#I need to know others feel this way

[icewindandboringhorror]

(also feel free in the tags to clarify Why you made the choice you made!! :0c)

[lazylittledragon]

i am losing my entire shit right now, this single panel caused a nuclear disaster in my ig comments when someone said "halsin just saying 'astarion's partner' instead of his name feels icky"

which is such a fucking reach by itself but descended into this in about 5 seconds

[incoherentchanting]

this shit is so funny

[poorly-drawn-mdzs]

The Yiling Band Tour!

[possamble]

for your consideration

BDHSJSJDJD THE SHAKY THUMBS UP IM,

[justaz]

merlin who uses his magic everyday in ways that he doesn’t realize isn’t normal. magic helping him see in the dark so he can find his way in the woods or dark rooms with no problem. connecting with the woods around him so he always knows where he is and whats in the general vicinity which allows him to sense bandits just before they attack. using magic to keep warm in the cold or to cool down in the heat. confident and willing to go toe to toe with anyone bc he knows that regardless of what they throw at him, he could always win bc he could just use magic.

then somehow someway (post magic reveal) a sorcerer takes away merlin’s magic. or well just locks it away ig. but anyways merlin doesn’t have this part of him anymore and is left feeling empty, exposed, and vulnerable. arthur, the knights, and merlin going on a quest for answers to their problem and a way to get merlins magic back. but. but. but merlin is all jumpy and he’s rambling more than ever and is often reaching out to grab onto someone (usually arthur) and everyone’s confused and then they get ambushed and merlin freezes in the middle of the path like a deer. he’s watching everything go down around him with wide eyes until he’s targeted and one of the knights have to rush in to save him. afterward merlin is constantly holding someone and his grip is rather tight. he keeps looking around, his eyes scanning the trees around them over and over. when they try and settle down for the night, merlin wont leave the camp without an escort or two and when they’re trying to go to sleep, merlin is flinching at every noise in the woods around them and ends up shuffling over toward the person closest to him and laying pressed up against them.

arthur opening his mouth to tease and call him a coward when the word registers in his mind and he realizes that that’s what he’s actually seeing, merlin scared and defenseless. he ofc doesn’t realize the true depth of it all, i mean he knows merlin is missing his magic but he doesn't know that magic has always been a part of merlin, it makes him him. he’s had magic since he was born, he’s never known life without it. as he is now, he feels bare and exposed and blind and deaf and terrified. the knights are his defense rn and for the past few years, merlins been their protector so its a complete reversal of everything he’s ever known. he’s scared. arthur bites his tongue and lets merlin hold onto his arm and snuggle up close at night for some form of comfort and security. he doesn’t tease or mock and responds to his ramblings of fear with a level of gentleness the knights weren’t aware he even possessed. merlin slowly relaxing as arthur subtly comforts him without addressing it

[shalom-iamcominghome]

I love talking to rabbis as a recent conversion student because the interaction goes something like, "you're converting? Now?! At this time, at this moment in history?!". And they always talk about this influx of jewish convert students they've seen recently, and it's like...

There's this level of respect I get from rabbis for converting at this point in time, but... Has there ever been a good time to be a jew in the last thousand years or so plus? I'm imagining that rabbis and jews in general back in 1492, back in 1290, back in 1349 would have said the exact same thing. So, really, there is only a time to be a jew. Maybe it's not a "good" time, yes, but it is a time. And to me, that's good enough

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[foggysirens]

okay other ships are great but there is truly nothing that can stand against watching a being as old as time with the angelic power of the cosmos reach out and rest a healing hand against the face of the man he loves and breaking through every order and every command that’s been inside him for millennia. like you mean to tell me that there is anything more romantic than that ??? anything more than castiel, a being of unfathomable power, choosing to reach out and use touch and feel dean to heal him over and over again even when we know it’s not necessary ??? i will never get over it and i will never be sane because there is nothing that even comes close to that in other ships im sorry but like the very touch of him corrupts and from that first second he was lost and he fell in love with humanity because he fell in love with dean and with every gentle and healing touch made with a soldiers hands he pours that love into deans skin and hmmnnngnng

[tvuniverse]

the eddie kissing buck first propaganda needs to be stopped at all cost ✋I know i know, i'm probably going to be taken out back and shot several times BUT hear me out:

buck needs to get off that squeaky spinning wheel and for that he needs to be the one initiating Something -either love confession or kiss or both i'm not picky- because as my good friend Bobby (#rip) said he's always been the one going with the flow and not knowing how he even got into a relationship in the first place so him breaking that pattern is essential to his own personal growth. he hasn't initiated a first kiss on screen a single time. he's always been either caught by surprise (taylor and tommy), or been asked out on a date without necessarily expecting it (ali and natalia), and even his first date with abby mostly happened because of external pressure (hen and athena cornering them), and she ended up being the one to kiss him first later on.

and for eddie it's the opposite, he's always been the one initating pretty much everything with his love interests: calling shannon in the first place and then kissing her first, asking ana and marisol out on a date. He's always had to make that choice for himself, and buck pretty much jumped any time someone showed interest in him and only started considering his own feelings when things started to get rocky in his relationships. So them actually switching that because buck is that sure of his feelings for the first time, oh that would be so juicy, so good, so delicious.

anyway this is not me starting discourse ❌ because i hate that but just me officially campaigning (at the very last minute) for buck initiating the love confession and/or their first kiss. thank you for your consideration 🙏

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[capydoodle]

have compassion for yourself and for others. it seems hopeless but any small amount of good you can do is just that much more love in the world

[pandebunuelo]

but if he knows that you know that you know that he knows that he knows that you know that you

[starleska]

Hi so l've been quietly fawning over Mr Ring A Ding ever since he got revealed and your head canons are making me go INSANE. That bit of dialogue you wrote with him regarding light sensitivity??? Hello YES PLEASE???

As for my own headcanons, that scene of him literally flattening himself to get underneath the door both scared me and gave me so many ideas. Gonna go insane in your inbox rq, I apologise in advance. I imagined someone who tried to lock the front door to avoid him, only for him to literally squeeze in THROUGH the keyhole. Bit by bit until he lands in front of them. Shit eating grin and all. You can try to hide from him, but he'd squash and stretch his way towards you eventually.

Hiding under a bed? Who do you think he is, the Boogieman? He'd just stretch out his arm until he grabs your wrist, slowly dragging you out with a firm yet playful grip. Or who knows? Maybe he might crawl under there with you. Ask you who you're hiding from with a devilish gleam in his eyes. How would you get out of that?

(Answer: You don't. <3)

AAAAAAAAAAAAAAAAAAAA 😳😳😳😳😳😳😳😳😳😳😳😳😳

anon, dear sweet anon!!!! i think you've given me a cardiac event!!!!!!! how can you SEND me something like this without signing a consent form?!?! 🙈🙈🙈🙈 let it be known that i turned so pink that my partner, from the other side of the room, had to ask me what was wrong 😂😂 don't you dare apologise i'm going absolutely feral over these ideas, my GOD they need to put you in Mensa immediately!!!! ugh. you know how when he's making his way up the theatre stairs, and making a great show of it, like it's actually effortful, but the Doctor says it's all just a game to him? that. that's what makes cat-and-mouse with Mr. Ring-A-Ding so heart-poundingly scary. and he loves every second of it. he adores that frightened glint in your eyes: "Awful strange place for a get-together, don't'cha think?" Mr. Ring-A-Ding asked, as he collapsed into a puddle-like shape and wriggled his way under the bed. You squirmed and tried to claw your way out, but a winding, impossibly long arm wrapped itself around your leg and yanked you right back. "What's the problem, doll? Got somewhere to be?" In the dark, Mr. Ring-A-Ding's eyes were lightbulb-white, and his teeth flashed like knives that carved through the black. "Ohhhh. I get it! You wanna be wooed the old-fashioned way. No worries, sweetheart. Tight spaces are my speciality."

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[nanihirunkits]

WE ARE | EP16