#I just like the idea of elemental powers coming with side effects

[rainbow-flavoured-skittles]

I think that Cole should have minerals in his blood that are straight up not supposed to be there, or at least are way more highly concentrated than they should be. he's just got a shitton of like. quartz and selenium and stuff in his blood for no apparent reason other than earth powers

[victorluvsalice]

Valicer Multiamory Month, Day Twenty-Eight: Magic (Valicer In The Dark AU)

The end of Multiamory March (as made by @polyamships) creeps ever closer, and today's prompt is a simple but fun one: "magic!" I have a number of AUs where magical things happen, so filling this one? Not a problem. :p Now, one might have expected that I'd do something for the All The Fairy Tales AU for this one, or perhaps the Medieval Fantasy AU, or maybe even the Valicer Forgotten Vows AU --

But when it came time to figure out something for this prompt, the first thing that actually came to mind was my beloved Valicer In The Dark AU. Which does indeed have magic in it -- just, uh, magic you don't want to mess with too much. Which led to me thinking about what the trio would have learned about magic, growing up in Duskwall -- and what Alice and Smiler might think about Victor getting into it once he embraces being a Whisper. And so the story below was born! I hope you enjoy. :)

--

Magic was dangerous.

That was a fact of life one learned early on, living in Duskwall. Magic, and anything related to it, was dangerous. The old tongue of sorcery was the domain of demons now, who used it to torment all who opposed them – from freezing them in storms of ice, to drowning them in massive waves, to burning them with whips of fire. And rituals? Well, you never knew what mysterious, otherworldly force would consent to lend you a bit of its power – or for what purpose. The city was full of stories featuring those who had dabbled in what they didn’t understand, and ended up paying a terrible price. Who had discovered that the power they so eagerly sought was also their inevitable downfall. Magic was dangerous, and thus best avoided.

Alice and Smiler had known that too – they’d grown up hearing all the stories, all the warnings, after all. And for the most part, they’d followed said warnings – Alice had confined her interest in the fantastical to her imagination, where magic could run wild without hurting anyone, while Smiler had channeled their desire to accomplish incredible things into alchemy, which often ran up against the side of magic, but never quite crossed over. Even after Alice suffered the death of her family and ten years in Rutledge Asylum, and Smiler finally ran away from home and was cheerfully swallowed up by the Advocates, neither of them were tempted much by the mystical.

And then they met Victor. Who – after some initial reluctance – wholeheartedly embraced life as a Whisper. Who poured through ancient volumes of spellcraft and sorcery, studying distressingly complex diagrams and practicing words no human tongue should be able to form. Who asked his ghostly mentor what rituals he knew, and how best to perform them. Who eventually came up with his own spells, designed to translate any language or ward them against spectral attacks or even drag them all temporarily into the ghost field. All the sort of terrifying, dangerous activities that any sensible person would want to avoid.

But – well. One could accuse Alice and Smiler of being a lot of things, but “sensible” was not usually one of them. And things Victor did – first, they were genuinely incredible feats of arcane power. Second, he always tried to be as safe as possible, and only use them for the whole crew’s benefit. And third – whenever he spoke a word that brought lightning arcing down from the sky, or drew a symbol that lit up a ghostly map of the city, Alice and Smiler would see the joy on his face –

And think, how could they deny the man they loved such pleasure?

[coalballbaby]

One thing I've noticed when people talk about Prowl is that they tend to have a very black-and-white attitude towards liking him. The most common two things I've seen are either a) people feel too guilty about actually enjoying the character that they shy away from going beyond summaries of his actions + a vague feeling of treating him as just a morally-corrupt-character-they-enjoy, or b) they really, publicly like him, but tend to make extremely individualistic takes that reduce his character from a nuanced part of a larger narrative to a guy misunderstood by the cast around him. Of course, I'm not saying individualistic takes are inherently bad-- it can be fun and thought-provoking to think about the more personal elements of character, what they believe, why they might do it-- but it's easy to come up with excuses for a character this way.

I think it's important to consider that Prowl's just... not written as a likeable, glup-shitto-ifiable way. He's not meant to be taken that way, and he does genuinely shitty things to innocent people while wrangling his own sense of responsibility for the future of all things Cybertron. Of all depictions of Prowl, IDW's version is the clearest criticism of the police force and how easily power can be misused under beliefs of serving a "greater good"-- I'm not saying that you can't like him because of this, (for one it be massively hypocritical, as I am. a notorious and huge Prowl enjoyer), but I am saying that this is something important to keep in mind when engaging with the character critically, especially if you're going to talk about him publicly. Prowl isn’t just morally gray or "misunderstood", he’s a deliberate allegory for institutional rot, for what happens when someone fully buys into the idea that the ends justify the means, that it may be necessary to endanger innocent people if it preserves a controlled future. His actions aren’t accidents or unfortunate side effects of good intentions; they're the result of a belief system that values control, hierarchy, and long-term strategy over individual lives. When people detach Prowl from that context-- when they talk about him purely as a burdened tactician doing his best-- they risk replicating the same logic that real-world systems use to excuse harm. I know saying this kind of sounds insane from a Transformers IDW standpoint, but IDW itself is a very political story, and sometimes, well. I like to think about it. (I also realize that I'm taking a lot from specifically Roberts, Roche's, and Barber's interps, which are a lot more focused on this morally complicated Prowl-- but those just happen to be my favorite takes on him, and I tend to focus on those a lot more. Personal bias, I know, but I do have thoughts on the many other Prowl portrayals in the IDW run.)

Okay er. I'm getting distracted. Liking a character like Prowl doesn’t mean you have to soften his worst actions or reframe his motivations into something more sympathetic. He isn’t compelling in spite of being deeply flawed, he’s compelling because the narrative doesn’t let that shit slide lmao. Things/people bite him in the ass for it and that's awesome. He's boiling in his own sweat and fear and anger after putting the onus on himself to make a thousand contingency plans with him in control, because he's a deeply paranoid man who tends to use others' inaction as an excuse. We can all hold hands and think about it... promise?

[urgonnaneedabiggership]

Could you make a fic where Miguel gets the female reader pregnant and they're happy but he's worried about her safety? Maybe have a villain find out? Cause some angst?

Risk Something (You're Losing Me)

Pairing: Miguel O'Hara (Spiderman: Across The Spiderverse) x Fem!Reader

Warnings: Language. Spoilers (Miguel's backstory is mentioned). Angst! Alert!, Unplanned pregnancy!Alert.

Word count: 4.3K

A/N: Since I had already established some background and emotional intimacy, I thought I could write this as a sort-of-sequel to my previous one-shot Host of a Ghost. I was so excited to write this, especially because I don't usually write angst but I like to push my boundaries and leave my confort zone. Hope that it pays off and, of course dear anon, that you like it <3

Part III

You’d never really believed in long-distance relationships. After being witness to so many unsuccessful ones, you’d cataloged the entire concept into a box labeled “certain failure” and tucked it away in the back of your head. And yet, with an inconsistency worthy of your friend Hobie, you’d gone and gotten yourself involved in no less than an interdimensional relationship.

How? Well, that was a good question.

All it took was five simple steps:

Step one: Live a regular life. Go to school, graduate, and try to go for a Ph.D. that gets you working near genetically modified insects for just the right amount of time for you to become careless enough to let one crawl onto your backpack, take it to your apartment, and let it sting you. Throw in some negligence, forfeit going to the hospital, and go on about your afternoon. Warning, some side effects like loss of consciousness or intense headaches can be expected.

Step two: Congratulations! You’ve now become a super-powered person with abilities that range from climbing walls and performing gravity-challenging parkour to creating a sticky web-like element that helped you swing from one building to another. Toy around with your new talents, and grow comfortable with them before realizing that you can actually use them to be the much-needed help your city needs.

Step three: Turns out you’re not the only one with this kind of ability out there. There’s a whole Spider-Society full of similarly enhanced people who try and do their best to keep their own dimensions safe, and you’ve not only caught their eye but have actually been invited to join them. Let your new guide Jess Drews show you around, and explain all the benefits that come from joining a team such as theirs. If you decline, you can go back home and that’ll be all.

If you’re interested, it’ll be necessary to convince the leader but they could use some extra help so it shouldn’t be particularly hard. It sounds like an amazing chance. Information you wouldn’t have access to otherwise, mind-blowing facilities where you can polish your newly acquired abilities, possible new friends that actually know what you’re going through…Say you’ll think about it. Right as you’re about to leave, the most fucking gorgeous man you’ve ever seen in your entire life walks past without paying either of you any mind, busy while speaking to another Spider-Person. You ask who that is, turns out he’s the aforementioned leader, “will I ever have to work with him?”, you ask. “Probably, eventually” Replies Jess. Ask when you can start.

Step four: Do your best to earn your place in this elite group. Successfully improve your fighting skills, read everything available on interdimensional traveling and the multiverse. Understand it almost instantly because that’s how smart you are, kudos to you. Realize that for some reason, despite never actually interacting with you, Spider-Society leader Miguel O’Hara tends to stare. A lot. Is it because you’re progressing as fast as Jessica says or because she’s a complete liar and you’re actually doing it all wrong? No idea. All you know is that even during mundane scenarios like laughing in the hall with all the newest additions to the team or in line at the cafeteria, you feel a certain tingle in the back of your head that makes you turn around. Of course, the moment your eyes meet, he turns around and leaves. An odd one, yes. But you’ve also heard things. Rumors, here and there about his life before creating the Society. Whispers about a lost family and some video archives being the only evidence that they even existed in the first place. And, of course, the fault he had in the destruction of their dimension. You sympathize with him, despite his apathetic attitude towards you. You’ve seen him interact with those he’s closer to, and you know there’s more to him than he lets on. You’d be elated if he ever let you take just one look at the smidge of his old self that sometimes peeked out from behind the iron curtain. Well, not really. One look wouldn’t be enough. If anything, it would only cement your feelings for the man.

Step five: Curiosity killed the cat. We all know that. You know that. And yet, you decided to go snooping around Miguel O’Hara’s computer and personal files until you accidentally switch his computer on for long enough to let the videos he’s always watching start playing. He…his daughter…an entire lost life gone before his eyes. Then, before you could do the right thing and turn the computer off, an eerily familiar voice called at him from behind the camera. So, of course, you had to keep watching. Long story short? All those oddly constant stares, that coldness towards you, unwillingness to look you in the eye, was because of two reasons: first, you were a nearly identical interdimensional variant of the wife he’d lost in the dimension he unwittingly erased from existence. Two, as he’d confessed after realizing you’d found out about the truth, Miguel had come to terms with the fact that he was in love with you, not as a replacement for somebody from his past but as a new presence in his life that he’d been struggling to watch from afar, unwilling to let all his repressed feelings spill out like water from a broken dam. Until that night, of course.

Now, eight months later, you’d come to realize there was actually a sixth step you’d never actually considered until now that you were in this…situationship.

Step six: Uncomfortably avoid every and all circumstances in which interdimensional disparities and canon consistency regarding your relationship could come up. Don’t say anything like “Well, it’s been nice but I’ve got to go back to my own dimension” because that would remind him that his dimension was not yours too. That you were after all still a stranger in a strange land. Which of course also meant never inviting him to stay in your dimension.

Deep inside, you knew that all those details would eventually cause problems, especially regarding the inner conflict Miguel was always dealing with knowing what he was doing…what you were both doing, went against his strongest principle. But by God he was happy. Happier than he’d thought he could ever feel again. More than he deserved. So he just ignored those intrusive thoughts and focused on whatever task was at hand. And you were too. Even after just eight months, life without him already seemed unimaginable. He was your first thought in the morning and your last before you went to sleep, and more than once his presence beside you had been not just a figment of your imagination, but a part of your reality as you felt his strong arms wrap around your waist and pull you closer whenever you strayed too far from him in bed as he groggily whispered, “¿Y a dónde crees que vas, preciosa?”, Or when he buried his nose in the crook of your neck, lining it up with soft kisses that sometimes ended up in both of you being late for your assigned tasks. With so much on the line, you were more than happy to avoid those spiky subjects. It seemed like such a small price to pay with all you were getting in return.  

You weren’t sure of where all this was going, but none of that mattered. Right now, you were together. Inside the Spider-Society you were a great team and each one was a valuable asset. Outside, every second spent in your arms was enough to make him forget Spider-Man. To you, he was Miguel and nothing more. And that was all you needed.

Life was good. You were happy with the way things were. Until, as it usually happens, a necessary disruption came quite literally crashing into your life in the shape of a fifteen-year-old that carelessly swung around a corner and crashed into you after you’d been chasing him like the rest of the Spider-People after receiving Miguel’s message.

“Miles?” You asked, recalling his name, which you’d actually been hearing for quite some time since the circumstances of his existence started being a problem for your boyfriend. The boy didn’t answer. He just looked at you, his eyes filled with confusion and fear until you hesitantly took a step aside to leave the escape route open for him. If anything he looked even more baffled, but when the noise of his pursuers reached your ears he rushed down the hall and you lost him after he took a sharp turn.

Before you could be spotted, you ran in the opposite direction and hid around a corner as you tried to call Miguel on your watch. Of course, it was in vain. Well, Plan B. Fortunately, this time you did get a reply.

“(Y/N)?”

“Peter! Yes, it’s me! Where are you?”

“Where do you think? I’m going after him like everybody else. I need to get to him before…sweetie, please just get back in there, Daddy’s on the phone right now…I need to get to him before- “

“He’s already left the headquarters,” You informed him.

“Wait, you saw him?”

“About a minute ago. He was on his way to the North exit.”

“(Y/N), are you sure you should be a part of this chase right now?”

“Why not? Jessica is there, isn’t she?” You replied, smiling to yourself. Good old Peter B., looking out for you like some sort of self-appointed brother figure.

“Well yeah, but she’s not running, kid. Although I don’t think she should be on one of those death machines either, I don’t what she’s…”

While he kept on rambling for a bit, you looked around and wondered if you’d ever seen the building this empty.

Empty.

Your eyes slowly ran along the pearly white walls until they landed on the hallway that led to the room where the Go Home Machine was kept. Practically unchecked, if Spider-Byte had joined the pursuit.

“P.B., I’ll talk to you later,” You absent-mindedly replied, hanging up on him without waiting for an answer as you dashed down the hallway.

You kept thinking about that poor kid’s eyes. After having all that information unloaded onto him, instead being given enough time to somewhat process everything he now had to escape from the very people he was supposed to feel safe amongst. When he sat on the floor right in front of you right after the crash, he was sure you would immediately hand him over. Maybe a few months ago you would’ve done it without hesitation but now…things had changed.

There it was. The Go-Home Machine. You thought you saw a purple blast inside that let you know Byte was still there. However, if your theory was correct, Miles would have to go through that hall and therefore, you. A few minutes later, a sudden voice booming from your watch startled you.

“(Y/N)!”

“Miguel? Where are you? I’ve been trying to…”

“(Y/N), listen to me! Miles lured everybody out on purpose, he’s trying to get to the machine. I can see your location back at the headquarters and he should be coming your way in less than a minute!”

“Alright. I’ll handle it.” You replied, ending the call before he could ask you to elaborate on that.

Sure enough, light footsteps came in your direction shortly after. Right as Miles entered your field of view, an alert issued by your watch made your stomach drop and a dreadful feeling fill your chest. However, you’d made up your mind. There was no going back now.

Mile spotted you at the end of the hall and stopped in his tracks. His eyes were determined, not as afraid as a few moments earlier. If he was there that meant he’d somehow gotten past Miguel. You fought back a smile when you wondered how pissed he’d be about it. Having his ass kicked by a teenager was something that, maybe under different circumstances, you could tease him about.

“He’s a delight, isn’t he?” You finally spoke, trying to somewhat lighten the mood while taking a step toward the kid. However, he got in a defensive stance, furrowing his eyebrows in distrust.

“It’s okay, I’m not going to hurt you, I just want to talk.” You assured, showing him both your hands, “Miles, listen very carefully. This is exactly what Miguel was talking about a while ago. At this very moment. Right now, I’m supposed to stop you from getting to that machine and handing you over,”

Of course, he took another step back.

“Miles I’m not going to do that,” You assured him.

“Why not?” He immediately asked, constantly looking behind him, wondering if this was just you trying to stall him like, unbeknownst to you, he thought Peter had tried to do a while ago.

“Because I’m sure there’s a better way to go about all this. I love him so much, I do, but he’s so afraid that I don’t think he’s willing to see other possibilities and by the time he does, it might be too late for you. Now go before anybody else gets here.”

You didn’t have to tell him twice. Miles darted past you as soon as you finished talking, taking a second to look back before reaching the dimly lit room where his ticket home was. His eyes scanned your face and darted down for one second before he looked up at you, a new worry in his eyes that had you wondering whether his spider-sense was strong enough to perceive something you’d just found out yourself.  

“Are you going to be okay?” Miles asked, his eyes looking down for a moment once again. Did he know? Did he mean “you” as in just you or as in…?

“Yes, don’t worry. Now get out of here.” You insisted. With one last hasty “thanks”, he ran into the room as your left in the opposite direction. You weren’t worried about Spider-Byte. She was a good kid, and she’d do the right thing.

The right thing. What did that even mean anymore?

You’d deal with the moral implications later. For now, as you found yourself on the other side of the headquarters, your mind was set on finding Miguel. Maybe you could try and talk some sense into him, make him reconsider whether this was…

“What the hell was that?”

By now you’d gotten used to Miguel’s habit of sneaking up on you. Usually, hearing his voice coming out of nowhere brought a smile to your face. This time, you closed your eyes and winced as you felt his presence behind you.

“Don’t even try lying. I know that voice you used in the call. The one for when you’re about to ignore whatever order I’m about to give you, so I checked the cameras.”

“Miguel, I…” You began to explain yourself just to be harshly cut off.

“(Y/N), what were you thinking? Do you realize what you just did? Do you have the slightest idea of the consequences…?”

“I do realize that you just asked a fifteen-year-old child to stand by and let his father get killed right before calling his existence a mistake, Miguel. What were you thinking?”

“I was thinking of our safety, and that includes Miles’. You’re right, he’s a kid and that means he’s selfish and immature enough to endanger everything we’ve all been risking our lives to protect for years.”

“Miguel, listen to me,” You insisted, “You’re scared. I know. I am, too, but have you ever considered that maybe there’s another solution? Do we even know for sure that allowing the kid to go and try to save his father is going to cause any real damage?”

“What if it does? Are you just going to tell me “Sorry, Miguel, you were right” and that’s all? (Y/N), Dios mío, piensa. Gwen said the same thing but we couldn’t trust her with being objective because he’s her friend,”

“Wait, what do you mean couldn’t?” You asked. Miguel clenched his jaw and turned away, unable or unwilling to look at you.

“Miguel, please tell me you didn’t send her back. Not with how she left things back there,”

His absolute silence told you everything. Shaken, you took a step back.

“What is wrong with you?” You hissed the disappointed look in your eyes hurting like a sharp dagger to his chest.

“(Y/N), mi amor, I’m just trying to…”

“You’re such a hypocrite,” You angrily spat out, “You go around preaching about how important sticking to your stupid canon is and the delicate balance of the multiverse when you know damn well that what we’re doing goes against every single one of those things,”

“No, no, that’s very different,” Miguel disputed,

“How is it different?” You argued back, boldly moving closer to him wishing you were taller so you could face him, “I’m from another dimension, there is no way that we were supposed to meet from the beginning. You had your world, this world, and when you tried to live another life in a different one, an entire dimension was destroyed. I had my world, and for all I know maybe there was somebody there that I was supposed to meet but thankfully I ended up here first so I could meet you. But you know what? My universe is fine, yours is too and I swear I had never been happier in my entire life.”

“You’re right.” He muttered in deep thought.

“Yes, I am. And maybe…” You started to say, a relieved smile tugging at the edges of your mouth until he looked up and the expression in his eyes made your throat dry up.

“We’ve been messing with fire all this time. There is probably somebody you can be with without endangering your entire dimension. And this…this is the hand I was dealt and I should just accept it and live with it. You’re right. Maybe this was all a mistake from the beginning.”

“No. No, come on, you don’t mean that.” You shook your head in denial, lifting both your hands to cup his face in your hands, to bring him close like he had done the night you finally could let all the love you felt for him escape its confinement in your chest.

Miguel grabbed your hands before you could touch him and moved away from you before releasing them as he finally built up the courage to look you in the eye.

“Are you serious?” You asked, your voice quivering with anger as you felt tears begin to dwell in your eyes, “So that’s it? You’d rather sacrifice us than find a different way to solve this?”

“Well, what did you think was going to happen, (Y/N)? That this would go on forever and we’d keep pretending everything is fine and that you don’t have to wear a fucking machine on your wrist every time you come to see me because even the cells in your body know you were never supposed to be here?”  

“Oh, right, so you expect me to believe that you always knew this was going to be temporary? Then what was this? Something to take the edge off after a rough day until you decided it was time to stop fooling around and just be done with it?”

Deep inside, you knew what his response was going to be, but every inch of your heart silently pleaded for you to be wrong. To pull you into his arms and apologize for trying to send you away and promise that you’d get through this because you loved each other and that was all that mattered.

“I don’t know why you thought it was anything else,”

For a minute, you wondered if this was all actually happening. Maybe this was all a nightmare fueled by all the training simulations you’d gone over lately, and you’d wake up crying just to find Miguel asleep next to you, his wide back slowly rising and sinking with every calm breath he took. Your crying would wake him up and he’d furrow his eyebrows and ask what had happened.

“I had a nightmare, that’s all,” You’d say, wiping your tears off and trying to downplay it. But he knew better. He always knew better. He would pull you close and bury your head in his chest, placing a kiss on top of your head while warning you that he was the only one allowed to have nightmares because otherwise he’d have to start comforting you too and neither would get a full night of rest. And you would laugh softly as you drifted off, lulled by the warmth of his chest and his smell of sage lotion and cheap fabric softener.

But no. You were very much awake, and instead of comforting you with promises and reassurances, he was walking away from you after delivering the final blow to your heart.

Since he had his back turned to you, you felt free to let the repressed tears freely fall down your face as you helplessly watch him go until he disappeared around a corner. All of a sudden, you felt as if the walls of the headquarters had begun to close around you to asphyxiate you, and the sound of the returning Spider-People made you realize you didn’t want to be there for one more second.

Thanks to your watch, you were back “home” in a few seconds.

“Home”. Your empty apartment where you’d lived alone for years. Where he’d never set foot, and at least in that way it was free of his memory. Or so you thought until you looked over your shoulder at the ajar bathroom door. Inside, atop the porcelain sink, still rested the positive pregnancy test you’d left there before having to rush over to the headquarters to help with the latest anomaly.

That memory felt so distant now. As if it had happened years ago, in a different life. You suppose in a way, it did belong to another life. A life that was over now.

Numbly, you made your way toward the ragged sofa, collapsing on top of it as soon as you were close enough. It was only then that the full weight of the last day and a half sank in and, as you gently wrapped your arms around your stomach, you let the tears fall until your throat burned, the dusty cushions muffling your broken sobs.

“I’m sorry, I don’t think I heard correctly, you did what?”

The seriousness of the situation was enough for Peter to fasten a small strap in Mayday’s baby carrier to make sure she won’t go anywhere for a few minutes as he waited for his friend’s platform to reach ground level. He couldn’t be chasing his toddler around and ripping Miguel a new one at the same time.

“I did what I had to do. It’s for her own good,”

“Right, because you’re such an arrogant…” He paused to carefully place his hands over Mayday’s tiny ears, “…such an arrogant dick that you think you know what’s best for everyone, including a fully grown, intelligent, woman like (Y/N)”

“Shit, Parker, do you think it was easy for me?” Miguel uttered, pinching the bridge of his nose before resting his face against the palm of his hand, “What I said about this being the hand I was dealt…I don’t know how I’m supposed to deal with that. Hell, I don’t even know how I’m going to keep myself from showing up at her dimension to try and get her back here the first chance I get.”

“And why would you have to keep yourself from doing that?” Peter asked patiently. It sounded like a better alternative to “Miguel, I love you man but I swear you’ve got the emotional availability of a tree stump. Beats me how (Y/N) was able to get you to admit your feelings without prying your chest open with a jigsaw to see your pounding heart for herself.”

“She was right. We were never supposed to meet in the first place. Not like this. It’s not…”

“Miguel, I swear if I hear the word ‘canon’ even once in this conversation I’m going to drive my head through a wall,”

“Just because you don’t take anything seriously doesn’t mean everybody’s the same,” Miguel hissed back.

“That’s where you’re wrong. Last time I didn’t take something seriously, I ended up just like you will unless you get your priorities sorted out. Alone, and regretting not focusing on what was important,”

“This is important,” Miguel stubbornly argued.

“More important than what you had? Look at yourself. Just forty-eight hours ago you were as happy with (Y/N) as you’d been for the past eight months. And as happy as I’ve been with Mayday and my wife who, by the way, wouldn’t even be with me if it wasn’t for that kid you just called a mistake. And do you see my dimension going up in flames? Or yours? Or hers?”

Unable to find an argument against that, Miguel remained silent, his eyes fixed on an empty spot on the wall in front of him.

“Listen, I know you’re afraid. You don’t want her to get hurt, but if you love her as much as you claim to, then you’re taking the choice of a coward right now. And you can’t afford to be one, especially now.”

“Especially now?” Miguel inquired, turning to look at his friend who, much to his surprise, pressed his lips together as if he’d made a mistake and instead focused on getting Mayday’s hair out of her face.

“My point is; I know you well enough to know you worship that woman. And she thinks you’re pretty decent too. And I can tell you from experience that you’re going to regret it for the rest of your life if you let this come between you.”

Not knowing what else to add, Peter gently patted Miguel’s shoulder before leaving the room, hoping he’d given him enough to think about. Hopefully, enough to make him change his mind.

Meanwhile, Miguel hadn’t moved since Peter left the room, mulling his words over.

Two, particularly, had stuck with him for some reason.

Especially now.

[bethanythebogwitch]

My favorite magic system from a game I haven't actually played is from Mage: the Ascension. It kind of fits as both a hard magic system and a soft magic system at the same time because there are some hard rules, but its mostly very open. To become a mage you have to realize that reality is not what it seems. In MtA, reality is whatever the majority of people believe it is, known as the consensus. The consensus in modern days is pretty uniform everywhere, with small variations based on where you are, but it used to be wildly different based on the cultural beliefs of the local people. A mage is a person who realizes that the consensus isn't true reality and gains to power to act outside of its rules. Any given mage's abilities come from their own personal view of reality, known as their paradigm. A mage's magic can do basically anything, as long as it is accounted for in their paradigm. So a mage who's paradigm includes the classic Aristotelian elements can perform magic based on that, but if their paradigm doesn't include animistic spirits then they can't commune with those spirits even though other mages could based on their own paradigm. The problem with this is that the consensus doesn't like it when you go around breaking its rules and will punish mages by slapping them with an effect called paradox. Paradox can be anything from a spell failing to getting shunted into your own personal pocket universe. Nothing generates paradox like being seen doing magic by sleepers (people who are not mages and still live fully within the consensus). Most mages either only use magic around other mages or, if they need to cast around sleepers, will disguise their magic as a mundane effect. Someone throwing a fireball from their hands will generate major paradox because the consensus is that people can't do that. However if a mage holds a lighter up to a spraycan before casting their fireball, the sleepers can rationalize it as something that exists within the consensus and not as much paradox will be generated.

In the dark ages, magic was part of the consensus and mages could openly rule over the sleepers because everyone believed in magic and therefore magic was part of the consensus. In response to the tyranny of the mages, a group was formed called the League of Reason, who wanted to introduce a new form of magic to the consensus that everyone could use. This form of magic was based on logic and reason and was called science. This led to the ascension war, where the League of reason sought to remove magic and superstition from the consensus and a very loose coalition of mages called the Council of Nine Mystic Traditions want to keep magic in the consensus. And the League of Reason won. A mostly rationalistic, scientific worldview has become the consensus worldwide, forcing the Council into operating underground. The League of Reason has become the Technocracy, a worldwide secret organization ruling the world from the shadows and trying to stamp out magic and any other form of "reality deviants" to keep humanity safe, even if they have to suppress basic human imagination to do so. Notably, the earliest books for the game very much said "Traditions good, Technocracy bad", but later books went for a much more grey approach to the conflict between them, making it clear that both sides really are doing what they think is in humanity's best interest even if their ideas for how to do so are fundamentally incompatible.

What's really interesting is that science and technology really are a form of magic and technocrats are mages, even if the Technocracy would vehemently deny this. Technology is a form of magic that everyone can use because its part of the consensus and science doesn't discover new facts about the world, It creates those facts and applies them to the world. The Technocracy's super-advanced technology creates paradox just as much as magic does because personal anti-gravity suits and mass-produced clones violate the consensus just like throwing around fireballs and conjuring demons does.

Mage: the Ascension is a super fun setting because just about any fantasy or sci-fi trope can exist here. Classic pointy hat and wand wizards can battle cyborgs armed with self-replicating nanotechnology. Anti-authoritarian punks can hack your wallpaper to spy on you because they believe all reality is part of a unified mathematical whole that the internet gives us access to. A group of spacefarers can ride the luminiferous aether to mars only to encounter Aztec shamans who asked the spirits to carry them there thousands of years ago. A powerful mage can create a time loop by convincing their younger self to obtain enlightenment through the power of sex, drugs, and rock and roll. Two people can have an argument over whether the guy they just met was an alien from Alpha Centauri or an elf from the Norse nine realms and both of them can be right. Animistic spirit-callers can upload themselves to the internet to combat spirits of malware. And an angry mage might just teleport you into the sun because they believe distance is just an illusion and therefore have the power to make anything go anywhere with a thought. It's a wild ride.

[romchat]

In Blossom visual analysis (ep. 1-7): How to film a gothic romance

Although I'm not completely convinced about some of the writing choices of In Blossom, I absolutely LOVE the show's production design and cinematography. @mademoiselle-red wrote a great post about how main character Pan Yue fits the gothic romantic lead archetype, and those gothic elements are not only present in the script but also in the show's visual storytelling.

Lighting

A key element of gothic romance is its atmosphere of mystery and suspense.

Something I really like about In Blossom is that despite its dark subject matter, many of its scenes take place during the day. One of the show's main themes is that appearances can be misleading and the cinematography often plays with that notion by linking light to deception and darkness to truth. Note how many of the emotionally honest beats of Yang Caiwei and Pan Yue's relationship happen at night (e.g., their couple escapades at the Li Residence, Ghost Market, and Life and Death gambling house) while fakery, corruption, and evildoing happen in the day. It's with this subversion of our expectations for light that the show creates an unsettling atmosphere.

And these lighting choices also help set up Pan Yue as a classic gothic romance anti-hero, someone the female lead, Yang Caiwei, fears but still finds herself drawn to.

Look at how Pan Yue is lit when shot through Yang Caiwei's subjective point of view. The strong use of light creates a lot of contrast--through her eyes, he is a mixture of light and dark, his morality as inscrutable as his shadowy figure.

Camera Angles and Shot Sizes

The show's use of low angles and close-ups further reinforces the idea that Pan Yue is unpredictable and even dangerous.

In cinematography, low-angle shots tend to make the subject look more powerful and menacing, and the show uses this technique to great effect.

Even in the intimacy of close-up shots, we can sense the threat emanating from Pan Yue. He’s always shot just a smidgeon too close for comfort.

For example, look at how much Liu Xueyi's face fills the frame in an early "romantic" scene. The shot feels almost claustrophobic as if he's so single-minded about his goals that he has no choice but to dominate the frame (and Yang Caiwei). It's an unnerving moment despite the soft words coming out of his mouth.

Side Note: I live for Pan Yue's (vampiric) long shots. The production design team was smart for dressing the character in dark clothes with such a sleek cut and drape--he looks like a sexy bat.

The Nosferatu references in Yang Caiwei's tomb are also perfect.

Composition and Framing

And finally, like any good gothic romance, In Blossom illustrates how love can drive one to despair and even madness.

Because of this, my FAVORITE scene of the show has to be the introduction of Shangguan Zhi. Her obsessive pursuit of beauty in hopes of seducing Pan Yue has left her a shell of a human being, and the scene's composition perfectly encapsulates this with how it focuses on the elegant lines of her body--not her face or personhood.

Shangguan Zhi is trapped by her delusional fantasy of a life with Pan Yue--see how she's boxed in by the vertical lines of the screen panel she admires--and the show regularly uses architectural lines to show how her desperation has trapped Yang Caiwei as well.

[makingspiritualityreal]

Why Tara Bala is Especially Powerful in one’s own Chart on the Angles

As I have discussed in my previous posts, planets in cardinal houses 1, 4, 7 and 10 have the most visibility in one’s chart, especially if we judge a person not by their internal world, but just on the premise of their actions and external appearance.

I have also discussed Tara Bala, and how planets in the “enemy” or “friend/best friend” Tara Bala position can be detrimental or helpful to one’s life. That effect becomes particularly prominent, if the planet involved resides on the angles.

Case in Point: A singer, whose very significant chart planet is Venus in Vishakha in the 1st house. Any planet in the 1st house becomes an integral part of one’s personality, so that planet in Vishakha Nakshatra will be in the front and center of the person’s identity, even though it’s not a luminary. However, the person has Moon in Shravana in the 4th house, also on the angle. Shravana is Vishakha’s worst enemy, and thus detrimental to one’s expression, if one shares both of these Nakshatras in their own chart. So the person here is going to have trouble expressing the nature of their 1st house planet because of the nature of their basic consciousness, that the Moon represents, and it’s going to be visible to others.

The external reflection was visible in this singer’s public appearances, where she fluctuates very strongly between a more tame “girl next door”, even neglected, public persona (which some of her viewers have criticized heavily), and her alternative artistic personality, when she puts in more effort during photo shoots. On the same note, there have been fans who have criticized her behavior and appearance even during performances. Charisma and performance is a Vishakha theme, but Shravana is more domestic and feminine, and some people have made derogatory comments about her behaving and looking like a “grandmother” on stage. That’s because the wise crone of Shravana doesn’t mesh well with the more Jupiterian creative display of Vishakha.

What to do if you have the same issue in your chart? Make sure you satisfy both of those parts of your personality, but don’t mix them. Compartmentalize these sides of yourself with full love and awareness, and realize mixing some things is just a bad idea, like putting a bathroom in the kitchen, but that doesn’t mean both elements aren’t necessary in your life. That will come more naturally to people, who even with this Tara Bala have the enemy Tara Bala planet in more hidden houses (like 8th or 12th), as they will be more public with one planet over the other, and that compartmentalization will be natural.

To use the singer in question as an example, I would advise her to separate her public and private life, wear and do whatever she wants during her spare time, which shouldn’t be that hard because she’s a minor European celebrity, but make sure she always shows up strictly in her Vishakha energy when she does anything remotely public or posts it on social media. It will have to be a very strong, creative public act and take hard work, but otherwise something will always be awkward in self presentation of such a person.

[thebreakfastgenie]

https://www.tumblr.com/thebreakfastgenie/766051466520690688/thats-exactly-what-im-hoping-for-too-im-voting

I think a deep flaw in the online left is that they're basically comparing the current far left with a far right wing that's made every effort to entrench themselves for decades by comparison.

They keep mentally thinking that both sides are equal in power, and thus the thing that will clearly help them succeed is the moral purity of their cause.

Except that's not the case at all. Because the reality is that the far right has done far more work to make their hate normalized than the far left has ever done for their beliefs and entrench themselves into actual positions of power, both due to a combination of cruelty being easier, and simply doing far more work by comparison.

The far right has spent years sticking their ilk amongst the populace, from the highest ranking positions to the lowliest high ranking positions possible in order to indoctrinate as many people as possible to their cause.

The far left by contrast has done diddly squat. They're the arrogant punk kid who waltzes in expecting to kick ass and take names and be lauded and praised for it simply because of who they are, while ignoring that either everyone is a neutral bystander who doesn't like grandstanders with more bark than bite, or an ally of the guy they're coming in to sock the face of.

And that's bitten them in the ass time and time again, because while the big evil guy is unpopular, he's also entrenched and just needs to win once to smack the upstart down.

But unlike actual main characters, the far left is so convinced of their righteous superiority that rather than wising up and building a real base of power and catching the far right off guard for a knockout blow, they just keep on throwing themselves over and over again with the same idea expecting different results.

Yeah... I think there's a combination of not understanding how asymmetrical it is and an attitude of "it's not fair!" Like, no it's not, so it goes though. We've watched the far right become so deeply entrenched they've taken over the mainstream conservative party. The right played the long game on the courts and the left was complacent about that for way too long. It's also a huge thing in local elections. The right has paid way more attention to school boards and other positions like sheriff that are elected in many places, even up to state legislatures. Far right candidates winning these elections really helped entrench the far right in addition to the material effects they've had on people's lives.

I think part of the problem is just that electorate is a lot more conservative than the left is willing to admit. There isn't a hidden groundswell of support for the far left. You have to do the work the hard way and a lot of leftists aren't willing to. You know that Contrapoints quote about wanting to "endlessly critique power?" She was right on with that. I think there are elements within the left that romanticize the perpetual struggle. One might say

He refuses to bend, he refuses to crawl And he's always at home with his back to the wall And he's proud of his scars and the battles he's lost And he struggles and bleeds as he hangs on his cross

On the other hand, a lot of voters like the far right and want them to win. They may not like them for rational policy reasons, because a lot of voters don't vote for those reasons (I know, it's maddening, but so it goes) but they like them.

One of the reasons I tend to align myself with liberals rather than leftists is liberals get stuff done. I've seen tangible progress from liberals within my lifetime. There are so many structural advantages favoring the right that it's a huge fight to keep them out of power. We can turn the tide but we have to do the work.

I don't know how much sense I made I'm a little groggy.

[tossawary]

I do like the headcanon that it was Shen Yuan's teaching and tips that inadvertently helped Luo Binghe get through the Endless Abyss faster. Accidentally fucking himself over in a way because he cares for Luo Binghe too much is just sooooo him.

I do think there are other elements that may have helped Luo Binghe through the Endless Abyss faster. When I was making that post on a way that the heavenly demon seals might work, based on the implications in the quotes I was taking down, I formed the headcanon that the Black Moon Rhinoceros-Python in PIDW may have only partially broken the seal on Luo Binghe's demon side, potentially denying him full access to his powers and causing him pain and damage, until he could reach the Xin Mo sword and use its dimension-slicing powers to remove the last remnants of the seal. Whereas in SVSSS, Mobei-Jun, with his own special Endless-Abyss-summoning abilities, apparently ripped the seals off of Luo Binghe immediately and potentially more cleanly.

(Arguably, a sudden removal could be an even worse shock, causing a clash between spiritual systems, and causing even more pain and damage until the Xin Mo sword could be used to soothe the effects. You can come up with fun consequences either way, PIDW or SVSSS, to get the angsty headcanons that you want to explore!)

Anyway, I was thinking about the idea that... maybe SVSSS Luo Binghe making it through the Endless Abyss faster doesn't necessarily mean he's more powerful...?

Like, if we're imagining that Shen Yuan's teachings allowed SVSSS Luo Binghe to perform something like a speedrun to the Xin Mo sword (which is extremely funny to contemplate), then through sheer experience (a couple more years to cultivate/develop in the hellscape grinding level), it's not unreasonable to imagine that PIDW Luo Binghe exiting the Endless Abyss may have been significantly more powerful or at least significantly more dangerous than SVSSS Luo Binghe exiting the Endless Abyss.

(Although, even if both Binghes were the same power level, based on personality differences and goals, then Mobei-Jun's first encounter with SVSSS Binghe would be extremely different to his first encounter with PIDW Binghe regardless.)

I am currently enjoying the idea of SVSSS Luo Binghe almost immediately encountering Mobei-Jun upon exiting the Endless Abyss, having a rematch of their battle at the Immortal Alliance Conference, and then Luo Binghe losing that fight.

OP power levels are so arbitrary. I don't think it's unreasonable that even pre-ascension Mobei-Jun could (after getting pretty beat up himself, maybe) kick a young, undeveloped heavenly demon's ass. Just because Binghe has the Xin Mo sword doesn't necessarily mean that he knows how to use it. Mobei-Jun is at least 20 years older than Binghe, with potentially a great deal more training and battle experience in the Demon Realm, and depending on how you imagine his abyss and ice powers, he's potentially capable of some extremely dangerous and dirty tricks to preserve his own life.

So, like, let's say that Mobei-Jun manages to pull ahead in this fight, disarms Luo Binghe, and then throws the Xin Mo sword through a portal back into the Endless Abyss because he has no interest in keeping such a cursed thing for himself. He could just kill the seething half-demon on the ground in front of him with three broken limbs, before the heavenly demon heals up and tries to kill him again, but Shang Qinghua (who has been here THE WHOLE TIME) (who has been having a VERY BAD TIME trying desperately to stay out of the line of fire) (who didn't want to be in the Demon Realm in the first place when he's still trying to keep his cover, but he needed something for the Sun-Moon Dew Mushroom and Mobei-Jun to help him get it) Shang Qinghua says that Mobei-Jun can't just kill this boy for some reason. Holy shit, do not kill him! DO NOT! (It might break the fucking world, shit, what the fuck, what is happening...!)

And listening to Shang Qinghua has saved Mobei-Jun's skin on a number of occasions, so that's it! Apparently, he can't just kill this boy. Admittedly, he is mildly impressed by the boy's tenacity, but, like, the boy is obviously suffering poor effects from the sword's curse, may or may not be possessed by the Elder Dream Demon, and desperately wants to kill him. He's a fixer-upper, for sure.

So, like... now what?

[fabseg-creator]

My review about Miraculous World: Paris, Tales of Shadybug and Claw Noir

This is a (first) review about a Miraculous element (especially an episode form Miraculous: Tales of Ladybug and Cat Noir).

This post contains spoilers.

Today, I've watched the Special Episode. I am prepared for the watching. I will reveal my aggregation in the end of the post.

And now, time to read:

Plot:

This happens in the same moment (at the night) as the episode Destruction (5.03). After Monarch has been cataclysmed at the left arm and before he configurates the stolen Miraculouses.

In a parallel world, a Butterfly superhero named Hesperia (Gabriel Agreste/Gabi Grassette) who is helped by Alya, Nino, Max and Markov, leaves his homeworld universe for escape from Shadybug (Toxinelle) and Claw Noire (Griffe Noire), two evil versions of Ladybug and Cat Noir. When the three characters come to the Ladybug and Cat Noir main universe, Hesperia teams up with the two titular heroes for make the ShadyClaw duo into good people. At the other side, the evil counterparts try to steal the Butterfly miraculous to Hesperia (and later to try to combine the Ladybug and Cat powers for make their wishes).

I've learned about news elements in the Miraculous lore by watching the Special:

They exist some billions an infinity of Parallel Worlds in the lore.

Each Parallel World is home to one Tikki and one Plagg (so One Ladybug holder and one Cat holder).

The inconvenients from the Ladybug's and Cat's powers (secondary effects)due to their excessive using. Shadybug and Claw Noire cause their own deterioration in their bodies by using their power for the evil.

The morale about the hope in dark and sad moments (Thanks, Hesperia.)

The parallel world (ShadyClaw/Hesperia's world) is a dystopian world ruled by the Supreme

Hesperia's, Shadybug's and Claw Noir's backstories

What I liked:

The Hesperia opening in the intro (that was WTF but that was fun)

The coming of Shadybug and Claw Noire, their odd relationships

The Claw Noir's lines and moments

The Kamiko (good alternate name to Akuma)

The akumatization forms: Chat Céleste (Cat Noir) and Ubiquity (first Alya and later Ladybug)

Ladyfly (Marinette with Ladybug + Butterfly unification)

The travels across multiple parallel worlds (Hi, Scarabella and Kitty Noire. Hi, Mister Bug and Ladynoire.)

The concept of Re-Verse (the idea of what would Marinette and Adrien have looked like if theirs lives had been different from the Canon)

The thing how Monarch has failed (again) to take the Ladybug and Cat Miraculouses when he travelled across parallel worlds.

What I disliked:

The lack of end post-credits scene: I would like to see what happens in the Hesperia's world after the battle (interractions between the reformed Shabybug and Claw Noire, Hesperia, Alya ans Nino about reconciliation ans reorganisation of the Resistance against the Supreme).

The absence of other Miraclass counterparts, Luka, Kagami, Félix, Zoé, Chloé and Lila/Cerise (Only Alya, Nino, Max and Markov from the class appear in the episode as parallel counterparts)

The missing full appearance of the Supreme (his/her appearance from the shadow for reveal himself/herself/themself to spectators could make the cliffhanger effect for a sequel).

What I want to know for the future:

The most intriguing point, for me, is: The Supreme (This hidden character I have just mentioned in this post)

Who is the Supreme ? Human or Deity ? Big Brother (1984, George Orwell) ? How do s/he looks like ?

All I've learned about him/her/them is:

The Supreme is an entity/being who rules the Hesperia's homeworld (possibly the Hesperia's entire universe).

S/He is a tyrant, a dictator (worst than Chloé, possibly more machiavelic and charismatic than Cerise, more dangerous than Monarch) on this Earth (or simply Paris).

S/He hates the Love, the Freedom/Liberty, the Justice, the Happiness, positive emotions and particularly the superheroes.

It's him/her/they who is THE overarching antagonist of the Paris Special (even if s/he is only mentioned many times). S/He's so more antagonistical than Monarch.

S/He makes Hesperia and the Resistance from this world (and by extension Ladybug 2 (former Shadybug) and Cat Noir 2/Paw Noir (former Claw Noir)) as Outlaws.

It's him/her/them who given the Ladybug and Cat miraculous to Emo Marinette and Emo Adrien. Ironical and Ridiculous from the Supreme !

S/He is too powerful, too surnatural and too overcheated: s/he has a great control on the Miraculous Ultimate Absolute Power. S/He has implanted a blockage spell on Tikki and Plagg for prevent anyone to summon Gimmi.

ML theory: I'm thinking the Supreme is probably a evil type of Guardian of Miraculouses. A Fallen Guardian (NOT Master Fu NOR Su-Han). S/He has many knowledges about Miraculouses and their using + the Absolute Power.

My personal aggregation on the Paris Special:

I've enjoyed to see the episode. The narrative is excellent. The idea of Multiverse in the Miraculous lore is well found. The various animations from the episode are fun. Miraculous World: Paris, Tales of Shadybug and Claw Noire is a wonderful episode.

Result: 10/10

[dangerliesbeforeyou]

ok so i just watched the wicker man (the original one ofc not that awful nicholas cage remake with the bees lol) and rather than making a post about it i ofc am gonna talk about mr king, aka the in9 episode that people kept saying was super similar to the film lol because if i cant relate everything to my hyperfixation then what is the POINT lol?!

first thing i will say is i absolutely LOVED the film!! i often find classic horror films either to be hit or miss (halloween sucked but the exorcist was amazing lol) and this was definitely a hit imo!

and it's super interesting thinking back to mr king and the things they chose to pay homage to from the original! creepy kids, masks and rituals, emphasis on sexuality and the harvest, even the outsider acting as a 'well-meaning coloniser' trying to 'educate' the natives lol

but i think it's in the changes that make mr king super interesting to me (and why it kinda bugs me that people keep just saying it's a remake of the wicker man... like it bugged me BEFORE i watched the film and even more now because they are v different lol something being inspired by a thing doesn't mean it's copying it smh have y'all never heard of a homage!?!?... anyway)

changing the setting to wales was SUCH a good choice imo, a place that is only really recently beginning to properly reclaim some of it's old culture after literally centuries of english colonisation (if you weren't aware, there have been recent pushes for various welsh landmarks and places to be referred to by the welsh name and not the english, which i wholeheartedly support tbh! you can't pronounce yr wyddfa? skill issue lol), and moving the focus from religion to environmental factors also made so much more sense for something set this century!

i also found it interesting the way both deal with the weaponisation of sex and sexuality... in the film it's when the landlord's daughter (willow) tries to seduce the sergeant in order to expose his hypocrisy (and ironically in not giving into it, he sealed his own fate in the end lol), and in the show it's the young girl who lies about alan being sexual towards her (in turn leading towards the whole photograph scene and, ultimately, his own grizzly end lol)... both in a way are responding to the culture of their respective times (the film commentating on the 60s/70s free love culture, mr king responding to the wider #me too movement of the last 10 or so years)

and continuing on from this, part of the horror in both speaks specifically to the audience's discomfort with open discussions and displays of sexuality, and the power that that discomfort holds over us still... and ofc in the film this manifests itself with the idea of christianity vs paganism, highlighting how both are a lot more similar than either side would like to admit to lol...

mr king is a little more murkier, since the emphasis is on environmentalism. in a way it deals a lot more with the concept of rationality (as in, science and the like) vs irrationality (as in, paganism and mysticism) than the original! though in the end the message is the same: that regardless of what or who you believe in, it ain't gonna stop you from being murdered lol! it also positions that in the mr king universe, the sacrifices aren't just the town trying to come back from a bad harvest, but instead a super important yearly ritual that, presumably, is actually working lol?? so what we may perceive as 'irrational' is actually the other way around lol...

one of the big changes from the film is the mystery element. in the film sergeant howie's whole deal is that he's gone to the island to find a young girl... in fact the town's people specifically use the fact they know he will stop at nothing to save her (even by the most degrading and invasive ways possible) as a way to trap him. alan is completely different in this regard, in that he has come to rural wales in order to escape his old life... he's not trying to save anyone, effectively he's running away! and even the mystery of the previous 'mr king' is only really something he looks into to save his own skin... both characters are selfish in the reasons why they end up in their positions, and naive to think that their positions as men in positions of authority would save them!

idkk i just think there's a lot of super fascinating stuff in this episode and how it plays with the aesthetics and themes of the film it was inspired by that i've just kind seen brushed aside just cos the 'twist' at the end was super similar to it lol??

[royonninjago]

Now that attention from my recent "Evil Jay" post has died down a bit...

Damn, I was NOT expecting that to blow up like it did. Broke my previous note record by almost triple. Truly amazing! However, the popularity of this post also kind of unintentionally proved something to me, and now I'm curious to take it a step further. However, just keep in mind that since we have no idea where the future of Dragons Rising is headed, all of this could change in an instant. With that said, here it is:

People seem really desperate at this point to get Jay back to the Ninja with his memories and soul intact. And since this show is primarily designed to sell Lego products, I doubt they wouldn't bring the status quo back to some level of normalcy for Ninjago. However, as I've seen with many posts aside from my own, people are having a lot of fun with this "Evil Jay" and want there to be some sort of consequence for all this happening.

Therefore, I propose this idea. What if whatever process ends up happening to bring back Jay also has a side effect? Because this one body of the Master of Lightning basically has two different people with two drastically differing life experiences, this side effect basically splits Jay into two people, regular ol' pre-merge Jay that everyone knows and loves and his now his post-merge doppelganger self! Neither have any memory of their time as the other, and we can have Jay both back with the Ninja and out there roaming around doing whatever non-canonical adventure comes up at the same time! Like having your cake and eating it too!

Again, no one knows how this Evil Jay plot is going to end up so maybe a year from now this post will seem absolutely ridiculous, but its fun to dream, and theorize, and write angsty fan-fiction about emotionally damaged wolf boys with electric powers!

If anyone wants to take this idea and use it for their own purposes, go ahead! All I ask is that you let me know about it, cause I like reading that kinda stuff. But, here are some ideas I've had for this character if you wanna know my take on it! My very own sudo "OC" if you will:

This new doppelganger's name is "Ranga", and its one I've used in my fan fiction. I explained my reasoning in another post, but it comes from an anime character who is a wolf that can control storms, and I think it's fitting for a former Master of Lightning and Wolf Clan member. He might also keep the last name "Walker", idk

His new body is that of a Formling who can change into a dark blue wolf with neon blue highlights. His human form is nearly identical to Jay's except for any newly obtained scars, dark bags under his eyes, and very obvious wolf ears and a tail

Once in his new body, be becomes the Elemental Master of Electricity. It's very similar to Lightning, like with Heat and Fire, but with some major caveats. Electricity is weaker than Lightning and he can't generate any on his own, but he can pull from anything with power running through it and it's much easier to control the output. This better control over output makes it better for stunning people and controlling various electrical systems than Lightning.

Overall has a pretty negative opinion of the Ninja and most other people (because of the whole "no one wants me" thing in my last post), with the exception of Jay who tries pretty hard to win him over, since this is the first person he's met who could be considered a biological relative of his.

Over time, his opinion of the Ninja would probably soften a bit (with the exception of Nya for the drama and maybe an unrequited crush thing going on), but he still has enough of a chip on his shoulder to never want to become an official Ninja.

And that's it! If you have any questions or have any opinions about "Evil Jay", I would absolutely love to hear them!

[adarkrainbow]

I am currently re-reading "The Black Company" by Glen Cook, the first trilogy which I love immensely (I haven't looked at the later trilogies and series).

If you do not know what "The Black Company" is, it is a series of novels started in the 80s that formed, alongside older works like "The Elric Saga", the foundations of the genre we know today as "dark fantasy". And "The Black Company" is one of the specific highlights of the dark fantasy sub-genre that later inspired authors to create what we call the "grimdark fantasy" (though I personally put The Black Company in "dark fantasy" rather than the "grimdark" genre, even though it was a big inspiration for the grimdark).

I love The Black Company. But, I hear you ask, why am I speaking of this onto my fairytale blog? Well... you guessed it: The Black Company is actually a fairytale fantasy. It is not something that is talked about often, nor something that was very much highlighted outside of some trivias, but despite The Black Company seeming like a dark deconstruction of the early Tolkienesque fantasy (which it is), it is also... a deconstruction of fairytales.

Here is a list of points showing the fairytale influence over Glen Cook's work, from the broadest and vaguest to the most specific. WARNING there are BIG SPOILERS ahead for the original trilogy.

From the get-go, names are rare in "The Black Company". As in, personal names. This is one of the most famous features of this series: almost all of the main characters go by nicknames or aliases, and the rest are left anonymous. From the members of the Black Company who abandon their life behind, to the sorcerers who keep their true name secrets, we are following the adventures of "Croaker", "Captain", "Raven", "The Lady", "The Hanged Man", "One-Eye", "Darling", and others. Add to this the sparse and succint physical descriptions, and the fact the past of most of the characters stays mysterious, foggy and untold - the narrative focusing mainly on their actions and their words - and you have a form of archetypal storytelling making the characters seem like they came out straight of a folktale (which is ironic as the story is precisely about introducing gritty realism to an universe of fantasy).

By extensive, the very narrative style of the books (mainly the parts written by Croaker for the Annals) is reminiscent of the way fairytales a la brothers Grimm were told. A very focused, quasi-oral narrative flow filled with ellipses and allusions, mixing direct descriptions with narrator thoughts, spending a lot of time over some trivial things while telling in two sentences huge events, slowly revealing things or explaining elements in a disjointed and broken way...

Still on the same vibe, the magic system (or rather the lack-of) was clearly meant to recreate the effet of magic in fairytales, and legends and myths in general. Unlike other fantasy works where magic is explained or has given rules and conditions, magic here stays a mysterious art only truly understood by its wielders. We are given some rules and elements, we know the power levels of some characters, but magic stays a mysterious force whose effects, while obvious, grandiose and visible, are unclear in their scope, limit and effect, leaving a true "everything is possible" effect that do make the wizards and warlocks of this series "legendary".

The first book opens and hammers down, through Croaker's narrative, the idea that "good versus evil" doesn't exist, that "good" and "evil" are mostly human illusions and excuses, that in the end everybody is just morally gray and the "good side" is decided by the winners of battles and those that write down history. This is of course a subversion of the epic fantasy genre a la Tolkien, but it also serves as a subversion of the very fairytale logic of "good versus evil". And then, a de-subversion as Croaker and the Black Company come to realize, as they get involved deeper and deeper into the wars of the Lady and the return of the Dominator, that while human "goodness" and "evilness" are illusions, there is still an actual "evil" that is too inhuman and dangerous for the world and deserves to be fought by true "heroes". So, the trilogy does end up falling back into the fairytale dichotomy... But to do so, it needs to go beyond the human scope and scale of things, to enter the world of ancient myths and eldritch magic.

Among the Ten who Were Taken, several evoke "classical" fairytale monsters. All of them are evil witches and wicked sorcerers, but some clearly evoke the werewolfs of legends and the Big Bad Wolf (The Howler, Moonbitter) while others clearly take after the giants, trolls and ogres of old (Shapeshifter, Bonegnasher). [Plus Toadkiller Dog has strong "Big Bad Wolf" vibes too] Also, they use extensively flying carpets to fly around, directly as a nod to the One Thousand and One Nights. There are also several sorcerers who evoke the dwarfs of legend, from the evious Limper described as a "small man", to the duo of One-Eye and the aptly name Goblin, who are basically the trickster imps and mischievious dwarfs of old legends.

The story span over the three first books is actually a retelling of Snow-White. Literaly. It is about the fight and struggle by a powerful and beautiful witch-queen (the Lady) with powerful magic to her side (her Eye is the equivalent of the Magic Mirror) to destroy a pure little girl fated to destroy her (Darling, reincarnation of the "White Rose", quite a nod to "Snow White"), only for the little girl to be saved and protected by servants of the Lady who betray their former employer (The Black Company). The little girl events gets, in a Disney fashion, to become "friend" and gain control and protection from animals and plants of nature... with the twist being her "Disney princess" powers make her befriend the alien fauna and insane flora of the Lovecraftian Plain of Fear.

In "The White Rose", the memoirs of Bomanz note how strange it is that everybody was fascinated by the Domination and the Taken, despite them being pure evil, and how little interested is paid to the remains of the White Rose, despite her being the hero that saved them all. This can be taken as a reflection on fictional villains in general, but it does strike a chord with fairytales: fairytale villains are often more iconic, more well-known, more fascinating than the heroes, and the stories often end with the villains - not caring about what happens to the heroes or the "good guys" once the threat is done with. Everybody knows at least half of the names of the Taken, but nobody knows where the White Rose's grave is. (Aka, the "Disney villain phenomenon")

The Taken (plus Lady and Dominator) sleeping forever in their barrows, guarded by a DRAGON, and "woken up" by various intrepid adventurers passing by a deadly barrier has very strong "Sleeping Beauty" vibes - which becomes ironic when later the Lady reveals that her mother was actually the twisted source of the Sleeping Beauty story in this universe.

[studentinpursuitofclouds]

Hiii :3

Got any romantic hcs of Mr qi with a farmer that's initially scared of him? Like, how do you think that he'd try to win them over

(from someone that was a bit freaked out from the funky blue man <3 )

I saw your ask, dear anon, don't worry ☺️ It's just that I've been a bit busy lately, so apologise for the delay.

Anyway, enjoy 🫰💕

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The great Qi's entire personality is shrouded in mystery, his powerful aura mesmerising and luring most people while instilling terror in his enemies and detractors. Unfortunately, Farmer, who the blue man showed interest in, was more affected by the aura of intimidation, and they felt uncomfortable in his company.

Qi can understand their doubt: an unknown person (and is it even a human?), with no intentions clear to you, has barged into your life, filling it with oddities, along the lines of mystery boxes from the sky and unusual puzzles. Humans have an inherent fear of the unknown.

While this had all softened with time and the many other tasks Farmer had handled flawlessly, and later on, developed into a friendship, they still had a slight sense of discomfort in Qi's presence.

This scratched Mr Qi's heart a little bit, for he had already begun to develop more romantic feelings for someone as wonderful as Farmer, but in no way did he blame them for fearing him. Come to think of it, that one was his fault.

Especially since the very first attempt to win Farmer's heart, Mister Qi had realised that, in his desire to please Farmer with his company, silently teleporting behind them was not a good idea. His favourite element of surprise has a side effect.

So in order to hint to Farmer about his intentions (and not scare the shit out of them), the great and extraordinary blue man will have to do ordinary things. Like... walking without teleporting (Yoba, how people just walk), or talking without riddles. It's so... strange for him not to do strange things.

But it pays off later, as Farmer has already stopped looking at him with a fraction of fear.

But... they can see that he wishes them or others no harm, that his intentions to make the world more interesting, though strange, are mesmerising and fun. Farmer would hardly trade that.

Before making a more decisive move, Qi specifically asked Farmer what they thought of him. They honestly admitted that they were afraid of him at first: all the mysteries, strange quests, and sudden appearances.

(Farmer jokingly said that at times like this they wanted to ask Qi to wear bells. Qi's face cringed at the thought of walking and jingling like a Winter Star bells).

And Farmer also hinted that they've shown a romantic interest in him and are reciprocating all the advances and gifts earlier. Farmer can't imagine the weight that fell from the blue man's shoulders when he heard this.

[mdhwrites]

do you think odalia should of had more depth?

So weirdly enough, I think this is an incorrect question because it implies Odalia by herself is important. A story needs to understand the usefulness of its characters after all, what their purpose is, etc. like that. For a lot of essentially one off characters, say Viney or Vee for example, a hint of depth but not exploring it is smart because you allow your fans to imagine what they could be like but they don't get in the way of the story you're telling. One off villains especially fall into this because their point much more often than anything else is simply to instigate a conflict. That's it.

I do not deride the vast majority of S1 villains for being one note. In fact, a lot of them are more fun for their simplicity. As Odalia is essentially a one off villain just meant for Amity's growth, because she's her daughter, she shouldn't need depth because she is just an obstacle to be conquered.

...That whole part 'Amity's her daughter' is a bit of a problem though, isn't it?

See, the minute you tie a villain to a main character, that starts complicating things. The more their relationship has effected either side, their narrative role starts to warp. They are suddenly a large figure within this person's life and so not only is defeating them a much bigger, more complicated affair but also that the villain's character is going to make or break critical elements of a main character's influences and backstory. They can no longer be one note unless their role was one note.

So instead of 'Should Odalia have had more depth' the better question is 'Is more depth for Odalia necessary for her place in the narrative related to Amity?' That requires us to define what her role in Amity's life is. What in theory her actions as told by Amity set her up as.

Odalia before S2 is a parent who has enforced onto Amity the need for social standing, power and exceptionalism. She also has so much power over Amity's life as to dictate who she can and can't be friends with and we can assume by the cruelty that Amity and the twins enact upon others, even within their own family, that this competition is inherent to the Blight family as a whole.

HOWEVER.

Also before S2, we see cracks of kindness within all of this. Odalia still caring enough to make sure Amity gets her lunch. Odalia overlooking the twins' bad behavior, despite Hexside seeming like the sort of school that would have called Odalia over them skipping class. Amity does not appear to fear repercussions from her mother anymore when it comes to her friend group as she befriends Luz and Willow without seemingly any fear of retribution (especially Luz) and discards Boscha and her entire old friend group without any real effort. This implies that Odalia isn't as controlling as Understanding Willow implies because her children actually have an incredible amount of freedom and free will. They do not live in the constant shadow of their parent, even if Odalia has had a large impact on them.

I focus on pre-S2 like this for a reason. You can retcon all you want BUT Odalia had to stand on what was setup before her arrival. Anything afterwards is damage control for fuck ups they made. Even then, many of their retcons actually make elements of this worse as Odalia was able to internalize her dream of Amity being in the EC so severely that just the idea of ANY threat to that was able to drive Amity to madness (Teenage Abomination) or close to the brink of tears (Covention). This further implies a great deal of influence over Amity and that her lessons left deep scars on her, to the point where Amity stopped distinguishing between her mother's desires and her own.

That doesn't FUNCTION with S2.

Odalia in S2 leans in ENTIRELY into the idea that she'd straight up murder one of her own children if they stepped out of line too far. She literally was willing to show how efficiently her HOME DEFENSE robot, which you would think would be used to protect YOUR KIDS, can murder a child in order to hurt Amity and prove her dominance. The twins, who are unrepentant in their schemes outside of Amity almost getting killed, do fear repercussions from Odalia. Odalia hates literally anything that makes them step out of line with the image she desires for her family, thus trying to dye Amity's hair. She is a monster, through and through.

A monster that Amity tells to go fuck herself and suffer ZERO ramifications from. If the show were as brave as people claim, that would have led to Amity being DISOWNED because why would Odalia continue to accept what is clearly an abject failure of ideals at this point? Yes, Alador theoretically pushes the idea of how Amity might be getting stronger based on this but why would she actually believe that? And even then, is a potential coven head worth it if it gives her no power back because they won't listen to her? Because they aren't profitable and loyal to her anymore? Even without the retcons to Alador, there's a real case that just in her first appearance, it's a cop out. Post Alador's retcons where Odalia doesn't care about him and doesn't listen to him, where she takes a single act of betrayal as a reason to accuse him of wanting to break off their partnership, all of this only becomes worse.

And all of this comes back around to crack Amity's character. That arc everyone praises from S1? Now it makes no sense because Amity's influences make no sense. What she rebels against is made trivial but also incomprehensible because there SHOULD have been consequences and she should have MUCH more scared of those consequences. Instead, it comes incredibly easy and naturally to her to break her bonds and be a good person with the 'right' friends now. This is compounded by how little anyone ever calls out her behavior or how almost all of the time she may spend being introspective is off screen. We don't get to see the ideals she holds be properly challenged besides... Luz existing and Understanding Willow. Meanwhile, HER MOTHER is like THIS. Where those ideals would be constantly reinforced and the consequences for breaking those ideals would be SEVERE.

So, to loop back around: Did Odalia need more depth? Yes. Or she had to have mattered much, MUCH less to Amity.

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As a note, this is one of those big examples to me for how TOH fans struggle to actually bring the show together for their analysis rather than cherry picking examples or using single episodes. Anyone who tries to claim Odalia and Amity's relationship makes sense is ignoring a LOT of elements that intrinsically tied to one another and how those elements cascade upon each other. Complex storytelling is like this where one creative choice creates a knock on effect. Making characters all be tied between each other somehow is one of the best examples of this but I feel like a lot of fans, for the sake of praising Amity's arc, only focus on Odalia and Amity like they are in a closed circuit and only for the specific parts they want to use in that circuit. That's not how this works.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[toushindai]

Age of Imprisonment speculation since I have thought of little else for a few days

The first thing that comes to my mind is that Zelda lands in the past a decent amount of time before the Imprisoning War actually kicks off--you know? At the very least, time passes between "Zelda and Sonia" and "Sonia Caught by Treachery," enough time for Zelda to go from having no sense of how to control her time powers to having some mastery over them. But while I would love to read a book about this time, or watch a movie, it does not lend itself well to Warriors gameplay. Potentially this could be resolved by focusing on the conflict between the Gerudo and Hyrule but. Eesh. I don't think it's really in-line with the general tenor of the Zelda vibe as a whole to spend the first, I don't know, quarter of the game slaughtering massive numbers of That's A Human Person. In fact it seems to me that in the planning stages of TOTK, deliberate steps were taken back from having the Gerudo as a whole, rather than Ganondorf specifically, fighting against Hyrule (elements from Master Works which speak to me of the Gerudo being more antagonistic early on: there's a picture of the equivalent to the mural where the Demon King leads hordes of monsters against Hyrule where he is instead leading hordes of Gerudo warriors against Hyrule; in the storyboard version of the "Gerudo Assault" tear, there's some pushback from a Gerudo soldier when Ganondorf orders a temporary retreat).

So I'm wondering if the first portion of the game is going to be Zelda aiding Rauru and Sonia in eradicating monsters and establishing shrines across Hyrule (or what is soon to be Hyrule). I think this would lend itself extremely well to Warriors gameplay and would give Zelda a chance to get her feet under her in terms of using her time powers in combat. We perhaps spend some times in the Depths to, I don't know, check on the lightroots to make sure that the shrines... take?? Certainly, this would be an opportunity to get a firmer idea of the actual cause-and-effect between lightroot and shrine (🤲information give please🤲) as well as for me, personally, to see what states the mines were in in this era (🤲information give PLEASE!!🤲).

This of course does conflict with the timeline presented in TOTK, as the chamberlain notes that the shrines were established in her youth. That's fine! BOTW Link picked up the Master Sword as a child and not during the course of things as he did in AOC. I consider this an equivalent shift. Plus if there's such an inherent difference to begin with, then I won't stress out about all of my headcanons being violently crushed to bits, so it would benefit me personally.

I think given this structure, things would inevitably get tenser when the Gerudo, under Ganondorf, QUITE REASONABLY say "hey. we didn't invite you here. get your weird-ass impenetrable magic buildings off our fucking land" and Hyrule does not do that. Maybe I'm wrong! Maybe they won't do that to us. But I can very much imagine a scenario in which the game is like "wow. you can tell this guy's evil because he doesn't like this nice favor we, the good guys, are for doing him" and you and I are sitting here side-eyeing the story unhappily. Forgive me my pessimism. I'm just spitballing here, OK.

Then I think things start going the way they do in canon. Ganondorf 86's Sonia, becomes the Demon King, wreaks absolute havoc. Obviously the little snippets of Rauru's and Zelda's fighting are from after Ganondorf's transformation, given the presence of the blood moon. (Mineru's snippet is less inherently informative.) But obviously, OBVIOUSLY, at some point we are pulling Link back in time. And the modern sages. Like. AS MUCH AS I'M COMPELLED BY THE IMPRISONING WAR ERA THAT WAS, I just don't think a fanservicey game like a Warriors spinoff would fail to include Link and pals. Not to mention the difficulty of filling out the roster. Seven playable characters (nine if you add Sonia and Ganondorf in there, and four of whom are as of yet deliberately underdeveloped because the devs didn't want us getting distracted by them) does not a Warriors game make. I think we're going to pull Link and pals back in time and I think we're going to bring Sonia back to life somehow (her having been playable until Ganondorf kills her) and I think that if god truly, truly loves me then we will also borrow the Ancient Hero from the Calamity of 10,000 years before BOTW and thereby receive one or two goddamn answers about what the hell is going on with that thing. I don't know if god loves me that much, but I live in hope. I think that with Rauru and Zelda and Link and the Ancient Hero and 1.667 sets of sages working together maybe we can kill Ganondorf for good the first time and wipe out the entire history backstory of the Wilds era in one fell swoop. Yay 💖👍. (And then we send Link back to his time, where Zelda's been a dragon for millennia.)

Anyway these are the thoughts I've had, but truthfully what I understand is that I understand nothing, because this screenshot is so very obviously gameplay and equally obviously not Warriors-style gameplay. What's going on here? I long to know. I would love a game where I just follow Rauru and Sonia around and they tell me lore; I think Zelda would also love such a game; I don't think it would sell. I wish Koei-Tecmo all the best in determining the correct ratio of loredump to fanservice to 1-v-100 gameplay.

( @toushindai )