#I lost one my fav shows

[secretsofthewilde]

You know what, idc that the writers literally showed us that Christian is Jack and Claire's father. Those two are blood siblings, sure, but Jack isn't really her big brother.

You know who is? Sawyer

[pepperpixel]

Scott pilgrim art dump!!!! I started working on these like a fucking month ago and just have not been able to finish them cuz life has been so fucking busy… but I FINALLY! I finally managed to finish them now!!! So behold!!!!!! My blorbos! My favs…. I rlly enjoyed every scene w these 3 they were adorable and awesome and cool…. I hope u guys enjoy my art of them even if it is super freaking late ghgh

[hella1975]

idk how to feel about the atla live action show but I just saw that the guy who’s playing zuko mentioned zukka in an interview and I’m kinda foaming at the mouth, going feral at the moment

ENOUGHHHH. T-MINUS ONE DAY

[aadhiskanmani]

[metabolizemotions]

Maybe Station 19 was like an experimental cubist painting.

There were too many stories to be told and too many people trying to tell them, from too many perspectives, with too many styles…

Each viewer saw a different picture.

It was the show that tried to capture the zeitgeist and represent the under-represented. Also the show that often struggled. With the tones and textures. With representing w/o tokenizing. B/w laughing with and laughing at. B/w realism and romanticizing. B/w deliberate and arbitrary. B/w educating and entertaining. B/w what they consider profane and sacrosanct.

At times, it touched our hearts deeply. At times, it frustrated us to no end.

Not every story was given the respect, sensitivity and intricacy it was due.

One moment could lead to a profound understanding of an aspect of a lived life some of us had never known; while the next could be a moment that was beyond confounding - about an aspect of ourselves that made us feel slighted, diminished and even erased.

It had often been an exercise in empathy to find our common humanity at the intersectionality of stories. Yet, the scale of empathy often skewed too far in favor of some characters with the differing standards, narrative frames and plot armors. Ironically yet reasonably turning people off these very characters they wanted people to root for. A persistent dissonance and disconnect.

But it was also the show that didn’t shy away from the ugly, the raw, the uncomfortable and messy parts of our shared human experience. The tribulations of oppression. The perils of ambition. The tests of morality. The trials of friendship and love. That we would make mistakes, but we could also make amends. That we're not defined by our worst. That our best lives could still be in front of us despite the current struggles. That sometimes life sucks but having your people with you makes it more bearable.

I would think it an interesting journey for the diversity of people behind, on, and in front of the screen. The evolving stories, evolving characters, evolving storytellers, an evolving fandom - all amidst an evolving media landscape.

It was probably not an easy show to make. The show had a bewilderingly lack of support from abc or shondaland. Diversity seemed to be both good for promotion (when there was any) and the reason for the prejudice against it.

Just as it had not been an easy show to watch - so biased, inconsistent and self-contradictory. Like when they kept telling us about the family spirit and deep friendships yet somehow spent more time showing otherwise. Or when the writing of systemic sexism was somehow inherently sexist.

Personally, I don’t think characters belong to the writers alone. Besides the usual constraints, the characters were often adjusted back and forth to fit the plots. We’ve also learnt how network execs' dislikes, writers’ personal experiences were factored into the stories. I fully respect the writers’ artistic rights. But actors who embodied the characters for years have a unique understanding too. Viewers also have their personal takes about what were true to characters. It's ok to agree to disagree.

There had been sparks of brilliance, but often extinguished too soon. It has been confounding how the greys-verse did not capitalise on its vast potential, esp. S19. Even while both shows share a show-runner. Grey's anatomy could have lent its scale while Station 19 could have injected renewed energy back into its mothership. Both shows could have been better for it.

Although the characters have the foundation of distinct and interesting backstories, their development often did not fully utilise the narrative potential and the talents of the cast. I’m sure the crew was also competent and hardworking. But somehow some elements b/w n within the shows seemed to just cancel each other out instead of amplifying their impact. IMO 704 and 709 were a few exceptions.

But I'll always be glad S19 existed and we got a S7. I believe they had tried their best to wrap up and give closure to everyone invested in the show. I truly appreciated the hard work given the circumstances even when I personally didn't agree with some takes.

In the end, I really do want to remember it as the show with heart, the show that made us laugh and cry and the show that tried. The show that's unique - in both its merits and flaws. I’ll definitely miss the characters. One last time - 19!

[her-canine-teeth]

bad astrology by flower face

[stevenrogered]

remember when networks used to put out insane promos like this? its such a shame they stopped doing them bc they were INCREDIBLE. they teased the story for the season just enough and were so well done.

BRING THESE KINDS OF PROMOS BACK

[kingsmoot]

what are your all's thoughts on whether/how theon was castrated because i'm undecided

[girlwiththegreenhat]

so anyway the helicopters can see you Through the windows

[bleetusmcyeetus]

[lorebird]

hi lore hi hi hi you said hisui headcanon lore???? 👀👀👀 hisui hc lore please 👀 ty

HIIIII I was gonna draw some stuff for this but. Alas it is 6 am and god has seen fit to punish me for my hubris (cramps) so I’m just gonna distract myself writing this while I wait for the ibuprofen to kick in

So this is like. Completely out there bc it’s just me cherry-picking the series’ worldbuilding that I enjoy (and also completely changing it) for the sake of self indulgence <3

The Celestica people lived in ancient Hisui and were part of a trade network with the other regions. 3000 years ago, there was a war between Galar and Kalos that resulted in the darkest day and the ultimate weapon, and the news spread all over. A few centuries later, a traveller from Hisui came across the decimated weapon and its story. Idk who this character’s gonna be, probably a new OC bc I can't think of a canon character to throw this backstory onto

A bit of hc lore regarding how the ultimate weapon works: it's powered by infinity energy, the life force of pokemon, which is canon. I elaborate on that by having all infinity energy sourced from Arceus. Every pokemon is tied to it through the infinity energy necessary to live and exist (oh my god I just thought of the implications of this for manmade pokemon holy shit that's so cool I gotta think about this more), but some have more power than others. Legendaries (and maybe some mythicals?? I can't remember them all rn), which have power over nature/reality, have some of Arceus' own creation power tied into their infinity energy. All those mons are some of Arceus' thousand arms. This power can be harnessed by the ultimate weapon, which is how Lysandre intends to make the player immortal by powering it with Xerneas (so if someone powered an ultimate weapon with Kyogre, it could manipulate the oceans; if someone powered it with necrozma, it could manipulate light; etc etc)

So anyways -- the Hisuian came back and began building a new weapon, this time with the intent to create an entirely new world, just like Cyrus and Volo. Instead of a singular body like in Kalos, the three "petals" were placed around the region, equidistant from the temple of Sinnoh in the center. Each third was powered by one of the creation trio's orbs.

But tracking down those orbs was tough work -- the weapon-builder, who I'm just gonna call ZA for ease, reached out to historians and merchants to try and locate them (no one knew what they were up to at this point and what the orbs were intended for). Once all 3 had been found, the finders were told to bring them to a certain location at a specific time. At this point, ZA was at the temple of Sinnoh in the center of a region-wide weapon, and they fired.

Each third of the weapon created a crater, the three lakes. I made this shitty little representation like 3 weeks ago DHFJDKFK it's based off my vague memories of the nationwide transmutation circle from watching fma like 6 years ago

The weapon tore open a massive rift that kinda threw everything to shit, like having a spacetime distortion covering all of Hisui. This is the threat that the ancient hero mentioned in-game solved (I like the theory that the hero is Alder <3 so he was dragged in by the distortion like Ingo was, just. A couple thousand years earlier)

As for the people who delivered the orbs and were caught up in the blast -- idk who the lustrous globe holder was tbh, maybe I'll make them another oc if I don't find a character to chuck that lore onto. The one who had the griseous core was Volo; Cogita had the adamant crystal. Like AZ, they gained immortality from proximity to the weapon, but also inherited other elements of their respective pokemon's infinity energy. Cogita can see the past and future; Volo can access the distortion world. The theoretical third character could warp space or teleport.

The weapon firing and ensuing chaos killed off a lot of the Celestica people, and the remaining few had no stability in Hisui and so left for other regions. A few centuries before pla, the diamond and pearl clans' ancestors arrived, taking up the title of Celestica and upkeep of the temple of Sinnoh. I'd like to think that Cogita had passed on some of the ancient stories to them, which is how they know about the rift and hero from the past, as well as Dialga and Palkia (even though things got. A little misconstrued there)

[lovely-showtimes]

i'm in a very vicious cycle of wanting to write more characters than just tsukasa/wxs all the time -> not feeling confident in my ability to write them in character -> not having enough motivation to go and read other events that arent just wxs ones

[minakoainosupremacy]

I’m sad, I’ve had a bunch of fun cool ideas sitting in the back of my head since like new years which I wanted to use for rare pair week, but like life has been kicking my ass so I didn’t have time to even start anything and now it’s over :( guess they will just keep living in my head until next year

[tapakah0]

(My tags run out of space I guess I went little bit over) But... okay it will be here now...

I've lost half of what I've wrote because of the emotions... So I will just... You've been doing this comic in your free time, you've been makin yourself this free time, you've been creating, you've been thinking, you know what we needed, the way you presented everything It feels much more than just a comic for a free time, for me it is sleepless nights and endless hope Cass, I hope you will look behind yourself and see all the bright smiles you've been able to give us all

Part 5!

Well. It's been exactly one year since I started this comic. Which is pretty impressive for my tiny attention span. This is the biggest of my stories and I'm so damn proud (and surprised) that I was able to finish it haha

Quick q&a because I know a lot of you would ask something like this:

Why didn't I add "x" to the comic? - Because I didn't want to.

Why did I add "x" to the comic? - Because I wanted to.

This story was improv from start to finish and that means I added and took away many things. I don't regret any of them haha

Thank you all for being with me. This fandom is wonderful and I'm happy to be a part of it :)

When is this happening? ‘,:l

Part 1 Masterpost

[dreams-in-daylight]

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[wylansworkshop]

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