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#I have to stop watching shows as soon as I realize Im getting too invested
serejae · 2 months
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ITS LIKE YOU GOT SUPERPOWERS | BND
pairing : bnd x reader
genre : fluff
WHAT ! - when bnd is sulky based of this anon :-) (tw sassy man apocalypse, kissing, i think cursing_
wc : 1596 | @onedoornet
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SUNGHO :
-okay like hear me out. he wouldnt like be automatically telling what was wrong but he'd edge it on. like small huffs here and there
-but forbid you ask he'll go "nothing..." in the most "please ask me whats wrong tone" but he'll try not to push the agenda too much
-when he finally gets the hint of you being over his antics and the pout on his lips, he'll tell you
-and if he's sulking over something you caused, trust it's going to be dumb.
walking out of your study room you see sungho on the couch clicking through the shows on the tv with a small pout on his face. furrowing your brows you sit down next to him getting a closer look. yep, definitely a sulky sungho. he continues to ignore you while sitting down (you noticed his little side eye to see if you were paying attention to him.). "sunghoooo" you called out for him. poking at him slightly, he still didn't budge "did i do something wrong?" you asked only to again get no answer. he hears you groan and almost budges to laugh, but he has to remember his plan. "sungho sungho sungho sungho sungho sungho sungho" you repeated tapping on him. knowing he'd get fed up soon you continued. "sungho sungho sungho sungho sungho" this time tapping different spots, his face, his neck, his arm, his nose, his ear, anything visible you poked. he knew your plan and tried to stay strong but it's only for so long that sungho can keep up before he gets overstimulated. "sungho-" "STOP" he groans resting his head on couch, his pout this time was for a different reason. "why were you sulky earlier?" you asked poking his current pout from annoying him
"you made me wash dishes you know i hate-"
"bye"
RIWOO :
-he thinks hes good at hiding his emotions but literally he isnt
-i feel like he'll try to be nonchalant but sucks ass. and when you call him out he'll be like "whaaaatttt..."
-he'll try to deny it at first only to fold and tell you everything (oversharer me too bookie :'-)
-because i feel like he's very comfortable with you to the point that he feels like he doesn't have to hide anything from you no matter what it is
you accompanied riwoo in his dance practice, he wanted to finish learning this choreography but he also wanted to spend time with you, so why not do both? its a win in his books. so as he learned the dance he talked to you, the room was filled with his footsteps and both of your guys laughs. the room suddenly got quiet as you were the only one talking. you didn't realize that riwoo hadn't been engaging in the conversation as you've been too invested in your yapping session. when you finish your talking session you look up at riwoo for a reply only to see him staring at his iPad with a very visible pout on his face, taking a minute to observe the situation you continue to watch. he sighs replaying the last 10 seconds of the video before running his hands through his hair sighing, he puts the iPad back on the floor trying to mirror the movements only to miss a step, which wouldn't be visible to most but was a huge problem to riwoo, it needed to be perfect, so he continued to repeat the move and clip with the still, very visible pout on his lips. after about 4 times of watching him repeat the cycle you've had enough. "sanghyeok" you call out, he turns around with still a pout on his face, he smiled a bit knowing the look on your face "i just cant get this part right" he sighed walking over to sit next to you laying his head on your lap. running your fingers through his hair he closes his eyes and lets out a sigh of relief. his pout is quickly replaced with a smile, you handed him his water to which he drank it as he sat up. he laid his head on your shoulder
"youre the best"
JAEHYUN :
-WEE WOO GIVE ME A CAGE the sassy man apocalypse is CRAZY.
-i also can imagine he has the absolute poutiest pout on his face
-will not tell you why hes pouty because he loves the attention but will do anything to encourage the fact that he is pouty and you need to help ASAP!! -but like riwoo can fold immediately but he does it when you stop paying attention to him
while lying next to jaehyun you watch his m countdown interviews with sohee and hanbin. you couldn't help it, anyone can admit hanbin is a cutie patootie (i can definitely.) but you made the rookie mistake of giggling at hanbins interactions with zeroses while jaehyun sneakily watched. when jaehyun caught you he gasped, you turned over to ask about his reaction only to get an angry pout and an "hm" before he turned around so his back is facing you (as well as taking all the blankets). now its baby mode. wrapping your arms around jaehyun and peppering him in kisses. he almost budged and you saw how his lips curved up but as soon as he noticed you noticed too it went back to a :| and continued pouting. sighing you rested your head against his back "can my baby stop sulking" you get silence until he huffs "i don't know go ask hanbin". you roll your eyes playfully at his antics before letting go of him and turning around. he looked up and turned to you to see you continuing to watch hanbins interactions "HEY" he politely grabbed your phone and turned on one of his fancams. now he's :D
TAESAN :
-silent but deadly
-you would literally be so confused and its radio silence from him
-he'd never want to burden you with the fact that he was sulking over something even if you caused it. he wouldn't want you to live with the guilt, if it gets too much though, he'll tell you
-but hes like mysterious with it...
you sat next to taesan in the studio as he produced a new song, you noticed the slight pout on his lip as you admired him. he turned over to you and realized he had been caught, he rested the pout going back to his straight face before looking away. "hey" you called at him poking his arm he turned over to you again. "are you pouting?" you smile slightly, he shook his head and looked away. oh shit. this is real. pausing for a moment to process what to do you went to default and started asking questions "are you okay?" he didn't reply "did i do something?" he didn't reply. you loved your boyfriend but this mysterious persona was NOT IT RN. you decided to leave him alone as that's the vibe you were getting from him. "ill give you some space.." you said before grabbing your things, you then felt his hand grab onto your wrist "stay" you heard him say "i just..." taesan paused looking up at you "do you think he's better than me?" he asked pointing at your sunghoon photocard. "what?" you were puzzled, did your boyfriend just compare himself to a photocard? "i just-" you cut him off "no one is better than you taesan, its always you that'll be my number one"
"oh okay" he said blandly but you heard a smile in his voice
LEEHAN :
-i feel like he'll space out when he's sulky
-he'll probably be sulky because hes frustrated putting him in a zone where nothing is heard or seen, only the gears in his brain slowly (but surely) moving
-i feel like he wouldn't want you seeing his slight moment of weakness so it takes a while for him to open up on why his lip is formed in a pout
-but trust those gears start to work and he'll tell you
you watched from the kitchen as leehan was fixing up his new fish tank. he kept going back and forth from the filter's directions to the filter itself. he decided to upgrade his tank by getting a new and better filter, unfortunately for him, it was a pain to set up. after a bit of messing around with the filter and reading the directions, he huffed and leaned against the chair with a pout on his face. "hey whats wrong with the filter?" you asked, he gave no reply and just sat there. "leehan?" he continued staring at the table before he picked up the filter again and started attaching it onto the tank not knowing what to do. okay, he's active now. maybe you can call on him now "leehan" no reply "leehan?" you asked as you started walking up to him, he sat there adjusting the device and jumped as he felt your hand rest on his shoulder. leehan looked up at you with his defeated face topped off with a pout "whats wrong with the filter?" you asked softly not wanting to frustrate him. "this stupid thing wont work" he said as he took it out of the tank and placed it on the table. taking a look at the directions you did a couple things and the device turned on. his eyes widened and sparked "woah howd you do that?" he exclaimed like an excited kid "this button" you smiled. "thank you so much baby!" he hugged you
"anything for you"
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sunlightfeeling · 1 month
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so..... how did you get into smap, anyway? (i would like to hear the origin story)
hiii anon! i would love to tell this story!!
first the elevator pitch version:
like a lot of more recent fans (i.e. post-JE launch), i was a victim (affectionate) of the RGG to SMAP pipeline
…bit of a boring story, and honestly isn’t a real indication of how I got to have this brain (affectionate, i love having five old men stewing in my brain all hours of the day 👍😬)
sooo im going to tell the story of how the pipeline hit me so hard 😄
the real origin goes back to 2021…
(im gonna make a cut for this story because this is gonna be long long - i promise this isn’t an exaggeration)
so back in 2021, i had an xbox one and game pass (side note: game pass is so worth it, actually fantastic)
and I found a series that I had never heard of…Yakuza
https://m.youtube.com/watch?v=hX9EomZwntU
youtube
sorry
anyway
downloaded Yakuza 0 and started it up
really dug the vibes, story, music, legitimately everything
then I reached Majima’s first chapter and ooooh the opening got me good
not too long after getting to this chapter, I was graciously gifted a ps5
and one of the first things i did was…
…impulsively buy every Yakuza release on ps4
…and the Judgments as soon as I realized they were under RGG’s umbrella
…after only playing like probably less than 10 hours of a prequel
(disclaimer: i do not mean to romanticize/minimize impulse purchasing; I’m more trying to give an accurate image of how deeply invested I got in a series that essentially sent me on my path; i was/am very fortunate and cognizant of how lucky i am to be able to cover/shield myself from consequences of my actions - so to speak lol)
probably six-ish months and 2 hiatuses later, I reached Y6
and i dont know if it was because the game was the last Kiryu game (at the time) and I was getting all emotional, or if it was because the likeness to Kuroda was pretty…
<stares at pictures of Y6 Kiryu way too long>
…preeeetty 🫠
i started developing (what knowing what i know now call) a hyperfixation on not just Y6 but also Kuroda Takaya lol
basically listened to his music whenever I could/on repeat; Y6 was the only thing I wanted to spend my free time playing; etc etc etc
(for reasons, this fixation actually led me to consider my possible neurodivergence; I wonder why 🤔..🥲)
finish Y6 and become baseline-which-isnt-really-baseline normal about Yakuza when I play LAD7
but then….
youtube
“Alex, stop hyperlinking sound effects”
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(affectionate)
yeahhh it’s Judgey Time
okay so ive mentioned in tags somewhere but i actually didnt have high hopes for Judgment
at all
the cover just didn’t do anything for me at all…
…and i thought the protagonist was ugly 💀
(im actually genuinely serious, this isn’t me “not like the other girls”ing; i vividly recall looking at the cover when it was about time for me to start playing it and whining to my then-bf that I wasn’t sure I was gonna like it cuz the guy looks really weird 🤣)
but i booted it up and right when Yagami shows off his badge in the prologue
girl
giiiiiirl
I didn’t realize at the time but the seed had been planted and baby that beanstalk grew
Halloween 2022 (and I only know this date for a fact because I memorialized it texting then-bf about it) is the day I decided to look up who this guy really was
I can’t recall what made me finally look him up, whether lurking on the Yakuza subreddit or just something in the game, I dunno
i shared it once but I’ll share it anytime i can…
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^^ this was my first Kimura photo
the first one I actually paid more than just a passing glance at anyway……
…i finished judgment in like two/three weeks [and not in a rushed playthrough by any means - getting all the cats, doing all the side cases/romance, etc.] (have a text trail of me going into the finale and date stamp is p exactly two weeks from Halloween 🥲)
started lost judgment immediately because i have texts days after this bitching about dropping money on the dlc before even starting it lol (again: not recommending/romanticizing; just giving perspective on how active my brain was about RGG/Kimura already)
now this…..this is where my timeline gets fuzzy
because i cant really remember how fast i beat lj before starting his dramas
or if maybe i started them before even finishing the game
skipping ahead to January 2023 and I’ve definitely wrapped lj by this point
and have watched a fair amount of kimura dramas (i genuinely cant give a number tho 😭)
around this point, ive determined that im fairly confident in being audhd
and i personally would have described kimura as a combined special interest-hyperfixation at this point (because the intensity would ebb and flow in a way)
started collecting things, starting with his albums and his live recordings (and eventually a lot lot more [I’ll get back to scanning consistently eventually I promise lol])
the defining moment to when I finally crossed from Kimura to SMAP…
…was actually watching Go with the Flow
I had heard bits of SMAP, but, as many unfortunately discover, accessibility to their music is…..well it’s just not there lol
I even got YouTube Music because I found playlists of SMAP performances and could just listen to them while I was working or driving
not that I could really hear them all that well since they were all live performances w screaming or muffled audio/crunchy audio/remixes/etc etc etc
(except for pams seigi shoutout to pams seigi [sorry goro 😔; also i linked that specific one for the tags but please look in the reblogs for a diff version of seigi that they did because it’s ridiculously good])
On Go with the Flow, Kimura performs “Style” which made me go on basically a witch-hunt to find the song since it wasn’t an album track and I didn’t know SMAP’s discography
Eventually found out it was SMAP (Kimura solo on s.m.a.p specifically) and decided that I actually really needed to listen to SMAP
aaaaaand I did ☺️
and then I found Jes yeah no I definitely didn’t
and…that is my SMAP origin story
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thaysquint · 4 years
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I have a lot of things to love in the last episode of Superstore, but Amy and Jonah breaking up ain’t it.
Amy’s goodbye to Dina and Glenn was so sweet. And I love soft Garrett, I wish they had explored more of his friendship with Amy.
Honestly I love that they brought back things from the start of the show, like a acknowledging Jonah was in love from day one, the stars and that damn quote “When we first met, you told me that all your days felt the same and you felt trapped, and I don’t want to be the reason you feel like that again.”
As I have already mentioned on probably every other social media: I get it.
I know that they had to break up bc America is leaving, I get the storyline, I understand that Amy could be scared and wouldn't want to marry right away. I don’t think long distance relationship would work, for Amy and Jonah as a couple or for the show. They wouldn’t be able to show Amy and it would be weird to keep reminding us that they are still talking but never show her side of the conversation.
Still, they were best friends for years, she had more fun with him than with anybody else, she loved spending time with him. Jonah was probably the first person to ever take care of her or at least to remember her that "hey you're human and you deserve this, and you don't have to hold the world on your shoulders". And she does loves him. She shouldn’t throw that away.
And Jonah deserved better.
Is not like they could break up and hug it out, be happy about it, but it’s heartbreaking that not only they are breaking but that is not on good terms. That Jonah is mad and Amy is sort of scared or even guilt.
I don’t know what I wanted but I hate this.
Edit: and he was raising Parker now he won't even see the kid. My god I didn't even though about that. It just keeps getting worse
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been seeing too much positivity in this fandom so i'm here to spread bad vibes
what's ur least favorite episode and why is it episode 3 the gentleman pirate i'll go first:
goes the hardest with secondhand embarrassment as a source of humor. the first 3 episodes in general do this, but this episode is absolutely The Worst. lucius's little speech in spanish jackie's makes me want to die. someone wrote rlly good meta abt how they stop using secondhand embarrassment for laughs once ed shows up, which is true and is great, but ed doesn't show up until the very end of this episode so we have like 20 minutes of laughing at stede to get through.
on a similar note, this episode teeters a little too close to beating a dead horse re: stede being a shitty pirate. like we've had two full episodes of him bumbling around like an idiot and i'm ready to move on. we know blackbeard is coming soon and that's where my investment lies; i don't rlly need to see stede flailing around in the republic of pirates to know stede is completely inept. i got the point last episode, thanks. Where Is Taika.
compared to the rest of the show this episode feels aimless and i think it's because the characters are kinda aimless. like, it feels like the first session of a new dungeons and dragons campaign and the DM doesn't have the full storyline planned so you're just running around doing random shit until something sticks. i think the main reason for the directionless vibe is that all the other episodes have ed and/or stede (aka the Protagonists of the show) going through some sort of emotional change or mini-character arc as the real core of the episode and i started listing them but realized that's insane so i made a different post for that. things happen to the characters and the characters do stuff, but there's not any change or growth.
overall this episode mostly just sets up things that are important later (spanish jackie, jim's backstory, izzy and stede's animosity), but the payoff doesn't come until later in the season, so on its own a lot of this episode doesn't stand out. the only payoff in this episode is ed showing up at the end which is GREAT but like it's the last thirty seconds. i have a whole episode to get to before then
and not 2 b like "this show is problematic!" (but like nothing's perfect yknow, it's important consume media critically) (and like this is kinda done intentionally and played for comedy) but stede in the republic of pirates gives me poverty tourism vibes. like i know that's the POINT but god it's so frustrating. i've already made a post abt how i want him to get called out for shit like this so i'm not gonna get into it here but like. rich white man walking through poor slums full of people vomiting and dying and being like "i'm so at home!" "lucius sketch my picture next to this corpse!" is not rlly that funny to me. personally.
i've been forcing my family to watch the show and after this episode my mom said she found this episode boring. that's right folks my mommy agrees w me. so there.
anywayyyyyy there are a lot of things abt this episode i DO like (jim being jim, ed saving the day, "genital pirate") and it's a very important episode for the show as a whole. but when im rewatching the show i spend most of this episode on my phone lol
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snake-rot · 3 years
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(EXCLAIMING)
(ORCHESTRA MUSIC BLARING)
(GROANS)
(WHIMPERS)
(GRUNTING)
(MYSTICAL INSTRUMENTAL MUSIC PLAYING)
(GROANS)
(COUNTRY ROCK MUSIC PLAYING)
(COUGHS)
Sweet home Alabama
Where the skies are so blue
WOMAN: Excuse me, sir, is there a commode?
Sweet home Alabama
(GRUNTING)
Lord, I'm coming home to you
(GRUNTS) Justin!
Quick, honey, take my picture. I got the pyramid in my hand.
(CAMERA CLICKING)
Yeah
Justin, you get back here right now!
No, stop!
GUARD 1: No, no, no! Stop him! GUARD 2: Go back! Don't climb!
(JUSTIN IMITATING AIRPLANE WHOOSHING)
Wait, wait.
Hold on. Easy, little boy.
Okay, stop, child! Stop right there. No!
(GASPS)
No, no, no, no, no! Oh! There he goes.
(GASPS)
Justin!
I've got him! I've got him!
(JUSTIN GRUNTS)
(AIR ESCAPING)
Outrage in Egypt tonight as it was discovered
that the Great Pyramid of Giza had been stolen
and replaced by a giant inflatable replica.
There is panic throughout the globe as countries and citizens
try to protect their beloved landmarks.
Law enforcement still has no leads,
leaving everyone to wonder, which of the world's villains
is responsible for this heinous crime?
And where will he strike next?
Gru: Freeze ray! Freeze ray! Freeze ray! [laughs evilly] Fred: Morning, Gru! How you doing? Gru: Hello, Fred. FYI, your dog has been leaving little bombs all over my yard, and I don't appreciate it. Fred: Sorry. You know dogs. They go wherever they wanna go. Gru: Unless they're dead. [laughs] I'm joking! Although, it is true. Anyway, have a good one. Fred: Okay. Yeah. Steamrolling whatever Gru: [groans] You've got to be pulling on my leg! Margo: Hello! Cookies for sale. Gru: Go away. I'm not home. Margo: Uh, yes, you are. I heard you. Gru: [gasps] No, you didn't. This... [monotone] is a recording. Margo: [scoffs] No, it isn't. Gru: Yes, it is. [o.s.] Watch this. Leave a message, beep. [Edith kicks the door] Gru: Ow! Agnes: Goodbye, recorded message. Margo: [o.s.] Agnes, come on. Gru: Huh? [screams] Kyle! Bad dog! No! No, no. Sit. My muffin. Dr. Nefario: Gru! Gru: Ah, Dr. Nefario. Dr. Nefario: I know how you must be feeling. I, too, have encountered great disappointment, but, in my eyes, you will always be one of the greats. Gru: What? What happened? Dr. Nefario: It's all over the news! Some fella just stole a pyramid. They're saying he makes all other villains look... lame. pause Gru: Assemble the minions! [throws Kyle off of his arm] Minions, assemble! Minion: Okay. Okay. Hey! Gru: Looking good, Kevin! How is the family? Good? All right. That's my Billy boy! What up, Larry? Hello, everybody! Yeah, all right! Simmer down. Simmer down! Thank you, okay. Now, I realize that you guys probably heard about this other villain who stole the pyramids. Apparently, it's a big deal. People are calling it the crime of the century and stuff like that. But am I upset? No, I am not! A little, but we have had a pretty good year ourselves, and you guys are all right in my book. Minion: Ooh! Ooh! Ooh! Gru: No, no raises! You're not going to get any raises. What did we do? Well, we stole the Times Square JumboTron! Nice! That's how I roll. Yeah, you all like watching football on that, huh? But that's not all. We stole the Statue of Liberty, the small one from Las Vegas. And I won't even mention the Eiffel Tower! Also Vegas. Okay, I wasn't going to tell you about this yet, but I have been working on something very big! Something that will blow this pyramid thing out of the water! And thanks to the efforts of my good friend Dr. Nefario... Dr. Nefario: Thank you! Gru: There he is. He's stylin'. Now, we have located a shrink ray in a secret lab, and once we take this shrink ray, we will have the capability to pull off the 'true crime of the century. We are going to steal... The Minions all pull out their weapons in response. Gru: Wait, wait! I haven't told you what it is yet. One of the Minions, Dave, shoots his rocket launcher at a crowd of Minions. Gru: Hey. Dave, listen up, please! Dave: Ditto. One of the Minions Dave shot walks over to him and punches him on the shoulder. Gru: Next, we are going to steal, pause for effect, the moon! The Minions cheer in response. Gru: And once the moon is mine, the world will give me whatever I want to get it back! And I will be the greatest villain of all time! That's what I'm talkin' 'bout. [picks up his phone] Yes? Dr. Nefario: Hello, Gru? I've been crunching some numbers, and I really don't see how we can afford this. It can't be done. I'm not a miracle worker. Gru:Hey, chillax. I'll just get another loan from the bank. They love me! Margo: Edith, stop it! Edith: What? I'm just walking. Girls: Hi, Miss Hattie. We're back. Miss Hattie: Hello, girls! Agnes: Anybody come to adopt us while we were out? Miss Hattie: Hmm... Let me think. No! Edith immediately puts a mud pie on Miss Hattie's desk, much to her displeasure. Miss Hattie: Edith! What did you put on my desk? Edith: A mud pie. Miss Hattie: [sighs] You're never gonna get adopted, Edith. You know that, don't you? Edith: Yeah, I know. Miss Hattie: Good. So, how did it go, girls? Did we meet our quotas? Margo: Hmm... Sorta. We sold 43 mini-mints, 30 choco-swirlies and 18 coco-nutties. Miss Hattie: [gets up] Okay.
Well, you say that like it's a great sale day. [furious] Look at my face! Do you still think it's a great sale day? Edith rolls her eyes in response. Miss Hattie: [hangs up a portrait] Eighteen coco-nutties. I think we can do a little better than that, don't you? Yeah. We wouldn't want to spend the weekend in the Box of Shame, would we? No. Girls: No, Miss Hattie. Miss Hattie: Okay, good. Off you go. Go clean something of mine. Girls: Hi, Penny. Penny: Hi, guys. Gru: Hello, Mom. Sorry, I meant to call, but... Gru's Mom: I just wanted to congratulate you on stealing the pyramid. [Gru sighs in disgust] That was you, wasn't it? Or was it a villain who's actually successful? [laughs] Gru: Just so you know, Mom, I am about to do something that's very, very big, very important. When you hear about it, you're going to be very proud. Gru's Mom: Ha! [sarcastically] Good luck with that. Okay, I'm outta here. [hangs up the phone before sending her karate instructor flying] Gru: Gru to see Mr Perkins Receptionist: Yes, please have a seat. Neil Armstrong: That's one small step for man, one giant leap for mankind. Young Gru: Ma, someday I'm going to go to the moon. Gru's Mom: I'm afraid you're too late, Son. NASA isn't sending the monkeys any more. Vector: Hey. I'm applying for a new villain loan. Go by the name of Vector. It's a mathematical term, a quantity represented by an arrow, with both direction and magnitude. Vector! That's me, 'cause I'm committing crimes with both direction and magnitude. Oh, yeah! Check out my new weapon. Piranha gun! Oh, yes! Fires live piranhas. Ever seen one before? No, you haven't. I invented it. Do you want a demonstration? Shoot! So difficult, sometimes, to get the piranha back inside of my... Receptionist: Mr Gru, Mr Perkins will see you now. Gru: So, all I need is money from the bank to build a rocket. And then, the moon is ours. Perkins: Wow! Well, very nice presentation. I'd like to see this shrink ray. Gru: Absolutely! Will do. Soon as I have it. Perkins: You don't have it? And yet you have the audacity to ask the bank for money? Gru: Apparently. Perkins: Do you have any idea of the capital that this bank has invested in you, Gru? With far too few of your sinister plots actually turning a profit. How can I put it? Let's say this apple is you. If we don't start getting our money back... Get the picture? Look, Gru, the point is, there are a lot of new villains out there, younger than you, hungrier than you, younger than you. Like that young fellow out there named Vector. He just stole a pyramid! Gru: I've got it. I've got it. So, as far as getting money for the rocket... Perkins: Get the shrink ray, then we'll talk. Minion: Suckers! Suckers! Gru: We got it! What? Hey! Hey! What! Hey! No, no, no! You! Vectors: Now, maybe you'll think twice before you freeze someone's head! So long, Gru! Gru: Quick! We can't let him get away! Up ahead! Up ahead! Fire! Fire, now! Vector: You missed me! Gru: Come to papa! Take that. Vector: How adorable. Gru: Got you in our sights! Like taking candy from a... What? Vector: Hey, Gru! Try this on for size! Gru: That's weird. What is going... This is claustrophobic! No, no, no! Too small! This is too small for me! [groans] I hate that guy. Margo: ...and please watch over us, and bless that we'll have a good night's sleep. Edith: And bless that while we're sleeping, no bugs will crawl into our ears and lay eggs in our brains. Margo: Great. Thanks for that image, Edith. Agnes: And please bless that someone will adopt us soon, and that the mommy and daddy will be nice and have a pet unicorn. Amen. Margo/Edith: Amen. Agnes: Unicorns, I love them Unicorns, I love them Uni, uni, unicorns I love them Uni, unicorns, I could pet one If they were really real And they are So, I bought one so I could pet it Now it loves me Now I love it Gru: Don't you... What the... Good luck, little girls! Edith: Whoa! Cool. Margo: Hi! We're orphans from Miss Hattie's Home for Girls. Vector: I don't care. Beat it! Margo: Come on! We're selling
cookies so, you know, we can have a better future. Vector: Wait, wait! Do you have coco-nutties? Margo: Yeah. Gru: Light bulb. Dr Nefario! I'm going to need a dozen tiny robots disguised as cookies! Dr. Nefario: What? Gru: Cookie robots! Dr. Nefario: Who is this? - Gru: Oh, forget it. Mrs. Hattie: Well, it appears you have cleared our background check, Dr Gru. And I see you have made a list of some of your personal achievements. Thank you for that. I love reading. And I see you have been given the Medal of Honor and a knighthood. - Minions: Me, me, me. Me, me, me. Minion: Kevin? Mrs. Hattie: You had your own cooking show and you can hold your breath for 30 seconds? It's not that impressive. Minion: Idiot! - Minions: Fight! Fight! Fight! Fight! Fight! Fight! Fight! Fight! Mrs Hattie: What in the name of... What? Gru: Well, here's the dealio. Things have been so lonely since my wife, Debbie, passed on. It's like my heart is a tooth, and it's got a cavity that can only be filled with children. I'm sorry. You are a beautiful woman. Do you speak Spanish? Mrs. Hattie: Do I look like I speak Spanish? Gru: You have a face como un burro. Mrs. Hattie: Well, thank you! Gru: Anyway, can we proceed with this adoption? So, so excited! Mrs. Hattie: Please tell Margo, Edith and Agnes to come to the lobby. Margo: I bet the mom is beautiful! Edith: I bet the daddy's eyes sparkle. Agnes: I bet their house is made of Gummi Bears. [Edith and Margo look at her curiously] I'm just saying it'd be nice. [picks up a Cheeto] Aww. My caterpillar never turned into a butterfly. Edith: That's a Cheeto. Agnes: Oh... [eats said Cheeto, making Edith and Margo recoil in disgust] Miss Hattie: Well, Debbie was a very lucky woman. [pause] Gru: Who's Debbie? Mrs Hattie: Your wife. Hi, girls! Girls, I want you to meet Mr Gru. He's going to adopt you. And he's a dentist! Agnes: Yeah! Margo: Hi. I'm Margo. This is Edith. And that's Agnes. Agnes: [sing-song] I got your leg, I got your leg! Gru: Okay, that is enough, little girl. Let go of my leg. Come on. You can do it. Agnes: Higher! Higher! Gru: Just release your grip. Wow! How do you remove them? Is there a command? Some nonstick spray? Crowbar? [sighs] Okay, girls, let's go. [They drove off in the distance.]Vector: Uh-huh! Oh, yeah! Pretty impressive! What are you looking at? Boo-ya! You got shrunk, tiny mouthwash! Take that! You done been shrunk! (His phone rings) Yello? I got the shrink ray, all right. No, I'm not playing with it. Gru? Don't make me laugh! No. P.S., he is not getting the moon, and P.P.S., by the time I'm done with him, he's gonna be begging for mercy. (Shrinks a toilet) Okay, bye. (Hangs up) Look at you, a little tiny toilet for a little tiny baby to... [The toilet pops out and water sprays him.]Vector: Curse you, tiny toilet! [Gru and the Girls arrive at Gru's Home.] Gru: "Okay, here we are. Home sweet home. Margo: So... This is, like, your house? [realizing] Wait a sec... You're the guy who pretended he was a recorded message! Gru: No, that was someone else. [Margo gives a skeptical look before she, Edith and Agnes enter Gru's house, with Gru following suite.] Agnes: [scared] Can I hold your hand? Gru: Uh... No. Edith: [looks around] When we got adopted by a bald guy, I thought this'd be more like "Annie". Gru: No, hey! [screams] Kyle, these are not treats. These are guests. Girls, this is Kyle, my... Dog. Kyle snarls in anger. Agnes: Ooh! Fluffy doggy! [approaches Kyle before he runs away, much to her disappointment] Margo: What kind of dog is that? Gru: He is a... I don't know. Margo: Do you really think that this is an appropriate place for little kids? 'Cause, uh... It's not. [Edith sees a closet that is sharp and goes in it.] Gru: No! No! Stay away from there! It's frag... [He sees juice spilling on the floor.]Both: (Gasps) Gru: Well, I suppose the plan will work with two. Edith: [muffled] Hey! It's dark in here. [Gru opens the iron maiden, revealing Edith, who spits out a straw]Edith: It poked a hole in my juice box. [They went to the
kitchen.] Gru: As you can see, I have provided everything a child might need. All right. Okay. As I was saying... (Edith knocked a bottle down) Gru: (Cont'd) Hey! Oh. Edith: Somebody broke that. Gru: "Okay, okay. Clearly, we need to set some rules. Rule number one. You will not touch anything. Margo: Uh-huh. What about the floor? Gru: Yes, you may touch the floor. Margo: What about the air? Gru: Yes, you may touch the air! Edith: (Gets out a laser gun) What about this? Gru: (Screams) Where did you get that? Edith: [shrugs] Found it. Gru: Okay. Rule number two. You will not bother me while I'm working. Rule number three. You will not cry or whine or laugh or giggle or sneeze or burp or fart! So, no, no, no annoying sounds. All right? Agnes: Does this count as annoying? [popping] Gru: Very! [sighs] I will see you in six hours. Margo: Okay, don't worry. Everything's going to be fine. We're gonna be really happy here. Right? Agnes? Gru: Question. What are these? Dr. Nefario: A dozen boogie robots! Boogie! Look at this. Watch me! Gru: Cookie robots. I said cookie robots. Why are you so old? Dr. Nefario: Okay. I'm on it. Margo: Hello? Agnes: TV! Margo: What is that? Edith: Whoa! That is cool! Come on! Agnes: I don't think he's a dentist.Dr. Nefario: We've been working on this for a while. It's a anti-gravity serum. I meant to close that. He'll be all right, I'm sure. Gru: Do the effects wear off? Dr. Nefario: So far, no. No, they don't. And here, of course, is the new weapon you ordered. Gru: No, no. I said "dart gun," not... Okay. Dr. Nefario: Oh, yes. 'Cause I was wondering under what circumstances would we use this? But, anyway. What I really wanted to show you was this. Gru: Now those are cookie robots! Agnes: La, la, la, la I love unicorns Gru: What are you doing here? I told you to stay in the kitchen! Margo: We got bored. What is this place? Edith: Can I drink this? Dr. Nefario: Do you want to explode? [Edith kicks him in the shin] Dr. Nefario: Gru! Gru: Get back in the kitchen! Agnes: Will you play with us? Gru: No. Agnes: Why? Gru: Because I'm busy. Margo: [scoffs] Doing what? Gru: Umm... Okay, okay, you got me. The dentist thing is more of a hobby. In real life, I am a spy. And it is top secret, and you may not tell anybody, because if you do... Edith: What does this do? [She fires a laser and it hits Agnes's unicorn and it burns to ashes]Gru: Hey! Edith: Whoops. Agnes: My unicorn! You have to fix it. Gru: Fix it? Look, it has been disintegrated. By definition, it cannot be fixed. [Agnes gasps in shock, then starts holding her breath] Gru: That's freaking me out. What is she doing? Margo: She's gonna hold her breath until she gets a new one. Gru: [sighs] It is just a toy. Now stop it! (Agnes faints) Gru: Okay, okay! I'll fix it! Tim! Mark! Phil! This is very important. You have to get the little girl a new unicorn toy. Gru: Hey, hey, hey! A toy! Go, and hurry! What are those? Gru: They are my... Cousins. Jerry! Stuart! Watch them and keep them away from me please. [The three minions put on a disguise and head to the store.]Minions: Wow!- Wow! [Meanwhile the two minions and the girls are tossing toilet paper at each other. Gru comes up and he sees the Girls and the two minions having fun.]Edith: It was your cousin's idea. Jerry: What? Gru: Okay, bedtime. Girls: Aww... Minions: Aww... Gru: Not you two! Minions: Yay. Gru: Okey-dokey. Beddie-bye. All tucked in. Sweet dreams. Margo: Just so you know, you're never gonna be my dad. Gru: I think I can live with that. Edith: Are these beds made out of bombs? Gru: Yes, but they are very old and highly unlikely to blow up. But try not to toss and turn. Edith: "Cool." Agnes: Will you read us a bedtime story?" Gru: No. Agnes: But we can't go to sleep without a bedtime story. Gru: Well, then it's going to be a long night for you, isn't it? So, good night, sleep tight, and don't let the bed bugs bite. Because there are literally thousands of them. And there's probably something in your closet. Margo: He's just kidding, Agnes. Agnes: It's beautiful. Gru: Girls, let's go.
Time to deliver the cookies! Margo: Okay. But first, we're going to dance class. Gru: Actually, we're going to have to skip the dance class today. Margo: Actually, we can't skip the dance class today. We have a big recital coming up. We're doing an excerpt from Swan Lake. Agnes: Yeah, Swan Lake! Gru: That's fantastic. Wonderful. But we're going to deliver cookies! Come on! Margo: No. Gru: No? Margo: We're not going to deliver cookies until we do dance class. Really? Gru: Well, I am not driving you to dance class. So if you want to go, you are going to have to walk yourselves. What are you doing? Margo: Walking to dance class. Gru: Ya? Okay, fine. You just keep walking, because I'm really not driving you! Margo: Okay. Gru: You're going to suffer the wrath of Gru! Seriously, I'm going to count to three! And you had better be in this car! Here we go! One! Two! Teacher: ...three, four and five. And lift, and stretch. And one, and two... Agnes: Here you go. Gru: What is it? Agnes: Your ticket to the dance recital. You are coming, right? Gru: Of course, of course. I have pins and needles that I'm sitting on. Agnes: Pinkie promise? Gru: Oh, yes. My pinkie promises. All right. Our first customer is a man named Vector. Margo: But he's a V. You know, we're supposed to start with the A's. Then we go to the B's. Then we... Gru: Yes, yes! I went to kindergarten. I know how the alphabet works! I was just thinking that it might be nice to deliver Mr Vector's first. That is all. Almost over. It's almost over. Vector: Girls, welcome back to the fortress of Vector-tude! Do you have my cookies for me? Margo: Four boxes of mini-mints, two toffee totes, two caramel clumpies and fifteen boxes of coco-nutties. Vector: Exactly. I'd like to see somebody else order that many cookies. Not likely. Name one person who ordered more cookies than me. Margo: That'll be $52. Vector: Right. Seven, eight, nine... Tic Tacs! Where was I? Seven, eight, nine... Agnes: Why are you wearing pyjamas? Vector: These aren't pyjamas! This is a warm-up suit. Edith: What are you warming up for? Vector: Stuff. Agnes: What sort of stuff? Vector: Super-cool stuff you wouldn't understand. Agnes: Like sleeping? Vector: They are not pyjamas! Here you go, 52 big ones. Bye! Gru: Come on! Vector: What the...? Quiet down, fish. Down, boy!Gru: [laughs] We did it! Come on, girls, let's go! Margo: But what about the other people who ordered cookies? Gru: Life is full of disappointments... For some people. [chuckles ominously] Agnes: (Screams) Gru: Don't do that! Agnes: Super Silly Fun Land! Can we go? Please? Gru: No. Edith: But we've never been. And it's the funnest place on earth! Gru: "Don't care." Girls: Please? Please? We'll never ask for anything else, ever again! Pretty please? Please? Come on! Come on! Gru: "Light bulb." Edith: Come on! Gru: "Goodbye, have fun. [He began to leave. But a attendant of the roller coaster stopped him.]Carnival Ride Worker: Sorry, dude. They can't ride without an adult. Gru: What? [groans] [Soon Gru gets sick from the roller coaster ride.]Agnes: Oh, my gosh! Look at that fluffy unicorn! He's so fluffy, I'm gonna die! Margo: You've gotta let us play for it! Gru: No, no, no. Agnes: Come on! Gru: How much for the fluffy unicorn?Carnival Barker: Well, it is not for sale. But all you gotta do to win it is knock down that little spaceship there. It's easy! Agnes: Yay! Again! Margo: Wait! Edith: Come on. One more time! Agnes: Just one more. I accidentally closed my eyes. I hit it! I hit it! Edith: That was cool. Awww. Gru: Whoa, whoa, whoa. What was that? She hit that. I saw that with my own eyes.Carnival Barker: Hey, buddy, let me explain something to you. You see that little tin spaceship? You see how it's not knocked over? Do you know what that means, professor? It means you don't get the unicorn! Somebody's got a frowny face. Boo! Better luck next time! Gru: Okay, my turn. [Gru uses a fire gun and it blows up the whole booth.]Gru: "Knocked over!" Agnes: It's so fluffy! Yeah! Margo: That was
awesome! Edith: You blew up the whole thing! Agnes: Let's go. Let's try another game!Dr. Nefario: Gru, do you mind if I have a quick word? Gru: Okay, girls, go play. I got the shrink ray! Cotton candy! Dr. Nefario: We have 12 days until the moon is in optimum position. We can't afford any distractions! Gru: Get me Perkins. Sorry to bother you, Mr Perkins, but I figured that you would want to see this! Mr. Perkins: What? Well done, Gru. Rather impressive.Gru: Now, the rest of the plan is simple. I fly to the moon. I shrink the moon. I grab the moon. I sit on the toi-let. What? (girls start laughing) Sorry. Sorry! Could you excuse me for just one second? I told you not to touch my things. I told you, I told you. I've told you a thousand times. Margo: Hey, can we order pizza? Gru: Pizza? You just had lunch. Edith: Not now, for dinner. Gru: Dinner? Just... Fine, fine, fine, whatever. Just get back in there! Margo: Can we get stuffed crust? Agnes and Jerry: Stuffed crust!Gru: I'll stuff you all in the crust! Agnes: [giggles] You're funny! Gru: Just don't come out of that room again! All right. Sorry about that. Where were we? Mr. Perkins: You were sitting on the toilet. Gru: No, no, no! No, I'm sorry. It was a little attempt at humor. I know how much you like to laugh... [Mr. Perkins glares at him] Inside. Eh, now, I was saying... [the door suddenly opens] You don't seem terribly focused, Gru. Believe me, I am completely focused. Right? Edith: Hello! Mr. Perkins: What? Edith: That guy is huge! Agnes: Are we on TV? Mr. Perkins: What are those? Children?Gru: What are you doing? I told you to stay out of here! No, no, no! *Agnes: Freeze ray!Mr. Perkins: Mr Gru? Gru: Okay. As I was saying... Mr. Perkins: No need to continue. I've seen quite enough. Gru: But my plan... Mr. Perkins: Is a great plan. I love everything about your plan, except for one thing. You. Young Gru: Look, Mom, I drew a picture of me landing on the moon! Look, Mom, I made a prototype of the rocket out of macaroni! Look, Mom, I made a real rocket based on the macaroni prototype! Gru: I don't understand. Mr. Perkins: Let's face reality, Gru. You've been at this for far too long with far too little success. We're gonna put our faith, our money, into a... Well, a younger villain. Gru: But I... Mr. Perkins: It's over. Goodbye, Gru. Gru: Now, I know there have been some rumours going around that the bank is no longer funding us. Well, I am here to put those rumours to rest. They are true. In terms of money, we have no money. So how will we get to the moon? The answer is clear. We won't. We are doomed. Now would probably be a good time to look for other employment options. I know. I have fired up my resume as I suggest that all of you do, as well. What is it? Can't you see that I am in the middle of a pep talk? Yes! Yes, we will build our own rocket using this and whatever else we can find! Grab everything! Hit the junkyards! Take apart the cars! Who needs the bank? Let's go. Let's go! Mom! What are you doing here? Gru's Mom: And here he is in the bathtub. Look at his little buns. Gru: Mom. Not cool. Gru's Mom: And here, he's all dressed up in his Sunday best. Margo: He looks like a girl! Gru's Mom: Yes, he does. An ugly girl! Agnes: You're funny! Edith: Yes! Mine's shaped like a dead guy! Receptionist: Mr. Perkins, your son is here. Mr. Perkins: Send him in. Vector: Hey, Dad. You wanted to see me? Mr. Perkins: Yes, I did, Victor. - Vector: I am not Victor anymore. Victor was my nerd name. Now I am Vector! Mr. Perkins: Sit down. Do you know where the shrink ray is? Vector: Duh! Back at my place. Mr. Perkins: Oh, is that right? Back at your place? That's cool. I guess Gru must just have one that looks exactly like it! Vector: What the...?! Those girls sold me cookies! Mr. Perkins: Do you have any idea how lucrative this moon heist could be? I give you the opportunity of a lifetime, and you just blow it! Vector: No, I didn't. Mr. Perkins: Oh, really?Vector: You just wait until Gru sees my latest weapon. Squid-launcher! Oh, yeah! Man:
There's a squid on my face!Vector: Don't worry. The moon is as good as ours. Gru: Come on now, it's bedtime. Did you brush your teeth? Let me smell. Let me smell. You did not! Put on your PGs. Hold still. Okay, seriously! Seriously! This is beddie-bye time, right now. I'm not kidding around. I mean it! Edith: But we're not tired! Gru: Well, I am tired. Agnes: Will you read us a bedtime story? [pause] Gru: No. Agnes: Pretty please? Gru: The physical appearance of the "please" makes no difference. It is still no, so go to sleep. Edith: But we can't. We're all hyper! Margo: And without a bedtime story, we'll just keep getting up and bugging you. All night long. Gru: [sighs] Fine. All right, all right. Sleepy Kittens. Sleepy Kittens? What are these? Agnes: Puppets. You use them when you tell the story. Gru: Okay, let's get this over with. "Three little kittens loved to play, they had fun in the sun all day. "Then their mother came out and said, 'Time for kittens to go to bed."' Wow! This is garbage. You actually like this? Agnes: Keep reading! Edith: Come on! Gru: All right, all right, all right. "Three little kittens started to bawl, "'Mommy, we're not tired at all.' "Their mother smiled and said with a purr, "'Fine, but at least you should brush your fur."' Edith: Now you brush the fur. Gru: This is literature? A 2-year-old could have written this. All right. "Three little kittens with fur all brushed "said, 'We can't sleep, we feel too rushed! ' "Their mother replied, with a voice like silk, "'Fine, but at least you should drink your milk."' Agnes: Now make them drink the milk. Gru: I don't like this book. This is going on forever. "Three little kittens, with milk all gone, rubbed their eyes and started to yawn. "'We can't sleep, we can't even try.' Then their mother sang a lullaby. "'Good night kittens, close your eyes. Sleep in peace until you rise. "'Though while you sleep, we are apart, "'your mommy loves you with all her heart."' The end. Okay, good night. Agnes: Wait! Gru: What? Agnes: What about good night kisses? Gru: No, no. There will be no kissing or hugging or kissing. Margo: He is not gonna kiss us good night, Agnes. Agnes: I like him. He's nice.Edith: [turns off her light] But scary. Like Santa! Dr. Nefario: Only 48 hours till the launch, and all systems are go. Gru: About that, I was thinking that maybe we could move the date of the heist. Dr. Nefario: Please tell me this is not as a result of the girls' dance recital, is it? Gru: No, no, no! The recital? Don't... That's stupid! I just think it's kind of weird to do it on a Saturday. I was thinking, maybe a heist is a Tuesday thing, right? Dr. Nefario: Gru, you and I have been working on this for years. It's everything we've dreamed of. Your chance to make history, become the man who stole the moon! But these girls are becoming a major distraction! They need to go. If you don't do something about it, then I will. Gru: I understand. Dr. Nefario: Good. Minion: Butt. Butt. Butt. Gru: All right. Now, when we put our cups together, we will make the "clink" sound with our mouths. Ready? Edith? Gru: and Edith: Clink. Gru: There we go. And now we drink. And Agnes? Gru and Agnes: Clink. Gru: Very good! Excuse me, girls. Girls: Come on! Gru: Don't worry, I'll be back. Keep clinking. - Clink, clink. - Clink, clink.Gru: Miss Hattie, what are you doing here? Miss Hattie: I'm here for the girls. I received a call that you wanted to return them. [Gru gives her a quizzical look] And also, I did purchase a Spanish dictionary. [swats Gru's head with the dictionary] I didn't like what you said. Gru: But... I will get the girls ready. Agnes: Don't let her take us, Mr. Gru! Tell her you wanna keep us. Mrs. Hattie: All right, girls. Come on, let's go. Margo: Goodbye, Mr. Gru. Thanks for everything. Dr. Nefario: I did it for your own good. Come on, let's go get that moon. Gru: Right. What is this for? The recital? I am the greatest criminal mind of the century. I don't go to little girls' dance recitals! Dr. Nefario: Opening launch bay
doors. Commencing launch sequence. And we are good to go in T minus 10 seconds. Ten, nine, eight, seven, six... Vector: Oh, yeah! Gru: Nice work, Doctor. All systems go. Vector: Boo-ya! My flight suit. Oh, yeah! Once again, the mighty... Gru: I've got it! I've got the moon! I've got the moon. I can make it. Dr. Nefario: Wait a minute! Jerry: Kevin! Gru: Come on! Come on! Agnes: He's still not here. Margo: Why would he come? He gave us up. Agnes: But he pinkie promised! Teacher: Girls, girls, places. Edith: No, we can't start yet! We're still expecting someone. Agnes: Can we just wait a few more minutes? Teacher: All right. But just a few more minutes. Margo: He's not coming, guys. Dr. Nefario: Gru! Gru, can you hear me? Quick, we have to warn him, and fast!Gru: Okay, okay. There's the library. That's Third Street. The dance studio... There! There! There it is! Janitor: Sorry, buddy. Show's over.Gru: Over? Gru: Vector, open up! Vector: First give me the moon. Then we'll talk. Agnes: Mr. Gru! Vector: Zip it, Happy Meal. Gru: Now, the girls. Vector: Actually, I think I'll hold on to them a little while longer. Gru: No! Vector: Oh, yeah! Unpredictable! Gru: Listen close, you little punk. When I get in there, you are in for a world of pain! Vector: [laughs sarcastically] I'm really scared. Agnes: He is gonna kick your butt. Vector: What? He punched my shark! Dr. Nefario: There he is! Hang on, Gru. Oh, no! Gru: Vector has the girls. Go! Dr. Nefario: What happened to the ship? It's big again! Not as big as the moon is going to be! Gru: What? Dr. Nefario: The larger the mass of an object, the quicker the effects of the shrink ray wear off! I call it the Nefario Principle. I just came up with it now, actually. Gru: Oh, no! Margo: Did you see that? Girls: Vector! Help! Vector! Over here! Vector: Hey! What are you girls doing back there? Girls: The moon! Watch out! Vector: Ouch! Gru: Get as close in as you can. You got it. Margo: Mr Gru, up here! Agnes and Edith: Mr Gru! Gru: Okay, girls! Girls! You're going to have to jump. Edith: Jump? Are you insane? Gru: Don't worry, I will catch you. Margo: You gave us back! Gru: I know, I know. And it is the worst mistake I ever made. But you have to jump now. Margo: It'll be okay. Gru: Okay, girls. Margo: Jump now! Gru: Margo, I will catch you. And I will never let you go again. Vector: Not so fast! Gru: No! Margo: Let me go! Gru: Margo! I'm coming, Margo. Hang on! I got you.Vector: No! Oh, poop. News Reporter: This time, good triumphs, and the moon has been returned to its rightful place in the sky. But once again, law enforcement is baffled, leaving everyone to wonder, who is this mysterious hero? And what will he do next? Gru: Okay, girls. Time for bed. Edith: Come on! We want a story. Agnes: Three sleepy kittens! Gru: Oh, no! Sorry. That book was accidentally destroyed maliciously. Tonight we are going to read a new book. This one is called One Big Unicorn by... Who wrote this? Me! I wrote it. Look, it's a puppet book! Here, watch this. That's the horn! Agnes: This is gonna be the best book ever! Gru: Not to pat myself on the back, but, yes, it probably will be. Here we go. "One big unicorn, strong and free "thought he was happy as he could be. "Then three little kittens came around "and turned his whole life upside down." Edith: Hey, that one looks like me! Gru: No, what are you talking about? These are kittens! Any relation to persons living or dead is completely coincidental. "They made him laugh. "They made him cry. "He never should have said goodbye. "And now he knows he could never part "from those three little kittens "that changed his heart. "The end." Okay, all right. Good night. Margo: I love you. Gru: I love you, too. No, no! All right. Didn't I get you already? They're very good! Gru's Mom: I'm so proud of you, Son. You've turned out to be a great parent! Just like me. Maybe even better. Gru: No, I'm fine. Go ahead. No, no, no! THE END Hey, Carl! Hey. No, no, no. Me, me, me. John? No, no. Me, me, me. Oh,
poop. Oh, no! Stop! Stop! Hello, I am Gru. Back to work, back to work! Back to…
IS THIS THE ENTIRE FUCKING SCRIPT?
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organic-guacamole · 3 years
Text
episode 210 here we go
awww seb doing the intro
congratulations to milky white and her baby chocolate milk😌
seb is so funny
but seriously, clean up that milk fast or else it will smell so bad in there....
was that Lauryn just randomly doing cartwheels? idk any theatre kids irl but that seems like it's a common thing...
is it just me or has ms Jenn been getting more harsh to Ricky and Seb mainly-
like what did they do to her
no because I actually snorted with laughter at the "you came back" WHAT IS THAT VOICE-
AND THE MASK OMG
yeah so my throat hurts now
I'm dying over here
KOURTNEY'S FACE
SAME GIRL SAME
Ricky's fake death got the whole place in tears /s
he looks like an asthmatic walrus
Seb's on piano, I love
we all know if he was the beast we'd all actually be crying✋
ok but I listen to Julia's version of home on Spotify when I want to cry-
right so gimme a second
is Ricky scratching his face.....while he's dying?
"belle i-" *flop*
round of applause to Ashlyn for trying to make Ricky's earthworm seizure look less.... yknow
Kourtney's just dying there
WAIT IS THAT NATALIE
did she really just disappear for 9 episodes just to come back and stare dramatically into the camera
WAIT SCRATCH THAT SHES HERE TO MURDER ASHLYN AND RICKY
oh so Ricky's wearing a gay shirt now too
so that's the real reason why Rini broke up, see y'all next season when Gini and caswen become canon /j
wait that was a long intro scene-
what was that look Carlos-
TALK TO MY BOY OR ELSE
carlos' run is so funny to me
therapist Ashlyn to the rescue
"that is...super" son you good?
ms Jenn call Benjamin, he would willingly put his loved ones on a rocket and blast them into Venus for you....
maybe
"I don't want you kids to be disappointed" girl you do realise you're the one that's most invested in this?
"a smooth opening night" wasn't there just 1 show though-
like their opening night was closing night too
"I think I was Troy at one point" PLEASE THATS THE MOST ACCURATE DESCRIPTION OF THE SEASON 1 FINALE
me Jenn looks like a serial killer during that clap and I'm lowkey scared for zacky
"I have notes"
oo if you're taking suggestions, lemme get my list
"mother is freaking out" uhhhhhh
right....'mother"
"is everyone sitting down?"
*looks around awkwardly*
*big red slowly sits*
"no..."
please seb was the only one sitting-
does that mean Carlos looked at Seb as soon as he walked in and assumed that everyone else was sitting too or am I a seblos clown🤡
"is this about the transformation"
WOW MAYBE OT IS RICKY
WOW HES A DETECTIVE FOR FIGURING THAT OUT SO QUICK🤩
YO WHY IS NATALIE HERE-
she just shows up when it's convenient? is she gonna be at the sleepover too?
Seb's heavy swallow after Carlos shouts at him makes me so sad
"I never learned how to lie but I figure if I keep my mouth closed, I can't tell the truth" *nods and smiles at Nini when she asks*
why are they casually standing up all over the pizza shop, just sit at a big table and talk instead of blocking passageways and blocking off at least 6 tables-
"how about I invite myself" WHY DO PEOPLE ALWAYS FEEL THE NEED TO INVITE THEMSELVES TO ASHLYN'S HOUSE-
YOU CAN ASK BUT JUST FORCE YOUR WAY IN?
so Cash Caswell has a bigger house than... Dennis Caswell.... who would've thought
ah yes there's the good old EJ 1.0
Nini: "boys vs girls"
Gina: *looks devastated and glances longingly at EJ*
way to be inconspicuous
"but north high should be" *cracks her knuckles in the most uncomfortable way*
good for Ashlyn for getting more confident though
oo bossy big red
"i get bossy around the power tools"
is that why Ashlyn was holding up the drill in episode 8 orrrr 🤠
oh
Lily, leave him alone please
she's literally not blinking, is that what makes her creepy?
the diss at big red and his face afterwards is priceless
isn't that similar to what Gina's mom said to her in season 1? hmmmm
but seriously please don't try to redeem lily, let us have a character to hate, or to love because they're evil.
not everyone's a good guy.
"im not liked here and I don't know what to do"
let antoine finish his salad and it'll fix everything
"hug emoji" *gags*
y'all realize Lily's literally 14?
why is she calling a 16/17 year old from another school for personal advice-
"he gets weird around tools"
I shouldn't be laughing so hard
"deja vu maybe?" awkward silence
I'm dying here I love EJ so so so so much
"where's seb"
*cuts to seb being held hostage hoping that they'd notice he's missing and go look for him*
"don't ask"
"oh ok"
"100% real faux fur" as you should queen
sponsored by target
Kourtney is singlehandedly saving the entire show.
Seb making finger guns make me happier than it should
why is this kinda making me want to have a co-ed sleepover with my non-existent theatre friends
YES YOU DO NEED TO TALK/SING TO SEB CARLOS THANK YOU FOR KNOWING THAT
wait what-
you haven't talked to him all WEEK-
Carlos are you stupid /hj
Benjamin is so adorable I can't
he turned around to come back for her instead of going home. you're "what do you want Jenn🙄X act isn't fooling anyone Benjamin 🙃
10101
1+4+16= 21st?
they placed 21st?
or do I just not remember how to convert to base ten
GIRL DON'T BE RUDE TO HIM, HE'S GONNA SAVE YALL
no ms Jenn, the kids are not eccentric 35 year olds.
aww sebby
is he thinking that Carlos is only with him cuz he's the only other openly gay guy at school-
son you are a perfect little bean don't put yourself down
yes they all ship portwell as they should.
they'll be throwing risotto at the wedding.
not the chocolates. stop there are no chocolates. please stop I'm dying.
Gina you don't have to explain yourself to her
it was a misunderstanding and it's in the past
why is Ashlyn still laughing-
exactly it wasn't a big deal please just move on Nini
Kourtney really be out here saving everything
WHY IS ASHLYN STILL LAUGHING
why do I feel like when Gina finally told Ash about it, she didn't think it was that funny but wanted to feel included in the inside joke so now she brings it up randomly to show that she's in on it....I totally don't do that...
"idk, the farmer type" oh son...
Ashlyn and big red are just spilling the secrets back and forth huh?
OOO EJ AND GINA SITTING IN A TREE K-I-S-S-I-
cmon guys don't look at me like that-
"she is the best" and "we're buddies" don't sound right together
"pretty boy" "sweet boy" best ways to describe EJ
I love him.
and aw he's scared of rejection so he'll hold back just to keep her happy and not awkward how sweet
is Ricky wondering if letting her go(literally his song from last episode) was the best thing he did for Nini because he doesn't feel like it now? hmmm this is getting good
why is everyone so invested in Kourtney and Howie's relationship
PACK UP THE LAZY RICKY THING
oh yes Benji, that's exactly what she's doing
she couldn't follow her dream or whatever so now she's using the kids to gain some of the success she craves. why else would she have that massive hsm poster with her name on it in huge letters in her office.
just casually grab his hand with both your hands and stare at him creepily 🥰
ship jennzzara y'all
the first bump was a missed opportunity to do the baymax "falalala" as a reference to the fact that they watched big hero six while committing arson✋
wait so big red and EJ just left Ricky in the basement and now Ricky invited Carlos when they're supposed to be at the stage?
help no Ricky looks like he's about to tell Carlos he likes him (I know it's about writing the song for seb but still, look at his body language and tell me it doesn't look like that)
Ricky is so mature about this, he really just wants Nini to be happy even though he's hurting-
baby you deserve love, maybe Nini isn't the one for you but don't say you don't deserve it
why does he keep adding bro to the end like he doesn't know how to address Carlos
PLEASE CARLOS HAVING TO ADDRESS THE BRO THING
"let's write a song when we have like 45 minutes to get to the place and help our friends possibly win $50000 at the show in 2 weeks"
"can you hit a high C?"
"that's like the bottom of my range"
why am I laughing
this is so cool to see friendship interactions that we don't normally get to see
Nini why are you being like this-
Gina did nothing wrong??
I saw that, EJ and Gina being the only ones going in the same direction👀
right so obviously Kourtney's waiting until after the menkies to get back with Howie just in case he really is just using her as a way in to east high... obviously... right?
CARLOS
OK ITS COMING GET READY YALL
Why is portwell so awkward all of a sudden
OMG EJ
OMG GINA SAY YES or not, do what you want.
the way she doubts that EJ would genuinely ask so she has to make sure it's not Ashlyn behind it
OH
THE "NOT THAT I KNOW OF"
LIKE WHAT GINA SAID TO JACK ABOUT EJ BEING HER BOYFRIEND
GUYS THEY'RE SOULMATES
I want risotto now please
THEY'RE SO SWEET AND ADORABLY AWKWARD ITS LIKEEK LITTLE KIDS
OOOOOOO what is this place that seblos is in, looks fancy....and secluded
oh wait no Ricky's just standing there
wait is it the bomb shelter
it looks so good what
HSKAGSJAGAJAGWISGSKAUASBWKSVAIWBAISBQKSHIQBWOABWOABDOQBZIQBAIAQBSIWBQISVQKSIANSGOQBSAISBKASBKWBAIABQOSBBSJAHAJAVAJSBAJHSKAHSJAHAJAJAAJAHHHHHHHH
@youranxiousnerd ARE YOU OK?
CUZ IM NOT OK
LOOK AT SEBBY'S FACE
LOOK AT HOW ADORABLE IT IS
THE LYRICS ARE KILLING ME
SEBLOS IS KILLING ME
I AM DEAD
PLEASE SEND HELP
I like to imagine that Frankie and Joe practiced this in their apartment and just had a blast with it.
or maybe that Frankie practiced in secret like what Joe did for the climb
OH THE SUITS
THATS WHERE THAT CLIP IN THE PROMO WAS FROM
AWWW SEBBY'S SO CUTE
HE'S A LITTLE MARSHMALLOW
they're still so awkward with the dance I cant
let's appreciate Frankie's voice though
this episode really was made just for the seblos and portwell stans and you gotta love it
BIG RED GET OUT
WHY DOES HE ALWAYS DO THIS
Seb's little "yeah" IS ADORABLE
you can't tell me that wouldn't have been the best time for them to say I love you....IF FREAKIN BIG RED WASN'T THERE
ok but wait Ricky needs more hugs like that, look at his face
the boy needs love
"bro" please don't let Ricky and Carlos go back to not talking because their friendship is amazing
EJ laughing at Ricky sounding like a cat coughing up a furball is so funny to me
RICKY'S FLOP GETS ME EVERYTIME
I knew it was too good to be true
ok so Ricky's dead, next in line please
this episode was so short but I love it so much. this is what I signed up for for season 2✋
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kaminohana · 3 years
Text
the meme man full analysis
Yeehaw here we go. Analysis of Mikoto Kayano’s video and song, along with some theories about the many themes and symbols in the video. Note: If there’s any other supplemental material for him out there, I haven’t read it. This is just an analysis with the music video we were given. If I happen to miss stuff that was mentioned before, I may talk about it in another post lmao
I was SUPER invested in this video as I watched it and soon realized “Oh shit, I think Mikoto’s plural”. Cuz, you know, I’m plural too (not disclosing what kind) and it felt SO good to see some actual parallels to stuff I go through- though of course not to Mikoto’s degree.
That said, I feel I should make a disclaimer in passing: yes, portraying your only plural character as homicidal ain’t the best representation. But, you know, we’ve seen other cases like that in Milgram so I’m just gonna leave it at that. Personally, I’m not that offended because the execution is SO top-notch. Though, hey, I totally understand how this can be very frustrating to other systems to see plurality depicted in such an unhealthy light- if it’s not for you, it’s not for you.
Keep in mind the point of the Milgram series is to make you uncomfortable in so quickly incriminating someone; if you’re hesitating to determine someone as guilty, hey, that’s probably intended and good! It’s about personal decision, so I’m not going to judge you one way or the other in voting. I just find it fascinating how these videos can put us in such conflict. This is all just my own perspective, BTW, so if you disagree with some of these points, good! I’m just hoping to share my thoughts since I can make a lot of connections. I’m by no means an expert in plurality or tarot, I just have some background in both and decided to try my hand at this analysis, so I really don’t the final say on what’s going on in the video.
Now, onto the actual video analysis.
I’m sticking with the basic idea that Mikoto is split into two parts; his more loveable, gentler side, which I referred to in another post as Softboy Mikoto, and the more violent side which may be acting as a catharsis to his frustrations. I referred to this side previously as the Devil alter, as he is depicted with the Devil major arcana tarot card. I can see how this could be taken badly, so for now I’m just going to refer to him as the shadow alter. There are many themes of duality in the video, most commonly with the symbol of the half moon which appears so many times. Shadow of the moon etc etc. I’ll be bringing this up several times as I analyze the lyrics. I’ll be breaking down the lyrics as evidence to support the idea that Mikoto is plural, and to show how softboy Mikoto (and shadow alter Mikoto) view this particular relationship and how this culminates in murder. Sometimes I refer to Mikoto (as a whole), softboy Mikoto, or shadow alter Mikoto depending on what I’m trying to describe in the below.
First piece: the title. MeMe. Me x2. A dead giveaway, like Umbilical. Also, it can be a meme, which is interesting taking the definition of the word meme in this context: “an element of a culture or system of behavior passed from one individual to another by imitation or other nongenetic means” (Oxford Dictionaries).  HMMMM. I know memes are generally within the context of a community, but I think it’s interesting to actually apply this to Mikoto. What exactly is being passed on? Could we argue that Mikoto’s frustrations from one of his parts is being passed on to the other? Interesting to think about, though it may not be relevant.
Going into the lyrics:
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So from here I’m guessing there was a point in Mikoto’s life where his plurality was not an issue; or, potentially, there was a time before his split. These were the good times.
Playing dead vs. being alive – representing duality. May refer to how, when one side has their way, the other is locked away in the headspace with no control, thus feeling like being dead. In the context of “if only”, perhaps he’s wishing that he just didn’t do anything if only to prevent things from getting this far.
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“If” I could end- I believe Mikoto (particularly softboy Mikoto) is saying “Hey, I have no control over my other side. If I did, would things still be the same? Would I still be ‘letting’ this happen?”
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“Keep it” and “hide it away” I feel like are both representative of his shadow alter and of the desires that alter represents. Many words related to destruction are tied to this alter, so it could be seen as Mikoto trying to hide those urges as well.
“’I’ will save ‘me’”- this is a very interesting line that I think very well encapsulates the shadow alter’s initial motives; he’s saying “hey, I’m going to take care of us,” I believe to try and convince softboy Mikoto to let him out. As far as if softboy Mikoto can actually “let” him out is TOTALLY up for debate.
Part of the reason I refer to the other alter as softboy Mikoto is because there are softer words I notice used by him in the song; here’s I’m seeing “snuggle”, so I think this side of him is more vulnerable and soft.
SWITCH, shake up that brain- wow couldn’t be any more obvious here
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This is where the chorus starts. This I think is from softboy Mikoto’s perspective, PARTICULARLY when he’s trapped in the headspace. There are many forms of plurality IRL in which alters cannot simultaneously front, so one or more are “pushed” back into the headspace. This very act occurs several times throughout the song in the weird minimalist vaporwave shadow realm room, where the tarot cards are. During this time, we can assume that is when the shadow alter is fronting. Softboy Mikoto slowly starts to become more helpless and fearful in this space as the song goes on, and this is where he makes his celtic cross tarot spread that quite frankly defines the whole song. I discussed that in my other post.
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Another facet of plurality that is applied here is amnesia, which is common, especially when alters are pushed back to the headspace. Within the headspace, there may be a lack of awareness to the outside world, which Mikoto seems to express in his confused sentiments like the above (in the video, he is also scratching his head, which as a gesture can represent being confused). “Why am I here?” can act as a double entendre, both referring to “Why have I suddenly been pushed to this headspace?” as well as the whole point of Milgram- “Why am I in prison?”. He may not be aware of exactly what he did, hence why he feels it’s a mistake. He may be experiencing amnesia of what his shadow alter is doing, so he doesn’t even know what crime he committed. However, he at least has enough awareness to tell someone else is present in his body doing things, so he begs the viewer “Hey, just watch whatever my body is doing and it���ll all eventually make sense. I don’t have access to this information, but you do.” I thought this was an interesting fourth wall break.
The truth revealing itself could also be the truth coming to light from the particular tarot reading he does in the headspace; note that the cards only seem to be appear in this place and not in the outside world. So softboy Mikoto is trying to figure out what’s going on this way. If he can’t figure it out himself, maybe the cards can give him some direction.
Another duality- “I won’t forgive you if you reveal the truth” vs. “However I know I’m right when I say I’m innocent”. Or he could be right about something else.
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I’m wondering if the breaking here is just reflecting the shadow alter or is softboy Mikoto actually wishing he could end the shadow alter. He at least wants things to change; the way things are right now is not something he’s okay with. Though, it sounds like he isn’t getting help with this and has no idea if he can even arrest full control again. It seems at this point, this has been going on for a while so he’s stopped trying.
In the video, the shadow alter is doing a GREAT job hiding the evidence; while of course probably just trying to not get caught, the shadow alter may also be trying to hide his crime from softboy Mikoto so he’s none the wiser.
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He’s hoping he can be rid of the shadow alter side, but I think he also is dumping all his difficult feelings onto the shadow alter. Maybe he feels its some sort of release, even if he can’t control it, so he feels a lot of guilt over the shadow alter’s existence, even though that alter is serving a purpose as a conduit for those emotions.
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I really really think though that there IS some connection between softboy Mikoto and shadow alter Mikoto. Maybe they are both truly aware of each other, hence the scene where they are viewing each other through the mirror. I think here, softboy Mikoto might be admitting that it feels good to let the shadow alter out, like a hug. The “minus energy” probably refers to the shadow alter.
“Maybe it’s okay that we’re separated like this?” he wonders. There seems to be a sense of feeling alive at least that is conveyed through the shadow alter.
SPLIT IN HALF- yeah, again, pretty encompassing.
In the video, I think this is when we have a switch, as Mikoto’s expression changes in the outside world mirror.
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The chorus again, softboy Mikoto is shoved into the vaporwave shadow realm headspace. He’s asking the audience to investigate him here, but I also like to joke that he’s like “uwu look at me I could never harm anybody, pwease let me out”, which may be true only so far as softboy Mikoto is out.
I wonder if in “I will NEVER forgive you if this is happening to me” is directed at the shadow alter instead of the audience? Like softboy Mikoto is saying “I swear to god if you murdered someone im gonna be so pissed, but I also already kinda know it’s happening.” Just another take.
In the video, softboy Mikoto is THROWN into the headspace, where he is gifted with just one hint of what’s going on: The Devil tarot card.
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You DARE accuse Miette of murder? Oh! 1000 years jail for Milgram viewer!
Now the vaporwave space starts to turn into a bloody mess; perhaps now softboy Mikoto is starting to put two and two together.
“Hurting it, holding it down, it doesn’t change anything, does it”- I definitely understand this being plural, like if your alters are causing problems, you may try and chastise them, or you may try and lock them away deep inside, but that often doesn’t stop them from existing. It’s really cool how that idea is present here. Like YES that’s how it is quite often. So even if softboy Mikoto TRIES to smother or accuse his shadow alter, that’s not going to change anything.
It being the same anywhere he goes makes me think he’s been putting up with this for a long time, that it’s not about what environment he’s in because his shadow alter is with him everywhere he goes.
“It’s like what’s wrong isn’t wrong”- may be referring to multiple things:
-the shadow alter having a different morality (hence why murder is okay for him, his indulgence in smokes and…redbull/alcohol, etc)
-OR, how softboy Mikoto’s amnesia isn’t letting him understand the full picture so everything is okay when he’s out fronting (shadow alter cleaned the place up and stuff, perhaps hiding all evidence of murder)
-“I’m already the fake one”- a very common sentiment for plural folks, worrying if you as an alter aren’t “the original” or if you’re not actually split and it’s something you’re making up, etc. I think softboy Mikoto is having these feelings. Poor boy, wish we could get you some therapy instead :/ (all of Milgram would be very different if only most of these people could get therapy, let’s be honest)
Now, what’s special here is that BOTH alters are in the headpace, with shadow alter Mikoto looming ominously behind softboy Mikoto.
During this next instrumental, just a side note: we see what’s going on through security footage. The security cameras reflecting a third person perspective is kind of neat in context of pluralism, where someone else fronting can feel like a third person awareness to another alter. I may be thinking too much into this one, but it’s a fun connection.
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Another thing many plural folk go through: DISSOCIATION FROM REALITY. Ah yes, my good friend dissociation. Especially like in Mikoto’s case, where the consequences of being split have drastic consequences, he could be running away from the truth which may always be partially concealed to him. Something’s VERY wrong, he knows this for sure, and it may be at this point he really realizes “Oh shit. I just committed murder.” But instead of taking responsibility in any way, he’s trying to imagine that it’s a fabricated reality. I’m not going to say if this makes him bad or not, but it is a known coping mechanism.
I know I mention that the bad habits of smoking and drinking may be the shadow alters habits, but they could also be softboy Mikoto’s own methods of escapism, which definitely fits with the above lyrics. “I need to wake up soon”- but he still realizes that he’s going to have to face the harsh truth of reality soon.
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Now this point indicates a marked change in softboy Mikoto and shadow alter Mikoto’s relationship: I believe there may be a time when softboy Mikoto expects to come back out to the front, but now the shadow alter is starting to take over fully and keep softboy Mikoto locked inside. This is supported by the Outcome card in his celtic cross spread being The Devil. Not only does this card have its own meanings, but here it may mean that the more violent side of him takes over.
Again, don’t know if he’s talking to the audience or his shadow alter in never forgiving this outcome. I believe softboy Mikoto does have a clearer morality in that murder is NOT okay, and if he were to fully acknowledge that he as a whole was capable of that, I think he’d break down. So he’s like “it better NOT be true” because he doesn’t know how he’d be able to deal with that.
Interesting in the video is when Mikoto snaps and the headspace turns red again; I would think this is when the shadow alter is entering the scene and taking over. The snap here is symbolic of the switch.
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Now presumably softboy Mikoto is like “PWEASE WET ME OUT MISTEW OBAMA”, which, again with the double meaning, can refer to letting him out of the vaporwave shadow realm headspace OR letting him out of prison. Both apply.
“That it’s a lie
That I’m right”- a nice duality here. Mikoto is having difficulty separating the truth from reality.
Also NOW he is forgiving. Forgiveness vs not forgiveness (grudge)
I think it’s gotten so bad that he’s like “okay fine. Fine if I committed murder, fine if you’re accusing me of murder, but please help me understand what’s going on. Let me out”. Maybe he’ll forgive the shadow alter if only he fesses up to the murder.
Of note for the scene however is that shadow alter Mikoto is holding up The Fool card, which represents softboy Mikoto in this case. “I’m right” may be the shadow alter’s sentiment.
-THE CARDS AT THE END-
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Then, all the cards show up in more detail, all depicting weapons instead of the standard minor arcana that you might see in your standard Rider Waite tarot deck (which these are based off of). The Wands are baseball bats, the Swords are kitchen knives, the Cups are…poison cans? Acid? The Pentacles are….records but I can see these being rotary saws if you squint. The Wheel of Fortune has car wheels with a snake….GTA time baby (the snake being hidden danger, the devil’s temptation, etc). The chariot is a really weird motorcycle death machine. I was thinking how like, people would drag people along behind them while driving a vehicle as a method of torture so there is that.
Now we see some cards not in the original spread- I think this represents shadow alter Mikoto inserting himself into the headspace and changing things to fit his goals. We see a couple placed in the original spread, but some don’t and are just free-floating, but you’ll see below we have enough context to decipher their meaning.
First, it’s the Page of Pentacles, which has taken over the position of the 7 of swords as the current challenge affecting the issue. This card indicates “Manifestation, financial opportunity, skill development”. I think this means the shadow alter is finally learning to take full control.
Then we see the reverse 2 of swords, which represents “Indecision, confusion, information overload, stalemate”. This could probably represent softboy Mikoto not suddenly understanding why the shadow alter is ALSO in the headspace. Maybe his dual presence in the outside world AND the headspace is indicative of exactly when he learned to take full control. This was NOT in Mikoto’s original spread.
Wheel of Fortune again, which was in the original spread. “Bad luck, negative external forces, out of control”. Yup, that confirms it.
Next, the Five of Swords from the original spread comes up. “Conflict, tension, loss.png, defeat, win at all costs, betrayal”. Softboy Mikoto is now being completely taken over. There is a facedown card on the chair. This might be the one that reads as Death later, so it may be that softboy Mikoto is…KILLED OFF?
Cup of Ace, “Love, compassion, creativity, overwhelming emotion”. I think this one is also meant to represent softboy Mikoto, but it could be that the shadow alter sees it as an act of mercy to take full control for softboy Mikoto. Maybe he feels his alter can’t handle reality and he’s going to take over full time. Or more likely he just has ulterior motives.
Reverse King of Cups. “emotional manipulation, moodiness, volatility”. Softboy Mikoto was lead along, thinking it was okay to leave things to the shadow alter or to exist alongside him. Now we see that isn’t a viable solution.
Reverse Five of Wands. “conflict avoidance, diversity, agreeing to disagree”.  I went over this more in the other post.
Chariot is the last one, WHICH ALSO WAS NOT IN THE ORIGINAL SPREAD. “Control, willpower, success, action, determination”. The shadow alter Mikoto has taken full control. Which is very quickly followed by…
Shadow alter Mikoto drawing Death. Also not in the original spread. Perhaps effectively “killing off” softboy Mikoto and betraying him.
Concluding Thoughts.
Now, I understand I do take most of these lyrics from softboy Mikoto’s perspective, but I’m sure there’s a layer of deception added on by his shadow alter. The Challenge card of the 7 of swords did represent betrayal. So softboy Mikoto’s only context into what’s going on outside may be his headspace tarot reading. If you want to question some of the lyrics, or even think one of the alters is lying, that would add SO much to the complexity of the situation, and I wouldn’t put it past the Milgram team to add something like that.
Common Themes/Symbols:
The mirror, both in the headspace and in the outside world bathroom
The Hanged Man- in a painting in the headspace and on Mikoto’s shirt. Indicative of being wrongly accused or martyred. Softboy Mikoto is likely represented with this, as well as The Fool. The Fool painting probably is there to show that he doesn’t know any better, that he is without the knowledge of what his shadow alter is doing (or doesn’t believe he’s doing anything wrong)
The Half Moon- a light side and a dark side. Pretty self-explanatory. Symbolically, it can also represent life and death. NICE.
Sorry if the conclusions end up being kind of vague. That’s the way a lot of this video is; what’s really going on, as it usually is, is up to viewer interpretation at this stage. I was just hoping to provide a bit of context into the images in the video, plural life, and narrator interpretation. I just really love this video and after this full analysis hope others can at least appreciate the work that went into it.
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leeghostbur · 4 years
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A Ticklish Ghost Is Not Super Stealthy
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“Wilbur?? Ohhhh Wilburrr?? Where did you run off to silly ghost!?” Techno taunted, hooves sinking in shallow tracks on the sand.
The SBI family was currently at the beach. Tommy and Tubbo were off playing in the water doing who knows what.
And Phil was fast asleep on a lawn chair his wings lazily draped over the side of the chair some sand dusting over the ends of the feathers.
Wilbur and Techno were currently playing a very one sided game of hide and seek, Techno insisted on just sitting down and building a very intricate battle fortress (sandcastle) and Wilbur wanted to mess with Techno and his “Overly detailed princess castle.”
Techno reached down into the sand for about the 11th time in the past 10 minutes thinking he was grabbing onto his ghostly brother but instead just grabbed onto air as Wilburs head popped out of the sand a few feet away and stuck his tongue out at Techno.
The piglin jumped forward ready to pounce on Wilbur when the Brit sunk back down into the sand and disappeared again. Techno once again grabbed air and dug at the sand slightly before flopping down onto his stomach and rolling over.
“Wilburrrr! That’s unfair that you can just fall through the floor!!” Techno complained as he closed his eyes and sighed.
Suddenly two thin ghostlike hands shot out of the sand on either side of him and dug into the piglins sides.
Techno absolutely squealed with laughter as he tried to grab at the offending hands. “Wililhihihbureueur??!? NOhahhahah” Techno screamed as Wilbur clawed his fingers up over his ribs.
Techno tried to sit upwards before Wilbur grabbed onto him? Arms wrapping around his torso as he pulled his brother up out of the sand being considerably stronger then him.
Before Wilbur had time to react Techno flipped himself over and pulled up Wilbur the rest of the way to where his brother was just laying on the sand.
“OH YOU LITTLE RAT IM GONNA MAKE YOU CRY FOR THAT!” Techno says playfully as he grabs Wilburs wrists in his hand and pushes them into the sand above his head.
The Brit started to struggle and his legs fell through the sand before Techno dug his free hand directly onto his brothers clothed tummy.
“aHAHAhahahhh TEchNo Noshshsh iM soRry!!!” Wilbur pleaded, not having enough focus to sink the rest of his body into the ground so he could escape, basically trapping his legs, knees down in the ground.
Techno took a seat on his brother hips fully trapping him in place. He stopped got a second as Wilbur got enough energy to fall through again. His arms came apart as he pushed them into the ground.
Techno watched for about a second or two before he dug into Wilburs sides once again but now with both hands.
Wilbur was quick to realize that he only trapped himself further, his arms also trapped in what felt like concrete.
This new position left the ghost boy completely exposed to whatever Techno had in mind for him. Which was seemingly tickles. Looking down through tearing up eyes as his sides were scribbled over he was able to pinpoint his top worst spots which were easily exposed at the moment.
Techno laughed softly watching his brother realize the situation he’s put himself into.
“Oh Wilbur, dear brother.” Techno cooed his hoof clawed fingers sliding under his sweater and pushing it up a bit.
“Ooh what’s this!?” He gasped in feign surprise looking at the ghosts belly button.
Wilbur had to stupidly look up to see what Techno was referring to when he immediately paled even more considering he was already dead.
“T-Techno let’s be reasonable here... I-I only tickled you f-for like 10 seconds..” Wilbur tried to beg as he became nervous not being able to break Technos stare at his worst spot.
“10 seconds to many.”
Techno leaned down and blew a big raspberry right onto his brothers navel.
Wilbur practically screamed with ticklish laughter as he tried to buck his hips away but Techno had a firm hold on his hips that kept him from moving to far.
“HEHAHAHPA FUCK HAHhaha it- STAHhahaop!!!” Wilbur had tears in his eyes now his shaky smile on his face.
Throwing his head back into the sand and trying desperately to pull at his stuck limbs.
Techno remained unphased by his brothers pleading until he felt someone’s hand rest on his shoulders.
“Try his scar.” A wing came down as he brushed across Wilburs stomach pushing up his sweater more to show the mark from where he died at.
Techno looked up and saw Phil standing there smiling.
“P-PHIHIHIL?!? HEHEHELP ME!!” Wilbur squeaked out.
“No can do son. You woke me up with that scream of yours. Now I’m fully invested in this fight.”
Techno looked back at his trapped brother and ran his fingers lightly over his scar.
“HhHhhhaHah HAHAHA TECHNO STOHOHP!!!” Wilbur screamed through barks of laughter, trying to turn himself over to no avail.
Tommy and Tubbo both made their way over as well seeing and hearing all the commotion.
Tommy was quick to realize what was going on and like a child on Christmas morning rushed over to Wilburs head and sat down before without warning dug into the ghosts underarms.
Tubbo looked a little bit less confident but Phil soon came to see this as a “family bonding activity”
Phil nudged Tubbo closer to Wilbur and leaned down to Tubbo. “Go on, he’s your brother, it’s okay to mess with him too haha.”
Phil gestured his wings to Wilburs ribs, “these are a really bad spot on him.”
Tubbo looked at the squirming boy and then up at Phil before smiling and nodding. Kneeling down to Wilburs side he started scratching his fingers over his brothers ribs.
Philza laughed enjoying this moment of his boys bonding.
The winged man kneeled down as well to tickle over Wilburs knees which were just barely sticking out of the sand.
“NOhOhahaHhahahahahaj stahahahop it ticklehehees!!!”
Tommy smirked, trailing his fingers up to scratch very lightly over his neck.
“That’s kinda the point big man.” He teased.
All four boys working together to tickle Wilbur sent the ghostly boy into hysterics, his body rejecting the need to fight off the tickles and instead went lax just giving into them.
After a good few minutes of tickles assaulting all of his worst spots the others started backing off.
A few more scratches over his underarms.
Some squeezes on his thighs.
A couple pokes in the side and some scribbles on his ribs and the tickling finally ceased.
Wilbur laid on the sand panting for air. He looked completely disheveled, his hair a floof sandy curls and his torso with a light pink hue dusting around his tummy.
To worn out to get himself free he just lays there until the boys finally get the hint and run off to go get shovels to pull their brother out of the sand.
Laying back and taking a few deep breathes Wilbur giggles softly at some phantom tickles.
He smiles realizing how thankful he is to have such a loving family even if they were all really good lers.
After some time and complaining from Tommy that shoveling was hard they finally got Wilbur free.
Philza wrapping his arms under his sons torso and pulling upwards the ghosts arms and legs were freed as Phil held onto his son and pulled him into a hug.
“Never took you to be that ticklish Wil. At least we all know how to get things from you now.”
Wilbur groaned at this statement but then started giggling softly as he was helped to stand up.
“I’ll get you guys back just you wait, my ability to become invisible will help me in sneak attacks.” The ghost whispered back.
“Idk Wil.. A ticklish ghost is not super stealthy.”
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midnightsnyx · 4 years
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Consequences - Matthew Tkachuk: part 3
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summary: you absolutely hate Matthew Tkachuk so it’s just your luck when you wind up pregnant with his child.
a/n: all the stories i write usually have like 20 parts/chapters to them but im going to try to limit the amount this time haha. i guess it will depend on if you guys want more!! so comment and let me know :)
thanks for all the love on part 1 and 2!! <3 
Part 3
13 weeks
You’re watching Matt reading through a few different pamphlets while the two of you are sitting in the waiting room. Your first appointment is today and if you are being honest, there was a part of you that didn’t believe he would actually show up despite being in Calgary and not having a game.
But he showed up fifteen minutes early at your apartment despite you telling him you were very capable of driving yourself but he insisted and you’re so used to him being a total jackass that you’ve decided to enjoy him being friendly and caring.
Not to mention he looks really hot today. You’re blaming that thought on the hormones though.
“You’re staring again.” He murmurs and you feel your cheeks heat up as you scramble to come up with an explanation.
“You have… dirt on your face.” You mumble, ignoring when he chuckles and shoves the pamphlets in the pocket of his hoodie.
“Whatever you say sweetheart.” he says and you glare at him.
“Do you always have to be such an ass-” you begin to say but a voice cuts you off.
“Y/N Y/L/N?” The receptionist calls out and you take a deep breath before standing up and following her to the examination room.
You ignore the fluttering in your stomach when Matt takes your hand in his and squeezes it gently.
Stupid hormones.
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You’ve only seen Matt show real emotions on the ice. You haven’t really seen him upset or angry off the ice. Granted, you hardly spent time with him until now but the point is that even through the tears in your eyes, you can see the tears in his.
As soon as you heard the fast little heartbeat and saw the sonogram of the baby growing inside you, you fell in love instantly. You weren’t really listening to anything the doctor said as she pointed out things but from the small amused smile on her face, you figured she knew.
Matt squeezes your hand again and brings it up to his lips, not kissing it, but resting them there.
“Wow.” He whispers and you nod in agreement although wow hardly covers it.
The doctor gives you a few instructions and prints off two copies of the ultrasound for you and Matthew and then prints off extra for Brady, Becca, Taryn and his parents.
As the two of you are leaving, your phone dings and you see a text from Chantal. Matt peaks at your phone and frowns.
“You talk to my mom?”
“Yeah,” you say aimlessly, unlocking your phone to check the text and letting Matt take your hand and guide you outside.
Chantal: how did the appointment go? send a pic of the sonogram :-)
“What do you guys talk about?” Matt asks and you shrug.
“Pregnancy stuff.” You tell him, raising an eyebrow when he opens the car door for you but not commenting. When he climbs in the drivers seat, he looks at you and frowns again.
“You can talk to me about pregnancy stuff.”
You give him a dry look. “Did you birth three children?”
“No?”
“Then you don’t understand.”
He looks confused but huffs and starts his car. When he starts driving in the opposite direction of your apartment, you look at him in question.
“Where are we going?”
“You’ll see.”
You debate arguing with him until he tells you but you rest your head back instead, letting your eyes fall closed and drifting off.
 “Oh my God, I love you.” You mumble around a mouthful of a double cheeseburger with extra pickles. You were surprised when he knew what your new order was without asking.
You don’t notice the Matt’s face turning a light shade of pink, too invested in the McDonald’s meal in front of you.
“I can give you and that burger a minute if you want?” He jokes and you roll your eyes.
“Seriously, thank you.” You say quietly after you finish chewing and swallowing you food. “You didn’t have to. I know you’re probably busy.”
“Never too busy for you.” He says easily and your eyes widen at his confession. When he realizes you’ve stopped eating and are staring at him, he clears his throat.
“I do have plans tonight though, so we should leave soon.”
“Right.” You say, clearing away the food and standing up. “Anything fun?” You ask, following him outside.
He shrugs and gives you a vague answer that makes your stomach twist. “Dinner with a friend.”
“Oh.”
Maybe it’s a date, you think to yourself, face falling. It wouldn’t surprise you. He’s single, good looking and you’re sure Calgary is full of girls who would love to date him.
There’s an uncomfortable silence between the two of you during the drive back to your apartment and you hate it.
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The look on Y/N’s face haunts Matt after he drops her off. He could have easily told her it was only Johnny he was getting dinner with but then he would have to explain why he was going to dinner with him and that would just create a whole other mess.
But she just looked so dejected when he cut their day short and said he was going to dinner with a friend that it made him want to cancel on Johnny all together but there was an important conversation he had to have with his teammate.
Dinner was set for seven so he takes a quick nap before getting ready. His dad calls and asks how the appointment went and how Y/N is. He knows that his parents are disappointed but he can tell they’re starting to become more excited.
“Did anything happen between you two today?” His dad asks lightly and Matt frowns.
“What do you mean?”
Keith just hums nonchalantly. “Your mom mentioned she seemed a little down when they were chatting earlier.”
Matt idly wonders how often his mom talks to Y/N and if they chat about more then pregnancy things.
“Nothing happened.”
“If you say so, son.” Keith says before bidding goodbye to Matt.
He doesn’t have time to wonder why his parents think that something happened or he’ll be late for dinner so he finishes getting ready and leaves for the restaurant.
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“So what did you want to tell me?” Johnny asks, shoveling food in his mouth whereas Matthew hasn’t touched his, too nervous for his friends reaction.
“Uh, you know Y/N, right?” Matt asks before he realizes how stupid of a question it was because she’s literally Johnny’s best friend.
“Yeah…” his teammate answers slowly. “Did you hit your head or something?”
Matt cringes. “Sorry. That was-”
“A dumb question.” Johnny jokes. “Why are you asking me that?”
Because I knocked up your best friend, that’s why.
He figures that answer might get him knocked out so he tries to go for the same approach he did with his father.
“She’s pregnant.” Matt says just as Johnny is taking a sip from his water.
Despite being in one of the fancier restaurants in the city, his friend didn’t try to hold in the water in his mouth and it sprayed directly in to Matthew’s face.
“What the hell? Why didn’t she tell me? Better question, why did she tell-” Johnny’s eyes widen and his jaw drops.
“You didn’t.”
Matt winces. “This feels a lot like the conversation with my dad.”
“You did not knock up my best friend.”
“It wasn’t-”
“I want to punch you so badly right now.”
“Yeah… that’s why I chose to tell you at a restaurant instead of your apartment.”
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papers4me · 3 years
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Fruits Basket, Se03. ep 5,(part 1)
In part 1 of this post, more than analyzing, I want to understand few confusing things first. I’m not annoyed or angry, I’m just confused & trying to piece things together, so, kindly don’t feel off with my usage of  (!!!) & (???). lol. I’ll ONLY discuss two things here that confuse me a lot. ( Real ep review/ analysis will be in part 2)
1- Momiji’s romantic love for tohru (the real love triangle). What?!!!!!
I’m so shocked that momiji loves tohru romantically! So, in order to understand ( where did this come from!!) I re-visited his scenes with tohru since se01 & trying to see if I missed anything! Below is my speculations:
Is it love at first sight?!!! When Momiji first met tohru he kissed her on the cheek. I’ve always thought lightly that in the eyes of the reserved Japanese (bowing is greeting), all Europeans (kissing on the check is greeting). hence, Momiji’s kiss, he’s half Europea. However, perhaps it is a Kureno/ Arisa type of love at 1st sight/kiss?! kureno nearly kissed Arisa on the lips on their 1st official meeting. But Kureno/Arisa kiss was meant to be romantic/sexual with adult kureno’s “ I wanted to taste her lips”. but Momiji’s is a peak on the cheek & he was a child, so... I don’t think he’s struck by love before he’s officially introduced to us the audience.
Is it gradual growing love like kyo’s ? in all Momiji/ tohru eps, he always just wanted to play with her, visit places & spend time together.  (hot spring & beach vacation) are his own ideas. But momiji didn’t want tohru exclusively. He intentionally invited both yuki & kyo to the hot spring & even was begging kyo to come. He invited all zodiacs to the beach & wanted all to spend time together. I believe that the hot spring ep especially showed momiji as this playful, innocent & naive kid, wanting to share tohru’s females’ hot spring section. I don’t think momiji was madly in love at that time. He was a child going “ waaaa~, kyo hit me” &  jumping here & there. 
So, summer vacation? but then again, Momiji slept with the children & tohru doted on them all. He defended tohru but they all defend her & love her. he said to kyo that he “selfishly wanted to be with tohru” but I didn’t  catch any romantic hints from that. Was it really that time?? they all wanted to spend time with tohru. Yuki said “ I’ll kidnap you”, kyo agreed to go to the beach right away, kisa was glued to her to the point of annoying hiro! So, when? & why not let us as the audience know abt momiji’s feelings.
Is it related to opening up to tohru abt his family issues? He confessed to tohru abt his dad, mom & momo. She cried for him & hugged him. I never got the feeling in all those scenes that he was in love! it seemed to me like friendship love similar to hana’s/Arisa’s or siblings love substituting his nonexistent relationship with momo.
Is it just me?? I always saw momiji as this baby in toddler clothes, jumping, laughing & a ray of sunshine! A child but with the most mature heart & mind. Tohru didn’t help momiji, he was already helping himself first & reaching healthy conclusions abt how he should deal with his own traumas. So, perhaps (Me) not seeing him as a teenager stopped me from seeing his romantic love? but they showed me hiro/kisa’s love. Elementary school kids! so?
Regardless of when he fell in love or how, the point is, this is heart-breathtakingly tragic! cuz (a) tohru never saw him more than a child at first, then as a precious friend, (b) she’s intensely in love with kyo, which brings us to tohru’s core issues. (Tohru loosing yet another loved one). Tohru’s own issues aren’t fully explored yet, but her love for kyo has been blatantly hammered to us since se01 finale! this is because kyo being locked in the cat room equals (death) which parallels her mom’s (death). Tohru will be living her tragic trauma again but this time, kyo replacing kyoko! Thus, giving tohru a room for growth & character development.Tohru’s intense love for kyo was shown in by the drastic change in her attitude in se01, ep.24, chasing firmly after him even when he pushed her & refusing to let go until he’s back home cuz she wants to! then yuki blatantly saying “ she loves him, too, the way she looks at him“  im se02, ep22 & “don’t worry, tohru, he won’t accept (the other girls confession)” in se02, ep 17 & all her scenes with kyo in that ep where she’s scared he’ll let go of her & other scenes throughout the 3 seasons.
...so why momiji’s impossible & unrequited love is introduced?
I believe it is to push kyo to not let go of tohru. To throw kyo into this internal conflict between selflessly letting go of tohru so she could be happy (like hatori did with kana) & selfishly wanting her to be his lover ( like haru). Kyo himself expressed these two conflicting thoughts in se02, ep, 9 “ I hoped we could always be together somewhere  far off (selfish love) & “ I don’t want to take anything from you (selfless love). So, momiji is challenging kyo in a way making him realize that selfish love might not be bad afterall & selfless love could be harmful! cleverly reversing the two concepts. So, I get why this love triangle was introduced. but whyyyy momiji! T_T.. choose someone else, Writer-San! poor Momiji we learned abt his love the same ep we learned it hopeless & he can’t pursue! T_T. couldn’t you at least put the two scenes far away, so I get time to grieve his broken heart! T_T.
2- Yuki/Machi ( Yuki is in a such hurry!!!!)
You could use the analogy of yuki’s starting the story as a (baby/child) taken cared by his mother (tohru) who taught him to be a person (all se01), Yuki took this knowledge  as a (kid/teenager) & formed friendship on his own with (kakeru) in (se02). it is not after yuki became a true equal friend to kakeru, chocking him & equally teasing him, that Machi was allowed to talk abt her self as a real character with agency & thoughts (se02, ep24), now yuki must be a (teenager/Man) & fall romantically in love, hence (se03, eps 2 & 3). All this is amazing. So, I kinda expected the following:
yuki won’t take as long as kyo in confessing/ realizing romantic love since he/machi don’t have a shared baggage nor obstacles from the past.
 he won’t be as fast as haru’s “ i love you/ kiss/ make love”. But then again, Haru & Isuzu have already known each other for years & are already in love, they just put a name to their desires & went on with it.
So, yuki should be in the middle, noticing, knowing abt the person, crushing, then realizing love & wanting a future together! Cuz yuki is this type of person who values taking time thinking thoroughly, right??
I’m confused as yuki wanted to confess the curse & to be with machi romantically right after the machi background scene? I know not everything should be on-screen & him falling slowly in love could be off-screen...  the flower is a yuki/machi “ noticing her stage”, her fighting with him over the red leaf is “ noticing him stage” for her. but there’s only ONE intimate scene of them together! Her raw tears when he comforted her in her flat (the chalk scene is bonus). but.. I never expected that yuki is planning to confess his curse & feelings this early!!!!!! yuki! are you SURE she loves you? ( I mean we the audience know 100%) but how is HE sure?? yuki going this big stage so soon felt a bit un-yuki. but then agin, perhaps that’s part of the new changed confident yuki? I duno, I mean Machi was never given a proper time to prosper, but yuki was always given all the time there is to explore his feelings & even other ppl’s feelings! He’s there in kyo/tohru ‘s story to tells the audience they’re in love, he’s there in Isuzu/ haru to mend their gap. I mean yeah there gotta be more scenes abt them for sure, we’re in ep 5, but I never expected a the intruppted confession now & this soon!
perhaps it’s just me, again?! Maye I’m so invested in yuki & accustomed to him always taking time that I kinda expected more before he’s thinking of confessing. I really thought that confessing his curse/love is yuki/machi’s own story climax compared to kyo/tohru’s story climax with kyoko & Isuzu/Haru story climax after breakup, oh well. I’m positive we’ll see more of yuki’s journey with machi as yuki is rarely absent in any eps. More scenes to come!
That’s the end of my headache! XD. I apologize for giving you headache if you were kind enough to read all this. kindly, don’t spoil future scenes or sub-plots to me. I’m just expressing my shock at how fast the plot moved! just few eps ago, I was watching motoko love journey that survived 3 seasons! Hands down Motoko wins in furuba! XD. Jokes aside, Can I say we’re officially where “the plot thickens?” Is it going down? This ep felt like a bullet train!
Side Notes:
I never liked the “children in deep love theme” that hiro has as children shouldn’t suffer the romantic pining & suffering as teenagers & adult ppl,  so, I really appreciated that Momimi altho was 15 when we 1st saw him, lived his childhood without the “oh my! I’m so in love~ pining~ suffer”.
The story introduced ( momoiji in romantic love) the same ep Momiji got tall, so making it as sth he expressed once he hit puberty like most boys his age. He even said it “ I’m a man now”, which is again sth boys feel once they get taller & experience other feelings.
Momiji never catches a break! T_T. My son is denied the types of love he wants (parental love, sibling love & now romantic love! ).
I don’t picture momiji/tohru together as a couple cuz it wasn’t built that way in the story & most of their moments weren’t romantic/sexual tension. to me it was the ultimate friendship!
I wish my son finds love on-screen! If Moyoko/Nao gets on-screen love, give my boy on-screen love, too!
Nah~ forget that~ I’m just sad for my son, I don’t want to see him paired with any character quickly to compensate him not having tohru. This is not doing momiji justice. So, I get the ED art of him with Momo.
If kyo has someone who loves him one-sidedly (Kagura), tohru now has someone who love her one-sidedly (momiji).
The kagura/kyo confrontation was heart breaking, but it had to happen cuz kyo knew she loved him & had to stop her. I hope Momiji never confesses to tohru, I wouldn’t be able to survive seeing tohru turn him down.Tohru & momiji are just too kind for such sad situation.
So, does this mean that the two characters with unrequited love are Kagura & momiji? they’re the only characters with no romantic partner in the ED.
Hana is without a lover in the ED, too! XD. Thank God! I love her crush on kazuma, cuz hello~ who won’t crush on this hunk! & teenage girls can crush on grown up men rather than boys (I know I did, but it was just my girlish crush). I’m thankful it is just a crush & teasing kyo tactics & not true romance! don’t give me another Arisa/Kureno, plz. lol.
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cottoncandyjester · 4 years
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Hey guys im sorry I haven't been posting, honestly tumblr is making it hard to. every single story I write tumblr crashes then deletes it so it's been HIGHLY frustrating...guess I need to invest in a laptop or a better phone
Sorry this was so long I always want the boys' back stories to be only 2 parts
This story contains: death, torture, abuse, toxic relationships, murder, violent themes
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"you're too soft! They are sinners theodore why are you being so damn sensitive"
Theo winced at the punch his father landed which caused him to stumble back his back hitting the table which held their latest victim, a young woman that theo cleaned up and dressed in his mother's clothes, he didn't like the sight of her all bloody and mangled it made his heart sting.
Theo never helped to Kill any of these women, only cleaned them up and made sure they looked beautiful in death it was his way if asking for forgiveness.
When he was ten he idolized his father but it's been two years since he caught his father and been training under him to take his place and all that love vanished he found himself feeling nothing but hate and disgust for his father, what made matters worse was the fact that his mother had to take half the brunt of his father's anger.
"I won't do this anymore, you're wrong. Women aren't devils, mother is an angel and I wont hurt her"
Theo's harsh remark earned him yet another punch in the face this one knocking him down as he spat out blood the metallic taste making him sick to his stomach.
"you're a damn fool boy, I'll make you see her filth"
With that his father left him in the attic to starve for the night which was always a common occurrence. As he laid back on the floor the boy let out a dry chuckle.
"Just a little more...then you'll be the one burning in hell father"
Theodore felt everything go black and it wasn't long until he had passed out soon waking back up in bed with his mother caring for his wounds. He could smell her sweet perfume and hear her soft humming, something about those things made his heart flutter in the purest of ways.
"you should be careful theo, you know making him angrier will only result in pain"
"it's okay, we'll leave together one day..just me and you.."
There was silence after that and for a while things were okay, the family was quiet during dinner and once it got late theo figured his father would have went to bed forgiving him for his outburst in the morning.
Theo woke to the sound of two metal objects clashing together, the sound was enough to stir him awake though when he tried to move he realized he was tied up against a chair. That clashing noise he heard was his father sharpening a few knives, the sight made theo's blood run Cold.
"f-father?"
"god told abraham to kill his son, and abraham was about to do it like a loyal sheep. God will make you do awful things theodore and as a man we must do them"
Theo frantically struggled against the ropes binding him only feeling more and more stressed as his father stepped closer and closer thing soft steps of his shoes making theo feel like he had to puke.
What's going to happen to me?
Am I going to die?
Theo felt his father press the tip of the blade pressed softly against his forehead on the left side of his face, the cool metal only brought theo to reality more, his father was going to kill him cause god said so.
"i-i know we are nothing alike but please-"
"we are absolutely nothing alike! You are exactly like your mother a sissy little housewife! You were never going to be a good man or husband! When I asked God for a son I thought he would send me one I could be proud of!"
Rage fuelled theo, he wasnt sure why but something about what his father said made him want to scream, his father was wrong... absolutely wrong.
"I'll be a perfect husband, and a better Father than you"
As soon as he said those words theo felt the sharp pain of his father pushing the blade into his skin earning a sharp inhale of breath trying not to show too much weakness. Theo kept thinking about his mother and how in a way he was protecting her, their goal were to run away safely together.
"we might have one thing in common theodore, you have a devil in you just like me..it's time to show you just how tainted you are"
With that theo felt a harsh intense pain as his father dragged his blade along the boy's face earning screams coming from him as he thrashed and tried kicking but his father pressed his knee onto the boy's legs now carving his skin off in such a slow and unbearable way that it was driving theo crazy
"accept your sins theodore! This is your punishment for being unloyal!"
Theodore couldn't stop screaming as the knife raked down his face roughly cutting a large chunk of his skin clean off, the pain was so great he was close to fainting but his father came prepared and injected him with an adrenaline shot.
"p-please f-father please please please..."
Theodore at this point didnt know what he was begging for, maybe death? The overwhelming taste and smell of his own blood was making him sick and not to mention there was a lot of blood pouring down his face.
I'm dying.. god has forsaken me
"may you be reborn as a perfect child next time"
Theo kept his head down but felt a soft kiss on his head before hearing footsteps walk away from him before the door to the attic closed, his father left him to die!
Theo swayed side to side hoping to get free, if he could just get to his father's desk and grab a knife though without his glasses seeing things far away was near impossible though he could see the shape of the desk.
"mother needs me, I can't die.."
Theo grunted in pain as he fell forward which wasn't his plan but he'll take it, with every fiber of his being he crawled and scooted along the ground towards the desk before seeing a knife handle over the edge of the desk. Thankfully his legs were tied just his arms so with some embarrassing attempts to stand of even kneel before turning around to grab the knife with his hand.
Before he could cut himself free he heard banging on the attic door before a crash, the sound was enough to startle him into cutting the palm of his hand and dropping the knife
"argh! I-it hurts!"
Soon the attic door opened and rushing towards him was his loving mother, her frantic questions and worrying about him made him feel far better especially when she untied him from the chair.
"I'm leaving tonight theo, my fiancee is waiting for me outside"
"t-then let's go mother! Now is the perfect time to go!"
There was a tense silence after that as theo felt his mother bandage his wound up, his mother was hiding something and he didn't like it.
"w-we have a little girl and he's very protective of her and well with how your face looks now you'll scare her and I don't want to bring any baggage from my pa-"
Theodore felt as if his head was spinning, what was she saying? He did everything for her he almost died for this woman and she saw him as baggage to toss away before going to her new family.
"y-you're going to leave me here? J-just like that?! I protected you from him! I made sure he never hurt you! Were you ever going to bring me with you?!"
"keep your voice down theo, please calm down you're scaring me-"
"I'm scaring you?! I'm the one scaring you?! How could you?! I'm your child! I love you!"
He watched his mother look down shamefully and slowly back away clearly afraid of what will her next words do to him. Theodore was feeling a little unstable at the moment, his own mother just betrayed him can he truly trust no one in his life?
"your eyes just...look just like him. I can't theo I'm so sorry I can't it's too painful for me.. you're too much like him"
That was the thing that broke theo all together, it was like his brain just snapped and no clear thought came just pure anger and pain. How could she think that?! Theo thought he was nothing like his father absolutely nothing!
"no! I'm nothing like him! Nothing! He's abusive and a horrible man how could you say that!? I thought you loved me but you're just like him-yeah you're like him not me! I'm pure! A good person"
Theo couldn't stop himself, before he knew it he had grabbed the knife he dropped earlier, the large blade held tightly in his hand and scaring the one person he thought he can trust.
"w-why do you want to leave me? You're just embarrassed of me..you don't want me around cause you hate me"
"no no no baby I love you I just-"
Theo swung the knife slashing his mother's arm, hearing her cry out in pain made him only smile as he gazed at her fearful expression. His sense of reason was vanished and all he wanted now was to show everyone how much they hurt him
"maybe if you were a better mother I wouldn't have gotten hurt all the time, maybe if you weren't too busy being a good wife instead of a good mother I wouldn't be in such pain!"
"t-theo please I just-"
"why couldn't I just have a normal family?! I prayed for one! So why!?"
Theo slashed at his mother again and again over and over sloppily slashing at her without caring about where he aimed. He was far more focused on releasing all this pain and betrayal he felt
"why doesn't anyone want me?! Why don't you want me! I want you so what's wrong with me?! Why am I so broken?!"
Theo ignored the sobs and begging for her to stop, they were not processing clear enough to him he just wanted to hurt them to hurt them in ways they hurt him. Her thrashing soon stopped but it wasnt enough for theo, he moved ontop of her now raising the blade and slamming it down inside her chest his eyes glossed over as he did so.
"I'm not like him, I'm nothing like him! I'll be a good father! A good husband! I'll never abandon my family! Never! Never ! Never!"
The knife slipped I his hand and when he tried to catch it he grazed his hand before hearing the knife clatter onto the ground, theo panted heavily before looking at his hands seeing hands were lightly bruised from gripping the knife so hard, he then looked down at his mother and her horror stuck face.
"look at what father did, I told you we should have left before...it's okay I'll protect you"
Theo reached out taking the scarf his mother wore before putting it on himself before pressing it to his nose and taking a deep inhale, the sweet scent gave him shivers.
The sight of his dead mother made the boy tear up but he honestly didn't realize he was the one who had did such a thing, it was something he refused to accept. Now gripping the knife he once had before he creeped down the attic stairs each step more and more anxiety fuelling, from the quiet sounds it seemed like his father was asleep.
Theo had never acted out so violently than when he saw his father sleeping soundly in bed, once again much like before he had completely snapped now walking over and plunging the knife deep into his father's side earning a painted grunt along with his father's eyes to snap open
This caused theo to panic and he did the first thing he could think of which was to bite his victim's ear using that time to shove the blade into his father's chest before biting his ear off and spitting it onto the ground in a feral snarling mess.
"t-there's your demon... y-you're just like me"
"I'm nothing like you! Nothing!"
Theo gripped the knife blade shoving it deeper til it became stuck and his father stopped breathing, what struck theo as odd was the lack of struggling..didn't his father want to live? That escaped his mind as he tried wiggling the blade out of the corpse only to whine lightly at how stuck it was
"heavy, too heavy"
Theodore decided his next plan was to change out of his bloody clothes except for his scarf of course and to turn on the gas stove as high it can possibly go, he used his bedroom window to escape since his mother's boytoy was still waiting for her outside.
One match, it took one match to burn the place down starting the fire in his bedroom and letting it spread. A few minutes after theo jumped out the window the house roared to live now completely on fire.
Theodore only 12 years old had killed his parents and burned the place down, he had no one else to turn to no family or anything so he turned to his local church. They sent him to a boarding school where he grew up and found a passion for medicine as well as helping others.
His dark past always haunted him, he was known as the boy whose family died horrible deaths. There were always rumors about what happened that night some say that his father killed everyone before burning the place and stabbing himself others think that his mother's lover killed them all in an angry rage. Theo would always just shrug and laugh it off thanking God that he's alive
Those dark desires of having a family only grew as he grew older, it became a twisted obsession that festered stronger and stronger by the time he was 18 he was already waiting for marriage..after all a good husband waits for the perfect bride.
"theo? Hey theo? Hello earth to theo?"
Theodore snapped awake only to see his sweet darling staring at him worriedly, he must have fallen asleep in his office again. Theo simply smiled as he stood from his chair
"what's wrong?"
"well, dinner's ready have a good dream or something?"
Theo chuckled softly before running his fingers through his hair trying to come up with a suitable answer
"just dreaming about the past my angel, though I should focus on the future with you after all the past is the past..."
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Ghost BC + Breakups HCs
so if you know this or not i also post all the hcs i write onto a thing on wattpad and i got a lovely message on there with a few requests and this is the first one!
What would the Papas, Cardi C and the Ghouls do or how would they go on if they and s/o would break up bc it doesnt work ?
i am sad. these are going to be sad. and then you will be sad too. 
Papa I: he’s just plain old sad. he doesn’t sugar coat it, he doesn’t shut himself off. he heals the most healthily out of the entire group. without you in his life, something is missing, but that doesn’t mean he cant go on without it. and he will. he’ll get his work done, get back to any hobbies he forgot about when all of his spare time was taken up with you, he’ll hang out with friends. he’s not afraid to let people know when he’s upset and when he needs to be alone, and hopes they understand. but he’ll call. he’ll text. he’ll invite you to lunch. he doesn’t understand why you two cant just be friends, even after everything. you say that you cant be friends because of everything, and it cuts just a little deeper than the breakup itself. hes losing you. really losing you, forever.
Papa II: he doesn’t let himself get invested quickly. he doesn't have crushes, or eyes for everyone, and doesn’t have time for the trivial. when he says something, he means it. when he says he loves you, he meant it. and when you told him things were over, you meant it. and he knows that. he’s angry for a long time. that he loved you so much, and showed you a softer side of him no one else got to see, and that you could leave him when he thought things were fine. he doesn't call, and tells himself and everyone else that he wouldn't answer if you did. he would. once the heat of anger dies down and the embers cool, hes just empty in a way he wasn't before. there is a space in his heart that should be taken up by you and your smile, but you're not there, so it’s vacant. 
Papa III: here is your gutted and forlorn papa III im sure you have all thought about. there's a bouquet of flowers in the trash can. he sits on the window sill and stairs outside to the spot in the garden he picked them from, just for you. it stays dark in his house, without your light. he stays in the shower for two long. stays in bed for too long. he just.... lingers. everything he does reminds him of you. the cold side of the bed. cooking dinner just for one, now. the silence in his house without your loud music or tv shows or laughter. he wants to call you, but only tries when he’s so drunk he cant breathe anymore. he knows you wont answer, but at least he tries, and at least he gets to hear your voicemail.
Cardinal Copia: if it wasn’t extremely serious between you two, he’ll act like nothing is wrong and that he knew it was never gonna work, even if he’s upset about it. he doesn’t want people thinking he got in over his head like they say he does. but if you two talked about getting married, being together forever, soulmates type love, he will spare no expense at trying to forget you. he’ll do whatever it takes, things that aren’t like him, things he doesn’t want to do, hes willing to try anything. he’ll drink, and gamble, and sleep around if he has to. but when he’s not trying to forget you, he’s afraid one day all his efforts might work, and that he really will lose the last of you he has left.
Aether: Aether’s Soul Has Left The Chat. he gets the worst out of all of them. III shuts himself out, Copia acts out of character, and II gets angry, but they have nothing on Aether. He won’t leave his house for anything, under any circumstances. he has the person who delivers his food and alcohol meet him in the living room. he’ll drink himself stupid and drink to keep the hangover off. low energy, he’ll piss in bottles in the room so he doesn't have to get up and go to the bathroom. high energy, he will take a bat and smash every single thing in his house and everything you left behind. he doesn't care if he shouldn’t be doing it. he doesn't care if people are worried. he doesn't care if his friends need him - at least for the moment, hes so sick of being the kind dad friend. he’s sick of letting everyone unload their problems on him, and just taking it, and sick of constantly being nice and open and letting himself get hurt. losing you, that was the last straw.
Swiss: gets drunk about it with the lads the next night. that’s about it. he doesn’t really like to be sad, so he just doesn’t do it. you can say hes bottling it up and repressing, you can say he never cared, but he’s just really good at accepting things like this and moving on. the only change is that he spends a little more time alone. most likely to go on vacation to Cuba alone to find himself and relax on a white sandy beach near the ocean. and who does he meet in Cuba? the New love of his life whos way better than the last one. he’ll bring home some girl to live with him and bring her to every party, to make you jealous if thats what you say, but he really has already moved on. his infatuation with new toys knows no bounds.
Mountain: a lot of alone time. if he cant be with you he doesnt want to be with anyone. but he takes care of himself. eats, does his work, goes outside, he’ll go walk through the forest with his hands in his pockets untl he realizes hes lost, and has to find his way home. most likely to take a vacation, just to get away and find himself and be alone for a while. he gets over it relatively quickly, mostly because hes the one actually taking care of his health while he’s going through everything
Rain: He just wants to be with his friends and take his mind off things. he’ll talk about his feelings if he’s in the mood, but he would much rather get cozy with his friends and watch a few movies or play a board game. even if he’s talking about it, and not actively being crazy, he still bottles up a lot of it. he doesn’t want to burden his friends or have them thinking he’s weaker than they already do, so he keeps a lot more in than he lets out. but after a while, he’ll let it out, but only to himself. he’ll do the healing and the soul searching to make sure he really is okay again before telling people he is, and especially okay before he ever looks at another person in that way again.
Dew: he doesn’t care?? haha! he never cared! he will stop at absolutely nothing to make you feel like shit for ever thinking he loved you or that he was capable of such a thing. hes the one you tell your friends is crazy in the group text. he tells himself he hates you and that he never cared and that he isn't hurt so much so often that he starts to believe it. he starts to accept his own lies as the truth - but that's what he does with everything. he pretends it doesn't exist or matter until it doesn’t anymore. one day that man is going to explode and who will be there to pick up the pieces? probably aether if he gets it together any time soon.
- Kat
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soyatenada · 3 years
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hey benie <3
this isn't the most pleasant ask, but ive been going through this for a while. have you ever felt that feeling of the world around you moving so fast, while you're struggling to catch up?
cause ive been feeling somewhat the same. it's like everyone around me have grouped themselves and im left alone. but at the same time i feel i shouldn't be affected by their stuff and continue with mine (?) it's confusing.
don't know why but i also think of this as a time for myself to stop for a while and realize what i want to do and what i want in my life in general. yet again, it feels so lonely at the same time.
hey rubie <3 (sorry this got super long)
i'm sorry you're feeling this way, cause it's super exhausting :( i definitely know the feeling. i find myself sometimes stressing myself out at home, even just doing chores, simply because i feel like i'm behind in life, that i should be growing faster, i should be graduating faster, i should be doing this and that faster, i should be more, sooner. and it's like chasing something i can never catch. most of my friends are engaged or getting married right now, they're going to university, they have their friend groups and they're living their lives and i just feel so left behind, like i'm here, slow and missing out on everything. i bet that's how you feel too. for me, it makes me feel like every day is a loss, and that i didn't achieve enough today. because it feels like everyone around me is moving so much faster than me. but i really try to remember that life was never ever meant to move this fast. but with technological advancements, cultural development, millions of new opportunities... all of that stuff is being pushed on us. it feels like we have to be growing and moving forward at the same speed as the culture. but that's just not humanly possible. you know why our parents and grandparents wear clothes that are totally out of fashion? why they suck at using smartphones? why they don't know what "lmao" means? it's because they couldn't keep up. the world moves too fast. information travels at the speed of light. everything is in constant rapid motion. but we seriously just gotta be grannies, okay? we need to live at our own pace. we can keep up with everything that is necessary for our lives to function, but let's not try to chase what we can't catch. we'll be following behind the world at our own pace, and we'll slowly lag behind, and when we're old, we'll still be living in the past, just like our own grandparents are doing right now. and that's the way it should be. that's how it's been since the beginning of time. technology is just making the world advance faster and faster, which makes our generation feel like we're lagging dangerously far behind. everyone is trying to catch up with the world because they think it's the only way to survive, the only way to gain social credit, the only way to be worth something. but they can never ever reach the goal, because the world never stops moving forward. life is happening right here in this moment. and the only way for you to be happy is if you live your life at the pace where you're comfortable, and if you can accept that you will inevitably turn into a granny :) i'm 21 and i'm already far behind. and you know what, it's my life. i'm comfortable. i like me. i like the things i'm used to. human beings thrive in continuity, familiarity, and safe structure. and that's what i will create for myself. and i don't give a fuck if everyone else around me is running around in their new nike's getting master's degrees and buying mansions, getting married and keeping up with the newest memes and tv shows, if i'm happy knitting blankets and watching my childhood tv shows and writing fiction in my one-room-apartment. it's my god damn life. they'll be the ones breaking down with stress and soon they'll realize that there is no substance in their life, because they only ever invested their energy into fitting into society. i'll be the one fulfilled and content with all the meaningful things and hobbies i love around me. so fuck the social race. i'm done running. and one thing i often remind myself of is: time moves like it always has: 1 second at a time. it's a sequence, not a bomb. it's not happening all at once
i don't know if this was useful for you, but i hope so. please, try to live life on your own terms. it does feel lonely, but i think that's because you're more mature and you've realized some important things about life sooner than your friends have. you'll find your people, i promise. and your friends will one day feel just like you do. you're just early. that says something good about you
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friccafracc · 4 years
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Ayoo, finally wrote a continuation. Even included @cookienerdzzz​’s Polaroid… hope you like it<3
Alright. Line of sight’s clear, weather’s good, and Optimus is completely unaware of their presence. They’ve got this in the bag. Gearshift maneuvers themself along the dropoff along the hillside, obscured by the bushes and trees as they make their way closer to their quarry. Almost inexplicably, Optimus had transformed into rootmode somewhere along his usual patrol route and wandered into the nearby woods, apparently not learning his lesson that he really shouldn’t patrol all on his own. Ducking behind some thick foliage, Gearshift watches as Optimus wanders seemingly aimlessly through the thicket of trees, stopping briefly to stare off into the middle distance. They take this moment to get a little closer, ducking behind a large boulder when Optimus turns around to look at more of the forest. When Gearshift looks back out in the open, they see Optimus turning a corner so he’s completely hidden by the tall dropoff and they curse. As quickly and quietly as they can, Gearshift sneaks to the rough surface of the dropoff and peak around it to find… nothing. Cursing again, they turn their helm this way and that to find any sign of where Optimus might’ve gone but fin nothing. They creep into the clearing, still looking around for their quarry and listening for any sign of him but find nothing.
  “Damn, where could ‘e ‘ave gone?” Gearshift mutters, hands planted on their hips.
  Before they know it, they’re landing flat on their back with a loud “clang” into the dirt below in a complete daze.
  “I had a feeling I’d see you again,” Optimus’ steely voice rings in their audials.
   After the initial shock wheres off somewhat, they open their optics back up to see Optimus looming over them with his optics narrowed into slits, glaring daggers into them that send a chill down their spinal strut. Gearshift digs their hands into the ground as their sparks whirls quickly in their chest.
  “I’m not gonna go down so easy this time,” Optimus grits his denta together keeping Gearshift’s optics on his face.
  Gearshift’s processor comes to a quick halt as their fuel lines burn with the rapid rush of energon quickly flooding their faceplate and all they can think is, “Dear Primus help me-”
  “Heh,” Gearshift’s mouth works faster than they can think and they say, “Pretty n’ smart. Ah was right. Yer a real catch, Optimus Prime.”
Thankfully, that’s enough to give Optimus pause, leaving Gearshift enough room to kick back out of Optimus’ reach and land as best as they can on their pedes with one hand resting on the cable at their hip. Not missing a beat, Optimus lets his faceplate snap shut and antes up for a fight, his servos tightening into fists and his optics pierce into Gearshift’s very core, watching for the first sign of movement. Gearshift swallows down their nerves and tightens their servo on the cable as they widen their stance. This, already, is not going how they planned but they know that they at least have a good few minutes before Optimus’ team rolls onto the scene. Even when they do finally show up, Gearshift has a plan ready for them.
  With a quick vent, they whip out the cable towards Optimus who predictably leaps out of the way towards the high dropoff. Gearshift lets the cable fall as they rush into Optimus’ space while his optics are still on the cable and knocks into him, sending them careening into the dirt. A large cloud of dust engulfs them as they struggle against each other, Optimus getting a few blows in against Gearshift’s chassis making them grunt in pain. They reach above Optimus’ helm and snag the cable, bringing it up to wrap it around Optimus’ wrist while leaving themself wide open for a blow to their chest that knocks the air from their vents. Tugging back on the cable, Gearshift manages to immobilize one Optimus’ caught hand as they push him to the ground. A flash of blue lights up in their peripheral and they manage to dodge just in time as an energy ax sweeps through the air at them, making them let go of the cable as they leap back. Optimus quickly rises to his pedes and almost casually twirls his ax in one hand that has Gearshift ignoring the jump in their spark. They laugh nervously with a small shrug which gets a curious look from Optimus before they dive back into the fray.
  This time, Optimus is more than ready for them and Gearshift learns just how dangerous he can be. As Optimus bears down on them, blow after the blow blazing through the air with vicious speed and laser-like precision, Gearshift can’t get a single shot in as they become overwhelmed with the task of just dodging Optimus’ ruthless attack. Gearshift tries to reach for the cable only for Optimus to kick it out of the way and swing his ax back up to get them far away from it and that’s what does it. A very clear realization strikes Gearshift, on that had been forming during this entire fight that boils down simply to that Optimus isn’t trying to kill them. Every time he swings his ax, even when it’s just to get Gearshift away, it’s aimed at non-vital parts of their body, staying well away from their head and spark. It takes not just training but serious effort and consideration to fight a bot like that, so much so Gearshift almost feels flattered. Optimus isn’t so much treating this as a life or death fight, but a high-stakes sparring match.
  Getting their second wind, Gearshift rolls their shoulders and puts up their fists just as the sound of approaching engines rumble through the air. In no time at all, Optimus’ squad is breaking through the trees and flanking Optimus on either side ready for a fight. Gearshift, more than expecting this, reaches to their hips to get… nothing. They pat their body for a moment to find it but come up empty so they look down briefly just to confirm that it really is gone then look back up to see a very smug Prime.
  “Looking for something?” Optimus quirks his hips and pulls out Gearshift EMP grenade and tosses it casually in his hand.
  Out of nonlethals, now in a five to one fight, and without a clear escape, Gearshift was starting to run out of options.
  “Ha, Ya definitely know how ta keep a bot on their pedes, that’s fer sure.” Gearshift puts their servos up, wracking their processor for something they can do, “T’aint over yet though.”
  That puts them all on edge, tensing in preparation for the next attack.
  “Ya think I wouldn’t’ve prepared for somethin’ like this?” Opening a panel in their arm, they hover a servo over the exposed panel while looking Optimus right in the optics as they drawl out, “Yer right where ah want ya, Optimus.”
  Optimus and his team all begin to look around for the unknown threat and when all optics are off of them, Gearshift turns tail and runs as fast and far as they can until they hit a clearing and transform into their altmode. They make it all the way back to their ship when they hear the sound of engines giving chase behind them. Gearshift leaps into their transformation sequence and runs as soon as they hit the ground into their ship. Without hesitating, they hop into the pilot’s seat and prepare to lift off. Just as the jets rocket them up into the sky, they see Optimus’ team rushing towards their ship but they won’t be catching Gearshift today. Stars explode around them as their ship breaks through the atmosphere and they fall back into their seat with a heavy sigh to stare out the viewport. Another day, another failure.
  With heavy pedes, Gearshift walks in sluggishly and slumps into a chair then puts their helm on the table. A cube of actual energon gets set in front of them and they look up to find Smokebox smiling that masked smile of his, looking far too amused for his own good. They pick up the cube and take a long drink of the energon quickly, the familiar warmth that comes from real energon brings them some comfort and they nod their thanks to Smokebox, feeling a little better. A weight suddenly rocks the table, startling them out of their stupor and Gearshift looks to see the familiar white paint job with rainbow stripes of Polaroid, a far too round and friendly mech for these parts.
  “Heya, Gears,” Polaroid greets them with his usual upbeat attitude, “Why so glum?”
  Gearshift groans and plants their face back on the table as Smokebox chuckles off to the side.
  “Gearshift is havin’ themself a bit o’ trouble with that quarry a’ theirs,” Smokebox explains with a knowing look shot at Gearshift.
  Gearshift glares at him which only succeeds in making Smokebox laugh and shake his helm as he sets his tray off to the side before pulling up a seat to join them.
  “A quarry?” Polaroid perks up at that and with a bit of concern adds, “Who’s it this time ‘round?”
  “Optimus Prime,” Gearshift mutters, taking another sip of the energon, savoring the taste.
  Polaroid stiffens at that which is odd to Gearshift but never one to pry they let it go.
  “What’s got ya so invested in ‘im?” Polaroid continues.
  “Probably quite a few things ah reckin’,” Smokebox teases with a nudge of his elbow against Gearshift’s arm.
  With a pointed glare at Smokebox, Gearshift says to Polaroid, “T’aint like that, Poly, ah swear. That Prime’s jus’ worth a good deal o’ credits.”
  “Right,” Smokebox drawls while leaning back with his arms crossed, looking no less amused.
  “Not like…”  Polaroid takes a moment to consider what they mean then smacks his servos on the table, startling Gearshift all the while beaming brightly at them with a shine of understanding to his optics.
Gearshift, realizing the conclusion he’s come to, puts their servos up and shakes their helm as they frantically insist, “Ah said it wasn’t like that! Cuz it ain’t.”
  “Ya got a crush!” Polaroid declares loud enough to rouse the sleeping mech in the corner, “Ya got a crush on Optimus Prime!”
  “No!” Gearshift stands up, pointing sternly at Polaroid, “‘e’s got a bounty on ‘is helm the size of Luna 2. That’s it. Plain n’ simple.”
  Polaroid just puts a servo over his mouth and snickers. Smokebox pats their arm, getting them to look at him.
  “Settle down n’ drink yer energon, kiddo,” Smokebox sighs and leans against the table, “Ya have t’ admit that there’s at least a ‘lil somethin’ more goin’ on here than a regular ol’ bounty.”
  Gearshift clams up and sits down, feeling the heat rise on their face as energon floods their faceplates. They try to hide it behind the cube of energon, but it’s too late, the damage has been done.
  Smokebox studies Gearshift for a moment then clicks his glossa, “Maybe ya should take a break from catchin’ this Prime. Take on another job n’ clear yer head.”
  Slumping in their seat, Gearshift swirls the energon in its cube before downing the rest of it and setting the empty cube on the table.
  Polaroid pipes up, “Ya shouldn’t beat yerself up too much, Gears. Y’know yer a pit of a bounty hunter but this one’s jus’ gettin’ away from ya cuz yer invested in other ways.”
  Gearshift slams the table with one servo and shouts, “Ah told ya ah’m not-”
  They cut themself off cold and lean on their elbows on the table and put their face in their hands. Sucking in a deep vent, Gearshift lets it out slowly and pushes back off the table to get up. When they start to get out the credits to pay for the energon, Smokebox puts a servo up and shakes his helm.
  “Y’ve had a rough day, kiddo,” Smokebox offers them a kinder smile and cleans of the table before getting up himself, “This one’s on tha house.”
Gearshift nods and offers Polaroid an apologetic look who waves them off.
  “Ah’m headin’ upstairs,” Gearshift calls over their shoulder, “Ah’ll see ya ‘round, Poly.”
  “Rest up, Gears,” Polaroid calls back before heading out.
  They lay on their berth and shut their optics tight, trying to put the day out of mind but no matter how hard they try, they keep coming back to those blue optics staring them down without speck of fear. Deep down they know they’ve lost but they’re not about to admit it, not just yet. In the darkness of their room, they fall into a fitful recharge.
  The next morning, while Gearshift is still groggy from a bad recharge cycle and Smokebox hasn’t even opened his doors for business yet, Polaroid comes in looking frantic. Polaroid vents heavily as he recovers from driving hard over here while leaning against the bar. Gearshift can tell he drove hard from the smell of burning rubber lingering around his frame. Before Gearshift can get a word out, Polaroid has them by the shoulders with a very troubled look on his face. Gearshift embraces him back, worry rising in their spark and waits for Polaroid to gain back enough ventilation to speak.
  “Yer crush is in trouble!” Polaroid spouts when he finally can, still a little breathless.
  Gearshift tenses and on reflex says, “Ah told ya, ‘e’s not-”
  “Don’t matta’ which way that credit falls, Gears,” Polaroid cuts them off as his expression turns almost apologetic as he says then next thing in a much more gentle tone, “Lockdown’s got ‘im.”
  Gearshift’s optics go wide and without thinking, they’re out the door running to their ship. ------------------------- BITCH IM!!!!!!!! OKAY HEART EYES, MOTHERFUCKER AAAAAAAAAAAA
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possessedartist · 5 years
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Okay Castlevania Season 3 Thoughts
I’ve been watching it on/off for the past four days since I got busy at points but I just finished it about a hour ago.
(seems like everyone is either shitting on it or liked it lol)
Okay so, it was a fun season as someone who’s played (about half??? ish?????) of the series’ games. There’s a ton of easter eggs and nods, particularly the biggest ones being The Infinite Corridor (of Curse of Darkness fame) and Legion (I’ve only battled them in two games, one being SOTN). I didn’t realize it was Legion until they all started flying up in the air though lol. I’m very much glad that they weren’t all naked though dodndodn. Also the monsters!!! Very good!!!! I loved the Cthulhu one and they even included some of his in game attacks AND THE ANGELS UGHHHHH THEY WERE SO COOL AND THEY HAD THE GAME MUSIC PLAYING TOO
anyways I digress
Okay so plot line wise! I think Issac and Trevor/Sypha’s plotlines were the strongest imo. Just mostly because they both had the most screentime out of the four plotlines.
I don’t think either Alucard’s or Hector’s plotlines were particularly weak (or as weak as people are making them out to be). I think the problem is that since this is a twenty minute episode show, most of the build up shown in their plotlines won’t really pay off until the next season.
Hector is most likely going to go through his Curse of Darkness arc next season, likely whenever Issac launches his assault on the castle- and him being manipulated is the beginning of his arc. He basically realizes at the end of s3 that “Hey, I’m being way too trusting because every single time I place my trust in someone- I get used in the end so I should stop.” And so I think Issac might end up helping Hector unknowingly or unwillingly whenever he reachs Carmilla’s castle but that remains to be seen.
Alucard wise- yeah that sucked but it was needed (though I won’t necessarily agree it should’ve been in that way). I think it’s the beginning of his arc toward the SOTN and later games. The only humans he’s ever known was his mother and Sypha and Trevor and it’s here I’d like to draw a interesting parallel to Sypha and Alucard this season. Both by the end have their expectations betrayed because both unrealistically believe that monsters are bad and humans can never stoop down so low- and are proven very much otherwise by the end of their arcs. Between Castlevania III and SOTN, Alucard is said to have been sleeping the entire time. By SOTN, the only reason he wakes is because something happened in Dracula’s castle. If these are the events that lead up to him putting himself to rest for over a hundred years, I don’t blame the dude.
I’d like to also point to a post I saw earlier drawing parallels between Jesus and Alucard. There’s way too many parallels between them to not say there’s no connection, and that whole post is a good read for anyone interested in it (here’s the link). Anyways, the post points out as of right now, we’re at the point where Jesus is betrayed by his own disciple, Judas gives him the kiss of betrayal, and then Jesus is crucified. Likewise, we have Alucard being betrayed by his own students/disciples, he’s given a kiss of betrayal, and then crucified in literally the same position Jesus was. What happens next in the Bible is Jesus being placed in a tomb (assumed to be dead) and he ‘rests’ for three days and then rises and washes humanity of their sins (very much a brief bad retelling of the Bible but anyways). What’d make the most logical sense is that in Season 4, Alucard lays down to rest only to wake up at the events of Rondo of Blood/SOTN, and then ‘save humanity’ or in this case, Richter- the descendant of the one and only Trevor Belmont- thereby finishing the ‘Jesus Arc.’ While I don’t agree too much on how Ellis went about it, I can see how and why he set up Alucard’s storyline like he did- and it’d be unfair to say that I didn’t see it coming. There’s some really off lines they say at the beginning of the season which already made suspicious of those two, so it’s not exactly like it came out of nowhere- especially given their backstory (though they took it to a extreme I wouldn’t have thought they would).
Other characters wise, god I should’ve seen it coming but I’m sad about the judge character (anyone who follows me knows how into AA I am currently). He seemed so nice, but I realized that was over as soon as he told the monk dude to go to the apple tree because I was like “there’s no way there isn’t a trap for him there.” And then when they showed him falling into the pit, I was like WHELP THAT KID FROM EARLIER IS DEAD. Ugh I hate he’s a serial killer (and may have done more? Don’t want to think about it) and he collects their shoes uGHHH COOL BUT I WISH I KNEW EARLIER I WAS LEGIT GOING TO DRAW THE DUDE BUT IM NOT SURE NOW.
St. Germain was so cool! I loved seeing him (and even more nods to curse of darkness ughhh) and while he wasn’t a time traveller (at least not yet), he was such a treat to watch on screen. I’m very interested to see how he’ll act if he pops up later into the shows timeline, overall he was just a joy to watch on screen interacting with the other characters and I loved watching him talking about snorting mysterious drugs and waking up weeks later not knowing wth happening and of course, the toilet paper.
(Also the lesbian vampires DO own my heart thank you very much)
Anyways!! I didn’t think the season was bad! Still much better than any other plotlines I’ve seen most tv series try to do, so I refuse to say it’s bad writing (at least all of it). I couldn’t tell in Season 2 how this was going to link to any of the later games but I think with the end of Season 3, I’m starting to see how it’s linking together- at least in the way I’m thinking it’ll be. It’s very interesting watching this unfold as someone who’s been playing the games and watching other people losing it especially if they’re unaware of the events of rondo/sotn/ and the games with reincarnated dracula and alucard except now he’s decided to be a secret agent (which I haven’t gotten very far in). I won’t say people are being unfair in saying this was bad, because there are points where I was definitely un-invested, particularly during Alucard’s segments- which I think definitely needed more length and more time dedicated into making the story a lot better than it was- but I do believe despite some of the cons of this season- there was some pros as well.
EDIT: I’d like to also add I don’t think this is the end of St. Germain! If they decide to keep his timetraveling, although Issac and Hector’s roles are basically reversed as of rn, he comes in Curse of Darkness to stop the two from killing eachother so that could also potentially happen in a season 4. Just my thoughts and theories though lol
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im thinking about that trish/bodyguard so piece you wrote a while back, and all I can think about is trish being so desperate for any sort of affection that she’s just like “okay, time to fake my own kidnapping”
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Hm.  I put my Narancia piece down to bang out something for this prompt bc this is, as the kids say, a mood.  Modified it just slightly though, because that’s how I am.
love is just another kind of greed.
Trish didn’t get the appeal of dogs.
They were cute, sure.  Little silky fluffy things that yipped and yapped and tolerated being carried around in purses.  They were also expensive as hell—hundreds of thousands of lire could be invested in premium shampoos, gold-flaked specialty foods, champion breeding (why, again?  You’re not taking this dog to any fucking show, Anastasia, you don’t need it)—and those two things alone should have had her clamoring to get one.
She didn’t want one, though.  Dogs were frail, frilly little things that cried endlessly when you kicked them (even if it was an accident) and whined for attention even if you were busy, and they couldn’t do anything, anyway.  They could posture, sure.  Strike a pose and bark and bark like the silly boys playing at being gangsters she had to tolerate every now and then, but if you pointed a gun at one and pulled the trigger, that would be that.  They’d fall over with a little sigh and get all still and silent, and then they wouldn’t be good for anything anymore.
The reason she was thinking about this, by the way, was because she was bored.  You were taking forever.  Weren’t you taking this whole kidnapping thing seriously?
“How’s your ankle, babe?”
Ugh.  Trish took a breath and pulled a smile onto her lips, gently tipping her head back to look up at the man.  Despite the coiffed hair and designer shoes, he’s nothing special; some dumb kid with good looks and soft hands, partying his youth away with cash that wasn’t his.  A drop in the bucket of young hedonists.  The kind who took a pretty girl’s smile as an invitation and the light brush of hands as a blank check.  More importantly, however, he was the kind she could lure in without too much effort, too eager to get into her pants to ask many questions.
She didn’t even remember his name.  
Trish raised her foot, a languidly elegant motion that let his eyes trace every inch of her delicate skin, and after a moment’s hesitation he rearranged the pillow to better cushion the black-bruised skin, one of a handful of trophies from an ‘accidental’ fall she took down the stairs here.
“I’m bored,” she replied, as if the pain thrumming through the fibers of her muscles didn’t exist (it was that easy to ignore; she’d endured worse for less) “don’t you have anything fun to do?”
He hummed back, delicately rubbing small circles around the site of the bruise, cushioning the movement by keeping his other hand on her heel.  She suppressed a laugh; were those tentative prods supposed to do anything?  Did he think she’d shatter if he touched her?
Despite his arrogance, Rich Boy here didn’t have much initiative; the only thing Trish didn’t have to prod him into doing was getting her back to his expensive loft.  Frankly, it was a miracle the two of them had managed to slip away from you at all.
I’d love to party with you, cutie, but first we have to ditch my chaperone.  Come on, let’s go before they notice we’re not at the bar anymore.
Throwing herself down the stairs in a tangle of Versace and toned limbs had been an impulse, but wasn’t everything tonight?  So what if she’d scraped herself up, or felt a horrible snap inside her leg as she plummeted to the bottom.  It’d all be worth it soon, once you’d realized she’d been made off with and had to go find her.
You really did need to hurry it up, by the way.  Eventually Rich Boy here was going to get his nerve up and actually try to touch her, and then she’d have to just kill him and wait for you by herself.  That would be boring, too.
He probably didn’t even notice she was getting impatient, honestly.  His eyes seemed to be on a rail, tracing a line from her plush lips to the delicate hollow of her collarbone to lower still.  Typical, really.  
Rich Boy starts to chatter, some fumbling innuendo about the things they could get up to with just the two of them, but she isn’t paying any attention to that.  In the space between heartbeats, the air changed, the stale conditioned air suddenly heavy with tension that only she could feel.  The storm had rolled in.  It was coming down the hall.
Rich Boy’s voice registered, asking if she was okay, and it was in that moment Trish realized she’d been sitting bolt upright, abandoning the discomfort of the expensively minimalistic couch as she waited for the storm to draw nearer.
It knocked on the door.  Three short, sharp taps that resounded in the relative silence of the loft, a muted thunder.
“Who could that be?” Rich Boy muttered to himself, and then “Stay right here.  I’ll get it.” as he wandered off.  She didn’t reply, just listened, heart in her throat as his footsteps echoed across the tile, undoing the lock on the front door and drawing it open to meet the interloper.
“Can I help—“ the words weren’t even out of his mouth as something—your fist, Trish thought with a thrill of delight, you must have hit him—connected with a hollow-sounding thud, and his body careened into the dining table.  
“Holy shit!”
“Where is she?”  In contrast to his own panicked scrabbling, your footsteps were slow and measured as you advanced.  You didn’t even shut the door behind you; there’s no need to.  Nobody stupid enough to try to help could stop you.
Trish considers throwing herself off the couch—she wants to watch you work, and maybe seeing her sprawled on the floor would make her seem more helpless—but you’re already in view, poking your head into the doorway after the Rich Boy who staggered back in, and she knows what you’re seeing: your charge, sprawled on some pervert’s couch, visibly bruised.  You opened your mouth to say something, but Rich Boy drew your attention.
“Jesus Christ—don’t come any closer, or I’ll—“ the gun he pulled was just as flashy as the rest of him, and equally worthless; under the gaudy gold plating and filigree was a waste of metal that wouldn’t be hurting anyone tonight.
If nothing else, because the safety was still on.
You didn’t even respond, except to sigh.  The invisible blades of your Stand sliced apart the gun and the hand holding it, showering him in splintered metal as he went down with a high-pitched shriek of agony.  You strode forward, stepping on his leg to hold him in place as he started to crawl away, already deaf to the whimpering babble that might have been bargaining.  Your head turned, pinning Trish in place with your stare.
“I wish you wouldn’t do this, Miss Una.”
Your voice was soft, but with an edge, the one that always gave Trish a thrill of joy when she heard it.  It was different from your normal tone, the indulgently subservient I’m your faithful bodyguard and nothing more mask you wore when other people were watching.  Different, too, from the terrified adoration you held for her in private as she did what she pleased with you.
This was your bite.  Incandescent rage, barely restrained in the taut coil of your muscles and your piercing glare.  It was hideous, savage, implacable, the look that heralded only pain and death as you obliterated anyone who even breathed a threat in her presence.
How dare you, you said with every movement as your Stand opened the man up in a shower of blood, how dare you try to steal her.  How dare you let her come to harm.
How dare you touch my master with your dirty hands.
No command she gave could ever get you like this.  You were a killing machine she could point at anyone she chose with only a glance; you would destroy yourself for her whims, if she let you, but there was no passion in obedience.  
Your voice has turned plaintive, almost hurt, and it puts her back in the moment.  “Do you doubt my devotion?  Were you just bored?  You could have just told me to kill for you.  Look, I’ve even let you hurt yourself.  How can I face your father now?”
Don’t look away, Trish wanted to cry out, seeing you turn your glare back toward the remains of your enemy, get angry with me.  Let me see how love twists your face.
These were the moments she knew you loved her.  The uncontrollable passion of your fury, for her and only her, only shone when something threatened to take her from you.  These were the moments that Trish Una well and truly and fully felt wanted, and they were getting addicting.  Was it cruel to do this to you—to drive you to this edge of madness, repeatedly and on a whim, purely to satiate her cravings?  Perhaps, but it felt good not to care.  
You drew near to her, taking another look at her injuries, and she breathed the smell of blood and smoke that hung around you like it was perfume.  Your touch was delicate, but not gentle, and after a few seconds you pronounced it definitively broken.  She wouldn’t be walking for a while.  She was fine with that.
“Then you’ll have to carry me everywhere,” she declared, crossing her arms.  You met her eyes, searching them for something, and then raised a hand to graze her cheek.  She leaned into it a little, sure that it was a caress, but your hand came away with a smear of blood; you’d been rubbing it away.
“If that’s your wish, Miss Una,” you murmured, and then gathered her into your arms.  Her arms wrapped around your shoulders as she relaxed into you, until her lips were inches away from your own.  You didn’t incline your head in the slightest as you carried her out of the loft, just let your breath ghost across her face until she finally closed the distance and kissed you full on the mouth in the elevator.
There wasn’t any appeal in dogs for someone who already had a wolf.
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