#I love this game. I truly do

[chloesimaginationthings]

"They call it the MANGLE" - FNAF 2 phone guy

[smile-files]

something interesting i realized while on the vessel-making screen in the deltarune introduction is that it's physically impossible to make kris: there is no hair that perfectly matches theirs (none have the cowlick or the right jagged shape on the bottom), and there is no sweater that perfectly matches theirs (none have a single stripe). this is fascinating, as it perhaps suggest that, if we (the player) had a choice, we *wouldn't* make kris. they aren't something we want, or are even capable of wanting, rather something we're stuck with.

and i suppose the fact that they can't be *created* as a vessel is telling, because we didn't create kris -- they weren't made for us, they're not a player avatar. they're a pre-existing person we just happen to gain possession of.

we weren't made for each other; they don't want us, and we don't seem to want them either (if the inability to choose to create someone like them says anything); funny, then, that in a way we're "soulmates"...

(both pictures are from the deltarune wiki!)

[quiescentdestiny]

really love that Nora said "I'm gonna make the concept of 'fight, flight, or freeze' into three traumatized boys and then write an entire trilogy about it."

[chalkrub]

it's mendel!

[baldursghaik]

Reading the reaction to Larian's decision to fully step back from wotc/d&d/etc has been interesting

a lot of mourning of the loss of "content"

"we could have had years and years of content" "this is heart breaking to never see these characters again" etc etc

is that what you really want? content? is this what modern media production has come to, that people aren't sated with anything less than milking a property until it's a barren husk of anything it once was?

Why can't we be happy with what we have? I don't think it's unfair to be sad about this news, especially given that it felt like some things were being teased or hinted at, and now they most likely will not come to fruition (at least at larian's hands), but is that really so bad? If you're so dissatisfied with a character's ending or arc, write a fanfiction, draw fanart, boot up the game again and just imagine your way into what you DO want

is that not the fundamental nature of d&d?

[froschli96]

Can we talk about how Kadar says to Altaïr in the beginning: "An excellent kill! Fortune favors your blade!", and then in the bureau with Malik, before Altaïr goes to meet "Robert", Malik says to him "Fortune favor your blade, brother."

And then THAT is what prompts Altaïr to actually finally apologize to him?

(It's these little things in the writing that make me go feral! Another one of my favorite parts is Altaïr and Malik calling each other "Dai" - Altaïr first calls Malik Dai before doing investigations during the Majd Addin mission, showing his character growth in how he's willing to humble himself in front of Malik by basically acknowledging him as a superior of sorts (he's even THANKING him here for his help - compare this to "I am your superior, in both title and ability! You should know better than to question me!"), and then when they last talk before Altaïr goes to confront Al Mualim, Malik calls HIM Dai, in turn acknowledging his growth 😭 I just... I love them so much, I don't even know what to do with myself anymore.)

[lilidawnonthemoon]

[charles-jpg]

you say i killed you, haunt me then! | coriolanus snow and lucy gray baird

1. lev st. valentine // 2. clarice lispector // 3. anne carson // 4. anne carson // 5. haruki murakami // 6. richard siken // 7. unknown // 8. t.b bliss // 9. brenna twohy

[rosieofcorona]

okay one of my very few complaints about veilguard (below the cut for spoilers) is

that final team meeting, where they're discussing what to do about solas. your inquisitor can ask if there's a chance solas would listen to reason and is immediately dismissed by....everyone? none of whom know solas half as well (like okay, maybe morrigan-as-mythal, but then she ought to know better with all her memory palace shit going on).

morrigan and rook have the same reaction, which is to point out that he killed mythal and varric when they stood in his way, and to me that's uh....the exact reason the inquisitor- esp one who romanced solas- would fare better? solas has had at minimum one golden opportunity to kill the inquisitor (AND GET AWAY WITH IT) and instead not only spared them but saved them from the anchor, even if he fucking hated their guts? idk man, the logic is not there for me.

also, the way everyone tells rook that they deserve to make the call on solas' fate while the inquisitor is...right there LMAO. even an inquisitor who did not romance solas ought to, i think, have infinitely more insight/ input than ROOK, who has known him for five minutes in comparison, but y'all, what do i know.

anyway it's one scene and i'll get over it but! it is my biggest beef so far.

[ryllen]

[chloesimaginationthings]

Vanessa TOTALLY got those Tapes for the FNAF lore..

[respectthepetty]

I still don't even know how the colors hurt me in this week's episode of Jack & Joker,

But all I really know is they did hurt me.

A lot.

We could've had it all.

Rolling in the deep.

[pennyserenade]

thinking about mulder and scully and how gentle he was with her when she was lying there in the hospital dying. he walked into the room with a wide grin and held her hand and kissed her cheek, and spoke to her in hushed, conspiratorial tones, and everything was life or death but it was so quiet, so unimportant, as he sat by her side and looked at her. mulder looked as happy as he’d ever been, sitting there with her, and it wasn’t because he was; he wasn’t. he knew that she was dying, that they were coming upon the moment when she was no longer going to be with him sooner rather than later, and he was crushed by the weight of it, by the impossibility of it. when he came to see her again and she was sleeping, looking pallid and defeated, he slumped against her bed and cried on his knees in the dark—quiet, body wracking sobs she never knew about, because he never wanted her to know how weak her being weak made him. with the weight of impending death, mulder gave scully the most of life, all that he wished she could’ve received but hadn’t: that coddling, that affection, the beautiful mundaneness of domestic bliss. he listened to her—really listened to her. and he really loved her, loved her like a husband, or a boyfriend, loved her the way a better man would’ve.

and then when scully got better, when the cloud of death evaporated and she appeared before him with color in her cheeks and flirtation on her tongue, he took it back. gone were the days of all that soft love and affection and back was the mulder and scully of old. he sidetracked their team bonding workshop, pointedly ignored the glaring fact that scully agreed he needed to work on his communication, and got them stranded in the depths of the floridian forest. even better, he let her coddle him, let her hold him close to her chest and made her sing him a song as they shivered through the night and watched out for monsters that could kill them, because he couldn’t handle it. the idea of being anything to scully other than what he had been before — a nuisance, a challenge, a partner — terrified him so badly he went into overdrive trying to reinforce those uncomplicated roles again. it wasn’t that he didn’t love her. he did — he loved her to the point of insanity, to the point of self destruction (something she so worried about). he just didn’t know how to love scully when it wasn’t dire. he loved her so much that he could not stand the idea of failing her with anything inadequate and half baked. he was glad to give it to her when it was dire, but when it came to life long devotion, he needed a few more years.

[sunflowerius]

so i did a thing.

shoutout to @detectivebambam for making the post its based on and one of the funniest Andreil interactions ive ever seen. also this is me hard launching the fact that i picture the twinyards as afro albino so yes that is andrew. I included a second version with a more biblically accurate andrew as well cause Why Not. anyway i love these two, thank you bam bam !!

[blueskittlesart]

i know i’m the only person on the planet who cares about kotone but if they would just put her in reload i would buy it instantly. please. i want to play the answer so so so so bad but i cannot make myself play a game where aigis is straight. please. give me my lesbian robot and i will buy your $70 remake instantly

[maespri]

oh my i never really saw myself making a post like this, but i really wanna talk about morgana! more specifically… why i don’t really understand the hate he receives.

for starters, i know a lot of people dislike mona because he gets on ryuji’s case often. his squabbling with ryuji can get hurtful at times too, i know, but i feel like so many people conveniently leave out the fact that… ryuji returns fire? it’s not as though mona is constantly attacking poor ryuji who can’t defend himself; it’s a two-sided fight throughout most of the game. both of them are constantly fueling the fire. not to mention, it’s a fight that eventually ends. both individuals have great character development (i could talk about it for /ages/, but i digress) that ends with their fighting essentially ceasing entirely. they’re both dumb teenage boys, they both said dumb stuff to each other, and they both hurt each other, and all of that is recognized and left in the past.

the hatred toward mona in general is something i struggle to understand entirely. you hate this cat because he tells you to go to bed? the game would have told you to do that one way or another, because it’s a game. there have to be constraints, or you’d get terribly overpowered incredibly fast. i wholeheartedly agree that mona’s lacking in comparison to the other characters in many ways- but i’ve never hated him, and was surprised to see a lot of people did.

maybe i’m just weirdly empathetic toward fictional characters, but i really liked his storyline. mona’s been with the protagonist since day one, helping him out, staying with him, encouraging and supporting him in everything he does, navigating them through mementos and palaces and battles… and he’s never really appreciated for any of it. obviously, the other phantom thieves do the same and don’t require any extra praise, but morgana already has a complex stemming from the fact that he’s not human. inherently, he believes he’s not nearly as good as any of the others, and subsequently, that he isn’t good enough in general- and he’s so ashamed of that that he can’t even voice the concern to the protagonist pre-okumura’s palace. it made sense to me when he snapped and ran away; if you were constantly the black sheep of a group, unable to engage with anyone unless the guy you live with is always there as well, wouldn’t you yearn for autonomy too? (don’t even get me started on the haru parallels there; there’s a reason morgana snapped during the okumura arc.) if you felt expendable and there wasn’t ever an effort made to prove otherwise, purposeful or not, wouldn’t you also want to leave? to spare both yourself, and the people you’re leaving? i really liked his arc because it led to two realizations- that he was pivotal to the group, and it was fine if he ended up not being a human. (and honestly, he was pivotal to my group… who else would i use to heal everyone outside of battle…!)

anyway, his objectification of women was weird. didn’t like that. but this is a JRPG, and he’s not the only one who does strange things like that at times (why was ryuji looking at ann’s chest in the mona bus outside futaba’s palace man…). honestly, his flirting was also weird at times, but as long as it never got strangely sexual, i didn’t really mind? it’s not like it ever genuinely bothers ann either as far as i remember. it’s more just a stupid thing he does.

anyway… i dunno. i like the kitty. he’s silly, he kept me company, and he made my playthrough fun. life is so much more beautiful when you carry love in your heart rather than resentment