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kenyummy · 9 months ago

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BEACH DAY ꒰⚘݄꒱ BLUE LOCK

SYNOPSIS: as a manager during the nel, a well-deserved rest was needed. what better way to rest than a fun day in the hot summer air, in a bikini, at the beach?

note: this was originally a special for 100k reads on my wattpad book found (which u should SO read btw #shamelesspromo) but to avoid confusion i edited out a lot of mentions of the manager characters who were included in this short! i really hope you all enjoy!

TODAY

is a completely regular day of fun outings. Shidou had (in)formally organised a beach trip, something you decided would be a good idea. The NEL has been stressful on all of you, whether it be you and the other managers, the players, or even coaches—taking a good day off seemed to be a good idea.

So, you were heading to the beach.

The place where women can wear skimpy bikinis without being called promiscuous names (it would happen anyway—but in a perfect world everybody would mind their own business) and the place where strange men (some of those men may happen to be named Otoya and Aiku) would check out the local fauna dressed in said skimpy bikinis.

It was a fun day of splashing around in the waves, ignoring all problems present in your life, and unwinding in the grainy sand. You miss it. That is why, even though you're sure this will happen to end up in disaster, you agreed.

So, this is what got you in this predicament now—thirty minutes before you had to get there with a ten minute trip driving—that was all that was left for you to remember everything.

Swimming outfit. A change of clothes. Sandals that won't trap sand. What else...

You ponder as you stare down at your duffel bag, filled with everything you need. Money—food stalls at the beach were always ridiculously expensive for no apparent reason, Floaties—you never know when somebody might just need some abrupt saving. Towels—plenty of towels, A robe—you'll probably be a little chilly when you get out of the water.

Apart from the obvious essentials like hair ties, deodorant, sunscreen, keys and whatever other odd things you need whenever you go out—you think you're good to go.

You take a good look at your swimsuit. You haven't worn it in a while. A simple black two-piece with each front piece of fabric being held together with two silver rings—it's a little smaller than you would've liked, but you don't own any other kind, so you decide to just go with it.

You roll up your towel nicely and tuck it into your bag, then zip it up. You stare down at the fat duffel bag that is practically bursting at the seams. You are ready to take on the final boss—the beach.

You stand in front of the mirror in the bathroom, pulling at the tight elastic band of your bikini. It digs into your skin slightly. Hissing through your teeth—you decide it's nothing, and quickly make your way outside.

With your bag under your arm, you walk out and look around. Two of the other manager girls said they'd saved a spot underneath a bright purple umbrella. It takes little effort to spot it in all its neon glory.

They both sit atop a beach towel, with odd things like sunscreen, keys, and waterproof mascara all scattered around them. You wave a little before you sit down on a part of the towel, taking in the sight of the beautiful beach.

Children running around, adults chasing after them—some guy was even getting told off in the middle of the waves for losing his swim trunks. All in all, the beach was positively bursting with rich energy.

You missed this. You haven't felt this calm in a good while. Dealing with all those rowdy boys vying for your attention—it took a toll on you.

Too bad this peace would not last for too long.

Your phone dings. You pick it up and press on the notification—it's a snap from Shidou. You hesitantly click on the picture and it's a closeup of his left eye—but in the background, you can see the side of the building you had just changed inside, and a shirtless Otoya is trying to kick at somebody.

You don't even have the chance to properly react when a loud yell interrupts your thoughts. You snap your head towards the sound so fast your neck aches—the source was Rin on the floor while, even though a second ago a phone should've been in his hand, Shidou is jumping him.

A smart, sassy quip and loud groans erupts from both you and the other manager girls—you slap your phone down and squeeze your face in your hands.

Perhaps this is the start of doomsday, you think as the overly massive group starts making their way towards you and your blaring purple target of a neon umbrella.

"[name]!!" Bachira crashes into you—with the way he knocks you both to the sandy ground, he should be playing rugby instead of soccer—and rubs his cheek against yours like a loving cat. "I'm so excited to see you again! You never come by our stratum!!"

He's flat on top of you and the stares you're receiving start to grow uncomfortable. You push back at his chest but he simply opts to sneak his arms around your shoulders, "Bachira...!! Let me... get up..."

It takes the brute force of Barou King Shoei to remove his figure from latching onto yours. With a twitching brow and eyes that could stab daggers into Bachira—a small laugh unintentionally escapes your lips when he talks, "You're all sandy, you disgusting bug. If you get all that sand on the towel, I'll seriously kill you."

Bachira is being held up by the scruff of his water suit like a cat. He dangles in the air and flings himself at Barou next—"Fight me, king!"

"YOU—!!!"

Ignoring the upcoming brawl on the ground, you step over the two and you find your way towards...

"Hello, Isagi."

Your voice seems to make him jump—his eyes widen in surprise at the sight of your face and he looks far too nervous to be speaking to you. "O—Oh... Hello, [name]...! It's good to see you again..."

He's trembling and making such intense eye contact that you wonder if he's okay. His fists are clenched hard beside his body and you think he might just about have a heart attack. "Are you... okay?"

He answers a little too quickly, "Yes! I'm fine, haha, why would you worry about me? I'm totally good! Best I've ever been! Why would you ask? I look okay, right? Well, I gotta go now! I'll see you later, [name]!"

He runs off like he's a high school girl who's just had her first conversation with her senior crush. I can't tell if he's insecure about how he looks or worried about being disrespectful to me.

Maybe it's a mix of both. Isagi is on the slimmer side, compared to guys like Barou. Even though I know he's not, he looks like he's on steroids.

And Isagi's always been worried about being disrespectful to you—worried about overstepping boundaries and making you uncomfortable—at least when he's in his usual, clear state of mind. There's no telling what he's thinking when he stares down at you late at night after a good game with that overconfident, egotistical smirk.

Anyways—he's rushed away by now, and you're just standing here looking all stupid. Oh well. At least you're not alone for too long, because your attention is quickly stolen away by a certain trio.

Karasu, Otoya, and Yukimiya all come up to you—only one bothers to wave or even smile (there's no surprise he's a model—he's seriously gorgeous, you note when glancing down at his torso).

"Hey." The sneaky ninja is not so sneaky anymore, because he doesn't even try and disguise the way he's staring at your chest. He gives you a thumbs up, to which you scowl, "Lookin' good."

"Get your eyes off my chest."

"Sicko." Karasu shakes his head with a disappointed expression. You deadpan.

"You too, stupid crow."

"Did your mothers not teach you respect?" Yukimiya clicks his tongue—eyes fluttering closed as he shakes his head. He soon turns his head towards you and he actually does make eye contact with you—a step above his two friends. "It's nice to see you, [name]. You look very nice. Ignore these two."

You promptly ignore the offended looks shot at the model—you opt to just stare, perhaps a little too dreamily (but you couldn't care less, really), and smile back, "It's nice to see you too, Yukki. Thank you, you look handsome today, too. I was planning on ignoring those two, anyways."

"Woah, that is seriously hurtful." Karasu places a hand over his bare chest where his heart would be. "Too bad I don't care."

You roll your eyes. "Of course you don't, stupid crow."

"Would you stop calling me that?"

"Would you stop staring at my boobs?"

He pauses. "Point taken."

Having Nagi cling to you during your time at Blue Lock is pretty hard already. Believe it or not, he's 6'2, and believe it or not, having a grown 6'2 man hanging off your side makes it pretty hard to get around.

Having a shirtless, messy-haired Nagi plant himself right on top of you and having his face smushed against the top of your chest is a little worse.

You can feel a burning stare at the back of your head. You're not sure if the stare Reo is giving you is directed at you or the snow-haired boy. (Perhaps it is both and he's just conflicted—you would understand).

"Nagi..." You push back at his head and slowly intertwine your fingers in the white locks. They're softer than you imagined, but the ends are unmistakably dead. You should cut it for him later. "Go swim or something."

You are disappointed (yet, not the slightest bit surprised) when he promptly shakes his head no and proceeds to dig his nose even deeper into your exposed skin. His voice is slightly muffled, but still plausibly understandable, "Nuh-uh. Dun' wanna."

Your eyes twitch. Perhaps you have been spoiling him a little too much—so much so he refuses to leave you be.

"'Cause I didn't wanna go, but then mmmm... uh—Reo told me you were gonna come... and it wouldn't be too much of a hassle if you stayed with me. Hadn't seen you in so long. Missed you."

Right. You forgot he told you that before, too. Perhaps you had been a bit too doting on Nagi—he's clingy-er than you remember. Or perhaps it had been similar to that saying, distance makes the heart grow fonder.

A loud shriek (it sounds far too girly to have come out of Nagi's mouth, but go figure) alerts you and you see Nagi has been grabbed backwards into a headlock by Barou King Shoei. Perhaps he had turned away from the villainous side since your last meeting with him, because right now, he's saved you twice, like a hero.

Nagi doesn't even fight the King's death grip—he flops like a dead fish and it looks rather funny seeing it so closely. Nagi is taller, yet much lankier than Barou, who looks like a bodybuilder compared to the lazy snowhead.

"You're kicking sand all over the towel, Mr Hassleman." Barou snarls and jerks Nagi's head back. The boy doesn't react other than wearing his little :x face. "Go swim it off. Now."

Nagi does not make any visible effort to move. Barou still holds him like a ragdoll in his grip when he turns to look at you—you laugh a little and move your sunhat out of your eyes. "Hi, Barou. It's nice to see that you came. I didn't think you'd like the beach."

He looks a lot different with his hair down, you note. But in a good way. Fallen beneath his shoulders—you wonder why he does not wear it this way more often. He still holds his signature forever pissed-off expression, "What the hell is that supposed to mean? You think I'm incapable of having fun?"

You pause, with a small grin. "Yeah, kinda."

He gives you a deadpan expression. "You're the same as always, you shit manager."

"I thought our relationship had progressed to the point we'd gotten past these mean names." You place a hand over your chest, a cheeky smile on your lips with a faux-hurt expression. You didn't usually joke around like this—it wasn't really your thing—but he was just far too easy of a target to tease. "I'm hurt, King."

He cocks a brow—you see Nagi trying to wriggle around now, and it's good to know he didn't actually die—"Seriously? Didn't think you were the type of person to care."

"Doesn't matter now. You're gonna swim, right?" With a nod of his head, you break away from his sharp stare and give him a small wave with a closed-eye smile. "Well, I'll leave you to it. Oh yeah—by the way, you look good with your hair down. You should do it more often. Anyways, see you later."

You do not catch the half-hearted wave Nagi sends you—which was just him flopping his arm up in the air—nor do you catch the look Barou throws over his shoulder at you, "... Not too bad yourself."

He says, but you do not catch it.

Nagi stares up at the man with a blank expression, "Who knew you were all sweet on our manager, huh, King?"

The King in question growls like an animal and tosses Nagi into the ocean like a ragdoll, "Shut the fuck up!"

"Beach volleyball?" Chigiri stares with confusion in his bright pink eyes as Kurona sits on Gagamaru's shoulders—setting up the tall net. His hair is tied up in a high ponytail, and his bangs fall over his eyes. "Are you serious?"

His head turns to yours when you shrug, "Why not? Beach volleyball is super fun. It's not like you guys can play soccer on the sand."

Chigiri pauses to think your words over for a second. You give him the most empty stare you can muster before you speak, "You really can't play soccer on the sand, Chigiri."

"Well, still. Are you gonna play?"

You shake your head and spare him a small smile. "No, I think I'll pass on this one. I'd like to see you play, though. You seem like you'd be really good at volleyball."

He gives you a pretty smile and shakes his head. "Oh, I don't know. I wasn't really planning to play either. I was honestly just thinking of sitting down with you and just relaxing."

"Oh, but I really would like to see you play. I bet you'd be better than anybody else out there, Hyoma." Not to be brass or anything, but you like to think you know a good amount about Chigiri—including how to get him to do what you'd like: Fan his ego. Or to put it in better words, praise him. "I think you'd look pretty cool."

You give him the nicest smile you can muster, and you're sure that's what seals the deal. He turns his head away from yours—yet you can practically sense the smirk he now holds—"Well, if you really think so, why not?"

You laugh a little as he walks onto the court, and each side with six players—even if in official beach volleyball, there were only two on each side, this was the most unofficial game you've ever really witnessed.

Otoya and Karasu are jumping on each other's shoulders in an effort to block the spikes—it only ends in the one on top tumbling to the ground and Yukimiya shaking his head in an I'm not mad, just disappointed motion.

Bachira is using his feet to play, kicking the ball up even when his hands were a completely more viable option—you think this is illegal, but who are you to judge—and Shidou is doing the same thing, except he... is hogging the ball. You aren't even sure how you hog the ball in volleyball, but he's managing it.

Rin is the one who manages to get it away from him but it only ends up in another tussle—something you do not bother to stop because one of the manager are already running toward them with a can of hairspray (which, if you were not previously aware, has the same effect as pepper spray if directed into the eyes).

You loll your head back and let out a heavy sigh. This beach day was going better than you had expected—still, your group by far had gained the most traction from how loud you all ended up being. You've gotten countless stink-eyes from old people, especially when Shidou yells out profanities in the vicinity of little children.

You wonder if the police may get called on you all. Maybe you should pretend you're not in their group as a last-ditch effort if it does end up happening.

You are broken out of your thoughts by a small, almost nervous greeting, "Um... hey, [name]."

You look to where the source of the sound came from—you get an eyeful of Isagi's bare torso before you see his face. He's looking off to the side awkwardly as if the mere action of looking at you would be purgatory, and he looks like he doesn't know what to do with his hands so he grips the end of his swimming shorts awkwardly. It's cute.

"Hi, Isagi." You smile. You shuffle over to create a little more room on the towel you are sitting on. You pat the free spot beside you and nudge your head towards him, "Come sit."

Obediently—you didn't expect him to move so fast—he sits beside you. He still looks stiff and nervous, so you ask him what's up. He responds, quickly but much quieter than his usual calm tone, "I was... um... ah, this is so stupid..."

He sucks in a deep breath of air and turns his back towards you. It's a little more built than you imagined. "I was... just gonna ask if you could put sunscreen on my back... I can't reach, and I trust you more than the... others."

You can practically feel the way his face burns up from how his voice cracks and grows more hushed with every word. To save him from the embarrassment, you decide to spare him from teasing words. "Sure. I don't mind. I'm glad you trust me, Isagi."

The words come out a little more sultry than you intended as you test the waters and place your fingertips on his bare shoulders. He shivers. You can feel it.

You spread the sunscreen all over his back—he places his face in his hands as you work your hands a little lower. When your fingertips brush against the waistband of his shorts he has to bite back a small groan. This was utterly humiliating for him—seriously, this was sad.

You're not completely oblivious to this fact, so in a menial act of pity for the poor guy, you try and finish up as quickly as possible—if only to save him from the embarrassment.

It feels far too intimate to be just a friendly gesture. He wonders if you feel that way too. You lightly rest your palms on his tense shoulders when you are done, sitting on your knees and leaning your face near his own, "Done."

He'd be lying if he said his heart didn't skip a beat. He swallows thickly, blunt nails digging into his palms as he shuffles around so he faces you. The words that come out of his mouth are a little shakier than he would've liked, "T... Thanks... [name]."

The smile you have plastered on your face is nothing short of pretty, he thinks. "No problem. You can come to me if you need anything, okay?"

Why do you have to say things like that, [name]?

Isagi gives you a small nod, and practically forces a wavy smile onto his lips. "Yeah... You're really helpful, you know that?"

You laugh. "I know."

The mood between you two is calm and the strange tension from before has dissipated. You're smiling from ear to ear, about to say something—when Isagi's demeanour changes completely. You're not too sure why, but he seems to spot something behind you and his eyes completely shift.

Gone is the meek and shy boy, and in his place is a coy, smiling man. He places a hand on your upper arm—it makes you jolt and look at him in surprise. A second ago, he couldn't even look you in the eye, and now, he was shuffling closer towards you like it was the most natural thing ever.

"Anything, right?" He finally speaks, and he moves his hand up, away from your arm and it lightly traces underneath your jaw. He looks deeply into your eyes, but still keeps glancing behind you. "Can I do this?"

You do not get a chance to ask what this happens to be—although, it does not take a genius to figure it out, and you are no genius—or even spare him an answer before he grabs your hardcover novel and holds it up in front of where the two of your lips meet—covering your kiss from the other players that surround you all.

He doesn't dare take this further than a small kiss—yet, it wouldn't be considered a simple peck either. His hand holds the underside of your jaw lightly and tilts your head up so he can easily feel you and the back of the hard-cover book feels cool against your cheek.

You'd like to believe the reason your cheeks are on fire is from the blaring heat of the sun shining down on you—even though you are underneath the shade of that purple umbrella. His lips taste sweet, like a fruity drink. You think a stall nearby is serving something similar to that.

You can feel his smile against your lips, and he seems to be all too happy to have you like this. He tilts your face forward and your body has to follow—to the point you practically collapse into his lap. It feels much more intimate now that you can feel his bare skin against your own.

Isagi moves his hand down from your jaw down toward your waist, holding you taut against him and letting his fingertips rest in the dip of your back.

You finally end up moving backwards, and your sunhat almost falls off your head—Isagi quickly readjusts it when he pulls away. He gives you a sweet smile—though, it grows more cocky when he glances behind you again—and says, "You really are helpful, [name]."

You blush a little but still retain that same smile when his hands trace down your spine gently, romantically. "I know."

Isagi joins in on the beach volleyball fun with Nagi after Rin and Shidou leave in favour of taking a dip in the sea (you think you hear Shidou saying something about skinny-dipping, and you pray to every god imaginable you heard wrong), so you are left to yourself once more.

You are perfectly content. Your sunhat lay on the towel beside you and your legs are peeked out in the sun—reading your book where you last left off.

Your life is perfectly calm until it is not.

Hands suddenly cover your vision and all you see is darkness. You jerk your head up and are about to say something when a heavily accented voice suddenly rings out throughout your ears, "Guess who?"

You could recognise that voice in your sleep from how often it haunts your dreams. You recognise that voice even before you hear it. You slump down where you sit, letting out a heavy, almost tired sigh. "Kaiser..."

"Ah! How did you guess it so easily, hübsches Mädchen?" He removes the hands blocking your vision and he suddenly plops himself down, right in front of you—of course, his little guard dog is right by his side, sporting his usual guileless expression. "Perhaps you think of me far too often, hm? Also, I told you to call me Michael. We are closer than that, no?"

You shake your head, eyes slightly squinted at him. "I don't know about that. Hello, Ness."

The puppy-dog boy waves his hand at you, clearly delighted. "Hello, [name]!"

Kaiser looks annoyed at this interaction. He scoffs, rolling his electric blue eyes and waving you off mindlessly, lashes fluttering closed, "Whatever. I cannot believe you're just reading at the beach."

You raise a brow. "What's wrong with that?"

He picks up the book by its spine and tosses it nonchalantly on the towel beside you, lips curled downwards into a sneer, "It's terribly dorky. You look like a huge dork."

"You sound like you care about that more than me."

"I don't want my love interest to look like a huge geek. Appearances matter a lot, you know." Yeah, you make that really clear. He abruptly stands up—Ness scrambles to get up as well—and looks down at you, finger curling upwards towards you like he's beckoning you to follow him. "Come on."

You blink with your nose scrunched up. "Excuse me?"

He coughs into a closed fist, looking up at the bright blue sky so he doesn't have to meet your gaze. He still holds a hand out to you, "Come on. Don't keep me waiting."

You're so shocked that you actually find yourself following after him—though, you do not take his outstretched hand and it is left hanging awkwardly. Ness would've taken it.

Your sandals flop on the sand as you walk down the beach, past families and couples and people simply wanting to tan—you follow behind Kaiser in silence while Ness walks beside you. You hope people don't think of you three as a throuple. That would absolutely not be good for your image whatsoever.

You pause as soon as you realise exactly where he is leading you. He's stepped halfway into the water when you halt your movements right before the splash of a wave hits your toes.

"Yeah, no thanks." You abruptly turn on your heel and proceed to try and make a getaway—you don't get too far until Ness grabs your wrist and tugs you backwards. You tumble into him—somehow, he doesn't fall over and only grabs your upper arms in his hands with a frantic expression.

"Please, [name]! Kaiser really wants to swim with you!"

Kaiser hisses through his teeth lowly and stares at Ness like he's just cursed out his mother, "What the hell, Ness?! I never said that!"

The small boy does not make it very subtle when he gasps in shock. Ness slaps his hands over his mouth and shakes his head—his voice is muffled when he speaks, but you can still understand slightly, "I—I never said that! Nobody said that!"

He's so embarrassed the poor boy rushes into the water and disappears beneath the waves. You wonder if he has become one with the sea. In the distance, you can see Kurona and Hiori chilling on a large unicorn floatie—with drinks and colourful straws—that should've only been able to fit one person.

You and Kaiser are now just staring at each other in very much awkward silence. You take a languid step back. "Well... If you don't want to swim..."

Once again, you do not get the chance to dash away because he's grabbed you and pulled you into his grasp before you could even react. You look at him with wide eyes—but you're practically putty in his hands when he bends down and clasps his arms over the back of your thighs, throwing you over his shoulder like a menial sack of potatoes.

Your sandals fall off your feet as soon as you find yourself tucked over him—you let out a very loud, very offended, very embarrassed gasp of shock, "What the hell... ?! Kaiser—put me down! Sick bastard!"

Your words have no visible effect on him. Your head slumps down when you feel him walking, and your hair hangs over your head. You get a good eyeful of his back. He's also more muscular than you imagined. Makes sense why he could even do this. That doesn't mean you're not pissed, though.

You can't see his face, but you can practically envision his signature cocky smirk and how it paints his stupidly handsome features, "I'm all fine, hübsches Mädchen. Are you ready?"

Huh? Ready for what—!!!

You feel so indiscriminately stupid for even asking this question—you should've already known the answer—because you suddenly find yourself collapsing into the water, salt filling each of your senses and the loud noises of children screaming around you fading to muffled nothingness.

You jump up as fast as you can—you're just tall enough so you can stand with your chest above the waves. You start coughing to try and get the small amount of water you happened to swallow out of your system—your hair is now wet with the water and is suddenly heavier, and you're shivering cold.

Kaiser, the asshole he is, is laughing wildly at your expression. You push your hair away from your vision and you receive an earful of his—stupidly charming—laughter. His hands clamp over his mouth in a last-ditch effort to muffle himself, which only makes your face flush hotter with anger and your chest tightens.

You want to yell and scream into his face, but you choose the better way out. You puff your cheeks out and hold your breath as you dive back under, swimming behind him and slamming your foot into the back of his knees so that he tumbles forward, face-first into the water.

You've never felt prouder of yourself.

You bob your head back up and start to laugh wickedly now—it was his turn to look like a drowned rat. When his head comes above water, you can't help the tears of laughter that brim across your waterline when he gives you a deadpan, silently fuming glare.

His wet bangs cling to his face (somehow, it suited him—the mere thought made you feel a little angry, in the way that your stomach started to feel all weird and your heart skipped a beat or two) and his red eyeliner is smeared down his cheek. He pushes his blonde hair back, so that his damp bangs fall over his left eye and his hair is parted strangely to the side.

"Hmph." He looks away from your figure—you have to cling onto his shoulder to stop yourself from falling over, and your chest heaves up and down wildly to breathe. "I don't know what you find so funny."

You look up at him from your slumped position, eyes squinted upwards and you're practically sparkling with joy, "You... you look hilarious! Ahahaha—look at you! I can't—" Your words are cut off by your gasps for air.

Kaiser does not look the least bit impressed. He stares down at where your cheek is planted on the side of his neck, right where the blue rose lies. His hands stabilise you by falling into the small of your back—right where Isagi's fingertips once touched.

You finally regain your composure and move away from how you were practically pressed up against him—your cheeks are starting to hurt from how hard you were smiling, and you now sport a much calmer sort of grin when you stare up at him. "Ah... I'm sorry—don't look so mad—"

He rolls his eyes, which makes you chuckle, hands resting on his shoulders, "Oh come on... don't look at me like that... I'm sorry..." Your tone is far too playful to sound apologetic. He is slightly enjoying the attention you bestow upon him, but the thought makes his head hurt so he chooses not to reflect on it. "Michael..."

Fuck. His name sounds so nice coming out of your mouth.

He still keeps up the annoyed act, however, even when you grin up at him with that stupidly pretty, stupidly knowing look, "Don't be like that... I'm sorry, okay? What do you want me to do to make it up to you?"

The blonde pauses, blinking owlishly and looking down at you. You are still smiling, and he can feel your heart beating loudly in your chest. You almost look dazed, probably from your previous session of full-blown laughter.

His hands still rest lowly on your hips. He moves one and tilts your chin up with his thumb, "Hm." A smirk coils onto his lips and in an instant you can see the happiness that practically radiates off his being. "I think this will suffice, for now."

He leans forward, and suddenly, he is kissing you. Unlike Isagi—he wastes not a second to slip his tongue between your lips and kisses you as deeply and passionately as he can muster—it's so Kaiser, so him that it makes your stomach twist within itself.

His hands run down the side of your body—the places where his rough fingertips meet the skin that you usually cover with clothing make you jolt and goosebumps form on your wet skin.

His bangs tickle your cheek and despite how wet they are, they are soft. His left, tattooed hand finds itself on the side of your stomach and his blunt nails sink into the soft flesh—he grabs at whatever he can get his hands on. It's lowly and desperate and so unbefitting, so uncharacteristic of him—but in this moment, he can hardly find it within himself to care.

The hot sun beams down on you both and it causes your head to grow all hot and fuzzy—Kaiser's natural warm body heat is not helping either. You're feeling so much all at once that your hands unconsciously place themselves on his bare chest in a small attempt to create a sliver of distance between you two.

It does not work. Your torso leaves no room or gap as you're sunken into his arms—it makes him groan into your mouth and god, you almost feel sick to your stomach when you realise your first thought after hearing it is that you really want him to do it again.

You're not underwater anymore, but you might as well be. Every sense is muffled—the children screaming, the cool, glittery water that surrounds your bodies, even the blackness that clouds your closed-lidded vision—all you can feel is him, his tongue in your mouth and his hands running all over the smoothness of your skin.

Suddenly, you feel your lungs aching, and you realise you need air. You try to pull away—but his face follows yours like he's a mindless dog, and you could've laughed at it if you had not been so stripped of oxygen. You need air and yet he's kissing you like you are his air—it's a fact that makes your cheeks flush red hot.

The only option you can think of is the next action you take—you squeeze your hand out of where he presses your chests impossibly close and entangle them within his damp, blonde locks—tugging backwards and forcing him to leave the slightest amount of space between your mouths, so you can gasp for air.

Your hand tugging at Kaiser's long hair, hard, and you hotly panting into his mouth—he'd rather be caught dead than admit this aloud, but it doesn't feel half bad.

Your eyes crack open slightly, and you have to choke down a laugh when staring at his expression. His face is flushed bright red—compared to his usual pale complexion—and his squinted cerulean eyes are clouded with unmistakable desirable passionate lust.

"Scheiße, hübsches Mädchen." He curses lowly, chest rising and falling erratically as he pulls you in even closer—if that were possible. You can feel every ridge and bump of his hard torso against you and the smirk that pulls across his lips makes your heart pound. "You make my heart race."

When your breathing starts to even, he closes the gap between you both once more, pulling your bottom lip between his teeth and biting down—you whine into him and he kisses you softly as some sort of minor apology—you'd never hear the word sorry come out of his lips, after all. His hand dips down to trace up and down your spine, while the other rests below your ass.

He slides his lips away from yours, down your neck and he rests his face in the crook between your neck and shoulders—pressing languid, open-mouthed kisses against the salty skin. His hair falls over his shoulder and trickles into the water like molten honey—it flutters around in the sea and he looks stupidly gorgeous like this.

Now that he's not blocking your vision nor taking over each of your senses, you can see now see the distant figures of your friends all playing together in the sea, including that of Isagi. He's talking together with the others and having fun while you're over here, making out with one of his most hated rivals.

Still, you can't find it within yourself to give it a second thought when his teeth sink into your neck, and his hands tighten around your upper thighs. He lifts his head after you whimper a little and push him back—he follows where your eyes lead and you're sure he also happens to see the head of your dear friend.

The smile that curls across his lips is nothing short of dangerous. "Oh, is that Yoichi? Are you worried about him seeing us?" You do not give him a verbal answer, but the way you look down and the way your lips tremble gives him everything he needs. "How cute. No worries."

He lifts his face and all you can see is him. His hair falls over his shoulder and his bangs tickle your cheek once more. His touch is undeniably soft despite the carnal look he sports in his sharp, angled eyes. "Why don't we give him a show, hübsches Mädchen?"

He whispers so delicately—you do not have the mind to shake your head no, nor do you protest when he slips his tongue between your obediently open lips once more, hands tucked around your hips.

Your heart will not stop pounding. Kaiser smiles at the fact that he is doing this to you. He smiles at the fact you are like mindless putty in his hands, and he smiles at the fact that he can feel bright blue eyes staring holes into him—there's nothing wrong with showing off, right?

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wtfaniii · 28 days ago

Text

I can do it alone, but he can also save me

Fem reader x Hwang In-ho / Fem reader x Hwang Jun-ho

Part 1 // Part 2

•Summary: Jun-ho's girlfriend was a decorated policegirl, strong and brave, she, along with Gi-hun were taken to the games to stop them, however, there was a setback in between

•Note: Thanks for the support! Here I bring you the second part of this one shot that is personally one of my favorites.

•Warning: Maybe some drama, Some violence and attempted abuse, ¡Don't worry! this man arrives on time like a prince on a white horse

N/A: I haven't checked this yet, sorry if it has spelling mistakes

Gi-hun had told some participants that the next game would be dalgona, but it was not so and now they were upset with him, surrounding him and complaining about his mistake, calling him a "liar."

—You guys decided to play these games —the girl said standing in front of Gi-hun —Face the consequences and don't expect someone to come and save us.

—He's a fraud! —Player 100 shouted at him, pointing at accusingly and with contempt.

—ibelieve in him word —001 interrupted, standing next to her.

Due to the first impression that the two made on all the players, the complaints immediately stopped and retreated.

—It's nothing, I really believe you —Young-il said with a friendly expression

—And if you allow me... I would like to be on your team.

The next game would be in teams of five players, counting the girl, Gi-hun, Jung-bae, Dae-ho and now Young-il, they were full, however, when they were talking to get to know each other a little, a woman with the number 222 on his uniform approached them cautiously.

—¿Can I be on your team? Please —Jung-bae was going to interrupt her to tell that they were full but the young woman finished his sentence first —I'm pregnant.

The five pairs of eyes fell on the small bulge of her belly and noticed that it was true. Immediately, the woman spoke. —I'll look for another team.

—¿Are you sure you'll do it?— In-ho asked, looking at her carefully. A person who looked out for someone else's well-being in these games was rare to see, but considering the situation, it was quite understandable. He wouldn't give up his place if he wasn't so interested in his enemy.

She nodded confidently and left to find another team, it didn't take long, after all, most people took advantage of having someone like her on their team just by considering the word "police" in their introduction.

Once the teams were formed and they were told what had to do, they sat on the floor to wait the turn.

As time passed and gunshots mixed with screams sounded in the background, the young woman thought silently.

¿Will Jun-ho be okay? She really hoped so, she had known him for four years and knew that there were times when he could go to extremes to get what wanted.

It was something she loved about him but right now just worried about.

—¿What game are you going to play? —246 asked sitting next to her, momentarily taking her out of his thoughts.

—Gonggi —answered immediately, she was very good at that game, it had been his favorite since she was a child.

The others nodded and continued talking, she didn't go there with the intention of socializing too much.

For starters.

She was only there because Jun-ho had asked her to.

Jun-ho...

She just hoped him could find her and Gi-hun in time.

The policeman had no intention of stopping now, even without having the tracker active and with the fact that apparently someone was sabotaging them from inside, he was not going to stop searching.

The woman he loved was in those games, that wasn't going to be the plan, she was only supposed to be Gi-hun's bodyguard but things didn't go as planned.

—I think we should stop, it's almost time to eat and we're a bit far from the shore.

—We can't be so close now —he said, somewhat irritated and helpless. —Every minute they spend on that island is a danger.

He felt guilty for having dragged her into his own problems.

He remembered the last conversation he had with her before he lost sight of her.

[...]

—We are police officers —Jun-ho said, showing his badge to the guard who was guarding the entrance of the place

—Just like everyone else tonight —the man said with a mocking laugh, pointing at the long line waiting to get into the Halloween party.

Jun-ho didn't have enough patience to tolerate this, so with no other choice he went up to the man and took his gun out of his pocket.

—¿Do you want to see if this is a toy?

The guard stepped back in fear, giving them free passage.

The girl smiled proudly and waved her hand as if it were hot while sighed.

—That's my man —she boasted to the guard as they crossed the entrance. Jun-ho managed to hear her and inevitably a sly smile appeared on his lips.

—We have to find him before they do —he said, referring to Gi-hun searching the crowd but no masked pink guard was visible.

—It will be faster if we separate —she added, taking out her weapon and pointing it at the ground just to be ready in case used it —When we leave here it will be fondue night —she said without losing her charming touch.

It was something they both shared, despite being in tense situations like this, comments like that were never lacking, especially from the girl and that was something Jun-ho adored, her daring was part of what made the policeman fall in love with her.

—Maybe I should drag you into my problems more often —He replied with a smile and separated from her.

The girl was the first to find Gi-hun and surprisingly they let her get into the limo with him.

Jun-ho was unhappy about that but he couldn't change her mind and just when they thought they could intercept the front man of those suicide games they were forced to make a last-minute decision by shooting at the tires of the cars.

[...]

His stomach turned just remembering what people go through inside those games, he trusted that she could survive but the odds of not making him tremble and want to vomit.

—Okay... we'll call off the search —He relented after a few minutes.

He looked up at the sky and asked whoever would listen him to keep the woman he loves alive.

Meanwhile on the island, they had managed to get through the second game alive, she was sitting with Gi-hun's team silently watching around them when 001 sat next to her.

—Hi... —he greeted her with a soft smile, hoping that the mask being Young-il was convincing enough to fool her —I'm curious... if you're a police officer, ¿how did you end up here?

—¿Debts? —She replied with a false smile —My job was to take care of Mr. Seong but it didn't turn out the way I had in mind —she admitted, looking away again but feeling Young-il's intense gaze on her.

—So... ¿you're here as an undercover agent? —he asked, feigning surprise and curiosity.

He himself was the one who gave the order to allow her to also get into the limousine to accompany Gi-hun.

In-ho knew his brother would be worried about her, searching for her relentlessly, but it was inevitable, he needed to meet her in person and be sure how good of an influence she was on Jun-ho.

Or at least he thought it was a good excuse.

—Yeah... —She looked at him silently and attentively when she noticed a certain peculiarity in him appearance —¿Do I know you from somewhere? I feel like I've seen you before...

Him face seemed familiar but she couldn't figure out why. In-ho kept eye contact with her, waiting for her answer.

It was a pity, if she recognize it him had no other option to let her die in the next games but luckily for the girl she denied it.

—Forget it, I'm just stressed ¿And why are you here?

—My wife is sick and pregnant.

She looked at him with pity as he told her his story, it wasn't a lie, it was just that it happened years ago and he couldn't do anything to keep her alive.

—I'm sorry —The girl said after he finished his words.—I promise we'll get out of here and I'll help you as much as I can with the expenses.

The police had money, not to say that she was a millionaire but she lived in a good social status, she was willing to help him only because her heart was softened by him story.

–You barely know me, ¿why would you do that?

—My boyfriend has also had a somewhat hard life and I took this job for a reason, to help others.

She did not consider herself a saint, but if she had the opportunity to do something good for other people, she would do it regardless of the consequences.

—Also... I think I'm pregnant —She said with a small smile.

How chaotic and unfair could fate be that just one night before she was to go to the medical laboratory for her results, she was taken to those games against will.

On the other hand, she could also feel a slight connection with this stranger, which was why she revealed that to him so naturally, but she still didn't know exactly why.

—I have to go to the bathroom, I'll be right back.

He nodded and watched her leave but his eyes also noticed three other suspicious looking players who followed her into the bathroom.

Without thinking twice he also stood up.

Not even two minutes had passed since she entered the bathroom when a woman grabbed her by the collar of the jacket and threw her backwards, making her fall on back.

–¿You remember me? —the woman demanded, looking at her with disdain and annoyance

—No —She answered standing up.

—You threw my husband into prison and won't be out for another twenty years —The woman pulled out a small pocket knife and another woman stood behind the police girl to hold her —I thought about how to kill you for days.

—Very cute, I still don't know who you are.

Those words only made the woman even more furious as lunged at her and tried to stab her,

Her hard training served her well in this unarmed fight.

But she was counting on another man to come in to help the two players who were trying to kill the young policewoman.

—Three against one unarmed is not fair... —she gasped for air as saw that he had a small opening in his head, her had hit himself on the sink at one point during the fight.

—¡It was also not fair that my husband was sentenced to twenty years in prison for attempted abuse!

—Oh, believe me, I tried to make it forty.

A kick to the face from one of them managed to stun her long enough to give them time to pin her down on the cold, damp bathroom floor.

She couldn't hear clearly what they were saying but when she saw how the man placed himself on top of her, their intentions were quite clear.

She didn't have enough strength to continue defending himself, her felt bleeding from his leg from the knife and the cut on his head hurt, but like a hero coming to save the day, Young-il walked through the door and shouted "Hey!"

That small interruption was enough for her to hit the man in the genitals with her knee, making him move away and moan in pain.

She was too stunned to see what was happening, but before she knew it, he had her in him arms and walked out of the bathroom leaving the two women unconscious on the floor and the man with a bleeding nose.

—¡You should do a better job as guards! —he yelled at the two pink soldiers guarding the door, she didn't know it but that scolding was enough to fire those two.

He carefully led her to the men's room where, due to his front man advantages, he was able to have a guard deny another player access until he said so.

—Thanks... —Her murmured as he dropped her on the ground—But I had it under control.

She let out a giggle that made his ribs hurt, In-ho refrained from laughing, now he had to focus on fixing her wounds.

—Being a police officer you made many enemies —He said while using his jacket with some water to clean her.

—You have no idea.

In-ho continued to clean her wounds and after a few minutes everything was better for her, the girl stood up cautiously because of the wound on her leg and thanked Young-il with a small bow.

—Thanks for helping me, for the second time.

—I hope it doesn't become routine —he said with a soft smile, looking her up and down unconsciously.

When they came out of the bathroom there were suspicious glances but neither of them cared.

It was cute, she liked the way this man treated whenever her found himself in trouble, in a way he reminded her of Jun-ho,

She liked that even though she could defend herself, there was still a knight in shining armor who would arrive in the worst situations.

Young-il, the gentleman who arrived just in time and the only one who knew about her suspected pregnancy.

tag list:

@raya4643 @lvspedri @iloveoldermen0204 @ravenslocked

#hwang inho x reader #hwang jun ho x reader #in ho x reader #hwang jun ho #frontman x reader #in ho squidgame #squid game x reader #hwang in ho #squid game #squid game fic #lee byung hun #young-il x reader #frontman x you #Jun-ho x you #Jun ho x you #squidgame x you

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v6quewrlds · 3 months ago

Text

❝ know no better, m. barzal. ❞ ‎ ‎ ┉

‎ ‎ ⁎⠀┉⠀summary: with your work responsibilities taking you away from long island, you and mat haven't had much time to blow off some steam. his friends, however, are tired of being on the receiving end of mat's "steam" and enlist you to help.

‎ ‎ ⁎⠀┉⠀author's note: about half way through the nnn series! i am a diva!mat truther so enjoy. day five of my no nut november series.

‎ ‎ ⁎⠀┉⠀warnings: smut, please do not interact with my work if you are under 18. language, established relationship, oral (male receiving), mat’s a lil grump.

‎ ‎ ⁎⠀┉⠀pairing: mathew barzal x reader.

‎ ‎ ⁎⠀┉⠀word count: 2.4k.

You looked up from your laptop, your eyes scanning the crowded airport lounge. The clacking of keyboards and murmur of distant conversations created a familiar backdrop to your focused silence. You sighed, your fingers hovering over the keyboard as you awaited your flight's boarding call. Your phone buzzed, and you picked it up, expecting to see a message from work reminding you of the deadlines that had kept you in Boston for nearly a month. Instead, you found a text from Ethan Bear.

Your eyebrows shot up in surprise. You hadn't spoken to Ethan in ages, not since the last time you and Mat had seen him over the summer.

The message was simple: "Hey, noticed Mat's been on edge lately?"

You read it again, a hint of confusion creasing your forehead. Of course, you had noticed. Mat's mood swings were like the tides, but you had just chalked it up to the pressure of his season and your demanding work schedule pushing distance between the two of you.

You typed back, "He makes it hard not to lol he's prob just stressed with the season. Why?"

Ethan's response was swift and to the point. "It's that dumb No Nut November bet. He's losing his shit like a little bitch. Can you fix him?"

You couldn't help but laugh out loud at the absurdity of it all. Mat, your six-foot hockey player of a boyfriend, reduced to a grumpy mess over a bet? It was almost endearing in its ridiculousness. But Ethan's concern was clear, and you knew you couldn't ignore it.

You replied, "I'll see what I can do," with a winking emoji, feeling less than guilty for the amusement that bubbled up inside you.

As you boarded the plane, you couldn't shake the image of Mat, all six feet of brooding masculinity, brought to his knees by his own stubbornness. You chuckled to yourself, imagining the look on his face when you told him you knew about the bet. The flight back to Long Island was a blur of work emails and half-hearted attempts at relaxing, your mind racing with ideas to tease him into dropping this absurd challenge.

When you finally stepped into your apartment, the tension hit you like a wall. Mat's heavy footsteps echoed through the hallway, and you could hear him muttering under his breath. You set down your bag and called out, "Honey, I'm home!" with a playful lilt in your voice.

Mat appeared around the corner, his eyes flashing with a mix of relief and annoyance. "Fucking finally," he grumbled, the corners of his mouth twitching slightly in an attempt to suppress a smile.

You rolled your eyes, your amusement clear. "What crawled up your ass?" You stepped closer to him, your eyes sparkling with mischief.

Mat sighed, running a hand through his thick, dark hair. "You wouldn't understand."

You stepped closer, your curiosity piqued. "Try me."

Mat rolled his eyes, his frustration palpable. "It's just this stupid bet with the guys. I can't believe how much it's messing with my head."

Your smile grew. "Oh, the No Nut November bet? That's what's got you all worked up?" You couldn't resist poking the bear. "You know you can just tell them you can't do it, right?"

Mat's jaw clenched, and he glared at you. "It's not that simple. My pride's on the line."

You chuckled, reaching up to cup his face in your hands. "Okay, tough guy," you said, your voice gentle and teasing. "But if it's really bothering you, maybe you should just, I don't know, not do it?"

Mat's eyes searched yours for a moment, and you could see the conflict in his gaze. He was torn between his pride and his desire to end the torment. You decided to take matters into your own hands. You leaned in, placing a soft kiss on his cheek. "I have an idea," you murmured against his skin. "How about I help you relieve some of that tension?"

His eyes widened, and you knew you had his attention. "How?" he asked, his voice gruff with hope.

You stepped closer, your hands sliding down to his chest, your thumbs tracing the firm muscles beneath his shirt. "How about I give you a little something to take your mind off of it?" you suggested, your voice dropping to a sultry whisper. You saw the spark of interest in his eyes and knew you had him in your grasp.

Mat's expression softened slightly, his eyes flickering with curiosity and a hint of desperation. "What are you thinking?" he asked, his tone cautious.

You smirked. "I could give you a reason to lose the bet?" you offered, your voice laced with playful challenge. You watched as the realization dawned on him, and his eyes grew dark with need.

"Did someone set you up to this?" he asked, his voice thick with suspicion, trying to hide his growing excitement.

"Let's just say I have my ways of finding things out," you replied with a wink. You could feel the tension in the room start to ease as Mat's curiosity took over.

Mat looked at you skeptically. "Alright. But if you're just messing with me..."

You giggled, standing on your tiptoe to whisper in his ear, "I'm not messing with you, baby." Your breath was warm and sweet, sending a shiver down his spine. "I want to help."

Mat stared at you for a moment, trying to gauge your seriousness. He was desperate for relief, and the thought of losing the bet was becoming increasingly more appealing by the second. With a huff, he stepped back, his arms crossing over his broad chest. "Okay, fine. What do you have in mind?"

You took a step closer, your eyes never leaving his. "Well, I was thinking..." you trailed off, your hands moving to the hem of his shirt, "maybe I could help you relax." You began to lift his shirt, your hands gliding over his abs, your manicured nails lightly scraping against his skin. "You know, just a little something to take the edge off."

Mat's resolve was crumbling. The feel of your hands on him was too tempting to resist. He let out a gruff chuckle, trying to maintain his tough exterior. "You're really going to do this?"

Your smile grew mischievous as you continued to lift his shirt, exposing his toned stomach. "Mmhmm," you hummed, your eyes flicking up to meet his. "I think it's only fair that if you're going to be a grumpy mess, I get to enjoy the perks of helping you out."

Mat's arms fell to his sides, his eyes locked on yours as you continued to explore his torso with your fingertips. "And what perks would those be?" he asked, his voice low and gruff with anticipation.

Your smile was sly. "Well," you said, your thumbs grazing the waistband of his sweatpants, "I was thinking I could give you a nice, long, slow release."

Mat's eyes darkened, and he took a sharp intake of breath. "Fuck it," he muttered, his voice barely above a whisper. He leaned in, capturing your mouth in a fiery kiss that sent shockwaves through your body. Your fingers tangled in his hair as you gave in to the passion you had been craving for weeks.

The two of you stumbled into the bedroom, the door slamming shut behind you. You pushed him down onto the bed, your body straddling him. You could feel his heart racing under you, his chest rising and falling rapidly. You took a moment to appreciate the sight of him, his muscles taut and his eyes filled with a desperate need that made your own pulse quicken.

Mat's hands found the zipper of your jacket, his fingers fumbling with the fabric as he tried to get it off of you. You laughed and helped him, shrugging out of the jacket and tossing it aside. You leaned in again, your mouth tracing a line of kisses down his neck and chest, feeling his body respond to your touch. His breathing grew ragged, and you knew you had him exactly where you wanted him.

As you kissed down his body, you felt the tension in Mat's muscles start to unwind. You could feel the heat radiating from him, and you knew that you were winning the battle against his pride. With a knowing smile, you began to undo the drawstring of his shorts, your eyes focused on his.

"Missed this pretty, perfect dick," you murmured against the fabric of Mat's shorts, your voice muffled and playful. Mat's body tensed in anticipation as you slowly pulled them down, revealing him to your gaze. You took a moment to admire him, your eyes sparkling with a mix of humor and desire.

Mat groaned, his hands gripping the bed sheets. "You're evil, you know that?"

Your eyes gleamed with victory. "Only when it's for your own good," you teased, your fingertips brushing against his arousal. You watched his reaction, his eyes rolling back slightly, raven hair beautifully contrasting the crisp white sheets.

Mat's hand reached up to tug at your hair, urging you closer. "Just do it," he begged, his voice a mix of frustration and need.

You chuckled, your eyes sparkling with mischief. "Pushy," you said, your voice low and soothing. You leaned down, your warm breath fanning across his skin. Mat shivered as you pressed a kiss to the tip, your lips curling into a smug smile at his gasp. You took your time, teasing him with feather-light kisses and gentle strokes, your tongue swirling around the head of his cock.

Mat's eyes were squeezed shut, his teeth grinding together. "Baby," he ground out, his voice a desperate plea. You conceded and took him into your mouth, your movements slow and deliberate, savoring his taste and the sound of his moans. His hips bucked upwards, and you held him down with a firm hand, keeping the pace at a torturous crawl.

Your eyes flicked up to meet his, watching the myriad of emotions playing across his face: surprise, pleasure, and a hint of embarrassment at his loss of control. You took him deeper, your cheeks hollowing as you sucked gently, and he swore, his hands fisting in the sheets. The salty tang of his sweat mingled with the faint scent of his cologne, and you felt a thrill of power knowing you could bring this strong, confident man to the brink of madness with just your mouth.

Mat's thighs tensed beneath you as you increased your pace, your hand pumping in time with your mouth. His breath grew ragged, his body trembling with the effort to hold back. You took him deeper still, your throat tightening around him, the sensation of his impending climax thrumming through your body.

"Shit," Mat groaned, his voice tight with need. "C’mon, babe, I can't..."

You released him slowly. "You can't what, baby?" you whispered, your voice like velvet against his sensitive skin.

His eyes flew open, and he stared at you, desperation warring with the need to maintain his pride. "I'm gonna come, baby," he warned, his voice strained.

You pulled back slightly, your eyes gleaming. "Mmm, I know," you said, your voice a sweet taunt. With a devilish smile you held his gaze as you stuck your tongue out, a line of saliva connecting your mouth to his glistening cock. Mat's hips jerked upwards involuntarily, his eyes widening with shock and pleasure.

"You're gonna lose that bet," you whispered, your breath warm against his sensitive skin. Mat's jaw clenched, and he nodded, the fight draining out of him. His hand reached for you, guiding you back down to him. "Good boy," you murmured, your mouth enveloping him again.

Mat's hips began to thrust slightly, his movements growing more urgent. You felt a rush of wetness between your legs, your own desire spiking at the sound of his desperate moans. You tightened your grip, your tongue swiping against the underside of his shaft. His hips bucked harder. With one last, deep suck, you felt him pulse in your mouth, the warmth of his release flooding your mouth.

Mat's body went rigid as he came, his breath hitching in his throat. You swallowed, your eyes never leaving his. You licked your lips, savoring the taste of him, and gave his cock one last gentle kiss before sitting back on your heels. You watched him, his chest heaving and eyes glazed over with pleasure.

For a moment, there was silence, broken only by your ragged breathing. Then Mat's face contorted into a mix of frustration and relief. "Fuck," he muttered, collapsing back onto the bed. "How bad was I?"

You grinned, wiping your mouth with the back of your hand. "Oh, you were pretty bad," you teased, your voice light and playful. "Ethan texted me about it. Said you were being a little bitch."

Mat's face reddened as he buried his face in a pillow, muffling his groan of embarrassment. You couldn't help but laugh, your eyes sparkling with amusement. "It's okay," you said, your voice gentle. "You're my little bitch."

Mat threw the pillow at you, his laughter joining yours. "Fuck off," he said, his voice muffled by the fabric.

You caught the pillow and tossed it aside, your smile widening. "It's all love, baby," you said, leaning over to kiss his cheek. "But seriously, you okay?"

Mat took a deep breath and nodded. "Yeah, I'm good." He sat up, running a hand through his hair. "I just didn't know it would get to me like this."

Your expression softened, and you cupped his cheek, your thumb brushing over the stubble that had started to form. "No more dumb bets?" you asked, your voice a gentle reprimand.

Mat sighed, his eyes meeting yours with a hint of vulnerability. "No more dumb bets," he agreed, his voice gruff. He leaned into your touch, his eyes closing briefly. "I'm sorry for being such an asshole."

Your smile was warm, your thumb continuing to stroke his cheek. "You should probably apologize to Ethan. Whatever you did to him, it's gotta be bad if he's asking for my help."

Mat chuckled, his irritation fading. "I'll text him later, tell him you talked some sense into me." He pulled you closer, his arms wrapping around your waist. "Thank you, baby." He kissed you, the affection in his touch making your heart flutter.

#&. cassie writes.#&. nnn masterlist.#mat barzal fic #mat barzal x reader #mat barzal imagine #mat barzal angst #mat barzal #mathew barzal #mathew barzal fluff #mathew barzal x reader #mathew barzal smut #mathew barzal fic #mathew barzal imagine #x black reader #x black fem reader #black!fem!reader #black!reader

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svetamillss · 23 days ago

Note

Could you do squid game x emo reader? Like she dresses in like 2000s emo style and they’ve never seen anyone like her before

Headcanons: their reaction to the fact that you are emo🖤

Featuring: Thanos (Su Bong) x Reader(f), Nam Gyu x Reader(f), Cho Hyun Ju x Reader(f), Kim Young Mi x Reader(f)

A/N: It was very interesting to work on it, I hope something good came out!

🖤🖤🖤

Thanos (Su Bong) and Nam Gyu

You were sitting in the common room, after the first game you were very tired, so decided to rest all the rest of the time, although you were very restless. Suddenly you saw two tall figures walking towards your bed. They were players 230 and 124, you recognized the first one, because in the first game he behaved very loudly and carelessly. They sat down on the next bed and started a dialogue.

- What a beautiful angel came down from heaven straight to me. - player 230 said with a wide smile.

- Did you call me an angel?

- Yes, baby, I'm a rapper Thanos, who couldn't resist your beauty, it's like you're from another planet.

- He wanted to say that you look like an alien. - player 124 replied. By the way, he was hit on the back of the head by Thanos for this words.

- Don't say such shit to this beautiful lady. - he said irritably, then looked at you and continued. - Don't listen to him, your style is beautiful, what's it name?

- Emo. - you answered briefly.

- Well, that's all, Emo girl, the great Thanos will protect you and now you're in my team! - he said with a wide smile, his friend is completely shocked.

- Why are you taking her to our team? Why the fuck do we need girls at all?

- Shut up, my friend, I've already decided everything. - they both looked at you waiting for your answer.

After a little thought, you decided to join. After all, you can't handle alone here, and these guys are fun, especially Thanos, who really liked your style.

As it turned out a little later, after the second game, player 124, whose name was Nam Gyu, was somehow not against your style, he quietly approached you and quickly said:

- You look pretty sexy. - and then left you.

If only he had seen how you blushed from his words, you haven't been complimented for a long time.

Cho Hyun Ju

The was second game, you had to assemble a team of five people, but it was a big problem for you. After all, everyone rejected you because of your style, someone even calling you a stuffed, which hit you hard. You didn't do anything wrong, you just dressed as you like, why are you don’t liked?

You were already completely desperate, but suddenly you saw a beautiful and tall girl who, like you, approached many and was also rejected. You thought it was fate and decided to act.

- Excuse me, would you like to join my team? - you asked her a little embarrassed.

She smiled softly and agreed to your offer. Soon you found three more people. A mother with son and a shy sweet girl.

You were able to win and after the game you decided to learn more about each other. Everyone told own story, why he is here, but most of all you were touched by the story of Hyun Ju. It turns out that she was transgender and she needs money to finish the transition to a girl, she also wants to go to Thailand and start all over again. When you listened to her story, you fell in love with her more and more, it looks like it's love at first sight.

When night came, you couldn't sleep, as it turned out, Hyun Ju's bed was next to you and you saw that she was awake too.

- Fate seems to have decided to bring us together. - she said in a whisper so as not to wake anyone up.

- What are you talking about?

- We united into one team, were able to win, and now it turns out that our beds are quite close.

- Yes, it's really interesting. - you answered with a slight blush.

- You know, don't listen to anyone, your style is incredibly and unusual, you look like a fairy and you are very beautiful. - after these words you realized that you finally fell in love with this gorgeous girl.

- You are also very beautiful, Hyunnie. And don't pay attention to others either, they don't understand anything. They can only say how strange we are.

- We'll be weird together. - it seems that she hinted to you about the continuation of your communication or the beginning of something more. Well, you really hoped for it.

- Yes, let's be weird together.

Kim Young Mi

The food in this place was just terrible. You were very hungry, but you only got a small bun and a bottle of water for breakfast.

- How rotten it all is. - you were about to start the meal, when you saw the girl who was sitting and crying, you decided to approach her and find out what happened.

- Hey, why are you crying? - you asked carefully, but she was still a little scared of you, you hoped it was from surprise.

- No, everything is fine, really. - It was clear from her voice, she was very nervous.

- I see that something happened, tell me, I won't make fun of you.

- Really? - then you were shocked who she even took you for.

- Of course not, why did you decide that at all?

- Your appearance..you look like..a bitch. - she said the last word very quietly, as if she was ashamed to think so.

You were a little offended, but you decided not to show it to the girl.

- So what happened?

- The hooligans took away my food, and I very hungry. - she pointed to a group of guys, from them you recognized player 230, who was already very noisy.

Without thinking twice, you handed her your breakfast, she was sincerely surprised by this gesture.

- What? But why? I can't accept it!!

- Take it, you need to gain strength before the game, and a piece doesn't fit in my throat, there's nothing to lose food, take it. - she took food from you with slightly trembling hands and wanted to say something, but you already left, leaving her alone.

But who knew that in the second game fate will bring you together again and you will play in the same team? And it is after the second game that you will get to know each other better and she apologized for calling you a bitch.

🖤🖤🖤

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darkeralmond · 7 months ago

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Can you do a william Smith smut when they get home from his draft. Pls I haven't seen any writing pieces for him and he's so cute.

Ps. I love your writing pieces

THANK U SM FOR THE REQUEST ILYSM ❤️❤️❤️

All Night

Will Smith x fem! Reader

synopsis: it’s draft night and you attend the draft with will and his family, but while there will’s drooling over your body. when he gets drafted, you tell him you have a reward for him in your guys’ hotel room

warnings: 18+, smut, swearing, oral (m! recieving)

word count: 1.2k

a/n: HEY GUYS!! i wanna get back to writing smuts and imagines so i saw one of my old requests and thought i would write it. also i am so excited to see macklin and will play tg!! enjoy i love u guys sm ❤️❤️

It was the night Will had been waiting for his entire hockey career. It was NHL draft night, and he was determined to go in the first round. As his long time girlfriend, he really wanted to take you to Nashville with him and his family to cherish the moment with you.

While entering Bridgestone Arena, there were media teams all over the place capturing all the young prospects. Players such as Connor Bedard, Adam Fantilli, and Oliver Moore who were just as glorified by the press as your boyfriend.

Photographers were snapping pictures of Will, ESPN commentators were interviewing him, and all you could do was step back and watch like an outsider.

After escaping the media frenzy by entering Bridgestone, he pulled you close to him and whispered, “You doing good?”

“Yeah, it’s just really crowded,” you answered. Fancy events made you anxious, so being at a nationally televised event with your super popular boyfriend was super overwhelming.

“Well, you look beautiful,” he teased before kissing your temple. His grip around you grew tighter as he stared at your chest which was slightly exposed with your v-neck dress, causing him to lick his lips. He then turned to his parents and said, “Hey, I’m gonna take Y/N the bathrooms so she doesn’t get lost. We’ll meet you guys in there.”

“Sounds good, just be at the table by 5:30,” his mom advised before heading down to their reserved spots. Will moved his hand from your waist to your hand before guiding you away from the crowd of people.

“Will, what are you doing?” you asked as he pushed through the crowd to a more secluded area. He spun to face you before kissing you deeply. You returned the action by moving your hands up to the sides of his neck. He ran his hands down your back and groped your ass.

You gasped before pulling away. “Will! Not here!” You meant for it to come out as stern, but you couldn’t help but giggle.

“Fuck. Why did you wear such a revealing dress?” he whined as he stared at your chest. “You know I can barely control myself around you. This is torture!”

You pecked a kiss on his cheek before saying, “You’ll have all this to yourself when we get back to the hotel. Remember, your parents got us our own room.”

He groaned again. “That’s hours from now!”

“Looks like you’ll just have to wait,” you teased as you winked at him. “Now come on, your mom will kill you if you’re late.”

The draft started shortly after that, and you held onto his hand as you and everyone else anxiously waited for his name to be called. Will ended up getting drafted to the San Jose sharks as the 4th overall pick, and he was over the moon. When they announced his name, the cameras panned onto him as everyone erupted into applause and cheers. Will let go of your hand as he and everyone at the table stood up, clapping and embracing him.

Will finally got to you as he grinned from ear to war and pulled you into a tight hug, burying his face in your neck. Your eyes rimmed with tears as the two of you held onto each other. You placed a kiss on his cheek and whispered into his ear, “Looks like I need to award you with a blow job in the hotel room.”

Now he was smiling even harder with his face red as he walked up to the stage to accept his hat and jersey. When he came back to his seat, he leaned into your ear and whispered, “Thank God they couldn’t see how hard I am just now.”

…

The first round of the draft took hours to complete due to the amount of prospects, so when it concluded his parents complained about how exhausted they were. Not you and Will though. You guys would’ve gone straight to sleep when you got to your room, but you both were really horny and ready to celebrate.

When you made it back to the hotel, his dad gave Will a keycard to the room. “Here’s a keycard for you guys to share. Your mom and I are gonna keep this one to check in on you so don’t be getting into trouble. I’ll see you two in the morning,” his dad said before heading down the hall to the hotel room for him and his mom.

“Good night!” Will yelled out to his parents before looking down at me, holding up his key card. “Looks I have you for the night.”

You ushered him by saying, “Hurry up! I’ve been waiting for this all night!” He scanned the card and the door unlocked.

Before you even made it in the room, his hands were all over you. His lips were all over yours, and he was kissing you like your life depended on it. You could barely even breathe as his tongue brushed across your lower lip before he opened his mouth and licked your top lip with fervor.

You broke the kiss so you could breathe. “I need this off you now,” you said as you unbuttoned his jacket and shirt and he shrugged them both off, letting it fall to the floor. “You ready for your celebration?”

He ecstatically nodded his head causing you to grin as you tugged off his pants. His boxers were black, very tight and covered in little white hearts. In your opinion his boxers had every right to be tight, he knew what was coming.

With his boxers gone and his obvious erection, you got down on your knees in front of him and stroked his tip with your tongue.

Will moaned softly causing chills to run down your spine. Your hands traveled up his dick, firmly grasping at the base. You kissed the tip and then slowly lowered your mouth to take half of him in your mouth. Multitasking, your other hand massaged stroked slowly.

He groaned in bliss as his hands held onto your hair. “That feels good, yeah?” you asked after pulling away, continuing to stroke his dick with your hand. He moaned again, louder than before, as confirmation. Your stomach flipped in excitement and you smiled wickedly.

“You look so fucking beautiful, baby,” he praised. You didn’t respond with words, you only let out a soft hum in amusement as you took his dick in your mouth again.

He thrashed his hips forward in order to go deeper down your throat. This caused you to slightly choke as a mix of saliva and his pre-cum escaped your mouth. “God, I wanna be inside you…” he whispered quietly.

You pulled away again and made eye contact with him, still jacking him off. “Oh, sweetheart,” you purred. “This is only the beginning.”

As he grew closer to finishing, your head bobbed up and down fast as your sucking became harder. He kept moaning your name louder and louder like an addiction that no drug could replace.

It only took him a minute to finish before he shot a load in your mouth. When you swallowed it, he groaned. “Wow… wow, that was amazing,” he rasped breathlessly.

“You still have my body to get through, you know?” you replied as you wiped the residue off your face with the back of your hand. “You said you wanted to be inside me, right?”

#will smith x reader #will smith #will smith hockey #nhl fic #nhl fanfiction #will smith smut #apricot’s fanfics #x reader #smut

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angelkittywrites · 6 months ago

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Hihi!!

Hope your doing well! I was wondering if you’d be up to writing a Sebs x g/n Z-## creature?? Something similar to what Sebs went through w the experimentation and stuff, I know it’s complicated but you don’t need to so don’t feel pressured to ❤️

-💫

I'm doing alright 💫 anon and yeah ofc I'll write this! :•D

Z-##, that's who you were. A freak of nature some would say. You didn't care. You didn't care what they all called you. At least no one has ever encountered you in a long ass time.

That was until you met him. Sebastian Solace. You scoffed when you heard he sells stuff for the players' data. "What a crazy, stupid, idiotic, thing." You'd repeat in your mind, scoffing to yourself.

You being jealous would be an understatement. You were envious that he had the balls to interact with humans who didn't treat him like he was a freak. Sure there were some humans who did but you didn't really care. When he was alone, that's when you decided to approach him. "Ah hello there, Z-##!"

He knows who you are? Surprising since you guys haven't met before. It's also fair since you know his name as well. "Hello Sebastian." You spoke with a scoff.

"You know who I am as well. Hmm. Shouldn't be a surprise to me since you probably heard about me around this hellish place." Sebastian spoke with a bit of sass in his tone. You didn't care.

You wanted to know why he was doing what he's been doing. "You're curious about my trading aren't you? Lemme tell you that I'm doing this to further delay the discovery of that crystal." You didn't scoff or give Sebastian an attitude. You simply nod in understanding.

"Can I help?" That was a question that slipped out of your mouth, immediately making you regret ever approaching Sebastian. "You can. However, what can you do to further delay that crystal being found?" You chuckle.

"I can do whatever it is you think would be best for this." You smile, showing your sharp teeth. "Ah, I like you already. Whatever I think is best huh? Why not attack the players hmm?"

"I have no problem with that." Your smile widens, showing more of your sharp teeth. "Besides... I'm feeling kinda hungry anyways." You state, seeing Sebastian in shock before laughing. "Then go on, Z-## and do what you do best."

You went ahead and you did what was necessary to make sure the players fall behind. You report back to Sebastian after cleaning yourself off. "Sorry it took so long, I had to make sure eyefestation wasn't going to steal my kills." Sebastian smiles at you. "I saw you."

"Oh really? How did I do?" You ask, earning a smile from Sebastian. "You did amazingly well, sweetheart." You know he probably meant it as a taunting tone but you didn't care.

You felt your face heat up. Sebastian noticed and he chuckles. "Someone's having feelings for me." You nod, wishing you could deny these feelings. "Unfortunately, yes."

Sebastian laughs at you upon hearing you admit it. "Is that a problem to you, Sebby?" You smirk upon calling him that nickname. Now it's Sebastian's turn to get flustered. "N-no."

Sebastian stutters, mentally cursing himself out. You smirk again before Sebastian asked something that he might regret asking. "May I kiss you?" You were shocked but made your way closer to him. It was then after an awkward moment that you spoke again.

"Go ahead." Sebastian closed the gap between you two and you both kissed, Sebastian's tail wagging while yours swayed idly. You both pulled away after a while, you smiling. "That was amazing." Sebastian nods in agreement.

Hope this is what you were requesting 💫 anon. Sorry if this isn't what you were expecting but I tried my best. Also sorry if this is short.

Divider by @/cafekitsune

#pressure sebastian solace #sebastian solace #sebastian solace pressure #sebastian solace pressure x reader #sebastian solace x reader #˗ˏˋ꒰ 📁 ꒱ tobias writes #˗ˏˋ꒰ 💫 ꒱ anon

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itoshiexx · 1 year ago

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can i dance with your s/o?

how the blue lock boys react when someone asks to dance with you.

pairings: itoshi rin, itoshi sae, mikage reo x fem!reader (separate) | warnings: jealousy, slight possessiveness, overall fluff, teeny bit suggestive on sae's

notes: hi guys! i wasn't planing on posting anything since i haven't been able to write (studying for the bar and all), but since i reached 300 followers, i thought maybe i could post this lil thing that was in my drafts for a long time lol it's quite different from what i usually do but i hope y'all like it! and tysm for 300!! <3

ITOSHI RIN

the lights of the room flickered around the sparkles in your long dress and practically made you glow. the piece of clothing was beautiful — an italian design rin bought for you specially for that night, where you would accompany him to a charity event. there were hundreds of football players like him in the venue, but rin’s sight could only focus on you.

a song was playing softly in the background, and he admired you from afar, sitting in the bar along with some of his teammates while you chatted with their girlfriends, who became your friends pretty quickly. that was just how you were, always easy going and approachable, very unlike him. it was easy to be drawn to you like you were the sun, and rin was more than happy to be in your orbit.

then, the song changed to a slow paced tune, and he saw your beautiful eyes turn to him and sparkle just as much as your dress — if not more. the girls you were chatting with came towards their respective boyfriends, but you remained there, just staring, as if knowing it was a lost cause.

itoshi rin didn’t like to dance.

and while he was distracted by your orbs, someone decided to talk.

“can i dance with your girlfriend?”

the voice sent chills down his spine, and rin turned to the owner with a harsh glare, scrutinizing the image of none other than itoshi sae. they still had a pretty fucked up relationship, even after rin went pro, and he was not happy to hear what he just heard.

“what the fuck did you say?” his tone came out slowly, a veiled threat.

sae didn’t even blink. “i asked to dance with your girlfriend. you are certainly not doing it, and since i didn’t come with anyone, it would be rude to leave her there. haven’t you learned shit, rin?”

a vein nearly popped in his forehead. it was already bad enough to hear the condescending tone in sae’s voice, but implying he could take better care of you than him? no, that wouldn’t do.

“fuck off, you shitty brother. don’t come near her.”

he stormed off to the dance floor, leaving his shitty brother and his knowing smirk behind, immediately going to your figure. he could tell you were confused, but gave you no time to ask, taking your soft hand in his and dragging you to where the other couples were dancing.

both of his hands found home in your waist, just like he always found home in you. your arms laced his neck by pure reflex, considering you were still very much confused with your boyfriend’s attitude.

“what happened?”

rin played dumb. “hm? what do you mean? i’m just dancing with my girlfriend.” he shrugged like it was no big deal.

it really wasn’t. not when you smiled at him like that.

sure, itoshi rin didn’t like to dance. but he loved you, and if dancing would make you happy and keep you away from his shitty brother, he would do it in a heartbeat.

ITOSHI SAE

parties were not really sae’s thing. he wasn’t one to socialize with his teammates, and he didn’t feel the need to talk to sponsors or to the media, considering he had a manager to do that. so how he got caught up in one was a true mystery.

sure, playing for the U-20 national team could be a big deal for a lot of people, but not for sae. he hated japan and all its weak players, and the only reason he agreed to play in the first place was to see project Blue Lock firsthand. he definitely did not sign for a party.

though he supposed he could endure it if you were there.

the dance floor was crowded, and a pop hit was blasting through the speakers. you were with sae on the bar just a minute ago, but your already tipsy self exclaimed to love this song and the need to dance it, so that’s what you were doing. and fuck, what a sight you were.

your skimpy dress hugged your body in all the right places, marking the curve of your ass. every time you moved in sync with the beat, swaying your hips, he could feel his breath hitch in his throat, always eager for what was under the fabric. you were breathtaking, and his.

“hey, genius boy!”

sae grunted when his eyes were forced to leave your frame, and he was not pleased to find oliver aiku by his side, portraying his signature toothy grin. his only acknowledgement was a hum, hoping oliver would take a hint and leave him the fuck alone.

“nice night, huh?”

sae sighed. apparently, he can’t take a hint.

“sure,” was all he said, turning his eyes back to you. you were still having fun by dancing like there was no tomorrow, and for a moment, sae wanted to smile from the way you were so carefree. he didn’t, though. but maybe something in his stoic demeanor cracked by looking at you, because the guy next to him spoke up.

“whatcha looking at?” oliver followed his sight before sae could fool him, and he felt anger rising when spotting a glimpse of desire in the heterochromatic eyes of his teammate. “oh, wow. what a babe.”

sae narrowed his eyes with an impossibly harsh glare that could make anyone cower. oliver didn’t. “she’s my girlfriend, so back the fuck off.”

“oh! can i dance with your girlfriend? she seems lonely.” the player smirked, seemingly enjoying to tease sae.

“look,” the older itoshi started, unamused. “you should probably know by now that i don’t tolerate bullshit. especially when it comes to her.”

oliver cocked his brow. sae continued, “so if you wanna have a slight chance to win against Blue Lock and not lose your shitty spot in the U-20 team, don’t fucking test me.”

finally, the player raised his hands in surrender, leaving without saying another word. chugging down the rest of his drink, sae made his way towards you, gluing his body behind yours and securing you close with a hand on your waist.

“hey, baby,” he mumbled in your ear. “wanna get out of here?”

MIKAGE REO

being the heir of a billionaire corporation was no easy task. although there were some good parts in it, such as the money to do whatever one pleased, reo mostly dreaded everything related to his position. of course, this included the galas thrown by his family.

these galas were always full of snobby CEO’s and their heirs, trying to secure their spot in the light by arranging a marriage with the Mikage’s son. this part, at least, was solved when reo finally got married to you, and of course enduring hours of these boring parties became a hundred times better with you by his side.

however, he couldn’t say he was exactly pleased with the way all eyes were on you every time you put on some high couture outfit. you were stunning — reo knew that much, and he always boasted to anyone who could hear about it —, but he couldn’t help the spark of possessiveness that always ignited inside his chest whenever someone else stated this fact.

such as the old man talking to him.

“your wife is truly beautiful, mikage. a hidden gem.”

reo could feel his anger rising, jealousy and overprotectiveness becoming one. but he remained calm on the outside, a smiley façade that could effortlessly fool those around him. he couldn’t be rude, considering this geezer was one of the main investors of the mikage corporation.

“indeed, she is,” he answered through his teeth. the man didn’t seem to notice his gleaming eyes that could very much be homicidal.

“how long have you been married again?”

“two years.” he took a sip of the champagne glass in his hands. the liquid went down his throat with a burning sensation that made him momentarily forget about the searing rage in the pit of his stomach.

“oh, to be young again. i wish i could go back and enjoy my youth a little more,” the investor laughed, and reo had to force himself to do the same. his eyes, however, didn’t leave your frame.

you were graciously talking with three women of high society, distributing kind smiles as if they weren’t as precious as the diamonds in your neck, if not more. reo was well aware that none of the people on that gala deserved the goodness of your heart, but you couldn’t help but be sympathetic towards everyone. maybe that was why you were so adored. he knew for certain it was one of the reasons he loved you so much.

“do you mind if i dance one song with her?”

fuck. that man was still there.

“sure,” albeit hesitantly, reo agreed with a forced smile, watching as the investor walked up to you and bowed to ask for a dance. with your usual gentleness, you agreed, taking his hand and going to the middle of the ballroom for a waltz. the mikage could only watch your ethereal form glowing under the candelabrum, eyes softening with the way you were so carefree.

he was glad to have your purity in such a corrupted world.

when the song ended, reo wasted no time in coming to you and taking your hand from the man with a gentlemanly gesture that made you smile. you bid farewell to the investor with a small courtesy, your hand finding your husband’s easily.

“hey, beautiful.”

“hey, handsome,” you whispered, eyes sparkling. “you were totally holding yourself back, weren’t you?”

you both laughed at the way you could read him so easily. though reo didn’t mind.

“hell, yes. i was dying to drag you back to my arms.”

it was where you belonged, anyway.

if you like my writing and would like to support me, you can 𝐥𝐞𝐚𝐯𝐞 𝐦𝐞 𝐚 𝐭𝐢𝐩 𝐨𝐧 𝐤𝐨-𝐟𝐢 ! any amount is welcomed and very appreciated! ♥

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huggybearluvr · 4 months ago

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Invisible String || L.H

Huggybearluvr Player Playlist!

Synopsis: You and Luke had always been friends, your families lake house being next to his. However the timing was always wrong, that was until you somehow ran into him at a bar in Jersey.

After the week you've had you were so excited to head to the bar for a night out with your closest friends.

You headed to the bar a few streets down. First you stopped at your best friend Gianna's to pick up her and her girlfriend, Nika.

As you pulled up out front of the apartment complex you sent a quick text to Gianna letting her know you were out front.

Not to long after you saw them making their way out of the door headed toward your car.

They hopped in excitedly, "Y'all ready for tonight?" You asked as you began to drive off towards the bar.

"Yes," It has been a rough week at work.

As you entered the bar you saw a large group crowded in the corner excitedly talking, you smiled heading to the bar with your friends.

"Hi, 3 shots of tequilla please," You smiled to the bartender handing him your card to open a tab.

"You can put it on my tab," you heard someone say from beside you.

You turned looking over seeing your one of your childhood best friends, Jack Hughes. A smile glazed over you face as you jumped over pulling him into a hug.

"What the hell?" You questioned as you pulled back smiling up at him.

"I should be the one asking you that," He said with a smile.

"I just moved out here for my new job," You smiled.

"And you didn't think to tell me or Luke?" He gasped, his hand slapping against his heart dramatically.

"I figured you guys were busy, haven't heard from Luke in weeks," You spoke looking down at your hands.

"He's just been out of it, you should come over and see him," He spoke softly picking up on the tension.

"yeah maybe," You spoke as the bartender brought over four shots instead of three.

You smiled a thank you," Well since he gave me four and you paid for them, care to do one with me and my friends?"

"I never turn down a shot," He spoke grabbing two and following you as you took the other two.

You led him to the booth where both Gianna and Nika looked at you in shock.

"Is that Jack Hughes?" Gianna asked in awe to you ignoring his presence behind you.

"I told you he was a friend when you asked me to the watch. the game with you," You laughed out placing the two shots in front of them and taking one from Jacks hand.

"I thought you were lying," She laughed out," Well its nice to meet you, i'm a huge devils fan!" She said excitedly.

"Its nice to meet you too," He smiled," Well cheers to the devils big win tonight," He smiled clinking his glass with the rest of yours, as you all took the shot.

"You all should come join us, we have the private booth in the back," He smiled.

"I don-" You began but were interrupted by Gianna agreeing all to quickly.

"Alright, come on," Jack smiled taking your hand leading you all over to their private booths in the corner by the bar.

"Y/n you should go surprise Luke," Jack said excitedly turning around to face you.

"I don't know Jack he's been distant since he moved here," You spoke hesitantly.

"Come on y/n trust me!" He practically begged.

"Fine" You said with an eye roll.

You slowly stepped in front of Jack heading over to where you saw Luke standing. He was facing the booth, his back to you.

You went up behind him gently reaching up and placing your hands over his eyes, "Guess who?" you giggled out a little hesitantly.

Luke jolted a bit at the unknown figure, quickly turning around as you pulled your hands back. The second he saw a surprised smile glazed his face as he wrapped his arms around you picking you up off the ground.

"What are you doing here?!" He said excitedly as he set you down. His hands never leaving your sides.

"I just moved out here for my new job," You smiled.

His head turned to the side giving you a questioning look,"Why didn't you tell me?"

"You haven't been responding to my messages and haven't reached out since how we left things this summer.." you trailed off taking a step back so he was no longer touching you.

"y/n, I-" He went but stopped,"Do you wanna step outside and talk?"

You nodded, He took your hand telling Jack he would be back, as he led you outside.

You stood in front of him as he leaned against the brick wall behind him.

He was fiddling with his fingers before he looked up at you.

"I didn't wanna leave the things the way I did.." He trailed off. Leading you to thinking back to that moment.

After a party at the boys on the water, You and Luke had snuck off to back to your families house and spent the night in your room.

You woke up the next morning in nothing but his shirt alone.

No text, no calls nothing telling you where he had gone.

After cleaning yourself up and heading back to the boys for the boat day you all had planned.

When you arrived Luke was no where to be found. Jack told you he came in about an hour ago and locked himself in his room.

You shook your head enjoying your day with Quinn and Jack before they all left the next day. Luke never said anything to you. He just left.

You thought this time would have been different with you both finally taking it to the next level. You guys had always been right person wrong timing according to everyone around you.

You sucked in a breathe looking up at him.

"I don't know why I did what I did, but I regret it so much," He spoke out taking your hands in his.

"You regret that night?" You asked, with sad eyes piercing through his.

"Y/n, of course not," He said taking your head in his hands so that you would meet his eyes," I got overwhelmed when I woke up."

"It all felt perfect, and I got scared since I was leaving the next day," He trailed off," I want to be with you, not as friends, I don't think I can be your friend," He sighed.

"I don't want to be your friend either," You smiled looking at him.

"We've always had a connection, I could never put a label on it but I know now, that It was this," He smiled leaning in meeting your lips.

He pulled away with a smile," Now, that I can have you and your here, I am never letting go."

You smiled kissing him again.

"Please don't ever let go," You smiled.

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turnstileskyline · 1 year ago

Text

The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

#long post #lke. VERY long post #fall out boy #fob #take this to your grave #tttyg #patrick stump #pete wentz #joe trohman #andy hurley #if theres any typos lmk and i'll fix em this. hust took fucking forever to transcribe.

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thydungeongal · 3 months ago

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My experience with playing ttrpgs is that the role of the "game master" in modern ttrpg culture often has the expectation of being something like a blackjack dealer or a parent hiding the eggs for the easter egg hunt. Playing strictly non-hierarchical skirmish combat games really opened my eyes to how much more fun it is when everyone at the table is just *a player* and nobody has a disproportionate responsibility to craft a satisfying play experience for everyone else. I haven't read much of the AD&D rules but I get the impression that at the genre's roots this wasn't always as significant an issue. Do you think rulebooks in the future can do more to roll back this assumption??

So, to my understanding older editions of D&D specifically inherited the idea of the referee as an impartial arbiter of the rules from wargames, so while in many ways the early days of the hobby were all about putting a huge party of disposable freaks up against a gauntlet of challenges, the DM's purpose wasn't to leer at you from behind the screen and go hoo hoo hee hee at each PC that died.

Now, these toxic memes about GMs and players basically being in a constant competition of one-upmanship have been around for a long time and I don't think we'll ever be completely rid of them, but they tend to come in waves. And there are people trying to actively improve upon the culture: my personal contributions mostly amount to reminding people that, hey, the GM isn't a special guy you can just saddle with all the work of learning a game, the other players at the table should also make an effort; the people at @anim-ttrpgs just made a post about what the role of the Narrator is in their game, Eureka (and why they picked the specific term Narrator); and at least on the indie side of things there is generally a better culture of treating the facilitator/referee/MC as another player who is there to bring the game and work together with the others to make a cool story happen.

This also means that it is our moral imperative to go "That doesn't sound fun at all, why would you do that?" whenever people tell us their stories of just shitting all over their GM's prep or punishing their fellow players for perceived infractions.

#thydungeongal answers

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sunshine-theseus · 7 months ago

Text

Fools | Kyra Cooney-Cross x ND!Reader

Words: 4.3k

Summary: no one understood your mind, until you met Kyra.

Notes: Guys I have no knowledge of how Emirates is laid out, how meeting players off the pitch works etc, so I’m completely making this shit up I’m sorry. also sorry for the super long introduction, and the shit writing, I haven’t written in months.

Warnings: mentions of abuse - not proofread. i'm so sorry if this is so shit i genuinely haven't written in months. i wanted this one to be good so bad but i just don't think it is

the person who requested this has since deactivated so i actually feel so bad that i didn't get this out while they were on here. i'm genuinely so sorry for the past like 6 months.

I always struggled with social interactions. I didn’t understand it for a long time, why I always had to smile and hug people, why I had to lie about certain things like how I thought my aunt’s bright green hat looked, why I couldn’t ramble about Star Wars or the new penguin facts I just learned.

Then there were the sounds, and lights and the way things felt. Everything had to be specific, or I couldn’t focus. Sometimes if it was bad enough that I would have a breakdown, unable to do anything. My parents tried to scold it out of me when as a kid I couldn’t eat certain foods or wear the clothes they wanted. Sometimes if they deemed it worthy, I’d be met with the flesh of a palm against my cheek or bottom.

When I was 12, I presented the idea that maybe I was autistic to my parents. I’d researched it at school for a social emotional learning class we had to take, and I couldn’t help but notice the similarities I found within myself. If I think about it hard enough, I can feel every burning outline of the dark red hand marks that bloomed on my skin hours after the interaction, and the burning of my eyes as my stomach rumbled, drowned out by the music rumbling through my headphones.

At 17 I emancipated from my parents and moved to North Watford, renting out a small studio apartment above a record shop. I completed my final year of high school, working part time in the store, building a much-desired routine. The man that owned the shop and my apartment, and his young daughter, were migrants from Cuba, and more than happy to accommodate to my needs. They even chipped in to help me pay for my autism screening after I graduated high school.

I think they were the first people I willingly hugged ever.

I stopped masking when I moved, so the daughter, Elena; 5, took a few months to understand why I didn’t like touch or loud noises and why I didn’t understand some of the jokes she said that others usually laughed at. Not that I’d had the diagnosis at that time, but she was happy to just spend time with me. Every afternoon when I came back from school and started my shift, she’d beg me for more penguin facts, asking which was my favourite penguin. In return she’d spend the 2-hour shift drawing me something, usually a penguin, to pin on my corkboard at home.

I’d then help with her homework while Camilo closed shop and posted any online orders. It was a routine I cherished deeply.

Now, 3 and a bit years later at 21 years old, they managed to drag me to a football game. Equipped with headphones and a couple small sensory toys, as well as a hoodie under the “Miedema” jersey, the material of which originally had me tugging and prying the shirt away from my skin.

Elena and Camilo had been big fans of Arsenal for as long as I’d known them, going to every home game, begging me to join them every week without fail. I finally caved during a break in my uni courses, with nothing to do and Elena’s birthday falling on the day of a game, there was no other choice.

The newly 9-year-old basically imploded when she saw my printed ticket stub, tucked tightly into her birthday card. I gently ruffled her hair, which had become my version of hugging her, and showed her the 3 matching red and white #11 jerseys I purchased not long ago. She’d talked a lot about this Vivianne Miedema and how she wanted to be just like her when she grew up, but she’d never gotten a jersey, or seats on the bottom tier. Today was the day.

“Come ooonnn I want to get to our seats!” the pinky of her left hand links with my right one as her other hand is holding her dad’s, and she’s dragging us down the lane toward the entrance.

“Slow down Pollito! We have 20 more minutes until we need to be seated.” My special schedule for the day runs through my head as I check my watch. Plenty of time as long as the crowd keeps flowing.

“I wish you didn’t learn Spanish. It’s such a silly nickname.”

“But you’re my little chicken.” I send a joking frown her way and she replies with a toothless grin.

With the abrupt end to the conversation, we arrive at the gate. Showing the stewardess our tickets to be scanned, we then head toward our seats. As Camilo and I take our seats at the very front, instead of make way to their usual seats a tier up, Elena stops and looks back and forth between us.

“There’s no way you got us these seats.” Without a word I pull the girl in between us and she begins to ramble about how excited she is to be able to see the game so close, still able to be clearly heard through my headphones I manage to slip over my ears.

The game is drawn 1-1 just after half time, but Arsenal is close to having the upper hand. From across the pitch, Elena spots the tall and lanky number 11, Vivianne Miedema, pulling off her fluoro yellow bib and warm up shirt and lining up next to number 32 behind the fourth official who is prepping her sign. With a couple of whacks to my arm and an aggressive point of her finger, Elena makes me and Camilo very aware of the impending entrance of her favourite player, and another really attractive girl who is very obviously wearing her socks on the wrong feet. The thought makes me squirm but a shot on goal quickly manages to take my focus.

“Who’s the one coming on with Viv? You’ve never told me about number 32.” It’s hard to take my eyes off the girl as she jumps from one foot to the other, anticipating her entrance.

“Oh that’s Kyra Cooney-Cross! She’s Australian, she transferred at the start of the season. Jonas should play her more.” I acknowledge her words with a hum and a nod before we join in cheering Viv and Kyra on.

My eyes are glued to Kyra the rest of the game. Without any knowledge of how football works, I’m left to assume she’s good with the way she dances around players and passes the ball. It was weird, but her movement was so free flowing it would not be atrocious to confuse her with a ballerina. Elegant and calculated, no hesitation.

“Where are we going?” my pinky is once again linked with Elena’s as I drag her and Camilo through Emirates.

“Papa where is she going? The exit is that way.”

“I have no clue chica, but I suppose we should trust her aye?” with that, the father-daughter duo track behind me.

Eventually I stop just where the opening of the tunnel leads out on to the pitch and show a lady the pass I’d been carrying around all day. She smiles and begins walking down the tunnel, waving behind her as a sign for us to follow.

“What’s going on?” Elena asks once again, but I just follow the lady onto the pitch, where multiple members of the Arsenal squad are now loitering around, obviously waiting for something, or someone. At the front of the group is Viv, and when she spots the small girl behind me her eyes light up.

“Hi! You must be Elena. We’ve heard a lot about you!” she sends the girl a smile, but Elena doesn’t make any move to continue the conversation. My head whips to her and I nearly have to laugh from how adorable she is. Her jaw has dropped open and her eyes are welling up with tears, so I ruffle her hair and bend down to her height, removing my headphones.

“What’s up buttercup?” I lightly tap her head.

“That’s really her.” she whispers to me, her eyes not leaving the Dutch woman, who lets out a chuckle.

“Yes it is.”

“How?” I tap the side of my nose at her question indicating it’s to be left a secret.

“Can I have a hug?” Viv kneels on one knee and opens her arms and Elena suddenly breaks lose from her trance and runs up to her hero.

“It’s nice to meet you liefje, I hear you’ve been a fan for a long time. And today’s your birthday. How old are you turning?”

“Nine!”

“Oh wow, you’re growing up!”

“I know, but Y/N still calls me Pollito. I’m not a little chicken.” Everyone looking on bursts out laughing as Elena frowns, and while I join them, the loud sound simply reminds me of the lack of protection on my ears.

Elena gets whisked off to talk and play around with Viv and some of the other girls, who seem to all have taken a genuine liking to the young girl, Camilo following to watch over them. I stand firmly on the sidelines, fidgeting with an infinity cube and trying to forget the sudden scratching of my hoodie’s tag on the back of my neck and the tightness of my socks, when a now familiar face pops in front of me.

I don’t notice her at first, my eyes are closed and I’m trying breathing patterns in hopes that the overstimulating sensations with dissipate. It’s only when I open my eyes to check on Elena that I get the shock of my life. Number 32 is just standing in front of me, staring, waiting for me to notice her. no less than a minute ago she’d been spinning Elena around and laughing with her, which I’d found alarmingly adorable, how’d she get here so fast?

She doesn’t say anything, she just smiles and waves, and I realise she must think I can’t hear her with my headphones on, which many people tend to ignore. Wow she’s much prettier up close.

“Hi, I’m Y/N” I return her smile, but don’t make any move to remove the headphones.

“I’m Kyra.” Her voice is muffled but her accent is incredible and like music to my ears.

“You played really well today.” Is she blushing? Red creeps up her neck and finds home on her round cheeks as she smiles brightly.

“Ah thanks, I try to give it my all. Hoping to prove I deserve more game time.”

“You don’t get played often?” another chuckle passes her lips and I feel my stomach tighten.

“Uh no. I take it you’re not a big football fan?”

“What gives you that idea.”

“Well rocking up to an Arsenal game with blue nails for a start.” I cock my head to the side and give her a confused look. I did a lot of research for today, there was no room for me to mess up.

“Chelsea, our biggest rivals, their colour is blue. It’s basically forbidden for an arsenal fan to wear blue to a game. Trust me, I learnt the hard way.”

I’m quick to hide my hands in the pocket at the front of my hoodie, fidgeting with my nails. How did I manage to fuck that up?

“You don’t really have to worry, just maybe keep it in mind if you ever come to another game. I hope you do by the way.” She flashes me a smile that makes me feel warm and I can’t help myself.

“You’re very pretty.” She’s about to reply when I glance down and notice her socks are still wrong.

“And I’m not sure if you know but your socks are on the wrong feet.” It’s quiet for a moment and I’m not sure if my common candour has once again overstepped. I can’t even open my mouth to apologise before she giggles.

“I knew there was something wrong. I keep doing it but no one tells me until after the game… and you’re quite beautiful yourself. If you don’t mind me saying.” My eyes continue to avoid her face as I bounce on the balls of my feet and try to refrain from shaking my hands, my most common stim.

“Thank you.”

We’re silent for a minute or so, which I don’t mind now that I’m more familiar with her. I continue to watch Elena and Camilo, who are now playing in a 5v5, Viv carrying the girl halfway down their makeshift pitch before helping her kick the ball. When her laughs echo through the stadium, joy breaking through her screams and from the yells of her dad who is playing a rather poor referee, I’m reminded of how much I love this family. I can’t help the smile on my face.

“Your sister is very adorable.” I glance to my side where Kyra now resides and contemplate telling her she isn’t my sister, but the words get stuck in my throat. If I were to say they weren’t my family after all they’ve done for me, then I’d be lying.

“Yeah. She’s basically my whole life.”

“Hey can I ask about the headphones? I mean you don’t have to say anything if you don’t want but-“

“I’m autistic. Struggle really bad with sound and other stimulants. I wear headphones to dampen sounds, especially in public. And stadiums are full of sounds.” My palms sweat a little and my breath is laboured for a moment. This is usually the part where people decide I’m a freak and never talk to me again.

“Oh cool. I totally get that, the sound thing.” That warm feeling returns. She doesn’t question anything, she just agrees.

Eventually the meet and greet had to end, but I manage to get a few of the girl’s numbers, including number 32’s. Something I hadn’t expected was that the team would love Elena so much that they wanted to organise season tickets and some more passes to meet up after home games. I couldn’t help but be a little proud of myself as the young girl rambled about how amazing it was to get to hang out with her idols, and the prospect of seeing them again.

Uni starts back up the following week, so I don’t join the two for a game for quite a while. Despite that, I find myself texting Kyra most days, a good morning and goodnight routine quickly being established. We ask each other questions about each other. ‘What did you want to be if football didn’t work out?’ ‘What made you want to study your course?’ ‘what’s your favourite thing about Australia?’.

She liked to ask me about parts of my autism every now and then. She wanted to know what things to avoid, what topics made me ramble for ages, safe foods. The only other people who had ever cared this much were Elena and Camilo. The two of which had definitely taken note of how happy I’d grown since the game.

“Who are you talking to Angelito? You haven’t smiled this big in a long time.” Camilo takes a seat beside me behind the desk of the store

There is no need to hide the blossoming relationship from him, so I turn my screen to show the messages between Kyra and I, a bold ‘No. 32’ under a very weird but unmistakable picture of the girl. He hums and smiles, lightly nudging our shoulders together.

“She likes you.”

“Pft no she doesn’t.”

“‘you’re so cute.’ ‘I really like you.’ ‘I’ll save that for when I take you on a date.’ With a winky face emoji. She literally admits she likes you. Twice.”

“I thought that was that flirty thing people do with their friends.”

“I know when people like each other.”

“How Milo?”

“I have a gift.”

“A gift hmm?” he just smiles widely down at me before taking my phone again. He begins to type something.

“What are you writing Milo? Milo!” I glance over his shoulder.

‘I really like you and would like to go on a date if you’re free.’ I’m about to scold him but three dots appear as Kyra begins typing.

“If this works you owe me an extra hour this week.”

“You are an evil schemer Camilo.” I say before squeezing his shoulder, a common sign of affection we’d developed.

‘I’d really like that. Tomorrow’s our day off if that works.’

I can’t help the squeal I let out as Camilo writes a response in confirmation.

“I’m going on a date.”

“You deserve this kiddo.”

Kyra and I agree on a dinner date at a restaurant I’d mentioned really enjoying a few months ago, that I hadn’t had a chance to visit since. I’d made the reservation, asking for the specific table I’d sat at the last time I came, and I’d already decided on what I was getting before I even hoped in the car to drive there.

I’d planned everything perfectly. The place, my outfit, what time I had to leave to arrive there 10 minutes before our agreed upon time. I hadn’t taken into account the car speeding through a red light and crashing into the car in the right lane beside me. Or the fact that due to the momentum I’d get caught between the 2 cars and the building on the corner of the street I was just about to turn down. No more than 15 metres from the restaurant but I’m trapped and the seatbelt is too tight and my head hurts. I’m crushed between my door and the centre console and all the sirens and ambulance lights approaching are too much and all I can do it cry.

If I could just reach my bag in the footwell of the passenger seat I could get my headphones to relieve some of the stimulation, but I can’t bend that way without my ribs screaming and whatever is poking my hip in my back making itself known.

I pray to every god I can name that I pass out, but no one hears as the jaws of life pry open my door. When were the other cars moved?

“Ma’am we have to cut you out. my colleague here is going to hold you up. Is that okay?” I don’t have any energy to say no, so I nod, waiting for some scissors to snip away at the seatbelt. Instead, I hear an electric saw whir to life.

“W- what’s the saw for?” my words are barely recognisable as they slur together.

“Ma’am everything is okay, just stay still for us okay?”

The sawing is over quicker than it begun, and the paramedics make an effort to move me as carefully as they can onto the stretcher, then into the ambulance. I make no move to complain about how the neck brace is itchy and feels suffocating.

A minute passes and through the newly developed ringing in my ears, I hear someone calling my name. they sound so far away but when I open my eyes again, Kyra is standing above me, next to the paramedic who’s hooking me up to monitors,

“Do you know this lady ma’am?” she asks me as I stare up at the girl I was meant to be on a date with.

“Yeah she’s my girlfriend.” A voice in the back of my head is worried that maybe that will freak Kyra out, but I know they won’t let her ride with me if we don’t have some close connection and for some reason friend does not cross my mind.

They allow her to take the extra seat beside me and she loops her pinky with mine. She keeps glancing down toward my stomach and taking deep breaths as we make our way down the streets of London. I try to see what she’s looking at but the brace doesn’t allow me to look that far down.

“You’re going to be okay.” She whispers as they roll me out of the ambulance, and she manages to quickly kiss me before I’m gone from view.

I don’t know how long I’m out for, but when I wake up there is a sterile white light beaming down on me and I have to instantly close my eyes. I’m quick to take note of the horrible feeling of the hospital gown I definitely wasn’t in when I’d gone under.

“Papa! She’s awake!” I let out a groan at the yell but and quick to smile once the voice registers in my head.

“Pollito.” My voice is no more than a whisper, hoarse and dry.

“Hey Angelito. How are you feeling.”

“Horrible. The light’s too bright and the gown is so itchy.” Neither Elena nor Camilo leave my side, but the light is off within seconds.

“I more meant physically. You were hit pretty hard.” The screeching of tyres, the smell of burnt rubber, the flashing lights, all rush back to me. So does the pain.

“Now that you mention it. What’s the damage?” it’s meant as a joke but I’m trying not to cry.

“3 broken ribs, 2 fractured, a torn vastus lateralis in your thigh, a lot of muscle damage in your back. It’s going to be a lot of physical therapy kiddo.” The thought has bile rising in my throat.

“Fuck me.”

“It’s okay, we’re going to be here the whole way. All of us.” By now I could know the voice in a crowd of people.

I turn my head and there she is. Kyra is sat in one of the uncomfortable hospital seats with her hand on top of mine.

“If it’s okay with you, Camilo, me and some of the arsenal girls are going to sort out a schedule to take turns helping you with PT. Viv was really hoping she could give some tips considering how long she spent doing PT.”

“That sounds perfect. But please tell me one of you has my pyjamas. I need to get out of this gown.”

There was no lie in how difficult rehab was. I had an hour appointment at the hospital every day and additional work at home that Milo, Kyra and some of the arsenal girls happily helped with. The hardest hurdle was amount of physical touch that was required. My physical therapist, Jordan, always made sure I knew when she needed to touch my leg or something, but that did very little to sooth the feeling that crawled beneath my skin. She was able to dim the fluorescent white lights and allowed me to wear my headphone which did help a small amount.

Kyra basically moved into my room above the shop. Milo insisted he could do all the work of getting me around the house and the shop, but we knew he couldn’t while maintaining the shop and looking after Elena. Elena tried her best to help by making me breakfast. She gathered pre-made versions of my safe breakfast food and carefully place them separately on a plate, with a glass of orange juice every morning. After the first week she realised I’d be in a wheelchair and struggling to move around much for much longer than she thought, so she quickly gave up on that idea and began making me penguin drawings at school.

I’d adapted to having Kyra around much quicker than I expected to. When I moved in at 17, it took me months to get used to the layout and the fact that I was alone, despite Camilo and Elena living in the house across the road. I adapted to Kyra’s presence within weeks.

After the second week we’d decided it was easier to share the bed rather than her sleeping on the couch, which had been the biggest change. I struggled with it the first few nights. I had a sleep routine that was already disrupted by the injuries, now I had to take another person into account. But she was so warm, and I felt so safe in her arms. Whenever I woke up from a nightmare about the crash, she grabbed me an iced tea and my headphones and would ramble about whatever interests she had recently developed or whatever was happening at training.

It was in the second month things took a more serious turn. Well serious for our relationship. I was sitting at the table chopping the vegetables for dinner while she begins cooking, when I took a minute to just look at her. The warm lighting softened her features, her quiet humming to whatever song was playing carried throughout the room, the smile that seemed to never leave her face sat perfectly on her lips as she listened to me ramble about the newly discovered yellow king penguin. She was so radiant and attentive, and she was never annoyed at me when I was overstimulated or wanted to infodump. She was seemingly unaffected by my rehab and most importantly unaffected by my autism. After a life full of negative interactions and losing people because of one thing I couldn’t control, I’d found a family and a partner who embraced me.

I didn’t realise I was crying until she turned and asked me what was wrong.

“I’m just grateful.”

“For what?”

“You, Milo, Elena. I love you all so much.” I didn’t realise I’d said it really. I was just being candid, as I always was.

“You love me?”

“Yes.” There was no hesitation even as it dawned on me.

“Well, I love you too.” There is a split second between the end of her sentence and the meeting of our lips in a kiss.

“Will you be my girlfriend?” I ask as we pull away.

“Wait- I thought- when you called me your girlfriend on the ambulance I kind of took that as you asking me to be your girlfriend.” She begins laughing.

“What? This whole time I’ve been nervous about actually asking you and you already thought I had?” I can’t help but join her laugh.

“We’re such fools.” She whispers, and we kiss again.

I'll always be a fool for her.

#woso x reader #woso fanfics #wsl #womens soccer #arsenal fcw #kyra cooney cross x reader #kyra cooney cross

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