#I just had… a strong mental image that needed to be realized

[amethysttribble]

AU of my own AU, inspired by this post: the Seven Sons of Feanor and their father are reborn much closer together, but not in nearly so advantageous a position. The year is 259 AC.

@blue-ink-pearls

Celegorm jerked awake, coughing and hacking. His tongue felt frozen in his mouth and there was blackness swirling in his eyes. The darkness, the cold, seeping ever closer, it clung to his sweaty skin. There were heaps of blankets on top of him and, despite the cold, he kicked them off.

Trapped, I can’t be trapped, he thought, panicky, I must fly.

But the evil thing in his dreams had ripped out his wings and he felt the wounds on his back like they were real. He felt grief for them. A sob crawled up his throat even as he heaved for breath, oh, it was was hard to breathe.

Celegorm was so cold and he had no wings. He needed fire, heat; he needed to fly! The evil thing was coming, he must-

“Cel?”

He was shaking as he looked over at little Curufin, seated next to him on the cot he, Celegorm, and Caranthir called a bed, which they shared.

“Finny,” he gasped out. He didn’t want- He couldn’t scare his baby brother. “Where- what time is it?”

Curufin had in his hands what looked like a quarter of an apple, and he was licking the juice off his fingers as he said, “Hm, morning. The bells rang for first service a while ago. But you’ve been in the fever sleep for two whole days! Mae and Maggie and even ‘Ran have been really worried, though they try to pretend they’re not.”

Two days. Celegorm should be hungry, but all he felt was a pit of nausea in his stomach. He put his head between his legs.

“Then there’s little hope old Mycah will let me keep my job.”

Maedhros had gone to a lot of trouble to get Celegorm work down at the docks; good work, too, because he was tall for his age and strong. But that job had come with strict times and rules to follow from the dock warden, Mycah, a salt old cur, who never really liked Celegorm to begin with. It was just a favor for Maedhros.

No, he wasn’t likely to be lenient.

The anger and frustration had such a clawing grip on him, Celegorm didn’t even look up when he felt a little hand touch his arm.

“It’s okay,” Curufin said, “Maggie’s been making good money, staying out all night.”

And now Maglor was walking the streets all night, singing from dusk til dawn, to make up for Celegorm’s stupid bullshit.

“Fuck,” he muttered, standing up suddenly. He threw his gross, soiled shirt and pants off and went hunting for better clothes.

With seven brothers, there was scarcely a stitch of cloth to share between them, but he managed to scrounge up some old items of Maedhros’s that were too big for Maglor; they were waiting for Celegorm to grow into them and repair them then, which was probably still a few years off, but they would do for now. Too long and wide and riddled with holes, but Celegorm really didn’t care.

Not right now.

“‘Suppose they’re both still at work,” he snapped as he tied a piece of rope around his waist like a belt.

“Aye,” Curufin’s tiny voice piped up, much meeker than before. Celegorm looked down at him as the boy- just seven- came closer.

He was looking at his feet when he said, “You’re better now. Right?”

The cold was still wrapped around his bones, but Celegorm said, “‘Course. Where ‘Ran and the little’uns?”

Curufin looked skeptical, but did perk up a little as he said, “Watchin’ the twins. I’m supposed to watch you!”

Celegorm ruffled his hair.

“You did a good job. Come on. Let’s you and I get some air. This room is foul.”

Forcefully, Celegorm grabbed one of Finny’s sticky hands. He was met with no resistance as he dragged his little brother out the bedroom all seven of them shared and into the rest of the house. As reported, Caranthir was seated at the table with Amrod and Amras, trying to play cards with them. How did you play cards with three year olds?

“You’re awake!” Caranthir squeaked when he saw them, grin massive. Amrod and Amras gave happy cries as well, but Celegorm didn’t stop to really greet them. He was too filled with shame and anger to let his brothers be kind.

“We’re going to the Sept,” he said, walking right past them, “be home soon.”

“Ah, but, Cel-“

He was gone before Caranthir could finish his protest. He didn’t feel too bad about abandoning Caranthir with the twins, not like he used to when he first started working all day. Caranthir had just turned ten then, forced to look after the two year old twins and six year old Curufin, but without Father, there really hadn’t been any other options.

Oh, Father… he would have been able to help Celegorm understand the dreams.

But Father was gone, and so was the life they used to live on the Street of Steel. They were in Flea Bottom now, the place the people who killed Father- if you can’t prove that, you best not be repeating it, Mae would always say, but Maggie would say, be smarter and more patient- said they belonged, Feanor’s gaggle of whore’s sons.

Gathered from six different mothers, all different brothels, if a woman asked him, ‘please take my son’, he did. No questions were asked about the real father. Their Father was very kind, and perhaps overly confident.

Seven sons just meant seven orphans, now. Maedhros did his best, but…

Make their lives easier, Celegorm thought, eyeing a burning pit that someone was cooking over, throw yourself on the flames.

He tightened his grip on Curufin’s hand and kept walking.

Their journey up Visenya’s hill was silent and felt tense enough to snap Celegorm in half. But his breathing eased once the Great Sept of Baelor came into view. The bells had just started ringing for noon service.

“Do we have to pray?” Curufin whined.

“Yes.”

The went inside and the smell of incense finally warmed Celegorm up somewhat. Started to melt the ice of his bones. The beautiful rainbow lights chased away the darkness. Here, he did not need to be scared that he couldn’t fly. The Seven would protect him.

Celegorm let Curufin go finally as he took a second to stand in the middle of the Sept and just breathe. His brother wandered off to the statue of the Smith, as he always did. Celegorm wasn’t nearly so partial to one aspect of the Seven but today…

Today he knelt in front of the Maiden.

He clasped his hands together and dug his nails into his skin and squeezed his eyes shut so hard that tears sprung to the corners of them.

Please, he thought, please protect my little brothers. Please tell me you’re looking. You see, right? It’s coming. I don’t know when it’s coming, they might not be children anymore, but please. Please keep this summer lush for a while longer. Please take care of us when the bad thing comes. Please cure of me whatever’s wrong with me. Please, please, please-

Eventually, he had no more words to beg with and started to recite every prayer he knew.

When he came up for air, much later, his knees ached and he was glad of it. Celegorm felt that if he hurt, the Maiden might see him more clearly. His words might be louder.

He kissed the statues robes before backing away.

Curufin was no longer praying to the Smith, but that was to be expected. He hadn’t gone far, though, no, he was talking to the septon who was equally partial to the Smith and thus always kind to eager Finny.

“An, young Celegorm,” the Brother said as he approached them, smiling, “Curufin was just telling me you have been ill and that is why we have not seen you recently. Is there anything we can do to help?”

The idea of admiting his horrid fever dreams to the blessed septon made Celegorm choke up with fear and revulsion and shame, so he shook his head.

He just held out his hand for Curufin to take, which his brother dutifully did.

“No, Septon, but thank you. I’m much better now. But, ah, if you hear anyone praying for a new worker who is strong…?”

“Ah,” the Septon said with a slight laugh, “yes, I see. Well, I’m sure the Seven will guide some soul here to receive precisely that sort of help.”

He winked, and it made Celegorm smile slightly.

He said his thanks again and made Curufin say his, then they bid their farewells. They started to walk home, and as they went, Curufin swung their joined hands.

Once they reached the bottom of the hill, Curufin said, “Happy Nameday, by the way.”

“What?”

“Your nameday, it was yesterday. You’re four and ten, now.”

“Oh,” Celegorm muttered. He didn’t feel four and teen. He felt like, whenever he dreamed, he lived decades in seconds. Thousands of years of waiting as the darkness and cold crawled closer, breathless with dread, helpless to stop it as his wings were ripped out time and time again. “Is that why you had an apple?”

Curufin grinned at him guiltily.

“Mae bought it for you, but he said ‘Ran, the babies, and I could share before it went bad.”

“Mae is smart,” Celegorm sighed.

“I thought you’d be mad,” Curufin said.

“I’m not mad.”

“I wish you were. The fever sleeps are making you too sad. You used to get mad.”

He did, didn’t he? But that was then and this was now. The night those jealous murderers burned the forge they called their home down changed a lot of things.

That was the first night he had one of his dreams.

“Yeah, well,” Celegorm muttered, “maybe I’m just more mature now, being four and ten.”

“Nuh-uh.”

“Uh-huh.”

“Nuh-uh!”

Celegorm laughed. He squeezed Curufin’s hand and laughed through the exhaustion, thankful to the Maiden that at least he had such a silly little brother to lighten his spirits.

“Sure whatever you say,” he said, sticking his tongue out. “Do you know where Maggie is singing today? We can go bother him.”

With a wicked grin, Curufin pulled his hand from Celegorm’s and took off running. He ran after him.

Elsewhere, Summerhall burned.

[dunmeshistash]

How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!

Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since, with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post

This is the first time she shows up in the manga (ch55) Kabru is wondering about what future they might have if the elves take them into custody because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would probably be an legal issue, and the fact Milsiril lives away from other Elves. It does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)

The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback

She's being her overbearing self treating Kabru's small injury as if its something you need to be in bed for, hand feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the first time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"

It continues in the next pages, as she tells him to stay there, where it's safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help

Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril seems to flip a switch into battle mode, when she decides to train him for real.

I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. She says "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon. If he couldn't take the training with her there was no way he would be able to take on the dungeon, but he could, so much so that he managed to make her let him go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.

The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it."

And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back, perhaps cause he hated it there, I think it's rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to be able to face and the comfyness of what his life could be. Plus is mirroring exactly what Milsiril said to him. Admitting she was right about the bad things but that he won't give up for the safe easy life he had.

After that visuals of Milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.

Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon

She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life. This could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was also a merciful act, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.

Now for extras... About Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible

Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she holds a grudge against people like Mithrun that seem to have succeeded where she failed. But realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act with mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her

Her decription also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.

There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya, and that she's using him. On the other hand maybe she wants to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.

My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles often send out the kids they don't want around to become canaries. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less than her sisters for sending her to join the canaries).

No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she feels superior to them when there's no indication that this is the case.

And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from that tragedy, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...

This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...

I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.

Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.

Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.

I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.

Part 2

[wwaheoh]

“Oops! You killed someone!” Victoria Housekeeping x gnReader, Angst + Comfort (Platonic)

Corin Wickes, Von Lycaon (+ Ellen Joe, + Alexandrina Sebastiane)

c/w: contains written depictions of graphic injury, blood, death, and shock (mental).

a/n: with a game with people using chainsaws, guns, guns that shoot black holes, and swords, i dont think hollow raiders are 100% safe. put ellen and alexandrina seperate since they’re not really major players in this

As part of Victoria Housekeeping, your duty was to fulfill the orders of the Master, usually cleaning, guest service, and attending to the needs of the house. However Victoria Housekeeping also had a sort of open secret, with each member having high Ether Aptitude as well as being trained in combat, they also acted as guards to the Master and their estate. Usually it was general defense, to make sure no one breaks in or any guests get any unruly ideas and stash valuables into their coat or bag. Other times it was against Ethereals, enemies born from the Hollows whenever they were stationed within.

However this was the first time Hollow Raiders had been an issue, usually keeping away- either with much bigger scores that an abandoned building in the Hollow, but this specific building was home to a millionaire, having been evacuated due to the spontaneous expansion of a new Hollow Zone. Leading to an eager group of Raiders to break in.

It had been something you were prepared for, weapon in hand and your team close by. Miss Rina had notified everyone about the incoming Raiders, with the others rounding close to your location- being the main entry point that the Hollow Raiders were predicted to enter through.

Clashing against the large group, steel hit steel, yelling and screams as bodies were thrown several feet away and knocked out. It was feeling like a cakewalk, having been taught by some of the best in the business, it was all just following through what you had been trained for.

At least it was until one of the remaining Hollow Raiders attacked you from behind as you were catching your breath- a mistake, Mister Lycaon always tried to drill into everyone’s heads that the danger should not be deemed as passed until there were no enemies around and the rest of the team had arrived to back you up.

You fell to the ground, hitting the marble underneath with a thump- dazed as you attempted to gain your bearings. Strong hands wrapped themselves around your throat, the pressure putting your brain back into alert mode. Your vision refocused onto a cracked helmet, the image of a Hollow Raider logo shining down on you- unable to move with their weight holding you down. Attempting to pry their hands off- several desperate attempts before realizing it was in vain. Darkness crawled from the edge of your vision as you breathing quickened but became more shallow with the pressure on your airway.

As you desperately looked for the others or something to give you even a few more seconds, you felt an object at the edge of your fingertips. Tapping it closer, you grabbed onto it- something sturdy, the weapon they dropped on the ground before going in to choke you. Harsh grip, you turned as much as you can, swinging your arm and hitting them with the object you grabbed as hard as you could.

Crushing through the glass of the helmet, Hollow Raiders often worse, the weapon hit your target. It was a lot softer than you imagined, as if it was dug deep into something.

Liquid spurted out, splashing blots onto the ground. Their grip on your neck loosened nearly immediately.

Warmth trickled onto your face. The weight of the Hollow Raider that had previously been crushing you fell to the side, limp- and now unmoving.

The world was quiet. Only faintly could you hear a familiar voice yelling before quickly taking out and chasing away the remaining Raiders.

The weapon handle was still in your grip, a worn plastic grip attached to a long steel blade. It was covered in red. Underneath you and the Hollow Raider was a puddle of the same red. The pristine whites of your uniform dyed red, black a shade darker.

Then the world became loud.

Corin had been the first to find you, being stationed closest, she charged in after quickly locking in on the enemies. Chainsaw revving to life, she spun forward, slashing at the Hollow Raiders with the battle cry of, “Ahh! Ge~et awa~ay!!” Blood spewed out- injuries that would definitely hurt but nothing fatal- or atleast with medical attention. It was one of the only good things she could recognize, having been taught how to expertly take out enemies without outright killing them, despite the very real threat her- and every one of their weapons brought.

Finally chasing out the rest of the enemies, she turned to look back at you, “Are you-” she stopped, seeing you with a lost look in your eyes. A look she recognized- having seen it on herself and Ellen before. “O-oh no, uhm,” She quickly stopped her weapon and approached, trying not to just wait for someone else to arrive out of fear of messing up helping you- but still apprehensive due to those very same thoughts.

Gently she came closer, remembering what Lycaon and Rina had done for her when she had undergone the same situation. Remembering what she had nearly done wrong with Ellen before Lycaon stepped in.

“Are you hurt?” “...” She looked you over, not seeing any blood coming out of you. “Can you hear me?” You nod. “It’s not your fault- you did what you had to do.” You stare at her, flashes of the corpse beside you flashing before you. “O-okay, uhm, Mister Lycaon and everyone should be here soon.” You perked up at the mention of the others- with everyone else here and no alive active enemies, you’ll be safe. “What happened was something bad. It makes sense for you to be scared.”

You sat there, heartbeat ringing in your ears as you struggled not to think about the corpse beside you. The corpse beside you. There was a corpse next to you. Their blood was on you. The scent of iron-

“You sit here and we’ll wait for the others. What do you want to do?” “I… want to wait for Mister Lycaon…” “He'll be here soon, it'll all be okay."

And true to her word, the others rounded the corner, prepared to fight. However, quickly Mister Lycaon and Miss Alexandrina assessed what was going on and rushed forward. Nodding to Corin, Mister Lycaon took charge, kneeling in front of you. Corin went to Ellen to inform her of your situation. Alexandrina watched over you, sending Anastella and Drusilla to do a perimeter check. At the sight of them all, you finally broke. It felt as if your whole body crashed and you fully awoke again, tears welling up as you jumped to embrace Mister Lycaon. You were safe. He softly embraced you back, warm muscular body like a shield against anyone outside of Victoria Housekeeping to approach.

“You’re okay, we’re here now.”

[holy-amelie]

'You fell first but...' sfw (Sunday)

...he fell harder ˎˊ˗

·.༄࿔ characters: Sunday, you

·.༄࿔ pairing: Sunday x g/n!AE!reader

·.༄࿔ cw: no tw, fluff and hurt/comfort, non-native english author, written before 2.7, but contains spoilers/leaks, be careful! Can be ooc but this is how I see him at the moment. You are from the Astral Express here.

·.༄࿔ a/n: still need to remember how to write things properly qwq

You fell first, that's for sure.

It's even funny how quickly this young and charming Halovian found his way into your heart. It only took a polite smile at the first meeting to ignite this new, funny feeling deep inside your chest.

It seems there was a real reason people on Penacony spoke of him as the most eligible bachelor in this part of the universe.

Soft, calm, as if glowing from within. No wonder you were the one who got closest to him during the investigation. There was something special about Sunday that only attracted you more, beckoned you like a moth to a flame. Maybe it was the fact that you wanted to destroy his perfect shell, or the fact that you already saw through him.

All his little nervous habits, his quiet and a bit awkward chuckles, the way he pressed his lips together when he was unhappy with something, just to hide it all behind the facade of an all-forgiving and all-understanding host. And the way his eyes were sparkling when he was passionately talking about something important.

You saw glimpses of Sunday, not the head of the clan.

Of course, it's foolish to fall in love at first sight with someone you've just met and barely know. But you can't help your heart. Especially when his image doesn't leave your head for a minute and fills all your thoughts.

And, yes, it was even more foolish to expect him to suddenly fall in love with you in return. As the head of the clan, Sunday was always busy with more important things (even more important than it might seem at first glance). So all you had to do was quietly carry the burden of these irrational feelings inside you.

Did it get easier when Sunday revealed all his plans? No. Some things you did not agree with, some things you could understand yourself. Was it easier when he lost? Once again, no.

You seemed to be the only person from the Express willing to run after him no matter what. And you would have if Robin hadn't beaten you to it.

But... he fell harder.

For Sunday, life ended after he lost and lost everything: his position, his home, his sister.

Life is a rather ironic thing, so when he suddenly found himself on the Express, broken and lost, it felt like a cruel mockery. The people who were against him suddenly gave him a place he could consider his new home. Even if temporarily.

Among the entire crew, you remained the only person who didn't look at him with suspicion or even a kind of apprehension. Not at all. It was you and your unexpected concern for his well-being that helped him rise from the very bottom of existence.

Sunday was emotionally naked before you. He was choking back tears and begging for forgiveness, even though you had long since forgiven him. The once strong and reserved leader suddenly showed his true self - mentally tired, exhausted, so desperate for warmth.

That's when he finally realized that he craved your attention more and more. Sunday was willing to be alone with you for the rest of his life if it meant that all of his problems would finally fade into the background. He continued to live not only for the fulfillment of his and his sister's dreams, but also for you.

Aons, Sunday was willing to give up everything as long as your gentle presence continued to take away all his pain, to fill his hear with love and warmth, giving him new purpose.

No wonder your innocent and shy love finally started something new in the end.

Including his new life.

please, do not rewrite/copy/repost/translate my work without me knowing, you can always ask first, thanks

[dynamitegun]

I have this dumb mental image of an aged Liara, now in her Matriarch stage centuries after the end of the games leading a diplomatic mission into Krogan space. Upon arrival her staff are horrified by a band of Krogan soldiers that meet them at the landing zone led by a grizzled leader. His scales marked by a hundred battles and a demeanor to match, roaring out a 'request' to speak to "the one in charge."

The mood is tense. Krogan space is civilized but along its border bands of renegades, holdouts of the old ways of war aren't uncommon. The mission has a few Asari commandos providing security but they're outnumbered two to one. Should they turn back? Stall for time and try to plan an escape?

Instead, Matriarch T'Soni holds up a hand, calming her staff and without a word, walks down the ship's ramp towards the Krogan completely unarmed, in nothing but her gown, ignoring the cries behind her begging her to come back.

She reaches the band of Krogan warriors, looks the leader up and down and places her hands on her hips.

"Is this anyway to greet your mother, Grunt"?

A tumbleweed passing makes the only sound

The Krogan grins, and scoops Liara into his arms for a hug, lifting her off her feet and spinning her 'round.

"I missed you." He says softly. She pats his shoulder as he places her down again.

"It's good to see you again too Grunt. You've got quite the command here it seems." She feels a smile on her lips as she waves her hand at the Krogan milling about, all trying their best not to stare, just as stunned as the members of the Asari mission.

"Yep. I've got my own brigade now. Aralakh Brigade. Over 2'000 strong. All under my command." His voice rings with pride. Liara nods.

"She'd be proud if she were here you know. Of what you've become Grunt. Following in her footsteps."

Grunt laughs. "She would, wouldn't she"? He doesn't wait for an answer and Liara knows he doesn't need one. They both know the answer. Shepard had taken Grunt in, seen past the tank bred warrior exterior to the boy beneath and had taken him to her side.

When Liara learned of this upon meeting Grunt for the first time on Utukku (Learning her bond mate had an adopted son that she'd never seen fit to mention) she had been surprised, but surprises were something she had grown used to with Shepard.

"Kid just needs a bit of direction Liara. Give him a chance." She could still hear Shepard's voice in her memory reassuring her.

She had been right "on the money" as she was fond of saying.

Liara ran a hand down her front, straightening the folds of her dress as she put back on her 'matriarch face'. "Well then. We have a schedule to keep. A meeting with the planetary overseer. Would you escort us"? She asked aloud.

Grunt nodded, with a slight twinge in his own voice putting on his 'Commander' voice. "I'd be honored, Matriarch T'Soni." Turning he bellowed out to his troops. "Form up!"

Liara walks back to her staff, almost all with wide eyes at what's unfolded before them. She crosses her arms. "As I recall we have a schedule to keep, do we not?" Breaking the trance they rush to their duties. She turns her back to them, hiding a small smile and watches Grunt form up his troops. The way he orders them into formation reminds her of no one but Shepard, a small piece of her still alive all these years on.

She would be proud.

...

I'm of the option that Femshep is Grunt's adoptive mom, and realized that even if she won't be around forever with Grunt, a romanced Liara certainly would be.

[wyvernest]

open arms | fantasy AU

pairing: witcher*!miguel x f!reader

> In Sapkowski's works, "witchers*" are beast hunters who are given supernatural abilities at a young age to battle wild beasts and monsters.

warnings: smut, fluff, dryhumping, unprotected piv, cowgirl & a bit of missionary, mentions of possible infidelity, slight angst at the end? very slight

summary: miguel returns to the reader after months of wandering the Continent, and she welcomes him with open arms

Every time you hear a horse trotting on the stone-streets of the village, your heart flutters wildly in your chest. Maybe it's him.

Only most of the time, it isn't. It's always just a soldier or a tradesman. 

No. His arrival is incomparable . When it's him, the whole village echoes with the deep, steady sounds of his horse's galloping. He never slows down, until he reaches the very wooden gates of the settlement. Comes by with a storm, a strong gust that then leaves as swiftly as it arrived.

And sometimes, you almost wish another monster would start terrorizing the village. Nothing too perilous, of course, but grave enough so that the guards wouldn't try to take care of it. So that they'd wait for a Witcher.

But alas, it stays a dream. He has for sure found some other fairer maiden in the south. Yet you're still here, unwed and long-time devoted to such a cold hearted man.

But how can a cold heart hold you so? How can it make you feel so warm, so adored? Must be some kind of sorcery.

And despite your unfruitful attempts to forget the hunter, on one gloomy evening, you couldn't help but jolt to your window at yet another horse clanking its hoofs on the pavement. 

Your heart races. A cloaked man. You can't see his face, but his stature is very telling. It can't be him. He gets off his horse. He enters the tavern across the road.

You release a breath you hadn't realized you were holding in your chest, mentally slapping yourself for running to see who it is so hastily. You'd almost want to smack him for all the cold months he's made you endure without him, without a single word from him.

But you can't. Whatever’s holding your hand back is stronger than any pale vengeance, it's what made you rush to your window, what now made you run to your bedchamber to pick and choose your prettiest outfit.

It's nearing midnight when you hear a confident knock on your door. Formalities. He knows he could kick the whole frame down in all courtesy and you'd still jump in his arms. 

You try to act surprised.

“Miguel!” You tear yourself away from your working table, just for a second before stopping in your tracks. 

What if he doesn't want you anymore? And he's come to grace you with the very news of it?

He rushes to you instead; one, two strides and he's across the room with his arms around you. Not with a teary, hearty expression, but with the desperate, deep sigh of a man who had finally filled his lungs with fresh air after being buried in ice cold waters for years.

“I've missed you, I-” 

You wanted to go on about how you were first afraid he'd found someone else, then how that fear turned into an image of him falling in battle, but he stopped you.

With his face in his big, warm hands, his lips meet yours in an almost barbaric kiss. If you hadn't had him in other ways before, you'd swear he was a man starved. But you're aware of how patient he can be. Sometimes.

He tries not to break it, but it's slightly difficult with his left hand now down your back and his right clutching your prettiest skirts to the back of your thighs as he lifts you up with nearly frightening ease. 

His steps almost shake wooden floorboards of the house as he enters the bedroom, with you glued to his chest.

Your hands are running through his hair, a feeling you've missed so ardently. Your palms, with nothing but the memory of his soft, raven strands in them, used to feel as if whipped with burning lashes, where loving his touch had been.

“I need to have you. Let me have you,” He speaks in your face, his voice dripping with a roughness you've only ever heard from him after a hard won fight, tired yet still potent. 

In response, you start twisting your delicate fingers into his collar, as if you could simply drag the garments down from him. Not before a scorching heat blazes in his eyes at your acceptance, he places you on the soft mattress and starts ridding himself of his armor. Pretty light one, you mentally note. Bastard, he knew he'd be coming to see me. Came half ready.

As his tanned body starts coming to the warm light of candles, you study his form. He had changed. His shoulders are bigger, his arms are thicker. As a whole, he looks stronger. Your panties soak at the sight.

He sits on the bed and places you on his lap, pleased with himself, and you suddenly feel as meek and shy as you were the first time he had you.

You feel him heat up beneath you as your lips explore each other in the most tender yet passionate dance you never thought you would need the same way you need air.

The softest of moans echoes in your throat, encouraging him to push your thighs apart over his groin. Hot palms run over your middle to the swell of your ass and back to your shoulders.

The hardening bulge in his pants brushes onto your bare, glistening pussy, and he feels your slickness through the thin material.

You try to take the reins with kisses on his cheeks and neck while slowly grinding on his crotch. He can't help but send a rough smack on your ass, smirking at your surprised yelp.

“I like having you all over me like this.” he admits as you drop your weight on him, no longer supported by your elbows, relying on gravity itself to mould you together the best it can, two desperate lovers mangled into each other’s limbs like roses sprouting upon the same rod.

A faint smile blooms its way onto his lips, his heavy-lidded, crimson eyes inescapably drunk on you. He’s looking at you like you’re his very heart and soul, the last slither of hope for life in a place filled with nothing but death. A reminder for him that his hands were not only meant to break necks and bathe in blood, but to love and hold you, so dearly, so perfectly.

Heart swelling with joy and sincere infatuation, you seal your lips with his, urged by an uncontrollable impulse to taste him as if he’s the oxygen you need to breathe. His lips feel soft and tender as they move against yours, hands naturally snaking to cup his face and hold him in the dearest way you can.

The moment you break away you feel utterly intoxicated. His now rock-hard dick nudges at your pulsing cunt, begging for your attention.

Lifting yourself from him and untangling his sturdy arms from around your waist, you lower your dripping cunt onto his still clothed erection, anchored with a knee on each side of his ample thighs. He watches closely, hypnotised by the way you begin rubbing yourself onto him, the outline of his cock grazing back and forth between your folds without entering you.

He fails to restrain a grunt which you can only mirror with a whine of your own as his dick twitches against your clit, your legs nearly abandoning you at the memory of the orgasms he fucked out of you on the other nights, when he came banging on your door less tired.

Something downright filthy about the picture stirs you further, driving you to submit yourself to his pleasure completely.

He grabs at your hips, guiding their sway, making little to no effort to claim you, having you simply dry hump him for sport while he’s comfortably laying back on the soft cushion.

That only until he finally deems your performance enough to satisfy him, and twists you around, fucking you into his mattress until you're soaked in his come, you imagine.

You grind against him at an idle pace, rising and falling onto his raging boner, beads of precome already staining his pants where his tip presses against its confinement. Placing your hands on his navel, you feel his feverish skin and the trail of coarse hair that disappears below the waistband.

The featherlight touch of your fingers slipping underneath his shirt makes him dizzy and unbearably needy. You start rocking your hips back and forth over the length of his hard cock, using his firm abdomen for support.

His eyes follow your movements, the languid strokes of your hips and the soft bounce of your tits underneath your night dress.

Warm, large hands creep up your sides, skating beyond the dip of your middle and up beneath the cotton of your one and only piece of clothing.

His palms tense just below your heaving breasts, their touch unbelievably addictive. You automatically arch your back to lean closer to him, wordlessly imploring him to put an end to his teasing.

“Take it off, 'wanna see your tits.” his eyes motioning for you to undress and throw the garments anywhere across the room. You feel your face heat up and cunt clench at his bold request.

Without any protest you comply, managing not to halt your grinding while your arms cross over head, disposing of the top while missing the way his pupils expand at the sight.

His hands latch onto your breasts accompanied by a hitched breath of yours, fondling and squeezing them together, veins bulging in his massive arms.

Right when you try applying a tad more pressure onto his leaking cock he grunts, signaling you to carry on just like that. You abuse the newfound weakness, glancing down only to be met with the broad head inching out of his pants with every drive of your hips. It twitches into the snug warmth of your damp folds, a telltale warning that he's close.

You speed up, confident that you may finally witness his climax without the drowning haze of your own. The dream swiftly dissolves into euphoria as he grabs your waist, swiftly switching positions and getting on top of you.

He enters you harshly, and his thrusts are furious. He doesn't need much more to reach his end, as he guides you into raw, carnal bliss, the girth of his dick spasming along your damp pussy adding to the tightening knot in your womb.

The frail bed creaks and trembles under his force, as his head comes down to nestle in the crook of your neck, his whole body nearly veiling you completely.

He comes with a thunderous groan, kissing your neck with tender, wet lips before slipping out and letting himself fall back lazily on the bed.

You're quick to nestle yourself beside him, head on his heaving chest.

“I've missed you.” he rasps, ever so slightly gasping for air.

“Where have you been?” you speak softly, yet you accentuate the question by running your hand over his toned chest, then up by his jaw, hoping it'll break him.

“Everywhere I was needed.” he takes in a deep breath, “Everywhere but here.”

You chuckle, tightening your embrace, as much as you can. Even though you're well aware the whole town will probably throw you dirty looks for months after seeing him yet again enter your house at the hour of the wolf, you didn't care.

You even found it in yourself to feel lucky with his visits. With him. You hadn't given yourself to any other man in town, other than him. But he wasn't from here. And that made him burst with pride.

“You sure you haven't been messing around while I was gone? Am I gonna have to fight a godless bastard for your hand?”

“Have you been messing around?” you ask, with pleading eyes, glistening in the low light. He looks down at you.

“I might have gotten a bit lonely at times.” He jokes, and although something stings you harshly at the thought, you decide to trust him. Miguel was many things, but a dishonorable man wasn't one of them.

You playfully push him away, just an excuse to feel the meaty muscles of his arm and stomach in the process. As if you needed an excuse.

"I'd fight any witless whoreson if it meant having you for myself properly."

You fall into slumber soundly, lulled by the soft yet raspy sound of his voice, whispering sweet nothings to you about all the things he would do, if only he wasn't bound by his lifelong duty.

I WANNA WRITE MORE WITH THIS CROSSOVER ‼️‼️

[ghostboneswrites2]

Protector

(short little protective!Daryl x gn!reader)

warnings - violence, profanity, TWD stuff, reader might sound a little insane

masterlist

From the moment he laid eyes on you, he knew. It was like some primal sense snapped into play, creating new rules and restrictions on this game called life.

Nothing was going to happen to you. Nothing.

It was the most raw show of love he could muster. He was a survivor, bred and grown to stand tall no matter what, and the day he met you, he decided you’d stand by his side. You’d live to fight every battle, celebrate every triumph, and see every dawn alongside him. He could not accept any other outcome, any other fate, any other end to his story.

In a sick and twisted way, it was the most romantic and chivalrous display of affection you’d ever been gifted. You thought about it often, when he was away, all those moments he showed you just how much he really cared. Regardless of his distant expressions or lack of communication, those memories were always there to remind you, cradling your soul in the warm embrace of his violence and brute strength.

Your favorite mental images to paint were the fine details of his enraged snarls and the way his sweat beaded above his brow so delicately, seemingly never disturbed, even as he executed vicious attacks on your behalf.

You often found a faint, soft smile curling at the corners of your lips when you pictured the rage in his eyes when anyone dared to disrespect you, let alone hurt you, like when the prison fell, and Beth disappeared, and he found himself wandering in the company of the Claimers, a particularly nasty group of mongrels.

To his relief and yours, he and those assholes stumbled across you in an old train station, hungry and tired. His relief was short lived when he realized exactly what the Claimers wanted from you, and how little they’d care that you were his. Yes, his, even if you didn’t know it at the time. How could you? He avoided you like the plague because he couldn’t cope with the whirlwind of emotions you brought out of him.

Still, he tried to keep quiet, tried to play it off like you were nothing but a stranger in a train station, praying to whoever would listen that you’d play along. That spark of a plan was quickly snuffed when he heard Joe utter that wretched word; “Claimed.”

In all truthfulness, you couldn’t even remember the full chain of events of that night. You remembered his face when he saw you, when the Claimers crowded around you, snickering at the mere sight of a fawn in a wolf den.

It was a blur of thrown fists, cracked bones, strangled cries of agony. Trivial details, you didn’t care to recall them.

No, what you relished in was the rush of hope that washed over you when the man who tried to claim you was pinned against the cold, damp cement floor with Daryl’s fist gripping his collar to hold him in place as the other crashed down into his face. Bodies littered the small train station. Even in a group they were no match for Daryl’s blind fury.

After a few bone-shattering blows, Daryl had leaned in so close to the man gurgling on his own blood, and with a deathly low growl, he told him, “I claimed ‘em first, asshole.”

Recommended reads:

Need by @star-wrote

Hazelnut by @dixons-sunshine

Strong Broken Things by @enlightndone

Feeling spooky? Check out my Daryl Dixon Halloween Challenge!

tags: @kissmeunicornbaobei @thesadcatt0 @clairealeehelsing @duckybird101 @tmntfixationxreader @ryoujoking @blackvelveteen1339 @yondus-girl @ladylincoln @sunshinebug9 @saylum559 @yoowhatthefuck @duffmckagansbandana @celtic-crossbow @virginsexgod69 @dazzling-roaring-20s @l0kilaufeys0n7 @uhnanix @superbowlisgay @liizzygrant @eddiemunsonsupremecy @raeraegoaway @ophelialaufey @theskinniestjackson-denny @dilfsalltheway @negansbestie @mfnqueen1 @raynelbabe

[kroosluvr]

yay!!!!!!!

typo that im too lazy to fix: on the last page, "kasumi was one of the best gymnasts [in japan]"

edit: BRO I IDDNT REALIZE AKIRA ND SUMIRE WERE SHARING A SPOON TO EAT THE CURRY AM I INSANEEEEE <- She literally drew this image

1st 2 pics are genderbent akira+goro as well as sumire, 3rd pic is canon akira and sumire

in my head m!sumire is dedicated to rhythmic gymnastics, but the fact that it's not a popular sport somehow causes a mental block for him: kasumi was a trailblazer in men's rhythmic gymnastics. he was setting the course, but now he's gone. so does sumire live up to that? does he have to fill his brother's shoes? or can he just strive to be the best rhythmic gymnast he himself can be?

he was always solemn and driven growing up, but after the accident, he drove himself further into his practices and routines in an attempt to "recapture the spark" that kasumi had. of course, this is mostly in vain... chasing his shadow doesn't get him anywhere

he slowly develops the cognition of "sumire" being "kasumi's replacement." the younger brother that stepped up to the plate. to attend to his anxiety/depression he goes to dr. maruki (i'd say this takes longer than in canon, because he was always so busy with practice that he didn't really. comprehend 'oh perhaps i need counseling after my brother died' LMAO. and even then it's more "ok im gonna start competing internationally, so i need to make sure my mental is in tiptop shape"

he starts to reveal his insecurities to dr. maruki who. yknow. does all that. i don't think this sumire would specifically say "i wish i was kasumi" but more "i want to continue his legacy the way only he could have done it" which dr. maruki himself takes as "ok so u want to literally be kasumi"

i'd also say his "transformation" into "kasumi" is more jarring than in canon? canon "kasumi" is polite, eager, cheerful and sunny, but i imagine m!"kasumi" to be more boisterous, more outwardly outgoing/extroverted/outspoken, a little bit of a daredevil

on top of that, i think (perhaps) since men's rhythmic gymnastics isn't super popular, maybe not many ppl have heard of "kasumi yoshizawa" to begin with? so maybe ppl accept him as "kasumi" a little easier, which is. um. bad LOL

not sure if this helps his gymnastics at all. i thinkkk it does give him the confidence to execute more complicated routines that sumire himself didn't have the self-confidence to try before. but, of course, this doesn't affect anything in the rhythmic gymnastics world since. erm. everyone knows kasumi died. awkward!!!!

i think the shame would be all-encompassing when he breaks out of the delusion. he never wanted this.... all he wants is to keep competing with his brother, to keep supporting him into the limelight, and he'll never have that again. so i think, like canon, his arc is learning how to support and uplift Himself -- but more like, become more self-sufficient in terms of his own gymnastics instead of always seeing himself as second place to kasumi (and being okay with that)

it's different than canon as kasumi always told sumire they'd take the world stage... TOGETHER! ->

while i think for m!kasumi and m!sumire they worked in tandem, it was never really a dream. kasumi simply decided "i want to do this" and so did sumire. the thing is, kasumi's skills just far outweighed sumire's, and that much was painfully clear to him. kasumi was one who could bring men's rhythmic gymnastics into the international lens, and sumire has no idea if he could ever be strong enough to do that.

there's an interesting sort of dissonance here....... like. big fish small pond (genderbend au) or small fish big pond (canonverse.) i think its interesting.. okay enough rambles from me its 4am sdjsdjfh

edit: last thing i think. in canon it’s heavily implied that kasumi took the reins and pushed sumire to do stuff / pick out clothes for them both / kinda set the stage for both of them but i think in gb au sumire just follows kasumi as a result of kasumi being such a bright light. sumire has ambitions the same way kasumi does but he lacks the self-esteem to back it up…. it’s similar in canon but not 1:1 if that makes sense? i think in canon sumire is still questioning if it’s even her dream to compete in gymnastics so that’s the main diff

[grapementos]

perseverance

aged up bakugo x reader

pt. 3 to this

numerous panic attacks had ensued since you were discharged from the hospital, but not all of them reached their final stages like the first had.

you’d grown better at grounding yourself and having some semblance of control over your anxiousness. slowly but surely, you felt the pain ebbing away.

it would never be gone completely, you knew, and every day you questioned the possibility of things being different.

what if katsuki hadn’t quit being a hero? what if he’d proposed just as he’d planned to? would your wedding have been beautiful? your marriage successful and healthy?

there were so many what ifs that hurt your heart just to think about.

yet, all you did was think about it—in the best, healthiest way.

you set aside your pride and fears and confided not only in your friends, but in a therapist. you had sessions weekly, and every time you walked out of the office, you felt a little lighter.

for the first time, you understood that it was okay to still love katsuki, to still want to be with him. in fact, they initially expressed how they wished the two of you had tried couples therapy before everything went south.

that was another what if that hurt.

you were always the more rational, levelheaded one. why hadn’t you thought of it, encouraged it? would it have made a difference? those thoughts kept you awake at night, haunting your mind and mocking you with images of a perfect life with katsuki. the life you could've had.

those thoughts were bumps in your path to recovery. it was only through those thoughts, however, that you learned that the road wasn't linear. you had amazing days when you felt strong and independent, days when you'd feel like you were in a colgate commercial. other days, you wanted to set your apartment on fire and disappear. you wanted to scream until your voice was gone, vocal chords torn to shreds. some days, you just wanted everything to stop.

through the good and the bad, you were able to persevere through the challenging navigation of a breakup. still, you granted yourself permission to still love him. to be in love with him. that love would never just vanish, you'd realized a few months into your journey. it dulled, flickered, and faded, but never vanished.

-

you'd found that implementing a routine in your daily life had greatly improved your overall mental health.

this morning, you turned on the news as you made yourself breakfast--a meal you forced yourself to consume, no matter how little it was.

as you grabbed what you needed from the cupboards, a name in the news had you pausing everything.

"...following his spontaneous philanthropic streak, former hero dynamight announces that he will be hosting a tell-all session at our local library. there, he intends to, quote, 'make amends with those i might have hurt with my words, actions, or lack thereof...' well, you heard it here. don't miss a valiant display of heroic vulnerability today at noon. in other news..."

you gaped at the tv, the glass bowl slipping from your suddenly clammy fingers.

philanthropic streak? where had you been?

the sound of the glass breaking reached your ears a whole minute after it hit the ground, snapping you out of your dumbfounded stupor.

"shit," you cursed, crouching down to pick up the pieces.

no, don't even think about it.

you looked at the clock, reading 8 as the time. plenty of time for you to get dressed and go.

no.

you could easily make it in time and sit in the back, just to see him and hear what he had to say.

no.

you'd wear something inconspicuous and hide in the back, just being silent. and then you'd leave, after ten minutes.

no.

every no carried a little bit of yes at the end of it, forcefully dragging you out of the kitchen and into the bathroom for a shower. it was closure, you argued to yourself, closure that you desperately needed.

it's going to be excuses, nothing but lies.

dark clothes are the best choice, you decided, anxiously changing into something you deemed inconspicuous. just ten minutes, it was all you needed.

don't throw all your progress away for ten minutes.

you stared at the mirror, trying to find a single good reason to stay home. yet, every thought in your mind convinced you that this, this is what you needed. you needed to hear him express his regret, his remorse to other people. people who once trusted and supported him in his endeavors, only to be woefully let down by his bouts of anger.

this will just make you hurt more. don't do this.

you discarded every invasive voice in the back of your brain and found yourself at the library come noon, hidden behind a bookshelf. you browsed the shelves with unseeing eyes, thoughts drowned out by the low murmur of the large crowd seated in front of the small stage in the center.

the library was home to many plays around the city, which you found ironic. would this be another display of dramatism and lies?

just as you found a book with a flattering cover, the mic whined with a little feedback.

"sorry about that."

you knew the voice, but the genuineness was foreign to you. you peeked over the row of books, your blood running cold as you saw katsuki sitting meekly on a chair on the stage.

"hello, everyone. i'm, uh, i'm bakugo katsuki, but most of you might know me as dynamight," he began, scanning the crowd, "a lot of you might not be fond of me based, um, based on my time as a hero."

many voices mumbled in agreement at that, which made him laugh, just the slightest. it made your chest swell with pride he didn't deserve.

"and i really don't blame you. i carried a lot of my immaturity from high school into adulthood. my biggest problem was that i saw heroism as a means to an end, a," he motioned with his hands, trying to find the words, "a stepping stone to being 'the best'--whatever that means. and i got lost in my obsession with my image."

you listened intently, at least half sure that you were listening to a complete stranger talk. the katsuki you knew had nowhere near this much humility.

"with that being said, my first apology goes to you, the people of this beloved city. you deserved someone who had your best interest at heart, and i'm sorry that couldn't be me. but, rest assured, i am very familiar with the current top ten and can say with confidence that they are the heroes you deserve."

you found yourself tearing up at his words, so awestruck by the complete 360 in his persona.

the crowd cheered at his words, as pleasantly surprised with his chanage as you were.

"thank you," he chuckled when the crowd quieted down, "next, i'd like to apologize to my friends and family. they definitely got some of the worst of it. for years, they suggested therapy for the anger that i just couldn't seem to control. and for years, brushed them off, over and over again. i insisted that my anger was fuel for my quirk, when in reality, it was detrimental. dangerous. so, mom, dad, all my friends, i'm sorry it took me so long to take your advice. thank you for standing by me."

you werent sure if the session was being broadcasted, but you sure hope it was. kirishima, mina, sero, and denki deserved to hear it. more than that, you were shocked to discover that he'd also been in therapy. so he really meant it..

another round of applause.

"last, and most important," he sucked in a sharp breath, "i'd like to apologize to the love of my life."

you stilled, as if a bucket of cold water had been poured over your head. no, no way.

"i spent three amazing years with the only person i could ever see myself loving. they were the most patient, the most kind person you could ever imagine. they stood by me during every slandering headline, every angry episode, every single ugly moment. they were there."

you covered your mouth and crouched down to the floor, squeezing you eyes shut. no, hell no, you refused to cry.

he exhaled shakily, rubbing a sweaty palm against his jeans, "they were devoted to me, to us. i'd be nothing without their impact on my life, and i've done the worst job at showing it. i," he stammered, scrunching his eyebrows together, "i ruined what we had, and i've never regret anything more. i know all the philanthropy and therapy and apologies in the world can never take back my insensitivity, but i will never stop being sorry, and i swear i'll grow every day."

you had to clamp your hand harder over your mouth to prevent any sniffles or sobs from escaping and alerting everyone to your presence. his words were so genuine, so wholehearted that you knew he truly had changed.

"i'll love them forever, regardless of if they hate me. with that love, i'll destroy any semblance of the douchebag-asshole-monster i used to be." he smiled out to the crowd as a final goodbye, "thank you, everyone. you don't owe me your forgiveness, but i hope you'll consider forgiving me one day."

people clapped, whistled, cheered for him as he turned off the mic.

meanwhile, your heart was racing. you didn't have a single coherent thought in your mind other than the fact that he loved you. he loves you.

he wasn't begging or crying this time, his acts weren't out of desperation. he was completely and totally vulnerable in front of a group of people that he didn't even know included you.

as people flooded out of the library, you shakily pushed yourself to your feet. what now? how could you possibly be expected to walk all the way to your car and drive home in this state of mind?

with a quick breathing technique your therapist taught you, you calmed down enough to get your hands to stop trembling.

katsuki had started helping the security guards pick up and stack the chairs, making small talk with them as they cleaned up the area.

you wiped at your cheeks, hoping they weren't too blotchy. with a quiet breath, you silently crept away from behind the bookshelf and toward the exit.

unfortunately, your far-from ninja-like skills couldn't get past the years of hero instincts engraved in every muscle fiber of katsuki's body.

"y/n?"

you froze, shoulders tensing as you slowly turned around.

"hey, bakugo," you cleared your throat, averting your eyes, "that was, uh, that was nice of you. good job."

there was something undetectable in his face, something you couldn't put your finger on, "oh, thanks, i-" he stepped closer, but stopped when he sensed your hesitance, "i didn't expect to see you here."

"i didn't expect to be here." you said honestly, fidgeting with your fingers, "but i should, uh, probably get going."

he opened and shut his mouth a few times before he sighed and nodded, "okay. but i really meant it, you know? everything i said."

fuck, you were going to cry again. you didn't want to, not in front of him.

"i know." you nodded, "i don't.. hate you, you know? we both had issues that we chose to resolve separately."

"i just wish," he sighed, looking for the words, "i wish that was't the case."

you couldn't hold in your tears anymore, a few cascading down your cheek, but you quickly wiped them away.

"i know." you swallowed hard, trying to prevent your voice from doing that embarrassing, high-pitched crack, "i do too."

he opened his arms, offering a hug and you just couldn't say no. the space was so perfectly carved for you.

you hugged him tight, burying your face into his shoulder.

"i'm so sorry, y/n. i'm sorry for everything." he whispered into your hair, his voice wet with tears, "i never deserved you."

you just cried harder, knuckles white as you gripped onto the back of his shirt. you wanted to speak, to reassure him that it wasn't completely his fault, but you couldn't pause for a breath long enough to say a single word.

instead, the two of you dropped to the ground, arms wrapped around each other with a desperation that you only feel for each other. a once-in-a-lifetime desperation.

the two of you cried and held each other, and somehow you knew everything was going to be okay.

and this concludes the triology! thank you for the overwhelming support on this series that wasn't even meant to be a series!

taglist: @blackout-ice-biohazard @survivorofmath @iam-thevillain-of-thisstory @odessa-is-my-queen @firesmokeandashes @valentineshiftz @sil-ver-shadow @echosfadve

[so-mordor-itis]

Nightmares Are Dreams, Too

Synopsis: Leon still has nightmares of Raccoon City, but this time you're there with him.

A/N: Felt like writing some hurt/comfort, enjoy!!

The worst part wasn't even the nightmares. It was the aftermath. The way he woke up with sweat clinging to his skin, the way his heart raced as if he had just ran a marathon and he needed to take multiple deep breaths just to calm himself down, the way his entire body would shake. The way the images of his terror flashed in his mind still. The blood. The violence. Raccoon City. What else would he dream about anymore? Certainly not unicorns and rainbows.

This night was no different. Leon was used to it now, the way his memories followed him like a shadow. They were his shadow. They were the darkness of him, excited to terrorize him again and again. He had woken up rather quickly this time, hoping that would stop the images of blood and violence and the sounds of zombies moaning. It didn't. Of course it didn't.

He could feel himself sweating. The cold air of the night had told him so. The breeze coming from an open window blew against his skin, and he shivered. He gently pulled the covers off of him to close it as quietly as he could. Leon didn't want to wake you again for the third time in a row that week. He just wanted to close the window so he wouldn't be cold.

You shuffled a little, and his heart dropped, but when you said nothing, he sighed. Leon lifted his hand and noticed he was trembling. He mentally cursed.

"You okay?" Hearing your voice, he slightly jumped. He thought you were asleep. Leon glanced at the bed you two shared and watched how you rubbed one of your eyes with the back of your hand. "It's like I have a signal in my head now to tell me you're not in bed." You held a look of concern at him, eyebrows knitted. He hated when you worried about him, which made him feel guilty. Leon just didn't want to fill your plate with mostly worrying about what he was doing and what he was going through.

"I'm alright," he mumbled, flexing the hand that was trembling. "Was cold, so I needed to close the window." Leon was fibbing, and he didn't like doing that either.

"If you had another nightmare, you know it's okay to tell me," you assured, head tilted. Your eyes still had sleep in them.

He hesitated. "Yeah. It's the same damn thing over and over," he was surprised how fast he told you, how fast he caved. He didn't even realize just how easy you had demolished his walls entirely. He also didn't realize you were approaching him. "It's always Raccoon City. Always."

"You're alright," you said calmly, your hand touching his cheek with such kindness he almost broke. Compared to his cool skin, the warmth of your hand was jarring. He leaned into your touch, craving it. "You don't have to always act tough. It's okay."

"I just didn't want to wake you up again," he said eventually. "That would be the third time this week."

"I don't care about waking up," you responded, giving him a small smile. "I'm here for you, and I'd gladly risk not sleeping for that." You nudged him to wrap his arms around you, so you could hold him, and he did. Leon couldn't say no to you, didn't want to ever say no to you. His strong arms cocooned your form, and he buried his face into your neck. Your presence was enough to calm his tremors.

He loved you. God, he really loved you. He wanted to say more, tell you how much this meant to him. But the words were stuck on his tongue, and they wouldn't leave.

"Do you want to go back to bed?" You asked him, and your voice was a bit muffled from his shirt.

"Yeah, I probably should," he replied, though he didn't want to let go. The idea of leaving you after this was like a knife to the chest. "I got to work in the morning." Inevitably, he would be ripped from your arms anyway.

You two shuffled back into the covers, and Leon couldn't help but wrap his arms around you again. You returned the gesture gladly, and he noticed you snuggling into his chest. He ran his fingers through your hair, pressed his nose to the top of your head, and kissed your temple.

He no longer felt cold.

"What would I do without you?" He said into your hair. You could probably feel his warm breath.

"Something stupid." You said, you shook your head, and he could feel your nose rubbing against his chest.

You weren't wrong, and that scared him.

~

|Tags:|

@uhlunaro , @amatxs , @honeyfict , @tosuckmyweenis , @izuniias , @airanke , @pepsicolacoochie

If you would like to be added to my Leon kennedy taglist, please let me know!!

[retrievablememories]

marrow | dpr ian

summary: you're not the only eater. many of your kind exist, but you have always tried to avoid them, continuing to play the charade of the normal, boring life that you can never truly have. until one day, someone shows up at your door.

pairing: dpr ian x black fem reader

genre: horror, angst, hurt/comfort, slow burn romance, bones & all au, 1980s au

word count: 22.9k

warnings & tags: lots of talk about cannibalism, plus the actual act of it | gore | lots of blood | side and minor character deaths | morally gray characters? | depictions of mental illness, including anxiety, depression, self-loathing/low self-worth | mentions of religious trauma | stab wound injury | mentions of self-harm, suicide | bisexual reader | sex happens but only off-screen; there is some kissing | time period is the mid 1980s | setting is the southern U.S. without the period-accurate racism | some body horror; someone gets burned alive but it isn't real | vivid nightmares | ...there’s a lot going on here, just tell me if i missed something

marrow (noun):

a soft, highly vascular modified connective tissue that occupies the cavities of most bones

the choicest of food

a/n: this is a “bones & all” au, so if you didn’t like the movie/book you probably won’t like this. based off both the book and movie but with some changes.

please heed the warnings; there are strong HORROR elements in this fic. (i mean, people are eating other people…) if you’re not interested in reading about these particular concepts, please just scroll on by, make use of your filter settings, or block me.

as we all know, this is just fiction...it doesn't claim to be an accurate/real representation of anyone.

dividers: here | here

1985

You smell him before you can see him.

It comes as somewhat of a surprise: You don’t realize you’re smelling something different, something other than Alicia’s perfume, the cigarette tray, or the stale, woody air of the motel’s office, until it’s right up on you. It makes your body stiffen with fear. Not that you have any right to be afraid.

After a few long minutes, though, no one walks in. You don’t see the familiar blinding sight of headlights flashing in the windows as a car pulls up. And yet the smell remains. Despite your apprehension, you get up from your chair behind the desk to see if anybody is outside, walking to the windows facing the expanse of the parking lot. That is when you see a figure lying on the ground, somewhat obscured by the shadows where the office’s lights don’t reach. It looks to be a man, though you aren’t 100% sure.

From what you can see, he’s covered in blood. Large stains of it ruin the white of his shirt and the blue of his jeans. You could guess that it’s probably not his own. Your mind jumps ahead of you, trying to create the image of him feasting on the body of some unknown victim, of him carrying a bloody bag filled with someone’s clothes and trying to find somewhere to hide it…

It’s a terrible thing to think. Maybe he’s an innocent person, severely hurt. He probably used what little strength he had left to drag himself here for help. 

But the smell never lies.

You quickly grab a flashlight sitting in one of the cubbies on the wall. Then you open the door, the jingling of the bell loud in your ears, and give the parking lot a quick sweep before stepping outside, seeing nothing but the same cars that’d been parked at the same motel rooms earlier. With it being a one-story motel, there wasn’t much area you needed to scan.

Standing out here now and pointing the flashlight into the shadows, you can see he’s still breathing, at least. But now you can also see the dried blood around his mouth and down his neck, which makes you want to promptly walk back into the office and lock the door behind you. Turn out all the lights and pretend no one was ever here.

There’s a big blood stain in one area near his abdomen like he was stabbed; you can see that the fabric is torn. Whoever he ate clearly didn’t go willingly. But when do they ever?

Again you think about going back inside—maybe telling Alicia to call for an ambulance. You think of calling the police, and shame immediately follows. How could you call the authorities on him knowing you and him share the same crimes? You’re unsure of which action to take, but it’s a little late to make the decision now. You see him begin blinking from the light you’re shining directly in his face; you hadn’t paid attention to where you were pointing the flashlight as your mind raced with options. He raises a bloodied hand to shield his eyes, the movement causing him pain.

You shift the light away, pointing it in the vicinity of his torso again. Only now do you pay attention to the numerous tattoos covering his skin. Unsure what to ask or say, you can only come up with a broken “...Hey.” You haven’t used your voice in the last hour.

He doesn’t reply. Instead he pushes himself to sit up, his hand hovering over the presumed stab wound.

“What…uh, what are you doing here?”

He looks at you like he’s deciding whether he ought to be suspicious of you or not. The irony. “I need water,” he finally says.

“Water? I think you need a lot more than water.”

With effort, he starts getting to his feet, and you can’t help flinching away. It feels stupid to act this way, to still be so afraid. As if being afraid could allow you to pretend that you are more human than you really are.

And what timing—Alicia appears at that moment after being locked up in her room sorting paperwork all night. The door bell sounding off behind you makes you jump hard, the wooden beads on your braids all rattling against each other. You spin around to look at Alicia, who’s too busy staring at the man in front of you with concerned eyes.

“What the hell? Are you okay?” she asks, her voice loud in the relative quiet of the parking lot. The motel being located on a less-frequented stretch of highway means things are often quiet like this, with only the sounds of cicadas and frogs and occasional passing vehicles to fill the late hours.

“I’m fine,” he says, disinterested in her concern.

Her eyebrows rise at his accent. “You ain’t from around here,” Alicia says, as if that intrigues her. 

“But you’re not fine. Haven’t you been attacked?” you argue, gesturing toward the wound he can’t keep his hand away from. He lets it drop to his side then.

“I’m fine. I bandaged it. I just need water.” His tone and the dark quality of his expression don’t leave much room for you to object.

You and Alicia look at each other for a long moment; when she sees the tension in your face, you both come to a silent agreement. Strange people and motels go together like thunder and rain, but that fact often keeps you in something of a hypervigilant state. Unbeknownst to Alicia, you are certain you know why this man has shown up here bloody and wounded, insisting he only needs water and not even asking for medical help—which would entail needing to be admitted to a hospital—and you conclude it’s best to get him off your hands as soon as possible.

Once you do, you can start trying to forget about him and the smell of blood clinging to him. After not encountering it for so long, its return makes that familiar taste of iron rise up on your tongue like it’s encoded in your DNA, activating your salivary glands from just the memory of eating, and you feel like an animal for it.

Alicia relaxes her shoulders and puts on a gentle smile. “Well, okay. There’s a bathroom in the office. You can get cleaned up in there. And we got plenty of bottled water too, though it ain’t the fancy stuff like Evian.”

So you let him in.

You listen to the water running in the bathroom while you sit with your back rigid in your desk chair, like you’ll need to spring into action at any moment. Alicia doesn’t bother to speak, knowing the walls are too thin to get away with it, and leans next to you to write on a page of your notepad instead. You watch her small lettering fill the white space:

He looks fucked. We’re probably more dangerous to him right now than the other way around. You think he walked all the way here from town bleeding like that? Maybe someone dropped him here.

You realize with a jolt that Alicia thinks it’s all his blood. You shake your head but give no explanation. After a pause, she shrugs.

Still, you know where the gun is.

“Please…” you choke out, not wanting to think about having to use it tonight—or any other night, for that matter. 

You don’t know if he’ll be a danger, considering he clearly ate not too long ago. But you can never say that for certain. Every cannibal’s appetite and impulses are different.

When he comes back out cleaned of blood, Alicia casually slides the notepad out of sight and stands up straight again. The shirt he was wearing is balled up in his fist, leaving him standing there with nothing but his jeans and shoes on. Seeing people in various states of undress, especially in the South during the warmer months, is nothing new. Still, his nakedness feels oddly misplaced in this macabre situation, and you don’t know where to put your eyes. You end up fixating on the bandaging around his middle, which is all stained through with old blood. It needs to be changed, but that’s not your problem.

Alicia blinks for a moment, the side of her mouth quirking up slightly.

“Of course—silly me. You’re probably wanting some new clothes, ain’t you? We might have something in storage. I’ll just be a few minutes.” Alicia takes a pair of keys from one of the desk drawers. You want to grasp her arm and tell her not to go, but she just directs her eyes to the notepad; you nod reluctantly and watch as she heads to the back door of the office and out to the storage building a couple yards away. It’s a spacious outbuilding that holds everything needed in the running of a motel, including the commercial laundry machines.

Now that the man is somewhat calmer, he looks at you like he recognizes you. You turn away from him when you see the change in his gaze. It’s strange to be seen and known by another eater. Though it’s happened several times, it always unsettles you. You don’t know anything about him, but you’re suddenly, maybe irrationally, worried that he’ll reveal your secret to Alicia.

“I’ve never met another one like me,” he says.

There are several things you want to say. Why didn’t you say it sooner? Have you really never smelled another eater until now? Who did you eat? Will you just leave already? None of these questions are what comes out. “Never?”

“Never. But I suppose I don’t stay anywhere long enough to find them.”

Then please leave soon. 

“When was the last time you ate?”

You bolt up from the chair. There’s nowhere for you to go, though, so you stand there wiping your sweaty palms on your pants and glancing at the back door, hoping Alicia returns soon. “Don’t ask me that.”

You still won’t look at him, but he tries and fails to meet your darting eyes. You find a different part of his body to focus on. This time it’s his hand resting on the desk counter and the intricately designed tattoo that covers it.

“You must get hungry sometimes.” He leans closer, but the tall counter overlooking the desk keeps you separated. “Are you gonna tell me you’ve never had the urge to have a bite of her?” He gestures his head toward the back door. “It’s so fucking lonely out here, maybe no one would notice if you did.”

“Shut the fuck up.” You surprise yourself with the force of your reply, though your voice shakes. “I-I have self-control.”

And then he laughs. Like you two are old friends catching up—like you didn’t just curse him out. It makes him wince immediately, and his hand goes to his wound again. He sighs. “Sorry, darling, but I don’t think it’s about self-control.”

You ignore the name, though it irritates you and reminds you of the sleazy men that often make their way to the motel looking for midday entertainment in harassing young women. “We’ve both been born infected with it,” you say, your voice tight. “It can’t go away, but it’s something that should at least be minimized—not just given into whenever.”

“Is that how you think of it?”

“How could you not feel bad about it?” Despite yourself, you feel tears stinging your eyes. “Each one of them was a person with a life and dreams. We’re the ones stealing that every time we give in.”

“Feel bad about it?” He seems to consider that for a moment, his dark brown eyes far away. “The only thing you can do is get used to it. I would think that at some point, after you’ve eaten enough, it wouldn’t be shocking if it didn’t feel wrong to you anymore. Or if you started enjoying it. You’ve never felt that?”

You don’t answer his question, too disturbed and mentally exhausted to continue arguing and unable to agree with him. You wish he’d never crossed into this part of town, that you’d never met him. His presence makes your head and your chest hurt. He is everything you are and everything you don’t want to be, facing you head-on so that you cannot ignore it.

He’ll go away like the rest have, you try to reassure yourself. You’ve never befriended any of the other eaters you’ve met; at most, you ran into them a couple more times but never saw them again after. But even as you think it, it feels like a lie.

You sit back in the chair with a stilted movement just as Alicia returns, feeling like the precarious little life you’ve built is suddenly on the verge of collapsing. All the effort you’ve put toward modeling the spectacularly average life of the everyday human being—gone.

“Sorry that took a while. I figure you can’t put new clothes on with all that—” she gestures to the bloody bandage “—going on, so here you are.” Alicia hands him a small stack of clothes and a first-aid kit. “I hope that’ll do you some good, mister….?” She looks at him expectantly, and you realize that you haven’t known his name this entire time.

You feel his eyes on you when he answers, but your mind is elsewhere.

“It’s Ian.”

—

The next time you’re struck by the familiar smell of another eater, it happens in the early morning hours when you’re helping an older couple check out of their room.

It causes you to stumble and break in the middle of your sentence as your mind blanks, and you have to take a moment to remember what you were saying. The two elderly folks look at you strangely, their previous neutral-at-best demeanor now giving an air of annoyance. But at least they’re on their way out. You tune out their unsubtle mumbling about young people and their drug use as they finish up and step out the door.

You watch the front windows with a rising panic in your guts, wanting to run and hide but unable to move your feet. What horrific luck do you have to encounter two within the short span of three weeks? It seems that whenever they smell you, they come to you—whether it’s to size you up or attempt to make an acquaintance. 

And a few minutes later, there’s a beat-up sedan, a gray Renault Alliance, pulling up in one of the parking spaces.

What you don’t expect is for the person to be Ian.

The ground has been kicked out from under you. You think maybe you’re suffering from acute vertigo. Your breaths and heartbeats are simultaneously too slow and too fast as he gets out of the car, wearing a button-up shirt that he only bothered to button halfway and black pants. He’s pristine this time—no blood, no torn shirt with an open wound, though his movements hint that he’s still healing. His eyes are shaded by sunglasses, but he takes them off as he walks to the door, making eye contact with you from the other side of the glass. That look sends cold water down your spine.

In another life, if he wasn’t like you and you weren’t like him—if you both didn’t share this bodily pestilence, this cursed impulse—maybe you would’ve felt some spark of interest. Maybe you would’ve thought of him as handsome, giggled with Alicia about it later, a brief respite from your mountains of paperwork. But in this life, you don’t feel anything but repulsion and fear.

You’re momentarily blasted with the unbearable summer heat when the door opens. It’s quickly chased away again by the air conditioning, causing your skin to prickle. Ian gives a close-lipped smile as he stops in front of you.

“Why are you back here?” you whisper.

“Checking into a room. That’s allowed here, right?”

If he’s a paying guest, you can’t really turn him away. He hasn’t done anything yet to warrant that. Even if he does eat other people on a regular basis.

You look past him to the car sitting outside. “Why didn’t you drive last time?”

“I just got it.”

“From which dealership?”

He taps his fingers against the sunglasses and glances down before answering, his voice low. “I think you know.”

Some part of you wants to know who it was in a futile attempt to keep their memory alive if only in your own mind, but you don’t ask. You don’t even know what type of person they were, after all; maybe he’d rid the world of some domestic abuser. It could be…understandable, in that case. People die everyday, you try to remind yourself—a useless platitude you have always told yourself after the act is over. It never absolves the guilt. They would’ve died someday anyway only goes so far when their blood is underneath your fingernails.

“And why come back here, of all motels? There are others in this area that don’t have mold in the bathrooms and roaches in the walls.”

He pauses after hearing that information, like he’s trying to figure out whether you’re pulling his leg. “I thought I’d be in pretty good company here, you know.”

“I don’t want your company,” you say wearily, watching him as he starts taking cash out of his wallet. “Do you think I’ll let you stay here just because—?”

“Because we’re the same? Because you’d cover for me?” he says, voice even lower like he only wants you to hear. That doesn’t matter anyway. Alicia is busy cleaning and preparing one of the newly vacated rooms, and it’s just you two in the office. There would’ve been one more person present if anyone had answered your For Hire ad in the paper, but it still remains only you and Alicia running this joint. “My God, darling. Forgive me for thinking you’d have a little mercy on a fellow cannibal. Anyway, I wouldn’t be so obvious as to do it here.”

You give him a look of disdain. In all sensibility, you should turn him away. You have no obligation to help him or break the law in doing so. The circumstances of his last appearance were already outrageous, and now he shows up with a stolen car. Who knows if someone might come here searching for him and making you and Alicia complicit in his mess? And ultimately, you want nothing more than for him to stop bringing up the whole cannibalism bit. Deep down, you are afraid that these mentions of it—maybe even the simple proximity to him—will reawaken the urge you haven’t felt in over a year now.

You’ve stayed silent for a beat too long. In a mess of movements, he shoves his wallet back in his pocket, slips his sunglasses back on, and brushes a hand through his hair, disappointment visible in his expression. “Okay, then. I’ll go elsewhere.” Something about his reaction makes your stomach twist. Maybe the sheer resignation in it. You shouldn’t care where he goes after this, if he has anywhere to go. He’ll be miles away from you again, just like you want. But…

It comes rushing out of your mouth as his hand reaches for the door handle, and you have no idea why you say it. “How many nights?” 

—

It’s been a few days since Ian checked into the motel and you haven’t heard anything from him since then, but sometimes you spot “his” car in its parking space when you go to see about one of the other rooms. Whenever it’s not there, you can’t help but wonder where he’s gone and what he’s doing.

Without seeing him, you would almost be able to forget that he’s there, if not for the smell. It constantly keeps you on edge, more than you already tend to be. Alicia picks up on your restlessness but of course doesn’t know the origin of it—meaning she’s left to come up with a new guess everyday.

“Well yeah, he was surely strange…but maybe he appreciated us helping him out and just wanted to return the favor?” she’d suggested on that first day when he returned and you’d let her know with a less-than-thrilled attitude. “It ain’t like he’s the first weirdo to come around.”

“Maybe you just ain’t getting enough sleep. That’s enough to turn anybody’s mind out. Hope somebody replies to that ad soon so we can have some more help…” she’d said the day after that.

“You missed him earlier, but he came by the office this morning. Had an extra one of those breakfast muffin thingies and left it here. Ain’t that nice? He’s pretty cute, actually. You sure you ain’t just crushing and feel weird about it ‘cause he’s a paying customer?” Alicia laughed one afternoon, the third day of his stay. “Worse things have been done at this motel, Y/N.”

“No, Alicia,” was all you could muster up, and your stiff reply was just as good as an actual confirmation in her mind.

Sometimes, even though you are deeply ashamed of it and try never to acknowledge these rare moments after they happen, you stare at Alicia with her long curly brown hair and her sinewy limbs and her shining brown eyes, taking in the full breadth of her humanness, and you wish she were like you. Even though it would take away her normalcy and happiness…if she could smell that blood-curdling aroma that only you can—if she could understand the weight of this secret—if she knew what it was like to feel the rough grind of bone fragments between her teeth—

—maybe everything could be easier. You wouldn’t have to live with an imagined cowl of judgment, which she had yet to even bestow upon you, always blanketing your mind. And though you’ve always thought it better to have fewer eaters in the world than more, maybe navigating this existence wouldn’t be so isolating.

—

One muggy evening, the motel office phone rings, and you see on the caller ID that it’s from Ian’s room. You have to take a pause to steel yourself, letting it ring for several moments before you pick up the receiver.

“Hi, how can I help you?”

“Hey, yeah, um, the sink faucet has started leaking quite badly…not sure how that happened. It wasn’t like that last night.”

You sigh quietly, knowing you’d suggested changing all the faucets to Alicia a while ago, but the budget wasn’t quite there to do so. The summer festivals will be starting up soon, though, and festivals mean a higher number of travelers, so maybe there will be more money for it by the end of the season.

“...I’m sorry about that. I’ll be right there.”

“Right. Thanks, dear.” Your mouth twitches, but you don’t reply; you just nod as if he could see you. Neither of you hangs up. For an awkward stretch of quiet, punctuated only by the shuffling sound of movement, it seems like he wants to say something else. There’s an intake of breath like he will. You slam the phone down before he can.

You find the toolbox in its usual spot and take your umbrella from the stand before heading out the door. It’s raining lightly outside, the force of the droplets picking up and then dying back again every so often, but the humidity is so high that you feel uncomfortably soggy by the time you get to his room.

When Ian opens the door, there’s a cigarette burning between his fingers.

“Um, hello.”

You don’t like the way he smiles at you—like you’re co-conspirators on some big scheme. “Hi. You know where it’s at, yeah?”

You resist rolling your eyes. “Of course.”

He lets you in and then leaves the door propped open so he can stand outside and smoke. At least he won’t be breathing down your neck while you work like some other guests do.

Some game show program is playing on the small box TV; it looks like Press Your Luck. The sound of the TV and the rain falling outside accompany you as you set the toolbox down on the sink counter and start making the necessary fixes to the faucet. Situations like this one, though annoying, do give you a tiny bit of reprieve; you become too engrossed in the work to think about all your life’s problems.

That is, until you realize the problem with the faucet is too convenient to be caused by any natural malfunction or wear and tear. No he didn’t…you think, though part of you is still trying to convince yourself that your eyes and brain are deceiving you.

When you’ve successfully repaired the faucet, you straighten up and are startled to find Ian already leaning against the bathroom door frame, the cigarette now gone.

“Uh—well…works like a charm now.”

He acknowledges your work with a small nod. Before you can say anything else, he immediately says, “How do you experience it? The hunger.”

You could swear that your heart ceases beating. Your words come out in a shaky rush of breath. “Please stop.”

“You’re the only other one I’ve met, and I have to know what it’s like for someone else.” His voice and expression are genuinely pleading, and this takes you aback. “Please try to understand where I’m coming from.”

You put the tools back in the toolbox with trembling hands, your mind racing with things you should and shouldn’t say. “It doesn’t happen often,” you finally admit, your voice so small that he has to step fully into the bathroom to hear you. “There are usually months or years between occurrences. But when it comes…it’s oppressive. It’s like I’m being gnawed on the inside, like I have to do it or I’ll die. The last time was before I met Alicia.” The blurred memory of it causes you physical pain; it’s impossible to escape the self-hatred and disgust you feel, enclosed in this small room with him.

“Who was it?”

You shake your head. The thought of recounting what happened—no, what you did—makes you shudder. You refuse to let the barbed words leave your mouth for fear of being cut by them and bleeding out, but you find yourself mentally back in the scene anyway; you can almost hear the lapping of the lake and the distant sound of her voice if you concentrate. “Her name was Marygold. That’s it.”

He nods, left to accept that you don’t want to talk about her. “Years…hmm. The urge comes every few weeks for me.” He smiles sarcastically. “Lucky one, aren’t I?”

“...I thought you said you enjoyed it,” you murmur.

“Look, dear: What’s not enjoyable is always having to cover your tracks—or making too big of a mess and having to leave the area because of it.” He crosses his arms. “The guy whose car I have? He was just some lonely grocery store worker. You probably want me to say something noble, like I ate a fucking axe-murderer or something. No—I just needed a car again, and he was convenient. That’s how it is.

Maybe I could try to ignore the urge, put it off, but I don’t. When I feel it, I just go and find someone to satisfy it. Does the average person debate about whether they should eat a meal when they feel hunger? No, they just eat.”

You groan, your stomach lurching as you clutch the edge of the counter. “I-I can’t believe you messed up the faucet to get me in here to talk about this. What if Alicia had come instead?” For a second, you allow yourself to consider the danger in that implication—if Alicia had been in here with him alone…

He gives an airy laugh at your mention of the sink. “So I wasn’t very clever, then.”

Trying to gather yourself, you pick up the toolbox and glare at him. “I’ve told you plenty. Don’t ask me about this anymore.” In reality, you haven’t said even half of what he wants to know about, but getting anything else from you is impossible at this point. 

Ian steps aside to allow you to leave the bathroom. You grab your umbrella from where it’s resting against the dresser and hurriedly open it.

“Please don’t call again unless it’s a serious problem. One that you haven’t purposely fucking caused.”

He raises his eyebrows. “That’s unfair. Staying here means I’m also paying for your services, you know.” Then he adds, “Not that I believe in superstitions, but I thought it was considered bad luck to open umbrellas indoors.”

You roll your eyes, already halfway out the door. “That’s ridiculous. And it’s not like I was born with any luck to begin with.” You let the lock click behind you, not bothering with a goodbye or goodnight.

—

Guests continue to come and go as the season rolls into the beginning of July; they mostly consist of travelers from outside of the area, contract workers, and truckers. You and Alicia work yourselves to near exhaustion with upholding the motel’s operations. You have often thought it lucky that you found her when you did, as she’d just fired her previous two employees for stealing funds when you answered her ad. You don’t know how she would’ve done all this alone, owning and upkeeping this motel after her divorce from her husband; but she always carried herself as if she were just happy to be doing something entirely of her own volition, without him ordering her every move.

Amidst this rush, Ian’s been at the motel for several weeks now. You wonder if he plans on living here, as it seems he has nowhere else to stay. But he’ll need to eat soon, won’t he? Guilt begins gnawing at you as the days pass. You’re putting the other motel guests’ lives in danger just by having him here.

But he’s been doing this just as long as you have—and with greater frequency. He should know by now to avoid eating too close to home. In those quiet moments when you have more time to ruminate, you find yourself hoping that he’ll go somewhere farther out, maybe to one of the bars or a nightclub. As long as it isn’t here.

But you don’t know why you debate with yourself over this or wish such a morbid thing. Someone will have to die either way.

—

The last person you checked in had been hours ago, and the cut-off was at 10:00 p.m. No one else would be coming through here tonight. With that, you’d mentally prepared yourself for another night of getting things in order for the next morning. A half-empty cup of coffee sits on your desk as you go through the budgeting again, the computer’s light illuminating your face and straining your weary eyes. New bathroom faucets, I’m coming for you…you think.

Alicia’s floral perfume swirls around the room as she goes about tidying up the lobby area, switching out the magazines for more recent copies and sanitizing every hard surface with cleaning spray and a cloth. A couple with kids had been through earlier in the day to check out, and their kids had great fun making a mess of things, to the chagrin of their tired parents. Neither one of you had gotten around to cleaning it up until now.

You’re closing out of the budgeting spreadsheet window and about to move onto something else when your stomach twists and aches. It’s been so long that for a few precious seconds you don’t recognize the sensation, but then dread smashes into you when your brain registers it.

The smell of Alicia’s perfume is suddenly too loud. The smell of her body, soft and muscled and warm, is too loud. Your eyes drift to her tanned legs revealed by her shorts, and you’re overwhelmed with the need to sink your teeth into the fat of her thighs, the muscles of her calves. You swear you can already taste the blood running through her veins; you imagine how it’d feel on your lips. You want to sob from how badly you want it and how badly you don’t. 

Your eyes sting with gathering tears as you breathe hard, your panic increasing. You should get up and go to the door, run outside and get the hell away from her. Even if you have to run into the highway and surrender yourself to death by speeding car, you should leave and spare her of this nightmare, but you’re incapable of making yourself move anywhere but toward her. Your body acts without your volition.

That’s how you find yourself rising from your seat, pressing your body against the desk counter as you take a couple of strained steps in her direction. Her body is angled away from you as she finishes wiping down an end table, and you see her cheeks rise as she grins in satisfaction at her own work. You understand innately that this smile will be the last, and a terrible ache swells in your heart. You know you’ll regret not seeing it fully so that you could imprint it in your mind.

“Alicia…” you moan, anguished.

She turns to you in alarm, and you want to scream when she walks over to you. “Y/N! What’s wrong? You look like you’re in a world of hurt.” Her breath is warm, and beneath the scent of spearmint, you can still smell a hint of what she’d had earlier. Some frozen TV dinner of mashed potatoes, meatloaf, and peas. You yearn to share her meal—suck her tongue into your mouth, chew it into pulp.

The sights and scents are all too much, and you are so, so hungry.

“Are you ill?” Alicia asks, brows furrowed as her hand clutches your arm. In your hypersensitive state, you feel each individual finger, the lines on her palms, and the swirls of her fingerprints. Though they are hands you have thought about many times before, it’s as if you know them intimately now—like you formed them and carved all the lines yourself. “I knew it. I’ve been putting too much stress on you, ain’t I? You coulda told me, Y/N.”

Tears drip down your cheeks as you shake your head in denial of her words. “I...I’m sorry.”

Alicia’s expression is soft and remorseful, her mouth downturned. “I should be telling you that.”

Her selfless words only worsen your guilt, even as you lean forward—your body controlled by a force you can’t deny—and press your lips to her neck.

When it’s over an hour later, the only things that remain are her bloody clothes. Physically, you feel frighteningly satisfied with your hunger now alleviated. Your reward for it? A shower of blood. The vinyl floor surrounding you is covered in red. Drops of blood streak down the front and side of the wooden desk, with more on the wooden wall behind you. There are probably more microscopic drops of blood all around the office that you’ll never be able to find. The air is filled with a mingle of odors; the cleaning fluid she used earlier, your unfinished coffee, iron and flesh, the ever-persistent woody, rustic smell of the office itself—and much farther in the background, Ian.

From your place on the floor, you drag yourself up onto your desk chair and fumble the phone receiver with slick hands. It’s difficult to see the buttons with the tears blurring your vision, and you futilely wipe them away, which just smears more of Alicia’s blood across your face. You have to think for a moment to remember which room number is his, and you desperately hope it’s correct as you punch it in.

You think you could faint when you hear his familiar accent. “Hello? That you, Y/N?”

“Help me,” you cry, your voice strangled from the tears and hyperventilating. “God, fucking help me!”

He hangs up a second later. You don’t know what you expected, but that wasn’t it. You begin resigning yourself to your fate as you slump into your seat, the receiver clattering on the desk. Some guest will find you here tomorrow and call the police, and you won’t be able to prove either innocence or guilt. What could you say—I ate her, all of her? You could open my stomach for the evidence; I don’t want to live anymore anyway? Despite what you tell them, the police will think you insane and continue searching for a body that no longer exists. That’s how it often is; another eater had told you this many years ago.

A fresh wave of tears bursts forth, and it causes you to miss the figure rushing past the windows and flinging the door open.

When Ian comes up to you with concern in his eyes, his hands reaching out to steady your shoulders and hold your bloody, tear-drenched cheeks, you don’t know whether he’s your demon or your savior. You feel a perverse relief at his presence, knowing that only he can understand your situation; and you resent him enormously for the casual way he can do the same thing and hardly think of it. It’s this curse you share, borne differently.

“We can clean this up,” he insists as he kneels before you, eyeing all the blood around him like he’s done this a hundred times before. You shake your head and begin to mumble a rebuttal, and he grasps your cheeks more firmly to regain your focus. “Darling, listen to me. It can be like it didn’t happen.”

“It did happen,” you retort, voice strained with anger. “Even if no one else knows it, I will. I can’t stay here and work here everyday knowing I—” your words break, “—that I killed Alicia.”

“You can do it, Y/N. You can get used to it. You have to get used to it, learn how to clean it up and move on. You don’t want to live a life constantly on the run—believe me.”

You practically snarl at him through the tears. “I can’t run a fucking motel by myself.”

He pauses, and then says, “I could do it with you. It’s not like I have shit else to do.”

You scoff. “And what when you need to eat? What then?”

“I could—”

“Start eating the guests, and this will become known as the motel where people go to disappear. How long do you think you’ll get away with that before the authorities come?”

“I’ve already told you I wouldn’t do that,” Ian insists. You think he might continue trying to argue with you, but then he says, “Okay. Okay. If you want to be done with all this, then we have to get the fuck out of here.”

“And leave it like this?” you groan, glancing at the bloody floor.

Ian finally lets you go so he can stand up. “Of course not. We have to clean everything. How many hours do we have until this office is supposed to open?”

You two spend the next several hours meticulously scrubbing every surface in the office. You try to turn yourself into an automaton—focus on the motions your body needs to perform and empty your mind. You aren’t successful. Too many times, you find yourself sniffling and averting your gaze from Ian’s direction so he doesn’t see your teary eyes, which is ridiculous in hindsight; he’s already seen you sobbing and covered in someone else’s blood. Held your face while you did so, like you were a small child. It doesn’t get much worse than that.

When the cleaning work is done, you stuff Alicia’s clothes, your bloody outfit, and the stained rags and brushes into several plastic bags you dig out of storage. Ian promises to stop somewhere so you can burn them all later. Everything else you take is more clothes to wear, some essentials, and your birth certificate folded small and stuffed in one of the pockets of your traveling bag—your only form of ID, and the only memento you have left of your birth parents.

Before abandoning the motel, you remove Ian’s name from the guest ledger to make it seem as if he never stayed there; his motel room looks untouched by the time you’re both done getting his things out of it and fixing it back up. You return his room key to its designated place on the wall of keys and then hurry out of the office, unable to spare another look at the place you’re leaving behind. You and Alicia lived and worked here for so long, spent so many exhausting nights and early mornings keeping the motel going even when it seemed like it might not survive, but there’s nothing left for you now. In just one hour, you destroyed it all.

So in the early morning hours when the motel guests are still asleep and there’s no one to witness but the gradually lightening sky and the cicadas, you and Ian hit the highway in his stolen Renault Alliance.

Once you’re a few miles away from the motel, you roll the window down to get some fresh air, and the warm breeze is one of the few things that helps hold you together. You almost want to stick your head out the window. Maybe if you fill yourself with enough oxygen, it’ll replace all the remnants of Alicia inside you. But you don’t want that to happen, either; you have nothing else left to remember her by but some bloody clothes that will be destroyed anyway. Only the memories of her smile, her sunny demeanor, her melodious Southern accent, and her perfume will remain in your mind, vulnerable to the passing of time. And eventually, those too will begin to fade and lose their clarity, gone to the same murky place within you that the other victims reside in, revived occasionally by your unpredictable nightmares.

“Where are we going?” you ask, and it’s the first thing either of you have said since you left.

“I’ve already been through most of the North…and I’m not really eager to go back soon. So unless you want to hang around the South a bit longer, it should probably be out West.”

“...I’d prefer the South. What kind of trouble did you cause up North?” you ask, your voice devoid of any meaningful emotion.

Ian glances at you and taps his fingers against the steering wheel. “Some…people saw me eating someone. I took someone to this broken-down house, looked like it had been abandoned for years and I knew people rarely came through that area, so I thought it was safe. But some fucking teenagers came there to do their graffiti and shit, and…”

“What did you do?”

“I ran. I hid out in the woods until night, and then I got the fuck out of the state.”

“Which state?”

“Pennsylvania.”

You nod slowly. “And then you come down here and get yourself stabbed. By the person you were eating, wasn’t it?”

Ian chews on his bottom lip before saying, “Yeah.”

In another context, you would make some comment about him being sloppy with it even after his years of experience, but you’re too drained to engage in the back-and-forth that would cause. You sigh and sink deeper into the seat.

“I’m not from this town either, you know. I’ve already done my fair share of running. But with the urge being so infrequent, it’s easier to stay in one place for a while. And even if I do give in to it, sometimes…I can pretend as if I didn’t. Buy myself some more time. Not much evidence but clothes, after all. And clothes are easy to get rid of.” You’re silent for a few moments. “But Alicia…” You close your eyes. “I can’t pretend.”

—

The beginning of your new life is exhausting. You’d forgotten how stressful it is to live like this; you’d gotten used to having one place to live in, the promise of running water everyday, and consistent meals that didn’t come out of a convenience store or vending machine.

You gladly watch Ian flirt with waitresses or waiters at the restaurants you stop in so you can get discounted meals. It doesn’t take much negotiation for him to get cheaper stuff at the occasional farm stand, either; the vendors are quickly enamored by his smile and his charming manner and those pet names he likes to lavish on every living creature. You don’t know where he got all of his cash from—probably that poor grocery worker’s house—but you do remain cognizant of how much of it is left every time you both have to buy something. You haven’t even touched the money you took from the motel safe yet, but that won’t last forever either. Your mind always remains ten miles ahead of where you are in the present, making it harder to focus on anything.

Sometimes you find an abandoned or empty house to sleep in for a few nights, left standing alone by the homeowners who are on vacation—whether permanently or temporarily. Entry is easier thanks to your lock-picking abilities. But most often, you two sleep in the car. Ian lets you have the entire backseat, which made you feel awkward at first. “Are you sure?” you’d asked.

“Quite. Why not?”

“...You don’t have to be so courteous considering we still barely know each other. I mean, you…” you faltered.

He’d given you this sarcastic smile and said, “How sweet of you to think of me, darling. I could sleep back there with you so neither of us has to deal with the front seats—”

“Nevermind. I’ll take it.”

And other times, he chooses someone at random—a bearded man at a gas station, an older woman at a grocery store, some sluggish-looking twenty-something eating lukewarm scrambled eggs at a down-home eatery—and spends a few days watching their movements. He’ll follow them at an inconspicuous distance in the sedan and find out where they live; subsequently, there will be hours of mind-numbing car-camping nearby as you both wait to see their vehicle turn down the road at the break of dawn or the onset of afternoon. Another day means more opportunities for observation.

But not everyone owns a car. Sometimes he’ll become interested in someone who’s traveling on foot, and he’ll leave the car to you while he trails after them for hours. You hate it the most when he does this.

He has enough decency to tell you a specific place where you can both meet at again in a few hours—maybe a park, or a drugstore—or he’ll say something about meeting you back here later. 

“Later” is an unknown to you. Not knowing exactly when he’ll be back and not wanting to sit in the same place all day drives you mad. You might go to a local trinket shop or an outlet store or some boutique downtown to try to ease your anxiety. But sooner rather than later, you end up in your agreed-upon meeting spot, watching for his reappearance in the side mirrors.

Whether he walks or drives, you’re always left waiting on him once he decides to eat them.

The very first time he played this game, he’d told you to “come back later,” front door open and one leg already outside the car. You’d both been tailing a man for a couple of days already, and he had been none the wiser. He’d just returned home from work not too long ago; the sedan had rolled in after, and you both watched his house from your distant spot among the trees—waiting for something to happen? You didn’t know. The sun was setting, making way for the dark of twilight to paint the world; through the trees, you could see the glow of the house’s lights in the distance.

“What? Wait, what are you doing?” you hissed. You impulsively reached for his arm to pull him back in the car and then thought against it, retracting your hand. But you didn’t need to bother with pulling him back, because he leaned into you like he was telling you something confidential.

“Trying to give you a break. I would ask you to join, but I know you hate this and all, so just come back in like, two hours.”

You were unsure how to respond. You stared at him, knowing what he was about to do and wanting to stop him but understanding that your efforts would be futile. “Ian, what if I can’t find my way back here? It’s going to be pitch fucking black.”

He took your hand in his and squeezed it. If this was meant to comfort you, it did nothing of the sort. “You will. Just remember the street names.”

Then he’d left. You didn’t stay to watch him approach the house; you climbed into the front seat and carefully navigated the car along the path that wasn’t really a path and back onto the road. You waited the two hours, your eyes twitching to the car’s dashboard clock too many times as you drove aimlessly around the town with your palms sweating, hoping not to seem suspicious. All the while, you repeated the street names in your mind so that you could get back easily.

When the time came, you did find your way back—just as he said. The door was already open as you walked up the grassy path to the porch, your legs trembling from what you might find. Ian stood there with the yellow glow of the interior outlining his form, and as you looked past him, you saw that there was nothing amiss inside. There were no signs that any death had ever happened here, carefully scrubbed and cleaned away.

And that is how you ended up with a new home to stay in for a little while.

You’ve never seen him consume anyone, and you don’t ask. But sometimes you wonder…after he makes himself known to them—what does he do? Force his way into their house? Play whatever innocent persona that would give him a good reason to be suddenly on their doorstep, in their driveway? Does he press his lips to their neck the same way you do, the last gentle touch before the ravaging, or go for another body part—or does he kill them through some other method before ever sinking his teeth in?

Deeper down, you always wonder if maybe this will be the time he fails. That maybe he’ll change from hunter to hunted, or that he’ll be caught again.

He seems to have a preternatural skill for picking the types of people who no one would really miss, though. People who live alone and often in homes or trailers that sit off on a densely wooded and scraggly piece of land, separate from any houses nearby. Too far away for anyone to hear screams for help. Sometimes they’re the type of people who’ve burned all their bridges with their loved ones and whose calls for a savior would probably go unanswered anyway. This ability of his deeply unsettles you, but you never admit this aloud.

Once, you ask Ian why he even puts in so much effort—why he goes this far just to find someplace for you two to lay your heads at night that isn’t the worn material of the car seats. You aren’t expecting some virtuous or sappy answer, but you don’t quite anticipate his actual response either.

He hesitates for a moment, as if wary of how you’ll respond. “I like it—that’s all. That slow pursuit and the inevitable ending…somehow, they taste better that way.”

—

Initially, you weren’t sure if it mattered to have some sort of disguise. You’d crossed paths with hundreds of people at the motel and wondered if you might someday be recognized, that they would somehow know what you’d done, why you left the motel, and expose you to the national papers. (Some regional papers had reported on the motel’s sudden and unexplained abandonment, you find out later, but they proffered no clear answers for it or your and Alicia’s whereabouts.) But you didn’t know if those largely brief encounters would be memorable enough for anyone to recall you months later.

Either way, you end up taking your braids out not too long after you’ve been on the road. They were beginning to frizz to an unmanageable level anyway, and your chances of having them continually refreshed is virtually zero now. In a way, it’s a relief to not have them anymore, as if you have somehow transformed into a different person—a stranger you could look in the mirror at and not recognize as an eater—by letting your hair free. You burn the hair and all of the wooden beads inside a fire pit at a camping site, watching them die nestled in the flames.

But there are always occurrences that refuse to let you forget. Because on that same campground, you catch wind of another eater a few days after your arrival.

Their scent makes your stomach drop, as it always does in the presence of another eater. You wonder if they have purposely decided to stay at this site because they smelled you and Ian, or if they’re merely passing through. How will the encounter unfold this time, with three of you present? 

When you go to talk to Ian about it, you find him by the river, where he has managed to catch a few fish. They sit nearby in a cooler. The midday sun beams down on the both of you with no relief, and you have to shield your eyes from the water’s reflection. 

“I hope you know how to gut those, because I’m not doing it,” you say, frowning.

“It’s fine, babe. I’ve got it.” You scoff and roll your eyes, unimpressed.

“Can you smell that?” you ask him abruptly, quieting your voice. 

He looks at you thoughtfully, but you continue shading your eyes from the sun and trying to appear casual and not at all disturbed. The continuous tapping of your foot gives you away, though. Ian glances around to see that none of the others near the river’s edge are close enough to hear, and eventually murmurs, “Yeah, I can.” 

“Okay. Okay, maybe—”

“You’re nervous?”

You return his gaze then. “You’ve never met other eaters. I have. Let’s just boil it down to this: It’s often better for us to stay out of each other’s way. Us being dangerous to everyone else doesn’t mean we aren’t a risk to each other, too. Not because we feel actual hunger for each other—I’ve heard that isn’t possible. More strange genetic shit no one can explain. But some will feed on other eaters just because they can.” You shift uncomfortably. “Some see it as like…a conquest, I guess.”

“Is that why you were so eager to see me gone back then?” You don’t expect him to say that, and it takes you aback for a moment. He smirks, but the expression doesn’t have a genuine quality to it—like he’s only showing levity because he assumes you will be repelled by him without it.

“No, it’s…not why.” The real reason feels too vulnerable to disclose, so you don’t. Again, you find yourself unable to meet his eyes, and you return your attention to the blinding waters. “Look, I just wanted to tell you so that you’re—aware. I’m not saying we have to up and run away, but…”

Ian’s face becomes hard to read; you don’t know whether he’s feeling apprehension or whether he’s neutral about the possibility of meeting another eater. Or maybe even fascinated by it. “I get it. Let’s just see if they make the first move or something. And if they show themselves as dangerous to us, then we can leave.” 

You don’t love the idea of sitting and waiting for something to happen, but you aren’t fond of the thought of packing up and hitting the road again either. You are beginning to enjoy this campsite; it’s not so remote that you feel isolated, but all the campers are spread out enough so that you can avoid feeling crowded in or watched. Or like you’re exposing others to danger. “Fine. Let’s see.”

—

You and Ian sit outside at the fire pit after eating, listening to the cacophony of frogs at the river and other night sounds as your after-dinner entertainment. You hear a train in the distance and wonder where it’s going. You imagine hitching a ride on it and traveling someplace where you can settle down without the prying questions of new neighbors and the requirements of real estate agents—buy a house and live in one place for the rest of your life like normal people get to do.

You scrub your face with your hands and sigh. Ian perks up at your heavy exhale, a question in his eyes.

“When I mentioned genetics earlier…” you try to order your words correctly, “...I think I got this thing from my mother. I was told that I was given up for adoption as soon as I was born, as her parents didn’t think she would be fit to raise me, and they didn’t want me either. They didn’t specify why she couldn’t raise me, but I always assumed it was because of that.” This is more personal than anything you could’ve told him earlier, and you aren’t sure why it comes spilling out now. “I don’t think either of her parents were eaters. I think it can skip generations, but I’m not really sure…I don’t exactly sit and have tea and reminisce about family trees with other eaters.”

You’d been passed between many foster homes as an adolescent, never truly feeling like you belonged in anyone’s home or that any of your new “family members” loved or cared about you. At best, you were tolerated or left to your own devices. At worst…you’d once lived with a strictly religious older woman who was half the cause of your constant feelings of guilt. She never found out that you are an eater, but there was plenty more than that for her to convict you about. The lectures about hell and brimstone still come back to mock you if you let your mental guard down for too long. 

During the time when you’d been traveling through the world on your own, you only took shelter in churches—abandoned or not—if there was truly no other suitable place to camp for miles. The large windows always reminded you of eyes peering down on you, seeing inside of your soul and cursing you for the blood you’d spilled.

Ian leans back on his hands. The flames of the fire pit illuminate his face, and somehow, he looks different. Like the act of reaching so far back into the past is making him into someone younger, softer, and newer to the world.

“...I guess it would be my dad, then. I never knew him, and mum would never talk about him. I don’t know anyone else in my family who would be. Family secrets always stay so well hidden.” He begins chucking little sticks and other debris into the fire pit, and you watch them spark as they hit the flames. “Mum tried to hide mine once I started, but I felt like such a burden to her…I just went out on my own as soon as I could.”

“So when did you start, then?”

“When I was starting high school. What about you?”

“I was still in the single digits…eight or nine, I think…” I’d snuck out to my friend’s treehouse at night even though I wasn’t allowed to, and the hunger came without a warning. Despite the blood inside the treehouse, no one could ever figure out what happened. The missing posters all over town haunted me. The finer details are gone now, but you still remember the basics of it. These things arise in your mind but you don’t say them, wanting to avoid the sting of voicing what you did.

“So it’s not the same timing for all of us? I’d thought it was some fucked-up symptom of puberty that none of the other kids at school had gotten or something…” Ian says, his voice trailing off. After a moment of silence, you laugh and keep on laughing, though it’s more an expression of your incredulity at this situation—at your lives—rather than true amusement. Ian laughs alongside you, though he sounds more light-hearted about it than you do. “I’m serious.”

“Ah…yeah. I guess it kind of is, in a way,” you whisper, just enough to be heard over the fire popping and the forest’s sounds. “A coming-of-age type of thing. You can never be the same after it happens.”

“That first time was scary for me, but mostly because of mum’s reaction when I told her.”

“What about before you told her?” you ask, wondering if you’ll regret this question.

Ian tilts his head back and stares up at the stars for a moment. “Physically, I felt…complete. Like…I don’t know, sort of like something in me had been starved and empty my whole life and I didn’t realize it until I finally ate.”

To your surprise, you feel some measure of envy at this, wishing it could be that straightforward for you. If you could eat only to satisfy the need, to achieve wholeness, and not feel any particular emotion about it—least of all the normal combination of negative emotions that crash down on you afterward—things could be so different.

This and all your previous conversations together might be the most time you’ve spent talking about the urge with any one person. That realization cools your blood and makes you want to draw back again. You’ve told him about your relatives and nearly spoke of your first time, and now you find dangerous words itching in your throat: I think I envy you. Maybe it’s all too much to lay in his hands and trust him with—even though you had no choice but to trust him with your life at the motel.

Trying to restore the emotional distance between you, you get up from your spot on the log and promptly announce, “I’m, uh, gonna go piss.”

Ian’s eyebrows crease in the middle, and a short laugh bursts from his mouth. “Uh, sure, be my guest.”

You walk off into the trees, trying to tell yourself that the physical distance is enough for now—even though you feel like you’ve splayed your chest cavity open before him and let him scrutinize your every cell.

—

You wake up in the tent alone the next morning, pulled out of sleep from the sound of voices nearby. It’s not unusual for Ian to wake up before you; with you not needing to get up at dawn hours anymore to run the motel’s affairs, you take every opportunity to sleep as long as you can.

Within seconds of waking, you realize the smell of the other eater is much stronger, which raises alarm within you. You peek your head outside the tent’s opening to see what’s going on, adjusting your scarf on your head. Outside, you see Ian talking to someone else at the picnic table—someone who you can only assume is the other eater. She has strawberry-blonde hair that reaches the middle of her back and skin that’s been tanned from weeks in the sun; there are freckles across her face and chest, and her eyes are a clear blue. She seems engrossed in the conversation, and though you can’t see Ian’s face, he must be the same way; this is the second eater he’s met after knowing none at all his entire life. You’re reminded of the almost desperate way he’d appealed to you in that motel bathroom, and all your internal organs wince at the remembrance.

And then she glances over his shoulder and sees you sitting there yards away. A small smile shifts her expression, but it doesn’t have the same energy of the friendly smile you get from a passing stranger in public. It says I know what you are, and we both know you cannot hide it from me. It creates that familiar unease in you.

Ian notices the change in her face and turns to look at you as she gets up from the table to walk over to the tent. “Hello there. We were just having a nice little talk; it’s not often I meet other eaters who’ve never encountered their own before. You caught yourself a rare one.” She smiles with her teeth now. “I’m Sherry. What’s your name?”

You tell her a fake name, still cautious about your identity. You wish you’d been awake earlier to catch the beginning of their conversation, but it’s too late to ruminate on that. “What did you talk about?” you ask, shuffling out of the tent now. You’re only wearing a tank top and sleep shorts because of how hot the tent can get when you’re both in it; you don’t know how the hell Ian puts out so much body heat.

“You know, the things every person talks about…the weather, things to do ‘round here, favorite foods.” Sherry cocks her head at the last phrase, as if amused by her own words. You’re unable to muster up a smile to match hers. “Personally, I like to feed every month…I think Ian would agree. It’s too bad you don’t indulge as often, I hear? You could eat plenty more—not just when the hunger tells you to.”

It’s clear that he’s said more than he needed to. You shoot him an annoyed look, and Ian smiles weakly before biting his lip.

“I’m fine,” you say curtly. “Really. A few times a year is more than I could ever have asked for.”

Sherry nods, her smile never becoming less amused. “You’re one of those eaters who’s not fond of the whole deal. That’s charming. Maybe you were gifted with more compassion than the rest of us. Or maybe you’re just…repressed.”

A blurred montage of all the people you’ve previously consumed flashes in your mind, along with the lives they lived, and you don’t know whether to feel angry or defeated. “Better some compassion than none, I would say.” Even with the annoyance behind your words, it seems useless to say this; there’s nothing you could say to make her see things your way.

“To each their own.” Sherry shrugs, nonchalant despite your irritation. “But I suppose I should be going now to get my day started, so—nice meeting you two.” You both watch her depart, Ian giving her a wave before she disappears into the trees. You sigh deeply, trying to tamp down the boiling in your chest as you begin picking out something to wear for the day from the small pile of clothes you own.

“Alright, look—she came up and said hello, said she had smelled us, and I…I was curious about her experience,” Ian says.

“I don’t know why you’re explaining anything to me; you’re grown and can talk to who you want. No one was chewed to pieces, right?” you say sarcastically. “That’s pretty much a win.”

“Because you’re obviously annoyed.”

You stand up straight now, gesturing angrily with your clothes as you speak. “Maybe because you should’ve left me out of your conversation. I didn’t even want to talk to you about this shit at first, do you remember? But you kept fucking begging me. Now some stranger knows about my situation without me ever sharing it with them?”

Ian smooths his hair back with both hands and sighs. “Okay, I can see how maybe that was fucked up. I shouldn’t have said anything about you to Sherry, but do you realize she would’ve known you’re an eater anyway?” You glare in response. “I’m sorry, alright? But it’s hard for me to get used to you being so closed-off about it when all I’ve ever wanted was to know I’m not alone in this shit. It doesn’t make any bloody sense to me!”

“Because I never cared about being alone in it,” you say, and a tiny flare of guilt pricks you from the dishonesty. “I didn’t think about who else might experience it. I was too busy trying to hide what I was. Even if I did consider it, I didn’t want to be around anyone else who could’ve been—like me.”

Deep down, you realize that despite what you’d sometimes fantasized about Alicia—that if she were an eater too, she’d understand you without judgment and you wouldn’t have to live under such stressful circumstances—the reality is nothing of what you thought it would be. Living your life with another eater hasn’t relieved you of the condemnation and shame you always feel, and you wonder if maybe the emotions have been ground too deeply into your soul to escape them.

The darkness in Ian’s gaze reminds you of the way he’d looked at you and Alicia when you confronted him in front of the motel office. “Stop bullshitting, I don’t believe you. People get lonely about smaller shit everyday, but you didn’t care whether you were the only cannibal in the world or not?”

Before you can respond, you hear the sounds of foliage rustling and feet shuffling; there’s a small group of people walking one of the trails yards away and laughing about something. You can make out flashes of their clothes through the tree branches and bushes. Sweat springs up on your body.

You lower your voice, hoping they haven’t heard any of your conversation. “I don’t give a fuck if you don’t believe me. Your experience isn’t the only one there is. Just stop telling others my business. You don’t have that right. For all I know, you could’ve slipped something about the motel.”

Ian’s eyes widen. “I didn’t say a damn word about the motel! All I mentioned was that sometimes the urge takes years for you, and that you hate it when it happens. You think I’m that unreliable, after all I’ve done to help you since then?”

You know he’s right about the motel, at least. You’re still somewhat incredulous that he dropped everything to help you clean up and escape unseen when he could’ve stayed in his room, acted like nothing happened, and left you to be hauled off by the law. But you’re angry, and though it may be petty, you don’t want him to be right about this. “What am I supposed to think of you? I don’t fucking know you like that. In case you forgot, we were perfect strangers not too long ago.” 

“And I try to know more about you so that we aren’t strangers, but you never want to talk about anything. Last night was something rare, but does that even matter to you?”

Your conversation from last night is like a distant memory, the personal details you shared with each other now dust in the wind. You wish you could take all of those words back, embarrassed from the vulnerability you allowed yourself. You wish you’d never known about him being a kid in high school, not knowing what to make of the new life that was waiting in his DNA, and that you hadn’t felt some measure of sympathy for him after hearing that story. You wish you’d done a better job of keeping him at arm’s length.

You gather your clothes close to your chest and shove your feet into your shoes so you can head for the river. “I’m starting to think it was a mistake. That’s all I know.” You walk past him without waiting to see if he’ll reply, trying to ignore the hurt in his expression.

—

The next morning is similar in that you are awakened by the sounds of voices again, but this time they are alarmed. Shouting, searching. Farther away, but approaching your area.

Ian’s next to you sleeping this time, his back to you as you sit up; at the start of this camping excursion you both had agreed to sleep facing away from each other, mostly for your own comfort. But it’s also convenient in this current situation when you’re still pissed at him.

You climb out of the tent to get a better listen, standing in the early morning air that’s already becoming too hot. You realize now that the shouts are someone’s name—Michael. The distress and pain are palpable in the voices of the people calling for the presumably missing person, and your stomach begins hurting with dread as your mind fills in the blanks about what might’ve happened. Not in such a public space…

Ian pokes his head out of the tent a few moments later, his long hair covering his eyes. “My God, what the hell is going on?”

“How would I know?” you scoff, squinting through the trees. You see a middle-age man and woman heading your way; there are other individuals spread farther out in the forest, still calling that person’s name. You catch glimpses of them through the foliage, their hands cupped around their mouths and heads swiveling like owls. When the couple reaches your camping spot, you notice the tear streaks on both their faces.

“H-have either of you seen this boy between last night and this morning?” the woman blurts out, holding up a picture with shaky fingers. The person depicted is a gangly blonde boy with a bowl cut who looks to be fifteen at the most. His wide smile shows his metal braces, and he’s holding up a large catfish. “We can’t find our son, p-please. He l-likes to go out exploring by himself even when we warn him not to, even at night—and he didn’t come back this time—he must’ve went out last night and got hurt or something, b-because some other campers found a patch of bloody grass…” The mother collapses into incoherent sobs.

The father tries to pick up where she left off, though his brown eyes are also wet and red and troubled beyond measure. “S-some other campers found this area of bloody grass in the deep woods away from the marked trails, so we—we thought maybe he got hurt and wasn’t able to find his way back—this is our first time camping here—b-but…”

“There…there was so much blood,” the mother gasps, shaking her head and clutching the picture so tightly you think it might rip.

“I-I’m…sorry,” you say, your throat feeling choked with a guilt that’s not yours to bear. “We haven’t seen him, or anyone else. We went to bed pretty early and only just woke up, so…” You ate dinner in silence with Ian last night before heading to bed earlier than usual. He’d stayed out by the fire pit smoking a cigarette for a while longer before coming in beside you.

The father nods, though your words seem to be another weight on his shoulders dampening his hopes of finding his son. “Thank you,” he mumbles, gently tugging the mother along to the next camping area.

“Jesus…” Ian mutters. It’s hard for you not to get lost in a rabbit hole of thinking about that boy and his apparent love for fishing and what he might’ve become if given the chance and the time. If only someone had had some kind of mercy on him. If only some otherworldly force had saved him. If only someone had simply not chosen him as their meal.

You walk away from the tent, trying to settle your nerves and corral your thoughts. You don’t know where you’re going, and you don’t respond to Ian’s call of your name, but you let your feet carry you away until you’re standing at the shore, looking out over the river. You listen to the tiny waves splash against the shore and feel the cool water run over your feet and try to let it ground you.

Maybe you shouldn’t care. Not when you’re capable of the same; it’s too hypocritical. Still, you can’t stop thinking about it as you dig your toes into the mud, trying to block out the sounds of the search party in the far distance. You’re almost ready to crouch down and put your hands over your ears when a hand touches your shoulder. You whip around to see Ian behind you.

“What?” you ask, voice coming out louder than you intend.

“Relax,” he murmurs. “It’s not like anyone thinks it’s us.”

“Why would they? And who cares about that?” you snap. “A boy is dead, and you’re sitting up here—of course it wasn’t us. But we do know—”

“We don’t know that he’s dead, and we don’t know that either.”

“You don’t think she did it?”

Ian sighs. “Should we assume that? If she did—it was always gonna be someone, Y/N. If not him, someone else. No one gets spared when you have to live like we do, you know that.”

“You two seem quite similar, honestly,” you say, exasperated. “Maybe it’d make more sense for you two to be together like this instead of us. I just can’t understand how you think.”

Maybe you’ve made a huge error. Not by accepting his help, or even by renting him the motel room—you’d have to go further back than that. You shouldn’t have even gone out to check on him that night. You could’ve avoided this all if only…

One decision. The difference between you being in this campground-turned-crime-scene and you standing at the motel desk taking yet another stranger’s information was just one decision.

…But you still would’ve eaten Alicia, wouldn’t you have? The hunger is always beneath the surface, just waiting to reemerge. If not then, it would’ve been later.

You’re spinning out of control. The thought comes to you suddenly: There’s no way you can sustain this strange relationship with him, in which you travel endlessly with no destination and you try to pretend like he doesn’t eat other people and like you don’t have the same craving. Your talk at the fire pit should’ve shown you that; how can you ever be on equal ground with him in the way that another eater like Sherry could? And why should you want to? You’ve been trying to outrun this desire to consume for as long as you’ve had it; you won’t let him make you think this is normal.

Even if your thoughts are anchored more in your current emotional frenzy than in reality, you’re unable to regulate yourself to see things differently. A vise of panic grips your body and crushes you between.

There has to be a way out of this.

“Y/N. I don’t think you’re in the right state of mind right now,” he says more gently, noticing the frantic vibe emanating from you. “If you’re that concerned, we can leave, okay? Remember, we said we’d leave if things didn’t feel right?”

“Right…” you murmur, though your mind is elsewhere, planning. “Tomorrow. We can leave tomorrow.”

When night falls, Sherry returns to your campsite. To your knowledge, the search party is still out there somewhere, pushing out to the very edges of the campground’s boundaries to cover all the bases. All of the other campers who didn’t get involved in the search have either decided to stay to themselves or leave.

“Hey, friends. I come with gifts.” Her smile is big and white in the dark of night as she holds up some beer cans and a pack of cigarettes. 

That’s how the three of you end up sitting around the fire pit, smoke from both the flames and the tobacco curling through the air. Your beer can sits nearly empty in your lap; you’d taken a few apprehensive sips at first, and then more, in an attempt to numb yourself out. Sherry leads the conversation, talking about her travels and the exciting things she’s done and never once bringing up anyone she’s preyed on. You don’t know if she avoids the topic for your comfort. You highly doubt she cares. You say little to either of them, too lost in your own mind to engage.

But eventually, amid a lull in the talking, she sighs as if burdened and then smiles. It’s an odd contrast.

“I’ve always preferred to feed on males,” she announces. “I like to pretend each one of them is my father. I guess you could call it daddy issues, but I don’t give a fuck.”

Your heart quickens. “Your father?”

“‘Course. He’s the one who gave me this little gift. Then tried to kill me for it. Ain’t that something? Didn’t even do me the dignity of eating me; he tried to strangle me with his bare hands like some kind of brute.”

“That’s so fucked up,” Ian mutters.

“If I didn’t fight him like a bat outta hell, I’d be dead. I didn’t eat him after. I just ran away from home and never came back. But shit, sometimes I wish I had eaten him.” She chuckles, taking a drag from her cigarette.

“So, the boy…” you start, but don’t know how to finish.

Sherry leans her head against her palm and studies you before saying, “Take a guess.” Ian raises his eyebrows.

“But why him?” you ask, voice cracking. “Why in a place like this, with so many others around? Don’t you think it’s dangerous?”

“It’s not if you know what you’re doing.” Sherry shrugs. “Besides, he was curious, easy to lure, and outside at night when he shouldn’t have been. They never expect danger to come from a sweet little thing like me. You should take advantage of that.” Sherry gestures to you, grinning again. “Use your feminine wiles and all that shit.”

You pour the last bit of your beer into the grass and stand up from the log you’d been sitting on. “It doesn’t work like that for me.” You walk back to the tent feeling chilled despite the humidity of late August. You try to ignore the sensation of two pairs of eyes following you.

—

That morning, you wake up much earlier than Ian does. You check to make sure he’s asleep, his chest rising and falling evenly, as you crawl from under the covers. You’re as careful and quiet as can be as you gather your things in the tent and strewn around the campsite—though they are thankfully few—and shove them into your traveling bag.

Once you have all your belongings together, you slip back into the tent. Ian’s jeans are folded in the corner with his other clothes; you know the car keys are in one of the pockets. As you slowly search through them, you hope that he won’t awaken. You watch his face for signs of consciousness, and as you do, the sight of him lying there scratches at something deep inside of you. It arouses a sentiment you don’t want to think of as sympathy. Are you betraying him in some way by doing this?

The feel of metal against your fingers causes your heart to race. You slide the keys out with as much control as you can muster. Then you back out of the tent, telling yourself this is the last time you will see him, before letting the flaps close and obscure your view of him.

You don’t breathe properly again until you’re in the parking lot, clutching the strap of your bag and the car keys like you’re being hunted. You falter in your steps, however, when you see Sherry in the parking lot too, messing with something in her car—a boxy, dark red Chevy. She isn’t the only person out here—there’s a man and his small child at their own car, the man tiredly searching for some beloved toy in the backseat while the child whines—but somehow you feel cornered.

You try to ignore her as you shove the key into the lock and throw your bag into the passenger seat, scanning the trees as if Ian might be there, shouldering his way out of the foliage. There is no one.

“Leaving so soon?” You turn at the sound of Sherry’s voice, unsure when she got over here and how she moved so soundlessly. “It’s probably for the best; there’s rumors the park rangers are gonna be temporarily closing this site.”

You shrug, your body stiff. “And?”

Her eyes search the car as if looking for something in particular. “Doesn’t look like enough stuff for both of you. You’re leaving Ian behind?” She laughs, her face simultaneously surprised and amused. 

You don’t owe her an explanation, you tell yourself. “Don’t worry about it.”

“I won’t. When I think about it…you two probably wouldn’t have made it very far together, anyway.” She throws her hands up in a casual what can you do? motion and makes for the treeline, calling over her shoulder. “Maybe you’ll change your mind about eating one day.”

“Maybe not,” you mutter, sliding into the front seat and starting the engine.

—

Summer fades into fall, though the weather doesn’t yet reflect this change.

You drive for miles and try not to think about many things—most prominently, Alicia or Ian. Yet, your version of not thinking about Ian involves a lot of ruminating on whether you should’ve left, what happened to him after, where he might be now, whether he decided to tag along with Sherry or just ended up alone again. You feel sick whenever the last possibility crosses your mind.

It doesn’t matter, you tell yourself. He was alone before me, and he’ll be fine after me. We were never really going to work anyway.

During your worst times, you wonder if you were purposely setting him up for disaster; you’d told him yourself how dangerous other eaters could be. You know you would never try to feed on him, but what about Sherry? The guilt threatens to make you implode; sometimes you want to fly back down the highway and find him again somehow, and say…what? What could you say to make it less horrible? Whenever your mind turns down that road, you attempt to convince yourself that it doesn’t concern you anymore. Whatever happens to him, good or bad, is no longer your business.

Not thinking about Alicia involves a lot more open wallowing and feeling sorry for yourself while simultaneously hating that you feel any pity for yourself. You deserve no one’s sympathies. But that doesn’t stop you from curling into the backseat and recalling past memories through sobs, dragging your fingernails down your arms until you bleed and scar. Even when you’re asleep, your dreaming brain conjures terrible scenarios in which everything is normal again, you’re working at the motel again and you’re laughing at some silly comment she’s made, shying away from her as she tickles your arm or pinches your side, and it feels so real that it’s physically painful when you awaken.

So you spend your days like this, hoping to somehow purge the trauma from your system by ignoring it—and doing a terrible job of both. You go entire days without speaking to anyone, walking through parks or down busy sidewalks without regard for the people around you who buzz with life and excitement. You count the money you have left every night and begin shoplifting to try to slow down your spending. You even consider finding a job again, though you still don’t trust yourself to be in such close proximity to other people for hours at a time; you just have to find a city you like enough to live in first. Somewhere populous enough for you to be insignificant, and fast-paced enough for you to have plenty of distractions from your oppressive thoughts.

You ponder this idea one early morning in a small diner; there are a few people here for their breakfast, but not an uncomfortable amount. The other diners are too sluggish or disinterested to regard your presence—or each other’s presences.

The atlases for several different states lie on the table in front of you; you flip through one on Georgia. You and Ian had collected many of them while traveling. Maybe you could work somewhere that doesn’t require you to be around too many other people. A call center, perhaps. But you’d still have coworkers. Maybe a typist job; you’d spend all day behind a computer filling in spreadsheets and taking tedious phone calls. It wouldn’t be much different from what you used to do. You could sew clothes in the backroom of a tailor’s shop, or take some mind-numbing factory job…

You just need something to occupy your mind. Being left alone with nothing but your thoughts and the road ahead of you is wearing you thinner each day. Was it even this bad during the time you spent alone after Marygold? You can’t remember. Maybe your brain is blocking the memories for your own sanity.

As you place your tip on the table for the waitress, she stops in the middle of gathering your dishes and observes your face. You catch her gaze and stare back, wondering if she knows you from the motel. You’re beginning to mentally spiral when she says,

“You look like a girl who’s lost to love.”

“Love?”

She puts a hand on her hip, looking at you like you’re the saddest thing she’s seen all year. It makes you uncomfortable. “You have that lovelorn look I’ve seen a thousand times before. Poor thing. Who would think of breaking your heart?”

Myself. “I don’t love anyone,” you mumble, chest aching as you say the lie.

“Everyone loves someone,” the waitress says. “I believe you’ll find someone new, if that’s what you’re yearning for. Don’t be so down.”

You shake your head, wanting to escape this diner and this conversation. “I’m a little too fucked up for that.” Your voice fractures on the last words, and you hold your body still in an effort to stop yourself from crying. If you hold your breath long enough, maybe your body will shut itself down and forget that it was about to break.

“Everyone’s a little fucked up, too, girlie. But that’s why you find that special someone who can put up with your crazy—or someone who has the same wild hair up their ass.”

You swallow hard and let out an exhale; there’s still a sheen of tears on your eyes, but the drops haven’t fallen. Your lips form a miniscule smile at her turn of phrase, amusement briefly flitting through you.

“Anyway, I don’t mean to be nosy. I just didn’t want you to leave here looking so depressed.” You probably look more disturbed than you did when you first entered the establishment, so you’re pretty sure that mission has failed. But some part of you appreciates that this stranger took the time to even speak to you, to care that you looked upset and want to do something about it.

She smiles and places her hand over yours. You allow yourself to take comfort in the touch for a moment; warmth spreads upward from where your hands meet, sparking something in your chest. But in an instant, the vault door in your heart slams back closed from where it’d cracked open, and the fears rush back in, spiking all your senses into anxiety. You’re soon pulling away, slipping out the front door and into the morning sun.

—

You’re not sure how to feel when you smell him again. 

The scent comes to you while you’re in a grocery store, debating whether to pay like all the other customers or just steal the few essentials you need and leave. The end of October is days away, and the vibrant Halloween decor and packaging are in full force throughout the store.

Many emotions race through you at once. You become hyperaware of your increased heart rate and the sweat that prickles your body, and you can’t figure out whether you’re afraid of or angry at his presence. Or relieved. You wonder how he managed to find you again—probably the same reason why you know he’s here without laying eyes on him, though that seems unlikely. You don’t think any eater can pick up smells from that kind of distance. Then you consider that maybe this is just a coincidence, the two of you arriving in the same place. Or some sick variant of fate. Could the universe be that cruel?

You think about dashing out of the store before he can see you, though there’s not much point. Why should you run? You were here first. If so-called fate has decided that this reunion was always going to happen at some point, then you don’t want to spend the rest of your life running from him. So you wait for him to come to you, trapped in a tornado of emotions.

You’re in the vegetable aisle trying not to get sprayed by the misters suddenly cutting on when you see him. You shake droplets of water off your hand and then you glance up and he’s there, approaching you like he only intends to leave this store with one thing: you. For a split second, you wonder if it’s really him; his hair is unkempt under a baseball cap, and he’s wearing a pair of yellow-tinted glasses you’ve never seen on him. His bag is slung over one shoulder.

You can feel the anxiety pouring off of him when he stops in front of you; his fingers tremble as he fidgets with his rings. He has the air of an older brother—or what you’d imagine one to be like—annoyed and afraid after you’ve run off without him in the store and gotten lost, and you don’t know whether to laugh or cry or curse.

“Didn’t expect to ever see me again, huh, darling?” Ian keeps his voice mostly even, but it sounds like that requires significant effort. “Not the way you drove off with my fucking car, I bet.” It was never your car, you think.

“How did you even find me?” you ask, voice small. 

“Think about it. The atlas.”

You do think about it. And then you remember; you’d talked about the next place you’d travel to after staying at the campground. You both agreed on a random town named Hendersonville, which is where you are now—but only after months of directionless hopping around from city to city. How would he think to come here now, months after the fact, when it’s possible that you could’ve already been through the town and long gone, or decided to never visit Hendersonville at all? Terrible fate…

Something else catches your attention before you can reply to this. Despite the agitated state you’re both in, you realize that you’re picking up on his scent and no others.

“Did you and Sherry…?”

“She’s dead,” he says.

That’s the last thing you expected to hear. “What?”

He pulls down the collar of his T-shirt. There are many scars along the junction of his neck and shoulder that weren’t there before, and it takes you a moment to notice that some of them resemble teeth marks. 

“So…” Your throat seizes up, and you have to clear it a couple times to speak again, though you avoid speaking too loudly. “...she tried to eat you?”

He lets his collar go and nods with a jerky movement. “After only a month. I had to kill her or she would’ve done me in. It was close.”

Your words haunt you yet again. Us being dangerous to everyone else doesn’t mean we aren’t a risk to each other, too. And for that reason, you don’t understand why he’s returned to you, a fellow cannibal.

You are shocked again when you register that there’s a small part of you that feels sorry for Sherry. You think of how she tried to regain control after her father’s attempted murder of her by preying on so many other men, doing to them what she wished she had done to him, only to end up dead by another man in the end. There’s something terribly unfair about it all.

“I…see.” You realize you’ve been holding a bell pepper for an awkwardly long time, and you waffle between getting a plastic bag for it or setting it back down. Frustrated, you toss it back with the others.

“Then I ate her,” he continues. You resist the urge to recoil.

“And you’re back here in front of me because…why? You’re not worried I might turn on you the same? I did take ‘your’ car.”

His laugh is colorless and dry. “You’re fucking joking, right? I know how you are. You can barely stand to talk about it, and I’m supposed to believe you’d eat me?”

“Shut up.” You’re more offended by him saying I know how you are as if he understands you so intimately after only a few months. It angers you to think maybe he could know you—know all these unpleasant things about you and still want to return for you. You begin walking away from him then, though there’s no real urgency in your movements to get away from him.

“You shut up. You may have tried to throw me aside, but we both know we’re not finished with each other.” He follows you into another aisle; there’s an old woman pushing a cart coming from the opposite direction, and he waits to speak again until after she’s gone. “We’re some of the few who know what it’s like.”

You suck your teeth, feeling foolish. “But…that’s why I left you. Thought you’d gravitate to Sherry, fit better together.”

“You see how well that turned out. What does it really matter that we feel differently about it as long as we’re not trying to fucking kill each other?”

You don’t know how to respond to that, because responding would mean admitting you’ve put yourself through months of emotional torment on the basis of a false and impulsive assumption. You want to bury the guilt chewing at your organs but it only worsens when he says,

“I just—fuck’s sake. I don’t want to be alone again.”

You stare at each other as those words settle in the air, though you struggle to maintain eye contact and soon look away with a wince. The most unbearable part of it is the pain in his eyes.

“I’m sorry,” you whisper. “I fucked things up when I shouldn’t have. I…misjudged.” Your words fade at the end, as you are left with nothing else to say to remedy the situation. Ian rubs a hand across his face, shifting his glasses up as he does so, and you pretend like you don’t notice the redness around his eyes. The both of you continue walking down the aisle, slower this time, the silence between you thick. Neither of you feels any better than you did before this meeting, but at least there aren’t thousands of miles between you anymore.

Finally, he says, “So. Are you gonna get anything, or will we just walk around until closing?” 

“Well…I don’t know. Do you have a car? How did you get here?”

“I’ve been hitch-hiking. And walking. But mostly hitch-hiking.” As if to prove it, he slides a wad of cash halfway out of his jacket pocket. 

“Oh. I—was thinking of finding a job,” you blurt out. It has nothing to do with your current conversation, but you feel like you’ve lost your ability to talk to him in his absence. You reach for anything to stop from thinking about the reason why he was gone, why he had to hitch-hike with total strangers. “To get more money.”

“And staying here?”

“No…there isn’t anything in this town for me. But maybe somewhere else.”

“Gotta find somewhere to live, then. I’m guessing you aren’t counting on having a roommate.” His voice is cynical, and you know he probably expects you to abandon him again.

“It was just an idea,” you mutter. “I haven’t even tried to look for anything.” You find that you’ve walked back around toward the entrance of the grocery store. A life-size skeleton grins at you open-mouthed from where it’s been propped against a display bin, all 32 teeth showing. You shake your head and sigh. “Let’s just get out of here. I’ve been in here long enough.”

The sky is turning dark blue with the onset of night as you walk outside; the streetlights have already come on. You go to the driver’s side of the sedan and gesture for Ian to get inside. He hesitates for a moment like he might reject—your heart nearly ceases—then throws his bag into the backseat. Exhaling, you get behind the wheel. For a moment, you just sit there with your hands slack on the wheel as he gets in beside you and lights a cigarette with shaking fingers.

You almost miss his quiet words when he speaks at the same time you start the engine up: “Did you even miss me?”

You don’t know if you can admit that you did—or that “missing” him felt more like something had been scooped out of you, your insides painfully scraped clean afterward. You chalk it up to your inherent loneliness, the reason why you’re drawn to him despite not wanting to be. You wish your heart hadn’t reacted so painfully at the possibility of him deciding to leave you after all, and yet you have no one else. Not your grandparents who abandoned you, your cannibal mother lost somewhere in the world, or your father who died before you were even born.

“I…regretted it.” You don’t look at him, occupied with pulling out of the parking spot. “Yes, if it makes a difference for you to know…I regretted it all the time.”

He says nothing for a while. You wonder if your reply was enough, if he expected more. It feels like there’s a third thing in the car with you, sitting in the space between your bodies and preventing you from fully accessing each other—everything that remains unsaid.

“Where are you staying now?” he finally asks.

“An abandoned barn near here. Seems like the owners just up and left all their things. Still smells kinda like horse, but…the loft isn’t so bad.”

“...Nothing I haven’t dealt with before.”

—

“You never did tell me exactly how you showed up at the motel that first night,” you tell Ian. “I deserve to know that much, at least. What brought you into my life.”

It’s the second week of November, and you’re still in Hendersonville. 

You gaze at the large pond before you, your view broken every so often by Ian walking through the overgrown grass around the pond—treading an aimless path but never venturing very far from the car. The engine is still warm underneath your butt where you’re half-leaning, half-sitting on the hood, and you try to enjoy the warmth while it lasts. 

The pond is about 10 minutes from the barn where you’re staying, and you’d driven here several times when it was just you. But you’ve only been here during the light hours; seeing everything at night is much different. Something about it feels overly familiar in a way that unsettles you. The scene threatens to dredge up old memories of your nighttime swims with Marygold—right down to the nearly full moon, huge and clear in the sky. You have to fill the quiet with your voice if you have any hope of outrunning the dark thoughts.

Ian crosses his arms and sort of side-eyes you, like maybe he’s skeptical about you initiating a conversation like this after the fallout of the camping excursion, and you mimic him until he breaks with a small, barely-amused laugh. Better to focus on his past issues than your own, you figure—as fucked up as that may be. You don’t move your gaze from him as he tells the story, watching him continuously flick around a few loose strands of his hair on his forehead.

“Right. Well…I tried to eat this young farmer guy—saw him at this country bar, or he saw me, and I guess he liked what he saw…I ended up going home with him, because I was hungry. That’s why I’d gone to the bar that night. Told him I was living on the streets and had barely eaten in days. Made him feel sorry for me. And then I tried to eat him…but when he started fighting it, I didn’t realize he had a pocketknife, and he got me pretty good before I ended up killing him. Too much commotion alerted the neighbors. I only had enough time to try to bandage it before I had to get the fuck out. Walked through a fucking corn field…then eventually I reached the highway, and you know the rest.”

“So you killed someone and didn’t…finish them.” The thought of that almost bothers you even more than the eating itself. It just seems senseless. The man could still be alive now, but his life was ended and went to complete waste; his body didn’t even serve its purpose as sustenance. You realize that this isn’t even the first time this has happened, thinking back to that time he was caught while up North.

He doesn’t seem offended by your shift in mood—maybe just weary. He rubs his eyes. “It happens. But I aim to make sure it happens as rarely as possible.”

You turn away and look across the pond again, your mind getting lost in the dark copse of trees on the other side. Being outside at this time of night is not the most comforting thing in the world, but in truth, is your nature really that different from whatever dangers lurk in the woods? “I wonder, then…how are we any better than the average serial killer?”

“We kill because we have to.”

“Being chained to our physiology doesn’t get rid of our blame.”

“I never said it did,” Ian replied. “And that’s your problem. Eating doesn’t need to be innocent or pure or blameless in order for you to accept that it’s a part of yourself…it just is.”

You can’t muster the will to counter him, and he doesn’t press the matter, likely not in the mood for yet another round of verbal sparring. He resumes walking his circles, wearing trails into the grass. You continue sitting on the hood long after the engine has cooled, watching the moon’s reflection tremble on the water’s surface and imagining what you’d tell Alicia and Marygold and all the others if they could hear you, somewhere in the universe.

I’m sorry. It’s just who I am.

—

With Hendersonville behind you, you’re back to sleeping in the car many nights. Among the various things you see as you travel through urban cities and rural areas, fall festivals are common occurrences everywhere.

There’s one coming up in the distance now; you’ve been idling in evening traffic for minutes, and it becomes clear that this congestion must be because everyone’s heading to the festivities. You press your face closer to the car’s window glass to see. The bright lights of the numerous booths, rides, and decorations illuminate the late evening. Countless people walk or run around, some wearing elaborate outfits.

You’re just coming from a mom-and-pop restaurant where the wife of the owner had called you darling even more than Ian does. She’d assumed you both to be lovers and gave you a free slice of pumpkin pie to share, and neither of you bothered to correct her if it meant treats you didn’t have to pay for.

As you observe the festivities, you see that there are two booths set up on either side of the festival’s main entrance; one claims to offer some type of spiritual readings, denoted by a large sign of a purple crystal ball. But your eyes catch on the bone-white trailer sitting on the other side of the entrance. It has been converted into a mobile booth with a large sign with red and blue lettering that asks one question: Are You Going to Heaven? An older man with graying hair sits in the booth, hands clasped together as he watches groups of people entering the festival grounds. It’s too far away and too dark to be entirely certain, but you don’t think you’re imagining the cross hanging up behind the man on the trailer’s wall or the thick book resting near his hands.

“Looks like they’re having fun,” Ian says, face illuminated in red by the taillights of another car, one hand on the wheel.

“Mmhm…” you answer, your mind still hung up on that booth and sign as the car finally drives past. Memories of your former life knock at the door of your consciousness, but you don’t let them in.

You’re unable to ignore your discomfort later that night, though, when you and Ian return to the safe parking spot you’d found days earlier and settle in to go to sleep. The cold has finally become a permanent fixture as the months venture deeper into late autumn, and you clutch your blanket tightly to your body as you drift off in the backseat.

In your dreamscape, you wake up in Alicia’s bed in the living quarters of the motel office, blood dripping from every part of you—hands, arms, face, chest. The sight of your bloody hands splayed out in front of you makes terror spike through your body, your breaths coming short. As you turn to look at your surroundings, you see the remains of Alicia lying on the bed next to you, her torso almost completely hollowed out. Her brown hair is streaked with new and drying blood—same as the red-dyed ivory of her broken rib cage. Her dead eyes look at you with a frozen expression, pained and imploring. Begging, even. Why did you do this to me?

You have the sensation of screaming, feeling it emanating from your body and hearing the sound pierce your ears, but your mouth isn’t open. You try to scramble off the bed and away from the mess you’ve made of the woman you love, but no matter how hard you fight, you have no leeway; it’s like the sheets are holding your limbs hostage, sucking you in like quicksand. Sweat pours from your body and stings your eyes.

In the next moment, you’re no longer struggling, and Alicia is no longer next to you. You’re not in her bedroom at all anymore; you’re sitting at a kitchen table you don’t recognize. The kitchen has a rustic and homey appearance, as if it belongs in a country homestead. Lacy floral curtains frame each side of the window above the farmhouse sink, allowing the dark orange evening sunlight to stream in, and the black wood stove a few feet away from your chair has a steady fire burning inside of it. Someone’s cooking, then, or preparing to cook. Who?

Ian turns to face you from where he is standing at the counter—when’d he get there? You didn’t notice him before—with two porcelain plates in his hands and a delighted grin on his face. Have you ever seen him look so happy before? You smile back at him as your eyes shift from his face to the plates; balanced on top of each is a perfectly bloody heart, the muscle thick and hardy and still beating although it’s attached to nothing. The kitchen floor around you both is stained with large swathes of blood, which have sunk deep into the wood’s fibers, though you hardly notice this.

Ian sets the table and sits in front of you, and neither of you bother with utensils as you pick up each heart with your hands. You hold the heart against your lips, feeling the slickness of it and letting the blood smear across your mouth, marveling at the constant pumping motion of its ventricles. It’s endearing, you think. How it tries so hard to maintain life when it’s fruitless anyway.

Then you bite into it.

You both eat ravenously, blood staining your mouths and hands the deep shade of carmine. The taste of the raw flesh is better than any food you have ever consumed, and innately, you know this is what you were made for. You laugh at how good it feels, glancing up at Ian with pure mirth. The indulgence is so sweet that you don’t notice the wood stove growing hotter and hotter in the corner of the room until the wallpaper behind it catches fire.

By the time you finish eating and regain enough wherewithal to realize what’s going on, the entire room is ablaze, and you are alone. The fire crawls up your chair and then engulfs the table. There’s nowhere safe for you to run, but you try anyway as the flames catch hold of your feet and then your legs, eating their way up your body. You stumble through the house screaming, the heat raging around you at an incomprehensible level.

Your skin begins to slough off and you scream endlessly for it to stop, but it never does. There is always more skin to replace what’s being scorched off of you; it grows back with an unbearable itching sensation as it knits together, only to burn right up again. You collapse to the ground on your hands and knees, though it’s excruciating to put weight on any part of your body.

Through the brightness of the fire and the heat haze, you make out a strange white and blue pattern on the floor in front of you, and you realize that it’s shards from the porcelain plates. Together, the broken pieces spell out:

Are You Going to Heaven?

You wake up in a flurry of limbs and blanket, hitting Ian who’s sleeping in the reclined front seat. The accidental violence combined with the sudden rocking of the car is enough to startle him awake. His voice floats out somewhere in the chaos, but you don’t really register it as you fling the car door open and stumble out of the sedan. You walk a couple yards away from the car—just enough to let the cold night air spear through your skin and convince you that you’re no longer trapped in a much hotter place. You hear the front car door open behind you and footsteps on the grass as Ian steps out. He calls your name, and you pretend not to hear as you stare at the ground and then toss your head to the skies, hands on your hips for some sort of stability. Your stomach aches badly, but you can’t get sick now.

“What’s wrong? Did you have a nightmare?” he asks when he gets closer. 

It takes you more than a minute to work up a response without the possibility of a scream or vomit tumbling from your mouth, and he waits patiently as you do. “Y-yeah. It’s…probably not that big of a deal…I was…” The next words spill out before you can think to keep them inside. “Just a bit…freaked out by a…sign.”

“A sign?”

“The sign at the…festival. The white booth…” You wave your arm, unable to say much more. A steady throb is starting to take over your skull, and it’s too much effort to keep talking.

Ian thinks for a long moment before he seems to realize. He takes another step towards you. “Babe, look at me; it’s okay. Nothing bad is gonna happen to you. You’re fine. I know it feels bad in the moment, believe me, but you’re here now, and you’re safe.”

“You can’t guarantee that,” you murmur. You can’t imagine the look on your face right now, but your eyes feel dry and painful, like you’ve actually been in a fire pit for hours. Maybe he can safeguard you against the physical dangers this world presents, but he can’t hold your hand into the afterlife. If there even is one.

He grasps your upper arm, but only lightly so as not to make you more distressed, and draws you into his side—his head leaning into yours, his hair tickling you when the wind blows through it. You find yourself sagging into him even though you hate yourself for doing so. You don’t deserve this show of affection, not after how you left him behind and not even before then; you desperately want to preserve the distance between you, and yet you want this touch, too. You’re unable and unwilling to tease apart those feelings, though, as the only things that register in your mind are that he is warm against you, he is doing his best to comfort you, and his smell—the smell of him, not of being an eater—has become familiar to you in a way that disarms some frantic part of your brain. Because of all those things, you allow him to put his other arm around you and silently hold you in that grassy lot.

And for the first time since you met in that grocery store again, you feel like whatever’s between the two of you isn’t broken beyond repair.

—

1986

The next time you eat someone, it happens at a nightclub in January. 

Going to this club is Ian’s idea, although you agree to it when he brings it up. In hindsight, you can’t say what possessed you to do it. You’ve never been a fan of crowds of people because they could readily create a catastrophic situation if your hunger comes. Maybe it’s how fresh everything still feels after the New Year passes—the sensation of anticipation it brings. Maybe it’s the blanket of stars that appear extra luminous tonight, rivaling the shine of the city buildings around you. Maybe Ian has just gotten better at using his powers of persuasion on you, or his recklessness has rubbed off on you, similar to how you feared his desire for flesh would increase your own when you first met him.

No matter the true reason, you find yourself amidst a scene of sweaty strangers boxed in by the small club’s four walls. The other people’s proximity to you quickly spikes your anxiety, driving you away from Ian and back to the outer edges of the room, though he tries at first to persuade you to dance with him. You give him a slight smile and an eye-roll and let your arm slip through his tattooed fingers.

“Go dance,” you mouth to him before heading toward one of the many booths lined up against the far wall.

You sit there watching everyone dance for a little while, working up the nerve to rejoin the crowd. There are so many bodies, all moving to the sound of In My House playing over the speakers at what must be max volume.

“Did you come here alone?” a feminine voice shouts from your left, startling you. You turn to find a woman with softly-waved hair that touches her shoulders; she wears a dress with big swirls of color, the flared skirt stopping just past her thighs. Your gaze goes all the way down her pantyhose-clad legs to her high heels and back up again. The pink and purple lights framing her from behind make her seem like she’s glowing.

“Uh—” Awkward pause as you try to figure out how to respond. “I…didn’t, but the person I came with is just my friend, so…” You shrug. It feels somewhat odd to refer to Ian as a friend, even after all this time. You are two people traveling in the same direction, lashed together by your fatal flaw, but you suppose “friend” is as accurate as it gets.

She smiles amusedly, undeterred by your awkwardness. “So that means you’re free to dance with me, then?”

You think about how you rejected Ian’s offer and chuckle to yourself. Ironic. But you find yourself not wanting to say no to this woman with her sweet brown skin and dimpled smile, despite your inner sense of judgment trying its best to pull you back. So you accept, still feeling embarrassed as she slides her lace-gloved hand into yours and guides you onto the dancefloor again.

Her perfume contains different notes, but as you dance together to another uptempo pop song and the aroma encircles you, it reminds you of Alicia’s signature scent all the same. You try to put that reminder out of your mind, though it’s difficult. Instead, you make an effort to focus on her shining face under the lights, the long gold earrings dangling from her ears, the sway of her black hair and dress as she moves.

You Give Good Love comes on afterward, and before you know it her body is pressed to the length of yours, virtually no space left between you as she tucks her face into your neck. You put your arms around her and sigh at how she fits against you, thinking you might like to do something like this more often. All the time, really. It feels good in a way you don’t quite have words for, even though you’re still surrounded on all sides by a bunch of sweaty and excited people. Just by the movements of your bodies, you could close your eyes and be spirited away to some other realm where everything is right—where you are not the monster you’ve come to believe you are.

You are finally beginning to relax a bit when your stomach twists painfully.

All your organs freeze from the shock of this unexpected sensation. You have paused indefinitely, and you watch your body from above as you and the woman continue moving together, two dark figures flashing in and out of the strobing lights. And yet, you simultaneously feel yourself still in her arms. Her breath is on your neck, warm and smelling of alcohol and some fruit—lemons. The muscles of her back are beneath your hands; you want to peel her skin away and see what they look like underneath, run your fingers across the striations. Her soft cheek is pressed to yours, so soft that it makes you want to tear into it like the flesh of a plum and swallow it. Your mouth twitches with the desire to consume.

“No!” you shout, pushing her away from you so fiercely that she falls back into someone behind her. You turn and begin shoving a ragged path through the club-goers. The sights and smells of pure humanness are overwhelming, begging you to tuck your face into the nearest neck or arm joint and just bite. There are too many hearts beating in one space, too many lungs expanding with wet and bloody life. You begin to cry, but you force your body to continue moving until you’re stumbling through the club’s back exit.

In the dank alleyway behind the club, you splash through a puddle and collapse behind a dumpster, pressing yourself into the corner and hoping that the smell of garbage will disappear your appetite, though you know it doesn’t work like that. You tuck your head between your knees and try to breathe evenly. The music is only slightly less loud out here; whereas it was simply an overzealous volume before, you feel like you’re being crushed by the sound itself in your overly sensitive state.

You don’t know how long you sit there shaking, the hunger ripping your stomach apart and forcing a long whimper out of your mouth, but your whole body jumps when you hear the exit door slam open. When you look up, Ian’s stepping out of the doorway and fumbling with the limp body of a man, his hands clasped around the man’s arm and waist.

You watch with terrified eyes as Ian lowers the man to the ground in front of you, leaning him against the wall so that he won’t slump over. “No—what are you doing—”

The man in front of you is too drunk to put a sentence together and barely seems to know where he is. His sweaty brown hair flops in his eyes, and his bearded mouth moves with nonsensical speech.

“No,” you cry again. “I can’t do this. Don’t make me do this!” Ian crouches beside you.

“Darling, you have to eat.” His hand is on the back of your neck, not forcing you toward the man but trying to ground you in your body. He’s so close that his words reverberate within your nervous system. Eat. You shake your head, but you’re becoming lightheaded from the sheer hunger. The smell of alcohol from the man is overpowering, but underneath it you can still detect his vulnerable fleshiness, and you need to know how it tastes. As if once again disembodied, you watch your hands reach for the man’s shoulders, Ian’s own hand slipping away from your neck, and bring him closer so that his throat is bare to you.

You mouth at the sweat on his neck, the saltiness intensifying the taste of his skin; you lick his Adam’s apple and savor how the ridge of it slides against your tongue. Then you bite down.

The tears continue to roll down your cheeks as you devour the man. Ian doesn’t leave you to dine alone, however.

He reaches into the mess of the open chest, digs between the deflated flaps that are the lungs, and tugs out the man’s heart. Takes a bite of it. You watch as he does, horrified but unable to look away even as you crush part of a rib between your molars. He offers it to you—tears the muscle in half and gives you the unbitten part. You accept it with eager hands and eager mouth, chewing through muscle fibers like it’s a delicacy. Ian licks the blood from his fingers, a smile playing at his lips, and goes back for more.

It’s too much like the dream, and it frightens you. You half-expect a portal to hell to open beneath you both and send you free-falling into a lake of fire. But you are unable to make yourself stop. Neither of you stop until an hour has passed and the blood and a pile of crimson-stained clothes are all that remains.

You find a still-intact plastic bag in the dumpster and place the clothes into it before tying it thrice and shoving it as deep into the trash as you can. 

Using an old rag from the dumpster and another puddle of water at the back of the alley, you both do your best to remove the blood on your hands and faces. It makes you feel disgusting, but it’s the best you can do for the time being, and you can’t go inside the club or onto the streets like this. Then you shove the rag back underneath the pile of trash, too. 

As you and Ian emerge from behind the dumpster and walk down the sidewalk to find the sedan, despair envelops you. You accept it inside of you—let it spread throughout your bones and blood without much of a fight. You are defeated, understanding fundamentally that you can never be like the people in the club, the people walking these city streets, no matter how many of their human peculiarities and normalities you try to adopt. The knowledge hollows you out.

On the way back to the house you’ve been squatting in, you steal a cigarette from Ian’s pack and turn the radio to several different stations before choosing some talk show discussing nothing you care about. Emotionally, you’re floating somewhere in the space between numb and wounded.

But people die everyday, right?

Like with Alicia, Ian tries to prevent you from becoming lost in your grief about it. There isn’t anything said between you during the car ride. But once you get to the house, he wipes the fresh tears that spring forth, runs the shower for you, and makes sure you have clean clothes for afterward.

“Are you good?” he asks before you get in the shower, standing in the bathroom doorway with you. He brushes your cheek with the same hand that plucked the heart out. There’s still blood underneath a few of his fingernails and staining the cross on his ring. For a few seconds, you feel an unfamiliar comfort in knowing that he has seen you destroy another person and feels no animosity or repulsion toward you because of it.

“I’m fine,” you murmur, shifting your face into his palm. But the moment passes, and the chill overtakes you again. You step away from him and shut the door, letting the bathroom fill with steam.

—

Your feelings toward Ian have always hovered in an odd limbo, going from distrust to tolerance to something that can be called companionship. But just like the seasons transition into each other, something inside you starts to shift after that night at the club.

Your eyes begin lingering on him when he lifts his shirt to wipe away sweat or strips it off entirely when the heat becomes too much. Your gaze can’t help but be drawn to the way his long hair sticks to his damp, darkly-inked neck, or how his cigarettes fit between his full lips like they were made specifically for his mouth. When it’s the last few weeks of winter and you have no choice but to sleep together in the backseat for extra warmth—the car’s HVAC system on its last leg—being smushed into that small space with him isn’t unpleasant like you once assumed it would be. Far from it.

When you and Ian go to a theater one day—one of those matinees in the middle of the week that only elderly people attend—and end up watching a random film that you didn’t know was a romance, you are startled when you have the sudden thought that you want him in the same way. That you wouldn’t mind him holding your face in his hands again but kissing you this time, or walking down a street hand-in-hand, or lying next to him in some stranger’s bed and listening to him talk until you fall asleep. You try to send those thoughts somewhere far away, but days pass and they keep coming back, and that wanting in your chest only grows.

You’re reluctant to think of your feelings as love—at least not yet, with your heart still grieving the woman perished by your own hand—and you know he can’t save you from this reality that you must live in until your time ends. But as imperfect as everything is, you feel like he knows you in some inutterable way. You begin to believe that this could be enough. Maybe you’ve always subconsciously understood that the world of love is no home for monsters, proven by the multiple times it has expelled you from its viscera, leaving you shaking and bereaved. But maybe whatever this is now could be enough to escape its view and its judgment—two monsters together to leave the humans to their softer affections.

And though he doesn’t say anything outright, Ian notices your newfound attention, smiling knowingly whenever he catches you looking. His hand stays on yours for longer than it needs to whenever he passes you items, his fingers trailing away from your skin like they regret having to leave. When he shoplifts supplies when the money is low, he swipes silly little trinkets that he says he “thought you would like.” You catch the way he always presses his body closer to yours when you’re sitting together on a pier, on the hood of the car, on a random bench—anywhere. The tension builds between you for what seems like forever, drawing so tight that you’re almost afraid you both may get hurt when it snaps.

When it finally does, it feels natural to do, this dance that unfolds in the backseat of this sedan he stole over a year ago. You both know the hunger for flesh intimately even though you experience it in such different ways; instead of it being a grotesquerie that would repel a normal lover, it’s a bond that has inextricably tied you together, for better and worse. In that sense, the joining of your bodies is just another type of desire for you two to tease out the intricacies of.

The catalyst is one question posed to you on a humid summer night. “...Darling, answer me honestly.”

Ian’s eyes are heavy with some mix of want and curiosity when you turn to look at him. You’re both sitting in the backseat as you study a map from one of the atlases; you’ve spent a half-hour trying to figure out the best route for your next destination in Georgia, tracing the lines illuminated by the car’s dome light. Maybe you’ll both try settling down this time; find that new job like you said, and live in one singular place for a few months. Someone else’s house you can pretend is your own, someone else’s car you can drive around the city. Years are too heavy to think about, but months…you can do months.

But it’s clear your decision-making is over. Your attention had broken every time you sensed his eyes shift to your face and stay there for a little while, searching for something, before moving back to the map. Now, you let the map lie forgotten in your lap.

“What is it?”

“Would you hate it if I asked to kiss you?”

Your body temperature rises, but you reply to his question with a question. “Have you thought about that before?”

“Many times.”

You swallow hard. You want to ask him about the first time that thought crossed his mind—did he realize it around the same time you did?—but you say, “And why do you think I would hate it?”

“Things will change between us.”

“Things have already changed between us, several times.”

“This is different,” he insists, and you notice that the space between you has decreased, bodies subconsciously drifting even closer together. “If we go down that road, I don’t want us to go back. I don’t want you to have to wonder about whether I care for you. I want you to trust me.”

You lean your forehead against his, a small smile forming on your lips. “I already trust you, Ian.” You have never vocalized it before, but you find that you really do mean it.

Then you move forward, doing yet another thing that would’ve been utterly absurd to you this time last year—pressing your lips to his. Your insides feel like they’re melting, but not in the uncomfortable way that comes from the summer heat. It happens in a way that makes you think that, maybe if you both melt down into your very basic parts and become nothing but atoms, you might blur together completely. Ian’s reply is immediate in how his hand comes up to your nape, his mouth separating from yours for one painful second only for him to kiss you deeper. The map slips between you and to the car floor. It’s strange to indulge in this close proximity with another person without the threat of death, without the underlying worry that you’ll become hungry in the worst way, but it’s also freeing to a degree you didn’t know was possible.

That’s why you allow yourself to become submerged in his body heat, his mouth, his hands—everything.

Afterwards, you both climb back into your clothes only halfway; your shorts are left somewhere underneath one of the front seats, and Ian doesn’t bother putting his shirt back on—though it stays off most of the time anyway. Your bodies are sluggish but satisfied as you rest your head against his bicep, tracing your fingers along the tattoo under his sternum. They come away damp from the sweat that shines on his body. You still feel all the places on your own body where his lips and fingers touched, as if your skin has been imprinted, and you wonder if it’s the same for him.

The window is rolled down to let the smoke curl out as Ian takes a drag from a cigarette. A soft rock station plays on the radio, and he taps the beat of the song on your knee with his free hand. For the first time in many years, your mind isn’t crammed full with constant thoughts of guilt and contempt about being alive and being what you are. Even if it only lasts for tonight, for now, you can just exist.

[anon-sect]

Request Part 1B

Hi, I love your stories, and I was wondering if you could make a transformation story about socks and/or underwear based on these images here.

deviantart.com/sebleloot/art/Handsome-men-in-socks-1097214222

Jason and Alex watched as the guy came back from the restroom alone. Blake was not with him. Curious as to where their friend was, they called his cell phone, but it was going straight to voicemail. Jason went into the restroom and didn't see him there.

"Go ask the guy about Blake." Alex suggested to Jason. He nodded back.

Tayon saw one of the other guys approaches who was with Blake earlier. "Hey, have you seen our friend? He was the one talking with you earlier." The guy asked him

"Actually, I don't know where he went. I am Tayon, by the way. If I happen to see him, I will tell him you are looking for him." Tayon spoke with an innocent smile.

"Thanks, name is Jason. May I ask if you are single?" He asked him. heHe saw Tayon nod.

"Your friend asked me the same question as well. We exchanged numbers and he left the restroom." Tayon paused. "I wanted to ask more, but I don't know where he went." He added.

Jason smelled a strange scent. It was something strong, but not too overwhelming. Yet, something about the scent compelled him to keep chatting with Tayon for some strange reason.

Alex watched as just as Blake was chatty with the stranger, so was Jason all of the sudden. He watched as Jason followed the stranger to the restroom just like Blake did.

Jason entered the large stall with Tayon. He looked into his eyes and lost control over every sense of reason. "Knell." Tayon ordered him. Without a second thought, he willingly obeyed him for no apparent reason. He saw Tayon pull out his cock. Without him saying the next words, he put Tayon's cock in his mouth and began to suck it with such pleasure. Moments later, hot cum went down his throat as he willingly swallowed each drop. He felt compelled not to waste a single bit. He looked up to see Tayon smiling at him.

"Your friend made a nice sock for me. Now, I need another one to match the one I have. You will do nicely." Tayon spoke to a now shocked look on Jason's face.

Jason felt like he woke up from a dream. By the time he realized what Tayon said it was too late to react. He was already shrinking rapidly. He tried calling for help but found he had no voice. He lost all mobility in his body as he shrunk in size and became a sock. He felt Tayon pick him up off the floor. He now realized it was a trap. He tried screaming for anyone to hear him, especially Alex. But all there was just his own mental thoughts. He was powerless and trapped just like Blake was earlier as he was stuffed into the guy's pocket.

TO BE CONTINUED.......

[weebsinstash]

Now don't get me wrong, I like how... calm and unbothered Alastor is, or at least tries to pass himself off as being

but like.... we know he's a drinker.... and we know certain details about him having an alcoholic abusive father who was cruel to his mother which heavily influenced his whole Dexter serial killer morality bs... and I can't help but think of a fic idea where Reader and Alastor are together and, suddenly without warning you break up with him BECAUSE YOU CHEATED ON HIM. you're like, legitimately heartbroken and missing him but you broke up for a good reason and, time passes and you dont see or hear from him, you're basically just going on with your life, and, MEANWHILE HE'S JUST SLOWLY DEVOLVING IN A PATHETIC LITTLE MEOW MEOW

His radio show comes on and he's SLURRING and people are aghast. Alastor is usually such a classy gentleman, so careful with his image??? Meanwhile he's in his radio station with several glasses of whiskey and staring at a wall lined with your photos while he's broadcasting, "ohhhh hEeeEy LiSteNers!! How-how are you all doing this.... 😡LOVELY😤 evening. Isnt..... isn't it... so nice to... spend time with loved ones when you need them? 🥴 WELL I WOULDNT KNOW HA HAH HA" *cue 30 straight uninterrupted seconds of unhinged laughing from a man clearly having an emotional crisis* "so on tonightsssshow I was-i wasszzz hoping to-to discussss-"

Like imagine tuning into his show after avoiding it because it broke your heart and it turns from him like, having an actual topic and planned structure of his show, to then, one day you overhear a broadcast and he's just occasionally slurring, saying really really vague shit about how "real men are supposed to be strong enough to protect and hold onto those they hold dear" and you can occasionally hear the THUNK of his whiskey glass hitting the table meaning he's already drunk but still drinking WHILE broadcasting and, oh honey you already sound so wasted you don't need more--

You guys don't understand. I want this man having a very PUBLIC very MESSY mental breakdown because he was CRAZY IN LOVE WITH YOU and you sat him down and told him you love him deeply but you need sex and you've cheated on him REPEATEDLY and EVEN THEN he was HARDCORE COPING, "w well as long as you promise it won't happen again-" "I cant and i won't. I love you but i cant repress this part of myself" LIKE YOU DECIMATE THIS MAN. Alastor's just beside himself because like, not without valid feelings but you're basically dumping him to fuck strangers. Like. I just. What if he literally had a ring box or was starting to realize he's demisexual on the ace spectrum and was starting to have Those Feelings for you and you're just. Breaking up with him, and all he hears is "sorry but having these disgusting men I don't even know hunch over on me grunting like disgusting animals and defiling me who is definitely way too good for them is way better than being with you my respectful funny classy charming totally-not-husband"

I want you to be walking down the streets of Hell and Vox suddenly comes on their equivalent of a jumbotron and he's visibly beside himself with excitement, "BREAKING NEWS, THE RADIO DEMON IS PISS DRUNK IN THE GUTTER LIKE A FUCKING LOSER, MORE NEWS ON THE SCENE" and it just snap cuts to him facedown in the street somewhere. Have you ever seen Intervention. You can have grown ass adults with successful careers and loving communities and when they find something that breaks them you'll be seeing shit like, children finding their mothers literally passed out in the yard because they were too drunk to get into the house or even WALK properly. So. You just. See him in this legitimately pathetic absolutely humiliating state and you can't help but feel that that's YOUR fault, meanwhile Vox is living his best fucking life, GOD FORBID VOX SEES YOU STANDING THERE CRYING ON THE SIDEWALK, he's then broadcasting your crying face all over Hell, "Hey Alastor even your EX is CRYING AT HOW PATHETIC YOU ARE, GUESS THAT'S WHY THEY LEFT YOU HUH" and like. The live feed of Alastor shows him just, struggling to even lift his head to look up to, wherever, and see your image there, looking absolutely devastated, looking at him with pity and heartbreak. oh, his sweet beloved, looking so distressed because you see him so weak...

Vox is just living it up mocking both of you but he's made several enormous mistakes by putting you on the air, especially looking like THAT, especially with Alastor in this mental state, and ESPECIALLY to mock you when you're already looking so broken. The feed cuts. All the TVs read "LOST SIGNAL" and nothing comes back on the news for the rest of the night. Less than a week later, the radios are on again, and Alastor sounds... completely back to normal? Chipper, even? And at first you're happy to hear he's all good and well, but, there's something about some of the things he's saying that are making you a little.... nervous?

"You know folks, it took me an EMBARRASSINGLY long while to realize that, a true traditional man puts the needs of others above himself, and especially the needs of his special somebody! One can't truly care for one's loved one properly if you're too boggled down with, FEELING SORRY for yourself right? How else are you going to... defend what's yours if you just lie down and take it?"

"So while I was off the air, good listeners, I was doing quite a bit of, spring cleaning, let's call it! Yes, I was... unfortunately very busy, having to wrangle up quite a few.... disgusting, insignificant, dirty, thieving PERVERTS!!!! ....but now that that's all good and done with, I'd certainly like to think these streets are a little more... respectable!"

"To end the broadcast tonight, a final word to all my fellow men out there. If you happen to discover that, for whatever reason, your beloved has run off with another? It was because you deserved it for being WEAK. You allowed another man to just, COME IN and... DESECRATE what is precious to you? Disgraceful. Pathetic. Ill-mannered. You cannot call yourself a worthy partner if you simply allow your beloved to waltz themselves into the mouth of danger, can you? So, a little piece of advice from your humble host here tonight: Take back what is yours. Take them back, do not let them go, and do not let anyone EVER soil your love ever again. ........Also hey! Don't forget that the annual Cannibal District Cook-Out is this coming weekend so be sure to--"

[coffin-ramblings]

There are so many layers to Ashley's and Andrew's names' meaning that I realized in the Mr. Graves' first name post, but had to make it its own separate post.

Andrew is tied to drawing breath and Ashley is tied to ashes, which are very bad to inhale. Guess who died from breathing in something bad for her lungs? This can also apply to the two siblings, as both of them breathing in the same vicinity are toxic for them, both mentally and emotionally (almost any random moment can cause an argument and distrust) and physically (Andrew's smoking). However, they need each other like the air they breathe, unable to go on without the other, even if they're horrible to each other.

Ashley in the beginning syllable sounds like "I", which makes sense as she's the main protagonist and we see her POV the most. Andrew starting with "and" makes it seem like he's secondary to someone, which he wants to project the image of seemingly being like a doormat follower of Ashley. A friend pointed out that it ending with "drew" also sounds like "rue", and he definitely feels rue for being in love with Ashley and letting Nina die.

Andrew means "strong man" and it fits as Andrew's the muscle of the duo. He's also focused on "killing" Andy, his kid self, in an attempt to grow up. However, in that pursuit, he loses sight of the importance of his child self and it can lead to further tragedy for both him and Ashley.

Ashley means "dweller on an ash tree meadow", which can indicate despite how murderous she appears, Ashley just wants to live in peace with Andrew, and meadows are often thought to be peaceful places to live. Ashley has an interest in plant-growing, as shown when you interact with the plants on the balcony in chapter 1, the narration says she was caring for them but they died during quarantine, which may be a piece of foreshadowing and/or related to the theme of her name. Also, I found out while looking up the cultural significance of ash trees that the Yggsdrasil is a huge ash tree that connects the Nine Realms, just like how Ashley has access to the realms in between. With how trees are important in Coffin through Lord Unknown and the high amount of plants in the preview screenshots, it may be foreshadowing to future events. They are also often associated with life, a complete contrast to the major death themes surrounding the Graves family. This can symbolize Ashley's and Andrew's ability to create new life, whether it is metaphorically with the two needing to remake one from scratch now they're legally dead, or literally with her and Andrew having a kid.

[risingscorchingsuns]

hi guys it’s 5am and im having a mental breakdown so here’s some rengoku family analysis

kyojuro and shinjuro eternally two sides of the same coin. he may not have realized it, but both his parents died when ruka did. he grew up without a father, except his father is right there in the other room. he had to be the father for senjuro. he HAD to be, because Shinjuro wasn’t gonna do it. in his own words, “Senjuro has it even worse than I.” Kyojuro had to protect those weaker than him, had to be strong. Being strong was the only thing that gave him control. The only thing that made him feel worthwhile.

Kyojuro died without a dad. He died not knowing that Shinjuro would ever regret his actions. He died without the father he’s always been deprived of. But he still loved Shinjuro because it’s the only father he has. even though shinjuro failed him fundamentally. neglected him, abused him, scorned him. abandoned him utterly and completely. Kyojuro never stopped loving him because he’s his father’s son.

Kyojuro saw himself in Shinjuro. In ways that both inspired and terrified him. The death of Ruka, Shinjuro’s reaction, Kyojuro being so young. Shinjuro taught him how to grieve, whether he meant to or not. Both of them bury their pain, shove it all away into a place that will never be seen. The difference is Kyojuro grew up watching Shinjuro’s pain eat him alive, and started to bury his own in positivity. In strength. Finding his purpose in being strong, in supporting others. But at the end of the day, he is his father’s son. He’s still not allowing himself to feel grief. He’s still not allowing himself to rest. Because what is he if he isn’t strong? Who is Kyojuro, if he isn’t the Flame Hashira Rengoku?

Kyojuro is simultaneously determined to both reinspire his father, and to never turn out like him. He loved the man that Shinjuro was, the man that Kyojuro needed, the man that he died without. He was determined not to turn out the same way, to let his flames burn forever, until they burned him alive if they had to. To never give up the way his father did, to never let anyone down the way his father did. To never fail anyone, the way his father failed him. So he buries his pain in responsibility. No time to fail if you just never stop burning. He can’t let his grief taint him like it did his father. even in his final words he believed that. the flow of time waits for no one. it wont stand patiently by as you grieve. and while those words in of themselves are incredibly powerful, and an important lesson, i believe kyojuro internalized them to an unhealthy degree.

but while the words are something kyojuro lives by, in an ironic twist of fate he’s still a lot like Shinjuro himself. in his efforts to not turn out like him he’s done the same thing. he pushed aside his pain, held himself together so tightly. because he can never let anybody see that he’s hurting. he can never let anybody see that he’s anything less than Flame Hashira Rengoku, infallible pillar of strength and passion. kyojuro is always smiling when he looks at others. when he looks at senjuro. he’s keeping himself together so tightly. because he has to. because nobody else is going to do it. because if he doesn’t hold himself together he has nothing, he’s a mirror image of his father. they are two sides of the same coin. Kyojuro desperately yearning for the man Shinjuro used to be, while subconsciously determined not to turn into the man he is. and he stubbornly clings to that forever in hopes that he’ll be the one to inspire him, that he can bring shinjuro back. if he’s just strong enough. if hes just good enough. if he just works a little harder he can have his father back.

Heavy are the shoulders that wear the Flame Hashira haori. Heavy is the Rengoku family legacy.

i have no idea if this is coherent at ALL, it’s definitely not my best analysis, i havent proofread and its five in the morning lol. maybe when im more rested ill come back to this and do a proper essay with sources and context, but for now here’s some unpolished stream of consciousness ramblings with zero editing. kyojuro rengoku daddy issues i know what you are

[genericpuff]

Lore Olympus Episode 265 Betrays the Series' Own Messages of Consent

I've been keeping it on the down low lately with new episodes of LO, both for the sake of my mental health and because LO itself has just become so... pointless and boring. There's only so much to say when nothing is happening, and in that regard, I will preface this with a "congratulations" towards Rachel, because she's finally found a way to best the "haters" - make the comic so boring that there's nothing worth talking about to begin with.

At first glance I thought this was going to be another one of those episodes. Good job, Rachel, you managed to pad out another episode with pointless fluff to get you closer to that looming end date. Just keep dragging, just keep dragging, just keep dragging-

But the longer I sat on it, and read the comments and posts about it in discussion circles, the more I've realized that this episode in particular has a load of issues that I don't feel good just sitting on and not talking about. Primarily because, over the course of about 90% of this episode's length, we see Lore Olympus - and Rachel - slyly undo everything that ever mattered in its subtext about consent, healthy relationships, and strong communication.

Granted, Lore Olympus has never exactly been the poster child for those things, but it's trying to be, so we're going to dissect it with an equal amount of scrutiny. It wants to be taken seriously, so I'm going to take it seriously and criticize it seriously.

CONTENT WARNING: EPISODE 265 SPOILERS AHEAD, AS WELL AS DISCUSSION OF SEXUAL ASSAULT, MENTAL HEALTH, GROOMING, AND SYMPTOMS OF MANIA, PROCEED WITH CAUTION

Episode 265 opens with an attempt at plot progression, returning to Morpheus who, last we checked, had been targeted by Kronos as the cliffhanger for Episode 259 before being shoved aside entirely for multiple episodes worth of Demophoon, pool-fucking, and a vision from Hera.

Honestly, I won't waste my 30 image limit on the episode's opening sequence because it accomplishes absolutely nothing. And by the time it starts to try and state what that goal is, it transitions away, because Rachel has the attention span of a squirrel on meth and having Morpheus state what her plan is would just be too much dedicated writing for her at this point, she needs another week at least to figure it out.

So instead we get exactly what was promised in the FastPass previews - the entire episode is spent, yet again, on Hades and Persephone, with the exact same topics, conclusions, and terrible sex as the pool scene.

Seriously, this might be a nitpick, but I'm so tired of Persephone not being allowed to swear. We've seen other characters swear. We've even had Kronos call her a "dumb fucking bitch". But this "girlboss" character who we're supposed to believe has "agency" can't be allowed to swear even when they're in an ACTUALLY STRESSFUL SITUATION? You know purity culture isn't exclusive to sex, right, Rachel? If you're gonna deconstruct it, maybe don't have the poster child of that deconstruction be relegated to a church girl? She's literally the Queen of the Underworld - adjacent to the ruler of Hell - let her fucking swear LMAO

Anyways, we see very quickly that Persephone is still feeling the ill effects of her anxiety that she was feeling in the last episode. Anxiety that, by the way, caused her to pass out. Please keep that in mind, don't let it escape.

And what is she stressing over? The genocide? The fact that they still don't have an actual solution to the ongoing "plague"?

Nah. The sleep dive. She's stressing over her husband doing the sleep dive again and - like last time - turning into a dad-possessed monster.

As always, the fear and anxiety is in no way linked to the actual devastation happening outside - it's just concern for the main male lead, because that's all Persephone's character and thoughts and opinions and "agency" can revolve around.

But uh. Remember that scene where Hades got possessed by Kronos and literally strangled her? Remember that scene I just asked you to keep in your brain about her panic attacks getting so bad she's been passing out?

Hello? No? Okay. Next.

I hate, I loathe, I detest this dialogue. Not because it's cliche as fuck - it is - but because the whole "I trust you, it's just xyz I don't trust" shit has been overplayed and debunked as a plausible response in relationship communication for years now.

We talked about this back during our discussion of Leuce - how it shouldn't matter if Persephone doesn't trust Leuce because ultimately Leuce can't do anything to her or Hades' relationship if it's built on as much "trust" as she claims it is, trusting Hades is all that should matter full stop - and it repeats itself here, albeit with Hades' dad instead of his canon first wife. This is a copout. Relationships actually built on trust can definitely still be worried about the issues posed by other people, but if you trust your partner, if you truly trust your partner, that's it. That's where the sentence ends. No shit you don't trust Kronos, we've been over this song and dance multiple times before and while he's definitely a bigger real threat than Leuce, your distrust for Kronos has nothing to do with how you're communicating with your partner who knows there's likely no other way and a solution has to be found. Nothing's being accomplished at this point from Persephone moping around and having sex with her husband, and he's showing 10x more initiative in actually finding a solution - even if it means putting his own safety at risk - than Persephone.

I didn't edit any of that, those are the legit real panels. Literally what the fuck is this dialogue, my tinfoil hat theory about LO being written by ChatGPT is becoming more and more plausible and I hate that, my crackpot theories shouldn't actually become reality.

Is there an owl in here?

LO is just spinning its wheels over the exact same conversation and points that have already been made. Nothing is being accomplished here, it's just more moping and going over the same problems - the centre of which being "what about H x P's relationship?? :(((("

All of that repetitive meandering and moping for "okay fine but if anything feels weird, get out" "okay". It, again, accomplishes nothing that couldn't have been accomplished during the pool scene.

And now we get this line. "I experienced greed in that way, and you do not possess it." Don't be alarmed if you were confused, I was confused too, as were many people in the discussion circles. Thanks to the ULO Discord, I realized she was talking about Apollo. She's literally comparing him to Apollo.

"After all this time, I can't comprehend you causing me harm. I've been at the receiving end of harm so I would know" is literally all she's trying to say. And even with it translated... I don't really like the implications of it at all. This has been a problem since S1, but there's always been this subtext in LO that because Hades didn't rape her, that somehow makes him less abusive or a better partner for Persephone than Apollo, that's all the SA has really been trying to achieve.

But Hades is abusive. He's intentionally pursued women who are in a crisis. He's trapped women in financial dependency. He's sabotaged women from having power and status on the same level as him.

And now, we're about to see actual abuse from Hades - the subtle kind that demands co-dependency, but is still abuse, full stop - but it's being framed as "romantic".

"Being an Originals creator was my big chance to prove myself, and I flopped"- wait sorry I misread. We're talking about Persephone failing at being Queen. Yeah, she definitely flopped. And it goes to show her true intentions in wanting to be Queen, now that she's hit rock bottom and isn't putting on a brave PR face - she wanted to become Queen not to make the Underworld a better place, not to be an example of being a better ruler among a gallery of scumbags, but to "prove" that she could belong and be one of the big guys, that she could be more than just a cereal box mascot.

Don't get me wrong, I can absolutely get wanting to rise above the odds and "prove" to everyone that you can be more than people's perceptions of you, but becoming the literal ruler of a realm that you then go on to destroy due to your own hubris, just to whine and cry about it and have your husband and your colleagues and your friends carry the burden of that destruction on your behalf... therapy would have been a better first step to overcoming those insecurities, not taking control over the lives of innocent people.

Especially when Persephone DID have status and power before becoming Queen, it just wasn't the specific kind of status and power she wanted. She was only a trust fund child with a huge net worth, a full-ride scholarship, and everything she could ever need provided to her with little struggle to get it - but she didn't have control over other people so it just wasn't good enough.

This is the perspective and attitude of a 19 year old who never matured. Who never could mature because she transitioned from her mother's control into Hades'. There were far better ways to prove herself, ways that we had seen her try to do, only to drop so she could pursue her co-dependent relationship with Hades - she gave up her schooling, gave up her apartment (which we only see her use maybe 2-3 times), gave up so many of her connections and support so she could be with Hades.

This is the result of 5 years of real-time grooming that we're seeing play out.

No, you are just saying them because she's your wife. You'd be saying it to Minthe, or Leuce, or Hera, or any other woman in Persephone's position because it's not about taking accountability, it's about keeping these women in a position of submissiveness and co-dependency, by giving them reassurance that nothing they ever do is wrong and that he's the only one that can give them that freedom from consequences.

And then we get the reinforcement.

I'm gonna spare you all the cringe of the actual sex scene (and yes, they do straight up go into having onscreen sex and it's... not hot at all), but here's some of the dialogue spoken by Hades during the entire sequence:

Again, let's remember the actual situation that led up to this and the position Persephone is currently in. For the third time Persephone has "accidentally" killed thousands of people. Over the past few episodes we've seen her try to realize how so many of these problems have been her fault and she clearly doesn't know how to make things right (and Rachel has made it obvious how much she doesn't want you to agree with this kind of self-awareness because much of it is being said through the mouthpiece of a rapist). And now we have Hades, reinforcing the thought patterns that would prevent her from growing and learning and changing. In this, a comic that's supposed to be "feminist", a comic that's trying to preach the importance of consent, a comic that's trying to make us believe this is a healthy, consenting relationship with strong communication skills.

These are literally grooming tactics. Hades is reinforcing the same thought patterns that will prevent Persephone from acknowledging her errors and mistakes. People are dying and Hades is telling her that if anyone has anything to say about it, they deserve to die anyways. The same man who literally rewarded her with sex for vandalizing a nymph's home is now telling her that she's not cruel, but kind:

Hades might not be Apollo, but he literally choked her out less than a week ago while possessed by his dad, and for the last SEVERAL episodes he's had the starry skin making him resemble who? Oh yeah, his dad.

Hades is literally holding Persephone in the same position Kronos did, while she's experiencing a literal meltdown that she's trying to stuff deep down - in fact, exhibiting a LOT of symptoms of mania - and initiating sex.

Doesn't this feel a little familiar?

Oh right, but he asks her if she's "still okay" mid sex only AFTER initiating chokehold sex with her without her consent and love-bombing her, so it's fine, clearly.

I remember being 17 years old and reading Fifty Shades of Grey for the first time, and even then understanding fully how toxic their relationship was. I can only hope the teenagers in Rachel's comment section can realize that as well, but judging by the comment section, I'm not holding out hope. This is literally "fifty shades of fucked up" material, and what's worse is that I can't tell if Rachel genuinely thinks this is healthy, or just doesn't realize how unhealthy it's coming across as. Even beyond how "cringe" this sequence is, it enters into the realm of being deeply uncomfortable and unsettling, and it needs to be talked about, Rachel can't be let off the hook for this especially when this is supposed to be, again, a comic that's intending to "deconstruct purity culture" and teach young girls about consent and boundaries.

And that's it, that's the end of the episode. It reads like the manifesto of a villain in the making at the hands of a predator, like Anakin being manipulated by Palpatine - "so long as you're with me, you'll have all the power, all the glory, and everyone else will be crushed underneath your heel."

Is that really the message we really want to come away from LO from? That it's fine for husbands to initiate sex with their wives through trauma-bonding and reinforcement of toxic thought patterns rooted in grooming because... they're married? That being a "girlboss" means sabotaging and abusing anyone who you perceive as a threat?

Is Hades really that much different from Apollo? Because so far, the line between his actions and Apollo's are seriously starting to blur. The parallels between Persephone and his past partners - Minthe and Hera - have always been clear, but they've never been quite so loud as last night's episode.

This is Hades' play, the play of a groomer and an abuser who depends on making their victims dependent on them - taking advantage of women while they're in a crisis.

For Minthe, it was financial - she had lost her job, blamed it on him, and he found a way to "solve her problem" that strategically put her into a position where she had to continue to financially depend on him for what's assumed to at least be a year or longer, through her apartment, her bills, and her job.

For Hera, it was emotional - she had chosen Zeus over him, and instead of addressing her marital concerns within the marriage, she participated in an affair with Hades in an attempt to have what she could have had if she had chosen Hades instead, a man who resembles her own abuser. Not only did this put her into a much more vulnerable position than him - if the affair was found out, Hera would have suffered the consequences far more than Hades - but it's also manifested itself into Persephone, who Hera has been using as a stand-in for herself, even going so far as to manipulate Persephone's image and how she goes about her decision-making, from intentionally pulling the strings to get Persephone a job with Hades so she could get closer to him as a "test" for Hades, to forcing Persephone to wear a wedding dress she wanted her to wear over the one Persephone had actually picked out herself.

And now there's Persephone, the newest addition to the cycle of abuse and untreated trauma, the true culmination of Hades' years trapping and manipulating women - financially dependent on him, emotionally dependent on him, and only where she is because she's made her entire identity revolve around him.

I'm not going to psychoanalyze Rachel in any way, I don't want anyone to think that this is permission to do so because Rachel's personal life is her own and I want to examine the material rather than the person. But so much of LO gives me such a gross impression that Rachel herself never matured past middle school, that she never grew beyond the mindset of being a 13 year old girl who felt like the entire world was against her and that no one could understand her, that she never gained the perspective most adults do by the time they're 25 at minimum after they've entered the "real world" and had the lived experiences that make you realize "wow, that girl I hated in high school for stealing my crush from me probably wasn't as bad as I thought she was and we were all just teenagers trying to navigate the hellscape that is adolescence."

And instead of actually analyzing those thought patterns and mindsets, Rachel is instead reinforcing it in her own audience of 13 year old girls and teenagers who will only hopefully maybe outgrow it and not just repeat the cycle themselves.

And this isn't entirely on Rachel's shoulders. It's on the shoulders of E.L. James, of Stephanie Meyer, of Colleen Hoover, of every "young adult" romance author who's peddled this strictly heteronormative "submission culture but not like the 1950's kind I swear" crap, that women should only aspire to find the richest man they can bag in their pursuit for power and after that everything in the world is owed to them and any problem they have can be solved by riding dick. Trauma? Solved. Genocide? Solved. The very real consequences of your own actions that affect others to such a degree that it will be felt for decades? Solved. Just ride that dick and get that money, girlboss.

Just like 50 Shades of Grey, if Lore Olympus was any other story, it would be a tragedy. It would be a masterclass in understanding and showcasing the signs of emotional abuse, financial abuse, grooming, trauma-bonding, love-bombing, and enforcing co-dependent habits for the sake of trapping people. It would be a precautionary tale to young girls to stay alert and be wary of older men, that men like Hades are depending on girls to fall for their tricks, their praise, their affirmations that they're so mature for their age, that they're not like other girls, that they would just be so set for life if they spent all their time and attention with them, so that they can "have it all".

I can only hope that even a third of the young girls who read LO naturally grow up, gain perspective, and learn that LO isn't the pillar of healthy relationships and consent that it tries to be. It's certainly a common thing to see these days, for people to join the UnpopularLoreOlympus / #antiloreolympus community with sentiments that they started reading it at age 14 and then (thankfully) learned that what LO was preaching wasn't healthy.

But for every other girl who doesn't realize this, it's reinforcement of the same cycles - the cycle of women being only objects for sex, pitting themselves against one another, confusing gender empowerment with abuse towards others, and making their entire identity revolve around a man and justifying it as healthy so long as it makes them rich and powerful.

Even if Rachel some day gets her own head out of her ass and realizes what damage she's causing in her audience, like Persephone committing genocide, no amount of self-awareness will undo the consequences. She'll still have the awards, the money, the accolades, everything she's gained off the backs of Greek myth, feminism, and good faith from an immature audience who doesn't know any better and isn't being given the tools to understand.

Even if she realizes that, that's something she's going to have to live with for the rest of her career.

And it's a fucking tragedy.