and like... he's right... but come on!

at least he usually keeps it to himself. so when he picks up on your stimming he just... doesn't say anything

it's just another nice little tidbit of information on you :) of which he has many

for normal reasons

of course

*ੈ✩‧₊˚

now, Trey is a sweetie, as always

but he's also a liar

he is not, in fact, "this nice to everyone"

he actually does the bare minimum he needs to do to get by

the guy is spoiling you

making sure you're fed and warm and comfortable the moment you step over the threshold

stimming is no problem

if you like the feeling of dough, or the sound of eggs cracking, he'll have you in the kitchen with him :)

he rather likes you, and your stims

*ੈ✩‧₊˚

I know Rook's autistic self isn't about to say anything

but, really, he already stims. subtly, but constantly

and seeing you mirror his own behaviors...

he is smitten

as if he couldn't grow any fonder of you...

now, unless it becomes upsetting or harmful, he sees no reason to stop you. he rather likes watching your every little move

and Epel is a loyal little thing

once you're his, that's it, it's over, you could literally kill someone and he'd show up with bleach and a mop like "where's the body"

so, yeah

some humming or tapping or clicking isn't going to bother him

honestly half the time he doesn't even notice

bro is too busy fighting his sensory issues with his uniform

(the sensory issues are winning)

*ੈ✩‧₊˚

Sebek scolds you for distracting him

he can already hardly think straight when his eyes are always drawn to you!!! >:(

now you're moving, too?!

he can't help but stare, which just upsets him more

it's not until Lilia takes your side that he calms down

the aforementioned having his own... quirks

(and much louder ones, too)

this is all background noise for Silver

is he just used to it? is he currently half-asleep and wouldn't notice if a bomb went off behind him?

who's to say!

he's passing out on your shoulder while you repeat the same word over and over either way

[moonwoodhollow]

Exerzierplatz - a cc lot by moonwoodhollow (feat. The Green Room & the bookshop + a retro corner store)

Exerzierplatz is a building I've been working on for a long time as it was a bit of a trouble-child. I was never satisfied with it and kept thinking that I should scrap it, because of its awkward apartment-floor plans, until I embraced the idea of using it more as a retail/café lot. The result is something I am very satisfied with and I hope it exudes the kind of ~hip/cute neighbourhood~ vibe I'm feeling.

But it's all up to you, how you'll want to use this lot: as a café, a deco lot for your sims-stories (I'd love to see that!!) or as an actual residential building.

More screenshots, info + download link under the cut!

Building background

Another historical brick building, but I'll spare you the historical background this time because I forgot which real-life building inspired me to create this one, but I can tell you how I got the idea for this building in general! (if you care)

The name Exerzierplatz is a bit misleading if you know any German, as a "Platz" is usually a public square, buildings directly next to a square usually receive the square's name as well with a house number added. The square that inspired me is quite a dismal and empty square with a huge car park, but it got me thinking about what kind of buildings originally might have stood there. The historical context here is post-WW2, which left a lot of cities in ruins. Instead of rebuilding the original structures, some cities opted for a "car-friendly" approach, meaning lots of car parks and wide streets, that nowadays feel over-dimensioned.

Now if I had to pin down an era, in which this kind of building was likely constructed, I'd say the latter of the 19th century. It's likely to be a representative of historicism, or at least has elements from this style.

So what do you get?

Exerzierplatz is a 20x20 build best placed in Windenburg, but I could potentially see it in Britechester as well. The building is partly furnished, which means the whole ground floor is furnished, while the other two floors are left unfurnished.

The ground floor includes a café, a bookshop and a Tante Emma Laden (aka a corner store/delicatessen). All three of them are fully furnished and usable as a café or a retail store. The 2nd and 3rd floors are intended as apartments, but everything's up to you!

Uses items from the following packs: I own almost all packs, so I'd say most of them, but I will update this post once I hop back into game to have a look!

Download: Google Drive (600 MB) | Also up on the gallery: aeromantica (but you’ll need the cc files from the Drive folder!)

Is the CC included? Most is! There's an Excel file with all CC that you'll need to download manually, but it's not many files. Deco Sims are NOT included.

Also a BIG THANK YOU to all the CC-creators, without their creations, I wouldn't have been able to build this!

-> Info: I've included 4 merged files, BUT! I've prepared a little note, about which ones are hard requirements, so it's up to you whether you'll include them.

TOU: Please don’t claim as your own or put behind paywalls etc. If you find any issues (wrong/missing files, etc.) please let me know + tag me if you’ll use the house, I’d love to see it in your games.

[spacedace]

So I've seen a lot of "Jazz works as a therapist at Arkam" in the dp x dc fandom, and while I like the concept, I also feel like Jazz would take one look at the place and immediately be like "what the absolute fuck" at just the everything of the place.

Like, she either nopes out after the tour during the interview or quits not too long afterward starting there, not because she can't take it but because she's so appalled by what's going on there and can smell the corruption rolling off the place and knows no one sent to there is ever actually going to get the help they need.

So Jazz decides to open a private practice instead while still being absolutely determined to work with the various rogues in the city, she is here to help and nothing is going to stop her.

So she just starts showing up at known hangouts of rogues and during their heists/schemes/sprees, and even fights between them and the batfam, just like

"Hi! It’s so nice to meet you! My name is Dr. Jasmine Fenton/Nightingale/whatever last name she’s using and I was hoping we could talk!"

Casually kicks a baterang away without looking because she's being polite and professional!

"I understand that your experience with therapy through Arkam has been nothing but atrocious and that you are rightfully -"

Kicks Batman away without breaking eye contact or a sweat.

"Suspicious of attempting therapy again, and Idon't want to force anything on you, therapy should be on your terms after the experiences you've had but -"

Grabs Robin out of the air as he leaps at the rogue she's talking to and tucks him under her arm, ignoring his feral hissing and all attempts to break her hold.

"-I really think that you'd find it beneficial, even if I'm not the right therapist for you."

The rogue in question is having the time of their life and takes Jazz's business card - and a few extra to pass around - not really intending to actually ever book a therapy appointment with her but way too entertained and excited to share this madness with everyone else.

But then one of the rogues actually looks up Jazz's website and sees all the various safe guards she’s put in place to ensure that any villians that come to her will be protected while seeing her - soundproof therapy room, regular sweeps for listening and tracking devices, the most insane firewalls and protections anyone has ever seen on her network, and ooh she provides snacks and drinks!

So someone finally books an appointment with her, half convinced she's either going to turn them in or is a villain herself intent to experiment on them, but then it’s actually really nice??? And they feel a lot better afterwards?? She doesn't even say anything to indicate that she wants them to stop being villains, she just wants them to be okay??

So more and more rogues start going to her, and Batman was already losing his mind about this woman before - Oracle can't hack her system?!? And her background check shows a totally normal Psychiatrist?? - but now half of Gotham's heavy hitters and a dozen or so other minor league villains are seeing her regularly and every time he tries to get info on any plans the rogues might be scheme via her office it fails utterly. Nightwing got knocked out with something called a creep stick and when he tried to break in himself to get answers she just appeared out of no where and gave him the most scathing lecture about doctor-patient confidentiality before bullying him off her property and threatening to sick her brother on him if he tried again?

And because she's become such a figure in the Gotham underworld, she gets the attention of Joker.

And everyone, rogues and Bats alike, are terrified that she’s going to try and take him on as a patient like she has so many other villains in the city and that's just a recipe for tragedy.

But then the Joker is on his way to the hospital with two broken legs and the fear of god beat into him babbling about eldritch nightmares and whenever anyone asks Jazz what happened she just shrugs and just says things like "I refused him as a patient, he's not my problem." Or "My brother doesn't like clowns." And just, does not elaborate.

Batman is losing his mind over it all. Jazz is just happy to be able to actually help the rogues. Arkam is less happy about how she absolutely destroys their reputation.

[yuurei20]

I've seen several fanfics say that the potion Azul gave Leona cause Leona to accumulate Ruggie's blot. It there anything in canon to back this up?

Hello hello! Thank you for this question! 🍩🦁🐙

"Ruggie would have overblotted in Book 2 but Leona shouldered Ruggie's blot to save him" is a popular fan theory! ^^

For background: Ruggie used a lot of magic throughout Book 2, culminating in that potion from Azul that enabled him to overcome his own magical limitations, which sounds like it should be a big deal for blot accumulation (there is no reference in the game, manga or novel to the potion also sending Ruggie's blot to Leona: it only enhances his magic).

But Ruggie never seems to suffer any consequences to his physical or mental health while Leona, one of the objectively most powerful characters in the game, overblots after using his unique magic just once.

And we see Leona use King’s Roar a lot more during Book 6 in much more physically challenging conditions, while simultaneously being limited by the blot escaping the Underworld, all after using the thunder spear three times (twice by himself alone, while Riddle and Vil both received help each time).

This is often tied back into the theories that

1) there is a time loop happening where everyone is reliving the same incidents over and over again

2) Leona is aware of the loop to some degree: he may have already experienced a scenario where Ruggie overblotted and has been taking on Ruggie’s blot in every loop since then in order to keep it from happening again.

Looking at Ruggie’s backstory, all the effort he put into Book 2 and why, and how badly he was hurt when Leona crushed his dreams, Ruggie seems to have experienced just as much trauma and uses just as much magic (if not more, since his gets enhanced) as any of the others, and using their unique magics on too many people at once is exactly what led to overblot for Riddle, Azul and Jamil. These contemplations seems to be the main foundation for the theory, but that is all there is!

I have not been able to find any references to "mages can shoulder other people's blot" being canon, for example, so the entire process is possibly a fan-made invention that does not actually appear in the game, manga or novels (at this time 👀), with no confirmation that that is actually what happened. But it is interesting to think about ^^

On a related note: looking forward to Book 7-11, releasing on the JP server later this month 👀👀👀👀👀

[chapst1ckmcdyke]

A while back i made a post about lesbians needing our own version of bear culture bc im tired of wlw spaces treating fat and hairy ppl as second rate when were hot af- After a lot of positive reblogs, tags, and comments this is for y’all’s consideration! A flag for any and all bear lesbians out there 💕

Just some background info: a bear is traditionally a larger (usually fat) hairy gay man who embraces and celebrates the fact they resemble a bear! for lesbian spaces where stigma around both those traits is still a big issue- this could still be the same thing for us 💕 Embracing body hair, fatness, and the ruggedness that comes with it.

Bear dykes/bear lesbians could be butch/femme/unaligned/nonbinary/on testosterone/on estrogen, or anything else. Being a bear is a celebration of a stigmatized body type and body hair- not a commitment to masculinity.

Possible nicknames: teddy bears, bear dykes, ursa/ursulas, butch bear, femme bear (feel free to add more)

What do yall think? 🥰

[sicc-nasti]

Thinking of dipping my hand in doing TF2 Refs! If that piques anyone's interest? :3c

These would be great I think for fan classes but also good for existing classes that you've made into ocs! And man I love drawing ocs ahhh These would be full *flat color with a simplified background for ONE team color**. It would be in my style, but still reminiscent of TF2! Kind of like my Courier fan class ref I made forever ago *I am open to trying a rendered version similar to Couriers at an up-charge ** Additional team color refs can also be done for a small charge IF the counterpart has no distinct differences outside of color changes. This price increases depending on the level of differences between the same team color characters. And if theyre entirely different, then obv that will count as an entire new sheet. If you're interested, dm me here! I'd love to explain and explore this idea more. Im looking to do 1 or 2 of these rn, as an experiment with these current prices atm. Turn around time Im not sure about yet. Can do: Fan classes, canon classes, monsters, furries, MAYBE bots TF2 Characters that arent classes (like Merasmus), admin characters, fan teams, AU's, sonas, load outs, etc etc (Im also happy to try my hand at not tf2 centered ocs for this but will need discussion!) Lets chat ! ^_^ Id love to draw your silly ! ***Please note- There will be an up-charge if you need me to design your character, their emblem, their weapons, etc etc. Also, any bio text info needs to be supplied as well! I cant write ur ocs info for you lol. ***There will also be an up-charge for very detailed characters, but this will be discussed before money is exchanged!

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[fluentmoviequoter]

A Room Away

Requested Here!

Edit: Part 2 Here

Pairing: Tim Bradford x fem!reader

Summary: Tired of Tim's bad moods, Angela gets him a new roommate: you. As Tim gets to know you and learns about your past, you slowly become more than his roommate.

Warnings: mentions of past domestic abuse (reader and Tim), reader has chronic migraines from past head trauma, nightmares, reader has a panic attack, angst, fluff, Nyla and Angela. (roommates to lovers)

Word Count: 4.2k+ words

A/N: Parts of this are so self-indulgent. The migraine depictions are based on my migraines, but I think they're some of the most common symptoms. I hope you enjoy and please let me know what you think! (I'm still trying to get Tim's character down, so apologies if he's OOC.)🤍

Masterlist | Tim Bradford Masterlist | Request Info/Fandom List

Picture from Pinterest

Tim sits in the back of the room for roll call, his arms crossed tightly across his chest as unimpressed sighs escape him. Angela is getting tired of his seemingly perpetual bad mood. Clearly, he’s lonely, but he will never admit it. And that loneliness makes him mopey and broody (Angela’s official motto for Tim Bradford) until he has enough and snaps at someone.

Sitting at her desk, Angela watches Tim yell at a boot. He’s always harsh with them, trying to prepare them for anything, but now he’s using them as punching bags for his forbidden feelings. 

“What’s his problem? He’s grumpier than usual,” Nyla says as she joins Angela.

“He’s lonely,” Angela answers. “Won’t admit it or do anything about it.”

“That man needs a girlfriend,” Nyla muses.

Angela sits up straighter and smiles. “You’re a genius, Harper.”

“I know.”

Angela opens a website on her computer, and Nyla pulls up a seat to watch her intervention into Tim’s personal life.

“You’re going to rent out his spare room without telling him? This’ll be fun to watch,” Nyla says, laughing.

“He has way too much room for just one guy. Getting him a roommate and a girlfriend will surely help with.. that,” she finishes, gesturing toward Tim.

“A roommate and a girlfriend, or a roommate who becomes a girlfriend?”

“Either should work.”

“That’s your number.”

Angela nods, putting her contact information on the listing. “Tim would shut it down after the first call, so I’ll interview them, run background checks, whatever, and find the perfect one.”

“Well, Mrs. Right is always found on Craigslist,” Nyla jokes.

“This isn’t Craigslist.”

“Semantics.”

Angela posts the listing, and she and Nyla hope getting Tim a roommate will help nudge him out of his bad mood. He needs someone to talk to and bond with, but he’ll never come to that conclusion on his own. Which is why Angela considers herself to be such a good friend.

✯✯✯✯✯

Los Angeles is a big city, which is part of why you chose it without another thought. Full of opportunities and a chance of fading into the background, it’s the complete opposite of your home, which overflows with memories. The patched drywall you were pushed into, the stained tile where you thought everything was going to end, and the china cabinet with the shattered glass are left behind and traded in for a minimum wage job, a used car, and a lot of panic that you won’t be able to find somewhere to live.

You’ll need a roommate until you can save enough money for your own place. However, finding a decent place with a decent roommate is nearly impossible in your price range. Browsing online listings, you see one that could be promising. The information at the bottom says there is an interview process, which catches your attention. Sending a text to Angela Lopez, you cross your fingers for good luck before walking into work.

By the end of your shift, Angela has replied and asked you to meet somewhere nearby. You want to go home, a dull headache building at the base of your skull impairing your mood. But you also really want a better place to call home than the pay-by-the-month motel you’re currently living in.

Angela gives you a firm handshake as she introduces herself as an LAPD detective. She asks questions about your life, job, hobbies, and finally, why you moved to Los Angeles.

“I just needed a change of pace; was ready to leave my old life behind, find something bigger and better,” you answer, a simplified version of the truth.

Trying not to show it, Angela immediately takes a liking to you. Each of your answers solidifies her gut instinct that you’re a good fit for Tim. You ask why her name was on this listing if it’s not her house, and she follows your lead and gives you the truth, but not all of it.

“Tim, the owner of the house, is a coworker and friend, and I’m just trying to help him out while he’s busy with work,” she explains.

As you leave the meeting, Angela gives you her personal number, as well as someone named Nyla Harper’s number, “just in case you need anything.”

She texts you a time and address, telling you to meet her at your new place the following afternoon. You thank her repeatedly before driving to the trashy motel one last time.

✯✯✯✯✯

Parking outside the house, you fall in love with the neighborhood and the cute architecture of the home. Angela meets you in the driveway, seeming more nervous than excited. You realize she may not have been totally honest with you as you follow her to the door.

An incredibly handsome man opens the door, sighing when he sees Angela. He lets both of you in, seeming to trust Angela completely.

✯✯✯���✯

Tim knows he will regret opening the door, but the woman with Angela is beautiful, and deep down, a small part of him wants to know who she is and why she’s on his doorstep.

“This is your new roommate,” Angela announces, giving Tim your name.

“You didn’t,” Tim responds. “Please tell me you didn’t rent out my spare room without asking me, Lopez.”

“I won’t tell you that, then.”

Standing quietly to the side, you anxiously watch their argument.

“Um, sorry,” you begin, interrupting them. “But I can go, and find a new place, since this is clearly not what you signed up for.”

You move toward the door before stopping when Angela demands, “Don’t go anywhere.”

She gives Tim a stern look before cocking her head to the side. He sighs like he has accepted his fate, a tragedy based on his reaction. Gesturing for you to follow him, he gives you a quick tour before showing you to your new room and bathroom.

“I’m not home a ton, but when I am, I’m usually watching a game or just hanging out, so,” he tells you before trailing off.

You nod before promising, “You won’t even know I’m here.”

Tim wants to believe you, but he also thinks you’re pretty and kind enough that he wouldn’t mind seeing you occasionally.

✯✯✯✯✯

You cross paths with Tim a few times in the first two days of living with him. He’s struck by your beauty each time but recognizes that you don’t open up willingly, so he never presses you to talk. Content to be ships passing in the night, Tim gives you a nod before continuing out the door.

It’s your third night in the house that Tim learns your reserved qualities may not be as simple as a personality trait. Waking when he hears a strange noise, Tim listens in the darkness before deciding it’s your footsteps he hears. Based on the sound, you're pacing, so Tim gets out of bed and walks to the kitchen. He walks right past you, and you give him an apologetic smile before slowing down. Tim makes you a mug of calming tea, sliding it across the kitchen island before sitting beside you as you drink it. Suspecting you had a nightmare or some similarly disturbing experience, Tim reminds you where you are and that everything is okay in his own way.

Over the next week, you wake him up a few more times, thrashing in your bed or exiting your room once you wake. He nudges each time, offering to let you talk about it, but you never do. You always apologize for waking him, thank him for keeping you company and making you tea before you disappear back into yourself and into your room.

✯✯✯✯✯

You’ve lost count of the days and nights spent in Tim’s house, your sense of time thrown off by the continued plague of nightmares and the monotony of your days. As you wake up after a surprisingly dreamless sleep, you immediately turn your face back into the pillow. Your heartbeat pounds in your head, and everything seems brighter and louder. The migraines have been nearly as consistent as the nightmares since before you left for Los Angeles. 

Tim knocks on your door, and you groan as the sound echoes in your brain. He cracks the door, concerned that you aren’t up yet.

“Are you okay?” he asks, seeing your current state.

“Migraine,” you answer. “I called in sick.”

He closes the door to block the light from outside and lowers his voice to ask, “Do you need anything before I leave?”

“I’m okay. Thanks.”

“Well, call me if you do, or if anything changes, okay?”

“I will. Thank you, Tim. Have a good day.”

Tim nods, even though you can’t see him, before backing out of your room and exiting the house as quietly as possible. He keeps his ringer on, looking at his phone every few minutes as his concern for you remains at the forefront of his mind.

Angela and Nyla notice his usual grumpy disposition seems to have been replaced with concern for something, or someone. After he checks his phone for the fifth consecutive time, Angela decides to pry.

“How’s the beautiful roomie? Still just a roommate?” she asks.

“She’s not feeling well,” Tim answers.

Angela waits for an elaboration, but Tim doesn’t offer one. She looks at Nyla, who gives a knowing look. It’s obvious that Tim is softening toward you, but you haven’t made enough of an impact that he’s less grumpy or snappy. As the day continues, his usual personality returns, convinced that you must be okay, or you would have called.

The next day, after learning that you are, in fact, feeling better, Tim is back to his pre-roommate levels of anger and high strung-ness. To worsen his mood, you wake him up with a nightmare but refuse to let him in, not even acknowledging his kind questioning as to how you are. He’s worried about you because you welcomed his presence before, but he is also angry that you changed so quickly, and now you don’t trust him. Everything is piling on, and Tim isn’t sure how much more he can carry.

✯✯✯✯✯

“Just tell me something,” Angela presses.

“Stay out of it, Lopez!” Tim yells, his emotions reaching a boiling point. “I didn’t even want a puppy- a roommate! If you like her so much, why don’t you take her in?”

Angela waits for his shoulders to drop slightly before asking, “Timothy… is this because you don’t like her, or because you do?”

Tim’s jaw clenches, and his nostrils flare as he turns away, offering to go on patrol while Nolan and Celina go to the shooting range. Everyone seems to think they know Tim better than they do; Angela is pushing him toward you while you’re distancing yourself, and the push and pull is tiring.

✯✯✯✯✯

Tim waits in his truck in the driveway for a few minutes before walking in. When he walks in, you’re standing in the kitchen. He hasn’t actually seen you since the day of your last migraine when you stopped trusting him, and your sudden willingness to be in the same area confuses him. Anger and confusion rarely mix well; with Tim, it’s a fatal combination.

You notice his tension and knitted brows, chewing your bottom lip before asking, “Are you okay?”

Stumbling to his tipping point for the second time in the day, Tim takes all his anger and confusion over his feelings out on you.

“What do you think? You can’t decide if I’m worth trusting with something as small as a nightmare, and Angela thinks that I’m practically neglecting you,” he begins.

You swallow harshly as his voice rises, stumbling backward when he starts moving his arms. 

“Especially considering I didn’t even want you here!”

Flinching, you snap your eyes closed and catch yourself on the corner of the wall. Tim freezes as he watches you. Everything begins snapping into place in his mind: your nightmares and the distance added to your reaction to him yelling and moving his hand are all signs he should have noticed sooner.

Your chest is heaving as you take short breaths, and when you finally open your eyes, you look terrified. Tim steps back, keeping his hands where you can see them. You focus on him as you slide down the wall, cradling your head in your hands as you fight off bad memories and a growing headache.

Tim watches you before sitting on the floor, keeping his distance. He waits for you to calm down, willing to let you decide whether or not you want to talk to him. You finally look back up at him, but he doesn’t move.

“I- I’m sorry,” you whisper.

“Can I come closer?” Tim asks.

You nod, and Tim slides across the floor, not wanting to stand up and look any more imposing than necessary. His knee presses gently against your thigh, and when you don’t move, he gives you a small smile – the first you’ve ever seen.

“I’ll leave in the morning,” you say, fiddling with your fingers.

“Please don’t,” Tim replies, shaking his head. “I’m really sorry. I wasn’t mad at you, just angry with a long day. But that’s no reason to yell at you or act like that. You confused me, and I didn’t know how to deal with it. That’s on me.”

“I’m sorry,” you repeat.

“Don’t. When I was younger, my dad took his anger out on me sometimes. I’m sure I deserved it once or twice, but I also know better than to treat people like an emotional outlet. If you ever want to talk, I’m here.”

You nod before saying, “My ex.”

Tim feels a protective surge at the idea of anyone hurting you, let alone doing it enough times that yelling pushes you to the point of a panic attack.

After comforting you with proximity and kind words, Tim offers to walk you to bed. Your hand brushes his as he opens your door, and you smile as you thank him for everything. It’s a minor change in your relationship but an important one.

✯✯✯✯✯

Tim leaves before you wake up the following morning, determined to find out as much as he can about you and your past. He’s not necessarily being nosy, but he wants to know if there’s anything specific that could help or hurt you.

“What do you know?” he demands as he storms up to Angela’s desk.

“About what?” she replies, raising her brows.

“What do you mean ‘about what’? Her!”

Nyla leans back in her chair, glad to watch the unfolding drama.

“Tim, I don’t know what you’re talking about,” Angela explains.

“Why’d she move to LA?”

“Are you seriously trying to find something wrong with her? That’s low.”

Tim moves around her desk, dropping his voice to answer, “I’m trying to figure out who thought it was okay to put their hands on her. Because she won’t let me in.”

Angela begins connecting the dots you left untouched. You ran from the person controlling your life, not your actual life. She knew that you were omitting something during your initial meeting, but she didn’t expect it to be so big.

“Have you been open with her?” Angela asks finally. “Because that’s a two-way street. I’ll talk to her if you want me to, but she trusts you, Tim.”

“How do you know that?”

Nyla’s eyes bounce back and forth like she’s watching a tennis game. She sighs before deciding to interject. “She told her! Sent her a text one night!” she calls out, smiling and waving when Angela and Tim look at her.

Tim nods, giving Angela the closest she’ll get to an apologetic look before leaving.

✯✯✯✯✯

Returning home, Tim is surprised to find you on the couch, in your work clothes, with your face pressed into a pillow. You wave your fingers without moving to acknowledge him, and he remains silent as he walks to the kitchen.

“You don’t have to be silent, it’s your house,” you mumble. “I’ll figure out a way to get to the bedroom.”

“You’re fine here,” Tim answers, setting a glass of water beside you. “Another migraine?”

“Skull fractured from getting my head pushed through a window a few months ago,” you explain with a sigh. “The migraines have gotten worse since then.”

Tim lays a hand on your shoulder, giving you plenty of time to tell him not to touch you. You don’t, relaxing under his touch instead. Tim takes a seat beside you, hoping to comfort you once more.

“Your ex?” Tim asks. 

You hum a yes, and Tim’s jaw tightens, even as he comforts you.

✯✯✯✯✯

Walking into the police station, Tim’s wallet is tucked safely in your bag. Approaching the front desk, you say your name and are wordlessly handed a visitor’s badge before someone gives you directions. You don’t have time to argue, shrugging as you attempt to remember where to turn. Angela sees you before you see her, rushing to your side and looping her arm with yours.

“What are you doing here?” she asks happily.

“Uh, Tim forgot his wallet. I was just going to drop it off, but they sent me back here,” you answer.

Tim says your name, coming around a corner, and Angela pushes you toward him, joining Nyla as they watch your interaction.

“You know she was trying to get you a girlfriend and not just a roommate, right?”

Tim nods a thanks as he accepts his wallet, glancing over at your audience. “I’m half-tempted to make them think I kicked you out.”

You smile brightly, and Tim licks his lips to keep his smile from mirroring yours. His eyes tell you more than enough, and you’re happy to see him, too.

“Do it,” you whisper. “Just let me know when so I can play my part. Angela told me to call her if you were ever mean to me.”

“Have you?”

You don’t answer, opting to wink at him before stepping back. Waving at Angela and Nyla, you leave the station as they rush to Tim’s side. As they ask overlapping questions and talk about how cute you and Tim look standing together, Tim ignores them before walking away.

✯✯✯✯✯

Tim is pulled from his sleep by your panicked yell. He leaves his bed and barges into your room with no thought. His heart rate slows when he sees your teary face and tangled sheets.

“Sorry,” you mutter as you wipe your tears. “I just don’t know how to make them stop.”

Tim sits beside you, opening an arm toward you. It’s a bold move, especially for him, but you take his offer and curl into his side.

“Are- did you mean it when you said I could talk about it?” you ask.

Tim nods, and you tell him more, but not everything. You remind yourself that he’s your roommate and maybe, just maybe, he's your friend, but he’s not here to listen to all of your baggage.

“The last thing he said before I left was, ‘there is nowhere you can go that my love won’t lead me to find you.’”

“You know that wasn’t love,” Tim replies, waiting for your nod before continuing. “And I’ve got your back, Angela and Nyla are right here, and we won’t let anything happen to you. No matter what.”

Drifting back to sleep in his warm, safe embrace, you finally learn what it’s like not to be scared.

When you wake alone, neither you nor Tim acknowledge what happened. You’re okay with slow changes, as long as there are changes.

“Tim,” you say, interrupting him on his way out. “Thank you. For last night.”

“I’m only ever a call away,” he reminds you.

✯✯✯✯✯

Your head starts aching around noon, quickly worsening into a full-blown migraine. When you’re ready to go home, it’s bad enough that you can’t drive. Sitting in your car and resting your head against the steering wheel, you want to call Tim but can’t find the strength to move.

Tim, meanwhile, returns home and begins wondering where you are. He calls, and you don’t answer, so he lets his worry control him as he gets back in his truck and drives your usual route. Tim hopes to pass you or find you waiting as someone changes your tire. When he gets to the parking lot of your job and sees you slumped in your car, he has to fight not to panic.

Rushing to the door, he’s both grateful and concerned that it’s unlocked. He kneels beside you, saying your name before bending to see you. Your eyes are tightly closed, but tears are still leaking out. 

“I’m taking you to the hospital,” he says.

You whimper as he picks you up, clinging to him until he lays you down in the backseat of his truck, buckling you in as well as possible.

“Hospital can’t help,” you mumble.

Tim wants to argue, but remembers what you said about the skull fracture. You’ve already been to the doctor, so maybe getting you home and comfortable will be enough.

After a nap partially influenced by unbearable pain, you wake to see Tim sitting by your bed.

“Why are you so nice to me? You didn’t even want a roommate,” you mutter sleepily.

Tim smiles, making you think you’re hallucinating. “Yet I got something better.”

✯✯✯✯✯

You don’t quite make it to work the next day. Walking into the station, you’re surprised when Nyla greets you first.

“I’m assuming it’s a joke,” she says.

You furrow your brows in confusion before you see Tim leaning on a desk with his arms crossed while Angela yells at him.

“Unless he really kicked you out,” Nyla adds.

You nod, walking towards Angela and Tim.

“No, you don’t get to blame me! I got you a roommate, a friend, a beautiful woman who could have been more than a friend, and you’re mad at me?” Angela exclaims.

Tim locks eyes with you, not changing his expression as he gauges whether or not her yelling is upsetting you.

“Can I talk to you?” you ask Tim.

Angela steps back, hoping to hear Tim apologize, but he stands up and gestures for you to follow him without speaking. Worried that you’re sick again, Tim waits silently.

“I’m okay,” you promise. “I just wanted to see you.”

Not believing something so simple, Tim shakes his head. “Tell me what happened.”

“I saw a guy who looked like him while I was driving to work. He was yelling at a girl outside of a diner, and it made me nervous.” You keep your eyes on the floor, but Tim gently raises your head.

“You’re not alone, and I know that things still seem uncertain, and probably will for a long time, but you don’t have to be afraid of anything while I’m here.”

“Then why’d you kick me out?” you tease with a pout.

Tim shakes his head, telling you to go before following you out. You wipe an imaginary tear before waving at Angela.

“No, you’re not leaving,” she says, grabbing your shoulders and steering you toward her desk.

Nyla smiles at Tim, and he sighs before following.

“Tell me exactly what happened between you two,” Angela commands.

You look past her before tensing, and Tim immediately catches on. He follows your line of vision and sees Nolan and Celina booking someone. You shrink in on yourself, and Tim moves to block your view.

“Get her out of here,” he tells Angela.

Angela doesn’t wait before obeying, ushering you into the bullpen and out of sight.

“What’s the charge?” Tim asks Celina.

“Assault. Beat up a woman outside a diner,” she answers.

Tim’s jaw tightens at the knowledge that this man made you nervous this morning, reminding you of your ex. He hates abuse in every situation, but when you’re involved, his protectiveness and anger differ. Tim leaves before saying or doing something he’ll regret.

When he finds you in the bullpen, he takes one look at you before hugging you. It’s quick, but Angela and Nyla look at each other in shock.

“So, you’re good?” Nyla asks.

“We were never bad,” you reply. “Just wanted to get back at Angela for trying to set us up.”

“It worked?” Angela inquires excitedly.

“Not yet.”

“Not yet?” Tim repeats, looking over at you. He shrugs as he concedes, “Okay.”

✯✯✯✯✯

When Tim gets home, he drops his stuff by the door, raising his arms in question as he looks at you. “Not yet? What is that supposed to mean?”

“You haven’t made a move. How do I know you’re not just protective and caring under that handsome, gruff exterior?” you ask with a shrug.

Tim shakes his head, cupping the back of your head gently as he kisses you. You raise your hands over his chest to hold his jaw, pushing yourself closer as you reciprocate his every move.

“Because I don’t protect just anyone like this,” he says against your lips.

You kiss him again before asking, “Does this mean you can reduce my rent?”

Tim rolls his eyes, tucking you against his side where you’re safe from everything and everyone. 

[technically-a-kiwi]

Pizza Tower not having an explicit story is such a nice attribute.

Maybe you’re the kind to prefer a nice put together on going story and lore, I myself tend to like that kind of media.

But where Pizza Tower benifits from not having a concrete story is that it’s world gets so much more flexibility !

Remember how Mort isn’t an actual Pizza Tower character ? What does that mean then ? His game took place in Fun Farm all along ? Is it another chicken ? Why does another chicken always spawn from the well ?

Who cares ! He’s here, making a cameo and everyone is here for it !

What about Peddito and The Doise ? They're originally fan characters but are now canon, what does that mean?! Are they from a parallel universe? Are they their alternative versions clones ? Doppelgangers? Cousins maybe? Ancient eldritch beings manifesting in this world in their respective shapes?

Who cares! They're here and they're terrifying (in a good way) !

See ? So much flexibility! You can add anything and everything! No need to fear inconsistency or plot holes you know?

I think the greatest thing about the game is when it gives just enough info to give a bit of background but let's us put together a story, for example, Fake Peppino is in a pizzeria named Bruno's Pizza. Is Bruno an actual character? Did F. Pep kill him ? Is Bruno F. Pep ? Is Bruno just a loose representation of a perfect chef thus tricking possible clients into believing F. Pep is a perfect pizza maker? Who knows? We can spend all our time just thinking of who he could be !

And it doesn't apply just here, so much more stuff in the game is like this ! Pizzahead's backstory is like this, F. Pep's backstory, and other stuff I can't think of in the moment

And if the game isn't enough for you, you can always look at all those google docs made before the game came out! You can argue they're no longer canon, but who cares ? You can play with those established concepts to make stories of your own !

You see ? Flexible I tell you !

I would 100% rather have media that gives you just enough info about it's world and characters to let you make your own interpretation than media that tells you everything about everything !

Oh and +10 points for Pizza Tower for not making a "huge hidden secret" that is some kind of big key for the lore or smth... Undertale did it, Hello Neighbor did but failed , FNAF's whole story literally revolves around secrets... Needless to say it's becoming very redundant 😒, glad it didn't 'cause I would have lost my FUCKIN' mind (in a bad way)