#I love a good allegory

[camofag]

the public reaction to i saw the tv glow is like a perfect case study into how cis people take up queer spaces and unknowingly mock and enjoy trans suffering. sitting in the theater, i had a pit in my stomach the entire time. so many times, i would tear up and then someone else in the theater would laugh. and i wouldn’t cry because how would they look at me when the lights came back on? because they don’t see it. they don’t see the pain. they think it’s funny. i left the theater completely silent, not saying a word to my boyfriend and he didn’t say a word to me until partway into the drive home. the people around us immediately got to picking it apart, explaining what it all meant to each other, dumbing it down, making theories. cis people see the the movie, just like transness, as something to debate. a conversation. something to dissect because it makes them uncomfortable if they don’t understand it in their easily digestible way.

[spooky-dice]

okay not to over analyze a lighthearted piece of dialogue from freshman year but when gorgug dies and wilma&digby are upset because they don't know how to connect with him in that feeling, it makes me think abt transracial adoptee gorgug and the experience of white parents who fundamentally do not understand their child of colour and cannot bridge the gap to sympathizing with things they do not relate to. i know wilma&digby love him and i think they're good parents, but the stance in fandom that they're perfect parents is very strange to me tbh. their house is too little for their son to exist.

[queenlucythevaliant]

Okay but I do get really tired when people rag on Narnia's Biblical parallels for being too overt. Like, yeah dude. It's written for kids. Most kids don't do subtlety. I knew my Bible better than probably 95% of third graders, and yet my parents still had to clue me in. I've talked to people who grew up secular and didn't realize Narnia was Christian until well into adulthood. The Christian parallels in Narnia are at a pretty perfect level for most kids, and the fact that we as adults continue to get new spiritual meaning from it as we grow is a real testament to the depth of Jack's writing.

[worldwright]

It's the "repeat after me" that always gets me.

The silent, invisible struggle is over. Jon has tried and failed to stop himself from speaking. He has turned the page and his voice is steady and expressive. His voice is Jonah's.

Was there ever a fight at all? Jon has always followed the path Jonah laid out for him. Or was that a lie Jonah told to make his victory seem unilateral? Regardless, the eye's weapon is information, and Jonah wields it with precision and uncompromising force. He always has. And now his favorite plaything is finally ready to serve its purpose.

In some ways, Jonah made a gamble by tossing his statement in the stack randomly. If Martin had seen it before Jon, then they would have known his plan and been much more wary of any future attempt he made. But his calculation was sound. Martin had no real reason to look over the statements, and Jonah knew that his Archivist liked to read them in private.

It's one thing for him to gloat. Villains like to have their little monologue, and an avatar of Beholding especially so. But dragging his confession out of the throat of the one he abused?

He chose Jon as Archivist. He made sure that he went far enough down the path that he wouldn't be able to stop. He made sure that every word out of Jon's mouth sounded uncannily like Jonah's own voice.

But even that wasn't enough. All he really had to do was put his little incantation on the second page and he would have won. But he wanted Jon to know what was happening, and why, and how. And that he never could have stopped it. And after all that:

"Repeat after me."

Jonah had never seen Jon as a person, that had been obvious for a long time. Even so, he had great affection for him. Enough to apply his twisted love to one final act of exquisite cruelty.

[corpsentry]

eulogy

[drylagooned]

gif credit (x)

im glad that instead of trying to change himself to be the person sonic wants him to be, nine fires back here and demands the recognition and respect he deserves as an individual separate from the one sonic knows. he’s done it repeatedly through both seasons and im ridiculously proud of this little 8-year-old for having the gumption and resilience to stand up to someone he clearly wants acceptance from bc that’s an extremely hard thing to do at any age. but nine is such a strong kid and he knows it’s his right to be treated as the person he is and not the person sonic wants him to be.

and i do like that we see a look of realization and regret on sonic’s face here— it says a lot. namely that sonic hasn’t meant to undermine nine’s identity. sometimes you just hurt ppl without meaning to and sonic has clearly done that by being so dismissive of the fact nine is a person wholly disconnected from the tails he knows. he even goes so far in this moment as to try and make nine feel bad for not being more like his tails.

that’s a cruel and manipulative thing to do and i think we’re seeing sonic begin to understand that he really hurt this poor kid without realizing it.

[clearancecreedwatersurvival]

Fuck it I’m adding some belated propaganda for both of my favorite ginger jesuses

Rand

-he’s a shepherd!!!!!!!!

-both the christ allegory AND the antichrist allegory because he’s god/the universe’s specialest guy (unfortunately for him)

-has multiple sets of stigmata and symbolic unhealing wounds

-arguably the text indicates that he is the reincarnation of actual factual Jesus of Nazareth

-knows for basically the entire series that he will have to sacrifice himself to save the world

-as his arc nears its zenith he goes around constantly causing miracles, reshaping reality around him

Gideon

-daughter of god (important: god sucks)

-the pool scene baptism where she metaphorically cleanses her closest companion of her sins

-sacrifices herself and is later resurrected by god

-her early life has the equivalent of the massacre of the innocents wherein she is the only survivor in a mass murder of children

-she’s also got some christ wounds of the kind that would get a medieval illuminated manuscript writer particularly horny

Feel free to add more propaganda for either!!!

[hoshizoraorchestra]

idk man just thinking about how damsel3 literally just breaks the narrator. it is worse than the very thing that he will do Anything to prevent. that's how terrible it is to witness and to describe. man. man. i need to lie down.

[confusedfeelsfangirl]

I know that in canon he’s a fully grown adult man for his species but I would give my life to defend Mithrun. He’s already suffered so much and I don’t want him to suffer anymore 🥺🥺🥺

[beaulesbian]

Nimona (2023) dir. by Nick Bruno and Troy Quane

[turnipoddity]

yo this is a random ass question but have you ever watched creep (2014)?

cause i watched it tonight and im paranoid asf now 🥰

idk why im asking im just curious lol :3

I LOVE CREEP!!!!!!!! One of my favorite horror movies!!! and my comfort movie 🥰

[twentyfivemiceinatrenchcoat]

:( :( :(

[thewitchoftheweed]

Who Betrayed Who? A Cult of the Lamb analysis/theory.

The Bishops and TOWW give the Lamb conflicting accounts of the events leading up to the schism. So what actually happened? Who betrayed who? And why? I have a theory.

Let’s start with what they each say regarding the schism and the decision to imprison TOWW.

According to Shamura:

“Our brother, The One Who Waits. Back then he was known by the name Narinder. But as millennia wore on, he grew discontent with his role. He began to question. He was gluttonous in his ambition. And in my imprudence I loved him. For it, I lost my mind. For it, he lost his freedom. Can you fathom such betrayal, Lamb? Of your own turned against you? Would you like to find out?”

“The blame hangs heavy 'round my neck. I introduced him to ideas of change; for my domain is knowledge, and it is ever evolving. An organic state of being for myself, but for him... most unnatural. Death cannot flow backward. It was I who had him chained.”

According to Heket:

"It was not so long ago that we cast out the Red Crown. A mere thousand or so years. The heresy it preached could not be tolerated. Such noxious ideals... it could not be allowed. For this most damning of sins, the retribution must be slow and painful...And with greed and ambition unchecked, it drew Godly blood."

According to Kallamar:

“Please know, it was not my idea to cast out the Red Crown! The other Bishops, my siblings, the blame lies with them.”

And finally, according to The One Who Waits:

“You see me here in chains, reduced to nothing. But it has not always been thus. I was bound to this wretched place by the Bishops of the Old Faith. They betrayed me and left me to rot. Each of the four chains that bind me are guarded by one of the Bishops.”

All of them are vague about what exactly went down. The only other hint we have comes from the monument by the gates: “Here godly blood was spilled. Here Death no longer wished to wait.”

So: what actually happened?

Haro has some answers. He gives us some insight to TOWW prior to the split:

"He was unalike the rest of his kin. While others dealt with flux; chaos, famine, pestilence, war. Things in which their constancy must transpose. And yet he was the inevitable; the obstinate and irresistible. The one who waits. Truly peculiar, 'twould then seem, has appetency to invite the novel and the new, break ancient vow and primordial bond alike. Traditions stagnate and appetites augment, nonetheless. Doubt tears faith asunder."

Along with:

"Bonds of familial duty, turned instead to chains. Most voracious of appetites, curbed and contained. Most infectious of ideas cut off and cauterised before given chance to rot and spread. Cruel, verily. Alas, what other recourse was given? How does one kill Death? ... Alas. One cannot."

Haro is, as far as we know, an impartial observer to what happened. (I think based on his dialogue and seemingly intimate knowledge of the conflict, he witnessed it— but that’s a whole different post.) So his account is the closest thing we have to a neutral perspective.

From Haro we learn two key things, both of which are confirmed by Shamura and Heket’s dialogue:

1. Narinder was dissatisfied with his role amongst the Bishops. He was naturally curious and ambitious, while his domain was the only “static” one among them. In essence— he was bored, restless, and potentially feeling undervalued.

2. He was imprisoned to prevent a heresy from spreading. Which heresy? The monument and Shamura’s comments make it clear: “Here Death no longer wished to wait.” “Death cannot flow backward.” Resurrection was the unforgivable heresy.

Narinder realized that each of his siblings, whether they recognized it or not, had dual domains. Kallamar’s followers prayed for protection from pestilence, Heket’s prayed for protection from famine. They could presumably give health/fertile fields as well as inflict the opposite on heretics. Leshy's chaos could have become order, but as a "young" god, he hadn't yet reached that point. Shamura has two separate domains entirely, wisdom and war.

Narinder just had death. Static, never-changing, and irritating for someone who enjoyed the “novel and new.” I think the fact he’s a cat reinforces this. There’s even a colloquialism about it: “Curiosity killed the cat, but satisfaction brought it back.”

After serving his role, he became restless. Shamura then encouraged him to experiment with his domain, by their own admission. Perhaps they didn’t actually think Narinder would succeed, or perhaps they felt bad he was stuck in a static domain when it didn’t suit his personality. The result was catastrophic in the eyes of the Bishops: Narinder gained power over both life and death.

Why was this such a damnable heresy that it destroyed their family? A few reasons: the ✨Prophecy✨ Shamura (presumably) received, the implications of resurrection in the world of CotL, and what I think might be pre-existing divides within their family. This is where we start to delve into personal headcanons and theories, so hang in there for a second:

Narinder is the most powerful of his siblings. Full stop.

He is the hardest boss fight by far, even though he’s been chained for a millennia. You could argue that he’s empowered by the Lamb’s/cult’s devotion, but there’s a key flaw there: he imprisons the cult during the final battle, and blatantly turns against the Lamb. All devotion from the cult vanishes in that moment because the followers are very clearly pulling for the one fighting to save them: the Lamb.

So, Narinder was powerful. The most powerful. Perhaps he became the God of Death because he was instrumental in killing other gods prior to their ascension. He had a clear interest in necromancy and the world beyond, if we can assume the necromantic weapons are his. (Which they are strongly implied to be by their item descriptions.) So when they ascended, he had a fascination with death and was probably very, very good at killing— so Death initially made sense as his domain. However, Narinder was curious and creative and restless. He eventually got bored and likely began to resent his family. The most powerful of the Bishops, not capable of doing anything but waiting.

Then there was the family dynamic. Kallamar was afraid of Narinder. Heket seems antagonistic towards him. Leshy didn’t seem to have much of a relationship with him. So it’s entirely possible that resentment could have eventually led to a betrayal on Narinder’s part. But one thing held him back: Shamura.

I think Narinder was beginning to drift from his family, but turned to his eldest sibling because he still had great love for them. Shamura encouraged him to experiment, which was ultimately successful— one can presume he was intensely proud of discovering resurrection. He saw it as his crowning achievement and his way of finally leveling the scales between the five of them.

His siblings saw it differently. In the world of CotL, willing and unwilling sacrifices directly feed a god's power. Resurrection, perhaps in their minds, cheapened or weakened this power. Or, if we go with the theory that Narinder was the objective strongest, resurrection made him so powerful it scared them. If he can essentially grant eternal life to his followers, what’s to stop him from usurping our worship entirely? What's to stop a god of life and death from doing away with the others?

I think the prophecy was Shamura’s attempt to calm Heket, Kallamar, and Leshy’s fears regarding the discovery. Perhaps they had a way of divining the future— and received the aforementioned ✨Prophecy✨.

In turn, it convinced Shamura that the only way to preserve the majority of their family would be to get rid of Narinder. Haro’s dialogue strongly implies they discussed outright killing him, but realized given his domain it would be impossible. Imprisoning him was the only alternative, the only way to keep word of resurrection from spreading.

So. Who pulled the trigger first? Did Narinder actually plan to usurp his siblings, and the Bishops stopped him before he could? Or did Shamura completely blindside their brother?

I think the truth lies somewhere in the middle. I believe a betrayal was inevitable. Had the Bishops forbid resurrection and then left Narinder to his own devices, his resentment and pride probably would have eventually won out. Most of the affection they had for each other as mortals was beginning to wane, in part because they already seemed to look at him as a threat. If you treat someone like a loaded weapon, eventually they’ll decide to become one.

But I think at the true moment of the betrayal, it was Shamura.

They admit to being the one who made the final call, and also the one who encouraged him to experiment resurrection to begin with. Narinder was the closest to them in personality, and they seem to be the closest out of the five. (Some have even pointed out that TOWW chose not to watch Shamura fall to the Lamb— his dialogue as a follower implies he doesn’t know what their last moments were like, though he happily watched the others fall through the Crown.)

The most damning piece of evidence in my mind of Shamura being the true betrayer is the nature of their injury: Narinder split his favorite sibling’s skull.

The only one who outright says they loved him deeply. Because Narinder loved them, too, and in the moment of betrayal the worst of his pain and rage was directed at them. The one sibling he never thought would be capable of doing that to him. The one sibling who encouraged him to take this path, then brutally punished him for it.

As Shamura says, the two of them paid the heaviest price. The blame hangs heavy around their neck, because Shamura — the eldest and wisest of their family — set them all on the path of complete destruction.

Narinder, to me, is an excellent Lucifer allegory. Some will look at his very clear pride and say he deserved it— others will point out his true crime was challenging the existing status quo and trusting the person he loved most to listen.

[raayllum]

don't get me wrong callum is undeniably a prince and it plays into his family dynamics and his initial sense of unworthiness when the story starts a lot, but i'll never fully understand the hang up that it's a Big part of his ongoing story when his own brother, the king, says "remember who you are" and just refers and reiterates his mage identity (4x06), and that's the only one that callum seems to significantly care about either (5x07)

[concert-bflat]

Thinks about how. Gloreth only starts looking at Nimona differently/strangely when her parents call her a "monster". Just throws that label with such a negative connotation on her. Gloreth fucking fights for Nimona immediately in the beginning saying that she's her friend and never once looks at her with ridicule until her mom just holds her by the shoulders and tells her she's a monster, straight in the eye, straight in the face. And just the word is enough to cause the change.

Nimona's getting fucking attacked and prodded and Gloreth doesn't even feel sorry for her just because she's now re-contextualizing everything around her but with that word. I'm so sick. She looks not in hesitance but at disbelief before she runs away. She sees Nimona trying to defend herself from literal Danger in any way she can (she's just a kid and she's fighting with people who won't listen, never will, people that she can't get through) but just sees that as more proof of her being violent, monstrous. She sees her friend all alone, with the odds and the world stacked against her despite them being. so similar but just tells her to go back to the shadows.

And like. Of course she believes those words calling Nimona a monster and takes them to heart. Her parents, the ones she would probably trust most are the ones that told her that. And she's young, she doesn't know much about the world or much better. And of course, her parents and the whole village don't know any better. They didn't see what she saw. They don't know or feel the need to know much more than the definition of the word "monster". But it hurts. God it hurts. It's wrong. It's not fair. It's really not fair.

And it causes this whole legend that will stay with Nimona to ridicule her for generations and generations and birth this system that she's trapped by and causes everyone to be so brainwashed. The one that makes people scared and build walls. That births unecessary distrust.

God. Even in the scroll illustrating Nimona and Gloreth, Nimona is portrayed as such a bigger and scarier threat than she ever could be or would be, until Nimona internalized and gave into those images and despair of course. It's not fucking fair.

Thinking about how when the villagers saw Nimona as a "normal" person they were happy for her just living her life and playing with her friend, she was just another kid being happy like she and every ("normal", apparently) person deserves to be, and they were allowing her to be happy then when they find out what she really is they hate her. They call her a monster and drive her out immediately. They don't look into the details that contradict the stigma, they just feel betrayal when they weren't even the ones who were betrayed (Nimona couldn't fucking help being who or what she was. And she was her own person. She was still. A someone. Why do things have to be different now?). I'm so sickkk.

Thinks about how Nimona feels so hopeless as to just. Accept and yield to that label. That label that was passed down to Gloreth. To the whole world. Such simple but awful words. Aughhhhhhhhhhh

Another post I saw talks about how this is a movie about how hate is taught. And oh my god it is. Hate it taught. It's done so simply yet so, painfully effectively. So devastatingly. And that hate teaches people to hate the world back. God I fucking loooove this movie

Also Nimona's such a Creature /pos /affectionate she's so relatable I fucking love her and I'm insane okay that's the post bye

[hopefullystillliving]

You ever get lulled into a false sense of security during the first two thirds of a kid's movie that's good with a serious plot but mostly a pretty fun time, only to have the entire final third tear your heart out, chew it up and spit it out, crush it into even finer paste beneath its heel, and add the fine powder your ribs have been turned into by the sledgehammer it whammed you with as a seasoning?

Anyway Nimona was great, 10/10 would recommend, I was crying on and off for what probably totaled 20 minutes of tears.