#I myself am a Taylor Swift fan so this is in no means meant to be disrespectful of Swifties | Explore Tumblr Posts and Blogs

alj4890 · 2 years

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Hello there, I love your writings specially the way you write liam's character and so I had an ask, whenever I listen to Champange Problems by Taylor Swift, I imagine Riley denying Liam's proposal for marriage. It just gives me that royal feeling you know, I would like to request you to write a short excerpt on this scenario. For her personal reasons, Riley, turning Liam's proposal down. I hope it isn't too much to ask for. Thankyou.

I can see why that song made you think of them. It is filled with TRR angst! 😂 I love it when songs make us not only think of our favorite Choices stories and characters but also help in inspiring fan fics for them. I have started a list of songs that I have saved over the years that remind me of certain pairings/storylines. This one is definitely going under The Royal Romance section 😉

I'm making this first person from Riley's point of view for this particular prompt and having it like she is talking directly to us. Thanks so much again @megha-graphy ❤ hope you enjoy it. This is the perfect prompt to get me back into the swing of writing again now that everything is getting back to normal.

@gkittylove99 @krsnlove @kingliam2019 @texaskitten30 @yourmajesty09 @mom2000aggie @ofpixelsandscribbles @twinkleallnight @lodberg @amandablink @neotericthemis @mm2305 @sfb123 @tessa-liam. @moodmusicmonday @choicesficwriterscreations

Rating PG for a word or two.

Song inspiration: Champagne Problems

Masterlist

Champagne Problems

Why??? What was she thinking? How could she do that to Liam?

I'm sure those are the questions revolving in everyone's mind who know what happened. They certainly have been the very ones that I have asked myself every single night since this began, along with a few others.

Why did they have to come into my bar that night? What was it about Liam's actions that prompted Maxwell to ask me of all people to come to Cordonia? How did it get to this point? Why didn't I see it sooner?

Why did I let this happen?

Am I the villain in my own story? I guess in a way I am. I can try to blame others like Constantine. Maybe even Madeleine. But no one made me say it. No one made me cause that expression of pain in Liam's face.

I did this.

Perhaps I could, yes I think I should. Let me start at the beginning. Then maybe you will at least see why I did what I did.

Maybe I will finally understand it myself. I really don't know how it ended like it did.

It's just...*sigh* I...

Forget it. Let's start from the night I met the men who had a hand in changing my life forever.

A year ago...

There are few things that can leave me speechless and on this particular night, I was struck nearly dumb from one such man. I don't think I've ever seen a man more handsome than this one. No wonder he was the one the bachelor party was for.

What girl wouldn't snatch him up as fast as she could? Those blue eyes of his alone are enough to cause heartfelt sighs. Add on his charm, that body of his, that hint of bashfulness. Ugh. No wonder I stayed out all night with him.

Who could refuse him anything when he asked for nothing?

So...lack of sleep, nearly swooning over this real life Prince Charming, and the fact that this seemed like a once in a lifetime opportunity (I mean, is it really once in a lifetime? I doubt this happens even in a thousand years!) I said, yes, to Maxwell's offer.

Not only is it a free trip to Europe, it's a chance for romance and adventure. Who wouldn't agree to something like this?! Right? Surely I'm not the only person who wouldn't even pause to think about it.

If only I had taken a moment to think it through.

To be honest, I didn't really know what I was getting myself into. I didn't think that the end game to all this was a marriage proposal. I mean, I knew that was what was supposed to happen. I guess...I guess I simply refused to acknowledge that it would be me Liam would propose to. Maybe I thought it would all work out.

I mean, if it's meant to be then it will happen, right? All the feelings will be there. The moment will be perfect. There won't be any doubts.

Won't it be like that?

*Sigh*

It should have. I can't believe I did that to...let's get back to the story.

That first night in Cordonia was pure magic. The palace's ballroom was something straight out of all my fairytale fantasies! The people were gorgeous in their costumes. Liam looked like he had stepped out of the movies! That silver mask highlighted those mesmerizing blue eyes of his. Our game of tag after the ball was so freaking cute.

I can still remember how he looked at me as if I was the one who had stepped out of a dream. He was absolutely adorable. I had to kiss him. With the costumes, the setting, the way he touched my cheek...how could I not sink fully into this romantic atmosphere?

Then his worry that he would hurt me in the end. Liam hurt me? *Bitter laugh* If only that had been the case.

If only my heart was the one broken.

After that night, things kinda turned into a competition. It was always one, but I guess I focused on that aspect of it instead of really looking at what the prize was.

I should have. I should have realized that I wasn't taking part in some stupid game. I was playing with people's emotions. I was going to affect a country! I was going to hurt so many.

So many.

Liam.

Drake.

Maxwell.

Hana.

Olivia.

Tariq.

Madeleine.

Bertrand.

Maybe even Regina.

I can't believe I ended up the villain.

*clears throat*

Anyway, while fighting to win top spot in all those ridiculous contests, I got to know Liam, Drake, Maxwell, and Hana. They were all so, I guess lost is the word I'm looking for. It's like none of them have ever had a normal life. I was their chance to experience freedom. Sorta. I mean, can one really be free in this type of environment?

Liam and I would sometimes sneak off alone. I never could resist kissing him in these moments. The way he held me in his arms. *sigh*. He made it so easy to fall in love.

Then Drake and I started to do the same. Just the two of us. I started to see why this commoner was so disillusioned with the life he was living. His troubles touched something in my heart.

I should have just walked away. Told him I was there for Liam only. But no. I was so sure I could handle all this. All these unexpected feelings.

Why did I let him kiss me after the mess with Tariq? Why did I chase him down at the Beaumont's to tell him I had feelings for both him and Liam? That right there should have been a huge red flag!

I'm such an idiot.

And Hana! She'd never had a friend before. She'd never had someone say how great she was. She didn't know how to handle her feelings.

Why didn't I see they went further than mere friendship?

So, as you know from all the news articles that came out, I was caught nearly naked in the arms of Tariq. Liam chose Madeleine the night of his Coronation. And I was hauled off to the airport. I guess I was banished.

Things would have been made right if I had just gotten on that damn plane.

But no. I was talked into returning by the Beaumont Brothers. I was then given the chance to be Liam's love in secret. He made it sound exciting and romantic.

Am I a masochist? Why would I go back for months of insults? Months of trying to win back a prince turned king? Why would I then develop feelings for yet another one of my friends?

How screwed up am I?

Poor Maxwell. Forced to have me as his doll to dress up for every event. I shouldn't have sneaked into his tent that night in Paris. He might have then continued to think of me as nothing more than a friend.

But I needed him and his never ending optimism and support. Nothing was harder than trying to prove I belonged with this group of nobles. I was so tired of my messed up reputation.

Maybe I deserved the scandal. Didn't I walk the fine line of a scandalous woman with men other than Tariq?

Yeah. I think, yeah, I did.

Did I still want Liam? Was I only doing this as a way to prove that not only could I get him but that I could restore my name? My reputation? Rub it in their faces that I, a simple American waitress, was worthy to be queen?

Queen. How did I remain blind to the fact that I was nowhere near capable enough to be queen of a nation? I don't know the first thing about Cordonia's government. I hardly make sense when discussing America's! I slept through my classes in school that taught all that.

And yet, I dared to think I was the right person for Liam. For Cordonia.

No one deserves someone like me, I'm a phony. A mere villain in too expensive designer dresses.

*head drops in hands*

You know what happened next. I kept all these people around me, making them think I was the best. Making them fall even harder for me. I even had Olivia, someone who was in love with Liam, believing I was what he deserved!

*tears begin to fall.*

What you don't know is that Liam told his father to make it right because he...he....

That last night in New York.

I know you know about Liam ending his engagement to Madeleine. I'm sure you know why he did it. You saw Tariq taking the blame for everything that happened, making me innocent once more in the eyes of the world. What you don't know is that Constantine orchestrated it all.

He knew I wasn't good enough for Liam. He knew I was the last person on earth who should be given power over people's lives.

*sobs*

Loved me. Would have chosen me from the very beginning.

And that last night in New York with Lady Liberty as our only witness, he proposed.

To me.

And I...

I...

Said.

*deep breath*

No.

Why, you might ask. Why would I refuse a man, one of the best men I know? Why would I deliberately break his heart? Why didn't I tell him sooner that I didn't feel the same for him? Why did I let him propose?

I don't know. I kept thinking when it happens I'll know who I love. I really thought I loved him. I mean, I do. Who wouldn't love Liam? But to return a love like his, one of such complete adoration. Devotion. A love with one's entire heart laid before you.

I didn't have that. I had feelings for him. Drake. Maxwell. Feelings I shouldn't have if I was meant to marry and spend my life with him.

And I mean, come on. Do I look like queen material? At any point in my story did I look like I deserved any of what I was given, much less the chance to rule a nation?

Nope. Not one bit.

I was selfish. I was self-absorbed. I only thought of the fun parts. The competition. Me winning. Me taking Liam from Madeleine. Me showing everyone I was better than what I actually was.

Me. Me. Me.

I really am the villain of my own story.

*wipes tears*

So, you're probably wondering what happened next. I ended up saying goodbye to everyone. I couldn't be with any of them, not after the realization that my heart was too stupid to choose between them.

Liam, too good for this world Liam, offered me a chance to have a home in Cordonia as a freaking duchess! Who does that? Can you even begin to imagine the type of love this man must have after I refused to marry him??? I can't. I know I don't have that within me. I wouldn't give my ex anything much less a home and better life.

I at least had the decency to say no to that too.

Liam left. They all did. I didn't stay in New York. I was afraid that I might see them again if they returned for U.N. visits. I erased all their numbers then changed mine before I left town.

No need to remind them of sadness. Broken hearts.

How awful I ended up treating them.

I moved to Reno. I waitress at one of the smaller casinos. There's no chance a king and nobles will come here. They'd go to Las Vegas before thinking of coming to Reno. I have a pretty decent apartment. I've made a couple of friends. Even been out on some dates. Nothing too serious, which is good.

I still keep up with Cordonian news. Liam recently announced his engagement to a noble from a nearby country. The way they look in photographs let's me know it is a love match. They each have the biggest smiles on their faces when they look at one another.

Hana has even been seen on the arm of a handsome noble that I remember meeting once or twice. She too seems to have given him her heart.

Maxwell is now a writer. His latest book is being turned into a movie. I was a little scared when I heard he was back in America, but he is spending his time in Hollywood. He's got a ton of actresses and models wanting his attention.

I don't know anything about how Drake is. I usually see him in the background of photos. Hopefully he's happy. Hopefully he found someone else to give his heart to.

Madeleine has been spending most of her time in the U.K., at her father's duchy. I guess she's okay.

Olivia is another one I don't hear much about. I hope Liam's new engagement doesn't hurt her more than the other did.

Tariq was granted a pardon of sorts from Liam. Maybe he can go home soon and live the life he once had.

Bertrand ended up marrying Drake's sister. They seem to be doing well if the few pictures and articles I've read are anything to go by.

Regina has moved on now that Constantine is dead. She is probably helping plan Liam's wedding to his new love.

They've all gone on without me. My part in their lives was brief and I pray that it didn't do any lasting damage. I never wanted to hurt them. Never planned it.

But I never stopped it from happening either.

*sigh*

I guess that's it. I think I did the right thing by walking away from everyone and everything that came from my brief time in Cordonia.

Didn't I?

#choices trr #the royal romance #choices fic writers creations #mood music monday #song prompt #prompt request #trr liam #trr drake #trr maxwell #trr hana #trr madeleine #trr olivia #choices the royal romance #choices the stories you play

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tpwkay · 4 years

Text

Medicine (h.s.)

You’re finally given permission to cover the song you’ve wanted to perform for years and a special surprise during your performance sweeps you off of your feet.

Word count: 11.5k

Rating/warnings: NSFW - A lot of this is plot but there is smut as well. Contains explicit language and consensual sex acts between a man and woman. This is a story written in the 2nd person (“self insert"). This isn’t written to be exclusionary, it’s just my preferred style! Author’s note can be found at the end!

"Ladies and gentlemen, I cannot thank you enough for coming out tonight to listen to me and the band. We've got a couple more songs coming up for you but I just wanted to take a minute to tell y'all how much we appreciate you." You gesture to yourself and the band behind you as the lights on stage come up a bit. "We wouldn't be where we are without your support. From the bottom of our hearts, thank you!"

The crowd cheers and you can't help but experience an insurmountable feeling of joy. It never gets old. You'd been in the spotlight for a few years now, already at the end of touring your second album, though the size and scope of venues this time around was much, much larger. There was nothing that compared to being able to sing your own songs and have a crowd of thousands scream them right back at you.

Being an up-and-coming singer and songwriter in the genre of country music hadn't been easy. Girls your type had been a dime a dozen, hoards of Taylor Swift-wannabes covering "Teardrops on My Guitar" during open mic night. You held nothing against them; there was a path to success for everyone, but yours had been, well, different.

It was a karaoke cover of Brooks & Dunn's "Boot Scootin' Boogie", a song that you'd been singing since you were a toddler, that had gotten you noticed by a recording artist one night while out with your girlfriends, which led you to where you stand now, performing in front of thousands. You were liked for the range of your voice, with it's easy easy transitions from the sounds of pop to country and rock, in addition to the way you performed, and your take-no-shit attitude towards the entirety of the industry. People liked that you were forward and left nothing on the table, though you had to admit that it was mostly an act, a means of coping with the pressure of working your way to the top.

///

"It's refreshing!" Jax, your manager, had shouted one day, arms flailing as you had argued that maybe your attitude was going to get you into trouble one of these days.

"Aren't you, as, you know, my manager, supposed to be the one keeps me in line?"

"You aren't out doing coke, killing anyone, public indecency and all that," he had shrugged. "Far as I'm concerned, you are in line. People talk about you because of your attitude. They like it! They like you. Why is that so hard for you to accept sometimes?"

"Maybe I just haven't been caught doing those things," you grinned, effectively dodging his question. Fame hadn't helped break down the walls that you'd long ago built around yourself. If anything, you had done some reinforcing, built a moat even, in an effort to ensure that you protected yourself from getting too close to anyone that would only end up using you in the end. You had seen the way people in life had been used, and what it ultimately led them to, and you had promised yourself long ago that even if it meant being known as the Boot Scootin' Bitch, you would protect yourself and your heart at all costs.

"Your momma would tan your hide for much less than any of those, you know. Hell, you should be more afraid of her than you are of me or anyone else… 'cept maybe God."

///

You shake your head, working the memories free from your mind as you grab a bottle of water from the platform on which the drum set rests.

There's one more song of yours to sing before you performed a new cover, the one you had been looking forward to for months. Although you'd gotten permission to perform it not long into the start of your tour, the set list had been rehearsed already and every other detail ironed out around it. You'd convinced Jax and the crew to let you slot it into the last concert of the tour, Austin, Texas. These folks knew their music and for some reason, they liked you so you were thrilled to be able to share something new with the crowd that had welcomed you to their city with open arms.

You grab your guitar off its stand and slide the strap over your shoulders, adjusting it as you step forwards to the mic stand. A shimmering blue shirt catches your eye in the crowd and you do a double take because surely it can't be Harry because he's—

And it's not him, of course, though the fashion of the gentleman in the pit area would surely catch his eye as well as it's right up his alley. It's not him - it can't be him - because you know exactly where he is right now and it's not in the pit of your Austin performance.

A grin stretches over your face as you think of him. You strum the first chord of the first song you'd ever written about him, although there had been many more since. He probably knew this one was about him, having come just after your first meeting.

///

A friend of yours was good friends with Kacey, who had been the guest artist that night. Her name had been added to the VIP list and in the summer of 2018, just as you were hitting your own stride in your career, you tagged along with her to Harry Styles' live tour performance in your hometown of Nashville.

If you were being honest, prior to his concert, you hadn't heard much of his solo work, apart from the various huge hits like his Kiwi or Watermelon Sugar and a few other ballads. You liked his sound, seemingly influenced heavily by rock stars of days past, but you'd had other influences to worry about in your own side of the industry.

Sure, he had country music connections through the likes of Kacey Musgraves and Cam, and legends like Stevie Nicks, but his pop and soft rock style was pretty far removed from most country playlists that you yourself had graced. Your genres just didn't cross paths and the two of you seemingly operated in different realms of the music industry, topping your own charts and breaking your own peer's records.

Of course, you hadn't been completely oblivious to The Harry Styles. One Direction had been too big of a deal to ignore and you'd often found yourself bopping along to their old hits, singing along as they played amongst the other nostalgic pop hits to which you listened.

The concert had been in June, a hot sunny day followed by a perfect breezy evening. Downtown Nashville was always busy, but that night the city seemed to buzz, bright with music and life. After meeting for drinks at Acme on the River, you allowed yourself to luxuriate in getting lost in the crowd that milled about on Broadway. It was a surprising thing to not be recognized in your hometown, but you weren't one to complain about it. It was one reason that you value your time in Nashville over other music-centric cities like Los Angeles - it seemed that people here respected the private lives of musicians. There was an odd fan here and there, but you'd lived a majority of your "famous" life in Nashville in relative peace.

You were early to the venue, your friend having wanted to have a chance to see Kacey backstage. You were excited to finally meet the star - though you'd been around the block of fame a bit already, there would always be people that you never had an opportunity to meet in passing. You had been greeted at will call and had been led backstage.

The arena was alive with excitement. At that point, you yourself had never toured a venue that large, so the experience of being backstage and seeing the operations first hand were thrilling and a bit overwhelming. In her dressing room, Kacey pulled you straight into a hug, gushing about how excited she was to watch your career take off. She insisted on sharing her personal cell phone number with you, urging you to call her to get together on a collaboration. You were in shock leaving her room, blown away by her kindness and the way the music industry worked in the most bizarre of ways, when you turned a corner and ran smack into a tall, solid, smiling Harry Styles. His arms had come out quickly to steady you on your heels boots.

"Fuck," you swore, shaking your head at your clumsiness. "I am so sorry. What a great way to introduce myself."

He laughed and the sound flowed through you, warm and sweet like a cup of tea with honey. "Y'alright?" His eyes looked you over, and you couldn't help but notice the way they lingered.

Your cheeks blushed and a wave of embarrassment washed over you. "I'm the one that should be asking you that. I don't think your adoring fans would be very happy if I took you out with a textbook tackle right before you're due to go on stage." You took a moment to give him the same appreciative glance he had already given you, admiring the way his deep blue custom-beaded suit jacket fell open to reveal a black dress shirt, unbuttoned halfway down his chest.

"Ah, 'm fine. Lil' thing like you couldn't do too much damage to me, even in those heels. Don't think they'd be very happy though," he said, nodding his head in acknowledgement of the already-rowdy crowd while offering his hand. "I'm Harry."

You laughed as you introduced yourself, shaking his hand.

"I've heard that name before, but I'm sorry to say that I don't recognize you. You don't seem like one that's easy to forget."

"I sing, write music," you shrugged, not sure how to explain to a superstar that you were on the way up, yet still somewhere much farther down the fame totem pole than him. "Country, mostly. Not sure if that's on your radar."

"The new stuff's not, but I may have to change that." He was tapped by one of the event producers, needed for another pre-show procedure. "Where will you be tonight?"

"To your right, in the pit."

He smiled and you had almost immediately fallen in love with the crinkles that appeared under the corners of his eyes. "I'll look out for you. It was wonderful meeting you. Oh, shit, wait, just remembered— may I?" he gestured for the phone that was in your hand and you unlocked it before passing it to him.

You watched as he dialed a number and put the phone to his ear. He paused for a moment before he grinned. "Hi Harry, it's you from before the show. This is a message to remind you to text this number and ask the owner of it out on a date. She's the one with the beautiful smile and great tackling skills. You won"t have forgotten her. 'Kay, bye!"

You laughed at an almost embarrassing volume, blown away by his cheek.

"Why not ask 'her' out now?" you pondered to him as he handed the phone back.

"What, and risk getting shot down? Wouldn't want to be sad and disappointed through my whole show, now would I?"

"It would make the ballads a bit more emotional," you had reasoned with a grin.

"Ouch! They're already filled with emotion, love. You'll see, I'll sing 'em right to you if I have to. Gotta run, thank you for letting me use your phone, that was a very important message!"

You laughed again as he took off. "Harry!" you had shouted to get his attention in the busy hall. He turned quickly, a small smile on his face. "She definitely won't say no, but you can wait until later to ask if you want to."

His grin stretched wider and he'd pumped a fist in the air before turning and jogging down the hallway.

You liked to joke with anyone who knew the story that your life had changed that day all because you met Kacey. Which wasn't a complete lie - it had been her dressing room you'd come out of before slamming into Harry in the hallway.

///

Singing the last lines of one of your songs, your stomach began to flutter in a bit of nervousness and a lot of excitement. Performing the next cover was something you had been looking forward to for months, and the moment that you got to share it with your fans was finally here.

You retreat from the mic stand to pass your guitar off to a stagehand, taking another sip of water to settle yourself.

"Doing alright?" Wyatt, your drummer, shouts over the pounding bass drum and you give him a thumbs up before turning back to face the crowd.

"I've got one more cover to play for y'all tonight," you say, grasping the mic stand to keep your hands from shaking. "I've been working on getting permission to play this one for quite awhile now. I fell in love with it the first time I heard it played and now here I am, performing it for you all. It's an unreleased piece by a very, very good friend of mine, but his performances of it are all over the internet so some of you may know the words. This song is called Medicine."

The song starts out with a steady bass line and the rhythm centers you a bit, steadying any nerves that still linger. The intro gives you a minute to shake out your shoulders and get comfortable at the mic stand once more like Harry does at each performance. You catch yourself having fun mimicking him and feel thankful that you're able to perform one of your favorite songs of his. When the bass drops in pitch and the electric guitar riffs, you slide in close to the mic stand.

"Here to take my medicine, take my medicine," you sang the opening lines, already settling into the sexy rock sound of the song you and the band had rehearsed relentlessly over the last few weeks. No, the genre wasn't one you normally dabbled in, but part of the fun of performing was taking chances, risks. You had to admit, you liked the sound a lot. It tempted you to branch out a bit more on your upcoming album.

The opening lines of the first verse throw you back into thoughts of meeting Harry that first night. You hadn't imagined what would follow the concert, let alone have the foresight to see it bringing you to this very moment in time.

///

You had been standing outside the arena after the concert, ears buzzing and heart thumping still from the incredible show Harry had put on. As soon as he disappeared from the backstage hall earlier, you had immediately saved his number to your phone, still in disbelief over the night's events.

Your heart had soared when your phone began to vibrate, not in a text message but in a voice call. Harry's name appeared on the screen and your friend had nudged you, clearly approving of the night's turn of events.

"Harry," you answered, ready to praise him halfway to Sunday on his performance.

"Let me take you out," he interrupted you. "Right now. Please? Anywhere you want to go."

You laughed and paused. "Yeah, okay. I might know of a place."

There was a lot of shuffling on his end before his voice came back on the line. "Might've had to do another fist pump."

"Told you she wouldn't say no."

"Where are you?" You heard the smile in his voice, already familiar with it.

"Demonbreun and John Lewis, headed towards the park."

"Give me 10, I'll pick you up." He paused. "Be careful, okay?"

"I'll stick with the hoards of your fans milling about, maybe ask some of them for the hot gossip on you while I wait."

"Don't believe anything they say," he said, and you could tell he was still smiling as he hung up.

He and his driver arrived shortly after, Harry's hair damp and covered with a baseball cap, dressed down in black pants and a simple loose white shirt, tattoos peeking out everywhere you looked. He exited the car and opened the back door for you, helping you balance as you stepped up into the large Suburban.

"We'll go to Pecker's," you said to his driver, laughing as Harry snorted next to you. "Shut up, it's just a bar. Take a right up here onto 24 and it'll take us all the way to Fairfield. It'll be on the right."

He looked at you and smiled before reaching out to hold your hand in the middle seat between you.

Taking Harry to Pecker's had just felt right. It was where you'd been discovered, where all of your adventures had started, and you weren't sure why but you wanted to share that small part of you with him after watching him up on stage that night.

"Won't people recognize you? I looked you up before the show, you're apparently a pretty big deal around here." He had asked, smirking, sipping on the locally-brewed beer that Clint, the regular bartender, was serving that night.

"Locals are pretty good about not interrupting our normal lives. Pecker's isn't as well known to tourists either, so it's a good hideout. This is where a lot of producers, executives and all the other professionals come to unwind." You ignored his comment on your fame and had taken a sip of your margarita instead. "Unless, of course, there's a drag show scheduled, then it's a bit of a madhouse."

Harry laughs into his drink and you grin. "So," he started after a pause, twiddling with the rings on his right hand. "What'd you think?"

"It was incredible," you said without hesitation. "Truly one of the best live shows I've seen in a long time, country acts included. You've got such a magnetism about you that people can't help but want to watch." You blushed a bit, alcohol and the quick comfort of him loosening your lips. "The whole water spraying trick was hot," you admit, making him blush. "And don't tell Stevie, but I think I might prefer your version of The Chain."

"Sacrilege! That's some incredibly high praise," he said, a small smile teasing at the corners of his mouth.

"Earned and deserved," you said, tilting your glass to his. "Honestly, Harry, you're an incredible musician. There aren't many out there that have the whole package like that."

"What about you? You seem like the whole package."

"I don't know if I'd say that. If you looked me up, you've likely seen what they say about me. 'My attitude won't get me far' and all. But I don't think it's my attitude, so much as it is my willingness to take the risks that others won't. I'm not out here to make music that's just there to be sold. Hell, I couldn't care less about the money. All I want is to create music that makes me feel fulfilled, and I think that honesty scares them." You twirled your finger in the condensation of the glass in front of you. You glanced up to his face finding his eyes already on yours, holding your gaze steadily. "It doesn't scare you, does it?"

"It's the most refreshing thing I've heard in a while. Not many people in the industry are fearless in the face of failure like that."

"I'm definitely not fearless; I just refuse to change who I am to make a buck."

"Who are you then?" Harry had asked, and telling him your story was easy. You couldn't understand how it was so natural, opening up to a stranger, but as the conversation wore on, you realized how similar you and Harry were in terms of the way you conducted your professional lives and that was without apology.

And you also realized, as the evening continued and you and Harry crept your bar stools closer and closer to one another, feet and knees bumping, his fingers tracing the ridges of your knuckles as you shared life stories like long lost friends, that you didn't want it to end.

///

"He's acting like a gentleman," you continue, changing up the lyrics slightly as you finish the first verse. The line always made you smile and you let yourself briefly flash back into your reminiscing about the night you'd met Harry, and how, even though he had acted gentlemanly upon dropping you off for the evening, you wanted to be anything but a gentlewoman.

///

After enjoying drinks late into the evening at Pecker's, Harry had insisted on having his driver take you home rather than allowing you to call an Uber.

"Such a gentleman," you commented as he opened the car door for you once again.

"Maybe my gentlemanly actions have motives," he said, sliding his hand along your lower back as you step past him and into the car. Your grin matched his smirk as he shut the door and you decided that he'd been right - not calling an Uber was the right thing to do.

The car ride back to your apartment building was too quick and before you knew it, he was at your door again, offering a hand for you to hold for balance as you exited the car. Neither of you let go as you walked through the lobby towards the elevators.

"You're uh— You're welcome to come up, if you'd like," you said, suddenly shy but not wanting to chicken out on asking for what you wanted, asking for some continuation of this sweet but likely brief meeting between you two. "For a drink, I mean, or to keep chatting, you know."

Harry smiled and glanced around the empty lobby. His hand in yours smoothed up the length of your arm, over your shoulder, and came to rest at your jaw. "I'd love to, believe me. You have no idea how much I want to." He leaned towards you, pressing a quick kiss to your forehead and your skin burned at the contact of his lips. "But I want to do this the right way. Don't want you to get the wrong idea of me."

"What if I want the wrong idea of you?"

He laughed, the sound open and honest and it had given you hope. "You called me a gentleman earlier and I have to admit that I liked it, coming from you. Would like to keep up the facade that I am, even if it's just for a bit." His face searched yours, each of you trying to read the thoughts that were flying through one another's minds. "You have beautiful lips," he whispered suddenly, his accent thicker than it had been all night.

Your mouth quirked into a smile, unable to do anything but preen at his compliment. "You do too," you replied, just as softly.

"Can I kiss you?"

"Please, yes." Before the words had settled he was kissing you, slowly and with too much care, like you would break if he wasn't gentle enough. It was over much too quick but you knew you would remember every moment of it for the rest of your life.

"Christ, I'd wanted to do that all night." His thumb smoothed over your cheekbone, smiling when you leaned into the touch. He glanced up as the elevator doors swung open and gently nudged you towards them. "Thank you, truly, for a wonderful evening. I promise to give you a call soon."

"I'll send Kacey after you if you don't!" you laughed, stepping into the lift.

"Good night darling." He winked and the doors slid shut, leaving you alone with your thoughts and the delicious ghost of his lips on yours.

///

"Give me that adrenaline, that adrenaline, think I'm gonna stick with you," you finish the first verse as Ryann rips through the chords on her guitar. You loved that the song built slowly, and even though that meant a quieter beginning, it promised an explosive end.

Though the crowd had been hesitant at first, you can see that the first few rows of them are nodding along, countless phones out recording the performance. You know that somewhere out there at your request is a member of your press team, professionally filming the cover. You may only be doing it once, but you were determined to make sure you would never forget it.

///

You had enough time at home to check some of your social media accounts, shower and get comfortable in bed before your phone rang again. For the second time that day, your heart soared seeing Harry's name light up your screen.

"If you're going to say that you're downstairs because you've reconsidered my offer for that nightcap, I'll need a few moments to prepare as I'm currently in my pajamas," you said as a greeting and you were met with his warm laughter once again.

"No, no, I had to go back to the arena for a bit anyways, pack up and all of that," he said, still chuckling. "I just— I wanted to make sure you weren't offended by me declining your offer. Because I wanted to— I didn't want the night to end there. There's something about you that's… Transfixing. And I don't want to ruin that and make you think you're just a fling."

"That's quite a compliment," you said, a bit awed by his words.

"What was it you said earlier, "earned and deserved", yeah?" He said, quoting your toast to him at the bar, making you grin. "I want you to be more than that. I'd like to get to know you, the gentlemanly way."

"Okay. Will we have a chaperone at our next date then?" He laughed but didn't correct your referral to that evening as a date. You had snuggled a bit deeper into the sheets, still disbelieving that all of this had been the result of being dragged along to a concert.

"No chaperones," he chuckled, "but yes, I do want to take you out again, if you'd let me."

"Hmm," you jokingly pondered aloud, as if answering with anything other than a resounding "yes" was on your mind. "I suppose I could fit something into my schedule."

"I hope that's a yes."

"Of course it's a yes! I didn't want the night to end either. And don't you dare say that you just did another fist pump," you had laughed, hearing the familiar shuffling of the phone on his end of the line.

"Me? Never!"

"You're adorable," you had said, a smile stuck on your face.

"And you're beautiful. Two can play this game."

There had been a comforting silence between you for a moment before you had spoken up again. "Harry?"

"Yeah, love?"

You had blushed at the pet name but loved the way it sounded being directed your way. "Thank you," you had whispered.

"Should be me thanking you. Sleep well sweetheart." You'd fallen asleep with your phone in hand, hopeful that you wouldn't wake up the next morning to realize it had all been a dream.

///

It hadn't been a dream, and here you were, nearly two years later, performing one of the songs that Harry himself had sung the night that you'd begun falling for him.

The second verse continued quickly and you let the lyrics wash over you as you sang, loving the way the rock energy of the song sounded with a bit of your band's country influence.

"Here to take my medicine, take my medicine, rest it on your fingertips," you sang, holding your pointer finger in the air much like Harry did every time he performed the song before bringing it to your lips as you sang the next line. "Up to your mouth, feeling it out, feeling it out."

///

Beginning to date Harry - properly date him too, not just make FaceTime calls to one another from across the world and sending texts back and forth until the wee hours of the morning thanks to the differences in time zones, sharing everything and more with one another as best you could digitally - had been the most exhilarating experience of your life, and you had performed in front of sold out crowds and accepted awards on live television. His tour was due to stretch on for almost another month throughout North America and the next time you saw him was when you'd been invited as Harry's guest to his show in Chicago just a few weeks after you'd met.

While he had put on an incredible show for the United Center, there had been moments that felt like he was performing just for you, glancing over to where you stood in the Friends and Family area, meeting your eyes and grinning. By that point, you could sing along to every song of his and you knew he loved it, loved watching you dance along to the music that he had created and was performing.

In a moment where you were thankful for the differences between the genres in which you two performed, you hadn't been recognized at all by his fans. You'd both talked about wanting to keep things quiet as you got to know one another, and you hadn't wanted a relationship with him, an already incredibly famous artist, to somehow influence the trajectory of yours. While it had been easy when you were apart, being together without seemingly being together was difficult. Especially in that moment, when all you wanted to do was curl up into him and soak in the post-show bliss with him. Instead, you sat on the couch with him, a cushion apart from one another, holding his hand tightly while you chatted about the concert.

"Someone is gonna notice that you looked to my side of the pit constantly all night," you said and he grinned guiltily.

"I like knowing you're in the crowd," he shrugged. "Besides," he scooted closer and threw his arm around you before dragging you in close, "you look incredible, how could I not want to stare at you all night?"

"Anyone could walk in," you pointed out, watching as his eyes followed your lips.

"Just want a little taste," he said, moving in closer, "Haven't I earned a kiss from my girlfriend after all of that work up on stage?"

Your eyebrows raised in surprise as you looked at him and he seemingly realized his slip-up.

"I mean— What I meant was— Shit," he scrubbed a hand over his face but you could tell he was hiding a grin. "Wasn't exactly how I wanted to ask you, but… Will you officially be my girlfriend?"

"Yes, H. I'm all yours."

"Love it when you call me H." He pulled you in for a kiss that you both lost yourselves in, finally able to experience the feeling of one another after being denied it for so long. When a knock at the dressing room door came, Harry had to all but drag himself away from you, hair disheveled and lips swollen, scowling at the door.

You threw your head back and laughed as he stalked over and pulled it open with a flourish.

"What?"

"The hell's your issue?" you heard Mitch ask before Harry widened the door so he could see you laughing on the couch. You raised a hand in greeting and Harry's scowl deepened as Mitch chuckled, taking in both of your disheveled appearances. "Oh, shit, hey, sorry. Uh, car's ready when you are. See you tomorrow bud."

"Harry!" you chided once he'd closed the door in Mitch's face, giggles still bubbling out of your mouth. "He was just being polite."

"Interrupting arse is what he is," Harry said, sitting down and pulling you into his lap. "Where were we?"

You threw your arms around his neck and pressed your body as close to his as possible, hoping that he'd thought to lock the door before returning to your embrace. "Right about here, I think." With a hand on your hip, sliding under your shirt to reach warm skin and one at the back of your neck, Harry kissed you until you were breathless and not only wanting more but very seriously needing it.

"Come back to the hotel with me," he murmured against your lips as you ground your body down on him, reveling in the way the action made him throw his head against the back of the couch and exhale sharply.

"You sure?" Your hands smoothed over the chest of his skin, tracing the dark swallows with your fingertips as you rolled your hips.

He shuddered at the light touch and gripped your hips tightly, pressing his up as you pressed yours down and the action made you sigh, the pressure a delicious tease of what was hopefully to come. "Absolutely," he said, his grin telling you he was pleased with the noises he was causing you to make. "Want you so bad, like I won't be able to breathe right until I properly have you."

You leaned in to kiss at his neck, his shower-damp curls tickling your cheek. "The feeling is mutual. Adored watching you up on stage tonight. Have I told you yet how much I love seeing you perform?" You nuzzle at his neck, urging him to tilt his head back farther, exposing more of his skin to you.

"Yeah, you have, but tell me again," he sighed, his hands running up and down your back.

"It's like when you get on stage no one else before or after you matters," you said honestly, letting your lips against his skin hide how truthful you were really being, spilling all of your thoughts about seeing Harry up on stage. It was scary, feeling so deeply for him already. But you wanted him to know, at least in part, what it meant to be able to watch him perform. "Something about your live voice just makes my breath catch in my throat, I can't get enough of it."

Harry breathed deeply for a moment, working to center himself while you nosed at the curls around his ear and heaped praise upon him.

"It's like you connect with every person out in the crowd, like you're singing just for them. You can tell that you're having fun and people want to join you in that. They know you love the attention," you whispered and he hummed in appreciation (or agreement), the sound low in his throat. "They'd stay out there all night for if they could, screaming about how much they love you."

"And you feed into it, playing it up for them. You know exactly what you're doing when you get to act a little bit naughty up there, driving them all mad," you said with a smile.

He chuckled and you could hear and feel the sound rumble through him. "Played it up for you tonight. Did it work?"

"You mean did it make me want to jump your bones the second you came off stage? Yeah, it worked."

"Fucking hell," he said, holding you close with his hands on your butt as he stood up. "Our first time is not going to be in a dressing room so we need to go now."

He let you slide down his body and held you steady as you balanced on your legs. "Would be pretty fitting though, don't you think, given how we met and what we do?"

"Yeah, but then I'd think about it every time I was in one. You wanna torture me relentlessly?" He pulled you tight against him, kissing you once more before separating to grab his bags.

"Yeah, relentless torture sounds like something I might be into."

He glanced up at your words, eyes dark and hungry, a smirk on his lips. "Careful what you wish for, love."

///

The bass line increased behind the riff of Ryann's guitar and you leaned into the mic stand, eyes closing as you continued singing the first bridge. "I had a few, got drunk on you and now I'm wasted, and when I sleep I'm gonna dream of how you…"

There were a few fans of yours and Harry's who apparently knew the words as they helped you out, screaming the unwritten word that finished the sentence: "tasted."

///

Harry was quick to say goodbye to everyone on the team before pulling you quickly through back hallways and down quiet staircases, sneaking quick kisses when he was sure there was no one around. You were both out of breath when you finally climbed into the car, grinning like kids getting away with sneaking around.

The hotel ride was quick, mercifully, but Harry had been anything but patient, his hand at your knee creeping up slowly, closer and closer to the hem of your dress, toying with the hem while he chatted with the driver.

"I'm gonna head in first with Martin and Eric will loop around and drop you off at the side entrance. I would wait in the lobby for you but this hotel hasn't been the best in the past with uh— containing sensitive information, we'll say, so Martin will meet you on your floor to get your stuff, then bring you up. Is that okay?"

"You sound like you've done this before, Styles," you said with a wink, using humor to cover the nerves that had settled in the pit of your stomach.

He blushed and you loved knowing you got under his skin so easily. "The band used to stay here when we toured… and I was young and dumb once, yes."

"Just giving you a hard time, H."

His grin stretched as he leaned over to peck your lips once more. "See you in a minute, love."

Harry climbed out and the driver took off once again, slowly circling the block. "He's quite taken with you, you know," he said, glancing up in the rear view mirror as he parked the car at the curb. He got out and opened the door for you in the empty street then used his keycard to unlock the heavy side door of the hotel.

"Thank you," you said, both for his actions and his omission about Harry. Sure, you had talked to him as often as possible over the last weeks and had yourself been on the receiving end of his attention, but it felt validating to hear that Harry's feelings for you may have gone a bit farther than just a small crush if people around him had also noticed his behavior.

Harry's bodyguard was waiting by the elevators and escorted you to your room to gather your luggage, then led you to Harry's door.

"Car'll be around about 9 tomorrow morning, H. Flight's at 10:30." He turned to you. "I understand you have business to continue here in Chicago?"

"Yes, meetings tomorrow and then I fly back to Nashville in the evening."

"There'll be a driver ready for you tomorrow as well. He's been instructed to take you wherever you need to go and he'll stay until you depart. Have a nice evening," he nodded at Harry, who was smiling in the doorway, before departing.

"You didn't have to do that for me, I could've managed by getting an Uber," you said, stepping into the room past Harry to set your bags down and kick your shoes off.

"I didn't, was Martin's idea; says he doesn't want anything to happen to the one thing that's made me so happy these last few weeks."

"Oh yeah? I'm the one thing, huh?"

"You're everything, honestly," he replied a bit sheepishly, taking your hands in his. "Think I might like you a bit more than I already should. Lettin' my heart get a bit ahead of my head, I suppose."

"Yeah, I know the feeling," you said softly and he beamed.

He moved his hands up to cup your face, pulling you close for a sweet kiss that quickly turned insistent, heat rising between the two of you. Harry slid his hands under the hem of your shirt to rest where your spin ended and yours wrapped around his neck, dragging him down to you as you stepped behind you towards the bed. His long legs tangled with yours and you tumbled backwards, laughing as you hit the plush bed and Harry collapsed on top of you.

He propped himself up on his elbows and looked down at you with a smile, pushing the hair that had fallen into your face aside. "Hi baby," he said softly.

"Hi."

"Missed you," he said, leaning down for another sweet kiss.

"We were apart for like, eight minutes," you giggled between his kisses, your laughter giving way to a sigh as he moved to press a kiss to your nose, your cheek, your chin.

"Doesn't matter," he breathed into the crook of your neck, pressing small open mouth kisses to the soft skin there, "Any time apart is too long."

"The two weeks left of the tour will fly by. You should enjoy them while you can."

"Wish you could come with me, love performing for you." He kissed his way across the base of your neck, collarbone to collarbone as his fingers trailed to the small straps on your shoulders. "Would you like to take this off?"

"Please," you sighed, desperate and aching for the feeling of his skin against yours.

Your first time sleeping with Harry had been exactly what you'd wanted and expected - hot and fast, admittedly over a bit more quickly than either of you had wanted, but worth the weeks of wait.

Harry's skill set hadn't ended at singing and playing instruments. If anything, his vast experience using his hands and mouth only helped him excel in other pastimes that also utilized those parts of his body. To both of your delights, he had proven his adeptness in all areas multiple times that night, and once again in the morning before he had to rush into the shower, dragging you along with him simply to get more time together before you were forced apart once again.

///

You had spent the next two months away from one another, Harry having wrapped his tour and immediately beginning work on his next album. You'd spent your own time mixed between writing and recording an upcoming single. You had already written a handful of songs that were inspired by him and you'd wondered, albeit a bit nervously, if the sentiment was shared. When he stopped in Nashville on a long layover, pushing his flight back even longer to stay with you for another night, you'd tried to pry the information out of him. Unfortunately, no amount of sexual teasing or denial had convinced him — he, however, had you singing like a canary almost immediately, teasing you in the best way about how easily you opened up for him, telling him all about the music that he had already inspired.

You had been FaceTiming him late one night weeks later, both tired from long days spent in the studio. He had suddenly gotten shy, biting at the skin around his fingernails.

"Hey, stop that. What's the matter H?"

"Wanna ask you something," he mumbled, but a smile was peeking through where his fingers were still at his lips. "Jus' don't know how to."

"Baby," you sighed, "you can ask me anything. Y'know that."

"I know, I know." He paused and took a deep breath before a wide smile stretched across his face. "Would you maybe want to come home with me this Christmas? To London? Wouldn't be for long, maybe just a couple nights, I just wanna introduce you to my mum already, she's been pestering me nonstop lately 'bout meetin' you and Gem's joined in on it now too, so it's two against one when they call and I've told them that—"

"Harry," you said chucking, trying to interrupt his nervous rambling.

"—and she actually called me Harold last time she told me to bring you 'round and that got me a bit worried so I—"

"Harry! Of course I'll come with you. I'd absolutely love to."

You met him at the airport weeks later, desperate to pull him close and kiss him silly in the confines of his darkly tinted car, but you refrained, knowing how seriously Harry took the protection of your relationship from the press. You may not have been able to see anyone straining to capture pictures of you two, but you knew there was always the chance.

It was an entirely different story, however, when he'd finally pulled the car past the mechanical gate and into his private drive. You both reached for each other immediately, arms tangled and shifter knob pressed uncomfortably against your side, but perfectly content so long as his lips were against yours.

"Fuck— I missed you— so much," he muttered between kisses. He pulled away, forehead resting against yours, sly smirk pulling at his lips. "Mum won't expect us for a few hours at least."

"What is it that you're insinuating, Mr. Styles?"

"That there's plenty of time to give you a tour around the house, that's all," he said innocently. He gave you a sweet smile before hopping out of the car and coming to the passenger side where he helped you out and picked up your bags.

You were eager to be given a house tour, more than keen to learn all of the things you could about his London life. The house was decorated in a way that made you smile - eclectic but with a definitive air of cohesive taste. It suited Harry to an absolute tee. From the artwork that decorated the walls to the mismatched but homey furniture, you could tell immediately that this was Harry's sanctuary - every inch of the home screamed his name.

"It's incredible," you said as he led you into the largest room, the master. He walked over to the dresser that sat under the window and pulled open the top two drawers.

"I know we won't be here long, this time around, but I cleaned out a few drawers for you here, if you want to unpack some things. And there's space in the closet for you too," he nodded towards the door on the other side of the room, dragging a hand through his hair as he talked, "I had too much in there anyways and some of it needed to go and I wanted you to be able to leave some things, if you felt comfortable, of if Mum drags us out shopping and you don't want to take it all home now you can leave it here and-"

"You- you cleared out a drawer for me?"

"Well, yeah," he said, resting his hand on the back of his neck. "Made some space for you in the bathroom too, though I doubt it'll be enough, with all that you bring along to fix yourself up." He paused and thought for a moment. "I know how our lives are. I just wanted you to have some of your own space here; want you to feel as comfortable in my home as I do. Is that too much?"

"H," you said with a sigh, your lips curling into a smile, "it's perfect, and so thoughtful. I'm sorry I haven't done the same for you in Nashville yet."

"'s alright, love. I've already got a toothbrush there at least. I can take some time when we fly back to come and help if you'd like me to. As long as you don't end up wearing all the clothes that I leave there," he chuckled.

"You know me too well," you said, reaching for his hand. He lifted your entwined fingers to his lips to brush a kiss over your knuckles.

"You do look good in my clothes," he confessed, pulling you close to face him. "Look good in my house. But you always look good anyways."

"Said the pot to the kettle," you said with a smile. "I like being here already," you shrug, hands resting on his shoulders. "It feels like you, like home. Thank you for inviting me," you add, as though the measly voicing of your appreciation is enough to convey what you truly feel.

"You're welcome anytime, if I'm here or not."

"You trust me that much?"

"Yeah, I do. I'll get you a key and everything." He leaned down to kiss you slowly, relearning the map of your lips and mouth, before pulling away. He laughed when you made a noise of protest.

"The bathroom's over here if you'd like to freshen up." He had pulled at your hand, stepping towards the other open door in the room. "Figured a shower might sound nice after a long day in an airplane. Besides, I've gotta clean up before we go to Mum's anyways."

"Gonna join me?"

"Yeah, thought I might, if that's okay." His smirk had been wicked as he pushed you the rest of the way into the bathroom. He dropped your hand to reach for the hem of his shirt, pulling it over his head quickly. As he reached for the buckle of his pants, he had met your staring eyes. "See something you like, love?"

You definitely had, though you didn't think your attraction — physically or emotionally — for Harry had stopped at something that was as weak as "like." Getting to know him over the last six months had made you worry that there wasn't ever going to be anyone else like him, anyone that made you feel like he did. You had fallen for him, desperately hard, and the realization of it as you stood in front of his half-naked self almost embarrassed you.

"Babe? You alright?" he asked as he stripped down to his boxers.

"Yeah, you just got me all distracted," you had grinned, pulling your sweatshirt and remaining clothes off quickly before joining Harry under the warm spray of the water.

Meeting Harry's mom that evening went better than you could've ever dreamt it would. The two of you got on like old friends, and Harry had stared, almost in wonder, at how easily you seemed to bond with her. And then he had stared in horror as Anne offered to pull out the photo albums filled with pictures from Harry's childhood, particularly when Anne offered up the album filled with photos from Harry's and Gemma's emo phases.

As the evening wore on, you caught Harry on more than one occasion glancing your way, cheeks bright from the red wine he was sipping on and eyes warmly reflecting the bright Christmas lights. He always looked like he was a split second away from saying something, only to shake his head and look away with a small smile.

Later, in bed, Harry pulled you close to him. He was laying on his back, you on your side, and you threw a leg over his waist, soaking in all of the cuddles you could get on this short trip together. The room was only illuminated by the ambient light coming in through the blinds.

"Mum liked you a lot," he murmured, gently stroking the skin at the base of your spine, "said I should hang onto you".

You returned the gesture, running your fingertips along the lines of ink that make up his many tattoos. "I liked her too. She's wonderful, I see where you get it from now."

"Hey now, 'm wonderful all on my own!" He tickled your side and you couldn"t help but arch towards him, shrieking and laughing at the touch.

"Stop that! You are an absolute pest, you know that?" you said, grinning up at him.

"Ah, you love me," he whispered, and his joking tone made you smile but the way he pulled you tighter as he said it made you brave.

You let the weight what you were about to say wash over you, aware that things were going to change forever with just a few words. "I do love you, Harry," you whispered, moving up his body to press a kiss to his lips.

"Thank God," he had said, wrapping his arms back around you and pulling you on top of him. "Cause I love you too."

Leaving Harry after that had been even more difficult. All you wanted to do was be with him, but you had too much coming up with the future release of your album and Harry was still in the midst of doing his own writing and recording.

It was your professions, along with the desire to keep your relationship private, that kept you apart. You weren't sure how you did it, but your relationship had withstood the distance and odd-hours. The only step now would be deciding if, when, and how to confirm the suspicions to tabloids and fans alike that you were an item.

The wait was killing you. All you wanted was to show off to the world that Harry was yours.

///

The bridge of the song was followed quickly by the chorus and the heavy guitar and pounding drums had you rocking on your feet, body swaying into the mic stand as you let yourself get lost in the lyrics. "If you go out tonight, I'm going out 'cause I know you're persuasive."

The crowd was even more into the song now, many picking up on the words quickly and screaming them along with your singing. The rock and roll vibe of the song was coursing through you and the crowd, the arena electric with energy already.

"You got that something, I got me an appetite, now I can taste it."

You remove the mic from the stand and dance towards one end of the stage, singing as you move to the beat. "We're getting dizzy, oh, we're getting dizzy, oh! La da da da da! You get me dizzy, oh, you get me dizzy, oh!"

///

You had been on the phone with Harry one day in July, nearly five months after the release of your album, having him help you decide what the setlist of your tour would be when it began in November.

"I wish I could cover one of your songs."

He had laughed and slurped his tea, the sounds comforting to you, even over the phone. "That'd be a bit obvious, wouldn't it love?"

"I don't mean cover Golden or Kiwi," you said, tapping your pen against the pad of paper in front of you. "What about one you wrote for 1D? What about Perfect? Or Stockholm Syndrome! That was always one of my favorites."

"Getting permission on those might be a bit more difficult, s'not just me that's gotta sign off on it. Besides, do you really wanna be the artist that covers a One Direction song on her own headlining tour?"

"Guess I'll stick with singing along to them in the shower then."

You were both quiet for a moment, lost in your own thoughts.

"What if I covered Medicine?" you asked suddenly, realizing it was the perfect compromise, not to mention your favorite song that Harry himself performed oh his own tour. The rock sound wasn't a far cry from the roots that country music had and you knew it would sound great. "Even if it was just for one stop!"

"Hmm," Harry mused. "It would sound great with the band, I'll give you that. But videos will go around, people will know it's my song you're singing and they'll connect the dots about us."

"H, I'm ready for that if you are. I love you, and I'm ready to be able to share that love that I have for you with the world. Sneaking around has been fun but I want people to know how proud of you I am and how much you're loved and appreciated. Half of our fans know already, it's just a matter of us confirming it. I think that we could really-"

Harry was laughing at your rambling on the other end of the line. "Alright, alright, you drive a hard bargain, love. I think you're right, maybe it is time we stopped sneaking around. I'll try, but Jax and everyone else still have to agree to it too. It might be easier to convince everyone if it's just a one time thing. Pick another cover, something you'd normally do, in case it takes some time to work things out."

"I'll ask him right now! Thank you Harry!"

"I just have one condition," he said, and you could hear the grin that was surely pulling at the corners of his lips.

"What's that?"

"I get to perform it with you," he had said, and the smile already on your face widened exponentially. "If we're finally gonna make "us" public, may as well do it with a bang."

///

In the moment after the chorus, an 8 count beat is carried by the drummer and guitarist. For this performance, and the only performance you'd put on of this song, you had rehearsed the 8 count repeating once between the chorus and the next verse, as you needed a bit of extra time to announce your guest performer.

"Ladies and gentlemen," you shout into the mic, grin wide and face beaming already at what was about to take place. "To help me finish this performance, please help me welcome my very good friend, Harry Styles!"

Harry emerges from behind the stage holding his own wireless mic as much of the crowd screams - he may not be a country artist, but he was absolutely known worldwide. You step back with a wave of your arm, smiling as he begins the next chorus. His performance is for the crowd but he's singing the words directly to you.

"Tingle running through my bones, fingers to my toes, tingle running through my bones," he sings, voice smooth like whiskey, and the crowd adores him, eating out of the palm of his hand. "The boys and the girls are in, I mess around with them, and I'm OK with it."

You can't help but dance as he sings, his voice and the energy of the crowd propelling you to move. He watches you, eyes no longer on the crowd, as he sings the next lines. Immediately, heat pools low in your belly at his glance and the words.

"I'm coming down, I figured out I kinda like it. And when I sleep I'm gonna dream of how you…"

You gyrate your hips at the unsung line of "ride it", listening with a sly grin as some in the crowd scream the two words that go unsung.

///

After giving him a key, Harry had moved some of his clothes to your apartment in Nashville some time while you were away on the first leg of your tour. He had found the city to be incredibly welcoming and inspirational for his upcoming album and had decided to stay there for a spell while you continued to tour around the country.

You had scheduled a short break between your concerts over New Years, wanting to be able to grab at least one or two nights at home with him to celebrate the holiday before you were back on the road again.

"So fucking glad you're home," Harry panted, pulling your shirt over your head before attaching his lips to yours once again. "Missed you like crazy."

"Missed you too," you moaned as his lips moved downwards, across your neck and over your collarbones, down the valley between your breasts. Before he could reach around to unhook your bra, you reached for his shirt, as desperate as he was to see and touch what you'd been missing.

As he pulled the half-unbuttoned blouse over his head, you pulled your leggings off and reached for him, pushing him back onto the bed behind him. He unbuttoned his pants as he scooted up towards the middle of the bed, shoving them and his boxers off in one swoop.

You climbed on top of him, hurriedly reaching to kiss him as you rubbed your clothed center along the length of his hard cock.

"Fuck," he hissed, throwing his head back to allow you room to kiss his neck. "Desperate aren't you, darling?"

"Want you so bad it hurts," you whispered, sucking a bright hickey right where it would absolutely be seen by anyone.

You moved to continue kissing down his chest but he stopped you with a hand under your arm. "Not gonna last long, love. Wanna be inside you."

His cheeks and chest were flushed bright red, lips puffy and pupils blown wide. This was when you loved him most, being able to have him like no one else did. The same feeling always hit you at certain moments, particularly ones of domesticity, like when you watched him back the car out of the driveway or when he stood in the kitchen in the morning in nothing but socks, boxers, and his ratty old robe, singing along to old big band jazz as he waited for the coffee to brew. There was Harry Styles the musician, Harry Styles the actor, and Harry Styles the performer, but then there was your Harry.

"Yeah, okay," you sighed, moving off of him quickly to remove your bra and panties. You climbed back onto the bed and threw your leg over his hips, straddling him. He immediately reached for you and pulled you flush against his chest, his lips capturing yours in a bruising kiss.

You rocked your hips against him as he held you, your slick arousal gliding along his length, drawing a moan from both of you.

"Baby, please," he panted, and you could only mod in agreement, lost already to the sweeping feeling of your close release.

His hands rested on your hips as you positioned him at the entrance between your legs. You groaned in harmony as you worked down him slowly, the only sound in the room was your shared heavy breathing and gasps.

"Fuck me," he sighed as you set a slow pace, rocking on top of him to reach each spot that you know will get you there.

"Workin' on it," you grin. A quick swivel of your hips hit at just the right angle and you tossed your head back, repeating the movement over and over again until you shuddered with a final snap of tension, your orgasm rolling over you as Harry helped you move, hands tight on your hips, to wring all you could from the release.

"You look so beautiful right now, like a fuckin' angel," Harry said, voice low and gravely, accent thick with need.

"How's that line go?" you said as you slowed down, smirking when a harsh rock of your hips caused Harry to moan. "'Turns out she's a devil in between the sheets'?"

"Fuck," he groaned again, eyes closed tightly. "Can't just go reciting my own lyrics to me while I"m buried in ya like this, love."

"And there's nothing you can do about it," you continued, singing the line of his song this time, and his hips buck up into yours harshly.

"You're gonna pay for that," he had said, quoting another of his songs, before he had flipped you over onto your back and set his own brutal pace.

///

Like he can read your thoughts, Harry beams and wags a finger in your direction and the crowd screams at your chemistry together. You grab your mic from its stand and take a step towards Harry to sing the chorus together.

"If you go out tonight, I'm going out 'cause I know you're persuasive." Harry dances off to the side of the stage, performing once again for the crowd.

You dance at center stage with your wireless mic, too excited about performing with Harry that you can't stand in one spot. The music and Harry's energy make you want to move. "You got that something, I got me an appetite, now I can taste it."

"We're getting dizzy, oh, we're getting dizzy, oh! La da da da da!" Harry throws his head back, singing along in his own world and you can't look away from him. He really was a rockstar and getting to share the stage with him like this was an experience you'd never forget.

"You get me dizzy, oh, you get me dizzy, oh!"

There's a great pause in the lyrics where the guitar, keyboard, and drums play together, increasing the tension of the song. You and Harry take off towards opposite ends of the stage, both reveling in the performance for the crowd as you dance and stomp to the beat. Eventually, with a slide down the keys of the keyboard, the instrumental quiets into just the steady beat of the bass line joined by the hi-hats.

You and Harry urge the crowd to clap along as you both return to the middle of the stage to sing together once again. He always said that this portion of the song was one of his favorites to perform, the repeated line from the bridge ending abruptly with the lights going out before flashing back on, the added theatrics of the performance elevating the climax of the song completely. Having rehearsed that Harry would sing the following chorus alone, you let yourself get lost in his gaze as it settles on you.

You stand facing one another behind the mic stand, once again singing more to one another rather than to the crowd. You step closer towards him as the lyrics progress, nearly chest to chest now with your voices sharing one another's mics. "I had a few, got drunk on you and now I'm—"

Before you can sing the last word of the line and the lights can blink out as rehearsed, Harry leans forwards and captures your mouth in a hungry kiss. The crowd erupts with screams as the lights above the stage go dark.

You can feel rather than hear him say the words "I love you" against your lips and you have just enough time to repeat them back to him before the drums and guitar pick the beat up once again, the lights flashing back on brightly. He moves away and continues to sing the chorus that follows as if nothing had happened. You're a bit stunned, not having prepared for his relationship-revealing public display of affection to happen during your performance of his song but it was perfect and he knows it. Your smile is wide and you can't help but stand rooted where you are and laugh at what has just finally happened.

"If you go out tonight, I'm going out 'cause I know you're persuasive," he sings, smirking at you while you blush across from him.

You join him in singing the last lines, your right hand joining his left hand where everyone can see your fingers entwine.

"You got that something, I got me an appetite, now I can taste it. We're getting dizzy, oh, we're getting dizzy, oh!"

You urge the crowd with a waving hand to join in and they do, singing along with you and Harry. "La da da da da! You get me dizzy, oh, you get me dizzy, oh!"

The drums and guitar end the song on five quick beats and the crowd erupts once again in screams. You immediately jump towards Harry, throwing your arms around his neck in a close embrace. His hands wrap around your waist to hold you close, and you can feel him smile where his face is pressed close to your jaw.

"How was that?" he asks, chuckling against you.

"It was perfect, you're perfect. Thank you, H. For everything."

"Can take you on a proper date now, yeah? Wanna show my girl off to the world."

"Yes, please!" You can't wipe the smile from your face as he sets you down and Harry continues to beam at you as the crowd continues screaming, reeling from your shared performance.

Harry nudges you gently before turning back to them, lifting his and your arms high in the air and leading you in bending for a bow. He steps away from you and turns, opening his arms wide to you for the crowd to praise and you laugh, tearing up at his gesture and the overwhelming emotions of the performance while you take another bow just for yourself.

He pulls you into another hug and you can't help but angle your face up towards him, wordlessly asking for another very quick, very public kiss.

He glances down at you, smiling. "You're gonna love this now, aren't you?"

"Course I am. love showing them you're mine."

He leans down to peck your forehead, your nose, and finally, your lips, as the crowd goes wild. "Love showing them you're mine. You've got a show to finish, love. Go kill it."

///

Ahh! So much fun! This has been such a joy to write and I appreciate you taking the time to give it a chance! It’s my first (of hopefully many) Harry fics - reading all of the stories here has been immensely inspiring, and I’m so looking forward to writing more!

Tagging my love @morganlatte who is a wonderful hype woman and beta reader. Thanks buddy!

Anyways! Thank you for reading! My love language is words of affirmation (aka I have a praise kink) so leave me a comment here if you feel so inclined!

#harry styles #harry styles fic #harry styles fanfiction #harry styles story #harry styles smut #harry styles one shot #harry styles fluff #one direction fanfiction #harry styles x you #reader insert fic #my writing #wow!#that was so much fun #i'm so in love with it

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lochsides · 3 years

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Yellow Metal - cathartic Review

Here’s something I did not expect to be reviewing this week but when Zayn drops a 24 minute rap track, you fall in line. I had to listen to it a couple times through before I could even begin to make sense of my thoughts because my brain sort of malfunctioned. I have never been prouder to be a Zayn fan. He’s such a nuanced songwriter and there is so much to unpack here.

I think this is the most unfiltered version of Zayn that we have ever been exposed to (and possibly will ever be). I am grateful that he said his piece in this because it needed to be said. As a brown woman, I felt so seen by this and I cannot explain what that means to me. Thank you Z, for your unvarnished truth in addressing racism and various forms of discrimination.

I’m doing a short lyrical analysis below the cut, but the TLDR is that this is a fantastic piece of art that deserves to be heard.

I wish he had released this as an EP because that would be easier to review than a single 24 minute song, structurally speaking. So instead, I have picked out some key lyrics, going from top to bottom, that really spoke to me and decided to study the song that way. His lyricism is hard-hitting in this track. It is beyond anything he has ever released before.

“The planet bleeds, the damaged trees. It’s never leaving until we ascend so fuck the fence.” — I have not seen this lyric being talked about in the fandom, because the lyrics that follow this steal the show, rightly so, but I wanted to give this line a moment because it’s important too. To me, this lyric speaks to where Zayn is at with his relationship with the physical world. He’s out on the farm (about which he even goes to say “tell you what I like, farm life and the tractor”) and I believe he’s happy in his space and he feels connected to nature (also see River Road). So it is a poignant and slightly jaded, but valid perspective that he shares on climate change. It’s never leaving until we ascend. The damage human beings have done to the planet won’t be undone until there are no humans left to do damage. It’s a single sentence that says so much about the depth of the climate crisis. I’m doing my PhD on urban air quality so this is something I care really deeply about and I resonated with.

“And until they stop killing colour, it’s fuck the feds.” — Yeah, agreed Zayn. The systemic racism that he calls out here is echoed throughout the song, in equal parts anger and boldness. I love that he isn’t glossing over it with metaphors, which he could easily do and it would be beautiful in a totally different way, but this makes it harder for racists to overlook. There is so much power in calling it like it is.

“Never lose me to fentanyl, scared when I take a Benadryl, keeping it green in general.” — It frustrates me to no end to see Zayn painted as this drug-addicted lazy musician that doesn’t care about his work, because we know how untrue that is. This narrative is tired and simply boring too, and I won’t get into the racist connotations of it when you consider it against his white colleagues who smoke as much as him but that isn’t one of their defining traits in the media.

“I’m racking up excuses while I’m slacking off on work … it was hard work that got me heard” — I love the juxtaposition in this verse. The public/media perception on his career is that Zayn doesn’t put in effort or that he doesn’t want it. This obviously stems from his leaving the band. It goes back to what I was saying before about narrative, when in reality, as Zayn has said on various occasions, he fights to make his own choices. And that doesn’t have to look the way everyone else expects it to (“I beg you, don’t include me. I might write it on my shirt”), he has his own struggles that have helped forge his path, but it is his path that he paved, himself. He works hard to be heard. He has to. It reminds me of something my parents used to tell me when I was younger about being immigrants: you have to work 10 times harder for the same opportunities just because of the colour of your skin or your name on the cv. It’s a harsh truth to grow up with but it was my reality, as it is for most POC.

“This life doesn’t give you no armour, a lot of myself can harm you. I swear on what’s good, that I’m here ‘til they take me. I pray that I’m wrinkled, at least over 80…” — There is something about the simplicity of these lyrics are the messaging that I love. He isn’t trying too hard to sound poetic but he still manages it perfectly.

“All I've been achieving, clocking miles in this region, moving like a legion. Promise that I made to myself, an allegiance. Do you still believe I’m a fool for ever leaving? Staring at the ceiling, can never put a cap on achieving. I’m just here for the rap, then I’m leaving. // I’ve had about enough of being my own enemy. It’s time I grew up, a long way from 17. Always went against the grain, struggles in my life. Got some things to say when I stand up on the mike.” — This is the only 1D-related lyric I’ll make reference to because this song is about so much more than that. That said though, we cannot overlook Zayn’s experiences in the band because that is part of his story. The tongue-in-cheek of “I’m just here for the rap, then I’m leaving” is hilarious to me. The line about not wanting to be his own enemy anymore and growing up from 17 reminds me of that quote Taylor (Swift) mentioned in Miss Americana about celebrities getting stuck at the age they got famous. I think this verse is similar to that. None of them ever wanted to be in the band and I don’t care what anyone says, Zayn leaving and proving success outside the band gave the rest of them the courage to follow their own solo careers. Sure there was drama surrounding the split but he did it for himself, to tell his stories the way he is now. Whatever else you have to say about him, you cannot deny his authenticity.

“I ain’t dropping this for fame, I need this time, like therapy, it’s just to keep me sane.” — I think this line tells us 2 things, the first being that this song was not leaked. Z knew what he was doing and his twitter likes tell us as much. He didn’t release it for any sort of attention, otherwise it would be widely available on streaming platforms and for purchase. Which leads to my second point, he released this song to get everything he talks about on the track off his chest. Its referenced in other lyrics too, like “now you see where I come from, the world don’t.” This was for whoever cared to listen, not the world. It’s inaccessible for a reason. I love that he threw those lyrics in. It makes the song feel more like a private conversation or listening to a friend rant. It creates a different form of intimacy between himself and his fans.

“Lessons that I’ve learned, I’ve tried teaching to myself. What I’ve learnt from certain people is that they’re better than myself. So I surround myself with real ones, and you feel the plastic melt.” — This one is for anyone that buys into conspiracy theories surrounding Zayn’s personal life. He surrounds himself with real people, real friendships, real connections. I have never bought into the bullshit that he has zero autonomy over his personal life. I love the use of plastic melting as a metaphor for ridding his life of fakeness.

“Feeling trapped. This industry is a cage.” — Zayn is obviously not the first person to say it. Many artists talk about how suffocating the industry is ( which he further comments on in the sung portion: “I don’t wanna be, I don’t wanna be, a part of this, no, I don’t wanna be, I don’t wanna be, a part of this”). Fame is such a wild and unnatural concept and the exploitation and politics of the music industry only feed further into it. The industry being a cage makes me think of zoos and how celebrities are animals on display, when they should be free in the wild. I also really like the musical interlude following this part.

“Nobody’s speaking the truth, I’m offended by the State. Look at the state of the news, I’ve decided the argument, reciting my views.” — Zayn toes the line between keeping to himself and speaking out on important issues, sometimes not very well. I am his biggest cheerleader, but I’m not up his ass. There have been many occasions where he could’ve done better. But I cannot fault him for being offended by the State because same, Z, same. I love that he took this song as an opportunity to real speak out, no punches pulled.

“See I’ve been facing the racists from back when I were a kiddie. Born up in 93’. Living in Bradford City, they kicked me out of the school. Said they had a problem with me hitting the kids that would call me p***, still sit in the classroom, chilling. I’m angry now that I’m older cause I see they treat us different. Got me thinking I’m the problem ‘cause they never dealt with these issues.” — See what I meant about no punches pulled. He said that! He said it like that too. There is so much in this verse that I relate to, it hits a little too deep. I grew up as a brown in predominantly white communities where the colour of my skin was the reason I was outcasted. We know when that’s happening, clear as day. The lyric “got me thinking that I’m the problem cause they never dealt with these issues” says it all. I have many racial traumas that I’m dealing with as an adult because the adults around me when I was a child didn’t deal with racism in the classroom. They do treat us different!

“20 years later, I’m still in the same boat. Tryna treat me like my grandpa, say I came up off the boat. Came to tell you what I stand for. Man I think you’re shit, a joke. How can I be civil when they got me by the throat? // Pushing my feelings down, you ain’t got it like them. ‘Boy your skin is so light.’ Ok motherfucker, take my name up on a flight. Try to convince immigration that your bloodline’s half white.” — Zayn talking his shit is my new favourite art form. How can I be civil when they got me by the throat? Something that I will always be enraged by is that POC are expected to de-escalate situations of racism. We have to push our feelings down, as Zayn says in the verse, because the institution is against us. All of the institutions are against us. The fact that he takes it a step farther to say that his name makes him a target for racism, even though he is half-white just nails his point home. Also, can we please quit the whole ‘Zayn is white-passing’ bullshit. He alludes to it again later in the song (“asian in my face, but still my race you can’t define”). Its not a compliment to erase someone identity in favour of white-washing them.

“My name ain’t on the list unless they label it ethnic.” — Oh, the amount of times we have heard that age old (v. racist) saying ‘{celebrity of colour} is the new [insert white celebrity here]’ as if POC aren’t allowed to succeed in their own right. It is wild to me that Zayn has to deal with this given his level of success.

“Start to understand why they think that I’m threatening. I move in certain ways, couldn’t slow me with ketamine.” — There is a subtle nod to racism (and Islamaphobia) in this line, because of course the brown man is a threat, but I like the way Z turns it around. I also like the rhyme scheme.

“Raised on the benefit for whose benefit? They’ll never learn shit, man, if the shoe fits.” — Okay I might be reaching here, but this is just my interpretation. We all know the benefit system in the UK sucks. Being raised on benefit implies a lack of money growing up, but the benefits aren’t really all that beneficial to the families that rely upon them.

“Dealing with the hurt, they should know cause they don’t deserve it, it hit deep cause I hit the nerve.” — Well, okay then, just call me out. It’s fine. I seriously feel like he’s talking to me directly with this line. I imagine a lot of us do. Its one of those lyrics that are a bit too honest but that why we love them.

“Cathartic, I’m an artist. Trying to put my heart in” // “Freedom fighter, Yellow Metal is my name.” — So do we have an alternate persona for Zayn now? Alright, I’m down. I think these two lines are tied together, because both are mentioned in the song title. (I think of the song as cathartic, by Yellow Metal, aka Zayn, or Yellow Metal as the name of the EP if this was officially released). The lyrics that accompany both title lyrics, along with the subject matter of the song as a whole, suggest that his heart is in standing up against injustices. I said it earlier, this is the most unvarnished version of Z that we have ever been exposed to. Almost like the complete picture to the puzzle pieces we’ve been putting together over the years.

“They’re tryna kill us with disease.” — Why did this line scream out ‘COVID-19 outbreaks in developing countries’ to me? Again, I might be reaching, but there is a disparity between how COVID is treated amongst minorities, along with many other diseases, and not to mention rich, primarily white countries hoarding vaccine supplies while places like India (and my beautiful Bangladesh and I’m sure Pakistan too) suffer needlessly.

“Started something sick and on my mind is what’s next. Just became a dad so now I’m taking all the cheques. Better know I’m staying and paying like it’s debt. Imma get it done, if it’s taking all my breath, sweat, and down I ain’t messing around ’til I’m the best.” — I think this lyric shows off Zayn’s sentimental side more than it does his ambitious side, because we know he’s in this for the long haul. Others may doubt that but his fans never have. But hearing him talk openly about being a father on a song is something else. It’s like Khai added this whole other layer of meaning and purpose to his life and it’s beautiful to watch. I’ve been here since the X-Factor auditions guys!! It makes me so emotional to witness him like this.

“Aint many of me around, p***, I’m just different. Certain stages to this level aint here because fame is to the devil, fuck a label, imma do this from the ghetto.” — God, we’ve been waiting for a fuck the label moment in this house, haven’t we? I won’t get into my theories on his label or his team, but none of us deny the fact that they should be doing more for him than they are. He has the potential to be the biggest thing with the right team and promo because he has a built-in fan base that would go the mile for him. Obviously, there’s also his aversion to promo to contend with and that’s his decision. Even without it, he could shatter every ceiling. Another thing I want to mention about this verse is the nod to the complete lack of South Asian representation in contemporary Western media.

“Don’t know what’s worse: the way that you live your life or the way that you write a verse.” — I’m just putting this in here because it made giggle. Also going to take this space to say how much I love his energy in this song. He knows he’s the shit, as he should!

“Can’t be louder … so free Gaza on my banner.” // “They’re hating on Palestine ways.” — I love that Zayn has always supported this movement, years ago, before being ‘woke’ was a thing. But now, he has a daughter that has Palestinian heritage and I’m sure that makes this hit that much deeper for him, personally. The apartheid in Palestine is heart-wrenching. It’s so strange to me to watch it happen, because I never thought I would witness something like this happening in 2021, yet here we are.

“Like vipers, I see the sly ones, the snake that’s called Biden, none of them abiding what they might put in writing. We should be used to it by now, say whatever for the vote and then just choose another route. Say they’d never kill another unless that brother’s skin is brown. I’m just telling you the facts, if you can’t take it, the truth naked, to bare bones and my thoughts lately, spitting politics.” — This verse is straight up savage and I am living for it! I find it hilarious that he called Biden a snake. This verse addresses the truth about politics, that even electing a left-wing leader doesn’t fix the system.

“I’m Tony Stark, still embarking on a dream” // “Gone green like Bruce Banner” // “He taught me like Ra’s Al Ghul. Felt like living in Gotham, the people were rotten.” — And to tie it all off, I wanted to take a goofy moment to mention all the superhero lyrics Z added in this song, really showing his personality because I’m such a nerd when it comes to this stuff and it makes me wish that we were friends so I could annoy him to death about it.

#reviews #zayn #yellow metal #cathartic #zayn malik

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taylorswifthongkong · 4 years

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Taylor Swift broke all her rules with Folklore — and gave herself a much-needed escape The pop star, one of EW's 2020 Entertainers of the Year, delves deep into her surprise eighth album, Rebekah Harkness, and a Joe Biden presidency. By Alex Suskind

“He is my co-writer on ‛Betty’ and ‛Exile,’” replies Taylor Swift with deadpan precision. The question Who is William Bowery? was, at the time we spoke, one of 2020’s great mysteries, right up there with the existence of Joe Exotic and the sudden arrival of murder hornets. An unknown writer credited on the year’s biggest album? It must be an alias.

Is he your brother?

“He’s William Bowery,” says Swift with a smile.

It's early November, after Election Day but before Swift eventually revealed Bowery's true identity to the world (the leading theory, that he was boyfriend Joe Alwyn, proved prescient). But, like all Swiftian riddles, it was fun to puzzle over for months, particularly in this hot mess of a year, when brief distractions are as comforting as a well-worn cardigan. Thankfully, the Bowery... erhm, Alwyn-assisted Folklore — a Swift project filled with muted pianos and whisper-quiet snares, recorded in secret with Jack Antonoff and the National’s Aaron Dessner — delivered.

“The only people who knew were the people I was making it with, my boyfriend, my family, and a small management team,” Swift, 30, tells EW of the album's hush-hush recording sessions. That gave the intimate Folklore a mystique all its own: the first surprise Taylor Swift album, one that prioritized fantastical tales over personal confessions.

“Early in quarantine, I started watching lots of films,” she explains. “Consuming other people’s storytelling opened this portal in my imagination and made me feel like, Why have I never created characters and intersecting storylines?” That’s how she ended up with three songs about an imagined love triangle (“Cardigan,” “Betty,” “August”), one about a clandestine romance (“Illicit Affairs”), and another chronicling a doomed relationship (“Exile”). Others tell of sumptuous real-life figures like Rebekah Harkness, a divorcee who married the heir to Standard Oil — and whose home Swift purchased 31 years after her death. The result, “The Last Great American Dynasty,” hones in on Harkness’ story, until Swift cleverly injects herself.

And yet, it wouldn’t be a Swift album without a few barbed postmortems over her own history. Notably, “My Tears Ricochet” and “Mad Woman," which touch on her former label head Scott Borchetta selling the masters to Swift’s catalog to her known nemesis Scooter Braun. Mere hours after our interview, the lyrics’ real-life origins took a surprising twist, when news broke that Swift’s music had once again been sold, to another private equity firm, for a reported $300 million. Though Swift ignored repeated requests for comment on the transaction, she did tweet a statement, hitting back at Braun while noting that she had begun re-recording her old albums — something she first promised in 2019 as a way of retaining agency over her creative legacy. (Later, she would tease a snippet of that reimagined work, with a new version of her hit 2008 single "Love Story.")

Like surprise-dropping Folklore, like pissing off the president by endorsing his opponents, like shooing away haters, Swift does what suits her. “I don’t think we often hear about women who did whatever the hell they wanted,” she says of Harkness — something Swift is clearly intent on changing. For her, that means basking in the world of, and favorable response to, Folklore. As she says in our interview, “I have this weird thing where, in order to create the next thing, I attack the previous thing. I don’t love that I do that, but it is the thing that has kept me pivoting to another world every time I make an album. But with this one, I still love it.”

TAYLOR SWIFT: I was. I wasn't expecting to make an album. Early on in quarantine, I started watching lots of films. We would watch a different movie every night. I'm ashamed to say I hadn't seen Pan's Labyrinth before. One night I'd watch that, then I'd watch L.A. Confidential, then we'd watch Rear Window, then we'd watch Jane Eyre. I feel like consuming other people's art and storytelling sort of opened this portal in my imagination and made me feel like, "Well, why have I never done this before? Why have I never created characters and intersecting storylines? And why haven't I ever sort of freed myself up to do that from a narrative standpoint?" There is something a little heavy about knowing when you put out an album, people are going to take it so literally that everything you say could be clickbait. It was really, really freeing to be able to just be inspired by worlds created by the films you watch or books you've read or places you've dreamed of or people that you've wondered about, not just being inspired by your own experience.

In that vain, what's it like to sit down and write something like “Betty,” which is told from the perspective of a 17-year-old boy?

That was huge for me. And I think it came from the fact that my co-writer, William Bowery [Joe Alwyn], is male — and he was the one who originally thought of the chorus melody. And hearing him sing it, I thought, "That sounds really cool." Obviously, I don't have a male voice, but I thought, "I could have a male perspective." Patty Griffin wrote this song, “Top of the World.” It's one of my favorite songs of all time, and it's from the perspective of this older man who has lived a life full of regret, and he's kind of taking stock of that regret. So, I thought, "This is something that people I am a huge fan of have done. This would be fun to kind of take this for a spin."

What are your favorite William Bowery conspiracies?

I love them all individually and equally. I love all the conspiracy theories around this album. [With] "Betty," Jack Antonoff would text me these articles and think pieces and in-depth Tumblr posts on what this love triangle meant to the person who had listened to it. And that's exactly what I was hoping would happen with this album. I wrote these stories for a specific reason and from a specific place about specific people that I imagined, but I wanted that to all change given who was listening to it. And I wanted it to start out as mine and become other people's. It's been really fun to watch.

I didn't think about any of that for the very first time. And a lot of this album was kind of distilled down to the purest version of what the story is. Songwriting on this album is exactly the way that I would write if I considered nothing else other than, "What words do I want to write? What stories do I want to tell? What melodies do I want to sing? What production is essential to tell those stories?" It was a very do-it-yourself experience. My management team, we created absolutely everything in advance — every lyric video, every individual album package. And then we called our label a week in advance and said, "Here's what we have.” The photo shoot was me and the photographer walking out into a field. I'd done my hair and makeup and brought some nightgowns. These experiences I was used to having with 100 people on set, commanding alongside other people in a very committee fashion — all of a sudden it was me and a photographer, or me and my DP. It was a new challenge, because I love collaboration. But there's something really fun about knowing what you can do if it's just you doing it.

Did you find it freeing?

I did. Every project involves different levels of collaboration, because on other albums there are things that my stylist will think of that I never would've thought of. But if I had all those people on the photo shoot, I would've had to have them quarantine away from their families for weeks on end, and I would've had to ask things of them that I didn't think were fair if I could figure out a way to do it [myself]. I had this idea for the [Folklore album cover] that it would be this girl sleepwalking through the forest in a nightgown in 1830 [laughs]. Very specific. A pioneer woman sleepwalking at night. I made a moodboard and sent it to Beth [Garrabrant], who I had never worked with before, who shoots only on film. We were just carrying bags across a field and putting the bags of film down, and then taking pictures. It was a blast.

Well, Aaron is one of the most effortlessly prolific creators I've ever worked with. It's really mind-blowing. And every time I've spoken to an artist since this whole process [began], I said, "You need to work with him. It'll change the way you create." He would send me these — he calls them sketches, but it's basically an instrumental track. the second day — the day after I texted him and said, "Hey, would you ever want to work together?" — he sent me this file of probably 30 of these instrumentals and every single one of them was one of the most interesting, exciting things I had ever heard. Music can be beautiful, but it can be lacking that evocative nature. There was something about everything he created that is an immediate image in my head or melody that I came up with. So much so that I'd start writing as soon as I heard a new one. And oftentimes what I would send back would inspire him to make more instrumentals and then send me that one. And then I wrote the song and it started to shape the project, form-fitted and customized to what we wanted to do.

It was weird because I had never made an album and not played it for my girlfriends or told my friends. The only people who knew were the people that I was making it with, my boyfriend, my family, and then my management team. So that's the smallest number of people I've ever had know about something. I'm usually playing it for everyone that I'm friends with. So I had a lot of friends texting me things like, "Why didn't you say on our everyday FaceTimes you were making a record?"

Was it nice to be able to keep it a secret?

Well, it felt like it was only my thing. It felt like such an inner world I was escaping to every day that it almost didn't feel like an album. Because I wasn't making a song and finishing it and going, "Oh my God, that is catchy.” I wasn't making these things with any purpose in mind. And so it was almost like having it just be mine was this really sweet, nice, pure part of the world as everything else in the world was burning and crashing and feeling this sickness and sadness. I almost didn't process it as an album. This was just my daydream space.

Does it still feel like that?

Yeah, because I love it so much. I have this weird thing that I do when I create something where in order to create the next thing I kind of, in my head, attack the previous thing. I don't love that I do that but it is the thing that has kept me pivoting to another world every time I make an album. But with this one, I just still love it. I'm so proud of it. And so that feels very foreign to me. That doesn't feel like a normal experience that I've had with releasing albums.

When did you first learn about Rebekah Harkness?

Oh, I learned about her as soon as I was being walked through [her former Rhode Island] home. I got the house when I was in my early twenties as a place for my family to congregate and be together. I was told about her, I think, by the real estate agent who was walking us through the property. And as soon as I found out about her, I wanted to know everything I could. So I started reading. I found her so interesting. And then as more parallels began to develop between our two lives — being the lady that lives in that house on the hill that everybody gets to gossip about — I was always looking for an opportunity to write about her. And I finally found it.

I love that you break the fourth wall in the song. Did you go in thinking you’d include yourself in the story?

I think that in my head, I always wanted to do a country music, standard narrative device, which is: the first verse you sing about someone else, the second verse you sing about someone else who's even closer to you, and then in the third verse, you go, "Surprise! It was me.” You bring it personal for the last verse. And I'd always thought that if I were to tell that story, I would want to include the similarities — our lives or our reputations or our scandals.

How often did you regale friends about the history of Rebekah and Holiday House while hanging out at Holiday House?

Anyone who's been there before knows that I do “The Tour,” in quotes, where I show everyone through the house. And I tell them different anecdotes about each room, because I've done that much research on this house and this woman. So in every single room, there's a different anecdote about Rebekah Harkness. If you have a mixed group of people who've been there before and people who haven't, [the people who’ve been there] are like, "Oh, she's going to do the tour. She's got to tell you the story about how the ballerinas used to practice on the lawn.” And they'll go get a drink and skip it because it's the same every time. But for me, I'm telling the story with the same electric enthusiasm, because it's just endlessly entertaining to me that this fabulous woman lived there. She just did whatever she wanted.

I found myself being very triggered by any stories, movies, or narratives revolving around divorce, which felt weird because I haven't experienced it directly. There’s no reason it should cause me so much pain, but all of a sudden it felt like something I had been through. I think that happens any time you've been in a 15-year relationship and it ends in a messy, upsetting way. So I wrote “My Tears Ricochet” and I was using a lot of imagery that I had conjured up while comparing a relationship ending to when people end an actual marriage. All of a sudden this person that you trusted more than anyone in the world is the person that can hurt you the worst. Then all of a sudden the things that you have been through together, hurt. All of a sudden, the person who was your best friend is now your biggest nemesis, etc. etc. etc. I think I wrote some of the first lyrics to that song after watching Marriage Story and hearing about when marriages go wrong and end in such a catastrophic way. So these songs are in some ways imaginary, in some ways not, and in some ways both.

How did it feel to drop an F-bomb on "Mad Woman"?

F---ing fantastic.

And that’s the first time you ever recorded one on a record, right?

Yeah. Every rule book was thrown out. I always had these rules in my head and one of them was, You haven't done this before, so you can't ever do this. “Well, you've never had an explicit sticker, so you can't ever have an explicit sticker.” But that was one of the times where I felt like you need to follow the language and you need to follow the storyline. And if the storyline and the language match up and you end up saying the F-word, just go for it. I wasn't adhering to any of the guidelines that I had placed on myself. I decided to just make what I wanted to make. And I'm really happy that the fans were stoked about that because I think they could feel that. I'm not blaming anyone else for me restricting myself in the past. That was all, I guess, making what I want to make. I think my fans could feel that I opened the gate and ran out of the pasture for the first time, which I'm glad they picked up on because they're very intuitive.

Let’s talk about “Epiphany.” The first verse is a nod to your grandfather, Dean, who fought in World War II. What does his story mean to you personally?

I wanted to write about him for awhile. He died when I was very young, but my dad would always tell this story that the only thing that his dad would ever say about the war was when somebody would ask him, "Why do you have such a positive outlook on life?" My grandfather would reply, "Well, I'm not supposed to be here. I shouldn't be here." My dad and his brothers always kind of imagined that what he had experienced was really awful and traumatic and that he'd seen a lot of terrible things. So when they did research, they learned that he had fought at the Battles of Guadalcanal, at Cape Gloucester, at Talasea, at Okinawa. He had seen a lot of heavy fire and casualties — all of the things that nightmares are made of. He was one of the first people to sign up for the war. But you know, these are things that you can only imagine that a lot of people in that generation didn't speak about because, a) they didn't want people that they came home to to worry about them, and b) it just was so bad that it was the actual definition of unspeakable.

I mean, you just immediately think of the health workers who are putting their lives on the line — and oftentimes losing their lives. If they make it out of this, if they see the other side of it, there's going to be a lot of trauma that comes with that; there's going to be things that they witnessed that they will never be able to un-see. And that was the connection that I drew. I did a lot of research on my grandfather in the beginning of quarantine, and it hit me very quickly that we've got a version of that trauma happening right now in our hospitals. God, you hope people would respect it and would understand that going out for a night isn't worth the ripple effect that it causes. But obviously we're seeing that a lot of people don't seem to have their eyes open to that — or if they do, a lot of people don't care, which is upsetting.

You had the Lover Fest East and West scheduled this year. How hard has it been to both not perform for your fans this year, and see the music industry at large go through such a brutal change?

It's confusing. It's hard to watch. I think that maybe me wanting to make as much music as possible during this time was a way for me to feel like I could reach out my hand and touch my fans, even if I couldn't physically reach out or take a picture with them. We've had a lot of different, amazing, fun, sort of underground traditions we've built over the years that involve a lot of human interaction, and so I have no idea what's going to happen with touring; none of us do. And that's a scary thing. You can't look to somebody in the music industry who's been around a long time, or an expert touring manager or promoter and [ask] what's going to happen and have them give you an answer. I think we're all just trying to keep our eyes on the horizon and see what it looks like. So we're just kind of sitting tight and trying to take care of whatever creative spark might exist and trying to figure out how to reach our fans in other ways, because we just can't do that right now.

When you are able to perform again, do you have plans on resurfacing a Lover Fest-type event?

I don't know what incarnation it'll take and I really would need to sit down and think about it for a good solid couple of months before I figured out the answer. Because whatever we do, I want it to be something that is thoughtful and will make the fans happy and I hope I can achieve that. I'm going to try really hard to.

In addition to recording an album, you spent this year supporting Joe Biden and Kamala Harris in the election. Where were you when it was called in their favor?

Well, when the results were coming in, I was actually at the property where we shot the Entertainment Weekly cover. I was hanging out with my photographer friend, Beth, and the wonderful couple that owned the farm where we [were]. And we realized really early into the night that we weren't going to get an accurate picture of the results. Then, a couple of days later, I was on a video shoot, but I was directing, and I was standing there with my face shield and mask on next to my director of photography, Rodrigo Prieto. And I just remember a news alert coming up on my phone that said, "Biden is our next president. He's won the election." And I showed it to Rodrigo and he said, "I'm always going to remember the moment that we learned this." And I looked around, and people's face shields were starting to fog up because a lot of people were really misty-eyed and emotional, and it was not loud. It wasn't popping bottles of champagne. It was this moment of quiet, cautious elation and relief.

Do you ever think about what Folklore would have sounded like if you, Aaron, and Jack had been in the same room?

I think about it all the time. I think that a lot of what has happened with the album has to do with us all being in a collective emotional place. Obviously everybody's lives have different complexities and whatnot, but I think most of us were feeling really shaken up and really out of place and confused and in need of something comforting all at the same time. And for me, that thing that was comforting was making music that felt sort of like I was trying to hug my fans through the speakers. That was truly my intent. Just trying to hug them when I can't hug them.

I was really excited about "August slipped away into a moment of time/August sipped away like a bottle of wine." That was a song where Jack sent me the instrumental and I wrote the song pretty much on the spot; it just was an intuitive thing. And that was actually the first song that I wrote of the "Betty" triangle. So the Betty songs are "August," "Cardigan," and "Betty." "August" was actually the first one, which is strange because it's the song from the other girl's perspective.

Yeah, I assumed you wrote "Cardigan" first.

It would be safe to assume that "Cardigan" would be first, but it wasn't. It was very strange how it happened, but it kind of pieced together one song at a time, starting with "August," where I kind of wanted to explore the element of This is from the perspective of a girl who was having her first brush with love. And then all of a sudden she's treated like she's the other girl, because there was another situation that had already been in place, but "August" girl thought she was really falling in love. It kind of explores the idea of the undefined relationship. As humans, we're all encouraged to just be cool and just let it happen, and don't ask what the relationship is — Are we exclusive? But if you are chill about it, especially when you're young, you learn the very hard lesson that if you don't define something, oftentimes they can gaslight you into thinking it was nothing at all, and that it never happened. And how do you mourn the loss of something once it ends, if you're being made to believe that it never happened at all?

"I almost didn't process it as an album," says Taylor Swift of making Folklore. "And it's still hard for me to process as an entity or a commodity, because [it] was just my daydream space."

I'm really proud of that one too. I heard the track immediately. Aaron sent it to me, and it had this immediate sense of serenity running through it. The first word that popped into my head was peace, but I thought that it would be too on-the-nose to sing about being calm, or to sing about serenity, or to sing about finding peace with someone. Because you have this very conflicted, very dramatic conflict-written lyric paired with this very, very calming sound of the instrumental. But, "The devil's in the details," is one of those phrases that I've written down over the years. That's a common phrase that is used in the English language every day. And I just thought it sounded really cool because of the D, D sound. And I thought, "I'll hang onto those in a list, and then, I'll finally find the right place for them in a story." I think that's how a lot of people feel where it's like, "Yeah, the devil's in the details. Everybody's complex when you look under the hood of the car." But basically saying, "I'm there for you if you want that, if this complexity is what you want."

There's another clever turn-of-phrase on "This is Me Trying." "I didn't know if you'd care if I came back/I have a lot of regrets about that." That feels like a nod toward your fans, and some of the feelings you had about retreating from the public sphere.

Absolutely. I think I was writing from three different characters' perspectives, one who's going through that; I was channeling the emotions I was feeling in 2016, 2017, where I just felt like I was worth absolutely nothing. And then, the second verse is about dealing with addiction and issues with struggling every day. And every second of the day, you're trying not to fall into old patterns, and nobody around you can see that, and no one gives you credit for it. And then, the third verse, I was thinking, what would the National do? What lyric would Matt Berninger write? What chords would the National play? And it's funny because I've since played this song for Aaron, and he's like, "That's not what we would've done at all." He's like, "I love that song, but that's totally different than what we would've done with it."

Yeah, I was at the show where they were playing through I Am Easy to Find. What I loved about [that album] was they had female vocalists singing from female perspectives, and that triggered and fired something in me where I thought, "I've got to play with different perspectives because that is so intriguing when you hear a female perspective come in from a band where you're used to only hearing a male perspective." It just sparked something in me. And obviously, you mentioning the National is the reason why Folklore came to be. So, thank you for that, Alex.

I'm here for all of your songwriting muse needs in the future.

I can't wait to see what comes out of this interview.

This interview has been edited and condensed.

For more on our Entertainers of the Year and Best & Worst of 2020, order the January issue of Entertainment Weekly or find it on newsstands beginning Dec. 18. (You can also pick up the full set of six covers here.) Don’t forget to subscribe for more exclusive interviews and photos, only in EW.

#ew #entertainment weekly #article #interview #folklore promo #folklore interview #quote #aaron dessner #jack antonoff #joe alwyn

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katnissmellarkkk · 3 years

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Okayyyy chappy seven 🤩 Here we goooo 🥳

Lord, Katniss always had nightmares 😭 even before the games, between her father’s death, her mother’s abandonment and the other traumatizing things she saw in her life, my girl never slept peacefully a day in her life 🥺.

She even indicates that she sometimes has nightmares about past hunger games 😭😭😭. Someone protect my smol child. Please. Someone.... Someone? Anyone? No? Okay 🥺

“I bolt up screaming for my father to run as the mine explodes into a million deadly bits of light.” This is such a powerful image and it really does show that Katniss has literally envisioned all the gory details of her father’s death for the last four years. This is so sad 😞

Also though. Katniss really doesn’t talk much about her father’s death after the first book and definitely doesn’t describe nightmares about it. So .... like basically, the games traumatized her so badly that, her father failing to escape the mines as the collapsed in on him, crushing him into the pits of despair, the possibility of rescuing his corpse deemed unimaginable, pales in comparison? Yes I just tried and failed to phrase that long run on sentence the way Katniss phrases her nightmares about her dad dying, yes that was over the top but you know what? So. Is. Katniss.

“Dawn is breaking through the windows” Twilight reference 😬😬😬. I couldn’t stop myself, y’all. Forgive for please.

“The Capitol has a misty, haunted air.” Katniss, you’re from the butthole of Kentucky, the air you’re used to is probably humid as all get out 😓😓💦😅😅

“I must have bitten into the side of my cheek in the night. My tongue probes the ragged flesh and I taste blood.” 😒😒😒😒 this feeling ..... is .... v v v .... distinct .... and .... familiar 😕🙁☹️

“I end up hopping from foot to foot as alternating jets of icy cold and steaming hot water assault me.” Why is this so funny omg 😂🤣😂🤣😂🤣😂🤣😂😂😅😅😅😅😅 Katniss is just like pressing buttons like, “Ah! Too cold! 🥶 Ah! Too hot! 🥵 Ah!!!!!” All while jumping like a .... cat 🐱🥁

Lemon foam? 🍋 Whatever. I guess there’s weirder flavors of soap we have today but like where’s the Philosophy flavors that give recipes on the bottles??? Surely they’d survive an apocalypse??? Everyone uses those???

I’m so glad Katniss didn’t forget to moisturize, even as she prepares for a death match 😅😅😅😅 even if it’s just as simple as pressing a single button, why is she even taking the time to press it?

I know, I know. She just wants to make sure her skin is so smooth for the arena that the knives and arrows just slide right off 🤣🤣🤣🤣

“This is the first time since the morning of the reaping that I resemble myself.” Lolololol which means Mr. Romantic is gonna be even more turned on by the sight of ya, since he’s crushed on you looking like this for the last decade of his life 🥳😎🤗💁🏼‍♀️. Peeta ain’t even here yet and I’m already making the shipper comments Samantha calm down 🙄😶😑🤐🤐🤐🤐🤐🤐

Seriously there where is Peeta? Did he also have to figure out the temperature controls in the shower? Did he also moisturize? I miss him I wanna know about his morning too 😔. Katty, is it too much to ask for you to go take a lil ... sneak peek into his room for me? 😏😏😏

Twenty dishes seems like a lot for like four people eating? Eh, maybe six people, if we count the stylists who magically pick and choose when they’re coming to a meal... Hmm, I’ll calculate just so no one else has to. 🤓😬🤗 No one else cares, Samantha. 🤐🥱😴😶 Twenty dishes amounts out to about five plates without the stylists and three and a half-ish with so.... idk it’s not that much food I guess but it seems like a lot for one meal, esp if people in the Capitol intend to keep their trim figures. This is why that one prep team girl is chubby. 🤐🤐🤐

Awww Katniss copying Peeta’s weird lil eating quirks 🤗😎🥳. She’s already taking interest in him, she just don’t realize it yet 💁🏼‍♀️🤦🏼‍♀️ shipper comment alert 🚨🚨

But also has anyone actually tried dipping bread on hot chocolate and was it good or does it taste as repulsive as it sounds to me? I hate it when my food even so much as dares to touch though 🤢😡😤😓

Oooo I always forget Prim has to be utilizing her goat, milking the thing every day until it’s dry I’m not a farmer idk how milking animals works ... so she contributes more than I give her credit I suppose.... I’m making an effort for you, Primmers. You seem useless and immature but I’m trying. 😪😶 Taylor Swift voice 🎶 *this is me trying* 🎶

Oh wow it was only two mornings ago? Man. The first book is slow moving. 😅😭 six chapters in and we’ve gotten through one point five days 🤣

“It makes me irritated that Peeta is wearing exactly the same outfit I am.” “Listen, Peeta, one of us has to change, this is getting embarrassing, you have to stop borrowing my clothes!”

“This twins act is going to blow up in out faces once the Games begin.” Ahhaahahahaha blow up 💥 💣 🔥. Get it, get it. 🥁 Because she represents fire. And she also blows things up in Every. Single. Book.

But seriously, did Cinna and Portia and Haymitch all plan on presenting Katniss and Peeta are like, tight friends or whatever, and then Peeta is like “oh b-tee-dubs, I have a massive crush on K-dog” and they just decided it perfectly fit into their plans?

I’m so jealous that their breakfast has bread baskets 😩😩😩 I know they’re headed to the slaughter but still. Bread.

if you like, I'll coach you separately. Decide now." "Why would you coach us separately?" In case one of you ... not naming names .... Peeta .... wants to reveal your lifelong crush on live television 😎😎😎

Also Haymitch is like “make an important decision but take zero time to consider it, I’m tired and hungover, kids, idc for your drama 😒”

Which as an auntie to a wonderful little two year old ... is v relatable 😅🥲🙃🤭

“And I already know what yours is, right? I mean, I've eaten enough of your squirrels." I wanna make a dirty joke here so badly but the lord himself is saying no.

“Town families usually eat expensive butcher meat. Beef and chicken and horse.” Ohhh this is interesting. Katniss believing Peeta and the other merchants live high on the hog while Peeta is later is like “I eat expired bread for every meal, Katniss” I mean, better than starving like her, but also not how she’s painting the picture in her mind. 😶😭

Also Katniss never mentions horses in Twelve, where’s the butcher getting horses from to slaughter and sell? That’s why Katniss never sees them, Samantha, duh 🙄

“I can't do anything. Unless you count baking bread.” "Sorry, I don't.” This was such a quick and matter of fact brush off, poor Peeta 😭😭😭 my baby I’m still rooting for you don’t worry you got this

Also. Lowkey, highkey, that tiny exchange triggered me. 😭😭😭😭😭😭😭😭😭😭. Those awkward moments where people brush me off or glance over me live in my head. Rent free. For life.

I wonder sometimes often times if Katniss’ father and Gale’s father knew each other? Both hunted and worked in the mines. Just a random sidebar 😅🤭🤐🙃

“She’s excellent” He’s so proud of his wife 🤧🤧🤧🤧🤧

So uh.... is it safe to say Mr. Mellark is an Everlark fan? If he likes and admires Katniss and Peeta and him apparently have some kind of close-ish bond (okay, maybe not but maybe) then perhaps he is carrying the shipper banner back in Twelve for them 🥳🥳😎😎

Katniss, you dingaling, of course he noticed you 🙄🙄🙄

Peeta compliments her and her instant reaction is “what are you doing, weirdo?” 😅😭

“Don’t underrate yourself” Peeta, love of my life, take your own advise. Stupid. 😪😪😪

“I've seen you in the market. You can lift hundred-pound bags of flour” Katniss in the market, staring across the way at Peeta, 👁👄👁, watching him lift flour over his shoulder.

“He came in second in our school competition last year, only after his brother." This is criminally undiscussed. Peeta being a wrestler alone is undiscussed but also.... did you go to his matches, Katniss? Miss Anti-Social, Hunting-First-Everything-Else-Later? 😏😏😏 If this ain’t proof of her lil crush idk what is

“All you need is to come up with a knife, and you'll at least stand a chance.” “You'll be living up in some tree eating raw squirrels and picking off people with arrows.” Does no one else realize that Katniss and Peeta literally took the other’s advise for the first part of the games? How did Peeta get in with the Careers? The way she just said. Where is Katniss when Peeta and the Careers discover her? High up in a tree. Okay, this maybe didn’t compute right but I had a thought here so I said it

Peeta’s mother is just a monster. Who says that crap? 😔😔😔 don’t worry, baby, I’m rooting for you

“She said, 'She's a survivor, that one.' She is” Yeah, she is, no thanks to you, Mrs. Mellark 😤. Stingy ho.

Peeta’s got pain in his eyes 🥺🥺🥺🥺🥺

Awww, Katniss accrediting her survival to Peeta’s help 😭😭😭😭. This is so pure. Also kiss now, you little freaks.

“She has no idea. The effect she can have.” This is such an iconic line... but the can has always had me laughing. She can have an effect, if she really wants to. Or not, depending on the day.

Katniss is so stupid, how did she construe that as an insult??? 🤦🏼‍♀️🤦🏼‍♀️🤦🏼‍♀️🤦🏼‍♀️ y’all ever just wanna smack her into a wall?

“In public, I want you by each other's side every minute” If Peeta didn’t have a long life crush, what was the ultimate plan with all this friendship act they’re being forced into? 🤔🤔🤔

Even Peeta’s trying to object to it 😭😭😭😭

“You will be together, you will appear amiable to each other.” You will fall in love. 🤩🥳😎

“I bite my lip and stalk back to my room, making sure Peeta can hear the door slam.” Okay, now imagine how much she’s hurting his feelings right now 😖😣 what a little brat

“But that didn't mean I wanted to do everything with Peeta. Who, by the way, clearly doesn't want to be partnering up with me, either.” Lolololololololol this is so funny in hindsight 🤣🤣🤣. Also if you showed a little enthusiasm, Peeta would probably be happy to partner with you.

“But a tiny part of me wonders if this was a compliment. That he meant I was appealing in some way.” No, really, Katniss? A compliment? Who’d give you one of those? 🙄🙄🙄

“It's weird, how much he's noticed me. Like the attention he's paid to my hunting.” A normal person at this point would put together a crush 😅

“And apparently, I have not been as oblivious to him as I imagined, either. [...] I have kept track of the boy with the bread.” Anddd a normal person would figure out their own crush at this point 😅😅.

“I do a quick assessment. Peeta and I are the only two dressed alike.” We stan a matching couple in this house 😎😏

“Almost all of the boys and at least half of the girls are bigger than I am” That means 18 out of 24 tributes tower over my girl here. Smol Katniss. The movies did such erasure on this front I’m still bitter 🤐😒😤😩

“I may be smaller naturally, but overall my family's resourcefulness has given me an edge in that area.” Just a tiny muscular thing standing next to a bunch of tall, lanky kids. 🥰🥰🥰🥰

Awww “Each [Career tribute] must have fifty to a hundred pounds on me.” I mean ... let’s calculate. A muscular girl would probably weigh like 150 pounds... so basically Katniss is at most, 100 pounds. Tiny Katty.

“I'm thinking that it's lucky I'm a fast runner when Peeta nudges my arm and I jump.” This is a random, cute interaction 😍😍😍. Shipper blinders are on and tight.

“Suppose we tie some knots.” “Right you are.” I legitimately just scratched my face, who says right you are? An 87 year old man, that’s who 😅😅😅. Not turning your girl on very well, Peeta baby.

Although it does sound a bit like a backwoods southern thing soooo.... hillbilly Everlark nation rise. 🙋🏼‍♀️🙋🏼‍♀️🙋🏼‍♀️🙋🏼‍♀️

“We concentrate on this one skill for an hour until both of us have mastered it.” Awww, so Peeta knows how to tie a snare? He’s not as clueless as half the fandom acts.

How exactly is frosting cakes equating to amazing camouflager in a death match? Books crack me up with these connections. “I’m an amazing artist because I write birthday cards!”

Lolololol Prim admiring her future brother-in-law’s handiwork 🥰🥰🥰🥰 too bad she dies before they can get together for real for real.

“Somehow the whole thing - his skill, those inaccessible cakes, the praise of the camouflage expert - annoys me.” Dude, you get praised by everyone and their brother while Peeta gets overlooked, give him a moment to shine. 😑🙄 jealous wife much?

Also she’s already picking up on Peeta’s eye for beauty 😅😅😅

“It's lovely. If only you could frost someone to death.” "Don't be so superior. You can never tell what you'll find in the arena. Say it's actually a gigantic cake-“ "Say we move on.” She’s such a little snot. 😒😒😒

But also I love that already in this point of their relationship, Peeta is noticing when she’s being a brat 😭😂😅. “Don’t be so superior.”

“Despite Haymitch's order to appear mediocre, Peeta excels in hand-to-hand combat, and I sweep the edible plants test without blinking an eye.” Lolololol their mentor’s advise went into one ear and right out the other 😂😅🤣.

But also why did the movie make a point in adding an extra scene of Peeta looking weak and the Careers staring at him? That literally took up time and served no purpose at all. 😤😤😤 I’m coming for you, Gary Ross

Awww, everyone but the careers eat alone. But Katniss and Peeta eat together 🥺🥺🥺. It’s like a forced first date 🥳🥳🥳

I like how Katniss says they include bread from every district but she then proceeds to only mention the two districts that later have relevant tributes. 😅😅😅

Lolololol their fake friendship “laugh ... now! Okay, I’ll smile, try to say something interesting”

“Ever since I slammed my door, there's been a chill in the air between us.” Well yeah, you probably hurt his feelings 🥺🥺🥺

Umm, Katniss just casually drops that she was chased by a bear.... how did homegirl live? 😬😳

Peeta knowing Rue’s name and being the one to take notice of her first 🥺🥺🥺. If the games had come down to Katniss, Peeta and Rue, y’all know Everlark would have swallowed the berries and gotten Rue home. 🥺🥺🥺🥺🥺

“Don't. Don't let's pretend when there's no one around.” "All right, Katniss.” He made a single comment to you, ding dong. He didn’t ask for a goodnight kiss 🙄🙄🙄.

Also anyone ever think of how lonely Peeta’s life must be? He’s not close to his family that we can see, Delly’s his only real friend, after he wins he lives in that huge house all alone... I feel sad now. I did this to myself. 😬😭🥺

Katniss’ “Oh! The weapons!” When she sees the bows and arrows is so cute 🥰🥰🥰

Katniss has such a rage built up inside of her. Let it out, girlfriend

See, I’d have done this too but in my rage, I’d probably have shot a real person and not the pig ... goodbye, Plutarch 👋🏻

Andddd I think that’s all for this chapter! Sorry my comments weren’t as interesting as usual 😬.

#thgagain

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rosyk · 4 years

Text

Clichè

pairing: lee minho x reader

genre: heavy or light angst, fluff, marriage, misunderstandings

warnings: light curses, situations that involves deep anger or sadness, mentions of disease, death(?)

word count: 5.2k

a/n: Hi it’s your gal, rosyk. I’m back with writing fanfictions and it’s like 4 in the morning. I haven’t slept yet so there are many grammatically incorrect sentences or spelling errors. Hope you enjoy this one though! (Inspired by Dear John- Taylor Swift)

I sat by the car, the same old one he and I used to drive in. This was a simple car but we swore to use this for our wedding since memories are still stuck. It made me wonder what could’ve happened if everything went right? What would’ve happened to us if there were no obstacles in life? It then made me realize that indeed there were no obstacles, none other than you.

I drove the car to meet your sister who desperately needed to talk to me. She said there were secrets I needed to know but I get the gist of what she’s trying to do. Set me up? Trap me? Convince me? So I could be tempted to get back into your cage? I don’t want that to happen, never again. I’m sick and tired of this one-sided relationship I never noticed because I was blinded. Aced all my tests, I am smart. But when it comes to you, I look like a whole fool trying to fall in love with a guy who gave up. This is why I wanted to show her that I’ve moved on, at least based on my view. Wearing both of my earphones and played our song, I sighed deeply and continued to drive along Cornelia street. My days only revolved around you but what exactly went wrong in between us? Scratch that, what happened to you?

Back then, all I could do was love you. Not less but everything more. I could never stand loving you lesser each day. It’s not on obsessing but to the point that I recognize your feelings though still, I try to force myself. You know how I do grow tired from time to time, but that’s all because I care for you. There’s not much positivity from that though. The downfall happens when I love you much more than you feel for me. It was never equal no matter how I try to persuade myself, desperately needing your affection.

My mother used to tell me how crazy I was to fall for a guy like you. How was I supposed to tell her you were fine since then? Yesterday, you rained me with care. On Friday, you sucked it all up and acted as if nothing happened. All I could do was pray that the guy I used to know, is the one I’ll meet today and greet me in front of the door with wide gentle hugs.

You give me hope, then take it back all at once. I remembered a sunny sky in blue that suddenly turned grey after you decided to shrug me off several times. I was in your tiny piece of chess game. Though you change the rules every day, hoping I would give up until the end. What’s funny is that typically families opposing would be the ones who would give tests to both of the couples to prove their love. And yet, you were the one who was trying to give me a hard time and when I was lost in the thought of giving you up, you decided to save me at the end of the day.

You were a puzzle I couldn’t solve. Little did I know, there was a missing piece I could never find until then. Just like a whole puzzle, you were complicated but due to my drive and need, I had to hang on to my aim. I had to do it because I was convinced by all your “sorry“. Or maybe it’s just me trying to change my mindset to find a reason to stay because I knew there was no difference between all your other sorrys before.

“Which Minho would I be able to talk to on the phone?” It runs through my mind each Sunday of my life and gives me anxiety. But every time I hear the phone ring? I never hesitated to pick it up. No matter what kind of guy I am faced with, I wanted to know deeper why you were acting so confusing. But on that single day, I didn’t pick up the phone. I cried and had sleepless nights. My worst nightmare just came and here’s why:

“Don’t you think this is a good improvement? We’ll sit by the couch and place a big screen tv.” You placed your arm above my shoulder and I continued your lovely story.

“Then we’ll watch your performances?” I looked at you in the eye, grinning as you smirked at my idea. You hummed in question and tilted your head. “Lee Minho, the most famous kpop idol who reached internationally and was supported by his lovely fans” I placed both of my hands above, imaging a billboard banner with your name and face on it. Thousands of people watching and idolizing you.

“Really?” You shifted your position into a more comfortable one as I leaned on your chest. Nodding at my suggestion, you pressed your lips together and listened to me, getting all happy after trying to predict and set goals in our lives.

“Of course! Why not?” I turned my head to face you and gave you a slight hit. “I could feel the energy of the universe as if it's trying to tell me that was our fate” You playfully laughed at the girl in front of you who is telling such an exaggerating fairytale. “Besides, ” I went back to my position and grabbed your arms around my waist. “Your number one fan is just a surgeon anyway” You responded with an oh? as you began to get amused with my statements. “A surgeon who never failed to help people even in a situation full of pressure. The best surgeon in the district” I smiled in a bragging manner, lifting my hand to flip my hair.

“I like that” you nodded in approval. “But don’t you think it’s much better with the title, the best surgeon found around the world?” My eyes lit up with stars because indeed that was a better match. I grinned and raised my eyebrow.

“That’s better” an idea popped up and so I turned back once again. You looked at me in confusion and waited until I would continue what I wanted to say. “But how about the dating ban? Does that mean we have to keep it low?” You looked at me concerningly and so I did. Panic arose in my mind. “Or maybe we-“

You placed your hand up my lip and shushed me. Everything is going to be fine, you tried to assure me. Lifting up your hand and caressed my face, you continued and stared at my pouty lips. “Of course not. It’s you,” with a silent pause, you pointed directly at me with a lovingly stare “and I” you did the same back at yourself and held my hand, enclosing it together. “against the whole world”. You chuckled whilst you tipped your forehead on mines.

“Too cliché” I laughed at you but no doubt that made my heart flutter. Oh, how I wish he knew how much I love him.

[MONTHS LATER]

“Do you have everything packed?” I sighed deeply the minute I rummaged through the closet. I stopped as soon as I saw the yellow hoodie hung inside. “You forgot the hoodie!” I chuckled though scared, deeply hoping this isn’t what I think it is.

“That’s your favorite. Keep it” he smiled but those words pierced straight through me. I felt what he meant. My last token for our relationship, isn’t it? What happened to all those you and I against the world? Were all those just things to make me feel relieved?

“Oh” I responded dryly and gulped, pressing my lips together to stop these drops from falling. “Mhm, ’kay” I closed the closet and faced the guy who’ll soon be leaving. “Go” You looked at me with pity and everything I didn’t want to see in your eyes. I’m okay, at least that’s what I like to believe. As I was busy trying to act tough because I don’t want you to see me being vulnerable once again, you gave me the warmth I needed. A necessity in my dark days.

“I’m sorry. I won’t leave you alone, maybe quite busy but I’d never wanted to split up with you” I finally cried after everything. It was a big wash down of emotions and you felt sorry again. It was a painful sight for you, I know.

“But those hoodies..” sniffs went in between those sobs. As usual, you tried to assure me by caressing my face. It was an act to show that we’ll still stay the same.

“I want you to return this to me after I become an idol. I want you to promise you’ll hold on to us. Wait for me okay?” That was the first and last time I’ve ever seen you cry. It hurts deep bad, but I didn’t want to be an obstacle to your goal as well. I’ll wait no matter how many years it may take.

[DECEMBER OF 2018]

Hey, I’m not sure if you still received my letters. It’s been long, don’t you think? I feel like you don’t remember me anymore but I was your first love haha. Would you still be able to know me after I come back there? I’ve heard you all over the news. Minho, the guy who brought K-pop internationally and broke the Billboard charts. I told you that you’d make it. Me? I’m now a surgeon. Not internationally, but definitely in the district. I’ll get there soon, right? One more question, can I return the hoodie? I did wait for you, hoping you did as well.

I sighed for only God knows how many times for this day. The more I’ve been sending letters, the less I’ve been receiving.

I held on to the letter and got up from my bed after hearing a call once again. The last time I was able to sleep was decades ago and so I had to go back to work. Luckily, it wasn’t a heavy operation but I just had to check-in by the hospital to get the patient’s results.

“Good afternoon, Mrs!.” My patient joked and I could clearly see my best friend smirking.

“Maddie! Stay safe when you get home alright?” I smiled greeting the patient who joked before getting ready to leave

“Hey, hey it’s not too safe to go outside yet. Call someone to assist you. Take care!” Another response of mine was said after a boy who was operated on and took rest for three weeks passed by me.

Beaming from ear to ear, I squealed and hugged my best friend tight. “ALICEEE!” It’s been years since I’ve seen her. She accompanied Min on his way to Korea. And before any of the readers misunderstand, they are siblings. Quite awkward at first if I must say but it’s great to know lots of information about him.

“Hush, we’re in your workplace. You told me that, right? Alice, don’t scream or get hyper whenever you’d come back here.” She mimicked the way I talked in an insulting manner, not that I’m offended by it. We just like to mimic one’s tone as a sign of sarcasm. “Well, look who’s talking?” She furrowed both of her eyebrows as I laughed and took my hands off her.

“So how was Korea, Lisa? Did you find someone? Maybe that guy who you friend-zoned at?” I started chuckling after seeing her blank face. It was honestly funnier to see her reaction. Her stop-it-kind-of-face made my laugh gradually get lower but never failed to make a remark soon after. I thought of someone and so I tried to casually ask her about it. “How are you and Min? Was Korea that good? Just wanted to ask because I’m scared to get into their hospital” I shrugged it off but saw her eyebrow raise. Of course, she always knows what’s up.

“So is this why you’re called Mrs.? Mrs. Lee?” Now it was her turn to laugh. I playfully pouted and narrowed my eyes. “Excuse me?” I acted all offended, placing my hand to my chest as if I took it to heart “It’s miss for you, Mrs. friend-zoned” Rolling my eyes and entered my room, her never-ending saga of teasing me continued.

An hour came by after packing all my things left in the hospital room and we talked about our lives. She still never told me a single thing about Min because of her chattiness. We got in the car and went to the airport. My flight has been called and so I had to leave.

“Wish we could’ve spent more time. I’ll come back soon anyways after visiting the hospital” she hugged me so tight causing me to be so confused.

“Min.. I tried to talk to him” I looked at her in the eye asking for some problems that happened years before. Though no words that came out of her were expected.

“But he didn’t want to hear anything about you”

Hours came by like a flash but my thoughts filling out my mind went by for years. I arrived at my destination but is this truly where I am destined to be in? I knew there was something much more than her words because her voice was shaky.

I didn’t leave a single minute to go by my hospital though. Work always comes by my mind. But usually, I would hang by the café in your building hoping to see you pass by. There were no people because I was busy studying late at night after the closing time. It was scary, but I was too busy to notice.

“I miss you! I’ll come by soon, okay? You better wait for me, sweetie. Love you, take care!” I smiled after hearing my patient’s voice. She was a lovely kid and it seems like I wasn’t the only one missing her as well. It had just been a day yet Yeina has been panicking through the whole call.

“Got a boyfriend now?” The one who talked suddenly came up near my seat and giggled. It was cute but I was busy closing all my documents. Besides, it was not that important. I responded unknowingly but was cut after hearing the voice.

“No, it was my patient. She’s a cute kid” I looked up and God-, was that the biggest thing I regretted but enjoyed at the same time. The guy I waited for years was the same guy who didn’t want to hear anything that involves me. The guy who didn’t want to talk, approached me first with the same smile as if nothing happened. I don’t know what to feel nor what to say. It took whole 5 minutes of me trying to smile awkwardly.

“So, no hugs, internationally known surgeon who cured people around the world for the guy who is loved by his lovely fans?” You looked at me shocked but smiled as soon as I got back to my senses. Everything still remained vivid in your head when I thought it wouldn’t be.

I went up to you and cried in your embrace. The same warmth, it never changed even after all those years. “I thought you had forgotten” I tried to explain though it came out as short phrases because of my sobs. You held my head to nuzzle near your neck and caressed my hair, patting in between.

“Thank you for waiting even in tough times. You did good, doctor”

[WEEKS LATER]

Yes, it just had been weeks. Everything was good but turned downhill soon after. I don’t know what’s hitting on you because you just turned.. off.

“ARE YOU CRAZY?” I yelled after you constantly trying to ignore me. “Wow, so now you’re deaf?” I exclaimed as I held on to your arm and making you turn around and face me.

“You wouldn’t understand anyway!” Loud shoutings were just everything that was heard in the room. I am patient but was frustrated that moment you took on that dumb decision.

“So now I was wrong here? YOU QUITTED THAT FKING JOB OF YOURS BECAUSE YOU DIDN’T FEEL LIKE IT? YOU FELT BORED? The world doesn’t adjust for you! It’s not like you are the reason why the Earth revolves! It’s not easy to find a new goal and get it as soon as possible!” I expressed all my thoughts because things weren’t matching up. Who the hell leaves something just because he or she was bored? I felt like there was something more to it but why do you seem so nonchalant about it? It was that easy of a decision to make?

“SHIT!” You grabbed the vase and smashed it on the floor. That shocked me. I was clearly shaking yet I tried to stand by my point.

“Why did you come back here anyway?” I felt the world stopped. No, because he was actually true. Why did I come back here? Expecting that the love of my life would be the same even when it had been years he didn’t bother to call? Even after all these years, the guy I waited for would remain the same? After all the dating issues, he would stay irrelevant and think of me every day? I was just a surgeon not even known worldwide. Who am I to him?

“You’re right. I’m nothing to you anyway.” I packed up quickly placing all of my clothes unorganized. It was easy to get into someone but how is leaving not the same?

You tried calling me out but I left due to my blind optimism over the week. I came back to Korea but you soon got me with all those sorry. That was just a single moment that left a scar on me deeply. But now that I think of it, I was used to it because you were an on and off switch

The first day of a week you asked me out on a date then suddenly you claimed to have forgotten about it. You’d tell me how much you loved me, yet add me to the list of traitors who wouldn’t understand a single thing. It was basically just a love or leave me game of yours. It went on for months that I was tired of it. Sick of everything else but you suddenly turned nice again. I waited for the moment you would hate me as usual but it never came by. Was it because you finally realized how much you had hurt me or were you trying to be nice because you were planning a sudden break-up. Maybe a Dear Jane letter? I was scared because I feel like it was more of the latter.

But after all the overthinking, another unexpected thing came by. You spoke the words:

“I can’t imagine what you’ve gone through after everything I’ve done. It hurts so bad and I don’t want to see you taking all that pain anymore. I never had forgotten about you not even a single bit of my life. I made decisions that could lessen your pride and was also close-minded with all your opinions. But my love for you stays true which is why I wanted to stop seeing you cry. The only tears I’ll ever allow you to shed is the one I needed all my life. The words I wanted to wait for you on. This might be the most clichè thing you’ll ever see, but will you marry me?”

I could never get over that preparation of yours. Because who’d knew you were actually into those surprises? I looked at the ring and smiled at it. How precious this is to me. But time surely passes by fast.

Looking at myself in a white gown, we passed by on lots of obstacles but it felt like yesterday even though it took even years to convince my mother and bless the marriage. She allowed but was forced to.

I still remembered how my mom used to hit me several times every day just to understand if there was something wrong with my head, but apologized soon after because she believed my father was watching from heaven. Mom had many beliefs and one of them was to ask my father whether to accept me. She used to tell me with not a missing day left aside, “run as fast as you can��. Up until now, I find it too hilarious.

“Aren’t you rushing too much? You’re still nineteen” the one who placed my natural makeup on, whispered in my ear.

That was what I was scared of. I was anxious about getting hurt at 19 what more if I was getting married then it went downhill when I was 19? But you were a risk I was willing to take every day, so why not? I know you’ll stay true to your words, I just know so.

“No” I responded short and smiled at myself for acting so brave with my thoughts. I went out of the hall and looked up to my mother who was dressed up so nicely. Sure, the girl who took time dressing me up, definitely did not say she wouldn’t attend if I marry Minho. I sarcastically remarked at her logic.

“So where’s that guy? It’s been 15 minutes since the guests have arrived!” She placed her hand on her hip and tapped her feet on the floor impatiently.

“Ma, he will arrive” I assured my mother and hugged her after I saw a glimpse of tears on her face. Of course, she raised me, and to finally see me with a guy who will take care of me then, she would be brought into tears. She told me once, before the wedding starts, all her thoughts including how she was sad about me leaving but happy about me finding and receiving the love I am willing to fight for. She doesn’t show it as much but she knows how much of a good guy Min is.

“You’ll be Mrs. Lee minutes later!” I found Lisa near the entrance and hugged her. “I told you we would have the same last name years ago!” she continued

Minutes came by and indeed you look handsome in a tux. Everything was worth the wait. You were worth waiting for. We’ve said our vows that express our love would remain until forever runs out, and it was truly you and I together against the world.

[PRESENT]

At least that is what was supposed to happen.

Your dumb-ass mind left me hanging and crying on the white dress. Everything was prepared and you suddenly decided not to show up? You were claiming you had forgotten? What kind of excuse is that? You were no doubt an expert on saying sorry. Just because, you were an exception when it comes to me not being forgiving. Just because, you’d know how to get me back. With a single smile, sorry, that’s it! My mind would start to revolve once around you, playing hide and seek or chase. I was always the one chasing and I’m tired of having to run a hundred miles just to get that love I wanted, which you never wanted to give anyway. It’s all you and your sick need of giving love and taking it away.

Don’t you think I was too young to be messed with? The girl in a white dress who was supposedly having fun on her grand day, went away and started crying? I should’ve followed what my mom said. You should’ve known and I should’ve seen. I was played, you were the one who controlled the game.

“Where will you take me, Alice?” Truly, it’s hard to have feelings for a guy who is the brother of your best friend. If things go wrong, then clearly your friendship is over.

“To him” you responded shortly, tightening your grip on my wrist.

“Stop. I don’t want to go.” I forced her hand off me and whined in a frustrated manner because clearly, you screwed up Alice.

“Could you please stop?! I’m sick of this! He doesn’t have to hide it forever!” You looked away and continued dragging me as soon as I stopped. Hiding what now?

I don’t know what to say when I meet you. Scratch that, I didn’t even want to meet you anymore. Because what if this habit of mine comes up and actually accepts you? I’m tired of it but there’s just something that makes me want to hold onto the love or something that isn’t in you anymore.

You took me in a place so questionable as you stopped and cried. I couldn’t believe what I was seeing and yet you say it was the right place. That can’t be, right? How did this happen? Shaky hands, dry throat, words don’t come out my lips. “I’m sorry” I didn’t know why that was the only thing that escaped from my tongue. I did not accept it yet because I belived that wasn’t reality.

Lisa took me to a hospital in which I saw you laying down, unconscious.

I could do nothing but curl down. I was hurt but I never did ask for this. “Alicia, since when?”

“The doctor told me he had cancer way before you went back to Korea. This is why he didn’t want me to talk about you because he gets hurt and couldn’t even imagine what you would do in lengths just to cure him. He used to joke about how you loved him the same way he did. Side effects? Memory loss, sudden mood swings. You know, he was the same guy you knew in the past. Except, he had gotten braver of leaving you behind just so you wouldn’t get into more pain as to seeing his condition. He was very open but he thought of decisions way better when it comes to you than of himself. He loved you every single day of his life and I do know how he misses your touch, crying himself to sleep. He faced a much harder life, missy. As to the wedding, he said he had forgotten about it but it was more due to the reason of having a husband that wasn’t able to take care of until the end of the world, when he promised you to. It was because of a guy not being able to see you getting known worldwide nor exposing you in all medias, when he wanted you to. It was because of a man who simply wanted you to be happy, because he needed that too.”

This is the point where my world started to crash. It wasn’t you who should’ve known. It was me. I should’ve been there at times you need someone to rely on. I based on my selfishness and need for love, not knowing that what I need was the thing that kept me from hurting. I’m sorry for misunderstanding. I’m sorry for making things harder for you. I’m sorry for not opening up all my thoughts about you. I’m sorry because I left you fighting against the world, and I stood by just watching. I felt as if I was the person who was miserable and yet it was you who was trying to act tough.

Lisa continued to tell all those hidden words of yours “I even remembered the time he continued blaming himself for hurting you but concluded that it was everything that he could do. His situation isn’t something that can be fixed and he knows about that even if he wasn’t told about the months he have left. He told me that once you come back and see how bad of a person he is for leaving you all alone and asking you to wait, I am allowed to tell you everything once you’ve moved on.” The girl I’m talking with continued crying filling out the silence I make.

It was a shock and seeing you were the only thing that made me cry deeply. I couldn’t breathe as my chest weighed heavily. I grasped my shirt as I was desperately needing to calm down. But none of this sight made me calm down. I understood the situation I did, but it was too far, in reality, to keep it in check. You were unconscious and Lisa wanted to let me see you before your last breath. Standing up, I cried up to you.

“Idiot” I sniffed, Trying to act strong and let it all out but that’s everything I could only say. “You said our story was cliché. What happened to the true love’s kiss that wakes one up?” I kneeled down and held your hand with the ring that was encircling your fingers. I felt the cold air as tears continued flowing. I kissed your hand and gulped, crying helplessly. Is there really nothing I could do?

“The last time he saw you were way back you were able to smile again. He said it was a blissful sight to see and he would be happy even if that were to be the last time.” Lisa explained and cried her heart out as well after seeing such a painful sight.

“You do know you can see me every day right? Wouldn’t that be nice?” I tried to persuade an unconscious body who can’t hear my words. “Hey, wake up” I clasped our hands together and entwined both. “I’m here, so wake up. I’ll be with you until the end okay?” The volume of my talks gradually decreases but I still believe you can open your eyes up. I know so. I know that at this very time you could still see me and hug me, letting me feel the same warmth I needed once again. “I’ll be with you and it’s still going to be you and I against the world. Cliché right? I know you’ll never miss a chance to tease me when I take that cheesy statement. So please do. Please wake up and talk to me once again. I am here for you.. always and forevermore”

I closed my eyes and heard the beeping of the machine. I looked at you and the monitor that showed a single, straight line. I sighed deeply and my heartbeat is everything I could hear. Repeating your name, demanding you to wake up but all I could do at the end of the day is being so helpless. Even my optimism couldn’t change my mindset yet I was hopelessly begging to see your loving eyes as Lisa and the other staff held me out of the ward for the doctors to take care and clean up everything.

I wished to see those eyes I never noticed years ago. I didn’t know whether it was my selfish act or optimism that kept me not noticing all those details but if only I could see those once again, I could’ve lessened your pain before you disappeared. I was wrong but even up to this end, I hope you know that I love you and forever will do, Min.

I see it all now that you’re gone, don’t you think I was too young to be messed with? The girl in the dress cried the whole way home

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path-of-my-childhood · 4 years

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Taylor Swift Broke All Her Rules With Folklore - And Gave Herself A Much-Needed Escape

By: Alex Suskind for Entertainment Weekly Date: December 8th 2020 (EW's 2020 Entertainers of the Year cover)

The pop star, one of EW's 2020 Entertainers of the Year, delves deep into her surprise eighth album, Rebekah Harkness, and a Joe Biden presidency.

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Is he your brother?

“He’s William Bowery,” says Swift with a smile.

It's early November, after Election Day but before Swift eventually revealed Bowery's true identity to the world (the leading theory, that he was boyfriend Joe Alwyn, proved prescient). But, like all Swiftian riddles, it was fun to puzzle over for months, particularly in this hot mess of a year, when brief distractions are as comforting as a well-worn cardigan. Thankfully, the Bowery... erhm, Alwyn-assisted Folklore - a Swift project filled with muted pianos and whisper-quiet snares, recorded in secret with Jack Antonoff and the National’s Aaron Dessner - delivered.

“Early in quarantine, I started watching lots of films,” she explains. “Consuming other people’s storytelling opened this portal in my imagination and made me feel like, Why have I never created characters and intersecting storylines?” That’s how she ended up with three songs about an imagined love triangle (“Cardigan,” “Betty,” “August”), one about a clandestine romance (“Illicit Affairs”), and another chronicling a doomed relationship (“Exile”). Others tell of sumptuous real-life figures like Rebekah Harkness, a divorcee who married the heir to Standard Oil - and whose home Swift purchased 31 years after her death. The result, “The Last Great American Dynasty,” hones in on Harkness’ story, until Swift cleverly injects herself.

And yet, it wouldn’t be a Swift album without a few barbed postmortems over her own history. Notably, “My Tears Ricochet” and “Mad Woman," which touch on her former label head Scott Borchetta selling the masters to Swift’s catalog to her known nemesis Scooter Braun. Mere hours after our interview, the lyrics’ real-life origins took a surprising twist, when news broke that Swift’s music had once again been sold, to another private equity firm, for a reported $300 million. Though Swift ignored repeated requests for comment on the transaction, she did tweet a statement, hitting back at Braun while noting that she had begun re-recording her old albums - something she first promised in 2019 as a way of retaining agency over her creative legacy. (Later, she would tease a snippet of that reimagined work, with a new version of her hit 2008 single "Love Story.")

Like surprise-dropping Folklore, like pissing off the president by endorsing his opponents, like shooing away haters, Swift does what suits her. “I don’t think we often hear about women who did whatever the hell they wanted,” she says of Harkness - something Swift is clearly intent on changing. For her, that means basking in the world of, and favorable response to, Folklore. As she says in our interview, “I have this weird thing where, in order to create the next thing, I attack the previous thing. I don’t love that I do that, but it is the thing that has kept me pivoting to another world every time I make an album. But with this one, I still love it.”

ENTERTAINMENT WEEKLY: We’ve spent the year quarantined in our houses, trying to stay healthy and avoiding friends and family. Were you surprised by your ability to create and release a full album in the middle of a pandemic? TAYLOR SWIFT: I was. I wasn't expecting to make an album. Early on in quarantine, I started watching lots of films. We would watch a different movie every night. I'm ashamed to say I hadn't seen Pan's Labyrinth before. One night I'd watch that, then I'd watch L.A. Confidential, then we'd watch Rear Window, then we'd watch Jane Eyre. I feel like consuming other people's art and storytelling sort of opened this portal in my imagination and made me feel like, "Well, why have I never done this before? Why have I never created characters and intersecting storylines? And why haven't I ever sort of freed myself up to do that from a narrative standpoint?" There is something a little heavy about knowing when you put out an album, people are going to take it so literally that everything you say could be clickbait. It was really, really freeing to be able to just be inspired by worlds created by the films you watch or books you've read or places you've dreamed of or people that you've wondered about, not just being inspired by your own experience.

In that vein, what's it like to sit down and write something like “Betty,” which is told from the perspective of a 17-year-old boy? That was huge for me. And I think it came from the fact that my co-writer, William Bowery [Joe Alwyn], is male — and he was the one who originally thought of the chorus melody. And hearing him sing it, I thought, "That sounds really cool." Obviously, I don't have a male voice, but I thought, "I could have a male perspective." Patty Griffin wrote this song, “Top of the World.” It's one of my favorite songs of all time, and it's from the perspective of this older man who has lived a life full of regret, and he's kind of taking stock of that regret. So, I thought, "This is something that people I am a huge fan of have done. This would be fun to kind of take this for a spin."

What are your favorite William Bowery conspiracies? I love them all individually and equally. I love all the conspiracy theories around this album. [With] "Betty," Jack Antonoff would text me these articles and think pieces and in-depth Tumblr posts on what this love triangle meant to the person who had listened to it. And that's exactly what I was hoping would happen with this album. I wrote these stories for a specific reason and from a specific place about specific people that I imagined, but I wanted that to all change given who was listening to it. And I wanted it to start out as mine and become other people's. It's been really fun to watch.

One of the other unique things about Folklore — the parameters around it were completely different from anything you'd done. There was no long roll out, no stadium-sized pop anthems, no aiming for the radio-friendly single. How fearful were you in avoiding what had worked in the past? I didn't think about any of that for the very first time. And a lot of this album was kind of distilled down to the purest version of what the story is. Songwriting on this album is exactly the way that I would write if I considered nothing else other than, "What words do I want to write? What stories do I want to tell? What melodies do I want to sing? What production is essential to tell those stories?" It was a very do-it-yourself experience. My management team, we created absolutely everything in advance — every lyric video, every individual album package. And then we called our label a week in advance and said, "Here's what we have.” The photo shoot was me and the photographer walking out into a field. I'd done my hair and makeup and brought some nightgowns. These experiences I was used to having with 100 people on set, commanding alongside other people in a very committee fashion — all of a sudden it was me and a photographer, or me and my DP. It was a new challenge, because I love collaboration. But there's something really fun about knowing what you can do if it's just you doing it.

Did you find it freeing? I did. Every project involves different levels of collaboration, because on other albums there are things that my stylist will think of that I never would've thought of. But if I had all those people on the photo shoot, I would've had to have them quarantine away from their families for weeks on end, and I would've had to ask things of them that I didn't think were fair if I could figure out a way to do it [myself]. I had this idea for the [Folklore album cover] that it would be this girl sleepwalking through the forest in a nightgown in 1830 [laughs]. Very specific. A pioneer woman sleepwalking at night. I made a moodboard and sent it to Beth [Garrabrant], who I had never worked with before, who shoots only on film. We were just carrying bags across a field and putting the bags of film down, and then taking pictures. It was a blast.

Folklore includes plenty of intimate acoustic echoes to what you've done in the past. But there are also a lot of new sonics here, too — these quiet, powerful, intricately layered harmonics. What was it like to receive the music from Aaron and try to write lyrics on top of it? Well, Aaron is one of the most effortlessly prolific creators I've ever worked with. It's really mind-blowing. And every time I've spoken to an artist since this whole process [began], I said, "You need to work with him. It'll change the way you create." He would send me these — he calls them sketches, but it's basically an instrumental track. the second day — the day after I texted him and said, "Hey, would you ever want to work together?" — he sent me this file of probably 30 of these instrumentals and every single one of them was one of the most interesting, exciting things I had ever heard. Music can be beautiful, but it can be lacking that evocative nature. There was something about everything he created that is an immediate image in my head or melody that I came up with. So much so that I'd start writing as soon as I heard a new one. And oftentimes what I would send back would inspire him to make more instrumentals and then send me that one. And then I wrote the song and it started to shape the project, form-fitted and customized to what we wanted to do.

Was it nice to be able to keep it a secret? Well, it felt like it was only my thing. It felt like such an inner world I was escaping to every day that it almost didn't feel like an album. Because I wasn't making a song and finishing it and going, "Oh my God, that is catchy.” I wasn't making these things with any purpose in mind. And so it was almost like having it just be mine was this really sweet, nice, pure part of the world as everything else in the world was burning and crashing and feeling this sickness and sadness. I almost didn't process it as an album. This was just my daydream space.

Does it still feel like that? Yeah, because I love it so much. I have this weird thing that I do when I create something where in order to create the next thing I kind of, in my head, attack the previous thing. I don't love that I do that but it is the thing that has kept me pivoting to another world every time I make an album. But with this one, I just still love it. I'm so proud of it. And so that feels very foreign to me. That doesn't feel like a normal experience that I've had with releasing albums.

When did you first learn about Rebekah Harkness? Oh, I learned about her as soon as I was being walked through [her former Rhode Island] home. I got the house when I was in my early twenties as a place for my family to congregate and be together. I was told about her, I think, by the real estate agent who was walking us through the property. And as soon as I found out about her, I wanted to know everything I could. So I started reading. I found her so interesting. And then as more parallels began to develop between our two lives — being the lady that lives in that house on the hill that everybody gets to gossip about — I was always looking for an opportunity to write about her. And I finally found it.

I love that you break the fourth wall in the song. Did you go in thinking you’d include yourself in the story? I think that in my head, I always wanted to do a country music, standard narrative device, which is: the first verse you sing about someone else, the second verse you sing about someone else who's even closer to you, and then in the third verse, you go, "Surprise! It was me.” You bring it personal for the last verse. And I'd always thought that if I were to tell that story, I would want to include the similarities — our lives or our reputations or our scandals.

How often did you regale friends about the history of Rebekah and Holiday House while hanging out at Holiday House? Anyone who's been there before knows that I do “The Tour,” in quotes, where I show everyone through the house. And I tell them different anecdotes about each room, because I've done that much research on this house and this woman. So in every single room, there's a different anecdote about Rebekah Harkness. If you have a mixed group of people who've been there before and people who haven't, [the people who’ve been there] are like, "Oh, she's going to do the tour. She's got to tell you the story about how the ballerinas used to practice on the lawn.” And they'll go get a drink and skip it because it's the same every time. But for me, I'm telling the story with the same electric enthusiasm, because it's just endlessly entertaining to me that this fabulous woman lived there. She just did whatever she wanted.

There are a handful of songs on Folklore that feel like pretty clear nods to your personal life over the last year, including your relationships with Scott Borchetta and Scooter Braun. How long did it take to crystallize the feelings you had around both of them into “My Tears Ricochet” or “Mad Woman”? I found myself being very triggered by any stories, movies, or narratives revolving around divorce, which felt weird because I haven't experienced it directly. There’s no reason it should cause me so much pain, but all of a sudden it felt like something I had been through. I think that happens any time you've been in a 15-year relationship and it ends in a messy, upsetting way. So I wrote “My Tears Ricochet” and I was using a lot of imagery that I had conjured up while comparing a relationship ending to when people end an actual marriage. All of a sudden this person that you trusted more than anyone in the world is the person that can hurt you the worst. Then all of a sudden the things that you have been through together, hurt. All of a sudden, the person who was your best friend is now your biggest nemesis, etc. etc. etc. I think I wrote some of the first lyrics to that song after watching Marriage Story and hearing about when marriages go wrong and end in such a catastrophic way. So these songs are in some ways imaginary, in some ways not, and in some ways both.

How did it feel to drop an F-bomb on "Mad Woman"? F---ing fantastic.

And that’s the first time you ever recorded one on a record, right? Yeah. Every rule book was thrown out. I always had these rules in my head and one of them was, You haven't done this before, so you can't ever do this. “Well, you've never had an explicit sticker, so you can't ever have an explicit sticker.” But that was one of the times where I felt like you need to follow the language and you need to follow the storyline. And if the storyline and the language match up and you end up saying the F-word, just go for it. I wasn't adhering to any of the guidelines that I had placed on myself. I decided to just make what I wanted to make. And I'm really happy that the fans were stoked about that because I think they could feel that. I'm not blaming anyone else for me restricting myself in the past. That was all, I guess, making what I want to make. I think my fans could feel that I opened the gate and ran out of the pasture for the first time, which I'm glad they picked up on because they're very intuitive.

Let’s talk about “Epiphany.” The first verse is a nod to your grandfather, Dean, who fought in World War II. What does his story mean to you personally? I wanted to write about him for awhile. He died when I was very young, but my dad would always tell this story that the only thing that his dad would ever say about the war was when somebody would ask him, "Why do you have such a positive outlook on life?" My grandfather would reply, "Well, I'm not supposed to be here. I shouldn't be here." My dad and his brothers always kind of imagined that what he had experienced was really awful and traumatic and that he'd seen a lot of terrible things. So when they did research, they learned that he had fought at the Battles of Guadalcanal, at Cape Gloucester, at Talasea, at Okinawa. He had seen a lot of heavy fire and casualties — all of the things that nightmares are made of. He was one of the first people to sign up for the war. But you know, these are things that you can only imagine that a lot of people in that generation didn't speak about because, a) they didn't want people that they came home to to worry about them, and b) it just was so bad that it was the actual definition of unspeakable.

That theme continues in the next verse, which is a pretty overt nod to what’s been happening during COVID. As someone who lives in Nashville, how difficult has it been to see folks on Lower Broadway crowding the bars without masks? I mean, you just immediately think of the health workers who are putting their lives on the line — and oftentimes losing their lives. If they make it out of this, if they see the other side of it, there's going to be a lot of trauma that comes with that; there's going to be things that they witnessed that they will never be able to un-see. And that was the connection that I drew. I did a lot of research on my grandfather in the beginning of quarantine, and it hit me very quickly that we've got a version of that trauma happening right now in our hospitals. God, you hope people would respect it and would understand that going out for a night isn't worth the ripple effect that it causes. But obviously we're seeing that a lot of people don't seem to have their eyes open to that — or if they do, a lot of people don't care, which is upsetting.

You had the Lover Fest East and West scheduled this year. How hard has it been to both not perform for your fans this year, and see the music industry at large go through such a brutal change? It's confusing. It's hard to watch. I think that maybe me wanting to make as much music as possible during this time was a way for me to feel like I could reach out my hand and touch my fans, even if I couldn't physically reach out or take a picture with them. We've had a lot of different, amazing, fun, sort of underground traditions we've built over the years that involve a lot of human interaction, and so I have no idea what's going to happen with touring; none of us do. And that's a scary thing. You can't look to somebody in the music industry who's been around a long time, or an expert touring manager or promoter and [ask] what's going to happen and have them give you an answer. I think we're all just trying to keep our eyes on the horizon and see what it looks like. So we're just kind of sitting tight and trying to take care of whatever creative spark might exist and trying to figure out how to reach our fans in other ways, because we just can't do that right now.

When you are able to perform again, do you have plans on resurfacing a Lover Fest-type event? I don't know what incarnation it'll take and I really would need to sit down and think about it for a good solid couple of months before I figured out the answer. Because whatever we do, I want it to be something that is thoughtful and will make the fans happy and I hope I can achieve that. I'm going to try really hard to.

In addition to recording an album, you spent this year supporting Joe Biden and Kamala Harris in the election. Where were you when it was called in their favor? Well, when the results were coming in, I was actually at the property where we shot the Entertainment Weekly cover. I was hanging out with my photographer friend, Beth, and the wonderful couple that owned the farm where we [were]. And we realized really early into the night that we weren't going to get an accurate picture of the results. Then, a couple of days later, I was on a video shoot, but I was directing, and I was standing there with my face shield and mask on next to my director of photography, Rodrigo Prieto. And I just remember a news alert coming up on my phone that said, "Biden is our next president. He's won the election." And I showed it to Rodrigo and he said, "I'm always going to remember the moment that we learned this." And I looked around, and people's face shields were starting to fog up because a lot of people were really misty-eyed and emotional, and it was not loud. It wasn't popping bottles of champagne. It was this moment of quiet, cautious elation and relief.

Do you ever think about what Folklore would have sounded like if you, Aaron, and Jack had been in the same room? I think about it all the time. I think that a lot of what has happened with the album has to do with us all being in a collective emotional place. Obviously everybody's lives have different complexities and whatnot, but I think most of us were feeling really shaken up and really out of place and confused and in need of something comforting all at the same time. And for me, that thing that was comforting was making music that felt sort of like I was trying to hug my fans through the speakers. That was truly my intent. Just trying to hug them when I can't hug them.

I wanted to talk about some of the lyrics on Folklore. One of my favorite pieces of wordplay is in “August”: that flip of "sipped away like a bottle of wine/slipped away like a moment in time.” Was there an "aha moment" for you while writing that? I was really excited about "August slipped away into a moment of time/August sipped away like a bottle of wine." That was a song where Jack sent me the instrumental and I wrote the song pretty much on the spot; it just was an intuitive thing. And that was actually the first song that I wrote of the "Betty" triangle. So the Betty songs are "August," "Cardigan," and "Betty." "August" was actually the first one, which is strange because it's the song from the other girl's perspective.

Yeah, I assumed you wrote "Cardigan" first. It would be safe to assume that "Cardigan" would be first, but it wasn't. It was very strange how it happened, but it kind of pieced together one song at a time, starting with "August," where I kind of wanted to explore the element of This is from the perspective of a girl who was having her first brush with love. And then all of a sudden she's treated like she's the other girl, because there was another situation that had already been in place, but "August" girl thought she was really falling in love. It kind of explores the idea of the undefined relationship. As humans, we're all encouraged to just be cool and just let it happen, and don't ask what the relationship is — Are we exclusive? But if you are chill about it, especially when you're young, you learn the very hard lesson that if you don't define something, oftentimes they can gaslight you into thinking it was nothing at all, and that it never happened. And how do you mourn the loss of something once it ends, if you're being made to believe that it never happened at all?

On the flip side, "Peace" is bit more defined in terms of how one approaches a relationship. There's this really striking line, "The devil's in the details, but you got a friend in me/Would it be enough if I can never give you peace?" How did that line come to you? I'm really proud of that one too. I heard the track immediately. Aaron sent it to me, and it had this immediate sense of serenity running through it. The first word that popped into my head was peace, but I thought that it would be too on-the-nose to sing about being calm, or to sing about serenity, or to sing about finding peace with someone. Because you have this very conflicted, very dramatic conflict-written lyric paired with this very, very calming sound of the instrumental. But, "The devil's in the details," is one of those phrases that I've written down over the years. That's a common phrase that is used in the English language every day. And I just thought it sounded really cool because of the D, D sound. And I thought, "I'll hang onto those in a list, and then, I'll finally find the right place for them in a story." I think that's how a lot of people feel where it's like, "Yeah, the devil's in the details. Everybody's complex when you look under the hood of the car." But basically saying, "I'm there for you if you want that, if this complexity is what you want."

There's another clever turn of phrase on "This is Me Trying." "I didn't know if you'd care if I came back/I have a lot of regrets about that." That feels like a nod toward your fans, and some of the feelings you had about retreating from the public sphere. Absolutely. I think I was writing from three different characters' perspectives, one who's going through that; I was channeling the emotions I was feeling in 2016, 2017, where I just felt like I was worth absolutely nothing. And then, the second verse is about dealing with addiction and issues with struggling every day. And every second of the day, you're trying not to fall into old patterns, and nobody around you can see that, and no one gives you credit for it. And then, the third verse, I was thinking, what would the National do? What lyric would Matt Berninger write? What chords would the National play? And it's funny because I've since played this song for Aaron, and he's like, "That's not what we would've done at all." He's like, "I love that song, but that's totally different than what we would've done with it."

When we last spoke, in April 2019, we were talking about albums we were listening to at the time and you professed your love for the National and I Am Easy to Find. Two months later, you met up with Aaron at their concert, and now, we're here talking about the National again. Yeah, I was at the show where they were playing through I Am Easy to Find. What I loved about [that album] was they had female vocalists singing from female perspectives, and that triggered and fired something in me where I thought, "I've got to play with different perspectives because that is so intriguing when you hear a female perspective come in from a band where you're used to only hearing a male perspective." It just sparked something in me. And obviously, you mentioning the National is the reason why Folklore came to be. So, thank you for that, Alex.

I'm here for all of your songwriting muse needs in the future. I can't wait to see what comes out of this interview.

*** For more on our Entertainers of the Year and Best & Worst of 2020, order the January issue of Entertainment Weekly or find it on newsstands beginning Dec. 18. (You can also pick up the full set of six covers here.) Don’t forget to subscribe for more exclusive interviews and photos, only in EW.

#taylor swift #interview #entertainment weekly #folklore album #folklore era #video

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thepermanentrainpress · 3 years

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THE PERMANENT RAIN PRESS INTERVIEW WITH EDEN SUMMER GILMORE

The film scene in the Lower Mainland has never been brighter. Rising talent, including Burnaby’s own Eden Summer Gilmore, have begun to make a name for themselves, with a multitude of key roles over the past five years. Gilmore is currently starring as Sofia Bianchi in Global’s Family Law, a drama that follows “a group of flawed family members who reluctantly work together at their father’s law firm in downtown Vancouver.” Her on-screen mother is Jewel Staite, who as recovering alcoholic and lawyer Abigail, must find a way to balance (and repair!) her own career and family life.

Growing up, who were some artists you looked up to? What specific films, series or characters did you watch and feel inspired by?

Growing up I was really inspired by artists such as Taylor Swift, Emma Watson, Amy Adams, Reese Witherspoon and Jennifer Aniston. They are all such strong women that really showed me at a young age I can do and be whatever I set my mind to. I was (and still am) obsessed with the Harry Potter series. I remember growing up and watching Hermione, Emma Watson’s character, and feeling inspired to be me. She never let what anyone said dictate her and always stood up for herself. I also loved the film, Enchanted with Amy Adams. I actually used to call it “princess in the hole” since Amy Adams' character comes up from a sewer grate. She also really inspired me to be myself and to see all her talents in this film was so much fun to watch and definitely inspiring. Enchanted brought together all my favourite elements of Disney Princesses, musicals, singing, dancing, fantasy, it was my favourite growing up and I can’t wait for the sequel.

As I got older and started watching the tv show Friends - Jennifer Aniston really showed me the power I have as a woman. Also, Gilmore Girls and the relationship with Lorelei and Rory was fascinating to watch. One of my favourite shows! And of course Reese Witherspoon, she is also a huge inspiration. She has portrayed such amazing strong women in her films that I find awe-inspiring. Her production company Hello Sunshine is also a huge inspiration to me and a platform for female led productions.

Were your family and friends supportive of your decision to pursue a career in the arts?

Yes, they were very supportive. My mom actually works in the industry behind the camera and she was the one who thought I might enjoy acting, which I very much did. My parents and my grandparents were the ones who always would drive me to my auditions or take me to set. I am very grateful to have my family's support. My friends are also very supportive. I am very lucky and grateful to have friends that I can share these milestones with.

A defining role in your young career was starring in It’s Christmas, Eve opposite LeAnn Rimes. What did you take away from working on that project, and with LeAnn?

That was such an amazing project to do. LeAnn is so incredibly kind, I loved getting to work with her. Since this was my first lead role and I was on set almost every day, what I really took away was observing the actions of others, cast and crew on set & behind the scenes. I learnt so much about professionalism, kindness, tone and how to set healthy boundaries for yourself. Kindness can go such a long way and a positive attitude can really change the tone of a set.

LeAnn taught me so much about spreading kindness and acting professional on a set. She really is such a role model and created such a positive energy on the set. Same with Tyler Hynes (who played Liam, my dad in the show) I learnt a lot from him too, he is so lovely.

You star as Sofia Bianchi in Global’s Family Law. What have you enjoyed about portraying Sofia so far, and do you have similarities with her?

I love playing Sofia, she is awesome. There are so many things I enjoy about portraying her. We are both teenagers so there is a lot I can relate to her with. She has made me feel not alone in some of the experiences we both have gone through. I am sure many teenagers watching the show will be able to relate to her as well, I am really grateful to be able to tell her story. She is very witty and smart so it’s really fun portraying that side of her too! Her short jabs to her mom are really fun to play with. She also has a really vulnerable side to her that we see more of throughout the series. It’s really fun exploring those deep emotions and opening her up throughout the series. We definitely have similarities. As mentioned we are both teenagers so I can relate a lot to the emotions she is feeling. We both are very caring people (though Sofia doesn’t show it as often) and we both aren’t afraid to stand up for ourselves or the people we love.

Tell me about your time on-set, and working with your on-screen family – Jewel Staite (Abigail), Luke Camilleri (Frank) and Brenden Sunderland (Nico)? What are a couple of your favourite memories?

I love my on-screen family, they are all so amazing! Working with them is so great and they are all kind and generous. I love sharing scenes with them. We talked a lot about food on set, favourite desserts or recipes. Jewel and Genelle [Williams] would often buy Honey Donuts whenever we were shooting in Deep Cove which is so incredibly nice of them. Honey’s Donuts were a favourite on set. Brendon was always telling us interesting facts or stories (much like Nico’s character), he’s really sweet. I learnt so much from Luke and Jewel about acting and the industry. I really enjoy our talks in the greenroom and on set. I am really grateful to be able to work alongside them, they are both incredibly lovely! Jewel and I also tend to have a lot in common fashion wise and interests in general.

What is it like working and interacting with legendary actors like Victor Garber and Lauren Holly?

Amazing! Victor and Lauren are both so incredibly kind. I was already huge fans of them before getting on the show so getting to work with them really is a dream come true. Lauren is so kind, funny, and so talented. I have learnt so much from her on set. Same with Victor, I have learnt so much from him too. They bring such a positive and warm energy to set. I am grateful to work with them. It’s still surreal to me that they are my tv grandparents.

A large part of Sofia’s storyline is her fractured relationship with her mother. Did you and Jewel talk about your characters ahead of time, and how their relationship will evolve during the course of Season 1?

Yes, definitely. We would sometimes rehearse lines or talk about the scene between takes. Or sometimes when getting a new script we would talk about Abby and Sofia’s relationship that episode. Lots of it just came on the day when we would film the scene. Playing off of each other or seeing what other layers we could bring in.

You handmade friendship bracelets as a Season 1 wrap gift, which is so sweet and creative! How’d you come up with the idea?

Yes! I already made bracelets in my free time, while watching a show or just as something to do. It was a little hobby of mine. I love having little mementos to remember events and thought the bracelets would be a great idea to remember season 1! Something we could all share and remember how special and fun filming season 1 was. I think they were a great hit with everyone.

Family Law is very much a family drama, but also has crime and comedy mixed in. For those who haven’t yet tuned in, how would you pitch the show to potential viewers?

I would pitch it as a dramedy that follows the story of Abigail Bianchi, a recovering alcoholic and lawyer slowly trying to put her life and family back together while also helping other families do the same. She’s forced to work with her estranged father and two half siblings she has never met while at the same time trying to patch things up with her husband and kids. The dysfunctional family at the law office is always helping other dysfunctional families and learning things along the way. Each character is so real and rooted with so much truth. Each person watching will be able to find themselves in the characters and the stories being told. You will laugh, you will cry, and learn that in the end we are all human.

Congratulations on the Season 2 renewal! You wrapped the second season in late August, while the first season has just premiered! Was it exciting to return to set, knowing you’d have an opportunity to further Sofia’s development?

Thank you so much! Yes, it was very exciting! I had gotten to know Sofia so much in season 1 that in season 2 I just got to dig so much deeper! I got to explore other sides of her and show the audience more of who Sofia is and her relationships.

You can also be seen as young Nancy Drew in the CW’s Nancy Drew. To play such an iconic character, what has that meant to you?

It meant a lot to me. I grew up reading the Nancy Drew books. Nancy Drew was another role model to me growing up, there was always a deep connection I had with her. So to be able to bring that to the screen means so much. I find myself so much in Nancy’s character and am really grateful to be able to be a part of her story. It also meant a lot to me because I know other young girls who look up to Nancy’s character and I hope they learn from her that they are powerful and can do whatever they set their mind to. I am really grateful that I was able to play Young Nancy Drew and it will forever hold such a special place in my heart.

You’ve also gotten to work with an older Nancy, lead actor Kennedy McMann. How special has it been to have her support and guidance?

Yes, she is amazing. It’s been so special to have her support and guidance. She is a large role model to me as well. She always looked out for me on set and I am really grateful for that. I learnt so much from her as well. She is a phenomenal actor so to work alongside her has been truly a blessing and she is so incredibly kind!

You’ve worked on numerous projects, including web series and independent short films (many being female-led). What do you enjoy about being a part of the vibrant B.C. film industry?

Yes! I love being a part of the B.C. film industry and working a lot on independent shorts because there is just so much joy, passion, and creativity. It’s amazing working with people who have a passion for storytelling, it’s therapeutic in a way and gives the storyteller an opportunity to tell their story their way. Working with such passionate people also allows my creative energy to flow and allows me to let so much go. I am also really grateful to have worked on so many female-led projects. Especially being young in the industry working with so many females has taught me about the power I have as a woman. But also it’s so important that female writers, directors, etc. are getting opportunities and their stories told.

How has it inspired you to pursue writing and directing in the future, and have you been able to shadow/ask questions on these projects?

It really inspired me. It showed me that I really can do whatever I set my mind to. It also showed me how much writing/directing our own stories can inspire so many other people. I was definitely able to ask questions on these projects and it’s inspiring to watch their passions come to life.

The Directors/Writers/Storytellers on these independent projects, such as Andy Alvarez, Veronica Kurz, Meeshelle Neal, Leah Beaudry, Annette Reilly and Heather Perluzzo really taught me a lot and they welcomed my questions and curiosity. I honestly can’t wait to write and direct my own independent short in the very near future

Is there a dream role or character you would like to play in the future? If not character, are there any specific film/TV genres or franchises you would like to be in?

I would love to do a comedy or horror film. I really love those genres and haven’t explored them on screen as much. I would also love to do a period piece. The 70s or 80s would be awesome. I love exploring pop culture and trends of different time periods.

For other young actors like yourself, do you have any advice for how to be confident in front of the camera? What (or who) has helped you prepare for roles and work on your lines?

Totally. My main advice would be to have fun and trust yourself. Whenever we do anything our main goal should be joy. Of course preparing and such is important but joy should be our number one goal. Once we are working out of a place of fun, truth, and joy when we get to the camera we can trust ourselves and have that confidence. That also comes with working on mindset and mindfulness in our everyday lives. And also remember to be yourself! My acting coach and mentor Beatrice King really helped me prepare for roles. She taught me to make sure I am working from a place of joy and continues to inspire me. I also train year round by attending acting classes and private coaching, which I think is definitely an asset in growing your craft and confidence.

You also have a passion for music! How did this interest come about, and how long have you been singing and playing the guitar?

Singing really was always a part of my life but I formally started taking lessons about 4 years ago. I love singing, it’s such a beautiful form of expression. When I am having trouble expressing something through words I can turn to a song to help me release. I started playing the guitar during quarantine. I had played the ukulele for a few years and wanted to try something new and ended up loving it.

You performed “You and Me and Christmas” with LeAnn (Rimes) in your holiday film. You even joined LeAnn for a live performance that December! Tell us about that experience, what do you remember from that concert?

It was amazing. It was my first time singing live at a concert. The movie means so much to me so getting to share that experience with LeAnn on stage was wonderful. I remember being quite nervous, but LeAnn gave me some advice before going on stage. Singing live on the stage was truly magical, I will never forget the adrenaline and pure joy it was. I am really grateful to have that experience, especially with LeAnn.

As a poetry writer, are you writing your own music? If so, what can you share about your lyrics and what has inspired you?

I do love writing poetry, it’s such a beautiful form of expression. I have dabbled in songwriting but never have gone too deep into it. It’s definitely something I want to explore further.

We know Queen is your favourite band, but who are some other artists we can find on your playlist?

Yes! I love Queen, I grew up listening to a lot of 80s music so I think that’s one of the reasons I love Queen. I mean - Freddie Mercury is pretty awesome. On my playlist you will find artists such as Taylor Swift, Olivia Rodrigo, Billie Eilish, Harry Styles and other 70s or 80s artists such as Abba, Billy Joel, Elton John, etc.

Your family has a wonderful pup, Finn, adopted from Fur Angels. What are some activities you enjoy doing with him? How would you encourage people to ‘adopt not shop’?

Finn loves swimming so often in the summer I love taking him to lakes to swim or in winter when it snows I love throwing snowballs for him. Like most dogs he loves belly rubs, walks or playing fetch. I always encourage people to look into adopting. There are lots of dogs who need forever homes and love. Lots of dogs in shelters who don’t get adopted sadly don’t end up making it. Finn is a rescue pup and I am really happy we were able to be his forever home.

What are some of your favourite places to visit or eat at in Vancouver?

Some favourite places to eat in Vancouver (which has been mostly take-out this past year and a half) are Agra Tandoori, Ragazzi Pizza, Neverland Tea Salon, Big Star Sandwich, or Casa Gelato! Highly recommend those places. I love to visit Lynn Valley for a nice hike. Downtown Vancouver is always fun. I also love Deep Cove and Granville Island.

Our signature question – if you could be any ice cream flavour, which would you be and why?

Love this question! If I could be any ice cream flavour it would be Raspberry Cheesecake. It’s one of my fav ice creams. It’s sweet with a tiny bit of tartness and combines the richness and softness of cream cheese, the sweetness of a raspberry, the nutty flavour and gritty texture of graham crackers to make a lovely combination that is both complicated, intriguing and delicious at the same time.

Thank you to Eden for taking the time to answer our questions about your projects and passions! Be sure to follow Eden on Twitter and Instagram for updates on her life and blossoming career!

Family Law airs Fridays at 9 PM on Global TV.

Photo credit (header and sixth image) to: Noah Asanias Special thanks to: M Public Relations

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