#I love the story along with it's animation and worldbuilding

[owlyflufff]

just watched Elemental and I am severely thinking of Bokuaka (no spoilers dw!)

Akaashi being severely stressed with this aching fear of letting people down and not living up to their expectations, he feels indecisive of the future. Constantly fiddling with his fingers and letting his doubts fester over his future occupation.

Then comes Bokuto Koutarou one encounter later and slowly but surely Bokuto guides Akaashi, clearing up all the worries in his head and lifting him up when he needs it most. There’s also so much admiration and built up love Bokuto starts to grow for Akaashi when he sees how determined he is to do good for his loved ones, wanting to ensure he’s a great son. 

The two of them bond and though Bokuto tries to make numerous advances, trying so hard to reach Akaashi. Akaashi always has him left hanging, not because he doesn’t want it. 

He does. 

He wants to be by Bokuto’s side more than anything else. He wants Bokuto more than anything else. 

But he doesn’t feel as though he deserves it.

This kindness? This love? Surely it’s something he doesn’t deserve. 

He doesn’t quite know what choice to make

And as more obstacles come there way, they’ll find each other at the center of it all, reaching out to hold the other’s hand and laughing to the steady beat of their own hearts. 

They have quite the perfect chemistry after all.

[practically-an-x-man]

OC/Ship Ask Game: Firsts

We're back with another super-long ask game! Send a number + a character/ship for a description of their "first"... plus a couple questions for the author as well :D

If you reblog, please send asks up and down the chain for reblog courtesy! It's not a requirement but it does make things more fun for everybody 😊

____

For the Character:

First big aspiration (i.e. what did they want to be when they grew up?)

First time meeting their best friend

First opinion of school as a kid

First time experiencing grief

First time breaking a bone

First time they realized their "calling" in life

First time they experimented with their personal style

First time they took a risk, or the biggest risk they've ever taken

First time living away from home

First time adopting/taking care of a pet

First "big purchase" they ever made on their own

First time leaving their home country

First time being drunk/high

First time facing their fears

First thing they remember feeling proud of

First thing they remembered feeling ashamed of

First favorites - favorite color, animal, movie, etc.

First example of real character growth along their journey

First time they felt rejected by another character

First time they felt accepted/welcomed by another character

First major change in their life, and how they dealt with it

First introduction in their story (share a snippet or description)

First display of their powers or abilities

First major loss/failure in their story

First major success in their story

____

For the Ship:

A. First meeting B. First impression of each other C. First physical contact (handshake? hug? something else?) D. First kiss E. First time meeting the other's family F. First date G. First time seeing the other one sick/injured H. First time sharing a bed (non-sexual) I. First time sleeping together (sexual) J. First concert/show/festival they attended together K. First fight L. ....And the first time they had to make up M. First time they introduced the other as their partner N. First road-trip/vacation together O. First double-date with another couple P. First time seeing the other all dressed up Q. First act of non-sexual intimacy (e.g. washing the other's hair, taking a bath together, sharing food) R. First time cooking for the other S. First anniversary + how they celebrated T. First time dancing together U. First pet names/nicknames they give each other V. First time they felt insecure/jealous, and how they worked through it W. First time they realized their relationship is endgame... or isn't X. First major hardship they got through together Y. First time living together Z. First time they said "I love you"

____

For the Author:

🐣 - First piece you ever wrote (share a snippet or description)

🥹 - First time describing strong emotions, and how you've improved since then

🎬 - First fandom(s) you wrote for, and if you still write for them

💀 - First time writing character death, and how you felt about it

🤝 - Favorite "first meeting" scene you've written between two characters

💋 - Favorite "first kiss" scene you've written between two characters

🔥 - First time writing romance/spicy scenes, and how you felt about it

🌍 - First attempt at worldbuilding, or a notable piece of worldbuilding you're proud of

🐉 - First genre you wrote for, and if you still write that genre now

🖌️ - First character you created, or first character you wrote for

🤩 - First big inspiration for writing (an author? a piece of media? a plot idea?)

🕷️ - First time writing something that scared you, and how it went

📝 - Pick a character: first draft of that character + the final version of that character

🏳️‍🌈 - First queer character/story you wrote

🤖 - First nonhuman character you wrote

🪶 - First longform/multi-chapter piece you've written

✒️ - First shortform/oneshot you've written

🪢 - First time writing a crossover or gift fic

🤯 - First story that gained traction/attention, and how it made you feel

📦 - First story that really took you outside your comfort zone

📖 - Piece you'd recommend as a "first piece" for a new reader to enjoy

‼️ - Free space! Tell us about a notable "first" in your writing journey!

[markrosewater]

Love Bloomburrow story, but I want to voice my INCREDIBLY strong dislike of a very minor worldbuilding detail that doesn't matter: names like "rabbitfolk" and "frogfolk."

I know that people on this blog have been like "what happened to original names like leonin and aven" but that's not what I'm talking about at all. This is the Redwall set: she's not a "rabbitfolk;" she's a rabbit. They're animals. The suffix "folk" is extremely distracting, especially if it's used for all ten of them.

(Thank you for doing this blog and listening to my half-joking outrage.)

I will pass the note along.

[audreyscribes]

Ω PJO DEMIGOD HEADCANONS:💀 PERSEPHONE: QUEEN OF THE UNDERWORLD, GODDESS OF SPRING, THE DEAD, THE UNDERWORLD, GRAIN, AND NATURE 💐 (PART 2)

AUTHOR'S NOTE: This is PART 2 of the Persephone Demigod Headcanons. Due to the size limit of Tumblr, I had to split the entire work into two. [LINK TO PART 1 HERE] Hi everyone! It took me a bit to figure it out but here's what everyone has been waiting for! Persephone is just 1 out of the 4 works I have planned and written for, and these works will be categorized as the MISCELLANEOUS GODS due to not the fact these gods are minor or anything, but because I did mention this in an ask before and it's easier to think about due to the canon PJO worldbuilding. These works will be a bit more loose since I'm taking a shot in the wild so hopefully you guys like it. Thanks for reading!!

You can summon the dead as much as the children of Hades, but there’s a keypoint where you can reanimate, revive the dead under some certain circumstances: like bringing back life to dead flowers by imparting your own power, but they're still destined to die because that is the cycle of nature after all. With living beings, it’s much more different the more complex and messier it gets. Animals are sort of allowed, but human beings? That’s a big no-no. It is the quickest and most instantaneous way to make Hades incinerate you on the spot, or make the earth swallow you beneath your feet. He already did that to Aslepius, who was so good at medicine he could revive the dead. You may be Persephone’s child and Hades’ may be lenient with you, but you’re still bound to the sacred mortal laws like everything.  Even if you can’t revive (human) life, don’t even think of trying. 

Don’t be surprised if you are more in tune and affected by seasonal changes. Given how Persephone is connected with the changing of seasons, you have Autumn, Winter, Spring, and Summer aspects. What each season means to you will depend on from when you were born and furthering back from it. The children of Hecate are a good support group for this and normalise it. 

You can’t be gluten free or allergic to pollen. If you were, you aren’t now once you’re claimed. Not under Persephone’s (and Demeter’s) watch. It’ll literally go against everything that is them. You’ll also have a great love of mint, particularly munching on mint leaves. You don’t know why until you learn about the story of Minthe; a nymph that Hades pursued before Persephone faced her wrath. 

Between Demeter and Persephone,, you’re going to eat so much grains; particularly whole wheat. Even if you’re not a big fan of it, you’re conditioned to eat it and tolerate it. If you don’t eat whole wheat or whole grains every so often, you’ll feel something is missing from your diet and you’ll be craving it bitterly. 

I think being a child of Persephone makes you an exception to seeing your godly parent due to some loophole. You’re kind of obligated to go visit Persephone for the Winter and Spring equinox; in Winter, you’ll also have to meet Hades. On the plus side, the Winter visits allows you and Hades to get to know one another and minimizes any animosity the Lord of the Underworld may have towards you. You’ll also get to know Nico, Hazel, and possibly any other children of Hades/Pluto along the way with the Winter Equinox visits. 

Surprisingly, Mr. D gives some sympathy and help coming to terms with the whole unusual birth thing. Anytime you have a panic or existential crisis, Mr. D is there waiting with a can of diet coke waiting for you. Chiron may also be there for those sessions if so required. 

Cabin wise at Camp Half-Blood will have to erect a Persephone cabin/temple now you’re here. In the early beginning, you’re going between the Demeter cabin or the Hades cabin until they build a cabin. The reason it’s taking so long because with Persephone, it is also prompting a possible Amphitrite cabin also along the way just to be fair because Hera has her already, then there’s Persephone, and then that also leaves the last of the Big Three’s Wives: Amphitrite. It’s less on the building part that is the problem, but the future ramifications that everyone is debating and preparing for; a storm that has yet to come.

If there’s a Child of Hera when you’ve arrived and been claimed or during your time at camp, you’re both automatically sticking with each other in solidarity based on the whole impossible child scenario, and children of Queens. You’re also both talking with each other and being discussed with is there going to be a chance of a demigod child of Amphitrite in the future. (though very unlikely at the moment due to the fact she is Nereids, and there hasn’t been any evidence that she has any interest in mortal men*) 

You’re guided to Camp Halfblood and chaperoned by your step sibling and son of Hades, Nico di Angelo. You have had 3 to 6 months to get to know him, and him knowing, coming to terms, and being quickly forced to acclimate to your existence. With a favour from Hades and a gently enforced command by Persephone, he was to accompany you to Camp Halfblood. It was less because of the threat of monsters, with the company you’re keeping, but more so as “emotional and physical support”. Seeing as you couldn’t be accompanied by the Lampades, the nymphs of the Underworld, Nico was the best next option (read: Nico is being told to accompany you in a political move to solidify your position and enforce your presence). 

When you get claimed, you come on the cusp of Winter and Spring. The bare naked trees that are covered with snow disappear as yellow-green bright leaves begin to take over the branches with flower buds blossoming. The snow melts away into water, seeping into the earth below you, with fuzzy grass peeking out. It carpets underneath you with flowers sprouting underneath you, the first flowers of spring of Crocus, Snowdrops, Daffodils, with the appearance of butterflies and robins fluttering around you. 

Two birds drop down to put a crown of thorns, twisting around to resemble a deer’s horns, setting upon your head, menacing as the winter light casts a menacing shadow, before the claim of Persephone of the Pomegranate appears, glowing brightly. The crown begins to sprout flowers along with the bare trees and plantations into your favourite flowers.

Everyone looks at you in changing confusion, fear, awe, and then disbelief and realisation. You see some people’s eyes, their auras distinct as they look at Nico for answers who sighs before steps forward and clear his throat, his scratchy throat sounding like bare branches rubbing against each other yet loud like a tree falling in a quiet forest.  “I, Nico di Angelo, Son of Hades, present the child of Persephone, Queen of the Underworld, Goddess of the Dead, Grains, Spring, and Nature. Hail (F/n) (L/n), their eminence of the seasons.”

Silence takes over like the winter wind before everyone screams with uproar, with minor voices yelling “NOT AGAIN”.

[PART 1 TO PERSEPHONE DEMIGOD HEADCANONS HERE]

[ladyloveandjustice]

Winter 2024 Anime Overview: Dungeon Meshi (Delicious in Dungeon)

Premise: Laios is the leader of an adventuring party, and his sister, Falin, got eaten by a dragon while sacrificing herself to save the team. Fortunately, in the dungeon they were exploring, people can be resurrected with magic. Unfortunately, if the dragon fully digests Falin, they probably can’t resurrect her. They have no time to resupply and must traverse many levels of the dungeon filled with monsters to find the dragon. Laios declares that since they can’t get food, they’ll eat the monsters in the dungeon instead-- and as a huge monster fanatic. he's unsettlingly excited about this. He’s accompanied by elf mage Marcille and hafling rogue Chilchuck in his quest, who are much more reluctant about monster-eating. They run into a dwarf, Senshi, who is an expert at cooking monsters, and the delicious race against time to save Falin begins!

...Oh what the hell, I'll say it. FINALLY, some good fucking food.

Memes aside, I love this story so much that writing a review of Delicious in Dungeon/Dungeon Meshi is daunting, because I really want to get across how great it is. But are there enough words in the English language to convey this? We can only try.

Dungeon Meshi combines cooking and adventure animanga expertly, humorously treating eating monsters with the complexity of actual recipes (and indeed, the recipes for the monsters are based off real life recipes). You can experience the warmth and contentment of sharing a meal and enjoy the way the story goes in depth about the biology of the monsters and ecology of classic RPG style dungeon. But at the same time these characters are on a classic fantasy quest and there’s lot’s of excitement as they work together overcome monsters, obstacles and their own weaknesses to save Falin.

The first thing that stands out about Dungeon Meshi is that it’s immediately entertaining and funny. A lot of humor is mined out of Marcille’s complete disgust at eating monsters (and Chilchuck’s more measured reluctance) contrasted with Laios and Senshi’s bizarre enthusiasm for it. The face game of the series is on point, especially Marcille’s.

The characters play off each other very well, have a hilarious dynamic and tons of quirks. They're immediately lovable. They're eccentric weirdos who push each other's buttons, misfits who just happen to fit together, and that's always the best.

I've seen some first time anime viewers complained about that how the early episodes are supposed to be race to save Falin, but there isn't much urgency as the characters have adventures and meals on the way. I can see that as a criticism (though it didn’t stick out to me much in the manga) but this is because we’re mostly seeing them in between the times they’re traveling, when they need downtime and mealtime. The fact that people should never neglect eating and rest if they want to succeed is a pretty important message of the show. You’ve got to let the series cook (forgive the pun). As it goes on, the urgency and tension increases ramps way up. the plot truly takes form and we see a lot of the world building from early parts pay off.

Phenomenal, intricate worldbuilding is the next big thing that stands out about Dunmeshi. Any viewers paying attention will notice it pretty quickly. Ryoko Kui doesn’t dump her complex world or her character’s detailed backstories on the viewer all at once, instead she lets it unfold bit by bit, so the viewer/reader can watch the world expand as the journey goes on, as if we are truly living this world and exploring it along with the characters.

 Everything is carefully thought out, from the structure of the societies, the cultural nuances and physiology of the different magical races, the conflicts between said races and the ways they integrate, the ecosystem and the different monsters and how they function…I could go on forever. And best of all, Dunmeshi's worldbuilding is never to the detriment of it’s incredibly rich story and characters, all of which are also developed wonderfully.

After all, Dugeon Meshi isn’t simply a story about making food and eating monsters—it’s about the ways we consume and ARE consumed, it’s about the endless cycle of life and death and the pain of struggling against that cycle. It’s about the endless hunger that drives us all and the ways we try to fill ourselves up. It’s about the ways we can find both solace and terror in the monstrous, about our struggle to accept not just monsters, but anyone who's different from us. It’s not just about natural ecosystems, but social and societal ecosystems and the ways they both hurt and help us. It’s about all the things that make good meal, one that can draw people together and help us find essential humanity that connects us.

These strong themes are all expressed through the world and the journeys of the characters. And god, do I love these characters.

Even from the start, the characters overturn RPG/fantasy archetypes. (We have an elf who’s not that into nature and dwarf who LOVES nature and doesn’t like blacksmithing)… but the most special thing about these characters is how they deepen, becoming more and more complex and fascinating as the series unfolds. None of them are quite who you think they are while also being exactly how they appear.

Marcille is one of my favorite characters in anything ever. She’s just an absolute disaster, while also being terrifyingly powerful. She’s a magic honors student who buried herself in theory but doesn’t have a lot of experience with the real world and gets upset it doesn’t work like school (I feel that). Her pride and generally high strung nature can lead to blunders that make her very funny to watch. She’s a total nerd in a way that’s so relatable, she has intelligence in spades, but not a lot of wisdom.

 But on the other hand, she’s an aching wounded soul who’s struggling under the surface, dealing with grief and loss constantly. She's obsessed with control in a world that uncontrollable. She’s incredibly driven and unnervingly dedicated to her goals. She’s also scarily devoted to the people she loves and will cross any moral line, break any taboo, and cover herself in blood and sin to save them. She refuses to let silly things like “laws” and “rules” stifle her research or get in her way .And while she's a neat freak who's grossed out by monsters, she's the first person to dive into the blood and guts and horror when shit gets real.

The contrast between her being a sweet, silly, dorky lovable nerd who flails around and being a powerful badass who has complex motivations, an intricate arc, and sometimes questionable morals is so great. Get you a girl who can do both. She's basically everything I love in a character.

Marcille’s love for Falin and infinite devotion is also key to the story, and it’s so refreshing to see a well-written relationship between women be so central to a fantasy anime like this. And yes, by love for Falin, I mean in a gay way. It’s not technically canon (Dunmeshi is not into confirming romantic relationships for any of it’s characters really) but it’s hard to interpret their relationship as anything else, and honestly it’s one of the best wlw ships I’ve seen in a while. It’s got everything, the softness, the sweet and sensual intimacy, the angst, the tragedy, the raw unbearable yearning, tearing the world apart and defying even the laws of nature for her, crawling through hell and soaking your hands in blood and not letting anything get in your way...yeah, it’s good.

While Marcille is my #1, all the characters in this story are fantastic and I love them all. They all have incredible depth and similarly complex backstories and arcs, and are all fun to watch. For instance, Laios may look like generic human fighter but he’s just the weirdest dude, a wonderfully unhinged man who absolutely has a monstersona. But then we also discover he's someone who struggles socially in a way that many neurodivergent people can relate to, who had a troubled childhood, who grapples with survivor’s guilt, and who, like Marcille, would do anything for his sister and the people he cares about. Chilchuck and Senshi and Falin and all the others the same, really interesting characters who deepen and grow. Everyone's relationships also develop wonderfully.

And on top of all that, it's a show with really well-realized and well-written female characters…who even have diverse body types! We have stocky dwarf ladies with muscles! Huge orc and oni women! They’re allowed to be messy and complicated, badass and vulnerable, and that’s definitely a part of my affection for the series. (and famously, most of the fanservice of the series is focused on Senshi’s endless pant shots (loincloth, if we’re being specific)) and while there are moments with the female characters that make me fan myself, it’s not the obnoxious anime unsexy bullshit way that treats women like objects.

And specifically for the anime, Trigger is doing great work with it. There’s so much cool and vivid animation. There are some small moments from the manga that I really miss and wish they had kept, but it’s been a largely faithful adaptation that understands what makes the story great, and I can’t ask for much more. The English simuldub is also genuinely good with all of the VA’s turning in great performances (and Prozd plays Senshi!)

Dungeon Meshi is honestly one to the best stories in recent years, and it’s easy to let it take over your brain. So come along with me and enjoy the funny jokes, the splendid storytelling, the endearing and endlessly fascinating characters and the delectable world. You don’t want to miss out on this delicious meal.

[the-hydroxian-artblog]

Are Merch Mimics capable of using assimilation offensively against humans, for self-defense and otherwise? Like, if someone tried to break a toy/game/etc they were inhabiting, could the Mimic instead pull them in?

To a degree, yeah. I should mention though that Victor isn't "in" the TV in any magical sense; spoiler alert: he's the controller Vance is holding! Hence, the eye on the controller reacting to the dialogue. The Victor on the screen is actualy a model he rigged for a homebrew game he coded the old fashioned way, which responds to whatever inputs the controller sends to the Wii.

He actually is an active member of the homebrew community, and loves to mess with electronics the old fashioned way. Almost no one on the forums knows he's a toy bird, but are impressed nonetheless with his little projects, various rail-shooter games, and weird obsession with snarky anthropomorphic birds.

Victor could technically "jump into a game" on a tv screen, but it'd be a bit of a weird process if he doesn't know how to mod the game, so it'd look more like a shitty greenscreen effect rather than anything coherent. He'd need to learn in real time how the game is coded, how to inject arbitrary code into the system while it's running, etc etc. He CAN do that because he's a fucking NERD, but it wouldn't be a quick process at all.

I should also mention, mimics have an inherent ability to create dreams, since they come about from processing the thoughts and ideas of humans. If a human bonds with a mimic, such that the mimic now knows how the human thinks, they can pull a (somewhat) willing human into the dream when the human sleeps. So to wrap this all up: what Victor could do for a game he understands inside and out is pull a human into a dream that happens to match whatever he himself experiences as currently going on in the game. Basically the ultimate VR experience, with the mimic as a middle-man. Which might be something that'll happen in the comic soon....!

So that all seems a bit convoluted, right? Here's even more worldbuilding about matter assimilation by mimics below the cut. Stop here if you don't want a headache.

The reason so many hoops would be needed to pull a human into a game world is that assimilation is much easier on inert, inanimate objects that are not currently "in use" by a thinking thing, or something that relies on constant electrical signals to function. This can be something with brainwaves, or some other kind of animation like a normal robot. A mimic can convert a CRT TV that's turned off somewhat easily, but a TV that's turned on, with particles of every kind constantly moving into and out of it, is much harder to convert.

This means that humans and biological creatures in general are also trickier to convert, though it can still happen if done gradually enough. Hence, Victor wouldn't be able to rapidly convert Vance in one fell swoop, it'd be a whole process. It's easier to just pull a human into a dream instead, and if a mimic understands a video game, or a story in a book really well, they can basically make the fictional world into an extremely lucid reality for whatever human tags along with them.

I often describe mimics as just "jojo stands if they were corporeal and could just get up and move around on their own with no user"; you know how in jojo stand battles or old stories about magic curses, if you break the curse or kill the stand before its effect becomes permanent, all of the damage is magically undone? Like if you kill Green Day, the mold stand, all of the molding just instantly stops?

Mimics who use their powers of assimilation offensively work similarly; they can project their influence to a certain range, and partially assimilate matter in that range. If you knock out or kill the mimic, however, everything reverts to normal. A human who doesn't want to get converted can basically just turn around and walk away most of the time, or shoot the mimic, so the mimic in question needs to pull off some trick to get the human to stay within range for the assimilation to fully stick. A human can still break free and get out of range even if fully converted, but it's much harder, as assimilation usually means the mimic gaining greater control over the converted object in question. The exact range and effect mimics have is again like jojo stand ranges; it varies.

Different mimics have different affinities for different things. Victor can assimilate cheap electronics fastest because he likes them and understands how they work (it's why he's a toy bird mp3 player). Az can assimilate guns, and turn ammo into weird anomalous ammo with weird effects. Zachary is a genius who can assimilate any matter, including biological matter, faster than anyone... but he's also extremely picky and hates the sight of blood, so he only uses assimilation on things he really, really likes.

If I could somehow make another read more at this point, I would. It's gonna get messy:

What a weird power and setup though, right? Why? The true nature of mimics is unknown to most of them, but the deepest lore is that the first mimics were constructs made by a people long ago, who first made them as highly advanced machines that'd recognize the thoughts of their masters to fulfill any practical desire. Need a road built? Done. Need a ship repaired? Done. With physical needs all met, the people began to turn inward, and use the mimics to illustrate their own artistic ideas. Eventually, the will and consciousness of these people were assimilated and inherited by mimics, who themselves became people. Mimics spread, altered themselves, duplicated, deviated, fused, split, and wandered around. Getting into recreational wars, manifesting horrors and delights into reality because they could.

Somehow, after the dust settled, the strongest mimics, the angels, decide to set their sights to the stars, and observe other lifeforms develop technology and their own art. Did mimics come to earth millions of years ago, and simply watched humans grow, evolving with them in-tandem? Or did humans make the first mimics, and somehow became undone and set back to the stone age? The answer to this mystery is currently known only to the oldest of mimics. Except Zachary. He's old, but didn't care to remember.

This is generally why mimics seem so compatible with humans; they were made by either them, or people who were, for whatever the reason, very much like them, flaws and all. The ability to assimilate is basically the conversion of matter into a more malleable state of information. A virtually magical power, but this was achieved not through prayers and spells, but a very human-like obsession with developing technology to the point of exerting control over molecules, then atoms, then the lowest planks of matter. The obsession with scaling every mountain and crossing through every valley. To rip the natural world apart, and hopefully, put it back together before it's too late. Angels seek to ensure humanity walks the right path there, but with human's own desires and intent honored, for better or worse.

To answer your question: yes. A mimic of Mario can pull you into the game and you can jump with him and eat shitty low poly spaghetti with him.

The process for doing that is just convoluted and complicated, and you need to get to know each other a bit first. If he tries to use it as an attack though, it either won't work, or it might just wind up giving you mild brain damage.

[serpentface]

I’m sorry to keep bombarding you with questions; but I really love your worldbuilding, and the story so far.

You’ve established that cannibalism is a serious taboo in Wardi culture, which overlaps with a hatred of scavenging animals. You’ve also established that Cynozepal funeral rites involve cannibalism and/or feeding the body to scavenging birds. Do these differing religous practices contribute to Wardi racism/xenophobia against Lunar Travelers and other Caelin?

Cynozepal is very, very far away (VERY approximately the distance between Japan and England, though the landmass is laid out differently and travel between the two regions by sea is MUCH easier (though still pretty prohibitively far) than this irl distance comparison) and is not a major contributor to overseas trade, so direct cultural interaction is rare and the (already quite rare) caelin immigrants/traders/travellers in Imperial Wardin are almost never of Cynozepali ethnicities. But it IS known (in inaccurate, warped ways) and does have effects.

Traditional and contemporary Wardi religion holds that the only guaranteed way to reach the afterlife is to have the body be prevented from rot or consumption, and being cremated whole and intact. The soul remains in the body after death and has to be sent off by fire, allowing the soul to travel intact to the afterlife in the Lunar lands. Being allowed to rot or be consumed will instead trap the spirit as an earthbound ghost, a restless and dismal afterlife which may warp the soul into an evil spirit. (There are workarounds if a body is found rotten or partly eaten involving rites that attempt to call the spirit back to the body so it can be sent off in fire, but this is not ideal). A lot of racist/xenophobic rhetoric tends to focus on funerary practices of 'heathens' and/or 'barbarians' who allow their dead to rot, and those who perform sky burials are particularly reviled as uniquely damning the souls of their dead (Finns and some Royal Dain along the Viper practice sky burial, which is used as one of many justifications for extreme bigotry).

Ritual consumption of the dead by people is basically unheard of in the surrounding region and is imagined as among the most hideous acts of barbarity, almost inconceivable as a cultural practice rather than an act of insanity. It's something that would occur in tall tales and horror stories, surely not something any people would actually do. The average person in the Imperial Wardi sphere is not going to even begin to try and understand that these practices, where they occur, are also means of honoring and laying the dead to rest, and instead imagines it as the utmost depraved brutality.

Cynozepal is Known in the region but almost never directly interacted with (due to aforementioned distance and its lack of major involvement in overseas trade). It is instead heavily mythologized and described through tall tales, and many of these center on heavily distorted descriptions of the common native sky burial practices (part of which involve Lunar Emissary monks processing the body and consuming the organs that house the souls, and taking a day long flight following the sun, thus delivering the dead to the Solar Dragon and sending them to rest). Absolutely none of the nuance or meanings of this practice is retained or acknowledged, and it is twisted into descriptions of a race of bloodthirsty cannibals who damn their own dead, and have a sort of boogeyman status as a horrible but distant foreign evil, thank God they're so far away northwest, etc.

It's actually established canon that a troupe of Lunar Travellers made it all the way to Imperial Wardin (arriving via ship at Godsmouth) in the fourth year of the famine, which was a rare direct exposure to any strand of Cynozepali religion in the worst possible way, by the worst possible representatives, and at the worst possible time. The Travellers represent an EXTREMELY niche and radical offshoot of Cynozepali religious traditions, being a proselytizing doomsday cult and sometimes allowing their vultures to consume the dead without consent (they conceptualize this as a benevolent act, saving the souls of the dead from annihilation at the world's impending doom). (This sect tends to be pretty patronizingly xenophobic themselves, seeing their act as saving ignorant foreigners whether they like it or not). This often subjects them to violence even in more accepting, less hostile contexts, and most believe that spreading the Word of the endtimes is worth the risk.

There tends to be low tolerance for the active proselytizing of foreign religions in general in Imperial Wardin, and especially not ones from people hauling around vultures and warning that the end is nigh and the masses of famine dead must be consumed in sky burial to be saved, lest they be annihilated at the world's ending. All members of the troupe were killed by a mob, and a wave of violence towards the city's small caelin population (who were mostly Czekl traders and not even remotely connected) followed, with many being forced to flee.

The news of this occurrence spread throughout Imperial Wardin and was a small but significant contribution to mass cultural anxieties at the time- God is severed from its lands, the land is dying, the people are dying, the worst types of ~Foreign Evil~ imaginable are infiltrating to desecrate the dead. It pretty quickly became mythologized and twisted into stories that the countrysides are now crawling with the far western cannibal dragonfolk, descending like crows to feast on the dead.

[daystarvoyage]

The Dana Terrace Vs Vivienne Medrano, The Great Debate of Two Female Creators

Hello Starry Knights, This is the lovely Kyoko Cane, The Brown Sugah Queen, & cosplayer who performs and visits numerous cons throughout, while making blogs/vlogs on animated media & entertainment.

as you know or are new to this page, I am an artist who also dedicated my fashion in drag, on all my platforms along my artwork & discussions (be it anime or Western) that can affect real-life even fandoms, with a variety of videos.

the title of the post is about The two proclaimed talked about animators, Dana Terrace & Vivienne Medrano, I'll be critiquing how these two women of animation tackle the industry. This will have strong opinions from recent interview videos I've watched.

(I'll be calling Vivienne VIVI FOR SHORT & letting you know, if I were to watch ones in the future affecting my post come on the comments to ask freely, AND YES ALL PROJECTS AND TOPICS ARE NOT WITHOUT THEIR CRITIQUES, FLAWS IF YOU CAN'T HANDLE IT, CHECK OUT THE DAYSTAR VOYAGE, DON'T HATE, APPRECIATE! )

OK LETS GET STARTED In this 3-part segment

1. The Different Artstyles That Made Us Love These Shows.

Vivis work (Helluva Boss & Hazbin Hotel)

Now We all know as fans & lovers of animation when we hear a series that's greenlit after viewing on a television screen, in a magazine, or sponsored in commercials, right? As for these two,

The first time I heard of VIVI's work was on a YouTube ad commercial in line & premiered for the pilot, I was fully captivated by its groundbreaking story, from hazbin hotel to the comedy in helluva boss, along with its ghoulish Beetlejuice-inspired art style.

(which I'm a sucker for the niche, indie projects & gothic horror.)

observing her sketchbook on YouTube, I was drawn in by the captivated humanoid shapes she sketches, along with her fluid & flowing style.

the worldbuilding version of heaven & hell drew me in, after watching hazbin hotel. The pilot had a lot to offer from its dreary horrific turns/obstacles from its character debut, story & distorted beauty that there was a lot to tune Into along my first episode of Helluva Boss,

Now we are gonna get down to lore storytelling and character growth.

(and im fully aware of how the fandom treats the rest of the main & supporting cast not letting them flesh out including the females, btw)

Vivi has so much to offer, after watching the latest episode of Helluva Boss and finishing Hazbin Hotel, I see she has the potential to make a good show on drama & sell it, however with her controversy coming through I feel she needs to learn on how to perceive herself online, so makes it hard for me not to hate her series, be it art and her work.

(its truly good when it wants to be as for the writing ima get to that later. with the stolitz & lumity discourse on part 2)

The owl House by Dana terrace

Now you all know by now, I am a full-on Owl House fan regardless of its show ending early, and my many critics on Dana Terrace drew me in with her macabre art and full-on passionate skeletal pieces after looking at her socials and sketchbook online, as a debut showrunner who made her great stance on lgbt representation she has cemented herself as an acclaimed cartoon creator.

However, she does have her flaws ever since rewatching the series, and a lot to learn about the business, after rewatching The Show and yes I have notes written to prove them,

To add I felt if alex Hirsch wasn't on the project, everyone wouldn't watch that show since yall want it to be the next GRAVITY FALLS,

I love the fandoms that discuss the errors of these creators cause it gives more insight on how to portray yourselves on in the real world, cause lemme tell you, it was all watered down I'm get to that in a minute

one problem i have with particularly since she's a good artist & creator is her depending on certain tropes to carry out her cast, cause some may be harmful, along tropes being flanderized & the writing of character being generic & stereotyped.

She needs work on being a better showrunner cause those skills need Cleaning up including writing certain characters on who gets the spotlight.

NEXT SEGMENT

2. The Good, Great, Bad & Ugly in Fandom Discourse,

Vivis Work (Wow Yall can be Wow)

Vivienne Has made her mark in the YouTube market ever since making her pilot debut on Kesha video & hazbin hotel pilot,

I'm so glad for her contributions towards the indie market cementing her way to showing great representation in the general audience for an adult show, not to mmention disablity rep, yes an adult show and that's not without its controversy,

with her grand debate, I feel everyone took this woman's artwork turning it into something ugly, which is so uncool.

and I for one will not stand for the hate trains of now popular shows flip-flopping and then float back to it cause your series is acclaimed now, let's be real she deserves her crowns and laurels, Just keeping it real, regardless cause its a fire show

The fandom has shown their love of the show cause it knocked down so many doors in many ways, but let's be real the audience is now geared toward children cause we all know, this generation can be doing some crazy things, the way they all need to tone down the language, and let characters breath in the show

which I feel viv needs to work on the jokes. I get, it's an adult show which is concerning and it's a Gen Z world where people have access to computers 247, which contributes to all the nasty discourse and crass behavior not to mention,

fandom needs to calm down her fans when it comes down to her work and the way stoliz is perceived.l can be questionable, not to mention how the females are written which I do know the key word for this below.

cause i rarely do find the females are compelling, but yet to fleshed out like the rest of the male characters so misogynist comes into mind in this show and how it sells

there some moments it only aims to the infamous ship Stolitz (and doesn't let other characters breathe (this is a problem with the owl house which ill get to right now cause the pacing is wow smh)

(next to the owl house which I'll get to cause OMG)

THE OWL HOUSE FANDOM (GRRRR) lemme calm down

If you haven't seen my posts, including the bashing and discourse there's also a list I swear lemme quote

in the words of Biggie Small - if you don't know now ya know.

The owl house fandom i was on ride or die for lumity. however we all know how that ship got it start and built up cause they expected it to be this thing to say (F you to Disney) which is good cause disney had its comuppence howver, after the show ended

fans have become the most foulest ugliest & disrespectful fandom ever since the Steven Universe, Voltron and miraculous incidents,

its sad to see how these two franchises fell into the worse cases, the two creators may come across not caring of there fandom acts cause there's a saying

The captain always goes down with his ship MEANING

A captain should not have to sacrifice their life or crew, simply because the vessel they are in control of is in distress

There’s two fandoms such as Steven universe & voltron fell from grace into toxicity down below that are prime examples

The Owl House fandom has got to be some of the most entitled, uppity if not (racist) fans!

yall clearly have not listened to other fans or can't take criticism, yes the show did make very feminist undertones and the male characters didn't shine at all in their titular episodes or moments, which doesn't help at all.

Since Dana drew inspiration from Powerpuff Girls

(which comes on and the writers being all female, might have some damaging effects)

Cause its stifled the male characters in a way where there not as prominent or impactful,

So this word MISANDRY comes to mind

The fandom has gone down to the point of no return, I mean,

one fan from a webcam interview WANTED DANA's ADDRESS EWWW! (in one disccus video0

its not that the Disney drama was too blame for the project, (to an extent) which I'm proud for the fandom for banding together on animation, but need to take off the lgbt glasses, cause boy the show's writing was pushed in favor of that.

CONGRATS You did at the cause of Harassment and bad behavior in fandoms,

NEXT TOPIC

3. Make The Business Makes Sense & epilogue

THE OWL HOUSE

Dana Terrace has the makings of doing good shows however when it comes down to an audience to kid she has some major damage control on how the fandom will come across,

i mean have we not learned from the Lilith and Camilla toxic issues, you can tell the show likes to demonize the adults which is unacceptable, and can damage storytelling and characters.

the truth i feel there needs to be proper staff on how to write POC, ethnic and cultural representation In the show, Amphibia, Molly mcgee, Haileys on it and other break-out shows did it better,

hell even Amphibia doing those cuisines food culture in Frogworld, can you imagine the boiling isles taking on Hispanic cuisine.

Which i felt could've hit a mark on luz home life and culture if written & fleshed out,

Like the staff didn't know how to write those topics, they've coulda gone so far with it but unfortunately fall flat in that area,, not to mention the fashion. UGH

sigh.

ViVI WORKS ( i try not to make this quick but i can discuss more on comments be NICE)

Vivienne Medrano has good fashion and business sense

its important to have that cause having a Cloud Nine franchise coming from nothing can do wonders for how you are perceived as an artist,

The discourse has come due to her take on the controversy on platforms talking on her many harsh topics

(in my opinions she too needs to work on controlling scenarios & damage control that can affect her

So tried but yeah

vivi is a dominant artist who takes her business seriously so I am glad to have her flourish in Spindlehorse,

but just i wish i cant help but fall outta love with her work, knowing of the problems in today's animation comesacross how you say even snowflakes can break under if heard by there favorite creators.

lets be honest these two can learn from each other. and vivi does sure know angles and promoting

very glad to get this written so I put some thought into this

i wish nothing for the best for these awesome artists and creators thank you all for coming so far and have a wonderful voyage thanks.

[christian-oc-tournament]

I don't know how much we're meant to share as oc propaganda, so this might be too much? But I've rewritten a lot of Ahleri's character and worldbuilding since submitting 😅

Ahleri is a 19 year old who grew up on a farm in the mountains of Strahna, an Australian-inspired continent on a world called Lhoam. Her family raises jumbucks, (otherwise called woolly jumpers) which are large marsupials resembling quokkas with sheep-like coats. Ourem is one of their livestock guardians, who helps keep predators away and herd the woolsies.

Due to her upbringing she has loads of practical farm skills, along with a lot of general outdoorsy survival knowledge. She's also very skilled at the high quality textile work which her town is know for, like spinning, weaving and embroidery. She loves animals and the outdoors, but isn't fond of being cooped up inside unless she's busy with her textile work.

While out bushwalking she stumbles on the lost Hero's Bonds, two thick gold bracelet-like bands joined together. Without realising what they are, she jokingly puts her hands in them and they "bond" down onto her wrists and grow into her body. The Hero's Bonds give her various abilities, like heightened strength, speed and agility, along with being able to make a shield and "store" objects (like video game storage).

Unfortunately for her they come with weighty responsibilities and a very changeable in-built personality named Berianthari, Bertie for short. Bertie is mostly goofy and kinda stupid and unhelpful most of the time, but can occasionally switch to biting, sarcastic and irritable, with moments of incredible intelligence in between. If she makes a visible appearance it's usually as a gold light shaped like a fairy wren or willy wagtail.

Ahleri's generally very confident, friendly and laid back, chill in the fact of danger or problems and very good at thinking on the fly in rough situations. Loves to help others in practical ways and solve issues. Usually kind, she can be a bit amused and blasé when other people are scared or upset about something she thinks is nothing to worry about. Finds ignorance in others or lack of practical skills both amusing and a bit irritating. Prefers to laugh or shrug off inconveniences. Quite stubborn when convinced she's right, and not the most sensitive to other people's emotions. Hard to make really angry but once enraged is explosive and terrifying.

She loves to good naturedly tease and wind people up, and is especially fond of telling yarns, getting people to believe in harmless lies (think drop bears etc, except those ARE real in her world lol). Messing with or impressing the politicians and aristocracy she's forced to mingle with by playing up her "feral country jilleroo" persona is a favourite way of coping with the stress of her new position.

Generally accompanied by Nimble, a little scruffy golden brushtail possum-like creature she saved as a baby who is curious and naughty. She's told a lot of dignitaries wild stories about how she got that scar over her mouth, but the truth is that it was Nimble clawing at her when she saved him as a joey.

Conell is her assigned guard and one of her main fighting tutors, while Zhahara is her palace etiquette coach and general handler. Basically it's their job to teach her her duties as Hero.

Ahleri and Conell have a bit of a mutual pining situation going on 👀

.

[fishyfishyfishtimes]

Sirpaverse overview

I want to talk more about the world Ahti II inhabits, but to do that it needs a brief introduction! This is that introduction. I don’t really have a name for the world, so I’m going to be calling it Sirpaverse; that's the name I refer to it with my friends, who are funnily enough most familiar with Sirpa rather than Ahti II.

The Context

I have pretty out-there dreams. If you've kept up with every post that starts with "I had a dream-" then you'll be familiar with that fact already! I often explore and see strange animals, places and people, occasionally with names, even. I like to remember my nightly adventures, so I tend to write and draw the things I’ve seen. Eventually, since I'd gathered quite a roster, I made a big lineup of characters from my dreams in 2021, and liked them so much that I decided to compile them and a bunch of things I’d seen in dreams into one world. That's Sirpaverse! Worldbuilding is a fun exercise for me so this is mostly just for fun :)

The very basis of the world is based on Karl Popper’s theory of three worlds and Plato’s theory of forms, I’ll go through them briefly. Popper’s three worlds indeed consists of three worlds of being in our one universe: World 1, the objective reality and physical world, World 2, the subjective perception of the world done by conscious living beings, both conscious and subconscious processes involved, and World 3, concepts, theories, stories and creations formed by humans. A stone and gravity are of World 1, love and dreams are of World 2, and Donald Duck and the theory of evolution (note: the theory itself) are of World 3.

Plato’s theory of forms meanwhile ponders that there exists these basal ideas or forms that are more real than our subjective perception of the world — they are the essence of everything we see, for example an apple can be red, green, small, shiny, half-eaten, or rotten, but we still recognize it as an apple. The idea of apple!

The World

The world is made up of three realms: the physical world, the idea world and the spirit world. The worlds are technically separate but occupy the same universe and influence each other greatly. The spirit world overlaps with both the physical and the idea world, which has given rise to sentient life in both. 

The Physical World

The physical world is… our universe. You already know all about that. There’s the Earth and it’s a pretty nice place to live, with such reoccurring guys as Enchytraeidae worms, bristlemouths, beetles, common yeast, parasitoid wasps, Lokiarchaeota-archaea, basidiomycetes, beetles, lanternfish, giant tube worms, tiny tube worms, tubeless worms, cyanobacteria, beetles, and also humans! Everything is made up of atoms, they are tangible, real, concrete.

Along with the physical building blocks, every single object and being also has nonphysical idea/concepts hanging on (just like Plato said!). The concepts are less like actual building blocks — no one actually put the ideas together deliberately — they’re more like unspoken instructions, a consequence of the object existing! Living beings meanwhile have ideas/concepts in their DNA which influence how we look in tandem with our physical DNA. I’ll get back to that later. When us sentient animals die, our soul separates from our physical body and it’s left hanging out in the world. 

The Idea World

The idea world is a realm where the basal ideas of everything exist. Everything there is a shifting, infinite, intangible soup of those basal concepts from the physical world! It’s a world where the idea people reside. The idea people are as varied as there are things in the world, they have a “core self”, which takes the form of eye(s), and to build upon that they pull concepts into their own selves. They can look very abstract or very normal (what is normal to them is somewhat different to what we find ordinary: this just means they look like a thing that we know) depending on their tastes, and oftentimes an idea person looks a bit different to every observer because of their lack of a physical form. They also have supernatural powers innate to their being, which they find as easy to use as blinking (each one has two!).

The idea people are not bound by bodily needs like hunger or tiredness or thirst, although they can have social needs — idea people are sophont creatures that more or less match the intelligence and awareness of a human of the same age… of course, the idea people do not die naturally and can live forever if they want to, and so their intelligence grows with age until they become very difficult to understand by human standards. Idea people tend to get bored of existing after a few hundred thousand years at which point they can decide to die and “recycle” their bodies. Whether the soul of the idea person immediately moves into an afterlife or the same soul remains but forgets all their past memories, the idea people don’t really know. All they know is that in the exact same spot, a “baby” with one additional eye appears, and that baby will grow up to have their own unique personality. Occasionally one-eyed baby idea people will also spontaneously appear, but again, ehh… the idea people don’t actually know why or how that happens. They think it might have something to do with things happening in a different inaccessible world. 

The Spirit World and Related Beliefs

Spirit world is the final world! And uh… sadly nothing is known about it. Supposedly souls go there when they pass on, but no soul that has gone there has ever returned. As a result there are lots of different beliefs about what happens to a soul when they pass on, religions often seek to answer this very question! There’s several, I haven’t come up with all of them yet, but two major ones are Muffyism and the Children of Sun and Moon.

Muffyism teaches that a godly semiaquatic bird, Muffy, dove into the endless dark primordial sea for a beakful of mud, with which she shaped the earth under our feet. Muffy laid down on the barren land to lay her eggs, and from these eggs hatched the stars, the sun, the moon, the moss, the trees, the fish, the animals on land, and finally, birds. Muffyists believe that once you die, your soul returns to her nest under the care of her wings — after all, we are all her children.

The Children of Sun and Moon/Moon and Sun worship the very celestial bodies, or gods that control them, depending on the creed. Sun and Moon are closer than lovers, closer than any living being could be, and in their shared joy they created the Earth (and the rest of the planets) and every living being on Earth as their children, friends, witnesses of their eternal shared existence, a bit of all of the above. When you die and pass on, your soul leaves into space, and becomes a star. As a star you can influence the world still, like grant wishes to your offspring!

Belief in reincarnation is also very popular in the Sirpaverse, but I don’t have any specific religion whose main belief is that — yet. In older times, worship of magically powerful people who were described more as gods than human in myths was pretty big also! King Ahti the First is one of such figures: the Sea God of Fish and Seals, who fell into the waters from the rainclouds to unite the Osmerian Kingdom so many centuries ago. The rule of Ahti the Second’s family relied on this divine right principle for the longest time! After all, these people are obviously demigods, they deserve to rule. Now, uhhhh…… it’s certainly much less popular. Historians agree that Ahti the First did exist, but his godly powers have come into some question! The Osmerian monarchy stays pretty quiet about that whole deal...

Ghosts

 The interesting part about living in Sirpaverse is that people know for certain that they will become ghosts when they die! Unfortunately it’s not all too interesting. Death is a very big change and to cling to any semblance of normalcy the mind comes up with self-imposed rules, such as “gravity is a force that impacts you” and “you can’t see ultraviolet”. These take a while to unlearn. Ghosts are often impacted by the world around them even when they can’t interact with the world themselves, which can lead to lots of stumbling and hitting your head on objects and people swaying their arms around. Fortunately ghosts have one power, they are able to possess objects and living things and use them as vessels! It does still take practice and skill, taking control of something physical can be tricky indeed… but they can do it, and are even somewhat able to get briefly close to a feeling of normalcy via having A Body of any kind. Ghosts often describe that their senses shift with each object, some amplifying or even adding new senses or dampening others.

Ghosts, ownership and the law is pretty complicated. In times of old people would usually pass on from this world immediately, often due to beliefs that the longer you stay the harder it is to leave, and so there was no confusion about wether or not stuff should be handed to relatives or if the ghost can still keep them, etc.. I haven't really ironed the whole ghost thing yet fully, but I think ghosts are considered a non-person in the eyes of the law and have been for a long time (the decision of what to do with a dead person's possessions is up to the closest relatives or previous agreements made while alive), which there is and has been pushback against. After all, why should a person immediately leave, when their life might've been cut short of all the potential joys!?? Can't they hang onto their possessions for just a bit longer????

Magic

Is it really a fantasy world with merfolk and crazy weird animals if there’s no magic? 

Magic or applied physics as it is known formally, is, at its core, altering the physical world by changing the basal ideas behind everything. Or, that’s how it actually works! People in-universe don’t actually know that, so shhhh... all doing magic seems to require is a soul, so all kinds of sentient animals enjoy the added benefits of magic, including people. It’s an extremely handy way of doing work, making items, altering the self, anything really, the issue is that it’s also very hard! To perform magic, one needs to focus on the thing they want to change or make, and fully concentrate on it, feel it in their soul —  doing simple tricks is easier, but the more complicated you want something the trickier it becomes. It’s one thing to turn a brown toad blue (change the “brown” into “blue”) but it’s a whole other thing to change a brown toad into a blue, long-legged and bird-winged toad creature! The usual learning curve that people expect with other skills is much shallower and really kicks in much later with learning magic, so if you want to learn to be good at it, it pretty much ends up being your trade and life’s mission. Most people only know one or two “mandatory” spells and leave it at that. 

Fortunately it’s not all horribly inaccessible or an impossible skill to acquire. Magic is easier if you use phrases, items, symbols or do poses that help you return to the correct mindset and feeling — beginners are often taught “magic words” for this reason. Magic spells (long strings of magic that each does a specific thing, think code) can also be put into physical vessels and activated using much less demanding spells — sometimes no magic at all! Ironically the invention of electronic machines brought magic closer to the average person’s everyday life than ever before, even if people know less magic on average than centuries ago. 

And there you have it! Hopefully this serves more as an explanation for how certain things are rather than as further confusion (after all, I just revealed that there are powerful nonphysical beings in another realm), I will build upon this information more, you'll see! :D

[stelladess]

My personal.... "review"? rating? for the gacha games that I have played, roughly in order but I do not remember exact order so... yeah Mostly just rambling to have my thoughts down in writing somewhere. No insult intended to any game here or the people who like them whether I like it or not. Chances are I was just not the intended demographic or that my tastes are just different.

HI3: Incredible story, some of the best characters in any media I have ever read, watched or played. However the gameplay is a very mixed bag, the gacha aspects are downright atrocious (even by gacha standards) and it has serious pacing issues. Also a lack of world building and the art direction has clearly shifted multiple times. The story has gotten me to straight up cry though and part 2 has alleviated or fixed a lot of my big issues with the game (more consistent artstyle, better pacing, far more fluid gameplay, better worldbuilding, etc), although nothing on the gacha side of things. One advantage is that it is relatively easy to ignore the gacha aspect and just play the story though since most of the time you get trial characters from the ones who are actually there doing the things in story at the time.

Genshin Impact: Beautifle world, great character designs. The character writing and world building is pretty great in this one.... but the story itself is a very mixed bag. And it has an even bigger issue then HI3 with large amounts of fairly pointless dialogue that neither progresses character or themes, this is improved in the latest regions somewhat from what I have heard but it is a constant frustration earlier. Also it is an open world game with all that entails, which is a type of game I am not particularly fond of. The combat gameplay is also not my favorite. I eventually stopped playing this, around the time of shogun banner...

Symphogear XDU: I am a huge symphogear fan, and it is great to have more stories with these characters and expanding on them in fun ways and putting them into new stories. This part of XDU is great, a lot of these stories are wonderful.... however as a game it is terrible. Also no official english version anymore so it is awkward to get running and to actually be able to read it. I stopped playing because the game side was just... bad. There are some fan translations of various events that are worth checking out if you are a symphogear fan though!

Blue Archive: Love the setting, in terms of visuals and audio it has probably one of the best presentations of any gacha game I have played. The character designs are also great, if a bit limited by the school theming.... I hate sensei so much. I think sometimes the story´s own themes are hampered by sensei being a creep. Now I am not the target demographic for Blue Archive, so me not liking or sticking with it is not a surprise. Just frustrating because of the parts I do like. But, again, just not for me. It was never intended for my tastes. Also the gameplay is basically an auto battle system with *slightly* more strategy on top of it. Which is not really my thing.

Tower of Fantasy: I played it for like a week with my friend. Like with genshin the open world nature turned me off, and the world felt like it stood out less to me, the entire art direction was to me not as strong. I did not hate it is just that I liked it less then genshin, which already could not keep me playing.

Princess Connect RE:dive: My friend recommended this and I had enjoyed the anime, so I downloaded it, the next morning crunchyroll announced they were ending the service for the global version. I took this as a sign of some kind and decided to not try and keep up with it.

Honkai Star Rail: One of my absolute favorite games! The writing is very easy to follow along but with quite a bit of extra depth to be found if you are interested, the gameplay is also simple but requires enough thought to feel like an actual game, visuals and music is some of my favorites too. The characters, story, setting and presentation is all incredible. In particular the comedic writing and the character dynamics are very fun. I play this on a daily basis.

Arknights: In terms of world building this is easily the best gacha game I have played, it also has probably my favorite art direction, with only star rail competing for that spot. The gameplay is strategic and very fun, the big downside is it needs a very big time investment to really enjoy. Lots of reading and the gameplay has a very high skill ceiling even if the skill floor is quite low. It also misses a lot of obvious QoL features that would drastically improve it (something as simple as bookmarking story nodes for one...), but despite its flaws the stories, characters and themes are great. And in particular how these are written in a way that makes it feel intrinsically tied into the world. The planet of Terra is one of the most important aspects of the game. I love that it has a very unique technology level for a fantasy setting too. Also the prose is often really really good. I play this on a daily basis.

Zenless Zone Zero: The chill slice of life vibes of this game are great. New Eridu is a really cool setting and the characters are all great. It is far less story driven but that is fine, it really gives off the vibe of being relatively normal people just living in a strange world. It does feel somewhat "incomplete" currently though, but it is still off to a strong start. Gameplay feels like a far more developed version of early HI3 gameplay, that grew in a different direction from what HI3 part 2 took it in. I lied earlier about the visual direction of star rail and arknights being uncontested, this game might even be better in this department. I play this on an almost daily basis.

[velvetwyrme]

transformers one is out now!!! have yuo watched it yet?? how was it?? c:

HI ANON i hope you dont mind that i kept this in my askbox for a couple days because I hadn't watched it yet (wanted to make sure I was No Longer Sick, because being sick in the cinema is Not Great) and also technically it hasn't released here yet,,,? BUT apparently they've got advance preview weekends for like. the same price so Obviously I went.

ANYWAY I HAVE WATCHED IT NOW AND IT WAS FANTASTIC!!!! THANK YOU FOR ASKING.

AHHHHHHHHHH hold on I've been talking nonstop about it for like the last. 4 hours. fucking help me. or dont. I love to chatter and will continue to do so under the cut shjfkgnwmbfks so if you count this, it'll end up nearing 6. I'm... probably going to talk about this as if you know the general premise of the movie, but if not. Google it. Or just go watch it!! (Can recommend) I talk too much to summarise it fhfjfbskdnfkf

Vague spoiler warning because I don't know what I'll talk about rhdjfbekntkr,,,,

Edit: If you've been following me for any amount of time, you know that when I say this got long, you really do have to believe me on that.

My mom liked it as well???? She came with me because I didn't want to subject any of my irl friends to my tf rambling and she didn't want me to go alone fbfkfbkd I thought she wouldn't, but SHE LIKED IT.

Okay so first off: going into the theatre, I was so so afraid that I was going to have the same thought I had after watching Puss and Boots: The First Wish, which was- "I REALLY liked that, and it would have been one of my favorite movies if I was still a child." (Still a really good movie!!)

BUT I DIDN'T HAVE THAT. I JUST REALLY LOVE THE MOVIE FULL STOP.

Anyway, onto my wild rambling.

The visuals were superb!! Gorgeous. No notes. Freaking amazing animation and character design and world design !!!!! I'LL COME BACK TO THAT I COULD YELL FOREVER ABT WORLDBUILDING. The characterisation is so so good, so tasty.

Also because I'm a huge honkin nerd...

The movie is largely focused on the dynamic between Orion Pax/Optimus Prime and D-16/Megatron, but the other characters also shine through really well, and they show off a lot personality even with the ones with very few scenes. Elita-One is a fucking delight I wanna kiss her!!!!!!! She's so cool and pragmatic and it SHOWS in what she does and how she acts. She IS better than you, and she knows it. Even Starscreams confident yet cowardly nature is shown with him lounging on a throne and slinking off after his fight with D-16, and he's barely there!!! RAHAGGHHH I love what you can do with characterisation!!!!!!!!!!!!!!

Also my god this movie was funny. Even when the pacing is fast it's a GOOD fast. Comedic moments are used really well in this, and it flips smoothly between that and the more serious and heartfelt bits.

AND HRHFJFJDK okay so maybe its just my sense of humor, but I found Bee to be really really really funny. He's just like me for real!!! Talks too much, excited as HELL about everything!!!!!!!!! HE'S JUST LIKE ME. I also told my mom this and she was like. "Yes! He is jist like you!! He talks a lot. You would do the knife-hands thing. Also, you're wearing yellow." And. I was. I am. hrhfjfjfkkghdk 💛💛 Shockwave in this movie is ALSO very funny. He gets punched <3 Many other characters also get punched, but he complains about it. He reminds me somewhat of TF Animated Shockwave but less intimidating sgdjfbdjfbdmfbmd

Speaking of characters... Airachnid was so pretty. I love her design so much!!!! She's alien and COOL and I love her!!!!! She has so many eyes... (I'd ALSO love to know more about what her deal is. But... her lack of a motive/story is made up infinitely by strong screen presence and personality) Sentinel was ALSO very pretty and I loved seeing him on screen but I (spoilers) loved seeing him get ripped in half more. Those were LOVELY shots.

I brought my mini Soundwave along with me!! I liked Soundwave in the movie even if he didn't play a big part <33 The "there sure are a lot of waves" joke was VERY funny because I had the exact same thought moments before.

There are a LOT of cameos in the film and I kept going "AHHHHH [CHARACTER]". I get why they didn't add more as main characters- there were a loooooot of characters running around already, and only 2 hours!! Even so, I still wish we saw more of the other characters that cameoed (JAZZ!!!!!! MY BOYYYY!! I WAS SO SCARED THEY'D KILL HIM OFF) or had minor appearances because I just. I want to know what they'd do with the characterisation........ but that's what fanfic for for ig ehfjfhdk,,

And on the topic of lovely shots, theres a series of scenes near the end of the movie with no dialogue, only music and sound and. It's SO good. It's so impactful and beautiful and ausuaiaiurhrgh...

The whole movie is inherently sort of a tragedy since it's a prequel. We all know how it ends; what these characters become. But the build up to that is so SO good. I loved the character progression- D-16'S PROGRESSION TO BECOMING MEGATRON IS!!! AHHHHH!! I loved seeing him shift from one perspective to another and they made it believable.

His anger and betrayal giving way to violence- there's this one bit shortly after they are given the ability to transform where you See that violence in D-16 fir the first time, and it's shot so starkly in comparison to the other characters (who also fight to get away) and it's just like. Oh. There's the potential for something dangerous there.

It is so so interesting to me to see how that violence is framed in comparison to the others- all three of the other protags have their moments of violence- Elita-One is very very intimidating and used violence/threats to get her way, and Bee has this lightheartedness/innocence to his violence... Orion Pax is just. he's doing what needs to be done, he takes no joy from the destruction- he's fighting back, but I think most importantly all of them know when to stop.

There are the fights and punches that get thrown around, and then there is D-16 wailing on Starscream. Megatron RIPPING SENTINEL IN HALF. God that scene was good.

Anyway, sometimes in media a character goes through a Big Event that changes or breaks them, but here? There is no breaking point for D-16/Megatron. It's a slow spiralling descent and you see him taking one step after another, deciding to continue down this path. This is shown in a more literal way with his eyes slowly changing colour through the movie (fucking SICK SHOTS!!!!!!!) but there are a dozen more moments where you can see him decide who he is becoming.

IT WAS REALLY GOOD, I LOVE SHIT LIKE THAT.

And as audience!! Though we know this change is inevitable!! (This is an event in the past- the end of this is already written!!!) It's still tragic!! I feel for him!! I want him to keep getting back up in the face of Sentinel's cruelty!!!!!!!!!!

Orion watching his friend change, seeing them grow further apart... and he still hangs onto that hope right up until the end (and even after that!!!!!! He banishes him, because he will not kill him!!)

imo, they did Orion Pax/Optimus Prime really well in this one- he gets into a lot of trouble and it somehow works out. I think they do really well in making him feel down to earth in this- he's punchy and dynamic and has this unwavering respect for the people around him, but he's also good at being tricky and manipulative to get interesting outcomes that nobody else could have considered- he knows how people tick on an individual level and he knows how to use that. He thinks differently, and it's fantastic. Most importantly, Orion can see something nobody else can: a world where things are better.

Orion becoming Optimus... ough. aough. It's so!!!!!! AHHH. I loved all of the sequences that follow after. When his signature axe made an appearance I was so excited it was REALLY COOL. ALL OF IT WAS SO COOL.

The fight choreography is FANTASTIC and while it was a little messy at times (so much... going on........) it was fluid and dynamic and mwah mwah mwah I love it.

ALSO I SAID I'D YELL ABOUT WORLDBUILDING but this is really really long already so like. I'll keep it short as I can

The glimpses of the society that exists is FASCINATING to me. We don't get to see much of it, because our main characters are purely of the lower classes, so what's available to us is quite limited, but the class structure is INTERESTING to me. Unlike IDW, where form dictates function, this universe is driven (ha. ha.) on the idea that some Cybertronians can't transform (and thus work in the lower classes, as miners and waste management etc.) but as it turns out, (spoilers) they actually get their transformation cogs removed before they come online. And like... I can't help but wonder how they pick who gets that treatment?? Luck???? I'm dying to know.

ALSO I really like the Quintessons (sad they're not the the horrible five faced creature things. I wanna see the Weirdos!!!!) but I still think these fuck hard. They're really buggy and organic and cool (I adore their ship designs holy shiiiiiiiiit- just yesterday I was admiring all the bugs and monsters and crabby things in Guild Wars 2, and now THIS?? BLESSED.) And the CYBERTRONIAN DEER ARE COOL!!!!!!!!!! I like them. That's all. I wished we got to see more of the bio-mechanical parts of the planet...

AND AND THE PLANET ITSELF HOLY SHIT AHHHHHH!!!!! The city is gorgeous- the spires going up and down is mwah amazing. The roads and rails appearing/disappearing as they are used? PEAK. The MINES and the surface of Cybertron. They're shifting, moving, alive. I legit was staring slackjawed when they were in the mines- it's just SO COOL to watch!!!

OKAY. IM DONE NOW.

...

AUGH I want to watch it again. I probably WILL watch it again.

If you got all the way down here, thank you for reading (?!) and please tell me what YOU thought of it if you've seen it 🥺👀 Or if you're going to. I definitely recommend it.

[that-one-i-think]

The Sun in Tu'la lore

I am still on my scifi kick but while I am on the celestial bodies track, might as well get some my classic MCD AU worldbuilding out of the way.

So the sun is most commonly associated with the Divine Warrior Menphia, as she is the blazing fury. It was rumored that she was made by the sun herself, her golden-orange mane blazed with fire and her eyes were said to melt the will of her enemies. A true lioness.

It wasn't always like that though, as in Tu'la the worship of the sun was much older than even the birth of Menphia. The sun was the bringing of light, energy, fire, and was what rose people and the crops during the day. In most areas in Tu'la, the sun is worshipped along with Menphia, as she is now considered an aspect of the sun. After all, it is what meif'wa accredited to creating them and their homeland of Tu'la.

The origin story of Tu'la is that it was once just vast ocean with no life. The sun was lonely, for the moon had already had its own people with its wolves. The sun cried and cried, it's loneliness consuming it until one tear managed to land on on earth. That tear of pure sun hit the water, causing it to turn from water to magma and finally to land. The sun saw the land and wiped their tears, their voice filling the land with laughter. Hearing such a beautiful voice, the wind and sea decided to gift the sun's new land with life, plants scattered the land and the moon gave the land a welcoming present with animals galor.

The suns land had animals and plants but they had no subject. Not wanting to feel left out, they took some sea water and sand, molding it into the shape of a cat, them a human. Unfortunately, the sun was so excited that the melting the glass of life together to form the first meif'wa. The sun loved them so much that they were kissed on the forehead and given life! From them the sun spent years crafting new meif'wa of all shapes and sizes, from tigers to lions to bengals, their efforts turning half of the region of Tu'la into dessert, for the glass creations needed more and more sand.

Eventually, they stopped but it is said that the reason Tu'la is so hot is because the sun loves their people so much. Also, a superstition is that meif'wa with forehead markings are blessed by the sun themselves. A permanent reminder of the kiss of life

[bookshelf-in-progress]

Author's notes about the Tanza and Auren fragment, because I keep having too many thoughts about it.

It's a good thing Auren started watching the movie only after his fictional self escaped from the rebels, because reliving his capture and near-execution might actually have been traumatizing.

He also missed out on the trauma of seeing fictional versions of his dead family and friends, who got much less flattering portrayals.

Tanza's desperation to stop the movie before Auren figures out what it's about is partially out of concern for his emotional health, but also out of sheer embarrassment at the idea that he's going to find out this exists (and maybe find out about her embarrassing tweenage obsession with this story).

(I can't believe I got the actor's name wrong for the first half of the story. I've gone back to fix it.)

(Also, if anyone thought this universe had good worldbuilding, I have fooled you all, because writing this I wasn't sure if tephans had chairs. The original story mentions an office chair, dining chairs, and folding chairs, but nothing about the seating in a living area. This scene gave me a minor crisis about this.)

Not only was the film a sensation that made its lead actor a star--he also became a Colin-Firth-in-Pride-and-Prejudice level heartthrob. (Which makes the real Auren a bit of a letdown to a lot of female tephans.) Tanza will never tell him about that.

Tanza was interested in the story because of its romanticized drama and the focus on the historical period. She did not have a crush like other girls. (If she did, it was toward the idea of this noble, tragic hero, not toward the actor.)

If there was a level of attraction toward the fictional Auren, it might be my window into imagining her romance with the real one. I can see Auren being attracted to Tanza (and in the original story there are two moments specifically where he's acting like a man in love), but I've had a harder time imagining Tanza developing romantic feelings for him. But there's something sweet in imagining this abandoned little girl (with her prickly outer shell hiding a vulnerable soul) falling a little bit in love with the story of the noble hero, never imagining that she'd grow up and find out the real man is so much better and in love with her. (There's also something weird about it, so it might be better not to go that way).

At some point, Auren is going to meet Corphan Holbrith at one of those political events/charity fundraisers he always has to attend. Holbrith is going to mention that he's overjoyed that the real Auren was found, because if the real prince hadn't shown up, Holbrith was half-afraid people would put "Prince Auren" on his own tomb.

(The two of them get along very well. Tanza just about dies from how surreal this moment is.)

The premise of the Prince Auren story has always been that there's been an Anastasia-style legend surrounding Prince Auren's survival. But now I'm sad that I didn't go full Anastasia, and make Auren discover that they made an animated musical about his alternate self.

The only reason I'm not immediately making a sequel about this premise is that I'm not sure Arateph has animation or musicals in the way that we know them (it might go a few steps too far in making them like humans).

There definitely is some kind of musical storytelling format (tephans have several strong musical traditions across their various regional cultures), and there's definitely at least one retelling of Prince Auren's imagined history in that format.

If we imagine the Prince Auren story works like the Anastasia story in our world, then there's a pretty good chance that Auren's survival story has become almost its own fairy tale, with lots of different reimaginings and retellings. Which makes it awkward after the real Prince Auren shows up. Can we keep telling versions of this story/putting on these beloved stage plays, etc.? Is it a fairy tale that has become public cultural property, or history that we need to stop circulating now that it's fully debunked?

[phantasmiafxndom]

Out of all the animes you’ve watch what ones are your favorites

...you know what, you get the serious answer. I used to track my anime watching, so out of the 450+ completed ones on my list, here are some of my top recommendations! (In terms of quality, more so than what I've spent the most time dwelling on.)

. . .

One Piece — I haven't technically watched all of this one, but after falling back into the fandom after an 8-ish year break, I really can't understate the quality. One Piece's story is amazing, and I'm consistently impressed by the author's characters/worldbuilding.

Dominion Tank Police (1988) — I have FEELINGS about the villain in this one... Overall, 80s sci-fi vibes mix with themes of ethical responsibility and societal peacekeeping, and the "don't you just want to go apeshit? :)" protagonist (who's also extremely aromantic-coded) is a hilarious, yet wonderfully earnest little menace!

Kyousougiga — I've been rewatching this one recently, and the sheer detail in every scene is STUNNING. I keep having to pause to mentally scream about the symbolism, and tbh, knowing the plot from my original watch is only improving the experience.

Tekkon Kinkreet — This one's a movie, not a series, but SKLJKHS IT HAUNTS ME. Absolutely chilling, by the time the big plot twists roll around... Beyond that, the overall aesthetic/vibe is impeccable, and the exaggerated, messy art style only adds to that.

Kemonozume — Monster/human forbidden romance with stunning art and a great soundtrack. The plot started out a bit confusing, but all of the scattered story elements came together nicely in the end!

The Tatami Galaxy — The "get your shit together and start enjoying your life" anime. It's plenty good as just a story, but I got some excellent life lessons out of it too. Solid mix of comedy, drama, and charismatic-yet-extremely-bizarre characters interacting.

Monster — Excellent slow-paced, psychological horror packed with ethical dilemmas, traumatic backstories, and so many Extremely Depressed Men. In other words, there's a very good reason why Johan Liebert used to end up on so many "best anime villains" lists.

Paranoia Agent — I have nothing but praise for Satoshi Kon's work, in general, and Paranoia Agent has been my favorite of the ones I've seen so far. Compared to his movies, it really benefits from the extra space for plot development, and the big emotional twist hits hard.

Revolutionary Girl Utena — A true classic. <3 There are enough tumblr essays about this tragic yuri masterpiece that I won't go into detail myself, but yes, it's every bit as good as you've heard.

Black Lagoon: Roberta's Blood Trail — The entire Black Lagoon series is excellent, but Roberta is my special girl. Unfortunately, the OAV adaption compresses the manga's version of her arc pretty heavily (and the altered ending is kind of dumb), but I still have to recommend it. Babygirl's breakdown is a REAL mess kjshghs

Claymore — Excellent pseudo-medieval fantasy with badass female characters, lots of body horror, and top-tier monster design. The manga is MUCH better than the anime after a certain point, however.

Kuuchuu Buranko — An episodic series about an eccentric psychiatrist interacting with his troubled patients. The mixed-media animation style and bizarre characters are what sold it for me, along with the exploration of mental health through storytelling tropes.

Cannon Fodder — An artistic short movie that's twenty minutes of aesthetic experience and fascinating worldbuilding implications. I love the vibe, and the "one, long horizontal frame" style is neat.

Flowers of Evil — The art style. The VIBES. The whole thing is incredibly eerie and off-putting, with a plot that's pretty much: "congrats! two shitty teenagers are tearing each other's lives apart!".

[best-underrated-anime]

Best Underrated Anime Group J Round 1: #J3 vs #J6

#J3: Cat demon stuck in cat form, gets adopted as a pet.

XiaoHei is a young cat demon training to be an Executor, someone who maintains the balance between humans and demons. His first mission as a trainee was to steal the Sky Pearl. He succeeded, but he also got injured enough to be unable to revert to his human form. Stuck in his cat form, he gets adopted by the human girl XiaoBai as a pet. The story then follows XiaoHei’s adventures as a pet cat in a human home while also evading the pursuit of his enemy, Diting.

#J6: Students transported to bizarre new realities

Thirty-six students find themselves and their school building suddenly adrift in a void-like dimension. When supernatural powers awaken in some of them, a sense of detachment begins to divide the group. Despite the student council's attempts to impose order, they clash with the students possessing special abilities, who rebel against their strict control.

This conflict leads them to discover that this world has its own set of rules—and following them is necessary for survival. After one of the students decides to take a leap of faith, the school switches dimensions once again. While they deal with the unique challenges and circumstances that each world presents, the students must unravel the mysterious phenomenon and find a way back home.

Titles, propagandas, trailers, and poll under the cut!

#J3: Legend of Luo XiaoHei (series) (Luo XiaoHei Zhan Ji)

[Submitter: Now, I could not find a single trailer for season 1, and this show doesn’t have an opening sequence either, so I’m sharing the s2 trailer instead. It’s not spoilery, so you can watch it.]

Propaganda:

Demons try to coexist with humans and maintain balance; however, most humans aren’t even aware of their existence. XiaoHei himself has had little interactions with humans aside from his master—who doesn’t count since he’s feared by both humans and demons alike. It isn’t until XiaoHei meets XiaoBai that he actually learns more about them and their way of life. Slowly, he gets drawn to the human life and also learns to have fun just like the human kids his age.

But then there’s the antagonist, Diting, who’s out to retrieve the stolen Sky Pearl. As XiaoHei battles with him, we, along with the human characters, learn more about the magic in the world—And I absolutely love this gradual way of unfolding the lore to us viewers. The worldbuilding is quite intricate, but not once does it ever feel overwhelming.

The fight scenes of this show are also very immersive. I don’t know what technical terms to use to describe it, but I love how it’s not just the characters moving around but also our perspectives. It feels as if we’re also fighting along with the characters.

But although there are a lot of fight scenes and supernatural stuff thrown in, at its core, LXH is a story about a young demon learning that there is more to life than magic and fighting. It’s about XiaoHei discovering what it is he really wants to do without fear of losing what he calls his home, for home will always be with him.

The s2 trailer I shared may be action-packed, but s1 is actually more of a slice-of-life. And oh, don’t be mistaken by the fantasy-looking setting in the trailer; this story is set in modern times. The plot of s2 is XiaoHei continuing his training through a virtual reality game (like the Greed Island Arc in Hunter x Hunter), but this time, he brings his human friends with him.

Both S1 and S2 combined, there are only 40 episodes. That may seem a lot, but each episode is only 5-10 minutes long. You can binge everything in a day. But even though it’s short, the show does not lack anything. There are colorful characters, amazing animation, hype fight scenes, interesting supernatural stuff, and also a cute cat. The art style is also nice, reminiscent of Studio Ghibli (and there’s even a Howl’s Moving Castle reference in S1E1!)

Both seasons are something that you can watch when you don’t have much time and energy for plot-heavy stuff but still want something exciting. Even if you end up not voting for this show, I really hope you consider checking it out, as well as its movie. It really is such a beautiful and comforting show.

P.S.: This series takes place about three years after the events in the movie (which has the same title in Chinese, but is more known as simply “Legend of Hei” in English). The series aired first before the movie, though, so it doesn’t matter (still, I recommend watching the movie first).

Trigger Warnings: Child death (it’s fake, but the characters’ reactions feel so real), teens/adults fighting children. XiaoHei is a great fighter, and the people that can match with him are only those older than him.

#J6: Sonny Boy

Propaganda:

Sonny Boy is one of the best shows to come out in recent years. The setting and plot is very fantastical, with superpowers and dimension travel, but fundamentally the story is about the characters. The character writing is really unique. Even the side characters feel like real people, not just cheap gimmicks.

But the main draw for a lot of people are the visuals. Sonny Boy looks like no other anime. The backgrounds are just absolutely stunning, and the realistic character design helps contrast the unreality of the world. There are these amazing visual sequences that just blow you away with how creative the writers must be.

I can't say much without spoiling but it's the kind of show you just have to experience. This is the kind of show where people either love it or hate it. If you are looking for clear, linear storytelling, this is not the show for you. If you're looking for a straight mystery where everything is solved in the end, you might be disappointed. If you want to cry, and feel something, and think about what it means to be alive, then I cannot recommend a better show.

Trigger Warnings:

Animal death - a bird died and is used as a metaphor

Flashing lights - many weird kaleidoscope effects and other sequences

If you’re reblogging and adding your own propaganda, please tag me @best-underrated-anime so that I’ll be sure to see it.