#I know it probably sounds like I'm being snarky but I actually do love it

[henrikvanderhussy]

I love how un-sneaky Nancy is at Waverly. just casually in the lounge, surrounded on all sides by the bedrooms of the people she’s investigating, talking on the phone about how she’s an undercover detective. beautiful

[adventuringblind]

Defensive Maneuvers

Max Verstappen x Leclerc!reader

Genre: fluffy with a pinch of angst

Request: yes! I hope you enjoy reading this as much as I enjoyed writing it. Requests are open for Max, Charles, Oscar, and lando. Don't hesitate to send me ideas!

Summary: The normally soft-spoken leclerc sister becomes the out spoken girl her family knows. What triggers this change? Max Verstappen and his ridiculous father.

Warnings: Jos being Jos, mentions of verbal abuse, mention of physical abuse if you squint, *best Daniel Riccardo voice* nooooot prooooofreaaaad

Notes: written in third person . I am neither the youngest nor have brothers, so I tried my best to get an accurate relationship depiction. Ironically, I'm the oldest with sisters.

Masterlist

The Leclerc sister is known by her brothers as the baby of the family. Even Arthur, who is only older by mere minutes, holds it over her head that she is the youngest.

The constant teasing from her siblings made her learn how to use her quick wit. Verbal comebacks becoming her specialty at a young age. Because of her ability to be polite in public, no one suspects what she is truly capable of.

Her brothers tease her regardless but she lets them. Her sharp tongue making them regret not holding theirs.

Pierre had made this mistake once. Mainly under the influence of Charles convincing him to say something at her expense. The verbal lashing he received in response had him apologizing profusely. Charles doubling over in laughter as her practically lectured his friend. Needless to say, Pierre has yet to make this mistake again.

Charles was by far her favorite sibling. Lorenzo had a habit of bossing her around and Arthur shared a room with her. She loved all her brothers, but felt the most connected to Charles. She followed him around like a lost puppy some days. Ready to cheer him on at every Karting race.

This was where she first encountered Max.

After the race, she went to go congratulate Charles for a race well done. He was third but all the Leclerc’s were proud nonetheless. On the way over to him, she saw Max. He was at majority of the races Charles was at. The two had never talked formally, but they were aware of the others existence.

Something about the situation she was witnessing didn’t felt right. Max was standing with his dad, his knuckles turning white from gripping his second place trophy so tightly.

As she walked by, she almost fell over at hearing how his father was treating him. The slander leaving his mouth over his son placing second almost made her tear up. She was only nine at the time, but even she knew whatever was happening was wrong.

So she steeled herself, took a deep breath, and entered into the conversation. She walked up and tapped Max’s shoulder. He jumped at the feeling, not having seen you coming.

“Hello Max, Charles is busy with family but wanted to congratulate you.” She smiled warmly at the Dutch boy. Obviously taken off guard.

Jos turned to her, also not knowing how to handle this. “Not much to congratulate,” he sneered. The young Leclerc narrows her eyes at him. Not realizing how brash the older man is.

“What do you mean, Mr. Verstappen? There is plenty to congratulate.” She questions back, her tone mildly snarky. Obviously having no intention of backing down. The older man didn’t even bothering responding to her. He turns on his heels and walks away. Yelling back to Max “I’ll be in the car.”

Max looks between the girl who he’d never spoken too and his father. Unsure of what he should do in this situation. Thankfully the girl notices this. “Sorry for stepping in. He sounded unreasonably upset.” She apologized with a huff.

“Thanks actually- for what you did.” Max stutters out. No one had ever taken the time to defend him.it was an unusual feeling. He knows he can’t stay long though. “I should go. I’ll see you around- I guess.” Then he runs off. Waving as he goes.

She had told her mother about it. The older woman explaining what was probably happening at home. It made her sad for the Dutch boy. Having to hear that it happens more often then just races.

This was only the first encounter with Max. The Leclerc sister made it a point to find Max after every race and praise for a job well done. Much to his fathers dismay. She knew she couldn’t stop what was happening, but maybe her words would help ease some of the hurt.

The girls mother occasionally helped out with her quest. Walking with her daughter to find the Dutch and congratulate him.

It became a routine. One that Max was starting to enjoy. The seeking out now being reciprocated. The two even finding time to converse about things aside from racing.

Max’s father had started to become increasingly more annoyed at this fact. Pulling Max away from you. Spitting vulgar words at a child that wasn’t even his own.

Pascals had made a note that if she was directly insulting to Mr. Verstappen, it might make things harder for Max. She still made her snarky remarks and threw insults at the older man, but only loud enough to make Max chuckle.

Her brothers eventually caught on. Charles and Arthur saying nice things to Max in passing. Charles was more strained, but was trying nonetheless.

The brothers began teasing her relentlessly as they grew up. Her fondness for Max only growing. Her quick tongue seemed to falter when they brought up Max. She held a soft spot for him, as he did for her.

When Max and Charles were in formula 2, she was incredibly proud of both of them. She divided her time equally between the two boys. Still always making sure to sing Max’s praises loud enough for everyone to hear.

Originally she though Max’s father would cool down and maybe start to see how talented he is, but she was mistaken. The older man somehow seemed to get more competitive.

It was increasingly easier to talk to each other now since the two both have phones. She comforted over video calls as he ranted about something stupid his father said to him. He listens to her talk about her fathers battle with illness. The two became inseparable. Being the reason for each others smiles on most occasions.

Then formula 1 came. Charles driving for Ferrari and Max for Redbull. The youngest Leclerc baskets in both boy finally making it. Years of hard work paying off.

Max no longer lived at home. Having moved to an apartment in Monaco. This meaning the two could spend more time together. The, now young woman, takes pride in that fact she convinced him to move closer to her.

She’d become more outspoken recently. Opening defending both her brothers and Max. Most people knew not to say anything if she was within earshot.

The year is now 2021 and Max and Lewis are both fighting hard for the championship title. Max was visible upset at the end the race. Second place wasn’t enough if Lewis is going to keep winning.

The young woman immediately trying to find him after the podium celebration. She had seen the look in his fathers eyes and is now frantically trying to beat him to Max. Charles and Arthur found her in a frenzy. Confused because she is usually calm, her sarcastic remarks and opinions given so level that you’d think it was rehearsed.

“I need to find Max.” She explained, panting from running around the paddock. They decided three sets of eyes would be better then one and split off in different direction.

She was so caught up in her search for Max that she hadn’t noticed her phone buzzing in her pocket.

A text from Charles reading: In the back of the Redbull garage. It doesn’t look good.

She took off running spotting snarled waiting for her outside. She could hear the commotion from Jos.

“I was going to try and break it up but they won’t let me in.” Charles gestures to the wall of Redbull engineers. She however, wasn’t going to let them stop her from getting to Max. She shoved her way through with determination and surprising strength. Immediately settling herself between the two Dutch men.

Jos had turned his anger towards her now. His finger getting dangerously close to her face. “You are part of the problem.”

She crosses her arms over her chest. “The only problem currently is you.”

“My son has been distracted because of you. His hopes for a title this year not getting any better because of you.” He spits. She can feel his breath on her face.

“Personally, I think Max is a good racer because he wants to be. Not because of you or me helping or distracting.” She lets a smirk form on her lips. “Your just angry because your finally running out of things to berate him about. Hard to be angry when Max is better then you.”

Jos’ face had turned red. She could feel Max’s anxiety increasing from behind her.

Then everything happened in slow motion. She hadn’t noticed Jos’ hand raised above her. Charles moved faster then anyone. Shoving Jos to the side, his hand not getting to connect with anything but the nearest wall.

He was raging now. Thrashing like a child who didn’t get their way. Pierre and Charles who had somehow managed their way inside kept a firm grip on him as Christian ran to get security.

The Youngest Leclerc. The one who spent her days defending Max in secret, keeping the haters at bay never letting Max go a day without know he is loved. Finally she turned around and stared deeply into his eyes. Blue irises glasses over from tears he’d been holding back.

She embraces him warmly. His face buried into the crook of her neck. “I’m sorry I wasn’t here sooner.” She apologized softly.

Max pulled away and gives her a confused look. “On the contrary, I think you were right on time.”

Security had come and grabbed Jos to escort him out of the paddock. Charles and Pierre now finding then tension between the two heating up. The two boys giggling. “I swear if you two don’t kiss or something I will no play nice with Max.” Charles laughed.

She didn’t care about the teasing. Just taking time to comfort Max. The two still conjoined in a loose hold.

Max leans his forehead against hers. “You know I’ve loved you for awhile right?” He smiles.

“You would be stupid to not.” She remarks. Max shaking his head at the remark. “But I have to agree with Charles on this one.”

Max doesn’t hesitate any longer. Placing his lips on hers. Pulling her as close to him as he can. He then pulls away, his lips still close to hers and voice barely a whisper.

“Thank you, for protecting me all these years.”

[zeroducks-2]

Do you really think reverse flash is in love with Barry? I don't mean for this to sound snarky I'm just confused. Thawne killed Barry's mom how can you say he's in love with him? I like all the things you post and rb about them I really enjoy the ship. I just don't get it can you explain?

The question "how can Eobard be in love with Barry if he hurt him" has both a short answer and a long answer. The short answer is that people are very much capable of hurting the ones they love, on purpose or by accident.

The long answer is that Eobard is a deeply disturbed individual who has never been the recipient of love, and because of that and of many extremely traumatic events (including but not limited to being brainwashed in prison, being trapped in a timeless limbo alone for years, being tortured and treated like cattle and put in sensory deprivation for ludicrous amounts of time, dying at the hands of the only person who had ever shown compassion towards him), he has a skewed perception of a lot of things and is extremely bad at emotional regulation.

Moreover, and this is something which is easy to overlook but it's actually very important, Eobard is not human. His actions are informed by his traumas, but the way he approaches pretty much everything (including his "problems" with Barry) isn't done the way a human would.

Eobard is a timeless, deathless creature which embodies one of the driving forces of reality itself (the Negative Speed Force). He lived probably more than a few hundred years considering how he keeps running around through time doing stuff, and how he keeps going back to watch past events and adjust the way he will interact with the timeline next.

He knows the huge impact that killing Nora will have on Barry, but from a moral and ethical standpoint it's not a big deal for him. Nora is less than a speck in time, an NPC who served her role for that briefest moment in which she existed. She is a big deal because she is a big deal for Barry, not because she's meaningful in any other way.

"But then he did want to hurt Barry when he killed her" Yes, absolutely he wanted to. Eobard didn't "just" kill Nora Allen - he went back in time and changed everything about Barry's life, made it so he had no friends, made him grow isolated and insecure and shy, lacking confident in his abilities. And he did it because he is very, VERY angry with Barry for one, and also because isolating Barry makes it easier for them to grow closer.

And it worked! Back in the Silver Age, when Nora and Henry were alive and not in prison, Barry couldn't be bothered with Eobard. For him Eo was just a random criminal with superspeed, and sure he was threatening because speedsters always are, but not that much of a big deal.

Now? Now Eobard is a primary element in Barry's life, a constant he's had to deal with basically since birth, someone who rewritten his entire life to make himself part of it in an indelible manner.

It worked because now Barry is more likely to fall for Eobard's manipulation, to listen to him, to just accept that he's THERE because he's always been. Near the end of Running Scared, Eobard tells him "run away with me", and Barry says yes.

Back in the Silver Age there would have been no way.

It's worth mentioning that to understand Eobard, you need to understand that everything he does, every single thing, has the end goal of being with Barry. Whether he's trying to protect him or trying to hurt him or trying to manipulate him, whether they manage to work together against a common enemy or they're on opposite sides of the fight, every single one of Eobard's actions is motivated by love (his personal, inhuman version of love).

"But if that is the case, then why doesn't he just tell Barry 'I love you'?"

Two reasons, and one is meta.

The in-story reason is that every time Eobard tried to do something good without masking it as horrible, it went sideways and backfired spectacularly - mix that with poor emotional regulation, and you have someone who's not going to be able to handle rejection and is outright scared of doing good things openly. I think if he told Barry "I love you" and Barry reacted badly it would hurt too much. Also he wants Barry to understand, and thanks to a couple of competent writers who sadly don't work on Flash anymore, we were getting there.

The meta reason is because DC is homophobic, plain and simple. Eobard DID SAY I love you many times except with words, because DC editorials won't let him. That's it. It's the same reason why Joker can't tell Batman "I love you" and has to do weird ass word plays and even more weird ass attention seeking maneuvers. They're stunted by reasons which no one but DC itself can control.

So in short. How can Eobard be in love with Barry and hurt him so much at the same time? Because he doesn't have many ways of express love, he has a hard time being caring, and every time he allows himself to be soft it backfires. Because he wants Barry to belong to him and will isolate him and make him suffer to get there. Because he's angry with Barry -- Barry hurt him too, rejected him and left him alone and refused to accept that Eobard is his lightning rod for a long time.

Eobard easily lashes out when he's hurt, and the less grounded he is the more vicious and violent he turns.

"But Zero, how can Eobard think that Barry will ever forgive him for having killed his mom?"

I don't believe Eobard was ever looking for forgiveness, but fun fact. Barry did forgive him already. Barry is not human either, and at this point I think he'd forgive Eobard just about anything, and despite how difficult everything is between them, he really wants to get to a place where they don't need to hurt each other.

The problem with this, and it's one of the reasons why they have so many issues communicating, is that Barry is in denial about many things - about being the Speed Force, about Eobard being in love with him, about how they're two constants through time and two sides of the same coin and basically can't exist without each other, about how they're each other's lightning rod.

Their relationship is very complex, absolutely not what it looks like at first glance, and it's colored by all the hurt there is between them. But again, ultimately understanding Eobard is understanding that love is what motivates him, even when he does the most horrible unhinged things.

In conclusion, have this panel from The Flash Age which is one of my favorite Flash comics, in which you can see the way these two manage to trust each other and fall into the right rhythm, despite the oceans of misunderstandings and suffering between them.

Pages from The Flash Age, by Joshua Williamson. In which Barry tells Eobard to "do the right thing", and Eobard just does it.

[mazzystar24]

I've been thinkin bout that bt scene. Obviously I might be totally wrong but idk, I feel like T kinda muttered "god I hope so" into his wine glass & not directly at Buck & he was being maybe kinda insecure, like in his head maybe since we assume he's older & more experienced he might think that's why Buck is sticking around?

Like idk, it's a call back somehow to the first date and the closet comment? Like T wants this to work out because he thinks Buck is adorable but you know they aren't really clicking so ya know whatever works? (But eventually it will fully break down)

And the way Buck said "but you think I do?" about the daddy issues is like Buck goin "....wait what?" in his head because his head does tilt a bit to the side like 🤔🤔🤔 And it's showing that they don't fit.

That it was intentionally weird & off putting.

Tho I do think the bit where T says "but your father is alive" wasn't meant to be snarky. Buck then says "Exactly" which I took as Buck being all "exactly, my dad's just THAT shitty and he's not going to change."

Off course then the speech Buck gave Chris is a bit eh, but like two things can be true at the same time. XD

Also I'm def not a bt shipper, Buddie all the way but yeah that's just how it came off to me. Lol.

I hope this makes sense.

I have been swamped with exams and neglected my inbox so 💐💐💐💐💐

Eh I feel like it was definitely more flirty than insecure like I’m tempted to add the gifsets for reference but I don’t want it to show up in the gif makers’ notifications but yeah like as he’s saying it it’s 100% like suggestive vibes rather than self deprecating making a joke about an actual insecurity vibe

Like I think for me this is definitely a horses not zebras moment

I do keep think that maybe the like off putting moments are intentional because so many weird choices have been made with BT

For the your dad is alive I think I wasn’t super clear on my opinion on it but like I don’t mean he said it to be snarky per say more so that the implications behind that line are things like “you’d feel differently if he wasn’t” or “you can fix things before he does” or as if that’s something to be thankful for or recognise when talking about his pseudo father nearly dying

Like the reason I hate this line isn’t that it necessarily has to be cruel intentions on Tommys part but rather that this sorta narrative gets forced down traumatised peoples throats CONSTANTLY (sometimes with good intentions) and it’s such a bullshit rhetoric and it’s even more bullshit to use that line while talking about this found family/pseudo father he has nearly dying

Also yeah that’s definitely what that “exactly” was meant to be like yup a dead dad would at least be less traumatising, a lot easier to explain, and probably easier on my therapist than this clusterfuck but alas

BUCKS SPEECH TO CHRIS- okay lots of thoughts on this because my mom got confused and picked thought daughter:

Do I love that the writers low-key made it sound like he’s comparing Eddie to the Buckley parents? no I hate it but KR was writing for this ep so what did we expect

Do I think a marginally better way to interpret it is that it was more so continuing that theme of paralleling buck and Chris’ issues? Yes

Are the basic and I mean like the very abstract very simple and nothing further parallels there? Yeah like parent not over their grief causes conflict between parent and child

Other than that no not at all Eddie never involved Chris in this, Kim came over with her Shannon cosplay without telling him, Eddie also never intentionally emotionally harmed Chris while the Buckley parents spent bucks entire life intentionally being the absolute worst™️ and emotionally neglectful and were shit parents to Maddie too by forcing her to pretend her brother didn’t exist while she was a child and mourning said brother

But I also think it’s actually very in character for buck to continue to sympathise with them and cut them an impossible amount of slack by trying to draw parallels to this situation like it’s less trying to paint Eddie more like them and more so using Eddie (someone he cares about and loves and sympathises with deeply) as a frame of reference to mentally try to humanise and sympathise with his own parents - idk if I’m making sense but in my head it makes sense

Like it’s actually a pretty common thing you see with traumatised people they’ll sorta draw parallels that aren’t there between themselves or the people they care about and the people who traumatised them because a lot of traumatised people will just constantly seek to understand that perspective more and sympathise with it like hell I’ve seen it with the people in my life doing it and it’s like woah those situations are very different I need you to recognise that

Loved hearing your view of it and it totally made sense!!!

Gonna see if there are any quick asks I can answer before I get back to my revision cos I definitely yapped more than I expected for this

[onceuponastory]

raindrops on windows - court gentry x reader

Plot: In the aftermath of another agent's betrayal. Y/N and Court rethink their feelings for one another. Pairing: Court Gentry/Sierra Six x Agent!Female!Reader Warnings: Mentions of death/reader almost dying, violence (nothing graphic though), reader and Court doubting themselves and their feelings. As always, if I miss any triggers, please let me know! Notes: I swear I've been listening to Ryan singing I'm Just Ken at the Oscars on repeat since it happened, so it somehow led to...this. But I also missed writing for Court :)

Not beta'd, so any mistakes are my own.

Apart from the rain pelting down outside. Y/N rests her head on the window, watching as the raindrops race each other down the window. She’s only just calmed down after the horrible events of the night, since she came face to face with death. Sniffling, she rubs her eyes. 

How could she have been so stupid? 

How could she not have known?

“You alright?” Court’s husky voice asks as he gets in beside her, the sound making her jump. “Shit, sorry.”

“It’s okay. And yeah, I’m fine.” She lies. He raises a brow. 

“You know I can tell when you’re lying.” Dammit. He’s good. Court sighs. “You almost got killed by a double agent tonight, Y/N. Nobody expects you to be fine. You don’t need to pretend, least of all to me.” Usually, Court teases her about how he knows her better than anyone. Most of the time, it’s about his constant snarky and sarcastic comments at her expense, and how much he knows she likes them, despite her insisting otherwise.

But this time… she notices there isn’t any snark or a sarcastic comment building.

No. Court Gentry genuinely cares about her feelings for the first time in well… forever. 

“I know. I don’t need the reminder.” She snaps, a little harsher than intended. Each time she closes her eyes, the agent’s face looms, poised to take her life. At the last second, Court came in and rescued her, beating the agent to a pulp. She owes her life to him, yet here she is, snapping at him when he’s being nice to her for once. “Shit, sorry, just…. It’s been a horrible night.” She sighs, and Court nods.

“It’s alright.” He smiles. 

“No, it’s not. If it weren't for you, I would have been killed. You really saved my ass, and I should be more grateful.” Y/N sighs. “So, thank you for saving my life. Really.” He cracks a grin at that, one which drives her crazy.

“Let me take you home.” He suggests, and she nods, glad to not be alone right now. Although there’s not really another alternative, save for Court dragging her back to the car the second she tries to leave. So, the drive continues in silence. Court glances at Y/N every so often, concern filling his gut. This isn’t what he’s supposed to do. Care for someone else. Or at least, it’s not what Court does. He works alone, he always has. He can’t let anyone else into his life.

Especially not Y/N. The agent he just loves to tease, the one he frequently snarks at. And the one who snarks right back at him, too. 

The one he’s so irrevocably in love with. Honestly, he probably has been in love with her for a long time, but tonight was the first time he actually realised it.

When he found out she was in danger, he almost ripped the door to the warehouse off its hinges to get to her in time. That agent was lucky the others got to him before Court. Because Court would have killed him for daring to hurt a hair on Y/N's head. Honestly, he’d burn the world down for her, and she doesn’t even know it.

But he’s always such a pain in the ass to her, annoying her when she’s just trying to do her job. If he told her the truth, how much he loves her… she’d probably just think it’s a joke, or tell him to fuck off. And maybe he deserves it, after the shit he’s been through in this life. Another bad thing to add to the many he’s already experienced. He glances over at Y/N, who's still avoiding his gaze.

Yet, he saved Y/N. That’s one good thing he’s done.

In fact, in Court’s eyes… That's the best thing he’s ever done.

“It’s not your fault.” He murmurs. Y/N shakes her head, not even looking at him, still watching the raindrops as they batter the car. He hates seeing her like this. Usually, she’s so outgoing, ready to take his sarcastic, witty remarks and fire them right back. He’s never seen her so quiet before, so upset.

And it scares him to death.

“Yes, it is. I worked right next to him. I should’ve seen something was wrong. I could’ve stopped this!” she insists. “I’m smarter than this.” Court shakes his head.

“I met him too, remember? We all did. And none of us spotted him.” He points out. “Stop beating yourself up. Please.” His voice carries a hint of begging, an urging she’s never experienced from him before. It’s strange, realising he cares so much about her. But…she likes it.

“I’ll…I’ll try not to.” She says, and Court nods, going back to driving. Y/N looks over at him. He’s focused on the car in front of them at the stop sign, so he doesn’t notice her staring. The street lights illuminate him slightly, and her breath catches in her throat.

God, he's so handsome.

The silence continues, but this time, it’s more awkward, with each person suddenly realising that the feelings they hid for so long, the ones they ignored, might actually mean something different. Y/N gulps. What would happen, if she laid her heart on the line, admitted that she might be falling for the Sierra Six himself? She opens her mouth, wanting to speak.

“I think you should take some time off for a while.” Court says.

“Yeah, but-”

“No buts.” He cuts her off. Y/N sighs, deciding it’s best to stay quiet than argue with Court.

And besides, if she does, she doesn’t trust herself not to admit that she might be falling in love with him. And that’s not a chance she’s prepared to take, to admit everything. After all, maybe she only feels that way because he saved her life? Surely she doesn’t actually love him…

Yet, she can’t ignore the way her heart twinges when she thinks that. 

Court soon pulls up outside her apartment, turning to say goodbye. In an instant, the scent of Court’s cologne, mixed with his sweat, hits her nostrils as he leans in closer, and it sends her senses ablaze. “Think you’ll be alright? Want me to walk you inside?” He asks, his voice husky. Y/N’s cheeks heat up. Court raises a brow at her, something else that sends her heart into a frenzy. “Hm?” He asks.

“Y-Yeah. I’ll be okay.” She murmurs. “Thanks again.” He looks her up and down, and she gulps. Now her heart is beating so much she swears it could break free from her chest. 

Just tell him. What’s the worst that could happen?

Everything could crash down around you. That’s what.

“Night Court.” She murmurs. For a moment, his face falls. But before she can dwell on it, wonder if it’s because of her and if he feels the same way about her, his smile is back, and he nods.

“Night Y/N.” Y/N reaches for her door handle. A strange feeling builds in her gut, as if she wants him to tell her to stay. But she pushes it down and opens her door, stepping out into the night. With one last wave, he drives away.

And Y/N is alone.

~*~*~*~*~*~*~*~

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[3hks]

Hello! I have a question to ask.

Do you know how to write an exes to lovers arc revolving around a couple that was once forced into an arranged marriage?

Trying to make both parties sympathetic is hard because they both have flaws: Person A is (unintentionally) cold, stone-faced, and insensitive (e.g. he accidentally compares Person B to his first lover when giving her advice).

And while Person B is witty and business-savvy, due to being rather young when they were married and the constant stress and pressure of living up to the expectations and standards of being a perfect spouse, they act aloof, snarky, and business-like towards Person B and only show their warmer and more caring side to friends and loved ones.

What do I do?

Hello! Thank you so much for reaching out! In all reality, ex-lovers to lovers is a really complex trope (not my favorite, but that means I have better advice about this topic) because avoiding toxicity and a repeat relationship is much more difficult.

First of all, I LOVE how they are in an arranged marriage because that leaves a lot more margin for their fresh relationship! I have a couple of suggestions for you, but many of it will be subjective depending on how much you have planned out and whatnot.

1. SYMPATHY

Here's the thing, because the two characters have their respective flaws, that's what makes them sympathetic. Do NOT shift all the blame for a broken relationship to a singular person because if that is the case, the truth is that their partner is much better off without them. So, let's dive deeper into your characters and explore a bit!

Person A: He sounds like the unintentionally blunt type who struggles a bit with other's (and perhaps his) emotions. In this relationship, I'm assuming that he's pretty distant.

Person B: She sounds significantly more sensitive and cares about how others perceive her. It sounds like she enjoys her independence and maybe, the arranged marriage makes her feel confined.

Okay, let's now talk about their respective flaws and what separated them in the first place!

Person A compares Person B to his ex, which understandably, makes her upset. As I said before, Person B sounds like a rather sensitive person and with her attempts to be the perfect partner, the words are obviously going to hurt.

But is Person A the only one at fault? Perhaps Person A's ex is actually a better partner than Person B. Despite Person B trying to seem like the ideal spouse, it's simply for show and she doesn't actually demonstrate any affection towards Person A, which is a reasonable cause for the comparison. Or maybe Person B prioritizes her business endeavors more than her relationship, which is why it ends up deteriorating.

Do you see what I mean? Even if Person A says something harsh and heartbreaking, in all actuality, there needs to be a reason why.

2. CHANGE

ALL ex-lovers to lovers need to have characters who develop and change. After the end of their relationship, have the two characters reflect on their actions, words, mistakes, ect., and work on bettering themselves by fixing some of their shortcomings. As always, there's no need for either one of them to be perfect, but they should become improved people/partners.

For Person A , I'd say the most obvious change is probably some of the coldness and insensitiveness.

For Person B, it could be being more open and genuine.

Whatever you do, do NOT repeat their relationship.

This is a huge pet peeve of mine when it comes to this trope: PLEASE don't restart their relationship with a near-identical one because realistically, it's probably not going to last long.

3. TIME

Give your characters a bit of time apart to explore how they function independently. I would suggest still keeping the two in touch (maybe they're still faking the relationship or work at the same place) to make things easier, but it's not necessary. By separating them for a bit, you're giving ample time for Person A and B to realize their mistakes and change.

Then when you're ready for them to meet again, make sure it's in different circumstances from their first meeting and let them recognize each other's improvements.

This will create more natural interest between the two!

4. REALIZATION

This can take place anywhere during or their separation, to be honest, but at some point, Person A and B should realize that their partner did play a pretty big part in their life. It doesn't need to be them missing each other, exactly, but it could allude to that. Maybe the house feels emptier, maybe they miss each other's cooking or something simple but homey and comfortable.

This demonstrates that all hope is not lost, and they DO matter to each other.

5. KEEP IT SLOW

I know, I know, perhaps you want to jump back into their relationship right away. And if you're looking for a happy, fluffy story, that's absolutely fine! Some people don't enjoy slower pacing and want to cut to the chase.

On the other hand, if you want to keep things realistic (and probably healthier), then let them take their time first as friends before moving ahead. Hint: However, unlike some tropes, once they realize their feelings, there's no need to take too long building up to the confession! They were married once!

Did this help? Just keep in mind that it's important to keep the blame balanced between both Person A and B and that they need to go through some type of development!

Thank you so much for reaching out!

Happy writing~

3hks <3

[littlespoonevan]

Hi, can I please ask for some of the essays about the cemetery talk and what we were supposed to take away from that scene? If you feel inclined, that is 💕

well i don't know if i can write an essay exactly bc tbh i still don't know for certain what we're supposed to take away from that scene. but i do know the tone of it was completely different to anything we've ever seen for buddie before and it also lasted so much longer than most of their scenes have before??? like i just went back to rewatch it to refresh my memory and it's 3 minutes???? that is an incredibly long scene for two characters to have in an ensemble show when they're literally just talking and it's not strictly moving the plot forward

but to try and break it down a bit:

i find it fascinating the way eddie reacts to buck talking about natalia. that weary, almost irritated, "really?" when buck admits he'd met up with her followed by the "dating somebody you rescued, you know what never ends well." it's So Different to the snarky way he used to react to taylor. like when he'd make comments about taylor you knew he was mostly joking or at worst, just being a little bitchy. but he sounds genuinely frustrated when buck brings up natalia. the closest thing i can compare it to is that it's a more muted version of "his fiance's abby" and we know eddie knew how deeply buck was affected by losing abby so it feels a bit like eddie is potentially annoyed bc he knows buck will probably get hurt again???

then you have buck saying the whole "i think she sees me" bit which echoes so much of buck's overarching storyline and his struggle with love in the past. and i know some people call this eddie's 'oh' moment but i definitely don't consider it an "oh i'm in love with him" moment. i feel like it's more of an "oh he doesn't see that i see him too" moment, if that makes sense?? and i think there probably is a bit of frustration with that for eddie given that the will scene is eddie as loudly and demonstratively as he can saying "i see you" y'know? nevermind all the little ways he proves he knows buck

and tbh i think my favourite part of the scene is actually the last 60 seconds because first you have eddie saying "you haven't been the same since it happened, but then again how could you be?" and it's just!!! 1) it's literally him proving he does see buck and probably knows him better than anyone else and 2) there's a very subtle hint of realisation in his voice when eddie says "how could you be" as if he's been convincing himself buck is fine this entire time (maybe post-couch nap) only for him to now realise buck really, really isn't.

tHEN he says "you don't have to be anything for anybody" and it might be my favourite words to ever come out of his mouth tbh because it's just once again emphasising the gentle way eddie lets buck be?????????? "i had to do it" "i know you did", "you knew i wouldn't" "i knew you wouldn't". eddie is So Good at offering buck a reprieve whenever he needs one and he's usually the person best able to break through all the noise in buck's head to make him understand that he's fine just existing as himself.

aND THEN eddie makes the comment about how going through near death experiences change a person and all i can think about is how after eddie's near death experience he made the decision to tell buck about his will after keeping it a secret for a year and how he never actually answered buck's question about why he kept it a secret in the first place and i have to ask, eddie diaz what changed in you???????????

combine all of that with the fact their outfits mirror what they wore in 5x14 and the absolute irony of eddie saying dating someone on a call never works out only for him to pursue marisol two eps later and just- i don't know if they pivoted bc there was a fear season 6 would be the end of the series or if the last few eps were always supposed to go the way they did but this scene in 6x15 raises so many questions and i feel like i don't have the answers to any of them skjahd

[hinamie]

ok i have composed myself i have transcribed the lyrics for wish you were here as best as i could. i am going to listen to this and only this until i lose interest or the ability to hear, whichever happens first

this song is SUCH a bop the soft guitar intro in2 the main beat is so good but can we TALK . about how . HE STARTS IT WITH A "MWAH" WHAT A FUCKING ICON I LOVE HIM I LOVE THEMMMMM the percussion is so good i love the soft offbeat claps in th bg they add such a nice lil pep n especially in verse 2 after "love you even if you hate my guts" they add like 4 extra clap beats and i am !!!!!!! ASCENDING

verse 1 is iconic i love the line "pack up my head might mail it back to your house" its so fucking funny it reminds me of that post thts like "i didn't know how to deal with the fact that i had a crush so i wrote her a note that said get out of my school" . but listenok listen. verse 2 is the one they posted a snippet of last year and first of all i love the electric-y/tv-turning off/guitar slide/quiet video game laser effect as the vocals start it makes my brain buzz aNYWAY this verse is my favourite between the two and has absolutely s tier lines such as "as long as you think of me I don't care what" and "love you even if you hate my guts" PLUS the lil clappy bits i mentioned they r so GOOD. not to mention his voice pls.,,, he sounds so good when he belts,,, his voice has a slight rasp to it that they lean into with the slightly muffled old speaker sound god he sounds so good all the TIME his vocals are so clear when he hangs on the words "singing" and "myself" into the chorus PLS. also the bg vocal 'a t-t-t-touch too sentimental' is so gd CATCHY

speaking of the chorus oh my god the CHORUS. the desperate cry of "don't you miss me? / don't you want me around?" is so devastating and heartfelt head in HANDS also the lyrics . im so excited abt them i cannot put into words how !!!!!!!! they make me just. gestures helplessly

wishful thinking is all that’s holding me down  lost on a blue moon  i wish you were here right now

in chorus 2 especially the way the beat cuts out after "lost on a blue moon" n comes back after "I wish you were here"??? AUDIBLE SEROTONIN TO ME ((plus in the final chorus changing the "lost on a blue moon" to "not like you used to" ??????? OW ???????????? that had a lil kick that got me a bit.. , being stuck with ur own wishful thinking as a stand-in for the physical affection of the person u like,,, ....fushiguro touch starved megu- *is shot dead*)))

HOWEVER the absolute lyrical Backbone of this song is the fucking bridge. i knew it would be i heard the snippet ages ago and i was like holy shit these lyrics go hard what are they from only to b dismayed to find that whatever song they were from did not yet exist. but now it DOES and i can listen to the way the bridge sounds like lights dimming. like headlights passing through a hazy window. it sounds like clouds parting

nobody else in this life or next  will ever have me the way that you do nothing in hell, heaven, earth, or the rest could ever take me away from you

THAT FUCKING EMOTIONAL BOMBSHELL against the original soft guitar from the intro drop the drums just reverb-y lyrics and background vocals and some of the most romantic fucking lyrics i've had the pleasure of reading let alone hearing one of my favourite artists sing.

i am going to once again fuse my fv brainrot with my megumi brainrot. realistically ik this is probably a missing your ex song but i do not care. this is a longing megumi song to me i dont CARE argue with a WALL (said to no one). the verses and chorus are pine-y and a bit snarky n very i like-like you and don't know what to do with how much i miss you. it's wry and frustrated n just tsundere enough but then u get to the bridge n there lies the sheer undying devotION god im unweLL this is all i'm going to listen to. this was worth waiting a year for if this is part of a new album they have in production im actually going to die

[spopsalt]

We’re talking about Perfuma again? Ooh, please tell me you watch the 80s episode with her! I wanna know what you thought, because I LOVED it!

Thanks for the ask! Long post! TLDR Perfuma is a very good character, the original She-ra is badass, the original is so much funnier than the reboot, the original characters have so much personality! I also like how more characters get more use and how both sides are competent! 10/10!

I'm watching it rn so I'll do a live reaction! Hope that's ok! I'll just be putting my thoughts down here while I'm watching the episode! Ok, starting off Shadow Weaver's voice is um...interesting, that's one of the few things the reboot improved upon. Same with Hordak's voice, they like make a weird noise every second it kinda sounds like a wheeze or a snort? It's no big deal though, I still like the voices. I'm only about a minute in and it's already funnier than the reboot- Okay why are the villains actually competent here- The villains in the reboot are so stupid but here they're actually competent. Good job original she-ra! Also, I love how Shadow Weaver made Hordak believe it was his plan. Mermista has a personality besides being snarky!? Wow! Perfuma is so pretty wth- 5 minutes in and it has way more personality than Horde Prime could dream of! Ok, She-ra's original design is so pretty- Bow has a use!? Oh my god! He's more than just the black best friend stereotype! The princesses are competent as well? Wow! I love Perfuma's voice! Also, I like how she's autistic-coded, I can definitely see it, she also broke out of her cell on her own! Go girl! Also I fucking love Hordak, he's such a funny character. Yes he's annoyed by Perfuma but he's supposed to be a villain. Unlike the reboot where the HEROS are the ableist ones. This episode continues to be hilarious, how is it so much funnier than the reboot despite being so much older- I laughed more at this episode than I did the entire show- She-ra is so fucking cool oml- I love the way she-ra called Hordak Hordikins to annoy him. Yeah it's very good! I'd probably rate it 10/10! It's a very good, funny episode!

[stars-tonight]

hello! can I have a haikyuu matchup please ? since I’m doing this anon, i could be this 🎬emoji?

1. Long please!

2. I don’t really care probably platonic

3. pronouns : she/they pairing: guy

4. I don't really have any specific criteria but I think I would like someone who is responsible and independent but also patient as I often need my own space and may find it difficult to express my emotions and all that

5. I am rather calm and collected but can get pretty blunt and passive aggressive. I don’t what I could add, I'm reserved, but not shy, my defence mechanism is detachment and isolation and that’s all I can think of rn

6. I watch movies and read a lot (I like to read correspondence (but not really love letters, that kind of make me cringe tbh). I like sociology and photography. I also like filming, mostly landscapes (mostly urban), I prefer filming quiet places and I also love working with light, but I don't really like filming people (I do it on very rare occasions, if the person is important to me).

7. giving: acts of service receiving: I honestly don’t really care but I'm probably less comfortable with physical touch.

8. I don’t really know, I am fine with anything but going to the cinema or a café sounds cool to me.

thank you sm, have a great day!

headcanons

🥛 kita is the definition of responsible and independent

🥛 doesn't he literally scrub the urinals and dust the floors of the school bathroom

🥛 (i could never)

🥛 but yea kita is one of like five people who could probably survive if you randomly tossed them into the forest and said "good luck lol"

🥛 (the others being akaashi, kuroo, tsukishima, and kiyoko or something)

🥛 kita's also probably the most patient character, along with akaashi

🥛 he just works and works until he can reap what he sowed

🥛 prioritizes the process over the results lol

🥛 kita is also really blunt but not passive aggressive (at least not intentionally lol)

🥛 so he'd actually find snarky remarks pretty entertaining

🥛 although he'd prefer for you to just be straightforward if there's ever a problem

🥛 with him or just in general, he just doesn't like people who are fake

🥛 essentially doesn't see the point in lying about your thoughts or feelings

🥛 definitely the type to be brutally honest but he's always just trying to look out for you

🥛 if he isn't able to comfort you with words he'll find some other way

🥛 he'd probably get you your favorite food or something cute like a plushie

🥛 would do some of your chores for you to take the load off your back

🥛 kita would probably be naturally drawn to calm people

🥛 would encourage you to not isolate yourself and let others help you with any problems

🥛 he admires that you do photography and filming because those are hobbies that require a lot of patience and calmness

🥛 he doesn't get a lot of either in his life with the twins

🥛 you'd probably just spend hours next to each other while you find the perfect shot and he either patiently watches you or does homework

🥛 the friendship is silent with you two but never uncomfortable

🥛 i think i said before that kita's giving love language is quality time?

🥛 i'd like to add "acts of service" onto that list

🥛 because i rewatched the episode where atsumu is sick and kita gives him food and stuff

🥛 so yea he'd definitely take good care of his friends

🥛 he's also not a big physical touch guy so he wouldn't be overly clingy

runner up for you was akaashi keiji!

A/N: there you go 🎬anon, i hope you liked it! sorry about the long wait 🙈

[dareactions]

SO SO SO HAPPY TO SEE YOU BACK

Don't you mind writing Dorian/Inquisitor marriage proposal? We were so robbed at the end of the game please.

Okay, so I haven't played Dorians romance in a while, so excuse me if its a bit OOC here. Tried my best to keep his personality in check lmao.

I decided to do the Inquisitor proposing to Dorian rather than the other way around, bcs our man deserves that. (Altho I do have an idea for him proposing as well maybe.)

Dorian can feel that something is off, it's in the air. It's that odd peculiar shift that sometimes passes by unknowingly and gradually but he can pinpoint the exact moment it occurred, it was two weeks ago during dinner. His amatus, the love of his life, the savior of the world- all that very important stuff, looked up at him with the most peculiar look and ever since it's been off.

''You'd tell me, if the world was ending again, wouldn't you?'' He speaks up from his seat near the open fireplace, his love glancing up from the mabari that had kept his focus for most of the night. Dorian didn't actually mind the dog as much as he thought he would. It's kind of cute, in a saliva slobbering kind of way. ''Yes, I'd like to think so. Why? Am I glowing green again?'' The joke falls horribly flat, Dorian does absolutely not smile whatsoever thank you very much.

''No, you're not glowing green. You're just being weird lately. Weirder than usual.'' Dorian can't help but huff, putting his book on the side-table with a lazy arm, it makes an uncomfortably loud 'thud' sound upon hitting the wood and he can't help but frown. ''I'm not being weird, you're being weird.'' Is the lame counter his boyfriend offers, focusing back on the mabari with a laugh.

Except Dorian knows that isn't it, not quite. ''No. Something is off, what is it? You told me after- after everything you'd be more honest.'' After the arm. After the mark almost tore him apart, he'd promised Dorian wholeheartedly to not keep a single thing from him.

His amatus stares for a long moment, long enough for Dorian to fidget in his chair. He pulls at the fabric of his linen shirt, and pushes a hand through his hair in an attempt to look less nervous at bringing up the promise. ''It's not the right moment.'' He finally responds, soft words that are barely heard over the crackling fire. ''I don't care about it being the right moment, if something is wrong I want to know.'' His words have far more bite in them than Dorian intends and he sighs after a while.

''Nothing is wrong, I promise.'' His lover stands up and makes his way across the room, and Dorian tries to not pout as a warm hand makes it to his knee. It's such a gentle motion he probably would've cried had it been done a few years ago.

''Then tell me.'' Dorian pushes and his love dares to smile that stupidly charming smile and make his chest clench in affection. He'd love this man until he died, well and truly. There was no other way around it.

''Very well, but you can't come and complain to me that I didn't do it properly later.'' He sighs and Dorian perks up, sitting up attentively and ignoring the laughter that makes the smallest hint of embarrassment rear its head.

''We've been through a lot, too much probably. And I honestly wasn't sure if I'd survive long enough to ask this. For a while it seemed like I'd be robbed of the chance to do so before it even seemed a possibility.'' Their hands interlink and Dorian for the millionth time notices all the small scars that cover his lovers hand. They speak tales of battles fought before and after they met, struggles nobody could ever dare to try and understand.

''But there was never a doubt in my mind. Because you are the most brilliant man I've ever met, compassionate enough for both us and snarky enough.'' ''Excuse you, I will have you know-'' Dorian interrupts but quickly gets shushed with a grin. ''Shush, I'm being romantic, love.'' His love laughs, pressing a kiss against Dorian's hand and sure enough its enough to shut him up.

''What I was saying, before I was rudely interrupted. Is that you have enough positive qualities that I could write more than a few books about it. You know, normally people have enough time to write speeches down for these things- but you just had to be so perceptive.'' Dorian should probably be annoyed at that, but he just grins- the most proud smug look that he could manage right now when he feels the need to cry sneak up on him.

''You're tearing up, oh, andraste's tits-'' ''Amatus, hurry up and ask so I can say yes.''

''Dorian, will you marry me?'' The question is barely asked before Dorian kisses him, all giggly and warm and far too eager. They stumble to the floor and their laughter bounces off the walls of the study, Dorian's tears an annoying addition he'd lie about later if asked.

''Yes, I'll marry you. I'll marry you a hundred times over, fall in love with you in every life possible- you absolute fool, I followed you to the ends of the world, of course I'll marry you.''

Dorian followed him to the ends of the world and he'd do it again, but this time he'd much prefer if they had matching rings for the occasion.

[reanimated-owl]

Alt!

x

((EHEHEHE THANK YOUUUUUU

under a readmore for the sake of not clogging anyone's dash; i wont put EVERY character i've done but I wanna talk (i.e. ramble) about a few of them

Past Characters:

Xe/phos (Yo/gscast) (slashes to avoid appearing in tags)

Oh man. I think this was the first character I ever made an RP blog for. From what I remember, Xep/hos was an alien/human thing that worked with a couple other people.

In/k Sa/ns (undertale AU)

I know, I know, AUs are polarizing. I happen to enjoy a lot of them, and Ink's probably one of my favorites. The problem is that he's not really portrayed correctly by the vast majority of the fandom... I think he's also only an AU by name only, the original creator I believe has since made him more into an OC? This is one I didn't have a specific blog for, but I did RP him on Amino and technically ran a ship blog with a former friend of mine.

Glitchy (Port/al)

So... Po/rtal is a HUGE interest of mine. I actually set up a blog (I still have it, actually), but I don't think I ever used it. Glitchy's a core from a series on Youtube; his whole thing is that he doesn't know what his purpose is, so he does all sorts of things to find it. He's also known for spontaneously bursting into flames ('Glitchy' is actually a nickname given to him by the other cores).

Fun fact, this is where I got the name 'Glitchy' from; I thought it sounded cool and I desperately needed a new name for the Internet lol.

Virgil (PS/M)

Another core, because I love me some robots. He's a maintenance core, so his entire job is fixing the other robots and the test chambers. Glitchy is a frequent flier of his repair wing. Virgil is a very snarky guy, but for some reason everyone thinks of him as a cinnamon roll who did no wrong and it drives me NUTS (I have an ongoing list of instances of virgil being an asshole for this reason). There are a lot of really good android designs of him out there, too.

Finally, character(s) I'd like to do in the future:

Med/ic (TF/2)

So... this is kind of my current hyperfixation, lmao. I don't know why I latched onto this guy, but I did. He is the reason I am currently learning German. He's a (formerly) licensed physician whose entire role is just keeping the rest of the team alive. He likes doing experiments involving non-human organs. He also keeps a flock of doves that he just lets... fly around his OR. He is a liiittle bit on the crazier side, but he is still really smart and he does try to help others. I'm also making a costume for him rn and it's... gonna take a while :(

[feralox]

CW: puppy play, denial, light situational humiliation/degredation, oral, face fucking

I can't stop thinking about what she'd look like in a collar and with a cute pair of puppy ears on. I think of her looking at me with those big eyes, pleading and desperate, and I lose my fucking breath. It'd take her a while to get there. She'd be stubborn, bratty even. I just know it. She'd make snarky comments and when I remind her that dogs can't speak, she'd probably just laugh.

I wonder what it would take for her to fold. Would it be a threat of punishment? Or would she actually need to be punished until she's begging for mercy? Or would a promise of pleasure be enough to make her be good?

I love a good punishment but I hope its the latter. I'd undress her so carefully, so slowly, like unwrapping a present when you don't want to tear the wrapping paper. When I lift her shirt I'd lick and gently nip at her torso. When I take off her pants I'd kiss down her legs. Would she be starting to get worked up now, so early on? Would I start to see her cock twitch in her panties? It'd be so hard not to tease her if I do; to tell her how I can see how desperate she is, how there's no point hiding it. She might as well just beg. She's a proud dog though; she doesn't beg. That being said, she'd be quite flustered, knowing her. She wouldn't look in my eye as her cheeks turned red.

I'd stay still, waiting. she'd wonder why I've stopped, she may even ask. I'd reminder that dogs don't speak and I'd tell her if she wants to be touched she needs to look at me. Those big brown eyes would eventually forfeit and meet mine and God it'd probably be hard to not give in just then and there and give her whatever she wants. At the same time I'd want to be mean and make her beg more. But I'd be fair. I'd run my hands over the outsides of her thighs and up her sides. I'd do this again and again and move further inwards each time. My fingers would catch a little on her Underwear each time, giving her hope that I'd take them off and touch her where she really wants me to. I'd start to kiss her ribs and belly and her hips. I would start chaste until I'm leaving open mouthed kisses all over, biting at any soft spots I come across. I imagine that'd pull a reaction or two from her. It may be a long shot but Iike to think she'd be the kind who's maybe a little noisy when they're out of control. She's not there yet though, she's still swallowing down her pride and any moans and whimpers wishing to escape too.

I'd take off her bra and kiss down her sternum. She'd probably think I'd touch her chest, Caress, squeeze, lick, suck, bite, but in reality I'd deny her. I'd look up to see her pleading eyes.

"What?" I'd say dumbly. "Do you want something?" I'd ask her. "Show me what you want, angel."

She'd arch her back pushing her chest towards me.

"You want me to play with your tits?" God knowing her she'd be bright red from embarassment. I imagine dirty talk would get to her. I'd repeat myself and she'd eventually start to say yes before I cut her off.

"Ah ah. Do you know how dogs beg. I'm sure you do...". I'd ask her to whine for me. To push her chest up and whine for me. She'd ask me to be serious and all I'd do is hover my face over her chest, just out of reach and tell her to go on. I like to imagine she'd eventually let out a whimper, even if it's just from frustration.

"Good. A little more..." I'd start to kiss her sternum to encourage her. I wonder if that one whimper would open a floodgate. Probably not. But still if have mercy on her. She at least made a sound. I'd close my mouth around one of her nipples and Squeezing her other tit in my palm. I wonder if she likes chest stimulation? I hope she does. God I imagine she'd get so wound up as I work on her chest. I'd still make sure I'm doing everything in my power to make sure her cock is neglected. Maybe her hips would be moving, bucking wildly every now and again.

"What's wrong puppy?" I'd ask her.

"What's wrong?" I'd ask again as she hides her face. I'd sit back on my heels and also her to show me. And like a good girl she'd thrust her hips in the hair a few times. She's be so hard now, straining against her panties. Maybe there's even a wet spot forming. I'd coo at her. And remind her what we do when we want as I play woth the edges of her panties. I'd slip my fingers under the leg holes. run them over her hips, feel the edges of her pubic hair and my fingers move in. But she won't forfiet.

"I guess you don't want it that bad..." I'll tell her as I move her legs apart. I'd use this time to kiss and lick and bite all over her inner thighs. Such a sensitive area. Perfect to suck hickeys all over. I'd suck and lick and bite until I hear it. A soft whimper. I'd stop in my tracks and then a whine.

"Oh? You want to talk puppy?" I'd tease. My face would be at level with her crotch. She could probably feel me breathing on her cock.

"You want me to touch you here?" I'd ask. She'd nod.

"Beg." Still some hesitancy, but as soon as I start kissing on the edges of her panties, right where her thighs meets her crotch, just next to her balls, she'd fucking fold. She'd finally whine for me. Truly and earnestly.

"Oh, what a good girl. Finally begging so nicely." I'd praise.

"So good for me" I'd close my mouth along her clothes buldge. She'd groan in relief. Her poor neglected clit is finally getting attention, all if took was some Begging.

I'd mouth at her until her panties are Soaked and clinging to her. I'd eventually slide them off her and ask her if she wants me to suck her cock. She'd nod and maybe even whine on her own accord this time But I'm never fair so I've moved the bar.

"Bark." She'd ask if I'm being serious and I tell her if I have to remind her that talking is for humans one more time she's getting nothing but a spanking and an aching neglected cock for the rest of the night. She, instead, chooses to let out a little bark. I tell her what a good girl she is and waste no time running my tounge up her cock. I'd swallow her down. This is where I'd like to imagine that she can't swallow the noises anymore. She'd start to moan and whimper. She'd stop herself from pleading because she's learning that puppies don't use words, so instead she moans and whines and whimpers. She may even buck into my face. She'd probably be scared that she did something wrong but god in reality, I love it when a mutt loses control. I'd tell her that it's obvious she wants to work for it though. I'd tell her if she wants head she's going to have to fuck into my mouth. And God she'd do it. Eventually she'd start getting breathy and moaning louder and louder. I'd pull back.

"Are you going to come for me baby? Bark if you're gonna come." I'd wrap my lips around her again and she'll Bark and bark and bark before her breath hitches and she spills down my throat. I'd swallow her load and cockwarm her until she begins to soften. I'd tell her what a good girl she's been and how proud I am of her and she'd probably just say "fuck you, man."

[cartoon-buffoon]

Here's the objective, factual— if you disagree you're a mook—Cartoon Cat song tier list (/J, this is my personal ranking)

Explanation (going down from the tiers)

S Tier

Toon Catastrophe: I love this song, incredibly catchy with some good lyrics, not what I feel like a standard CC song should be but I think that works for it really well. I think the grim and depressing lyrics about how absolutely fucked you are while this snappy catchy beat really adds to it, there's also a decent part of humor with the humans characters in the song acting casual about this eldtritch monstrosity saying "maybe he needs the ol' litter box!". This part could make some people dislike the song yet I feel like it being goofy actually fits because CC is powerful but having him be a goofy element to his sinister presence does wonders. Not to mention this moment DOES NOT LAST and a few minutes later CC himself sings and comes out with STRAIGHT BARSthat give me chills:

"You can tiptoe and run all you want! I'm on the prowl, and I'm just being blunt but you're lookin' delicious, you're lookin' nutritious, you're probably going to sleep with the fishes! Cartoon Cat, I'm the Cartoon Cat, I'm the one and only, imagine that! The flavor of human is truly divine, let's count down the seconds before you die"

Only for CC to do a whispery countdown and then it goes back to singing. THATS STRAIGHT FIRE deserved top of S-tier plus the visuals look great with CC being stylized but still pretty accurate to Mr. Henderson's works, his walk cycle is pretty eerie and I love that too.

Run Away: it's fucking crazy this is 4 years old and it still holds up. The voice they give CC has been exactly how it sounds in my head since I've watched this It's one of my favorite voices for him with it being incredibly snarky and playful but still sinister. The entire song is essentially CC going on about how he's going to catch you and eat you which granted isn't very creative but with the rhythm so good it doesn't need to be. The simple lyrics work for it as well so the lack of creativity regarding the song doesn't matter, not to mention the bit after the second chorus utilizing a piano has to be my favorite parts. Overall good rhythm and in general solid.

A Tier

I honestly believe both entires in A tier are great and it was hard to put them down here, I wanted to put them both in S and it was a kinda 3-way tie with Run Away being considered to be put down here but ultimately I chose against it.

Tapes of Old: "but this isn't a Cartoon Cat song! It's a cartoon dog song–" SHUT UP MY TIER LIST MY RULES! SHUSH! SHHHH! Sorry but I actually really love this song, it doesn't really paint CD as a "good guy" like some people love to HC him as being the good version of CC meant to kill CC. Instead CD is just another creature with immense power who hates CC and they've had an eternal battle spanning across forever, it's been so long they don't even know why they fight they merely do, it's LITERALLY like cats and dogs. CD is pretty goofy looking in the video yet this works great and the run cycle of him on all fours sprinting creeps me out and if I saw that running at me oh yeah no that would be fucking terrifying. There's a specific section of the song that I believe implies CC and CD are harmonizing as well? Like after the second chorus there's a bit where it goes "our fight continues on and on! It keeps on going, never done! I keep thinking that cat is gone but it tells me RUN, RUN, RUN! it's a cycle I cannot escape, chasing forever this cat and a day, I refuse to take this as my fate! Some day I will put down the stray!". I heavily believe this is both of them singing at once with CD taking over only briefly to talk about the cat not dying, but the part where it goes "some day I will put down the stray!" It switches between the animation of CC walking and CD walking with "stray" being a neutral term for an animal with both calling the other a stray. The shared hatred and story these lyrics give make it soooo good plus it's fun to listen to, yeah once again struggled to put it down here in A.

Masquerade: also once again, I didn't really want to put this in A nor put this below Tapes of Old or Run Away as I believe these 3 are pretty on par with one and another. I bit the bullet though and this song? Although I don't believe it's the BEST CC song, it's my FAVORITE because the lyrics are once again aren't overly creative similar to Run Away and it's merely talking about how he's gonna get ya and you can't hide ya know. I will say though the title of the song and the tagline lyrics "After my little masquerade", I specifically love this masquerade line as it's a reference to the fact that CC isn't a cat nor cartoon. It's one giant act in order to latch onto this world and he just loves pretending to be one because he's something that is god-like. This is especially reflected in the lyrics that paints a real sense of hopelessness as while he also talks about killing he also does a good job demonstrating why running is pointless saying "Oh I have so much power!" Or "oh you don't know what I can do, especially to prey like you". This confidence combined with the voice they gave CC that's echoey and generally emotionless is so good as it once again paints a very vivid picture this is a mere game to him, all of it including your life means nothing to him and you're only alive because he's having fun. He doesn't need to worry about a thing, you're in his sights and it's over. Not to mention the visuals? OOOO, the SFM CC model is the perfect blend between fanon CC and canon CC being a weird middle ground that I think is perfect. I especially love how his ears look furry but their not, like the rest of his body it's pure rubber and it's just him trying to sell the bit of being a cartoon cat. Also towards the end of the song it shows CC commanding several other Mr. Henderson creations which granted isn't realistic as they all stay away from CC and CC also minds his own business, but this idea of him commanding over these twisted creatures kinda like an even more fucked up Bill cipher tickles me in a way I can't describe (and has also inspired an au of mine!). I love this song, sorry.

B tier

While these are good I wouldn't say they are in any way on the same level as A-tier because A-tier holds two songs which only BARELY didn't make the cut to be S and in all reality was more of a 3-way tie.

Curiosity Don't Kill This cat: I don't got much to say, lyrics are pretty standard as you'll see for all of these songs however one thing I will say though I love the much more ominous tone CC has. It feels like the standard for a song about him but other than masquerade I think this is the only one that does it hold throughout the entire song. Also I love the various jokes thrown in throughout the song like "I'm not some hello kitty!" Or "has cat got your tongue!", cat puns are par for the course yet I feel like this song is the only one that fully utilizes them. The beginning is pretty cute I will make a note on that with a kinda jingle for theoretical cartoon featuring CC, a cutesy version of him is also drawn on there which is adorable. The only last thing I will say is like all of these this pretty catchy with the part I keep replaying being "come over and watch me smile bigger, I'm walking on two paws towards my dinner, you're messing with fate and I'm all for it, curiosity don't kill this cat!". It's good overall with the visuals not having too much to comment on other than CC doing the funkiest little wave.

Outrun This Cat: looking back I actually think is pretty good than I first thought? Idk why I put it down so low this belongs in at least low A-tier I'm a fucking moron. Uhh starters the visuals have CC looking ugly as hell which works, ya know he ain't supposed to be pretty and the bloody gums sell this. As he's singing he's also very expressive, his entire body contorting or swaying using a mallet and pulling out a watch at one point. As much as I love ominous slow hunter CC the upbeat, energetic, and chaotic version holds a place in my heart. Towards the end of the song there's also a part with a toon version of CC and normal monstrous looking CC and I find this cool as the idea he can be either form but chooses the more horrific one funny. The lyrics are also solid, once again the standard of "you're gonna die" is set yet I think there is some cleverness like "better run for your life like a rat or it shreds you up instead", which btw the lyrics say "shredders" which I think is an intentional misspelling as it's a mix between shreds and cheddar because ya know, rat? Idk I find it funny shut up, but also the line "you're life on the line, it simply can't compare against my nine!". Nothing Shakespeare level ofv but still pretty good in my opinion, also the song has a bit of story with CC hating humans stating "there is no use for your urbanity, humanity drives mad my sanity" which I think is supposed to come with the implication that he was a cartoon abandoned which is why he hates people as this is supported by the lyric "abanonded in 2D—too bad i jumped to 3D!". Overall catchy and honestly really good than the ranking I gave it—heck there's a remix of this song made by "Mautzi" that features some FUCKING AWESOME THUMBNAIL ART, but also the way they remixed it would probably make it S-tier and beating Cartoon Catastrophe.

C Tier

He's The Cartoon Cat: I don't know, the song on paper isn't bad and I think the beat drop towards the end IS FUCKING INSANE AND CRAZY, but that singular great part doesn't make up for the rest of it being kinda a drag? I will say the optimism in the song only for the build up to the beat drop is phenomenal with the "run... Run... Run away!" Slowly distorting is a nice touch and makes it feel like the song was made by CC himself and hes intentionally trying to strike fear into the listener. Once again one good part doesn't make the entire good thing though yet in no way a bad song.

D tier

Kitty Kitty: I love rockit music yet they are a truly hit or miss nerdcore artist(s), this one sadly misses. Like it's not bad or at least not that bad, if I were listening to it on a playlist and it came on I wouldn't skip it, yet it wouldn't be something intentionally play, ya know? Like not a song I'd search for but if it comes up I'll vibe to it. I think the lyrics here are actually worse than Run Away in terms of nothingness though, it doesn't have that good of a beat to support these nothing lyrics making it suffer drastically. Once again, Rockit music has cooked some of my FAVORITE nerdcore songs but this one ain't it sadly.

That's about it, I ain't got no more tiers. All CC songs have their own merits with a few having somethings that just personally wasn't for me but I'm sure is someone else's cup of tea. That's the last song and there's no more, no more songs left. Anyways ramble over and Toon Buffoon out.

[thebestworstidea]

"Hey Virge."

Virgil looked up from what he was doing. Normally, he wouldn't stop working to talk to anyone when he was on the clock- he took his work seriously.

But he was writing a pop-song, and it was driving him nuts.

He'd been given a phrase and a feeling and was trying to turn it into something worth hearing, while adhering to the bubbly pop psudo punk the client was going for.

Also it was Thomas, and the ghost had been a bit drifty lately, making conversation less frequent.

"Sup." He answered.

"I was wondering." Thomas did that thing he did where he wans't fully visible, but gave the impression he was perching on something- in this case, the edge of Virgil's dresser. "You're an excellent musician, and I've seen you writing all sorts of songs, and mixing music and everything."

"Thanks." Virgil said a little awkwardly. He knew he was pretty good, but it was still weird to hear it, even though that's mostly where he made his money.

"And you said you played in bands back when you lived in the city when someone bugged out."

"Played with this one band almost a year before they found a bassist that didn't suck. I was on their debut album." he agreed.

"How come you never had a band of your own?"

Virgil snorted, but suppressed actual laughter.

"Well first off- I am not front-man material. In the least."

"I suppose that you don't really like being stared at."

"Yes, that too. But that's not why."

Thomas tipped his head (just a bit too far making him look more like a cartoon of a person than a person) and raised his eyebrows. Virgil smiled without thinking, even if it was a little weird. Thomas had started doing things like that shortly after he started manifesting visually. Logan thought it had something to do with how he thought of himself, and one of the first things they'd learned about Thomas was that he really loved cartoons. So if he pictured himself as a cartoon version of himself, his visible form would reflect that.

Virgil wondered if, given time, Thomas might start looking entirely like a cartoon, as he forgot more about himself as a living person.

"One second." He sent a text out. He was pretty sure that Logan and Roman had gone to a museum to be snarky about an exhibit, but Patton was probably in the house. "Alright, if you really want to know, I can show you."

"Please, you have more musical talent in one tooth than I had in my whole body, and I did a lot of singing."

"Uh-huh." Virgil looked at the ghost skeptically. He went over to the door, opened it and called down stairs. "Hey Patton, I'm going to sing."

There was a faint strained whine and then a faint

"Have fun!" followed by a door closing.

"You can do it!" Roman called, a little closer. "I believe in you."

"Oh fuck off." Virgil retorted, and Roman laughed.

Thomas snorted, shifting in place and folding his arms.

"Now you're just being theatrical."

Virgil smiled sarcastically and hummed under his breath. Then he started singing

For a few moments Thomas felt justified. But then- it was wrong. He couldn't put his finger on why but it was wrong. Technically the melody and the tune were there, and he was hitting the notes. But it echoed and it warped and it just sounded wrong, like someone was purposefully playing with sliders on a mixing board.

Outside, Patton started howling, sounding a little hurt himself. Virgil stopped, coughed, and put his hand over his mouth looking a bit embarrassed. There were a few more baying howls, and then an apologetic sounding bark.

"It used to be I just was a little flat, you know? I know how music works." His voice sounded rough. "but not really vocalist quality. But then uh." He looked even more embarrassed. "Something happened, and now my voice does that when I sing. I don't mind that-" Virgil hastened to add. "Since I don't have to sing to play instruments or even write or mix music. But it sounds worse recorded, believe it or not."

"Well." Thomas flickered a bit, and gave a lop sided smile. "There's always death metal."

"A favorite of ghosts everywhere." Virgil agreed, and Thomas laughed himself invisible.

[tending-the-hearth]

ok so i promise that after this post i'm done talking about the Edmund and peter dynamics but i just have to be annoying once more time about their dynamic in "Prince Caspian" because it's SO well done without shoving all of their character progression out the window!!!

prev. posts on the matter:

the sibling dynamic differences btw the lion the witch and the wardrobe + prince caspian

ed and peter's relationship progression through tltwtw

ed giving peter reassurance + support

the Sibling Huddle + ed going from the outskirts of his siblings affection/protection to being right in the middle of it

OK ONWARDS (and again this is going to be a long post so buckle up)

the first time we see Edmund again, he's once again racing into the middle of a fight to protect his big brother. So we know that their dynamic of protecting one another has stayed the same, and Edmund's now not afraid to stand at his brother's side to keep him safe.

and when the fight is over, we get the assumption that Peter is annoyed with Edmund for stepping into the fight.

but that's not it at all.

Peter was a king for fifteen years, and he was suddenly thrown back into being a child without any warning. It's been a year, and he's obviously struggling to cope with the sudden change (which, that's definitely understandable. peter's having to grow up twice, once as a king, and once as a normal child, and it's difficult). In Peter's mind, Edmund shouldn't have to defend him, because the fight was stupid. He knows that.

and when they return to Narnia, they're back to that fun, goofy brotherly dynamic we see in the second half of "The Lion, The Witch, and the Wardrobe", where they're just being brothers! they're back home, they're back in the place they're most comfortable!

this picture is here because i can't get over the fact that the four of them just subconsciously always fall into walking in their throne order, like they probably spent their fifteen years sitting and standing in that order that it's ended up just being second nature to them!!!

and then when Lucy and Susan run off towards the beach, we get one of my favorite lil moments between Peter and Edmund

they're back to acting like kids, but it's on THEIR terms! you get the feeling that this is 100% how they acted in their early years of ruling Narnia, like the kids they were, having fun with each other while learning how to actually rule.

when Edmund asks "Where do you suppose we are?" and Peter responds with "Well, where do you think?", Edmund doesn't get snarky and sarcastic like he would have at the beginning of TLtWtW, and Peter, after hearing Edmund's response about the ruins, doesn't get huffy or annoyed.

we LOVE healthy sibling communication 😭😭😭😭

also i really really love that Edmund's the one who realizes that Cair was attacked, because his role as the Just King was negotiations and working with other countries, and Peter looking to him for the answer is SO wonderfully in character as they settle back into their roles as kinds and queens!!!

i won't go TOO into detail abt this scene, because i already have a post about it, but i love it so so much!!! the way Edmund sounds like he's teasing Peter, and Peter obviously trying to sound angry while trying to hold back his own laughter!!!!

when they save Trumpkin, look at how they react:

The girls stay back (obviously bc Susan's got a good shot with her bow) and Peter starts running. Edmund looks to Peter to see his reaction, and immediately follows after him

and when Lucy sees Aslan, Peter doesn't believe her. It's only when Edmund brings up their first time visiting Narnia, when he says "the last time I didn't believe Lucy, I ended up looking pretty stupid". THAT'S when Peter goes back to Lucy and asks why he didn't see Aslan, and I absolutely love that moment. Because yeah, Peter's a little pissed at Aslan, so having the sibling who doubted Narnia + it's existence the most coming to Lucy's defense would definitely help Peter believe a bit more.

then, when they do arrive at Aslan's How:

this is honestly the MOST relaxed we've seen the siblings. They're back to doing what they've known for the past fifteen years, they're settling into familiar dynamics! It's easy for them to go back to their roles as kings and queens, fighting for their country.

when Jadis appears, and Peter's caught in her spell, that's probably the biggest moment for Edmund in the movie. Just like how the "why can't you learn to do as you're told?" line is echoed at the beginning and end of the first movie, the "i had it sorted" line is echoed at that moment. But Peter's face isn't annoyed, and Edmund's isn't necessarily angry.

Peter looks terrified, and Edmund looks more worried than we've ever seen him.

He's seeing Peter fall into that pattern of resentment and anger that led Edmund himself to fall into Jadis' clutches their first adventure into Narnia. He knows that if Peter isn't careful, he's going to play right into her hands, and he can't let his older brother go through what he went through. Peter faltering when he faces Jadis in both "The Lion, the Witch, and the Wardrobe" and "Prince Caspian", whereas Edmund being the one to face down the witch in all three movies (his scene with her in "Dawn Treader" is still one of my favorites) is so important to Edmund's character, because he's facing his trauma in different ways.

it's also Peter's wakeup call, seeing Edmund's reaction, as well as seeing Susan's reaction. He realizes that he needs to change his behavior, or else bad things will happen.

also Edmund being the only one really to call Peter "Pete" is so important to me, i love hearing the siblings' nicknames for each other 😭

and this moment basically being identical to the moment after Peter finds out Aslan's died, only this time, instead of seeking out Edmund's support, he's sought out Lucy, and we get a glimpse into what Peter and Lucy's dynamic absolutely looked like when they were older in Narnia

also Edmund always standing on Peter's right side makes me EMOTIONAL bc again it's probably just a subconscious move due to the fact that that's how their thrones were positioned, and they're probably just so used to standing that way!!!

and then there's my fucking FAVORITE Edmund scene in this entire movie

LOOK at this smug fucker

Peter thrives off of leading his people, but Edmund thrives off of negotiations and being a little shit to rulers three times his age 😌

and you can't see it, but when Caspian brings up the idea of the duel, Peter turns around to look at Edmund (who's sort of behind the pillar but he's there!!)

because Peter knows this isn't his area of expertise, it's Edmund's, so it should be up to his brother to decide if it's a good idea. Because yeah, Peter's the High King, but like Edmund says to Miraz, he's a king as well. He's on the same level as Peter, and Peter knows this, and treats him like his equal.

AND ONCE AGAIN DURING THE DUEL WE SEE A MIRROR OF THE BATTLE IN THE FIRST MOVIE

Susan and Lucy have gone off on their own, to find Aslan. they're away from danger and relatively safe (at least, that's what Peter believes). Edmund is at Peter's side, his second in the fight, and is there as support and to help him in whatever way he can.

and Edmund telling Peter to keep smiling, because they've done this before, Peter's had duels that probably didn't start off as well as he planned, and both Peter and Edmund know they have to keep the Narnians' spirits up, and even though their smiles are absolutely awful, they still put on a show for their people

(contrasted against Caspian, who obviously isn't used to this, and doesn't smile, letting his worry show clear through)

this is probably my favorite moment of theirs in the movie. When Peter asks "what happens back home, if you die here?". It's something that obviously neither of them have ever thought of before, and Edmund obviously really, REALLY doesn't want to think about his big brother dying. And Peter trying to be emotional, trying to thank Edmund for being at his side, but Edmund stopping him, being the rational one, telling him to save it for later because he really can't bear the thought of those being Peter's last words to him.

this moment isn't really anything major, but their positioning again!!!! before Susan comes in, Caspian is right at Peter's left. She puts herself between them, not to be rude or anything, but because this is the lineup they're used to. Peter with Susan on his left and Edmund on his right. Whatever battles they found during their rule, this was most likely how they did fight when Susan was on the ground with them. Again, they fall back into this order whenever they're together, and it just makes my heart explode

also this is a v bad screenshot because it's far away, but

the three of them sticking together during the battle, with Peter and Edmund going off for the more close combat fighting, leaving Susan open to be able to fire her bow and use her arrows without being blocked or interrupted!!! It's so obvious that this is something they've practiced, this is a usual fighting dynamic for them, and i just love seeing how they interact during this fight (also ty to the costumers for putting only the pevensies in the red tunics + dress, it makes it so much easier to see them)

ok i did lie about this post being the last one bc i'm absolutely making one on their costumes in this scene!! but i do love that the last time we see them in Narnia, they're still in their throne order, just reversed!!!

and finally, they're back in their throne order!!!

okay, i'm done with this post, it was longer than i expected it to be rip

@queen-with-the-quill @hilli98215 @storyweaverofgondor