#I might actually be picking it up again! the things a little positive reinforcement can do! :)
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More rat piper or Werewolf Shakespeare?
rat piper now has a playlist! (which matches up to the approximate vibe of the songs from the story, or as close as I can get!)
[rat piper snippet and werewolf explanation under the readmore]
Gannet held up an ivory whistle, as long as he was tall, and Tamsen took it. It was carved all over with animals, long and twisting and tangling tails and legs together in a marvelous woven pattern.
“Now, tall girl, that’s no flute for betrothals and weddings and dances and funerals, even though it can play the right sort of music for a dirge. Play it just right, and you can pipe down a thunderstorm that will rain so long and hard that the mountains themselves will be washed away.”
Tamsen raised the whistle to her lips and blew, a note as sweet as coming inside from the cold, as sharp as an autumn wind all braided with dry leaves.
“Why did you give this to me, just like that? I haven’t got any money, I can’t give you anything in trade for it.”
“The whistle must be played, tall girl! And I cannot do it myself,” said the little man, pointing out his height with a sweeping gesture of one hand. “You’ve got the music to play it properly, so play it you must! Now, a tune, if you would, and we shall see who comes to dance.”
She played again, a song quick and merry as any young person running to visit their lover, and the wind sang along with a voice all its own. The little man shivered within his coat, for the day was cold, and with a rush of wings, a thousand birds slalomed through the trees and spiraled around them. Tamsen gasped, nearly dropping the whistle, and the whirlwind of wings slowed.
“Tall girl, it’s you who’s called them up! Play on, they want their dance!”
Tamsen, you know, had a piper’s soul, and all the cleverness in her little finger that most have in all their body. So up she stepped, and making the same bow and scrape that her father made before he played, whistled up a song for the birds to dance to.
.
as for putting a werewolf in shakespeare, it's one that I've not discussed all that much here because while I do love the idea and (most of the time) love writing it, it does frequently give me great moments of despair over Whether Or Not This Is Allowed. 'allowed' being writing fic for a history play at all, and werewolfy fic at that!
yeah, by all logic it is allowed, but I'm still un-training the part of me that says that the works of shakespeare should be put behind a velvet rope and only touched with two fingers along the spine like we're elementary schoolers petting a lizard from the vivarium. which is not the case!! take that lizard and put a funny hat on it and release it to terrorize the french countryside!
so! it all started because I am very much not immune to guys in funny little medieval hats, and things got out of hand from there, to the tune of 'the 1989 henry v movie with kenneth branagh in it but I ditch history as soon as I possibly can and now there's a werewolf (and another werewolf eventually) and people don't die when they historically did actually die and kissing?? and there's a boat now too just because I can'.
some illustrations of said werewolf can be found here, and in the 'history freespace' tag overall.
#em draws stuff#em writes stuff#the rat piper#history freespace#alas I have not worked on rat piper since october even though I'd really like to#there's a big hole in the middle and another at the end where I just genuinely have no clue what happens#and then the werewolf story is the next mental step past that one fic I posted and then deleted as it was causing me the agonies#the werewolf story has caused me a lot of agonies also but thanks to writing this explanation and some nice tags people left on the art#I might actually be picking it up again! the things a little positive reinforcement can do! :)
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How would Jasper parent a difficult child that doesn't respond to his initial gentle parenting, doesn't feel guilty of what they do and is a big bully?
There's an interesting amount of overlap between training animals and raising children, and I think it's because those parts are the psychology of building relationships with a power dynamic. It's important to let people have a sense of control. In the US to be licensed as a foster parent you have to go through a course in responding to kids that can be angry and violent.
Positive reinforcement can be pretty hard actually. If you have a foster kid who's furious and violent it's probably because they're feeling a debilitating lack of agency. They are trying to find control in their environment any way they can, even by destroying it. And the response is to give as little reaction as you can to that kind of behaviour and then put a huge focus on rewarding good and healthy behaviour. And to address the root cause of these issues, usually by going out of your way to offer opportunities to take control over parts of their life- offering choices instead of orders and giving options in actually making decisions for themselves.
And a bigger one is testing. If you have a kid whose been failed again and again and again when you promise you're going to be different, you're not going to be like the others, they're going to test you. They're going to destroy things, hit you, scream, get in trouble on purpose because they want you to hit them. They want you to prove you aren't different. So like. You have to be able to come home and see your foster kid smashed the living room TV with a baseball bat and stay calm and say "do you want to help me clean it up or do you want to go to your room and think about what you did?" And refuse to react with anger, you have to prove that even the most extreme provocation won't make you break that promise.
Jasper knows a lot of child rearing knowledge. He has done a ton of reading. I think he knows all of this and some of it because it's applied to himself in the past. I think he is ready for the smashed in TV and for picking the kid up from school after they beat up a classmate.
My mom is a psychologist and she worked with kids with the most severe trauma imaginable and dealing with foster and adoption agencies and with the legal system and testifying in court and all. And like. Different foster caregivers often fill specific purposes; ie there are certain people set up to take infants same day from emergency situations because they have everything you need for infants all prepared. And they often only take care of these infants for a few days or weeks before they are returned or placed in a more permanent or long term placement. And I think jasper is like THE go-to for those cases of severe anger and violence and trauma. He has the strength and tolerance to deal with children who might be able to legitimately hurt their caregivers or others and needs some extreme support. And for other dangerous situations, IE, a foster child coming from an abusive household or one from a divorce case with custody issues and there's a real fear the parents might try to hurt or kidnap the child like. That is THE safest place for that kid to be
So I think like. He is fucking READY
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Silliest Vaderkin I ever wrote
which I titled in my head "you only shove a lightsaber into the ones you love"
The fight had been going surprisingly well for Obi-Wan, until it wasn’t.
The tiniest of missteps, the slightest misjudgement of forward momentum and downward angle of an opposing lightsaber and…
“Owwww…”
He looked down at the red hissing ‘saber shoved through his right side, looked up at Vader’s frozen figure and the world started turning horizontal. He was grabbed as he fell and his lightsaber dropped from his hand.
“Good…hit..” Seemed appropriate to offer positive reinforcement to your once-padawan when he actually did something right for a change.
“You will not die. I demand you survive.”
“Always…telling me what to do. Excuse me…I might…pass..out…” He apparently did because the next thing he knew he was sitting in another unfamiliar vessel with Vader’s breathing sounds very loud near him. The Dark Lord-once-Anakin was sitting next to him in the pilot’s seat and a starship entry bay was visible through the front windows. Talking took too much breath and way too much thinking so he just closed his eyes and tried communing with the Force, which appeared to be absent just then.
The thud of landing and the feel of being once again picked up brought him back, and Vader was carrying him down the ramp. Various Imperial types were milling around and one of them who was striding forward through the pack caught his attention. His eyes narrowed as the Grand Inquisitor stopped and did an obsequious bow.
“Can I..have my lightsaber…”
The traitous once-Jedi glanced at Obi-Wan in surprise as Vader brushed past him. “Be quiet, you may not have your lightsaber.”
“My Lord, congratulations!”
Obi-Wan glared, despite having to twist to see him. “Frick you!”
They were past him before Obi-Wan could see more the first look of surprise on that ugly white face.
“I am shocked,” Vader said in a surprisingly amused tone. “Such language!”
“Well,” Obi-Wan muttered, wriggling into a more comfortable position against the hard armored chest, “he is a piece of bantha poodoo, I’m…ouch…surprised you haven’t honed your rage on him by now.”
“I admit, it has been a close thing lately.”
“Just…give into the impulse and do the Universe a favour.”
“Master Kenobi, that is almost a Dark Side response you had there.” He planted his burden onto a medical floater and walked beside it with one hand on Obi-Wan’s arm. “Such dangerous emotions.”
“Hmph. After being dragged through fire, insulted and used as a target dummy by you, a little dark feeling is hardly unexpected.”
“An excellent start.”
As the doctors took him away, he issued a final taunt. “If you think you will turn me into a Sith or something similar, you can forget that. I’d make a terrible Sith. I’d be telling you to search your feelings and consider options and not to be so aggressive…”
He had the feeling Vader might be rethinking his plans….
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Love Breathing Not Fully Bloomed: A Kanroji Mitsuri Meta
Some thoughts that have been brewing since we got a deeper look at the birth of the Breath of Love in the Rengoku Gaiden, boiling down to that Mitsuri had not yet reached her full potential.
SPOILERS AHEAD~!
While we don't have any reliable timeline for this series, we know that Mitsuri has been practicing swordsmanship for only about two years, likely less. The "two years ago" stated in her flashback to her failed engagement was back when she was 17, so let's be generous and say that was 2.5 years ago. But, we must also keep in mind that she's been a Pillar for at least several months by the time Swordsmith Village arc takes place. The Pillar meeting Tanjiro met her at was possibly her first of the twice-a-year meetings, but I wouldn't put it anywhere beyond her second. After the failed marriage discussion she would have spent some unknown period of time dying her hair and starving herself, before deciding to join the Demon Slayers. She accomplished her Flame Breathing training under Rengoku in six months, roughly half the time most Breath users train under their cultivators. Tokito is noted for becoming a Pillar in two months after taking up the sword, but Mitsuri probably stumbled her way into Pillarhood within months of passing the Final Selection; making the Kamaboko squad's quick ascension up the ranks look like nothing as she blows away the usual five years it takes someone to become a Pillar (or if they are especially skilled, more like two years, as stated by Gotouge in Taisho Secrets). While the way of swordsmanship and battle became Mitsuri’s everyday way of life, thereby leading to huge improvements, that's a really short time to develop actual battlefield experience. Among the Pillars, she is the least seasoned or naturally inclined for battle, it really is by accident of her bizarre strength that she’s gotten so far. That's hardly surprising, given her background and motives. For context, her interests are very domestic what with all the pet-keeping (four cats, a rabbit, and a whole hive of bees, by my count) and sweets and recipes, and her stated hometown would have been in the heart of developing city culture, with shopping and restaurants and movie theaters. There would have been no exposure to swords and the culture that goes with them, making her justifiably embarrassed of how monstrously her strength makes her stick out. Her inability to fit into a normal family life makes her feel worthless, even if she does have a base of love and support. (*Put a pin in these things, I'll be drawing a comparison to another character later.*) However it was that she was introduced to the Corp, it must have taken a huge leap of hope and/or desperation to leave the otherwise comfortable lifestyle for a life of battle. While Rengoku's home is not terribly far from hers, it still would have been a total break from the life she knew before, so she must had been betting everything on both her ultimate wishes; living in accordance with who she is, and finding a husband. Let's refer to these respectively as Wish A and Wish B. Note that "becoming a strong swordsman" and "elimating demons" are not among these goals; they are merely means to her goals. Now if we try to to follow her path as a swordsman chronologically, six months since taking up the sword under Rengoku, she's passed the Final Selection. On a mission with Rengoku, who now treats her as a peer, she's nonetheless filled with shame that she hasn't really picked up much skill and just waves her sword around with brute strength.
I love this bit of characterization because that is so, so easy a trap to fall into with martial arts. Even if you understand things in theory and do your best on proper form when taking things slowly, all of that very easily goes out the window when you're using them in the heat of the moment. The less experience you have, the far more likely one is to do this. Falling back on just throwing a punch as hard as you can instead of throwing a good punch makes Mitsuri so, so, so relatable. She is a normal girl with abnormal strength, not a battle genius. Like us normal people, and even like Tanjiro, she can only improve her battle sense with experience. This puts her in a very different situation than the other Pillars, who she meets either when they are very experienced, or when they are outright geniuses. This gives her a different sense of shame, which we'll come back to. While feeling ashamed that she can't live up to Rengoku's teaching, her fighting suffers with this lack of self-confidence (which, again, makes her very relatable because this is applicable to just about all of us normal people), and she only realizes the Breath technique when applying it through her own unique emotion-driven fighting style. While she goes on to name this Breath after Wish B (given that this is a romantic version of "Love"), it's powered more by a philanthropic love, realized only when she is protecting other people. This becomes a newly discovered third wish, as well as a source of confidence.
In the side story novels, Mitsuri later on suffers another blow to her confidence which compromises her fighting and makes her fall back into wanting to hide herself, for she is ashamed of how her motives compare to Shinobu's. Besides Shinobu's encouragement and giving Mitsuri a venue in which to openly express her love and appreciation for other people, another child whom Mitsuri has rescued looks up to her and says a few things to restore her confidence. Getting that feedback and being able to express herself openly (Wish A) is the cycle that powers Mitsuri's confidence and keeps her ultimate weakness, shame, at bay. This, combined with words of encouragement from Ubuyashiki and Rengoku, is what really empowers her to embrace her unusual constitution and develop the Breath of Love. While it's said that this is an offshoot of the Flame Breathing she's formally trained in, it's more of a stretch than the relationship between something like Snake Breathing stemming from Water Breathing, and more like she's hit at the basis of Breathing itself to create a technique suited to her, like Inosuke did with his entirely self-taught Beast Breathing. (*Put a pin in this self-created Breath style thing, we're going to come back to this too.*) So, Mitsuri went on to become the Love Pillar. With the rate at which Pillars cycle in and out (based on how many the Upper Moons claim to have killed), I have to wonder how fast the Lower Moons getting cycled in and out too. Even though these are her peers and we never see any other Pillars looking down on her, she sees herself in a lower position than the rest of them. Case in point, one thing I love that the anime did is that when Tokito chips the rock at Tanjiro and tells him off, Mitsuri is silently fangirling, and then when Tokito orders the Kakushi to draw back/leave, Mitsuri silently and automatically obeys and shrinks back. That wasn’t directed at you, silly!
Though her Breath requires confidence, she still has a ways to go. When we see her again later, she's in a position of being a protector to everyone around her; the swordsmiths and her juniors, and she's treated with the awe and respect and acceptance of a Pillar; in this kind of setting she is fully in accord with Wish A (reinforced by her less formal third wish) and, thanks to Shinobu's encouragement, not ashamed of Wish B, thereby eliminating a big part of her shame-based weakness. She's added all this power and just as importantly, experience to her preexisting raw strength and flexibility.
The experience is key here; she's gained a lot of battle sense since her first mission. She's not as taken off guard by demon abilities, and with her risen confidence, she's also gained more flexible thinking and can make quick adjustments in battle as needed.
Not entirely, though. At her core, she still relies on that brute strength.
Ultimately, though toward the end she thinks she might be overpowered after all, it's that boost of confidence and cycle of philanthropic love from her juniors and desire to protect them than she recovers and makes use of her mark. (I'm glad no one's told her that this means she's doomed to a short marriage, should she ever even get one.)
Following this historic feat; acting in a way that is natural to her and to her Breath to unlock a mark she didn't even know existed, she still feels a little shamed among the other Pillars for being so shamefully inarticulate about battle technique; despite this being what she's dedicated her life to. Again, it was never her natural desire to be a fighter, so it’s unsurprising that this part doesn’t come as naturally to her as it does to all those geniuses in the room.
Moving on to the battle with Nakime, this is mostly played for laughs because Mitsuri's lack of battle sense compared to other characters is put on full display. She's emotional from the get-go and easily overwhelmed and this affects her concentration drastically, leading to stupid mistakes and ultimately having to fall back on her brute strength to break through pieces of the fortress instead of survive and fight through observation. Getting called out on this is meant to help her, and she absolutely does her best to summon back her battle sense, but it's all downhill for Mitsuri and her Love Breathing technique from here.
As the battle with Muzan starts, that third wish is thrown back in her face as so many of her juniors die protecting her. Since he's powered by philanthropic love and confidence, she cannot recover any battle sense, and quickly falters so much that she must be removed from the battle rather than weigh everyone down. The difference between her and the other Pillars here is stark; her inexperience and lack of natural fighting inclination is, again, painfully obvious and relatable to a lot of readers. She has natural strength, but not natural talent. When she does return to battle, she only has that core strength to rely on again--no room for peace of mind, only brute emotional strength resulting in a panel that made me throw my fist in the air and cheer out loud because damn, that is hardcore, girl.
But, in the end, Mitsuri succumbs to her injuries, and only right before death does she get closer to Wish B. Even with Iguro's promise, it's too late.
This is super frustrating for a number of reasons, but if we're focused solely on the actualization of Love Breathing, it's because Iguro could have said something much, much, much sooner if he wasn't so ashamed of his own blood tainting her in this lifetime (not that she would have cared). Words from other people have such a huge influence on Mitsuri that if she had actualized Wish B, for which her Breath is named, she could have made humongous gains in confidence before being romantically loved, and having someone to openly shower in love. Imagine what she could have unlocked, if that shame she still carried for being too monstrous to be married could have been eliminated. But that's not all. What if the timeline had been different? What if she had not two, but five years’ experience? Or even more than that? What if, for a long duration of her experience as a swordsman, she was also experiencing a happy marriage? I invite you to consider the implications of a Mrs. Iguro Mitsuri who has the comfort and confidence of being herself with a husband, in addition to being in a leadership role in the Corp? A Mrs. Iguro who, with a little honesty from her husband who feels bothered that she’s embarrassed, stands up to Maeda-san and says that as a married woman she needs a more modest uniform?* A Mrs. Iguro who gained a level-headed battle sense that can only be refined through experience, not based in brute strength alone? She'd be such a happy badass. *(Not looking for a modern-era Western culture based debate on this; this is defined based on Mitsuri's desire for a proper Taisho Era marriage.) Now, remember those pins I put in place? Consider someone else who realized a natural Breath technique all on their own, who attained a mark without any intention to, who felt like a monster due to super human abilities that made them shamefully unable to fit into the ideal family life, despite only wanting a peaceful, happy wedded life? Someone who valued bonds with other people, a kind person who lived to protect others? Now, I'm not saying that Love Breathing is as powerful as the Breath of the Sun, or that Mitsuri is as innately powerful as Yoriichi (their natural skills were of different types entirely). But, as all Breath techniques stem from the same natural Sun Breathing source, Love Breathing might have found its way back a little closer to that source, in some way or another. Which is all to say, never look down on Love Breathing or on Mitsuri just because she didn't play as big of a role as the others in the final showdown. After all, that Breath was not yet all it could have been, and as a swordsman, she was not yet in full bloom.
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Captive
(Habit x Reader)
Commissioned by @selfshippinglover thank youuu bby <333
Requests are closed
Masterlist: x
Habit wipes the blade of his hatchet on his pants, smearing blotchy crimson on his washed-out jeans
He rolls his shoulders and cracks his neck
Finally home
A grin replaces the sneer on his face as he thinks of his little rabbit waiting for him inside
The thought of seeing your face light up as you rush into his arms is more than enough to coax his sore muscles forwards
He hasn’t been gone for too long, but he knows you‘re always elated to see him—and it goes without saying that the feeling is always mutual, of course
The few steps leading up to the door are speckled with brownish dried blood, almost welcoming him in as he twists the doorknob and steps through the threshold
“I’m back, little rabbit~” he croons into the entrance
His voice is a hint scratchier than it usually is because of his recent… activities, but he knows you’ll be happy to hear the sound regardless
He sets his weapons down on the entrance floor and takes his shoes off as he awaits your reply
He previously never really cared for clean floors and would shamelessly track caked dirt and blood into the house just because he was too lazy to remove his shoes
But after you’d admonished him for giving you even more cleaning to do, he’d been more careful with keeping things somewhat tidy
And, at this point, after living with you for so long, it’s become a sort of habit on its own
He pauses for a moment as he finishes wiping the filthy dried crimson on his arms with the towel you keep for him by the coat rack
Why didn’t you come to greet him? Did you not hear him come in?
He grunts
He thought he’d taught you better than that
You had to pay attention to your surroundings and stay on guard when he wasn’t there in case anything happened
“Bunny?” he calls out for you again, now making his way into the living room where you should be
But instead of being met with your adorable face, there’s… nothing—no one
His smile drops
Are you sleeping? Did you feel sick and needed to rest?
No, something’s not right—he knows it
He can feel it
His instincts flare up, alarm bells ringing in his mind as he pushes through the empty hallway
“Bunny? You in here? Don’t try to hide from me—“
He rushes to your room, the door slamming open to reveal yet another significant lack of you
The bed’s undone, sheets thrown haphazardly across the mattress, and the curtains are still drawn, like you didn’t have time to properly wake up this morning
His brows furrow
Trepidation spirals through his body, the fear and confusion of you not being there reawakening his overworked muscles like a pure shot of adrenaline
You know better than this
You know to stay put in the house until he comes back—it isn’t like you to just up and leave with no explanation, not even a warning or a note or anything of the sort
A note
He tries to calm himself down, tries to slow his frantic breaths and relax the tension in his jaw
He tells himself that maybe he’s just overreacting
He hasn’t checked the fridge or the counter for any indication of why you might’ve left
Maybe he’s forgetting something, and just needs to think things through before assuming the worst
But then, just as he’s about to turn back for the kitchen, he freezes in his tracks
A note is too optimistic, too hopeful
He has to face the facts; someone‘s taken you
His eyes close shut and he hones in on his superior senses
He sniffs the air once, twice, and a third time
There’s no mistaking the traces of something foul lingering behind
Cold dread licks up his spine
Fists clenched at his sides, his shoulders tense, white hot rage seething through his system at the realization
How could the fucker dare?
He breaths in the scent again, trying to picture its owner, trying to pick it apart from the familiarity of your smell to see what fucking idiot would take you away from him
What imbecile would steal his mate?
The intruding scent is a mix of smoldering charcoals, cinnamon, an expensive cologne and something... husky—definitely masculine
A malignant smile crosses his features as he pinpoints the exact asshole that took you
He lets out a low whistle to himself in the emptiness of the room
“Alright, you wanna play dirty, lapdog? I’ll fucking show you playing dirty”
•••
It doesn’t take long for him to wind up in the middle of the forest where the eldritch prick and most of his lackeys reside
The air is still and stagnant, the musk of rot permeating every direction
Fingers wrapped firmly around the wooden handle of his axe, he moves quietly but quickly—and with steeled purpose—through the withered trees
He knows that walking right into the center of Stick-in-the-Mud’s domain is dangerous
Not to mention that the whole situation reeks of it being a trap
But what other choice does he have?
For you, his one and only beloved mate, he would risk anything
Habit twists his weapon of choice in his hands, maneuvering it through his fingers in an impressive display of skill and control
Besides, he wants to make them pay—he wants to make them regret ever laying a finger on your pretty little head
His lust for revenge churning in the pit of his stomach overpowers any other competing sense
He could picture it in now; how the blade would cut through the entity’s skin like butter, spraying crimson in a beautiful fountain-like gush of his life-force pouring across the dirt
He knows, of course, that he can’t actually kill the bastard so easily, but still, it keeps him content as he weaves through the broken shambles of the path
He has to distract himself, anyways
He doesn’t want his rage to overtake his common-sense, or, at least, whatever’s left of it at this point
Eventually, he finally reaches a clearing where pale, faint traces of sunlight barely peak through the dense thicket of foliage overhead
You’re close, he can feel it
He pauses for a second, closing his eyes and trying to visualize which direction he should head in
Still keeping up with your scent, he lets it guide him between two rotting oak trees until, after a few more paces ahead, he reaches a dilapidated building standing all on its own
From the looks of it, he guesses it was once a hospital, though the windows and doors have long since been removed, and where they once were affixed now lie slits of darkness—the abyss inside peering out into the woods
White chips of paint peel from the exterior, with gnarled twisted vines creeping up the side like fingers caging the structure in place
He can smell your fear and distress from somewhere deep inside of it
The scent overtakes his instincts and he finds himself charging through the entrance without so much as a backup plan
God help whatever stands between him and his mate
The interior of the abandoned hospital still lingers with traces of blood and medicine, coupled with a couple of forgotten operating tables, wheelchairs and other surgical devices
He rushes through every room, every dead-end and vacant hallway—all of them lacking a crucial component; you
Finally, he stumbles across a heavy door reinforced with metal plating, and this time, there’s no mistaking your scent coming through the other side of it
He almost scoffs at the barrier
As if that would be enough to stop him from reaching you
He tugs at the handle and gives it a good pull with all his might, but it doesn’t budge
“Fucking piece of—“ he snarls a few curses under his breath, shifting positions so that he can bash it open with his shoulder
Whap! Smack!
Blow after blow, despite him using all his weight and straining his muscles as hard as he can, the door doesn’t give
He huffs, snarling in frustration
His sight lands on the rusted hinges where the door attaches to the wall
He tugs the axe from the loops in his jeans, twirls it in his hold and smashes it down against the latches
Clang!
The metal bends much more easily than it would’ve if it wasn’t rusted over
One strike after the next, he pictures the hinges as Stick-in-the-Mud’s face, and with only a couple of hits, he manages to tear them off completely
He sheathes his axe back into his jeans, and with one last blow of his shoulder against the door, it flies off into the next room over
The sound of it hitting the ceramic flooring resonates throughout the empty building
He steps over it, and as he walks into this new room, he knows he’s hit the jackpot
A dark silhouetted form is crouched over a figure chained to the floor by their wrists and ankles
A soft, flickering glow emanates from dozens of candles scattered across the room
Before Habit can lunge at the crouched fucker and tear his throat out, he stands up and straightens himself
Slowly, the figure turns, revealing themselves
Candlelight glints off his signature glasses
His expression, as usual, is cloaked in shadow and impossible to read, were it not for the sly smile curling at his lips
“Ah, Habit. I must say, I didn’t expect you so soon. What a shame, really, I was just getting to know your dearest (y/n)~”
He steps to the side—giving just barely enough space to reveal you, eyes wide with a smear of grime on your cheeks, but otherwise apparently unharmed
“H-habit, I—“
“Ah, ah, ah~” the entity cuts you off, playfully wagging his finger in your direction. “Let’s not get ahead of ourselves, little one. I’m sure you have much to say, but I think Habit and I have a lot more… pressing issues to discuss”
He wants to hurt the bastard more than anything else—for stealing you away, chaining you to the damn floor of all things, and now for talking down to you like you’re below him
He wants to kill him
Painfully
Brutally
But he knows he can’t just blindly charge at him
There’s no way in hell the Observer doesn’t have some kind of fail-safe, and he really doesn’t wanna risk having him teleport away with you
So he forces himself to bide his time and play nice... for now
“Fucking spit it out already,” he urges through gritted teeth
The shadow entity smirks, reveling in his opponent’s lack of control
“It’s about Firebrand,” he begins, “though I’m sure you’re already more than aware of the little situation you’ve put him through”
The Observer absent-mindedly strokes your hair, toying with a strand between his fingers much too comfortably
It has Habit seething from where he’s standing
If looks could kill
"The Operator is none too pleased with your meddling,” he continues, and when you shift, trying to retreat from him touch, he lets your hair fall back down before returning his gaze to the infuriated male in front of him
“He demands a trade,” he finally finishes
Habit folds his arms over his chest, muscles nearly bulging as he tries to keep it together
“What’s done with Firebrand is done—it’s over. Trying to meddle with shit by stealing my fucking mate isn’t gonna fix your unfortunate situation”
Despite his mind-numbing infuriation, Habit can’t help the faint smile as he thinks about how desperate Stick-in-the-Mud must be to resort to this
“It won’t,” the Observer agrees, “but you found a way to get leverage over us, and now, we have leverage over you. I’m sure we can find some way to balance this predicament we’re in, wouldn’t you agree?”
The candles to the left of the room flicker, then dim out, leaving half of the room completely drenched in shadows
From the corner of his eyes, he catches something moving next to you in the darkness, followed by your startled cry
He jerks forwards, hands reaching for his weapon, but then he stops short as the entity tuts, and your panicked gasps turn into muffled whimpers
He can just barely make out the shape of a tentacle as it curls around your mouth, your eyes looking up at him, big and watery and pleading and dear God, it’s damn near impossible to resist smashing the lapdog’s face in and saving you from that freak
“I don’t have the fucking journal,” his voice splits as he snarls the words out, a special kind of hatred and animosity seeping through at the sight of what he’s doing to you
Hell, just the scent of your fear is unbearable
The Observer smiles, and the tentacles stop moving, stop withering and tightening around your form, leaving you just enough air to breath
“Oh? Then where is it?”
"Fuck if I know”
“Hmm… that so?” dissatisfied with his answer, the tentacles start tightening around you once more
You whimper, crying out, trying to twist and turn as the growing darkness continues to consume you, slowly crushing your windpipes and suffocating your vulnerable form
“Listen, I’ll bring it to you when I get it. Hand delivered by yours truly with a pretty pink fucking bow on it”
Empty promises tumble from his mouth—anything to make him stop, anything to make him release you
Your fear and panic is worse than any kind of torture
He needs it to stop
And, thankfully, it does
Your breathing goes from frantic gasps and whimpers to short breaths—still erratic but at least without the panicked edge of pain
He can hear your heart beating like a drum in your chest and he wishes he could comfort you
He’d do anything it takes right now to have you unharmed—no matter the cost
The Observer, no doubt sensing Habit’s urgency, chuckles
He turns his attention back to you, this time tilting your chin up to break the eye contact between you and Habit
“There, see? I told you there was nothing to worry about, little one~”
He strokes your cheek, and you whimper in response, still twisting in his tentacles’ grasps
Without looking away from you, he addresses Habit
“You should watch out for your mate, you know. She’s such an easy little thing to pluck out. And how could you blame me for taking her—she’s such a compelling creature, isn’t she?~”
His smile, admittedly, dazzles you for a moment before you snap yourself out of it
You try to tug your head free but his hold on you is much too strong, so you have to look off to the side—anywhere but at his face
“I told you what you wanted. Now let. Her. Go.”
Habit’s tone is enough to bring shivers down your own spine, even knowing he’s on your side
But the entity, however, seems more or less phased by him
His gaze lingers on your face longer than you’d like, studying you, trying to perceive something within you
Then finally, he breaks the trance, glancing back towards Habit and releasing your face
“Your mate isn’t as impervious as you’d like. I suggest keeping that in mind if ever you get the urge to attempt any silly little tricks you might have”
With those final words, the remaining candles in the room flicker
Shadows crawl up the entity’s form, then everything goes pitch dark for a moment
In that instance, Habit almost fears the worse
The few seconds it lasts stretch into what feels like an eternity
But then relief like no other surges through him when the candles slowly come back to life, and there, sitting against the far back of the room, is you
You’re still chained, but the tentacles have vanished and you share an equally relieved look in your eyes
He’s by your side in an instant
He scoops you up in his arms, holding you up to his strong, firm chest to cradle you and feel your warmth pressing against him
You wrap your arms around him, overwhelmed at everything that happened in such a short amount of time
Your heart beats frantically against his, and you don’t know if you’ve ever felt safer than you do right now in his arms
You let him hold you tightly for a while, until he finally manages to calm your hammering heart and your body relaxes in his hold
“Are you alright, little rabbit? Did he hurt you?”
He cups your jaw and tilts you face to look up at him, eyes filled with concern
You can tell he has more questions to ask, but for the moment, he holds back
“I’m fine,” you release a shaky breath, laughing nervously, “it’s ok, he didn’t do anything when you weren’t here. I’m alright”
He has to hold back a scowl at the idea of you being trapped with the entity—completely helpless to whatever he wants to do to you
“I’ll fucking rip his throat out if I ever see him again. Bastard’s gonna fucking pay”
You bring your hand up to place it over his chest, wanting to feel his heart beneath your touch
Your chains rattling against the ceramic flooring as you shift, and the sound is enough to snap his attention to them
He growls a few choice words under his breath, and then he’s hugging you closer still, like he wants to make sure you’re real and solid and well and alive
“You wanna head home, little rabbit?”
His tone is gentle and soothing
You nod, shutting your eyes and nuzzling deeply into his neck
There’s a shift in your center of gravity, one that’s barely noticeable, almost like you’re swinging up on a swing set, and then the air gets warmer and the harsh ceramic flooring is replaced with something soft beneath you
He strokes your head, murmuring quiet little nothings into your hair
“It’s alright, little rabbit. I won’t let that happen again. You’re all mine. I’ll never let anything bad happen to you. You’re alright, baby. It’s ok, you’re alright…”
You let yourself be consumed by his embrace
His warmth, his scent, the pulse of his heart beneath his skin—you never want him to let you go
But your perfect moment is shattered by a sudden realization
You pull away, and his concern is immediately evident
“Wait… does that mean… did you trade the journal to get me back?”
He gives a wary smile
“You’re worried about some journal after everything you’ve been through?”
Your brows furrow, and you hesitate, chewing your lip
“Isn’t it important?”
Your voice is quiet and uncertain
“You shouldn’t concern yourself with that kind of stuff, bunny. There’s more than one journal. And I promised to give it if I ever got my hands on it. As long as someone else on my side gets it, it’ll be fine”
He playfully boops your nose, a mischievously wild grin on his face
“Stick-in-the-Mud’s lapdogs aren’t as clever as they like to think”
Your shoulders relax again, the guilt immediately melting away
“Oh, that’s good then,” you breathe out, give a small smile
“I love you, little rabbit. You know that, right?”
You nod, a content smile twitching at your lips
“I know. I love you too”
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Drop In
----
MLB: Pegasus, Ladybug, Cat Noir, Queen Bee, Ryuko, Viperion
DC: Robin, Batman, Wonder Woman, Superman
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Although it was a normal day with noticeable about it, the lives people live are not always so.
Like for instance, a group of super hero teens falling into a pile during a Justice League meeting.
There were only five members in the room and two were actually from the Young Justice League.
They got in position as the portal closed. The dizzy teens started sitting.
"Owe.... What happen?"
"Ugh, whoever is sitting on me, get off! So heavy..."
The young lady hero in pigtails cleared her head enough to see the room and saw the window. She panicked and rushed to the window, screaming.
"Guys, get up! We're in space!"
The rest widened their eyes and scrambled to the window as well.
"What!?"
"Impossible!"
One of the young Justice members got annoyed that they weren't notice and called the groups attention.
"Hey trespassers! I don't know how or why you're here, but it doesn't matter! Now put your hands where I can see them!"
blah blah blah They have a confrontation and the Miraculous crew goes to fight in Paris. The Justice leaguers try to find them again.
-------------------------------
Eventually they do see them again when a portal opens up and the see sleep deprived, crying teen heroes at night with a giant baby.
Ladybug unable to speak properly ask a giant woman to feed the baby a warm bottle of milk they have. She throws them a bone and feeds the baby as Cat Noir Cataclysms the bracelet. Ladybug takes the now smaller baby to the worried mom. Ladybug thanks the giant woman.
Ryuko tried to get Ladybug to drink some coffee Viperion brought. Ladybug cried as she tried to move her head a way. Ryuko sighs and reminded her that they have to drink coffee.
“No! No want coffee, no want coffee!”
Cat Noir is crying and rocking back and forth.
“I want to sleep, I want to sleep, I want to sleep”, he murmurs out loud.
Queen Bee rubbing his should in comfort. Ryuko and Viperion have a dead look on their faces as they try to keep everyone awake.
The portal starts closing as they watch the teens break down. They get worried.
------------------------------
“Those are the trespassers I told you about, they look even worst than last time.”
“They speak in French, so logically, we monitor France and see if they pop up.”
Batman sends an invitation for them to come to a meeting in Mount Justice. When they show up, they still look terrible. They are nervous, scared, and seriously needs sleep.
Batman and a few others approach them gently with warm food and blankets.
“Oh, no! No! I’m fine.”
“My Lady, when was the last time you ate?”
“It was.....uh....I don’t remember...Oh! I know! It’s been two weeks! Oh, it’s been two weeks.”
Queen Bee looks at the soup in front of her and true to her self, refuses to eat it.
“Queen Bee, you haven’t eaten long than I have. I might not have the right to say anything, but that doesn’t mean I won’t use the last bit of my strength to feed you.”
“I’d like to see you try.”
They glare at each other. Before a fight broke out, Viperion got between them.
“Girls, now is not the time-”
Viperion dodged a well aimed yo-yo to the gut. He glares at Ladybug.
“That wasn’t very nice, Leader.”
“Co-leader.”
“Leader.”
“Team mate.”
“You make the plans.”
“You are older.”
“You tell me what to do.”
“We work together.”
They glare. Ladybug looks at Queen Bee.
“If you don’t want to soup, ask for something else.”
“Fine.”
----------------
They talk about how the Villain has been keeping them up with night Akumas for the past two months.
“How would you like us to help?”
“Well... I would love it if you helped us find Hawkmoth.”
“And take turns patrolling.”
“We can’t ask that! They have cities of their own!”
“I haven’t had proper beauty sleep in two month, I am not budging.”
-----------------
The two teams eventually came to the conclusion Ladybug had a long time ago.
“No! No way, he can’t be it’s impossible!”
“But Cat-”
“No! I refuse to believe! He is not Hawkmoth!”
“Why do you keep denying this!?”
“BECAUSE HE’S MY DAD! He might not be there for me most of the time, but I don’t think he would to do that! He’s been Akumatized before! Doesn’t that count for something?”
“...Adrian?”
Cat Noir holds still and starts to panic. He curls in on himself and cries.
“....He’s all I have left, My Lady. I can’t lose him too. I don’t want to be alone anymore.”
“You’re not alone Chat, you have us. Are we not enough?”, Queen Bee asks.
“No, you are. You are more than enough, I’m sorry. It just... When my mom disappeared, I only had my dad in that big old house. He didn’t show up or let me do things most of the time, but that’s because he wants to protect me. I don’t want to be stuck in a room again. I don’t want to be caged.”
“Chat...”
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They find out that under the Agreste Mansion was an unidentified space with a series of tubing as well as a vital signature.
“Cat Noir... it comes to our attention that....your mother may still be alive.”
“W-What? You mean... she was there the whole time? She was near by? But... But I thought....”
------------------
During all this, Robin and Ladybug get a long with each other. It’s mostly silence as doing sperate things in the same room. Tolerating each other like that is really good considering Damian doesn’t like to talk to people.
He would comment once in a while about the clothes she sews up for the American heroes.
“They can just make new ones.”
“I know....but I want to help while not being in the way. I love sewing so this is the only thing I could think of.”
He looks at her for a moment.
“Tt. It’s a pain to translate my third or so language, I will teach you English.”
He said it in an annoyed manner, but Ladybug felt that he was being nice for his personality. She wouldn’t normally interact with a stoic person like him, but it’s nice not having to talk sometimes. Though, they do end up having little problems that boil over or resolve. Mostly because Ladybug is forgiving enough and patient.
--------
Ladybug finds Robin attractive, but liking three guys is overwhelming. So she has to choose one guy to stop liking romantically. However, since you can’t just stop liking someone like that way, she has to reinforce who has been pushed to the back of her mind as only a friend that she cares about.
“They are people, not objects. But feelings are hard to control. It might seem mean, but it’s best for me in the long run.”
“What are you murmuring about?”
“Oh! Hi, Robin. Uh... I uh....well...it’s not something you would be interested in.”
“Likely, but I am superior to in critical thinking, therefore, my input would be invaluable.” (Does this come off as arrogant yet a clear attempt to help?)
“Well....”, Knowing that he would get mad if she stuttered to much, she tried to think a little before speaking.
“I am...it’s about my feelings. Romantic feelings.”
“Tt. And?”
“I like three guys. But uh... they aren’t options and I can’t pick one like they are, because it would be demeaning or something like that...so...well...wavering feeling for three guys is a little...”
“Then obviously your ‘feelings’ aren’t as strong as you thought they were.”
“...That might be true...”
“Of course! I’m always right.”
------------
Something like that! There’s more but I forgot while writing and might remember later.
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Loved 8
Danny found himself without human senses or even a rough analogue of a human body. Even so, he still had an understanding of his surroundings, alien senses leaving impressions on his mind.
His body was soft, boneless, rounded, unformed. He was intimately connected to, part of, and entirely surrounded by an infinitely greater being, whom he was dependent on. He was known, all of him, by this being.
If he’d had eyes to cry with, he would have, knowing that he would never be able to know this being as he himself was known.
Amusement and affection – or, at least, things that were like them – pressed into him as the being contracted around him. An object was inserted into the single orifice he currently possessed.
Slowly, Danny became aware of an intense… discomfort in that area. He couldn’t call it pain. He currently had no sense of pain. But he could feel it and he didn’t like it and it was growing—
He woke up, tangled in blankets, skin slick with sweat, head and teeth aching.
Except, he didn’t. He was in the Dream. But if he were in the Dream, what had that been?
Already, many of the details were slipping through his fingers. He could no longer recapture what he had felt, although the general events were still somewhat clear.
He… had sleeping here somehow peeled back the layers of metaphor through which he experienced the Dream? Or had that just been a different metaphor, no truer than this one?
He sat up – or, rather, he tried to. An unexpected weight around neck stalled him. Overnight, the chain of Clockwork’s Love for him (and his Love for Clockwork in return) had more than doubled in size. It had also been reinforced by thick, colorful, silk ropes wound in and out of the links as well as other, smaller, chains.
There were also two of them, now, leading in opposite directions. As if Clockwork’s Love was simply too great to be confined to a single representation.
More carefully this time, Danny sat up. At least the collar, despite being far, far heavier, was no longer configured like a neck brace. Danny could turn his head to look at things.
The dog, evidently sensing an opportunity, deposited itself in Danny’s lap. Danny, not knowing what else to do, started petting it, running fingers through shadowy fur. He had always wanted a dog. Although, he didn’t remember telling Clockwork that…
“Maybe I should name you,” said Danny. He wasn’t sure how he felt about naming a personification of his hate, but he wasn’t sure if that’s what the dog was, or if the dog was just a container for his hate. It was confusing. “How about Cujo?”
The dog wagged its tail agreeably.
“Cujo it is, then.” He sighed and looked around the room. It didn’t have a door or any other visible opening. Honestly, in comparison to everything else he’d experienced in the Dream, that was pretty pedestrian. He supposed he’d just have to wait until Clockwork came back.
Maybe he could take a look at some of those interesting objects along the wall in the meantime? Something in his mind whispered that they were his and they were toys. They could take his mind off the pain building in his jaw and temples.
He stood up and walked almost all the way to the edge of the depression in the floor before being brought up short. He stumbled and sat down abruptly. What-?
The end of the chain was buried in the floor at the center of the depression.
Oh. Well. This whole room was part of Clockwork, too, so Danny really shouldn’t be surprised. It wasn’t like the chain hadn’t acted like a chain before.
Still.
Being forcibly trapped in, well, a crib was infantilizing. Not that everything else about all of this wasn’t. This just seemed like a step further.
The collar hummed lightly against Danny’s throat, eliciting a croon as he reflexively attempted to harmonize. The act settled him somewhat, and he gazed blankly at the runes surrounding the depression. The drop between the depression and the rest of the floor was too high for him to get over by himself anyway… no, that wasn’t right… couldn’t be… he couldn’t see the runes if that was the case, he’d be too short… but the lip there was definitely too tall, he knew it…
He tore his eyes away, squeezing them shut against his suddenly raging headache. The dog, Cujo, padded over to him and sniffed him gently. Danny whined, trying not to cry.
It looks like your horns might be growing in as well, said Clockwork’s avatar, running a hand through Danny’s hair. Poor baby. Teeth and horns all at once. That must hurt.
“Horns? Like Nocturne?”
Yes. They will help you navigate the other layers of the Dream once they are fully grown. With practice.
Danny let Clockwork’s avatar lift his head, resting his chin in its palm. “Layers of the Dream?”
You did not think the Dream was as simple in structure as that place you call reality, did you, little Love? This place you have become familiar with is only the closest layer to that place, no matter how deep you go.
“But—” said Danny, trying to work out how that could be. The answer slotted itself neatly into Danny’s mind. “It’s… like a tesseract?”
More than that, but essentially, yes. The avatar was gathering blankets around Danny again, swaddling him. Danny squeaked and tried to twist away, but the avatar easily anticipated him, and the fight quickly went out of him.
Danny was carried from the room and brought to a long table covered in bowls. The bowls contained pastel orbs of various sizes and colors. A single piece of furniture shaped like a basket woven of silver strips sat next to it. Clockwork’s avatar set him down gently on this piece of furniture and several of the strips peeled off to wrap securely around Danny.
Time for breakfast, said the avatar, happily.
Mentally and emotionally, it was easier to eat the orbs than the obviously alive things of his previous meal. Physically…
Danny asked why the orbs were so tough and difficult to chew. The avatar murmured something about practicing using his teeth. Danny wasn’t exactly in a position to refuse, so he was filled to satiation and beyond, until every piece of food on the table had been eaten.
By the time Clockwork’s avatar lifted him again, he felt exhausted and disgusting.
“Can I go home now?” he asked.
You are home.
“You know what I mean.”
It would be remiss of me to let you go when you are still in so much pain. Besides, sleep is necessary for children such as yourself to properly digest food.
“Don’t want to sleep,” said Danny, alarmed. He didn’t want to go back to the place he was before, where he could not see, hear, smell, taste, or touch.
That is not the only place you may go, said the avatar. In fact, it is rather unlikely for you to return there unless you do so on purpose. It touched the place where one of Danny’s horns would eventually bud. It was tender and Danny whined. Which is not something you can yet do. It paused. Perhaps I could guide you to a… cozy layer. One you might find educational. Would you like that?
“I wanna go home. I feel icky.”
I will set up a bath for you when you wake up.
Danny moaned and tried to tuck his face into the avatar’s shoulder. “Don’t want a bath.”
You do need one eventually.
“Don’t wanna.”
The avatar lowered Danny back into the nest of blankets.
Sleep well.
Danny woke up. This time in an actual crib. A mobile with star shapes hung overhead. He reached up with a chubby baby hand. A medical bracelet jingled around his wrist.
With some difficulty, his hands lacking dexterity, he turned the bracelet over. The writing there was incomprehensible and made him slightly dizzy. He huffed and rolled over before pushing himself up onto hands and knees.
The room he was in was dark, and far more defined than he was used to in the Dream. He could see picture frames on the walls and clocks. Every wall had at least one clock.
He grabbed the top of the crib railing and pulled himself up into a standing position. The rest of the room looked normal. Lived in.
The door opened, letting light in. A figure walked through the doorway and picked Danny up.
“You’re awake already! Ready for the day?”
“Clockwork?” squeaked Danny.
“Hmm, yes. But there’s something else you can call me here, hm?” The figure shifted, light falling on a feminine face and long hair.
“Mama?” tried Danny.
“There we go,” she said.
“Where are we?” asked Danny, lisping his words slightly. He wasn’t sure he had teeth right now. He put his hand in his mouth, feeling his gums. “’s different here.”
“Yes,” said Clockwork, walking out into a hallway. It was bright. There were clocks here, too, evenly spaced on the walls. Danny hid his face. “Oopsie daisy. Too bright, baby?”
“Mhm,” said Danny.
Clockwork balanced Danny on her hip and fiddled with a dimmer switch. The lights dimmed to a more comfortable level. “I’m sorry, baby. I keep forgetting about your eyes.”
“What about my eyes?”
“You’re photosensitive. That’s what the bracelet is for. You need low light.”
“Mama?”
“Hm?”
“What is this place?”
“Ah,” said Clockwork, putting him in a highchair. “A world within the Dream. Once,” she punctuated the word by clipping Danny into the seat, “it was much like the place you were first born. But we came to understand it completely and everything that thought or dreamed opened themselves to us. We engulfed it, brought it here. Now everyone is happy.”
Clockwork put a sippy cup on the little table on the highchair and then several pieces of cereal. Danny didn’t recognize the brand.
“Do I have to?”
“You need energy for today,” said Clockwork.
“But I just ate so much.”
“Not here. Come on, sweetheart. It’s just a little bit.” Clockwork sat down in one of the chairs at the dinning room table, brushing her hair over her shoulder. She smiled. “Isn’t this nice?”
Danny shrugged.
“I know you don’t care for the other part of the Dream, that you find it frightening, so… If you like this place, you can stay here. It’s just like the other place. The one you like. Would you like that?”
“My friends are there.”
“I can bring them here. It’ll be difficult, but very possible.”
Danny shook his head. Clockwork sighed.
“Well. Let’s just see how this day goes before you decide. Maybe you’ll like being here so much you’ll never want to leave at all. Give it a chance. Just for one day, okay?”
“Okay,” mumbled Danny.
“And that means eating your breakfast.” She ruffled Danny’s hair. “Okie-dokie?”
“’Kay.”
Clockwork smiled, eyes crinkling. “We’re going to have so much fun today, just see!”
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Prompt 24: Vicissitudes
Content Warning: Violence, Blood, Endwalker Spoilers
Esredes' sword struck the striking dummy, over and over and over again, painting the wooden canvas with more and more markings.
The cold air of Garlemald welcomed each quick movement the harrier knight made, and it was still early enough in the morning that the grounds were mostly silent and unoccupied. The perfect time to be alone with his thoughts and his sword.
While Esredes was taking an unsupervised crash course in wood carving, another person entered the training grounds. She set her training equipment down on the snow, and began stretching as she watched him strike the dummy. "Something troubling you, Esredes?" He paused altogether, and turned towards the voice, which looked away just as he did so. He straightened his body and dropped his sword to the side. It was Vilette. She was an interesting one to watch- by all he had gathered, she was a star commander, a model knight who all admired- and yet his most in depth memory of her was when she was drunk, or when she had asked him to exchange change out of the blue. Yet here she was again, a reinforcement to the Contingency, and a sight he did not consider unwelcome. "...Is it that obvious?" He asked. "You of all people I would not expect to pick up on it. It must be painfully obvious, then. Sorry about that. Mind's a bit... active." "A strange compliment, but I'll accept it." She glanced back towards him. "What ails your mind, then?" Esredes didn't reply immediately. He instead looked out at the horizon, the ominous tower in the distance catching his eyes. "...It's too quiet." He offered. "And things have been going too well. So smoothly. I told you we failed to parley and three of us got shot this week- that's the most failure I've seen yet. It never goes like this. Something is going to happen. I can feel it deep inside. And I want to be as ready as I can for it." "Are you sure that's all?" She asked. "Because it sounds to me like the silence has you thinking about something more than just a potential trap. Do forgive me if I'm reaching. You've just got me all self-conscious about my perceptiveness now." "Sorry about that." He repeated. "It's just not what I expected out of you. We've never really talked in any meaningful capacity and most people don't know much about me." "Well, you've fought for a long time, I've fought for a long time-- I know that the silence before the storm is always when all the niggling thoughts emerge." She picked up her sword and went to the dummy next to Esredes. "The irony isn't lost on me when I say this to you of all people, but... It's good to talk it out too." "It would be, if people had good enough hearing, generally speaking. But the volume of the self is usually too loud. There's a reason it's me in the counselor's chair and not them. I suppose I hear more than other people. Or at least, they don't try to hear well enough." Vilette shrugged in response. Esredes watched her adjust her posture, preparing herself to strike the dummy. "Hearing well..." She paused, then made a slow diagonal cut towards the dummy. "Can't do that, sadly. Spent too much time around cannons, I'm afraid. But I believe I'm quite good at listening. So you'll just have to talk it out a little louder." "My condolences for your actual hearing. Mine's not incredible either, if it's any consolation. They say Elezen hear better than most the rest but I don't think I really got it. Maybe my ears are too tiny." Esredes turned back to his own dummy and made a diagonal slice all the way down. "It's just that whenever things look up for me they come down twice as hard. It might be irrational, but this... contingency has gone on too long without something coming down. It's not right. Not in line with the universe's patterns as I know them well." "It's not irrational." She replied. "The Tempered Imperials are probably pulling back to arrange a defence in depth. They want us to extend deep into entrenched positions and ambushes. That's almost a given. "So are you sure that's what's looking up and coming down for you? Or is there something else? Something you're worried about more than something we've seen for most of our soldiering lives?" Esredes once more tore his focus from his own dummy to watch her strike hers, with all the calculated tact expected of a knight captain. "Depends what you mean by that. It happens in and out of combat. If it looks up, it won't last forever. As if to remind me to do anything more than the purest form of a soldier's path is not allowed. Not that I needed reminding. I keep trying to follow the path and things keep not happening the way they're supposed to." He looked to the dummy. "But so said every veteran of the Song, I suppose." "All respects due... But isn't that rather arrogant? That you think you know how things are supposed to go?" "It's just speaking from experience. Would it not be I wouldn't have said it." "Sorry. Wasn't meant as a reprimand." She said. "I just feel as we tend to expect misery so much that even the brief moments of respites feel wrong." She paused a moment. "You did consultations at the home, yes?" "Mhm. Still do, just elsewhere. Unsurprisingly, flyers around Ishgard bring in even more people than relying on just the Home for advertising." "So, imagine someone came to you with the same feeling, the same, troubled mind..." She took a step back from her dummy, lowered her sword, and looked at him. "What would you say to them?" "I'm fairly certain someone must have by now." He said. "Simply saying that it won't happen again isn't really comforting. You have to be more specific. You have to ask about why it's always been like this, try to find a pattern, because there has to be one, a something they can fix or improve on, something they can do to get away, maybe, even." "Does asking yourself that work? I mean, working through all of that." "Nope." No hesitation. "Neither did asking someone else. Either it's the world's fault and there's nothing I can do about it, or it's me, and there's still nothing I can do about it. Tried everything reasonable by now. But mmm, it could be worse. I just don't want it to be something terrible that happens."
He said all this to her not long before the mission where a Chimera bit his side, that caused him to be stuck in a hellish recovery in the infirmary for quite a while. "Guess you were right. Ups and downs, huh?" She even said when she visited.
When that long recovery was finally behind him, things returned to normal. Despite the hell they all faced out there, it felt like things were good for him. The tower was stopped, and then another, worse situation came to pass in Thavnair. Reality once again stopped working, but this time in new and strange ways. The more everyone was stressed, the more that unexplainable things began to happen. But more than that, there were blasphemies. At the suggestion of a fellow enlistee for the knights, Esredes had set out with others to capture a blasphemy alive. Maybe if you left the researchers of the world to it, they'd figure out a way to save these people. But something about these creatures seemed to warp the minds of the people around them. It was only an hour or two spent with it before the others began trying everything they could do to kill it. And Esredes tried so desperately to stop them, to tell them to just leave the containment room, but it was if they were possessed and deaf to reason. A conjurer was among them. Some member of the Twin Adders that Esredes was not fond of already- not only had he kept insinuating he knew his secret to Esredes in the infirmary after he witnessed him trying to save a tempered from falling, but he talked down and insulted a couple of their new Garlean allies in a way that set Esredes off. And now he was trying to cast a light spell at the blasphemy, but not on his watch. Esredes tackled the Hyur to the ground and yelled at him to stop it and see reason. But there were still two others in the room, who were dead set on killing it, and only one other person was trying to stop them. He knew he couldn't stop all of them- and that's when it suddenly happened.
Esredes felt a surge of rage course through him, as if everything had bubbled to the surface, and he could no longer stop it. He smacked the conjurer on the head so hard it knocked him out immediately and began to bleed, screaming at him and hitting him again, and again, before the Sharlayan professor in the room forced him off of him. And everything soon faded out as a sleep spell hit him, and when he came to in the infirmary, he was tied down to the bed.
The conjurer was there too, or at least, he was. It wasn't long before he suddenly turned into a suit of armor, cut Esredes free, and was asked to leave the infirmary by Kainen. And with him gone, no one else wanted to even acknowledge it happened.
But Esredes knew better. He knew it wouldn't be left unsaid, because it was never left unsaid, not with him, because it never worked that way. He had almost killed a man, a fellow ally, and that would most certainly warrant charges. Once more, the world was telling him to stay in his place. And so when the rest left, Esredes went back to his room to pack his things.
He needed to flee. He needed to run and lay low and see if this one would blow over or undo everything he worked for...
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Throne of Blood (3/3)
Hello there! Last part of Throne of Blood, I hope you appreciated this little serie! I loved t write it tbh, it was a nice change from the usual DC stuff I write. If you want a bonus chapter, let me know! I thought about doing either a prequel for when they invaded the castle, or some headcanons if y’all have some.
Ps: I realised I kinda made Bruce to be the bad guy here, oops. Sorry about that, but to my defence, family drama was something I built toward from the beginning 😅 Full disclosure, I have nothing against Bruce and Damian pls don’t come at me
Masterlist in bio / pinned!
Pairing: King!Jason x reader x Roy
Word count: 4414
Warnings: same as the last parts (cautious nsfw) + family drama lmao
"--and the might of the casc… cascade could never compare to the ce… cerul… cerulean of her eyes. She was his hope, the only thing he cherished, none of his posse...ssions could ever be worth as much as a minute with her"
You paused to breathe as you reached a paragraph break. You could feel Roy's relaxed stare on you, a small smile ever present on his lips. His hand was absentmindedly rubbing your knees that were lying over his thigh, while his other arm was snugly wrapped around your waist. The quiet crackling of the fireplace indicated the need to add a log, but neither of you wanted to move from your nestled position. Eventually one would have to, though, before the room grew cold.
"I like it when you read to me" Roy hummed, almost like he hadn't meant to say it out loud. But if you knew one thing about him, it's that he carried very little shame when it came to love. He would never intend to hide his thoughts when they came, and you admired that about him. Still, you couldn't help but look down in embarrassment.
Him and Jason had taught you to read some months after you joined them, when he passed you a map to find a town's name and you had to tell him you couldn't. Ever since, you worked often on your reading skills, leafing through whatever seemed interesting from Jason's library. But you weren't a natural, far from it.
"I can't even pronounce all the words correctly" You mumbled. "It must be hard to follow sometimes"
He gently pushed your chin up so he could look into your eyes again. It didn't matter for one second for him that you didn't have the diction of an erudit or the flow of a poet. All he wanted was to hear your voice and watch your eyebrows knit in concentration when you butted on a difficult word. He liked the little things so much better than the finished product.
"I think it sounds perfect"
The corner of your lips rose slightly at his praise as your heart skipped a few beats. Even after all the time you spent together, he always managed to find the right word to make you love him even more, if it was possible. His constant and unconditional support was your crutch, the thing you could rely on no matter what happened, the safe space in which you would never feel judged for what you couldn't do.
"You know" He began again when he noticed you had trouble believing what he said. You wanted to believe him, but deep inside he knew it was harder for you, and he understood all too well the feeling of not being enough. "I couldn't read either before I was taken in by my warden"
You tilted your head to the side, frowning slightly. You had never known.
"Took me years to get average at it. And you should have seen my writing-- Hell, you should see it now, it's catastrophic"
You couldn't help but giggle along as he laughed. It was contagious.
"It's the same with Jason--No wait, the brat actually taught himself how to read somehow" He blinked slowly, like he was still surprised by it. You weren't really, you knew Jason was even smarter than you were aware of. Than anyone was aware of. "But his writing was terrible until he got a proper tutor, that I know of for a fact"
"But his writing is so…" You trailed off, trying to find the right word. "Exquisite"
"Now who's pulling out the big words, uh?"
"Shut up" You laughed, lightly hitting his chest with the book. “Don’t mock me”
“I’m not!” He argued, giving you wide, innocent eyes. He looked too cute for his own sake. “I swear I’m not. You’re just adorable when you get all flustered”
“We better start gearing up now” You evaded the subject, clearing your throat. “Jason will be expecting us--”
“Just one more chapter” He interrupted softly, caressing your waist. “Please?”
You held his stare for a moment before you were convinced, and you nodded, a sheepish smile on your face. You opened the book to the page you had marked and found the paragraph you had stopped to.
“As he was sitting by the window, he couldn’t help but think about the ar-arrival of the spring, only a few weeks away if nature de...cided to be kind--”
“My Lord, my Lady”
You paused your reading and looked up. This time, it was Roy who looked the most annoyed of the two of you.
“It’s time”
You sighed and nodded, putting down the book on the table. Roy was clearly disappointed, but he helped you nevertheless get back on your feet, being careful not to pull on your bandages too much. You were healing well for your condition, you could now walk around and sit down without much help. Still, Roy and Jason didn’t like the idea of leaving you on your own for too long, just in case someone tried to come for you. You definitely couldn’t wield your axes just yet, so it made you an easy target even if you weren’t bed ridden anymore.
You walked out of the chamber beside Roy, him following your slower pace without complaint. You reached the other end of the hallways and entered another room with chests and racks, where your equipment was kept. You began putting on your suit, the one you had made when you rode beside the Red Hood, well before he was king. It was all black with a red pointed arch on the chest that imitated Jason’s sigil, which was outlined with a single silver following your collarbone. It rose up the back of your neck and was reinforced to protect your vitals.
“Could you help me pull it up, please?”
Roy nodded as he finished to lace his arm braces, stepping right behind you. He picked the stiff fabric and gently tugged it over your shoulder, brushing his fingers against your skin along the way. He was even more careful with your injured shoulder, making sure it wasn’t bent in any way to fit through the suit. He and Jason had advised against you wearing it, but you were stubborn and refused to show weakness in front of the enemy. Besides, it looked great on you. Roy then buttoned up the suit on your back and up your neck before giving you a kiss on the temple.
“Close your eyes, I’ve got a little something for you” He whispered in your eyes, and despite your initial confusion, you did as you were told and shut your eyes. You felt something being passed over your head and gently rest on your shoulders, then straps being adjusted on your sides. “You can open the now”
You did as he said and looked down as he gently directed you to the mirror on your left. He had placed a beautiful piece of equipment that paired well with the colors of your suit, lightweight and practical, that covered your shoulders front and back. You usually went without, but it was appropriate considering another arrow in the back would do you no good right now. And since you most probably wouldn’t be using your axes anyway, you could do without your full shoulder movements range.
“Where did you get this?” You asked as you trailed your finger on the skillfully crafted metal. There was no doubt it had been made for you by how it fit with both your body and suit. It must have cost a fortune.
“The blacksmith in town, the one living near the gates of the castle” He began. “His son was killed by the guild of thieves that lived uptown, the ones we wiped off right after the undertaking. He wanted to thank us somehow, and when he learned about what happened to you, he made this as a present”
“It’s… Very beautiful” You breathed out. “I’ll have to thank him later on. This must have taken so much time to make”
“But you deserve it” He said as he placed a light kiss on your jaw. “You deserve the best. And the best suits you”
“Thank you” You nodded, taking his hand. The leather of his archery glove was rough against your skin, but it had also become a comfort born from the endless days you spent training and hunting on the road. It was tied to some of your best memories with him, and it still amazed you how a simple touch could bring it all back vividly like that. “Come on, Jason must be waiting for us”
You went down to the court, where Jason was talking with the commander and some generals. Upon hearing your footsteps, he perked up and turned around, taking you specifically in. He smiled and nodded, heading for the three black steeds, groomed and in full armor, in the hands of the stable hands. You followed him and grabbed the reins of your mount, carefully climbing on its back and sitting in the saddle.
“Are we ready?” Jason asked.
“Of course” Roy replied first, then both of their eyes set on you.
“Let’s do this” You nodded firmly.
With a kick of your heels, you took off the court and onto the bridge, in the direction of the Wayne Kingdom.
---
“Soooooo…” Roy trailed off. “Do you think he stood us up or..?”
You looked away from the horizon and to Roy, who was slouched over the pommel of the saddle while his horse was trying to dig for grass through the snow. “Maybe he’s trying to ambush us”
“I don’t think so” Jason mumbled, his eyes still set northwest. His back was straight with a hand resting on his hips, the other holding the reins tight. His horse was attentive, chewing on its bit in anticipation. “It wouldn’t be like him, not while we’re on this hill anyway”
You nodded as your fingers flexed around the reins, a bit bored and definitely not impressed by the opposite party being late to their own meeting. There was barely any wind over the field, and the thick cover of the cloud didn’t let the sun rays through. Still, smoke came out of the horses’ nostrils with every breath they let out.
“There they come”
You glanced forward again at Jason’s warning, seeing a small party of riders coming your way. They didn’t seem to be in a hurry, walking rather than trying to reach you at a trot. The closer they came, the better you could point out characteristics for each rider. The one at the front was wearing all black with a cape that fell over the pale gray horse he was riding. It was almost white, but the dark skin around its eyes and nose proved differently. The second rider was on a smaller chestnut horse, and was a child. You blinked a few times, but his youthful features were obvious. The two other riders some paces behind were an escort, soldiers with steel armors and banners from their kingdom.
After a long waiting for them to actually be at hearing range, they finally stopped a few meters ahead and assessed your party. Jason was visibly tense, but his blue eyes gave nothing out on how he was feeling about seeing his father in front of him after all this time. They stared at each other for long minutes before the piercing glance of Bruce Wayne set on you. You clenched your jaw, not backing down, until his eyes finally left you.
“Your… Friend seems to have healed quite well” The older king spoke first.
“Don’t act like you give a fuck” Jason sneered. “You were the one who made this coward attack on her happen in the first place”
“Watch your mouth, runt” The child on the side almost barked. “You’re speaking to a legitimate King, unlike you”
“And who the fuck might this goblin be?” Roy said before he could stop himself. While the child looked appalled, Roy was still very relaxed on his horse. He might have been the only one to be, even if you did want to laugh at the outburst.
“I am the blood son, the true heir to the throne” He replied with all his might, except it didn’t quite have the desired effect, since he was on a pony, for one. “You peasant will respect me, or--”
“Damian, please” Bruce interrupted firmly. “Now is not the time to settle this”
“But--”
“Why am I not surprised that you fathered a brat?” Jason leaned forward, feeling taunting for a moment. “Which one of your concubines had enough bad luck to get pregnant? Selina? Or was it Richard’s lover, whatever was her name? Or maybe Talia, oh memorable Talia--”
“Don’t speak of my mother that way” Damian pulled his sword out.
“So Talia it is” He smirked.
“We are here to negotiate peace, not fuel a war” Bruce replied sternly. “I can do much worse than an arrow in the shoulder of a loved one, you know it. So be careful what you’re advancing about my family”
“Then keep your son on a tighter leash” Jason said, his face returning to a serious expression. “I still haven’t made my mind about keeping peace, don’t give me reasons to leave this meeting before we can discuss it”
“I should be telling you this” He squinted his eyes slightly. “You have thrown over a stable ally of this kingdom and stole the crown, then taken prisoner the King of Blüdhaven without giving a follow up on his state. You are in no place to threaten a war, yet here you are”
Jason waited a few seconds, not letting his stare waver. Then, he sighed and whistled. The plains were silent, until the faint sound of hooves cantering on the crisp snow grew closer to your position. Soon enough, you were passed on your left by another rider, slowly walking around you and toward Bruce’s party. Dick had a neutral expression as he turned around, stopping at Bruce’s side.
“Here” Jason waved his hand dismissively. “Your golden son, unharmed albeit slightly vexed”
“You should still pay for a crime like this” Bruce said.
“It’s fine” Dick tried to appease the tensions. “I do not wish to further this conflict, I have done enough already as it is”
“Why didn’t you fight back, Richard?” Damian asked in a judging and accusatory tone. “This is a disgrace to our family, and a display of weakness--”
“I was trying to avoid a much worse escalation of this conflict by owning a diplomatic mistake I made in the first place” He bit back. “What would you even know of politics, spoiled child?”
Roy laughed, and the sound only seemed to anger Damian more. You were in the middle of a family conflict, and unlike him, you didn’t know this side of the family well. You didn’t really know how to act, so you observed what would go down rather than actively participate.
“I find the ginger man’s insolence unwelcomed in this matter” Damian said, trying to wash down the humiliation his brother had just handed to him. “He’s got nothing to do with it, and he’s got no title. He shouldn’t even be speaking”
“He speaks because I say he can” Jason defended Roy in a heartbeat, his tone strong and authoritative. “As far as I’m concerned, I’ve got a crown and you don’t, which puts me above you in status and therefore my wishes outweigh yours”
Your eyebrow rose slowly as your eyes met Roy’s, who had an equally stunned expression. Jason had never used his status against anyone like that. It even seemed to take Damian by surprise, which was, with what you had learned about him in the last minutes, a hard feat to accomplish. If you were honest with yourself, while you loved Jason as a humble king, you were curious about the other side of him, even if he would show it in private.
“Your crown was stolen” Bruce reassessed. “The Kingdoms surrounding yours have decided this gesture would not stand. I wished a peaceful surrender from you, but it doesn’t seem like I will convince you to do so. You have three days to abdicate, until the next full moon, or your kingdom will be taken back by force”
“You think this is wise?” You finally spoke up on instinct, and all eyes turned to you, looking at you with surprise. You weren’t about to let those threats stand, especially not from Bruce. “Ever since King Jason came into power, he wiped out a guild that stole from families and murdered good people. Our kingdom is the safest for miles around, so much we get waves of new settlers even in winter. He lowered taxes on the population so much that most towns in the country have become flourishing trade posts in the span of a year, and instead taxed the nobility and cut on useless balls and dinners. Nobody starved last winter, and nobody is starving this one. Do you think the word didn’t get out to the other countries around? People are starting to want this for themselves too, and you think putting them through a devastating war will make things better? It will only make them resent you, those who didn’t already. We have people in every castle you know of who are ready to turn against you the second they get wind of aggression--”
“Bullshit” Damian called.
“Are you ready to take the risk?” You raised an eyebrow at him, before returning your glance to Bruce, who betrayed no emotion. “You will lose this war if you start it. You should consider your people before you send them to slaughter”
Silence fell over the hill for a moment.
“... What she said” Roy grinned, breaking the silence.
Bruce looked at Jason for a reaction, or most likely, some sort of opposition to what you had just said. Instead, he only readjusted his reins and straightened his back. “You heard right,” He said, not wavering. “You have three days, until the next moon, to annulate the warrants and back down. Think about your people, Bruce. Make the right decision”
With that mocking reprise of his father’s previous words, he turned his horse around and left him dumbfounded. With one last glance to their party, you followed Jason, trotting, then cantering away and back into your borders. Once you passed your soldiers’ road control, you slowed down to a walk.
“Huh” Roy exhaled as he leaned forward to glance at you over Jason’s horse between you two. “I didn’t know we had spies in other kingdoms”
“Now that I think about it,” Jason blinked a few times, his brows slightly furrowed. “Neither did I”
You shrugged. “Maybe we have them. That would be neat”
You saw confusion, then astonishment flash in their eyes like their reactions were synchronized.
“Wait, did you just--”
“Did you fucking lie to Bruce in his face?” Roy cut off, almost yelling. Then, he laughed. “In his face?”
“By the time he realizes, no, if he even realizes I bluffed, we’ll have a solid plan to ward him off, no matter what he does” You explained. “We win”
“How did you manage to convince him?” Jason had an innocent incomprehension written all over his features, like a child in front of a magic trick. He was adorable. “You had me convinced”
“Oh, boys” You grinned. “You think women survive this long in the world without becoming excellent liars? How do you think I managed to infiltrate the staff for a week before we invaded the castle?”
“By… Um” Roy trailed off. “Cleaning well?”
You laughed. “People had questions, my dear. I had to build myself a credible life to feed them, so I wasn’t thrown out of the castle instantly. Lying to the enemy is a skill I learned to cultivate a long time ago”
“You’re awesome, you know that?” He sighed, a loopy smile on his face. Jason still had a starstruck expression on his face, his eyes sparkling with admiration.
“Wouldn’t hurt to hear it again, I must admit” You teased back, jutting your chin up. “But there is one thing that would be better… Last one in the bedroom owes the first one a shoulder massage”
You didn’t wait for them to register your words before kicking your horse to a gallop, no doubt closely followed by them.
---
The dancing light of the candles of the chandelier left a soft glow on your naked skin, moving around and spreading warmth as it crawled up and down your body. You were sitting upright as hands moved gently on your shoulders, careful to avoid the sensitive area of your still healing wound. In your laps was Jason’s head, your hands threading slowly in his black hair as his eyes were shut close. He wasn’t sleeping, his breathing made his chest rise too fast for him to be. But he was relaxed, his neck muscles were untensed on your legs and there were no harsh lines on his face.
You looked behind you when Roy’s hand stopped massaging, pulling your hair to the side and kissing the back of your neck.
“You really gotta get a faster horse” Your lips curved upwards. “You’re always losing these races”
“I think my horse’s speed is just fine” He whispered back. “Besides, you are both right where I want you to be”
Jason smirked. “Losing is always suddenly part of someone’s plan when they never win”
“Laugh all you want” He sighed, dramatically laying down on his side beside you, then leaning forward close to Jason’s ear. “We all know I end up winning anyway when you beg my name like a prayer, My King”
You could feel the shiver travel up his spine on your laps, as well as the sudden shift in the tension in his muscles. You played along and let your hand slightly pull his hair, which surprised a moan out of him. His eyes opened wide, the blue of his irises being quickly consummated by the black of his pupils. Then, his glance set on Roy, something hard to read beside the promising spark in it.
“Are you sure you’re ready for a, what, fourth go at it today?” He raised an eyebrow as his hand brushed his cheek. “I didn’t think you jaw recovered from earlier”
You laughed airily as Roy grinned mischievously. “Maybe you can take that voice when you put that brat child in its place” You suggested as you trailed up your hand up Jason’s bare chest. “I’m sure he would be happy to get back on his knees if you did”
Roy groaned at the suggestion, already imagining the whole scene behind his fluttering eyelids. However, Jason didn’t quite follow up on his reaction. “Don’t tempt me with…” He trailed off, then noticed the mood change. “Hey, is there something wrong?”
Jason blinked, then shook his head and gave a smile that didn't quite reach his eyes. “I’m fine” He muttered, leaning forward to place a soft kiss on Roy’s lips.
“No, something’s bothering you” He insisted gently. “What is it, Jay?”
Jason sighed, shaking his head. “It’s nothing” He replied, looking up to the ceiling. “Don’t worry about it”
“It’s clearly not nothing” You said as your hands threaded softly in his hair. “What’s eating at you?”
A silence followed your words. It was like Jason was searching for the right words, like he wanted to say it so bad but something else was holding him back. You were patient, however, and you didn’t mind that he took his time to tell you. You knew he would talk when he’s ready.
“It’s what Bruce said” Roy beat him to it, speaking barely over a whisper. “Isn’t it?”
You looked in between the two men, noticing how Jason did not deny Roy’s words. It was like they were having a silent conversation for a few seconds, before Roy put a comforting hand on his shoulder.
“It’s how he didn’t see him as part of his family anymore” Roy spoke up, addressing you this time. “How Bruce didn’t seem to have any regret about replacing him in any way possible”
“Even after all this time” Jason gulped. “He won’t even stop reminding me he didn't care”
“Oh, my love” You reached for his hand and grabbed it, intertwining your fingers with his and giving it a squeeze. “He doesn’t deserve you beating yourself up about him like that. You’re worth so much more than anything he could even give you”
“She’s right,” Roy nodded. “We’re your family now, not him. Not him ever again. And I promise you we’ll never betray you that way, we’ll never set you aside. You’re our lover, you’re our King, you’re the most important person for us, and we would do anything for you”
You could see the crystal gleam of tears pooling in his eyes before he blinked them away, resisting the urge to break down. Jason had not often known true affection until he met Roy, then you. He felt like he didn’t deserve either of you, and sometimes he wondered why exactly you decided everyday to stay by his side. But you did stay, you did support him and guided him when he needed it. He wouldn’t have been anywhere near where he was right now without you.
“You’re both so good to me” He whispered, adoration clear in his voice as he glanced at you, then Roy. “What would I do without you?”
“You’d be wonderful either way” You smiled as you slipped beside him, careful not to pull on your bandages. Soon enough, Roy joined him on the other side, snuggling into him. “You’d miss on major cuddling, however”
His chest rose in a silent chuckle as he pulled you and Roy just a little bit closer. “Give yourselves more credit, I’d crash and burn without you both by my side”
“Let’s not bother with what ifs, yeah?” Roy replied, his lips curved upward as he kissed his shoulder. “It only matters that you’re here with us today, and that you are a damn good King. The rest doesn’t matter”
“The rest doesn’t matter” Jason repeated in a mutter, nodding lightly. “Only you. Only us”
#jason todd#jason todd x reader#jason todd x reader x roy harper#roy harper x reader#roy harper#jason todd imagine#red hood#red hood imagine#red hood x reader#dc#dcu#dc universe#dc imagine#dcu imagine#dc universe imagine#batfam#batfam imagine#imagine#jason todd x you#red hood x you#outlaws#roy harper imagine#arsenal#arsenal imagine#arsenal x reader#roy harper x you#outlaws imagine
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Is there anyway you could share the entire livejournal essay about Hermione's reaction to Ron coming back in DH? The few paragraphs that you referred to in your recent answer sound extremely interesting.
[The “recent answer” that goes back to... last December. Oh my god I’m such an ass I left you hanging for so long I’m so sorry.]
Okay, okay, so here goes! KEEP IN MIND: I DIDN’T WRITE THIS. I FOUND THIS ON LIVEJOURNAL AND PICKED EVERYTHING THAT I LIKED ABOUT IT, AS WELL AS SOME COMMENTS THAT INTERESTED ME.
This “essay” was actually more of a “reading the books” thing with the person sharing their thoughts and ideas about it. The person was clearly a Snape fan, but they had sympathy for Ron too. I’ll try to formate it as accurately as I can remember it.
And now, here it is:
---
ORDER OF THE PHOENIX
[About Ron being made a prefect.] The essayist: It’s sad, but this probably is the first time Ron’s beaten Harry at something. And the last time.
A commenter: Ron's had a really difficult life, and this is the book that proved it for me. It made me a Ron fan. Just look at the interactions he has with Fred and George. This is commonplace. I know a lot of people don't like Ron, but just look at this book, this chapter especially. People have accused Ron of being lazy, unambitious, having no emotions, and being a big stupid boy. It's just not true. Look at how Fred and George needle him out of jealousy. Look at how they treat Percy. Imagine Ron having to grow up with two older brothers that will not hesitate to bother, torture and torment people that stand out or that get more attention than they do or that cross them. He saw it happening with Percy, so what's he going to learn? He'll learn to shut up unless he wants to have something happen to him. He'll learn that standing out positively is rewarded with cruelty. I can understand how Mrs. Weasley could not have fully protected him from those two. Not all the time, not while trying to also care for Ginny, keeping up with her other kids in school, and running the household. Worst of all, punishing F&G doesn't seem to do anything. Those two just don't care/they crave the attention, negative or positive. The best thing she could've done would be to give them no attention, but that's so against her nature that unfortunately she just fed the monsters. No emotions? Is it really difficult to understand that sensitivity wouldn't be encouraged in young Ron? He's got these two bullies that only want a reaction out of him. If he cries, it'll only encourage them. Any reaction is encouraging to them, but he has to go with anger. It's a survival thing- puff yourself up, make yourself look bigger than you are so the predator messes with you a little less. Look at the pride Ron's showing in his badge. The desire to do well is there. He likes the good feeling that comes with it, but he's been hard-wired since birth that it's better to be "middle of the pack". In later chapters, I know you'll have to point out the way the power makes Ron behave, so I just want to start on the defence now. It's all Ron knows. It's all he's been taught. It's a huge character flaw, but it's what makes him so human. Rowling did develop this in the book, but only accidentally. We're never going to get a good look at Ron's psychology except through these hints because it's, as usual, All About Harry. Ron's flawed, but I hope we remember that he has a reason why he's got those flaws. It doesn't excuse him, but it really explains him. So yeah... that's why I defend Ron.
...
“I’m not Percy,’ he finished defiantly.”
The essayist: Mmmm-hm. Ron feels nervous at the thought of his good fortune inspiring anger in someone and what's his first defence? "I'm not Percy"? Man, the evidence that the Twins' psychological torment has left lasting scars on Ron could not have been more obvious if he'd shielded himself and said "Please don't jinx me, Fred! ... I mean Harry. ... Shit, what'd I say?"
...
“Excellent,” said Ron, with a kind of groan of longing, and he seized the nearest plate of chops and began piling them onto his plate, watched wistfully by Nearly Headless Nick. “What were you saying before the Sorting?” Hermione asked the ghost. “About the hat giving warnings?” “Oh yes,” said Nick, who seemed glad of a reason to turn away from Ron, who was now eating roast potatoes with almost indecent enthusiasm.
The essayist: Ron’s not being very restrained with his eating, is he?
The commenter: I don't know if it's accidental or not, but this is one of those moments that I love, one of the tellings of Ron's home life via his behavior. In this scenario, he's totally a kitten who just got adopted to a house where he's the only cat. He's at a table with food, so his instinct is to eat as fast as he can or his siblings will yoink it. It doesn't help that there are many other people around, encouraging the "get the good stuff fast or you'll have to sate yourself on bread or whatever nobody wants". Ron is so much more human than Harry! How can Harry not be showing any signs of his "horrendous abuse" for eleven years? Well... I guess he sort of does when he buys all that stuff in his first year. And I guess Ron has to go back home every summer where it gets reinforced. But Harry goes back every summer, too... what the hell?
...
“What’s going on?” Ron had appeared in the doorway. His wide eyes traveled from Harry, who was kneeling on his bed with his wand pointing at Seamus, to Seamus, who was standing there with his fists raised. “He’s having a go at my mother!” Seamus yelled. “What?” said Ron. “Harry wouldn’t do that — we met your mother, we liked her. . .” “That’s before she started believing every word the stinking Daily Prophet writes about me!” said Harry at the top of his voice. “Oh,” said Ron, comprehension dawning across his freckled face. “Oh . . . right.” “You know what?” said Seamus heatedly, casting Harry a venomous look. “He’s right, I don’t want to share a dormitory with him anymore, he’s a madman.” “That’s out of order, Seamus,” said Ron, whose ears were starting to glow red, always a danger sign. “Out of order, am I?” shouted Seamus, who in contrast with Ron ‘was turning paler. “You believe all the rubbish he’s come out with about You-Know-Who, do you, you reckon he’s telling the truth?” “Yeah, I do!” said Ron angrily. “Then you’re mad too,” said Seamus in disgust. “Yeah? Well unfortunately for you, pal, I’m also a prefect!” said Ron, jabbing himself in the chest with a finger. “So unless you want detention, watch your mouth!”
The essayist: Note how Ron’s first reaction is to side with Harry.
The commenter: Not surprising because of the best friends thing (some might argue) but I say it's not surprising considering how Hermione and Ron were treating Harry like a ticking time bomb. Survival!
...
“Hello, Harry!” It was Cho Chang and what was more, she was on her own again. This was most unusual: Cho was almost always surrounded by a gang of giggling girls; Harry remembered the agony of trying to get her by herself to ask her to the Yule Ball. “Hi,” said Harry, feeling his face grow hot. At least you’re not covered in Stinksap this time, he told himself. Cho seemed to be thinking along the same lines. “You got that stuff off, then?” “Yeah,” said Harry, trying to grin as though the memory of their last meeting was funny as opposed to mortifying. “So did you . . . er . . . have a good summer?” The moment he had said this he wished he hadn’t: Cedric had been Cho’s boyfriend and the memory of his death must have affected her holiday almost as badly as it had affected Harry’s. . . Something seemed to tauten in her face, but she said, “Oh, it was all right, you know. . .” “Is that a Tornados badge?” Ron demanded suddenly, pointing at the front of Cho’s robes, to which a sky-blue badge emblazoned with a double gold T was pinned. “You don’t support them, do you?” “Yeah, I do,” said Cho. “Have you always supported them, or just since they started winning the league?” said Ron, in what Harry considered an unnecessarily accusatory tone of voice. “I’ve supported them since I was six,” said Cho coolly. “Anyway . . . see you, Harry.” She walked away. Hermione waited until Cho was halfway across the courtyard before rounding on Ron. “You are so tactless!”
The essayist: So Harry meets Cho, makes a complete faux pas and reminds her of her dead boyfriend. Ron quickly steers the conversation away onto something more happy, i.e., Quidditch, before Cho can get too upset. Nevertheless, Ron is apparently the insensitive jerk around here, not Harry.
[If this reminds you of something, then yes, I absolutely took what the essayist was saying and elaborated on it. I confess, I am a dirty thief.]
...
“Well, I suppose he could’ve played better,” Harry muttered, “but it was only the first training session, like you said. . .” Neither Harry nor Ron seemed to make much headway with their homework that night. Harry knew Ron was too preoccupied with how badly he had performed at Quidditch practice and he himself was having difficulty in getting the chant of “Gryffindor are losers” out of his head. [...] And so they worked on while the sky outside the windows became steadily darker; slowly, the crowd in the common room began to thin again. At half-past eleven, Hermione wandered over to them, yawning. “Nearly done?” “No,” said Ron shortly. “Jupiter’s biggest moon is Ganymede, not Callisto,” she said, pointing over Ron’s shoulder at a line in his Astronomy essay, “and it’s Io that’s got the volcanos.” “Thanks,” snarled Ron, scratching out the offending sentences.
The essayist: So Ron’s getting basic facts wrong in his essays.
The commenter: This is going to look so contrived, but I genuinely believe it, and maybe after these reviews, your standards for contrived have dropped enough for me to pass the bar :3 But... he's not putting in any effort. His ego can't take another beating at the moment (even punching bags have limits). Imagine it- after the Quidditch humiliation with his friend the Star Athlete (when he really was trying) he tries to distract himself by doing school work 1. which he isn't very good at anyway, 2. with the Star Athlete of Academics/Slytherin Spectator Crowd best friend Hermione there 3. with Hermione there to set it right anyway (it sounds as if Hermione isn’t so much correcting their essays as writing them herself). If he tries his best at this and then fails at that, Ron probably would start to consider suicide. It's self-preservation at this point to put in zero effort. This kind of fail is literally "I'm not trying because I have given up."
...
She wrenched her bag open; Harry thought she was about to put her books away, but instead she pulled out two misshapen woolly objects, placed them carefully on a table by the fireplace, covered them with a few screwed-up bits of parchment and a broken quill, and stood back to admire the effect. “What in the name of Merlin are you doing?” said Ron, watching her as though fearful for her sanity. “They’re hats for house-elves,” she said briskly, now stuffing her books back into her bag. “I did them over the summer. I’m a really slow knitter without magic, but now I’m back at school I should be able to make lots more.” “You’re leaving out hats for the house-elves?” said Ron slowly. “And you’re covering them up with rubbish first?” “Yes,” said Hermione defiantly, swinging her bag onto her back. “That’s not on,” said Ron angrily. “You’re trying to trick them into picking up the hats. You’re setting them free when they might not want to be free.” “Of course they want to be free!” said Hermione at once, though her face was turning pink. “Don’t you dare touch those hats, Ron!” She left. Ron waited until she had disappeared through the door to the girls’ dormitories, then cleared the rubbish off the woolly hats. They should at least see what they’re picking up,” he said firmly. “Anyway . . .” He rolled up the parchment on which he had written the title of Snape’s essay. “There’s no point trying to finish this now, I can’t do it without Hermione, I haven’t got a clue what you’re supposed to do with moonstones, have you?”
The essayist: This doesn’t seem like a particularly open-minded and enquiring position to take, although I suppose that Hermione’s open-mindedness has always been something of an informed attribute.
The commenter: This trope among fans has got me riled up beyond belief because they use the "Hermione's word is gospel" thing to make unfair assumptions about other characters: Ron's "emotional range of a teaspoon" thing comes to mind, and right after that, Lavender supposedly being silly about believing Trelawney about her dead pet (Hermione never considered that maybe the thing Lavender was dreading was bad news from home or bad news about her pet). Regarding house elves: This is one case where the fans ought to have seen that Hermione was being very thoughtless as far as strategy. Ron has lived all his life up until this point thinking that there was no problem with house elves and she literally expects to be able to just tell him "it's wrong" and he's supposed to change instantly? Talk about your cultural insensitivity. In this case, maybe Ron knows better than you do, Hermione? You didn't even know about house elves until you were at least twelve (but more likely, she didn't know until this year). She must understand the concept of "he doesn't know it's wrong". That was how she defended Crookshanks when he was chasing Scabbers. ... Hey, Hermione thinks Ron's smarter than her cat. That's something, I guess.
...
The commenter: Competition is seriously the worst thing in the world for Ron. He's got wa-a-ay too much baggage. Do well so they'll love you. Do well so they'll notice you. If they notice you, you'll get praised. And tormented by Fred and George. Then if you fuck up, you'll have let everyone down. My brothers never let anyone down. That's the standard. Oh God, I can't live up to that. Which do I want to chose- being ignored or scorned? I could do well. Then I'll be good enough to be called "just like them"! JFC, when's it ever going to be "Good like Ron"? Chess. Literally everyone else has one thing they shine in, even Neville with his Botany and Dean with his art (and... and I'm going to ignore the fact that Hermione and Luna are the only two I can think of with non-appearance based special stuff... someone please help me out? I guess Tonks' doesn't really count as a shallow one because it makes her a master of disguise...)
...
HALF-BLOOD PRINCE
...
Ron gagged on a large piece of kipper. Hermione spared him one look of disdain before turning back to Harry.
The essayist: “Hermione spared [Ron] one look of disdain before turning back to Harry” pretty much sums up her relationships within the trio. It’s no wonder Ron’s so insecure and keeps worrying that she really fancies Harry.
...
“And you’ve been through all that persecution from the Ministry when they were trying to make out you were unstable and a liar. You can still see the marks on the back of your hand where that evil woman made you write with your own blood, but you stuck to your story anyway...” “You can still see where those brains got hold of me in the Ministry, look,” said Ron, shaking back his sleeves. “And it doesn’t hurt that you’ve grown about a foot over the summer either,” Hermione finished, ignoring Ron. “I’m tall,” said Ron inconsequentially.
The essayist: Ron’s so adorably pathetic here, the way he’s obviously feeling inferior to Harry and being ignored by his so-called friends. *hugs Ron*
...
When they left the Gryffindor table five minutes later to head down to the Quidditch pitch, they passed Lavender Brown and Parvati Patil. Remembering what Hermione had said about the Patil twins’ parents wanting them to leave Hogwarts, Harry was unsurprised to see that the two best friends were whispering together, looking distressed. What did surprise him was that when Ron drew level with them, Parvati suddenly nudged Lavender, who looked around and gave Ron a wide smile. Ron blinked at her, then returned the smile uncertainly. His walk instantly became something more like a strut. Harry resisted the temptation to laugh, remembering that Ron had refrained from doing so after Malfoy had broken Harry’s nose; Hermione, however, looked cold and distant all the way down to the stadium through the cool, misty drizzle, and departed to find a place in the stands without wishing Ron good luck.
The essayist: Hermione keeps belittling Ron and doing him down, and reacts quite strongly when he even so much hints at losing interest in her and showing attention to another woman. Can we say “abusive relationship”, anybody?
...
“Harry! Ginny!” Hermione was hurrying toward them, very pink-faced and wearing a cloak, hat, and gloves. “I got back a couple of hours ago, I've just been down to visit Hagrid and Buck--I mean Witherwings,” she said breathlessly. “Did you have a good Christmas?” “Yeah,” said Ron at once, “pretty eventful, Rufus Scrim—” “I've got something for you, Harry,” said Hermione, neither looking at Ron nor giving any sign that she had heard him. “Oh, hang on--password. Abstinence.”
The essayist: Wow, Hermione’s just being so childish here, ignoring Ron when he’s talking directly to her. Incidentally, Ron’s speaking to her like a normal friend, it’s Hermione who’s doing the blanking. Still, I’m sure this argument is all Ron’s fault for daring to go out with another girl. Hermione is totally blameless.
[Just in case: the essayist is being sarcastic, they’re pointing out the double standard of the HP fandom blaming Hermione’s immature behaviour on Ron.]
...
DEATHLY HALLOWS
...
“I think you’re right,” she told him. “It’s just a morality tale, it’s obvious which gift is best, which one you’d choose—” The three of them spoke at the same time; Hermione said, “the Cloak,” Ron said, “the wand,” and Harry said, “the stone.” They looked at each other, half surprised, half amused. “You’re supposed to say the Cloak,” Ron told Hermione, “but you wouldn’t need to be invisible if you had the wand. An unbeatable wand, Hermione, come on!” “We’ve already got an Invisibility Cloak,” said Harry. “And it’s helped us rather a lot, in case you hadn’t noticed!” said Hermione. “Whereas the wand would be bound to attract trouble—” “Only if you shouted about it,” argued Ron. “Only if you were prat enough to go dancing around, waving it over your head, and singing, ‘I’ve got an unbeatable wand, come and have a go if you think you’re good enough.’ As long as you kept your trap shut—” “Yes, but could you keep your trap shut?” said Hermione, looking skeptical. “You know, the only true thing he said to us was that there have been stories about extra-powerful wands for hundreds of years.” “There have?” asked Harry. Hermione looked exasperated: the expression was so endearingly familiar that Harry and Ron grinned at each other.
The commenter (?): Actually, I thought that Ron was proving the errors in the story. Because he’s right. The eldest brother didn’t die because the Elder Wand had corrupted him (like the One Ring). He died because he was an idiot. He died because he randomly decided to start blabbing about his new toy.
“You talk about wands like they’ve got feelings,” said Harry, “like they canthink for themselves.” “The wand chooses the wizard,” said Ollivander. “That much has always been clear to those of us who have studied wandlore.” “A person can still use a wand that hasn’t chosen them, though?” asked Harry. “Oh yes, if you are any wizard at all you will be able to channel your magic through almost any instrument. The best results, however, must always come where there is the strongest affinity between wizard and wand. These connections are complex. An initial attraction, and then a mutual quest for experience, the wand learning from the wizard, the wizard from the wand.”
The essayist: Harry’s wand has to think for and protect him because he’s too stupid and incompetent to think for and protect himself! Ollivander’s the expert, and he just admitted it. He said any halfway decent wizard can perform magic with almost any wand. The reason Harry could only work with the holly wand is because of the phoenix feather core it shares with Voldemort’s wand. That is, it wasn’t Harry doing the magic with Harry’s wand! It was the Voldemort soul piece! Once Harry was forced to use wands that didn’t have that core, the soul piece couldn’t do the work for Harry any more. He was forced to rely on his own magical powers and competence, which are clearly minimal. This is proven by his inability to do effective magic with any other wand. It’s also proven by an incident from Philosopher’s Stone. Remember when Harry was being chased by bullies and inexplicably found himself on top of the shed roof? That was the soul piece allowing him to fly like Voldy. Lily could slow her descent from a height, as if she had an invisible parachute, but that is not the same as flying, and we have no evidence she could fly. Only Voldemort and Snape fly without assistance! The evidence is overwhelming that I am right. How many spells can Harry do effectively? Expelliarmus, Expecto Patronum, Protego--that’s it. Even as a young adult, he is incapable of doing the basic healing or cleaning spells a young child should have down pat before going to Hogwarts. Of course, we’re told the Patronus spell is difficult and advanced, but who told us that? Remus Lupin, friend of Harry’s father, sycophant, and notorious liar, particularly when it comes to flattering Harry. Recall Lupin also said Snape didn’t like James because Snape was envious of Potter Sr.’s Quidditch prowess, and we know that was a lie. Given this evidence, anything Lupin says that cannot be confirmed by an independent source, especially regarding the Potters, should be dismissed out of hand. True, Hermione has trouble with the Patronus spell, and she’s super-competent. Doesn’t that prove it’s a very difficult spell? Not at all. To take an example from a different field, Beethoven was a virtuoso organist, the greatest pianist of his day, one of the greatest pianists in history, and probably the greatest improvisational musician ever. But he was only a decent violinist. Everybody has areas of weakness, no matter how good they are overall. In addition, Hermione is very gullible where authority figures are concerned. If a teacher tells her, “The Patronus is a very difficult, advanced spell that many people can’t ever master,” she’ll believe that, which may create a self-fulfilling prophecy. A couple of years ago, another DTCL member and I facetiously suggested Harry was less intelligent than his wand. We didn’t know we were right. It rarely happens, but this is an occasion when I would have preferred to be wrong.
...
If only there was a way of getting a better wand... And desire for the Elder Wand, the Deathstick, unbeatable, invincible, swal-lowed him once more... They packed up the tent next morning and moved on through a dreary shower of rain. The downpour pursued them to the coast, where they pitched the tent that night, and persisted through the whole week, through sodden landscapes that Harry found bleak and depressing. He could think only of the Deathly Hallows. It was as though a flame had been lit inside him that nothing, not Hermione’s flat disbelief nor Ron’s persistent doubts, could extinguish. And yet the fiercer the longing for the Hallows burned inside him, the less joyful it made him. He blamed Ron and Hermione: Their determined indifference was as bad as the relentless rain for dampening his spirits, but neither could erode his certainty, which remained absolute. Harry’s belief in and longing for the Hallows consumed him so much that he felt isolated from the other two and their obsession with the Horcruxes. [...] As the weeks crept on, Harry could not help but notice, even through his new self-absorption, that Ron seemed to be taking charge. Perhaps because he was determined to make up for having walked out on them, perhaps because Harry’s descent into listlessness galvanized his dormant leadership qualities, Ron was the one now encouraging and exhorting the other two into action. [...] But not until March did luck favor Ron at last.
The essayist: MARCH! That’s right, ladies and gentlemen. The first fifteen pages of this chapter cover three months, and during that entire time, Harry Potter does nothing, nothing, but sit on his ass fantasizing about the Elder Wand and trying to connect with his Voldie-soul mate. Oh, wait. He also tries to open the snitch so he can get the stone out of it. (Nothing gay about that, either.) I wish he’d succeed in that, too. Maybe he’d swallow the stone, and it would end up in his scrotum. He sure needs something that works down there. Harry doesn’t have the right to bail out on his society like this. He can’t have it both ways. He can’t have the adulation that goes with being Mr. Boy-Who-Lived-Chosen-One-Wizarding-World-Savior and abdicate the responsibilities that go along with those titles and that adulation. Look at what happens in this chapter: Harry becomes obsessed with finding and uniting the Hallows, so much so that he withdraws from his friends, bails out on the job his idol Dumbledore gave him, and spends all his time brooding and trying to connect with the Dull Lord. In other words, he acts clinically depressed. Ron and Hermione were exposed to the same information Harry was, but they didn’t become obsessed/depressed. Ron was mildly interested in the Super-Wand, but not enough to distract him from the Horcrux hunt. Hermione dismissed the whole DH story as nonsense and continued following Dumbestbore’s orders. So why weren’t they tempted?
...
The essayist: Harry opens the locket using Parseltongue--interesting that this never occurred to him before now--and two ghostly figures emerge. They’re Voldie-versions of Harry and Hermione, and they articulate Ron’s worst fears: “Least loved, always, by the mother who craved a daughter...Least loved, now, by the girl who prefers your friend...Second best, always, eternally overshadowed...” I’ll say it again: When you’re right, you’re right. The evidence is overwhelming that Molly Weasley treated Ron the worst of all her children. And if Rowling doesn’t want us to ship HP/HG, she needs to quit throwing them together and making them leaders, with Ron either in the background or absent entirely. JKR obviously wants us to automatically dismiss certain statements just because they’re made by “bad guys” such as Voldemort and Rita Skeeter. There are two problems with this: (1) The “lies” make perfect sense, far more sense than what we’re supposed to believe. (2) Even pathological liars sometimes tell the truth, typically when it won’t hurt their own interests to do so. For those of us who live in what cartoonist Garry Trudeau calls “the reality-based community,” the evidence is what matters, not what we’re told by authority figures. Those of us in the higher stages of spiritual development are funny that way.
...
The essayist: Well, whose fault is that, Ms. Rowling? You’re the one who’s spent the last four books making Ron dumber and dumber, depriving him of any meaningful activity, while you shoved Harry and Hermione into increasingly dominant roles.
The commenter: Are we supposed to look down on Ron now so that we can condemn him for leaving Harry and Hermione? Because if so, then that’s just unfair. Every time Ron tries to come up with an idea, Hermione criticizes him or shoots him down. And the twins have done a fine job of intimidating Ron into remaining mediocre and modest so that he doesn’t remind them of Percy, so what is he supposed to do? How is he supposed to come up with ideas when he’s surrounded by people who basically tell him to shut up and sit down?
The essayist: Just then, Hermione comes out of the tent with cups of tea, with tears running down her face and looking terrified her “friend” is going to curse her with her own wand.
The commenter: So, Hermione will snarl at Ron all day long, but cower in fear when Harry gets mad. Is she projecting herself onto Harry and assuming that just because *she’s* quick to hex people who anger her (Ron, Marietta, etc.), Harry will do the same to her?
The essayist: The evidence is overwhelming that Molly Weasley treated Ron the worst of all her children.
The commenter: And blatantly showed favoritism to Harry while snarling at Ron in the same breath. Of course, Horcrux!Tom doesn’t bring that up, because JKR would have to admit that there might be something wrong with Molly favoring Harry the way she does. The essayist: Hermione acts so crazy Harry has to put a protection charm between her and Ron.
The commenter: Yeah…sorry, it’s not “slapstick” anymore when somebody actually has to stop her from hitting Ron. When Harry feels that the situation is dangerous enough that his intervention is necessary. That’s not funny. That’s a true-crime episode. What gets me is that Hermione's tantrum lasts for days. It goes on for several pages into the next chapter. She doesn't start acting normal again until she comes up with the idea of visiting Xeno Lovegood. The essayist: Hermione tells Ron she still hasn’t ruled out attacking him with birds again.
The commenter: *flatly* So, all of the fans who cooed about how “great” it was for Hermione to show “girl power” by sending Ron to the hospital wing in HBP or breezily dismissed the scene as just tired teenage melodrama? Can put a sock in it. Hermione has clearly learned nothing, JKR clearly feels that that scene was funny, and at no point are we supposed to think that Hermione is an abuser. Even though, if the genders were reversed, fans would be calling for Ron’s head on a platter if he dared lay a finger on Hermione. No. This isn’t funny. This isn’t charming. Hermione hurt Ron so badly in HBP that he had to go to the hospital wing. And she tried to repeat the damage she caused here. Is she going to attack him with birds again after they get married? Is she going to do it in front of their children? Will it be “cute” and “funny” then? No, if a man is an abusive monster for losing his temper and trying to hurt his girlfriend, then Hermione is an abusive monster for losing her temper and trying to hurt her boyfriend. Not only did Hermione land Ron in the infirmary with the first attack, but she wants to do it again at a time when they are on the run. She will NOT be able to take an injured Ron to Hogwarts infirmary, nor to St. Mungos. In other words - she intends for him to remain injured and stick with them while camping, or else he must apparate away while injured, risking another splinching so he could be healed.
...
The essayist: Ron and Harry go back to the tent, and Harry fades into the background so as not to interfere with the lovers’ reunion. That’s a mistake. After Harry wakes Hermione, she shows her delight at Ron’s return by--attacking him? She punches him over a dozen times while yelling at him and screaming for her wand from Harry. Remember last chapter, when I talked about how immature Hermione is? Here’s your proof.
[The essayist quotes an article that I haven’t been able to find, but paraphrased: it speaks of a father who came to pick up his 4 y/o daughter from daycare, a little later than usual, and the daughter reacted by punching and hitting her father, upset at his being late. Additional read: “The parents must know that physical aggression is a common yet natural problem faced by toddlers.”]
The essayist: So there you have it: Hermione Granger, know-it-all supergirl, is so immature she acts like a preschool child when the boyfriend she’s been missing finally returns. I’m not suggesting she has a father-daughter relationship with Ron; this kind of anger is found in other relationships, too. What I am saying is that her way of expressing her anger is appropriate for a very young child. While adults may certainly feel this kind of anger and desire to hit when reunited with a loved one under similar circumstances, they don’t act it out. That restraint is what separates adults from children. Hermione acts so crazy Harry has to put a protection charm between her and Ron. I frankly found her behavior so out of control as to suggest mental instability. She engages in two full pages of histrionics before throwing herself into a chair, sitting so tensely I’m surprised the circulation isn’t cut off to her arms and legs. She remains in a bratty snit until the end of the chapter, which is another six pages. Hermione is still pouting the next morning. I’m wondering if her real problem is not that Ron left, but that she didn’t. Is she angry at him because he had the guts to admit they were blowing it and take a time out, while she just kept trailing along after Harry like a lost house elf? I think she’s definitely mad because she’s always controlled Ron and their relationship. How dare he assert his independence of her! Who does he think he is? Her equal? In an AU, maybe. This is called the Potterverse after all, not the Ronverse. Hermione’s having a bad month. First Ron runs out on them; then she saves Harry’s life, but he’s an ungrateful jerk about it; then Harry asserts his independence; then Ron comes back but doesn’t grovel sufficiently for her taste. All this mistreatment is going to give her the idea she’s just a normal character and not an Author’s Darling. While Ron was gone, he was captured by bad guys called Snatchers, who are bounty hunters for Voldemort. In getting away, he got a spare wand, which he gives to Harry. Of course, it doesn’t work as well as Harry’s “real” wand, so Harry’s still in a snit about that, and with Hermione in a snit, too, they’re a cheerful bunch. Honestly, I don’t know why Ron puts up with these two. The Hs are so spoiled and self-centered, they deserve each other, but I don’t think this is what HP/HG shippers mean when they proclaim the two as an OTP. Sane, normal Ron doesn’t deserve either one of them. Run, Ron! Run while you still can!
...
The essayist: As an interesting aside, ròn is the Celtic word for seal. In Druid lore, seals represent love, longing, and dilemma. No more appropriate totem animal could be imagined for this boy whose sense of selfhood is undermined by his longing for love from a rejecting mother and inadequate father, and who, like the selchie wives of folklore, is faced with the impossible choice of being who he truly is and being rejected, or denying the best part of himself to gain love. Ron’s intelligence and independence threaten his insecure wife (and best friend), just as the selchie’s identity as a seal-woman threatens her human husband; Ron imprisons himself by hiding who he is so the Hs can feel smart and in charge, just as the selchie’s human husband imprisons his wife by hiding her sealskin in a trunk.
#vivi answers#ask#ron weasley#hermione granger#hermione critical#hermione granger critical#harry potter#harry potter series#harry potter critical
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please drop the essay length analysis Judas and Jesus (extra gay Swedish edition), O great and knowledgeable monarch of our times
alright, you ask i deliver! please excuse any typos, my eyes aren't exactly working rn
welcome to my probably super subjective but correct analysis, aka
Judas Was Right and Jesus Was A Victim (At Least, In Swedish)
Before we get started, a couple points: i’ll try to avoid comparisons to other specific productions, i’ve only seen the other recorded 2012 british version which i didn’t like for reasons including but not limited to the amount of white people with dreadlocks. Also, my understanding of swedish is limited to a couple words and phrases, so most of the lyrics i reference will be english subtitles from Ola Salo’s swedish translation and therefore might not be the most accurate !
There’s so much i could cover in this, but for now i’m going to focus on how jesus and judas are portrayed in the 2014 swedish arena tour of Jesus Christ Superstar (JCS) starring Ola Salo as Jesus and Peter Johansson as Judas, along with how this production more implicitly views god.
From the opening number, translated into swedish as En Dimmig Himmelsdröm (A Foggy Heaven’s Dream), Peter Johansson’s acting and semantic differences in the lyrics present us with a deeply sympathetic portrayal of Judas. Looking purely at language, the english equivalent Heaven On Their Minds instantly paints Judas as much more of a faithless doubter- lyrics exclusive to the english version like “all your followers have gone blind / too much heaven on their minds” and “they think you’re the new messiah / and they’ll hurt you when they find they’re wrong” strongly enforce Judas’ main motivation for his actions being that he has less belief in Jesus and God’s plan than any of the other disciples with strong statements judging the other disciples for following him and claiming that Jesus ISN’T the messiah. The swedish translation doesn’t paint exactly the same picture- the focus of Judas’ number becomes his fear for Jesus’ wellbeing, not because he isn’t the messiah (the production remains fairly ambiguous on this point), but because Jesus can’t cope. The root of Judas’ concern comes from fear for Jesus’ wellbeing, and the disciples are referenced as regularly misunderstanding and wilfully twisting Jesus’ words. The swedish equivalent lyrics for the above examples are “they say, “jesus is god’s son” / but you know how people can change” (judas isn’t concerned with truth, just the danger that jesus will be in if the tide turns), and “the kingdom of heaven is within us, that’s what you said / bu they sew it, stitch by stich into some kind of foggy heaven’s dream”. Judas is showing that he HAS been listening and cares for Jesus’ teachings, but ‘they’ [his disciples] are turning them into something else entirely, and Judas’ worries that the support of the masses is fragile at best- the lines “and everything you say gets twisted by your lackeys / it will be anything but what you’ve said” and “you are being used by people who want you in their battle” reinforces this again. When combined with Peter Johansson’s tough but tender performance, in which he dances between disdain for Jesus, the institution, and affection for Jesus, the man (an important distinction), Judas is the harsh realist doing his best to look out for the man he loves. The way he takes Jesus hands and looks at him with love and urgency straight away establishes that his motivations are pure- Judas is doing what he thinks is best, even though it feels like no one will listen to him.
That was long, but En Dimmig Himmelsdröm is the perfect character introduction for Judas. He’s not totally unrecognisable, still delivering digs about ‘Jesus, the little carpenter’s son’, his manner is still rough and at this point we’re not sure whether or not the claims he makes about the disciples have any truth to them, BUT we can also see how much Jesus means to him, an important point that give context to the intensity of their future arguments and really makes the whole story much more heartbreaking.
This brings me to Ola Salo’s Jesus. Delightfully camp and queercoded, Judas describes him as being caught up in his own magic and mystery and buckling under the pressure, and he’s not entirely wrong. Throughout the first act, Jesus basks in the luxuries that being messiah can give him (the oils Mary paid for using disciple funds that were supposed to go towards helping the poor, him absolutely thriving in the shopping cart in What’s the Buzz?), and is shown actively avoiding any reminders of the seriousness of his position. He’s sick of the disciples asking him for a plan, he chooses the comforting Mary, who’s theme consists of telling Jesus everything is okay and he doesn’t need to think about anything, over Judas, who is less perhaps ‘cosy’ but is actively trying to warn and protect Jesus from an awful fate. During The Temple, he starts to crack as he’s overcome by the followers begging him to make him well, fear in his eyes as he raises his arms while frozen on the spot trying to avoid being devoured by the frenzy in desperate need of a messiah. Judas’ point about Jesus buckling under the pressure is starting to look more and more reasonable, and the dashes of showbiz campness add to the sense that much of Jesus is a persona constructed for the masses to give himself enough distance to prevent him from being crushed by the weight of God entirely. Jesus, the institution, prances around, lays his hands on his followers, and projects an air of easygoing calm. Jesus, the man, is scared and alone, and Jesus, the man, really comes out in Last Supper, but before we get there, I want to circle back to the Jesus/Mary/Judas thing.
Jesus, Mary, and Judas are presented as a love triangle: so much so, that Judas seeing Mary sing of her love for Jesus (I Don’t Know How To Love Him) is actually played as the inciting incident that sends him to the pharisees. Judas, the picture of the jealous lover, storms onto the scene, breaking them up and attempting to kiss Jesus, who instead shoves him to the ground in disdain. Judas, who is perhaps a little controlling, realises that any influence he had over Jesus has gone, and it’s likely a combination of jealousy and the knowledge that Jesus won’t stop that prompts him to head to the pharisees. In his meeting with the pharisees (known in english as Damned For All Time, although that phrase doesn’t appear once in the swedish), Judas’ expresses outright that “I’m the one who sees / Jesus, he can’t handle it anymore” “the truth is that this hysteria is making him lose control”, once he can get past explaining how much this plan of action feels like a last resort. He never even verbally or physically accept the pharisees’ offer of money, he denies it twice before it is eventually thrown over him after he reluctantly gives them the date and time to find Jesus- we never even see him pick it up, unlike other productions which show Judas grabbing for the cash and place a higher emphasis on Judas making sure he ‘won’t be damned for all time’, painting Judas as far more self serving. When it comes to Jesus, Judas is active- he’s running around trying to help, caressing him, embracing him, grabbing his hand, kissing him. They share countless moment of intimacy, especially at the start, establishing the fondness between them instead of instantly jumping to their conflict. When it comes to Mary (and admittedly, this is partially because she’s a secondary character- don’t get me wrong I still love her and Gunilla Backman does a brilliant job), she’s much more passive. Other than the much more gentle kisses in I Don’t Know How To Love Him and her penchant for dabbing Jesus’ forehead, she’s mostly just ‘there’. She cares for Jesus after the fact, and even when performing acts of intimacy like the oil and the kiss, she maintains a lot of physical distance- her songs touch on this as, much like Jesus (admittedly for different reasons), she actively distances herself from feelings to protect herself, so naturally she literally places distance between herself and the object of her love.
This brings me back to Last Supper, Gethsemane ( I Only Want to Say), and the kiss of death that broke all of our hearts. Throughout this segment, this is when Jesus, the man, really comes through, and it’s devastating. In Last Supper, he properly expresses the sheer amount of loneliness he feels, reiterating how he feels everyone will forget about him once he’s gone, and doesn’t really care about him as a man (”for you, my blood is not worth more than wine / for you, my body is not worth more than bread” “you will have forgotten me as soon as i give up my life”). This devolves into the disciples fighting each other and, you guessed it, ignoring him. For the first time, Jesus meaningfully lets out his anger, and as it turns to Judas, Judas does the same. Because of the set up of their complicated romantic relationship and the stakes involved, the amount of personal attacks and anger that comes out of Jesus and Judas’ repeated fights (which get physical) make complete sense- Jesus’ frustrations come from the fact that his entire fate has been predetermined and to him, Judas is just another instrument in the ways he’s been controlled (both with Judas being his betrayer, but also the way that Judas’ constant advice and interference with Jesus’ life (most obviously, the mary thing) are acted by Ola Salo as becoming increasingly frustrating to Jesus)- these frustrations are directed at their real cause, God, in Gethsemane. Judas’ frustrations come from the fact that no matter how hard he tries to help Jesus and keep him safe, Jesus keeps rejecting his efforts resulting in “all that we’ve built up [being] destroyed”- Judas’ heart hasn’t just been broken by Jesus rejecting him romantically, but on every level. Here, he’s actually shown to be the disciple most passionate about helping people practically and long term, being the only one concerned about Mary taking money which was supposed to help people, manipulated by the pharisees with the promise of doing good for the masses, and criticising Jesus for how they could be doing so much for people, ending his part of Last Supper with “every time i look at you i ask myself why you let all your things go so wrong? / all i ever wanted was to help you”.
This is also the point where Judas’ claims about the disciples are essentially confirmed, and this productions intent to portray Judas as more of a tragic hero become absolutely clear. In the english version, the disciples chorus remains virtually the same each time it appears, generally being far too calm considering their leader is about to die, revealing their aspirations to be apostles, and their intent to write the gospels to be remembered. the swedish translation still achieve this, but with variations from chorus to chorus it becomes much more poignant. i’m just going to stick to ttwo, which are choruses 1 and 3. In chorus 1, lines roughly translate to “i’ve always wanted to be an apostle / life is so nice when you’re saved/ then when we’ve got time we’ll write the gospels / then everything will be the way we want”- the apostles declaring that life is so good when you’re saved supports Judas’ opening statement that they care more about some idea of heaven than anything else, not to mention ignoring the absolute horrors that Jesus will have to go through to be saved, while the final line about the gospels introduces their intent to change whichever details they need to make ‘everything the way we want’: once again, exactly what Judas warned us of in En Dimmig Himmelsdröm. In chorus 3, taking place after Judas storms out for the last time, these lines change to “never really liked that judas / never saw what jesus saw in him / then, when we’ve got time we’ll write the gospels / and we’ll angle it so he gets all the blame”. Judas as a sympathetic character is confirmed here, as the disciples straight up admit how they don’t like Judas anyways and intend to write him as a villain (also inadvertently admitting that, since they have to write the gospels to make it look like only Judas’ fault, Judas isn’t really the sole one responsible for everything that is to come). It’s deeply unsettling, and for me was the point where I really began to question how good any of these disciples were, and by extension, how good is this production’s God if his truly sanctified followers are acting like this?
Jesus vents out all of his anger and desperation in Gethsemane. He acknowledges his own powerlessness and begs him to change the plan, but with the dark stage and no response (along with Ola Salo’s spectacular acting) it becomes clear that if anyone is there, they’re certainly not listening (”you, who have all the power / can you please change the plan / for i can already feel the pain burning in me”). It’s worth mentioning that a lot of the imagery in this swedish version is much more intense than the english, both in this song and the production as a whole. Jesus plainly calls god “thoughtless”, begging to understand, and it’s that this point we realise that he agrees with much more of what Judas has been saying than he’s been letting on- Jesus’ faith appears to be the only thing keeping him from listening to Judas and running away. Judas’ messages about people misunderstanding Jesus’ words also come out (”you care that everyone sees / but not that anyone understands”), and his eventual agreeing to die is played less as an inspiring act of faith, and more an act of desperation as he realises, he realise has no other choice. In this song, we see just how much of Judas Jesus has valued and taken on board, and that his air of carefree aloofness which frustrated Judas was, as we’ve already touched on, a complete act. The line “might as well finish what i’ve... what YOU’VE started” is absolutely miserable, reinforcing one of the major themes of this production: the idea that Jesus and Judas were both just ordinary men tormented by futures defined by forces out of their control. Just as Jesus has absorbed Judas’ logic, as an audience so we have, and it’s difficult to view the rest of the play’s events as anything other than an immense and unnecessary act of cruelty.
we’re almost done i promise!
Even knowing what Judas has/will do, Jesus still greets him with love. Judas, still under the impression that Jesus will be okay and that he’s doing what’s best, approaches him with the utmost tenderness, and the kiss is a beautiful signifier of two things. For Jesus, the return of his love for Judas shows his realisation in Gethsemane that Judas isn’t the one who’s sealed his fate and has only being trying to help, it’s god himself who has decided Jesus’ future. For Judas, the kiss shows that despite all of the anger and frustration that has been pouring out of him, he truly does love Jesus, and the way he cradles the scared and alone Jesus to his chest afterwards shows just how much he wishes he could be the one to help him and keep him close. Even with all their arguments and dysfunction, here Jesus and Judas find comfort in each other, and it almost seems like everything will end up alright. It’s in this moment that Judas and Jesus are most identifiable not as enemies, or as villain and hero, but as archetypal lovers from a Shakespearean tragedy. Neither of them set out to hurt each other, but through miscommunications, their own flaws, and external forces (both natural and supernatural), their love is simply never to be. Furthermore, in the following torture and spectacle, everything that Judas predicted for Jesus is about to come true. Another detail I find interesting is the way that Jesus and Judas both sport black nail polish, leather pants, and similar length hair: along with just looking cool as hell, the similarities really reinforce how close they are and how much they influence each other- it feels like a contemporary version of carrying a cameo or a lock of your lover's hair with you, a way for 'star crossed lovers' to keep a piece of their beloved no matter what.
The disaffected persona of Jesus, the institution, comes back as he’s taken by the authorities and subsequently insulted, degraded, and whipped. Also the swedish version of The Arrest, when the chorus starts singing questions, contains this dick joke and I think we all deserve it: “why were you dating a whore? / talk about a huge magic wand!”
Skipping forward to Judas’ Death, this is where both his character and the production’s conception of god beautifully (and miserably) align. When Judas runs to the pharisees, minor semantic changes (along with the genuine concern and great acting from Peter Johansson) reinforce that this Judas genuinely didn’t know that Jesus would be beaten and sentenced to death the way he has been, and Judas’ concern regarding how things look is played less as ‘oh no people will hate ME!’, but how having sentenced the man you love to death is one nightmarish thing, but for everyone to think you did it knowingly and willingly and then congratulate you for it is unthinkable. Where the english shows Judas’ attempting to evade responsibility for Jesus death, the swedish is more focused on Judas’ guilt, horror, and regret. The english “I’d save him all the suffering if I could / don’t believe our good / save him if I could” is swapped in swedish for “If anyone should die here I should / don’t say I’m good / better if I died”. While the english statements are somewhat empty (sure, Judas says he’d save Jesus’ suffering if he could, but he can’t so we’ll never truly know) and are still focused on Judas’ attempt to construct himself as a good guy, the swedish translation has Judas admit his guilt (even if it’s not really his fault), and make the promise of “better if i died” which, given the name of this sequence, he later delivers on. When english Judas sings “Christ, I’d sell out the nation / For I have been saddled with the murder of you”, swedish Judas sings “Jesus, I’ve been deceived / because of my act your blood’s now being spilt”, and instead of ending this first section with “I should be dragged through the slime and the mud”, swedish jesus returns to the theme of character assasination with “i will be cursed as the one behind your murder”.
The swedish translation of the next rework of I Don’t Know How to Love Him also places much more emphasis on Judas’ genuine romantic love for Jesus- we’d be here for hours if i listed everything but here are a few key contrasts. The english has Judas sing “I don’t know how to love him / I don’t know why he moves me”, whereas the swedish has Judas crying while singing “how do I show my love / all I want is to be close to you”. Along with acknowledging Judas already loves Jesus, the entirety of this segment is shifted from Judas singing about Jesus in the third person ‘he’, to a direct address. Judas isn’t performing his sadness, or venting his emotions, he’s emitting one last desperate cry to the man he loves as he sobs on a stage completely shrouded in darkness, and it’s devastating. Peter Johansson lets his voice run raw as he’s belting, and interrupts lines with sobs, and this Judas answers the question of “do you love me too? do you care for me?” with a quiet “no”- Judas is about to go to his death convinced Jesus must hate him, just as Jesus will face his knowing his love inadvertently put him there.
We finally reach Judas’ actual death, and the production’s far more ambiguous (if not negatively geared) depiction of god comes to a head. Judas’ screaming at god the moment he realises that his god essentially forced Judas to be the one to kill Jesus (an act of ultimate cruelty given their love) comes across as horrifying in it’s validity, unlike in other english language productions where it follows the more common characterisation of Judas being an unbeliever who can’t take responsibility for his own actions. When he spits on the ground, screaming “you have murdered me!”, we can’t help but agree- Judas was trying everything he could to stop Jesus from dying, and yet here he is. Most notably, Judas doesn’t set up his own suicide- a noose literally descends from the heavens, already tied, and Judas is literally trapped between the edge of the stage, and the symbol of death behind him. Much like he didn’t choose to kill Jesus, Judas has no choice in his own suicide- it’s suggested to merely be another part of the plan god has for him, and Judas raising his arms to form a crucifixion pose before he finally turns and jumps, disappearing into the depths of the theatre as the rope trails down (somewhat evocative of a leap to hell), highlight the sick joke. Much like Jesus begging in Gethsemane, a plea with god that in anyway implies fault or cruelty is met with silence followed by a death sentence.
When Judas reappears to the broken and bloodied Jesus in Superstar, he appears as more of a twisted hallucination than the literal spirit of Judas. He’s the opposite of everything he was in life, draped in colour, surrounded by red lighting instead of the signature blue, his hair quite literally let down, joking and dancing. Despite singing about him, Judas virtually ignores Jesus for the whole song except when he’s taunting him, snatching his hand away after a broken and desperate Jesus reaches out for the image of his beloved (refuting Judas’ belief that Jesus would die hating him), along with the swedish additions of Judas repeatedly addressing him as “little Jesus”. Where the living Judas was serious, sometimes harsh but always well intention, often paying more attention to Jesus than he received, this Judas is the opposite: light hearted but cruel, not caring about Jesus one bit. It’s somewhat an inversion of the beginning of JCS, where the tormented Judas was constantly reaching out to Jesus, and often met with scorn and insult (see: most of their arguments, this line from Everything’s Alright: “the thought is beautiful but quite unrealistic / yes, even quite stupid”). As the song goes on, and even as Jesus is crucified, the victorious scoring of the Superstar theme ends up reinforcing the cruelty and questioning of god distinctive of this production: Ola Salo’s Jesus is one of the bloodiest Jesus’s (Jesii?) I’ve been able to find, with blood covering his torso, his arms, and all over his face, not in passive dribbles, but violent ‘swooshes’ spreading out from his eyes, emphasising the fear and pain contained within them. As the music suggests how great and wonderful Jesus’ death is, the images straight out of a horror movie before us don’t seem to match up: as both Judas and Jesus question, if no one is understanding what Jesus is saying, why kill him? instead of making a point, you’re ensuring that the falsehoods continue to circulate, unless spreading the true message isn’t really the intent at all. or, simply that Jesus was wrong: his interpretation and teachings of god were far too kind and practical, and the true god really is the one that he briefly saw in the garden of Gethsemane, and that Judas saw before his death- a cruel and vindictive god using them for his own sick purposes. If you're a strong Christian, I'm sure you could watch this production and still believe that God was right (although I think Jesus and Judas being in love counts as blasphemy), but I think in doing so you'd lose part of what makes this production so hard hitting and, as i keep saying, devastating.
that’s pretty much it for this one! i feel like jesus and judas as a queer couple is less significant to this production than the fact that it’s specifically jesus and judas that are in love - they don’t face explicit homophobia as such, although i do think the paratextual and historical associations of queerness (both with them each looking visibly queer, and them as a couple) adds a beautiful dimension by subverting the standard christian teaching of Jesus’ sacrifice as “a love that changed the world” and making the love that truly could have been transformative (and was, to a degree) the love between Jesus and another man, not to mention the way in which queerness is often viewed as radical perfectly upholding the ‘radical’ views of god and the story of Jesus shown in the production. Why wouldn’t the love between two men be the love which has us questioning god, faith, and that which many of us have been taught since birth? Ola Salo has talked about how he’s able to be positive and negative towards christianity, along with how he wanted Jesus and Judas to really represent two sides of the same coin (’faith and intelligence’), and being bisexual along with having alluded to being raised christian (not to mention Breaking Up With God, a song by his band The Ark), it’s not surprising he’s managed to present such a nuanced and layered interpretation of Jesus Christ Superstar that even me, a trans exvangelical, can fall in love with.
UPDATE: @bands-and-hobbits has just let me know that Ola's dad was a priest! Apparently he's said that he liked the organs and the music, but that was all when it comes to christianity, which (when combined with Ola stating in interviews that the JCS soundtrack has been one of his favourite albums since he was 14) makes a lot of sense about the level of familiarity he had with the text giving him confidence to go in and make changes to really capitalised off of some of the themes that are hinted at in the english version- you have enough information to understand how everything works together, but aren't so dedicated to preserving belief that you feel you can't improve/change things (and my god are we glad he did)
#thank you if you made it this far!#also the inherent rhythm in swedish as a language just makes all of the songs sound better i'm gonna say it#english is really hit and miss when it comes to music and can get especially clunky with musicals requiring exposition#also sorry there's so much i've left out !#anyways enjoy#jesus christ superstar#jesus christ superstar swedish arena tour 2014#jcs#peter johansson#ola salo#also i have barely edited this so i hope it's coherent
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Sillyness broke out -- Vader & Obi-Wan: You only shove a lightsaber into the ones you love
The fight had been going surprisingly well for Obi-Wan, at least at first. But stumbling while fighting his ex-friend who appeared to want to demolish him, wasn't the best move.
The tiniest of missteps, the slightest misjudgement of forward momentum and downward angle of an opposing lightsaber and…
“Owwww…”
He looked down at the red hissing ‘saber shoved through his right side, looked up at Vader’s frozen figure and the world started turning horizontal. He was grabbed as he fell and his lightsaber dropped from his hand.
“Good…hit..” Seemed appropriate to offer positive reinforcement to your once-padawan when he actually did something right for a change.
“You will not die. I demand you survive.”
“Always…telling me what to do. Excuse me…I might…pass..out…” He apparently did because the next thing he knew he was sitting in another unfamiliar vessel with Vader’s breathing sounds very loud near him. The Dark Lord-once-Anakin was sitting next to him in the pilot’s seat and a starship entry bay was visible through the front windows. Talking took too much breath and way too much thinking so he just closed his eyes and tried communing with the Force, which appeared to be absent just then.
The thud of landing and the feel of being once again picked up brought him back, and Vader was carrying him down the ramp. Various Imperial types were milling around and one of them who was striding forward through the pack caught his attention. His eyes narrowed as the Grand Inquisitor stopped and did an obsequious bow.
“Can I..have my lightsaber…”
The traitous once-Jedi glanced at Obi-Wan in surprise as Vader brushed past him. “Be quiet, you may not have your lightsaber.”
“My Lord, congratulations!”
Obi-Wan glared, despite having to twist to see him. “Frick you!”
They were past him before Obi-Wan could see more the first look of surprise on that ugly white face.
“I am shocked,” Vader said in a surprisingly amused tone. “Such language!”
“Well,” Obi-Wan muttered, wriggling into a more comfortable position against the hard armored chest, “he is a piece of bantha poodoo, I’m…ouch…surprised you haven’t honed your rage on him by now.”
“I admit, it has been a close thing lately.”
“Just…give into the impulse and do the Universe a favour.”
“Master Kenobi, that is almost a Dark Side response you had there.” He planted his burden onto a medical floater and walked beside it with one hand on Obi-Wan’s arm. “Such dangerous emotions.”
“Hmph. After being dragged through fire, insulted and used as a target dummy by you, a little dark feeling is hardly unexpected.”
“An excellent start.”
As the doctors took him away, he issued a final taunt. “If you think you will turn me into a Sith or something similar, you can forget that. I’d make a terrible Sith. I’d be telling you to search your feelings and consider options and not to be so aggressive…”
He had the feeling Vader might be rethinking his plans….
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Dreams, Chapter 8
If you haven’t read this series before, you might want to start on Chapter 1, or check out the Dreams Masterlist! Here’s the series description:
When Dean dies for good leaving Sam and his girlfriend (the reader) behind, they must figure out how to carry on without him. Alone, reeling, and unsure what to do next, trying to honor Dean’s memory and follow their hearts gets even more complicated when their nightmares become dreams that feel a little too real.
Title: Dreams, Chapter 8
Pairing: (past) Dean Winchester x Reader, (eventual) Sam Winchester x Reader
Word Count: 1416
Summary: A dream starts to change the reader’s perspective on her life with Sam.
Warnings: angst, fluff, swearing, s l o w b u r n
It took weeks but the physical touch you’d gotten so used to came back one handhold at a time until finally it seemed like maybe Sam had made peace with The Sledding Incident. You never forced it, didn’t say anything because you didn’t want to push him away. Waiting felt like starving with a ten course meal on a silver platter in front of you, but it paid off. Whether he realized he was rewarding you or not, the space to let Sam process was met with absentminded hands slipped around your waist at the grocery store, non-secrets hummed into the skin of your jaw and neck as you stood just barely too close, loose pieces of hair tucked behind your ear when you washed glasses at the bar. The positive reinforcement limited the clinging you’d been doing since you’d first driven away from the bunker, knowing that the less you clawed at Sam for scraps of attachment the less he felt like you were in too deep to receive it.
Repair by repair the cabin started to feel more like yours. The bathrooms got painted a faint baby blue that reminded you of long cloudless afternoons in Sioux Falls and Sam taught you some basic plumbing to fix the water pressure in the shower. It was only slightly less gross than you thought it would be, but Sam was so excited when you put the plumber’s joint caulk on perfectly that it made up for the limescale gunk under your nails. When you worked, Sam pretty much stopped playing podcasts and books, relying instead on an ever-changing kaleidoscope of music Dean would never have let anyone play in the Impala. Some of it you were pretty sure Sam didn’t even like, almost as if he was trying to learn a new culture by jumping in headfirst.
You kept writing in your journal like you were sending letters back home to Dean from summer camp, giving little updates on the cabin or Sam or ridiculous drama you heard at the bar. At night you and Sam would talk about what should get fixed next and sometimes if you were feeling tough you’d watch Sam look up at the ceiling, hair splayed out on the pillow around him like a halo while he told a story about him and Dean growing up or times you’d been away from them on the road. Every once in a while you’d heard Dean’s perspective of the same event and would give them like a little gift to Sam. His eyes would go soft, hanging on your every word and letting his mouth quirk up a hair at the corners. You’d laugh together, often sadly but surprisingly sometimes not, winding into the crook under his arm and playing the tapes of the memories in your head.
More and more frequently, you’d have good dreams—or rather, non-nightmares. Dean would get hurt and survive or you’d all be on a job together. Right before you woke up he’d be just about to say something important, warn you of something serious but couldn’t spit it out fast enough. It was frustrating, but so much nicer than waking up on soaked pillows that you just put it in a letter to Dean and tried to move on with your daytime projects and nighttime bar work. Some days it felt like you were going to be okay and then the next you’d be impaled on grief so hard you couldn’t even breathe around it. And yet, always Sam to tie yourself to and slide into the next day.
It’s cold but bright, the sunlight reflecting and magnifying itself on the snow blanketing the landscape. Salt crunches under the tires of the Impala, just barely louder than the engine and enough to be aware of through a ZZ Top tape. You’re almost on the edge of drifting asleep on the windowsill when Dean grabs your arm.
“Hey, come on, you can’t leave me.”
The urgency in his tone jolts you alert. “Why? What’s going on?”
“I don’t know how much time I have left. There’s a lot I need to tell you.”
“We haven’t even picked up Sam yet,” you answer, in the self-assuredness of dream logic. “How bad could it be?”
“It’s me, baby. It’s really me. Dead, everything, the works. I need you to focus, I don’t know how long I can stay.”
Some small sub-sub-conscious part of your mind jolts to attention. It feels honest, or at least the closest to honest as you had wanted to be in a while. You let yourself indulge it.
“You, like—really? It’s really…?”
“Yeah, it’s me. I—I don’t know how to—” and you stop him with a furtive kiss, all hunger and no grace, just wanting to feel what it was like to be against him again.
Dean swerves a little when his eyes open, momentarily dazed. “Christ, I forgot how good that was.”
“I don’t—how are you…?” you murmur, having a hard time not only with the information but also with the juxtaposition of your conscious and subconscious knowledge.
“No bullshit, I’m communicating beyond the grave. Don’t tell Miss Cleo,” he answers, the smirk twisting your stomach like a wrench.
“Are you okay? If this is what it’s like to be dead then Sam and I will be here the second I wake up, we’ll just come to you—"
“Babe, I wish you could but it doesn’t work like that. It’s not even really supposed to work like this but Cass is pulling some strings. I only have until your subconscious realizes what’s going on and kicks me out.”
“What? How?”
“The separation between living and dead is a little bit thinner when you’re asleep. It’s actually pretty cool but it’s going to take a while to explain.”
“Okay, right, got to be fast. Fuck, I miss you so much.”
“I miss you too, kid. More than I can explain. But listen, baby, I’m so proud of you for making it this far. It’s going to be okay, I promise. Sam will take care of you, and I know you’re taking care of him the best you can. I don’t know how long I have until you wake up. I’ll keep trying again to come to you, but until the next time I get to see you, my firecracker, you’re so tough. You can do a lot worse than Sam, and I would never, ever hold it against either of you. I’ve been trying to send that—been trying to ram my head through this fucking door about a hundred times by now actually—but if it hasn’t been coming through strongly enough, I’m sorry. I can’t imagine what the fuck I’d be doing if it had been one of you—probably would’ve drunk myself to death by now to be honest—so the fact that you’re so worried about whether necking is going to raise my soul from the depths is actually sorta sweet. Love is complicated and the lines get blurred; I get it, especially now with some damned perspective. As long as I’m still going to be your guy when you get here, that’s all that matters to me. You’re it for me, kid.” He traces a light finger down the side of your cheek and it sends an ache straight into your stomach, makes him look lost for a beat as he takes you in.
“Dean, I love you. I can't—I can’t even tell you how much I love you. I never got to say thank you for all the things you—”
“Hey,” he says, grabbing your chin and holding you still to flick his gaze between your eyes. “I know. There’s no time. You don’t have to say that to me, I know. I always knew. I’m going to try to get to Sam too, but he’s—the angels are shocked at the shit that’s happening in his brain. Makes sense, you know, after everything he’s gone through, but I guess it makes it harder to slip through the cracks. But here: if I can’t do this again; if this is the last time I talk to you until you get back to me, I love you, and I’m going to keep loving you no matter what. The two people I love most in the world being together could never be bad to me, and I will alway—”
And you woke up.
-
Continue to Dreams, Chapter 9
Thanks again for reading! If you liked it, check out my Masterlist or send me a request!
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Could you do one with essek where S/O is a part of the M9 and is a Eldritch Knight and he is just simping over a strong + smart reader? (Maybe even S/O saving essek?) I hope you have an amazing day!
I’m sorry this took a while. Work have been hectic so I’ve hardly had time to write. I hope this is to your liking and have a great day yourself 😘
At first glance you definitely fit into the ‘heavy hitters’ category with a physique displaying your strength, on par with Yasha. And while you don’t hide the fact you could crush skulls with your fists you do not live up to the strong-as-a-giant-dumb-as-a-rock stereotype. You are what some may refer to as the perfect balance between ‘jock’ and book nerd; days off spent training during the day while studying well into the wee morning hours. You are a magnet for knowledge and your expertises far surpass the limits of trivial subjects they focus on the arcane. Your roots come from Evocation and Abjuration but you’ve been expanding your knowledge beyond those two schools. The prospect of a ninth school of magic, one you had no access or even knowledge of before brought great promise of broadening your horizons.
When you met Essek for the first time he might have been slightly dismissive. Not disrespectful in any way from first impressions you fell into the same category as Beau and Yasha, presumably just different. He was nothing but friendly and respectful towards you but the moment Caleb asked to learn some Dunamancy and when Essek agreed your request to join in on this lesson surprised him. Regardless, he happily allowed you to join. After your early morning runs you found yourself at Essek’s tower discussing books you had read, things you had encountered and even openly deliberating the ongoing conflict.
You had lost track of time after a quick sparing session with Beau and got dragged into her next routine with Fjord. You ended up having to correct Beau’s ‘teachings’ at times to the point where you took over ending up into another round of sparring sessions with Fjord.
“Again.” Fjord comes at you again swinging his sword. While he certainly knows how to use a falchion his proper technique could use some improvement. You block, parry, turn left around him, strike with the pommel of your own sword against his back and send him stumbling.
“Footwork. Again.” You say once he’s recovered. He makes sure his feet are in the right position, blade angled right and takes a deep breath as he swings again. This time more calculated and mindful of where he steps and which foot he moves first. You block his hit.
“Much better.” You praise as you push him back putting some distance between the two of you. This time he does not stumble but instead stays steady on his feet. This time you strike giving him the opportunity to parry. He does but comes in a little too close to properly strike and leaves his defences open, a deadly move in close quarters. You shoulder check and kick his feet from under him. Fjord falls to the ground and you hear Beau snicker from behind. You hold out your hand to help Fjord to his feet but behind you you feel a punch hit your side. Sneaky little… You take the punch and while Fjord tries to pull you down you instead pull him up, the momentum pushing him in Beauregard behind you and the both of them barely manage to catch each other.
“This is how we’re gonna play now?” You give a ‘come at me’ motion and with a grin Beau does. Dropping your sword to the side and out of the way deciding when dealing with a monk not wearing any kind of armour or protection, you’re not intending to actually hurt it’s probably best to not use live steel. Hands up defensive you see Fjord dispel his blade into its dimension too. Game on.
Beau strikes. You take the first hit but counter with a kick at her shins and a punch to her shoulder. Fjord moves in next you prevent him from moving to your back and manage to keep him to your side. With a high kick you kick Fjord back a few feet. Beau takes this opportunity to go for your other leg but you stand strong and turn it to your favour coming back around with a kick to her side. This goes on for a while, a back and forth of Beau and Fjord teaming up against you. They manage to land some good hit but so do you, to the point where Fjord is almost out of the fight. You notice them make eye contact. You call shenanigans.
Fjords summons his blade swinging down so you summon yours back to your hand, side stepping and blocking the attack with a quick parry sending Fjord to the ground on his ass. This move took you into Beau’s space who took the opportunity to hit you. You could feel your limbs nearly freeze up for a moment but shrug off the stun. If they’re playing dirty so would you. With an open palm you strike against her sternum releasing a shocking grasp. For good measure you use your newly acquired sapping sting spell to knock her prone. You walk over to Fjord kicking the blade away from his grasp, a foot on his chest while you hold the tip of your blade towards Beau.
“Cheaters don’t win against me.” You grin helping Fjord to his feet and dropping the blade out of offensive mode. You grab Fjords blade and hand it back to him with a pat on his shoulder. You notice Beau is awfully quiet after her defeat. You see her staring at the doorway with a raised eyebrow and a grin as she crosses her arms.
“Looks like we got an audience to witness our ass whooping.” Your back still turned you expect it to be one of the others.
“Seems like he’s been paying more attention to our champion than us, though. Let’s leave them be.” Fjord picks up his things and begins to push Beau out of the room. You finally turn around and see who witnessed your little training session and when you see the floating white-haired wizard looking at you in awe you have a minor panic attack.
“Essek, by the Storm Lord. I am so sorry. I must have lost track of time…” You begin apologising as he is taken out of his trance.
“Give me ten minutes. I’ll get changed and freshen up a bit if you can still spare the time. I’m so sorry. I should have told Caleb to remind me of the time.” You go on and Essek floats over to you.
“No need for apologies. You were otherwise engaged. Though I would still appreciate your presence in this endeavour.” He reminds you of your appointment later in the day, or rather now. They had caught a spy with a similar skillset to yours and Essek had asked for your expertise in their questioning.
“Of course yes.” You take him back out of the training room and to your chambers. He waits outside your door while you get changed and make yourself look presentable washing the sweat from your skin and change into your regular clothes.
After you’re done the two of you make your way to the prison making small talk. Essek seems a bit more awkward than usual to the point you swear you see a slight blush creep onto his cheeks at one point but that might just be the cold.
“You have learned quickly. Clever use of your newfound spells.” Essek mentally slaps himself for the way the words came out. Meant as a compliment but sounded like a dig at you.
“I know. I’m sorry. If anyone knows you don’t just use combat spells for fun and games it’s me. It won’t happen again. Believe me, your teachings are much more valuable than to be used for fun and games.” You really didn’t mean to slip up and use Dunamancy for something as trivial as a fun sparring match. You should have known better.
“No. My apologies. I did not mean to say it like that. You use your spells cleverly. They compliment your skills and your skills are… exceptional.” Was that a direct compliment coming from the Shadowhand himself? You raise an eyebrow at him pretty sure he caught onto your bewildered look. You feel the blood rush to your cheeks. If you knew one thing about the man it was he did not just give compliments. Not to anyone and when he did you had not witnessed it.
“So about this prisoner…” You change the subject as you approach the prison. There seems to be some kind of commotion going on and no guards up front. You both exchange glances before rushing inside.
There’s a cowering guard in the front room. Essek goes over to him and seems to have some colourful words for the man while you keep an eye out around. The limited light makes it more difficult to see but you can hear just fine. After Essek finishes the guard rushes out of the prison, to get reinforcements you assume. You begin moving towards the hall that leads deeper into the Dungeon of Penance while Essek joins you. You push a finger to your lips before pointing ahead.
Watching up ahead you see a few unmoving figures. Essek notices too but stays at your side. It’s too quiet and there’s too many hiding places.
“Any weapons on them?” You whisper as Essek takes a look.
“All standard equipment accounted for except for one long sword, a dagger and a crossbow.” Essek relays back to you inspecting the bodies.
“I assume this is your prisoner’s doing.” Right as you say that someone jumps out from the shadows and makes a run for the Shadowhand. You notice before he does and grab Essek by the collar of his mantle pushing him away and to the other side of you as you summon your sword to deflect the attack. A second attack is made but you manage to prevent it from hitting Essek who’s still caught off guard. In your move to grab the blade you take out some gold dust, speak the words and the swinging blade is stuck in the air. The prisoner tries to grab it but is unable to move it, stuck mid-air.
“That wasn’t very nice!” You retaliate with an attack. Hit. Essek manages to cast a quick magic missile striking the prisoner who puts some distance between you. He takes out a crossbow and aims it at the two of you.
“You really prepared to die here? Put down your weapons and we can figure this out. No need for more bloodshed.” You try to persuade. From the corner of your eye you watch Essek reach for his components. The movement provokes the prisoner and he releases an arrow. You just in time manage to deflect trajectory of the arrow and prevent it from striking Essek but the second arrow scrapes your arm, the majority of the impact reduced by the edge of your bracer, it still leaves a bit of a scratch. You’ve had far worse. Essek looks at you bewildered, eyes focused only on you.
“I suggest you do what you save the staring for a later moment and help first?” You say in a half joking manner. He snaps out of it. Essek completes his spell and the prisoner is pulled backwards seemingly pulled in by some gravitational pull crushing his bones. The body falls to the ground unmoving. You go over to the body to make sure the prisoner is actually done for.
“You are… exquisite.” You can barely hear Essek say under his breath. You freeze up for a moment not having seen that one coming. At that moment the cavalry comes in. He makes sure everything is sorted and you can go on your way, leaving them to clean up the mess, currently no use for either of you.
“Are you hurt?” He breaks the silence while the two of you make your way back. You look at your arm. Nothing but a small scratch. But a fraction lower and it might have cut something vital but you know what you’re doing.
“No. All peachy.” The silence continues, both of you retreating into your own minds as you walk, or well, float in Essek’s case. You take a moment to look back at the past hour, his words repeating in your head and his ‘off’ behaviour.
“‘You are… exquisite.’? That’s what you said before.” You try to mimic his voice. You may not be the best impressionist but you got the message across. Essek goes to speak but presses his lips back together swallowing whatever he was going to say.
“Don’t tell me it’s going to take another fight with someone to get answers out of you. I might just have to show off in that case.” You wink jokingly with a half smile.
“I wouldn’t complain.” That comment leaves your mouth agape and you stop in your tracks for a hot second to recover.
“I don’t know if that’s sarcasm, a challenge or you actually mean it.” You fall back in line at his side nearing the tower.
“I wouldn’t complain.” Essek repeats once more.
“Well then, perhaps I should find a nice and rowdy tavern or talk to the Aurora Watch to join some training sessions to grant your wish.” You suggest only half serious with a raised eyebrow.
“It’s a date.” He returns your expression as you reach his front door.
“Though, for now I think some reading would be just fine. Would you like to join?” He opens the door and waits for you. You step inside but stop and lean in a little bit.
“It’s a date.” You say with a smug smile and kiss his cheek as you enter looking over your shoulder. You seem to have the ability to make the Shadowhand swoon and boy, could you get used to it.
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no attack to you because I know you're still bitter about endgame which is valid but stop using the word straighwashed. I ship stucky but Bucky has only ever dated women in comics and the mcu and that's real. the situation with the "straightwashed" word is that some people are really turning it into a "wanda situation" in which they're saying that they changed basic things about Bucky when that's not true. they're attacking the character and sebastian for things that arent real, which never were. again, bucky has only ever dated women in both comics and the mcu. our headcanons really have nothing to do with real canon
Hello! Thank you for sharing your concerns, I appreciate it. I’ll admit that ‘straightwashing’ wasn’t the best choice of words here, though mostly because we have to be careful with terms like that because using them callously might diminish their value and impact in instances when they’re really applicable. So my statement was a little too bold, and it’s good that you pointed that out. But let me try to explain what I meant in a slightly more nuanced way, because I do feel strongly about this. I’ll put it under the keep reading tab though, because of course it’s long lmao
So, first of all, let me say that I’ve never read the comics and I don’t know original comic Bucky well at all, so everything I’m saying here is with regard to MCU Bucky, or at least the character as it was re-invented/re-introduced by Ed Brubaker in the Winter Soldier comics, which was then adapted for the big screen by the Marvel Cinematic Universe.
I understand what you mean when you say that MCU Bucky was posited as straight, but I some reservations about your use of the word ‘real’ here. I get that you mean ‘canon’, and on a surface level, canon Bucky is indeed straight. But if you even so much as scratch that surface, you’ll find plenty of reason to wonder if maybe he isn’t actually completely straight after all, right? It’s what drew a lot of people to ship these two characters together, you and I included. That’s subtext, and a lot of it was put there or endorsed by the creators themselves (Ed Brubaker himself even supports the reading of Bucky and Steve as romantic, so that says quite a bit, I think). Subtext is ‘real’ too, and so is homophobia, sadly, so they deserve to be treated as such, in my opinion. A romantic reading of the relationship between Steve and Bucky was frequently hinted at, initially even encouraged, and then violently shut down by Marvel/Disney when it became too mainstream of an opinion and it didn’t suit them anymore, and even started to present a real issue for them in terms of distribution to certain parts of the world. In a nutshell, that’s what led to Steve’s ending in Endgame, because Captain America (at least the MCU one, that brings in the money) cannot outwardly be anything other than straight, or he would be rejected by a significant part of their audience. That’s more or less what I meant by the word ‘straightwashing’, although ‘straightened out’ might be more accurate here.
Whether the same thing is happening to Bucky’s character remains to be seen (more than it already did, I mean – remember “Dot”?) and I’ll wait until the whole show has aired and we know exactly how they develop Bucky’s character in it before I make any more bold statements about it. I read an interesting take today that suggested they may have actually dropped a hint at Bucky being bi in this first ep (also, note how they’re like “there are even entire blogs dedicated to this pairing!” And then actually link to @steveandbvcky’s amazing tumblr blog lol). I’m pretty skeptical about this take, because even if they’re right and that really was a hint at Bucky being bi, I doubt they’re going to be exploring that any further, and only people “in the know” will have even picked up on that. It’s easy enough to ignore, and it’s very clear the date was with a woman, so in that sense Bucky is still Straight, to all intents and purposes. So while it could be an act of what you might call fanservice and we’ll probably gratefully lap it up anyway because we’re starved for crumbs and representation, if this is all it is, then it’s even more meaningless than Gay Joe Russo. But again, I’ll reserve judgement on all this until the whole show has aired and we know exactly what we’re working with, because maybe they’ll redeem themselves! (one can only hope)
Let me also just make it clear that I in no way support or endorse attacking the actors for their portrayal of these characters in a way that we’re not entirely happy with. They’re just doing their job, they’re on Marvel’s payroll – and even if they just don’t personally view the characters in the same way we do, that’s valid and fine as long as they’re not actively homophobic or anything like that. I also realise that fandom has a tendency to ‘demand’ certain things they want to see and throw a tantrum if we don’t get it.
But I really don’t think that’s what this is. It’s more than that. Marvel has a notoriously bad track record when it comes to LGBT representation (although they’re working on that in the next phase, apparently) and in this day and age, that really won’t fly anymore (it never did of course, but you know what I mean). Moreover, read any given article about Bucky, or the relationship between Steve and Bucky, and 8 out of 10 times you’ll find some sort of acknowledgment of a romantic reading of it. It’s that apparent and pervasive. So I don’t think that being disappointed and frustrated with Marvel/Disney reinforcing a ‘just bros being bros’ reading of Steve and Bucky’s relationship time and time again since the end of Civil War (the movie, not the historical event) is outrageous or unjustified. That’s basically what I’m sick and tired of, and what led me to make a disparaging comment about not being surprised if Bucky were being ‘straightened out’ again.
P.s. A few people have mentioned Arnie Roth too, which could be a good point too although I don’t know enough about it to comment on it, but I’ll leave it to you.
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What do people think of Tanya? AKA: Actually, a lot of people agree with Lehrgen
Summary: WHOOOOO BOY. You know it’s going to be fun when my subsections have to have their own subsections. Briefly, there is the Good [people who like Tanya both personally and professionally], the Bad [people who like/love Tanya professionally but not personally], and the Ugly [people who ideally, Tanya will never speak to, look at, send mail to, or be in the general vicinity of ever again].
I would say most people fall into the “Bad” category - they recognize her value as an officer, sometimes to a worshipful degree, but on a personal level range anywhere from thinking she’s a creepy child to actively disliking her. Unfortunately for Tanya, the people that fall into the Ugly category are as a rule higher-ranking than the ones in the Good category, and most people in the Bad category seem to like her specifically in her military role, and it is questionable they’d want her as even a coworker outside of that, let alone as a friend.
The Good
People who’re in here: People who have only ever heard of Tanya in the context of the Silver Wings award, people she interacts with in the Imperial Navy; rando soldiers; someone kinda high up in the later-war Eastern Army command; Ugar
People who only know her from Silver Wings:
V1/C1
Describes the nice aura people would see in someone who wins the Silver Wings.
The Navy
V3/C2
A naval officer does assess Tanya as having a predatory look, but doesn’t seem to think particularly badly of it, he just notes it, and then says “Degurechaff was a fellow soldier he could be proud of, which was why he extended his hand in utmost seriousness to wish her well.”
Rando Soldiers
There’s no real good single quote on this, but over time Tanya comes in to reinforce various units and leaves behind various impressions, ranging through Good, Bad, and Ugly, but anyway, there almost have to be low & middle ranking officers and soldiers who are presumably nothing but grateful to Tanya for rescuing them, even though we never get much of anything from their perspective.
Others
A superior officer of Tanya’s in Eastern Army command, in V5/C1, gets a transfer request for Tanya’s unit and reflects he is sad to be losing her.
Ugar - I don’t have down any specific pieces, but IMO it comes across in the LNs that Ugar is generally well-disposed to Tanya and doesn’t have the positive professional/negative personal thoughts that most other people close to her do.
The Bad
People who’re in here: Tanya’s academy/war college instructors, the 203rd battalion & later Kampfgruppe, Zettour, Rudersdorf, Generic Superior Officers, Romel, Lehrgen’s professional opinion
Tanya’s Academy & War College Instructors:
V1/C1
Tanya’s zeal during academy scares her instructors.
V1/C4
The instructors scrawled “abnormal” across the top of Tanya’s file.
“In the academy, we were told over and over – and, for some reason, over again – to love our troops. Weirdly, now that I think about it, I feel like they emphasized this the most when talking to me.” <= Tanya...you’re...you’re so close.
V1/C5
Mentioned that some teachers in the academy are on Lehrgen’s side of the What The Fuck Do We Do With Tanya debate.
V3/C5
Romel’s summation of her personnel assessment notes that at least on paper, the academy and the war college gave good overall evaluations of her.
203rd Battalion:
V1/C3
[Visha] “The moment she turned her icy cold eyes on us like we were objects to be appraised, I shrank from her in spite of myself. People might laugh at me for being afraid of such a little kid, but those eyes reminded me of the way a cat looks when it’s playing with a mouse, which creeped me out”
[Visha] “I was different from Lieutenant Degurechaff, who could calmly nail fleeing soldiers in the back with optical sniping or explosion formulas. I was relieved because I wouldn’t have to shoot.”
V1/C5
[Visha] “Was she an agent of the devil or of God? It had to be one or the other. Ahh, I can’t believe I have an ally more horrible than the enemy. She’s not human. I would bet my life on it. Me and a few others saw it once. During training, one of our teammates dropped like he was dead. The captain gave him a good kick, and before we knew it, she was back on his feet. I had been staring into the abyss of death myself…the captain heaped abuse on me. But I know, I saw it: she charged into the avalanche to save me. Even after my friends told me that she tossed my busted body aside like a used rag, I believe. She is definitely a good commander, even if I’m not sure about her as a human being. Of course, we all laugh and bad-mouth her…if the captain is an apostle of God, then only the devil can possibly exist.” <= in good news, Tanya, you are currently winning on your quest against Being X and mostly making people believe that he’s the Devil for allowing you to exist!
V2/C1
[Weiss] also refers to Tanya as a vampire
[Weiss] thinks Tanya is arrogant
[Visha] “her thought is That’s so low, Major.” <= this is in response to Tanya pulling out her child voice to announce they were going to bomb Dacia’s factory.
[Weiss] “Weiss has only known her for a short time, but even he can pick up the displeasure his superior doesn’t bother hiding. Her mood is as dangerous as nitroglycerin. When Weiss quietly takes a step back, everyone discreetly follows suit. Nobody wants to be so close to Major von Degurechaff when she’s irritated.”
V2/C5
[Grantz] “If the devil exists, it has to be our instructor, the commander of the 203rd Aerial Mage Assault Battalion, the legendary Major von Degurechaff. The way she smiled. The way she looked at us like we were maggots. The way she seemed thirsty for blood. I’d believe she had tried to kill a rebellious underclassman or crack his skull open. If I screw up on the battlefield, she’ll definitely kill me. That’s how threatened I felt by the instructor who just had to also be my advisor…I wanna cry.”
[Grantz] “This was the major who had once said during a speech at the academy that deadweight should be killed…This is crazy. No one said it aloud, but it was the look on everyone’s faces. This was a nighttime mission to abduct enemy soldiers…Magic Second Lieutenant Warren Grantz realized he was shaking. My survival instinct was screaming. I wanted to avoid the war, the combat, the killing. I was hesitating. But one glance from Major von Degurechaff was enough to subjugate that instinct. She was far more terrifying…I was so terrified I hardly felt like myself anymore…How could the major just calmly sing a hymn?”
[203rd banter] Visha asks if anyone wants to trade places with her so she doesn’t have to be with Tanya all the time, and Weiss and Grantz are not itching to take her up on the offer.
V2/C6
[Grantz] Is really, really bothered by how chill Tanya seems to be about Arene.
V2/C7
[Weiss] Reflects on all the horrible things Tanya has put him through, but ends his reflection on the note that he understands why it was necessary to prepare them for war.
V3/C5
“Apparently, the troops serving directly under her thought she was a great field officer” <= Romel re: Tanya’s personnel file
V4/C5
“‘Please have the 203rd be part of your Kampfgruppe. All of us in the battalion wish to continue serving under you.’”
Tanya doesn’t get what she wants, is then pissed, and it gives off weird abusive-parent vibes where all her children try to flee and not be present, and for the ones who have to be (Weiss & Visha), they take it by flinching, cowering, praying to God for Tanya not to explode, etc.
V5/C4
[Visha] “Reality is far too unreal. She’s crazy. There’s something strange about her...The colonel cackled – no, she giggled, smiling like a child. It was positively surreal to see her eyeing the enemy with her tender gaze and licking her lips. She snickered, but what was so funny? She was terrifying...Dripping red liquid. Pink things that used to be humans, flying everywhere. And opposite that scene was a beaming little girl. It was so surreal, it made more sense for me to suppose I had gone insane. No, maybe I really did go insane. The sight of my superior officer nodding with satisfaction and beginning a confession of her faith was horrific. I didn’t get even a glimmer of madness from her beautiful, innocent eyes. They were the eyes of a stubborn servant of logic, full of pure reason. But that’s what was horrific: those eyes stuck on that doll-like face.”
V5/C5
Tanya has some good banter with her Kampfgruppe soldiers and it seems like everyone’s getting along.
V8/C4
T: ‘Are you saying you throw yourself into the slaughter purely, justly – sane and sober? Don’t make me laugh. That’s a broken man talking. Going to war after downing some liquid courage with a grimace is much more human.’ He frowns for a moment, perhaps thinking to argue back, and then whines, ‘So are you drunk, then, Colonel?’ <= yes, a random officer from Tanya’s Kampfgruppe just asked if she was drunk and that’s why she’s always throwing herself into battle so excitedly.
V8/C5
T: ‘Glad you’re safe, Lieutenant.’ V: ‘Thank you, ma’am. That said, I would have rather you spared me from getting caught up in that attack.’ T: ‘What choice did I have?’ V: ‘What is that supposed to mean?’ Serebryakov puffs her cheeks out in a pout, which is surely a sign that she’s feeling better. <= Tanya, Visha wanted you to apologize, not excuse yourself, damn!
Zettour
V1/C5
“He doesn’t know whether they should praise her original ideas or call her insane.”
“Apparently, she hasn’t forgotten that she once said she wanted a battalion. She, a first lieutenant, to a brigadier general…something liable to provoke antipathy? She’s already done that.”
“The smirk on Tanya’s face reminds Zettour of some unpleasant rumors he’s heard about her.”
V2/C5
Zettour both remains horrified that Tanya was able to speak so frankly about a world war, yet he is sympathetic to the fact that she could do it because she understood what would happen.
V4/C3
Tells Rudersdorf that he “unwaveringly trusts” her military decisions.
V4/C5
Tanya comes to Zettour to request better units than he’s given her. He finds the request beyond arrogant, seeing as how pressed they are for men, especially for the fact that this is shortly after the Moscow situation and her battalion has “gone too far and been a handful”.
“Somehow, he didn’t think there could be that many damaged kids in the Empire like this young teen back from the battlefield. And actually, regardless of how he felt about it as a soldier, personally, the idea of interacting with them was terrifying.”
“But Degurechaff was unfazed and inquired about their experience with killing people. She saw people as products, and she was asking if they had been tested – that was the nuance. Could such a completely utilitarian view of people even be taught? Certainly, the army is an organization that pays attention to individual functions. Substitutability and cost consciousness are two factors hounding everyone. But can you really judge a human being by those criteria alone?...That innocent face and her straight back made her look something like a surreal doll. Doesn’t…Doesn’t anyone think this is strange?”
Zettour is mentioned to have originally had the same doubts about Tanya as Lehrgen, but after her performance he claims he is ready to “swallow any pill, no matter how bitter” (I think working with Tanya being the bitter pill) to win the war.
Zettour gives Tanya a little discretion to commandeer some equipment, she takes a lot of discretion. Zettour sort of laughs at off saying “this was Degurechaff” but does also mention that Tanya’s actions “amounted to a borderline interference in Supreme Command.”
V8/C4
Zettour is impressed with how Tanya has trained Grantz and thinks that if she wasn’t so good in the field, he’d put her in education.
“Sure, Degurechaff may have been broken, but not as an officer.”
Rudersdorf
V2/C1
Rudersdorf says that Tanya has a “distinct” [read: probably means difficult] personality, but if he just divided people into useful and not useful, she was useful.
V4/C3
Zettour and Rudersdorf debate Tanya, and he mentions that he only thinks she is talented in the military realm.
Generic Superior Officers
V2/C5
Tanya has a misunderstanding with her CO on the Rhine front. He wants her to train some new recruits normally, she mistakes it as saying “well, kill as few of them as possible, but do what you gotta do,” she gets kind of reprimanded over it.
V3/Intro
“Performance Evaluation: Major Tanya von Degurechaff:
Counselor’s Notes on character and conduct [this is printed normally]: Abundant loyalty and excellent fighting spirit. Follow regulations to the letter. Devoutly religious.
[this part is handwritten] Has a bad tendency to take matters into her own hands. Competent but as difficult to handle as a mad dog.”
V3/C1
“Some of the officers even added another thought in the back of their minds: Major von Degurechaff might actually be able to wring out even better results.”
V3/C3
Tanya goes wild on her base commander when he won’t let her sortie to Brest to prevent the French army from evacuating. <= Oddly, IIRC, no one ever like, apologizes to Tanya for not believing her, which is kinda rude, so mostly the incident reflects negatively on her instead of being a balanced: ok she did violate some rules, but...maybe if we’d listened to her we’d have avoided the rest of the fucking war, so seems like it might have been called for?
V3/C5
“The most important evaluations during a war are the ones from the battlefield, and those were all over the place.” <= Romel, re: Tanya’s personnel file
“The second was that although the evaluations were contradictory, she had achieved enough that she was considered an outstanding soldier. Awkwardly, regardless of how she was as an officer, as an individual mage, she was thought very highly of. Her number of kills was among the highest on the Rhine front.”
“In any case, strictly as a mage, she was unrivaled. As an officer, too, she was by no means incompetent. So they must have been giving her to him as reinforcements and as an excuse to get her out of their hair. Honestly, he felt like they were foisting off their problem on him. ‘They’re telling me to take a mad dog out on a walk with no leash?’ He let slip a complaint. Maybe it was just prejudice, but that wasn’t what it felt like to General von Romel. After all, he was basically being asked to bet on a bad hand.”
V4/C2
Everyone on the General Staff realizes the huge amount of fallout from Tanya attacking Moscow. The backstory of this is that when Tanya asked for permission, the General Staff thought she was just going to do a fly-by and freak them out, not attack the city. It pretty much kills any opportunity they had to negotiate a quick settlement with Russia in the cradle.
Romel
V3/C5
Romel’s first meeting with Tanya pretty much goes: “so arrogant it’s invigorating...unbelievably insolent...in addition to her self-important attitude, it exuded heavy sarcasm...not only was she arrogant, she was clearly horribly warped.”
“Any commissioned officer would understand just from hearing her make that one comment why the Northern and Western Groups couldn’t control her. Having a mage battalion drop out of the command structure was almost like losing a whole division” <= ie, Tanya’s previous superiors must have really disliked her to give her up.
“She simply decided she would be a patriot if it was good for the nation. In short, she’s a capable lunatic, but the bad part is she doesn’t realize she’s twisted…She’s crazy. And competent. And more sincere than anyone I’ve ever known.”
“Without a doubt, she’s going to end up being the most horrible person I know. And she’ll probably also be one of my most reliable friends on the battlefield.”
V3/C6
Romel reflects that she is a mad dog, and that she is an ego-crushing entity for the average officer. <= while Romel never brings this up, this has a *ton* of important real-world implications for Tanya, especially assuming men still have more than a little trouble listening to women outside the military. Even if you believe the best rumors about Tanya, you still might not want to hire her because she’s going to be better than you, and most people hate that feeling.
V4/C1
Tanya goes to the Eastern Front, and Romel reflects that he is sad to lose her and that once you got used to her, he found her easy to work with.
The Ugly
People who’re in here: Lehrgen’s personal opinion, Some wartime randos, OG Eastern Army Command, OG Northern Army Command, Imperial Government, people who mostly know Tanya from her Arene reputation, Western Army Command; Implied Future View of Tanya
Wartime Randos
V1/C5
“Some of those who had been on the front lines had a strange reaction to the name [the 11th Goddess] we picked. They claimed it was the worst joke they’d ever heard.” <= ie, Tanya was the Devil, not a goddess
V2/C1
Tanya is happy that Dacia has zero airpower. She displays her happiness by smiling maniacally and skipping around her tent. Everyone thinks Tanya is happy that they just got invaded again and the war is growing and she can go kill people.
V2/C5
A kinda random infantry guy is still having nightmares about Tanya in like, 1960, and reflects back on how he felt when he heard Tanya casually call for friendly fire to go right through where her men are flying. He questions why anyone listens to her.
“But when I replay the memories in my mind, I can’t help but shout, You monster! A hero, a star, and outstanding magic officer. You, ma’am, were a great officer. To all of us imperial soldiers serving on the Rhine lines, you were a god...Yeah, she’s a god – an immensely powerful one who presides over life and death. Her words, brimming with a spine-chilling anger, swept over the area as if she was planning to attract all the enemy hostility like moths to a flame. Major von Degurechaff had bared her fangs. It invited a violent reaction. The Republic wanted to hunt the devil. In other words, they devoted all humanity’s wisdom to killing the god of death. Gods don’t die, but those of us next to them? …They were right to call her a god of death. She killed the enemy, and the enemy killed our men. Then the noble major, with a glance at all the dead in the mud, took her leave. Fucking hell.” <= and you thought Lehrgen hated her. But, again, real-world implications of this could very well be that post-war, Tanya is a total persona-non-grata as someone that had a high degree of influence on how rabidly everyone fought against the Empire, and how the Empire was treated in the aftermath. I don’t make it out quite that bad, but it could be really rough if someone wanted to make it that way.
V4/C5
“The Guard Division had been on many assignments dealing with formal events, so we had experience…But what is that? That absurd, expressionless, doll-like creature was giving orders to people who appeared to be bloodthirsty mages just back from the war zone.”
“Could it really…could it really be possible for a child to wear such a smile?...Her hands were soft and would have looked more natural holding a doll, but instead, this odd, human-shaped creature spread her arms as she delivered a welcoming address. No one. None of the high-ranking officers present could raise an objection to this thing. The veteran mages all obeyed this inhuman being in the form of a person.”
OG Eastern Army Command
V1/C5
“The members of the eastern army had been openly angered by her annoyed look until days before, but now their faces were pale. She said exactly what she thought: ‘Incompetent, pitiful, lazy, arrogant, unprepared, mentally disabled, inattentive, no powers of observation’ and her conclusion was that ‘all mages of the Eastern Army group require reeducation’”
“The ranking officers from the regional field armies who had come to protest ended up bearing the brunt of the General Staff members’ critical glares.”
OG Northern Army Command
V2/C3
“With no idea when Colonel General von Wragell might explode in his seat at the head of the table, Lieutenant General and Chief of Staff von Schreise was inwardly annoyed, but at the same time, the atmosphere was so tense he wanted to bury his head in his hands.”
“Schreise couldn’t be the only one thinking that he would have thrown her out immediately if she weren’t a representative of the Central Army’s view.”
“‘You’re very humble, aren’t you?’ one of the staff officers murmured, curling the corners of his mouth into a smile that was more of a sneer.”
“Schreise had never seen a major with such a big head without making light of him…without hesitating even a little, she – a mere battalion commander – matter-of-factly gave her opinion to the staff and even had the audacity to disagree with them. Even with the sacred, inviolable General Staff’s power behind her, she was nearing an inexcusable challenge to authority. A head could be allowed to swell only so far. There’s a limit to what can be tolerated, even for recipients of the Silver Wings Assault Badge!...the major, though still rather new, was readily crossing a line of which all graduates from the war college should have been aware.”
V3/C5
“There was a pile of especially severe criticism from the Northern Army Group. They said she was transferred after voicing a clear objection to those in authority.”
Imperial Government
V2/C5
Tanya sinks a Commonwealth vessel, she is court-martialed, the military says she did nothing wrong [which I agree with], but the diplomats want to punish her to appease the Commonwealth. After the not-guilty verdict, Tanya’s smug-ass smile makes everyone go: umm...should we really have let her get away with this??
V4/C2
She then further makes the diplomats hate her over her Moscow raid.
V4/C3
Rudersdorf warns Zettour that Tanya going overboard is earning Zettour criticism from the government.
V4/C4
During her second court-martial, Tanya doing the most in Moscow manages to fracture the relationship between the government/supreme army command & the guys more in charge of the day-to-day war, like Zettour & Rudersdorf.
International Post-Hoc View on Arene
V2/C6
“They gunned people down like they were so many targets in a firing exercise. They got ‘points’ for shooting people. People had blocked themselves in, so they used heavy-explosion formulas to bombard whole districts. Those are all painful memories of the tragedy being shared today. Even counting only the confirmed deaths, the city of Arene lost half its population that day. In order to avoid the heavy responsibility for each soldier that would result if they went into the city and had to visually confirm their targets, they aimed to cause widespread fires via artillery bombardment from positions surrounding the city. A portion of the documents shows that they had chosen targets that were likely to spread the flames as proof-of-concept for firestorm.” <= the reporter doesn’t know this, but Tanya is the person that comes up with that proof-of-concept for creating a firestorm, as well as the person that creates the case to make it legal to repress a civilian revolt with a military. To me it seems like Arene is presented as the Tanyaverse Bombing of Dresden, except how it would be viewed if Germany had won WWII.
Tanya thinks about how if the Empire loses, her reputation is in the toilet if it becomes known that she did this.
Western Army Command
V2/C6
[The Lt. General or above that is in command of the Western Front] “A terrifying report or a proposal from hell. The one who thought of this was either a lawyer so cunning the devil would invite them to join forces or a criminal. This way of thinking is practically inhuman. Only a devil who forgot their reason and conscience in their mother’s womb could come up with such a tactic. That someone would equate having the technical capabilities for an operation with actually doing it…Are they deranged?”
“Luckily, an army corps commander summoning a mere major is extremely rare. Exceptional though it was, it meant there was a chance he might have to summon this monster again someday…Doing his best not to look directly at the monster straightening her posture in front of him, the army corps commander accepted that it was for work and met her.”
“The principles behind the actions of this major in front of him were impossible to understand using anyone’s logic or emotions. Her inorganic eyes compelled you to conclude that her thoughts, her frameworks, her way of being were all warped.”
This guy keeps going on and on more than I have here, tbh he’s one of Tanya’s main haters. It’s fine Tanya, it’s only the guy in charge of Western Army Command, who listens to him?
“I hope no one noticed that I just flinched, thought the army corps commander, sensing that he was distinctly afraid of her…No worries about what? He deeply wanted to ask what she was planning to do, but he held back. He told himself it was surely better not to know…But there is probably no one more suited to being a soldier than you. Perhaps you feel at home in hell on the Rhine front.”
V3/C5
“The Western Army Group declined to evaluate her, saying her good and bad points neutralized each other, so it was difficult to rate her. Furthermore, she had attempted to resist orders.”
Implied Future View of Tanya/The Parable of the Salamander
V4/C5
“From what I heard, the Salamander is adorable and very clever. If you show it affection, it’ll get attached to you. Like a German shepherd, it can become a trustworthy member of the family. Sometimes it begs or plays tricks, but apparently, everyone ends up overlooking these things. Of course, Mrs. Legen grew angry and screamed that it went too far, but…Well, in the end, everyone doted on the Salamander. Because when it’s even more reliable than a German shepherd, how could you not? At some point, though, the Salamander’s requests and pranks grew to be too much. But what do you think happened when no one was sympathetic to dependable Mrs. Legen, who had continued to angrily scold it the whole time? That’s right. No one was able to stop the Salamander! Of course, the Salamander loved and cherished everyone. But sadly, there was no one to teach it right from wrong. So the Salamander never realized that everyone disliked it. Soon it had exhausted everyone’s patience.” <= for reference, Tanya commands the Salamander Kampfgruppe; this is told as a cautionary tale that Andrew says circulates throughout the future Empire.
Your Author’s Take on Tanya’s Reputation vs Reality
The above should have real-world implications for Tanya’s personal life as far as friends, and for her career both within and beyond the military once the war is over, because, you know, people talk. Anyone who phones up an old pal because said old pal had some quality time with Tanya and they’re curious what she’s like is probably not going to receive a glowing personal recommendation, and the higher up those people are in society, the worse it is likely to be.
Even for people who think she has a genius applicable beyond the military sphere, outside of extreme circumstances people generally don’t want to employ anyone, no matter how smart, who is known for being unpredictable, uncontrollable, arrogant in the extreme, abusive towards coworkers, manipulative, possibly just straight up evil, etc etc. Within the military, after the war I would expect her to be hampered by the fact that a lot of people won’t want to work with her unless there’s a really pressing reason they need her skillset.
I can’t believe I’m bringing this show up from years past, but she’s sort of in the same position as Dr. House from the TV show - famously talented; famously toxic in the workplace; only one place will employ him, and at a much lower salary than his reputation should command, and even so, thinking that he could get away with that in real life is pushing the suspension of disbelief for the show. The same goes with friendships - very few well-adjusted adults are willing to befriend The Cool Asshole in real life.
When it does happen IRL, those relationships usually aren’t healthy & happy, and can easily end up with borderline-emotionally-abusive undertones because the follower is afraid of losing the leader, and molds themselves to fit what the other person wants so as to be an unchallenging, uncritical presence in the life of their idol.
For a story about an adult man reincarnated as a young girl fighting in magical WW1.5, YS manages to put a surprisingly interesting twist on the Main Character is a Cool Asshole Without Consequences model, with Tanya getting away with it in the present due to extreme circumstances, not realizing that the war is the only reason she’s getting away with it, and facing many implied future consequences for it.
While it’s entirely possible and often completely necessary to handwave Tanya overcoming this for storytelling purposes, as you can’t go many places story-wise if Tanya is as screwed as it sounds like she’s going to be, standard reality is that she’s gonna need to do some serious legwork to dig herself out of the hole she’s in, both personally and professionally.
I appreciate that the crux of a good Tanya story is often Tanya thinking normal reality will apply to her but then bypassing normal reality to end up somewhere she never intended on being, much to her chagrin, and readers therefore may feel adhering to realism violates the reality of Tanyaverse.
For the purposes of this story, I have chosen to stick with where the preponderance of evidence leads and apply a good amount of normal reality to Tanya, because that is exactly what allows me to proceed along a different avenue of Tanya misunderstanding things and ending up somewhere she never intended on being, keeping to the spirit of Tanya stories. Plus, Tanya doesn’t seem very intent on growing as a person in the absence of consequences and I need my character growth drivers.
...and I can’t avoid admitting I still end up handwaving some portion of those consequences for Tanya, since, as stated above, it’s...hard to go anywhere with a story if you don’t.
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