#I have so many barriers to entry!!! | Explore Tumblr posts and blogs

no-144444 · 5 months ago

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the break up of the century - (l.norris, no 4)

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pairing: lando norris (no.4) x fem! singer! reader

summary: you and lando break up on horrible terms, can a new album and a special performance bring you back together? is that even what you two want?

7.6k + words, brief fade-to-black smut, fluff, mainly angst :)

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You weren’t sure how it happened, one moment you were on stage, the next, you were crying in your dressing room, hating every single thing about your life. Funny how one moment leads into the next, right?

Y/n Y/l/n. Household name at the age of 19. Now, 23. Fans impatiently awaiting your next album, the album you hated, and now on a world tour that is sucking the life from your body.

Sounds like you have it all.

The money, the fame, the clothes, the boys, the voice. It’s all you’ve ever dreamed of. And now it means nothing, because you have it. And it’s nowhere near as good as you wanted it to be.

You’d always been told of the horror stories of fame taking more than it gave, and you always brushed it off with a smile and a ‘that’ll never happen to me’. Low and behold, you’ve had 4 stalkers in 2 years, 3 lawsuits against you from old record companies that dropped you, 2 grammys, and 1 ridiculously public break-up with he-who-shall-not-be-named.

Having it all really means having too much to think about, and too much to deal with. You would’ve preferred to just go to university like all your friends. Be young. Make mistakes. But those were luxuries you took for granted, and now you’re paying the price.

“Y/n?” Sasha, your manager called from outside. “We have the meet and greet.”

And then there was your fans. They were great, obviously, but they were also very hyper teenagers and young adults that paid a lot of money to see you, and it made you feel even worse about not being 100%. At least you’d cut ticket prices down by 50% in meetings, meaning they were much cheaper than any other artist at the moment. At least you could do that for your fans.

You nodded, sniffling as you wiped your eyes on the sleeve of your dress.

“Do you need your makeup touched up?”

“Yes,” you answered, voice hoarse. “How many more shows?”

“This was your 97th. You have 53 left.”

“Fuck!” You groaned. “Fuck this.”

“You have the British Gran Prix tomorrow, you have to make an appearance, alright? I’m sending Maria in to fix your makeup,” Sasha was trying to pity you, but she also had a job to do, which you understood.

“Thanks Sash,” you sighed as Maria came in.

“Hey babe,” she smiled softly, sympathy and pity shown in her eyes.

“Hi,” you sniffled, wiping your last tear away.

“Let’s get you fixed up, yeah?” She started unpacking her bag with all your makeup as you nodded, turning to face her. “You’re amazing. You were so pretty tonight.”

You somehow didn’t scoff in her face. “Thanks.”

“I know you don’t believe me,” she sighed. “I can’t even understand why. You’re the most beautiful girl in the world.”

You hiccupped, the tears threatening to pour again as you thought about him.

“You’re the most beautiful girl in the world.”

Stop thinking about him. You told yourself. He’s in the past.

But he wasn’t in the past, how could he be when he was always on your fucking feed with his new girlfriend. Allison and Lando, what a beautiful couple. More like a bunch of crap. They weren’t real, everyone knew it was just pr, especially considering that she was promoting her new racing movie. You had no idea why they even tried to keep up the charade. They didn’t even look good together.

Alas, they were together, and you weren’t anymore.

And you were going to be reminded of it every single second of the next day.

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You pressed your entry card to the barrier and walked through as cameras flashed and you smiled one of your best fake smiles.

“Y/n!” Oscar smiled, walking up and hugging you. You knew everyone, and you started to feel embarrassed about everything. This was his workplace, and you had to be here to do press and sing a song you didn’t want to sing.

Bullshit.

“Hey Osc,” you smiled, hugging him back.

“You look so wonderful today,” he smiled, taking your hand instead. He led you to the McLaren paddock as you two chatted about tour and races. You asked about Miami, and Oscar answered. “It was the best day of his life- his words!”

“Meeting you was the best day of my life. That’ll never change.”

Oh. I guess it changed.

“How's the tour? It looks amazing!” He cheered as you two entered the paddock. Mechanics and engineers greeting and hugging you as you went through and lied about how ‘amazing’ the tour is.

“Y/n!” Zak cheered. “My favourite girl!”

He pulled you into a bone-crushing hug, and you hugged back. It felt good to be back, and to still have so many people still like you. “Hi Zak.”

“I missed you so much! Please tell me that awful Allison girl is gone and you and Lan are back? She’s driving me crazy,” he scoffed.

“No, I’m just here to do some press with Ferrari,” you chuckled. “But I couldn’t pass up the opportunity to come see my favourite CEO.”

He sighed but nodded, knowing that Lando had the board cut you off the ‘influencer list’ when you two broke up. “Well, once you know that you’re my favourite.”

“You’re my favourite too,” you smiled. “Don’t tell anyone.”

“Lips are sealed,” he smiled and moved on, going about his various duties. For a moment you looked around the paddock you had known so well and felt your heart ache a little. You loved Lando, you still loved Lando. You loved McLaren, and you loved the people here, yet you didn’t get to see them anymore because of the stupid fucking tour. This tour was ruining your life. You didn’t talk to family, or friends, you and Lando had broken up, you weren’t eating or sleeping, you always felt sick, you were rarely allowed to speak during the day so you could ‘conserve’ your voice for shows.

But the worst part was that nobody noticed.

“He's right y’know,” Oscar smiled. “We all miss you. Even Lando.”

“Lando is with Allison. He has no reason to miss me.”

Oscar raised an eyebrow. “All they do is fight.”

“So? That’s what Lando and I did for weeks.”

“But it was different. You two were in a bad situation, but you loved each other, so the fights meant something. Allison and Lan are just wrong for each other, they’re fighting to fight.”

You groaned, sitting on the bench and resting your head in your hands. “When did you become a philosopher?”

Oscar laughed, and placed a hand on your back. “I’ve always been this philosophical, you were just too busy to notice.”

“Shut up,” you chuckled, pushing him off.

“All I’m saying is that you should talk to him, that’s all,” he shrugged, walking away from you and further into the paddock.

“Y/n.”

Your head snapped up, so hard it hurt. There he was. Lando. For the first time in months. With Allison. And a dog.

Oh.

“Hi,” you smiled, standing up. It was a puppy, a jack-russell terrier, the kind you’d always wanted. The kind like your childhood dog. Great, now they stole your dog breed. “Nice to see you.”

“I didn’t know you would be here,” he said bluntly. “What are you doing here?”

“Press for Ferrari. Oscar just… brought me in to say hi to everyone. So, hi. And now I’ll take my leave,” you smiled, then started to try and walk off. But Allison clearly had other plans, since she stuck out her hand for a ‘handshake’ that conveniently stopped you from walking off.

“Allison,” she smirked. “And this is Mila.”

You stared blankly at Lando for a moment. Seriously? He’d taken the dog breed and what you’d agreed to be the name of your first child? Give me a break.

“Y/n,” you shook her hand. “And I have to go, bye and good luck today.”

Thank god Ferrari was on the other side of the fucking track.

“Y/n!” Charles cheered, hugging you close. You’d been getting closer with Charles since your split with Lando and his split with his ex had happened within a week of each other. “How are you?”

You took a deep breath. “I’m fine, tired.”

“I have been seeing the tour, it looks great!” he smiled, pulling back.

“Thanks Charles, it was amazing to see you, but I better go. I have to-”

“Sing the new song? Yes! I can't wait,” he cheered. You mustered up a small smile, and left him alone.

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Sasha came and found you in the bathroom an hour later. “Y/n?” She was frantic, and stressed, so you just decided to give up and show yourself.

“Yeah?”

“It’s time, come on,” she sighed. “I know this is hard-”

“How could you know it’s fucking hard? My entire life is in shambles and I’m supposed to be happy about it because I’m a ‘superstar’ what the fuck does that even mean? My boyfriend broke up with me because of this tour, and I thought I was going to marry him. Isn’t that insane? Isn’t that fucking crazy? And the worst part is, that I can’t even stop if I want to. I’m not allowed to stop. Sasha, how could you ever understand how hard this is for me? I’m 22. I should be in college, having fun. But instead I’m about to sing a song I don’t like or care about, in my ex-boyfriends workplace. Does that sound like fun to you, Sasha?”

Her face was blank, stoic, unmoving. “Let’s go, you have soundcheck.”

You just followed her. Sasha was good at that, good at making you feel small, making you feel like a nuisance. The stage was big, bigger than most of your stadiums, but you didn’t care. You just had to get through it.

“Have you eaten?”

“Feel sick,” you replied. “No thanks.”

Sasha sighed. “You’re going to faint one day.”

“Let’s hope I never wake up,” you replied dryly. Sasha scoffed and walked on, showing you the layout of the stage. You followed and asked questions, getting into ‘work mode’, and warming up your voice as you went along. A small crowd of the driver’s was gathering, even Lando was standing there, front row, just like he used to.

You wanted to punch him, in all honesty. How could someone do that? He had no fucking right to stand there and watch you sing. He should be with Allison.

“Start when you’re ready,” Sasha called and you nodded.

The music started, and you were off. When the music started, you became someone else. You were moving around, laughing with your band, smiling. It was nice. Even if you hated the tour, you felt free on stage. Even if the song was sad.

‘Champagne problems’, you’d written it right after your break up with Lando, it was new, and it had just been released. It had become the top of the charts in 15 countries. It would be on your next album,

‘What if it doesn’t get easier like everybody says?’, and it was your most raw album. It was clearly all about your break up with Lando, there was no denying that.

The song ended and the entire track clapped. You stopped moving when you spotted Lando’s parents, and you realised very quickly that you had to get out of there.

You ran to the Ferrari hospitality, did some promos for your next album with them, and suddenly it was time to sing for real. The stands were full, the microphone was on, and the spotlight was on you.

“Hi everyone,” you smiled, and the crowd erupted in cheering. “How are we feeling today?”

You had worn a short red dress, for Ferrari, and it was sparkling in the late afternoon sunshine. Everyone could see how beautiful you looked. Your hair perfectly styled, your makeup flawless, your beautiful face.

Lando was entranced.

You started singing and you sounded like an angel, truely. Lando had always thought you sounded otherworldly. He knew it was about him. He knew he’d fucked up. He knew he missed you. He knew it was too late, and that was the worst part.

“Thank you so much for coming out and listening to my dumb sad song,” you chuckled as the crowd cheered. “But I have something else for you,” you were cut off by excited fans. I have something just a little bit happier, it’s called ‘Lover’. Please enjoy!”

Lando watched you as you danced around the stage, and he felt something dark growing in his stomach. You weren’t talking about him. It was someone new. You were seeing someone new.

You couldn’t be seeing someone new, you’d been in a new city every few days. You couldn’t make it work with him, you were never on your phone, so it couldn’t be online. How did this happen?

You finished your song, and you left the stage. You fell into a chair and passed out. Maybe not eating was a bad idea? Probably.

“Y/n,” Sasha shook you awake. “Someone’s here to see you.”

“I feel like shit-”

“We all do. Let’s go.”

And you followed. Because you had to. What else were you supposed to do but follow? Was this your life now? Taking orders and following them.

“Now, you have to be nice to everyone, even Lando and Allison, alright?” she turned to you, stopping in front of the door.

“I really don’t feel well,” you tried to protest. “Can I grab something to eat first?”

She rolled her eyes. “It’ll be 15 minutes, you’ll survive,” she sighed, opened the door, and pushed you into the room.

The drivers and their partners all cheered, happy to see you back in the paddock.

“Y/n! I missed you so much!” Carmen immediately pulled you into a hug.

“I missed you too,” you smiled, even if it was forced. You needed to sit down, you needed a drink, and you needed to be alone.

“Some pretty amazing songs!” George cheered, patting you on the back.

“Thanks George,” you smiled. Soon you were all sitting on the various couches and chatting, even if you didn’t speak. Lando’s eyes were glued to his hands as Allison’s eyes were glued to you. She was practically sitting on him, on the verge of straddling him if you looked in their direction again. She didn’t know it, but you were looking at the door behind them, wondering when you’d be called. It had surpassed the 15 minute mark, and you felt yourself getting more and more faint as time went on.

“Y/n?” Allison cut across Daniel chatting to you about your latest show in Manchester, remembering a story of the two of you when you were there, and telling it to the group. “How’s the tour going?”

You cleared your throat. “Well, thanks,” you smiled shyly.

“So the rumours that you haven’t been performing to your full capabilities aren't true? Like I’ve heard you’ve been lip syncing,” she smirked as the rest of the drivers and wags just looked at her with disgust. Oscar rolled his eyes. He’d been sick of her for weeks, and he was usually quite good with people he didn’t like, but he hated her. So did Lily.

You gulped. “I don’t lip sync, but obviously 97 shows in 113 days is quite a lot for my voice, so I don’t always sing my super vocally- challenging songs every night or else I’d have to go on vocal rest all the time,” you explained, feeling the change in energy in the room.

“And that would just be horrible, right guys?” She turned to Lando with a smirk on her face, but he was just looking down, embarrassed by her. “I’m a huge fan of your music, how much of it is about Lando?-”

“What the fuck?” George stood up with Carmen by his side. “Allison, what is your problem with her?”

“It’s just a question!” Allison defended as Lando got up and left. She looked a lot less imposing with Lando gone. “He’s my boyfriend now!”

“Yeah, we wish he wasn’t,” Lewis said under his breath.

“Guys, it’s fine,” you just wanted to leave. “Some of my songs are, because I like to put my feelings into music, right? But not all of them, because my life doesn’t revolve around Lando, it never did. I am more than my relationships, and you’d do good to remember that for yourself. Don’t let love become who you are, it doesn’t end well.”

With that, you got up and left. You didn’t care anymore. You didn’t care if Sasha screamed at you, you didn’t care if they all came running after you.

It was done. You and Lando were over. Was it your choice? No. Was it a choice you had to deal with? Yes. His choice. Yet, everyone had looked to you for answers. ‘What happened?’ ‘Was it going downhill?’ or your personal favourite; ‘Did he get bored?’.

You didn’t know. All you knew was that one moment, you were with him, and the next you weren’t.

You ran to your dressing room and lay down, eating some random snacks you found. You felt better after eating, you felt-

Knock knock.

“Come in!” You called, not caring much about who it was.

“Hi,” Lando’s voice was small and quiet.

You sat up, staring at him.

“Beautiful songs,” he smiled softly. “Missed hearing you sing.”

You nodded. “Good luck today.”

“Thanks,” he sighed. “I'm sorry about Allison, she’s the fucking worst.”

You chuckled softly. “I’m sorry you’re dating her.”

He cracked a soft smile, then it fell. “Who’s the new lucky guy for you?” He watched as your face fell.

“No… no new guy, just an old one I wrote back at the start of… us…” you trailed off.

His heart was shattering, watching you be treated like this. Watching from afar as you lost your mind, lost your life, over a fucking tour. He saw the soulless look in your eyes, the dropped weight, the dampened smiles, all of it. He was shocked that other people couldn’t see it too. He’d regretted breaking up with you since the moment he did it. He was haunted by the way you begged him to stay, and he questioned how he’d ever said no to you. How was he so blind-sighted? How did he not see how much pressure you were under? How did he not see that he was what was keeping you above ground?

“Oh,” he breathed out.

You took a deep breath. “I’m releasing an album soon, and a lot of the songs are about our relationship,” you explained hesitantly. “I wanted to offer you a chance to listen to it before it goes out, just as a… heads-up? In case you’re worried about what’s on it.”

God, punching him square in the face would hurt less than watching you feel awkward around him. He cleared his throat. “Oh umm…yeah. I’d like that. Thank you.”

You nodded and got up, taking a cd out of your backpack. “Here you go. Sorry again, about… everything.”

“I’m sorry too,” he nodded. “So, are you leaving now or…?”

“No, I’m holding the chequered flag today, so I’ll be up at race control,” you explained, trying to look anywhere other than him. “And I’m handing off the 1st place trophy.”

“Maybe I’ll be first to see you,” he chuckled.

“Maybe,” you shrugged.

“The tour looks… awful. I’m sorry I didn’t believe you,” he spoke after a minute’s silence.

You just shrugged. “Not your fault,” you lied.

He knew this was when he was meant to leave, but he wasn’t sure when you two would be in the same room again. He didn’t know when he’d see you again, so he took a moment to fully take you in. “You were really incredible today. You sounded like an-”

“Angel? Thanks Lando, see you soon,” you nodded, finishing the compliment you always used to get from him. He nodded and left, realising he had no more time.

When the door closed you let out a breath you didn’t know you were holding. How could he do that? How could he stand there and be nice to you, after what he said that night? After what he fucking put you through?

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Weeks of complaining from him, blaming you for his performance in races, telling you that you needed to be there for him, not calling you back, not texting back, not listening when you told him about how awful everything was going.

“I’m sorry Lan, I know how hard this is. It’s hard for me too-”

“How the fuck can you say that? You’re the one who choose to do this, you fucking decided to tear us apart! This is all your fault, and you’re telling me it’s ‘hard’ for you. What is hard for you? Spending all your time with adoring fans? Being on stage and living your dreams? Being away from me?”

“Lan, you know better than anyone that I didn’t want this tour to happen,” you cried. Even then, even 48 shows in, you were being driven crazy. You were exhausted, you missed home, and you missed Lando. “I had no choice-”

“You had every fucking choice! And don’t give me that fucking bullshit about your label forcing you, we both know that’s a fucking lie!” he shouted. You hated it when he shouted, when anyone shouted. He had no fucking right to speak to you like that. You didn’t want this to happen, you had no say, you just had a contract and an incompetent lawyer to thank.

“I don’t know what you want me to say to that,” you shrugged, your voice breaking. “I love you, and I miss you. We can make this work Lan, I just need time to figure it out, alright? I just need time-”

“Yeah? Well I’ve given you all the time I have to give. We’re done, I bet I could find a million girls just like you, girls who would actually take my feelings into account before she made huge life decisions!” he scoffed.

“Lando, please don’t do this. I-I don’t know what- I- Lan please, I need you,” you pleaded. “I’m trying my best I swear-”

“Your best isn’t good enough.”

And he hung up.

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The fallout of your relationship didn’t exactly go great either. A day later your feed was flooded with pictures of Lando out with someone else. One day later.

What the fuck? Didn’t he care? Didn’t he love you?

Well, apparently not.

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Lando knew he wouldn’t see you again for months. This was his only fucking chance to speak to you, to see you, and instead, he stayed in his driver’s room listening to the heart-wrentching songs you’d written about him. God, if he thought ‘champagne problems’ was devastating, ‘cowboy like me’ was worse. It was a long album, almost 2 hours long. It spanned your entire relationship, starting out, your first date, your grammy win, his podiums, the hate you two got, the start of the fighting, the end of the relationship, and the after. It was awful reliving it from your perspective, especially since you had tried to tell him, and every time he’d pick a fight.

“Lando?” Oscar’s voice came from outside his door. “Allison’s looking for you.”

“Tell her to piss off!”

“You can do that, mate,” he scoffed and walked off, into his own driver’s room.

“Lan?” Her voice rang out, and he wanted to scream. He had put himself in this position, he knew it, but it was still difficult to fully self-actualise his own shortcomings.

“What?” he groaned, opening the door.

“The other girls are excluding me,” she pouted.

“I wonder why,” Lando rolled his eyes. “They love Y/n.”

Her face fell into a frown. “But you love me, so they should love me. They keep going off to find her and talk to her, and any time I try to tell them that I’m uncomfortable around her, they tell me not to come.”

“I don’t know what you want me to do,” he sighed.

“Talk to their boyfriends, ask them to include me!”

“Babe, I have a fucking race today, please leave me alone,” he sighed. He pushed past her to walk to the paddock, knowing he just had to keep his head down and race today, he just had to do the one thing he was good at.

“Well, what am I supposed to do for the rest of the day?”

“I don’t know,” he grunted, and moved on. The garage was somehow too loud yet not loud enough to drown out the negative thoughts in his head. Recent months had been difficult. Races were taking more and more out of him, he was lonely, and if he wasn’t training or racing, he was looking at old photos of you or watching the tour. He could see how you deflated as you left the stage, how upset you looked going on stage. It was all a terrible reminder of how selfish he’d been. How hadn’t he seen it? Why didn’t he listen?

He remembered telling Max what had happened. He’d gotten so angry, begging him to call you back and apologise. He’d been so blindsighted, he wouldn’t listen to Max. Why was Max always right?

“You good?” Oscar asked, a hand on his shoulder to drag him out of his thousand-yard stare.

Lando sighed. “Good,” he lied, and it wasn’t convincing. Everyone knew what you were to him. You grounded him, you knew him, every single part of him. You loved him. “You?”

“Good. Y/n’s set was great earlier,” he offered a small smile. “At least you have a good break-up album, right?”

Lando cracked a small smile. Oscar was good at that, making him laugh when he was down. “Yeah, it feels great when it’s about you.”

Oscar chuckled. “Story for the grandkids,” he shrugged. “Don’t sweat it.”

Lando nodded.

“Oh yeah,” Oscar added. “When you left, Allison asked Y/n what songs were about you, so just… expect that conversation with her, I guess? I’m not entirely sure what’ll happen-”

“What did Y/n say?”

Oscar swallowed. “Something like; ‘some of my songs are, ‘cause I like to put my emotions into music. But not all of them, because my life doesn’t revolve around Lando, it never did. I am more than my relationships, and you’d do good to remember that for yourself’.”

Lando nodded, and could tell by the look on Oscar’s face that he was holding something back. “That’s it?”

“‘Don’t let love become who you are, it doesn’t end well’,” Oscar finished. “Then she left.”

Lando nodded as the weight on his chest got heavier. “Thanks for letting me know.”

“Of course,” Oscar offered a pity-smile and walked off to his side of the garage.

Lando was always a person to be stuck inside his own head. He wasn’t good at expressing his feelings. He didn’t know how to talk about them. Yet, you always knew how to get him to talk. You always had the right solution, the right thing to say, the right face to make. He was in awe of you, so effortlessly perfect.

He remembered back to Greece, back in the off-season, before the tour, before the season started. Before he fucked everything up.

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You smiled as he pulled you closer. The air was anything but cold, and the water was still. There you two sat, sitting on the bow of the as the sun set. The clear water beneath the yacht you’d been on for the past few days was calm and steady, lulling you both into an unmistakable tiredness. Yte, Lando wanted to stay up, wanting to soak up as much time with you as he could. He was going to miss you so much this season. You hadn’t ever been to every race in a season, you were a busy person, he understood that. He was a busy person too. But you’d go to as many races as possible. Now, ‘as many races as possible’ means about 4. Stupid tour.

“What are you thinking about?” you asked, your eyes closed as you soaked in the moment. You leant against his chest as you lay in his arms, your favourite place to be.

“How much I’ll miss you this year,” he admitted. There was never any point in lying to you, you always knew.

You pressed a kiss to his arm. “I’ll miss you too.”

You were straight forward with things, he loved that. It was a bad situation. You were off to a tour you didn’t want to do, and he was off to another season.

“I love you,” he confessed. He said it a lot, but it always felt special. He made you feel special. You made him feel special.

“I love you,” you opened your eyes, a smile on your lips. You spoke again after a few moments of silence. “You’re going to win a race this season, I can tell.”

He chuckled. “Once I get back home to you, I don’t care if I win.”

You laughed. “Sure, we all believe you.”

He smiled. “You’re the best thing that’s ever happened to me.”

You looked at him for a moment, that perfect, soft smile on your face. “Ditto,” you laughed as he did too. Your laugh was melodic, his favourite sound.

“Who says ‘ditto’ to that?!” he laughed.

“I do,” you chuckled.

You two locked eyes for a moment, then he leant down and pressed his lips to yours, soft and sweet.

The perfect night.

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He caught a glance of your red dress walking into the garage.

“Y/n!” The engineers cheered. He heard your laughter.

The room was a collection of cheers and conversation, and he wanted more than anything to be able to walk over to you and hold you, and kiss you, and tell everyone to leave you alone because you were his girlfriend, not theirs.

You walked in with a smile on your face. That smile dropped in half a second. Everyone was talking, everyone was patting you on the back, everyone was looking at you. You caught a glance of Lando and immediately felt the pit in your stomach grow. Everyone knew everything, everyone looked at you. Everyone blamed you. Oscar wrapped his arm around you and walked you through the garage as he saw you getting overwhelmed. He’d learnt the signs from his little sisters. Blown out pupils, teary eyes, tight features, heavy breathing. Oscar had always been a great friend to you, he’d always cared for you. He brought you through, doing most of the talking if anyone stopped you two and let you in his driver’s room, promising to grab you when you could leave without being bombarded by crew, or the press.

Lando followed behind after a few minutes, then knocked on the door. He knew how to calm you down, he was probably the only person who did.

Oscar opened the door looking panicked. “She’s having a panic attack,” he whispered.

Lando nodded and walked in, taking your hand in his as you hid your face in your other hand. He knelt beside you on the floor as you sat on the bed. “It’s me baby, I’m right here. Come on, squeeze my hand,” he said, voice steady. You didn’t. “You need to start breathing properly, squeeze my hand like I’m squeezing yours,” He put some light pressure on your hand, which jump-started you into squeezing his hand as hard as you could. It wasn’t fair. This wasn’t fair. You hated how well he knew you. You wanted him to not know you, to not understand you and your body better than you did. “Just like that,” he cooed. He pressed your hand to his chest, where you could feel his steady and calm breathing, feel his regular heartbeat. It was in stark contrast to you. The thump of your own heartbeat in your ears, the quick breathing, the erratic heart. “Breathe with me. Please baby,” his voice was soft and comforting. You tried, gently slowing your breathing down to normal. The adrenaline was still rushing through your body as you calmed down. Oscar offered you a water bottle and you let go of Lando’s hand to take it.

“I shouldn’t have come here, I’m sorry,” you said, sounding smaller than ever. “Zak said he wanted to see me after my set. I should’ve just said no.”

“You’re always welcome here,” Oscar placed a hand on your shoulder. “Seriously.”

“We want you here,” Lando added. The air was sucked from the room. “I want you here.”

“You don’t,” you refuted. “I shouldn’t be here.”

Lando sighed. “Let me walk you back to Ferrari, please?”

You shook your head, finally looking up and making eye contact with him. “You and I both know how that’ll go.”

Lando nodded, his heart breaking for the thousandth time. It’s hard to find an end to something you never want to let go of. “Ok,” he whispered, his emotions getting the better of him.

“Goodbye Lando,” you sighed, then took Oscar’s arm and let him lead you back to Ferrari.

----------------

“I’m sorry about Lando,” Oscar sighed as you two walked up to the entrance to Ferrari. “About the break up, now, and basically everything in between. He’s been… difficult recently. He’s always been a ‘glass half empty’ kind of guy I guess… I just… you made him better, y’know?”

You chuckled sadly. “Thank you for apologising, but you don’t have to. Lando is an adult, so am I. Things just… end sometimes. Him and I just aren’t meant to be.”

Oscar cocked an eyebrow. “I think we both know that’s not true.”

You didn’t know how to respond. Oscar had never been this straightforward with you, and he sure as hell had never broached this topic before. You just nodded and took his hand. “Thanks for helping me.”

And then you walked back to Ferrari.

Oscar did get one thing right, Lando wasn’t done with you. Maybe it was seeing you again, maybe it was the album, maybe it was Allison, maybe it was all of it, he didn’t know. But what he did know was that he was still in love with you. He’d never stopped. How could he? He missed everything about you, your lips, your smile, your kindness, the way you’d make him laugh, the way you’d make him smile. Everything. He missed listening to you sing, seeing you on a stage that you wanted to be on. Seeing you get to be you.

----------------

The Silverstone after-party with Charles who dragged you along. You’d thought it would be a bad idea, but when you were already 8 shots deep, you didn’t really notice. Yuki had pulled you away to sing a karaoke duet with him as Pierre and Charles laughed at you both, and you somehow ended up outside on the balcony with Carlos, both of you laughing at something random.

“Y/n!” Lando cheered, clearly as drunk as you. A part of you had forgotten about everything before this moment, like you were seeing him for the first time. Perfect, with his curls, unbuttoned shirt, and damn pretty smile. “I didn’t know you were here!”

“Lan!” you cheered, pulling him in for a hug. Carlos gave you both a very confused look, but was called away by Charles for a game of beer pong. Surprisingly, these ‘fancy’ parties usually just turned into something out of a frat house in Florida. Maybe it was just Logan’s presence. “How are you?” You slurred.

“I feel great!” he shouted. “We should go for a walk!”

“Yes!” you agreed.

----------------

And that’s how you ended up back in his hotel room making out with him on his bed as he pulled your dress off. Funny how things can happen when you’re actually 18 shots deep, not 8. Oops?

“So pretty,” he murmured into your neck as he settled you on his lap. “So pretty for me.”

You laughed into his mouth, pulling back. “Lan, speed up.”

He smirked at you, his eyes heavy, then pressed his lips to yours again. He fully pulled your dress off of you as you started making quick work of his belt and trousers.

“Fuck me,” you whispered in his ear and he let out a low moan. “Please Lan.”

He didn’t waste time.

----------------

You woke up the next morning with a blinding headache, and a very naked Lando Norris beside you. You had to leave. You’d just fucked him, and he had a girlfriend. You were a homewrecker. You didn’t know if the sudden urge to vomit came up because of that, or the 18 shots of straight vodka you did the night before.

You quickly grabbed your clothes, shoes, one of his hoodies, and tried to salvage whatever dignity you had left, then made a swift exit. It was still dark out and you were just praying that you could get through the 2 blocks you had to walk to your hotel without running into someone, or running into cameras. You quickly dialled Sasha’s number and tried to stop yourself from crying. You just pray you two used protection, or fell asleep before doing anything real.

“Morning?” she answered groggily.

“Sasha I did something really fucking stupid,” you admitted, the tears welling up in your eyes as you walked into the lobby of your hotel. “And I don’t know what to do.”

“Come to my room, we’ll sort it out,” she sighed. “You’ll be ok kiddo, I promise.”

----------------

You knocked on her hotel room door, tears in your eyes.

“It’s 5 am,” she stated, opening the door.

You rushed in, bursting into tears. “I think I fucked Lando, I mean- I-I think we fucked, last night- we were so drunk a-and then I don’t re-remember,” you hiccuped. “I’m so fucking stupid!”

She put a hand on your shoulder, sighing. “That was a very stupid thing to do,” she nodded. “But it’s not the end of the world. Did you use protection?”

“I don’t know.”

“I’ll go get Plan B, you stay here. Get changed into some pyjamas. Get some water, relax. Just don’t leave the hotel, yeah?”

“Alright,” you agreed. She left for the door. “Sash?”

“Yeah?”

“Thank you,” you said in a small voice. She offered you a pitying smile, and went on her way.

----------------

Months passed and you both went on with your lives. He didn’t reach out, you didn’t either. Sadly, you were in fact a homewrecker. A week after ‘the incident’ Allison and Lando broke up. You truthfully felt so ashamed and awful for the girl. It wasn’t right what you two had done, and truly, you were insanely drunk. In no world would you fuck Lando Norris sober.

The tour had finally ended, and your world was no longer turned upside down. You were working on new music, healing your body after all the travel and abuse you put it through, and continuing to try and get over Lando.

It hurt like a bitch. He hurt like a bitch.

----------------

Lando two-wins. Contender in the Championship. Supposedly dating someone. Last Lap Lando.

Lonely Lando, more like. Max Fewtrell had decided to stage an intervention and join him for the rest of the races, worried about his mental state. Since seeing you again, he’d been… less than alright. He’d talk about you all the time, stalk your instagram (to the point that Max took his phone off of him in Greece), and generally just think about you a lot. It was coming up to the album drop, and you were having your launch party in Italy. The same weekend as the race. All because Charles wanted to come.

Shit was bound to go down, and no one was more excited than Hallie.

You were dressed to the nines, nervous and excited. You’d fired half of your team, you’d dropped your old label, and you’d become… happier? That couldn’t be right, not when you felt the oppressive weight of your own regret on your chest everyday. Not when you woke up reaching for Lando. Not when you watched every single race and couldn’t look away until he was safely across that damn finish line.

You were surviving. That’s the best you could do.

----------------

“You look beautiful,” Charles smiled as he walked into the party. The night had gone off without a hitch so far. A select group of fans, influencers, celebrities, and almost all the drivers were mingling with one another, and not one sighting of Lando Norris. Not that you didn’t miss his face, or him in general. You did. More than you’d ever thought possible to miss someone.

“Thanks Charles,” you smiled, pulling him into a hug. “You look great too.”

He smiled and beside him, Alexandria smiled at you, then pulled you into a hug. You continued the superficial chatting for a few moments, just hoping Charles wouldn’t ask the dreaded question.

He looked at you for a second too long, and you knew it was coming. “Are you alright?” God, why did he have to ask stupid fucking questions? Obviously you weren’t alright. Obviously, if you could, you would run away. Obviously, you were drowning.

Didn’t he see that? Didn’t anyone notice? Didn’t anyone care?

Apparently not.

You nodded, putting on your best fake smile. “Just nervous.”

He nodded. It was enough to fool him.

The night went on in a flurry of uncomfortable small talk, ridiculous requests from your most esteemed guests, and it was finally time to start listening to the album. You stood on stage, a nervous smile on your face as everyone looked at David, your producer, who was speaking in length about how proud of the record he was, and how proud he was of you. Everything was perfect. Everything was right in the world.

But, of course, because he had to always be the centre of your universe, Lando walked in.

And you were fucked. Every single breathing technique you’d learnt, every single pressure point tapping you’d done, it all left your head. Everything stopped. You stopped breathing. You stopped.

But it didn’t feel wrong. It didn’t feel bad to have him there. It felt awfully, and soul-crushingly, right. Lando was always meant to be there, a devastating realisation that you didn’t exactly want to make while on stage in front of 200 people.

“Any words, Y/n?” David asked, passing you the mic.

You looked at Lando and he smiled, waving at you. You smiled back.

“Please enjoy this album, it’s from a very important time of my life where I finally learnt what it meant to be in love, and be loved wholly in return. Obviously, it didn’t end very well, and that’s when I learnt what grieving someone was. I still have a lot of love for him, probably more than I should. But I have it. And I had nowhere to put it, so I put it to music, which is really the only thing I think I’ll ever truly understand. I hope you enjoy it, and I hope you understand it,” You explained to the crowd. You watched Lando the entire time, looking at how his eyes lit up when you talked about your relationship. Lando had always cared about you. He always would.

The opening cords of the first song started playing, and the attention was off of you. The crowd just closed their eyes and listened. You exited the stage and joined the crowd, desperately trying to get out of there. You stood on the balcony as the music blasted inside. People danced along, sang along as they started learning the words, and you stayed outside, tears falling.

“You’re beautiful,” Lando’s whisper made you jump. You turned to see him, standing there behind you. “The album’s beautiful.”

You scoffed. “The album’s an album. What was beautiful was us,” you sighed. “Thank you for coming.”

He nodded, leaning against the barrier beside you. “Do you even wish our lives weren’t as complicated as they are?”

You chuckled. “More than anything.”

“We were beautiful,” he shook his head, trying to remember why he ever ruined the best thing in his life. “If you ever find yourself wanting to love me again, just… call me?”

You nodded, looking at him. “I will.”

He nodded, putting his hand on your shoulder and letting it sit there for a split-second, just to remind him of what it was like to touch you. Just to remind himself that once, he didn’t have to wonder if you loved him, to remind him of the unwavering support you gave him, to remind him of how his whole world came crashing down when he made you leave it. “I love you,” he whispered before walking to the door.

His phone started ringing in his pocket as he got back inside. Unknown number. He answered it.

“I think I want to love you again,” he could hear your smile through the phone and he immediately whipped around, his smile growing as he got closer to you. When he stood in front of you again, you both took the phones down and smiled at each other.

Lando didn’t waste time. He closed the gap between you two in one simple stride, wrapped his arms around your waist and pressed his lips to yours. “I love you so much,” he pulled back. “I’m never letting you go again.”

----------------

landonorris

1,488,928 likes | liked by oscarpiastri, y/ny/l/n, and others

love of my life. @ y/ny/l/n

comments

user28: WHAT THE FUCK THEY BROKE UP MONTHS AGO THO????-> user92: they were seen kissing at her launch party

y/ny/l/n: who's that pretty girl? -> oscarpiastri: she's too good for him -> landonorris: >:( -> oscarpiastri: hurt her again and I push you off the track. ->carlossainz: I second this -> charleslecerc: I third this -> alexalbon: I fourth this -> georgerussell: I fifth this.

georgerussell: Trying to beat me with no shirt?

lewishamilton: Yay! (I begged her not to take you back you asshole). -> pierregasly: Yay! (I'm trying to be supportive of her).

lilymhe: fuck off. ->user83: LMAO -> user18: DAMN EVERYONE HATES HIM

danielriccardo: HAHAHAHAHAH (I'm crying.)

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navigation for my blog :) (masterlist)

#lando norris x you #lando norris x reader #lando norris #f1 x reader #formula one imagine #formula 1 x you #formula one x reader #formula one #f1 imagine #f1 fluff #formula 1 #mclaren #lando norris x reader angst #ln4 #lando x reader #f1 2024

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shepherds-of-haven · 17 days ago

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The End of an Era, and the Road Ahead

Hi everybody, the recent news about Dashingdon shutting down feels like it's a bittersweet turning point for many in the ChoiceScript community. Before Don stepped up and took things into his own hands, volunteering his own money, manpower, and time to create and maintain the site, there was no good way for people to host ChoiceScript demos and games in one place: I think the previous solution had been different Dropbox links (which was eventually nuked by security changes in how they hosted files) and possibly separate Neocities sites? Without the Dashingdon site, none of us would have had such an incredible space to gather, share and explore and experience games together, or--for some--even feel motivated to write a ChoiceScript game in the first place, not without an easy and intuitive way of sharing it with others in a playable format. The Dashingdon site significantly lowered the barrier of entry for anyone wanting to make or play or share games; more than that, it was a place of memories, creativity, and connection, and I fully believe that it served as a vital backbone of the ChoiceScript community for many years. A lot of that community relies on the efforts of volunteers--including the creator of CSIDE and the moderators on the forums--and, as with them, I can only thank Don wholeheartedly for his generosity and his 10 years of tireless, selfless, and often thankless work. The fact that a lot of people didn't even know he was a volunteer shows his altruism!

However, all of that work could have only fallen on the shoulders of one person for so long. It's a sad loss to see, though, and I'm very sorry to everyone mourning the loss of the community space, old or inactive WIPs, and save files that will be lost when Dashingdon goes dark at the end of the month. I do wish that there could be an official, stable, company-supported place for authors to host their games in one place, but at least there are alternatives for people to migrate to! (Thank you too to @hpowellsmith and everyone in the community who's taken it upon themselves to spread the news and try to make this transition as smooth as possible for everyone surprised by this announcement. And thank you to the volunteer who's taken up the banner at cogdemos.ink!) I don't know if cogdemos.ink has a page set up to help defray costs, but Dashingdon himself has a ko-fi if you want to leave a tip or thanks for his years of service to the community!

To that end, I want to reassure you all that Shepherds of Haven is safe and isn't going anywhere, and that this change won't affect the game's future. The news has, however, sped up my announcement of something I've been working on for a long time: transitioning away from ChoiceScript and moving Shepherds of Haven to Twine.

Granted, this wasn't how I originally planned on sharing this news. Patrons have known about this move since I decided on it, but I'm a dogged perfectionist, possibly to a fault. I wanted everything to be absolutely polished before unveiling the Twine build, but this unexpected news has been the nudge I needed to take the leap sooner. It's always been my habit to polish my work to an extreme degree: I will rewrite entire novels five, seven, however many times it takes before I send it to my agent or editor... or even before I show it to my own fiance! I still haven't let him read Shepherds, or the novel that I've been talking to him about since 2019, because it "isn't ready" yet, not in my own mind. A common refrain I've always heard from career associates is that my work is "unusually impeccable" by the time it hits their desk. When I do share something, it's usually done. But if I'm learning anything as I grow as a writer, it's that progress matters over perfection. The sudden closure of Dashingdon has made me realize that no one moment will ever feel perfect--and that’s okay. I have to accept that things will never be as perfect as I want to make them before I let them out into the world. Instead of holding myself to an impossible standard, I’m embracing this opportunity to push forward and bring you something I'm truly proud of. (However nerve-wracking that may be!) So, instead of reuploading the ChoiceScript demo somewhere else, only to take it down again later, my efforts are going to shift entirely to getting the Twine version ready for release. It’s a huge task, but it ensures I’ll have complete control over Shepherds of Haven and its future. If I drop everything and focus entirely on this for the next several weeks, my best estimate is that it will take 3-5 weeks of full-time work to make that final push and finally get everything caught up and ready.

Why Twine? There were a lot of reasons behind my decision to move. The biggest of all was that, as the game's wordcount grew, so too did my creative vision for it, and I found myself longing for a version of ShoH that could be just as visually rich and mechanically engaging as I was imagining. Codex entries, interactive maps, infinite saves that can be downloaded directly to your device! Moving to Twine removes the limitations of ChoiceScript's simpler engine, and allows me to honor the game's creative potential and deliver on it in a way that feels true to the journey we've shared so far. It's also a platform that offers greater flexibility and independence for both me and the game: I've put so much work into this project that I'd prefer for its success to rest more in my hands, even if that means taking on the monumental task of publishing it myself, rather than anyone else's.

So. Both the public demo and the alpha build will be released in Twine as soon as I can make that happen. The majority of the work's already done--I just need to get the alpha build caught up with some lingering day off interludes and Chapters 8.5 and 9, and I need to address a queue of lingering quality-of-life questions and tweaks. I want to also note that, while there are very exciting additions to unveil, everything foundational to ShoH remains exactly the same. The story, text, and original functions have been ported in their entirety to Twine, outside of basic edits and refinements that would have happened in the normal course of revision, anyway. I have even taken pains to implement a visual "classic" setting that will replicate the font, colors, and general simplified look of the original version, if players want to use that instead. :) But otherwise, this thing is stuffed to the gills with awesome new features. Custom music soundtrack! Clickable maps! Actual trading card collectibles! Stunning new art! Revamped codex and store and inventory systems! Helpful tutorials and autosave points! Important quality of life improvements, like being able to select pronouns separately from gender and change them any time! This doesn't even touch the surface of it, but needless to say, I think we're going to have a lot of fun. Thank you all for your patience, encouragement, and support so far, and please give me some time to get my ducks in a row. A new version of Shepherds of Haven will be ready for you to play soon!

#Shepherds of Haven #dashingdon #ChoiceScript #Twine #update #announcement

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marzipanandminutiae · 3 months ago

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I love sewing

I love making things

I love having made things

I love seeing where a garment is not, where I want one to be, and being able to say "let's make that happen"

I love inspiring people to say "wait, you can just do that? time permitting, you don't have to be bound by what massive, wasteful corporations tell you to wear or how long they say you're allowed to keep wearing it?" obviously there are other barriers to entry, but I find that so many people regard sewing as this impossible alchemy they couldn't even begin to touch- and the fact that I can make it real and less intimidating for them is huge to me

I wanted to learn to sew for as long as I can remember, with no real idea why. and even though I didn't learn until I was 19 or start in earnest until I was 23, I'm proud of the progress I've made in the last eight years

I bought a mantle that my friend was retiring from her historical wardrobe, and it arrived in the mail today. it's soft and warm and gorgeous to look at, but it's also something my friend made herself. I can wear my friend's skill and talent and careful creation as I move through the world

I can wear things born entirely in my own mind, made three-dimensional and real

god, it's the best feeling

#sewing #crafting #okay remind me of this next time I have to work with lightweight silk won't you?#('have to' she said as if it wasn't entirely her own hobby that she selected independently)#in less poetic terms 'look at this shit! I MADE THIS SHIT!'

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asidian · 8 months ago

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Alright. It is time. Buckle up.

Why you should be watching Dead Boy Detectives: the targeted-specifically-at my-readers edition.

Meet the leads, our two ghost boys:

Edwin Payne: Fussy, repressed intellectual type from the Edwardian era. Exceedingly gay for his partner and best friend. Tortured in hell for seventy years on a technicality because he was ritually sacrificed as a prank gone wrong. Endearingly awful at people and dealing with emotions or his own wants.

Charles Rowland: Impulsive, people-pleasing wildcard from the 80s. Heart eyes 24/7 at his best friend but has zero self-awareness. Badly abused by his asshole of a father. Beaten to death because he saved a kid from bullies. Endearingly awful at sorting his own emotions or talking about his problems.

Some highlights:

/slaps hood you can fit so much trauma in these two

Both leads get sobbing breakdowns that happen on screen. The actors are incredible at crying

Both leads get much-needed hugs

The absolute devotion between the two of them. The shared history that lives in their dialogue and how they work together like people who have been each other's Most Important Person for literal decades

I mean, I'm talking in-canon Orpheus and Eurydice reference level of devotion here

The protective way Charles puts himself physically between Edwin and damn near every threat in the show

They're just fun together. Their interactions and banter and how they work as a team is a delight

Their shared plot arc literally involves them learning to talk to each other and communicate more so that they can be there for one another about their respective issues

The symbolism. God. They are metaphorically and literally one another's light in the darkness

But what about stuff that isn't the main duo? Just wait, there's more:

This show is unabashedly, unapologetically queer. It's there in the text and the subtext. The whole show lives and breathes it

So many good, complex, well-written female characters. The Bechdel test gets blown straight out of the water in episode one and they never look back. Headstrong amnesiac psychic learning to be a better person! Quirky meta commentary matchmaker! Cynical lesbian butcher! Delightfully sadistic witch! They are all amazing.

[audience voice] But I'm here for the hurt/comfort. How can I whump ghosts? Worry not, my friends. Canon has you covered. Not only are there ways, there are ways that happen on-screen. The hurt/comfort and rescue are also on-screen. Yes, it is amazing

Absolute chaos, really cool supernatural cases and creatures, a surprising amount of humor, charming writing, and a cast that absolutely nails it on the acting and chemistry

There is an extremely suggestive trickster type who is also the king of cats. He's a cat in human form. He hits on Edwin nonstop. Charles gets blisteringly jealous

All of the leads have well-thought-through, fully developed, emotional character arcs. They're all messy and flawed and sometimes lash out in their pain, but at turns can be incredibly supportive and kind and loyal

A character who is a crow who is also a boy, who is tortured by his witch/creator and also is crushing hard on one of the leads

There are so many incredible details in the setting, costume choices, prop decisions, etc. that you only catch after you know what it's laying the groundwork for. The level of care that went into this show is phenomenal

It's only eight episodes. The time investment barrier to entry could not possibly be lower

Anyway, tl;dr, if any of this sounds appealing to you, you should give this show a watch.

Dead Boy Detectives is well worth your time. It's easily my favorite show in years.

#dead boy detectives #dbda #dbda spoilers #edwin payne #charles rowland #payneland #whump #hurt/comfort #lgbtqia #netflix

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raven-at-the-writing-desk · 1 year ago

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the elitism in magic education

HELLO 🤡 I have come to you today with an analysis of Fellow Honest's motives and what they imply about the mages and non-mages in the world of Twisted Wonderland, as well as the state of magic education as it relates to one's social status. It's a doozy, so let's get right into it! ***WARNING: Spoilers for Stage in Playful Land!!***

Fellow's resentment of the elite harkens back to something I've always suspected but also something that Twisted Wonderland has seldom gone out of its way to shine a harsh spotlight on. That "something" is the discrepancy between the "haves" and the "have-nots" in terms of magic. With the main setting of TWST being a private magic school, of course the lens through which we view many events will be from this perspective as well... and that limits what we see and hear. Most of the NPCs we encounter (even the annoying ones, such as the Magicam Monsters from the first Halloween event) endlessly praise the NRC students just for attending a famous magic school. If we look closely though, we’ll start to see cracks in the shiny rose-colored lenses (which, coincidentally, is how Fellow’s UM name is written).

To begin with, we are told that only 10% of the human population (for the sake of argument, let's assume that most other races also have low magic rates) is even capable of magic to begin with. Of this 10%, the majority of people with the aptitude for magic only have enough to barely be able to lift a cup. In order to qualify for a prestigious magic school like Night Raven College or Royal Sword Academy, you'd literally have to be the cream of the crop and get lucky in terms of genetics. Magic cannot be learned by someone that was not born with the innate ability for it, and not everyone who is the child of a mage will be capable of magic themselves. This is already one HUGE barrier for entry. We now have more to consider.

Night Raven College is notably a private boarding school. This potentially means that students may need to pay a tuition fee for classes, room, and board. Perhaps this tuition doesn't exist, since NRC doesn't take applications but rather hand-selects its students. Additionally, NRC is based on a British school, and most European schools cost little to nothing to attend. However, it's hard to believe a school as fancy as NRC is a private institution that runs solely on the charity and goodwill of donors (though we do see Crowley happily accepting donations as well, specifically from the local town and from Kalim’s family). Realistically speaking, Stuff Costs Money, and if you Want Stuff, you also Need Money. NRC is not raising these mages of the future out of the goodness of their hearts, NRC is raising these mages because there is profit and prestige to be gained from the endeavor. What if there are students who are picked to go but end up having to leave because they can’t afford it?? This point is just speculative though; I won’t count it as actual evidence since there is no in-game lore which confirms tuition. We do know, however, that students do at least have to pay for their dorm uniforms, as Ruggie has mentioned he could not afford one—hence why he wears a hand-me-down from Leona. We also know students are on their own when it comes to paying for their food, as both Ruggie and Deuce mention being low on cash in reference to buying meals/snacks. Buuuuut even if we discount that money is a factor that gatekeeps some selected students from attending or having the cash to just get by on a daily basis, what we cannot ignore is that money inherently puts some people ahead of others before magic schools even recruit them.

Because the majority of those in Twisted Wonderland are incapable of using magic, magic is not typically included in general education. This means that if your kid manifests magic and you want them to be "ahead of the curve", you'd need to seek out resources for magic training and education. Now, this could mean reading materials, private tutoring, or reaching out to mages you know of. The problem with all of these things is that they tend to require money and/or connections, which are things not everyone has access to. Idia even says in book 6 that Riddle has an “artificially large” pool of magic due to how young Riddle started his magic training, meaning that the wealthy has the resources to just produce “better” mages. The rich also have more money to throw into items to help with magical training, such as bigger and better magestones (which must sell for substantial amount in the first place since Ruggie tries to save some to pawn off later in Vargas Camp) to keep mages healthier for longer (since magestones help absorb blot). This keeps power concentrated in an already elevated class. (Note: research has shown that money opens up and expands one's connections, which still puts the rich in an advantageous position compared to the less fortunate. There are also studies that show impoverished people who happen to have rich friends have a better chance of raising their own social standing just because of the doors and connections that rich friend can open for them.) Look at who in the main cast remarks on having formal magic training: literal royalty like Leona and the upper middle class like Riddle. Again, one could say that because schools like NRC appear to hand-pick students regardless of how much formal magic training they had prior to enrollment. However, the fact remains that it simply looks better to potential recruiters (using this blanket term because we don't know how magic schools besides NRC gets its students) and better prepares the child for magic school curriculum to get an early start on it.

Looking back at the 22 boys that make up the main cast, close to three-quarters or ~75% of them come from at least upper middle-class backgrounds and quite a few could classify as wealthy:

Riddle's parents are both doctors, with Riddle's mom in particular being well-known and well-regarded in their home community.

Cater's dad is a banker; his position is high enough up that he needs to relocate every so often (presumably to service their largest or most important firms).

Leona is a literal prince. Even if he isn't destined to be king, he still has access to the resources and wealth avaliable to a royal.

Azul's mom owns the most popular restaurant in the entire Coral Sea (have you seen how large the Coral Sea is on the world map???), and his stepdad is a lawyer.

The twins' family is said to be well-off; they are able to afford luxuries like fancy clothes and Mr. Leech stresses the importance of manners and presentation. He is implied to have business associates who are also well-off and would like to get in his good graces. (Popular fan speculation is that the Leeches are a crime family.)

Kalim is the heir to a massive family fortune and trading business. He also has relatives (by marriage, I believe) who are royals.

Jamil, as Kalim's attendant, is also from a reasonably well-off family; they receive benefits unique to being closely tied with the Asims, such as exposure to elite society and lessons to acquire various skills, albeit these benefits comes with being in the lower social position of a servant.

Vil's father is an A-list celebrity, and Vil is also one himself.

We don't know the specifics of what Rook's family does, but it must be well-paying, as we learn in book 5 that the Hunts have villas all over Twisted Wonderland, as well as permissions for international travel via warp pads.

Idia and Ortho's family run a secret organization that researches blot. S.T.Y.X. is so secretive that basically only those in super high positions like Crowley and Leona would know about them. Let's also not forget that the Shrouds have ties to the Jupiter Conglomerate and the Olympus Corp, which is a tech giant in the world of TWST.

Malleus is prince AND the heir to his kingdom’s throne. He is also one of the top 5 most powerful mages in the entire WORLD.

Lilia is a renown war general and a close friend of royalty. He raised a young Malleus as well.

Silver is Lilia's adopted son and is actually a prince himself.

Sebek's parents are dentists. They must make mad money. His grandfather is also a respected knight that served alongside Lilia.

Notice how all the dorm leaders are upper middle class or higher; the vice dorm leaders have ONE normal person (Trey); in Playful Land, Trey confesses to living a comfortable life so we know he must be at least middle class.

We can try to argue all we like that NRC doesn't discriminate based on social status for their selections, but if that's the case then why are so few of the main cast from impoverished or low-income families? Only Ace, Trey, and Jack count as squarely middle class. Ruggie is the only example we have of someone from a very low socioeconomic status rising up to be among "elites". The other example is Deuce, who comes from a single parent household and has implied they don't have a lot of money (for example: how the VDC/SDC earnings will help out his family). (Epel is kind of a ??? case because depending on where in the story you are, his family could be in financial trouble or not; in book 5, they imply his entire village is having difficulties selling product until Vil promotes Harveston apples on his Magicam.) Maybe it's unfair to say that 22 students out of 800ish is representative of the makeup of the entire NRC student population (or represents the composition of all magic schools), but Ruggie confirms in his Birthday Boy vignettes that a majority of the students at NRC are decently well-off. This single digit representation of low-income students is also true of real-life elite schools. They are private schools for a reason; it naturally gatekeeps who is and isn't "allowed" to attend, leading to the majority of its students being members of the elite.

Another thing to consider is legacy students. This term refers to the increased likelihood of people being accepted into a school if they had a relative that also attended that school. We know of two instances of this happening: Ace's brother and Sebek's brother also went to and graduated from Night Raven College. Ace even makes a remark during his sorting ceremony that he ended up in the same dorm as his older brother "as expected". If magic aptitude is genetic, then perhaps it makes sense to recruit from the same families--but again, this is inherently restrictive, as you would continuously be culling from the same pools generation after generation.

Back on the topic of bloodlines and family, what about Kalim, who has an extensive family? There will be no shortage of Asim mages going to NRC just because of legacy (Jamil even alludes to the fact that the previous Scarabia dorm leader was an Asim relative, and his recommendation is what got Kalim the dorm leader seat). And speaking of Kalim, consider instances where rich families are able to bribe faculty (lookin' at YOU, Crowley) or donate a large sum to get their kid ahead or to be given priority over others that may be more qualified than them (RIP Jamil). To continue off that point, NRC itself is structured as a "dog eat dog" world. Those with inherently more magical ability have the right to trump over others. You can duel and lose your dorm seat to a more powerful mage, even if you trump them in terms of merit or leadership qualities. Students feel a sense of duty to obey those who have bested them in battle (ie Epel's servitude to Vil). Everyone fears Malleus. Your magical power is respected above all else.

Attitudes surrounding magic have notably shifted from fear of it several hundreds of years ago (around the human-fae war, back when “witch” and “wizard” were used in a derogatory sense) to recognizing it for its strengths and actively seeking it or granting some favoritism to those who have it. There is, in fact, now class discrimination in based on whether or not you can use magic. We got an early instance of this as early as book 1 of the main story, when Riddle insults Yuu for their "pitiful" education and states that they were clearly "born to parents with no great magical capability". It’s something that clearly rubs Ace, who has a magicless father, the wrong way, and he stands up for Yuu. There are other subtle hints about this divide sprinkled throughout the lore. For example, Ruggie has a voice line which he indicates that the slums where he comes from doesn’t produce many magic users. Again, recall that magic runs in bloodlines. This could potentially allude to a past where those without magic were forced into lower income neighborhoods, which results in pockets like Ruggie’s hometown with a high population of magicless individuals living in poverty. This doesn’t appear to be a large scale issue (perhaps its only an isolated case?), but this is worth paying attention to.

This could all translate into the professional world too. Some jobs are entirely locked behind magic (ie you just cannot do them or pursue them if you don't have the magical ability for it). Some jobs DO require magic (ie medical mages like Riddle's parents, magic police force officers, technomantic inventors, etc) and probably additional training that goes with it. As a result, I'd imagine that these magic-intensive jobs pay quite a bit more. There may also be overall more job opportunities for those capable of magic, since magic is so much more efficient than doing things by hand. The magic police force in particular are described as “elite” and members are REQUIRED to be mages or else you don’t qualify. It means more retention of wealth and/or more upward mobility for the few impoverished that are able to enter magic schools. (This is, of course, not including the few and far between cases of regular people who get rich in select industries, such as Kalim’s father.) Recall too that NRC requires its students to take internships during their 4th years, many placements being with very prestigious groups and organizations such as pro-sports teams, labs, tech giants, etc. Being able to attend a prestigious school with connections grants those elite students even more opportunities than the average person.

Then think about what this means for people who fall short of these standards that these magic schools set. We actually have examples of them in book 5 of the main story: when Deuce and Epel are reconciling on the beach, a bunch of delinquents from another school come along and start checking out Deuce’s borrowed magical wheel. Through the NPCs’ exchange, we learn that one of them has enough magic to power a magical wheel, but not enough to do much else. This NPC also couldn’t keep up in class and dropped out of a magic school. He then becomes insulted when Deuce implies he is “a beginner”, so this is obviously a very sore spot for him. Riddle also has dialogue that implies students dropped out of NRC prior to his reign (and since then, no Heartslabyul students have left). Additionally, consider how magic can be used to oppress and lord power over others. Deuce himself is guilty for summoning cauldrons to crush rival delinquents in fights back in Clock Town—even if those delinquents lacked magic themselves. Similarly, Epel is implied to use magic to gain an upper hand against those that bullied him back home. This all implies a social divide between those with magic and those without, and begs of bigger questions.

What happens to the ones that don’t make it? The ones that get left behind? The ones without the magic to make it “big”? This is the root of Fellow’s anger; he’s mad at a system that cast people like him (someone with very little magic) and Gidel (a non-mage) aside. They don’t get the opportunity to make better futures for themselves. They’re looked down on by high-up institutions that basically tell them they’re not good enough.

Knowing all of this, the deck appears to be stacked against the poor and non-mages. It’s no wonder why Fellow is so mad.

THIS ACTUALLY RELATES BACK TO WHAT ROLLO SAID IN 5-2 OF GLORIOUS MASQUERADE… "When you have too little [magic], you're resentful. And when you have plenty [of magic], you're arrogant. You can never content yourselves." The NRC boys are arrogant (this is the side of the story we’ve always known due to seeing the world mainly from their perspective). They are the “haves”, and we see them constantly misusing their power by fighting each other over very petty things (even if it’s against the rules to do so). But everyone else??? They’re scrounging for the scraps. Fellow falls into that former category; he IS the guy that’s resentful because of his lack of magic and how something he cannot control has already determined where he and Gidel will stand in life no matter how hard they work. They can never hope to rise out of poverty, and there’s nothing they can do about it. That must be soul-crushing.

When Fellow praises the NRC boys in that overly exaggerated way, he’s obviously being shady and facetious—however, there is also a kernel of truth behind this behavior. Most other NPCs we’ve met have spoken about the NRC boys favorably just because of their affiliation with a prestigious school. It’s the same way people might be impressed if you walked around in an Ivy League branded hoodie or something. People automatically associate you with the school’s shiny and exclusive reputation, and thus assume you are also intelligent, talented, etc. Then, in the same way being constantly put on a pedestal like this might result in the students getting swelled heads, this only further feeds into the NRC kids’ egos. They so privileged they don’t even recognize it. And that makes Fellow fucking FUME.

Look back at Fellow's dialogue. He is constantly mentioning the prestige of the school the boys go to, or adding on extra compliments about their status and skills. He's ass-kissing to his boss, who is also wealthy or part of the upper class, then insults the boss once he hangs up. Fellow is always in a position where he HAS to be subservient to the upper class in order to make his money and get by, and he finds that entirely unfair. Imagine having to simper and placate people you absolutely despise and blame for your problems every day, people who are gorging themselves on luxuries, coasting by in life, taking everything they have for granted while you get by on pennies—that has to get frustrating.

I want to briefly mention here that, in addition to praising the NRC students to high heaven, Fellow also talks down his own skills. He cheerfully calls himself a loser and says that no matter how much he trains, he could never reach their caliber of magic. Yes, Fellow is exaggerating to get the kids to think they’ve won, but I also have to wonder if he’s parroting the same phrases he was told long ago, from people who doubted him and never thought he’d make it. If that’s the case, then I get the sense that Fellow is in a way “reclaiming” his autonomy and power by adopting those same cruel words and using them as a strength. He admits to being “weak” but is also proud of the fact that he can utilize his magic along with his natural charisma to get a leg up over others. It further fuels his new belief that going to an elite school doesn’t matter, it’s practical skills that will serve you well.

Okay, back to talking about his shitty work situation! Fellow’s employer clearly doesn’t treat him with decency. They berate him, make unreasonable demands, act impatient, etc. They are a typical depiction of a toxic workplace and boss. This can also be read as shorthand for the relation between the rich and the poor, and how that may have shaped (or worsened) Fellow’s views on others of the privileged class. He makes many assumptions about the NRC students without really getting to know them, calling them entitled brats. Why? Because these descriptors likely apply to the higher-ups Fellow has always slaved away for. This, in combination with his own experiences in being rejected from magic academia, has created a person who feels trodden on by society and by the upper echelons who run it and benefit off the system.

Fellow himself is the perfect example of someone who was failed by said system. He has dialogue stating that he was never given the chance to learn because his magic was not considered strong enough. Still, he tried to make an effort to earn that chance among to elites and to study among them. Fellow was rejected, ridiculed, and told he had “forgotten his place”, what he had been born into. There were expectations he couldn’t meet, and so Fellow was thrown away like a broken toy. He has failed not because he didn’t try, but because he was denied the opportunity to begin with. This is where is rage stems from. Fellow despises the students of those same kinds of institutions who kicked him down, students who don’t realize how fortunate they are for their educations and will likely continue to perpetuate the system.

What, then, does that means for his signature spell, which is closely tied to one’s identity? Let’s take a magnifying glass to it. As previously mentioned, the name for Fellow’s spell is written as “Rose-Tinted Dream”, but it is said out loud as “Life is Fun”. The chant for it is, “Come on to the theater” (notably said in English rather than in Japanese). Both the spell and the incantation are references to the song Honest John sings in Pinocchio, Hi- Diddle-Dee-Dee. And… well, the whole UM in of itself is one big cruel joke given his circumstances now.

I think this spell is representative of a young Fellow still full of hopes and dreams, looking forward to studying at a magic school. But then those dreams are shattered and he has to commit terrible crimes to survive day-to-day, and he seems to have given up on his dreams. He even goes so far as to protect Gidel from having the same hopes he once did, telling Yuu to not put silly ideas in his head when Gidel expressed curiosity about school. At the same time, he delights in crushing the hopes of those he deems his enemies (stating that he wanted to betray Kalim to “teach him a lesson” about how cruel the world is). Fellow knows the truth: that life isn’t fun, that it will disappoint you and will put you down. His actions are very cowardly as well—he uses tricks and deception, he runs away from his problems instead of properly addressing them, the NRC students remark on his lack of pride. Fellow has had to throw away so much to scrape by. Yet his UM symbolizes someone brimming with hope—so perhaps it’s a UM he manifested when Fellow still thought he had a chance?? And then people made fun of him for it being so weak?? Alternatively, maybe he didn’t get his UM until after his dreams were crushed so he’s looking back on those nostalgic days of blissful ignorance with rose-colored lenses (which is, again, maybe why his UM magic name is written as “Rose Tinted Dream”). A UM that is a reflection of one’s true self, yet that same identity is one that has been forced to be discarded. That’s the reason why, despite all the swindling and scamming, I don’t think Fellow’s enthusiasm for fun is a lie. That’s the one “real” part of him, but even that’s been repurposed to help him live on scraps, something innocent twisted 😭 and that’s really sad to think about…

But also??? You could argue that Fellow still has a little bit of that lost inner child and hope left in him. He tries to defend Gidel’s understanding of the world and has goals of starting his own school despite how poorly he originally spoke about these institutions. (So Fellow does appear to care about children and their futures.) He also has a childish streak despite being an adult, demonstrated by his use of cowardly tactics, taunting kids, and abruptly quitting his job to then destroy his workplace. Fellow himself states that he “just tries to live a free and fun life”, thus his pursuit of money and pleasure. This could all play into being what defines Fellow and thus his UM. It embodies a spirit of playfulness even when he has been crushed under the weight of an unglamorous life.

I’ve heard people saying that while Rollo is Idia’s dark mirror and Fellow is Ruggie’s. They have similar backstories but ultimately their fates are different and left the former two down far more sinister paths. Just as Rollo is an Idia that turned his anger outward instead of inward, Fellow is Ruggie had he not been given a chance to receive an education to elevate his social status and job prospects. Fellow and Ruggie both cling to rich, powerful benefactors/bosses and do their dirty work to get on by—a big difference is that Leona, while he does also work Ruggie to the bone, also has some conscience. Something else to consider is that while Ruggie prioritizes making a life for himself by studying and securing a stable, well-paying job, Fellow is focused moreso on the accumulation of wealth itself (as he suggests to Kalim he’ll take a bribe to let him go free and quits when there is no longer money to be gained from his boss). Both don’t really care how they get their money (even if it is by dirty means), but ultimately Ruggie’s way of making cash is more sustainable in the long run. Yet Fellow ultimately realizes the importance of school deep down despite constantly denying it when the NRC students tell him of it. Fellow is in denial because that’s the only way he can cope and justify his lifestyle. He’s confused when finally confronted with students who are his ideal of “happy and free”, even when they’re in an educational system that he views as shackling people into strict roles. The way he laments about not being able to go to school is also very reminiscent of an adult mourning a lost or unfulfilling childhood, which is quite a depressing scenario…

Fellow is the one that got the short end of the stick in life. Ruggie met Leona, and Leona technically uplifted him in his endeavors, tutored him into getting decent grades and giving him hand-me-downs and money in exchange for his services. Fellow never had that kind of support system, he was just insulted and bullied into giving up and had to find an alternative way to keep himself going 😔

Personally, I think Fellow could also be a dark mirror to Kalim, no?? They exist on opposite ends of a social spectrum. Kalim has everything and Fellow had nothing. What’s more, Kalim is still wide-eyed and trusting. He is the only one willing to try words instead of fighting him and instantly labeling him as the enemy. Meanwhile, Fellow has become bitter because of how the world has betrayed him. He wants to take that trust Kalim has and show him how cruel everything truly is. Why is he fixated on that? Why even offer in the first place if he never intended on going through with it? Why does he want to rub it in Kalim’s face in particular? Maybe it’s because Kalim seems rich and dumb, as Fellow claims, but maybe it’s because there is envy there. Sure, Fellow is upset about Kalim being a sheltered brat that faces no challenges in life, but I also feel like he’s jealous that Kalim can still afford to think this way. That he can still afford to be cheerful, that he can still be a dreamer. Fellow was alluded to be like that once—but he can’t be like that anymore, not when he has to look out for himself and Gidel.

Side note, another comparison! Recall that Kalim’s Oasis Maker is also a UM that uses a little bit of magic. However, Kalim does not know of many creative ways to use his spell, as there is no real reason to since his home country has lots of canals and irrigation. He therefore deems his UM as pretty useless. Fellow meanwhile has what most consider a weak UM but he fully utilizes it to his advantage and pairs it well with his natural charm to maximize its effects. He had to develop these skills because he was in pressing circumstances in which they would benefit him. This contributes to the “mirror” theme between the two.

Fellow and Kalim have a notable similarity as well, and this is where I feel they can connect. They are both older brothers to a child or children who are magicless. Fellow only has one, and Kalim has many—but the number here isn’t what is important. What is important is that Fellow and Kalim think the world of their siblings and want to support them. To that end, Fellow is willing to be cruel and step on others, and Kalim is all sunshine to keep their spirits up. Fellow has suffered through great poverty and insults and Kalim has survived so many attempts on his life, yet they’ve developed distinctly different approaches to the worlds that have embraced them. Kalim’s wealth could afford him protection and luxuries, so he’s able to live carefree with others tending to his needs. The same isn’t true for Fellow, and so he came out far more spiteful and resentful.

Thinking about it, it’s ultimately Kalim’s words that convince Fellow to turn on his employer. (The other boys certainly wore Fellow down and planted the seeds of doubt, but it’s Kalim that I believe fully resonates with Fellow.) He can so happily talk about why he loves school, even though he doesn’t do well at it (something I presume is also true of Fellow, since he is lacking in tons of magic). It’s not said in a particularly articulate manner, but it’s so candid in its presentation. Kalim is relating to him based on similar skillset (or lack thereof) and sharing fond memories of his time at school, reviving the hopeful “lost child” in Fellow. Kalim is probably the first wealthy person in a long time that was friendly, kind, and supportive to him. And here he is, reassuring Fellow his dreams are still possible, to not give up. That’s the final nail that allows Fellow to be “honest” with himself and his inner child. It’s what leads to that slew of irresponsible actions at the end of the event (letting people free, blasting the amusement park, driving a sinking ship, etc.).

At the end of Stage in Playful Land, we see that Fellow never really let that childlike side of him fully die. (It seems to have been concealed under a desire for money and appeasing his boss.) He shares his dream of creating his own great school to give educational opportunities to non-mages and mages with low magical reserves like Gidel and himself, a school that teaches practical life lessons. He wants to promote his own ideals and to change the system he hates from the inside out. This was never communicated to us before most likely because Fellow had renounced those ideas in favor of blind hatred and a lack of faith in the world and those that dominate it.

Fellow also acknowledges that life may be even more difficult for him and Gidel going forward, as now they lack the money for even food and no longer have jobs. Furthermore, they need to worry about their ex-employers coming after them for what they’ve done. Even so, Fellow faces it all with a smile and reassures everyone that they can transfer or visit to play… “on this shining stage called life”. He and Gidel are able to walk away with their whimsy preserved, and can still be that which they’ve always wanted to be: dreamers.

All of this is to say that Rollo was right all along about magic, he never misses—

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marimoscorner · 10 months ago

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Consumerism & Witchcraft

Written by Marimo (he/they)🌿

I’ve seen a turn for the better in some witchy spaces regarding consumerism in the past few years, but overall it still tends to be an issue for us as a community. I’ve decided to try and breakdown the pitfalls I’ve noticed in my own journey, in the hopes that it will inspire and assist others. I’ve also provided alternatives and ideas on how to make small changes in our practice to help us better protect the Earth, stick it to the failing system and still acquire our bits and bobs we love so dearly.

As always, I am no authority on any subject nor am I perfect—but we’re all learning as we go, so let’s dive right in 🌿

A Preface

There are some things that should be made entirely clear before we begin:

You are not a bad person for wanting an aesthetic

You are not a bad person for unknowingly falling into pitfalls. Only if you continue to purposefully do so after knowing better

You are not a bad person for consuming content/objects or for not always making the most sustainable decisions. At the end of the day, we can only control our small part of environmental impact, while the rest is left up to the major corporations that make more pollution than any of us ever will

You are only human. Show yourself some grace and understanding that the internet so lacks.

My Experience in Consumerist Hell

I have fallen victim many times to consumerism in witchcraft. Starting my journey at the ripe age of about ten years old and heavily in the broom closet, I was quickly drawn in by the shiny rocks, the brand new candles and scents, the promise of new tarot decks and pendulums and other fancy, shiny new equipment. I was consuming an online aesthetic along with my ideals, and it distracted me from starting my journey by learning well.

I began to spend my birthday and holiday money on the aesthetic of things. While, granted, I still did buy a few literary resources now and again from my local secondhand bookstore—I was stubbornly ignoring the sage advice to learn and understand first before diving in headfirst.

I purchased statues, crystals, too many tarot decks to use. I purchased osteomancy bones I later returned to the earth, for I had not done enough research to know that that animal was mine to practice with. I had a tankard full of incense sticks, and even a growing pile of books that would not be read. While I liked to consider myself crafty with my homemade Maypole and various hand-bound Grimoires, something was becoming apparent: this was all a distraction.

The aesthetic I was partaking in was providing me with a false sense of progress and practicality.

When I’d go to do a tarot reading, I’d become far too overwhelmed with choosing a deck to read in the first place. When making an offering to a deity, I’d feel pressured to also bolster the altars of all the other deities I’d set up, and with my wide pool, the connections felt muddy. Often times I’d be off-put on a project or spell because I knew I needed to film it and it needed to look nice.

In the long term, I don’t have many of these items today. I’ve sold and donated a vast breadth of them. Feeling overwhelmed costed me a few years retreat from my craft to recuperate. However, what has stuck with me is the knowledge I picked up along the way.

So, What’s the Issue? TL;DR

I’ve noticed a few issues here in making these mistakes myself.

Consumerism absolutely distracts you from learning and your craft

Overconsumption leads to environmental damage. If everyone hoarded supplies, there would not be enough to go around. And with what gets thrown away every year…it paints an ugly wound on the Earth

We damage our learning abilities by not allowing ourselves to be anything less than perfect

The need for aesthetic creates barriers to entry within the community and creates a divide of haves and have-nots

You won’t be able to truly follow your individual path if you are only consuming and not creating for yourself

Consumerist culture promotes appropriation. Metaphysical stores carry items from closed practices (such as white sage and palo santo, or coyote bones) because someone is buying them. Don’t be that person, and find alternatives relating to your own culture instead

Consumerism can influence your spiritual decisions based upon monetary inclinations (where some may sacrifice a quality ingredient over a higher quantity of a lower quality ingredient)

So, what can we do?

Firstly, I want to clarify that I am not against collecting, nor am I against maximalism or the beautiful visual aesthetic we carry as a community.

I am an artist a very visual person and understand the longing for a beautiful home and workspace. However, this aesthetic shouldn’t come at the cost of irresponsibly harming the Earth or another community.

Thus, I’ve compiled a list of small things that I will be incorporating into my practice to make it more mindful and sustainable. I hope that you’ll join me in a few of them.

Minimize Supplies. While I used to have a huge selection of stationary for my Grimoire, I now limit myself to a simple pencil and watercolor set if I’m feeling artistic. This helps me actually use my Grimoire for study, rather than to keep perfect. It’s also friendlier on my wallet!

Thrift Supplies. There are plenty of perfectly good items that get donated daily. You can get high-quality candles and holders, old crystal bowls for altar offerings, spare crafting supplies, fabric for alter cloths and even clothing if you so wish—all for a fraction of the cost new and while saving the planet just a little bit more. Hell, you can sometimes even find good silver!

Share Supplies with your Community. You can create a sort of barter system with other witches in your area. Perhaps you create a sigil for them, and they provide you with a candle spell. Play to your strengths and grow together!

Look for Creative Outlets. Do you really need to go buy an altar statue that’s been mass-produced? Or can you give your deity the personal gift of a drawing, painting or even hand-modeled or hand-carved rendition? This will also deepen your connection to your craft and your magic, and make it more meaningful and stronger. If you really like something, though, go for it!

If you aren’t the artistic sort, consider supporting an artist before going to a large company. While I haven’t purchased from them myself, Blagowood on Etsy has beautiful deity statues carved from wood by their small team in Ukraine for a comparable cost to the standard mass produced metal statues. I consider this extra labor of love going into these pieces and those of similar small companies to be much better energy for my practice. I myself may put out some art prints and other handmade supplies in the future, but I will likely spread them around my community first.

Try Secondhand Books. While not available in every area and further still not as available for witchcraft and occult books, you may strike luck! Not only are secondhand books less expensive, but you’ll be supporting a local business. That’s not to say you can’t buy firsthand books, but some searching around may be beneficial to the earth and to your wallet in the long run.

Be mindful of where you source supplies and decor. If you are a fan of taxidermy decor, make sure that you source cruelty free. Bats can practically never be sourced without cruelty, so if a shop carries them, I’d be mindful of their other specimens. The same goes for if a shop decides to forgo a culture’s wishes and carry supplies sacred to them, such as white sage or dreamcatchers. Supporting folks who turn a profit off of others’ suffering is not something many would wish to include energetically in their craft.

Search the Wild for Tools. Find sticks, flowers and other plants out in the forest. Learn how to rockhound in your area for crystals. Your craft will be more powerful the more connected it is to the land you are surrounded by. Be sure to reference guides for safety and legality!

Get Creative with Purposes. If you are having difficulty finding exactly what you need by thrifting or searching, make another tool multipurpose if it would do the job good enough. Find supplies that are easy to source and work as substitutes for other ingredients (ex. Quartz as a stand in for other stones)

Spend more time Doing. Go out into the woods (safely) and advance your connection to the earth instead of worrying over the perfect item for your collection. Your craft will benefit

At the end of the day, all of this is your decision. Take what you like, and leave what you don’t. Even if we don’t agree, I thank you for your time and open mind. I will continue updating about how I incorporate these steps, and I will also hopefully post more on witchy crafting in the future.

I wish you well, and hope you’ll decide to follow along on our journey!

#pagan #pagan witch #paganism #witchblr #witchcraft #marimo writes🌿

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