#I make them angsty

[inkskinned]

you said you were stuck in a time loop, which was fine. i feel like late-stage capitalism has us all in a time loop, ammiright? you came barging in at 5:33. in the morning. i hadn't even processed the idea of coffee.

but you had this look of utter panic in your eyes. terror like the ocean. you grabbed my cheeks. im in a time loop.

i don't know why in movies the first reaction is to deny it. when someone is panicking like that, it's not appropriate to ask them to calm down. it didn't matter if i believed it, what mattered was that you believed it so much that it was consuming you.

so here we are. i pour you some of the dark roast. "you look like utter and entire hell," i say.

you push your fingers into your eyes. "you always say that."

i try to think of something funny to say that i wouldn't have said on previous time loops, but jokes don't land without the proper timing (lol). "remind me to think -"

"-yeah, of a joke that only works in the future. and before you say anything, i know you're pissed i just stole your punchline." you bolt the coffee, which is wild. it's very hot. you don't seem to notice.

i blow on mine to cool it down. i both am very pissed at you and also i can't see you in this amount of panic without wanting to help. but i'm also not really sure what we are, not since i saw you kiss her like that, no offense. it just was like, kind of rude when you knew i liked you.

and besides. i'm just like, barely a person. i write omegaverse fanfiction. i love the concept of a time loop, but what the fuck am i gonna do? send an alpha in there? i open my mouth.

you point at me. "you're about to ask why me. and then say some disparaging shit about yourself. i'm just a nerd who plays dnd or something. that self-own is slightly different each time." you sigh. "i know you think you can't really help me. i don't know who can help me. i only came to you because you fucking believe me." you check your watch, sigh, and throw your head back. you cover your eyes with one hand. "i've come here on 26 separate revolutions," you say. "you have believed me every time. and yeah, i have no idea how you fit into this but i just -" you sigh again. "i just like fucking talking to someone about it."

"do you need more cof-" i start, but you're already holding the empty cup out. i frown at it. "you're not getting any more until you promise not to bolt this one like an animal."

you laugh a little and sit up, pushing your hair out of your face. "okay, that's new dialogue. but to be fair to you, i'm not usually this rude. i'm still pretty new at all of this." you check your watch again. another sigh. i guess you're cruising for a personal best in the Sigh Olympics.

i almost tell you im not an NPC but i've played enough video games to know i'm very much an NPC. i pour you another cup. "so what happens in the loop?"

"really bad explosion." you mutter into the mug. you put your elbows on the table (rude) and bury your face in your arms like an angsty teenager. one hand floats up while you talk, because evidently you literally can't talk without your hands. "i have to save the day and there's this bomb and i have no bomb training and it keeps moving, you know."

"do i die?"

you peek up from your arms. "yeah. bigtime. you keep trying to run or stay or do anything and you always super die."

"oh."

"to be fair, like, everyone dies in it though.... so you're in good company."

i hate that you make me laugh. i hate that being around you always feels tingly and strange, this electric tension between us. something that is evidently (given how you stuck your tongue down a stranger's throat literally 3 days ago) (well. 3 for me) super one-sided. i take a sip of my coffee and close my eyes.

i die today, i guess. a little spark of panic starts at the top of my hands and starts whipping up my wrists.

"shit," you say. you look at your watch and jump to your feet. "i have to go. if i can come back, i will. i am still trying to figure out when is best to do everything, you know? the order of stuff. maybe morning isn't good for us."

i look up at you and think about how you keep kissing me in the back of my car and in alleyways and in the dark. and i can never fucking get a read on you. and i also think about how incredibly panicked you look. how broken. how long have you been doing this? "i don't want to die," i say.

you glance downwards. "well, you're not really dead, you'll come back in the loop."

"but i will have died." my hands are shaking. i am trying really hard to stay calm.

you push your hands through your hair again. "i really have to go. i will have this discussion with the next version of you, though. it is like, something i am thinking about."

"but i don't get a next version," i say. i don't really have the language for this, because i haven't had 26 tries with you. i only have my memories: you, a week ago. drunk and telling me you loved me in my ear. you, kissing her anyway. you, months ago, throwing up on my birthday, whispering to me i ruin everything i touch, always, over and over. please don't ask. i can't ever fucking have that be you.

i run my finger along the rim of the mug. "i don't want to die in this one."

you seem baffled by this. "i get that but - time will reset, you'll be fine, you won't even remember we talked about this."

"but i know now." i stand up too. "i have to live the rest of this day knowing i could die. knowing i probably am going to."

"you could always die, to be fair."

i feel my hands get out of control. "earlier, you said i always say a different insult about myself. what if you're just going through different parallel universes and those are all just different - but real - versions of myself? what if you're not in a time loop, you're in a fucking universe loop?"

"if it helps, i've wondered this too. also, you're hot in all of them. if that helps."

i point at you. "no flirting. i'm trying to figure out if i die today."

"who's flirting?" you catch my wild hands and give me that long, perfect smile. like we're in this together. "i won't let ya die." you check your watch and sigh again. "well. maybe not this time."

i grit my teeth. you are so not making quips at me while i try to explain the existential dread i'm having. "does the time loop reset if i fucking kill you?"

"honestly i don't know how long it continues after i die, because i just wake up. it could be that the loop goes until the explosion for everyone, and we're all in the loop, or it could be that when i die, the loop restarts. when i die i wake up, is all."

i pull away from you and stalk into the kitchen and start doing all 3 of my dishes. "okay, first, you know i was joking. and secondly, this is exactly my point. you don't know if this is just a parallel universe. maybe in the ones where you died, the explosion happened and nobody reset and it's just you travelling." i have to stop and push my heel into my eyeball. "... how often have you died?"

i look at you. you look at me. you give me this very sad, halfway smile and a little what can ya do shrug. something in that action seems so old and weary that i want to burst into tears.

"i have to go," you say. "really. for real. there's this family of five i save from getting into a car crash. and i know it's like oh but we're all gonna die in the explosion anyway, what's the point. and..." you shrug again. "it matters to me, is all. at least i saved them for now. at least i saved anything."

you pad over to me and wrap me in a tight hug. you always seem so tall against me. i feel your cheek rest against the top of my head for a moment. for a second, it's just us, and the space is warm, and my heart is a little broken hare.

you leave me there, and i stand in my stupid badly lit kitchen with my stupid mugs. i think about you. i start texting my mom that she needs to get out of the city, but it feels pointless.

i don't know what to do. tomorrow is the same day for you. but i have to prepare to die in my today.

[supine-ly]

something something Jason was doomed the moment his mother named him

[tyquu]

Sleepy

[bellandeano]

so like. how many gentle touches do you think they've actually felt in their lives haha

[starzovermarz]

So close to being the real thing

[motherofoompaloompas]

I personally subscribe to the Commander Fox has OCD headcanon

Give me Fox tapping a specific rhythm on his comm before answering

Give me Fox that carefully adjusts every item on his desk until it is placed perfectly during stressful conversations

Give me Fox that spends an entire shift stressed out of his mind because he didn’t get a chance to tell Thorn to be safe that morning and it is a verbal ritual of his

Give me Fox zoning out while being lectured by a senator because he got caught in a loop of counting his breaths

Give me Fox that has a complicated relationship with numbers so whenever he meets a shiny or sees a senator’s room number he gets split second impressions of what those numbers will bring

Give me Fox obsessively checking his troopers’ armor because if the paint is not perfect, they will be called out and decommissioned

Give me Fox having to step through doorways until it feels right or else a shiny will be decommissioned

Give me Fox that needs to check the casualties after all of his batch brothers’ battles or they will die in the next battle

Give me Fox that spends his entire sleep shift awake while his brain comes up with all the gruesome and painful ways his brothers could be dying at that moment

[avastazyana]

[petricorah]

bound for elsewhere [ids in alt]

[potatobugz]

bleeh bleh bleh

[starry-bi-sky]

"Stillborn? No, no, still born." -- DPXDC AU

Based off a comment I saw where Bruce knew about Talia's pregnancy in the earlier comivs, and was ecstatic to be a father. So much so that Talia feared he'd give up being Batman for it, so when she gave birth she put the baby (Damian) on a doorstep and (seemingly) told Bruce that the baby was stillborn.

Instead of Damian, that baby was Danny! Meet Daniel Brown, the 14 year old foster kid whose been living with the Fenton family for the last two years. He's about two years older than Damian.

His last name, "Brown", was a generic surname given to him because the note he came with didn't have one on it. It just had the name "Danyal" on it, but albeit 'Daniel' was the one that had been put into the system for, I'll be totally frank here, racism reasons.

(I looked it up to make sure, and it's generally not permissible for foster parents to change the names of their foster kids even if it's a permanent residency, and for that reason Danny doesn't have the last name "Fenton".)

Danny's got ✨~issues!~✨ He's been through a handful of homes growing up, most of them terrible for a variety of reasons. Which has, as a result, left lasting scars. He's generally a very sweet kid, just very distrustful and jumpy. He's got the signs of a kid suffering from PTSD, and a handful of other issues including attachment and insomnia. His inferiority complex could rival Damian's, and that's going to make for an interesting mutual hatred for when they finally meet.

(something I'll get into later)

He still has the blanket he was found in. It's made of a very high quality material and is a beautiful emerald green with little golden thread accents, it's high quality as a result has Danny clinging onto a desperate hope that his bio family might be out there, and the only reason they gave him up was because of some outside factor. It's been taken a few times in old foster homes, and he's flipped out each time.

While he still calls Jack and Maddie by their names, he likes them well enough. The bar isn't that high though, and while they're some of the better foster parents he's had, "better" doesn't equal "safest". Their laboratory malpractice. Basically, C- Fenton Parents. They're negligent by virtue of being engrossed in their work, but they do care equally about Jazz and Danny. So he doesn't hold it against them that much.

He kinda prefers it that way, their loud affection is overwhelming and Danny doesn't know what to do with their attention, even if he craves it. It's a bit of a complicated situation.

They took in Danny because they genuinely wanted another child, but didn't want a big age gap between them and Jazz. It was actually Jack's idea to foster, and they discussed it with Jazz beforehand. She was all for the idea. Thus, a handful of weeks later, a ton of paperwork, and inspection later, and Daniel Brown entered their household with a trash bag in one hand and eyes like shards of stained glass.

His relationship with Jazz is kinda strained, but that's by virtue of her constant psychoanalyzing and helicoptering. Like with the parents, Danny's overwhelmed by the attention and also just, straight up doesn't like the fact that she's telling him that there's something wrong with him. He knows that, thank you. He pushes her away when she does this.

Other than that though? When Jazz isn't smothering him and is acting like an actual sibling and not a third parent, they're pretty close, and Danny really likes her. They've hung out a few times on their own volition, and Jazz showed him how to take better care of his long hair.

His school situation,, pretty similar to canon with the bullying, albeit with a few more instances of him blowing a fuse and lashing out against his attackers. He's a rather angry kid, but it's quiet. It builds up, piles on top of itself, until eventually, like a volcano, it erupts and burns everyone within radius.

Danny's got a fire core, not an ice core. Phantom's hair is made of white magma; thick and heavy, setting itself on fire when his anger runs hot. When he gets angry, his skin begins to char and split open to reveal pulsating lava underneath, and he crackles and pops like a raging forest fire.

I haven't decided yet on how he meets the batfam -- i've got two ideas but they're both in opposition to each other, and drastically alter how the rest of the plot goes. But I do know that him and Damian hate each other in the beginning. And it has nothing to do with inheritance or "being the blood son" -- although their blood relation absolutely plays the major role in their disdain for each other.

Simply put, they're jealous of each other for the same thing: thinking that the other was wanted.

Damian hates Danny because, unlike Damian, Bruce knew about Danny since conception and wanted him from the moment he heard about him. He had a whole nursery set up, and still does. He never took it down -- just locked the door. Damian was thrust upon Bruce without warning, and he feels like he forced himself into the family. And while on some level Damian knows and understands that Bruce wants him and loves him as much as his other children, that doubt and feeling of inferiority still remains. He looks at Danny and sees him with what Damian always feels he needs reaffirmed.

Meanwhile, Danny hates Damian because he looks at him and sees him with everything Danny's ever wanted. He hates him because Damian grew up knowing both of their parents, with one of them for most of his life, and then moved over to the other. There was never a moment where Damian was (seemingly) left to doubt his place within the family. Damian was raised with the very same woman who left Danny on a doorstep, with no clue to his identity beyond a little green blanket and a note with only a first name. Damian was wanted everywhere, and Danny was wanted nowhere. Damian is Danny's replacement in his eyes.

(It's the little revelation that Damian grew up with their mother that elevates Danny from being quietly envious of Damian to downright despising him. What did Damian do, that Danny didn't? He could live with Damian living with Bruce -- Bruce didn't know Danny was even alive. But him living with their mom? Are you fucking kidding him?)

Damian never outright attacks Danny physically, but it's not like he hides that he didn't like Danny. Meanwhile, Danny, in all his repressive anger, quietly despised him from a distance until finally one wrong snide side-comment has him blowing up and it becomes a screaming match. They're both just enough similar to each other that when they look at each other they really just see a mirror.

They'll work it out together, eventually. But it'll be ugly and cruel and explosive, and they'll start mending the bridge to become brothers in more than just blood relation in the end.

But yeah, stillborn Danny has... a lot going for him.

[tending-the-hearth]

thinking about how canonically the pevensie siblings are 13, 12, 10, and 8 in "the lion, the witch, and the wardrobe"

thinking about how lucy needed a stool to be able to get up onto her throne, how peter's sword is a little too large for him, how susan's bow is a little too difficult for her to pull back, how edmund's shield nearly covers his entire body.

thinking about the pevensie siblings and their first few months in narnia, getting to know their new people, and half the narnians sitting there horrified because WHAT have these literal babies been through to give them such traumatized, old eyes, and the other half of the narnians are preparing to adopt them, no it doesn't matter that they're the rules, they're children who are being put in charge of too many things, and if peter looks at the old man council long enough he's going to cry, so someone needs to give him paternal support while aslan is off doing Lion Jesus Stuff™️ and whoops oreius is being nice and encouraging and now he's adopted his kings and queens they're his kids now he doesn't make the rules.

just the narnians and the pevensies being thrown into it together, and just as the pevensies will do anything to protect their new kingdom, the narnians will do anything to protect their rules, because let's be honest, these children have no sense of self-preservation, and are far too overprotective of each other and their people to take into account their own safety, so a lot of battles it's just one of the pevensie siblings running headfirst into danger with oreius running after them because his kids are feral and don't know proper royalty manners and won't threatening old kings from different countries because they're being assholes and the last time one of them tried undermining the queens susan called him a self-righteous asshole and lucy tried to stab him SOMEONE help him corral his children please

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[cheesecakethots]

i LIVE for the angst of a yandere initially being fucking awful to their darling after taking them, and overtime changing and becoming more loving, as well has having newfound and immense regret for what they’ve done. it is literally my fave yan scenario.

tw // pretty heavy angst, mentions of noncon

i specifically imagine it for shigaraki, going from being this disgusting manbaby who treats his darling like they’re nothing but a toy for him to use, only to later realise how much he loves them and mature in how he treats them, making his regret for the past even stronger.

him trying to coax his darling into coming out on a date with him - they can go anywhere, he doesn’t mind, darling has free reign to choose what they do. he tries to be so soft and quiet in his tone, as though not to startle them.

it’s only when tears start forming in their eyes and they mumble, “have i been bad?” that he realises how badly his past self fucked up.

the only other time he really took them out was when he’d decided they needed a punishment, and had made them stand and watch as he disintegrated the first group of people they saw out. he had then fucked them against the alleyway wall, bodies still around them both, just to really get the point across.

he wishes he could take back everything, but he can’t. as of now, he needs to take baby steps in order to bring you out of the very same hole he once caved into your mind.

(i love regretful yans urm send me some thots about them pretty please)

[starcurtain]

I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?

I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:

I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."

I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.

Nah, we all know why Jade's trailer is Like That.™

Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.

Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:

Endearing vulnerability/helplessness

Gay ship tease

Give a character both, like Aventurine? They might as well be printing money.

That sound you hear is Hoyo's stock prices rising.

So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.

We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.

He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!

The ultimate feeling evoked is: He needs to be saved.

When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.

And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.

Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.

His motivations are always clear and consistent: get free, heal, and live happily ever after.

Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--

Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.

Hoyo is not remotely discouraging people from literally buying into this emotional appeal.

And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.

In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.

This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂

Bro can't even sleep in on his day off; life is so hard for this man.

Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?

Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?

It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)

Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.

The problem is that that's just not who the game is telling us Aventurine is.

Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)

So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.

Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.

To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.

The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.

He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.

He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.

This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.

He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.

He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.

His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??

People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?

Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.

The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:

Like... Work is the least of this man's problems.

At really the risk of rambling on too long now, he's also just a massive walking contradiction:

Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.

You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.

He's the "chosen one" who will lead his people to prosperity... except they're all dead.

He's explicitly suicidal... andddd also a pathstrider of Preservation.

He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.

He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.

He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)

He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.

He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...

To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.

Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.

In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.

Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.

Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.

[winn-wynn]

I feel it in my bones. I think people called the Weasley siblings the wrong sibling name.

Like they went to school around the same time. Not just the twins, like maybe teachers call Ron “Bill” by accident or Fred “Percy” which gets a gasp from both Fred and George in offense. Ginny gets mixed up too just because it be funny as fuck.

Hell I bet their own parents confuse them too calling them the wrong name because that is a sibling experience

[thatonebirdwrites]

Cheating Death Part 2

Part 1 here.

Only seconds after Lena vanished in the portal, the Kryptonite cage melted into the floor. A yellow light pulsed so brightly, Kara had to close her eyes. Light infused her cells and pushed the pain of the Kryptonite away.

Lena's words echoed in Kara's head. How she'd stomped and shouted, the tears on her face, the desperation in her voice. How heartbroken she'd been when she'd said, "No, no you don't get to tell me who I am anymore."

She didn't know what to do. Lena had been hurting and grieving this entire time, and what had she and her friends done? Celebrated her brother's death, ignored Lena's increasingly isolating behaviors, and pretended everything was fine.

It wasn't fine.

Yet, the yellow light. Why had that activated? Was it Lena or the Fortress?

Kara ran through the Fortress to the control panel. She dug into the log and swiftly found Lena's code. It had been programmed to create the cage if Kara asked about Myriad, but then the yellow light was also programmed to heal Kara after Lena escaped. A note was annotated on that section of the code, and Kara's breath caught in her throat.

"I wish I could stop loving you. This hurts worse than death."

Tears dampened her cheeks and she wiped them away. What would she tell Alex? How can she explain any of this?

She didn't want her friends to turn on Lena, and Alex definitely would go after Lena if she knew about the cage. It'd been temporary, and Lena had programed a healing sun-bed equivalent burst for after. That alone gave her hope that she could still reach Lena.

Because even in her heartbreak, Lena did not want Kara dead.

She grabbed the weapon she needed, the same one Lena had used to stop Leviathan from killing Kara, and re-calibrated security. Her tears froze on her cheeks by the time she finished.

Kara flew out of the Fortress and high into the stratosphere. She listened for Lena's heartbeat, but heard nothing at first. Fear clenched her heart. Either Lena hid behind lead, or something terrible had gone wrong since she'd left. She hoped it was the former.

With a heavy heart, she flew to the DEO. Alex waited on a balcony.

"Kara?" Alex said, alarmed. "What the hell happened? Where's Lena?"

Kara held out the weapon. "It works as hoped. Sustained blast will keep Rama Khan down, and then attach the power dampeners."

Alex took the weapon with a frown. "Kara, what happened to Lena? Where is she?"

Kara shook her head. She couldn't voice it. She refused to believe Lena was lost to them. There had to be a way to save her, to bring her back, to repair what Kara had fucked up.

She pressed her hands against her face and flinched when Alex tried to touch her shoulder. "I got to find her," she whispered. "I got to make things right. I got to."

"Kara, I can't help if you don't tell me." Alex's voice held kindness, but Kara knew how quickly Alex could turn to anger. When it came to Kara's safety, Alex might cross a line she'd regret. Kara had done it for Alex a few times.

But with Lena? Kara had no boundaries. Lena held her heart in a way no one else did. She'd talked herself into settling for Mon-el, but it'd never been who she needed.

She needed Lena.

"Kara?" Alex tried again. "Kara, talk to me."

"She's the one who shot Lex." The words felt unreal.

Alex's brow wrinkled. "I thought he died when he fell."

Kara shook her head. "We never found a body or even parts from his suit, remember? If he had a portal watch, he could have gone anywhere."

Alex sucked in a breath. "And Lena was waiting for him?"

Kara nodded. "She shot him to protect us. She's been grieving and hurting all this time, and what have we done? Ignored her grief! Where were we for her pain?" She paced the balcony as fury at herself and everyone around her built up in her sternum. "I hurt her! I hurt her with my lies, and I have to fix this."

"Kara," Alex hefted the weapon. "Maybe let Lena have her space. We still have to deal with--"

"Alex, you didn't hear her!" Her pacing quickened and a groove appeared in the concrete from her superspeed.

Kara should tell Alex, and yet she couldn't. She needed to save Lena from Myriad herself, but to do that, she needed to find Lena. And she still couldn't hear her heartbeat.

She let out a shout of rage, her fist colliding with the wall and shattering the concrete. "I hurt the person I love! I have to fix this. I have to bring her back."

Her rage petered into sobs, and she fell to her knees.

Her, the strongest and fastest on the planet, brought to her knees by a Luthor.

She thinks of all the times she could have told Lena, and how she'd chickened out, afraid of losing her. Afraid of living a life without Lena's presence. Now a Lena-shaped hole had been carved in her chest, and she hurt.

It felt like Kryptonite all over again.

Was this how Lena had felt the past few months? This agony?

And yet, Lena had still helped. She'd still saved Kara's life. Still built devices that helped others. Why Myriad? Why use that monstrous device? Kara couldn't make sense of it. The months of pretending to be Kara's friend.

She should be angry at Lena. Furious at the betrayal, but she felt only grief. She'd started this with her lies, with leaving Lena in the dark. Lena could have helped so much more if she'd been in on it from the start. Then this never would have happened.

Kara sat there, silent, head-bowed long enough for Alex to leave and return with a cup of herbal tea. Rooibos since most other teas were too intense thanks to Kara's supertaste. Her fingers curled around the warm cup.

"I tasked Brainy and J'onn with the weapons. We'll deal with Leviathan." Alex smiled and squeezed Kara's shoulder. "You do what you need to do, Kara. I'm with you, okay?"

Kara nodded numbly. She sipped the tea and slowly became aware of a high-pitched beeping. "Wait, that's the signal watch," she murmured. She put down the cup and listened. It came from downtown. "Lena," she whispered.

Before Alex could respond, Kara blasted into the sky and broke the sound barrier. The crack whipped across the city and shook windows. She landed on Lena's balcony at L-Corp, ripped open the door, and dashed into a dark room. The beeping came from the stairwell.

Horror twisted her gut. She supersped down the stairs, all forty-three flights, until she reached the stairs just below ground level near the door to security.

She threw open the door and the thick scent of iron assaulted her nose.

Eve lay in a pool of blood, no heartbeat. Someone dressed in black lay crumbled near Eve, again no heartbeat. Blood coated the stairs from where Lena must have crawled.

Lena, her Lena, lay motionless, one hand on the top step. For a horrifyingly long second, Kara couldn't hear a heartbeat. She dropped next to Lena and pressed her fingers against Lena's pulse point.

No, there it was.

A faint badum-badum, the most precious sound in the universe.

She could do nothing for the others, but she still had a chance to save Lena. A scan of her body revealed the bullet in her side, how it pierced a lung.

Kara gathered Lena into her arms, and ran through the security sector, hitting each door with her shoulder to wrench it open, until she finally made her way outside.

Lena's blood soaked into her suit, her head rolling in Kara's arms. She held her close and flew as fast as she dared toward the DEO. "Lena, please," she whispered, "please hold on. Don't you dare die on me. Not now. Not like this."

When her feet touched down, she heard Alex's voice shouting about a Rama Khan sighting. Agents poured into vehicles, and the team prepared to leave.

Kara ignored them. She walked through the bustle, and people parted for her.

Alex turned from where she studied Brainy's screens. Her eyes widened. "What the hell...?"

"Please. Help her." Tears clouded her vision.

"Medical now. Brainy J'onn's in charge." Alex grasped Kara's arm and maneuvered her through the mess of the control center. Technicians worked on last minute fine-tuning of weapons, and others manned screens plotting possible vectors. Activity that meant nothing to Kara, not if Lena died.

Not if she couldn't speak her last truth to Lena.

She laid Lena on the medical bed, and Alex ordered her nurses to get an IV in immediately. Kara began to pace, the blood drying on her suit. Alex cut away Lena's shirt and examined the wound.

"She needs surgery now."

"What do I do?" she asked Alex, anguished. "What do I do?"

Alex shook her head. "You can't help with this. Go help J'onn, and wear Lena's anti-kryptonite suit. I'm not sure how long I'll be in surgery."

"Can you save her?"

"I will try my best," Alex said. She refused to look at Kara, and that told her far too much.

Alex didn't think Lena would make it.

"Promise?" the words came out small, plaintive.

"Promise. Now get out of my way." Alex hooked the IV bag to the pole on one end of the bed, and rolled it toward an interior suite. Two nurses followed along with a second doctor.

Kara closed her eyes and listened to the most beautiful heartbeat in the universe -- it faintly hung on, slower and slower with each passing minute.

She couldn't stay and watch the medical team open up Lena. She couldn't.

Instead, she grabbed the anti-kryptonite suit. As it flowed over her, she almost wept again. It felt like Lena hugged her, the suit entirely her design and her nanites.

She flew outside and listened for J'onn. The fight was to the southeast by the docks.

Hadn't Leviathan been targeting Lena? She'd saved her once from them already. Maybe twice if she counted the break-in that had knocked Lena unconscious.

Now Lena was dying, and Kara didn't just want justice for Lena.

She wanted to tear apart whoever ordered that assassin.

The windows shook at the sonic boom, and the ground cratered when she landed.

Rama Khan and another Leviathan member battled J'onn and Dreamer, who had the weapon from the Fortress. Agents, with adjusted weaponry to match the power-disrupting frequency, scattered around the docks.

Kara didn't care about the risk. She didn't care about the Kryptonite weapons the assholes carried.

She crashed into Rama Khan and threw him into a dock building. The wall crumpled. "Did you hire Lena Luthor's killer?" she growled.

Rama Khan laughed and stood with hardly a mark on him and his ridiculous earth-toned suit. "Those who cross Leviathan do not live to tell the tale. Let you now join her, Supergirl." He extended his hand and the ground shook violently.

A blast from Dreamer's gun sent Rama Khan sprawling. Kara sped over and grabbed him by the throat. Her feet she stomped on his arms. "No one hurts Lena and survives," she growled. Her eyes glowed, and she let out a scream of grief and fury.

She blasted him and punched him again and again. Blood gushed from his face, but then he melted into the earth and stumbled into being a few feet away.

Only for Dreamer to blast him again. Kara pummeled him with the rage of a thousand suns. Her vision red, and the land ripped and shredded in their fight. Part of the pier demolished when Kara threw Rama Khan's accomplice into it. Another building fell when Rama blasted Kara into its walls.

Rama Khan slowed, each blast from the gun scrambled his powers long enough for Kara to rip into him until he bled from multiple places. She lost track of the others, so intent on eliminating the one who ordered Lena's hit.

"Kara!" J'onn clamped the power dampeners on the alien. "Kara, we got him."

Kara clenched Rama's neck and looked down to see the cuffs clasped to his wrists.

How much loss could a heart handle? Why did the universe seek to torture her so? Her entire planet, nearly all her friends, and now the woman she loves most -- loss melted through her crevices, filled her with a blinding fury.

She'd fought to keep everyone alive. It's why she needed to be in control, but that obsession of controlling everything, to make sure she never lost, had poisoned her. She couldn't control everything.

She couldn't even save Lena. The thought of Lena dying in surgery, of never hearing her voice again -- even Lena shouting in anger?

Her fingers crunched bone. Rama Khan tumbled from her grasp and hit the ground with a thump, motionless.

Dreamer and J'onn looked at her, but she didn't respond to their words or looks. Agents swarmed around them to secure the site, while Brainy set up the containment unit for Rama Khan and his accomplices. The ruckus roared like the sea in her ears.

She turned without a word and shot into the sky. She flew as high as she could, to where little to no oxygen existed. The fury burned in her, and she wanted to rip herself apart. She deactivated her helmet, turned off its life support systems, and let the lack of air suffocate her and her emotions.

She'd live. She'd always live, wouldn't she? While all she loved died.

She closed her eyes and let herself fall. Air whooshed around her body, screamed in her ears as she hit terminal velocity. For those brief moments, she heard nothing but the shrill wind, the rest of the Earth drowned out in her fall. A moment of release from the endless soundscape.

Halfway to the ground, she righted herself and flew to the edge of Earth's atmosphere. Again she let herself fall. For a third time, she soared high and fell.

Each time she let herself get closer and closer to hitting the ocean. No matter how hard she tried, she couldn't outpace her fury at her own actions. At her failure.

This time she hit the water. She sunk into its depths.

Sea life swam around her, the distant calls of whales rippled through the water. What should delight her brought her sorrow.

No, she couldn't die. Her wretched powers, her curse, kept her alive. Kept her isolated from those she loved. Her careful, practiced control meant even in moments of extreme emotion, she still had to make sure not to hug too tightly. And kissing? How many noses had she broken?

All she wanted was Lena. Even if she could never be with Lena, she needed Lena to be alive. To be healthy and happy. Kara could live with just being on the sidelines, right? As long as Lena was alive.

She burst out of the ocean in a shower of sea water. She hung in the air and watched the waves below her. Her ears tuned to her favorite heartbeat, and there it was, faint, far too faint, but still pulsing.

A slither of hope wove into Kara's wretched spirit. She flew back to the DEO, the wind drying the moisture from the sea.

When she landed, Nia met her at the balcony's doors. "Kara," she breathed out as if she'd been running. "Been looking everywhere."

Kara crossed her arms over her chest. "What do you want?"

"It's Lena. Alex said to let you know the surgery is ongoing and Lena's handling it like a pro." Nia met her gaze, but worry painted across her face. "Don't lose hope yet. She may still live."

Kara said nothing. She heard the rebuke in Nia's words, but she didn't regret her actions. For Lena, there was no boundaries. She'd destroy a thousand Rama Khans if it meant saving Lena.

She followed Nia down the hall, through two intersections, and into the medical bay. Most of the beds were occupied by injured agents from the Leviathan battle. It was the surgery room that occupied all of Kara's attention.

Lena's heart beat still in those glass walls.

Kara walked up to them and pressed a hand against the cool glass. Lena looked so pale. So fragile.

The tears returned. Her chest constricted with a Lena-shaped hole that ached with each beat of her heart.

She didn't move from that spot for the rest of the surgery. Kara held vigil in silence, unmoving. She'd given Lena revenge on those who tried to kill her, and now Kara waited.

Waited for hope to dawn once more.

/end part 2