#I love drawing beavers

[hingubingu]

Beaver

[lillyorlyracat]

Who wants Vandal & Husk content? :D

Art under cut ✂️

✂️ Hello! Okay here's your art

I LOVE drawing them SO MUCH. They're horrific freaks of nature :)

[imagionary]

could i request an alton [land acquisition architect]? though if youd rather just the regional managers, i really like the way you draw ben and would love to see more of him! :]

Good thing Alton is stuck in the wilderness with Spruce in our AU (they can eat pickled eggs together and beat each other up)

[ashysmultifandomcatdump]

helloooooo this is stampyyyyyy and welcooooome to a minecraft let’s play videooooo AND ANOTHER VIDEO insiiiide of stampy’sssssss lovely wooorld

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[anna-proxx]

pretty please can we have arthur morgan falling in love with hyperfem! reader? ur stuff is always so so yummy,, no pressure ofc! ૮꒰ྀི∩´ ᵕ `∩꒱ྀིა

⭒✧⋆｡guns n' bows ✧⋆｡⭒

pairing: Arthur Morgan x hyperfem!reader

genre: fluff, slight angst (good ending)

summary: Arthur finds himself adoring a dainty woman who joined the gang a while ago. It suddenly becomes clear to him he has fallen in love.

word count: 3294

tags: high honor arthur, fem!reader, (mutual) pining, arthur being a sweetheart

a/n: thank u so much, dolly! i had a few ideas on how to approach this and decided to make it more story-based and focus on arthur's inner process as he realizes he's in love with the reader (as i would imagine it to go). if you'd like something a bit different, lmk! i've been wanting to write a hyperfem fic for a while now, so i had fun with it. also, i'm thinking about writing a pt. 2 where i'd focus more on the reader's pov and have arthur express his feelings more (be a cutie around her) and confess his love. <3

dividers by @saradika / @saradika-graphics

✮ masterlist

Arthur Morgan wasn't used to being gentle with people. His hands were rough and calloused and his muscle memory trained to draw his guns and shoot. They were meant to be a weapon, to protect and harm for the people he considered his family.

Perhaps he had it in him, but there was no reason to be soft and gentle – the world was just as rough as him and he was assigned the burden of fighting against it. The softest he could get was between the pages of his journal as he wrote about his thoughts and sketched owls and beavers and when he patted dogs and talked to his horse.

But most of those were away from prying eyes and frankly, the role of a dense criminal prized for his brawn comfortably fit around his overlooked qualities, as that was all he needed to be. To survive, to fulfill his role.

And yet you saw right through it. Of course you did, you had a good heart, open to whoever you saw goodness in. While some might write Arthur off as a rugged criminal only, you noticed his edges weren't as sharp as he tried making them seem to be.

His duties were violent, sometimes brutal, the earth soaking up blood of his enemies and his image reflecting in their eyes as the last thing before they closed them forever. To some, he was their biggest nightmare. He wasn't a good man, to believe so would be naive and foolish, but he wasn't all bad either, as some would think.

Your heart was big enough to accept his sins and leave the judgment to whatever was above, meanwhile you sought his presence as it brought you a strangely warm sense of security and comfort. Like moth to a flame, his different nature allured you. Hardened on the outside and soft-hearted on the inside.

Perhaps that was the reason you found yourself liking this big outlaw. Scooted towards him at the campfire, or sat nearby and watched him as he lied on his cot and scribbled something into his journal.

You might've been fragile and soft spoken, but you weren't stupid and your intuition on people was like a radar you could wholeheartedly trust. So you did.

Arthur didn't exactly know you sometimes looked for his presence, but he did notice you were comfortable around him.

It baffled him a little – you were so small compared to him, wearing lace and frills and cute little bows in your hair and yet you didn't seem to be intimidated by his appearance or demeanor at all. It sparked joy inside of him whenever you'd come to him blabbering about the rainbow you saw or gave him a soft smile as your eyes met.

You never treated him with judgment or revulsion, despite knowing very well your morals were against everything he was doing. Just how big of a sweetheart were you to do that? He never said it, but it meant a lot to him.

He felt as though you weren't even a part of all this. You were like a gem among roughened stones or a flower growing in gravel, reading in your tent and braiding your horse's mane while he washed blood off his hands.

And truth be told, because of that, he found you to be soothing and healing for his battered soul. It was so different, to be around someone like you.

You brought out a side of him he didn't know he had, one that was more tender than he was used to be. He didn't feel so angry or cynical, even after a job gone wrong. When he was with you, being gentle was easy.

At the beginning, when you first fell with the gang, it was doubt and hesitation he felt towards you. You were so... untouched by the world's cruelty, so innocent and open-hearted.

Arthur assumed you were naive and feeble, not only in the physical sense but mental as well. The world posed a huge threat to someone like you and he was worried you wouldn't survive in such circumstances. He was convinced you'd run after a few weeks but you did no such thing.

As the months passed, you stayed with the gang, patient and resilient while remaining soft and feminine. You helped where you could and offered a listening ear to anyone who needed it; even managed to get Arthur to open up to you when you two were alone. And you barely ever complained, even ate all Pearson's stews though you must've been used to eating fine food. And you lit up the space wherever you went. Your optimism was invincible. How the hell were you managing to do that?

It dawned on him he must've terribly underestimated you and his doubtfulness turned into admiration and intrigue. You were one fascinating little thing.

Things have been going quite downhill, so he kept checking up on you and you always had a warm smile to offer. You were still sweet and charming, even with the law on your tail.

You were his polar opposite, gentle waves of the sea splashing against hard rocks hot from the sun. Soft clouds concealing the sky after a raging storm. A calm rain on a hot summer day.

Arthur had no intentions of falling in love ever again.

But his heart was a sneaky little traitor.

Dusk softly illuminated the lake's surface when he found you sitting on the pier, your feet splashing in the water. You put your shoes beside you and held the skirt of your dress at your knees to avoid getting it wet. It was your favorite, white and pink, the corset decorated with little bows at the front. Your locks curled loosely over your shoulders, a light pink bow tying some of it at the back of your head.

You looked so vulnerable and cute lost in your thoughts like this, your feet creating creases in the water as you idly watched them. You had no company with you, only a couple of ducks swimming nearby and butterflies fluttering their wings around your head.

Arthur wondered what your mind was occupied with and before he could properly think it through, his steps directed towards your small frame lit by warm light.

You were pondering on the events of the past few weeks when the heavy steps on the wooden planks caught your attention. Turning your head to look up at the person coming, your eyes lit up as you saw it was your favorite one.

"Arthur!" you called out, your big doe eyes digging a pit in Arthur's stomach.

"[Name]. How are you?" His gaze lingered on you as he stood before you, his hands placed on the gun belt around his hips. You found the concern sweet. Instead of it being a casual phrase, his eyes studied you for an actual answer.

"Good, I think. What about you?" Your voice was smooth like honey and inviting, giving the outlaw something to lean into.

"'M alright," his voice rumbled as he shifted on his feet, his gaze dropping to the ground. "Ya like this place?"

You shortly looked around, taking in the view of the trees and dim sky reflected back in the peaceful lake.

"I do, it's such a charming spot." You looked back into Arthur's face, catching a hint of a smile on his lips.

"'M glad to hear that."

You could almost hear his goodbye that would follow but before he had the chance, you spoke.

"Come on, join me." You patted the spot next to you and slightly turned your body towards Arthur when he sat beside you.

Arthur was a bit at loss of words, always quick with his witty responses but uncertain around you. Your flowery perfume overcame him, then the sight of your rosy cheeks and full lips. You looked like a doll, looking at him through your long lashes with the most innocent look in your eyes.

For a moment your company made him forget about everything. He felt like just a man instead of a sinner, leaning into the silent acceptance you provided him.

You swung your feet in the water. "What did you do today?" you asked kindly, no trace of judgment.

Arthur sighed, recalling the day's events. "Robbed a stagecoach, had to shoot 'em guards. Met a few of the O'Driscoll boys too."

He wasn't one to sugarcoat things, especially when there was no reason to. You knew what kind of person he was and despite you never expressing disgust, he knew you must've had certain sentiments of him and they were all true. He was no better than the crooks he fought. And yet, with you, he wished he was.

Your gaze found his hand resting over his knee, barely dried blood on his knuckles.

"Oh, Arthur!" You took his hand in his, examining the damage with focus as you held his palm with both your hands, yours small in comparison to his.

Arthur's breath faltered in his throat. A lukewarm feeling settled in his chest and slight panic ran through his mind as he was slow to realize just what was happening. The warm touch of your smooth fingers was unusually intensive and he wished for the moment to never stop, as if he ever cared for such things.

He felt silly for it. What was happening with him? Why did he feel such fondness at your delicate hands cradling his, the slight blush on your cheeks, the flyaway hairs around your head?

He furrowed his brow at the unfamiliar tightness in his chest, the rhythm of his heartbeat picking up on pace.

He hasn't felt this way ever since...

"Your poor knuckles," you mumbled while gently running your finger over the bruises. "You know, I don't think I've ever seen them healed."

Your tone was nothing but caring, as if Arthur hadn't used the fist to break someone's jaw. You put his hand away, putting yours in your lap as you continued bathing your feet in the water and watching the thoughtful look on Arthur's face as he softly looked at you.

Arthur cleared his throat, chasing all the crazy thoughts away. "And how's yer day been?"

You tactfully ignored the change of topic and played around with your necklace as you spoke. "Well, it was alright. I've been doing chores almost whole day, then went to Rhodes for some supplies with Tilly and Javier. He also taught me a bit of one Spanish song!"

Oh did he? A pang of jealousy struck him. What the hell was wrong with him?

"Arthur, everything okay?" you asked, your brow furrowed at the sight of his troubled expression.

"Sure, 'm... just tired, that's all."

You nodded, looking at the sky coloring itself in blueish grays. "Yeah, I might go to sleep earlier today as well, I reckon."

Pulling your feet out of the water, you started putting on your shoes while Arthur stood up, offering you a hand by the time you were done. You smiled up at him and accepted his hand, being effortlessly pulled up to your feet.

"Thank you, Arthur."

Your voice wouldn't leave his head, even after you walked towards your tent, disappearing from his sight. He walked to his own one in a trance, left with many unanswered questions in his head.

This wasn't like him, even less to be so confused by his feelings. And yet, as he lay in his cot that night, he kept going back to the moment at the lake, imagining what it would've felt like to brush his fingers through your soft hair or cup your cheek.

Another heavy sigh.

Only yesterday you were still just you. A kind girl they had rescued when she had nowhere else to go, a young woman who–

No, who was he kidding. The warning signs had been there long before; the warmth in his chest whenever he saw you, that little jump his heart did when you said his name, the joy he felt when you asked him for small favors.

It gnawed at him, the sense of knowing he tried pushing away.

He fell in love with you. Somewhere along the way, without taking notice. As complicated and messy it would make things, in a way, admitting to himself the feelings he had for you felt relieving.

How was he so stupid not to realize sooner?

He loved the way you got excited over making flower crowns and how you'd weave some for the girls. He loved when he saw you consoling and comforting Karen into putting the bottle away, or even being kind to that bastard Kieran. He loved when he found you playing with Jack, letting him put flowers in your hair. He loved your feminine gaze, the one that would capture all his attention, or how your kindness towards him made him feel. As if there was still hope for him, as if he wasn't damned after all.

But there was a tight knot in his stomach. He might've set himself up for another heartbreak. How could you want someone like him?

Arthur fell asleep riddled with contradicting thoughts that night.

The new reality of being in love with you gave him a sort of solace. But it wasn't until morning that he decided he could only do one thing – keep his distance. For both his and your sake.

You were beautiful and dainty like a rose, but he was the thorns.

Arthur did as he promised to himself – despite the stolen glances and wishful thoughts split in half, he would avoid you, though it wasn't as apparent as he's been so busy lately. Not like he would complain about that, if anything, it took his mind off you, even if not for long.

Above all he wanted to return to camp after a difficult job and be close to you, talk to you, feel your calming presence.

What he didn't expect with his plan was how much it would wear him down.

But the last thing he wanted was to hurt you, which he assumed would eventually happen, or lose his head for someone who wouldn't reciprocate the same feelings back.

He returned to camp late today. In the middle of the night when everyone was already asleep. He wanted nothing more than to lie down in his cot, his shoulders slouched as he got down from the saddle and patted his horse a good night, unsaddling him to give him some rest too. The night was quiet and tranquil, like peace after a storm, given how Arthur's day went.

It has been weeks since Arthur had realized he had feelings for you by this point and looking towards the tents, he couldn't help but wonder whether you were alright. He hasn't been around much lately, so he could only guess you continued to be true to who you've been since the beginning. With ribbons in your hair and a dreamy look in your face.

He sighed at the image. What a lovestruck fool he was.

He missed your sleepy eyes and the little wrinkle between your eyebrows when you were confused.

As if something listened to his wishes, a small figure emerged from the shadows and he realized it was you.

Wearing your undergarments, bloomers with frills and lace, you made your way straight towards him. Your hair was in two braids tied by pink ribbons, though a bit messy from sleep, and the loose strands of hair tucked behind your ear.

He froze in place, watching you get closer while his heart went a little crazy. A part of him was happy to see you approaching him, whatever the reason for that was. It made him feel fuzzy inside and that scared him more than any gunfight.

"Arthur!" you called out for him with a slightly shaky voice, not stopping your steps until you stood right before him.

Arthur fought the urge to reach out for you as he saw you small and vulnerable, looking up at him with need, his heart struck with fear when he noticed the little tears in your eyes.

"[Name], what's wrong?" There was urgency in his voice, a worried look in his eyes and panic coursing through his veins.

You held a sob as you spoke, hugging yourself with your arms, a few of the loose strands falling into your face.

"J-just a nightmare. I woke up so s-scared." You started to shiver as you recalled the frightening images. As soft as you were on the outside, you had a vivid imagination and your nightmares could get very eerie and gruesome, causing chills to travel up your spine every time the memory flashed before your eyes.

Arthur's instincts now clutched his heart tightly, a knot tying itself in his stomach. He hated seeing you like this, helpless, afraid and trembling. The sight of you awakened every bit of his protective nature and he didn't want anything more than to hold you and never let you go, even put his life on the line just to keep you safe.

He didn't think twice.

"Aw, c'mere," he proposed in a low warm voice, enveloping you in his embrace gently enough to give you the option of changing your mind.

But you snuggled into the hug instead, a small sob escaping you as you wrapped your arms around his torso, your arms barely connecting behind his back.

He was so warm and firm and you have never felt safer in your whole life. The anxiety was slowly mellowed out, filling your heart with affection instead.

Arthur breathed in your scent and it made him feel lightheaded, and to feel your soft warm body pressed against his felt like a dream.

You were so delicate in his arms and your exposed skin made it hard for him to keep his thoughts straight. He was a gentleman of course, but his heart raced nonetheless and he feared you could hear it beating against your ear.

"It's okay, t'was just a dream." His voice was soothing and warm, and it worked like a charm. He consoled you with strokes on your back, his big palms hot through the thin layer of your undergarments.

"What horrible thin' did ya dream 'bout?" Arthur asked, his embrace not loosening around you. He was quite happy like this, protecting you between his arms, as if you always belonged there.

You kept your face nuzzled to his chest, comfortably leaning into the hug.

You started talking about the dream and he listened. A monster, you said, something big and deranged sneaking its way around to its victims. You rambled about the details, your descriptions a mess as you spoke in loose tangles.

Arthur slightly smiled at your stuttering, it made you even more adorable than you already were, though he didn't know it was even possible.

He would kill anyone who'd dare to touch you.

"'M the only scary thing 'round here 'm afraid," Arthur muttered, his chest rumbling under your head.

"As if," you retorted with your voice muffled, certainty in your disagreement.

It caught Arthur off guard a little and nervousness arose in him as he asked the following question. "You ain't scared of me?"

He knew if there was even an ounce of fear in you, it would've killed him.

You looked up at him, your eyes big and glossy. "I feel safe with you, Arthur."

His heart dropped and he looked into your eyes completely baffled, not grasping how such a sweet creature like you could say such a thing to him.

You felt safe with him.

You did.

He felt vulnerable under your gaze; not even heavens could make him feel so exposed. He was afraid you could read his thoughts with that pretty mind of yours as you held the eye contact, that you could recognize how much he was now melting and crumbling inside.

So much for being a tough hardened criminal.

He felt like a teenager again. The sweating hands, tingles in his stomach, it was all back.

Arthur tightened his embrace, cuddling you closer.

As he held you under the starry sky, your tiny arms wrapped around him, he was sure of one thing.

He could do many things. But staying away from you was not one of them.

[soupdwelling]

npmd headcanons i’m coming up with as i type this also i’m half asleep

richie used to have the craziest magic school bus hyper fixation for like a solid two years

ruth was the kid who just ate random shit all the time like she’s ask to borrow a pencil and when she gave it back it looked like a family of beavers went to town on it

when grace was asked to draw a family portrait in kindergarten she included god like just hanging out in the air above her and her parents

max treated dodgeball like the olympics throughout all of elementary school and he and kyle and jason were the kids that wore basketball shorts in below freezing weather

steph was forced into piano lessons as a kid and did them for like 8 years and her teacher was like 97 years old and his house smelled like mothballs and dust and there was no lighting even though he had like 15 vintage lamps for some reason she hated it so bad

pete has broken the same leg like 5 times he just has one bone that is so susceptible to breaking for absolutely no reason it just does that

grace used to pretend jesus was her imaginary friend she’d sit in the grass at recess and genuinely just talk to the air next to her like it was jesus. which is kind of sad actually

one of richies earliest experiences of gender envy was the main dude from sword art online i forgot his name

steph was one of those girls who like pretended to be a fairy at recess and had like a rivalry with a different fairy kingdom and one time stacy or something betrayed her for the other fairy kingdom because they had their headquarters at a better tree and steph didn’t forgive her for like two years

ruth is super prone to almost drowning. she knows how to swim in theory but she just loves to get into situations near large bodies of water she’s almost drowned so many times

richie has burnt most of the taste buds off on his tongue because he religiously eats warheads and was once dared by ruth to eat as many at once as possible and nearly threw up

pete is an avid roblox player and would never admit it to anyone

max is weirdly good at taking care of fish. he had a beta fish when he was younger and kept it alive for a solid 5 years he didn’t recover for like a year after it died and that event honestly might have contributed to his current behavior it really hit him hard

[beansprean]

I adore Derek’s new gothpunk e-boy aesthetic and am sprinkling my own weeb hc on top!! I love him 😍

(Feel free to use his nakey self if you want to draw other fits on him, just don’t erase the watermark!)

(ID in alt and under cut)

ID: 1. Full body of Derek smiling nervously, left hand at his side and the other held up like ‘nya’. He is wearing a black studded collar, a scoop neck black shirt with crying anime eyes, bleach stained light jeans cuffed over black combat boots, and a puffy camouflage jacket with a hood. He also has fingerless gloves and several chains attached to o rings looped around his belt.

2. Repeat. Derek is wearing a dark blue long sleeves shirt with thumb holes, frayed hems, and elbow patches under a tattered white tee shirt with horizontal rips that says "blood lust rave" in dripping black font. Beneath are black jeans with a studded belt and red suspenders hanging tucked into knee high burgundy leather combat boots. He has on several gold and silver rings, a tattoo choker, a studded collar, a long necklace with a few rings, and a dark red beanie.

3. Repeat. Derek is wearing a black and white striped long sleeve turtleneck under a black Otoboke Beaver tee shirt and loose black jeans tucked into white platform boots. He has several silver rings a silver chain around his neck, and another looped through several o rings around his belt.

4. Repeat. Derek is wearing a loose dark red striped sweater with a rip at the neckline affixed with safety pins, dark wash skinny jeans with multiple rips down the thighs and knees over fishnet tights, and checkered high top sneakers. He has dogtags, a pentagram necklace, and a studded collar around his neck and multiple chains, padlocks, and handcuffs hanging from his belt with o rings.

5. Repeat. Derek is wearing a dark loose sweater with thumb holes, a ripped off collar connected with safety pins, and fishnet material from the waist down. It's tucked into loose black skater pants with dangling hooks and suspenders and an askew studded belt, unzipped at the calf to show red material underneath. Black converse peek out beneath the flared cuffs.

6. Repeat. Derek is wearing a white collared shirt under a black tee shirt that says “vampire weekday” in slashy red font and black jeans with red splatter on the knees tucked into red ankle boots. He has on several rings, a few chains and a padlock around his neck, and a studded belt.

7. Repeat. Derek is wearing a short sleeve dark grey button up with a white scallop pattern and rolled sleeves, unbuttoned past his sternum to show off the gold pendant around his neck. The shirt is tucked into dark wash jeans with a snakeskin belt, cuffs rolled to mid calf, a few inches above shiny burgundy ankle boots.

8. Repeat. Derek is wearing a pale lavender turtleneck with black fishnet sleeves that hook around his fingers like gloves tucked into black skinny jeans with a studded belt. He has a thick black studded collar with an o ring and a matching harness strapped across his chest, the center o ring attached to a leash he holds in his left hand. He has several chains attached to o rings at his belt and his jeans are tucked into huge black gothic platform boots with several straps.

9. Repeat. Derek is wearing an oversized black hoodie over distressed and ripped up jeans and scuffed brown hiking boots with the laces double wrapped around his ankles. His hoodie has some red lacing down the arms and at the cuffs, and at the center is a red square with a crying anime girl rendered in black with white lineart. Red text in Japanese on either side reads "lonely vampire"

10. Repeat. Derek is wearing black briefs. /End ID

[love-takes-work]

Streamily Signing with Jennifer Paz as Lapis Lazuli and Malachite

Jennifer Paz did a signing through Streamily for fans who bought a signed print. Here are just a few highlights of the stream.

She remembers dressing up as "Bob" for a charity purpose.

She does some line reads that Lapis had in the show.

Lapis was not Jen's first voice over work. She did The Angry Beavers back in the 90s. She's done a lot of ADR work for films. However, Lapis was her first recurring character.

Regarding a fusion between Peridot and Lapis, she didn't think much about that, but she thinks they could work together at a nursery in the barn and being a therapist.

She points out that she can't draw "worth shite" when a fan wanted her to draw on the print, so she just wrote her favorite quote ("I just wanna go home").

Responding to "can you do impressions of other Steven Universe character," she did some callbacks from "The New Crystal Gems," doing "the Garnet" and an Amethyst impression.

In response to someone asking if she auditioned for the role of Amethyst, yes she did audition for Amethyst and recorded the pilot episode for it. They just decided she wasn't the right voice for it. She loves Michaela's take on the character.

She loved the Mary Poppins rendition by Lin Manuel Miranda.

She comments that Steven Universe helped her with her mental health.

She thinks Lapis and Peridot were great as an Odd Couple type.

Her plans for the holidays include in-laws coming in next week and her kid gets to hang out with his grandparents. She loves her in-laws who are coming in from Philly. They love to drink and she's not a drinker.

Can Lapis waterbend people's tears? Yes, Jen thinks she can. Ask Rebecca, though. She could've done something to Blue Diamond with that. Jen loves that Lapis said "I've felt worse."

Jen quotes when Lapis said "No" to "Lapis, fly us in!" She loves that Lapis is a "waterbender" but her humor was so dry. She's getting over being traumatized and just wants others to do their stuff.

She gives some advice for handling adulthood: the only way out of difficult things is through it. If you avoid difficulties they will come back somehow.

She thinks Lapis would enjoy flying a kite.

Wouldn't it be funny if Lapis became Bob the Coach and started a Little League? Maybe she'd say "There's no crying in baseball."

Her favorite character from Steven Universe was Greg.

Lapis did a lot of sleeping and reading to recover from her trauma.

Jen's favorite colors are blue and magenta.

Jen used to not know what "ship" meant in a relationship context and had to find out on Urban Dictionary. She has a Gen Alpha kid now and there are phrases she is forbidden from saying them.

One of her favorite lines from "Hit the Diamond" was "This plan sucks."

Her favorite ship was probably Stevonnie.

She thinks if Steven and Lapis fused it'd be because they were playing catch or hanging out--it would be accidental while playing a sports game.

Someone started a goth band called Cult of Lazuli because of Steven Universe and Lapis. Jen loves this!

She can't commit to saying a favorite song. She agrees that Lapis would secretly listen to Taylor Swift.

She would love Steven Universe to come back but she doesn't know if it will. She'll just say yes, in her opinion it will come back.

Her opinion is that Lapis's water powers are somehow related to Blue Diamond's.

She made a joke about how Cult of Lazuli rocks "because we're rocks."

While signing a Malachite print, she said some stuff toxic relationships and how incredible it was that Lapis dragged Jasper into the sea--but for what? She hopes those who have been in toxic relationships are okay now.

She could not sing in Brazilian Portuguese in response to a request, but she took out a shaker and sang some of "That Distant Shore" in English. She thinks it might be fun to learn it in Brazilian Portuguese and loves the singer who did the voice for the Brazilian dub.

She would love if someone could do fanart of Lapis singing "Home" from The Wiz, or "Home" from Beauty and the Beast--all the music about home should be a Lapis playlist.

She answered what kind of car would Lapis have? She would have an electric car, because as a reformed terraformer, she cares about the Earth now. The car would be a VinFast, "because uh, just because." ;)

She was at one time bald due to alopecia during one of the cons that she had met one of the fans at. She remembers L.A. Comic Con. She was wearing a wig that she referred to "a bob wig." (A "Bob" wig? Heehee!) She found it itchy. She asked Kimberly Brooks and Michaela Dietz if they could tell she was wearing a wig. She was stressed out and ended up recovering through the use of addressing vitamin deficiency. She sends a message of support to anyone struggling with alopecia.

She signs some prints with "I'd love to see your color shining through," "Maybe I'm not alone," and "I just wanna go home."

She shared that her mom's name is Aurora (which was somewhat similar to one of the fans getting a print).

She shares that she loves the Muppets and her favorite characters are "the two curmudgeons in the box seats."

She said "Bob" is a favorite for her and she has a few new items in the shop. Some orders were not made in time to get into this signing, so she wants to schedule another one.

[thepoisonjackal]

Do you have any headcanons or concepts of how houses would look for each tribe? I’m always so curious about what people think

Sure I can write some thoughts! I might doodle these later but I'm not the biggest fan of drawing buildings so we'll see. This is all coming from my OC Universe, but it's mostly consistent with canon too.

Skywing: It's said they like caves, so commoners and nomads probably just find whatever random cave they can find. If they actually take the time to build it, maybe they could carve out more intricate rooms, windows, pillars and carvings, and maybe the richer ones could get wood for balconies/struts/furniture. If they're built from the ground up, mostly a lot of stone work, stained glass for richer homes, tall pillars, not a lot of stairs (more for flying in and out) so a lot of open areas and big doors/windows to fly out of if needed.

Mudwing: Although the poorest live in those packed mud hut things, the common house is a beaver dam thing with an underwater entrance, an underground basement (though not very big) with more of a terracotta/brick based structure above ground. They're very warm and very open plan, not individual rooms per se but more of a big ol studio for all the sibs to live in. And you'd get a bunch of these in a village. The richer could probably afford wood stilts to get raised houses outside of the water made of wood, though not every mudwing prefers that because they like the mud to sleep in. So it's more of a merchant stall type thing rather than somewhere you sleep. The palace would be a mix of wood and terracotta brick, with a lot of water features.

Icewings: Most icewing houses are igloos or underground bunker type things. It also depends on where you're at. In the more mountainous areas, they could probably make relatively simple stone buildings that look more like fortresses/fortified castles, with snow and ice being used as mortar inbetween the stones. The rich houses and palaces though are in the heart of the ice kingdom, where it's coldest, and the houses are made of pure ice, either carved or made with frostbreath. Wood isn't the best for the cold, so they wouldn't bother importing it.

Seawings: Underwater, it's mostly underwater caves, or coral reef areas. They might be able to bring around some stones to create a little hut out of, but they're usually nothing super elaborate. Houseboats are popular for merchants because they can move their stuff around and catch the attention of swimming seawings. On land, on the shores, they would use stone and wood that they can get near the shore and from the sea. They're usually nothing super fancy or crazy, just functional for seawings who have business on the land more than they do the water. The palace would be in a coral reef area, with a lot of underwater/underground rooms. There would be a little bit above ground for when non-seawings visit, but its not used very much if there's not guests.

Rainwings: Pretty much just what canon says. A lot of wooden platforms, a lot of rope bridges and wooden huts with leaf canopies, it would be very layered and open for everyone to fly around. I don't have much to say here, I love the canon rainwing kingdom.

Nightwings: (In my OC universe they live in the mountains where Jade Mountain is in canon, so the range between the desert/rain forest area) Nightwings love the canyons more than the peaks, so they also love caves, but they adore taking their time with every single one and meticulously carving something into every cave wall. Rope bridges connecting the canyon walls, a real maze carved out behind each wall, and plenty of wood and gemstones embedded to show their wealth. The palace is built into the highest peak, with it being quite narrow relative to other palaces, but going very, very deep into the mountain with a lot of layers. There are a few towers and windows seen from the outside, however.

Sandwings: A lot of sandwings are nomadic, and towns are built around oases. The buildings are made of sandstone and brick, and due to most sandwings moving around a lot, inns are more popular than individual houses, though there are still houses for those who don't feel like moving around a lot. They tend to be not very noteworthy, mostly square with only a story or two, but with paintings and tapestries to spice it up. There's also tents for those going out into the desert and those who just want to rest in a town without getting an inn. A lot of sandwings also travel at night/dawn/dusk and sleep during the heat of the day. In the richer communities, they'll add wood and glass, and fancier inns. As for the palace, honestly I just visualize something that looks like the Taj Mahal or the Kremlin Palace. A lot of sandstone, glass, taller towers and walls, and water features to show off wealth.

[shadowyone]

I started this out as something serious and then gave up

I do love drawing this AU though. Also, the Beaver in the first picture is Beaverton from Scarlet's game. That's why she's freaking out.

[pinky-the-polar-bear]

I haven't made this clear yet and now's a better time than any to do so: I love Bucky from Shipwrecked 64. He's easily one of my all-time favorite horror protagonists. On top of that, Shipwrecked 64 as a whole is incredible and more people should play it.

But I couldn't just buy his plushie. No... I had to go further. I had to pay @ghostypeppers to draw this beloved beaver. Speaking of my babygirl, he's currently selling commissions at 50% off. So if you want him to draw Bucky for you too, feel free to toss money at him. He'll also draw something for you if you donate to One Simple Wish and show him your receipt. However you choose to do it, he won't disappoint.

[rose-i-guess]

Attempt at drawing the beaver man I love him

[twola]

I always hate like “requesting” something because it feels like a forceful “write this for me now!” kind of thing, but a I’ve always had this smutty idea in my head where Arthur is getting a little weaker from the TB, but is also pinning after some cute girl in camp. Some wooing occurs and things start getting steamy~ but it’s her first time or she’s not super experienced. I feel like HH!Arthur would try to be the gentleman to show her a sweet, gentle time, but wouldn’t have the stamina for missionary, so his partner would pick up where he leaves off by riding him like the work horse he is. I just thin the scenario would be perfect for like sexy words of encouragement (def NOT thinking of his mare voice lines *wink wink wink*) plus Arthur getting taken care of too instead of just doing the caring. I have like 0 writing skills tho lol so if you ever found yourself in need of smutty I soo I would feel HONORED for you to bring my nasty Arthur thoughts to life

Ooh, TB whumpy smut… I’m sensing a pattern here. My poor boah, how I love to torture him…

This was a good one! Still working on a few more. I love and thrive on feedback so drop me a line if you liked it.

Regret Me Not

Arthur Morgan x F!Reader Smut (18+), MDNI

➵ Fic Masterlist ➵ AO3 Link

Regrets seem to take up much of his headspace these days... But for one regret of his, Arthur takes action with a little bit of urging on your part.

Arthur wheezes, covering his mouth with the back of his palm, the wet, hacking noise that scrapes out of his throat as he sits on the boulder south of Beaver Hollow, out of earshot of the camp. 

Not that he needed people’s stares. He looks terrible enough that he gets looks of pity from the women, avoided by the men - and Dutch? Well, he is living in another reality.

Another cough rips through him, as he feels as if he were drowning within his own body. A small hand lands on his back. He looks up, rubbing his mouth with the back of his sleeve.

You stand over his shoulder, rubbing gently, concern alight in your eyes. You look down and dig into the pockets of your skirts.

“Here.” You say with a small smile, handing him a bottle of tonic.

He coughs again, butchering his thanks, as he takes the bottle from your hands, uncorking it quickly and downing the foul-tasting liquid quickly.

“How are you feeling?” You ask quietly, hand still resting on his shoulder, slowly, gently rubbing circles into his upper back.

Arthur wants to lean wholly into your touch. He wants to wrap himself into you and let you card your fingers through his hair. He wants to rest. He wants to sleep.

He wants, he wants - but alas. None of that was possible.

“Like hell.” He grits out hoarsely, tossing the empty bottle to the dirt at his feet.

“I’m sorry, Arthur.” You say softly. Your other hand moves to his back as well, rubbing at his other shoulder.

“ ‘S alright.” He murmurs, not wanting to let on how good your hands feel on him.

A silence settles in, and you rub at his shoulders for a few moments more before drawing your hands away from him.

“Well… I just wanted to check on you. See how you’re doin’. I’ll see you later, Arthur.” You say, and he can hear the crunch of gravel under your boot as you turn on your heel. You begin to walk up the path back toward camp, as he turns and follows you with his gaze over his shoulder.

Arthur wants. In the embracing of his mortality, the facade of propriety and the painstakingly built walls around his heart crumble in the face of his own death.

He has watched you for months. Yearned for months, wanted and needed your attention, always too self-conscious to reach out and touch.

Sister Calderon’s words echo in his ears with each step you take away from him.

“Take a chance that love exists.”

“D-do you wanna get outta here?”

His voice is hoarse, almost weak sounding. Nothing of the man that he used to be.

You stop, turning around, a small smile creeping across your face. “God, get outta this hell hole? Absolutely. Anywhere is better than these hills.”

His heart hopes.

“I gotta go grab some mail from Van Horn. Ain't much better though…”

“It ain’t here, Mister Morgan. Let’s go.”

—

Van Horn is just as decrepit as the last time he was here. Falling apart and full of the dregs of society, left behind by the churning wheel of progress. He mirthfully counts himself as one of them, he supposes.

He tucks the letters he retrieved into his satchel, moseying slowly toward the back of the dock, where you stand with your elbows on the railing, gazing at the river’s lazy waters. Northward, toward the mountains and the river’s origins.

“Y’ready there, ma’am?”

You look back at him but don’t move. “Already? Ugh. Camp’s just so…”

Arthur sidles up next to you, placing his own elbows on the railing, grunting in agreement. You didn’t need to go any further, he knew where you were going with your comment.

The camp was… well, a gloom has settled upon it. Dutch acting irrational, angry. The loss of Hosea and Lenny. Running from Pinkertons.

And his own impending demise, of course.

“What’re you gonna do after?” Arthur asks quietly and notices the stuttering breath you take as your shoulders drop a little.

“I… I don’t know. I don’t have much else than this.”

Arthur hangs his head, taking in a deep breath. A breath that seems to barely fill his ailing lungs, and he coughs slightly under the rim of his hat.

“Y’got a good head on you. You’ll do fine.” He grits out, voice hoarse.

You remain silent, your eyes set on the water of the slow-flowing river. A boat chugs southbound, heading toward Saint Denis.

“I don’t know how I’ll fare being alone.” You softly murmur.

He sighs. “I’m sure you can stay with Abigail or Missus Adler. Or Charles. You got people to watch out for you.”

“But not you.”

A pang, a sharp pain shoots through his chest, above and beyond the near-constant constriction of his lungs.

“No. Not me.”

You look up at him, a sheen of wetness over your eyes. It pains him as he looks back.

A tear rolls down your face and it’s everything he is not to lean over and cup your face in his hands and wipe your tears away.

“Sweetheart, you deserve-”

“Don’t. Don’t tell me what I deserve, Arthur Morgan.” You spit out, tears openly running down your cheeks.

Arthur sighs, looking back down at the water. It is murky, muddy, dirty right under the dock. Just like this damn town.

You push yourself into his surprised embrace, clutching at his shirt, and it takes him a moment to realize that this wasn’t a dream, and he winds his arms around you, pulling you against him.

“I wish you would stop hiding from me.” You whisper as he holds you to his chest, your cheek pressed against his breastbone, probably hearing the crackling failure of his lungs with each breath he takes.

He doesn’t know how to answer that. For years now, it’s been easier for him to keep that urn with the remains of his heart buried from all.

“I’m here… I’m here now.” He murmurs, resting his chin atop your head.

“I’ve been waitin’ for you, Arthur. Waitin’ and wishing for you to ask me to be yours.” You bury yourself in his embrace.

Fuck.

Arthur’s resolve cracks like a piece of porcelain.

“I’m just a fool. A fool for making you wait.”

You shudder against him, digging your fingers into his shirt, and your breath stutters as you try to stifle a sob. Pulling away, you look up at him, his bloodshot, sunken eyes, still the blue-green pools you would drown in.

You lean up on your toes, arms winding around his neck, but he turns his face away as you draw closer. 

“No. I ain’t gettin’ you sick too.”

You frown, glassy-eyed, about to draw your arms from him before he leans down and presses his lips to your cheek, again and again, moving up toward your ear.

“But…. I’ll give you whatever else it is you want.” He rumbles, arms wound tight around you, his body arcing over yours.

You shiver in his embrace, pulling your head back ever so slightly to look him in the eye.

“I want whatever you’re willing to give me.” You whisper, hands moving up and clutching at his collar.

He leans his forehead against yours. “If you want a dying, washed-up gunsling-”

You interrupt, pressing up on your toes and kissing his cheek, “I want you, Arthur Morgan. I’ve wanted you for so long.”

So long.

So long.

Goddamnit. He’s been looking at you, yearning for you, for months. Before Blackwater and ferries and being chased by Pinkertons. Before Dutch became erratic, before all of these complications. When he was chasing tumbleweeds across the wild and open west.

He gives a shuddering sigh, and draws you closer, pulling you to him and placing his lips on the long line of your neck. You whimper as he pulls a bit of your pale skin between his teeth, suckling on it, hoping to leave a mark.

You throw your arms completely around his shoulders and begin to pant in his ear. Whimpers turn to whines as one of his large hands moves down from your waist to clench roughly at your rear, drawing you against his pelvis and his rapidly hardening cock.

“A-Arthur - please -” You moan, rubbing yourself against him, and he regretfully draws his mouth away from your skin, pink-tinged and wet from his attentions.

As much as he’d love to turn you around, throw up your skirts, and press himself into you for the sake of time, he knows you deserve more than that.

“Lemme get a room.” He pants, letting go of you, moving to adjust himself in his trousers. “Go on upstairs.”

You pull at the collar of your blouse to hide the evidence of your indiscretion and quietly nod, moving past him and slowly climbing the rickety stairs to the second story of the decrepit building. 

He quickly pays for a room, and grabs the key from the clerk with a dismissive grunt, hurrying his way up the stairs to find you leaning against the second-story railing, waiting for him. 

Arthur jams the key into the door’s lock, pushing it open, and lumbering into the room, where he immediately sheds the repeater strapped to his back and places it on the worn table next to the door. His gunbelt follows as you step inside, closing and locking the door behind you. 

He places his hat atop the pile of guns on the table, looking back at you.

“Still want to do-”

You cut him off by closing the distance between you and throwing your arms around his waist.

He pulls you toward the bed, and places his hands on your waist, holding you still, as he sits on the bed, the worn frame creaking under his weight. He doesn’t spare it a second thought, eyes trained on you, and he gently pulls you to sit in his lap.

You cup his cheek gently, thumb tracing along his beard that he’s kept longer to hide the gauntness of his cheeks. His large hand lands on your thigh, squeezing it as he presses his face into the hollow of your neck.

You gasp as you feel his tongue on your skin, clutching at his shirt as you tilt your head back.

You shiver again as his hand creeps up under your skirt, finger gently rubbing against the seam of your bloomers, which dampens quickly under his ministrations.

“It's been a while,” He grunts out, unable to stop his hips from bucking up against your legs with you seated in his lap, the long line of him chasing your warmth.

“M-me too. Ain’t since-” you mewl into his ear as his fingers push your bloomers to the side and brush against the damp skin of your core, “some stable boy when I was sixteen- ahh - we - we didn’t know what we was doin’.” You gasp out as his pointer finger, thick and strong, dips inside your entrance, sheathing to the knuckle within your cunt.

He slides another finger inside you, groaning against your hair when he realizes how tight you are, clutching desperately at his digits, imagining how good you would feel surrounding his cock.

“I’ll be good to you,” He grits out, crooking his fingers within you.

“Oh-” You gasp, “I know, I know you will, Arthur.”

Arthur pulls you from his lap and lays you on the bed next to him, and immediately starts to shed his clothing, tossing it into piles on the floor as you join him, skirts and shirts thrown from the bed, a union suit and chemise - your bloomers land on the floor and he quickly climbs atop you, spreading your legs and fitting his hips in the cradle of yours.

In this old, dirty bed in this old, dirty room, he swears he has never seen something so beautiful as you sprawled out beneath him, the rise and fall of your breathing, the blush crawling down your cheeks to your neck, spreading out across your chest, to your pink nipples, pebbling as they are exposed to the cool air.

He leans down, balancing himself on his forearms, finding that spot on your neck again and nibbling at it, while one of his hands works its way to the space between you, grasping his hard cock and stroking it as he presses the swollen head against your core.

You mewl as he presses in, the head of his cock entering you, his hand moving from its base to frame your head again.

“God, you’re perfect.” He groans as he starts to press himself inside, inch by inch disappearing into your wet warmth, your panting high and fast in his ear as he suckles on your neck once again.

He thrusts, gently, and his hips press against yours as he’s buried himself to the hilt in your cunt. You mewl out a high whine, nails digging into his shoulder.

Arthur presses himself up slightly, looking down upon you. His fingers begin playing with the curling hairs at your temple, waiting for you to open your eyes, a sign that you’re used to his length and girth within you.

And when you do, he’s stricken. Your eyes flutter open and you inhale a breath with a sweet sigh. God, for once in his damn life, he’s doing something right.

Your arms wind around his neck as you press your lips to his cheek, he knows that you want to taste him, to mold your lips together and moan into each other’s mouths - he wants that too, but it’s a step too far. He’s already half afraid of spreading his sickness to you.

Arthur thrusts, gently still, but faster and harder than he had been, you squeal in delight, which spurs him into finding a rhythm, his body moving over yours.

He grunts, panting as he moves his hips, fucking into you and pressing you down into this old, uncomfortable mattress. He swears he’ll bring you to some nice hotel in Saint Denis and make love to you on a plush expensive mattress-

A constriction in his chest stops him mid-thrust.

He pants, wheezing, his hips slowing as he struggles to catch his breath. Christ, what a sorry excuse for a man he is - can’t even please a woman in the state he’s in.

You gently push on his shoulder, and he has the stamina, at least, to raise himself up and look upon you, cheeks blazing in shame.

“Here, maybe I should get on top?” You ask, your hand cupping his cheek while the other gently lays upon his chest.

He groans at the thought, his traitorous cock twitching as he’s buried in your cunt, causing you to gasp out. 

“Alrigh’,” Arthur grunts, and steadies his knees while he pulls his hands to you: one beneath your lower back, one below your shoulder blades. In a jumble of limbs and skin, he rolls over, somehow keeping himself sheathed in you until you’re splayed atop him, your small hips spread out over his.

He has to admit, this was a good idea you had, even before you think to move, what a sight he’s given. His cock fully enveloped in your hips, the dark thatch of hair between your thighs mixing with the curls at his base. Up, up the curves of your waist, he trails his hands, gently skimming your sweat-slicked skin. Your breasts, small yet perky, he’s enraptured by the way your nipples pebble as he rubs his thumbs over them, the sweet sigh that leaves your lips as your head falls back.

God almighty, you’re the sweetest thing alive.

Your hands find purchase on his chest, fingers pulsing, as you roll your hips once over him. His breath stutters, eyes widening as inches of him leave you, only to gently return moments later.

“G-good?” You ask, a self-conscious fear in your eyes.

His hands clamp on your waist and help to guide your movement.

“So good, you’re so good.” He rasps, the end of his lips curling up into a smile.

You smile back, rolling your hips again, taking him and out, following the pathway to your own pleasure and dragging him along for the ride. 

Your murmuring devolves into gasping moans as you continue to gyrate above him, squeezing your eyes shut, your fingers spread wide over his pectorals.

“That’s it. You’re alright, girl.” He urges, one hand moving from your hip to where you’re joined, his thumb parting your folds just above where he’s speared into you.

You moan aloud, giving no qualm to volume as he circles and presses against that little nub of pleasure.

“C’mon, sweetheart, you’re almost there.” He whispers as his hips jut upward into yours, he can see the far-off look in your eyes, the way your lips hang open, the shortness of your breath, and the slightly painful way your fingers are clenching into his chest. He can tell, your pulsing, squeezing, sweet little cunt is so close.

You ride him fast, like a horse at a gallop, and that blooming lava in his gut churns in a way that he knows he’s not far behind.

“A-Ar…” You stutter as your eyes close tightly.

“That’s it, that’s it, Darlin’.” He urges, his other hand tight on your hips, aiding your movement.

“Agh, oh god - Arthur.” You moan out, bottoming out completely as you throw your head back. He groans aloud as he feels your muscles constrict around his shaft, the sweet clutch of your cunt.

He thrusts his hips upward again and is rewarded with the sweetest mewl from your mouth, he cannot help but to whimper as he feels warm, wet slick start to seep from where you’re joined, his swollen and heavy balls covered in them.

You recover, gasping as your hands move to his chest, your hips grinding down on him slowly.

“I wanna-” you pant, catching your breath, “I wanna make you come.”

Arthur groans in response, hips bucking upward as his hands fly to your hips again, clenching them hard.

“Ain’t gonna- augh- ain’t gonna be hard to give you that.” He stutters out, knowing that the pull in his gut is getting stronger with each sweet movement you make.

“You’re so good -” You mewl, rolling your hips over him as he grunts, hands sure on your waist, fingers pulsing as his eyes flutter closed, his mouth hanging open as he approaches that precipice.

“You feel just like I’ve always dreamed.” You sigh, and all he can respond with is a thrust upward of his hips, to give you more, to give you himself, all that’s left of him.

He’s there, he’s there. His eyes shoot wide and he grunts, hands hard over your hips. “Get- you gotta, move.”

But you lean forward, not stopping the gentle roll of your body over his, and kiss his forehead.

“Come inside me.” You breathe, hands steady over his beating heart, “Give me all of you.”

Of all the stupid, childish things… but the resolve of a dying man, it is far less strong than before - weakening much like his ailing lungs.

“Please.” 

He does, he does.

He grunts needily as he pumps his release into you. Staying sheathed in your warmth, not jerking himself into cold air.

Arthur sits up immediately, burying his head into the side of your neck, and suckles gently at the skin there as your fingers start to play with the wisps of hair at the nape of his neck.

He regrets, it’s all he has left, that again, he wasted his time, glancing shyly at you across the fire for all those months. All he can do is offer you a few fleeting moments of pleasure. He regrets, it’s all he has left, that he cannot taste your lips and the sweetness he knows lies beyond them.

“Darlin’-” he trails off into your skin, trying to compose himself.

I’m sorry- I’m sorry this is all that’s left of me - sorry I can’t give you nothin’ but -

You place your lips on his forehead gently before pulling back. You cup his cheeks in your hands and nod your head.

“Let’s not waste any more time.”

[vamp1r1cjuggalo]

I Did some manager doodles!

I love these guys smm

I wanted to work more with how i draw Spruce cuz i did not like the beaver thing i did, and i added some other hc things

[ducktoonsfanart]

Quack Pack Autumn (Fall) - Huey, Dewey and Louie plus Phooey Duck with their family and friends in the forest with woodland animals and pets - Ducktales, Duck comics, Darkwing Duck and Quack Pack - Quack Pack AU - Duckvember - Game, Well-To-Do, Placid, Wild, Impish, Wayfaring, Emotional, Tenacious and Cultured Ducks - Tribute to Peanut Squirrel and Fred Raccoon - Easter Eggs (crossover) with animals - My style

I'm not a fan of autumn to be honest, but there are certainly various activities that can be done during that time of year. Autumn begins on September 23rd in the northern hemisphere when summer ends and lasts until December 22nd when winter begins in the northern hemisphere. A period when many leaves get various colors from the sunlight and fall down. Many children play in piles of leaves and scatter them around, while adults clean and prepare them as part of firewood or use them for soil fertilizer. So in this case, these ducks have an activity during autumn so they went to the forest and made their forest friends. I drew two drawings dedicated to that time of year and as one of the themes for Duckvember I just noted that these characters can be certainly placid, but also wild at the same time. It depends on the outcome in the forest and the attitude towards wild animals.

In this case, the animals they found in the forest (it doesn't matter if it's North America or Europe, although the biodiversity on the two continents is completely different) are actually very peaceful and seek attention for play. And those animals are in keeping with the personalities of these teenage ducks who hug them. And they wear clothes appropriate for autumn. Yes, I drew them in the Quack Pack version, and I think it certainly suits them (the same goes for preteens and regular younger children from the regular versions), especially Louie and Webby who love animals and care for them. Ducktales 1987 and the Quack Pack episode "Shrunken Heroes" prove my point. Huey got a fox, Dewey a beaver, Phooey a skunk, April a raccoon, May a bear, June a woodpecker and a sparrow, Webby a fawn, and Louie Duck and Gosalyn Mallard got both male and female rabbits and squirrels. Dugan Duck is having fun raking leaves like kids usually do. All happy together (not all of them) in the oak forest. Yes, I have of course added pets like Webby's pet rabbit named Sweetie, May's Knuckles the Iguana and Dugan's pet frog named Froggy. See more about that here: https://ducktoonsfanart.tumblr.com/post/705826485631614976/quack-pack-kids-and-teens-with-pets-first-of-all

Yes, I drew the animals as they usually look in cartoons and comics, so they are not realistic. And I also used what I drew from Donald Duck comics as well as other media. You may also notice some familiar characters as Easter Eggs, like Bambi the Deer from Bambi (1942), Todd the Red Fox from The Fox and the Hound (1981), Koda the Bear from Brother Bear (2003) and Pepe the Frog (2005) in addition to Froggy. Since the Quack Pack were members of the scouts (except Dugan), they certainly know how to deal with animals. XD Yes, the tribute is dedicated to Peanut the squirrel and Fred the raccoon from New York who were popular on social media (Instagram and Tiktok especially) and who were taken from their owners and euthanized unfortunately a month ago. And influenced the US elections. Better not ask me why. It is certainly sad what happened to them (Peanut and Fred) so it is partly dedicated to them, and I am a lover of forest animals myself.

I hope you like these drawings and these ideas and feel free to like and reblog this and feel free to say what you all like and what you don’t like. Just don’t use these same ideas and these designs of these characters and animals without mentioning me. Thank you! And I also want to dedicate a little to this season of autumn which is coming to an end soon.