#I look like a lesbian but not the kind of lesbian I WANT to look like

[nekrotiize]

It's a controversial take because everyone's stupid but I'm never going to stop calling fandom + shipping culture homophobic. Fandoms are consistently extremely homophobic, and shipping culture is consistently even more homophobic.

Yes, the way fandoms center men so religiously is obviously misogynistic. The only people who deny that are themselves misogynists. But the aggressive centering of men and the resultant fixation on male/male dynamics lends to this slimy coating of homophobia that nobody talks about. The misogyny is an issue, clearly. But gay men are, to most people in fandom, toys. We are sex objects to coo over. It's intensely voyeuristic. Every god damn interaction is scrutinized to hell and back, and the second a man shows any kind of emotional connection with another man, it gets pounced on, and he gets thrown into a mill that flattens him down to one of three deeply heterosexual yaoi tropes that are fandom's only way of processing the existence of gay men.

It doesn't even matter what that man is. A disconcerting amount of time, people will start fawning over the idea of literal rapists being gay with zero critical thought applied. As if gay men being painted as and assumed to be sexual predators isn't a method that's been historically used to literally legally murder us. (What the fuck do people think "Gay Panic" means, even?)

Gay men aren't given the ability to be human beings in fandom. We're not afforded nuance. We're accessories, we are constantly objectified, and no one ever takes the time to consider that we have cultures, and that we are real human beings. We keep getting shoved into the most heterosexual boxes physically possible for the easy digestibility of people who do not want to see us as human beings. Semes- sorry, I mean Tops are the taller, older, more masculine, capable men of the relationship. Ukes- oops, sorry again, I mean Bottoms are the smaller, younger, more feminine, and totally useless women of the relationship. It's painfully yaoi. Gay men in fandom are never given the opportunity to be regular men, because people are too busy turning everything into homophobic, misogynistic fetish porn of our existence to be normal for five seconds.

There's something comedic about how many people in fandom want to say they're progressive, accepting. Safe. How fandom is welcoming of everyone. Look, we've made all this representation! And every time, gay men are sex objects, the women are scapegoated to hell and back, the headcanoned trans men are always skinny white softboys not a single day over 21 maximum, lesbianism is maybe acknowledged 0.5% of the time and largely for brownie points, bisexuals are across the board made out to be overtly horny and often sexually aggressive, fans of color are harassed out of the community left and right, anyone on the aro/ace spectrums is called a freak and a killjoy for not participating in shipping, characters on the aro/ace spectrums are heavily included in shipping content with the excuse of "aros/aces can date/have sex like normal people, too!" with zero regard for what our love looks like, and there isn't a single accepted trans woman headcanon to be seen.

Fandoms are circuses full of dirty little liars with cotton stuffed in their ears and Shipping Culture is a disease.

And if you criticize either of them, the most annoying white liberals you've ever seen will start clutching their pearls because how dare you criticize something that's free?! Don't you know a lack of price point immediately negates any criticism?! Just laughable.

[angy-grrr]

Just another queer ship

I know many of you just are here bc you wanted to see bkdk metas years ago -many have left since then, changed accounts, stopped getting my content, or just moved on to the work others do in the fandom-, but I also know some of you feel at least a little bit like me. You felt connected to this for many reasons, as many as the amount of followers I have, but I want to talk about me, hoping the ones that understand also get to have... something, I guess.

These ships were important to me partially bc of being my special interest, partially bc they are queer; I know some ppl believe its wrong of others to enjoy shipping "just bc they are gay", they just have been a huge part of my life and followed me thru different stages of accepting queerness on its own and on myself. Its kind of funny, how this started when I just tried so hard to be non queer and how it ended when I accept that im a genderqueer lesbian.

I remember back then I saw romance as that uncomfortable pressure of expectation and need of validation whenever an older guy (like young man I mean, I was like 13 so older guy looked like that) was in front of me -bc romance was always like that-, how picking a random guy means love, or how eye contact means im telling that guy Im interested in him. Because romance is always about a boy and girl just ending together as the ending of all stories -if I wanted to do things right, I needed that, I needed to show off a random guy to others, even metaphorically, as long as him and I were never completely alone (this "relationship" needed to be useful for something, for others to see how great I do this, how im a winner in life).

Its funny, isnt it? I really wanted this to be a subversion, to understand how complex these feelings can be and that a girl and boy can be friends and be so important to each other, that the feelings you have for someone "you arent supposed to like" can be real, and strong, and impact you forever.

I dont care about what we got.

To whoever is reading this, if anyone does at all, im guessing you could be another queer person who got their heart broke because the shonen that wasn't supposed to be like other shonen ended up like all the stories do. So to you let me tell you this:

Don't you dare give your heart for this. There are so many harmful many things in this world, and I dont want you wasting your spirit over a story that never cared about us. Im nobody to tell anyone anything but I dont want us to once again yearn for a queer story in the shows, books, comics and movies that clearly dont want us there.

Its normal to feel the overwhelming pressure in your life -there are tons of things to worry about, so many injustices- and wanting to find comfort in media, and how it hurts when the author takes that away from you. Im not telling you to stop shipping or consuming what you watch, im telling you to use that into something for all of us. There are queer shows, music, entertainment, communities, etc., and we can also use fandom spaces to create and see what makes us feel seen -thats the rule of fandom, if nobody has written it then do it yourself even if its ugly and imperfect.

The ending of THE manga that has been by my side for what could be half my life is everything I feared it would be, but Im the most queer I have ever been. The manga wasn't for us? Okay, I'll be part of whatever I create then.

[indigosaffron]

Caitvi being endgame was the thing that ruined season 2.

I don't mean that in a homophobic way - I am literally a lesbian and in the first season, I rly liked Caitvi's dynamic. Vi was given a space to heal and a person who helped and cared for her. She didn't need to protect and lead Caitlyn like she did with Jinx, Mylo and Claggor, and as a result we got to see her heal and be vulnerable as she didn't have to be strong for the people she loved. Caitlyn, on the other hand, had grown up sheltered and privileged, and her relationship with Vi allowed her to see the people of Zaun more clearly and encouraged her to help them and set aside her prejudice. This dynamic was also reflected in how the show portrayed the people of Zaun. In the first season, it's very pro-Zaun, pro-revolutionary, anti-fascism, all that.

And then the second season, Caitlyn pulled a complete 180, started acting like a fascist and hating the people of Zaun, and in the end... Vi forgives her.

Is this in character for both of them? Yes, actually. Caitlyn has grown up sheltered and was raised to look down on the people of Zaun, it's very easy for her to just turn back to that way of thinking. Vi is also incredibly dependent and forgiving when it comes to those she loves. We see how hard it is for her to let go of anyone - Vander and Powder are obvious examples. So it isn't strange that she doesn't leave Caitlyn and forgives her in an instant.

Would it have been so much more interesting if Vi didn't forgive her? Yes. A million times yes. I would've loved to see that character growth for Vi, of her establishing that boundary and deciding that she had to leave Caitlyn behind. I'm honestly kind of mad that they gave Jinx so much development and growth throughout the story and Vi has barely changed. Her political beliefs seems to be the biggest thing that has changed, and even those are rooted in the same character traits - first she was fighting for powder, now she's fighting for Caitlyn.

It's not just that I'm mad that they never address how toxic this relationship becomes in season 2. I saw someone else mention how it went from "privileged + oppressed" in s1 to "oppressor + oppressed" in s2 and if that doesn't just sound like literal abuse to you idk what to say. They frame this in the show as a normal relationship - at best, it's both of their faults and their both in a bad place mentally. They never address how horrible Caitlyn acts throughout act 1.

As a result of this, they kind of lose the whole "Piltover is an oppressive force and the people of Zaun should revolt" plot line. Instead it becomes "both sides are bad and in the wrong", just like with Caitvi's relationship. After all, the show can't properly condemn Piltover and yet support Caitlyn at the same time. And if they want Caitlyn and Vi together in a relationship that looks healthy, they have two options - either they address the flaws in the relationship and take the time required to fix them, or they ignore the flaws and pretend it's not a big deal.

They don't have the time in 2 seasons to address those flaws, though, so they decide to ignore them, and in doing so ignore the flaws in Piltover's overall treatment of Zaunites. This creates a contradicting message between the first and second seasons. In the first season, it was obvious that the Zaunites were being mistreated and that they should rise up. In the second season, they suddenly ignore all of that, and instead make the nations unite to face the "bigger problem". I didn't really like the hex tech plot line to begin with because I felt like it distracted from the more important plot line, which was the whole Piltover v Zaun thing, which they completely brushed under the rug.

Maybe this would've been better if they'd had more time to properly flesh out Caitvi's relationship, but as it is, it would've been better if it wasn't endgame at all imo.

[yandere-daydreams]

Arcane season 2 frustrated me to no end regarding the lesbian sex scene. I see a lot of people comparing the two scientists who get a CRAZY connection beyond worlds and destiny, unconditional love ending and caitvi who had a sex scene. I LIKED the lesbians up until the second season. But the way people value sex in saying that they were the “most gay” because they had sex. While the other two characters had a far better written connection and relationship even if they didn’t fuck each other in the ass. But if you say anything you’re lesphobic for wanting a well written lesbian relationship RAGHHHH

i cannot speak on the merits or pitfalls of that specific lesbian sex scene, but in general i have noticed that sex scenes are usually used as a sort of a shorthand for 'we need to create intimacy between these characters and want to put minimal effort into it so they're going to fuck on screen'. it's something that really bothered me in the Witcher (the netflix series, not the game), particularly between yennefer and geralt because you could not tell me they so much as LIKED each other judging by literally every other scene they're in. i have a lot of complaints about the witcher in general but that's pretty close to the top of the list.

the only sex scene i've ever really felt was necessary from a plot angle were the duo scenes in the finale of castlevania's third season, mostly because the artificial intimacy was kind of the point for both lenore and hector, who were both looking for a relationship they were never going to find with each other, and the alucard threesome, which literally led directly into attempted murder. my feelings on sex scenes in general are a little more vague, but you can NOT tell me they're uncuttable. put your dick away i'm trying to feel invested in the story.

[bcolfanfic]

universal sound au•gender-integrated 100bg

house fire

authors note: hi! writing this kind of au is new for me so i hope its alright. massive s/o to ww2 rpf is fine discord server for being so lovely and encouraging <3 bare bones run down: halona is a ball turret gunner, elowyn is a pilot + lesbian who was involved with tatty back on base and has been projecting missing her onto halona :p and cj was a navigator.

cj is *not* dead, while all this is going on she's a train evading via the comet line. which of course crank nor anyone else has a way of knowing.

---

Crank took a breath in before he knocked on the library door, the quiet murmur of conversation coming through from the other side.

When a few seconds went by without any movement he opened the door himself. Brady was seated in the far corner, his back slightly hunched over a stack of papers that sprawled across the table. Halona was pressed shoulder to shoulder next to him, leaning into his space to tell him something he couldn't quite hear- but whatever it was made Brady laugh under his breath. He tilted his head to look at her, eyes soft.

Better Clark sent me than Elowyn, Crank thought to no one.

Brady reached toward Halona���s hair, his fingers ghosting near her face before Crank cleared his throat, loud and pointed. Both of them jolted like they’d been burned.

Turning his head towards him, Brady sucked in his bottom lip.

"Hm?"

"Colonel Clark wants to run us through some escape stuff,"

Halona gathered her things and stood with a soft, Thanks Crank as she brushed past without meeting his eyes. But Brady didn’t move. He just stared at the table in front of him, shoulders tight.

It chipped at his patience.

"Come on, lover boy," Crank muttered, turning back and giving the door frame a pat. "we’ve got more important things to do."

"You're acting like El." Brady finally said as he pushed in his chair and stood, budging past Crank- shoulder pushing against his side hard enough that he had feeling it was intentional.

Crank paused for a beat before he followed him, boots brushing against the dust collecting on the floor. "And how am I doin' that?" He called out after him, edge of his voice biting at Brady's heels.

He could sense him rolling his eyes without seeing his face, tone annoyed. "By acting like the sky's gonna fall if I look at Hallie one way or another."

Crank inhaled, flexing his fingers at his side, knuckles aching to be popped. It was more complicated than that- for Elowyn of all people especially. But the root of the way her eyes narrowed at the two of them made enough sense to him. Johnny had never been good at compartmentalizing. And distractions were a liability, now more than ever.

Halona was a good girl; he'd seen enough of her around CJ to know that. He had more faith in her to not get distracted than he did Brady.

It was only the secondary reason that he felt like he could understand the way Elowyn's face twisted every time Brady's hand lingered on her friend's back- and every time he designated himself the one to swipe at the grime that managed to collect itself on the edges of the band-aid patched over her eye.

It made him miss having someone- miss CJ- so much it made his chest ache.

"There’s a whole lot to do around here without you trippin’ over yourself about her. We’ve got more important things to worry about." He said with a gesture at nothing. "El's right about that much."

"El’s just pissy ‘cause she’s jealous." Brady cut in, words sounding somewhat practiced as his tone dropped. "Halona knows it, and so does everyone else with a brain in their skull."

"Doesn’t mean she’s wrong," Crank mumbled, jaw feeling tight as he pushed open the door to the bunk room. Brady was so close behind him he could feel his breath on his neck.

"Yeah and you'd be singing a real different tune if CJ was here." He said, loud as he pushed past him into the room.

Crank froze where he stood in the doorway, suddenly feeling lightheaded. The girls had known from the beginning, and he had a hunch Croz did too if for no other reason than navigator proximity.

But not anyone else, Brady least of all. When he blinked and found his bearings, there was a proud grin tugging at Johnny's mouth.

"The hell 's that supposed to mean?"

Brady didn't miss a beat, stepping back towards him. "You know what it means, you were screwing her." he said, edging on shouting. "And you," He continued, jabbing his finger almost right into his face "wouldn't be acting like we all oughta' take celibacy vows in here if she showed up tomorrow."

Crank’s face burned, and he could sense everyone's eyes on him even when he didn't find he had the gall to look back. Settling for the safest bet he looked away from Brady at where Elowyn was sitting on the edge of her bunk, gaze flicking between the two of them, impassive. Halona had sat herself down at by her feet, looking up at her with one side of her cheek sucked in. Elowyn leaned down to say something in her ear.

Brady scoffed, expectant, and Crank felt like his strings had been cut.

"You know what- go fuck yourself," he spat as he stepped to him, enough that Brady dropped his finger away. "Or go screw Hallie, don't need my bles-"

Before he could even finish the sentence, Brady lunged, his fist meeting Crank's jaw with a crack.

All the air was sucked out of the room at once and Crank staggered back, blood rushing to his mouth. He wiped his lips with the back of his hand, tasting copper as he stumbled to keep his footing. Who he was pretty sure was Bucky came over to haul him up by one arm, barking something at Brady that felt like white noise to his ears.

When he looked at Elowyn again her face had hardened, and it looked like she might say something, but the words never came.

"You think you got everything out of your system there boys?" Colonel Clark said as he walked out from where he'd been in the corner of the room, brows furrowed with his arms crossed over his chest. He clapped a hand on Brady's shoulder and motioned for him to go stand where he'd just come from- as far away from Crank as he was going to get in the small space.

Hearing Elowyn's voice, low and urgent pulled his attention back to her and when he looked over, she had shimmied out of her bunk to sit next to Halona on the floor. Halona looked back at him when he figured that she could sense his staring, lips pressed in a thin line- wet glint in her eye that wasn't bandaged.

Crank swallowed, guilt settling his gut like a stone. If CJ was here, he thought, she would've killed him for making Hallie cry. She'd about knocked a RAF prick on his ass over much less.

Every move he made feeling forced, mechanical, he made himself sit in the empty chair next to Buck at the table, furling and unfurling his fingers around nothing.

"Just this place talking." Buck had taken up saying to all of them.

Crank found himself wishing this place would just shut it if it didn't have a damn thing useful to say, or an MIA navigator to spit out through the fence.

[lollytea]

I need to watch Sharpay's Fabulous Adventure to reach my final conclusion on if she's even attracted to men

[oh-no-its-bird]

I asked for a trim and my hair dresser gave me a FUCKING PIXIE CUT I'm so genuinley distraught I ended up crying on the train home

Canceling all of my plans next month I can't let anyone I care about see me like this

[apricote]

[wis-art]

Women, so pretty, so shaped, i am so lesbian,,,

[meow-meow-kiss-kiss]

So... what if after the happy ending in season 2 (cause it's totally going to be fine, don't worry) Vi takes Cait to a punk show - and she gets to dress her!

Seems fair since Vi actually became an enforcer.

Caitlyn feels ridiculous. Vi feels other things <3

[littlehatmouse]

i finished this in the last 20 minutes of lesbian visibility week after not drawing at all LETS GO

[trappedinafantasy37]

It is now time to go down into the sewers and to face Orin. With this run being just Shadowheart and Minthara and no Durge, this definitely feels a lot more personal for Minthara.

The moment we passed the threshold into the Undercity, Minthara drops the alurlssrin confession. Of course, Shadowheart has no idea what that means. But Minthara is walking down into that temple terrified that she will not make it out alive and she wants to tell Shadowheart she loves her in the best way that she can

Did not exactly feel like doing this bullshit of a fight, so I engaged in a little pro-gamer move I like to call, "If they can't see me, they can't fight me." You'd be surprised how many problems you can get out of if you just avoid them entirely!

Behold, the Temple of Bhaal in all its dreadful glory!

Orin is quite excited to see Minthara again! Oh, how she missed her Minthara.

Turns out, Orin is not too happy that Minthara has a new girlfriend now and wants to get rid of the competition. What is it about evil lesbians that compels them to resort to violence to solve their problems?

I have learned quite a lot of things about Orin these past few days. Not only is Orin capable of turning invisible in the middle of a fight, but she can also resurrect the dead! Who knew? I sure as fuck didn't! What else is she hiding?

YES! SHE DID IT! BABYGURL KILLED ORIN ALL BY HERSELF!

Death is too good for Orin, she deserved worse. Minthara deserved the honor of doing worse.

Even though she personally dispatched of Orin, Minthara has a hard time believing that Orin is dead and that her nightmare is over. She is still quite terrified. Once, she had believed that killing Orin would make her feel better. But vengeance is not all its cracked up to be it would seem.

But, it's okay. Shadowheart is here to make it all better. Orin is dead and can never touch her again.

I almost exclusively play Durge and have always found the fight to be easier in a one-on-one duel. Sadly, Minthara is not granted a duel or the ability to confront Orin directly. Stocking up on some spell scrolls and with some carefully targeted attacks, I was able to make it so that Minthara was the one who fought Orin. And she won.

Like I said, Minthara being my only companion on this run definitely made the confrontation with Orin feel a lot more personal for her. She is sidelined and regarded as if her trauma is just an after thought and doesn't get the opportunity to confront her abuser. Perhaps Minthara's character development gets stunted because she isn't given the proper chance to work through her trauma like all the rest. It will forever infuriate me. But, that's what fanfiction is for and I will always give Minthara what she actually deserves in my little stories.

Next up, the Elder Brain and the end of the game.

< The Foundry and Gortash | Doomsday >

[gorespawn]

also while we're here i would like to share the two iterations of tumblr user gorespawn that have existed since i abandoned this blog back in like early 2021. Who wants me

[mostofthingsmostofthetime]

My thoughts on The Ballad of Songbirds and Snakes movie

I don’t know if I liked it as much as the original films (maybe Mockingjay 1 & 2 as they are pretty emotionally draining), but I still enjoyed it.

I think where it fell a little flat for me is 1. The beginning was a bit slow (tbh I only really started getting interested when Lucy Gray stuck that snake down that girl’s dress & even then I enjoyed the story more when the setting changed from the Capitol to the district) 2. I knew Snow would survive 3. I’d already been spoiled online for a lot of stuff that happens & 4. while I know the director did his best to make Snow as “likeable” as he could for as long as possible, even before he started getting “a little too comfortable” with killing & snitching I didn’t find him as sympathetic as Katniss or Peeta (but that is probably again down to the fact that I know what he goes onto do & there’s no real way around that), this made engaging with him difficult for me.

The world is fascinating. Getting to see all the new locations we never had access to before as well as old locations now in a totally different light (for example district 12 which, while still clearly suffering, seemed like such a bustling industrial town compared to how it is in Katniss’s time). It might have a much more retro aesthetic but there's also just a more vibrant, natural, wild & lawless atmosphere to this movie compared to the others in the franchise. The whole scope of the film just felt more cinematic then I remember the others being yet also weirdly intimate. Maybe because it was one contained story & we knew the main character’s fate from the start. I also loved the title cards signifying the start of each section of the story like from the books & wished they'd done something similar for the other films. It just added a certain flair to the whole thing. Almost gave it the vibe of a tragic play.

The costuming was great. The bright red of the academy uniforms.  Flickerman’s snazzy suits. Snow’s dapper black & white outfit. Both peace keeper uniforms (despite one of them giving very ‘1930’s Germany’ vibes) looked great. Grandma might have been a bigot, but at least she was well dressed. Everything Dr Gaul wore (except the top that looked like a used tampon, lol) was exquisite. The main ladies of fashion, Tigris & Lucy Gray slayed. Our Future Capitol stylist looked like some regal yet exotic bird & Miss Survivor was giving Bohemian, country girl realness the entire time she was on screen. Even the extras were serving (like that random couple Snow walked past on his way to the reaping ceremony).

The music was amazing. Every song that played was fantastic (shout out to Olivia for her end credit contribution). The lyrics & instrumentation were beautiful & my god does Rachel Zegler have pipes! Anyone who says the singing scenes are cringy is just stupid like I’m sorry you can’t appreciate art. Also, the words ‘ballad’ & ‘songbirds’ are literally in the title. Plus, Lucy Gray is from the poorest district, so what exactly do those people want her to do in her free time? She can’t exactly hop on an X-box for a few hours. Not too mention that (as the offspring of someone who’s musically inclined) I can tell you, it’s completely realistic for a musician to use their craft to help them deal with trauma & Lucy Gray clearly had more than her fair share of that.

The Grandma'am helped to paint a sadly very realistic background for Snow. As who among us hasn’t met at least one delusional old person who thinks that their/their group’s suffering (regardless of the severity of it or the reason behind their former/newer status in society) means that no one else are deserving of even the tiniest shred of humanity & there are some people who are unlucky enough to not only be related to these people but be raised by them.

Hunter schafer as Tigris is clearly the superior Snow when it comes to things like empathy & overall mental stability but I do kind of wish they’d been more for her to do. Credit where credit is due though her & Tom did actually look like they could be related & I did buy their familial bond (which makes her appearance in Mockingjay so much sadder in hindsight).

Peter Dinklage as Casca Highbottom was a bit of a mix for me just due to his purpose as a character & the limit of film as a form of media. Like sure the audience know that Snow’s going to become an irredeemable monster in the end but without a window into his mind it really does just seem like the Dean is just out to get him & even when we find out why it seems kind of unfair. Like sure his dad sucked but haven’t the Games shown that blaming children for violence caused by others is unjust (& like ok he hates Coriolanus & probably the grandma but Tigris hadn’t done anything to deserve living in poverty, as she can’t control who she’s related to)? Plus, it felt like he could have at least tried taking Snow under his wing at some point to try to hinder Dr Gual’s influence. Saying all of that, though, Peter Dinklage is great at playing an addict with depression & the idea that some drunken rambling could lead to such long-lasting suffering is terrifying. Also its pretty realistic that living with that kind of guilt & in such a cruel environment for that long would make most people jaded & bitter, even if they did have good intentions.

Omg we finally get a Mayor family on screen & they’re assholes! Madge would be so disappointed 😭. It was interesting to see how harsh & overall “boot licky” the mayor & his family seemed compared to decades later, which makes sense as the war wasn’t that long ago for them so the dad probably felt more incentive to align himself with the Capitol as well as not feeling very connected to the district people as 12’s decline probably didn’t fully set in until they really started running low on coal & Snow became president (oh I just know he wanted to blow that district off the map 😆). I also wouldn’t put it past Billy to come up with some sob story of how he really does love Mayfair but wicked Lucy Gray is somehow preventing them from being together. Still no excuse to try to send her to her death twice in one week, though. Definitely not a girl’s girl.

Ok, so a liar. Cheat. Drunk & someone who hits women. Is there anything good about Billy Taupe? Also, trying to get your ex back, while your current girlfriend is literally standing right next to you? Dude, have some god damn back bone! You made a choice, now stick to it. Also, fumbling Lucy Gray, for a girl like that? What’s it like having no brains or taste? Well, too bad, coz you’re stuck with her forever now, lol.

Viola Davies, the actress that you are. What else is there to say? Dr Gaul is almost comic book levels of insane. Like she is how the Right see women in STEM, on crack! I don’t know what she did to get into character, but whatever it was, it worked.

Jason Schwartzman as Lucretius Flickerman is a very interesting addition to the story despite playing such a small & seemingly insignificant role. He is strange in how unthreatening he is while also extremely blasé about the abhorrent violence he witnesses that it’s as funny as it is disturbing. Making him come across as  more human yet harsher than his son, who at least pretends to care about the tributes (in a very Capitol way, obviously but still). There’s also a polish & confidence to Tucci’s performance that I think Schwartzman did a great job of avoiding copying (despite knowing what audiences were probably expecting) because not only are their characters in entirely different stages of their careers but the whole ethos of the Hunger Games is different in Snow’s youth than it is in Katniss’s. Caesar is a well established presenter & during his time, the games have always been a success (minus the year with the tundra) that the entire Capitol is invested in & seemingly in support of. On the other hand Lucretius had the unique task of not only coming into a job like this with zero experience (I mean imagine going from announcing the weather to presenting the fucking hunger games) but also there were no vibes to try to emulate let alone guidelines to follow because he truly was the first person to do this. On top of that, the "event" his presenting has been panned for years as both boring & unethical. Schwartzman brought a slightly awkward, experimental, yet try hard vibe (like a comedian who's desperate to get a laugh) that I think worked wonderfully for the character.

Tom Blyth's performance was great & he was visually perfect for a young Snow (the power of a good wig! Who knew lol). Even having the cool, analytical stare of Donald Sutherland, down pat. While his appearance was very Eminem during his peacekeeping days, his realisation in the cabin and subsequent breakdown in the woods were crazy. There was so much tension between him & Rachel in that scene that for a second, it literally felt like all the air had been sucked out of the room. I could almost hear the record scratch for both of them, & all that building paranoia finally coming to a sudden crescendo in the way that it did? Pure cinema!

Josh Rivera, as Sejanus, was honestly a mix for me. Obviously, I agree with his morals, but his way of going about it did seem a little dumb. However I do think it’s pretty realistic that a teenager, especially a rich one, would be rather naive. Also I’ve heard that he’s smarter in the book & I think at times my frustration with him is more just down to the fact that I’m seeing him from Snow’s point of view. Meaning scenes that would be portrayed as noble in any other film instead come across as almost painfully inconvenient because the focus is always on how they affect Snow rather than the actual victims of the situation. Lastly, sorry, Snowjanus shippers, I just don’t see it (especially on Snow’s end), but whatever floats your boat.

Rachel Zegler played Lucy Gray with the perfect mix of natural charm & emotional vulnerability with clear pride in her culture & a refusal to let the world around her change who she is. Yet there was also an air of mystery & a subtle resilience to her that makes her potentially surviving out in the woods for years without being detected actually believable (though I don’t buy the theory that she went on to become president Coin). Definitely the highlight of the movie for me.

PS. I'd love to know what you think of my review in the comments/tags & am open to criticism (as long as it's respectful) just remember that I'm only talking about the movie so please don't reference anything spersific to the book.

[mackmp3]

ok what i really want to watch rn is a film like one of those 70s-90s films where the guys are really homoerotic and it's still a serious film but lesbians.

[bunnyboy-juice]

spent the first hour and change at work deleting some old files and am having a grand ol time laughing at myself for not realizing i was a lesbian sooner