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kirammanswifey · 22 hours ago

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how arcane characters would deal with mental disorders x fem reader

characters: viktor, jinx, vi, caitlyn, jayce, ekko, silco, mel and sevika.

writer's note: writing this felt like giving myself a warm hug, a comfort that i needed. if anyone reading this is going through or has gone through any of these disorders, i want to tell you that you are very brave because it is not an easy thing, so feel proud of yourself. i hope you liked this as much as i did. as i'm a psychology student, i felt very motivated and i hope that it was quite understandable and enjoyable. as you already know request are open ;)

P.S. i know the other option won in the poll on my profile, but i need more time to refine the ideas and make something high quality that everyone will love, which i’ll be posting tomorrow ;)

Viktor Depression

The world around you feels like a constant weight, a heavy blanket that wraps around you, not letting you breathe. You wake up each day with a sense of emptiness in your chest, as if a black hole is absorbing all your energy, your motivation, your ability to feel anything other than sadness and apathy.

It’s not that you don’t want to get out of bed; it’s that the simple act of moving a finger feels like a titanic task. Fatigue is your constant companion, a shadow that never leaves you. Things that once filled you with joy now seem distant, irrelevant, as if they belonged to a life that is no longer yours.

The dark thoughts are your constant whispers, reminding you that you’re not enough, that it’s all pointless, that there’s no way out. Sometimes, you cry without knowing why; other times, you want to cry, but even that you can’t do. You feel trapped in an invisible prison, with no strength to fight your way out.

Viktor watches you from the doorway of your room, his gaze soft and full of concern. He knows the weight of shadows well, although his are different. Silently, he approaches and sits on the edge of the bed, not invading your space, but close enough for you to feel his presence.

“I have a new project I’m working on,” he says in a quiet voice, trying not to break the fragile bubble of your world. “I thought maybe you could join me today. You don’t have to do anything, just be there. Your company always helps me think.”

He doesn’t pressure you. Viktor understands that words can be hard to find when your mind is clouded by depression. He knows that the solution isn’t to force you to feel better, but to be with you, to offer you a hand, a small step forward.

He gently rises and offers his hand, not expecting you to take it, but hoping that you’ll know he’s there, ready to support you when you’re ready. “The world can wait,” he murmurs. “But I’m here, whenever you want to come back.”

His patience is infinite, his understanding deep. Viktor doesn’t try to fix you, because he doesn’t see you as broken. He knows that depression is a battle you fight every day, and he’s willing to walk alongside you, every small step, every shared silence.

You look at his hand, then his face; he’s concerned even though he tries to hide it. You make a huge effort to get out of bed, and even though your body doesn’t cooperate at first, you manage. You take his hand and gently squeeze it; that’s the most affection you can give him right now, you’re exhausted.

“Let’s go,” you murmur, your voice hoarse and broken; it’s the first time you’ve spoken all day.

You’re sitting next to Viktor in his small workshop, surrounded by pieces of metal and unfinished prototypes. He’s explaining his latest invention, a spark of enthusiasm lighting up his eyes. You feel a little better, enough to enjoy his company, and for a moment, a laugh escapes your lips when you hear one of his stories.

“Did you really say that to Heimerdinger?” you laugh, your eyes shining with a spark of life. It’s a small moment, but for Viktor, it’s like seeing the sun rise after a storm.

He smiles, pleased to have made you laugh. “Yes, and his face... It was certainly indescribable,” he replies with a softness that reflects his pleasure at seeing you enjoy yourself, even if just for an instant.

But suddenly, without warning, the laughter turns into a lump in your throat. The spark of joy fades as quickly as it came, and you find yourself trapped in a wave of overwhelming sadness. The tears start rolling down your cheeks, and you can’t stop them. The confusion in your eyes is evident, as if your body has betrayed the fleeting happiness you just felt.

Viktor notices immediately. He leans toward you, his expression turning serious, but his eyes remain warm and full of understanding. He doesn’t ask questions, doesn’t seek explanations that may be impossible to give. Instead, he moves a little closer, offering you his silent presence.

“It’s okay,” he says gently, his voice an anchor amidst your internal storm. “You don’t have to explain it. Just breathe.”

He offers you his hand, this time with more intent. You take it, feeling the warmth and firmness in his grip, a reminder that you’re not alone in this moment. You needed that contact. You needed to know that you could feel something other than sadness right now. Viktor doesn’t pull away, doesn’t feel uncomfortable. He knows that depression doesn’t follow rules, that it can strike at any moment, and he’s willing to stay with you, no matter how long it lasts.

“Do you want us to stay here?” he asks, his tone delicate. “Or we can walk a little, if that helps.”

His willingness to adapt to your needs wraps you in a sense of safety. Even though the tears keep falling, Viktor’s presence is a balm, a reminder that, even in the darkest moments, there’s someone who sees you, who understands you, and who’s willing to stay by your side.

“Just... stay here with me,” you say, letting yourself fall against his body, exhausted.

He caught you and wrapped you with care, it was a hug with the right amount of strength.

“Take your time, darling. I won’t go anywhere,” Viktor promised in a whisper, never stopping the caresses on your back.

And that was enough to make you feel less miserable.

Jinx Post-Traumatic Stress Disorder (PTSD)

The echo of the explosions still resonates in your mind, even though years have passed since that day when your world crumbled. The night everything you loved was consumed by flames in an attack on the Undercity. The night you lost your family and were left alone, with the screams and the smell of smoke forever etched in your memory.

As you walk beside Jinx through the bustling streets of Zaun, everything seems normal, almost calm, until an explosion in the distance makes your heart stop. It’s a dry, loud sound, far too similar to the one you heard that night. Without warning, your breath becomes shallow, your lungs struggle to take in air, and an overwhelming sense of absolute panic takes hold of you.

Your body freezes, and it feels as if the world around you disappears. The crowd, the lights, even Jinx—all fade away, leaving you alone in that dark place where time doesn’t move. The ground beneath your feet seems to give way, and you feel yourself falling again into that abyss of the past.

"Hey, hey!" Jinx’s voice cuts through the fog in your mind. Her hands grip your shoulders, and her gaze searches for yours with desperation. "You’re not there, do you hear me? You’re here, with me."

Her words feel distant, but the warmth of her hands somehow anchors you, reminding you that you’re not alone. "But... the sound..." you murmur, barely audible, as tears start to fall down your cheeks. "It was the same... the same as that night."

Jinx guides you to a quieter corner, away from the noise, holding your hand firmly. "Breathe, hon, like we always do," she says softly, her voice tinged with controlled urgency. "Fill up those lungs, okay? Like we’re balloons."

You try to follow her instructions, but every time you close your eyes to concentrate, the images of that night hit you with renewed force. "It’s not working," you whisper, trembling. "It’s always there. No matter how much I try, it doesn’t go away. It doesn’t go away!" You scream in panic, the fingers of your hands stiffening, making them immobile.

The worry in Jinx’s eyes softens a little, but there’s something else there, something you can only describe as recognition. "That explosion... it reminded me of something too," she says after a moment, her voice quieter, almost a whisper. "I’ve been there, in that fucked-up place, where the ghosts never stop screaming."

Her words are like a key that opens the door to a deeper understanding.

She falls silent for a moment, gazing into the distance before refocusing her attention on you. "When I have my attacks, you’re always there for me, and I remember I’m not alone. That helps me a lot," she admits, a small, almost sad smile curving her lips. "And you’re not alone either, hon. We’re not broken, just a little bent. And here we are, bent together."

The hug she offers you is warm and firm, a tangible reminder that you’re not alone. You feel her strength, her determination, and something else: her own fear, her own struggle. "You don’t have to fight alone," she whispers, her voice a promise. "If you ever feel like you’re going to fall, we’ll fall together. And then, we’ll rise. Always."

You cling to her like a lifeline, letting her warmth and her words anchor you to the present, if only for a moment. "Thank you, sweets," you whisper, allowing yourself, for the first time in a long time, to feel that it’s okay not to be okay.

Vi Anxiety Disorder

The night drags you into the abyss of your mind, but you find no respite. Instead of waking softly to the day, you're trapped in pure panic. Your chest burns, each breath a lost battle. Your heart gallops wildly, as if trying to escape your chest. You are drenched in sweat, the sheets sticking to your skin, becoming yet another prison.

Your eyes snap open, the darkness of the room seems to close in on you, and the silence is deafening. The sensation of suffocation consumes you. You try to gulp down air, but it's as though your lungs have forgotten how to function. Your hands search for something, anything, to anchor you to reality, but all they find is emptiness.

The door swings open abruptly, and Vi stands there, alert, her eyes filled with concern. She doesn't need to ask what’s wrong; she knows instantly. She moves swiftly but carefully, approaching you without frightening you further.

"Breathe with me," she says gently, her hands finding yours, steady yet comforting. "Inhale through your nose... like this... and exhale through your mouth."

You try to follow her, but your body won’t cooperate. Your breath is shallow, frantic, as though every breath disintegrates before it even reaches your lungs. Tears begin to streak down your cheeks, mixing with the sweat.

"Vi... I can’t... I can't... I’m scared," you stammer, your words broken by sobs. Your mind is caught in a loop of terror, every thought spiraling downward, taking you further away from calm.

Vi sits beside you on the bed, her voice low and constant. "Don’t be afraid. Listen to my voice. I’m here with you, and I won’t let anything bad happen to you." Her tone is firm, anchoring you in the present, pulling you out of the tide of your own fear.

"But it hurts... my chest... I can't breathe..." Your body trembles, and your hands clutch desperately at her grasp. The feeling of control slipping away is overwhelming, leaving you feeling helpless.

Vi pulls you into an embrace, holding you close, offering her calm, her strength. "This is temporary. It won’t last forever," she whispers in your ear. "Trust me. Focus on me."

Slowly, very slowly, her voice cuts through the fog of your mind. You begin to breathe more deeply, following her rhythm, feeling how her presence stabilizes you, like a lighthouse in the storm. The pain in your chest begins to lessen, the pressure relents just a little, and your body starts to remember how to breathe without fighting.

Vi continues to speak, her voice a soft murmur, calming you with every word. "You’re strong. You have control, even if it doesn’t feel like it right now."

The tears still flow, but now they are tears of relief, not fear. "Don’t leave... don’t leave. I need you here," you whisper, your voice broken but sincere.

Vi strokes your hair, her other hand gently squeezing yours. "I’m not going anywhere, little doe," she says affectionately, kissing your forehead, tasting the salty remnants of your sweat.

You remain in her arms a moment longer, allowing yourself to rest, letting her strength hold you as you regain your own. Gradually, the panic fades, leaving only exhaustion and the certainty that Vi will always be by your side, no matter how dark the nights may get.

Caitlyn Obsessive-Compulsive Disorder (OCD)

The silence in the apartment is deafening. The only sound that breaks the stillness is the relentless ticking of the wall clock, its rhythm echoing in your ears like a hammer. You’re in the kitchen, eyes fixed on the glasses you’ve meticulously arranged in the cupboard. Each glass must be perfectly spaced, each one aligned to the exact same level. Symmetry isn’t just a preference—it’s a necessity. If something is out of place, you feel as though the whole world could collapse.

Your breathing is uneven, your chest rising and falling in quick succession. "One, two, three..." you murmur to yourself, counting each movement. Your hands tremble, but you can’t stop. You can’t stop. If you do, something terrible will happen. You don’t know what, but the certainty that it will be catastrophic clings to you like a shadow.

Caitlyn enters the apartment after a long day at work. Her expression shifts instantly when she sees you in the kitchen, trapped in your own ritual. She stops in the doorway, watching you with a mix of concern and sadness. It’s not the first time she’s found you like this, but each time, it hurts her as though it were.

"Darling?" Her voice is soft, as if afraid to shatter you. She steps closer, carefully setting her hat down on the table. "What are you doing?"

You don’t answer at first, your eyes still fixed on the glasses. "Almost done... just a few more minutes," you whisper, your voice trembling. You can’t stop. Every glass moved, every small adjustment is a battle between reason and irrational fear.

Caitlyn stops beside you, her eyes scanning the scene, seeing the perfect pattern you’ve created. "You don’t have to do this," she says gently, yet firmly.

Your hands freeze for a moment, but the urge to continue is too strong. "You don’t understand... if I don’t do it right, if they’re not perfectly aligned, something bad is going to happen." Tears begin to well up in your eyes, the pressure in your chest intensifying. "I don’t want you to think I’m crazy, but it’s like my mind... it can’t stop."

Caitlyn takes a deep breath, her hand reaching out to touch your shoulder delicately. "You’re not crazy," she says, locking eyes with you. "I know this is hard, that your mind doesn’t give you peace. But you don’t have to face it alone. Let me help you."

You turn to look at her, your eyes filled with desperation. "I can’t stop, Cait. If I do, I feel like everything will fall apart. I can’t control what’s happening inside my head."

Caitlyn nods slowly, her gaze unwavering from yours. "I know, darling. And I know this won’t be fixed in a day. But I’m here, and I’m going to stay by your side. We’ll face it together."

Her words anchor you, a beacon in the storm that is your mind. Slowly, almost against your will, your hands begin to lower, moving away from the glasses. The fear is still there, a current running just beneath the surface, threatening to overwhelm you, but Caitlyn is beside you, her presence a reminder that you’re not alone.

"Breathe with me," she says, her voice soft and steady. "Inhale... exhale... together."

You follow her instructions, though your lungs seem to resist, full of anxiety. Caitlyn guides you, her hand never leaving your shoulder. "See? We’re doing it! You’re doing it!" She encourages, kissing your neck when she notices you’ve looked away from the glasses for five seconds. It was only five seconds, but Caitlyn knew it was a huge accomplishment, and she celebrated it.

You let out a small sigh, the tension in your muscles easing slightly. Your hands travel to Caitlyn’s waist, moving her so the glasses are no longer in your line of sight. You let your head fall against her chest, breathing in her scent. It’s so much better, especially when you start counting the beats of her heart.

"How brave my wonderful and glorious girlfriend is. I’m so proud of you," she whispered, her fingers weaving through your hair as she praised you.

"Cait, I love you so much. You’re the best thing that’s ever happened to me," you whisper against her warm chest, unwilling to leave that comforting refuge.

Caitlyn chuckles softly, and it feels like music to your ears.

"I feel the same way, darling," Caitlyn replied, gently swaying your bodies from side to side in a small rhythm.

You know that your compulsions won’t disappear, that the need for control will remain, but with Caitlyn, you feel like you can face it one day at a time.

Jayce Narcissistic Personality Disorder

The mirror in your room is your judge, jury, and executioner. Every imperfection is a sentence, every flaw a conviction. You spend hours in front of it, adjusting, retouching, trying to reach a perfection that always seems to slip through your fingers. Your heart beats fast, not from excitement, but from the constant fear that the world will see the cracks beneath your flawless facade.

Jayce enters quietly, his presence comforting and, at the same time, a threat. What will he think? Does he notice the imperfections you see? He steps closer, his gaze soft, but you feel the weight of his eyes as if he's scrutinizing every flaw.

"Love, it's late. Come to bed," he says in a calm voice, trying to distract you from your self-destructive spiral.

"Just one more moment," you reply without looking at him, your focus still on the mirror, searching for symmetry in your features, perfection in the unattainable.

Jayce sits on the edge of the bed, watching you. "You've been here for hours. You don't have to do this. You're beautiful just as you are."

His statement, though well-intentioned, feels like a white lie. "You don’t understand, Jayce," you murmur, your voice trembling with suppressed frustration. "If I’m not perfect, I’m nobody. I can’t let them see my flaws. I can't let… you see them."

Jayce stands, walking toward you carefully, as if approaching a flickering flame. "You don’t have to be perfect to be loved," he says, his words a whisper in the storm raging in your mind. "You don’t have to prove anything to anyone, least of all to me."

Your gaze finally meets his through the reflection. Tears fight their way out, but you can't allow such weakness. "It's not that simple," you whisper. "Every day, every look, every word, it’s all a test. And if I fail…"

Jayce places his hands on your shoulders, his eyes filled with compassion and infinite patience. "If you fail, I’ll be here to lift you up."

"And what if I’m not enough?" The question slips out before you can stop it, the insecurity behind your narcissism showing in all its rawness. "What if one day you realize you deserve something better?"

Jayce leans in, his forehead touching yours, a gesture so intimate it almost breaks you. "I deserve someone who loves me for who I am, not for what I pretend to be. And that’s exactly what you are to me. I don’t have impossible expectations of you. I just want you to be happy, to find peace in who you are."

The internal struggle within you is fierce. The fear of rejection, the desire for perfection, the need to be seen and admired, all mix together in a whirlwind that consumes you. But in Jayce's arms, for a moment, the noise silences. His love is not a chain, but a refuge, one that offers rest if only you can let yourself fall into it.

"How can you be so sure?" you ask, your voice broken but curious.

"Because I love you," he answers without hesitation. "And love isn’t about waiting for perfection. It’s about accepting every part of you, even the ones you think are flaws."

The tears finally make their way out, releasing something within you that has been held back for so long. Jayce holds you as you cry, whispering words of comfort, letting all the pressure, fear, and anguish flow out of you.

"You’re perfect," you whisper, your voice cracked but full of sincerity. In your mind, Jayce is the epitome of everything you don’t believe you are: strong, confident, unshakable.

Jayce smiles softly, his hand caressing your cheek, wiping away the tears still falling. "No, I’m just a man in love. A man who loves you madly." His voice is warm, filled with a tenderness that disarms you. "Why don’t you show me that precious smile of yours? Please, it would make me so happy."

His sweet words touch your heart, and the corners of your lips stretch on their own, forming a sad smile.

"Gorgeous," Jayce murmured, caressing your lips with his strong, calloused fingers.

"Flatterer," you reply with a more elaborate smile, your eyes still wet, but now with a different shine, one that reflects the spark of hope he’s ignited in you.

"I’m just stating facts. I’m a scientist, honey, so I can tell you that, from my perspective, it’s scientifically proven that you’re gorgeous," he commented wryly, a wit that made you laugh.

Jayce smiled and kissed your forehead, holding you firmly in his arms. Finally, you feel like you can breathe, like air is filling your lungs again without that constant weight on your chest.

Ekko Attention Deficit Hyperactivity Disorder (ADHD)

The room is silent except for the soft hum of music playing in the background, but your mind cannot stop racing. Your thoughts scatter like arrows shot in every direction. You try to focus on something, anything, but it feels as though your brain is in a constant battle between the ideas that come and go. The light from the lamp flickers irregularly, and for a moment, you wonder if the bulb is about to explode. This makes no sense, you know that, but the unease lingers.

You quickly get up from the bed, taking a misstep, tripping over a chair you hadn’t seen, barely avoiding it. Your heart races. Everything is a series of chaotic jumps in your head, an endless torrent of thoughts that can’t follow a single path. You look at the desk, with papers scattered about—unfinished projects, ideas you can’t ground. Everything calls to you, but you can’t focus on anything.

Your hands tremble slightly as you grab the pen and begin to write down an idea that came to you, but before you finish the sentence, a new image flashes in your mind. You stop, leaving the pen on the desk and staring out the window. Something about the glow of the stars makes you think of something else. You can’t concentrate. Everything distracts you, even the small noises you used to never notice. It’s so annoying.

Suddenly, you feel the stress begin to accumulate in your shoulders. It’s not just the lack of concentration; it’s the sense of constantly running toward something without ever arriving. You try to finish a task, but more and more thoughts pile up, projects, things that need doing. Everything seems urgent, and nothing seems possible to complete. Anxiety settles in your chest.

You’re about to get up again when you hear the sound of the door opening behind you. Ekko enters the room, his calming presence is the only thing that makes you stop for a moment. He watches you in silence for a few seconds, noticing the frenzy of your movements. You hadn’t realized, but your breathing is irregular, and you’ve gotten up twice without purpose. Something isn’t right.

He watches you quietly, understanding the internal struggle you’re facing. He knows what this means, what it costs you every day.

“What’s going on? Why are you so worked up?” he asks, his voice soft but with enough authority to make you stop and listen.

Your eyes focus on a fixed point, but you can’t find the words to explain what you’re feeling. You don’t know how to put into words what’s happening. It’s like you’re trapped in a cycle of thoughts that never stop.

“My mind... it doesn’t stop moving,” you finally manage to say, almost in a whisper. “Every time I try to do something, it’s like something else distracts me. Nothing stays. Everything slips away.”

Ekko watches you silently for a moment, understanding the fight you’re facing. He knows exactly what this feels like.

“I get it, babe,” he responds, his tone firm but gentle. “I know your mind’s all over the place right now, but I promise we can do this one step at a time. We’ll focus on one thing at a time, no pressure. Sound good?”

The fact that Ekko is offering to be there, without judgment, brings you relief. You know that the impulsiveness you feel, the urge to move without a plan, is something that consumes you. Your mind jumps from one thought to another, and each of those thoughts feels like an urgent need, an immediate necessity. But at the same time, nothing makes sense. Everything is scattered and out of control.

“It’s just that...” your words fade into the air, unable to be completed. You feel trapped in your own body, in your own brain. You can’t stop, but you can’t move forward either.

Ekko gently places a hand on your shoulder, his touch calming. “How can we start?” he asks sincerely, not rushing you. “Tell me what you need.”

For a moment, everything seems to stop. The flood of thoughts quiets down, and for the first time in a long while, you can think clearly, even if it’s just for an instant. It’s not about having everything figured out right away; it’s about feeling that someone is there, willing to stand by you while you navigate through the mental whirlwind.

“I just... I don’t know how to do it without jumping from one thing to another,” you murmur, frustration and shame creeping into your voice. “I feel like everything’s overwhelming, and I can’t focus on anything.”

“We’ll take it slow,” Ekko replies, his tone calm and direct. “First, breathe. The first step is to breathe, and then we can start with just one thing. The rest can wait.”

You close your eyes for a moment and follow his words. You breathe deeply, slowly, trying to find the balance that always seems so hard to reach. Ekko is there, not rushing you, waiting for your mind to settle. With his help, little by little, you manage to focus on one small task, one that’s manageable enough not to overwhelm you. It’s just one step, but it’s a step toward calm.

“You don’t have to do it all right now,” Ekko says softly. “What matters is that you’re not alone in this. We’ll go step by step.”

You feel the knot in your stomach loosening, even though there’s still much to do. But at this moment, with him by your side, you realize that maybe, just maybe, you can find a way toward a little peace.

After hours of work and soft laughter, you’re sitting on the floor, with Ekko beside you, both looking at the pieces left to place in a puzzle. It’s almost complete, the pieces fitting perfectly, and though the hours have flown by, you feel lighter, the atmosphere quieter.

“One more,” Ekko says with a smile, holding up a piece in the air. He passes it to you, and together, you place it in its spot, completing the picture. The puzzle is done, and though it’s a small accomplishment, it feels more meaningful than it seems. Not just because of what you’ve completed, but because you’ve managed to feel centered, accompanied.

When you look at the drawing you had left unfinished, now finally complete, you feel a deep sense of satisfaction. Ekko helped bring to life the image that only existed in your mind, his hands working alongside yours, following every line with care.

“You did it,” Ekko says, his eyes shining with pride. “My girl is incredible.” He pulled you into his lap and kissed your forehead.

You look at him, your heart beating a little faster. The fatigue of the afternoon washes over you, but you don’t care. All that matters is that he’s here, by your side, and that, for once, you feel at peace. The air feels lighter, as if the space between you two has been reduced, softened by the stillness of the moment.

“Thank you,” you murmur, your words barely a whisper, but full of gratitude.

Ekko turns toward you, his expression softening. “Don’t thank me. Thank yourself. You’re the one who made it happen, not me.”

The way he looks at you, the way his presence has become part of your space, makes you smile. And, in a moment of impulse, without thinking too much about it, you move a little closer. He seems to understand it instantly, and before you can second-guess yourself, his lips brush against yours. It’s a soft kiss, no rush, no urgency, just a moment where words aren’t needed.

When you pull away, both of you stay there, looking at each other, the air between you charged with something that doesn’t need to be named. Ekko smiles, his eyes sparkling with that glint that makes you feel as though everything is right, as if the world, for a moment, is in its place.

“Everything’s okay now,” Ekko says softly, filling you with calm.

And in that instant, you believe him.

Silco Borderline Personality Disorder (BPD)

The air in Silco's office is thick with tension, as always. The sound of the bustling city echoes through the glass windows, but inside, everything is still, almost as rigid as the gaze Silco fixes on you. You're sitting across from him, feeling a familiar dizziness, as if everything is out of control and, at the same time, you're trapped in an empty space. A mix of confusion and anxiety courses through every fiber of your being.

Your hands tremble slightly, and although you try to control your breathing, each inhalation seems to sink you further into the internal chaos. The voices in your head blend together, demanding answers, claiming something you can't give. Silco watches you calmly, but it's a cold, calculated calm, as if everything that's going on inside you is a game he knows how to play.

You feel the emptiness consuming you, and yet an unbearable pressure weighs on your chest. Your mind betrays you, throwing destructive thoughts at you, telling you you're worthless, that everything you do is doomed to fail. The contradiction is overwhelming: on one hand, you feel lost, and on the other, you refuse to give in to the feeling of helplessness.

"Are you alright?" Silco asks, his voice low and steady, but there's a slight intensity in his tone. He doesn't break eye contact, as if he's evaluating every micro-expression on your face, every movement. He knows you're not, but still, he asks. Is it a test? A need to know how far you can go? The silence stretches on, and your thoughts only intensify.

The urge to stand up and run from it all is strong. Everything in you screams to follow your impulses, to escape, to flee from the overwhelming weight of it all. But you stay there, because something in you knows that running will only plunge you deeper into the darkness you're feeling inside. You see yourself fighting, trying to maintain control, but every second makes you feel more lost.

"I'm sorry... I don't know what's happening to me," you whisper, your voice broken, struggling against the avalanche of emotions threatening to drown you. You feel the tears pressing behind your eyes, but you force yourself to keep composure. "It's just... it's all so intense. So confusing."

Silco keeps watching you in silence. There's no judgment in his gaze, only a calculated assessment, as if he's reading between the lines of your suffering. After a long moment, he sighs and stands up from his chair, approaching you slowly. It's not a sudden gesture, but calm, as if he's used to dealing with people who struggle with their own minds. He says nothing, but his presence is the only thing anchoring you in this moment.

With one hand, he takes yours. The contact is firm, but not aggressive, as if he's giving you space to breathe, but also space to not escape. In his eyes, something changes. There's an understanding that you can't fully decipher, but it fills you with a strange sensation, like, for the first time in a long time, you're not alone in the storm raging inside you.

"Your mind is betraying you," Silco says calmly, his voice soft but full of an authority that makes you feel that everything happening has a purpose. "It's an enemy that everyone must face at some point. But you don't have to face it alone."

The words fall on you like a stone, but strangely, they allow you to relax, even if only for a moment. The internal chaos you've always felt halts for an instant. And in that silence, you're finally able to breathe.

"All of this... this emptiness, the feeling that nothing matters, it's not your fault," Silco continues, his tone firm, though not without a strange gentleness. "It's just a phase, a moment that will pass. But you need to control it. Not let it take over you."

You feel vulnerable, but at the same time, a part of you relaxes in his closeness. Silco doesn't tell you that it's okay, nor does he promise easy solutions. He speaks to you with reality, with that harshness that you know comes from someone who understands suffering, but who doesn't have time to sugarcoat the truth.

"What you're feeling is real, but it's also transient. Not everything is as final as you think," he adds, his gaze fixed on yours with intensity. "You can be stronger than this."

The words resonate in your mind as you take a deep breath. You don't know if you fully believe them, but for some reason, in this moment, the darkness feels less imposing. You're not completely free of it, but at least you feel you're not entirely alone. Silco is here, firm and without judgment, waiting for you to take control of your own mind, without expecting you to do it immediately, but giving you the possibility to believe that you'll manage.

The pressure in your chest doesn't disappear completely, but a small crack of calm starts to open within you. And though you know your inner struggles won't end immediately, for the first time in a long while, you don't feel as lost. Silco looks at you one last time, without haste, but with a silent certainty.

"When you're ready, you can get out of this. I'll be here."

You're surprised by how firm his voice sounds, as if, by saying it, he's committed to being a constant presence. And although you don't fully understand how he does it, you realize that, in this moment, his steadiness helps you more than any empty words of comfort.

The world continues around you, but somehow, Silco has given you the strength to face it.

The silence between you and Silco lingers for a moment, but it's no longer the same silence as before. There's a strange peace, almost comforting, in the way he holds you, in the closeness you now feel between you both. The contact of his hand, firm and steady, gives you an anchor amidst the storm that still rages inside you.

A sigh escapes your lips without you noticing, and for a moment, it's not one of despair, but of relief. Silco, still keeping his gaze fixed on you, takes one more step closer. It's not a quick or rushed step, but a calculated one, as if he's sure that, in this moment, the only thing you need is that closeness, that calm presence.

Without saying anything, his fingers gently caress your cheek, a soft gesture that cuts through you. There's a tenderness in his movements that you hadn't anticipated, something that seems in complete contradiction with the person you know, but that, in this moment, comforts you more than any words. You feel vulnerable, but you don't fear it, not now.

Your breathing gradually calms, and Silco, silently, moves a little closer, so close that you can feel the warmth of his body. The space between you is almost nonexistent now, and you can feel his breath in rhythm with yours. There's something in his presence that soothes you, that gives you the feeling that everything will be okay, even though it still feels hard to believe.

Finally, his lips come close to yours with an unexpected softness. It's not a hasty or desperate kiss, but something slower, more measured. The brush of his lips against yours is so gentle that it surprises you, as if he's waiting for you to accept it, for you to be ready. And you are. Though your mind is still filled with doubts and fears, something inside you tells you that this is the moment you can allow yourself to be vulnerable, that you can receive something that won't hurt you.

The kiss deepens slowly, and in that instant, the world seems to fade away around you. All that remains is the warmth of his body, the firmness of his arms around you, and the gentle contact of his lips, like a silent promise that, even though the future is uncertain, for a moment, everything is alright.

When you finally pull away, no words are needed. Silco looks at you with an intensity you've never seen before, but in his eyes, there's something more, something you can't describe, something that makes you feel that, despite everything you've been through, you're not alone.

"I told you you were strong," he whispers, his voice deep and soft at the same time.

And for a moment, everything seems enough.

Mel Chronic Stress Disorder

The atmosphere is thick with tension, but it's a different kind of tension. It's a quiet calm, yet at the same time, it is filled with the constant threat of what could happen. You’re there, in one of the rooms of the mansion, sitting on a chair by the window, gazing out at the illuminated city, but unable to really see anything. The world around you seems to blur, as if a layer of fog has settled over your senses, blurring every detail and leaving only the emptiness of your thoughts.

Mel, who has been watching your behavior for the past few minutes, approaches with a palpable gentleness in her movements. Her presence is firm, but not intrusive. From a distance, she’s observed how the symptoms of your chronic stress have taken over you, how anxiety and mental exhaustion have combined to make you feel beyond your limits.

She crouches slightly to be at your level, her eyes fixed on yours, searching for your attention. “I notice you’re not yourself, and I know it’s because the weight of everything has piled up,” she says in a low voice, her tone soft yet firm. “But I want you to listen. You have the right to rest. You don’t have to carry the world, not all the time.”

Despite her words, you feel a pressure in your chest that won’t ease. Everything feels too big, too heavy. Chronic stress consumes you, leaving your thoughts tangled while your body responds with a deep exhaustion that doesn’t seem to go away no matter what you do.

Mel, noticing the internal struggle that consumes you, steps closer and, without warning, places a firm hand on your shoulder. It’s not a gesture of force, but of support. A sign that she’s here, silently, but available to help you find the balance you need.

“Your body is telling you it needs to stop,” she continues, with a softness that’s hard to deny. “Those moments of despair, of exhaustion... they’re real. But you don’t have to go through it alone, no matter how much you think you can.”

The contact of her hand on you, her quiet strength, begins to offer some relief. Even though the weight still lingers, something in you relaxes. It’s as if her words offer you a rope to hold onto, something tangible in the fog that seems to surround your mind.

You lean forward, your fingers briefly touching your forehead as you try to calm the agitation still coursing through you. The stress, that constant pressure in your life, seems unwilling to let go of you, but at least in this moment, with Mel by your side, you can breathe a little more deeply.

“I’ll be here,” Mel whispers, like an unbreakable promise. “If you need to rest, I’ll help you find peace. You don’t have to go on alone.”

For the first time in a long time, you allow yourself to think that, maybe, it’s possible to let go of some of that burden. Mel’s voice, soft yet full of certainty, is a refuge in the midst of the chaos in your mind.

Mel doesn’t expect you to feel guilty for your exhaustion. She doesn’t demand that you change or “overcome” your chronic stress overnight. She only gives you space to feel what you need to feel and to acknowledge that, even though the road may be long, you don’t have to walk it alone.

When your eyes lift and meet hers, there’s something in your gaze that softens. The stress doesn’t vanish immediately, but the simple fact that someone understands you, that someone is staying with you without judging, gives you something you didn’t have before: the possibility of healing.

The silence between you both is comfortable. It’s a silence of acceptance and understanding. And as Mel remains by your side, her presence becomes something that offers comfort, not an immediate solution, but a step toward the calm you so desperately need.

After a long silence, Mel slowly approaches you, and her eyes, filled with softness and understanding, capture you. She takes your hand, with a delicacy that makes you feel lighter, as if the weight of your mind could lessen just with that contact.

“You know, right?” she whispers, her voice gentle but firm. “I’ve seen you fight, and still, you’re here, being so incredible. And to me, that’s what really matters. Not everything you’ve been through, but who you are now.”

The sparkle in her eyes makes you blush slightly, and your heart beats a little faster.

“Mel...” you whisper, barely able to find the words, feeling your nerves breaking. “I don’t know what I’d do without you…”

She smiles, moving closer. “I’m here, for whatever you need, for anything, always.”

Without saying another word, Mel gently caresses your cheek, as if every movement is a silent promise. Then, you see her lean in toward you, her face so close to yours that you can feel the brush of her breath.

“You’re my refuge, you know that, right?” Mel says, with sincerity that runs deep within you.

And without another word, her lips find yours, in a tender, almost urgent kiss, as if she wanted to convey everything she couldn’t with words. When she pulls away, her eyes shine with an unmistakable softness.

“I love you, with all my being. And that won’t change.”

You shiver slightly at her words, but instead of insecurity, you find comfort. Her eyes transmit calm to you, and for the first time, you realize that she’s willing to be the peace you so need.

Sevika Bipolar Disorder

The darkness surrounds you, but it’s not physical darkness; it’s something denser, creeping through every corner of your mind. It’s one of those days. You don’t know for sure, but you feel it deep in your gut: something has changed. There’s a void in your chest that you don’t know how to fill, and a sensation in your stomach that twists you up. You’ve been through this before. The bipolar disorder drags you, takes you as its own without warning, pushing you from one extreme to the other in a matter of hours, minutes.

You wake up feeling the weight of sadness, a sadness that feels physical, sinking you into the mattress as if the sheets were lead. You don’t want to move, think, or do anything. You just feel empty, as if all your strength has evaporated. The room seems smaller, the walls pressing in on you. Your legs don’t respond when you try to get up. A knot forms in your throat, but the tears won’t come. There’s no energy for that, just the weight of despair.

You don’t see her enter. Her presence is silent, but solid. Sevika knows something is wrong, she feels it even before you tell her. When you look at her, her expression doesn’t change, but there’s something in her eyes that makes you feel that the situation is serious. There’s no surprise, no fear, just a cold, calculating understanding. Sevika isn’t one to lose her calm easily. And that makes you even more confused, making you feel like you don’t belong in that moment, like you’re not the person she expects to see.

“What’s going on?” she asks, not softening anything. The question isn’t condescending, nor filled with concern. It’s direct, almost harsh, she doesn’t beat around the bush. She knows that, when you’re like this, empty words don’t help.

You struggle to form a response. You can’t, really. Your thoughts are tangled in an incomprehensible chaos. But she doesn’t expect you to explain anything. Sevika approaches, sits on the edge of the bed. Her gaze never leaves you, as if she’s evaluating your soul, searching for a point of vulnerability, a sign of what to do next. She has the ability to see beyond your emotions, beyond the depression that consumes you and the anxiety that makes you tremble. She knows that right now there’s nothing rational in your mind, but understanding is her only response. Patience mixes with a slight touch of toughness, as she always does with things she can’t control.

“You’re staying here. You’re not going to do anything impulsive. You’re not going to try to run out of here or make this worse,” she says with a calm coldness that leaves no room for objection. You know that, in this moment, she’s the only voice of reason you can hear.

You’re aware that Sevika is used to dealing with extreme situations, but this one is different. She watches you closely, but from a distance, as if she’s weighing the damage, calculating what she can do to keep you safe. You don’t see fear in her, but you see resolve. She doesn’t switch into “rescuer mode,” she doesn’t try to hug you or tell you that everything will be fine. What she says, she says with authority because she knows that if she gives in, chaos will take control, and everything she’s worked to keep stable will fall apart.

In the internal struggle between your broken mind and the anger that begins to build up inside of you, Sevika is the rock that keeps you from diving into the void. But she also knows she can’t ignore your emotions. Her expression hardens slightly when she realizes there’s something more going on. “I’m telling you this because you know it, not because I need to explain it to you,” she whispers, making it clear that there’s no room for games.

When you finally speak, it’s in whispers, as if your words have weight and could break you. “I don’t know what’s happening to me. I’m... I’m so tired of this constant back and forth. I can’t handle it.”

Sevika doesn’t change her posture. She doesn’t tell you that she’s going to “fix” you, nor does she try to cure you. She knows that what you have doesn’t have an easy fix, but she does have tools to deal with the situation. “You don’t need to fix anything right now. You need to rest. Let what’s going to happen, happen, but don’t make decisions you’ll regret later. Do you understand me?” her voice is firm, but underneath there’s something else, a touch of softness she rarely shows.

The air in the room is heavy, laden with the weight of your thoughts, like a fog that prevents you from seeing beyond. Sevika is there, watching you with the same intensity as always, but with an odd calm, a calm that scares you because it makes you feel like she sees it all: the chaos consuming you, the internal battle between despair and rage.

“I don’t want this to control me. I don’t want to be like this,” you murmur, the words coming out broken. You know you’re saying it more to yourself than to her, but still, the guilt pierces your chest like invisible needles. You feel like you’re not being who she expects.

Sevika stays silent for a moment, her gaze fixed on you. There’s something in her face, a line of tension in her jaw, as if she’s weighing every word before speaking. Finally, she gets a little closer, breaking the distance between your bodies.

“It’s not about what you expect from yourself. It’s about what you need right now. And what you need right now is rest, stop fighting against something you can’t control.”

Your eyes search hers, those eyes that always seem to understand more than you can verbalize. And, somehow, you feel that there’s no judgment in them, just a silent acceptance of what you’re going through. It’s strange. In the middle of the storm in your mind, Sevika gives you the feeling of being the only anchor left in your world.

Suddenly, she stretches out a hand toward you, not rushing, not in a hurry, but with the firmness that characterizes her. You take it without thinking, as if it’s the only thing that can stop the flood of erratic thoughts flooding your mind. Her touch is warm, comforting. There’s a strength in that simple gesture, something that allows you to relax, even if just for a second.

“I’m going to take care of you, understand?” she whispers, her voice low, barely a breath. There are no empty promises in her words, just a statement of fact. But in her tone, you find a softness that she rarely shows. It’s like, for a brief moment, her heart opens a little more, even if she doesn’t fully recognize it.

The moment stretches on, and even though the storm in your mind hasn’t ceased, there’s something in you that feels a little lighter. Sevika doesn’t have the solution to your pain, but her presence, her closeness, gives you a peace you never even imagined.

Without thinking, you move a little closer to her, seeking that warmth. Her fingers interlace with yours, and for the first time all day, you don’t feel completely broken. Sevika has never promised you a happy ending, but in this moment, you don’t need one. The simple fact of being here, of having her close, gives you a reason to keep going, even if just for a little while longer.

“I love you,” you say without thinking, and the words come out with a clarity that surprises you. It’s not a grand declaration, it’s not a promise that everything will be okay, but it’s something real, something you never thought you could say to anyone before.

“I love you too, doll,” she responds with a half-smile, though her eyes seem softer than ever. And, for a second, the world seems to stop. The anxiety, the disorder in your head, dissipate, if only for a brief moment.

She leans in a little toward you, and in that instant, all that matters is the touch of her lips on your forehead, a simple gesture but filled with affection. The silence between you both is comfortable, no pressure, just the comfort of being together, knowing that, even if the world around you falls apart, Sevika will be the one to keep you steady.

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chaoticbardlady99 · 2 days ago

Text

Now and Tomorrow and Everyday After (Sylus x F! Reader) MDNI 18+

Synopsis: In spite of the 'tails' attempts to separate you from Sylus, it only seems to bring the two of you closer.

CW: Fingering, Oral (Female receiving), P in V, Praise Kink, after care, adult themes

Author Disclaimer- I do not own the LADS characters or lore and did use some dialogue from the recent banner's Sylus Card. I do NOT use AI and do not permit anyone else (or any other entity) to copy and advertise my work as their own. Definitely not proof read or edited because I was having “don’t post fear” and just needed to go for it.

Author Note: I made an attempt and this is my first time writing Sylus and posting it so yeah! Thanks for reading- all kind comments, likes, and reblogs are appreciated! Remember, to be kind to yourself and others today! I also high key think Sylus is going to this zone to protect MC from Ever cause he makes mention of that but that's beside the point.

*this is my take on the Night of Secrecy Card. I wanted to fill in some gaps*

You pick at your nails nervously under the warm air of the AC. The city of Linkon passes you by- your eyes flickering to Sylus every so often as he drives you both to one of his safe houses.

Your nerves are on fire- not from the danger of whatever pot Sylus decided to stir up, but rather the fact that tonight is the night.

Or so you have decided.

And the night meaning boning. You want to bone this man hard.

Okay- wait, it’s probably more like make love to, but you aren’t sure where you stand in Sylus’ life or if his feelings are all that deep.

And would he even be capable of feeling that way towards you?

The thought makes that tight ring of nerves turn into a heavy ball in the pit of your stomach. Sylus really means a lot to you and you feel he shares that sentiment, but you have also been wrong before and it ended up just being a friends with benefits situation. You weren’t “girlfriend material” as you often joked with Tara.

But he is having you tag along, you think, he didn’t say he didn’t want you around. He just said he was leaving to protect you so maybe-

“What are you agonizing about over there?”

Shit.

“If you changed your mind-“

“No!” You say probably too abruptly, “I’m fine- everything is great, better than great even! Just thinking.”

Sylus chuckles and you don’t even have to look at him to know he is seeing right through. He knows you better than anyone at this point and he knows when something is bothering you.

You would honestly consider Sylus the closest thing to a best friend you could ever have. You can confide in him, depend on him, and you have a lot of fun with him.

For the most part, you think he has learned to depend on you, confide in you, and he certainly seems to enjoy himself when he is in your company. Luke and Kieran say they can tell when he’s been with you because he’s less trigger happy with the people he’s dealing with (which you’ll take as a win if you need to find one somewhere).

Not to mention- the way his hands were splayed along your thighs last night when he sat you on the kitchen counter was mind numbingly intimate. His fingers drew gentle shapes on your bare skin and left goosebumps in their wake. Sylus’ forehead was pressed against your own and his lips mere inches away, but he didn’t kiss you and you have been thinking about that all day.

What if he didn’t want to because he’s just trying to lead you on until you are of no use to him? What if all of these nice things and words and actions are all just to make sure you will still help him and resonating won’t be an issue again?

“What is it?” His voice is gentle, “maybe I can help you be less… befuddled.”

You shoot him a look that earns you a laugh, but you can see the genuine concern in his eyes. Sylus has been so invested in hiding you from the worst parts of his world and now that he’s opened up, he’s worried he’s lost you unintentionally and that all the time you have spent together is long forgotten.

You shrink slightly into your seat- avoiding his eyes the best you can and you say your question as quietly as you possibly can.

“I didn’t catch that, Kitten.”

You say it slightly louder now but still not enough and you can feel the deadpan look he is giving you.

“Howdoyouknowifsomeoneisromanticallyinterestedinyou?”

It’s all a bunch of gibberish, you had been far more confident of your assessment of his feelings when you were both walking and he was holding your hand. That would have been a really natural transition into discovering this question without any anxiety, but now you’ve had time to think about it and overthinking is the enemy of success.

And love, evidently.

“How they treat you, I suppose.”

“What do you mean?”

“Well, sweetie, when someone is interested in you romantically, they may do things like hold your hand, call you pet names,” he says with the slightest bit of humor, “go to the movies, buy you gifts, play the Claw Machine until it’s dark outside and the arcade owner has to finally kick you both out. Maybe even play kitty cards in spite of losing almost every match because their opponent is a cheater.”

“I am not a-“

Your brain does a hard reset as you begin to realize what he is trying to tell you.

Sylus is telling you ‘yes- I am romantically interested in you’ and the dumbest, biggest smile ever on your face.

“Was that the answer you were looking for?”

You nod, suddenly feeling shy, “yeah- that was exactly the answer I was looking for.”

The rest of the ride is quiet with one of his hands on the steering wheel and the other on your thigh. You watch as the city quickly turns into a distant dream and Sylus’ safe house, not to your surprise, is very very large and it does very little to calm your nerves.

“I see owning multiple properties can be quite handy. A smart crow always has a few tricks up his sleeves.”

“The same can be said about having multiple slippers.”

You turn to him and stick your tongue out playfully, “ha ha, very funny.

“This safehouse doesn’t happen to warm up, does it?” your teeth begin to chatter slightly and your bare legs are littered in goose bumps, “it’s colder than hell in here.”

Sylus rolls his eyes at you, but begins to walk towards the fire place.

“It is snowing outside.”

The warm hues of the fire illuminated the room and reveals several boxes scattered about, some opened and others not. The rest of the house looks similar to his main house, but maybe slightly more scaled down. It’s beautiful and it has a great view of Linkon and the mountains behind it. It’s almost easy to forget this is a safe house and not a vacation home.

“I’ll leave after dawn. You should stay here for a while.”

You turn with a scoff, “I know your ‘territory’ is pretty safe, but as I said, a hunter doesn’t like being passive.”

“Really?”

You choose to ignore him- knowing all too well that he will suss out your plan to join him on his dangerous little adventure. There isn’t a single thing in the whole world that could convince you to stay here otherwise, but Sylus has his own ways of ensuring things go the way he wants and you don’t feel like waking up handcuffed somewhere for your own safety.

“What’s with all the gifts? I didn’t think you celebrated Christmas.”

Sylus chuckles, “I don’t, sweetie. I held an… ‘appraisal salon’ not that long ago.

“Would you like to take a look?”

It honestly is kind of like being in a candy shop, but the candy shop is the black market and instead of delicious treats, they sell guns and while guns are cool (when used appropriately), they certainly aren’t helping you get Sylus any closer to the bedroom than you were five minutes ago.

“Look at these bad boys!” You hold the unwrapped vintage gun, “this is a classic piece and very difficult to find.”

Then a stroke of genius occurs.

“Let’s have a contest,” you flash a cheeky grin, “whoever can disassemble their gun first gets to ask the other any question they want.”

“You truly are relentless.”

And of course Sylus agrees because he’s Sylus and he loves a good challenge. However, you are extremely determined to be the person asking the question and you know this specific gun quite well. You and Caleb learned how to shoot using these guns and you could disassemble it by telling it to.

The gun is pointed at Sylus’ chin right as he is about to finish putting together his own weapon. You eat up the delicious grin on his face. It makes you feel empowered- he makes you feel empowered.

“First- say the thing.”

He rolls his eyes and gives you a soft smile, “I like your confidence and your determination very much. Now go ahead, ask your question.”

Uh oh- you hadn’t actually thought that far ahead.

“I’m sleepy.”

WHAT ARE YOU EVEN SAYING RIGHT NOW?

Sylus looks a bit perplexed and you cannot blame him- you need to fix this NOW!

“Can you… tuck me in?”

“I thought a certain relentless hunter would ask about my destination.”

You shrug, “I care more about the present than an answer I won’t get. So will you do it or not?”

Sylus is suddenly swinging you up into his arms and you yelp in surprise, but it doesn’t seem to get the usual laughing reaction you thought it would. Instead, there is a heat in his eyes that you have seen before but could never place what he was feeling until you began to feel it too.

“Of course, Kitten,” his nose brushes against yours, “this request is way more powerful than that little gun.”

Every footstep closer to the bedroom is another step towards you having to be brave and you find yourself studying Sylus’ features as the dim light of the hall lamps barely kisses his features. He is so beautiful- you could probably study him forever and find more things you adore about him.

He catches you looking and he returns your smile of adoration- flinging your shoes to the side and going to set you on the couch to quite literally tuck you in.

And ACTION!

“I’m not ready to lie down just yet.”

Sylus cocks an eyebrow, “if you don’t want to lie down, I can keep holding you until I leave.”

“What if I don’t want you to leave?”

Your question hangs in the air and it’s hidden meaning seems obvious to you, but then Sylus puts you down on the ground and you realize he may have missed the actual meaning of your words. Is it that unbelievable that you would want to have sex or are you doing a magnificently poor job of conveying that point?

“We better make the most of our time until dawn then.”

In the spur of the moment and desire coursing through your veins, you find the courage to push him down onto the couch behind him. With a gracefulness you have never been able to execute before, you straddle him and the way his breath hitches makes something inside you break.

Sylus’ face is an adorable and sexy pink and his breathing becomes more unsteady in your clumsy hands.

When your lips finally touch his, it feels as if you have been asleep your entire life until this very moment.

Your fingers find purchase in his hair and Sylus pulls you into him- his fingers surely leaving bruises along the back of your thigh. The kiss is filled with passion and desperation- his skin feels like it’s on fire under your touch and every moan against your lips sends shockwaves through you.

“You really don’t want me to leave.”

To emphasize his point- you tease his lower lip between your teeth that makes him feel absolutely feral.

“S-Sylus,” you pant between kisses, “over there.”

You anticipated him to be a bit rougher, maybe throwing you down on the bed or something, but he lays you down gently like you are a precious, fragile gift. His hands are firm and confident as he cradles you, needing to have you as close as physically possible.

Your clumsy hands make quick work of the buttons on his shirt and loosening his tie. Your hands glide across his chest and your nails gently graze your territory- one of your nails taking the time drag across his nipple. Sylus bites your lower lip in response, his hips grinding into you, and the growl that claws it’s way up his throat excites you. Your heart feels as if it’s beating out of your chest by the time he pulls away and (not so gently) takes of your shirt.

The cool air is a stark contrast to the heat you feel on the inside- Sylus roams your bare chest and core with his eyes, his fingers hooking into your pants and pulling them down. You help by lifting your hips at an embarrassingly fast pace.

“Looks like we are on the same page with not wanting to waste any time.”

He crushes his lips against yours again, leaving bruising kisses on every inch of skin he comes in contact with. Sylus returns the favor from earlier, his practiced mouth circling your nipple with care. His tongue flicks and laps at the sensitive skin and his teeth are quick to follow, leaving love marks and spit littering your skin before making his way to the the other.

You are mesmerized as you watch him- your core wound tight and dripping with need at the sight of him worshipping your body. Leaning back, you close your eyes and enjoy every single sensation.

You have soaked the bed underneath you by the time he makes his way between your legs- you are so caught up in his silent worship that you can barely focus on the task at hand.

Strong, corded arms pull you to the edge of the bed and you jolt from your bliss filled daze- and God are you grateful you have. Sylus looks beautiful between your legs with his cocky smirk and pink cheeks- his warm breath lingers on the sensitive skin between your thighs.

With your legs slung over his shoulders- Sylus licks a stripe along your folds and ends at your clit, circling the sensitive nub and making lewd noises that you have only ever heard in porn. No one has truly, properly gone down on you and when they have, it always seemed like a chore.

“Sy-Sylus, you don’t have to if you don't wan-”

You are cut off when he sucks on your clit, his tongue taking the time to tease the nerves and leave you a whimpering mess.

“I’m not doing anything I haven’t thought about doing for a very long time now,” he kisses along the inside of your thighs, “now stay focused, kitten.

“Don’t look.”

One of your hands tangles in his hair and the other twists into the sheets. Sylus feasts and laps up your pleasure, his face covered in your essence and his nose breathes in your heady scent with happy, deep hums. His large hands roam your body, keeping your hips down and your legs clenched around him. They eventually return to your sore nipples and those practice, cold hands, become warm and attentive. He gropes and squeezes your breasts in time with his tongue as it darts in and out of your heat, his nose working to keep your bundle of nerves stimulated.

“Sy-” you clench your legs around his head tightly, a string of curse words leaving your mouth, “f-fuck- I’m, I’m-”

Sylus’ fingers dip between your folds and his tongue returns to your clit. His other hand holds down your hips as his fingers drive you to your first orgasm of the night. Your moans are shrill and untamed- embarrassing almost- but the more you sing for him, the harder Sylus works to get more and more of those pretty noises out of your mouth.

When he finally comes up for air, your pleasure is dripping from around his mouth and down his chin. Crimson eyes make eye contact with you and he brings his soaked fingers to his lips- shamelessly savoring the taste of you on his skin.

You can barely contain yourself when he begins to crawl along you- your greedy hands using his hands to pull him to you faster. Sylus gazes at you adoringly and you are overwhelmed with your own affections for him. You went from hating him to loving him, desiring him, and at least for tonight, he is all yours.

“What are you thinking about?”

Mindlessly, your hand cups his cheek and your thumb traces the spot where a scar should be from your first encounter.

“Am I being too greedy… if I ask you to keep your eyes only on me?”

Sylus almost looks relieved by your words, grabbing your arm and leaving a plethora of kisses as if to reward you for being open with him.

“You always had that right,” his warm breath and deep tone sends goosebumps of excitement up your spine, “which means… you can be even greedier. Do you want it, kitten?”

Your breath catches when you realize what he is insinuating and you blink a few times before nodding. He smiles and leans down, but you stop him momentarily. Your mind feels like it is going a thousand miles a minute as you run through every negative outcome. What if you are really bad in bed? What if he decides he doesn’t want to be with you or bother with you anymore after you share such an intimate moment with each other?

“Sylus-”

“You haven’t changed your mind, have you…? You just said “yes?” his voice is desperate, “I’m hoping yes is still your answer because… I just can’t hold back anymore.”

A wave of want and need flows through you, but before you can continue, you want to make sure this isn’t the beginning of the end.

“If we do this,” you whisper, “if we have this intimate moment together- you can’t just disappear on me. I want you, Sylus. Now and tomorrow and everyday after.”

The Onychinus leader blinks a few times before the largest smile paints his face.

“Oh, y/n,” he sighs against your lips, “you have no idea how long I have wanted to hear you say those words.”

Sylus kisses you deeply, his lips caress yours and your hands explore each other- your nails make designs in his back as you try to keep yourself as close to him as you possibly can. Sylus’ clothed crotch is stained in the mess between your legs while he rocks his hips into you. His hand is tangled in your hair and the other is pressing you flush to his sweat soaked chest. The kiss only continues to deepen in passion and need- you barely get him to let you take a moment to breathe.

“He-hey- no biting here,” you tease, pulling him back by his hair after he nips the skin on your neck a bit too roughly.

His pupils are blown wide with lust and pent up frustration, “First you want it rough, then you want it soft. You’re a tough one to please tonight, y/n.”

You are lost in the depths of his eyes and the pooling of emotions behind them. You forget to breathe until he breaks eye contact to leave soothing kisses over the bite mark.

“What do you really want?” he uncharacteristically pleads, “won’t you tell me like you just did?”

While his voice may be innocent, you are far from believing this act. With a smirk, you use your strength to roll him on his back and your hands intertwine with his- keeping them pinned to the bed. The look of surprise on his face is refreshing, to say the least.

You lean down and kiss him slowly, nipping at his lower lip and eating up the breathy chuckle he releases.

“I told you a hunter doesn’t like being passive.”

“So you want control?”

You nod victoriously, certain you are going to be the one in control tonight. Sylus returns your confident smile with one of mischief before he somehow pins you down in the spot he was before.

Sylus chuckles deeply, “Unfortunately, I can’t give it to you. Not yet, at least.”

Before you can inquire about what he means, you feel the pressure of two of his fingers sliding inside your wet cunt. An open mouthed, guttural moan leaves your lips and Sylus just watches- his other hand holding your chin so he can make eye contact. He wants to see your pleasure and know he is the only one you are thinking of- the only one you are seeing.

Sylus wants you to know- no, understand- that you are his, not anyone else’s.

“Sy-sylus,” you plead, “pl-please I ne-”

“Don’t run.”

Your back arches upwards and you try to pull away from his hand when you feel a warm wave gush and soak the sheets beneath you. Sylus doesn’t relent and quickly coaxes another orgasm from your shaking body.

“Yo-you’re… so annoying…”

“I won’t deny it,” he crawls off of you with a grin, “I guess you can say I lied. Tonight, you’re not the only one feeling greedy…”

Sylus unzips his pants and pulls down his brief- his cock springs free and slaps against his lower ab muscles. Your mouth is watering in anticipation at his size- of course he’s perfect. He’s Sylus.

He climbs back on the bed and pulls you closer to him- the head of his cock presses against your folds and you feel yourself clench around nothing.

“I misspoke.”

“What…?”

Is he changing his mind?

“Greed can never be satisfied,” he places your hand on his chest, your hearts beating in sync, “but you can temporarily soothe it.

“Say it again, y/n, do you want it?”

Time feels like it stops completely when his eyes meet yours. Your devotion and adoration for each other is magnetic- an unspoken magic between both of you. Your fingers lace themselves in his hair, pulling him to you and you take your time to kiss him slowly, reassuringly.

“This is my answer.”

Whatever lust and want that had been held back erupts within an instant. Sylus crushes your lips with his and he slowly glides himself inside of you- your legs tighten around his torso and your whine of pleasure interrupts the heated kiss.

“F-fuck, y/n.”

Sylus’ pace is both gentle and punishing- you can feel him trying to be gentle, but the more he holds himself back, the more you want him to let go.

“Let go, Sy,” you whisper, “I’m yours.”

His hips set a punishing pace- your collective sighs and moans are the melody to the filthy sound of sex soaked skin and your hips meeting. His tip grazes the opening of your cervix and his abs stimulate your aching clit. The spongy sensitive spot inside of you is relentlessly stimulated with each movement.

“Such a good girl,” he growls into your ear, “fuck you’re so tight.”

Your only response to his praise is pathetic whimpers and cries. It doesn’t stop him- if anything, he only begins to praise you more. Sylus is wrapped up in the moment and wants nothing more than to stay in this moment with you forever. You are safe and in his arms- he is finally reunited with you in body, mind, and soul and this spurs him on more, his cock driving into you harder and harder and his hands digging into the flesh of your ass and hips to keep you in place.

You cling to each other, lips and teeth clashing against each other sloppily as you both lose your composure to the others’ wanting. Your velvet walls clench around him desperately and your fingers try to find purchase on his back, in his hair, anywhere as your orgasm overtakes you.

With a few more rough thrusts, Sylus stutters inside of you and thick ropes of cum coats the inside of your walls and fills you to the brim. He lays on top of you with very little of his weight, his face in the crook of your neck. Sylus leaves soft kisses along your neck and sings words of praise that you can barely register.

At some point, he gets up and you hear the bathtub turn on and the soft padding of feet. Sylus’s strong arms cradle you- taking you to the now filled bathtub that is more than big enough for two.

You straddle his lap so that you can face him. Sylus kisses you slowly while he cleans you- pouring water on your hair, scrubbing your scalp, cleaning the sweat along your shoulders and on the back of your neck. You return the favor, taking your time to make sure he can feel all the love you have for him and how much you care for him.

He helps you lotion and brush your teeth- at no point do your feet ever actually touch the ground again. Sylus sets you on the couch in one of his shirts and begins to change the sheets.

“Do you want some help?” you offer, your legs sore, but not wanting to be too much of a pillow princess.

Sylus rolls his eyes at you, “I’m capable of tackling this mission on my own, sweetie, but I will let you know if another pressing issue arises.”

You scoff playfully and wait for him to finish making the bed. Sylus picks you up and places you on the bed, you snuggle up next to him as soon as he lies down and, much like when you were in the grasslands, you lay your head on his bicep and he pulls you closer to him. You have never felt quite so warm or safe in your entire life and your resolve only hardens further.

You cannot allow Sylus to go by himself into the jaws of danger. You refuse to.

You turn and kiss his bicep, settling deeper into his arms.

“Good night, my clever Crow,” you say with a yawn, “remember not to steal the blanket.”

He snorts, “I will try my best, kitten. Now get some rest- I’ll keep you safe.”

You nod- knowing in your heart that you will always be safe with Sylus around- and let sleep take you. You have a long flight and some ass whooping on the agenda tomorrow, after all.

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jarenka · 2 days ago

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tags by @gffa

(sorry for using your tags for that rant about translations, don't feel yourself obligated to answer or something like that)

I don't want to disappoint you, but there are many edits in English translation of The Three-Body problem. I assume you can learn more about them here (I don't have access to an article itself) and also here Ken Liu says that he updated some outdated info. I don't think it's bad itself if done in a tandem with an author, but original and the translation will feel different. The Chinese reader would say that The Three-Body Problem has a natural prose flow, sexist language and uses outdated info from 2006, the English reader would say that The Three-Body Problem has unusual prose (honestly, I don't know, my knowledge of English is not enough to make judgments about qualities of the prose), no sexist language and uses info from 2014.

For me this approach that it's ok to edit the content of the book but the reader should feel that they read a translated book feels very performative to me. Honestly my first thought after reading this post and various tags was "Yes, guys, only 3% of your book market is translated literature, so you want to feel really special while reading Exotic Foreign Literature". But also, what kind of "rhythm of another language" you all are taking about? It's not that I don't know any other languages other than my own (I write this in a foreign language), but there is no specific "rhythm of the X language", literature in any language is very diverse in rhythm and style. Do you feel like Dickens, Sara J. Maas and Hemingway have the same rhythm and cadence because they all write and English? Transporting the style of the prose into another language is a very tricky thing. Ironically, I know one Russian translation that spectacularly failed at it. The Catcher in The Rye was translated in English in USSR and unfortunately was censored, so in 2008 another translator attempted to translate it, and this translation was... controversial. Imo, it was just absolutely horrendous in its tone and style. It sounds like an attempt of a middle aged Russian dude who has never spoke with a teenager in their life to write from POV of the edgy teenager.

Yes, literary translation is a big can of worms, and every translator choses between different strategies of translation what book and for which audience they translate. And some things are untranslatable at all.

For example, regional dialects. For example, German and (British) English has super distinct regional dialects, so people in different cities in Germany and Britain speak very differently, people in different cities of Russia speaks almost identically with very minor quirks in some regions. There are more difference between Russian speakers in rural areas, but even of we use these differences German guy from Bavaria speaks like a guy from the village near Tver. Cockney dialect is absolutely untranslatable to Russian.

Same goes to some artistic effects. The beginning of the War and Peace novel is (in)famous for dialogues in French. They amplify for Russian readers how actually common for Russian aristocracy to speak in French. But when you translate it into French, what are you going to do with them?

(I mean yes, you won't translate it, but the artistic purpose of these paragraphs is lost in French translation)

The same with Russian translation of A Clockwork Orange. It has slang in Russian that is supposed to alienate the reader, but in Russian translation they are just Russian words written in Latin alphabet, and they are completely understandable for Russian readers.

Some jokes are untranslatable. Some set expressions might have significance for the plot/dialogue, so translator need to use a footnote to explain this nuance for the reader.

Anyway as someone who read majority of books and translation (which is normal for avid Russian-speaker reader) and specifically goes out their way to read mystery/thriller and literary fiction translated from different languages, I feel like linguistic aspects of foreign literature is just a miniscule point of my interest. Yes, I find out about Finnish slang word for lesbian, but overall it's more interesting to see what people in other countries are writing about. Of course my experience is severely skewed by the fact that book should be translated into Russian for me to read it, but they are still books that are written for an audience in another country and about things that are interesting and important for them. For example last year I've read three books by French writers of African decent, all with different plots but with similar themes of French colonialism and relationships between France and its (former) colonies. I just don't think that you would be ever able to read from this perspective if you don't read in French or you don't read books translated from French.

"The best translations into English do not, in fact, read as if they were originally written in English. The English words are arranged in such a way that the reader sees a glimpse of another culture’s patterns of thinking, hears an echo of another language’s rhythms and cadences, and feels a tremor of another people’s gestures and movements."

— Ken Liu, Translator’s Postface to The Three-Body Problem

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neurospiczzzziee · 2 days ago

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Blitzø is actually really good at Art

From an Art Educator Perspective

Okay so I saw some posts on Blitzø actually really enjoying art and that being his passion other than horses. I don't know if in the fandom we have had this consensus or if this is a hot take on my part, but Blitzø is actually really good at drawing.

You may ask why I know this and why I am so confident?

My credibility: I literally specialize in it.

I am a professional artist. I am a High School Art Teacher, who got their degree in art education and attended a well acclaimed art school.

(Self-taught artists are extremely valid and you do not need to go to art school to be an "actual artist". I am bringing up my background to show that I have a lot of knowledge of the development of fine motor skills and the ranges of art abilities and how to further improve them.)

As an educator, if Blitzø was a student and I saw Blitzø's drawings/doodles I would automatically recognize that he was actually advanced in abilities. Based on looking at his drawings I can tell if he were to actually take his time and focus on something he could create really beautifully detailed/rendered artwork.

You may ask how I know this??? I'm glad you asked.

THE AMOUNT OF LINE QUALITY THAT IS DEMONSTRATED IN BLITZØ'S DRAWINGS IS INSANE.

✨Art Lesson time✨

Okay so everyone learning to draw goes through the necessary stages of development

I'm just going to give humans as an example because obviously this is a fictional demon we are talking about.

Generally everyone goes through these stages as they grow and work on learning to draw. (Prodigies are extremely rare and I've only seen one once)

Art skills are like a sport. You need to train in order to develop fine motor abilities and control in your hands. The more you draw and do art the more you gain control of your muscles. It takes a lot of time and years of work to improve.

When a person's fine motor skills aren't as developed their lines tend to be shaky and they have less control. The more a person draws the better their line control becomes.

(Think of when you were little and you were first learning how to write)

The way I can tell how advanced Blitzø is, is through his line quality.

Now what is Line Quality?

This is a screenshot from this wonderful article

So in Blitzø's artwork he very much illustrates good Line control, force, thickness, and fluidity.

Okay first of all I want to Mention

THAT BLITZØ IS DRAWING IN PEN. You can tell this because different parts of the Calendar are crossed out with his scribbles. Also anybody with a calendar knows you have to write with a pen.

LOOK AT HOW CLEAN, FLUID AND CONFIDENT THESE LINES ARE DESPITE THAT HE IS DRAWING IN PEN!???

My assumption is that Blitzø is not using a reference for these drawings. You could make the argument that he has photos for M&M, Loona, and Stolas; however, he definitely does not have a photo of Striker.

I want to mention how dynamic of a pose he is drawing people in. He isn't avoiding hands at all. All of the hands are relatively accurate (Strikers especially).

In these drawings you see variation in line weight meaning parts of his lines are thicker to thinner. So Blitzø is purposely pressing harder and lighter to show variation and depth. His lines are very clean. I don't see repetitive Stokes and lines for the shapes. He is really confident with his mark making and you can tell because his lines aren't shaky at all.

By looking at his line quality and how clean it is you can tell he drew it quickly.

Not to mention he actually has a huge range of items he can draw confidently including and not limited to horses, weapons, leashes, cars, demons, and of course genitalia.

Blitzø isn't what you call a one trick pony 🐴 when it comes to what he can draw.

You can see this skill demonstrated in his other doodles.

You can even see this ability demonstrated in his drawings on the whiteboard

Okay anybody who has drawn on a whiteboard knows that they are difficult to draw on.

Whiteboards smear and are very streaky. In this photo you can tell where Blitzø made a mistake or changed information. Notice that none of his drawings have any smears. That means he did these drawings in literally one take.

I also want to mention his drawings in spring breakers. He is speed drawing directions and illustrating a plan perfectly to his employees.

HE IS LITERALLY RAPID FIRE SPEED DRAWING HERE

His drawing of Veroskika which he DREW FROM MEMORY.

Demonstrates the following:

Line control, Line Confidence, Line Fluidity, Variation in Line weight, and still has relatively correct proportions!?

Basically shut up MOXIE?!!! He did a good job!

Why have we not seen more detailed Blitzø artwork?

Okay so I as we know in the show Blitzø puts his doodles everywhere. So if he is good at Art why isn't he showing his artwork he spent a long time on????

The answer: he's insecure

Showing someone your art is a very vulnerable action. This is especially true if you spent a long time on it.

If someone doesn't like or makes fun of your doodle you can brush it off and be like well it's only a sketch and I did it in under 5 min.

It's a lot easier to show someone a silly little horse drawing you did than something you poured your heart and soul into.

We already are aware that Blitzø is insecure and has self-esteem issues. He literally covers his face in the photos of himself throughout his apartment. He is a very guarded individual. Of course he wouldn't show people the art he spent hours on. What if people reject them? They judge him for spending that much time? What if they see how much he actually loves them?

Blitzø feels like the kind of person who would crumple up or destroy his art that he spends long amounts of time on. It's a way of self-sabotaging yourself and further self-loathing.

Now do I think he has these hours long art pieces/drawings????

ABSOLUTELY

My guess is that Blitzø most likely has a hidden sketchbook. Artists tend to draw their loved ones and especially their children and partners.

There is no doubt in my mind that Blitzø hasn't been doing long observational drawings of Stola's especially when he is sleeping.

He has most likely been drawing Loona all the time. Why do you think he takes all the photos? Those are his references. He has probably been drawing detailed artwork of his loved ones this whole time (and of course horses too lol).

In conclusion

Blitzø actually can draw really well because his doodles demonstrate high levels of skill in line quality.

Going forward I would really appreciate if someone actually finds Blitzø's sketchbook or portfolio of his artwork he spent large amounts of time on. It would be really cute. It would be adorable if Loona or Stolas found them.

Blitzø could gain more confidence and put is artwork he really cares about on display 🥺

I also just want Moxie to find out and eat his words. (Guys I swear I don't hate Moxie 😂)

Thank you for joining me here today on my Ted talk on how I think Blitzø is actually a talented artist. I'm just an art teacher who has problems with how much helluva boss lives in rent free in my head.

#helluva boss #blitzø #helluva blitzo #stolas #helluva theory #stolitz #blitzo is an artist you cannot tell me im wrong #blitzo doodles #helluva boss lives rent free in my head #art teacher analysis #Could you argue that they are good drawings because the artists who made the show know how to draw? yes. but this is a way more fun idea #YOUR GOING TO LOOK AT ME AND TELL ME IM WRONG??!!

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sandyca5tle · 1 day ago

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Was having a semi-serious conversation with some friends, and accidentally found myself quoting RWBY in a way that actually helped the discussion at hand, which got me thinking, there's a good few lines in RWBY that are just generally good things for life, so i decided to write a post about it 'cause fuck it. Some'll have commentary some are self explanitary enough. "I'm not any one thing, I'm somewhat of a lot of things" - this was the one that actually sparked this, was talking about identity with a friend, and found this quote very applicable - you don't always have to neatly fit in a box, you can be somewhat several things at once, if that's what fits for you. "Well that embaressment, that desire to go back and tell yourself not to be so stupid, that just proves you're not the same person you used to be. And you're not done growing yet" "You don't have to look cool all the time"

"Of course you are [a real girl]. You think just because you've got nuts and bots instead of squishy guts makes you any less real than me?" - This is less a general life lesson, but more of a 'just because someone is different to you, doesn't make them/their experiences any less real'. And obviously there's the trans angle on this, not being a 'real girl' is an anxiety many trans girls have struggled with, or is something people throw at us to put us down. But just 'cause we're built a little different than cis girls, doesn't make us any less girls "Pyrrha thought that, if there was even the smallest chance of helping someone, that it was a chance worth taking" "I'd be lying if I said that it didn't hurt, that I didn't think about them everyday since I lost them. That I didn't wish I had spent more time with them. If it had been me instead, I know they would have kept fighting too, no matter how dangerous it was, so that's what I choose to do. To keep moving forwards." - Mostly putting this here 'cause it's always nice to have a talk like this regarding grief/loss, and yeah, i just think this is nice and fairly honestly reflection of how a lotta people feel when they lose someone, coupled with the adivce to keep moving forwards. "I'm not asking you to stop. Just please, get some rest, not just for you, but for the people you care about," - I like this one 'cause a) self care is important bitches! Burning yourself out isn't gonna help whatever you're trying to do and b) hurting yourself like that is also gonna hurt those who care for you, 'cause no one wants to see those they care for suffer. So remember to take a break from time to time. "You think you're being selfless, but you're not. Yeah that chameleon friend of yours got me pretty good, but I'd do it all again if it meant protecting you... and I promise Yang would say the same. You can make your own choices sure, but you don't get to make ours. When your friends fight for you, it's because we want to, so stop pushing us out. That hurts more than anything the bad guys could ever do to us," - Obviously the parts about fighting can be taken a little more metaphorically for everyday life, but I like this quote 'cause yeah, the people who are there for you *want* to be there for you, so deciding that you're a burden on them and hiding away/pushing them away is gonna hurt them because they *want to be there for you* - don't decide something for other people. "My losses, my failures, those, more than anything, are what have shaped me into who I am; showed me how I need to grow. If there's something I'm missing it's not because I've lost it, it's 'cause I haven't found it yet" - I just think this is a beautiful line. We've all wished at moments to undo the mistakes we've made, however those mistakes made us the people we are now. And yeah, I love the idea that something you're missing is not because you lost it, it's because you haven't found it yet. "One small kindness, in one small moment, lead to such a marvelous transformation, just like one act of dishonesty caused an unfortunate change" - Reminder that even small actions can mean a lot to others "What happens if I chose me?" "Then maybe, that girl is enough,"

But yeah, all of this to say I love RWBY, it has so many amazing and emotional moments and yeah, if you haven't given it a watch I would highly reccommend (and if you've heard bad things, i'd maybe give it a watch yourself first, a lotta people like to hate on the show in bad faith). But yeah, love RWBY and love all the wonderful moments and messages within it

#rwby

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fitzjamesbulletwound · 3 days ago

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if you ever wanted to hear my every thought on fitzier you're in luck because here it is! this is extremely long so it's going under the cut and if you read it all, i love you

fitzier- shame, performance, and the freeing ordeal of being known

oh man okay here we go everyone, if this sucks or is too stupid or too anything feel free to kill me

essentially what i want to try to convey here is that the reason crozier and fitzjames go from enemies to friends to lovers is because they both see each other and see themselves in each other in a way that frightens and compels them, hence the early enmity with a tinge of familiarity and desperation to connect thrown in. with the inevitable evolution of their relationship i really think it becomes about learning to be vulnerable with one another, to give each other space to be who they need to be, both to each other and their subordinates, and finally coming to a point where fitzjames, the most performative insecure character in the story (to me), bares his entire soul to crozier, whose own character development allows him to give james the gift of acceptance and compassion in that moment. i’m not going to go episode by episode like i did with my joplittle post but this is more or less in chronological order with maybe a few exceptions idk i get possessed when i write this stuff

the first scene we’ve got to look at is of course the dinner scene. james is absolutely showboating like no other in this scene but in his body language you can see he isn’t confident at all- fidgeting, gesturing, exaggerating, the voice he tends to put on in early episodes prevalent. but when crozier interrupts him you can see for a split second that james was actually excited to get attention from him until he realizes what he’s saying. in the early episodes james craves crozier’s attention and approval so badly because he knows that crozier doesn’t bullshit and he sees things for what they are and isn’t afraid to voice that either and despite the fact that this sometimes makes james uncomfortable as it is not in line with victorian ideals of emotional expression and masculinity, i think james, given the kind of man he is at the start of the story, craves the recognition of a man who he knows would see everything in him. early early early foreshadowing and story weaving for the cairn scene where he realizes “he can tell this man anything. it is possible”

what i also find fascinating about early james and francis is that they still refer to one another in a very familiar way despite the fact that they openly dislike each other- it’s always first name basis even when they’re arguing. also interesting to note that crozier in the beginning will often call him “fitzjames” in front of others when he’s discussing him when he’s not in the room, but later on he makes sure to always use his proper title when he’s talking about him in front of the men- showing james respect even when he dislikes him. i think he doesn’t understand at the time that james’s familiarity with him is an attempt at respect as well (the whole ‘don’t ever call me francis again’ scene). it might be a stretch but i do get the sense that from the very beginning they both tried at being friendly, even just for the sake of maintaining order in command.

when francis says “here technology still bends the knee to luck james” in ep 1 he says it with almost a mentor-like cadence. like yeah they’re both being a little bitchy here but god knows franklin wasn’t giving fitzjames any real or pertinent advice about surviving and navigating the fucking arctic so i find it interesting that crozier almost gently reminds him that yeah they’re making decent progress but that it would be foolish to let their guard down

one of my favorite early fitzier scenes is after dinner when crozier, franklin, and fitzjames are all on deck and fitzjames like sidles up to crozier and looks him up and down and just goes “goodnight francis” with that smirk on his face- he was trying so hard to flirt with him while also being an insufferable bitch with “try to shake the brown study”. but also james lingers so long waiting for francis to say something to him and then shakes his head and walks away to go bitch to franklin about him- i think he is truly hurt in this instance along with being angry and annoyed. and i love that complication because on one hand, i do think that fitzjames thinks that crozier owes him friendship or at the very least recognition because of who james believes himself to be, or at least who he’s trying to be- like he DOES probably see crozier as being beneath him as an irishman but i do think he genuinely wants his friendship and approval as well, for self serving reasons but not entirely. it’s about fitzjames and his desire to be seen by everyone around him in a certain light but also about his desire to be seen specifically by crozier because of who crozier is and how he acts in contrast to everyone else around them

next on the agenda is “dramatic opening shot”... fitzjames girl you are the most dramatic man in the fucking room. the projection is crazy. what this scene reveals most importantly i think is that another thing about francis that james is secretly very envious of is his ability to openly disagree with franklin. there are so many moments later on where you can see that james doesn’t fully believe in what franklin is saying or commanding (the way he looks at him when they realize they are trapped in the pack, the ways he looks at him when he tells fitzjames to escort silna off of erebus right after her father has died) and i think that he envies francis’s ability to challenge franklin and not care what the consequences are. anyway the staredown during this scene is crazy, the tension??

moving on… beginning of ep 1 crozier says “not if fitzjames is with us” in reference to jop saying dinner will be over before he knows it, and at the beginning of ep 2 fitzjames says “do you think francis will honor us with his presence today”- for two people who allegedly hate each other they sure do think about each other and find reasons to bring each other up in conversation a lot!

ahh the scene with silna’s father- fitzjames is so interesting to me in this scene and really illustrates one of my favorite things about him in the earlier episodes which is that when he goes silent his face journeys are amazing and really convey his true feelings that he won’t say out loud for various reasons. he watches crozier so much in this scene and looks to him for understanding and guidance which is also interesting because i do think that in this scene he’s watching silna, a woman who he probably sees as subhuman and alien, reacting with such grief and tenderness to her father’s death and probably thinking of his relationship with his own father. i know a lot of people speculate that he was just feeling empathy for her there and i do think that’s part of it but i think that to show that in his mind would be to out himself as being “not fully english”. i think i make this point later on in the story too but fitzjames really does that classic white supremacist thing of distancing yourself from “otherness” in order to align yourself with imperialist beliefs and status- he does it with silna and he does it with crozier. sorry this is also turning into my fitzjames character study lol.

the scene where crozier walks out after his big blow up with franklin… i get that james really didn’t have any place to try to hide the fact that he was eavesdropping but i find it so interesting that he decides to turn to face francis and look him directly in the eye. from what we can see of his expression i personally think there was at least a small amount of sympathy there. another attempt to extend friendship and familiarity while actively participating in crozier’s humiliation… god i hate him lol. and the face that james is making when francis first walks out before he turns around is contemplative, not like smug or triumphant or anything like we might expect given how much he seems to dislike crozier at this point. and francis looking back at him… there’s no anger there, just sadness and humiliation and it sucks. i would truly do anything to be able to see james’s face there, in the script it says that crozier can tell how much james heard from the look on his face which like??? could mean so much.

okay the face journey when francis walks into the erebus wardroom after sir john dies… his eyes stay on fitzjames who’s obviously extremely distraught and i wonder if crozier has ever seen fitzjames show genuine emotion up until this point? crozier then looks to blanky, who also looks to fitzjames almost as if to say “look at him, attend to him” and the sorrow and vulnerability on francis’s face when he looks again to james who is of course also showing a vulnerability we haven’t seen from him before. i love the note in the script that fitzjames isn’t used to being this candid or vulnerable in front of a man he doesn’t respect but he does it anyway. and i don’t think he knows how much sympathy crozier does have for him despite how callous he may come across when he says to send out the rescue parties. they both just fail so spectacularly at communication and expression early on, it’s crazy to see

when francis begins reading from the eulogy and stumbles over his words fitzjames gives him a very sharp look… i think he clocks his alcoholism starting to really affect him right away but may also be looking to see if the stumble is due to emotion or the alcohol. ugh and the look he gives him at the end too… it’s so piercing and there’s an anger to it as well. almost a “please prove me wrong but i don’t believe at this point that you will”. because for better or worse now they are linked, intertwined, married and they have to find a way to make it work.

ohhhh the fitzier dinner scene my beloved… “as i climbed the ridge” is such a parallel to james’s chinese sniper story scene!! AND this time it’s fitzjames who derisively interrupts crozier. The parallels, the callbacks… the look he gives fitzjames is crazy when fitzjames says “you should curb that for now” but what i find the most interesting about this scene is that the script makes a point to say that fitzjames was being sincere when he said that to crozier- there is care and concern there underneath the frustration and anger. and then it’s also wild that in that moment, fitzjames clearly reminds crozier of sophia. the way the narrative almost shifts to replace crozier’s love interest (sophia) with his burgeoning relationship with fitzjames is soooooo. i just love this scene because they are both trying so hard to be vulnerable and open with one another but they are both failing so spectacularly just like in the scene after sir john dies. they don’t have the respect and rapport between them yet to back up what they desperately want from each other- a connection. a camaraderie. leadership and capability. fitzjames tries to be sincere in his concern for francis but it is overshadowed by his frustration and anger towards what he views to be a sour outlook from crozier, and crozier attempts to be vulnerable with james by sharing about sophia only to be met with the knowledge that franklin has humiliated him yet again by discussing that topic with other people aboard the ship. and i think fitzjames does truly pity francis in that moment but it also frustrates him that that is the reason he’s here, for love, not for a yearning for adventure or glory- which i would venture to say is why fitzjames is there. fitzjames went on the expedition to prove his worth and francis went for love and they both ended up finding exactly those things from one another i’m dead.

oh and also why the fuck does fitzjames arch his slutty back against the wall when francis walks out of the room like that one scene in hannibal y’all know what i’m talking about. okay and i forgot about the way fitzjames jabs his finger at francis all up in his personal space which is just so unlike him. it is also worth noting that francis doesn’t get angry at this- he actually stills for a second and then continues to tell james what he was going to tell him. again there’s that strange familiarity they have despite the fact that they hate each other at this point. and that’s to say nothing of how they’re sitting in the first place which is so close to each other idk it just seems a little crazy to me?

i also find it so so interesting how james chooses to be honest with francis once he accidentally reveals that franklin discussed the whole sophia thing with him- he could’ve deflected and said like “oh yeah he mentioned it in passing’ or something like that but he chose to tell francis the truth of the conversation! francis really brings out an honest and candid side to james that we don’t see him put on for anyone else and i think it’s because deep down he knows that no matter how shitty, francis is always going to respect being told the truth vs. all of the obfuscating language that is so typical of the time. i think this is also why in the next episode francis insists that everyone leaves after he punches fitzjames and fitzjames is very resigned to it as well- they both know that it’s going to be ugly but they both want to hash out the truth of the situation for better or worse- like yeah they are at each other’s throats and they want the catharsis of screaming at each other because they’re so mad at each other here but i also think they crave honesty and candidness in their interactions- james because he feels like a fake and francis because it’s his nature- but both because it’s what they want from each other. and back to the dinner scene- just another look of genuine hurt from fitzjames when crozier says “keep your pity” plus the whole reason crozier even says that- i don’t think he expects pity from anyone at this point and doesn’t know how to respond to it.

in the scene where fitzjames says they should question silna about the creature crozier makes a point to say he agrees with him- he does this a couple of different times throughout the show and i think it’s a very small but important detail about how even when they aren’t on the best terms he makes sure to show james respect in front of the officers. and like yeah they end up yelling at each other here but i think that’s more james’s grief showing (again he shows emotion in front of/because of francis) and francis’s stress showing as well- that “we’re all exhausted” is very aimed at james but also an attempt to explain his own state of mind. they’re trying!!!!

the lashing scene- i don’t think we’ve ever seen fitzjames actually afraid of crozier but he definitely is here. he’s clenching his hands so hard throughout the whole scene and he keeps glancing at crozier as he allows the lashing to go on and even nervously gulps at one point. i think this along with crozier’s worsening addiction is a huge catalyst for where we find them and their dynamic in ep 5.

and speaking of which- at the beginning of the episode you can really see how their communication has just completely broken down. edward is basically bridging the gap between them and the resentment is growing. i know that the alcoholism is part of it, we can only assume that fitzjames started to keep his distance once he could tell it was getting bad, but i also think a lot of this is fall out from the lashing and how it affected the way fitzjames felt about crozier as stated earlier. and another aspect of the widening gap between fitzjames and crozier is how erebus is the very picture of order while terror is literally and figuratively falling apart

the fact that fitzjames told collins to watch out for crozier running out of alcohol on terror is further evidence that fitzjames was around a bit to witness crozier’s alcoholism getting really bad and isolated himself after that. he’s angry but he knows it was coming

ugh man the fight scene- the fact that james came himself, alone, to terror to talk to francis as a friend (straight from his own mouth in the script of their argument) about the alcohol issue. even though james is furious and stressed and shouldering the whole expedition, he still attempts to care for francis, it just ends up blowing up in his face and that’s when he lashes out. the way he says “francis” at first before crozier freaks out on him is in such a sincere and gentle tone and just the fucking genuine hurt in his face and his tone of voice when francis tells him to never call him by his first name again. fitzjames cared when francis was at his fucking lowest but still held him responsible and that’s love baby.

the body language is crazy when they’re yelling at each other or i guess when fitzjames is reading francis lol- and the way crozier can’t take his eyes off fitzjames when he’s telling everyone to get out. he’s so ready for this fucking throw down because both of them have been holding this in for so long. crozier is amped up but fitzjames is resigned to finally getting it all out in the open. he wants it to happen and he knows it needs to. even after getting punched in the mouth by him (i don’t think it’s any accident that fitzjames literally bears a scar from that punch and that it comes back open when he’s dying of scurvy) fitzjames still calmly tells everyone yes get out and says what he needs to say. i love the transcript of their argument because it’s so brutal but it really illustrates a kind of fucked up intimacy that we aren’t 100% privy to between them. crozier knows exactly what to say to james to hurt him- telling him he doesn’t have friends, he has admirers and that james has always been mad that he isn’t one, that james is a coward despite the fact that james is facing this down no matter what it takes in order to literally save crozier’s life; and james knows that all he can do is soldier through and lay the truth of what is happening on francis in a way no one else has dared to except for silna minutes before. james really goes out of his comfort zone- being honest and sincere and vulnerable for the sake of the expedition but also for francis. and i’m reading this back and wondering if i’m being too generous to james here but tbh he had every right to be this angry at francis at this point in the story!

ha fitzjames walks into the “i need to dry out meeting” looking all submissive and contrite… but for real his face is so open and entreating in this scene. he’s still annoyed but he wants so badly for things to go right. and you can see in francis’s expression that he is so ashamed to have to ask him

mmm and part of fitzjames coming to love and respect crozier is seeing jopson’s devotion to him in this scene… he’s never seen crozier be admired the way franklin was and i think this is a whole new way for him to see him. and just in general here i think that james “reshuffles everything he thought about the man” and he admires crozier for the way he put his humility and vulnerability in front of him finally and admitted to his wrongs, something i also don’t think franklin would ever do and didn’t ever do, to his and the entire crew’s demise. fitzjames followed franklin and looked up to him in the pursuit of his own vanity and the narrative he tells himself to cover the shame, but he learns to respect and love francis because he watches his evolution as a captain and as a man without any of the obfuscating that he’s used to from authority figures. he watches francis claw his way out of his own shame, the shame that drives him forward and i wonder what kind of ideas that gave fitzjames and how it influenced his own decision to share everything about his past with francis later

what i love about the opening scene of ep 6 is that we see how fitzjames’s leadership has been influenced by franklin and francis but specifically how he is acting more like francis- he does do a little bit of the whole “how dare you bring up anything unpleasant” thing when he yells at jirv for mentioning the number of men and when he does the whole “oh it’s just winter, we’ll feel better with the first sunrise, encourage the men with that” thing but it’s interesting because although we’re hearing echoes of franklin here, fitzjames is still trying to be more honest and open to feedback than franklin was. he doesn’t exactly take jirv’s advice on rationing but he does ration a bit. he is doing the whole toxic positivity thing with his “use that to encourage the men” line but he is also recognizing how hard everything has been for everyone and using an actual tangible event to lift spirits rather than referring to meaningless bullshit about god and country. and the simple fact that he seeks blanky’s advice and knowledge is more than sir john would ever have done in a scenario like this. he understands from blanky’s story about ross that he himself hasn’t been doing enough to combat the horror of their situation for the men, he understands that he must do more. even the way he asks ‘what do you mean’ when blanky says ross had no sympathy for the ill. to not care for the ill is an alien concept to him. tt’s so interesting because fitzjames occupies a space not dissimilar to francis’s- he has access and power in the hierarchy of the discovery service but, within his own mind, he is still an outsider. crozier on the other hand is a visible and tangible outsider due to his birth and his nationality. everyone can see it and i think that’s also part of why fitzjames is so antagonistic towards francis in the beginning- the projection goes crazy and in the true spirit of colonialism and white supremacy, james believes that if he can make himself as far apart from someone like francis as possible and align himself with men like franklin and barrow despite sharing way more similarities with francis than he does with them, he can succeed in upholding himself as the vision of victorian masculinity and social worthiness that he so desperately tries to emulate- this is what i was thinking about during the scene with silna’s father where he’s reluctant to fully show his (partial) sympathy to her

the line from the script that kills me is when it says a clock has begun for fitzjames once he discovers the blood in his hair… god it kills me, he knew he was dying for months. for literal months and who knows if he even told anyone but… i do think he had to have told francis at some point. it makes me so sick, it’s literally why the cairn walk scene happens- he knew he was dying, he knew it and one of the last things he wanted before he died was for someone to see him, truly see him flaws and mistakes and vanity and all before he died. and he wanted that person to be francis

gotta include the scene where james tells edward that francis was right about walking out- this is a huge turning point from ep 1

it’s so funny that when crozier and fitzjames see each other at carnival you can tell james is like “oh shit i’m in trouble” but crozier is just slightly amused seeing him like that and even though he finds the carnival strange and sees how reckless it was, he doesn’t chide james or the men about it even though that’s cleary what james is expecting. crozier empathizes with their longing for home and their need to do something happy and uses that momentum to tell the men about walking out and doing his best to reassure them about their chances. the way fitzjames looks up at him and nods along with him- i don’t think we’ve seen fitzjames look at him like that yet up until this point. he is seeing francis for who he can be as a competent captain and we are seeing crozier really step into that role. i also think that francis was relieved that fitzjames saw the urgency in walking out and that he wasn’t going to have to convince him the way he would’ve had to convince franklin. their leadership is finally syncing up here, built on humility (francis admitting he had an addiction and choosing to do something about it, fitzjames admitting how wrong he was about francis and his use of caution and logic) and respect (i do think crozier respected fitzjames for trying to build morale to the best of his ability and i think fitzjames respected francis finally behaving like the captain he needed him to be)

during the fire there’s a small moment where james is frozen- no doubt from ptsd which he deserves- and francis sends him ahead to look for an exit, telling him to go. he fucking loves him!!!!

poor fitzjames.. like yes the ghosts of his colonial past and all that of course which i will never not fully support him being subjected to but damn. and i don’t think he shrugs francis off because it’s francis or because he’s angry with them, he is punishing himself and francis sees that and lets him do what will help ease his own guilt and pain. tt is a moment of understanding between them i believe- fitzjames showing vulnerability in front of a man he now respects while adding another failure to his own personal checklist he keeps against himself (i can only imagine he does anyway). francis’s attempt to show him care and understanding while not undercutting his usefulness is also such an inspired choice for what he knows of fitzjames. you can really see the care starting to sprout between them here. i can only imagine what the rest of the winter was like but i feel like by episode 7, their dynamic has just completely changed, their entire vibe is different. and their love couldn’t have happened until they left the ships so it came at the worst and best time.

and by ep 7 their dynamic has just so completely shifted. even the fact that they are supervising the packing for the walk together and this may be real delusional hours but sending edward ahead to make the first camp instead of one of them going is a little interesting to me. i believe he’s technically the next in line for leadership after fitzjames but like did francis and james want to spend time together? with crozier finally dried out and knowing james’s time is almost up? them finally in a comfortable and friendly place? i love their conversation during the packing scene because fitzjames is voicing a concern to francis who calmly explains his reasoning and when fitzjames continues to press his own doubts they remain civil, familiar, acknowledge one another’s thought processes etc. a scene like this could NEVER have happened in episode 1 or 2. i looooong to know what they were like together during the winter after carnival

you all know i am INSANE about the fitzier hand holding scene, no one can match my freak on this. tt makes my stomach flutter every time i see it. it is my pride and prejudice hand clenching scene. first i want to acknowledge the quote from the script- “at one point, the only thing keeping fitzjames from sliding back into oblivion is crozier’s hand, but half the importance about the act is that fitzjames reached for it.” this KILLS me more than anything else from the script. and honestly at this point in the story i am becoming convinced that james told crozier about the scurvy, they knew the whole fucking time, they knew. they are literally marching to their deaths, against all odds still going, still trying and they are falling in love. the way james gazes up at francis in awe when he sees the offered hand and doesn’t stop looking at francis when he is up on the ridge. crozier doesn’t even turn to look at james, but he does make sure to stop and wait for him and extend the hand that he knows that james needs. Based on honestly even just this alone i am convinced that crozier knew about the scurvy already. there’s no fucking way he didn’t. and then the way james grabs francis’s jacket and holds on while they stare at each other, crozier smiling- it’s so interesting to me because it very much tells of finding an excuse to touch crozier again, as if he was so in awe of the touch that crozier initiated a few minutes before that he needed it again. he was trying to find a way to touch him again in that “this has to be acceptable by victorian standards of emotional and loving expression” way. and crozier accepts it! he smiles, he meets his gaze. there’s triumph there. and don’t think i didn’t fucking notice that the hand that francis keeps is the hand that held fitzjames’s hand and that also held his face when he was dying.

in the scene with morfin, as soon as crozier notices that james is there he makes sure to maneuver over to james so he can place himself between james and the gun despite the fact that he is unarmed and james has his pistol with him. i don’t necessarily doubt that francis would do this earlier in the story but i can say that he does this here as a selfless act of love and protection

and then the jop promotion scene yay the way james looks at francis with admiration and curiosity when he hands him the promotion letter to sign and the way james smiles at him when he reads it but not just because of that- but because of the words francis uses and the way francis is looking at him, saying someone “has earned our respect (looks to james), trust” and fitzjames smiles and nods- it’s not just about agreeing with him about jopson. this is how fitzjames feels about crozier now and the fact that crozier even in this small subtle way acknowledges that he DID need to prove himself to james after his behavior during the winter. their dynamic is just so much different now! at the end when everyone is shaking jopson’s hand, fitzjames gives crozier like… the most insane loving soft look… he looks so so happy. i don’t think we’ve ever seen him look like that before.

and now we are at the cairn walk. i again have to say how during this rewatch i become convinced of the knowledge that crozier has to know that fitzjames is dying. there’s just no way he doesn’t. the conversation they have about it does not convey that james is telling him this for the first time. tt more so implies that they both know but don’t speak of it often and james is updating francis with the vital information, the stages he’s at. what made fitzier happen was them leaving the boats, james dying, crozier getting sober, them both laying it all out on the table in different moments of vulnerability- crozier with his addiction, james with his heritage. the way those scenes parallel each other is actually crazy. james is fucking dying, they are all marching to their deaths and the knowledge that they are doing so is slowly sinking in, and all james wanted before he died was for crozier to see him, all of him. even the parts he was afraid to tell anyone, even himself. and francis isn’t even granting him a mercy, he isn’t sparing his feelings. he truly and genuinely accepts james for who he is, how he came to be a part of the expedition. they have both known from the start that beginnings and heritage don’t matter, it’s the actions that people take that makes them who they are. in different ways they both knew that and i think it’s part of what aligned them eventually. and from the script- james realizes he can say anything to this man. it is possible. crozier gives him the space to do it. and just the way they’re laughing and joking and being light with each other- another thing we never would’ve seen in the earlier episodes. okay focusing on some details now- when crozier says “that’s not how i see you” james literally stumbles as if he can’t believe crozier would say that to him. in the beginning of the scene francis gives james space and privacy when he sees him getting emotional about graham and franklin’s deaths and struggling to remember the date of sir john’s death. they communicate with a single glance there, james asking for a moment and crozier giving it to him. the grief on francis’s face when james tells him his latest symptoms. when crozier initially tries to comfort and encourage james… and james can’t accept it because he hasn’t told him everything yet. he doesn’t know if he can. i don’t want to get personal but that feeling that if you only tell part of your hidden sorrow to someone and they comfort and accept you and show you kindness, that feeling you then get that no no no you don’t know the whole of it and if you did you wouldn’t be showing me this kindness, you wouldn’t love me, you wouldn’t respect me. you wouldn’t see me. i genuinely can’t imagine the relief that fitzjames felt when he told francis it all, he told him everything and all francis gave back was love. also we can finally start to really see the bruise that francis gave fitzjames in ep 5. i love when fitzjames literally and metaphorically closes the gap between them. and francis waits for him until he is by his side again. “are we brothers francis” the tears, the attempt to laugh/smile them away until he sees that crozier is with him in this moment and taking it as seriously as it deserves to be. again the joining of the hands, the one that crozier keeps. they look at each other’s mouths, into each other’s eyes, the way francis dips his head to look at fitzjames when fitzjames ducks his emotionally. it’s insanity

when they get back to camp and listen to hodgson’s story and then go to see jirv’s body, they exchange a lot of glances, specifically around the times that hodgson mentions hickey- they are of one mind on him and on how the situation actually played out. james also watches francis a lot in the scene where they go to see jirv’s body. he looks to him for leadership now and doesn’t become irritated by his anger or his candor. this really persists for the rest of the episode - in the scene where crozier is yelling at edward about supplementing the marines all james has to say is “francis” and then basically talks him down from yelling at edward more, another scene i don’t think could have ever happened between them earlier in the story but james knows how to quell francis now. and this is such an interesting parallel to ep 5 when everyone was taking their shit out on edward; this time fitzjames protects him. but anyway- james and francis are just so in sync in every scene in this episode- they back each other up, communicate through glances, emphasize each other’s words and authority. yay<3

all right you’re all going to have to bear with me on ep 9 because it makes me crazy.

we gotta start with the fucking grief and pain in both of their expressions when they’re taking care of pocock and how this scene itself foreshadows the assisted suicide later

the look of absolute love and faith from fitzjames when crozier is telling them they will keep marching south and the “more than god loves them” scene- this is francis at his most captainly- and james is echoing his hollow vanity stricken words about franklin but really really meaning them about crozier- he says them to no one but himself, there is no performance here and crozier’s words aren’t a false display of empathy and care like franklin’s were for david young and fitzjames sees this.

fitzjame and crozier are hauling in front side by side- it makes a point to mention that in the script too.

when fitzjames falls… ugh. he hauled until he couldn’t anymore, direct call back to when blanky said ross sat atop the sledges- oh and when francis and fitzjames were caring for pocock together vs ross having no sympathy for illness. when james falls he reaches for crozier without even looking at him at first and you can hear crozier saying “it’s all right, it’s all right” when james is saying he can’t stand the heat. dundy and bridgens are lifting fitzjames up too but when he stumbles, when he reveals his wound, when he stumbles again, he is only looking at crozier the whole time. and the look on crozier’s face is one i don’t think we’ve seen from him yet. i noticed too that he’s holding onto fitzjames with his left arm and rubbing his back with the other before he takes the rope off of him.

i want to say about the following scene where james is laid up in the boat that i made a joke once to my friend about when crozier reaches into the boat and how it looks like they’re holding hands- but they actually are, it’s in the script. there’s just something about crozier’s face when he talks to fitzjames in later episodes, there’s such a softening of the edges to him, his expression is less guarded and more attentive and earnest. and the call back to their first scene together with the chinese sniper story…. the fucking fondness in both of their eyes as they laugh together, which was probably james’s last time laughing. when crozier says “there’s time” but that’s the tragedy of this show- there’s never enough time. everything happens too late.

james screaming in pain and crozier running to him and barely letting bridgens finish his sentence before he tells them to camp here also in the script during the officer’s meeting right after, they can hear fitzjames screaming in his tent :( i’m honestly kinda glad they left that out.

and here we are at THE fitzier scene. i could talk for hours about this scene. francis is holding james’s hand, rubbing his shoulder. james looks so young and frail and scared here and he uses some of his last words to tell francis he wanted him to live because he knew he wouldn’t be around to tell him that anymore soon. francis shaking his head when he says it as if to say “not without you”. in the script, when bridgens leaves it says ‘he looks at crozier. he looks at fitzjames. he understands”... and later during james’s funeral when crozier says that he had a service with james, just the two of them, peglar and bridgens exchange a very interesting, knowing look. to choose those two to react that way? idk man. fitzier real. but back to the scene- god okay crozier taps james’s chest twice in question and then just barely audible fitzjames says “please”. ugh the sad smile crozier gives fitzjames before he gives him the drug… then he places his hand, the one that crozier doesn’t lose, so gently and lovingly on james’s face, and even in his current state james looks almost taken aback at the gesture. when crozier tips the drug into his mouth his expression softens. i will never ever in my life forget the way james looks at crozier in that moment, the look of gratitude, love, farewell, of pain, longing, childlike fear. (nobody is doing it like tobias). crozier ever so lightly brushing james’s lips with both of his thumbs before he begins to massage it down and carefully wiping the excess away. they never stop looking at each other. dave k said that the service that crozier mentions happened before fitzjames dies and after crozier gives him the drug.

the last thing i want to say about the james death scene is that i was never that invested in the concept of cannibalism as a metaphor for love but fitzjames asking crozier to eat his body and live really really stuck in my brain- just their entire insane journey that i’ve been sitting here thinking about for months- acquaintances to enemies to allies to friends to lovers for it all to culminate in this final scene of fitzjames begging crozier to eat from his body and begging him to give him the final kiss of death all as crozier never once looks away or lets go of him. fitzjames loved him so much he was willing for crozier to desecrate his corpse if it meant francis would live, even without him next to him but crozier loved him so much that he couldn’t do it, he couldn’t add that act to his already impossibly devoted actions.

and the action of hiding james’s body because crozier doesn’t want tuunbaq to destroy it but then it turns out that someone at the very funeral ends up leading the mutineers to tear fitzjames’s body apart themselves. just like jirv not getting to keep the final gift of the seal meat even in death, crozier couldn’t do james this one last mercy even though he tried desperately to.

and this last part is a bit of a stretch but okay-along with the shirt and the gloves of fitzjames’s that crozier is wearing after his death i think he might be wearing his little neck thing too, so sorry y’all i do not know what it’s called and i’m locked in trying to finish this and i’m not googling it lol. but we see fitzjames wear it a lot throughout the show and francis does sometimes but it’s very much a fitzjames piece so i think it might be his too. and with the funeral scene and the blanky scene, we see the mismatched gloves clearly for the first time but i’m pretty sure the first glimpse is earlier in the episode when they’re hauling before fitzjames collapses. dave k still confirmed they had switched gloves but it really seems that this happened before james died, likely when they left terror camp. i still contend that crozier and fitzjames both knew james was dying and this may have been why they did it.

and on to the last episode and closing thoughts- in the last ep i was really keeping track of the gloves- he loses them at some point and i wanted to see when and it’s between the scene where he talks to hickey and when he’s chained back up in the tent with diggle. i hope he somehow hung on to them.

i will never forget how my stomach dropped out when i saw hickey wearing fitzjames’s boots on my first watch- the fucking sorrow in crozier’s face. he doesn’t understand the meaning just yet but when goodsir is cleaning his wounds and tells him they ate gibson, you can see crozier put it together that that’s why hickey has fitzjames’s boots. his expression turns from shock and grief to rage.

hickey really clocked crozier with the shame comment and you can see how it triggers crozier. this is a great confirmation because it really pervades the story and fitzjames’s story as well. they are both driven by shame, by a need to prove themselves but go about it in completely different ways. fitzjames is all bravado, flowery empty words and boasting to cover his origins, his feelings of inadequacy. he aligns himself with the empire and with those in power and distances himself from anyone he knows will be deemed lesser than in the hierarchy in which he exists and specifically pits himself against someone like crozier in order to bolster his own social standing. crozier on the other hand is hardened to his station, he has no way to hide his nationality or his origins no matter how capable he is and how long he’s been going to sea. crozier feels the shame of things like sophia’s rejection and not having straights that they sail named after him but hides it with his bluntness and his lack of decorum when pointing out the truth of a situation. james has everything crozier wishes he did, but crozier is something that james wishes he could be- just himself, despite his societal ineptitudes and barriers. i believe that this basis and the way it melds and breaks down and comes to a way of understanding between them is why fitzier is so strong, and so real and so visceral, especially at the end. honestly there is so much more i could say but i think i’m going to leave it there and just saw that i hope crozier thinks of james from time to time in his new life. i find it hard to believe he doesn’t.

#the terror #fitzier #james fitzjames #francis crozier #this kind of turned into a bit of a character study on fitzjames as well but hopefully you all just see that as a bonus

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living-in-a-box · 1 day ago

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Prefacing this with: I do dislike everything about that post. The guy sounds soulless and it is pretty obvious he is obsessed about wealth. Sadly, he did not seem to take away any life lessons from his experience. I am not trying to somehow excuse his tone-deaf take. Just wanted to point out something I noticed that might apply to other people who are simply well-off financially but earn a relatively modest income, yet speak the same way.

Adding to the part about UBI - it might also be that money is not so much as a "metric of personal achievement" for a person, but this is just a way for them to express participating in their hobby. I have noticed people rarely call anything they do for their primary income source as a hobby.

I think YouTubers are a great example of this. Even YouTubers who are passive when it comes to making money on the platform and instead create content they love and it just so happened they got a large following that allows them to make it their primary income source - do not call YouTube their hobby, but their job. Even if they happen to love what they do, they still consider YouTube to be their job and not a hobby.

In addition, it is also noteworthy that even if someone is doing what they love by working for oneself that also means doing a lot of things that are not part of what one might enjoy (marketing, accounting, answering emails, talking with clients, etc.), so it does not make sense to quantify the action of doing that labour as "getting back to doing what I love/ my hobby". Which I think leads to people quantifying it through the end result instead.

The feeling of always needing to make more money might also be related to people having experienced some form of poverty in their childhood.

I am mostly writing this because I know people who say such things. Who feel bad that they took a (much needed) vacation because now they feel they have not been working enough. Even if they know that they have savings, that their monthly income will still be enough to cover their mortgage, bills, groceries, pets, hobbies and similar expenses - they still feel a certain anxiety that "this is not enough". Not because they are money hungry goblins, but because of various experiences that shaped their relationship with money.

Despite every moment of life being indescribably precious and a wondrous mystery, I will spend it caring about dividends and how many rental properties I have.

#just my 2 cents for what they're worth #gosh i wish i could just retire and get as much sleep as i need and work only 20h a week #that would be the dream

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softness-and-shattering · 1 day ago

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I was writing tags but I think it deserves main post.

Something I know multiple people to do is get a pet so that you have a life relying on you. You cant do it today because who will feed the cat tomorrow?

And as a bonus, looking after an animal really helps you have compassion and look after yourself. Ive experienced this personally*.

Animals, especially cuddly ones are also super therapeutic. Just holding or touching a warm living creature is really powerful, especially but not exclusively if youre lonely or touch starved. Its comforting. You feel less alone. Theyre affectionate towards you, and that makes you think there must be something about you worth loving because theres a cat climbing on you and purring. It doesnt know about human troubles and self esteem and reputation and work. It knows you are person. You feed it. It sees you every day. It loves you. Youre lovable. Youre worthy of love. This weird creature says so.

This isnt necessarily the right advice for everyone so do think about it; eg dont get a dog if you cant consistently leave the house to walk them. Cats do better indoors, and they need more than just food water and litter change. Brushing, love, play, vet visits etc. I dont know anout keeping fish but that might be easier. You could also try a plant. Its surprising how effecting it is to have a living being with you, even if its just a tiny succulent in a pot that doesnt ever move. Its still alive and thats powerful. If youre keeping it alive thats also an incredible feeling. One time when I was living alone and isolating myself, a friend left me a little succulent at the door when I said I wasnt up for actually interacting. And it made a really significant difference which was so surprising to me, its so small! But its *alive*.

*I once had a psych ask if Id ever had a pet, I said no, he said ok so try imagine. The same way you love a pet unconditionally no matter what it does, try feel that way about yourself. I did not viscerally understand what he meant till I got a cat, who could be a mischievous stinky slippery little shit, and I loved him with all my heart no matter how upset I also was at him. This wasnt something I had experienced before.

Another time Id moved somewhere new and I was talking to my cat about how it must be scary for him, in a new place with new sights and sounds and smells. And then I realised, hey, *Im* in a new place with new sights and sounds AND smells, and its ok if I feel a bit wobbly about it. We can be a bit wobbly and comfort each other together.

Seriously, having a Little Guy follow you around and love you is the best. Pet ownership is one of my best life decisions.

So there is a lot of bad stuff going on right now, and I'm sure there are lots of people feeling hopeless and thinking of suicide. Well, I've been suicidal for 21 years and I have a few practical pieces of advice for surviving that I rarely see in other places but I think have done more to keep me off the ledge than almost anything.

1. Don't feel guilty for wanting to kill yourself. Life can be extremely painful, and you are not weak, a coward, or irrational for considering the obvious way to alleviate that pain. Guilt on top of the rest of your pain will not help, and you are not a bad person. You are going to have to tell yourself this a lot.

2. If you think you might do it, find an excuse to live. This is different from a reason to live in that it is short term and shallow. For years my excuse was that I still had enough money to buy a pizza and I'd be damned if I didn't get my last pizza before I died, and if i still wanted to kill myself after the pizza then I had lost nothing. I swear this kept me alive through some of the hardest years of my life.

3. If you have an online friend you can trust, ask if they would be willing to do check in duty occasionally on your worst nights. It's very simple, on bad days where hurting yourself is a real possibility, ask your friend if they can send you a message at regular intervals, say 15 or 20 minutes, confirming that you are safe. It can be as simple as "check?", with you responding "I'm ok". Being immediately held accountable makes not doing it so much easier. I asked a friend to help me like this about two weeks ago to deal with a really bad self harm day and the difference between trying to do it on your own and simple check ins is astounding. It hurts so much less.

4. You die with nothing left on the table. This is for when it's over and you are going to kill yourself. You have a plan, you are ready, and you want to. At this point you are effectively dead. Which means there are no consequences. You can finally do the thing that you were always too scared to do. Maybe it's quitting your job, or confessing to your crush. For me it was coming out as trans. This is your last ditch effort, so if it blows up in your face and ruins everything it is no loss because your plan will still work tomorrow. You were already dead anyway, who cares if you left behind a bit more chaos.

#oh i like these a lot #mental health #suicidality

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measuredingold · 2 days ago

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my soul is useless without you

author's note: part two to i'd walk through hell for you is finally here ! i'm not sure if i want to do a third part, but we’ll see lol but i'm currently working on something for folio 👀 as always, i hope you enjoy and feedback is appreciated ! also, if yall have any requests, send them my way :) i'm in the mood to write but inspiration is running thin lol

pairing: noah sebastian x reader

divider: @saradika-graphics

word count: 3.5k

cross posted on ao3 / part one

cw/tw: angst, hurt/comfort, Noah Sebastian Is Bad At Feelings But A Good Friend, reader is going through it, anxiety, hints/mentions of depression, noah is just a good guy and cares about reader a lot ( more than he realizes ), friends to lovers pining lol, 18+ minors do not interact

It's when Jolly asks Noah in-between takes if he'd heard from you recently that the anxiety finally settles in.

Because he doesn't know the last time he's heard from you. Which isn't normal.

He's a bad texter, notorious for looking at messages and making a note to reply to them later or replying in his mind, but he always makes sure to reply to you whenever the two of you aren't together. It's just always been a thing, to always have some form of communication with you when he wasn't over at yours or if you weren't at his, so it panics him when he can't remember the last time he'd spoken to you.

He goes through your messages and finds that it wasn't him this time who didn't respond, but instead it was you. Relief washes over him briefly, the guilt of forgetting to respond to his best friend vanishing, but then that anxiety comes back full force.

You didn't respond.

You always responded.

He sends off a quick message to you, apologizing for being in studio mode and not leaving the house and asks if you're alright. He waits. They go through another take, he somehow doesn't fuck it up even though his mind isn't all the way there. You still haven't responded by the fifth take and that's when he starts to feel sick, stomach twisting with the worry of what could be wrong.

He tries to think back to if you've ever gone this long without speaking and he can't think of a time when that has happened.

"Earth to Noah." Jolly's voice pulls him away from his thoughts.

"Oh. Uh, sorry."

"All good, man." His bandmate eyes him for a second before his eyes flicker towards his phone. "She respond?"

"Um. No." His brows furrowed as he stared at his phone, the black screen mocking him. "Kind of worried."

"Yeah... I am, too." Jolly murmurs. He clicks around on the screen a few times before twisting his chair around to fully face Noah, arms crossing over his chest. "You should go over there. Check and make sure she's alright."

Noah raises a brow at him. "We're in the middle of recording?"

"And?" Jolly shrugs, waving him off. "We got a lot done today, we can wrap it up. Something's obviously wrong and she might need you. That's more important than some song."

He blinks at his friend, letting his words settle in. Jolly's right, he thinks. You are more important than whatever song they're working on. That confirmation makes him feel funny, something tightening beneath his chest but he ignores it, nodding slowly.

"Okay. You wanna come?"

Jolly shakes his head. "Nah. The both of us might be overwhelming. If you do need me then call, if not..." He shrugs again before lifting himself up out of his chair, groaning softly to himself, "...might be best for just you to go. She'd probably feel better if it's just you, anyways. You know how she is."

Noah isn't quite sure what he means, but nods along anyways. He checks his phone again and still no text, but he notices that you read the message. He should feel relieved at the sign of life but it only makes his anxiety worse, stomach twisting violently.

"Okay. I'll text you when I get there."

He's practically running out of the studio after that, the only thing on his mind was you. He needed to make sure you were okay. Deep down he knew that if this was him, you would've already been here, and he feels guilty all over again. He should've paid more attention, shouldn't have let this slip his mind so easily. He thinks back to your last messages together and how you were talking about your work day, overwhelmed and quite frankly, upset about it all. He should've paid closer attention.

He makes it to yours in record time, legs moving him to the door before he can even think about it. He sends up a quiet prayer to the universe that you had given him an extra key months ago and uses it to unlock the door, slowly pushing it open.

He calls out your name, but no answer.

His eyes sweep over your apartment as he enters, scanning the open space. Your kitchen looked untouched, minus the few dirty dishes that were in your sink. A few boxes of Chinese take-out and some bottles of water. He feels almost relieved. You'd been eating and as far as he can tell you'd been keeping yourself somewhat hydrated, so that was a plus. He knows how bad you can be when you get into this headspace - brain fog, forgetting to do basic things like eating and drinking water. But this... this is a step in the right direction.

His eyes move towards the living room and it's just about the same. A pile of blankets lay together at one end of the couch, pillows scattered along the length of the cushions. You'd been there quite a bit, he can tell, but other than that nothing was too bad.

Noah feels like he can breathe for just a second, eyes going straight to the cracked open door to your bedroom. He hears the faint hum of your television and hears the muffled voice of your favorite characters in your favorite comfort show. His chest tightens. You only ever watch it when things get bad inside your head, when things start to become too overwhelming and you need to cling onto something that you know. Something that won't throw any surprises at you and make things worse.

He makes his way towards your room, ready to call out your name again as he pushes open your door but stops halfway. You're curled up in your bed, covered in a pile of blankets. He steps closer to get a better look at you and he doesn't think he's ever seen you look so peaceful. Lashes against the tops of your cheeks, lips parted. The crease between your brows is relaxed, which never happens.

Noah takes a deep breath.

You're alright. He can see that you're safe and sound, at least for now, and that's enough for him. He shuts your door behind him and makes his way back into the main room, taking his shoes off by the door. He takes another deep breath to center himself as he looks around your space, hand finding its way to his hair.

He decides he'll clean up your kitchen and living room. It isn't too bad, and it won't take him too long. He also just... doesn't want to leave yet. He'll wait until you wake up. Make you talk to him, ask what’s up. Probably make you eat something. Then he'll head home.

Sounds like a good plan to him.

Even though your door is shut he still tries to be quiet, making sure to carefully wash and put away your dishes without making too much of a fuss. After the dishes, he throws away all the take-out boxes and water bottles. He even makes a note to take the trash out for you when he's all done, because he knows you would've done it for him.

The constant reminder of you and knowing that you'd do something like this for him, and have, is the motivation he needs to continue. It makes him feel warm all over and he thinks how lucky he is to have someone like you as his best friend.

And he definitely ignores the bitter taste in his mouth at the word best friend.

It's maybe an hour after he's finished, curled up on your couch that now has its pillows in place, and the pile of blankets are neatly folded and put away, that you finally emerge from your room. You rub the sleep out of your eyes, not noticing him on the couch at first, but when you do you make a noise of surprise that has Noah laughing.

"Hey."

He notices the slight flush of your cheeks but ignores it. "Hi?"

"I uh," He scratches the back of his neck, sending you a sheepish smile. "Hadn't talked to you in a few days. Got worried. So did Jolly. Told me to come over. Check on you. You were sleeping so I just," He throws his arms around, gesturing to the space around him, "cleaned up a little? Figured you would appreciate a clean house when you woke up so..."

He's talking too much, he knows it, but he can't seem to stop the word vomit from coming out. Noah knows you wouldn't mind, but he was nervous, especially because all you do is stare at him without saying a word. Stare and stare and stare until you sniff, brows furrowing.

"...Thanks."

You're unusually quiet and it makes his stomach turn again. You sniff again and Noah swears you look like you're on the verge of tears, and he sits up on the couch. He watches you closely as you wring your hands together in front of you, mouth opening and closing as if you want to say something. You don't, and Noah catches the exact moment when your bottom lip trembles, and he's moving before he can even think about it.

"Hey. It's okay. You’re okay."

He tries to keep his voice soft and free of any panic, but his heart is beating so rapidly against his chest he swears you can hear it. You sniff again, head shaking as your lip continues to tremble and he does the only thing he can think of. He pulls you into his arms and presses you into his chest. You don't move for a second, but eventually your arms circle around his waist. You squeeze, tight, but he doesn't mind. He just squeezes you back.

Your body begins to shake as the cries start to rack through you, the sound muffled by the fabric of his shirt. Noah swallows down the lump that was beginning to form, cheek resting on the top of your head. He's always hated when you cry. He himself wasn’t one for much display of emotions, but when it came to the people he cared about, he hated seeing them anything but happy.

Especially you.

He's seen you cry a few times. Well, more than a few times. Sometimes it was over nothing, and then sometimes it was over an incredibly cute dog you'd seen scrolling on Twitter. He didn't mind those, but when it was over something serious, he fucking hated that. He never wanted you to be anything but happy, and whenever you weren’t, it’s like a piece of him breaks.

“What’s wrong?” He whispers into your hair, trying to pull you even closer to him.

“Everything.” You eventually mumble against his chest, sucking in a deep breath as you try to control your tears. “Fucking everything is wrong.”

He fucking hates the way that answer makes him feel. His chest feels like it's on fire, and he swears his heart just fucking broke at how sad you sounded, voice muffled by his shirt. He squeezes you to his chest again.

"Do you wanna talk about it?"

He wants you to talk about it, to tell him what's wrong so he can make it better. Noah knows it'll probably be damn near impossible to even do that, but god, he'd try absolutely anything to make your tears stop. You take a long moment to respond, trying to control your breathing, before you eventually shake your head against his chest.

"Not right now."

"Okay.” He mumbles, raising a hand to smooth down your hair. “That's okay, we don't have to."

"Thank you."

You stay like that for a moment, in the middle of your living room. Noah doesn't plan on letting go any time soon, thinking for a split second that he wished he could keep you in his arms forever. If you were there, he'd always know if you were okay. The thought fades before he could think too hard about it when you finally pull away from him, and Noah catches sight of your slight red and blotchy face. He frowns.

He doesn't remember the last time he's ever seen you so sad. So defeated. Whatever was going on really pained you, and he wishes you'd just tell him so he can fix it. Another passing, fleeting thought, but he thinks he'd do just about anything right now to see you smile again.

"Have you eaten?" He breaks the silence between the two of you, not waiting to hear whatever you were planning on saying.

You blink up at him. "Um... no. Not since this morning. Had some fruit and coffee."

"I figured." He guides you towards the couch, practically pushing you onto it. You snort when he grabs a throw blanket and dumps it onto you. "Pick something to watch."

It's not a question, but more of a command, and Noah ignores the way his chest flutters at the small smile you give him. He turned away from you, pushing whatever feeling was brewing inside of him so far down and got his brain to focus. Food. You need food. To be honest, so does he. He’d been so worried about you for the last few hours that he didn’t even think of getting something to eat.

It takes him a few minutes of rummaging around your kitchen to settle on making something easy - instant ramen. He’s surprised you hadn't eaten it all in the week you’ve been off-grid, but thankful nonetheless. Noah's way too impatient to wait any longer to actually cook something, especially knowing you hadn't eaten anything since this morning. Every so often he looked over his shoulder to watch you, wishing you'd say something, but would find you either staring blankly at the television or your phone.

A bitter taste settles in the back of his throat every time he turns back around to the stove. He hated this, and he fucking hated that he couldn't do a goddamn thing about it.

He brings your bowl to you once he's finished, already making a mental note to clean up the mess he had made while cooking. You blink up at him and reach for it, giving him a quiet, "Thank you."

Noah doesn't verbally say anything, just hums out a response as he ventures back into the kitchen to grab you something to drink. When he comes back he notices you had slowly begun to eat, and he feels his shoulders finally relax. Just knowing you ate something eases him, the tension in his body leaving him completely. You're already reaching out for the glass of water in his hand that he happily hands off to you, giving you a gentle smile.

"Need anything else?"

You shake your head, peering up at him. "No. Just want you to come sit with me."

That same fluttery feeling beneath his chest returns and he wishes he could ignore it again, but it doesn't go away. No, it stays perched underneath his chest, as if it's decided that it's making a home there and never leaving. He doesn't say anything, just nods at your request before grabbing his own bowl and a Pepsi you had in the fridge before making his way back to you.

You wait until he's settled on the couch to scoot closer to him, legs pressed flushed together. You're already halfway through your ramen and for a split second he forgets that weird feeling in his chest, instead focusing on the intense pride filling him. He was able to get you to eat, he was able to help out in some way. Knowing you were alright for the most part and it was from his doing made him feel good.

The both of you eat in silence as whatever show you decided to put on plays in the background. He’s just now realized it was The Office, and he huffs out a small laugh at something Michael Scott said. Another one of your comfort shows, something easy.

It isn't until you both are finished with your food and Noah's back in the kitchen cleaning up that you finally speak. He doesn't hear you come up behind him, focused on washing the dishes and making sure everything's clean and good to go, so he can't help but jump when he feels your arms slip around his waist and squeeze.

"Shit." He swears, followed by a breathy chuckle. "You scared me."

You don't say anything to that, just squeeze him harder and he feels you press your face against his back. Then ever so softly, he picks up the faintest, "Thank you," muffled against his back. His face flushes, eyes casting down to the soapy water his hands were currently submerged in. He's glad you can't see the blush on his cheeks, and he fucking hopes you can't hear the way his heart is pounding beneath his chest. Can probably feel it, though, and that makes his face burn even more.

"For what?" He manages to mumble out, resuming his efforts. Your arms squeeze his waist again.

"For being here." You sound so small. "You don't have to be, but you are, and I can't thank you enough for that."

"You'd do it for me." His response comes easily, voice nonchalant because it's true. He knows you'd do the same for him, and the thought has his stomach flipping every which way. "And have done it for me. It's the least I can do."

You're silent after that but don't part from him, and Noah can't help the smile that spreads across his lips at the feeling of you rubbing your face against him. It makes him feel warm all over, and that damned fluttery feeling in his chest is back yet again. You stay like that until he's finished with the dishes, moving with him as he shuffles to the side to dry them off. You don't pick your head up even when he manages to turn in your arms, finally facing you.

Noah's arms wrap around you, pulling you closer to him and now you can rub your face against his chest. He laughs softly, pressing his cheek against the top of your head.

"Still don't wanna talk about it?" He knows he's pressing but he can't help it, a part of him still needs to know what's wrong and how he can fix this for you.

You shake your head. "Not yet. Tomorrow, okay? I just... don't wanna think about it tonight."

"Okay." He thinks he can handle that.

"Thank you." You say again and finally lift your head up from his chest, blinking up at him. There's still a sadness there, roaming around behind your eyes, but not as prevalent as it was earlier. He’s at least done something right. "I'm really fucking lucky to have you, you know that, right?"

The way you're looking up at him is overwhelming, Noah's throat tightening at the softness surrounding your tired eyes. You smile at him and this time it reaches your gaze, not faked but real, and his heart slams against his chest. A thought passes his mind again, something he hasn't thought of in years, and he pushes it back with a hard swallow.

"You're just saying that because you didn't have to do the dishes."

You roll your eyes but that smile never drops from your lips, and Noah thinks he'd like to keep you smiling like that for the rest of his life.

"Shut up. I'm being serious." You're giggling now, eyes crinkling and he catches a glimpse of the real you for the first time in hours - probably days, weeks even.

"So am I." Noah yelps when you pinch his side, your laughter growing louder. "Hey!"

"I'm trying to be nice here, asshole. You can at least try, too."

He softens at that, eyes meeting yours. He's well aware his face is on fire right now, cheeks pink.

"You already know I'm lucky to have you. Didn't realize I had to say it."

Even if he doesn't say it often, he is very lucky. So incredibly lucky to have you in his life, for sticking by him and for understanding him. For always being patient with him. Jolly reminds him occasionally how lucky he is to have you, how all of them are lucky to have someone like you in their lives. He doesn't know what the fuck he or anyone did to be so deserving of you, but dammit, he's fucking thankful for it everyday.

You don't say anything, just continue to beam up at him and Noah can't seem to stop himself, tilting his head down to brush his lips against your forehead. He feels you press further into his chest, if it was even possible, and practically melt in his arms.

He wishes he could keep you here forever, tucked away in his arms. He thinks there isn't much he wouldn't do to keep you safe, to make sure you were okay, and that thought alone scares him. He'd never admit it, at least not out loud, and he tucks that thought away for another time. Or to possibly be never thought of again, he doesn't know. He doesn't really care.

No, all he cares about right now is that you're okay, at least for now, and that you're nestled against his chest like it's the only place you want to be.

And that's enough for him.

#bad omens fanfiction #bad omens fanfic #bad omens fic #noah sebastian fanfiction #noah sebastian fic #noah sebastian fanfic #mine

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