#I mean if there’s even a parallel at all

[cursmudgeon]

It's actually not short focal length at all! Firstly, shorter focal lengths actually make distant objects look further away and the wide depth of field of short lenses reduce the amount of blur on average. The shorter the lens the closer you get to fisheye effects where close objects look huge and distorted and distant objects become tiny.

Ok, so these must be long lenses right? The images are blurry like you get with a telephoto lens so that must be it. Nope. I mean maybe they are slightly on the longer side (they probably are just based on how compressed the perspective is) but the distance needed to get these compositions would counteract a lot of the blur of even a very long telephoto lens because you always get considerably wider depth of field the further you are from the camera lens.

So what's going on here? Tilt-shift lenses! In a normal camera the lens is always mounted exactly parallel to the sensor/film so that the focal plane covers the entire surface. With a tilt shift lens you can actually change the angle of the lens in relation to the film plane. this means that you can force parts of the frame out of focus, which looks similar enough to the effect of photographing a miniature from very close. Remember being closer to an object means a more shallow depth of field so it's often the biggest tell for miniature work. Tilt shift is fun for stuff like this but it's actually used pretty commonly in architectural photography because if you close the aperture waaaaay down to widen the depth of field and compensate for the weird focal plane stuff you can actually compensate for perspective and capture building fronts with straight parallel angles while shooting from street level.

[magesforthedas]

Just have to share this, because I keep seeing critiques of Veilguard that like, try to guilt people who say they love, or even like the game. And HEAVY critiques of the protagonist, Rook, and how they aren't really a hero.

ALSO it contains some SPOILERS so just be warned ☺️ and an edit of additional thoughts now!

Like, yeah I have a couple gripes about the game, but overall it's emotional and amazing and I care about the characters so deeply. I keep seeing how people are saying how Rook and the party were not well written because they caused a lot of death?? This is Dragon Age, everything always goes from bad to worse, but the characters always bring out the light.

Rook was put in a very shitty situation, and I've seen people say they caused the destruction of thousands by trying to prevent the hundreds. But how many people, before the game came out, said Solas's plan to tear down the veil was a bad idea? Not all, I'm sure, but most. I always viewed it, and I know I wasn't alone, as that by trying to "fix" things Solas was just justifying his selfish wants, when he knew somewhere in his heart that the people of today, including the elves that he was "doing this for", would rather live alongside their friends & family in a world without their old magic, than live in a world with it alone.

That being said, even with differing views in and out of the game, it's very reasonable that a group of people would try to stop him, not know the consequences. And the beautiful thing about Rook, why Varric chose THEM, is that they saw what they had created, and didn't give up, didn't leave it to someone else to fix. Whether or not it was really their fault they stepped up and tried to save the world the best they could, from the mistake they unwittingly made (which I would argue against the fact that they made a "mistake", looking at that they were hired to do a job & by successfully completing that job there were unintended consequences).

Parallels anyone? Dragon Age loves those. But the difference, again illustrated in the game, is that while Solas couldn't move past the regret of his mistakes, Rook could. And on the topic of the deaths of those around them, not everyone that died in the past was Solas's fault, but some he did directly lead to their deaths. And he accepted that, did it over & over. Rook never led anyone to their death. Rook walked willingly into it themselves, and the love and trust their companions felt led them to choose to die for Rook, and the world instead.

And people who say the destruction of the south means the earlier games were for nothing? How so? 20 years ago, 10 years ago, things were happening, people were dying that needed saving. The heroes of that age saved the world so it would still be around to save now. And who knows what the south really looks like, or what it might look like as and after rebuilding? We will, in another 10 years once BioWare comes out with more content I suppose, and I wouldn't be surprised if everyone we knew is dead, but I also wouldn't be surprised if many, many of them lived.

Because that is Dragon Age. Death, betrayal, sacrifice, cruelty, pain. It's a dark, dark world. But there is always a ray of light, of hope. And characters who will do their utmost to protect that .

EDIT: Adding!! To this!! And more spoilers!!!

We know because of the Wetlands that it's possible to cause the Blight to pull back. In the end scene, as people are being broken out of the Blight Roots, it seems to me like it's died, at least to some degree. In my playthrough, Neve was cured of her blight sickness. There's obviously some immediate changes, and that all means that the South could have had an immediate reprieve. Plus, once more surviving wardens from Weisshaupt are free to travel south, and all the factions up north get things relatively in order, the South could get a lot of assistance.

The South was overrun... By hordes, by growths? That's the land, what about the people? Could the combined might of the Inquisitor, the Chantry, The Free Marches, Fereldan's ruler, have evacuated enough people that the death toll might be high, but not totally catastrophic? Enough people have survived to rebuild, maybe with a better, more unified attitude towards one another?

(The last bit may be wishful thinking 🥲)

But still!! We have no idea what exactly happened down there. And no matter what, Rook did the best they could, they WERE a hero, and made a difference not only for the North, but everywhere affected.

And yes, I might complain about this or that, mainly that we don't get to put more past game decisions in.... But I love this game and that won't change.

[sepublic]

The Titan paralleling Adam from the painting and not God is interesting to me, like it really emphasizes in the end that he was a mortal, just some guy, and the forebearer of other mortals; His direct descendant is ‘immortal’ in a lifespan sense but still very capable of dying and even human, for lack of a better term. One could say the Titan committed a ‘first sin’ by trapping the Collector, which then hurt her descendants (because being Bigender, the Titan would also be Eve wouldn’t she?) when the Collector was left vulnerable to Belos’ manipulations.

I think it emphasizes that the Titan is not God, she’s a flawed mortal, even after the comparisons to God and Jesus and whatnot with Luz’s resurrection; Because the reference are ultimately tongue in cheek, and about exploring the positives of Christianity and embodying the compassionate spirit, without being an actual official Christian and all of the other baggage that Dana criticized in Belos.

It was about Luz living the closest thing she can to her fantasy for a moment; But it can never truly happen and it shouldn’t, and she’s quite fine with that, after the guilt from the time loop Philip called ‘destiny’ and King’s existential crisis. Hence why Luz has to make being a Chosen One happen, rather than the Titan deciding it for her before Luz was born. There is no higher entity imbuing meaning or laying out destiny, the time loop was just temporal physics preventing a paradox, things just happen without any grand purpose or design to it.

Likewise, given my analysis on TOH expressing Dana’s relationship with Christianity, this could also be a nod to that; Dana having a complicated relationship with the idea of God in her life, and the Titan being a way to explore that. And fittingly it’s reiterated in the idea of a mortal reaching out to understand the connection there.

[oshinohoshi]

Oshi no Ko chapter 166 thoughts - the end of all things

So uh... the only positive thing I can say here besides the beautiful Ai art is that I felt sad reading the page where Miyako was hugging Ruby. Everything else left me completely empty

This chapter is either:

A) A self-aware ending meant to show that life is suffering and the idol industry will suck out your soul if you let it

B) Outsourced to someone who skimmed OnK for 30 seconds on Wikipedia before putting pen to paper

It has to be A, right? You can't tell me that the same author wrote both of these pages without the right being ironic

But I don't think so because big brained Akane is the one clumsily narrating this crappy montage masquerading as a real ending

Aqua died for nothing. His sister is now a soulless cog in the idol machine

Ruby is mimicking Ai's speech - "Lies are an outstanding kind of love... We pile on the lies and no matter how hard things get, we sing and act happy onstage. It's a fun job!" But she forgot the rest of it: "Only, I'd like the 'being happy' part to be real. Nobody notices, but we have hearts and lives of our own. Happiness as a mother. Happiness as an idol. Normally you'd have to pick one, but I want both. Ai Hoshino is a greedy girl"

Ai wasn't only a misunderstood girl who worked hard to please her fans. That was a big part of her story but she also broke the rules to create her own family, her own happiness

Ruby, on the other hand, seems to have no real desires anymore, she's just following a path she believes her mother and Aqua paved for her. Never mind that Aqua only wanted it in the end because she wanted it and Ai just wanted her kids to be happy

You can tell that Akasaka is patting himself on the back for making a cyclical narrative where Ruby becomes Ai 2.0 by being commodified, scrutinized, and idolized like Ai was

But it's such a flimsy parallel when it comes to the theme of lies because lying to hide your grief =/= "lies are love" which was the only way Ai knew how to frame her genuine desire to love

And Ai's "I love you" to her kids was true whereas Ruby has swallowed her own lie that being an idol is fun even when you're just doing it to outrun your pain

What this chapter showed us is that the meaning of Ruby's life is to be Ruby of B Komachi and she was put on Earth to sing pop songs. Because that's what Ai did, right? If I remember correctly, her final words were "I'm so glad I got to be an idol #blessed"

My God was the Dome concert soulless. Miyako and Ichigo crying happy tears is a punch to the gut. Doesn't Miyako know her daughter is still hurting?

The last scene is so fucking depressing

Ruby, are you okay? Blink twice if you still remember your life outside the idol industry!

The last two pages work really well as horror. She has a brilliant smile but you can tell that she's dead inside. She's got more merch on her table than photos. Why doesn't she have a corkboard of family photos? Although I more or less have this Ai plushie and it's pretty cute so I'll give this a pass because it's hilarious

I guess the takeaway here is to live for others and life is painful so just grin and bear it. Oh yeah, and inspire other young women to join an industry where they get to act happy and lose their humanity. Cool

I mean I get that it's supposed to be about moving on with your life even while grieving and that's a good message, sure, but Aka's insistence on using the word "lies" multiple times as if saying it makes it make sense ruins the whole thing

The most insane part is that this chapter is a wholehearted endorsement of the lies sold by the entertainment/idol industry

I haven't even said anything about anyone besides Ruby because what's the point? Aka didn't have time to do justice to any of the characters I grew to love

It's clear something went wrong with the timeline of wrapping up OnK. No artist wants to execute a final chapter like this. I'm convinced the film reel edges are Aka and Mengo's way of telling the reader, "we know this is a shitty clips show so don't @ us on Twitter about it"

But it's so much worse than that. Aka really decided to tear to shreds everything he worked so hard on for 4 years. Damn

This is my favorite manga and I'll always love that it gave me Ai, my most beloved character of all time, but this leaves an extremely bitter aftertaste. It's really hard to believe that the same person who wrote vol 1 wrote this.

OnK has been pretty important to me. Reading weekly, chatting with fans, and reaching dangerous levels of Ai brain rot has actually been a helpful distraction. TBH I've been a little too invested in it but sometimes you need escapism. So it's crazy that I'm kind of glad it's over.

But this is why fanfic, fanart, and your own headcanons exist. In another universe, this manga wrapped up beautifully and I was depressed for weeks because I couldn't look forward to it anymore. In this universe, at least we're all suffering together here at the end of all things.

And at least the little Hoshino family is still adorable. Too bad Ai is dead, Aqua is dead, and Ruby desperately needs grief counseling. But NEVER MIND. Look at Ai's smile and the twins' faces. This was the Oshi no Ko I really loved.

[clfixationstation]

all of this. yes.

my only thought is that because straight ships are seen as "normal", Isayama (and many other writers) assume that audiences require less convincing to get behind them and find them believable. Which isn't entirely untrue - there are many m/f ships out there that I've seen straight fans get behind with the bare minimum (from people I've talked to in-person, not just online speculation).

the next assumption writers could be making is that straight couples don't require a high level of understanding and companionship. From my observations, it's unfortunately the case that it's not always expected in straight relationships what do you mean your boyfriend doesn't think you should have rights?? doesn't see you as a full person?? and you still want to marry him???!? girl RUN. It's often (subconsciously) based on the bioessentialist idea that men and women are very different beings with different roles to fulfill, and therefore can never fully understand each other (ugh).

that's why "our worldviews directly conflict and we can't fully understand each other, but we're still drawn together by love and that in itself is an understanding" just isn't compelling to me personally. I've seen it with many canon straight ships in many stories over the years. (to be clear, I am not accusing people who enjoy such ships of being bioessentialist - I do not know the mind of every person)

and then there's yumihisu. Ymir was immediately drawn to Historia because she saw her past self in her, and was determined to empower Historia to live for herself with pride. After a lonely childhood, Historia welcomed Ymir's company and understood that Ymir's abrasive comments betrayed her good heart. Even with the secrets between them, Ymir and Historia had this deep understanding of each other and offered each other compassion and companionship.

and for some of the other ships mentioned in the tags:

1) I didn't pay much attention to reibert, but wdym reiner "having no interest in women" went nowhere?? like?? and Bertholdt liking Annie out of nowhere was kinda funny. 2) kenuri is kind of just. uncontested canon. 3) I never expected eremin to be canon, but the level of understanding and reverence they hold for each other is unparalleled. 4) I actually love aruani, and that's primarily because their relationship is based in understanding and appreciating each other's perspectives; seeing positive qualities in each other that others could not. It could've used more time to cook, but that's my only criticism

#like why did eremin parallel yumihisu and reibert. while eremika was CANONICALLY framed as a parallel to the most toxic horrific relationship

THIS TAG. This is the one that gets me. eremika paralleled Ymir and King Fritz; Mikasa's love bound her to Eren the same way Ymir's love bound her to Fritz. However, Mikasa was able to free herself from the bindings of her love and act for the greater good. By killing Eren, Mikasa freed herself and Ymir. Acting despite all the love she has for Eren, refusing to allow her love to keep her bound - that is what frees Ymir

now, obviously Eren did not treat Mikasa anywhere as badly as Fritz did Ymir. Eren being an ass is NOT equivalent to Fritz's abuse. It's just. That parallel does not indicate to me that eremika is, or could be, a positive relationship. Conversely, I think some people interpret it as eremika's pure and good love showing Ymir what love should be like, in contrast to her relationship to Fritz. While that's a sweet interpretation, I have a difficult time agreeing. Mikasa spent the entire series chasing after Eren, desperately trying to keep her last piece of family alive, living in a perpetual heartache. Eren, on the other hand, hid and stifled his feelings for Mikasa until the end. Where Mikasa always desires to return home, Eren will always run forward towards "freedom". To me, the point of eremika is that it's doomed. It represents the beauty and cruelty that exist simultaneously in the world. While they had love for each other, their relationship was layered in pain all the way through

uhhh I got off-track.

tldr: I hypothesize that m/f ships require less "evidence" to be convincing to audiences because they are the norm. As a result, many m/f ships are written more shallowly than f/f or m/m relationships, whether written as lovers or friends.

why did isayama put his whole pussy into yumihisu after saying he can’t write romance. and then fumble when it came to the straights.

[inkblotsonmyhands]

----------------SPOILERS FOR ARCANE SEASON 2 ACT I BELOW----------------

Alright then, hopefully no one who hasn't watched Arcane S2 Act I yet is reading this. I don't know if this has already been said or not but I was (like so many others) blown away by Act I last Saturday and literally cannot wait for the next two. Full disclosure in case I get any facts wrong (feel free to correct me!!), I have never played League of Legends in my life and know no lore whatsoever outside the show.

I'm fascinated by Isha and Jinx's currently nonexistent but gradually growing relationship. First of all, if I remember correctly, we know that this child's name is Isha only because of a subtitle—she never introduces herself, and no one ever calls her by name. Jinx only acknowledges her grudgingly, and until the very last scene of Episode 3, Sevika acts like she isn't even there.

I think there's parallels to be drawn between Powder and Isha, starting with what I mentioned—both of them are often ignored by the people around them. Of course, Powder was loved by her sister and adoptive siblings and father, most of them just rarely got the chance to really show it. I don't think Sevika or Jinx particularly care about Isha at all as of now, but we don't know much about her past. There's got to be some reason why Chross's men were chasing her, and there's got to be a reason why she apparently has nowhere to go. I would guess she's associated with either Chross, another chembaron, or perhaps a figure like Vander—relevant to the Lanes, but not a chembaron. I would also guess that, like Powder, whatever familial figure she has/had is either dead or has abandoned her.

She's small (although we do not know exactly how old she's supposed to be), does not appear to have much fighting ability, was scared the first time she saw Jinx kill people, and, despite it all, seems to be unnaturally resilient. From the little I've seen, she seems to be good at hiding and sneaking around. These are more traits that seem similar to Powder's. I'd like to add that her flinching when Jinx fired at Chross's men does not necessarily mean she's never seen violence before, but that she's probably never been in the direct line of it. I also think she has some emotional attachment to her hat. That could just be because it's useful, though.

The larger case I want to bring to light, however, is not her resemblance to Powder—but how she differs. There's two scenes where I think this really stands out.

The first is the Jinx and Sevika vs Smeech fight. The setting of the fight bears some similarity to the fight Vi, Claggor, and Mylo get into against some thugs at the beginning of Season 1. Obviously, Jinx and Sevika are much more experienced than the kids were at the time of their fight, but they're also fighting against equally powered opponents. Regardless, the two fights bear a resemblance in where they take place—the streets. Powder is present in one fight mostly because she goes where Vi goes; Isha is at the other because she was following Jinx. Powder, in an act of self-defense, tries to use the bomb she made, which backfires and results in her losing the loot and, in a way, nullifying the others' victory. Isha, in an attempt to help Jinx, throws the bomb that Jinx made—successfully distracting the thug, and allowing Jinx an easy kill.

The second instance is the Jinx and Sevika vs Vi and Caitlyn fight. There's no obvious similarity here, but I think, especially from Isha/Powder's perspective, this is a very similar situation to the fight Vi and everyone gets into against Silco's gang in the warehouse at the end of S1 Act I. Assuming Isha has very little context (just like Powder did, at the time), to her, it's a very big, very scary fight of the people who are "with" her—the good guys—vs the people attacking them—the bad guys. Powder, in an act of bravery, tries to intervene with a device she knows nothing about other than the fact that it explodes—and it does explode, and ultimately kills most of the people she was trying to save. Isha, in an act of bravery, tries to intervene with a gun, something she has presumably never held before, to save Jinx's life—and she succeeds. Another interesting detail is that in Powder's case, Silco's gang, armed with Shimmer, was blatantly and dangerously overpowered—Powder brought in the Hextech, which in theory, evened the odds, or even tipped them in their favor—but still cost them the fight. The fight Isha was witnessing was fairly evenly matched—Vi and Caitlyn had more Hextech weapons, but Jinx did have one Hextech weapon, and she and Sevika had the advantage of it being on their turf. Isha intervened with a simple gun, arguably the weakest weapon on the scene, but still succeeded. Lastly, Powder's intervention was from a distance, while Isha threw herself into the action. It should go without saying that I'm not trying to put Powder and Isha against each other at all—I'm just observing the situations they got put into.

To address the elephant in the room—I am aware that Powder and Jinx are the same person, but I'm drawing a distinction here because I'm examining the similarities between Powder (young Jinx, if you will) and Isha, wondering how Jinx would perceive them (if she perceives them at all), and how that would impact her relationship with her. I have no predictions as to what that may be, but I do expect Jinx and Isha's relationship to be an interesting one, and potentially, Isha may even play an important role in changing Jinx.

One last thing, although this is unrelated to the parallels—I mentioned earlier that Sevika acts like Isha doesn't exist until the very end of Episode 3. When Isha throws herself on Jinx, Caitlyn continues attempting to fire, and Vi attempts to stop her, I believe Sevika triggers the blast, ending that altercation, largely to save Isha. When she realizes that Caitlyn won't back away, she does the best thing she can to put a stop to the situation right there.

I could draw this even further into a Vander-Vi-Powder hold parallels to Sevika-Jinx-Isha theory, but that may be a stretch, even for me.

[mywitchyblog]

Hello! I’ve just read your post about respawning and permashifting and I love it! Though I have question about respawning since I pretty much adopted respawning other than permashifting like I used too mainly due to the fact I’m not coming back here. Like you said in your post, respawning can be consider in some cases spiritual, Particularly with planned reincarnations and all that other stuff relating to it. My whole thing is does it have to be spiritual? Like can just be something simple like permashifting where you just shifting with the intention of not coming back anymore while your typical stand in/version of you just stay behind and live our old life normally. I know this is kinda of dumb question but I just gotta ask cause I even though I do believe in some spiritual practices and concepts, I’m not that very spiritual.

Alright, babe, let’s get into it. So, does respawning have to be spiritual? Is there some universal rule that says, "Honey, if you’re respawning, you gotta bring out the incense and crystals"? Absolutely not. Respawning doesn’t have to be spiritual unless you want it to be.

Respawning and Spirituality: Is it Really That Deep?

People have been throwing “spiritual” around when it comes to respawning because, let’s face it, the idea of moving on to another life can sound mad ethereal. Like, there’s this whole vibe of leaving this world for another, so naturally, people connect that with concepts like reincarnation, the afterlife, higher planes of existence, etc. But, just because something has that “spiritual” ring to it doesn’t mean it’s inherently spiritual for everyone. That’s the gag with shifting and respawning: they’re blank slates. You paint them however you want.

Some folks see shifting as a deeply spiritual practice because it feels that way to them. They might associate it with reincarnation or even ascension, like they’re leveling up or tuning into a higher frequency of their being. Respawning, in that framework, is basically saying goodbye to this life on a soul level and fully embracing their DR as if they’re reborn. So yeah, for those people, it is spiritual. But, babe, that’s their lane, not yours.

The Scientific and Quantum Side of Respawning

Now, let’s talk science for a sec. Just because something sounds mystical doesn’t mean it can’t have a logical, no-nonsense explanation behind it. Some people look at shifting through a more scientific or quantum lens. Ever heard of the Many Worlds Theory? It’s this idea in quantum mechanics that every possible outcome and version of reality exists in some parallel universe. When you think about respawning through that lens, it’s not so much spiritual as it is a form of stepping into a version of yourself that exists in another reality. In that view, you’re not reincarnating; you’re just moving from one branch of existence to another, no more mystical than flipping to a different chapter in a book.

And if you vibe with that, guess what? Your respawn doesn’t have to feel any more mystical than changing your major in college. It’s just a choice. A powerful, badass choice, but still just a choice.

Your Perception = Your Reality

Let’s get into some tea: Your perception is what gives shifting and respawning their meaning. If spirituality feels like a stretch or just isn’t your thing, don’t force it. Respawning can be as simple or as profound as you make it. For example:

If spirituality clicks for you, you might feel that respawning is like a soul shift, a transition from one life journey to another.

If you’re more into the idea of science and self-determination, then respawning can be as straightforward as deciding, "I’m done here. Time to live my best life somewhere else."

The best part? Both interpretations are valid. Because respawning is a concept with roots in personal interpretation, it’s like water—it takes the shape of whatever container you put it in. Spirituality might make it feel like a river flowing into the ocean of another life, while science or logic might make it feel like stepping off one subway line and hopping onto another.

Does Leaving Mean Losing Yourself?

One thing I see sometimes is people worrying that respawning means erasing themselves. Like, if you’re leaving this life, does it mean you’re abandoning everything you were here? The answer is: only if you decide that’s the case. Just because you’re moving on doesn’t mean the essence of you is gone. You’re still you, whether you frame it spiritually, scientifically, or just pragmatically. Your DR self can carry every single memory, trait, or little quirk of yours if that’s what you want. It’s not about losing or erasing; it’s about expanding into something new.

Respawning Without the Woo-Woo

So, if you’re not into the spiritual stuff, here’s what respawning could look like for you:

Think of it as a permanent shift: You’re making the choice to stay in a different reality, while another version of you remains here, handling the everyday stuff.

See it as self-redefinition: You’re not necessarily shedding your soul; you’re just saying, “I’m choosing to redefine my existence in a way that works for me.”

Don’t worry about the ‘meaning’ too much: Sometimes, people get so caught up in “What does this mean for my soul?” or “Am I spiritually transforming?” when the simpler answer is just “I want a change, and this is how I’m making it happen.”

Why “It Has to Be Spiritual” is a Lie

It’s almost like someone saying, “To appreciate art, you have to be an artist.” Um, no, sis. You can experience art however you want, and the same goes for shifting. Just because some people feel a certain way doesn’t make it the rule. The only “rule” in respawning is what you set for yourself. If spiritual elements don’t speak to you, then they don’t belong in your practice. They’re just extras, like garnish on a plate. And let’s be real, sometimes the garnish just gets in the way of the main course.

You Define Your Own Shifting Journey 💅

Shifting and respawning are about self-determination, baby. You’re in control. Just like you don’t need to meditate in a cave or light sage to live your best life, you don’t need to approach respawning in a spiritual way if it doesn’t resonate with you. You can be as witchy or as no-nonsense as you want. Your approach to respawning is as unique as your fingerprint.

So, when it comes down to it, does respawning have to be spiritual? Absolutely not. Whether you’re burning incense, cracking open quantum physics books, or just winging it and saying, “Bye, Felicia,” it’s your shift, your rules. Take what feels right, leave what doesn’t, and own that choice unapologetically. 👑

So, here’s your final answer, darling: No, respawning doesn’t have to be spiritual unless you want it to be.

[melrosing]

I wanted to share some thoughts here bc personally I understand the opposite! from my POV, the evidence of affection you describe (asking after him in Riverrun, keeping vigil at his bier) are done out of a sense of obligation.

Jaime tacks Tywin onto his question for Catelyn almost as an afterthought - and I don’t think it’s out of affection, but rather the knowledge that the overall wellbeing of his family is tied up with that of his father:

It's Cersei and Tyrion who concern me. As well as my lord father.

And as for keeping vigil… well, he doesn’t complete it. Jaime has the feeling he ought to, because this was his father, after all, but as you say he spends it wondering at the fact that he has no tears to shed, and ultimately surrenders it early to run after Tommen:

[…] all at once the king was running for the doors, as fast as his eight-year-old legs could carry him.

"Ser Osmund, relieve me," Jaime said sharply, as Kettleblack turned to chase the crown.

And outside of these two instances in which Jaime… sort of feels obligated to his father in some way?? there’s not really a single scene, line or word in which affection is suggested. It’s generally just Jaime looking on in horror at Tywin’s work in the Riverlands.

I actually think the matter of whether Jaime loves Tywin is brought up in precisely those chapters:

"Did you love him?" Jaime heard himself ask.

I think the reason Jaime asks Genna this is precisely because he can’t love his father. He doesn’t know what there is to love. He’s trying to see the man from her perspective, to see what he might have missed. This question follows a scene in which Genna has described the times Tywin smiled almost fondly - so it makes sense that this is the point of Jaime’s question. He senses an affection in her for Tywin that is absent in Jaime himself, and so he is asking: did you (could you) love him?

And there’s actually a direct parallel for this scene between Tyrion and Kevan in ASOS:

Tyrion blinked in astonishment. Ser Kevan had always been solid, stolid, pragmatic; he had never heard him speak with such fervor before. “You love him.”

“He is my brother.”

Tyrion likewise finds it difficult to comprehend loving a man like Tywin. And I think these scenes parallel each other intentionally. Tywin’s siblings got to enjoy his protection without suffering Tywin as a parent. After sharing in his ‘embarrassment’ of their father Tytos, the siblings are grateful for Tywin as a figurehead. They love him for it without expecting love in return.

Meanwhile, I think like any kids, the Lannister children want their father to love them. And I think you��d be hard pressed to say he does. And if you said he did, it’s clear they don’t feel it. I think Cersei craves his affection more than her brothers, hence why she remembers ‘secret smiles’ etc, but even that fantasy isn’t really enough to sustain a genuine love. Her feelings after his death are more complex than Jaime’s, but she does ultimately reduce it to the feeling of a missing tooth.

And for me that’s kind of the point?? Tywin raised his children lovelessly, and so he had no love from them. For all he obsesses over his legacy, it is a cold one that sharply contrasts to Ned’s: Ned’s children were raised with love, and remember him with love. Tywin’s struggle to feel anything for him after his death, except fear for what his absence might mean for them.

Did Jaime love Tywin or feel any sort of affection for his father in your opinion? After what he did to Elia and her children and later Tysha he had no delusions about the sort of man Tywin was. He was guilty and somewhat upset after Tywin died do you think that indicates some small amount of love?

Yes, I think Jaime absolutely did love Tywin. When Jaime was imprisoned, he asked for news of his father. When Tywin was murdered, Jaime keeps vigil over his bier (albeit as Kingsguard, which 100% would have pissed Tywin off).

But again, this is all in the context of Tywin's parental abuse.

It was queer, but he felt no grief. Where are my tears? Where is my rage? Jaime Lannister had never lacked for rage. "Father," he told the corpse, "it was you who told me that tears were a mark of weakness in a man, so you cannot expect that I should cry for you." Jaime I, AFFC

He had a terrible fight with his father not long before Tywin's death that ended in Tywin basically disowning him. Jaime freed Tyrion, who murdered Tywin - keeping in mind that Tyrion was in prison sentenced to death because Cersei accused Tyrion of murdering her and Jaime's son, and Tywin (at minimum) went along with Cersei's handling of the trial. Jaime's got some big and complex emotions to feel, and as we see in the quote above, Tywin did not encourage Jaime to develop a full suite of tools to handle those emotions.

Tywin did a lot of damage to all his children. Jaime might love his father, in spite of all the murders and atrocities he did to other people that Jaime academically knows about - but he's also starting to actually reckon with how Tywin and his ethos and his works have fucked up Jaime (and the rest of his family) on a deeply personal level. Jaime is literally standing there trying to work out how he feels about that.

It doesn't mean that Jaime didn't love Tywin and never loved Tywin. It's part and parcel of what makes Tywin exactly as horrible as he is. Part and parcel of the terrible irony of Lannisters, too - all Tywin's children loved him so much they did their best to follow his example, something that has done them no favours in developing the ability to love others. Or themselves.

[fantasticmoonsalad]

Caitlyn and Jinx parallels - and the conclusion they hint at

I think (and other people have guessed this too) that Caitlyn will lose an eye by the end of Arcane.

This is why. Spoilers for Arcane S2 Act 1 below (and some stuff from the trailers)

To me, the way that the show is currently portraying Caitlyn and Jinx points to this conclusion. It's pretty obvious to everyone that the two characters have been set up to be narrative foils. Jinx, from what I've seen in trailers for Arcane Season 2, will become a symbol to the people of Zaun, representing revolution from the Piltovian elite who have been abusing them for countless years.

Jinx's character represents the best of Zaun -- the ingenuity of the people there can be seen in the way she builds and creates devices from Piltovian scraps. She is also capable of incredible violence, the sort of acts of revolution that are necessary to induce change.

By the end of Act 1, Caitlyn has become a symbol of Piltover. She comes from an old, wealthy family, one that changed the very foundation the city was built on through their wealth and engineering.

Through these parallels, we can guess that when other characters describe or say things about Jinx or Caitlyn and the power they have as symbols, there is a double meaning -- they also apply to their foil.

Take this for example. Salo is talking about Caitlyn, about the power and prestige her name gives her. But is he?

When I first watched this scene I was struck by how ambiguous the wording is -- it took a few viewings to realise they were speaking about Caitlyn. Ambessa mentions that Caitlyn "overpowered" Salo in the council chamber when she stormed up and laid out her plan for a strike force. But we, the audience, know of another girl who overpowered Salo (and the other councillors) in their chambers.

The dialogue is foreshadowing what will happen around Jinx -- the way her actions and name captivate Zaun and the movement that will grow around her.

But why do I think this leads to Caitlyn losing an eye?

The episode before, Smeech - a chembaron, arguably a member of the closest thing Zaun has ever had to their own council (which is like... yeeesh) says this to Jinx:

When we think of a long-range type in Arcane, who do we think of?

Jinx is also technically a long-range fighter, but she's much better at close-up scrapping than Caitlyn, who almost gets her ass kicked by Sevika (and probably would have if not for the Hexcore glitch).

Caitlyn losing an eye would be devastating as she is a long range sharpshooter who relies heavily on her vision. Smeech's moment with Jinx was the part that convinced me this was going to happen.

There's other stuff, too, if you apply the "using the other foil as foreshadowing" rule.

Jinx's classic "who, me?" look also has her showing one eye.

And obviously in the poster, Caitlyn has literally put pins in Jinx's eye. Not worried about that rebounding at all Cait?

There's more. Caitlyn at her most reprehensible (gassing the Undercity) has one eye.

The Caitlyn doll Jinx made has one eye (I think, it's hard to tell).

This is a bit more of a long shot, but when Caitlyn thinks she sees Jinx at the old arcade in Zaun, she flips and shoots the figurine.

We get a quick shot of her eyes beforehand.

Don't you think the pupils kind of look like dartboards? Like targets?

I think Caitlyn is going to get very injured in her quest to get Jinx. Everything she throws at Jinx has managed to rebound at her. Even using the tunnels her family built and unleashing the Gray on the gangs of Zaun got Uno-reversed on her -- Jinx just blew it up to the surface (with her own flair, of course).

Vi even says it out loud, comparing Caitlyn to Jinx - the thing that pushes Cait over the edge and past the point of no-return.

Also there are a lot of profile shots of Caitlyn in the intro and the show that only show one eye.

[esmereldapearl]

I feel like two things COULD happen in the TSATS sequel

SPOILER WARNING FOR TSATS, TOA, AND BASICALLY THE ENTIRE SERIES (especially Jason Grace)

(Also this is just a theory and what I think— if you have any ideas feel free to lmk— I really want to hear ideas on this stuff)

- I’ve said since I finished the first one that this whole thing with Nyx isn’t over yet. I don’t feel like it is— I feel like she’s not just going to stop where she is.

- Something will happen with Jason. I feel like this plot point has been opened since Apollo asked if it was Jason instead of Bob. I feel like the fact that Jason cannot be located is also something. There’s this part of me that would find it AWESOME if he was in Valhalla but also, Jason wouldn’t age if he were there. The difference between Magnus and Jason is that Magnus has his friends there with him— none of them will age. But Jason’s friends aren’t there— so he’d have to go through it the same way Thalia will.

(As a valgrace shipper— or even not as one, it would be painful to loose like that all over again)

I really like the point that @aroaceleovaldez brought up (hoping I tagged correctly)

Originally, I would’ve thought Orpheus until one of their posts. (Don’t know when it was posted, but they brought up how there are already at least three-ish parallels to Orpheus so maybe it wouldn’t be that way)

Nico was angry at Leo for what he pulled at the end of BoO— but that could’ve been because he didn’t tell him- but maybe also because Leo cheated death? Idk. But, if Nico is less inclined to pull strings— what if it comes up that he has to?

Like, last time, Nyx had made it so Nico had to revisit bad memories— what if it’s more? What if she brings Jason along for the ride— it’s the newest wound that Nico has.

So what if that leaves Nico with no choice but to bring Jason back somehow— for a while I wondered if Nico could like raise the dead and Will would heal them but I’m not sure that’s how it works.

But the biggest thing is that I don’t think it’s specifically known where Jason is and I feel like that could play a key role.

Jason has such a bad narrative— he’s down the same one Bianca had gone down. Their deaths were only in there to raise another character up. Apollo to change once he got back to Olympus and Nico to be a hero. This is a chance for Jason to have a new narrative— he had to live through the Jason in mythology’s story so what about rewriting his narrative. A chance to change the story.

Jason’s character was “boring” because Jason didn’t know who he was. Jason had no memories and didn’t have a personality. (Mean that nicely) The reason why all of the characters are lovable is because they have personalities that make them stand out.

My overall point is: I feel like Nyx is going to be bringing more trouble to Nico and Will. I feel like it may include Jason as well since it was sort of alluded to when they 1) Don’t know where he is and 2) Apollo and Nico both wondered if Jason would play a part into the original Tartarus expedition.

[glisten-inthedark]

I did most of this with voice to text because I’m rushing to get ready lol so sorry if there are any errors 

I’d love for Ted to become aware of all the upside down stuff and have a much harder time processing it than Karen, but ultimately choose to stay behind for his family (maybe a parallel to season one nearly running away before returning to help fight, though I don’t see Ted doing as much damage as Steve does lol)

But specifically, I want there to be some sort of scene where, the entire season Ted has been on the outskirts of some Byler interactions, like any Byler interactions that involve it occurring in front of or partially in front of the rest of the party, but the audience just assumes that Ted being Ted hasn’t noticed or hasn’t picked up on the subtlety of each interaction 

But then after Byler has gotten together, but they haven revealed this to either Karen or Ted yet, there’s a scene where after a battle—maybe protecting the Wheeler house from monsters in which Will was in protecting people/the house/maybe weed gun or some other weapon and protected not just but also maybeor Ted himself but either way was badass and essential to victory— we see Will spending some time with Holly and Karen and maybe the other party members and he’s comforting or making her laugh or drawing with her or something that is showing his caring and comforting and supportive side,

And Mike is watching fondly from the other room when Ted walks up beside him and quietly says, “I see why you love him so much” or “I see why he is so important to you” and even if it’s the latter with a more subtle implication behind his words, Mike still freezes and stares at his father in panic and fear and a tiny little bit of hope, and Ted turns to look at his son and gives a smile that almost looks like a grimace, but it’s Ted so he kind of looks like he hasn’t smiled in a long time and is still getting used to how it feels so it’s not that he’s actually grimacing, it’s just that it takes practice. And he rests a firm hand on Mike’s shoulder and doesn’t say anything else, but Mike starts to smile and nod and then gives his dad a hug which surprises Ted but Ted ultimately returns it with some awkward pets but their firm pets, it just means that he’s out of practice not that he doesn’t care

And now I have to run out the door lol hope this is coherent!

Hello! First of all the sheer dedication to send me this, I could never lmao so don't worry about any typos!

You see, I absolutely love this! Because yes, I also desperately want Ted to become aware of the UD and to know everything his children have been through.

Like, I do feel like the biggest problem of his character is how he's not there for his children or his wife, him learning about all of it and choosing to stay behind would make for an amazing character growth.

I genuinely believe he's going through major changes we just aren't privy to yet, it'd be pretty awesome to Mike to know he can count on his parents especially after everything.

I need this family actually sitting down and talking ngl lmai

[4vanaa]

・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・

ᯓ ᡣ𐭩 FROM MEGUMI, WITH LOVE ᡣ𐭩ྀིྀི

001. i wanna be yours ─•────

masterlist

“i never thought i’d be writing something like this,” — megumi x reader

The campus felt quieter than usual this morning, all the students remained indoors, hiding away from the frosty November weather. Your breaths came out in small puffs, before disappearing into the gray sky. Midterms were just around the corner, the libraries filled with students, parallel to the back corners of cafes as students huddled together to study.

You stand at the entrance of your favorite coffee shop, Shiba, a staple among your friend group, famous for its distance from campus, and its cheap pastries. Students drifting in and out, their footsteps ruffling the leaves in the entrance.

Adjusting your bag on your shoulder, you peek a glance at the time on your phone.

5:14pm.

Stepping inside the shop, the warm scent of coffee and cinnamon greets you. The space isn’t as crowded compared to the other ones closer to campus. A few students are scattered around tables. And then you spot him—Megumi, leaning against the window, as usual.

His hair falls messily into his face, and his eyes are concentrated to the leaves flying around outside. His eyes linger there for a moment, and as he doesn’t see you immediately, you take the time to admire him from afar.

𓆝 𓆟 𓆞 𓆝 𓆟

bigynfan 13m

liked by megfushiguro, makizenin, yujiita, and 12 others

bigynfan let me be your coffee pot ☕️🍂🤎🥮

tagged; megfushiguro

yujiita is this a date? 👀

bigynfan haha ofc not we’re just studying

nobkugisaki finally hanging out without any third wheels

bigynfan we hang out alone all the time, idk what you mean

makizenin megumi leaves his room for the first time in days, 23 dead, 17 injured

bigynfan he goes to the library all the time?

togeinumaki how much did you pay him to go out with you?

bigynfan my presence was the best currency

nobkugisaki we all know he has a soft spot for her

𓆝 𓆟 𓆞 𓆝 𓆟

“What’s the assignment about?”

Megumi’s eyes flicker to yours for a second, and then his gaze falls behind you as his brows furrow.

“Exploring Personal Attachment and Emotional Patterns in Relationships.”

He digs through his books, searching for something until he pulls out an academic sheet. It’s marked up in annotations, and certain paragraphs are highlighted in a light blue color.

“It’s basically a reflective letter, to someone significant in your life. Its aim is to make you explore moments of vulnerability, attachment, and emotional discomfort in a relationship.”

He exhales slowly, flicking a piece of dust off the paper, as he pushes his hand through his hair. You lean forward slightly, intrigued but quiet, sensing the impact of this assignment on him. He meets your gaze, an unguarded flicker of turmoil in his eyes. The vulnerability in his eyes makes your breath catch, but then he looks away again, fiddling with the corner of his paper.

“It won’t be an easy assignment, that’s for sure,” he admits, barely audible, his voice laced with frustration.

“To be honest, I’m not even sure where to start.”

𓆝 𓆟 𓆞 𓆝 𓆟

𓆝 𓆟 𓆞 𓆝 𓆟

“He went on a long rant about how it has to be about someone who really matters. Someone who makes you want to face things about yourself you’re scared to. ”

He runs a hand across his face, placing his head in his hands.

“I don’t know how to write about things that I’ve spent years avoiding, about..” His voice trails off, swallowing hard as if there’s something stuck in his throat.

You lean forward, trying to meet his eyes, you speak soft. “What things, Megumi?”

𓆝 𓆟 𓆞 𓆝 𓆟

ynlostfiles just now

𓆝 𓆟 𓆞 𓆝 𓆟

You reach out, placing your hand softly over his. “You don’t have to be afraid of letting someone in.”

Your words hand in the air, soft and fragile, and his gaze finally lifts to meet your own. His pupils are dilated, they’re almost darker—filled with an intensity that takes you by surprise.

“I know, but it’s not that simple. ”

۶ৎ @4vanaa

[harocat]

The fujoshi are right about this one. This shit slaps so hard.

I already shipped them, but now we have the deep mutual understanding that is just so fucking good. They are the only ones that fully get each other, the only ones on the same wavelength. Because Li Lun will never be there, and that's why YZY has to move on from him (even if he has a last minute face turn, which he might).

I've been hoping since the beginning of the show that ZYC would somehow get demonized, because to me it seemed like where the story should go. I hope there's not a magic fix for it. Of course I want him to be able to stabilize it so he doesn't... explode, but I don't want the narrative to find a way to restore him back to being human. It's a much better story like this. There's so much soulmate-ism happening here. The way they parallel each other and resonate with each other!! The way they don't have to speak to understand one another. The way they love each other. What a good dynamic. What a good pairing.

Unfortunately I just know ZYZ is going to die at the end of all of this. Siggggghhh. What a story it would be if they could defy fate and not repeat the story of Yinglong and Bingyi; if they could both live and protect the world and the wilderness together. Maybe we'll get an open ending at least? But I mean a good open ending, not whatever GJM did with MJTY.

[sepublic]

According to some FtF storyboards that were cut (presumably for time), Manny met Camila twenty years prior to the start of the series; And since the show takes place in 2022, this would’ve been during 2002. And since Luz is 14, this means Camila and Manny knew one another for six years, and at some point married during that time before eventually having Luz.

Season 1B had an episode that was scrapped called Homesick, which would’ve had Luz discover a Healing Glyph and also reflect on her parents; At this point in production, Camila was a nurse before that got retconned, but it was revealed that Manny was an ambulance driver. The FtF storyboards are much more recent and borderline canon, so we can surmise Manny and Camila did meet at a Cosmic Frontier convention, and their workplaces didn’t happen to intersect.

But if we still want to retain this detail on Manny, you can guess why Camila resonated with him and vice-versa, as people who both had a very compassionate spirit. Manny especially as someone who builds people up.

And there’s a dark irony in Manny always bringing people to hospitals, because he would be quite familiar with those who are on the verge of death, who might be skirting close to it, maybe even people who did die on the way… So he was always aware of mortality and he’d have to consider his own. And so after all this time, he would be the one being brought to a hospital, different ones, it’s why they chose Gravesfield specifically. His life and death, defined by hospitals; His peak and decline, defined by hospitals. How does Luz feel about such buildings now?

Manny would’ve empathized a lot with those in charge, but did he ever imagine he would empathize like this? Sometimes I think of the little fan theory that the Abomaton alarm genuinely triggered Luz because it reminded her of an ambulance that took her father to the hospital during a sudden medical emergency. These alarms are never pleasant anyway, nor is their context, but on some level it must hurt for something tied to her father and how he helped people to just be a reminder of how he couldn’t be helped. The hospital was once associated with her father’s heroics, but now…

On a brighter note, you could say that after helping people, Manny gets helped in return; But in the end it wasn’t enough. Or it did help, because it still got him some extra time with his family, enough to figure something out for his daughter that would keep her alive. Looking at the parallels to his daughter that he consciously taught, I wonder if Manny also wanted to be a hero; Luz’s obsession came from the book specifically, because it came from her dad.

Was Manny drawn to the medical industry to also help people? If so, he actually understood what people needed, which was more healers who could build people up. He didn’t become a cop or anything. And such a mundane and unglamorous way of life is better for the world; Because I think of how Luz wanted to be a hero, but aside from one gag with the Gildersnake, her focus has always been on helping people and not destroying her enemies.

You can see this in the good Luz has done, which comes more from helping others, some of whom were her enemies, than destroying or taking down people; The final enemy she can’t really help, Luz doesn’t even destroy herself, nor directly at least. And I think that hearkens a lot to what her father and mother do, and I wonder if that’s a specific ideal Manny had. Azura, as Luz describes it, is someone who befriends people and even enemies.

So I wonder if Manny actually read though the book, if he thought consciously what his final message was because it’s not just the act of giving the book itself, its what the book says, it’s how he’s choosing to impart his final beliefs by choosing something he thinks reflects them.

He’s not afraid of weird looks, it’s already acceptable for an adult like Mildred Featherwhyle to write this and consider her messages anyhow, so yeah he’ll read it in his hospital bed and place this under a critical lens. If anyone looks at him funny, Manny will snap at them unapologetically, Hey I’m dying, lemme have this! He wouldn’t need death as an excuse, mind you.

So Manny is an ‘author’ in a way, creating a message for his daughter, the other hidden author to Luz’s favorite fantasy. And Luz is the author of her own fantasy. Manny’s already a massive nerd, it’s what led him to Camila, to Luz, of course he’ll give that to her; It’s what leads Luz to Amity.

[kurigohan0909]

Rewatching Link Click: Easter eggs in your noodle soup?

So I've just finished watching both seasons of Link Click/Shíguāng Dàilǐ-rén, which means that obviously I'm watching it all over again. What did you expect me to do, sit around waiting for Bridon arc while the Bilibili official account taunts us with replays??

Besides, Link Click is one of those dishes that is best served twice. The early episodes are packed with hints and foreshadowing that only become clear once you've gotten up to date, so I've made it my mission to catch 'em all.

You don't say.

It's well known that certain early mini-arcs (for instance Chen Xiao's basketball match, and Doudou's kidnapping) have implications for the larger plotline or at least contain important exposition/character insights that the story would not feel complete without. There are also several that get written off as filler, or are generally considered to not have any purpose beyond familiarising the audience with the characters and setup, and lulling you into a false sense of comfort before everything goes to shit. Episode 2: Secret Recipe, AKA the Noodle Lesbians episode, beloved as it is, tends to fall into the second category.

Or does it?

On a rewatch, I still don't think it does anything to advance the main plot. We don't even really know where it fits into the timeline, because we're never told what day it is and Lu Guang's watch is never shown on screen (I'll get around to a longer analysis of this another day). However, I'm instead inclined to believe that it's one of the most important episodes in the show - if not THE most important - because it's essentially an allegory for the story of Cheng Xiaoshi and Lu Guang, and gives you a bird's eye view of how the relationship between them is going to develop - which, as you know, is what the show is all about. And the fact that it's not situated in a specific time, in a show that cares heavily about timeline construction, makes it better.

The episode starts with this quote from German photographer August Sander, who believed that, through photography, he could reveal the characteristic traits of people. "The portrait is your mirror. It's you." It's pretty explicit, when you think about it. This episode is a mirror of the entire series, specifically of its protagonists.

Moving on. The episode's storyline is quite simple: two college "roommates" start a noodle shop together, and as time passes, they drift apart and eventually fall out as their priorities change. Yu Xia, the business-oriented one between them, wants to get hold of the secret ingredient used by Lin Zhen, to whose cooking the shop attributes its success. Does Yu Xia really want to steal the secret recipe? Or is it just one of the many things that the quieter Lin Zhen keeps hidden from her that she desperately wants to know, along with everything that went wrong between them? Your guess is as good as mine. Either way, there are lots of indirect parallels between Xialin of the noodle shop and Shiguang of the photo studio, even if for now they're very distinct individuals with their own personalities and struggles. It does, however, give some indication of what's to come.

This question isn't purely rhetorical, as we find out in the very next arc, where Cheng Xiaoshi has a fight with Lu Guang over letting his client's loved ones perish in the Wenchuan earthquake. Even if they eventually come to a consensus, they have fundamentally different life philosophies and approach their missions in very different ways. Cheng Xiaoshi is a hyperempathetic idealist who keeps trying to use his forays back into the past to fix his clients' personal problems, while Lu Guang remains utterly indifferent and staunchly against interfering, even in life-or-death situations. Which turns out to be a facade, because we later learn that he's just as much of a meddler as Cheng Xiaoshi - except he's focused on a singular, selfish goal, which is to keep Cheng Xiaoshi alive at any cost.

Let's go back to the noodle shop. After ten years of running the business together, it becomes clear that the ladies' aspirations are no longer compatible. Yu Xia has big plans for the shop. She wants to broaden their customer base - for profit, of course, but also so that more people can be made happy by the chance to taste their noodles. Lin Zhen's dreams, however, are on a smaller scale - perhaps only on a personal scale. Throughout the episode, it seems that she only really cares about making noodles for one person.

Sound familiar?

At the risk of digressing, it needs to be said that Yu Xia and Lin Zhen are absolutely very much a WLW couple. This isn't bait, it's elegant and really quite unsubtle queercoding that says 'to hell with censorship' loud and clear. Honeymoon jokes, the taxi driver assuming Lin Zhen had fought with her husband, and Lin Zhen's very bold attempts at flirting... we see you.

More to the point of this post, I think it's important to point out that Lin Zhen does not actually care for too many people other than Yu Xia. She's all worn out from making noodles for customers, but she forgets all about that when it's time to make a bowl for Yu Xia. She also keeps her special ingredient - which is one of the secrets she shares with Yu Xia, as we find out - highly guarded. She's never going to let these pesky reporters in on something so intimate.

Why is this important? Because, as it turns out, the episode's storyline - and Lin Zhen's motives - are all about saving Yu Xia.

We learn that the secret ingredient is a local specialty from Yu Xia's hometown. Lin Zhen has been using it for years, keeping the taste of home alive while Yu Xia's drifted further and further from home to the point where she can no longer remember where the ingredient came from. At the end of it all, when Yu Xia returns home, she finds Lin Zhen there waiting for her. Lin Zhen, mind you, does not hail from the same town. The girls met in college. It's home to her simply because it's Yu Xia's home.

This comes directly after a pilot episode that establishes the contrast between urban isolation and rural/familial warmth, through Emma's eyes, and in a show that continually reinforces the concept of longing for home and loved ones. By forcing Yu Xia to reevaluate her priorities, Lin Zhen manages to bring her back home - which is a place that includes herself.

Perhaps it's too early to say. But to me, it's a pretty neat thematic parallel of Lu Guang's solo quest to save Cheng Xiaoshi from death; which is intertwined with a greater goal of giving Cheng Xiaoshi a home, one that is safe and secure and surrounds him with those that love him and are there to stay.

But in the process of achieving this, one of his biggest obstacles is Cheng Xiaoshi himself - his insistence on interfering with the timeline so that Lu Guang can't predict events with certainty, his objections to the way Lu Guang does things, and the definite resistance Lu Guang will come up against if Cheng Xiaoshi learns about his plan. Pretty much every minor mission they undertake is a rehash of the same argument; Cheng Xiaoshi wants to use their combined powers to make a difference to other people's lives, and Lu Guang just has one goal in mind which means that he's going to ignore absolutely everyone else.

Notice how Yu Xia's looking to the future, while Lin Zhen's dream is to go back to a point in the past? Neat.

And when they finally part ways because it's clear Yu Xia is not going to support Lin Zhen's goal? Yu Xia asks her where she's going to go after they part ways, and Lin Zhen says:

I wonder where we've heard that before.

And if you need any more proof that this episode is in fact intended to be a mirror, do consider:

Their seating positions are mirrored too. Yeeeeaaaaaahhhh.

In conclusion: if this allegory is to be believed, then trust that Lu Guang will eventually succeed in his mission and Cheng Xiaoshi will find his way home to him. It'll happen, guys. In the meantime, at least our beloved noodle ladies will be living a peaceful life out in the countryside.

Since I don't know how to shut up and this website seems to be giving me infinite space to yap, let me include some more details about this episode that I found cool. There are so many.

Lin Zhen and Lu Guang are both shown while this line is being said. What with all that the fragrant flowers represent, it makes you think about what these characters' best memories might be and how much they treasure them.

This is such a tiny detail that you'd almost definitely miss it on the first watch, and it seems insignificant - until it isn't. When Cheng Xiaoshi hops into the girls' picture taken during their college days, he screws up and suggests they'd be better off dabbling in tech stuff like apps or intelligent management than running a noodle shop. Lu Guang makes him quickly eat his words, but they seem to have still struck a chord with Yu Xia - because later we see that she works over years to integrate an intelligent supply chain management system into their business. In fact, one of the reasons for Lin Zhen to alienate herself from the business is because she feels like it's gotten too techy and lost its human touch. Not really fair considering it was her own idea, is it?

I mean. This is probably a stretch. Digitization is pretty inevitable for big businesses nowadays, so Yu Xia, being as enterprising as she is, might have gone for it whether Lin Zhen suggested it or not. But it's interesting to think that it might be Cheng Xiaoshi's tiny alteration of the past that unfurled outwards like a hurricane from the beating of a butterfly's wing and catalysed their falling out. Especially because these kinds of bootstrap phenomena very much occur in later episodes and are a core feature of Link Click's time travel model.

Some suspicious behaviour on Lu Guang's part. He's quite certain there are no useful clues in the last picture Yu Xia and Lin Zhen took in front of their shop, despite it being the only one taken by Lin Zhen (seriously! you could go to her house, look through her phone, the possibilities are endless!) and the fact that this is the photo Cheng Xiaoshi did end up solving the mystery in, thanks to the ticket stubs he found in her purse (see?) Secondly, they outright miss a picture in the envelope - the most important picture of all which would have given them the answer right away, since this was when the fragrant flowers were first used. Not your best work, Lu Guang.

...or is it? Lu Guang is pretty meticulous, and it's unlike him to slip up in such obvious ways. He's also skilled at slipping things back into envelopes when he doesn't want them to be seen, as we know. Could it be that he didn't want Cheng Xiaoshi to solve the mystery? But why? Maybe it's metaphorical, like so much else of this episode: he doesn't want Cheng Xiaoshi to uncover his true intentions. The fact that all this is ultimately for his sake.

Interestingly, Lu Guang was very dejected at the idea of them seemingly being out of luck - they'd tried so many times and failed to fulfill the mission. Was he, perhaps, thinking about another mission he'd hate to fail? Anyway, it falls to Cheng Xiaoshi to cheer him up and give him hope for another try, which he accepts, with a small but genuine smile. My heart.

If you've scrolled this far, I'm glad you enjoyed my ramblings! I must say I don't know much about how Tumblr works so apologies if I mess up on formatting or tags, but I'll probably get the hang of it soon enough. I'll also probably end up enjoying Tumblr more than Twitter since it allows me unfettered yap space and won't feed my writing to the machine (yet). It's late and I should probably stop stop thinking bout it around now... but look forward to more random ramblings and thank you for reading!

[simpforsolas]

some more ramblings

Topics: Soft reboot vs sequel discussion, and why Veilguard companions fall flat

One of the biggest issues that I think Veilguard suffered from was that it felt like BioWare couldn't decide if they wanted to make a sequel or soft reboot. The story was a direct sequel to Inquisition, but everything else felt like a reboot. The cameos were so shallow and dissatisfying, and the fact that we couldn't carry over basically any choices made it so it didn't even feel like our own world. It also felt like the parts that were integral to Dragon Age's world in previous games weren't even present. Religion, race relations, issues regarding magic, none of these issues were there. It was like they didn't want to bog the game and story down with lore for new players which I can understand, but then we were left with something that barely felt like Dragon Age at all. What do you mean there was barely any distinction between city elves and Dalish elves? What do you mean a new player could play as mage Rook and not realize that in the majority of the continent they would be hated and feared? But then, the main story directly continues Solas's story in DAI, and they brought the inquisitor back. But at the same time, they didn't want the inquisitor to have too big of a role because new players wouldn't care about them and it might be confusing. But then that left returning players like me honestly, very dissatisfied, because I wanted more solavellan, and I wanted Lavellan to have a bigger role in Solas's final outcome.

With regards to companions, none of them had interesting character arcs or opinions relating to this broken world they lived in. I mean, they couldn't, because BioWare simplified the world so much that these complex issues can't shape anyone. What made Vivienne so interesting was the way the world shaped her as a character. Same with Solas, Fenris, Anders, Alistair, Cassandra, Wynne: all of these are characters whose personality, flaws, and beliefs are shaped by their background, which meant that if you threw them in a room together, you inevitably got fascinating banter because the characters had such strong identities and beliefs that you could tell who would clash and who wouldn't. To me... the new companions in Veilguard didn't really feel like their personality and stories were inexorably tied to the world. You could pluck Taash's story from Veilguard and set it in a completely different world, swap out a few things, and it would be the same. But for Anders' story to work, it requires meticulous worldbuilding and understanding of Thedas. It is, to its core, tied to the world of Thedas. Yes, you can of course find parallels to the real world with Anders' story, but it still requires to be told in the world of Thedas for it to truly make sense. That's not to say the Veilguard companions are necessarily bad, but it was disappointing to me that none of them had the same spice as the previous games' companions, and I really think it comes down to the fact that their arcs focused more on broad human experience and didn't tie into the world that created those stories.