#I just think this one works better with a little context

[beloveds-embrace]

Thinking about designationless reader...

Imagine how alone she must've been for all her life. It started since she was young, her parents pushing her to the corner of the home, away from the family, and naturally, her siblings would follow their parents' lead, pointedly ignoring her, and finding any excuse available to be out of her presence. She wouldn't understand them anyway, she can't tell the difference between noises nor could she even recognize scents. It just wouldn't work.

Reader thinks that maybe she could find someone, anyone in school, but kids are like sharks, except instead of smelling blood, they smell the lack of all scents on her. Most kids have a combination of their own and their family members' scents. Reader has nothing, so everyone continues the pattern, but now with more stares and jeers and hushed giggles. Reader knows that bullying is bad, but anything would be better than simply not existing to anyone. That's what the others say, at least, that she's nothing, nobody. Never to her face, though, just in the whispers shared between friends.

She eventually tries to find others like her through the wonders of the internet. There's maybe a handful more scattered in her country, but none are her age, and all have their own families who care about them. Was it just her who wasn't deserving of love, of connection? Reader reaches out to them, and they talk a little, but before long, through no one's fault, it falls through. She was bad at talking anyway, even if she doesn't have to worry about scents or sounds that aren't there, she never knew much about context or connotation. She never had the opportunity to learn about the intricacies in communication. Reader is back alone.

The military eventually scouts her, and it's the first time anyone has ever really looked at her. Sure, they look at her like a valuable tool, but a tool is better than nothing. Reader obviously joins, desperate for crumbs. She climbs the ranks, gets the job done. She is good at her job, so people respect her. She learns how to talk professionally, emails, texts, and so one, but no one talks to her on leave. No one invites her to the pub after a good mission. No one even talks to her in the mess. But people do talk to her when they have to, and that's enough. Maybe she even gets a callsign. Doe. After Jane Doe, the placeholder name for unknown individuals, and insult if anything.

Now there's the 141. They invite her to things. They talk to her. They touch her. Reader exists for them. She isn't just an unknown person stuck in the background and invisible to everyone else, and Reader doesn't know what to do. Her speech is awkward and overly professional, even in personal settings. How is she supposed to be friends with someone, multiple someones? How is she supposed to move? To act? To express? She doesn't know, but she really wants to learn. At least now she has good teachers.

ANON YOU GENIUSSSS okay but this? Perfect. AHHHH I ADORE THIS IDEA!! Esp the jane doe callsign omg yes

You weren’t used to being seen.

Growing up, you learned quickly how to make yourself small- how to exist quietly, without taking up space, without asking for too much. Because the few times you had asked- asked for a hug, asked to be let into the nest, asked why you felt so different- the answers had all been the same.

No.

Not now.

Not you.

It wasn’t that your parents didn’t love you. You were sure they did, in their own way. But love was hard to feel when your mother flinched at your touch like you were something disgusting, when your father sighed like he was tired every time you entered the room as if you were taking up space he was saving for his other children. When your siblings built their nests without you, curling into piles of warmth and safety while you sat outside the door, knees pulled to your chest and hands balled into fists to keep them from knocking, a cold ache burrowing itself in your chest.

You stopped knocking eventually.

You stopped trying.

You used to wonder if you’d done something wrong- if maybe you could fix yourself and everything would go back to normal. But it wasn’t something you could fix. It was just… you.

Scentless.

Designationless.

Invisible.

School had been worse, perhaps the worst. At least your family had pretended not to notice how different you were. The other kids didn’t bother pretending. They stared openly, whispered behind your back, laughed when you walked by. You’d caught bits and pieces of what they said- weird, wrong, broken, as if they hoped by having you hear their words, they’d convince you to leave at last.

You’d started keeping your head down after that, slipping through the halls like a shadow. No one talked to you unless they had to, and even then they either did it with a mocking, jeering tone that echoes in your nightmares or with a meek tone; as if your lack of everything is contagious. No one sat next to you at lunch, either. When partners were assigned, you always ended up working alone per your teachers’ instructions.

It was easier that way.

At least, that’s what you told yourself.

By the time you joined the military, you’d gotten good at being alone. You didn’t need friends. Didn’t need packmates. You had work, and work didn’t care if you were quiet or awkward or too stiff to laugh at the right jokes. Work didn’t care if you flinched when people got too close or froze when someone raised their voice. Work demanded to be done, and you had nothing and no one to stop you from that.

But the military also has the same teens who used to bully you so consistently. Rookies all to ready and happy to lord over you. It’s how you get your despised callsign, Doe. Jane Doe. A cruel mockery, comedy wherein you are the joke that has the world laughing.

Still, you wear it. It’s still an acknowledgment and that will always be better than never being seen. You flit from team to team, unit to unit, always an observer from afar, watching everyone around you speak a language you can’t.

But the 141 was different, when you eventually end up working for them.

They cared.

They cared in ways you weren’t ready for.

Soap was relentless, dragging you into conversations even when you barely knew what to say. He filled the silences like it didn’t bother him, kept talking for the both of you, lounging against you unbothered, until you started talking back. Gaz was gentlest, steadier. He never pushed, just lingered close enough to remind you he was there, waiting, whenever you were ready. Quiet, silent acceptance you’d never been given before, and you were yet far too afraid to so easily cling to it.

And the Alphas- Price and Ghost- were worse.

Price had a way of looking at you that made your chest ache, like he saw you, really saw you, and didn’t mind what he found. Scentless, with no designation and all. Ghost was quieter, sharper, but his eyes tracked you everywhere, presence wrapping around you like he was staking a claim you didn’t understand, like he was teying to etch every part of you behind his eyelids.

You didn’t know what to do with it.

They didn’t give you space. They sat next to you at meals, tugged you along when they went out for drinks, called you over during breaks like it was the most natural thing in the world. And it felt natural- until it didn’t, because sometimes you still felt like an outsider.

Like you didn’t belong.

You tried to hide it, but they saw through you. They always did, and they never shied away.

When you started avoiding the mess hall, it was Gaz who caught you, shoving a plate of food into your hands and dragging you to sit with him like it wasn’t a big deal. When you hung back during missions, letting the others fall into their pack dynamics without you, Soap was the one who looped an arm around your shoulders and pulled.

And when you flinched, once, at the sharp sound of someone’s voice echoing down the hall- when you tensed so hard it made your fingers tremble- it was Price who closed the distance, standing in front of you like a wall and letting Ghost linger at your back. Neither of them said a word.

They didn’t have to.

You weren’t used to being protected. You weren’t used to belonging.

But they made it hard not to.

[illmoraineakoi]

Some Thoughts on the rest of AvA Season 3

You know, I'm a little bit baffled by how many episodes are left in Season 3.

It's supposedly set to run to episode 15, which means there are four more episodes in this season.

But I really don't understand what else could happen?

Victim has Chosen, Orange and Yellow. He has the means of summoning the Cursor. He also has the means of finding Alan's PC location too, via the memory scanner, if that's something he wanted.

He even has the means of containing the Cursor, with The Box.

For all intents and purposes, Victim is so close to achieving his goals.

Literally all of it, from Yellow summoning the Cursor, to Victim having a confrontation and fight with the Cursor, to Orange inevitably intervening and ruining his attempt at vengeance and saving the day, it can all be wrapped up in a single episode.

So...four?

Four more?

Something's not right. There's more we're missing. There's more that will happen. It's not going to be that straight forward.

Chosen is an integral part of this arc. And he's left far too many mysteries in his wake thus far.

Orange's origin and his connection to Chosen, too, has yet to be explained.

Which Alan has confirmed would be, at some point, quote, "explained in the story". (Thought to his credit, he did not specify when it would be, nor if it would be in S3. This was also a quote by DJ, not Alan's actual words, when DJ was asking about Orange and Chosen, for added context. Alan's response was "Uh-huh.", to the above quote.)

I do not think it's a coincidence that we received a MASSIVE lore dump on how the Outernet works, and the "green energy" along side it, in the episode immediately after Orange's powers became known. The green energy played a massive part in Victim's episode, symbolizing both the creation of life, but also the loss of it. Orange's powers are going to play a more significant role going forward.

Though it will be difficult to say if his reviving powers will play a role or not.

(I personally believe they will, because I don't understand why Mitsi would get a plush otherwise. Her role in Victim's story was very important yes, but...a plush? Alan's never done that before, made merch of canonically, permanently dead, only-appears-in-one-episode characters. It feels a little strange. Unless they were just banking, literally, on the audience's heartbreak and swift attachment to her character? People's desire to want to make her and their Victim plushes a set? That feels so disingenuous for Alan, though...So why?)

(I don't believe Mitsi's role is complete. That might just be the cope, admittedly.)

The new gap in TCO and TDL's story is also very suspicious. There must be a REASON that Alan decided to set the Newgrounds attack in 2011, upending most people's assumptions for how they spent their time after they escaped.

And therein lies a problem too: our assumptions. We know so very little about TCO and TDL's time after they escape until Showdown, and it's starting to feel like it's becoming a problem. Especially when things keep tying back to them.

It's intentional. Alan isn't rewriting the timeline for no reason. He's not casting doubt onto Chosen for no reason.

We are going to get more information on Chosen and Dark. The new gaps in the timeline and the ambiguity to their character arcs needs to be completed. Alan and his team have been very good at tying up those loose ends.

I firmly believe one of the four remaining episodes is going to be Chosen and Dark's 'extended'/'improved' backstory, an episode that is going to massively clarify both their characters like Victim's did.

Dark's strange absence from Victim's arc in particular is feeling very odd. Why is the narrative trying so hard to push Chosen as a main perpetrator for Victim's antagonist arc? Is it to set up his own expanded redemption arc better? Is it to fall in line with the theme of "actions have consequences"? Is it to forcefully beat it into the thick-headed fandom that Chosen is a morally grey character, a fact so many people seem to chose to just ignore because they like him?

But then why immediately show Dark after Agent has left, if we are supposed to focus on being upset at Chosen? Why is his appearance on that tank treated as a reveal?

What is there to reveal? We already knew he was there. Why was that important to show?

It's just so weird. By willfully hiding Dark, Alan is calling even greater attention to him. His absence is perplexing. So why?

Something is important about Dark. Dark is going to play a bigger role in what happens in the future than we might currently think.

Either he's being set up for the 'grand reveal' that he was the only one actually throwing attacks around during the Stick Page and Newgrounds attack (A weak reveal because people already think this, think that Chosen is being used a bait-and-switch) OR, and I really hate to be 'that person'-

He's being set up to come back.

I hate to be 'that person', because I've frankly gotten tired of people theorizing that Dark's going to return in Season 3. There was never any evidence for it, before. The arc, originally, had nothing to do with him. He had his arc in Season 2, and Alan being undecided in his fate didn't magically mean he'd pop back up in a brand new narrative with a brand new antagonist. Especially when, at first, it didn't seem like he was involved.

But there is evidence for it now. He is involved, at least a little. Dark is, by his absence and the complete lack of acknowledgement of his very existence by Victim, important to SOMETHING in this season.

Though in what way, I can only speculate. And those speculations sound like fanfics, fam, so they're going in a reblog.

There is also the issue of the Animator's character. Something huge needs to happen to redeem him in the eyes of the audience after what was revealed in AvA11. So many people are horrified and appalled by his past actions, and his current "redemption" doesn't feel like it hold up. It's too weak.

I've said it before, but I'll say it again: The Animator needs to do something more. He needs to show he actually cares about his stick figures.

And he needs to apologize to Victim. That is one of my biggest desires to see, in the final episode: Alan apologizing to Victim. I want to see it as badly as I want to see the Cursor burst into pixelated flames in a fight scene. Chosen, too, deserves an apology.

I personally think that Victim is going to receive a good ending - the fact that he's being fleshed out with a backstory that makes him very sympathetic is a good sign that he might have a nice ending in this story, if not the one that he perhaps wants at the moment (that being his vengeance lmao.) And Alan usually goes for good, feel-good, endings to his story arcs. The only one that didn't really feel very 'complete' is Season 2, which, y'know, might now be for a reason.

In any case, I at least don't think Alan has it in him to kill Victim off permanently. Victim is the stick who started it all, who started him on his path to success that's brought him to where he is now. Victim is special to Alan's life story. Animator vs Animation would not exist without him. Alan wouldn't be here, doing what he loves, without him. Victim literally changed his life, just as much as Orange has, if not more.

This is why I hope Alan gives Victim the same respect of a good ending. The same respect of the ability to be happy and kind again.

It would be such a nice bookend, that the stick figure he originally created with the intent of beating up and tormenting is given love, happiness, and closure for his arc end.

That's what I want more than anything else. I want Victim to have a happy ending. I want him to have what he was deprived of in AvA1.

He deserves it, so much.

We have four more episodes to go. And a lot is going to happen in those episodes. Maybe I'm wrong and they stretch the whole 'confrontation with the Cursor' out really long, but it'll still play out mostly as expected. Or maybe something utterly batshit crazy will happen that will catch us by surprise, like Dark returning (either as an antagonist or ally, both would be awesome and unexpected) or Mitsi returning as an antagonist for some reason (probably not, but it'd be insane.) Or maybe I'm extra extra wrong and Victim will die, which would utterly devastate me and break my heart into a billion little pieces.

It's impossible to tell right now.

But I'm looking forward to the wild ride. Regardless of what happens, Alan and his team are going to make some beautiful art. Scott Buckley is probably going to make some amazing music. Everyone is going to continue to breath life into this amazing, gorgeous world, an tell an amazing story alongside it.

I don't love AvA just because of the story of the characters. I love it for the passion that goes into it. I love it because it's clear Alan loves it, and all of the animators, editors, artists, and sound designers clearly love it too. I love seeing all of that effort, all of that work, all of that love, come together to make something truly amazing and beautiful. I love that the team are in a position where they can make these animations for an audience who loves them so much.

I cannot wait to see what more their passion and love can make, and where they will take us from here.

[artist-issues]

So if you believe every biblical word is 100% the word of your god, not to be questioned, only obeyed, regardless of how far humanity develops, how do you manage Ephesians 6:5-9?

Should human trafficking victims simply obey their captors “with a sincere heart” given that they are “servants of Christ” and the Bible urges bond servants to be “faithful and obedient?”

Hell, it promises obedient slaves will be rewarded in Heaven.

To anyone reading, seriously, check the whole verse, the context doesn’t make it better.

If your argument is that all in the Bible is above question, how do you account for that?

Nobody said "not to he questioned, only to he obeyed"—if what you MEAN by "not to be questioned," is "not to be carefully examined in order to get it right." The Bible straight-up says to carefully examine God's words. So don't be disingenuous.

Every Biblical word is 100% the Word of God, yeah. Ephesians 6:1-9 says:

"Children, obey your parents in the Lord, for this is right. Honor your father and mother (which is the first commandment with a promise), so that it may be well with you, and that you may live long in the land. Fathers, do not provoke your children to anger, but bring them up in the discipline and instruction of the Lord. Slaves, be obedient to those who are your masters according to the flesh, with fear and trembling, in the integrity of your heart, as to Christ; not by way of eyeservice, as men-pleasers, but as slaves of Christ, doing the will of God from the heart, serving with good will as to the Lord, and not to men, knowing that whatever good thing each one does, this he will receive back from the Lord, whether slave or free. And masters, do the same things to them, giving up threatening, knowing that both their Master and yours is in heaven, and there is no partiality with Him."

The chapter is talking about Christian-human relationships with other humans. Starts with the most basic human institution—family. Moves on to slaves and masters. Slaves, indentured servants, bond slaves, were all common in the time of the Bible being written. It was not cultural taboo to have people living with and working for you, or even being bought and sold by you—what the Bible is saying here is actually very counter-cultural. Because it means you have to keep treating them as equal humans, not objects or beasts of burden you can beat or mistreat however you want. Which is a low bar in our minds, but was an incredibly high bar back then. It's called "interpretation." You can't just take words written in a specific context and time period, for a specific intent, with a thousands-of-years-older vocabulary and culture, and go "oh, well in my time period and my language that word means this." It's about as dumb as saying the Wizard of Oz is about queer sex purely because of how many times the word "queer" is printed in the book.

Human trafficking victims are not the kind of "slaves" this verse is talking about, and I bet you know it.

In fact, there is too much anti-human-trafficking philosophy in the Bible for even the most ardent atheist to try the same little "discredit the Bible" smear tactic you're trying right now. Anyone who knows anything about history (beyond a mere 185 years ago, that is) and can see concepts beyond the far-West-ideology of "slavery bad" can have a more intelligent discussion than this.

I'm tired of the same old tripe.

Don't you see that God is using the same term, "slaves" to refer to Christians, HIS people, who are also called His "sheep, children, beloved, inheritors, heirs?" In this same verse? So then when the God who invented humanity uses the word "slave" can't you infer that maybe He doesn't mean it with the same baby-level-100 1/2-year-old connotations that you do? If He's using it to refer to the very same people He loves, protects, sacrificed His life for, and goes to unimaginable lengths to bless--then do you really think this verse is talking about people who are categorically worth being treated as less than human?

That doesn't make sense. You can see that it doesn't make sense.

Bottom line: if God said slavery was morally acceptable, guess what? It would be morally acceptable. He invented reality, your brain, and morality. But He didn't say that, so grow up and be serious. Instead, what He said was listed above: no matter your circumstances, be it as a child, father, slave, or master, remember and conduct yourself as if you're all slaves of God, and you're living to please Him, not each other or yourselves.

God condemns "man-stealing" in Exodus 21:16. Deuteronomy 22 condemns rape. The same God wrote 100% of the Bible through several different authors across centuries by the inspiration of the very words with His Spirit. No, this passage of Ephesians does not tell sexually trafficked victims to obey their kidnappers and rapists. And you know it. Got anything else?

[gasolinerainbowreads]

ON THE GREEN UPDATE?!?!?!??!?!

LET'S FUCKING GO HELL YEAH

The hatch takes some strength to pry open, and though you should be more nervous about what – or who — you might find inside, you’re temporarily distracted by the sound coming through your commlink. Heavy exhales, low grunts. A low groan of exertion as he pulls, followed by a breathless sound of relief. The crux of your thighs throbs, and as he disappears into the hatch, you scramble up behind him, right on his heels.

got that thang purrriiiinnngggg lmao

You grimace. “What did you call me?” “A channel rat. Your little scavenging fingers, digging through the depths of a ship for a treat.” Dismissing his teasing smile, you shake your head. “Didn’t you tell me once that those things reeked of piss?” He chuckles. “I did indeed.”

piss kink Ezra alert? 👀

That sound. You can hear it in your sleep. No different than the sound of your own zipper being tugged down, and yet, somehow, it is. You envision the entire scene with startling clarity every night: his bare fingers working the clasp, his suit falling away from his body, the sound underneath it all.

damn even a zipper is getting her worked up. he better rail her soon or she's gonna go full Yellow Wallpaper

Cross-legged on your cot, you enjoy the sounds of domesticity filling the pod: the gentle scrub of your steel cleaning brush, the clink of a metal pan on the stove, a spoon swirling along the bottom of the pan as Ezra stirs. His humming joins the din, and you glance up at him.

omg domestic Ezra 🥰

“If you go, I go.”

YOUR HONOR, I LOVE THEM

His gloved hand strokes down the smooth metal of the hatch, searching for an opening. When he finds it, you can hear a terse smile in his exhale of relief. “There she is,” he murmurs. “You gonna open up for me?”

something tells me this won't be the last time we hear Ezra say something like this 😏

“Just wait till I kill you,” the man warns between his teeth. “I’m gonna fuck that girl raw. Right here. Right next to your dead fucking –” A grizzled choking sound cuts off the man’s words, and you whirl to face them just in time to see Ezra jerking the knife out of the man’s neck. Blood spurts across Ezra’s gloves, and he shoves the knife down again, and again. The force behind it is immense, Ezra’s face contorted in a look you’ve never seen before. His jabs are ruthless and quick, cutting and deep, and his arm speeds up, his face in a rage-filled trance, his eyes wild and cold all at the same time. “Mine,” you hear him between heavy breaths, between each plunge. “She’s mine.” Frozen, you watch in a morbid sort of fascination, but also in relief. He doesn’t stop stabbing until the man is long dead.

Your hand sweeps across this skin more than once, trying not to think about all the ways you imagined touching his stomach for the first time. It’s soft under your fingertips, a slight round to his lean belly and though his neck is taut with tension, he remains still under your exploration.

nnnggghhhhh belly

Using one hand to pinch his flesh together, you brace the stapler against his skin, blood smearing on the metal. You punch the first one through, and he hisses, his hand gripping your wrist. “Shit. Shit. Keep going.”

another line I think we just might hear Ezra say again but in a different context lmao

You need him to survive and get off this planet, but you also need him more than that. Deeper than that.

oh yeah? how deep?

He’s been awake for a while. He has wished for you like this so many times.

lmao this fuckin sneaky bitch! pretending to be asleep is only gonna work so long when she sees you're bricked up 😂

He’s never been touched like this by anyone, and it takes everything he has to keep his eyes closed — until he feels you press your lips against his.

okay but can we talk about the parallels here bc, yes, she's younger/less experienced, yet here he is experiencing this sort of attention for the first time. there are still things that are new for him to experience - the emotional vulnerability (like him feeling worried), the physical intimacy that blossoms from tenderness, etc. I really love how they mirror and contrast each other all at once

“This,” you whisper back, bending down for another kiss.

I'm actually going insane that the chapter ended like this so thanks lmao

UGH another amazing chapter, Kelli! The sexual tension made me feel touch starved just reading it. And the looming threat of violence and then the high stakes action/violent scene were so so so well written. Even knowing they have more of a story, I was still sitting there reading worried something was going to happen! (yeah yeah Ezra got cut, but other than that hahaha)

THANK YOU FOR WRITING THIS! I love your Ezra so much, and I don't care how long in between updates it is, this story is worth it every. single. time. I think about it often, and it is always a better day when the next chapter to their story comes out. 💚

On The Green: 5

Ezra Prospect x f!reader

Rating: M — some prospecting violence

A/N: I cannot even tell you how much this chapter kicked my rear end — it would have never been finished without the love and care and hand holding of @the-scandalorian and @the-ginger-hedge-witch ❤️ Both extremely insightful in their own ways, I am eternally grateful to each of them ❤️ Enjoy!

Series Masterlist

—

All morning he’s been watching you when he thinks you aren’t looking.

The weight of his gaze on your back every time you turn around, logic argues it’s because he’s guiding you into something he knows you’re nervous about. But in the end, shame wins out. It tells you that he knows what you were doing last night while he was in the shower. You contemplate just asking him directly, if only to relieve the feeling, to get it out in the open.

Instead, you keep your mouth closed and decide to put your focus where it should be in the first place.

“Go over it again,” you ask him.

He nods underneath the dome of his helmet, carefully picking his way along a nearly invisible path.

“It’s a wreck. Been one for a while. I came across it a few cycles back, but once I saw that she was no longer functional, I cut my losses. Went through her innards, took what I could – which,” he looks back at you, “mind you, wasn’t much.”

He faces forward again, holding a branch to the side for you to pass. You step carefully over a thick root, accepting the hand that he holds out for help.

“She had been long abandoned even then, so I don’t think we’ll encounter any unsavory protectors today.”

You can tell from the state of the path that he must be telling the truth. The indentation made by long ago steps is covered by overgrowth, a trench you can only feel rather than see. The ground slopes underneath the creeping vines, the crooked line of it hidden by lush leaves. You follow his yellow suit like a beacon, the color a distinct contrast against all the green.

With each step, nerves unfurl in your stomach at the idea that he might be wrong. That there might be another person there, just as eager to keep what’s theirs as you are to take it. The feeling creeps through your veins like the thick vines that crawl over the soil, and keeping your eyes on the familiar yellow in front of you, you squash down the nervousness with every break of one under your boot.

“Slow now. She’s close.”

He holds a gloved hand out to the side, and you peek around the curve of his shoulder. Just beyond the trees, there’s a pod covered in overgrowth, a relic left behind. The windows are yellowed with age, mildew growing over their oval openings.

The hatch is closed, and the area is silent and still.

He takes careful, scouting steps and you follow close behind him.

“Weapon out, Birdie.”

Your thrower already in your grasp, you tighten your hold on it.

You focus on his breathing for a moment, slow and steady through the speaker in your helmet.

“You good?” His voice crackles over the comm link.

When you look up, he meets your gaze with a level one of his own. Patient, checking in.

At the hesitation you can feel in your expression, he reassures. “I promise you, any occupants are long gone.” Reaching out, he lifts the barrel of your thrower. “Still though, can’t be too careful.”

You nod, and he takes the lead, shielding you.

The hatch takes some strength to pry open, and though you should be more nervous about what – or who — you might find inside, you’re temporarily distracted by the sound coming through your commlink. Heavy exhales, low grunts. A low groan of exertion as he pulls, followed by a breathless sound of relief.

The crux of your thighs throbs, and as he disappears into the hatch, you scramble up behind him, right on his heels. There is a tense moment as he rounds the corner, but when he gives you the all clear, your shoulders drop their pressured weight. Relaxed, you both study the disarray in front of you.

Everything is covered in a thick layer of dust: the shards of broken monitor glass scattered on the floor, the torn seats with stuffing spilling out, the stripped panels from the wall. It’s easy to find the compartment you’re looking for: a gaping hole in the middle of the floor, wires spilling from its depths.

You curse silently. “Someone’s been in there.”

“They take everything?” he asks. Using the tip of his pistol, he nudges the lid off the top of a storage compartment and peers inside.

“I’m not sure.”

Setting your thrower and gloves to the side, you get down on all fours and reach into the open compartment. A tangle of wires obstructs your view and your fingers sift through them all, searching by touch alone.

Your arm disappears all the way up to the shoulder before you locate the sharp edge of the circuit board. Grasping it, you lift it free with a sharp tug. It takes forever to ease it out, but when you do, a grin breaks over your face.

Two converters. Worse for wear, but it’s something. Not near what you need, but it still feels like a victory nonetheless. Carefully detaching them from the board, you hold them out for his inspection, cradled in your palm.

“Look at you, my little channel rat.”

His levity sucks all of the remaining tension from the room.

You grimace. “What did you call me?”

“A channel rat. Your little scavenging fingers, digging through the depths of a ship for a treat.”

Dismissing his teasing smile, you shake your head. “Didn’t you tell me once that those things reeked of piss?”

He chuckles. “I did indeed.”

Going back to the hole in the floor, you study the wires left behind for possible scavenging. “If you call me that even one more time, I’ll shoot you in the back.”

His grin widens at your deadpan delivery.

“Deal.”

–

Back in the safety of your own pod, you pull in deep inhales of fresh air as soon as you lift your helmet off. There is a certain sort of pleasure to it, feeling the recycled air hit your cheeks. Inside the helmet, it’s humid and sticky, the blower pack in your suit not enough to combat the heat from your body. It’s built to keep you cool, but under the helmet, your hair sticks to your nape and your forehead with sweat. Under the helmet, your stale breath blows back into your face. Under the helmet, you feel like you can’t breathe sometimes - which is ironic, given the reason for it in the first place.

Ezra stands close, tossing his helmet down to fumble with the zipper of his suit.

That sound. You can hear it in your sleep. No different than the sound of your own zipper being tugged down, and yet, somehow, it is. You envision the entire scene with startling clarity every night: his bare fingers working the clasp, his suit falling away from his body, the sound underneath it all.

“You good?” He checks on you, and when you nod your head but don’t say anything, he bends his gaze to your level. The stark lighting of the pod makes his eyes look even darker, and his hand comes to rest on your shoulder. Right at the edge of your neckline, the heat of his palm brushes against your skin. “You sure?”

“Yea,” you reassure him, trying to ignore the weight behind your navel his touch brings. “It went good. Really good.”

“I think so,” he replies. “I’m impressed. Our first job as a duo, gone off without a hitch.”

He winks, squeezing your shoulder for a brief moment. When his hand slides away, you stop your body from chasing it.

“Here.” His voice pulls you from your reverie, a cleaning kit held outwards towards you. “You do this, and I’ll do dinner?”

Nodding, you take it from him.

Cross-legged on your cot, you enjoy the sounds of domesticity filling the pod: the gentle scrub of your steel cleaning brush, the clink of a metal pan on the stove, a spoon swirling along the bottom of the pan as Ezra stirs. His humming joins the din, and you glance up at him.

If there was something that you’d never have expected from your first confrontation with the man, a scene like this would be at the top of the list. When your attraction initially began, it used to eat you up inside thinking about how you didn’t know him. You felt immature and foolish thinking about how the feelings were rooted in loneliness, sprouting from a life lacking attention and flourishing in close proximity. However, as scenes like the one in front of you became more common, it was easier to accept it.

The want that you feel coats the space like the dust that lingers in the air outside; ever present, in every breath you take. You try to ignore it, a small pocket of embarrassment bubbling up every time you think about approaching him, though he seems like the type who would be into whatever arrangement you’d propose. Especially given how long he’s been alone. Not only that, but the way in which he carries himself suggests he’s ever fluid, open for whatever comes his way. Adaptable, a side effect of his lifestyle you’re sure.

You know better though.

His carefree conversation is practiced, a facade. One meant to disarm and distract. You’re fairly certain he’s past that stage with you, given not only the amount of time you’ve spent together, but also the way he looks at you. Unguarded, in the morning after he wakes or in the evening, right before he goes to bed. Distracted, letting himself slip into thought, his eyes hooded as his tongue slides slowly across his bottom lip.

Sometimes though, sometimes you see him looking at you in the same way he looks at others: like they are something to study, his eyes keenly assessing.

That look always gives you pause. No matter how much you know he’d probably say yes, his motives are the question you’d really want answered.

Picturing the bare skin along his ribs that rippled in his stretch the other day when he emerged from the shower, you silently flex your hand, mentally fitting your fingers along the velvet skin. Safe in the secrecy of your own mind, you let your daydreams flourish – a bubble that pops when he approaches your cot.

“Not a feast, by any means,” he says, sitting down next to you. “But it’ll do.”

You accept the bowl gratefully, steam rising from its contents. He blows on his spoon, taking a bite. The motion makes his jaw work, and when he swallows, you watch through the fringe of your eyelashes.

“You did good today.”

His easy praise just slips off his tongue, and for someone who has spent so much time in the darkness, you keen under its light.

You smile over at him, and he returns it - but only for a fraction before it drops.

He looks away, down at his food. “The next one might be a touch harder.”

“How come?” you ask, your mouth full.

“Because it’s occupied.”

You stop chewing.

His eyes flick up to meet yours. “Unattended pods are a thing of rarity. Most are occupied, and their inhabitants can be…”

You raise your eyebrows when he doesn’t finish the sentence. “Can be…?”

“Protective of what’s theirs.”

His statement hangs in the air, his expression sober.

Swallowing hard, you sit with it for a minute. “Makes sense, I guess.”

“Look,” he sighs, studying you. “I feel I should go alone, little bird.”

Frowning, you let your bowl rest in your lap. “What? Why? It’s too dangerous.”

He huffs in amusement. “You wound me with your lack of faith in my skills. I assure you, I’ve been navigating such situations alone for far longer than you’ve even been alive.”

The reminder of his age compared to yours should make you feel more at ease about his capabilities, but instead the statement temporarily distracts you. You take in his calloused hands, the lines that edge around the corners of his eyes, the grey flecks in his beard.

“I’ve taught you a lot,” he continues, “But letting the idea marinate, I believe it’s safer to keep you here.”

His suggestion catches you off guard. Everything about your arrangement has been with the word “partnership” in mind: he’s taught you how to dig, how to shoot, how to be aware of your surroundings. For him to want you to stay behind versus alongside him must mean there is something more dangerous about the situation than he’s letting on.

Not liking the idea of being separated from him, you press. “Trust me, I don’t doubt your skills. I’ve seen you in action.”

He sits up straighter, a proud smile stretching his cheeks, and you roll your eyes, undeterred.

“You’re the mechanic, I’m the muscle,” you mimic in his voice. “Weren’t those your words? If there is anyone there, you’ll deal with them so I can get the converters.”

“I’m afraid they won’t part with them as easily as your statement suggests.”

“I never thought they would.” You hold his gaze, searching. “Why don’t you want me there?”

He hesitates, and you can see a war within the depths of his eyes. Eventually, he answers, his voice softer. “I don’t want to subject you to…an avoidable confrontation. Not if I don’t have to.”

A beat of significant silence fills the space between you. Your dinners forgotten, the space around you shrinks to the size of the cot that you share. The urge to toss your bowl onto the ground and pull him to you builds the longer you sit with his statement, but there is something else about his words that tugs at the back of your mind.

You picture him walking into the Green alone, disappearing from your sight. Weeks with him at your side has you rejecting the mental image. Your stomach churns, your hand reaching out to cover his.

“If you go, I go.”

A grimace flashes over his features, the scar along his cheek highlighted for a moment. “I thought you’d say that.”

Rationally, you know he’s just trying to protect you, but you let your hand fall back, hurt. Busying yourself with your bowl again, you can feel him looking at you.

“Hey now,” he says, soft, but stern. “It’s not a lack of faith in your skills, trust me. It’s just that mercs out here are ruthless, raw. Their sensibilities have been swallowed whole by this place, and I don’t want you anywhere near them.”

His voice lowers even more, his tone gentle. “You remember what I said? About girls being rare in this place?”

You look up, and his gaze is fixed on yours, earnest and serious.

“I meant it.”

Apprehension flickers in your chest, but you remain firm in holding your ground. He can’t go alone.

“You really want to come with?” he asks.

You nod instantly. “Yes.”

The corner of his mouth tugs up, a hint of pride flashing through his eyes.

“Okay then, partner. Let’s talk about a plan.”

–

Ezra shifts on his cot, forcing his pillow into submission under his head.

“If you go, I go.”

Your words echo in his mind, your face appearing alongside. Your presence pulls at him from across the short distance between your cots, and he shifts again, rolling to face the wall.

He doesn’t want you to come with tomorrow.

He knows what this place is capable of, the way it carves out the morals of men to leave them shells of desperation. He himself has fallen victim to it, and though he hasn’t often found regret in his actions, he already regrets agreeing to let you come. He’s been here long enough to know that a partner is crucial to survival, but you…you’re unprecedented. You’re a girl. You’re something no one has seen in a long time, and he worries (an emotion he’s not used to) about how they’ll react when they see you.

If it’s anything like the way he reacts to you, you’re both in trouble.

You stir behind him, and he listens. You shift again, and he stills his breath.

The idea that you might be restless with the want you sated last night blossoms in his mind, heat pooling behind his navel. His fingers lightly scratch the wiry hair underneath it, just over where he aches. His cock twitches in interest, and distracting himself from the thought of everything that could go wrong tomorrow, he immerses himself in the thought of you.

You, right behind him, feet away.

You, trying to be quiet, slick need gathering between your thighs.

You, slipping your hand underneath the band of your leggings.

A phantom stickiness smears across the tips of his fingers, and they twitch against his skin. He teases at the band of his thermals, pretending his hand is yours. He moves it slowly, imagining your hesitation - eager, yet shy.

He thickens fully at the thought.

Unpracticed at hiding his attraction towards someone, he’s testing the limits of his self restraint with every minute spent in your presence. Constantly reminding himself of how vulnerable you are, the idea that you’d go along with any sort of proposition out of intimidation makes him sick. But you wanting it? You making the first move?

His hand (your hand) creeps a little lower, brushing against the base of his cock. It’s stiff to the touch, and he closes his eyes – only to be assaulted with the idea of someone else grabbing your hand to force it underneath their pants. His erection wanes, a series of images flashing through his mind: you screaming for help, you being forcibly dragged out of his sight, someone else taking from you what you never offered.

He softens.

His attachment to you is something like he’s never experienced before. This urge to keep you hidden from the world to protect you, while also helping you flourish. The need that coats him from the inside out, yet is forced to stay on a leash. It feels like a fever dream sometimes, the time he spends in the pod with you. A liminal place, a trapped sort of existence akin to hell itself in the way he wants you, but also something akin to heaven.

A companionship he’s missed, a presence he ached for and now has. Like you dropped from the sky, meant just for him.

He hears you shift again, and he frowns.

He should roll over and ask you if everything’s okay, but he knows it’s not. You’re probably worried about tomorrow and you should be. You’re as ready as you’ll ever be — as ready as this place will allow you to become before you’re thrown into the heat of the fire.

He also shouldn’t because he doesn’t know if he’ll be able to stop himself. If he rolls over, he’ll see you — see your shadowed form in the darkness, the dips and curves of your body. He pictures himself being drawn to it, crawling the distance between your cots. Settling close to you, feeling the heat of your skin. Murmured, dulcet tones of soothing. His hands smoothing away your nerves.

His mouth being drawn to yours in the dark intimacy of the night.

He wants to tuck your face into the crook of his neck and tell you it will be fine.

But he doesn’t know if it will be, and so he stays still, guilt eating at his restless bones.

—

The pod stands alone in the clearing, silent and imposing.

Boot prints have tamped down the soil surrounding it, the greenery eaten away. The tracks are fresh, and they lead in every direction.

“How many do you think there are?”

Hidden in the green together, you speak lowly even though no one is tuned into your frequency but Ezra.

“Hard to say. I’d judge two, maybe three.” He shifts, trying to get a better view. “The size of their vessel doesn’t say much for numbers. Can’t be more than that.”

“Do you think they’re in there?”

Noting no sign of life surrounding the pod, you try to peer in the windows from afar to spot any movement.

He sighs, a heavy and resigned thing through your connection. He turns his head, and you do the same, facing each other.

“Unfortunately, Birdie, we won’t know until we open the door.”

He checks the charge on his pistol, flicking his eyes to your weapon in a motion for you to do the same. “You ready?”

Nodding, you grip your thrower. “Ready.”

Standing from your hidden spot, he takes an automatic lead in front of you. His slinking steps are careful, his breathing steady and measured. The dust motes surrounding you make the whole thing seem like a suspended dream, like you’re moving in slow motion along with them. For every step he takes, you do the same until you’re moving as mirror images, creeping closer and closer.

Anticipation and adrenaline have your entire body on high alert, yet the green around you remains eerily calm. There is no movement and no sound other than the gentle rustle of the trees, and while that would normally be muted underneath the dome of your helmet, your straining ears pick it up. A bead of sweat glides down the back of your neck, your eyes focused on Ezra’s back as he reaches the pod.

His gloved hand strokes down the smooth metal of the hatch, searching for an opening. When he finds it, you can hear a terse smile in his exhale of relief.

“There she is,” he murmurs. “You gonna open up for me?”

He works the latch open with force, and you spot check the edges of the clearing. Your heart is beating so fast you can feel it in your chest, and in contrast, Ezra seems as calm as ever. You think about your own pod in the middle of a similar clearing, and how your role has reversed in your weeks here. Once the trapped person inside, now the intruder seeking what belongs to someone else.

The hatch opens, and you crawl in behind him.

It’s empty inside, though clearly in use. Two cots are pushed against the wall, blankets and pillows crumpled on top of them. Thermals litter the floor, metal dishes are stacked next to the small sink, and there is a station of cleaning tools left out, as if someone stopped mid-task.

“Speed is of the essence, little bird.”

His voice grounds you, your eyes immediately scanning the floor. It takes a minute to find the sealed compartment, but you catch the edge of it underneath one of the cots.

“Help me move this,” you ask him, picking your way over to the panel. While you’re careful with your steps, he stomps without care on anything in his way: discarded papers on the floor, a dirty shirt. He lifts the cot with a grunt, and you drop to your knees.

The panel springs open and sifting through the wires, you wish you stopped to take your helmet off. It’s hard to get close enough to the floor with the dome limiting how close you can get, and a small huff of frustration slips from your mouth as you stick your arm down, down, down, stretching it as much as you can.

Just when you’ve reached your limit, you feel the edge of the panel.

“Anything there?” He delivers the question calmly, though you can hear the slight tone of urgency that slips through.

“Got it,” you grit through your teeth, tugging it free.

The edges of it catch on the neat wiring that surrounds it, and impatiently, you tear through it all. Lifting it from the floor, your eyes widen.

“Ten. There are ten, Ez.”

You look up at him in awestruck wonder, and he returns a tight smile.

“Speedy now. Show me how you use those nimble fingers of yours.”

You click them off with practiced precision, trying to tamp down the elation that you feel at the added weight of each one in the pouch attached to your hip. When you have all ten, you toss the panel back into the nest of wires and slip the lid back into place. Standing to get out of his way, you watch as Ezra unceremoniously drops the cot back onto the floor.

He smiles at you, a genuine one this time. “You did so good, Birdie. So good.”

Relief floods your chest at his praise. Your stomach has been in knots all morning, worsening as you sat in the bush and waited, and though you know you’re not out of danger yet, you take a moment to let your victory wash over you. A sudden, fierce wish to be back in your own pod with him takes you by surprise, a burning need to throw your helmet off and have him do the same so you can kiss him. Your body subconsciously leans forward, drawn to the idea and to him and to the need to have his praise breathed directly into your mouth for you to swallow.

A similar look flashes across his own dark features, and there is a beat of weighted tension. It swirls in the space between you, filling it — and breaking, when he grabs your hand.

He gives it a squeeze, leading you back towards the hatch. “Come on. Before they get back.”

Following the back of his suit out of the pod, you notice the surroundings of the clearing seem brighter, less ominous. The dust that floats through the air no longer seems threatening and nightmarish, but more like a pleasant dream. You take in the details for the first time today, your eyes fixed where the tops of the trees brush the sky – disappearing when you’re ripped from behind with a sudden, forceful jerk backwards.

“Ezra!”

Your thrower gets tossed from your hand, and the air is pushed from your lungs as your back hits the ground with a thud. You kick wildly and try to scramble up, and a sharp kick from behind keeps you trapped in place, forcing you onto your front.

Coughing, you lift your head under the helmet, but the edges of the dome obstruct your view. Straining, you squirm underneath the heavy pressure of a boot on your back, fighting to see where Ezra is. You can see only his boots, toe to toe with a stranger’s.

The voice above you is grizzled and deep. “What the fuck do you think you’re doing?”

“Looking for something we need,” Ezra drawls, and though you can’t see his face, you can picture it. The truthful admission comes out slow and confident. “We found it, so we’ll be on our way.”

You hear the charge of a thrower above you, and Ezra’s boots shift slightly. It’s a special sort of hell to hear him through the comm link without being able to see him.

“Go in there and see what the fuck they took,” orders the man pinning you to the ground.

You see his partner's boots walk out of your sight, and hear him climb the ramp to the pod.

“You stay right there,” he warns Ezra. “One move and I’ll shoot your partner here.”

Lifting your torso with a grunt, you shift just enough to get Ezra in your sights before the boot on your back forces you back down. Even though you’re prone and he’s being held at gunpoint—both at the mercy of a stranger—reassurance floods through you at just being able to see his face.

“That would be…regrettable.”

The shift in Ezra’s expression is cold and menacing, his fingers flexing slightly on the grip of his pistol.

“That so?” the man teases. His boot wiggles, shoving you deeper into the soil. “Feels kinda scrawny. Can’t imagine what use he is to you for someone so small.”

“You’d be surprised,” Ezra counters.

“Let’s see him.”

The words take you by surprise, just like the swift jerk of your shoulders. He flips you faster than you can react, his boots coming down to step on your arms and the tip of his thrower aims directly at your face – his eyes wide with surprise right above it.

“Is this – is this a girl?”

Your boot flies up to kick him in the back, and he grunts but doesn’t budge. You do it again, and he presses the muzzle of his thrower into your chest.

“Do it again and see what happens.” Antsy, he glances up in the direction of the pod and yells to his partner. “What the fuck is taking you so long?”

Taking advantage of his split second of distraction, you use every ounce of strength you have to bow your back off the ground just enough to catch him by surprise. His boots falter, taking the pressure off your arms and you quickly sit up, driving your elbows into his thighs. He growls in frustration, trying to keep his thrower on you while also bending to swipe for your leg, and you scramble backwards in the soil. Your boots slide on the damp earth, your gloved fingers digging into the ground for purchase and there is a sharp crack in the air as Ezra aims his pistol at the man and misses. You flinch, crawling backwards to get out of the man’s reach, and panic cuts through you when you hear the stomp of boots coming down the ramp.

“What the hell –”

Those are the only words the man gets out before you hear more cracking shots, and then he’s falling backwards, dead, onto the ground.

“You son of a bitch!” The man who had you pinned lunges for Ezra, his thrower tossed to the side, a knife in his hand instead.

Ezra abandons his own weapon, throwing himself at the stranger. You watch helplessly as two of them hit the ground, fighting for control of the knife. Crawling towards Ezra’s gun, you stretch your hand towards the weapon when you hear it.

“Just wait till I kill you,” the man warns between his teeth. “I’m gonna fuck that girl raw. Right here. Right next to your dead fucking –”

A grizzled choking sound cuts off the man’s words, and you whirl to face them just in time to see Ezra jerking the knife out of the man’s neck. Blood spurts across Ezra’s gloves, and he shoves the knife down again, and again. The force behind it is immense, Ezra’s face contorted in a look you’ve never seen before. His jabs are ruthless and quick, cutting and deep, and his arm speeds up, his face in a rage-filled trance, his eyes wild and cold all at the same time.

“Mine,” you hear him between heavy breaths, between each plunge. “She’s mine.”

Frozen, you watch in a morbid sort of fascination, but also in relief.

He doesn’t stop stabbing until the man is long dead.

—

The walk back to the pod is as quick as it can be, with Ezra’s weight leaning heavily on your side. All traces of joy and victory have long vanished, and the two of you say nothing to each other as you trudge along the hidden path.

His expression as he killed that man plays on repeat in your mind the whole way, along with his words.

“She’s mine.”

Though he’s trying to mask his pain, his grip on your hip tells you the truth, as does his labored breathing. You didn’t see it happen, but the man must have hit his mark at least once, judging from a telltale stain of dark red smeared across the front of Ezra’s suit. It seems to take forever to get back, and with every step, his wound gets worse and worse in your mind.

Finally back inside your pod, you strip and toss everything carelessly onto the ground.

“I need the med kit,” he groans, collapsing against the wall. His movements are jerky as he rips his helmet off, and then his gloves, using his teeth. “Fuck,” he sighs, his eyes pinched closed.

He’s pale, his sweat matted hair stuck to his forehead and you kneel in front of him with the kit, rifling through the contents.

“What do you need?”

His hand splays protectively over his lower stomach. “He got me through my suit, just here.” He shifts, a loud groan breaking free when he peels down the top of his suit. He rolls it to the waist, and gingerly pushing the fabric down, you see his thermals underneath, stained dark and saturated with blood.

He lifts it, and you wince.

“Looks worse than it is,” he breathes heavily, letting his head fall back against the wall.

“It looks pretty bad, Ez. Really bad.”

His stomach is matted and smeared with blood, and at the center of it all, a gash.

He holds his hand out for gauze, dabbing at the wound with a hiss. “See?” His stomach flinches, and he wipes it again before looking at you. “A stitch or two should do it.”

“You sure?” you ask, and he nods, letting his head fall to the side as he looks away.

“In you? Always.”

Your fingers tremble slightly when you flick open the med kit, and then rote memory takes over. You’ve done this – your father used to stumble home all the time with various gashes. Bar fights, brawls in alley ways. Prospectors are a rough crowd, and you’d stitched him up more than once. This is just like that, only better because you don’t have someone yelling at you to do it faster – but also worse, because you care about this person more. The thought leaps into your mind, and knowing you don’t have time to dwell on it, you shove it away.

Ezra flinches at the touch of your hand against his bare stomach, his muscles tensing under your fingers.

You pause, and he lets out a nervous laugh.

“Sorry. Cold hands.”

You give him an apologetic smile.

“Keep going.”

You take your time disinfecting the wound, making sure all traces of dirt are gone. Your hand sweeps across this skin more than once, trying not to think about all the ways you imagined touching his stomach for the first time. It’s soft under your fingertips, a slight round to his lean belly and though his neck is taut with tension, he remains still under your exploration. You want him to look at you: for reassurance, for acknowledgement of your hands on his skin – but he is resolute, keeping his eyes fixed on the wall.

Setting your rag down, you pick up the stapler.

“You ready?”

He nods.

Using one hand to pinch his flesh together, you brace the stapler against his skin, blood smearing on the metal. You punch the first one through, and he hisses, his hand gripping your wrist.

“Shit. Shit. Keep going.”

His breathing has turned into panting, his eyes clenched tight. You slide it along his skin an inch, and then punch another one.

The groan he lets out would be filthy, if not for the situation you’re in. It’s a strained, long thing — his head tipped back, veins highlighted along his neck and you toss the stapler to the side, pressing fresh gauze against the wound.

“All done. It’s done.”

He nods, a tired smile gracing his face. Leaning forward, he keeps one hand on his stomach and you watch nervously as he crawls onto his cot. He falls back onto his pillow, calmer now, but still pale.

“My thanks, Birdie.”

He slips into a stress-induced sleep, and you look at him for a moment before cleaning up.

At the sink, you notice his red hand print around your wrist. The blood had pooled between his fingers, the digits a slick slide over your small wrist and you brush your thumb over the marks he left behind. It looks violent, yet there is a part of you that likes it. Being branded with him, a part of him smeared into your skin.

You hesitate to wash it off.

—

He sleeps, and you keep watch.

You had worried for your father sometimes, but it was nothing like this. In the small amount of time that you’d come to know him, Ezra already meant more to you than your own father ever did.

In the dark, you finally let yourself dwell on the realization.

Your father had never truly been a father. He was more of a stranger, or a roommate at best. He dragged you down with him, keeping you close enough to use you when he needed. He was never invested in you, never cared what you thought or wanted. You never needed him for anything, but Ezra…Ezra you need. You need him to survive and get off this planet, but you also need him more than that. Deeper than that.

The respect and courtesy he treats you with is something that surprised you, given the way you met. In a short while though, you’ve come to realize it’s exactly what’s been missing from your life this whole time. His curiosity and interest is genuine, and his care for you — especially after the events of today — is obvious.

She’s mine.

Did he say that because it’s true? Or because he needs everyone else to believe it’s true?

His lashes flutter, a dream seemingly racing through his slumber and you watch the movement of his eyes under his lids. His fingers flex, and without thinking, you place your hand on top of his.

He stills, and so do you.

The minutes and hours slip by, the moon slowly making its way from one pod window to another and you keep your vigil all the while. He murmurs in his sleep, and you cradle the curve of his jaw. Even after he stops, you keep your hand in place.

Your thumb traces the line of the scar on his cheek - a hooked thing, violent. He never told you how he got it, and you long for him to wake up and regale you with the story. He’d make a meal out of it, you know he would.

When he doesn’t stir, you continue your exploration.

Delicate touches: a swipe over his silken eyelid, a trace down the line of his nose. The bristle of his moustache tickles the pad of your thumb, a direct contrast against the smooth patch of skin on his jawline where there is no hair.

He’s a killer, and you wonder how many have gotten as close as this.

She’s mine.

He’s right — you are. In a short while you have become his. The juxtaposition of the man you saw today versus the man in front of you now is jarring, as if he couldn’t be the same man at all. And maybe he’s not, for anyone else. But for you, he is.

You get both, and while you should have been scared by the way he savagely killed today, you instead find yourself proud. You find yourself drawn to it, admiration and assurance and a sense of protection swirling around in your mind.

He did that for you, something no one has ever done.

Emboldened by this knowledge and drawn to his profile in the dark, you rest on his firm chest, and your fingers splay outwards over his heart.

Leaning down, you press your lips lightly against his.

–

He’s been awake for a while.

He has wished for you like this so many times. Just like this, only he never imagined himself like this. Just his luck that his wish comes true, but at a cost.

You’re so close, your face hovering just above his. He can smell the sweetness of your breath, of your skin. The way you’re looking at him has been one he’s only ever seen in his dreams, and though his body aches with a hidden want that threatens to consume, he stays perfectly still, not wanting it to end.

He’s never been touched like this by anyone, and it takes everything he has to keep his eyes closed — until he feels you press your lips against his.

He responds instantly, his hand coming up to cup the crown of your head.

Your kiss is so soft — soft and delicate and vulnerable, just like you. Your mouth fits neatly against his own, and before he can truly savor it, it’s gone.

He opens his eyes and your shadowed form comes into focus, your proximity intoxicating. His dream come to life.

His hand slides down the back of your hair, settling on your neck. Holding you place, he can see the vulnerability that seeps out of your every pore, and he longs to soothe you. If he knew what he should soothe, he would.

He knows what he wants to soothe, but he waits.

“What are you doing, Birdie?” he whispers.

Your eyes flit between his, and you bite your lip, thinking. He watches as you war with yourself inside your head, and his touch drifts to cup your cheek. His thumb slides across the soft curve of it, and when his eyes dip to your mouth, he watches your expression change to something more assured.

Confident, resolute.

“This,” you whisper back, bending down for another kiss.

[bloobydabloob]

About isolation

[rystiel]

that annoying moment when getting left for dead in the trunk of a car in your 20s comes back to haunt you 40 years later (take a shot every time ford says “stanley”)

[kuromi-hoemie]

hhhh talking about my writing was fun but 30 tags is not enough.. yes i have 3 major influences but i have minor ones too.. it is a lovechild of my favorite things.. writing is so fun and i have no self control or a concept of pacing myself i will sit there for 16 hours and get hit with every status effect but by god does it all just flow out of me. I've always been a music person yes but i also used to write a lot into early adulthood until The Incident™

but i am ready 2 jump back into it. i think comics are a great middle ground between the two mediums so i don't get As into writing bc i kind of started going crazy last time 🫡 i can take a more structured approach to it that forces me to pace myself and think about it differently. i love art.... i love making things i love knowing how to do things i love knowing how to play things i love having so many creative outlets, even if i don't do a lot of them regularly lol. it is enriching 😳 and nice to know that it's always there to come back to when u want.

[skrunksthatwunk]

really fun letting all of my favorite shows take turns being the "i can't think about it i can't think about it i can't think about it!!" bingewatch during finals season/associated crunch times. they're being inducted into a society

[perenlop]

terribly sorry for progressively getting more and more annoyed and tired with jn. this show kinda gets a lot more exhausting on a rewatch when you know its not going to get better

[therevengeoffrankenstein]

openly weeping at the idea of someone genuinely hating soul punk.

[dravidious]

You're more amazing than sickness

Lost Caverns of Ixalan is coming out on Arena tomorrow and I've avoided looking up any spoilers, aside from a few individual cards I stumbled across that didn't have any reminder text, so I have no idea what the new mechanics are. I looked up a list of the NAMES of the mechanics on the mtg fandom wiki, and I decided to make mechanics based on those names to see how close I get and also because it's fun.

Also I made this card for the descend mechanic at first but I didn't like the mechanic. How dare WotC make such a parasitic mechanic, they should really hire better designers smh. Also I realized that craft would probably be more interesting with artifacts that have tap abilities.

[strohller27]

.

[misskamelie]

Decided to believe my listening comprehension is improving by being able to somewhat follow a radio podcast on a topic I know something about

[sabertoothwalrus]

tips for getting people to like your ocs

*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that

you can do things like this:

Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.

My main piece of advice is: get better at writing.

That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)

What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.

what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)

what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)

what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?

how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?

where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?

what time of day is it? what time of year is it? what is the weather like?

Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).

Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?

Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.

Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.

Now go and share your ocs with the world!!!

[backpackingspace]

Nobody tells you that sometimes healing is swallowing the anxiety. It's continuing on because you have to. It's spending hours doing deep deliberate breaths bc otherwise you'll hyperventilate and you're at work. And while it is an improvement from being hospitalized bc you've been hyperventilating so long you've been hospitalized. It's bitter and painful and feelings like swallowing acid as your inner child screams as she downs in it wondering why nobody is noticing but nobody is noticing because you're still smiling still talking still working like everything is fine.

[arolesbianism]

If I ever do get properly into dst character modding I like have to make an oni character mod at some point, but the issue is Id want it to be an Olivia mod so bad but also Nails is as far as I'm aware the only legal character name wise and as such it feels like it has to be them, y'know for the bit. But also I have already written too much Olivia dst dialogue and I need an excuse to use it damnit