#I just need everyone to know that it existed
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humanjarvis · 3 days ago
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i learned from you
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synopsis: while talking with your colleague, you realize caleb is the closest thing you have to a mother figure. 
pairing: caleb x reader, reader is mc tags: light angst, comfort, fluff, reader had a rough childhood, reader has a period, reader and caleb's relationship is ambiguous but he kisses her head once, reader questions existence, reader is kind of a crybaby, grandma josephine implied to be a bum in this no shade to her word count: 1.3k
a/n: i hope this doesn't read weird #imnotintothat i just keep thinking about how caleb fulfills like 6 different roles in mc's life. he is so gender studies to me
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“What do you mean you don’t know how to straighten your hair? Didn’t your mom ever teach you?” Tara asks in genuine confusion. 
With your sandwich halfway to your lips, you freeze. Although you were close with your colleagues, you weren’t all that open about your upbringing, for obvious reasons. Before now, everyone had always accepted your reticence on the topic. They’d never been people to overstep, but you guess there’s a first time for everything. 
“I don't remember much about my parents,” you respond carefully. “My memory from before the Wanderers came is a little blurry, sorry.” 
Tara’s mouth forms a small ‘o’ as her cheeks turn scarlet. “I didn’t mean to—” she starts. “I wasn’t trying to—I’m so sorry. I didn’t know.” 
You knew she didn’t know. That was kind of the point. Your whole thing was to move through life ignoring your early childhood, pretending you’d simply spawned into Linkon as a tween. But you couldn’t tell Tara that—she was sweet, it was an honest mistake, and she didn’t need your baggage at noon on a Friday.
Scrambling for something to break the tension, you blurt out, “I think she did teach me how to dry it, though!”
The peace offering is bland—to most people, drying hair is nothing special—but it works. Tara jumps back into the conversation, tactfully choosing to talk about her childhood so you could keep yours locked away in the depths of your mind. Crisis averted, you think. 
Except as the minutes tick by and Tara drones on, you realize the crisis is very much not averted. You’d brought up your “mom” teaching you to dry your hair to save you both from an awkward lunch, but when the lie left your mouth, it wasn’t your mother you were thinking of. It wasn’t Grandma Josephine. It was Caleb. 
Caleb had taught you how to dry your hair. It’d happened when you were twelve; a rowdy classmate had snuck up behind you and pushed you into the pool, leaving your hair a tangled, matted mess. When Caleb had found out your teachers were letting you go home early, he’d skipped his last two classes to be right by your side, running a shower for you while you sulked by the bathroom door. After you’d dried off and changed into the pajamas he’d left on the counter, Caleb came in from the hallway, carrying the same towel he’d used to dry your hair countless times before. Section by section, he’d squeezed the water from your hair, showing you how to without frizzing it up. “Not saying that ‘wet cat’ is a bad look on you, but I get the feeling you don’t want to look like that all the time,” he’d quipped. 
Caleb had been there for you for as long as you could remember, you realize. As you walk back to the Hunters Association, halfheartedly entertaining Tara’s chattering, the memories flood your brain: Caleb teaching you math. Caleb nursing you back to health when you had the flu. Caleb packing your lunchbox, Caleb doing your laundry, Caleb holding you through your first period. For all your firsts, all your milestones, and even the dull moments, he had been there. Your head spins as you stare at your desk, not even remembering sitting down. All your life, has Caleb been your only mother figure? 
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You go home lost in thought. 
You stay that way for the whole afternoon, nearly forgetting about the movie night you’d planned for that evening with—you guessed it—Caleb. As you float around your apartment on autopilot, tidying up your living room and throwing on comfier clothes, the doorbell rings. He’s right on time. 
“Hey, pipsqueak,” he greets as you welcome him in. “I hope you’re hungry—I brought your favorite snacks.” 
You thank him with a smile, hoping his observant eyes can’t spot the way it wavers. Just two hours, you think. Two hours and then you’ll be free to question your existence all weekend.
The movie plays as normal. It’s easy to escape the worries on your mind with a fantasy blockbuster stealing your attention. It’s only when Caleb offers to make you a late dinner that the weight of your day falls back down to your shoulders. 
“No, that’s okay. I can just order something after you’re gone,” you refuse shyly. Having returned to your earlier haze of overthinking, you make a mistake. As Caleb moves to ruffle your hair, you flinch, dodging under his hand. The ensuing beats of awkward silence are all it takes for him to register that something is off.  
“...You just pulled away from me. You never do that unless you’re upset. Talk to me, pips—did I do something wrong?” He pauses. “Do you want me to leave?”
“No!” you rush, throwing your hands out in front of you. “No, it’s just…”
When you trail off, he steps closer. “It’s just…what? I can’t fix it if you don’t tell me,” he presses. 
“It’ll sound silly. And weird,” you say quietly, avoiding his gaze. 
“Nothing about you is silly, pipsqueak. Except when you’re actin’ cute for my attention,” he adds, gently poking your nose.  
You reward his efforts to put you at ease with a shaky giggle, finally finding the will to talk. “Earlier, Tara just asked me about my parents—wondering if my mom had ever taught me to do something.” 
Caleb grimaces. 
“And with Gran so busy all the time…and with her…gone…now… I just realized the closest thing I’ve ever had to a mother figure is you,” you breathe, your voice breaking at the end of your confession. 
Caleb’s unreadable gaze makes the tears arrive faster. “It’s just…you’re everything to me, Caleb. You’ve been with me through everything,” you sniffle. “Every role in my life you could possibly play, you play it, and I didn't even notice until now. You’ve spent over half your life guiding me through mine, and I just feel so helpless. I don’t even know if I'd be alive without you, and—”
Your tears constrict your throat, forcing you to pause if you want to breathe properly.
Even though he knows now is a bad time to dote on you, given the circumstances, Caleb would rather eat glass than turn a blind eye to your tears. He quickly shushes you, letting you cry into his sweater, and the more you relax in his embrace, the more you hate yourself. You really can’t do anything without him.
Settling you both on the loveseat, Caleb rocks you for a few moments before he begins. “I didn't know you felt that way, but it seems like you didn't either. Look, pipsqueak,” he sighs, tilting your head up to make eye contact. “Don't ever feel bad about how you were brought up. I won’t let you keep stressing yourself out over something that was never in your control.” He pauses, as if weighing the consequences of his next words. “And if it means anything, which I hope it does, I thank the stars every day that the universe was kind enough to let me take care of you. To see you grow,” he murmurs, pressing a long kiss to your temple. “Any way you'll have me in your life, I'll be there. Never feel ashamed for that.” 
With your heart pounding, you peek up at him, hesitant awe on your still-teary face. He meets your gaze with a soft smile, softly stroking your back, and you wonder what heroic deeds you accomplished in your past life to deserve him. “I’m sorry for pulling away from you earlier,” you whisper, nestling your head into his shoulder. 
You don’t know how long you stay there curled beside him, but the moon is high in the sky when he next speaks.
“So…mother figure, huh?” he asks, voice mischievous now that your tears have dried. “Better me than anyone else. You might have liked her more than me—can’t have that.” 
Lifting your head, you swat his chest. “Caleb!” you groan.  
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astrolook · 3 days ago
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Chiron: Because Therapy Wasn’t Expensive Enough Already
Chiron, aka the “Wounded Healer,” is that one astrology placement that drags your soul through the mud but lowkey turns you into a wise sage (or a really expensive therapist’s client). Whatever house Chiron lands in is where life hands you lemons—except you’re not making lemonade; you’re writing a memoir about your suffering. BUT, this wound isn’t here to destroy you. It’s here to shape you into a master healer in that area of life.
Chiron in the 1st House (Identity Crisis Central)
Feels like everyone sees the “wrong” version of you.
Might attract partners who project their insecurities onto you.
Struggles with confidence—undervaluing yourself until one day you wake up and realize, Oh wait, I AM that person.
You feel like you need to prove your existence. The glow-up happens when you realize you don’t have to be anything other than yourself.
Chiron in the 2nd House (Money Trauma & Self-Worth Rollercoaster)
Might attract people who challenge your self-worth (ouch) or partners who make you question your financial stability.
Feels like no matter what, you never have “enough.” But once you stop equating your worth to a paycheck, financial stability finds you.
The wound? Feeling like you need to earn love or success. The healing? Realizing you’re valuable just as you are.
Chiron in the 3rd House (The Overthinker’s Special)
Struggles with communication—either you overshare or feel unheard.
Dating involves writing mental essays before sending a text.
Feels like your voice doesn’t matter. You might avoid speaking up in professional settings, but your words are actually your power.
Gaining self-worth? Learning to trust your own thoughts. Your ideas do matter, and you don’t need external validation to prove it.
Chiron in the 4th House (Home? Never Heard of Her.)
Deep-rooted family wounds make intimacy feel like both a dream and a nightmare.
Might attract partners who feel like “home” but in a trauma-repeating way.
Emotional baggage seeps into your work. You crave security but might self-sabotage when things feel “too good.”
You heal when you build the emotional foundation you never had—on your own terms.
Chiron in the 5th House (Creative Genius with a Side of Imposter Syndrome)
Love life feels like an emotional battleground.
Fear of not being “good enough” in romance. Attracts partners who mirror this insecurity.
SO much creative talent, but that little voice in your head says, “Who do you think you are?”
You people deserve joy and self-expression. Stop dimming your light to fit in.
Chiron in the 6th House (Burnout + Perfectionism = Yikes)
Over-giver energy. Attracts partners who lean on you emotionally but struggle to give back.
Might feel like work defines you. Learning that productivity doesn’t equal self-worth is the ultimate aha moment for you.
Stop trying to be “useful” to be loved. You’re enough even when you’re resting.
Chiron in the 7th House (Relationships: The Crash Course in Healing)
Oh, boy! Romantic wounds galore.
Attracts partners who reflect past traumas until you finally break the cycle.
Collaboration struggles—feeling unseen in partnerships. The key? Finding your own voice.
You should learn that love doesn’t have to hurt to be real.
Chiron in the 8th House (Shadow Work or Bust)
Deep fears of betrayal, abandonment, or being “too much” in love.
Might attract emotionally unavailable partners.
Feels like financial security is always just out of reach. But once you embrace your power? Financial transformation happens.
Your intensity is your gift, not your curse.
Chiron in the 9th House (Existential Crisis, Anyone?)
Might feel disconnected from people who don’t “get” your way of thinking.
Feels like you don’t know enough. The truth? You’re more than capable—you just need to trust yourself.
Stop waiting for permission to follow your own path.
Chiron in the 10th House (Career Struggles & Public Image Woes)
Feels like you have to “prove” your worth in love.
Might attract partners who challenge your status or career.
Fear of failure. Struggles with stepping into authority, but the world needs your leadership.
You’re not an imposter—you belong at the top.
Chiron in the 11th House (The Outsider Complex)
Struggles to feel like they truly belong.
Friends or partners might make you question your value in social spaces.
Feels like success is tied to being “accepted.” The truth? Your uniqueness is what makes you irreplaceable.
Lesson? Stop trying to fit in when you were meant to stand out.
Chiron in the 12th House (Spiritual Wounds & Hidden Pain)
Tends to self-sacrifice in love.
Attracts people who take more than they give—until you learn to set boundaries.
Feels drawn to healing professions or creative outlets but struggles with self-doubt. The key? Learning to trust your intuition.
You are not here to be invisible. Your depth is your superpower.
🔥 Chiron is messy, but it’s also where you level up. Once you embrace the wounds, they stop running the show—and you become the healer you were meant to be.
🔥 Where’s your Chiron, and how has it shown up in your life? Let’s talk about it in the comments!
Curious about what the stars say about your life, love, and destiny? DM me for a birth chart reading, and let’s unlock your cosmic blueprint! 🔮✨
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digi-diareis · 3 days ago
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Teen MC snapping at Caleb
Context: Yk how when you're teenagers, guys think the only way to flirt with the person they like is by teasing them? Well, imagine if Caleb had an era like this until it went too far and mc finally snapped at him.
Beware: this is gonna be SO BAD. im not a writer at all and english isn't my first language either. its just that i've had this scenario in my head for a few days now and i needed it out of my system. Also, I decided to use they/them pronouns for mc. So its more inclusive that way and also bcs even I personally don't always refer to my mc as she/her. So yeah, for the bitches, bros and non binary hoes.
Imagine this, Caleb and you bantering like usual on your way home but you're having an off day which makes it easier for you to get pissed off and fed up with all the teasing. Unfortunately, Caleb doesn't notice this and keeps teasing you until you just snap.
So mc, exasperated, scoffs at him and turns around to leave with their arms folded across their chest and eyebrows scrunched so hard they almost look like a unibrow.
"I'm done talking you. Go find someone else to pick on, Caleb. I'm not in the mood."
Sensing the sudden shift of mood, Caleb is speechless for a bit and left floundering, looking for the right words to say. He thought this was just your usual banter so why were you suddenly taking the jokes seriously? Hell, he can't let you stay in a bad mood for the entire day because that means he's getting the silent treatment and he'd rather die (well not really but he almost feels like it) than have you completely ignore his entire existence. Again.
He approaches you slowly, using a gentle voice to not alarm you the same way one would with a hissing kitten.
"Pipsqueak? Did I say something wrong? I'm sorry... Tell me what it was and I promise I won't say it again. Don't be mad anymore, we don't want you to develop any more wrinkles, do we?"
And oh, the way you stiffened up, very much reminiscent of a stray cat on full alarm against anybody trying to steal its food. Caleb gulps, knowing somewhere along the lines, he triggered a tripwire and a bomb's about to blow.
"Uhm! You know what, nevermind me! How about we go buy your favorite snack? Oh, what a coincidence your favorite stall is right around the corner-"
You turn around with a glare that makes him immediately shut up, looking like you're about to rip him a new one.
"WRINKLES?! First, you make fun of my height. Calling me pipsqueak around everyone and never shutting your damn mouth about how not a day has passed where I was taller than you. Then you start being weirdly aggressive towards my other guy friends, which by the way, what the fuck? Now most of them won't even talk to me anymore! What is your problem?! And now, you're calling me OLD and UGLY?!"
"I-I never said -"
"Shut your damn mouth and listen to me, Caleb! You have been getting on my nerves lately! I've been trying to convince myself that this is all just friendly banter but sometimes, you go too far that I don't even know if I can still laugh it off! We used to be best friends but now, its so easy for you to make fun of me. I don't know what I ever did to deserve this but oh my god, if you hate me this much then just stop hanging around me!"
Mc is heaving by the end of their entire speech, extremely worked up and upset that they're red in the face. They had been bottling this up for the past few weeks so letting it out almost felt cathartic.
Caleb is stuck in place, throat dry and mouth open but words won't come out. Was that how it's been like for you? Had he taken the jokes too far recently? Maybe it was wrong to listen to the other guys in his class who said that teens tend to fall for guys who act terrible, the bad boy stereotype is popular nowadays.
He looks down, feeling guilty and pathetic that he ended up making you feel like you hated him when you were the person who embodied everything he loved. You made him feel like flying and falling, all at the same time. So how could he hurt you like this? He had to make things right before it was too late.
"I'm sorry. Its all my fault. I shouldn't have said all those hurtful things to you, even if it was a joke or not. At the end of the day, they hurt you and that's not right. Please believe me when I say that I could never hate being around you. That couldn't be more wrong, not when all I ever want to do is be by your side. So please don't tell me to stop hanging around you, just thinking about it feels like my chest is being squeezed that it hurts. I promise I won't make the same mistakes again, so please forgive me?"
He's nervous, fiddling with his hands while he looks you in the eye. He reminds you of a wet puppy under the rain, begging you to bring him home with you. You knew the moment he pulled those puppy dog eyes that you would eventually lose, you could never say no to him. Not when you were kids and not now.
You sigh, shoulders slumping and the frown gone from your face. Now you just look tired, which only makes him more worried, maybe you're tired of him? No, that can't be. What would happen to him if you decide he's not worth keeping around anymore? He just might stop functioning all together.
You turn your back and start walking home, he feels his heart drop thinking this is it. You're leaving him behind– that is until you turn your head to the side, side eyeing him with a blush on your face.
"What're you standing there for, I thought you were going to buy me my favorite snack? Don't get the wrong idea, I'm not forgiving you just yet. Not until I've had my fill."
After that day, Caleb completely changes. Or maybe its more accurate to say he reverted back to how he used to be when you guys were kids. Doting, attentive and extremely supportive. He still banters with you from time to time but he never goes out of his way to start one. Although, there is one thing that doesn't change and that's how over protective he still is, he's still acting like a guard dog and being threatening towards all the guys in your class but at this point, you're just happy to have your best friend back again.
And just like that, Caleb's popularity spikes in your class because suddenly, every girl wants a guy who comes at their beck and call and attends to their needs. No more bad boy persona for them, they just want someone who worships the ground they walk on the same way Caleb does for you.
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cal-is-a-cuddlefish · 1 day ago
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#yeah hi i live in WEST VIRGINIA#ask me what its like living in a poor deeply red state like WEST VIRGINIA#our senators don't care about us. our governor doesn't care about us.#they threaten the coal miners with losing their jobs and their benefits if they even THINK about voting for clean energy#no negotiating no trying to find them new jobs nothing just#ope you want wind farms well bill if you want wind farms how will you feed your family#makes it very very hard to get progressive shit done here when they've fearmongered everyone into a corner#because guess what#people need to eat and keep their houses#shocking i know
Not to mention at Every Single Turn they defund our schools. The free lunch program is paid by donations and put together by volunteers. They fund charter schools here and continue stripping money from public school. The public schools suck because of it. Parents are regularly ARRESTED for trying to get their kids into a better jurisdiction. Just to try to give them a future.
So yeah. The people here are dead last (or near it) in education. But they also deserve to exist and to live. And being terrified to vote blue because you are told left and right and center that it'll starve your family is not a position I want anyone in. Not to mention there's so many people here that are queer. We see them every single day. We clock each other and love each other.
I’m all for fucking around and finding out but in this situation (trump & the billionaires trying to drag america into tech bro fascist hell) too many people are being hurt and too many more WILL die if things do not change. you do not need to forgive those who voted for him, you do not need to find the sympathy to feel bad for them now that they’re being affected by his policies. but we cannot turn them away once they turn on trump— and they are. too little too late, maybe. studying for the test after they failed, sure. but I’m so serious when I say this is not the time for perfectionism. this is the time to push a dictator & his cronies out with any hands that are willing to shove
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mcdonaldsnumberone · 3 days ago
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MR. CHU!
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❤︎‬ sol wonders if you're interested in him after you ask about his piercings ❤︎‬ solivan brugmansia x gn reader ‪ ❤︎‬ wc: 2k ❤︎‬ content warning(s): yandere ❤︎‬ solivan brugmansia is from the kid at the back being developed by fantasia-kitt
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Like everybody else in the school, you never used to pay much attention to the quiet kid in your art class. It really wasn’t until recently, when you had no choice but to shyly ask him if he’d like to be your partner for a class project, that you finally acknowledged Solivan Brugmansia’s existence. 
You don’t think too much of him. Even now, as he tries his best to pose for you as naturally as he can, your mind is preoccupied with the far-more colorful personalities at Olympeius University while you absentmindedly sketch the details of his face. You wonder what Crowe might be up to right now, or if Jess has made any progress with her ginormous crush on Brittney… 
Your eyes flicker up to where Sol is, and you try to pay close attention to the bottom half of his face. He’s a physically attractive young man, but aesthetics aside, you’re more worried about drawing Sol well so you can wring a good grade out of your insatiable art professor. You squint your eyes a bit, leering at Sol’s lips to try to make out all the details. It’s no biggie in your mind, since you need someone to model for you and you’re simply trying to make your drawing as accurate to life as possible, but Sol?
Sol thinks he’s going to asphyxiate from how fast and hard his heart is pounding.
He can’t believe his luck. It took him all the self control in his body not to start panicking and freaking out when you had approached him and asked him to be your partner, and now he got the honor of hogging all of your attention while you used him as a model. Would it be foolish of him to hope that you like what you see? He knows his fashion sense and style isn’t for everyone and tends to make him a target more than an object of admiration, but… you’re different. You’re understanding and compassionate, and maybe you’d find something worth loving in him.
“Hold still… I’m almost done here…,” you mutter, sticking your tongue out just a little bit as you scribble furiously onto your sketchpad. Sol’s heart skips a beat, and while he can feel a rush of dizziness immediately hit his brain at your cute tongue peeking out from between your lips, he doesn’t want to disappoint you ever. 
After a few determined strokes, you nod at him. For the first time since class started, Sol finally lets himself relax. His tense muscles groan as he finally allows himself to shift positions into a more comfortable seated position, and he looks expectantly at you as if he wants to see your creation. You’re like a mind reader, and without him having to say anything, you gingerly hand him your sketchbook. 
“I’m not an artist like you are, but… I tried my best,” you shyly admit. Sol’s breath hitches audibly when you scoot your seat a bit closer to him to explain to him your handiwork, but you don’t seem to notice. “I- uh- don’t know if I did your piercings justice since you have a lot, but I gave them a shot.”
You could have spat on the paper and handed it to him, and Sol would still treasure and revere it as if it were a masterpiece deserving to be displayed in the finest of art museums. Of course, he would never hand it over to anybody and keep it only for his personal viewing, but in his perspective, everything your hands could create was nothing if not holy. 
“It’s beautiful. You should give yourself more credit. You’re not a bad artist at all.” He thinks he’s going to pass out after class from just how happy he is. A shudder creeps down his spine as he relishes the thought of your eyes all over his face and body, him being the only thing to take up the forefront of your mind. What he wouldn’t give to know what you thought of him as you sketched his face. Just knowing that you cared enough about him to draw him makes him feel as if he’s on top of the world, and he can feel a warm flush overtake his pale cheeks. “Don’t worry too much about my piercings. I know metal can be hard to draw.”
“Yeah, but… I just feel a little bad. They look so cool on you.” You flash him an innocent smile, completely unaware of the mental anguish you’re putting the poor lovestruck boy through. “I’ll keep practicing! That way I’ll be able to draw you perfectly by the end of this project.”
His piercings? Cool? Sol’s heart genuinely can’t take this barrage. What is it about you that has him acting this way? What is it about you that makes him want to drag you away from everybody else and keep you all to himself, to worship and to love? The others around you don’t know how to fully appreciate your generosity and light, how you’re kind to everyone, even misfits like him. He’s the only one who knows how to properly care and cherish you, and he can’t let anybody else steal that role away from him. He’s spent so many sleepless nights chasing after your warmth, eating away bit by bit at the safety of the boundaries you’ve put up. 
Nothing can keep you safe from him. 
You don’t know anything about how he feels though. You’re pure and oblivious to his mental turmoil, completely unaware of the sheer effect you have on him. You keep looking at him as if he was nothing more than an eccentric classmate rather than someone you were fated to, just without your knowledge. You peer closely at his face, before lifting a delicate finger to point at his lips.
“Say Sol…,” you ask him, clearly absentmindedly based on how casual your tone is, “How do you kiss if you have lip piercings?”
Why did you have to ask him something like that?
Sol thinks his brain might have ceased functioning the moment you threw him that question. Nothing—absolutely nothing—has been able to reach him as he plays that memory over and over again in his head. Even the jeers of the school bullies or Hyugo’s incessant chatter couldn’t yank him out of his lovestruck reverie. Sol was on cloud nine, replaying the melodic cadence of your voice over and over and over again within his memories. He could never get sick of you or your many details. Every little bit of information he could glean from you was so precious that he could spend the rest of his life in sheer ecstasy at how perfect you were. 
Hyugo was used to it at this point and knew not to question it. But whenever Sol entered into these almost drunken stupors, it was hard for Hyugo to not worry about him a bit. Sol’s cheeks are dyed a ridiculous shade of bright red, and his hands tremble uncontrollably as he fidgets with his fingers. There’s a lopsided grin on his face, and if Hyugo really pays attention, he can make out a lovesick sigh escape the eccentric young man every now and then.
Sol just wishes he could actually peer into your mind and figure out what you thought of him! What made you ask him such a risque question? Were you interested in him? You had to be somewhat, if you initiated the partnership with him and even called his style cool… Nobody else talked about him that way. Nobody else, save for you, found him interesting. What if you had a crush on him too? Was that why you asked him about kissing? Was this your way of encouraging him to amp up his advances?
It meant that you had to be thinking about his lips. About kissing him specifically. Sol could feel his heart rate pick up dangerously again as he imagines your sweet face approaching his, closing the impossible distance between the two of you bit by bit. How many years, grueling moments, had he waited for this to take place? Maybe you’d be shy and only leave him with a quick peck to his mouth. Or maybe you’d be more gutsy and press your lips fully onto his, making out with him in a way that leaves both of you breathless and gasping for air. His heart squeezes almost painfully inside of his chest at the thought of you being so close, doing something so mundane yet so intimate, showing him a kind of romantic affection that nobody else could share with you…
He wants so badly to be the only one in your eyes. Each minute of class with you feels like torture. He wants nothing more than to close that gap. It doesn’t have to be anything big: placing his big hand on top of yours, poking your nose whenever you get distracted, all the small things that come so easily for normal couples. Kissing would just be the first step. What else could come after? There was a whole myriad of things he could dream of. He’d escort you dutifully to every single one of your classes so that everybody in this school would know that you were his. 
You’d spend more and more time together, and surely, one day you’d invite him over to your apartment that he’s secretly grown so familiar with… Just thinking about it makes his skin bristle with excitement. If everything went as planned, as easily as his daydreams made it look, then he could finally have you in the way that he wanted most.
You had to reciprocate somewhat. You just had to be interested in him as much as he was interested in you. That was what that quick question meant to him, your words construed and twisted beyond belief inside of his delusional thoughts. 
Hyugo puffs one of his cheeks out and peers at his daydreaming friend with a bit of concern. “Are you gonna eat your lunch, Sunny?”
Sol doesn’t respond at all. Hyugo sighs and shakes his head before tapping the side of Sol’s arm. 
“I asked you a question!” The shorter man points at the untouched food in Sol’s lap. Sol bristles to life, the hearts in his eyes melting away as they refocus and Hyugo enters his field of vision again. Hyugo points once again at the abandoned food and raises his eyebrows expectantly. 
Sol deadpans. If Hyugo’s presence wasn’t so convenient, he would have sent Hyugo flying to his death from the rooftop for interrupting his precious time with daydream-you. He lets Hyugo take the food before letting his mind wander again, wind blowing through his air as he wonders what you might be up to right now. Were you thinking of him too? Would you be thinking of him even when he’s not within your immediate vicinity.
He wants to see you so badly right now. He wishes he was in class again, for the first time in his life, so that he could have you right next to him and monopolize your time as he pleases. But Sol knows he has to be patient. One wrong step would have his great expectations come toppling down, and he would rather die than live in a world where he can’t have you anymore.
So he makes up his mind there and then. There was no room for hesitation. You had finally noticed him after all of his time lurking in the shadows, and these passive moments weren’t enough to satisate the brutal appetite you had awoken inside of him. He needs more. He needs more of your time. He needs more of your love. 
If you were so curious about him and his piercings, so curious about the way he kissed, then he’d make the answer as simple as it could get.
He’ll kiss you tomorrow and show you just how he does it.
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iamespecter · 3 days ago
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My phone's battery keeps dying (I think something's wrong with it) but I cooked a little bit more on this Doctor!Caine and Patient!Pomni idea.... and this may or may not become bigger than The Amazing Digital Roadtrip.....
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My mental illness cannot be contained!!!!!!!!!!!! Also these designs are subject to change because yes ✌️
Things I've come up with last afternoon while going crazy from the lack of dopamine are:
- Abstraction is currently determined to be a terminal illness
- It's contagious via skin-on-skin contact, and can be inherited through genes
- it can even bloom late in life, but that doesn't mean everyone that the patient has touched before is immediately affected
- The physical symptoms are inky black "cracks" forming along the skin, physical degradation, loss of saturation and many more
- Depending on a lot of factors, this illness can be aggressive, or at most be dormant.
- Once it reaches the patient's brain, it is too late
- But the progress of abstraction can also be delayed through amputation, depending on where the "source" is
- It only really affects "organic" stuff
- Which means AI robots are immune, and can touch the patient as much as they want without risk of infecting themselves
- Kinger is the CEO/Founder of the AI Association that focuses on the research about Abstraction, and how to cure it
- He is also, strangely enough, kinda immune? idek he seems fine except he's a bit cuckoo
- Because of it's contagiousness, people who suffer from the abstraction illness are GREATLY FEARED by others
- People who have the illness have to wear a lot of protection (such as gloves, face mask, etc.) in order to even interact with the outside world
- They also need to have their AI Doctor/Nurse with them AT ALL TIMES.
About the main pairing:
- Pomni is the only daughter of Kinger and the late Queenie
- She used to be more upbeat early in her life, until Queenie passed. She then became depressed, and it only got worse as her illness began to show and she became cynical as a result, believing she'll die early, and alone
- Caine was named and created based off of the image of Pomni's imaginary friend during her childhood, in order to ease her into accepting Caine as her personal doctor
- This did NOT, in fact, ease her into accepting Caine as her personal doctor because what the fuck.
- Pomni hates AIs for being unable to save Queenie.
- She also thinks that her new doctor won’t be able to save her, and that her dad’s efforts to delay her situation are fruitless.
- Part of her still clings onto hope. However, said part is also dying.
- Caine is a test prototype of a model that’s supposed to handle (and even possibly cure) the symptoms of abstraction, so there’s defo a lotta pressure on his shoulders
- Especially when he gets assigned to SPECIFICALLY THE DAUGHTER OF THE CEO WHO OWNS HIM
- He’s also one of the first AIs to not only be psuedo-sentient, but also self-evolving; in order to be able to adjust to patient needs and wants.
- He can “manifest” anything physical as long as it’s within the size limit of his own physical manifestation. For example, if Pomni is hyperventilating; he can manifest a pair of artificial lungs that pump oxygen in order to give her breathing space. (You know what that means)
- Not only is he able to float, he is also able to carry Pomni like she weighs like a couple of grapes because this is not me being self-indulgent and thinking he should carry her bridal style all the time (lie), this is me saying “it’s for emergencies when Pomni is too weak to even stand or walk”
- Pomni hated Caine A LOT at first because she hated having to be co-dependent on this walking life support so yes this is an enemies-to-friends-to-lovers kinda story (except it was one-sided "enemies")
- As the story progresses, Pomni clings onto the hope of not just surviving, but also living again; as Caine learns what it means to be not just existing, but alive!!! because me and my homies love stories about positivity and hope amongst shitty situations!!!!
- And then they fuck. Oh yes, they fuck eventually. And they fuck a lot after that
I don’t care this is MY story, MY AU, I will do whatever the fuck I want!!!!! RAAAAAAAAAAAA
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I have no idea if I want some of the gang to be AI Doctors/Nurses too but erm. we'll see
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theonottsbxtch · 2 days ago
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HOPELESS | PO5
an: first time writing pato and i know i've written him less cocky and flirty than i wold have personally expected him being depicted. but i think for this request it worked in my favour.
wc: 3.3k
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Pato had never been particularly good with words, but that didn’t matter much in motorsport. Out on the track, skill spoke louder than conversation, and for the most part, he was fine with that.
But with her, it was different.
She was the first-ever Indy champion, a driver who had carved her name into history with raw talent and relentless determination. Everyone knew her, everyone respected her—himself included. The other drivers had stories about her, moments shared in garages and on podiums, inside jokes and easy camaraderie. He had none of that.
For some reason, he simply didn’t exist in her world.
It wasn’t that she disliked him. There were no grudges, no bad blood. She treated him with the same polite professionalism she extended to reporters or engineers she barely knew. And yet, when he spoke, her responses were clipped, transactional. If she laughed at a joke in the paddock, it was never one of his. If she scanned a room, her gaze slid past him like he was a shadow against the wall.
It shouldn't have bothered him. It did.
Because Pato had been nursing a hopeless, ridiculous crush on her for as long as he could remember.
It wasn’t immediate, this thing he had for her. It crept up on him, slow and insidious, like the way tyre wear set in over a long stint—barely noticeable at first, until suddenly, it was all he could think about.
Maybe it started the first time he saw her race, years ago, before he even had a seat in IndyCar. He remembered watching from the pit wall, the way she danced through traffic, fearless and calculated, wringing every ounce of speed from a car that should’ve been struggling. He told himself back then that it was admiration, the kind any driver would have for another at the top of their game. But admiration didn’t tie knots in his stomach when she brushed past him in the paddock, nor did it make him hyper-aware of every offhand comment she made.
No, this was something worse.
And she had no idea.
Pato had tried to make an impression—nothing over the top, just little things. A comment here, a question there, something to make him more than just another driver in the field. It never landed. She’d acknowledge him, sure, but only in the way she acknowledged anyone she wasn’t particularly close with. There was no spark of recognition, no shift in her tone when she spoke to him.
Everyone else had that with her. Everyone but him.
And the worst part? He had no idea why.
It wasn’t arrogance; he knew his place in the pecking order. He wasn’t naïve enough to think he deserved her attention just because he wanted it. But it wasn’t as if they’d ever clashed, either. He’d never taken her out of a race, never bad-mouthed her, never done anything that might explain why she skimmed over him like he was background noise.
He’d never mattered to her.
And yet, she was all that mattered to him.
He knew he needed to get rid of his hopeless crush on her.
It was stupid. Pointless. Self-inflicted torture.
He told himself that constantly, especially when she breezed past him in the paddock without a second glance, or when she laughed—really laughed—at something another driver said, like they were in on some joke he would never be part of.
He needed to move on.
Until they were paired for pre-season media.
For a whole week.
Pato stared at the email in his inbox, half-convinced it was a mistake. Media obligations were a necessary evil in racing, but they were usually spread out, different drivers rotating in and out for interviews, photoshoots, sponsor promos. This, however, was something else.
A full week of interviews, press events, and behind-the-scenes content. Together.
The logic made sense. She was the reigning champion, the face of the sport. He was coming off a strong season, a title contender in his own right. Pairing them up created a compelling narrative—two of the top drivers, side by side, setting the tone for the year ahead.
For everyone else, it was great marketing.
For Pato, it was a disaster waiting to happen.
Because how was he supposed to pretend she didn’t affect him when he’d be stuck with her for seven straight days? When he’d have to sit next to her, answer questions about their "rivalry" (which didn’t exist, considering she barely registered his presence), and—God help him—probably pose for staged social media content where they’d be forced to look like they were actually friends?
He could already see it: a carefully curated clip of them laughing at some scripted joke, the kind of moment fans would eat up. She’d be effortless, charming as ever. And him? He’d be struggling to act like he wasn’t hanging onto every word she said.
It was going to be the longest week of his life.
The first day of pre-season media started early. Too early for Pato to be dealing with this.
He arrived at the studio ahead of schedule, hoping that being early would give him time to settle in. It didn’t. The place was already a whirlwind of activity—PR reps barking orders, camera crews setting up lights, stylists buzzing around like it was the Met Gala instead of a bunch of racing drivers doing press.
And she was already there.
He spotted her near one of the backdrops, talking to a producer, nodding along as they ran through the schedule. Effortlessly composed, like she’d done this a thousand times before. Which, of course, she had.
She was dressed in team gear, but even the plain polo and branded jacket looked good on her, like she belonged on the cover of a motorsport magazine. He forced himself to look away before his brain could start romanticising something as stupid as the way she stood—like she owned the room without even trying.
She hadn’t noticed him yet.
Good.
Maybe he could get through this week by staying in the background, doing his job, keeping things professional. He just had to ignore the fact that every time she looked through him, it twisted something in his gut.
“Ah, Pato! You’re here.”
Too late.
One of the PR reps clapped him on the shoulder before steering him forward, right into her line of sight. She turned at the sound of his name, her expression shifting from polite focus to something neutral. Not cold, not unkind—just nothing.
“Morning,” she said, like it was an afterthought.
“Morning.” His voice came out steadier than he expected, which was a miracle in itself.
She gave a small nod, then looked back at the producer, clearly expecting the conversation to move on without him.
Of course.
The PR rep cleared their throat. “Right! So, you two are paired for the day, and we’ve got a packed schedule. First up—some quickfire Q&A for the socials, then a sit-down interview for the pre-season documentary.”
Pato nodded, determined to act like this was just another media obligation. Nothing unusual. Nothing worth overthinking.
Until the PR rep added, far too casually—
“And after lunch, we’ll be doing some fun challenges—bit of a ‘getting to know each other’ vibe. Teamwork exercises, that sort of thing.”
He froze.
So did she.
Her brows pulled together, just slightly. It wasn’t irritation, more like mild confusion—like she couldn’t understand why they had been chosen for something like that.
“Right,” she said eventually. “Sounds… fun.”
It didn’t sound fun. Not to her. Definitely not to him.
Pato had wanted her to acknowledge him. To notice him.
Now, for the first time in his career, they were going to be forced to interact properly.
And he had no idea if he was ready for it.
The first part of the day went about as well as Pato had expected—awkwardly, painfully, and with absolutely no shift in how she saw him.
The quickfire Q&A session was fine. Standard questions, standard answers. They sat side by side while an off-camera producer fired prompts at them. Who had the better qualifying record? (Her.) Who was most likely to be late to a team meeting? (Him.) Who had the worst taste in music? (Also him, apparently, judging by the way she scrunched her nose when he admitted to liking 80s rock.)
She didn’t laugh at him, but she didn’t laugh with him either. The same easy, effortless energy she had with other drivers wasn’t there. It was all business, like she was just getting through another obligation.
The sit-down interview wasn’t much better.
“Describe each other in three words.”
Pato hesitated. Three words. Just three? He could name 100 if she asked.
“Fast,” he said eventually, because obviously. “Consistent. And… competitive.”
She gave a small nod, acknowledging the answer, but there was nothing behind it.
When it was her turn, she barely hesitated. “Skilled. Focused.” A pause. “Quiet.”
Quiet.
It wasn’t wrong, exactly. He was quieter than most of the grid, more measured with his words. But coming from her, it felt less like an observation and more like confirmation—of what, he wasn’t sure. Maybe that she still didn’t really see him.
By the time lunch rolled around, he was convinced nothing about their dynamic was going to change.
And then, the afternoon happened.
The "fun challenges," as the PR rep had so kindly put it, turned out to be a mix of stupid icebreaker games and team-building exercises.
The first was a trust exercise.
“Okay, you know how this works,” the producer explained, gesturing between them. “Pato, stand behind her. She’s going to fall, and you’re going to catch her.”
Pato’s brain short-circuited.
She glanced over her shoulder at him, looking more amused than anything. “Try not to drop me, yeah?”
It was the first remotely casual thing she’d said to him all day.
He managed a smirk. “No promises.”
A tiny, almost imperceptible twitch of her lips. Not a full smile. Not even close. But it was something.
She turned back around, took a breath, and let herself fall.
For a split second, he almost forgot to catch her. Not on purpose—he just wasn’t used to her being this close, trusting him with something as simple as this.
His arms wrapped around her waist just in time, stopping her before she hit the ground. For the briefest moment, she was right there, weight pressed against him, her head tilting slightly as if she was about to glance back.
And then it was over.
She straightened up, stepping away, brushing her hands over her jacket like nothing had happened.
“Not bad,” she admitted.
Pato exhaled, forcing his brain back into normal function. “Told you I wouldn’t drop you.”
She hummed, considering. “I thought you said no promises.”
He blinked. Was she—was she teasing him?
Before he could figure out how to respond, the producer clapped their hands together. “Great! Next challenge—answering questions for each other. Let’s see how well you really know your gridmate.”
Her brow lifted slightly as she looked at Pato.
Gridmates.
They weren’t. Not really.
But for this week, maybe they had to be.
The rest of the week blurred into a cycle of press obligations, staged interactions, and an ever-present awareness that, for the first time in his career, she actually had to acknowledge him.
It wasn’t much—small, incremental shifts that barely felt like progress. But Pato noticed everything.
The way she started looking at him when he spoke, instead of through him. The way she started responding to his jokes—not always with laughter, but with a twitch of her lips, like she was holding something back. The way she started actually engaging with him, even if it was just subtle, throwaway comments between takes.
By the time they reached the final stretch of media duties, it was easier. Almost natural.
Almost.
The moment that stuck with him, though—the one that lodged itself in his brain like an unshakable thought—came on the second-to-last day, during lunch.
He hadn’t even realised she was nearby until she was standing in front of him, hand extended. A cereal bar. Nothing fancy. Just one of those standard protein bars the teams kept stocked for quick energy.
Pato frowned, looking between the bar and her face, like there was some hidden meaning he wasn’t catching. “What’s this?”
She tilted her head slightly, like he was the one being strange. “You haven’t eaten yet.”
He blinked. “How do you—”
“You always wait until the last second, and then you grab something just before the next shoot.” She shrugged. “Figured I’d save you the trouble.”
Pato stared. Not because it was a grand gesture—if anything, it was small. Thoughtless, even. Like she’d noticed, made a decision, and moved on without thinking too much about it.
And maybe that’s what got to him.
She noticed.
She noticed.
Before he could say anything, she turned on her heel and walked away, leaving him standing there, cereal bar in hand, trying very hard not to read into something that probably meant nothing.
Probably.
That night, Pato was actively losing his mind.
The cereal bar was still sitting on his hotel nightstand, untouched. He didn’t even like that flavour. That wasn’t the point.
She had noticed him. Noticed him. And not in the usual, fleeting, empty way where he barely registered in her head. She had paid attention. To his habits. To the fact that he was terrible at remembering to eat on time. She had walked over, handed it to him, and left before he could so much as process the fact that it had even happened.
What the hell was he supposed to do with that?
There was only one person he trusted to make sense of this for him.
His mother.
He pressed the phone to his ear, pacing his hotel room like an idiot, waiting for her to pick up.
“¿Mijo?” came her warm, familiar voice. “¿Qué pasó? It’s late where you are, are you okay?”
“No, I’m not okay,” he said, rubbing a hand down his face. “I’m losing my mind.”
She sighed, the kind of exasperated sound that only a mother could perfect. “Ay, Dios. ¿Qué hiciste ahora?”
“Nothing! That’s the problem!”
A pause. “… Es por una chica, no?”
Pato groaned. “Of course you immediately know it’s about a girl.”
“Because you sound like your father when he was being tonto about me,” she said, unimpressed. “Who is she?”
He exhaled. “It’s—ugh. It’s her.”
His mother knew exactly who he meant. He had never explicitly told her about his hopeless crush, but she wasn’t stupid. The one time she’d come to a race and met his fellow drivers, she had taken one look at him watching her across the paddock and raised a knowing eyebrow.
“Ah,” she said, like that explained everything. “And what has she done to make you so dramatic?”
“She gave me a cereal bar.”
A long silence. Then—
“… Perdón?”
“A cereal bar! At lunch! She just—she noticed that I wasn’t eating on time and handed me one and walked away like it was nothing.” He ran a hand through his hair. “And I know it’s stupid, but she’s never noticed me before. Not really. And now she’s—she’s just—”
“Being nice?” his mother finished dryly.
Pato groaned. “Yes. No. Maybe?”
Another sigh. “Mijo, listen to me. You have been in love with this girl for—what? A year? More? And you’ve done nothing because you convinced yourself she doesn’t care. And now that she’s proving you wrong, you’re still doing nothing?”
“I—”
“Ay, Patricio.” When she used his full name, he knew he was in trouble. “What do you want? Honestly.”
Pato sat down on the edge of the bed, staring at the floor.
“I want her to see me the way I see her,” he admitted, quiet.
His mother’s voice softened. “Then haz algo, hijo. Do something. Say something. Stop standing in the background of your own story.”
Pato closed his eyes.
She made it sound so simple.
It wasn’t.
But maybe… maybe it didn’t have to be impossible, either.
Pato barely slept.
His mother’s words looped in his head all night. Do something. Say something. As if it were that easy. As if he could just shake off a year of being invisible and suddenly be someone that mattered to her.
By the time 5 a.m. rolled around and his brain still refused to shut up, he gave up on sleep entirely. He pulled on a hoodie, grabbed his keycard, and made his way downstairs to the hotel’s outdoor pool, hoping that the quiet would clear his head.
And then he saw her.
She was sitting at the edge of the pool, feet dipped in the water, arms braced behind her as she stared out at the city lights reflecting off the still surface.
Pato froze.
His body screamed at him to turn around before she noticed him. But then she shifted slightly, head tilting at the sound of footsteps. Her gaze landed on him.
Too late.
He had two options: pretend he had some other reason to be here, or…
Do something.
Taking a slow breath, he stepped forward, pulling off his hoodie and tossing it onto a nearby lounger before sitting down a few feet away from her.
“You do realise this isn’t a race,” he said, nudging his chin towards the water. “No need to be this dedicated to aerodynamics.”
She huffed a quiet laugh through her nose, shaking her head. “It’s peaceful. And I couldn’t sleep.”
“Same,” he admitted, nudging his bare feet into the water. It was cool, not freezing, but enough to shock his system awake.
A beat of silence stretched between them. Not awkward, but not entirely comfortable either.
Talk, his mother’s voice nagged in his head. Say something.
“So,” Pato started, searching for anything to keep the moment from slipping away. “Since we’re stuck doing media together, I feel like I should get some information. Y’know, for survival.”
She raised a brow. “Survival?”
“Yeah. Like, what’s your go-to pre-race meal? Most important question, obviously.”
That earned him an actual smirk. “Pasta. Always.”
“Solid choice,” he mused. “Okay, follow-up: if you weren’t a driver, what would you be doing?”
She hummed, tilting her head in thought. “Something adrenaline-based. Maybe skydiving. Or stunt driving.”
Pato snorted. “I can definitely see that.”
“What about you?” she asked, glancing at him.
He blinked, caught off guard. Not just by the question—but by the fact that she was asking in the first place.
“Probably something quiet,” he admitted. “Maybe a mechanic. Or a watchmaker.”
That made her actually turn towards him, brows raised. “A watchmaker?”
He shrugged. “I like precision. Small moving parts. Everything fitting together perfectly.”
She studied him for a moment, like she was seeing him properly for the first time.
Before Pato could think too hard about that, he exhaled and ran a hand through his hair. “Okay, last question.”
She arched a brow. “Go on.”
“What are you doing tomorrow?”
She hesitated, glancing away. “Extra media obligations. All day.”
Pato nodded, swallowing the mild disappointment that settled in his chest. “Right. Of course.”
But then—she paused.
“… But I’m free after eight. Why?”
His pulse kicked up, and before he could overthink it, the words tumbled out.
“Dinner,” he said. “Just as grid mates.”
She looked at him. Really looked at him. Then—her lips quirked slightly.
“Are you asking me on a date?”
Pato’s brain immediately short-circuited.
“N—no,” he said too quickly, scrambling to backpedal. “I mean, it’s not—obviously not—”
“That’s a shame,” she interrupted, standing up and stepping out of the pool. She grabbed a towel, casually drying off her legs. “Because I would have said yes.”
Pato forgot how to breathe.By the time he managed to reboot his brain and form a response, she was already walking away, leaving him sitting there—staring after her, heart pounding, and officially, completely doomed.
the end.
taglist: @alexisquinnlee-bc @carlossainzapologist @oikarma @obxstiles @verstappenf1lecccc @hzstry8 @dying-inside-but-its-classy @anamiad00msday @linnygirl09 @mastermindbaby @iamred-iamyellow @isaadore
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johtoes · 2 days ago
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♯┆𝐇𝐄𝐑 .ᐟ
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╭────── · · ♰ · · ──────╮
synopsis: Sukuna, the King of Curses, despises everyone—except you. When he takes over Yuji’s body, he’s drawn to your gentle nature, a stark contrast to his cruelty. Despite his hatred, he finds himself protecting you, and for the first time, questioning his own desires.
pairing: Sukuna x f!reader
warnings: violence, dark themes, OOC Sukuna
word count: 1,240
╰────── · · ♰ · · ──────╯
Sukuna hated everyone.
It was a fact that he didn’t bother hiding, and those who dared cross his path soon learned just how deep that hatred ran. His arrogance, cruelty, and disdain for humanity made him a god in his own eyes, a being beyond the pitiful existence of mortals. He had no patience for their weakness, their fear, their petty desires. He reveled in their suffering, and the thought of anything less than absolute control made him itch with irritation.
But there was something about her.
You were different. Soft, gentle, and impossibly kind, as though the world had placed a piece of purity in the middle of his chaos. You had no reason to be in his orbit. Yet, there you were, always in the way. And that infuriated him even more.
You weren’t a fighter. You didn’t seek violence or glory. You were just… there, always offering smiles and warmth, as though you could erase the darkness that hung over the world. You were a healer, a nurturer, someone who tended to those in need, regardless of the cost to yourself. And for some reason, you made Sukuna feel something he hadn’t felt in centuries: the urge to protect.
It infuriated him. He didn’t need anyone, especially not someone like you. Your kindness was a weakness, a flaw, and yet…
There was a strange draw, an itch deep in his core whenever he saw you. It was an annoyance, something that gnawed at his insides every time you looked at him with those soft, trusting eyes, as if he were someone worthy of kindness.
“Why are you still here?” Sukuna sneered as he stood over you, his cursed form towering over your small, fragile frame. His voice was sharp, filled with venom. “You should be running away from someone like me.”
But you didn’t run. You stood your ground, as always. You were the only person who never flinched around him, never backed down in fear. It made no sense to him.
“I’m not afraid of you,” you said softly, your gaze unwavering. “I know you’re capable of great things, Sukuna. But I believe there’s more to you than just the violence.”
His eyes narrowed, the golden gleam flickering in the depths of his gaze as he regarded you. “You’re a fool,” he muttered, but there was a strange flicker of something in his chest, something uncomfortable. “You don’t know anything about me.”
“No,” you agreed, “But I’m willing to learn.”
He snorted, turning away. He couldn’t even fathom why that statement made him pause. He didn’t want you to learn about him. He didn’t need anyone in his life who cared.
But when he took over Yuji’s body, when he entered the fray, the fight became different. There was a certain protectiveness that surged in him—an instinct, buried beneath layers of hatred and contempt. You were near. The cursed energy surged in his veins, but for once, it wasn’t for destruction.
“Stay back,” Sukuna growled, his voice slipping from Yuji’s form. “I’ll handle this.”
The fight was brutal, as usual. Curses screamed in agony as they were torn apart by his strength. He relished in the carnage, the blood, the chaos. But his eyes never strayed far from you. You were on the sidelines, as always, a healer, trying to keep others safe as they fought in your place.
The moment one of the curses made a move toward you, Sukuna’s body shifted, his energy pulsing like a weapon. Without thinking, without hesitation, he snapped his arm out, tearing through the air with a slash of cursed power that decimated the creature before it could even take a step in your direction.
You blinked, startled, but didn’t speak. You knew better than to ask questions in the middle of a fight. Still, his actions lingered in your mind. There was no logical explanation for why he’d done that. He didn’t care about anyone. Why would he care about you?
“Move aside,” Sukuna hissed through Yuji’s lips, eyes glaring at a group of cursed spirits. His tone was venomous, mocking, but when he spoke, you swore there was a thread of something more beneath it. Something raw. Something unspoken.
He didn’t want to admit it. But with every fight, every clash, you became harder to ignore. It was the way you stood in the face of danger, never backing down, always helping. The way you tended to Yuji’s wounds after he’d been used by Sukuna, the way you whispered encouragement to him even when Sukuna had taken full control. You spoke to Yuji like he was still there, like he still mattered.
And maybe, just maybe, part of him felt the same way. But he would never admit it.
“You should be grateful,” Sukuna said one night, as he watched you tending to injured students, your hands gentle despite the chaos surrounding you. “You’re lucky I don’t just destroy this pathetic little world you’re trying to protect.”
But you just smiled at him, as always, and it was maddening. “I don’t need your protection, Sukuna. I need you to help us, to see that there’s more to this than destruction.”
His expression darkened. “You’re so naïve,” he spat. “I don’t need to change, and I don’t need your pity. I don’t need anything.”
But you weren’t deterred. “I’m not offering pity. I’m offering understanding. And if you’d let me, I’d help you, too.”
He looked away, irritated, and yet something inside him trembled at the thought of your offer. Help? He didn’t need help. He was Sukuna, the King of Curses, and nothing would ever change that.
But the next time a battle raged and he took over Yuji’s body, something inside him shifted.
You were caught in the crossfire—an unexpected attack from one of the curses, fast and vicious. He felt the familiar flare of his anger as he saw you stumble, trying to protect the others, your delicate form caught in the chaos. He saw red.
Before he could stop himself, his body moved with an almost unnatural grace, his cursed power flaring out, wiping out the threat in a split second. He didn’t care about the victory or the bloodshed. All he could focus on was you.
You were unharmed, standing there, eyes wide, mouth slightly parted in shock. For a fleeting moment, you looked at him like he was something other than a monster.
“I told you to stay back,” Sukuna said, his voice gruff, but there was a hint of something softer underneath. “You don’t belong here, human.”
But you didn’t flinch. Instead, you stepped forward, your expression soft, almost knowing. “And yet, I’m still here. And so are you.”
There was a long silence, a tension building between the two of you. Sukuna’s anger flared once more, but this time, it wasn’t directed at you. It was directed at himself.
“I don’t need you,” he muttered, more to himself than to you. “I don’t need anyone.”
You just shook your head. “That’s where you’re wrong.”
It was then that Sukuna realized. He hated everything. But he didn’t hate you. And that frightened him more than anything else.
Maybe he’d never admit it. Maybe he’d never say the words aloud. But every time he fought, every time he protected you without meaning to, he was reminded of one simple fact:
You were the only one who could make him question everything.
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moregraceful · 14 hours ago
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multiple habs watersports prompts in 1u
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#i wanna go to BED!!!!!! BUT IT'S 7PM!!!!!#fresno oilers.txt#also at work we have this college freshman who is u know very female college freshman still learning how to advocate for herself#and that she's allowed to take up space in this world. i am sure many of my people who were women in college know what i mean#and she had been doing this task for like 4 hours and i said hey has anyone checked on r lately and everyone said why would we do that#and i said. bc she has been doing a task for 4 hours and no one has seen her???#and they were like oh she knows she can takes breaks#i was like i guarantee she is too scared to do that. so i went and asked if she wanted me to get her water or a snack or anything#and she was like oh. i'm allowed to take breaks. um i'm gonna go get a snack. and she ran to the breakroom#i was like GUYS!!!!!! but then i remembered i'm the oldest by like over a decade except for some of the supervisors and the managers#so i couldn't even really get that mad bc it was like well this is just stuff you learn from being old#like no one comes out of the gate thinking huh i better check on my young coworker who doesn't know she's allowed to exist#as a human with needs such as ''snack'' or ''break''#anyway. every shift i learn something new about humanity. today a finance bro told me he had a hole in his arm#i said why do you have a hole in your arm#and he said oh i got tased. and i said why did you get tased. and he said oh me and my friends were tasing each other#and i said why did you and your friends just casually have a taser#and he said oh we found it. so we decided to try it out on each other. you get used to being tased after a couple rounds.#and the housekeeper told me to go fish beer cans out of the trash and i was so grateful to have an exit to that conversation
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softness-and-shattering · 20 hours ago
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"If you can/when you can/where possible" is whats important. Those choices tend to require an amount of resources, be it energy or time or mobility or money.
As a poor, disabled fat person I have very little I can do, my options are super limited to begin with. And I dont know if my experience is closer or further from the norm, but when I read this what I hear is "push yourself beyond reason to make a miniscule difference to the world and significantly worsen your own quality of life. You did not build these systems and would abstain if that was possible, but its not, so you must do penance for existing through the suffering of others". People say "if you can/when you can of course" but then post mocking tirades about people buying fast fashion as if everyone can go shopping in boutiques and through expensive labelled-as-ethical brands and its just sheer laziness that all my shirts I buy about twice a year each cost under $15, why arent I spending $200 each in sizes I cant wear thats made from super sustainable materials woven in sweatshops with tiny details added by well-paid workers so they can claim none of it was made in sweatshops.
Like. Idk. There is no ethical consumption under capitalism but I dont believe we need to all ritually commit suicide or torture ourselves constantly to make up for benefiting from the exploitation of others. In general we need to all try move to slower fashion I fully agree in principle, I would like if the ripple effects of what I need to survive involved zero exploitation. But Im also in the exploitation machine. Im also struggling to survive.
The guilt of average people isnt going to break the system. Peoppe should not be shamed for how they meet their survival needs.
Maybe you do mean well, I will extend you that benefit of the doubt. This isnt personal. Im just so tired of feeling like Im being judged as a terrible person for trying to survive in this fucked up economic system that I cannot extricate myself or anyone else from. The only way to do what seems to be most ethical is to have resources, and whatever resources you have are exactly what.someone else doesnt. But mostly its the few holding everything wstching us fight for their smusement or not even noticing our existence at all brcause we are just the pitiful ones. And no I cant do anything about that.
really conflicted feelings on “there is no ethical consumption under capitalism”…while that is true i feel like lately it’s a catch-all phrase for absolving yourself from personal responsibility, which is not the point
#this got long and im sorry#i promise its not personal#i just see so.much of “just do [things you cannot do] to be a good person. here are [un]reasonable suggestions#“implied that you are bad and selfish and lazy if you dont even do these basic things while recognising we arw ants in the machine#“but lets pretend we're really big ants ok bc that feels better and in our control to shame each other even though it will have almost no#“effect! thr clothes we dont buy will go r8ght into landfill anyway and brands arent going to voluntarily shrink their profuction because#“they gotta have bigger profuctiom biggeprofits every quarter or they fail!!”#we do not indivifually have siignificant power and i think it can be ok to admit that#we can work on other strategis#idk#im tired and frustrated as hell about my clothing situation and have been for a long time and the only solution in sight#is kee p sewing excruciatongly slowly and mayne eventually in like ten years I can bave enough clothes#but eben then! gabric quality is worsening!#i should be raising my own sheep in artificial fields to mimic earths ideal conditioms vefore global warming so as not to be cruel to the#sheep!#ok ok.im outting tjis down now im sorry im just so iver it. i just want to be *able* to buy nice things to wear that fit#and not be guilty for the cheap ill fitting crap Ive had to settle for like I enjoy buying clothes made my exploited people so zi czm be#uncomfy in them#oh.my god i need.to stop typing!!!!#and probably jave a.snack#i tjink that will help#apologies again op if.you got this gar#this is me having a bad timr this isnt about you
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szhmidty · 2 days ago
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I can never really get over how much of the resentment towards modern art is based purely on some group of art nerds liking art you hate and disliking/dismissing art you like, and being strident about it.
With architecture, I kinda get it. You are forced, in some sense, to engage with architecture. It's funny to me that there seems to be widespread ignorance about the fact that large bricks of steel, glass, and concrete keeping getting made for economic reasons rather than artistic ones, but the distaste and frustration for it makes sense.
You just don't have to go to an art gallery full of modern art, though. Duchamp's fountain is not hiding in your closet ready to jump you.
"But szhmidty, all these hoity-toity art critics say that bullshit, degenerate modern art is supremely important, some of them even insult your intelligence or proclaim you ignorant for not liking a painting with 3 stripes or a "sculpture" that's just a lamp with a barbie doll shoved in the bulb socket."
So? Why do you care? Why do you worry about their opinion? They don't matter! They don't determine the direction of commercial art, and their relevance outside their narrow field is negligible. They don't matter, or they wouldn't if you'd just get over your seething hatred.
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Why do you care if this person called you a baby for your art taste? In what way does it affect you? Why does it make you so angry? I truly do not get it.
At a certain point, I need you to realize that you're trolling yourself.
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You know what art I "love"? Christian art. Well, the stuff that's well crafted and coherent enough to be somewhat entertaining on it's own merits.
I didn't bother watching God's Not Dead 2 though 46 or whatever, but I thoroughly enjoyed watching the first one. That movie evinces a level of contempt for me, me as a person, me as someone who thinks like I do, in a really pure, unadulterated way.
The studio, actors, and champions of God's Note Dead deeply hate me and everyone like me.
But for the life of me I cannot muster resentment towards that film that comes within an order of magnitude of the resentment towards modern art and it's defenders.
There is, I guess, the unpleasant fact that I share a world with millions of people like that, that such people ultimately decide national policies. I would prefer that not be the case.
But on a personal level I just don't value or care about their opinions enough to be insulted by them. It's like being insulted by a toddler. I would genuinely be more upset if a friend's kid called me a butt-face in anger. At least I want the kid to like me.
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I have a similar dynamic with "subs only" anime fans. You have specific cases where the dub is more of an adaptation of the original, where there are strong differences between the sub and the dub, and for those I'll grant that the sub is probably better.*
I'd originally written up a paragraph on subs vs dubs here, but actually it just doesn't matter. I basically never watch a sub unless the dub is genuinely horrible, or the story is wildly different because the dub got censored for american audiences or whatever, or if a dub literally doesn't exist.
There's a large contingent of anime fans who feel contempt for me as someone who defaults to watching dubs. They will openly mock and belittle dubs preferers.
And like. I just can't care. Outside of a personal enjoyment in having arguments and yelling about things I do and don't like, I simply feel nothing when I see contemptuous comments from subs preferers.
*The exception is Ghost Stories. Anyone who recommends the sub over the dub isn't merely a disciple of the holy art of subtitles, they're just delusional. Or they hate the very specific brand of humour that the Ghost Story dub is going for, but if I'm being honest I would not believe the average crunchy roll subscriber if they claimed to dislike it. I've seen what makes them cheer.
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There's something of an irony to writing 10 paragraphs dedicated to people who insult me only for me to end each section with "I don't care." Like why would I write so much if I didn't care?
Mostly I'm just trying to look for cases where I might be on the other side of this issue, the side of the insulted, belittled, and demeaned, to put myself in the hot seat, as it were.
You can believe me when I say "I don't care" or not, I don't care.
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fairyminnie444 · 18 hours ago
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You are the main character in your life. Take this seriously now. ⋆⁺₊⋆ ☀︎ ⋆⁺₊⋆
You are living this experience now as your name here, but that doesn’t mean you are limited to this fixed identity. What allows you to create your reality is your consciousness—your true self that is beyond this physical form.
All people are expressions of the same consciousness — you. This means that, in essence, you are already everyone, only now you are living from the perspective of your name here.
If you want to change your experience, you can choose to assume another version of yourself, because deep down all versions already exist. You are not “stuck” in this body, but this is the perspective you are living in right now. The key is to realize that your external reality is just a reflection of your consciousness, so changing internally is what transforms the external.
But here’s the thing: if you are all things, then you are also all the possibilities of your own life. This means that you can choose which version of your name here you want to live, because everything already exists within that same consciousness.
You are not “choosing to be someone else,” but rather deciding which version of yourself (millionaire, famous, confident, loved) you want to experience.
It’s like an actor in a movie. They are always the same actor, but they can play completely different characters. In the same way, you are the consciousness (the actor), and your name here is the character you have chosen now. But the script of the character changes when the actor decides.
So, what do you choose to be? Because whatever version you assume to be true is the one that the game will reflect.
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clarifying frequent doubts
☀️ If we are all one then was I once a bad person?
Everyone is the same being experiencing different perspectives. This means that at some point, you have lived all the lives, including those of people you consider bad.
This doesn’t mean that you are bad or that you have to accept bad behavior. What it does mean is that from the perspective of total consciousness, it’s all part of the same experience. But the version of you that exists now is the one that matters. You choose who you are, what you accept, and how you want to live.
You are not stuck being anything you don’t want to be. You create your reality and decide which version of yourself you manifest in the world.
☀️ About change appearance:
You will always be your name here but you can be any version of your name here you want—with the look, life, and circumstances you want.
Your appearance is not limited. Just as you can change your reality, you can change your face, your body, your voice, everything. What defines your appearance is not a physical limit, but your assumption about yourself.
If you assume that your appearance is changeable and that you already have the face and body you want, then that is what will be reflected. Your body is a manifestation of your consciousness. And consciousness has no limits.
☀️ How and why do circumstances align with who I want to be?
Your complete acceptance that you are already who you want to be. When you truly know that you are this version of yourself, without needing proof or external validation, reality automatically adjusts to reflect that.
It adjusts because external reality is a mirror of your consciousness. When you embrace the version of yourself that you want to be without hesitation, your perceptions, thoughts, and reactions change. This influences your decisions, behaviors, and even how others see you, which creates a domino effect shaping the world around you to align with your new identity. It’s not something you “do,” but rather something that happens naturally because your reality has no choice but to reflect who you believe it is.
☀️ Do I notice this change?
It depends on how you focus. If you’re constantly checking 3D to see if it’s changed, it may seem like nothing is happening or that it’s taking forever. But if you just accept it and live as if it’s already real, one day you’ll realize that everything around you has effortlessly adjusted.
☀️ How can this change be made quickly?
Stop looking at 3D as something fixed and stop waiting. Simply assume that it is already done and live as that version now. The less resistance and doubt, the faster everything will fall into place.
☀️ How do I just accept that I have this power?
Stop questioning. You’re already using this power all the time—everything around you is now a reflection of what you’ve assumed to be true. Instead of looking for proof or trying to convince yourself, just decide that it’s real and act like it. The more natural this becomes, the more absolute your mastery will be.
☀️ With this clear power in our hands, why do we choose to suffer?
Because we have been conditioned to believe that we do not have that power. From an early age, we learn that reality is fixed, that we need to fight, deserve, wait. Most people don't even question this. But when you realize that the choice was always yours, that you always had control, suffering becomes optional. You just have to decide to stop feeding it.
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POST INSPIRED BY - THE EGG on YouTube
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souliebird · 19 hours ago
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[[and then I met you || Ch. 33]]
Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit
Summary:
A one-night stand years ago gave you a daughter and you are now able to put a name to her father – Matthew Murdock. Everything is about to change again as you navigate trying to integrate your life with that of the handsome and charming blind lawyer’s while Matt realizes he needs to not only protect his new family from Hell's Kitchen, but from the world.
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|| Trigger Warning: Graphic Descriptions Body Horror & Death Regarding Unnamed Children ||
All your life you have heard that there is a beauty in chaos, and while you do agree with this, you also find there is a beauty in organization. 
You like taking all the chaos and putting it into categories. You like sorting the details and finding the mysteries that need to be unraveled. You think it must be similar to how clever people feel when they solve a riddle or a puzzle, but you aren’t running in circles with philosophical thoughts - you are analyzing what is already available and coming to a conclusion. 
It is still all chaos, because everything is always chaos, but it is organized into a way that makes sense. 
And Matt’s stolen duffel bag, when first unzipped and inspected, was full of chaos. 
You, Foggy, and Karen quickly got to work looking over the different papers and forming different stacks based upon agreed parameters. 
It became clear Matt’s guess that he had found some sort of laboratory was correct. The papers all appeared to be results of different medical tests, though at first glance, the three of you could not decipher for what.
But deciphering wasn’t needed at that moment, so it didn’t matter, and once everything was spread neatly across the dining table, the next step of your beloved process began. 
Foggy gave each pile a designation and then the three of you began labeling each paper in the top corner. 
A1. A2. A3. A4. 
B1. B2. B3. B4. 
All your analyzing would be useless if you couldn’t source your data, and it was quickly clear your little group all shared the same brain cell when it came to this idea.
While you worked at the table, Matt and Jessica sat on the floor by the couches, marking up a map. You caught snippets of the conversation - this bit of evidence was heard in that alley, to get to a certain tunnel system you had to go through such and such warehouse. It was fascinating to know that Matt had memorized nearly every square inch of Hell’s Kitchen - even the parts you didn’t know existed - and it was equally amazing that Jessica knew just as much. 
After hearing them talk, it left you wondering if Frank had the same knowledge, but you would leave that question for another time. He had been assigned to the two thumb drives that had been in the duffel bag. You had furiously taken mental notes as he had grumpily explained to Matt the little devices couldn’t just be plugged into a computer. They could have malware on them or trigger tracking or something equally devious and needed to be inserted into a clean laptop that couldn’t connect to the internet. That way, if the laptop tried to send a signal or became a brick, there would be nothing lost. 
Since neither you nor Matt happened to have a spare laptop laying around, Frank went to go procure one. 
That was about half an hour ago and now you are well into your third Foggy-assigned task - highlighting any identifying information in yellow. There’s nothing easy like names or addresses listed out, but you noticed a pattern for patient labels and have determined there are at least five. 
As you jot down that Patient 031517DVA also appears on page D4 in your notebook, you find you are enjoying yourself. This isn’t exactly what you imagined when Matt talked about inviting everyone over to review what he had found, but you think it is nice. Knowing that Matt isn’t out there running around without any sort of plan soothes your nerves and seeing that he is putting in the time and thought into his next actions makes you trust he knows what he is doing. 
No one wants a shady underground lab in their neighborhood, but you need to make sure they are actually shady first and not some weird fringe group researching an unknown breed of sewer rat.
The effort going into helping Matt with this task makes your fondness of Foggy, Karen, and Frank grow even more - and gives you a fondness for Jessica. Everyone is serious about their task, and extremely thorough, and you want them to see you in the same light. You know this is not a game and you refuse to let your part in the research be the weak link. 
As you go to the next row of numbers to examine, you catch some movement in the corner of your eye. You turn your head and watch with a soft smile as your daughter emerges from Matt’s bedroom, clad in her mouse-onesie pajamas. Her sleep mask is pulled down around her neck and she looks upset, but she’s not crying, so you don’t jump to run to her. You let her make her own decisions as she sleepily looks between you and her father and you can’t help but to mentally crow a bit as she starts shuffling towards you, her little mouse-tail trailing behind her. 
Everyone’s attention is on you as Minnie lifts up her arms to be picked up once she’s within a foot of you. You dutifully scoop her up and put her on your lap, fixing her hood and mouse-ears as you do. 
“Is everything okay, sweetheart? Did something wake you up?”
She nods, then flops herself against your chest, mumbling out, “There’s monsters.” 
You begin to gently rub her back, hoping to soothe her worries as you confirm, “there’s monsters?”
Again, her head bobs up and down before she nuzzles into your neck, trying to hide herself. Across the room, Matt is up and making his way towards you, but it is Foggy who speaks up next. 
“Are they silly monsters or scary monsters?”
You smile at the question as Minnie ponders it - her little lips purse against your neck and you feel her breath against your skin as she silently repeats the words. She decides on ‘scary’ - replying in a timid voice as Matt takes his place behind you, sliding his hands onto your shoulders.
“Do you want me to help you tell them to go away?” you ask, having packed your bottle of Monster Repellent for just this cause. Little fists clutch tightly at your shirt as Mouse shakes her head and you give a soft hum in thought. “Do you want Daddy to go scare them off?”
You are sure Matt would run outside to chase away a stray cat or hungry raccoon if his princess wished for it, but she shakes her head against you, so you guess Matt will be staying inside. 
“How about we make the monsters silly instead of scary?” is Karen’s suggestion, and like the others, it falls flat. 
You consider offering to read some stories, but Matt startles you from your thoughts by sliding his hands down your arms to get to his daughter. He gently urges her to let go of you before transferring her to his arms and bundling her close. She absolutely clings to him, looking so tiny against his broad shoulders.
“I got this,” he says, his voice barely above a whisper before he turns and starts making his way back to the bedroom. As you watch him walk away, he buries his nose into her hood, and he begins to rock with each step. The itty bitty fist you can still see tightens around his t-shirt and your heart yearns to follow your family, but you know this is a Daddy-Daughter moment and you need to stay seated. 
You were worried about Minnie getting scared over sleeping in a new place - there’s so many new and different noises but you trust Matt to help her interpet everything. He’s already done such an amazing job of it in day-to-day life and you know he’ll explain away all her monsters and let her know she is safe. 
Considering the company she is starting to keep she is probably the safest little girl in New York. No monsters would dare to lurk in her shadows less they want to face the wrath of the Devil.
You know that this little group you are becoming a part of would join you in jumping in front of a bullet for your daughter and you are pretty sure even her newest best friend - Max the Dog - would not hesitate to bare his teeth if someone upset her. 
She deserves nothing less and it makes your heart soar that she is so thoroughly adored. 
Now that her research partner is on another important assignment, Jessica gets up off the floor and strolls over to the table, “anything interesting?”
“Maybe if we were scientists instead of lawyers,” Foggy replies warily, dropping his pink highlighter in favor of nursing his beer, “and knew what any of these numbers meant. We’re going to spend all night looking up these test numbers and hoping they are real. I mean, look at this,” he motions to the paper he is currently working on. “What the hell is D22S1045? And why is the result 15?”
Jessica takes one look at the paper before scrunching up her nose and blandly stating, “It’s a DNA marker. Haven’t you ever seen a paternity test?”
Foggy’s face goes slack for a moment before he is huffing, “Not since college when we had to study paternity suits, and they looked nothing like this! They were like dots we had to match, not numbers!” He uses his beer to point to you, “did yours look like this?”
Your cheeks heat up at the question and you duck your head, hating all the attention is on you with such a personal question. “No. No, mine didn’t…we just received a letter with the results. Not the data.”
“So, they are doing DNA and blood tests?” Karen asks, taking over the conversation and directing it back to Jessica. “And comparing them with each other. Could they be looking for relationships between them?” 
“I’m not a fucking doctor,” is the reply she gets, but Jessica picks up the paper to examine it more closely either way. “But none of these match. The numbers have to be the same for a parental match, but that might not be what they are looking for. Just because it looks like a paternity test doesn’t mean it is one. DNA markers are used in a lot of shit.”
“It might not be human,” you add quietly. “Matt said the lab smelled of human blood, but we don’t know that these tests are on humans. There’s no dates on these, so they could be years old.”
Karen whips out her phone and is typing away before you are done talking, “What was that DNA marker, Fog?”
Foggy repeats the string of numbers and letters and you watch Karen’s eyes scan her screen.
“It’s human,” she states after a long, tense moment. The scowl Jessica gives is near legendary.
“Great, so we have a bunch of assholes in abandoned tunnels running tests on people.”
“That sounds both sanitary and humane,” Foggy grumbles before throwing back the rest of his beer. 
“OSHA and FDA approved,” you add sarcastically and that earns you a smile from Karen. She tucks a strand of hair behind her ear before she guides you all back on track.
“We still have no idea what they are looking for, though. This could be cancer research for all we know - we are still at square one.”
“One point five,” Foggy argues, “we confirmed it’s human.”
“We don’t know what the tests are looking for,” Karen repeats, ignoring him, “and I don’t think looking up the significance of each DNA marker is going to do us much good. Can you and Matt go back to the lab and look around?”
As the clear recipient of the question, Jessica huffs then turns away from the table and goes right to the bottle of Macallan Matt keeps on top of his fridge. She pops off the lid, taking a long drink of it before answering. 
“That was the plan, but I’m betting it’s going to be sprayed with bleach after knowing Devil-boy was poking around. It’s not like we will get much, not that there was shit to get beforehand.”
“So, we have no who, no why, and no where,” Foggy points out. “We are doing great.”
The joy you had gotten from trying to organize the chaos of paperwork evaporates and you sink down into your chair a little. Would continuing to highlight and document be useful or was this all for naught? The rational part of your brain told you to keep going, because it was better to have it done and not need it then to need it later and it still be a mess of paperwork.
“We’ve just started, Fog, of course we have nothing,” Karen says, rolling her eyes a bit as she does. “Did you expect them to write their plans in gel pens and leave them lying around?”
“I mean, that would be useful.”
You roll your lip between your teeth, thinking that Karen is right. You don’t have much, and you’ve only just started - of course things look pessimistic. While Karen and Foggy begin to banter back and forth about the use of gel pens in a professional setting and Jessica finishes off Matt’s whisky, you let your mind wander around the facts of the case. 
Someone is out there running medical tests in a gross underground lab, probably trying to hide what they are doing. To do a lot of tests, they probably needed lab equipment, and a few years ago you would have said to follow that trail, but with all the advancements in technology, a machine to run DNA tests on probably only cost a few hundred dollars and was compact enough to move easily. Generators could keep people off the grid and there were enough tunnels under the city that years could be spent exploring them. Everything they would need could be ordered offline, and thus, was untraceable to you.
The only solid clues you had were what Matt had come home with, so you needed to keep digging there and hope that the thumb drives would contain something more useful. 
So, you pick yourself back up, grab your highlighter, and get back to work. 
Soon enough, Foggy and Karen pick their highlighters back up as well, and Jessica takes up a spot on the couch, putting her feet up and getting out her phone to tap at. The mood is much more somber, but you feel the same determination to find answers that is in you coming off of everyone else as well. 
You don’t pay attention to the passage of time, but it is not long after you grab the final stack of papers to comb through that Matt slips out of the bedroom and closes the door behind him. 
He starts towards the dining table only to stop by the couch, tilting his head towards Jessica, “That bottle was a gift from Foggy’s dad.”
“Boo-hoo, cry me a fucking river, Murdock.”
Despite the venom in Jessica’s voice, Matt chuckles and finishes making his way to you. 
His hands once again find your shoulders and he begins rubbing them, digging his thumbs into just the right spot as he begins his Minnie-update.
“Someone with a really nice sound system is having a horror movie marathon. She was actually hearing monsters.”
“My poor baby,” you instantly coo, your heart breaking for your little one. “Did you tell her it was just a movie?”
Matt hums in affirmation, “That doesn’t help with the noise, though. We walked through turning things off and found something to work as white noise. It’s still hard for her to do it with new sounds, especially so tired, but she’s a quick learner.”
“How long did it take you to learn all that stuff,” Foggy asks, interest clear in his eyes. Karen puts her pen down as well so she can get the gossip. 
“I don’t know, years? It didn’t come naturally to me like it does with her - I would train for hours to be able to pinpoint something, but she can do it pretty easily. I mean, she can’t tell me exact distance because she’s four and doesn’t know what that means, but she can point and say if it’s close or far.” You can feel Matt practically puff up with Pride over his baby girl. “She’s learning inorganic versus organic sounds now. She can tell if a loud banging is someone hitting something or if something just fell over. The other day she told me it was the wind making the window shake, because she couldn’t hear any other noises around the window.”
You smile at the story, having a feeling Matt is going to start going on about all the declarations Minnie had made during the storm and you don’t mind at all. 
“So, she’s as good as you?” Karen teases and you know Matt is just beaming.
“Better. She can actually read a sign.”
Foggy barks with laughter while you and Karen have to cover your mouths to not giggle. 
Once it subsides, you tilt your head back so you can look up at your daughter’s oh so loving father, bumping against his abdomen as you do, “is she down?” 
He gives another positive hum, “In a nice deep sleep. Frank’s on his way back up and I wanted her out before he got here.”
You don’t know if that is from Matt wanting to rejoin the group to know what is on the thumb drives or if it is from him not wanting Minnie to get excited over Frank, but you are thankful she’s conked out either way. The thought of her hearing all your discussions about what lurks in the darkness of the city makes your stomach turn. 
She doesn’t need more monsters to imagine. 
You thank Matt while reaching up to rub one of his arms - letting yourself give him a small bit of affection. You ignore the look Karen is giving you in favor of making sure Matt is all caught up.
“I take it you heard everything?”
He sighs deeply through his nose, and you take that as a ‘yes’. He confirms with his words. 
“Human testing with government trained agents isn’t what I was hoping we would find.”
“I was personally hoping for research on the mutant alligators in the sewers,” Foggy says as he gets up to go towards the kitchen, probably for another beer. “You know the ones they flush down the toilets.” 
“That’s a myth, Fog.”
“Look, with everything else that goes on in the world - weird aliens and giant green men - let me believe in my sewer gators, Murdock. They make me happy.”
“With everything that Stark and Roxon dumped in the waters, I wouldn’t be surprised,” Karen muses, resting her chin in her hand, “I mean, Matt got superpowers from something getting in his eyes. If a rat ate something that was contaminated, it could have gotten super senses as well.” 
You raise your brows up at the idea, a smile coming to your face, “a crime fighting rat?”
“A crime fighting rat that is a ninja,” Foggy chimes, a wide grin on his face and it sends you into giggles.
“How would a rat even learn martial arts?” Matt counters, “There’s not a rodent karate school he could spy on.”
“I don’t know Matt, how did you learn ka-ra-te,” Foggy emphasizes the word to make it sound more mystical. “He would learn from a secret ninja rat clan.”
“What the fuck are you guys talking about?” Jessica asks, looking over her shoulder at the dining table, disgust and confusion clear on her face. 
You and Karen erupt into more laughter while Foggy just grins like he won the world cup as he returns to his seat. Matt gives your shoulders a firm squeeze before letting go and pulling away. He disappears into the narrow passage that is his hallway, and you hear the front door open. Heavy boots signal Frank’s reappearance, and when he and Matt come back around the corner, you offer a small smile. 
The Punisher holds up a clunky looking laptop, straight from your middle school years, “Got it.”
“Does that thing even work?” Foggy asks, eyes narrowing in scrutiny. You trust Frank, but the question is valid - if you saw that in a Goodwill, you would doubt it would even turn on. 
“Of course it works,” Frank scoffs as he delivers the device to Karen. She instantly opens it up to get it started. “Old body, new hardware. Got it built just for this type of shit.” 
Foggy’s lips twitch and you wonder if he wants to say something but is holding his tongue. Jessica joins the table as Matt once again returns to standing behind you. His hands find your shoulders like they are drawn to them, and you wonder if he can’t help but want to touch you. It makes you feel special and wanted and your belly stirs with a certain type of warmth. 
Everyone’s focus is on Karen as she works - the laptop boots up and she fiddles with the first thumb drive until it is ready to be inserted. It feels like you all are holding your breath as she finally plugs it in. You expect there to be a password, but apparently there is not, as she just clicks away.
“There’s two files,” she narrates. “One labeled 082616DUK and one labeled 121417BNY.” 
You instantly recognize the first designation and push your notebook towards Karen, trying to not sound eager as you tell her, “The DUK one is in our files. Can we look at that first?” 
Her face lights up at the prospect of a connection and selects the requested file, “There’s five pictures. Hold on, let me bring them u- Oh my God.”
The little color in her face drains as a horrified expression takes over and her hand shoots up to cover her mouth. You and Froggy scramble up out of your seats while Frank and Jessica crowd around Karen to look at the screen. Matt stays where he is, tilting his head just slightly. 
When you see what is in the file, you wish you had stayed under Matt’s hands. 
The neatly severed head of a boy stares back at you with blank milky eyes, sitting on an examine table. His hair has been shaved away and there is an incision line around his skull that makes it clear someone has probably removed his brain. His mouth is open in a silent scream, showing off that he still had his baby teeth and that someone has taken his tongue. 
You want to throw up and you want to turn away, but you can’t. You can’t look away from this poor child who someone has so thoroughly defiled. Who had done this to this boy and why? You wanted to shake them and scream and demand to know what could possibly possess someone to do this to a baby? Because this was someone’s baby - someone’s little boy - and someone had taken him and ruined him. 
You don’t know how she manages it, but Karen brings up the next image and it fills you with just as much disgust and anger. 
It is that of a tiny hand with its fingers forcibly splayed, stuck with pins to keep it that way. The tips are bulbous and round, different to anything you’ve seen on a human before, and between each digit, there was a thin stretch of skin connecting them, much like the webbing of a duck’s foot. Like the head, the hand has been surgically removed from the rest of the body, and it isn’t hard to determine they go to the same person. 
The next image is of the head again but turned to be facing the left and pre-removal of the tongue, as the appendage is pulled and stretched from the mouth with a pair of forceps. The muscle is an odd shade of purple and coated with some sort of liquidy-white residue, but that is not what is unique about it. The boy’s tongue doesn’t just peek out of his mouth - it extends across the table almost three feet, if the tape measurer under it is to be believed. 
You need to turn away after that and to no surprise, Matt is instantly by your side, wrapping you up in his arms and guiding your head to his neck. “He’s just a baby,” you whisper in horror as you cling to him, not understanding how someone could be so cruel. Even if he had died naturally, there was no reason to treat him like that in death. 
“Did they…” Froggy starts, his voice low and quivering and you don’t know if it's from rage or grief, “Did they make him a frog? Did they mix this kid with a fucking frog?”
“No,” Frank replies, not hiding how he is feeling at all. The fury is clear in his voice. “They did it because he was like that.”
“What’s the other file?” Jessica demands and part of you doesn’t want to know. You bury yourself more into Matt and you listen to Karen click away at the track pad. 
Matt’s arms tighten around you and you can’t imagine what he is thinking. No one has said out loud what the images show, and he has not asked - but he must know it isn’t good. He’s gone tense under you, like he’s ready to jump into action and rip someone apart with his hands. 
And you want him to. You want Matt to find whoever did this and make them pay. You want him to punish those who hurt the child in the photos, the people who ran tests on him. 
You want to help Matt find who did this and for him to make sure they can never hurt anyone ever again.
“She’s…she’s got a beak.” Karen says slowly after a few moments, and you can’t bear to look at another autopsy photo. You hide yourself more against Matt, not at all ashamed of your choice.
“She’s Enhanced,” is Jessica’s reply, almost blank with stifled emotion.
“She’s a kid. They are hunting Enhanced kids.” 
“Why?” Foggy questions, sounding wet, like he’s starting to tear up. You don’t blame him in any way. “Why would they do that?”
Under you, the Devil finally speaks, his voice low and eerily calm, “it doesn’t matter why. We are going to find them, and we are going to stop them.” 
---
:) :) :)
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mossadspypigeon · 2 days ago
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just want to let everyone know that according to tankie logic, all of these people are white aryans.
we have nigerians and other africans, melanesians, mongolians and chinese, turks, iraqis, uyghurs and yazidis.
hmm. as another person who reblogged this post wrote: the gene exists all around the world in every group. it’s almost like we are all the same race lmao
@aqlstar thank you for adding the much needed info above. i forgot judas was portrayed as having red hair 🙄🤦
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king david had red hair before we were colonized but okay.
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palestinians lmao
more light haired palestinian kids from their own propaganda videos:
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ope guess they’re white people. same with black africans who have red hair!
just tell me you don’t know what the fuck genetic diversity is or how it works. it’s amazing how “progressives” who claim to love diversity echo so many racist, straight up eugenicist talking points and have no understanding of actual diversity.
i wont get into levantine groups like assyrians, yazidis, JEWS, kurds, samaritans, etc all having light hair and eye genes. (and guess what, arabs and turks have them too, as seen above 🙄🤦)
learn some fucking science jfc
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writer-logbook · 3 days ago
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How did I improve my writing style... without actually writing.
Intro : It's just a clickbait title to talk about theory and side techniques - before actually practicing, of course.
LINGUISTIC ISN'T GRAMMAR - AND IT'S BETTER TO KNOW ABOUT BOTH. It's useful for writing impactful dialogue and giving your characters depth. Your characters' language should (ideally) take into account: their social position (rich or poor), the locality (local expressions?) and sometimes their age (different cultural references). And this is best transcribed with linguistic knowledge. In short: linguistics is descriptive, grammar is prescriptive.
The areas of linguistic analysis are syntax (rules governing the structure of sentences),  semantics (meaning),  morphology (structure of words), phonetics (speech sounds and equivalent gestures in sign languages), phonology (the abstract sound system of a particular language, and analogous systems of sign languages), and pragmatics (how the context of use contributes to meaning). (Linguistics, Wikipedia)
Literary theory isn't as boring as it sounds. Learn more about internal criteria of the text (figure of speech, style, aesthetic...) and external criteria of the text (the author's persona and responsability, the role of the reader and what is left to interpretation...). I refer you to the French Wikipedia page, which you can translate directly via your browser in case you need more information. (Make sure you translate the page not switch language, because the content isn't the same).
Listening to Youtube Video about the analysis of film sequences and/or scenario. Remember when I told you to read historical fiction to learn how to describe a castle properly ? Same vibe.
Novel adaptations of movies. = when the movie exists before the book, and not the other way around. e.g : The Shape of Water ; Pan's Labyrinth. In line with tip n°3, it allows us to see how emotions, scenes and descriptions have been translated into writing - and thus to better visualize concepts that may have been abstract.
Read books about authors' writing experiences. e.g : Stephen King, On Writing: A Memoir of the Craft. Everyone's different, but they can provide some insightful tips not only on the act of writing itself, but on the environment conducive to writing, planning… Comparing completely different authors' experience could also be fun (this video of King and Martin is actually one of my fav)
Ah and many thanks for your ❤ and reblogs on my latest post ! UwU
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rosa-tulipano · 1 day ago
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fluffy lu thought for my loves. i adore everyone in this little community- please don't let nasty people tear you down. <3 shy, lover"girl", maybe-a-little-childish gender neutral reader <3
we all know that luigi loves to travel. to wander, explore, galivant. and he'd love to take you along with him- bring you to corners of the earth you've always wanted to see and to corners you never knew existed. together, you'd traipse crumbled horizons, wade dwindling rivers, and taste flavors both new and familiar. (all on a budget, of course!) even with the excitement he'd get on these trips- a new sort of rush now flooding his veins from being able to take his most beloved person with him- his favorite moments with you were in the stillness.
sitting in the back of a rickshaw or CNG just watching you watch the buildings sweep by. laying on the beach with you draped over his chest as you admired the sun sink below the ocean line while he took in the way the last few breaths of sunlight baptized your fluttering eyelashes. standing on the side of the bustling street, waiting for the local food cart to prepare your snack, with luigi's chest pressed firmly to your back and his arms winded around your waist.
to luigi absorbing the gleam of wonder on your face and the glow of anticipation in your eyes from experiencing new sights was the neurotransmitter that pumped his heart; it kept him alive, needing nothing more than to stay still in these moments with you. no matter where you went or what you saw (or even what state your appearance was in), you were always the most enchanting view to him
"luigiii" you'd whined, nudging him in the shoulder whenever you'd catch him staring at you. it made you a little shy and although you acted embarrassed, you silently hoped to any and all omnipotent powers that he would never stop looking at you in that way. as if you were the only thing that mattered in the universe. as if you were the moon that drew in his tides
"what is it, my love?" he'd answer in a soft, teasing voice. leaning in closer and bringing your hands to his lips. unblinking, he'd press kisses to each of your knuckles. you resisted the urge to push him again when he cocked his brow with a mischievous glint in his eyes. he looooved acting like he didn't know what you were talking about.
"you know what you're doing!" you mumble-cried, so overtaken by emotions you soared into his arms, tucking your head in his neck and fisting his shirt, feeling his body chuckle in mirth
"oh do i?" his arms seemed to engulf you as he held you close. he pressed a kiss to your hair
"yes, you butthole," your voice was muffled yet your bashfulness and faux pout ever clear. it wasn't often he could make you this shy- usually it'd be the other way around, so he loved savoring times like this. "looking at me...with those eyes..."
"butthole???" he guffawed in amused incredulity, head thrown far back to let his raucous laughter run free, uncaring of who would take offence- not that anyone really would, with it being such a sweet melody. "'those eyes' huh? oh i'm sooo sorry, amore, i really can't help it. it's just that..." his voice trailed off as he finished his tittering, pulling back just enough to cup your face and coax it away from it's favorite hiding spot. he thumbed at your cheek, caressing your skin with the upmost gentleness.
although the tail ends of your timidity were trickling away, your still doe eyed look had luigi melting. and his tender, amorous expression left you almost as breathless as his next whispered words:
"you really are my entire world"
i hope y'all liked this!! barely proofread so my apologies for mistakes. please let me know what you think and PLEASE send me messages with your own lu thoughts! fluffy or smutty hehe i'm open to requests too :D
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