#I need to get back into drawing.. I really do want to especially drawing people I need to practice more maybe

[dufferpuffer]

(Note: idk the characters OP mentions or what they are from, I wanted to talk about peoples reaction to disability rep in general)

I think it's fantastic when non-disabled people talk positively about disabled characters, even if they do it a little clumsily (though not in the face of disabled people critiquing it... yeesh...) Just like with other marginalized groups. eg: we can be happy about having more PoC characters... even if we might not fully understand the nuances in their representation. We can be taught about that nuance by those who do understand - and that's how we learn to understand better. That's awesome.

The thing that's annoying, as OP describes, is that - especially for disability representation - existence seems to be the bar for entry. They see a prosthetic and go 'Wowee! Good enough :)'

Maybe existing can pass as 'good representation' for some things - like race, gender or sexual orientation (arguably - important: it depends on the particular media) But that doesn't really work for disability.

Depending on the setting and themes of a narrative, being a different race, gender or orientation doesn't alter how you can live. Having a disability, by definition, DOES alter how you live.

Example: Innocent little kids show, where a bunch of kids go on adventures together, doesn't need to display topics like racism, homophobia, transphobia etc. to be good representation. The kids can just exist the same as everyone else - just existing is enough.

But a disabled kid HAS to be disabled. Their life has to be shown as altered in unique ways - otherwise it risks being harmful. It doesn't need to be anything big, or sad, or the topic of an episode... Infact it's often better when it isn't.

+ Have a character wake their friend up early, knocking on her window - she says 'Wait! Let me get my leg on!!' + They go swimming - and she takes her leg off to swim. + It gets really muddy, so she gets a piggy-back from a friend so she doesn't get her leg stuck. + Or it DOES get stuck and someone pulls it out for her. + She's training for a race and she switches her leg to a running one. + Maybe she isn't in an episode - the other characters can't rely on her skills to solve an issue, because its Physical Therapy day.

You don't need to draw attention to it, she doesn't need to suffer - but she has to be different. She has to live with different worries. She can't just be the exact same as everyone else, because she isn't like everyone else. That's what being disabled means.

If she just does everything everyone else does, with no thought put into the fact she has a fake leg other than 'one of her legs is blue'... you are teaching that disabled people don't live differently. But we DO. We HAVE to. A little kid seeing a character never put any thought into the things they need to worry about doesn't feel GOOD. It feels WORSE.

People of minority racial groups, and people of differing identities, dream of a world where that doesn't matter, they can be the same. Disabled people don't get that dream. Having a leg re-grown...? God, even thinking about the physical therapy, training to walk again... It would just be nice if there was more understanding, more facilities and support, that some of us need to live different lives.

...I am not an amputee. My digestive organs are all messed up - and I have PTSD. That is a very different experience to being an amputee. But I can talk about what I think is good or bad representation, even if it might be clumsy sometimes, because: I understand that good disability representation is in how the character is affected by their disability, not by just existing.

And that's what I would want to share with any non-disabled person who feels excitement seeing a disabled character: think about how it affects their life. Think about the choices they make because of it.

Toph from Avatar isn't 'cool disability representation' because her blindness is accurate or realistic. It isn't. It's fantasy blindness. It's cool because she has to live differently. She uses her bending to super-power 'see' - but not in water, or sand, or for flying things... There is no 'fix' that gives her sight back. Only tools to help. ''How does blindness affect how she can live'' has been considered.

So... you have a character 'you didn't even notice had a prosthetic'. Is there no way in which she is shown to act or think differently because of it...? That's not particularly good representation. There can still be cool parts of it that are worthwhile representation, like an interesting history, or design, or function... ...but she isn't disabled unless she is disabled. Yknow...?

I really wish non-disabled folks would stop commenting on weather or not something is good disability rep, especially when people with those disabilities are critiquing the specific things these folks are bringing up as examples of why the character is so good.

I swear, if I hear one more person say "I didn't even realise Neve was an amputee, that's such good representation!" I'm going to scream lol.

Also just to clarify, I don't think Neve is bad, my feelings on her from a disability representation stance are more complicated, but her disability having such a small impact on her that a shocking number of players said they didnt even notice it until she tells you how she lost her leg is NOT what makes her good. "You cant even tell she's disabled" is not a flex. We've talked about this. Twice.

Same goes for the inquisitor and Hezencost but they're pretty minor characters so I'm seeing less of it there.

[dear-ao3]

hi it's me the person from like a week ago who's writing that college paper about f1 i was gonna respond and then i immediately forgot lol. the paper is on the different media strategies and narratives of the fia, teams, drivers, gp locations, etc, and how they interact with each other. and also how the ways liberty media and the fia are marketing the sport and drawing in new fans is actually alienating people and suppressing the authenticity of the sport. especially post drive to survive.

i'm a comms major lol i am a massive public relations nerd

also a couple questions: idk how well versed you are in business stuff but how would you say f1 has changed its branding, especially pre liberty media to now? and how were drivers marketed before the era of portraying them as like,, pop stars? when was that shift? also if you have any specific examples (or places i could find examples) related to that stuff or sexism in f1 or just how f1 tries to control the narrative i would appreciate it because jesus christ the lack of research is terrible

ok dump over the essays not due for another like 3 weeks but when its done i can send it to you if you want to read it :)

aaaaa this got lost in my ask box i hope i’m not too late posting it :/ unfortunately i have no real sources for you. i know the shift was post drive to survive, but i think it also depends on the country because like f1 hasn’t really been a huge Thing in the us, but like ferrari has been italys second religion for years. so it might make sense if you focused it on a country. like in the time since dts first released they added two more us gps: miami (2022) and las vegas (2023). i know there’s a lot of british bias, especially by sky sports and sometimes in the penalties as well. i think fernando alonso called that out this year (?) and max also usually mentions it a few times (at brazil this year he definitely called out the british press) i know there’s also interviews of drivers saying post dts people recognized them way more (maybe this was daniel? or lando?) but some of them really like it (daniel) and some of them don’t (like max) you could also play the angle from social media, like george used to i know at least run his own twitter way back in the day (might have been pre f1 but i think he was still running it loosely in 2019 or at least tweeting himself) and now he doesn’t really touch social media At All cause of the comments he gets. lando used to run most of his own social media also until i think like 2020? 2021? (as in i don’t think he had a social media team) before he passed it off to someone else, though i know he still goes on for sure. i think a lot of them definitely cleaned up their media presence post dts (like lewis was certainly a pr nightmare at one point earlier in his career which a lot of people don’t realize or remember and we’re not even going to talk about fernando alonso). the sport has gotten more tame for sure over the years, they used to get away with doing and saying way more but that could also just be a general cultural shift, there’s also i know pockets of people who are like oh this sport used to be so respectful and manly and blah blah blah and like. there’s photos of michael schumacher at a party in a wedding dress. david coulthard used to pretend to kiss his teammates on the lips in front of the cameras. as for sexism, there have been female drivers before, usually only doing short stints. i know susie wolff has talked about this with the f1 academy how pretty much only lewis consistently shows up to support it. i think max (?) said earlier this year that academy is great but if they want them to make it to f1 they need to give them faster cars. there’s also the whole horner fiasco from earlier this year.

idk if any of this is useful. or if you’ve already turned in your paper. in any case, good luck :)

[luveline]

𝐚 𝐬𝐭𝐚𝐫 𝐛𝐞𝐭𝐰𝐞𝐞𝐧 𝐡𝐚𝐧𝐝𝐬 | 𝐣𝐚𝐦𝐞𝐬 𝐩𝐨𝐭𝐭𝐞𝐫

six | chapter list

Finding out you’re a princess isn’t half as intimidating as suddenly acquiring a full-time bodyguard. Especially when that bodyguard is disarmingly handsome, charming, and can’t seem to stop flirting with you. 

bodyguard!james, fem!reader, implied chubby!reader, shy!reader, princess diaries au, all characters in their 20s or older, star-crossed lovers/ forbidden romance, slowburn, background wolfstar

˗ˋˏ ♡ ˎˊ˗

“Why aren’t you hitting me?” James asks. 

The safety mat under your feet does little to assuage your fears. James Potter is perhaps the last person on earth you’d expect to hurt you, and yet you can’t shake the image of him deflecting your punch and sending you reeling. 

With his lovely curls slicked away from his face, his nice mouth, the curve of it where he’s smiling encouragingly, you don’t really want to hit him. 

“I can’t,” you say. 

“Yes, you can. One day you might have to, and I need to know you can do it without breaking your own hand.” The no nonsense tone he’d tended to sport when you first met barely three weeks ago is seemingly gone, replaced by a friendly, almost cavalier tone. Like this is fun. “It won’t hurt you much, I swear. And you should get your revenge. I hit you pretty hard.” 

“You didn’t hit me,” you say. “The door did.” 

“It was my fault.” He smiles, readjusting his stance with feet planted firmly against the mat. 

“James…” 

“Just hit me,” he says. 

You tense your fist around your thumb and hit him square in the chest. It’s not a punch by any means, a weak landing of your knuckles that doesn’t move him. Still, you’re surprised with yourself, checking his face for a sign that you’d done any damage. 

“There are so many people who’d love to punch me,” he laughs, nodding to your hand, “you can do better than that, if only to do what they couldn’t.” 

“I don’t want to hit you, James.” 

“I know, you have to. Come on, it’s easier than you think. You bring your first back to your shoulder and you move into it, okay? Use your weight to do the work. You���ll never hurt anyone if you don’t.” 

“I’d rather not, though.” 

“I know that, too, but you might need to. God forbid you be in a situation where I’m not there to protect you,” —here he does something strange with his eyebrows you’ve yet to encounter, sending a straight shot of butterflies through you, their wings fluttering in the soft part of your throat— “but you don’t have to be defenceless if I’m not. Give me a good swing and I’ll make sure Marlene has that pear ice cream at dinner tonight.” 

“Marlene would make it if I asked,” you say unsurely.

“But if you hit me, I’ll ask for you.” 

“You can be very manipulative.”

“Sometimes. Alright, hit me. Or I’ll tackle you again. You didn’t like that last time.” 

Obviously you hadn’t enjoyed being tackled, because James hadn’t hurt you, he’d simply overpowered you. In one sense, it had been panicky to realise you were at someone’s mercy. James had grabbed you simply behind the back with your chests pressed together and hooked his calf behind your legs, taking them from under you, and following you to the ground. You didn’t like it because he didn’t hurt you, he’d pressed his weight into yours with an arm tight across your chest, just under your throat, and you could smell his hair. Smell almond or jojoba or– or something warm. 

It isn’t that you have feelings for James. You don’t know him well enough. But having someone like James pressing down on you was impossible to ignore, consciously and subliminally.

You really don’t want to do this, drawing your arm back, tightening your first two fingers. James’ eyes widen, his lips falling open as you hit him hard enough to bruise a half inch from his heart. He stumbles and you follow, before flinching back hard, tucking shameful arms to your chest. 

“Sorry!” you burst. “Fuck, sorry! I thought you were ready!” 

“I was ready.” James grins widely. “Awesome. Do that again, yeah? Let’s have one on the cheek this time.” 

“I am not punching you in the face.” 

“You could always aim somewhere softer. The point is to incapacitate me. Hitting me in the chest won’t do that.” He rubs a hand into his shirt, the dark compression material barely moving. “You might have bruised me, though. I’m a good teacher.” 

“I don’t want to do this anymore,” you say. 

James deliberates. He tips his head back, showing you the rather nice point of his chin and his neck. A beauty mark sits nestled atop his Adam's apple. 

“Alright. Sorry. No more hitting. Maybe we’ll give the offensive a break for a while and go back to defence again in a few days?” he suggests. 

You relax. 

You’re wearing clothes you’re not used to, a compression shirt like James’, a pair of dark trousers of a similar material with loose ends. Sirius had done some online shopping with you, not worrying as your elbows brushed. He pointed at things and you’d given weak yesses or resolute nos. The total had climbed and climbed, and Sirius had taken your choking for self-preservation. “Not to worry,” he’d said, grinning, “the royal coffers will pay for this lot.” 

It doesn’t feel real. Endless money with no limit nor reason. He’d opened Curry’s swiftly after and asked you what laptop you wanted for uni. He’d attempted to goad you into two. 

It’s alien. All of it, even James across from you where he’s sitting now to put his trainers back on. He doesn’t feel anymore real than the day you met, this handsome, tall boy tasked with keeping you safe. You’ve never been someone’s number one priority. 

“Come and put your shoes on, lovely.” 

You’re not sure how to cope with that, either. He and Sirius both seem quick to coddle when you’re distracted, and you’re distracted often. You shrug away your thoughts, relaxing your tight shoulders as you cross the empty gym to sit next to him. Your trainers are new, too, a sporty pair that cost more money than your last three pairs combined. 

“It’s nice to have new things,” you confess, “but odd.” 

“Yeah?” 

“I… I’ve been wearing the same pair of converse for two years. I had one pair of proper shoes, and one bag. One purse. And I didn’t mind it, just… just, it makes you feel sick sometimes when you want stuff. It’s embarrassing.”

If James is surprised at your sudden admission, he doesn’t show it. “There’s nothing to be ashamed of in wanting things,” he says, hands braced on his knees, “but I can guess why you might’ve felt like that. We try not to think about the things we want because that can make not having it worse.” 

What couldn’t you have? you think, searching his expression for a hint. 

“I’m glad it’s nice,” he furthers, tapping his heel against yours. “They look good. Are they comfortable?” 

“They feel like I’m wearing socks half the time.” 

James nods appreciatively. “Well, get them on. We’ll nip into the pharmacist before we go home, do you have your sunglasses?” 

“It’s too grey outside for sunglasses, we look ridiculous.” 

“You look like the front page of every newspaper. Ever. In the entire western world. Here, put your hoodie on.” 

You and James leave the gym with a wave to the women at the front desk and begin down the street. James hates the city obviously, wrinkling his nose at the grey cobbled streets and all of its sooty puddles. He walks from place to place rigid as a tentpole, swerving in front of you the second that someone looks at you too long. You wonder if this is what having a boyfriend is like. James is constantly making sure you’re safe, that you’re on the right side of the pavement, that you’re warm and fed and smiling. But you don’t suppose a boyfriend gets paid to spend time with you, nor do they spend nights on the lumpy sofa in the living room when they’re too tired to drive home at the end of a long shift. 

You think without wanting to of James climbing into bed with you, a split second of his warm arm over your back, and shake it away as he pulls you into the pharmacy. 

“Can you look at something else?” you ask, turning to him as you pull off your silly sunglasses. 

James raises his eyebrows. “Whatever for?” 

“I need stuff.” 

“I know you need stuff. You asked me if we could come here. Which, by the way, you don’t need to do. You’re supposed to boss me around.” 

You look over a shelf of shampoos and deodorants and begin reading their labels. James took you shopping the day after you got back, but you’d been stuck in your old ways and what you didn’t skimp on, you forgot. You eye a large bottle of shampoo that brags deep moisture for your hair type and take it from the shelf, then the matching conditioner, and then its hair mask. Your shoulders curl forward, worried James will think you greedy or sad or something in between, but he just says, “Pass them here, Princess.” 

“It’s fine, I can–”

“I’ll have them. I’ll go get a basket.”

He scoops everything into big hands and walks back to the pharmacy’s entrance. 

It’s a big pharmacy, modern, with white walls and bright fluorescent lights behind shelves. You catch yourself in a mirror next to a stand of cosmetics and wince. You look odd in these sporty clothes. Your nose is shiny. 

You wipe your face with your sleeve and stare at the cosmetics with no clue what to get. Should’ve asked Sirius to come. Or better yet, someone who regularly wears makeup. Only thing is, you don’t really know anybody who does. 

“You don’t have to rush,” James says, joining you at the makeup section, such a long walk from the shampoos. “Did you sprint down here?” 

You’d speed-walked past the sexual health aisle actually, but James doesn’t need to be privy to that information. “You don’t want to be here all day.” 

“I want to be exactly where you are. If that’s looking at lip gloss, then so be it.” 

You smile, a little shy, a little rueful, and turn your attention back to the lip glosses in question. There’s browns and pinks, blush-rose red and moodier cherries. “I don’t…” 

“That one,” James says, poking a barrel with confidence, “would suit you. And this one, too. You’ll look lovely.”

You don’t know what to say. The colours he’s chosen get added to your basket without comment, after you’ve wrestled it out of his unwilling hands. You spend a few minutes spready tester shades of concealer against the back of your hand, where James again recommends the one that matches your skin tone best. He leans behind you, and he does his job, sweeping the aisles and giving the shop a long up and down every once in a while, but for the most part he acts like he’s there to be there. 

You get to the bit of the pharmacy you’d come for initially, the shorter but well-stocked supplement and vitamin aisle. Realistically, you aren’t going to take ten different vitamins a day, and with Marlene’s cooking it isn’t as though you need them, but there are things you’ve always craved. Biotin and collagen, for healthier hair and nails. Multi-nutrient sachets for every day, the good stuff, and so expensive your eyes initially skip over them. 

Your hand hesitates in front of a box and James makes a warm humming noise. 

“They look promising.”

“I’ve never had them before.”

“I have a killer magnesium deficiency,” James says. “I usually take the magnesium and zinc, but that throws my copper out of whack.” 

You can’t tell if he’s messing with you. You smile at him, not quite stickily but getting there, your cheeks appled with it. “Not your copper.” 

“It’s not funny, Princess. It makes me want to sleep all day.” 

“Not funny,” you agree, grabbing the box of sachets and placing them atop the new electric toothbrush you’d fancied. You feel gluttonous and weird with it, because you don’t suppose you really need one, but James had only said That’s a nice colour. 

“James,” you say, meandering with him toward the tills, “you didn’t need anything, did you?” 

He grins at you like you’ve said something different. “I have everything I need, don’t worry.” 

“You sure?” 

His eyes seem lighter, then. Amber flecks in the browned honey of his irises. “Promise.” 

He tries to get you to visit the perfume counter, but the basket is getting heavy and you’ve spent enough as it is. Not even a tenth, a hundredth, a thousandth of what you have now at your disposal, but so much more than you ever would’ve before. 

The lady at the till eyes James behind you. She beams when James opens his wallet and passes you the card you were given by Sirius for expenses, and laughs when you refuse to take it. “I have mine,” you say, “this is all for me, I can pay.” 

“Technically it’s your upkeep,” James argues. 

“James.” You pass the cashier your card as James frowns. 

“I wish my boyfriend offered so quickly,” the cashier says. 

You go hot all over, but before you can tell her James isn’t your boyfriend, he’s laughing and taking the handles of your heavy pink carrier, pulling it toward him as the cashier sorts your receipt. “I shouldn’t have tried, really.” 

“It’s the thought that counts.” She hands you your receipt. “You should to let him pay, chick, especially if he’s offering.” 

“Maybe next time,” you appease. 

You’re still flushed when you and James break outside again, the cold a blessed relief. James lets your pink bag rest in the crook of his arm, while the other hovers behind you, looking around the street unhurried. “Anywhere else you want to go, chick?” he asks. 

You laugh. “She was nice.” 

“Very motherly.” 

“I want to go home, I think. Did you need anything else?” 

“I do all my shopping when I’m not working.” 

“When aren’t you working?” you ask genuinely. “You spend more than half the day at my flat, and when you leave– if you leave, it’s night time.” You give him a sideways glance. “I have nothing else to do today.” 

James contemplates this. “I– I’ve been meaning to get Sirius a gift. It’s his birthday next week, did you know?” 

“No! When?” 

“The third.” 

“What does he like?” 

James beckons toward a neon signed music shop. “He loves music. Music and the macabre, you know, like, horror movies. And he reads, despite what he might have you believe.” 

You fall into step. “Alright. You’ll have to tell me what to buy.” 

Again, he gives you a look like you’ve said something different, like you’ve said something lovely. 

“I can do that,” James says. “I won’t steer you wrong.”

—

Later that evening, after another tentative hour in the car with James’ patient coaching, you return home to shower. It’s luxurious and strenuous simultaneously. The new hair mask is fragrant and silky between your fingers, leaving the bathroom thick with its smell, the warm air clouding the windows. You hurry between the bathroom and your bedroom in a bath sheet and pretend you don’t notice James’ head tipping in your direction. 

“Everything alright?” he calls to your bedroom door. 

You spy on him through the gap. “I’m fine. Sorry I took so long.” 

“Remus has asked if he can come early and have dinner with us.” 

“He doesn’t need to ask!” you call, closing the door soundly. 

It will be nice to have Remus for dinner. He doesn’t have to tell you what fork to use here, you only have one kind, but he explains the heritage or main flavours of each dish and doesn’t make you feel embarrassed when you don’t know the Genovian Marlene uses. Honestly, you hadn’t even realised Genovia had a language, a hodge podge, Remus says, of Italian and French. And Remus has a steady voice that feels evidence of his more humble background —he’s like you, you’ve found out, working class and humbly brought up. He attended their boarding school on a scholarship of academic prowess, and served as a prefect for all seven years. 

“How exhausting,” you’d said. 

“With those two? You wouldn’t believe it.” 

His disdain was feigned, mostly. It’s why you’re excited to have him for dinner. When the boys are together, they end up telling you stories about their hijinks at school, and you get to peek into the window of their lives, see their fondness for one another in praises and shoulder squeezes and their ridiculous nicknames. 

You haven’t managed to ask about them yet. They slip out every once in a while, and in multiple variations. Moony, Moons, Moon and Pads, Pad, Padfoot. Remus’ you’ve deduced from a story they told, how Remus could be oh so moody when he wasn’t very well, like a wolf, a werewolf. Isn’t that clever for a gang of twelve year olds? Lupin, the wolf boy. You have a feeling it didn’t start out as a particularly kind nickname, but it morphed into a loving moniker later on. Sirius’ nickname, however, you’ve no chance at working out. Padfoot? 

And Prongs? You assume James had a nasty run in with a fork. 

You dress in soft, new clothes. Prongs, you think, doesn’t suit him at all. The James you know is only ever prickly when you’re at risk. He doesn’t flinch when you panic, never hardens. He has a soft hand for your back whenever you need a pat. 

Your socks slide on the living room tiles as you make your way in. James is clicking away on his phone, a dark business phone with many, many buttons. It’s dwarfed by his hand. He swears under his breath. 

“Everything okay?” you ask softly. 

James looks up and his gaze snags on you, his head tilted to his phone and his eyes steadfast where they look you over. “Fine. Nice shower?” 

You’re rich now. Every shower is nice, the boiler turned to a high six, hot water neverending. 

“It was good. Where’s Sirius?” 

“I’m actually not sure.” 

“Isn’t that your job?” 

“No. And if it were I wouldn’t know anyways.” He turns back to his phone. “He’s a slippery one, Pads,” he murmurs, “I couldn’t really keep track of him if I tried.” 

You feel as though you’ve caught him at a bad time. Restless, you turn away from him and head for your small kitchen, unsurprised to find Marlene still cooking and the continued remodelling of your kitchen. Old countertops find themselves housing new oiled cutting boards. Your grody cooker seems small beneath a HexClad Dutch oven, where oil bubbles and spits lightly, dough cuts set on a baking sheet beside it. 

“Hi, Marlene. What are you making?” you ask curiously. 

She grins at you from over her shoulder. “Apple cider doughnuts. I’ve made cinnamon sugar, do you mind it?” 

“What’s the thermometer?” you ask. 

She laughs at you lightly. She’s used to you dodging questions. “Just making sure I don’t set your house alight. At home I can do this by eye, but it’s finicky with your oven. She’s temperamental.” 

“Sorry.” 

Marlene waves a hand. “You want to try?” 

“I’ll just be in your way.” 

“No, you won’t. Frying doughnuts is fun, here. I’ve put each of them on a bit of greaseproof paper. They slide right off.” 

Marlene doesn’t usually take no for an answer. She’s not bossy, but decisive. You’re hesitant at first of the boiling oil and the greaseproof paper doesn’t cooperate when you try it, but eventually you’ve freed a crispy bit of paper from the dough, watching patiently as Marlene turns the doughnuts. She tells you about the dark colour you’re searching for, “I’ve put apples in the dough, see, so they’ll come to a brilliant dark colour without burning. We’ll have them with ice cream or whatever you like.” 

”James told you I wanted it?” you ask shyly. 

“James didn’t mention you at all, he just begged a bit for it. He can be quite pathetic when he needs to be.”  

“I resent that!” James calls. 

Sirius and Remus arrive in their usual pair, Remus tall and light to Sirius’ tighter darkness. Remus wears glasses today, black thin frames perched atop a scar on his nose. Sirius is being himself, poking at them and reminding Remus that just because he is an insufferable swat doesn’t mean he has to look like one. 

“You’re worse than insufferable,” Remus says. When he sees you, he brightens. “Ah, Princess. James hasn’t injured you, that’s brilliant.” 

“And you clearly haven’t killed him in a motor vehicular disaster,” Sirius says cheerfully. “Praise be.” 

“We’re both fine,” you say. 

“Were you worried about us?” James asks. 

“I wasn’t worried about you, James,” Remus says with a smirk. 

You eat as you have every day for the week since you’ve been home: around the coffee table, five plates and drinks rearing to get knocked over and ruin it all. Your knees press into Remus’ on the left and Marlene’s on the right. James sits across from you now that Frank’s shown up for his night shift, digging in with vigour, beaming around his fork as Sirius gives him a good nudge. So many people in your crammed flat. It doesn’t seem real. Half the time, they’re just here to keep you company. 

Paid to keep me company, you think, biting your tongue as you do. This isn’t… real. 

Something taps you under the table. James’ hand, you find, long fingers pressing soft into your kneecap. You quickly lift your head again to find him frowning at you mildly. Okay? he mouths. 

“Bit my tongue,” you say. 

“Ouch,” Remus says. 

James pokes his lip with his tongue. “Be careful,” he says eventually. 

You ignore whatever it is he’s not saying and pick at your food instead. For dinner, Marlene has made a traditional Genovian pasta dish heavy with red pesto and steak. It isn’t what you’re expecting, used to the paler whites and greens of the last week's worth of dinner. James couldn’t be enjoying it more, and Sirius has pledged his undying love to Marlene three or four times since you sat down. 

“Jesus, I barely miss Genovia when you cook like this,” he says. “I will happily serve my country.” 

“Unlike before, when you were here unhappily,” Remus teased. 

Sirius looks you dead in the eye. “Princess, I would follow you anywhere. Marlene is an added bonus.” 

“I– I really wish you guys wouldn’t call me that.” 

Sirius looks gently chastened. “Sorry, sorry. It’s muscle memory at this point. If I called Princess Julianna by anything but her title, she would’ve had me drawn and quartered in the royal courtyards, is all.” 

“And the rest,” James snorts. 

“I try not to address her at all,” Remus says to himself. 

Everyone laughs. You join in a second later, wondering about your unknown cousin. “She was rather spoiled, wasn’t she?” you ask. 

“You’d think she’d tone it down some. Her royal status is rather tenuous, you know.” 

James gives Sirius a look. Careful, it says. 

“What do you mean?” you ask. 

“Well, she’s a royal by marriage, not blood. We explained that, didn’t we?” 

James had said it was complicated. You’d been too startled about your own royal status to inspect it any further. “She’s not a Renaldi?” you ask. 

As it’s explained, your uncle (uncle! who is indeed royal by blood, and the eldest son) forwent the throne when it became clear he wouldn’t be allowed to marry a divorced lover otherwise (reminiscent of certain British scandals). Said divorced lover already had a daughter, a young Julianna. And so your uncle remained a prince but not a king, and Julianna became a princess, to the ire of half the country. 

Traditions have changed in time, but Julianna still lacks Renaldi blood. 

“It drives her mad,” James says. He’s leaning back against the armchair now, dinner finished, a big glass of apple cider in his hands. 

“That doesn’t surprise me,” you say. “Sorry, I sound horrible, just. She wasn’t super friendly.” 

“It would’ve been better for everyone if she was,” Sirius says. 

You wait for him to continue. Marlene prompts him, “You think so?” 

“Well, yes, I suppose. Anything is better than a country ruled by Baron Riddle. Evil, loathsome man. He thinks that nobody knows he’s had a nose job, you know.” 

“Who’s Baron Riddle?” you ask. 

A hush falls around the table. You look down at your plate, eyes on the red shine of pesto and olive oil where it’s grown cold on your plate. A hunk of soft bread is discarded beside it. You poke at it with your nail until crumbs flake away, lips parted, not sure what to say. “Is he–?”

“He’s a bad man, Y/N,” Sirius says. His voice has turned soft but not thin. “He’s prejudiced and cruel. If nobody of Renaldi blood takes the throne when your grandmother steps down, he’ll rule Genovia. And he’ll run it into the ground.” 

James isn’t looking at you when you drag your head up. He downs the last of his cider and stands up, murmuring about clearing the table as he carries his and Sirius’ plate to the kitchen. 

“I didn’t know,” you say. Well, you’d known someone would ascend to the throne if you didn’t. But you didn’t know about Riddle. A guilty heat builds in your throat. “I had no idea.” 

“James asked us not to tell you,” Remus says pointedly. 

“She has a right to know,” Sirius says. They glare at each other, but the heat in Sirius’ voice doesn’t rescind. “What? She does. She’s a grown up.” 

You shake your head. “Thank you, um, for telling me. I’ll just take these out, should I?” You gesture to the plates and stand up quickly. You can’t escape the feeling that Sirius is very angry with you, and you don’t want to face it, so you escape the room instead. 

James’ shoulders are tense in the kitchen. He scrapes his plate clean into the food recycling bin, offering his hand without looking for your own. 

“Thank you,” you say quietly. 

“Of course.” 

Silence blossoms like an achy bruise. 

“James–”

“Thank you for having me for dinner, but I really should be going now. I promised my mum an overdue call.” 

He’s angry. 

You cringe away from him. “Okay. Yeah, no problem.” 

“Okay. Stay safe while I’m gone, yes? Remember your panic button.” 

Your hand inches up to the opposite wrist, where your tennis bracelet of sapphires sits tightly. You’d forgotten all about the panic button embedded in disguise under one of the gemstones. 

He smiles at you briefly, and in a minute or two he’s gone. Sirius goes out after him, leaving you and Remus and Marlene to the heap of dishes, a bad taste lingering on your tongue that has nothing to do with dinner. 

[ecto-hazard]

I wanna make a tf2 oc so so bad but I’m terrible at drawing people. Got any pointers?

So you wanna learn how to draw humans. Good for you! Drawing humans is complicated as shit and theres a lot that goes into it. I still need to improve in some areas of anatomy, and especially with drawing shit like clothes. There's millions of good guides out there for drawing all these specific aspects, but they're going to vary in complexity, style, etc. So I've instead put together my bullshit guide for drawing humans that can apply to people of any style and skill level!!!!! Welcome to Grey's 3 steps to draw humans.

STEP 1. DRAW BAD.

People get bashed over the head with the advice of "just practice bro." But the realistic thing is that if you're a perfectionist, it'll make it difficult as shit to improve your art if you don't let your art be bad. This doesnt mean, oh draw poorly on purpose. This is more a mindset thing. Embrace the fact that, while your art might not be at the level you'd personally want it to be, it's still worth making. If you enjoy drawing, it shouldn't matter if its "bad." You'll draw tons and tons of "bad" stuff and eventually look back and realize you've gotten better, even subconsciously. But if you can't get over the hurdle of letting stuff you draw be "bad" sometimes, you'll probably be too frustrated to keep going.

STEP 2. Practice drawing blocky shapes BEFORE details.

This is a skill I learned in the two art classes I took, but you can learn it on your own too. Basically humans have a lot of details going on and it can get a little overwhelming trying to capture it all. Work big to small. Focus on overall shapes first. Keep your sketches light and messy, cause itll be easier for you to overcome the hurdle to change something if you don't like it. Gradually build up to drawing the more intricate shapes like fingers, facial features, etc. If you're doing a full render, capturing the overall shapes of lights and shadows is helpful too!

When it comes to drawing your first sketch, try not to get too caught up in those tutorials that make you draw a specific type of sketch with like all the circles and cylinders and straight lines, thats all fine and good but if you're starting out its just kinda confusing and misses the point. Those are tools that'll help out when you want to hone in your ability to draw things in perspective.

STEP 3. Don't draw humans if you don't enjoy it.

Have you tried drawing humans but just don't really like doing it? Then fucking dont baby!!!!! Don't miss out on making things you enjoy just cause these goddamn humans are in the way! Make em a furry, a mech, an object character, a disembodied gangle of nerves floating in the abyss. Hell if you don't like drawing at all, WRITE em instead! Don't feel shackled by this mortal coil! Shed that shit!!!! Draw whatever the fuck makes you happy, and you'll be on the right track.

Hope this helps!

[doshiart]

🖤 ART TAG 🖤

Hey to all artists! I want to talk about our art journey. Some of us have a long path, some have started only recently, but each of us has had our own individual path and I think it's really important to remember how we all started. And it's also important to share it with others so that no one would be scared to start their own journey and just create.

How did you start drawing? What year was it that you become more seriously and consciously interested in it?

As everyone I'll say I've been drawing since early childhood, but I think the end of 2019 is my beginning. Because that's the time I started to practice actively.

When you felt the urge to share your art with other people? When did you start posting your drawings on social media?

Maybe it's always been? I think for the first time I posted something traditional drawn on my personal social media. I started my art socials in 2020.

Your first/earliest drawing. What were your impressions of it back then and what are your feelings now?

It's hard to track my very first drawing, but here are the early traditional drawings and my very first digital hand drawing. It was before I got a tablet, so it was drawn with a mouse. My impressions? My hand was tired... But if seriously back then it looked like something cool to me and I was surprised that I could draw something like that. Now, of course, I can see all my mistakes. But let's be honest, any mistake is a move forward.

🚧 ALARM 🚧

My very first attempts after getting a tablet.

Should I mention that I was upset at the first second that it didn't work out on the first try?

Your first fanart ever

I had a lot of traditional drawings of Adventure Time (I'm a big fan of Marceline). It's roughly a little over a decade ago.

But in digital, I guess this? Snufkin and The Groke from Moomin stories. [aug 8, 2020]

Your first gallavich fanart

Hi babies! This post and this post.

[nov 27, 2023] - oh my god it's almost a year???

But what if I told you that my sister asked me to draw Cameron Monaghan… Who knew that ten years later I'd be drawing him once again...

When you had bad days and things didn't work out, what inspired you to keep trying?

I just need to rest, try again, or think about what exactly goes wrong. When I started my path as a digital artist I was very inspired by the older work by 'big artists'. No one is perfect at the first moment and there is always a long road of striving and practice behind cool works. And I knew that the more I tried, the more I could consider myself 'cool' too. (spoiler: that feeling is still with me)

Show your old piece that you strongly dislike and tell why.

It's a hard choice. I stopped liking a lot of my work after a time, but this one was initially a struggle. I really didn't like how it looked in the end. I wasn't able to draw it as I wanted, and had problems with the face and dynamics. But the background is cool! (A lot of the work you don't like has some good in it!)

Renee and Andrew from AFTG [dec 5, 2021]

Show your old piece that you very like and tell why. What's the difference with the previous?

I love the shading and the face, especially eyes. And i still love this drawing! Face looks better than previous and hair has a dynamic, and the expression is really good.

Buck Toothsome from School for vampires [nov 8, 2021]

Show your old piece that you were very proud of back then.

I really loved this study redraw!

Ginny with Marcus from Ginny & Georgia [june 22, 2021]

Do you do any practice sketches or warm-ups before you draw something big?

I've started to do it recently! I'd forgotten how many sketches I made in sketchbooks when I was studying drawing.

I tried to change the pen pressure.

Sketch vs Final. Show your process.

Actually, it's been a tough process.

Your most recent drawing.

I'm working on my secret santa's gift right now, so I can't share it 🤭But here's my last sketch during warm-up session 🤲🖤

Give yourself some praise! Look at what improved in your art!

I just want to say that four years ago I would've been shocked by my current drawings. I've really improved in drawing faces and anatomy, I'm trying new interesting composition, trying to learn new things and use it in my works.

Any advice you'd give to your earlier self?

Do more thinking while creating your art. Do a sketches warm-ups before digging into the big work. Don't be afraid to draw it again if something doesn't work. Take breaks to physically exercise!

Set a goal for yourself for the coming year.

I want to improve facial expressions. Make a professional portfolio. Keep growing and enjoying drawing.

I want to see more your drawings...

@deathclassic @suzy-queued @kiennilove @gallapiech @spookygingerr

@konaiiro @michellemisfit @heymrspatel @vintagelacerosette @sgtmickeyslaughter

@burninface @lingy910y @crossmydna @deedala

[salamispots]

posting a gift wip since I know my siblings aren't on here haha

[frascospecimen]

I want to draw her better later but well I love her so much

[ruvviks]

hey if i actually started developing my video game idea would you guys be interested if i posted about it on here

[cuteniaarts]

Small drawing collection of my latest creation Emran as a teenager/freshly minted Air Acolyte, for my dear partner in unhinged OC shenanigans @katkastrofa, as promised <3

[puppyeared]

for like 3 weeks i was wondering why i was sleeping so much and felt listless. and just now I managed to email 3 people and responded to a month old message in the span of an hour because I got back to TAKING MY FUCKIN MEDS..........

[why-rock-look-tasty-if-no-eat]

Because I don't care how or what I eat (moldy grapes/bread, paper, uncooked pasta, ants, undercooked foods, stale cereal, freezer burnt foods, pineapples, burnt foods, suspicious meat, raw potatoes, pinecone (only a bite dw), dandelions, expired foods, foods covered with sand/dirt, grass, marrow) I like to traumatize my friends and family with what I'm willing to eat. Now I get an excuse to traumatize tumblr :D

Frozen milk. Thats the weirdest thing I've had and I'm not willing to so that again. It doesn't really freeze like water so it's really similar to a slushie, but the slushie is frozen. If that makes sense.

[gyudons]

despicable

updates as of 22 oct

Travis Dermott knew that he would draw attention with his actions in the Coyotes’ home opener against the Anaheim Ducks at Mullett Arena on Saturday. The Arizona defenseman just hoped that the spotlight might shine on the issue that he was addressing, not on him.

“You don’t really want to go against rules that are put in place by your employer, but there’s some people who took some positive things from it,” Dermott said. “That’s kind of what I’m looking to impact.

“You want to have everyone feel included and that��s something that I have felt passionate about for a long time in my career. It’s not like I just just jumped on this train. It’s something that I’ve felt has been lacking in the hockey community for a while. I feel like we need supporters of a movement like this; to have everyone feel included and really to beat home the idea that hockey is for everyone.”

“I won’t lie,” said Dermott, who is playing on a one-year, two-way contract. “From the outside, it’s easy to see that I’m putting my career on the line for something. I definitely went through some emotional ups and downs that night, not regretting anything by any means, but I’d love to have maybe done a couple of steps a little different by making sure that everyone was aware of what was going on before I did it.

“I don’t want to put my teammates or my coaches or my GMs or the equipment managers in any kind of bad light when it’s their job to kind of look out for something like this happening. It was definitely something that I did just by myself and was prepared to kind of deal with whatever repercussions the league decides to push towards that. I’m not going to back off and say that this battle is won, but we’re going to find better ways to do it.”

As Dermott noted, LGBTQ+ inclusion is an issue that he has supported for a long time. Without getting into specifics, Dermott said the issue is personal for him because it impacts people close to him.

“I’d be lying if I said I haven’t shed tears about this on multiple occasions,” he said. “So yeah, it’s something I’m definitely very passionate about.

“I’ve met a lot of people that from the outside, it looks like they have everything going right in their life and they have a smile on their face every time they talk to you. But sometimes when we get closer to people and get comfortable enough for them to open up to you, you can see that there’s some pretty dark stuff happening to some good people. It doesn’t take too many times encountering something like that for it to really change someone.

“I’ve been blessed to have some of those opportunities put in front of me to really change my view of what being a good person means; what being a good father and a good example and role model means going forward. You really see how people are hurting and it’s because of a system that maybe no one’s intentionally trying to be malicious about, but until you’ve really had that first-person experience seeing people hurting from it right in front of you, it’s tough to kind of take steps.”

It would be a surprise if the league handed down any sort of punishment. The optics alone would add to the public relations damage that the original ban created. Even so, Dermott reiterated his desire to bring the entire franchise into the fold before he takes similar actions in the future, but he also made it clear that he will not be silenced on the topic.

“It’s not like I’m shutting up and going away,” he said. “I know more questions are going to be coming. We’re just going to be as prepared as we can be to just spread love. That’s the thing. It’s gay pride that we’re talking about, but it could be men’s health. It could be any war. It’s just wanting world peace. Everyone’s got to love each other a little bit more.

“Like my parents said growing up, ‘How awesome would it be to be the guy that people look up to?’ That’s what really hit home when I was a kid, especially from my mom. You want to grow up and be that guy. You want to be the guy that’s having the impact on kids like NHL players had on you. If they had been racist or bigoted, that’s going to have an effect on you.

“With how many eyes are on us, especially with the young kids coming up in the new generation, you want to put as much positive love into their brain as you can. You want them to see that it’s not just being taught or coming from maybe their parents at home. They need to see it in the public eye for it to really make an effect.”

[medicinemane]

Seriously, it would be a mercy to kill me. I'm begging for help dying. Do you not see why it's fucking torture to keep my alive while living with her? I'll never escape her, like there's just no practical way to make it happen

And yet, till I get my act together and find a way to die already, show must go on

[uravitypng]

big beefy number one pro hero deku is absolutely smitten with you, his chubby little girlfriend, and yeah you're a little bit of an airhead sometimes but that makes you all the more endearing to him.

prior to meeting you he used to feel embarrassed whenever he'd ramble too long about heroes or quirks. after some time people would drown him out after he started his disjointed babbling, not wanting to listen to him ramble. with you it's different, the first time it happened he went to apologise to you. jirou once told him he should try and apologise if he realised he did it to strangers afterwards- especially now that he's a pro hero.

so he goes to stammer out an apology after realising he spoke to you uninterrupted about all might's golden age for five minutes and you tilt your head and giggle at him. izuku draws in a breath. "why are you apologising deku? i really liked hearing you speak. what about his other ages?"

izuku felt like he was malfunctioning, "what?"

you bite your lip to stop yourself from giggling again. who knew pro hero deku is so cute? "like the silver age and the bronze age? are those all the ages or is there like a platinum age too?" izuku grins, you're so interested in what he has to say he can't help it. "wait was is all might's quirk again? he's like strong right? that's his quirk."

izuku pauses for a second before barking out a laugh. you pout and glare at him feigned annoyance. 'she's so adorable and ditzy. i need to speak to her again.'

you constantly praise him, not just for hero work either, and ever single time it makes his entire face red. it doesn't matter that you've been dating for four years now and izuku's brought an engagement ring, he still gets flustered with all the compliments.

people compliment him all the time, it comes with the job, but when you do it it means so much more. " 'zuku you're so brave!" "i don't understand this at all izuku, can you explain it too me? you're the smartest person i know." "you're so pretty." "your hair is so soft." "you're the best hero ever!"

a light sheen of sweat covers your forehead after being manhandled by your boyfriend into the cowgirl position, he loves holding onto your love handles and moving you up and down on his cock, with each bounce your body jiggles. you'll lay in bed with your face buried in his chest as you trace the scars on his arms with your fingertips lightly, "you're so strong izuku." you turn to face him and your chubby cheeks lift as you smile. "i'm so proud of you." his heart skips a beat. he's never loved anyone more than he loves you.

izuku gets possessive of you, he doesn't like people touching you. you're his. before you he never thought he would be jealous or possessive but then you came into his life and he nearly broke the glass of champagne he was holding when he saw todoroki talk to you. he knows todoroki doesn't like you like that, he's liked yaoyorozu since ua but he was too close to you and izuku hated it. his legs moved before he could think, walking up to you both with a forced smile on his face. he wraps his arm around your soft waist, tightly, and kisses your forehead. you smile sweetly at him and lean into his body. izuku brought you home earlier than you thought he would that night, holding onto your thick thigh with one hand while his other hand is on the steering wheel, driving you both home.

his jealous nature was cemented a week after when he saw kaminari talking to you. not just talking to you- flirting with you. if izuku was holding a glass like he was last time he most certainly would of smashed it in anger. you don't even realise what kaminari is doing and izuku knows you don't.

you listen to him talk intently and nod your head, you smile at him and laugh at his jokes. to some people they would think this would be you flirting back but you're not, you're just trying to be nice. kaminari has decided to talk to you and you want to be kind and listen to what he has to say and izuku has really admired that quality about you but right now he wishes you could pick up on the clear signs that kaminari is giving you.

izuku snaps when he sees kaminari look at your cleavage and glance at your body, his eyes lingering on your plush thighs. his voice is strained as he pulls you away from kaminari making some half-arsed, offhanded excuse as he takes you home immediately.

when he saves a small child and he gives them his award winning grin all he can think about afterwards is you. 'who are our kids going to look like? will they have my freckles? or maybe her hair? if they're half as cute as her they'll be the cutest kids ever.' he's already planning their bedrooms and his eyes drift to the baby clothes section at stores.

your boyfriend has the biggest breeding kink known to man and you get reminded of that as he folds your body into a mating press and groans deeply in your ear, "can't wait to see your soft body get softer puppy, promise i'll look after, you won't have to lift a finger." you loudly whine, grabbing hold of his large arms, every thrust causes a loud slapping sound with how wet you are. "you're gonna look so pretty puppy. i'm going to pump you full, make sure you don't spill any for me, just like the good girl you are."

izuku adores you and you feel exactly the same about him.

[postmortemnivis]

no grave can hold my body down, i'll crawl home to her.

simon really meant it, every bit of it, he’d come back to you somehow. he would find his way back to you. wether it was walking through the front door quietly not to wake you up in the middle of the night or cold in a coffin. he’d rather have you hold his dead body than not to have you touch his skin ever again.

that’s what simon was thinking about as his ear ringed so loud he couldn’t focus on his surroundings. he looked up at the sky, so blue it almost didn’t feel right. why so blue when so much blood was being shed?

he occasionally would feel the ground he was laying on tremble, maybe a hand grenade, maybe a body falling next to his. the smell of gunpowder filled his covered nostrils and he could feel his lungs collapsing on themselves from the thickness of the air he was breathing. his eyes weren’t doing good either, filled with dust and sand from the dry earth.

it took him a few more seconds to focus his eyes on something, something that possibly wasn’t moving, his head spinning each time he tried to sit up. something was weighting on his legs, holding him down. he struggled to raise his torso and groaned at the sight of a large body blocking him. he let himself fall back down.

he was ready to go, a sharp pain to his side telling him he wouldn’t last long alone. he’d been through worse, way worse, the scar provided by the meat hook was proof of that, but something was telling him this was as bad. he was ready to go.

the only thing he could think about in his last moments was you. he thought he could see glimpses of you, maybe your hair in the corner of his eyes or he’d hear your laugh as another fire shooting started. his eyes searched for you frantically. he wanted to tell you to leave immediately, scream it at the top of his lungs, but his voice was caught in his throat and you weren’t really there. his mind just playing cruel tricks on him.

your name was repeated like a mantra in his head, repeating it so many times it almost lost a meaning. almost. a prayer, a chant. he sure needed to pray, for you.

he had been shelving the thought that tormented him for months. he wanted to go and confess his sins, he almost felt the need, his palms itching with haste anytime he thought about it. years had passed since the last time he had set foot in a church, so many that he had almost forgotten the reason for the visit. the ghosts of the past never abandon you, especially if they are people you love, especially if they are family, the innocent. its always the innocent who pay the highest price.

‘i wonder what she’s doing now, who’s gonna knock on her door and tell her im gone.’ he thought. ‘hopefully price. he’s the one with tact and the most considerate. he’ll help her when i’m gone, keep an eye on her.’

the sweet smell of your hair replaced for a moment the one of blood and gunpowder, your laughter still echoing in his ears. he pictured your sweet face and big innocent eyes looking up at him.

“promise me something?”

“mhm?” he hummed, surprised you were still up. his hand hadn’t stopped caressing your hair since you laid down on his chest, your hand resting on his collarbone as your ear listened to his calm heartbeat. “yeah, anything.”

“promise me you’ll always come back.” you whispered in the dark room. “promise me, simon.”

he nodded, taken aback by your request. you weren’t the fondest of his job, he knew it, he hated to concern you like he did.

“yes.”

“promise.” you urged. “please.”

he bent his head down and kissed the top of yours, his arm sliding down your back and drawing you closer by your waist. “i will, love. i’ll always come back to you.”

you sighed, the knot of thoughts in your worried head began to untie. “mh.”

“better now?” he softly asked. his voice was hoarse from his constant shouting orders at the obstreperous recruits. you gave a short nod. “i mean it.”

he groaned as he managed to get the body off of himself, struggling to get on his knees.

fucks sake, he couldn’t let you live with him gone like this. it was selfish of him to leave you in such an abrupt way, really. he tried to push away the image of you opening the door to find price with a carton box filled with simons stuff from the barracks with the balaclava and skull mask on top and your knees hitting the floor before he could even say anything.

his legs didn’t feel like they could hold his weight up, he immediately fell to his knees as he heard another rapid fire too near him for his liking. his gun was long gone, he had to manage to survive alone, again.

“crawlin’ it is.” he breathed as he started to drag his tired body with the strength of his arms alone. you had always praised his strength: he could lift you with one arm alone, you loved to be held and hold on to his arm anywhere and at anytime. that was the main reason he always pushed for more while training, and the motivation your sweet compliments always gave him now were gonna save his life. he made a mental note to kiss and hold you a little longer and tighter if he ever made it home alive.

he could see the building his team was supposed to meet up in case things got bad. it looked so far away that it was alarmingly close. maybe it was just his messed up vision, a mirage, but he could swear he saw you from a window looking at him, urgently motioning him to come.

he brought the thick balaclava above his nose so he could breathe better and as enemy gunfire continued to flow, he kept his head low as he moved dead bodies from his way.

he could hear your voice calling for him and he wanted to call you for you back, but the noises of the battlefield were hurrying him to get to the safe zone first.

he stumbled by the door as he brought himself up, one hand stabilizing him as he held on to the doorframe as the other went to press on his wound.

“lt!” johnnys voice called before he rushed to help him. “ye cheeky bastard, i told them not to leave yet, to wait for ye.”

“gaz saw you get shot.” price swung simon’s arm over his shoulder in order to help him to the nearest table, where he laid down.

“he saw that right.” simon bit the inside of his cheek as price inspected his wound, pressing on it. “is he a‘ight?”

“he’s fine, hit his head but had his helmet on, he’s getting checked out by the medics.” price informed him as simon winced at the sharp pain. “there’s at least two bullets in here, didn’t pass through, stuck.”

“just take ‘em the fuck out.” simon groaned. “how’s it lookin’?”

“you’ll live.” price patted his shoulder in comfort before he went to call a medic.

“we really thought we’d lost ye there, lt.” johnny’s face was glowing with sweat and blood, the black war paint smudged messily all around his face and his mohawk dusted.

“helicopter’s leaving in thirty, boys!” price’s baritone voice called from the other room.

simon scoffed, sighing and closing his eyes, finally letting himself relax as your figure started to fade from the corner of the room where it’d been standing, silently looking at him. “won’t lose me, can’t wait to go home, johnny.”

[supercutszns]

a place with you; luke castellan

wc: 2.8k (got a little carried away whoops)

pairing: luke castellan x f! reader

synopsis: luke is used to people coming in and out of hermes’ cabin without a second thought. so when you’re having a hard time adjusting to camp life, he doesn’t expect you to stick by his side, even after you’re claimed.

warnings/notes: shy reader going through a tough time, hurt/comfort, pining, kisses, fluff, potential ooc luke i don’t know what i’m doing, most of this is prob inaccurate lol, i got wayyy too attatched to this i am sorry, title inspired by dragon eyes by adrianne lenker

Luke Castellan is the son of a messenger. He’s used to delivering, passing things along, letting them enter his life and leave him. Sometimes it makes him angry. At his father, at the world, at himself.

So when you passed through the Hermes cabin for the inevitable few weeks before getting claimed by your Godly parent, the last thing Luke expected was for you to stay.

When you first got to camp you were terrified. Luke remembers that much. He can still picture you in Chiron’s towering shadow as he led you up to Hermes cabin. He gave you the usual spiel about the cabin, the land of the unclaimed, but it clearly hadn’t quelled your nerves. You were wringing your fingers together when Luke first spotted you, your eyes blown wide in what he knew as shock and a sort of . . . grief. For a life you’d left for what Luke knows as a life you’d never really have. He’d seen it in so many campers before you. He’d see it many times after.

“This is Luke, Hermes’ head counsellor and one of Camp Half-Blood’s finest,” Chiron pointed him out to you at the entrance. After Chiron introduced you, Luke held your name in his memory. Not because there was anything particularly intriguing about you at first, to be honest, because he’d seen a lot of people like you that needed help settling in (although maybe not many his age). It was harder for some people to adjust than most. He knew that better than anyone.

“Nice to meet you,” he stuck out his hand for you to shake after Chiron left. “I’m Luke.”

You sniffed, shaking it without looking at him. You were so, so embarrassed. This whole time you’d been too stupidly overwhelmed to process anything. Why was this so hard for you? Was it this hard for everyone? “Hi,” you managed, and that was it.

Now, weeks after your first meeting, you’ve concluded that it was not, in fact, this hard for everyone. The camp is crowded but full of life. You’ve never seen more happy kids in your life. There’s a sense of community on the wind.

So why can’t you feel it? Why is it so hard to connect with people? To participate in the fun? Everywhere you look there’s people but it’s all just so . . . lonely. You don’t fit. You’re lost.

Luke wakes up at night when the cabin door creaks open. He’s already tossing, so it’s no surprise he catches it. Unfortunately, he’s supposed to be a good counsellor—sneaking out at night is against the rules, and you’ve gotta reign the strays back in before they cause a ruckus. Sure, Luke’s not exactly a stickler for the law, but the least he owes is to make sure everyone’s safe.

Groaning, he draws himself out of the comfort of his bunk but doesn’t get far when he spots a familiar silhouette slipping out the door. He knows it’s you. He’s been hearing crying at night, and this is confirming his suspicions. It makes him ache in a million different places. Every time he thought about approaching you he shut himself down almost instantly, because who the hell wants some random guy coming up to them in the middle of the night and drawing attention?

This time, though, he’s a little worried.

It’s chilly tonight but not too bad, especially when you’re huddled up in a ball on a hill in front of the lake, grass tickling your ankles. Your tears keep you warm.

It’s a sorrow that feels bottomless. You don’t know what’s gotten into you. You don’t know why everything’s so hard.

There’s a scuffling of shoes, and your name is carried to you on the heels of a breeze. Oh God. There’s someone else here.

You sniff and smear your tears on the palms of your hands the best you can but a little part of you only wants to cry more now that you’re all anxious, and you only have a few seconds to collect yourself before you turn around and see Luke, your cabin leader, with furrowed brows. “Oh, h-hi, Luke.” It’s hard to ignore the splinter in your voice. You curse yourself a thousand times.

“Hey,” he says hesitantly, eyeing you in a way that makes you feel entirely exposed. “You, uh, you know you’re not technically supposed to be out here, right?”

You start to scramble to your feet with an apology on your tongue but surprisingly he laughs, a gentle sound, and beckons you to sit back down. “No, no, I’m not gonna get you in trouble or anything, just . . . letting you know.”

It’s uncertain if you should keep sitting, but you decide to because well, you’re already down here, and things can’t go lower than this. Luke comes to sit next to you and you stare out into the sea like your life depends on it. “Wanna talk about why you’re out here?”

“Wh-what do you mean?”

“I mean,” Luke sighs, scooting a little closer to you. “Most people don’t up and leave in the middle of the night because they’re having a great time.”

The answer is too hard to say so you don’t reply.

Again, Luke sighs, and you try not to look at the shadow the moon casts on his admittedly handsome face. “It’s hard settling in, I know. It happens to a lot of people. I’ve . . . I’ve seen a lot of them, and it doesn’t get any easier.”

“Well it sure seems easier,” you snap, and your self-control flies away before you can stop it. “I have no idea why I can’t just suck it up and fit in here. Everyone seems so happy and it’s driving me nuts because I’m just so confused on why I can’t—why I can’t—process any of it.” Tears burn your eyes. “I’m just miserable. I don’t know what’s wrong with me.”

In the corner of your view, Luke’s face falls. “I’m your guide, you know that, right? I can help you.”

You sniff, embarrassingly pathetic. “I know.”

He comes even closer. “So why didn’t you ask?”

“Because I—I don’t know, you’re busy all the time with all the people in there, so I’m sure your job’s already stressful as is, so—”

“My job is to help you,” he says, a hand on your shoulder. “That’s what I signed up for. If you need something, I’m the one to ask.”

“I’m not sure you signed up for me crying like a baby,” you swallow, the ripples of the lake blurring together. “I mean, I’m like, older than half the kids here, and they’re all so much better than me. I’m not good at a—anything, and I’ve tried it all, and nobody’s claimed me yet, and I feel so weird and old and alone and . . .” It’s too much to think about so you dig the heels of your palms into your eyes, hoping the sting wards off the thoughts. “What if I’m nothing? Why am I here?”

You’re crying again, hiccuping into your hands. Shame sears into you. Luke’s arm curls around your shoulders and you realize how cold you are when he’s warm, so warm, and you want to cry even harder. You don’t even know him, but it’s the most tenderness you’ve received in what feels like years. “Hey, deep breaths,” he murmurs, rubbing your arm with his other hand. “It’s okay. Look at me.”

It takes a ridiculous amount of strength to heed him. His hand catches your cheek and you can’t bear to pull away. Something strange rustles in your stomach.

Luke’s taught instinct when faced with situations like these is to reassure that the Gods always have a plan. But he doesn’t feel like much of a liar tonight. Both his hands steady your face towards his, your skin damp and cold beneath his thumb. “It's not your fault. It always takes a little bit of time for people to get claimed, it’s never . . . well, you can never tell.”

“What if I don’t get claimed?” You say it so quiet you can pretend it was imaginary.

His eyes crinkle at the sides when he says, “Well, Hermes’ll always have a place for you.”

I’ll, Luke wants to say, I’ll. His father is not responsible for his cabin’s kindness.

“No one really prepares you for how overwhelming this is,” he continues, thumb rubbing the apple of your cheek. Your vision is clearer now, and Gods, he is handsome, isn’t he? Even when his eyes are forlorn. “It’s harder in a way when you’re older. More to leave behind. Less to look forward to. It’s easier when you have a friend. Or a great cabin head.” He tilts his head with a faint smile, “Lucky for you, I’m both.”

It almost makes you laugh, and that’s enough. “It’ll get easier,” he promises softly. “There’s nothing wrong with you.”

Your cheeks burn. It’s hard to keep his gaze, so you blot at your eyes with your hands as Luke gently slides his off your face. “Thank you. Sorry for, um, all that. And the crying.”

He chuckles, “Don’t even worry about it.” You watch him rise in the throes of starlight. He offers you a hand. “Aren’t you cold?” He asks after pulling you up, and you sheepishly nod your head. He tosses you a sweater he’s been wearing, and it smells like firewood. Nostalgic, in a way. “I’m gonna poke around for some tea. Wait for me back at the cabin.”

Before he leaves, he squeezes your arm and that thing happens again in your stomach. “No need to be embarrassed, by the way. You can come to me anytime. I’m probably less busy than I look.” As he walked away, he added, “And don’t worry about the crying. You’re pretty either way.”

Either way. The tea doesn’t seem important anymore because your face is on fire.

Time reveals that Luke is right. He is a great cabin leader and a friend, and it’s hard to tell which he’s better at. You fall in with him right away. Soon enough, you’re drawn into your new life, so slowly you barely realize it’s happening. The days get shorter and you start wishing they were longer. The nights get easier. And when they’re not, Luke tucks you into his bunk and folds you in his arms until you drift off. You pick up a bow. A sword. Luke tells you to straighten your shoulders with a hand on the small of your back, and you swear it always lingers. You braid garlands of carnations for your cabin mates and they wear them with pride. It’s warm, your cheeks hurt from smiling, and things start to feel like home.

Until you’re claimed.

Now you’re a ghost in Hermes cabin, another empty bunk to be filled, and Luke stares at it until he can remember every last detail of what it looked like when it was yours. A beautiful, gentle daughter of Demeter, no longer in arms’ reach. He should’ve seen it coming.

He sees you with your siblings all the time. You’re so happy and he envies it. You belong there, he knows that, the way your face lights up at the dinner table and how you giggle when your half-sister presents you a flower. But sometimes your eyes wander, and something inside them dulls, until you look at him, too.

Luke’s place at camp is to be nothing but a funnel for lost campers to find their home. He’s a temporary stop in everybody’s journey. He’d made peace with it a long time ago. But here you are, messing it all up, because you still don’t leave him.

You beg him to give you another sword-fighting lesson. You sit next to him at bonfires. You pick him for partner camp activities. It doesn’t matter how many younger boys want to latch onto him for guidance—he sees you heading towards him, and he can’t imagine choosing anyone else.

But you’re always whisked away by your siblings, separated at meals and in sleep and in activities so it’s never, ever enough. Why did he delude himself into thinking you’d stay forever?

After weeks of distance from you, he’s elated when you have even a fraction of a conversation. “Hey, Luke!” You call out to him, and he finds you instantly. You’ve broken away from your siblings to get to him.

“Hey,” he smiles, and hopes he doesn’t look too pleased.

You lean a little towards his ear, and you smell like every wonderful thing in the world. “Can we hang out tonight? On the hill?” You’re a little bashful when you say it and it’s entirely endearing. Even now, you’re still so unsure. “I miss you.”

“I miss you too,” he says almost instantly, and it makes you look less nervous. “Yes. Absolutely. But don’t get caught breaking curfew now, you hooligan.”

Someone calls your name and you give a curt, playful nod. “Yes sir, camp counsellor sir!” He carries your laugh close to his heart until night falls.

You’re already there when he arrives, a vision in the moonlight before he even sees your face. “Hey, angel.”

When you turn around you look flustered. He won’t pretend like it doesn’t flatter him. “H—hi, uh, hello.”

There’s a moment where the world is still. The two of you, alone, for the first time in ages.

He sits down next to you, and it’s like the first time all over again. You get to talking, about your days, your anecdotes, your cabins. The strangeness of it all. “It’s so weird waking up in the morning and not having you yapping in my ear,” you remark, and he teasingly pushes your shoulder.

“Well, one of us has to be the talker, and it’s clearly not you,” he retorts.

You fiddle with blades of grass between your fingertips, weaving them together. “I’ll have you know I had a cabin-wide conversation about Capture The Flag yesterday, and I contributed greatly.”

“Oh, really?” He grins, knocking your elbow to steal your attention. “Look at you, coming out of your shell. I’m so proud.”

It’s hard to hold his gaze for more than a second. You’re afraid you’ll do something stupid if he keeps looking at you like that, but you almost want to. “Oh, shut up.”

He puts a hand on your shoulder. “No, I’m serious. I’m proud.” His eyes rake over your face. “You’re flourishing. You found your place.”

You can’t stop yourself from saying, “I kind of miss my old one.”

There’s a way he studies your expression that makes you feel utterly helpless. You wish you could dish it back to him, but you know you just look awestruck whenever you stare at him for so long. He’s quieter when he replies, “I miss it, too. A lot. Sometimes, I—” His face scrunches up like he just tasted something sour. “Nevermind.”

Frowning, you prod, “What? What is it?”

He sighs and turns to the horizon. This is the first time you’ve ever seen him struggle. “Sometimes, I wish you hadn’t been claimed. Sorry, that’s . . . that’s awful, I know.”

His surprise is evident when you say, “Sometimes I wish I wasn’t either.”

He turns back to you. “Really?”

“Really,” you nod, staring at the beads on his necklace. “You’re the only reason I’ve adjusted here at all.”

“Don’t sell yourself short.”

“It’s true. And I miss you.” A few months ago you would’ve kicked yourself for saying this. But Luke has a way of inspiring confidence in people.

“I miss you, too. So much.” He gently prys the grass you’ve been weaving out of your hands, now a small necklace. “But look at how talented you are. I’ll tell you, I’m lucky you’re still sticking around. For most people, Hermes is touch-and-go.”

Luke leans forward to tie the garland around your neck, and your pulse picks up. “This isn’t about Hermes, Luke,” you try to be firm but it comes out soft. “It’s about you.”

His hands stop fiddling and rest on your neck. When he speaks, you can feel his breath on you. And you have no idea that he’s been waiting to hear that his whole life. “What’s about me?”

It’s not fair, your inability to string sentences together only worsens right when a beautiful boy is this close to you. “Hermes isn’t—it’s not special because of your father, it’s special because of you.”

There is nothing else you can possibly think of saying with the way his fingers trace up your neck and hold your jaw. “Yeah, well,” he murmurs, “The only reason anything in my life is special is because of you.”

You don’t know if it’s a lie or not; you don’t care. His nose nudges yours. There’s a moment where you wonder if this is as close to Elysium you’ll ever get. Then he slips a hand to the back of your neck and pulls you to his mouth.

He kisses you in a near fury, then when he knows you’re not going anywhere, it’s the gentlest thing you know. It’s hard to believe this is even happening. Your hands weave through his curls but he holds you steady, and thank the Gods for that because you’re pretty sure you’re melting. You kiss again, and again, and again, until you genuinely think you’re going to pass out and you have to pull away.

“Aw, look at you,” he murmurs when you can’t meet his eyes, a playful lilt in his voice. “Still so nervous.”

“Would you shut up?” You press your face into the crook of his neck with a huge smile.

He kisses the top of your head. “Love to, angel.”

Luke Castellan is the son of a messenger. He’s supposed to believe he’s bringing the best of humanity to the Gods and glory above.

But screw the Gods. He’s keeping this one for himself.