#I have lots of motives yet not much moved. The issue is more on “how” then “why”
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ashkenazi is a minhag not a race. ‘ashkenazi jew’ just means ‘my ancestors ended up in the ashkenaz’ or ‘i follow ashkenazi traditions.’ it says less than nothing about what you look like. i could give you the same reply i give everyone who tries to make this argument, that there are plenty of non white ashkenazi jews, that there are plenty of white non ashkenazi jews, that it’s antisemitic as fuck to assert that ashkenazi jews have inherent racial privilege simply for being ashkenazi, but i think that’s the wrong move because i’m not going to meet you in you misconception. i’m going to try to bring you into the actual conversation.
i said this in another reblog but i’ll reiterate. individual whiteness and institutional whiteness are two very different things, and i think the reason these conversations are so exhausting is because 99.99% of the time, “are jews white” is not a discussion of individual whiteness. it’s a discussion of institutional whiteness, which is even more important to have now that many western countries are headed back toward a more explicit institutionalized white supremacy.
individual whiteness is highly contextual. if you have never had any experiences that made you question how people perceived your race, then you’re probably pretty solidly white. if sometimes you get pegged as white but sometimes you don’t, or if you have to put active effort into looking white, that is an entirely different experience than someone who’s never thought about it a day in their life. which is yet another entirely different experience from someone who is always perceived as not white and chooses not to or cannot pass as white. this is, i guess pun intended, not a black and white issue. just because you, a progressive, look at someone and think they look white doesn’t mean a racist isn’t going to look at them and notice their aquiline nose or textured hair or eye shape. there is no line between white and not white, and imo trying to create one is just giving ground to white supremacists, which i for one refuse to do.
but the problem is, people keep trying to apply these observations about individual whiteness to institutional whiteness, not understanding that institutional whiteness is not based on individual skin color. at its core, it’s based in culture. white supremacists don’t think they’re superior specifically because they have white skin. the ideology of white supremacy was created to explain why, in the eyes of white supremacists, their culture was so much better than everyone else’s. you can see this in nazi germany and fascist italy, the fixation on german culture or italian culture being superior. this was their primary motivator. physical appearance was just the thing that was most obviously different between them and other civilizations outside europe, so it was a convenient explanation.
another thing that cannot be understated in this conversation is that white supremacy was created specifically with jews in mind. yes, white supremacists in europe had contempt for different cultures in other countries and there were a lot of horrific ways that manifested. but this conversation is about jews. jews were the foreigners living among them. they had been othering us for centuries. there was always some explanation for why the jews couldn’t have rights or why the jews were the problem, whether it was cultural or religious, it always boiled down to “they aren’t like us.” and when the ideology of white supremacy was forming, a huge part of it was another attempt in a string of attempts to explain why the jews, the “other”, were inferior. it is not up for debate whether or not jews have access to institutional whiteness. we do not, because it’s an institution that was created specifically and explicitly to exclude us by name.
so hopefully with that context it’s easy to understand why “but police aren’t going to distinguish between a [non black] jew and a white person” in a conversation about institutional whiteness is simply a nonargument. it doesn’t engage with the root of the conversation, and at the end of the day all it does is derail it. and that is not helpful for anyone.
schrodinger's jew: jews are and are not white until an antisemite makes up their mind about which type of antisemite they want to be.
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#I'm not the only one who feels like they've been always told what to do and then the instructions just... stopped#Keep thinking about a friend who told me that and it just resonated#so much of our education is just taking orders and instructions#but the pipeline stops there. It's on you to suddenly “find a job” and “figure out what to do with your life”#Kinda see how that happens since I feel into that trap as well#but I'm struggling to think how to crawl out of it#by definition being “independent” requires taking initiative and accepting risks by yourself#I have lots of motives yet not much moved. The issue is more on “how” then “why”#I feel if I finish pedagogy uni and become a teacher this will be a big issue to deal with#how to show kids that actually you're not going to get instructions for the rest of your life and have to make your own?
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And Comes Dawn pt 11
Pairing: Sauron/Halbrand x Reader
Summary: The Deciever has a question for his Sweet One.
Tags: fluff. Like FLUFF. He may be deranged but he's got a soft spot. Also, told you I was gonna make the Annatar bow angsty.
Notes: the fic is out of order now because I have a lot going on and ITS MY FIC OK OK. Not having to have everything in order has given me so much inspo that within the next 24 hours there could be 2 more parts and 2 other things too soo. I love you all. Thank you for your support. My dms and inbox are always open, also if you wanna give me like a lil tip it would be appreciated.
Halbrand leaned against the archway to the library and watched you as you read through the scrolls and histories. It's how you'd spent your days since coming to Eregion. He worked on the elven rings, and you were here, reading. It was endearing to him that you sought knowledge in such a way. Proof that he had made the right choice in you.
There had to be three. Just as there had to be three rings.
Him with his power and darkness.
Galadriel with her wisdom and light.
You with your goodness and warmth to balance them out.
Three.
Though, he only desired you. Only loved you. You were what he was doing all this for. He had to create a lasting peace. He had to make Middle Earth safe and perfect. He had to overcome this pesky issue of your mortality. He could not allow you to live in a broken world. He would not allow you to come to harm, and, selfishly, perhaps, he could not let you die. The rings were for you. His ambitions and goals revolved around you.
All for you.
At least, that is what he made himself believe. If he was truly honest, he had different motives as well. Motives of power and control. Motives that would have driven him down this path if you'd never met. His deception was so great that he was able to hide that away. He was able to believe the ends justified the means. And if you were what was at the end, there was no depravity he could not justify.
Watching you now, you were breathtaking with your eyes focused and strands of hair falling in your face. You'd taken full advantage of the beautiful wardrobe and styles of the elves. Intricate, delicate strands of silver were braided through your hair. You wore a dress of light blue with more silver, and the delicate chains only served to accentuate your curves. He had thought you were beautiful in the Numenorian garb, but now you looked stunning. Breathtaking. He'd seen the most beautiful of the elves, the Silmarils, the light of creation. Yet you were greater than them all.
“I know you're there,” you spoke, the ghost of a smile playing at your lips, but your eyes never moved from the page.
“And yet you stare only at your books. My heart can not help but break.” He teased. “I will not be shamed for staring at the most beautiful woman I have ever laid my eyes on.”
He smirked at your blush, approaching you and wrapping his arms around you from behind. He noticed that the back half of your hair was pulled up and tied into a bow. He chuckled softly and rested his chin on your shoulder. “What do you read now?”
“A tale of a human and elf falling in love,” you relaxed into his embrace.
He pressed a kiss to your shoulder, your neck, up to your cheek before turning your head so he could capture your lips in a soft kiss. “Last week, it was the fall of elven cities. This week, it's romance. You never cease to amaze me.”
“You are easily amazed, then.”
“Do not doubt yourself, sweet one.” He pressed a kiss to your nose, turning you around in his arms and lifting you to sit on the edge of the table. “I am in awe of you always, but recently, I'm in awe of these things you do with your hair. A bow?” He teased softly, pressing his forehead to yours.
“Do you not like it,” The way you looked up at him, seeking his approval, it mirrored the expression you wore when you were on your knees begging for him. His fingers tightened on your hips, restraining from taking you on the table.
“I do. It suits you.” He smiles softly, his eyes softening as he sees your bright smile.
“Perhaps you could grow your hair, and I can do it to you. I've seen elves of all kind wear it,” there was an excitement to your voice as you spoke.
He chuckled, “Perhaps one day, if we are parted, I will wear it as a reminder of you when my heart yearns for you.”
“You jest.”
“I do no such thing. You have plenty of things to remember me by,” his fingers traveled down to the intricate necklace of copper he'd made for you at the forge in Numenor. You always wore it. “I shall have the hair bow.”
You frowned, and his thumb traced the downward turn of your lips, his head tilted in a silent question. “Perhaps if I were to have more coin, I could get you something. Perhaps…”
Your words were muffled as he pressed a kiss to your lips. His hands held your face as he deepened it. It was only when he felt his body react that he pulled away. His nose brushed yours. “You have given me more than enough.”
You smiled up at him, face flushed and lips swollen. His thumb gently caressed your cheeks.
“I don't intend to ever be parted from you,” he whispered softly, tucking your hair behind your ears. “I mean it.”
He pulled away, searching his pockets for a moment before pulling out a ring. It had a silver band and a small blue gem at the center. He knew it was more than a simple band. He knew of the power he placed in it. The materials he snuck from the forge to add to it. It would need to be perfected in time to come, but for now, it would do what he needed it to. It would increase your lifespan, heal your wounds faster, and It created a connection with him, wherever you were.
It also served as a symbol. That you were his. That his feelings for you were real. His intentions were true.
He looked at it for a moment before looking at you. “ In elven culture, it's customary to give your betrothed a silver ring that you wear until marriage. At that time, they were traded for gold bands. I added a bit more. A gem as blue as the waters that brought us together.”
You gasped softly, looking at the ring and then to him.
“It's the custom of your people to ask the family but you have none. The family who warded you is gone as well. I have no one to ask for your hand but you. As such, I felt that I should give you the same proposal in which I would have given your father.”
He stood up straight, one hand on your chin directing you to look at him. “You fill me with a warmth I've never known. I no longer know who I am if not with you. I was lost and astray, without hope or purpose. It was as if the gods themselves put you on my path. You are a beacon of hope, your smile my purpose. There is nothing I would not do for you, no trial I would not face. I love you. I adore you. I have never thought of children until I met you, and now I know I want to make you a mother. I want to make you my wife.”
He brushed away a tear that had fallen from your eyes, “I give you the choice, I would never force anything upon you. Do you want that? Do you want me?” He took a deep breath, shaking his head. “Fuck, I'm so nervous I can't talk. Just tell me, yes or no? Will you marry me?”
You laughed, nodding your head. He slid the ring onto your finger before lifting you and twirling you around. As he set you down, you looked at the ring on your finger.
“I never thought I'd be betrothed. I never thought I'd choose who I could marry.” You smiled up at him, and it filled him with joy unimaginable.
“I never thought I'd give a woman a romantic speech or truly want to settle down.” He rested his forehead against yours once more. “I'm a changed man thanks to you. Near unrecognizable to that drifter on the raft.”
“That is true. You will be a king soon.” You gasped suddenly as a realization dawned on you. “ I'm going to be a queen. Me? A queen” you laughed softly at the thought.
He chuckled, pressing a quick kiss to your lips. “That is true. As soon as my business here is done, we can return to the southlands and be wed, and you can meet all your subjects.”
You wrinkled your nose, “I'm not sure I like the thought of having subjects.”
“Of course you don't, “ he rolled his eyes but didn't stop smiling. “Why don't we go back to our chambers, and I can show you how devoted of a subject I am?”
Your cheeks turned red, and you buried your face in his neck. He placed a kiss on your head, “I'll kneel and worship my queen.”
“Halbrand,” you spoke, pulling back and giving him a look.
“I'll fill you with my warmth.”
"Stop it!” You smacked his arm,causing him to laugh deeply and wrap his arms around you for a tight hug.
#halbrand x reader#sauron x reader#halbrand x oc#sauron x oc#trop fanfiction#trop x reader#rings of power x reader#rings of power fanfiction
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this is a personal vent post so please let me just get it all out without trying to come at me lol:
so many ppl saying they respect larian's decision to peace out and not deal with hasbro/wotc, but i have to be honest, i don't respect them at all.
they are leaving a game behind that is unfinished and a narrative mess.
they leave a game behind where everyone paid the same amount of money for it, yet depending on which character you prefer, you get less content.
the disparity between everyone else and their writer's pet ast*rion is insane. he has a half to a third more content depending on which character you compare him to.
they leave behind a sparse act 2, which is already so barren compared to act 1 and all it had to offer. act 3 is a narrative mess and lacks structure.
they leave a game behind where they made promises a handful of weeks before release where they ought to have known that they, in fact, will not be delivering said promises: access to the upper city, consequences for playing certain races across the acts (playing a drow is going to be different in act 1 and gives you advantages vs act 3 where it would give you understandable disadvantages), etc etc etc.
they leave behind a game where content was cut from the companions to make it seem like the origins have something to offer when that system is barely able to compare what origin playthroughs offered in dos2 and it hurts the game and the experience (like tara being cut for companion gale).
they leave behind a game where they promised to much variety and proclaimed in panels from hell how they struggled to show the width and depth of the game, but really? it's about as deep as a puddle. a lot of the choices do not matter. kill ethel? nah, she's alive and well in the city. no sister hags to be angry here. give karlach no infernal iron and never talk to her at all? doesn't matter, she'll survive until the end of act 3 and will still call you her bff. dissuade gale to use the orb? we'll make sure he'll still offer 3 more times just in case. send yenna away from camp bc you don't want her there? doesn't matter, she'll stay. and yes, i'm aware these are all small things, but they are part of a larger problem. almost nothing you do truly matters to the point of where i just skip most things in act 1 and 2 now.
they leave behind a game that they promise to still patch, but some things have been broken since early access / release to the point of where i'm like i'm sorry, but your word that you will continue to patch things means about as much to me as all the other empty promises. the dialogue about morena dekarios is still broken and it's been over half a year now. the astral sea scene has low-res body textures for months. i know from mutuals who love minthara that her romance is still broken. and i could go on and on.
and what gets me the most about this is all is that they have learned nothing at all from dos2: act 3 of that game was so bugged and all over the place that i couldn't muster up the motivation to finish it the first time i played. they neglected a character to the point of where he could have been removed from the game or made a general hireling (beast).
those issues were at least attempted to be fixed in the definitive edition.
with swen saying that there will be no new content anymore and stating that both bg3 and its characters are now property of wotc/hasbro, it seems unlikely we'll even get an attempt of a fix.
so what this boils down to to me is just another game company not delivering on their promises after overselling their product and more or less abandoning it after a year to move onto the next big thing.
i don't think i can respect that ngl.
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── ⋆⋅☆⋅⋆ ──
serial killer!Dabi x reader
headcanons (18+)
❥ I know this is popular but listen, he fits the bill. Dabi as a criminal could go so many ways, but one of my favorites is where he’s a serial killer.
❥ imagine him in his 30s, using an alias as he hops from town to town, city to city, racking up killings the more he gets comfortable.
❥ and his motive for murder his simple. he has anger issues. his victims are probably all older men that piss him off. but the daddy issues probably convinced him to do it, especially when the victims remind him of his dad (all of them do, in some way or another).
❥ he gets into a lot of bar fights, is generally aggressive and violent if provoked.
❥ but put him in front of a pretty girl and you can bet that tone is switching
❥ he’s still mean and aggressive, don’t get me wrong, but he knows how to manipulate.
❥ since he’s on the run, he needs someone to keep him company. and if that just so happens to be you, he’ll make his offer way way too tempting to refuse.
❥ you probably meet at a diner or neutral location. maybe you’re his waitress or another customer, but either way, he ends up seducing you into letting him crash for a few nights at your place.
❥ and you probably know you’re being seduced.
❥ Dabi does not put much of an effort into hiding his identity besides his alias, but you won’t catch onto the fact that he’s responsible for serial murders as much some other random crimes. he’ll even admit to robbery and other dumb shit he’s done. but you don’t need to know just how bad he could be. at least, not yet.
❥ this man does not get attached and can’t afford to stay in one place too long. you have fallen head over heels though, so you’re practically begging to go with him because of some internal desire to pursue that rebellion you never got to as a kid.
❥ and Dabi will take you along, sure, but he’s not gonna stop killing.
❥ you piece it together one day when you’re watching the news and Dabi’s sipping his beer, and you ask him where he was last night.
❥ like hell he’s going to admit it, but it’s unspoken between you both. and as terrified as you are, there’s damn near nothing you could do about it. are you scared of him? probably. but not entirely. knowing he was capable of cold blooded murder makes it harder to get in the mood so Dabi has to find ways of distracting you.
❥ through analysis, I think he’s a vengeful killer and will spend a while plotting before he makes his moves.
❥ is very emotionally motivated
❥ will use any weapon that he deems fit for the occasion. a gun, maybe a switchblade.
❥ doesn’t bother to hide most bodies unless necessary to get rid of evidence
❥ and now you’re an accomplice, so you were more terrified of ratting him out then being complicit in his crimes. Dabi will go as far as to cover your eyes and that’s all the mercy he’ll grant you.
❥ after a murder, Dabi likes to celebrate by having sex. his tactics are always crude but somehow his whispering obscenities in your ear and kissing along your neck makes it really hard to say no. even when he’s still covered in the victim's blood, and even when he’s still got that murder weapon in his hand
❥ the first time, you get sick. the second time, you’re sobbing. by the third, well. you didn’t have much of an excuse for how quickly you were convinced into warming his dick as a means to commemorate whatever sick behaviors Dabi chose to indulge in.
❥ and by the fourth? let’s just say you didn’t need any convincing at all.
#bnha#boku no hero academia#mha#my hero academia#touya todoroki#dabi headcanons#mha dabi#dabi#dabi x reader#dabi smut
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Ok... is it safe to talk about Sonic Movie 3 spoilers yet? The movie is out on digital and it's been over a month.
Idk. Anyways.
I am both curious and utterly terrified on how they are gonna write Metal Sonic and Amy for Sonic Movie 4.
I will start off with my boy Metal first.
Metal Sonic to me is a very interesting character due to his goals and motivation. His goal to prove that he is the REAL Sonic and that he's better than the "fake" one. The way that he acts is a near perfect replication of Sonic's attitude, from the finger wagging to the poses he does in Sonic CD and the OVA, he is all about proving that he is Sonic the Hedgehog.
Metal Sonic is just not a simple robotic clone, he has depth to him and they expand upon GREATLY when he becomes Neo Metal Sonic and becomes SO OBSESSED with proving that he's the real Sonic by turning into a monster and trying to rule over everything, just so he can finally kill Sonic.
EVEN EGGMAN IS LIKE "Yeah naw dude we're fucked, we NEED the chaos emeralds to have a chance at beating him."
After his Heroes appearance, he became nothing more than a robotic clone used in spinoff games and in terrible mainline games like Sonic 4 and Forces. He only had splashes of depth to him in the IDW comics with this phenomenal scene.
So when i see Metal Sonic and a whole army of him in the post credit scene of Sonic Movie 3, i can't help but feel VERY WORRIED on what they are gonna do with him.
I mean don't get me wrong, the design is nearly on par with the game version, aside that fucking mouth piece thing, it looks AWFUL!!!! I HATE ITTTT!!
WHAT IS THIS!?!? WHY DOES HE HAVE AN ANGRY MOUTH!? ITS NOT SCARY AT ALL LMAO!
But now I'm just wondering, will they give Metal Sonic that depth he used to have? Will we actually see Neo Metal Sonic or will the main Metal Sonic be the coloured one we saw?
I don't want Metal Sonic to be like his appearances in Sonic 4 Episode 2 and Forces. I want it to rival his appearance in the OVA and Heroes dude. I want a fucking great antagonist, not a cheap robot that shoots out energy blasts.
I want a god damn intimidating robot Sonic.
Now... Amy Rose.
As some of you probably know, i like a character wrapped in pink, is hyperactive, wields a giant melee weapon and is always mischaracterized in the fandom they are from. When i was younger, i used to dismiss her or think she was just funny and move on. But as i've gotten older, i've actually grown to really like the character, especially in the older 3D games and with retranslation mods. Her story with Gamma was beautiful, her speech to Shadow, her jokes, her flirty/fangirl attitude towards Sonic. It's really fun to watch. Most media has a boy fall in love with the girl, but with Amy and Sonic, it's the opposite. Their dynamic is unique.
I also love how in some stories, Amy can get REAL PISSED OFF and have anger issues. Even roses has thorns.
However... in more recent stories like Frontiers, her personality has been mellowed out by a lot and her crush for Sonic is pretty much gone now. She's all about "sharing love with the world" now and her anger issues are gone.
Some say she's grown up and "oh she changed!" But we actually don't see this character growth at all. It's one thing to tell a story about how Amy learns that maybe her love for Sonic is too much and she learns to just be a good friend to Sonic. But it's another when the character has a MASSIVE personality change between Lost World, Forces and Frontiers. AND THEN THEY CHANGED GENERATIONS TO MAKE AMY LESS FLIRTY AND ANGRY LIKE.... HUH!?!? WHY!?!?!? THAT'S NOT HOW YOU WRITE A CHARACTER ARC!!!!! YOU GOTTA SHOW IT!!!! (A lot of Sonic characters have this issue too so it's not just an Amy problem.)
And them also doing the whole "Amy is no longer a damsel in distress anymore and her love for Sonic is over" is just... no dude. Amy was a damsel a couple of times and they never lasted that long. She's not on the same level as Peach. And the IDW comics tried to make her a Sally Acorn type character for some reason as well at first. Which was REALLY WEIRD! But maybe it's changed idk, i haven't kept up with the comics these days.
The only Amy that i really like in more modern stories is the one from The Murder of Sonic The Hedgehog. Now THAT'S how you write Amy.
So now, when i see Amy come in with a hood on and destroying Metal Sonics with ease, I'm left wondering, "oh no... how are they gonna write her?"
Will they actually show Amy's crush on Sonic? Will Amy just have Sally's personality? Will they give her some damn thorns? Will they make it to where SONIC IS THE ONE WITH THE CRUSH!?!? PLEASE DON'T DO THAT! DO NOT GO THE GENERIC ROUTE PLEASE!!
If they make it to where when Amy takes off her hood in Sonic Movie 4 and immediately falls for Sonic I'll eat all of my words, but i doubt that would happen....
Anyhow, those were my thoughts, i know that it's too early to make a definitive statement on things but i just wanna voice my concerns due to other recent Sonic stories not landing in the characterisation department for me.
#sonic the hedgehog#sonic movie#sonic movie 3#sonic movie spoilers#sonic movie 4#sonic 4#sonic cd#sonic heroes#metal sonic#amy rose#rambles#ramblings#sonic ova#neo metal sonic#metal overlord
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...I think one of the reasons I just get bored by a lot of meta and stories about Jason, is that fundamentally I have this issue where for me the most interesting part and the topic I grew up on was the loss that Bruce existed within for essentially all of post-Crisis, rather than Jason feeling that he was failed.
Because I've read and are more invested in comics about Bruce Wayne published between 1989 and 2011.
Because the story of dealing with a traumatic loss of someone before their time, and about Bruce's pain and coping mechanisms (and the pain and coping mechanisms of everyone else around him), is just so much more compelling to me and speaks to my own pain and loss and regrets.
Because of Bruce standing at Jason's grave with Cass on his 18th birthday and trying to talk to Cass about someone she's never met, someone who she only can know by the shape of the loss of those around her, as he talks about the terrible ways parents can love and his regrets. Because he can't even face doing this with Barbara or Dick or Tim.
Because of Bruce's slow progress to see a world again, beyond his loss. To pass through his grief and find a way to face continuing to live and to prevent himself from spiraling back.
Because of the stories Bruce has to tell himself, as he sorts through what he can know and what he can never know, to try and find motivation and reason. And how we know that Bruce will look away from the obvious, searching for another reason and for justification at times when the truth is too close to him.
And every time I see people siding with Jason, mad, that Bruce is so stubborn and firm about his boundaries and personal motivations and what he will and will not do.
It's like. Oh. You don't know and feel that bone deep loss, and understand how fragile yet resilient Bruce's healing is. That he did the right thing, the healthy thing, the only thing he could do to cope...and moved forward. The loss is still there, but he's developed layers of protective callus over it so that he can think about things other than the loss.
Because Bruce chose to live. He chose to move forward. And the fact he largely does not allow himself to wallow is a good thing and the demands that he should turn his back on all that healing because his coping mechanisms are not the ones that Jason Todd, resurrected, thinks he should have had?
Jason wasn't there. He couldn't have been there. And fundamentally he does not have the right to determine Bruce's reaction, because it wasn't about him. It was about Bruce, himself.
#I do not ever wish the experience on a person#but sometimes it's very obvious when people do not realise that Bruce is incredibly relatable and understandable for how he reacts#dc meta
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Alastor, Rosie, and Cannibal Town: an Analysis (I’m fucking at it (Alastor Posting) again)
Ok I know that a lot of people have already been talking about this, but I really want to analyze Alastors behavior in cannibal town and how it’s so much different than how he behaves literally anywhere else.
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Alastors true motives, personality, opinions, etc are widely debated in the fandom. Does he actually care about Charlie or the hotel? What’s his beef with Lucifer? Why did he make a deal and who was it with? Al is such a mysterious and closed off character, and his demeanor changes so frequently that no one in or out of universe really knows much about him. I personally think that the closest we get to seeing Alastor in his truest and most authentic self is when he’s in cannibal town.
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From the moment they arrive, Alastors demeanor changes dramatically, even from a few moments before, when Charlie was venting about her relationship issues. He seems genuinely excited to be there and see Rosie, to the point where he seems to forget he brought Charlie here for a reason (hell I think he forgets Charlie is even there at a few points.)
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Al and Rosie HAVE seen each other since he returned to hell, at the overlord meeting, but they didn’t really have the time to interact. Even so, they are so in tune with each other. This man was gone for seven years and here they are gaslight gatekeep girlbossing like nothing happened.
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But once they actually have the opportunity to interact outside of the overlord meeting they’re super excited to catch up. The only other time he shows this much enthusiasm to see someone is with Mimzy, but things quickly goes south when she puts the hotel is danger. Alastors friendship with mimzy feels very onesided, and it seems that she only shows up when she needs something. While Alastor and Rosie clearly ask each other for favors, it feels a lot more equal in a way where they each get an equal amount of benefit.
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And while we haven’t seen much of them yet, I get the vibe that they hang out in their free time and respect each others boundaries and schedules. I think Al went through cannibal town hoping to see her in the prequel comic, but figured she was busy after the extermination and instead asked some of the residents to say hello on his behalf. But that’s just a theory, a gam-
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Also just a little thing I noticed, when rosie is joking about Charlie being too young for Alastor, Charlie looks visibly annoyed, but Alastors body language and expression don’t change. He tends to react relatively strongly when anyone (Angel) makes a move on him or assumes he’s dating anyone, but I think he knows Rosie well enough to know she’s joking.
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Alastor lets his guard down so much in this part of the episode. He’s really in his element and his behavior seems so natural and genuine.
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I love how he’s so willing to just roast Susan. Every iconic duo has that one person they fucking hate and will not be subtle about how much they fucking hate them. It’s especially funny with alastor, who’s usually really pretentious and passive aggressive when he insults someone, but with Susan it’s just
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“✨Ornery old bitch?✨” also this is the only time in the entire series that alastor swears in a genuinely humorous way. In almost every other example, he is trying to intimidate someone or piss them off, and also when his staff was broken.
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And speaking of his staff, I think it was actually a big deal that Alastor let Charlie use it, even tho it was for a very short time. This does show that whether or not he actually cares about her, Alastor does have a certain amount of trust and respect for Charlie. Despite that, I don’t think he would have done this if he wasn’t in cannibal town and with Rosie. The staff is clearly very important to him and likely holds some amount of his power, given how he reacted when it was broken.
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As weird as this sentence is out of context, I think Alastor feels very safe in cannibal down. Rosie and probably the other cannibals genuinely like and respect him. it speaks volumes that not only he let Charlie use his staff, but he put himself in the position that would leave him vulnerable to Rosie if Charlie were to turn on him. While he knows it’s highly unlikely that would happen, I think it’s still worth noting that he intentionally left himself in such a vulnerable position in cannibal town and nowhere else.
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Something else interesting I noticed, is that “ready for this” is one of the only songs that Alastor is interacting with another character, and isn’t competing for the spotlight. He is walking all over Vox in “stayed gone”, and getting walked all over by Lucifer in “Hells greatest dad”, but here, he’s very in tune with everyone else. He and Rosie are on equal footing and he feels secure enough to fade into the background a bit, harmonizing with the cannibals and letting Charlie take the lead.
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So yeah, I feel like Cannibal town is alastors home in hell. His relationship with Rosie is probably the most positive relationship he has in the whole show. I think viv has mentioned that Alastor wasn’t a cannibal before he died, and I’m not sure if that’s still canon, but if it is, I can definitely see him becoming a cannibal when he became friends with Rosie. I can also see Rosie being one of his first friends in hell, maybe they even rose to power together. I’m clearly getting into some more speculative headcanons because I do what I want, but I’m putting them in their own section.
Now for headcanons with little to no substantial evidence ✨✨✨
I do actually really like the idea that they became friends very quickly and rose to power together. I like the idea that they were friends before Alastor became this super powerful force in hell. It also makes sense that he would trust someone who wanted to be his friend back when people weren’t constantly asking for favors or testing his power. Bc I do think that there was a short period of time between him arriving in hell and rising to power. (I have a lot of ideas about how he got his powers which probably will get its own post, but to brief, he wasn’t super powerful when he arrived in hell.) it makes sense that him and Rosie would have become friends in that period.
When he did start rising to power, I think Rosie would have guided him, given that he was a relatively new sinner. She would help him find overlords to target, possibly even letting him recruit cannibals to help him take them down. After he was finished broadcasting their screams, he would return their bodies to Rosie for her to sell. Maybe any cannibals who helped him would get discounts or first pickings.
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This makes sense to me bc not only would it help explain why Alastor has never seen Rosie as a rival or a target, but also it would help explain why they’re so close. Nothing builds a friendship better than overthrowing incredible forces of power. Also they totally square dance on the weekends.
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Viv please I need an episode that’s nothing but these two dicking around in cannibal town for twenty minutes.
#hazbin hotel#hazbin hotel theory#hazbin hotel spoilers#hazbin hotel season 1#hazbin spoilers#alastor hazbin hotel#hazbin alastor#rosie hazbin hotel#radio demon#hello rosie#hazbin hotel rosie#long post
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ROUND FOUR
ROCK LEE vs HATAKE KAKASHI
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Reasons for submission under the cut
Lee
ROCK LEE VS GAARA
kind as can be; willing to jump to action to help his fellow comrades even after going through a life-threatening, major surgery
practical and fashion-forward with his bright green onesie. Function over form, and is prepared at all times by carrying around a spare onesie he will give without question to anyone - even complete strangers
has a surprising edge to him at the beginning of the series; he was ready to severely maim anybody that he saw as a genius
more dedicated than anyone. Was forced to face his own mortality and make a life-or-death decision in the name of his dream, after a literal crushing defeat, and he chose to fight for it. Inspiring
embodies the ideals of original series Naruto. True underdog, had nothing going for him, came from nothing with no legacy or powers, was so disadvantaged that he physically could not meet the bare minimum abilities of his peers. But he worked harder than everyone else and proved that he can be a great shinobi despite all the adversity he faced
Sasuke had to copy Lee’s moves with his Sharingan to succeed during Chuunin exams
cute as a button. Come on.
his fans are dedicated and make amazing work, fanart and fanfic
Kishimoto said he was his favorite character to draw. Boom. Favoritism. Love to see it.
pairs well with everyone. Platonic or romantic, Lee has a great dynamic with other characters
his summer outfit from Guardian of the Crescent Moon Kingdom was the best outfit in the movie
gave us Metal Lee! Blessed us with Metal Lee, really
was the character to beat in the early series if you wanted to show how strong you actually are
Gaara vs Rock Lee was one of the most iconic fights in the series, and everyone remembers where they were when they first saw Lee drop his weights. He owned that fight so hard that people forget he lost.
was wronged by the series. He deserves to win as justice.
got [submitter] personally through the worst times; his ability to persevere face of adversity convinced me I could do it too. He wasn’t special and neither was [submitter], but we didn’t need to be. We can make ourselves great. If no one else got me, Rock Lee’s got me
he’s one of the first non-jutsu using ninja so make such a big impact
was the first person to actually harm Gaara
played a huge part in Gaara becoming a better person
he’s one of the only people that can catch up to Sasuke and easily rivals Naruto in Taijutsu
his kind, determined and cheerful attitude is a joy to watch
Rock Lee removing his weights is easily one of the most iconic moments in the entire anime
has helped several submitters feel better by simply thinking about how he wouldn’t want them to think like that
objectively would’ve made a better protagonist based on the themes alone
KICKS MAJOR ASS
wrecked Sasukes shit, I like Sasuke but that was really funny
he looks like a frog. Who doesn’t like frogs
inspired Sasuke
fights are always entertaining, they’re very well choreographed
he forgave Gaara for nearly killing him and nearly ending his dreams; he was never even mad at him
Rock Lee vs Sasuke was iconic
his heart is so full of love
never did anything wrong
had a squirrel befriend him
hard worker
good friend
rises to any challenge
when he does diss people they are the most brutal yet entertaining disses you ever hear
positive, weirdo, energetic, enthusiastic, joyful, chivalrous, motivated, dedicated, sweet
Lee and Neji had something homosexual going on
YOUTH !!!!
Kakashi
relatable as an adult
he is just an overworked guy who was told to watch some kids w LOTS of issues
needs therapy
good presence and guidance in Narutos life
interesting
cares about and is dedicated to his students very much
he is just cool
he is trying his best despite what he has been through in the past
is up for having fun but still knows when to be serious
was a narcissistic shit but grew out of it
has good intentions
sexy
wonderfully complex and well developed character
incredibly resilient and supportive
a sad and deeply broken man
always willing to give his life to protect them and his other precious people
just wanted everything to be ok for once in his life
hated Danzo
his friendship with Gai is adorable
the way he teases Tenzo is fun
he’s known as cool and aloof but in reality he’s a huge dork
Gai would want him to win
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You mentioned in one post that you think one problem with the game is that it twists itself into pretzels to fit the various different narratives, even when it doesn't make sense for the characters. Can you talk more about that? (Because I totally agree.)
Very much so! It's really bothersome. The first thing is in the individual chapters they tend to act like the students don't know each other well outside their own dorms, almost like they're practical strangers who have never interacted before. When everything else points to the opposite. Take Chapter 5 for example. They try to act like Ace and Deuce have no idea who Epel is, yet in Ace's CR story, he clearly meets Epel during their sorting. Never mind how they behave during events. And in chapter 2 when Cater is with Yuu and the others scoping out possible targets, it's presented like he doesn't know most of them well, when he clearly knows *everyone*.
Then from there, it's how the characters act in their individual chapters. Chapter 1 is mostly okay in this regard. Events with Riddle happen quickly enough that him having a major change of heart and acting "normal" in material from then on isn't too jarring.
But moving on from there it's a trainwreck. The chapter's overblot victims/ antagonists can get a little bit of a pass, but even then it stretches things.
Like Ruggie for instance, he is very shrewd and isn't above taking advantage of a situation. But he's not evil, he very clearly cares a lot about his home, his grandmother, and the other kids who live in the area with him. The idea that the character we see in every other situation would cause serious harm to someone else over a game is kind of ludicrous. He could have very easily risked expulsion if things had gone too far, and then he wouldn't be in a position to help *anyone*. Leona is even kind of iffy to me. While Leona tends to go out of his way to appear uncaring/unmotivated/lazy, he's actually an incredibly good dorm leader who cares about his students. Most of his real issues are internal, and harming innocent people who aren't even part of his beef with Malleus just seems out of character to me. Never mind what he does to Ruggie. Some of it can be explained by the build up of blot but not all of it.
And then Chapter 3, Azul, Jade, and Floyd. For the most part, I can see the tweels going along with everything because they both thrive on chaos. But Azul's plan is just...stupid coming from someone who's a professional businessman. First off he has no shortage of workers for the lounge. Ruggie frequently takes shifts there, and Cater while not a waiter also does a lot of work with them. But the whole sea anemone thing was just gross. And apparently, there was nothing in the contract about not disparaging their employer. It might have caused a spike in business at first just because people want to see what's going on for themselves, but overall, he'd ultimately hurt his business and drive customers *away*. Never mind the whole bullying backstory comes out of NOWHERE. Like I do have sympathy for Azul and what he went through and he is one of my favorite characters, but Ch 3 suffered from poor writing in my opinion. Narratively the whole thing was a mess.
Chapter 4 is handled better in my opinion. For the most part, I have the least amount of complaints about what goes on here. My biggest one though is what I mentioned before, Characters tend to exist in a bubble during their chapter events. You can not tell me that Cater nor Lilia wouldn't have tried to figure out what the hell was going on with Kalim. Or Silver for that matter. Never mind how Kalim had the authority to keep his entire dorm at school over a holiday when it's shut down?!!? I get his family is rich and powerful but, that still seems like a stretch idk.
Jamil I think was a least handled well otherwise, his actions and motivations seemed consistent with his character. In the end, he didn't really want to harm anyone, he just wanted his freedom and was desperate. The only real question is what did he think was going to happen next? Even if Kalim got kicked out of NRC then he would have only had about a year and a half of 'freedom' it wouldn't have solved any of his problems. And if Kalim had turned up dead, there would have still been severe repercussions for him and his family. IDK for someone who is supposed to be good at planning and scheming there definitely were parts that weren't well thought-out.
Chapter 5 and Rook is where this conversation started I think but I'll touch on it again. His actions at the end of chapter 5 are COMPLETELY out of character for what we know about him otherwise. Hiding his obsession with Neige from Vil, and then revealing it IN FRONT OF him while he's still licking his wounds from his overblot is just...if this was the only context we had for Rook, no one would be calling them friends. He had no real reason to reveal he was the one that cost them the competition.
The reception to this was so bad that's why we have the start of chapter 6 where Vil gives his speech about professionalism and why he's okay with Rook and what he did. I don't believe the narrative that Vil wasn't hurt at all, not with how he's shown to be so insecure especially where Neige is concerned. Sure I might buy the part about Rook voting for NRC not hurting him, but not the rest of it.
Never mind otherwise Rook isn't cruel. Especially not to Vil, and his actions were just that.
This is also biased, but the fact that Cater was cut from the team, and the reasons why rub me the wrong way. I know that they just wanted Jamil and Kalim because they were the previous chapter's focal point and Ace and Deuce because they're tied to pretty much everything because of Yuu and the story. But Vil keeps talking about being a professional, admitted straight up that Cater's audition was *perfect* but brushed him off and passed him over anyway. (Also Ironic because Cater's VA actually is a musician/singer/ensemble group member and not a traditional VA) but that's off course of the question lol
Also, I will never not be salty that RSA won with their song/performance. All for the narrative. And THEN they gave us a shot at seeing some kind of revenge or at least a win over them after the VDC with Epel's hometown event and yet again WE STILL LOST. I don't understand that one either. It's just frustrating for the players to be put in that situation again needlessly. There was no real narrative/story reason we had to lose.
Chapter 6 we finally get away from the narrative that the characters can't know who each other are in the main story at least -_-;. overall I don't have too many issues with Chapter 6. (other than the mini games -_-) Idia's character is kept consistent. We get some fun moments from the cast, and for the most part its in line with what we know of them and their characters. Azul and Riddle are gold, Jamil needed to hear what Leona told them. (tho it was a little pot kettle but then again that meant that Leona knew what he was talking about). And over all things don't seem AS forced. Had hoped things were gonna get better.
Then Chapter 7 rolled around and they murdered Lilia's character. The character we knew would NEVER treat his family like that. He even gives Malleus a speech in Cater's Halloween SSR about how he'll always be there when he needs him. He's consistently been shown to value his family and connections. It was just such a drastic change I am still baffled. I understand why he would be leaving, but to not really talk to those around him or explain what's going on and make an effort to keep in touch and stay in their lives? It's absurd. Of course Silver and Malleus broke down, if in high school my dad basically told me he was dying and that he was going far away and I'd never see him again, I'd have lost it too, and I'm not nearly as close to my dad as they were to Lilia.
I know they needed something to trigger Malleus's overblot but again this just seems like poor writing to me. The idea of Lilia loosing his powers and possibly dying I think would have been enough if they'd framed it right to push Malleus over the edge. That's difficult /emotional enough and they wouldn't have had to completely destroy Lilia's characterization to make it work. They could have even had the scene with Silver and Malleus when SIlver breaks down crying in front of him after trying to stay strong in front of Lilia so as not to worry him.
I'm trying to reserve too much judgment until we see the entirety of chapter 7 but unless there is some unknown reason for Lilia to have chosen this method of leaving, I don't know how to really justify it.
I get sometimes characters have to make difficult choices it is what helps make a story interesting, but if those choices arise from conflict that's not framed well or meaningful, it loses its potency. It comes across like us as the players and the characters themselves being cheated.
#twisted wonderland#twst#cater diamond#vil schoenheit#heartslabyul#rook hunt#floyd leech#riddle rosehearts#leona kingscholar#ruggie bucchi#ace trappola#deuce spade#savanaclaw#octavinelle#azul ashengrotto#jade leech#jamil viper#kalim al asim#scarabia#epel felmier#pomefiore#idia shroud#ortho shroud#ignihyde#diasomnia#lilia vanrouge#malleus draconia#twst silver#twst yuu#twst thoughts
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do you have any more thoughts on sete&vale rivalry? ps. love your blog!
I ALWAYS have more thoughts about the sete/valentino rivalry and if there is one person on this website who wants to read them then let's fucking go. so my issue is that when I looked at this ask the first time I thought I could maybe give like. a few thoughts. just some casual fun takes. the problem is I've been doing that anyway in my other posts, but there's really only so much point in doing that if I'm not providing any context on events that are by this point two decades old. so. time for some actual context
this isn't going to be exhaustive by any stretch of the imagination. what I'm covering here is two/three incredibly interesting years of motogp that deserve to be experienced and studied in their entirety, but alas I am but one poster on one microblogging website. so this is very much going to be the whistle-stop tour of explaining feuds, before a little bit of analysis to cap things off. (would like to state for the record that I called it 'whistle-stop' when this post was a lot shorter than it is now, but I'm leaving this paragraph in because it'll get funnier the longer you scroll. it's still not exhaustive but it's a lot more exhaustive than I thought it'd be when I wrote those sentences)
this rivalry began in an odd, uncertain period of valentino's career, at a time when valentino had essentially won motogp. he had just concluded his 2002 season and sealed his second premier class title in the process, with his results that year consisting of eleven wins, four second places and a single retirement. it was more or less as good as it gets, crushingly dominant, the undisputed lord and master of all he surveyed etc etc etc. and yet it was also a time where he was ill at ease with his role within the sport and was struggling with motivation, so much so that he increasingly found himself no longer taking joy in his racing. he ended up being so disillusioned with the existing state of affairs that he decided to make a radical move to redefine himself, to control his own destiny, to take the step from a great to a legend
which is all very abstract, in a way, removed from the realities of racing or indeed competition. this was a time in which no other rider could come close to matching valentino as a competitor and everyone basically knew as much. it adds an odd flavour to the challenges an athlete faces, where the success is such that it warps everyone's understanding of what success even looks like (not helped by how the last dominant athlete in the sport, mick doohan, also had a silly good track record in his prime). you could say, if you want, that 2002 is all about sowing, all about vale having so much success that it's started to feel a bit too easy, where he was just coasting on a wave of his own brilliance. 2003? well, now we've gotten to the reaping stage, where he's suffering under the expectations he himself has created, and all this winning is maybe already getting kind of boring
the first task in sports is not to be better than everyone else - it is to win. being better helps, but it has never been strictly necessary. there was no serious question at any point during his rivalry with gibernau who the better rider was between the pair of them. perhaps even more importantly, there was no question who the stronger between the two of them should be. over the years, valentino would have to deal with more than his fair share of young talent who proved they could match him in ability, the riders who had already long been marked for greatness and had the potential to be valentino's successors to the throne. gibernau was not that man - he was older, he was less accomplished, he was a revelation rather than anointed. it's one thing to be challenged by an alien, quite the other to be beaten by a bog standard human. especially if the bar for what constitutes being 'beaten' is set pretty low - never mind full seasons, should you even be losing individual races to this new challenger?
the rivalry between valentino and sete is not one of two equals, neither in ability nor in how their success was measured. but it became one that spawned a close title fight, courtesy of valentino unexpectedly wrestling the yamaha into title contention against his former employers at the first time of asking. valentino's main pressures in those years did not come because of any other rider, including sete - they stemmed from external forces such as honda or the press, from his internal struggles, and eventually were self-imposed in his decision to take a step into the unknown and join yamaha. the shape that this rivalry took reflected the disparity between the pair of them at every stage. valentino's biggest enemy during those years only ever could have been himself - so could sete exert himself upon this narrative at all? was he only relevant as long as valentino let him be? has he been so conclusively beaten that he has allowed valentino to erase him from his story entirely?
the first task in sports isn't to be better than everyone else... but it usually isn't quite this low down on the order of priorities. when 'being better than everyone else' is taken as read, then where does the narrative tension come from? usually, this is the kind of issue that commercial stakeholders and broadcasters and journalists and fans care about - not the dominant athlete of the time. but valentino is a storyteller and he does care. he can't handle stagnation. he can't handle being bored. he needs something to fight for and someone to fight and he needs all of it to happen on his own terms. the rivalry between valentino and sete becomes about everything except who the better rider is - and they happen to be perfectly suited characters for a rivalry such as this. for something that feels a little removed from the typical pressures of competition, of simply doing all you can to win, to beat the other guy, in whatever way you can, to rack up one victory after the other... but what we're primarily talking about here isn't numbers, it's theatre. it's show. and it's about two men who are particularly in tune with the artifice of it all, who are particularly concerned with how the world perceives them. valentino always knows where the camera is, always knows to play to it - and sete knows where it is too, which is what valentino uses to unsettle him to the point of despair
so, that's the set-up. let's bring in the context. what I'll cover here is mostly limited to what transpires during the years in which the rivalry is at its most prominent, aka 2003-05-ish, and mostly stays away from its legacy or repercussions. the first bit covers sete's emergence as valentino's rival, then how he becomes honda's best hope of stopping valentino, then the controversy that ruined their relationship, and finally how sete falls apart. after that, I'll give some of my thoughts about the rivalry and how it functions as a narrative. but again, there's a lot that's being left out here - like the bits of my notes that are just a tally of every misfortune that befalls sete gibernau post-qatar 2004. remember, kids: curses are a nasty nasty business and should be wielded with care
becoming the challenger
sete's rise to becoming a legitimate title contender was in some ways as unlikely as the manner of his downfall. born in december of 1972, so six-and-a-bit years older than valentino, his grandfather was a titan in the motorcycling industry and he grew up both affluent and surrounded by bikes. he's unusually well-educated for a rider, proficient in languages even by paddock standards - and, like valentino, a bit of an aberration from the mould of the stereotypical nineties bike racer. the reputation he had was for being a bit too vain, a bit too metropolitan, too self-absorbed to be suited to the rough-and-tumble of elite motorcycle racing
by the time he signed with the gresini honda team in 2003, his track record was very far from that of a title contender. after various wildcards in the mid-nineties, he'd finally managed to get a permanent seat first in 250cc and then in 500cc. eventually racing for repsol honda and taking doohan's bike when he was injured badly enough to force his retirement, sete's initial promise remained largely unfulfilled and he was dropped by honda after the 2000 season. he joined suzuki, who were struggling immensely in the aftermath of their title courtesy of kenny roberts jr. sete did get his first premier class win in valencia in 2001 in mixed conditions - a rare race that year valentino did not win after making a conservative tyre choice at a track he's in any case always been dreadful at. in 2002, suzuki was still struggling, though the wet conditions in estoril gave sete a chance for an early duel with valentino until he crashed. valentino said afterwards he felt sorry for sete (in a nice way not a condescending way)
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^sete's first ever win came in valencia far far ahead of valentino in a lowly eleventh place. incidentally, it was there that a year prior vale's late charge to an increasingly plausible rookie 500cc title came unstuck. it's fair to say it's not exactly his favourite circuit on the calendar, which some might call a sign of good taste
and then, the move to gresini honda in 2003 - to which he also brought his sponsor telefonica, who became the team's title sponsor for the next few years. as I'm sure fans of the current era are able to appreciate, while it might have been a step from a factory to a satellite squad it was a very obvious competitive upgrade. he may not have had the newest spec of honda, unlike his teammate, but he was still satisfied with his machinery and his new team
sete and valentino had already had a good relationship at this point, a friendship that extended beyond paddock walls. they'd get drunk together after races, party together on ibiza over the summer holidays - and of course there's the story of sete giving valentino advice upon his transition to 500cc. previously, valentino's most notable rivals had come from other factories, whether kenny roberts jr on the suzuki or max biaggi on the yamaha. but honda had poached biaggi for the 2003 season and - after a brief blip in 2000 -were establishing themselves once again as the overwhelmingly dominant force of the sport, boasting an embarrassment of riches both in the engineering department and in their formidable host of riders. they were the undisputed kings of motogp and were comfortable in knowing that their bikes were so good that the riders were far from essential, all easy enough to replace if they had to be. all of which meant valentino knew going into that year that his most significant challenges were likely to come from within his own house, though he would hardly have expected sete to lead the charge
but then, a tragedy in the very first race of 2003 changed things. in suzuka, gresini honda rider daijiro kato crashed and hit one of the walls, later succumbing to his injuries. kato had been a 250cc champion and was widely tipped as a future premier class champion, japan's best hope for a first in that category. even though gibernau and kato had only been teammates for a short time, sete had immediately felt welcomed within the team and had worked together closely with kato over winter testing, including helping him out in the wet conditions in which kato had long struggled
the brutality of racing is such that two weeks later, the grid were to line up again at welkom. and it was there that gibernau secured an unlikely, fantastical win from pole position holding off valentino along the way. he dedicated his victory to his fallen teammate - who he said had been with him when he was riding. he wore kato's #74 on his leathers for the rest of his career. whether rightly or wrongly, paddock consensus was that the events had transformed gibernau, had made him into someone who took his racing more seriously, had made him finally commit all his mind and body and soul to riding, to fighting, to winning
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^pointing up to the sky at welkom 2003. the number 74 is prominently placed on his upper chest to the right
it also had another effect. kato's death sparked controversy due to the layout of the suzuka track, the decision of the officials not to halt the race, and the rescue workers who had failed to follow proper medical procedure in moving him. both sete and valentino reportedly said they would not race there again, and it did end up being the last year grand prix motorcycle racing came to that track. it also prompted conversations about what could be done to better protect riders - and sete was one of the main figures behind the idea that riders themselves should have more of a say in safety standards. this led to the establishment of the safety commission, which back then included fewer riders but both valentino and especially sete involved themselves in
^sete at a safety commission meeting
did the tragedy really transform sete's fortunes as a racer? perhaps, though the switch to honda and a team he grew so fond of surely would have helped in any case. still, the contrast in his results and how he went about achieving them is stark; we'll never know for certain, but it's understandable why it's such a popular interpretation. another factor, too - despite some initial resistance, sete ended up inheriting kato's factory-spec machinery and was now riding the same bike as the other primary contenders of that season. the first half of his 2003 quickly cemented his new status within the factory, winning again in le mans, and then in assen. by the time they reached the halfway point of the season after donington park, sete was in second place in the standings, just clear of biaggi and only 34 points behind valentino
which is where we get back to valentino and ask ourselves what the hell that man thought he was playing at. did he really believe that it was all right to sit on a mere 34-point lead halfway through the season? was valentino, at the tender age of twenty four, already washed? was he finished? was this the beginning of the end? had he already peaked? did he just not have it in him any more?
obviously the answer to all of those things is 'no' and also 'what?' - but these were questions that many, most notably in the italian press, were in all seriousness asking anyone who would listen. now, valentino had theoretically just won in donington, except en route he had overtaken under a yellow flag and was controversially stripped of that victory after the fact. which meant that - you may want to hold onto something here - valentino had gone for a whole three races without winning. that's right. three races. granted, he'd already secured three victories that season and had been on the podium every single race, but the pressure was beginning to mount on valentino to deliver. it wasn't just the three race losing streak, but also the emergence of sete as a serious rival and how he had gotten the better of valentino - first at welkom by holding him off, then at le mans by beating him on the very last lap. valentino had also separately fucked up in a duel against capirossi for the victory in catalunya (funnily enough not one of the valentino duels there everyone remembers), eventually making a big enough mistake he had to spend the rest of the race recovering to second. honda had expectations, the italian press had standards, and the sheer dominance of his 2002 campaign meant that even the slightest dips in form translated into criticism of valentino and speculation on the state of his mettle or lack thereof. and things were about to get even worse
last race before the summer break and they're headed to the sachsenring - and here we were provided with a classic valentino performance right until the very moment where it wasn't. when sete caught up with him, valentino let him go ahead to study him from behind and crack him at the very end. he made his move on the penultimate corner of the race and successfully got ahead - but made a mistake in picking a very tight line into the final corner and lost too much speed, allowing sete to beat him to the line by a mere 0.06s. the general perception was that this had been a winnable race, and that it had been lost, more than anything else, out of arrogance. he could have attacked earlier - and if he didn't, then at the very least he should have been smarter about the final corner. he had allowed sete to beat him in a straight fight for the third time that year, who was now on four wins that season to valentino's three. all this meant that valentino's winless streak had been extended to four. that's right. you heard me. valentino rossi, the man they call the goat, had the audacity to go a whole. four. races. without. winning. the italian press had a field day and were calling for blood, and who could blame them?
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^sete gibernau posing for a photo with a washed-up loser
luckily, valentino had the summer break to go off and clear his head and think about what he'd done. it was a good chance to get away from the constant scrutiny and criticism that had come during a year in which he'd already been feeling discontent with honda from the very beginning. the perception was that valentino had had it too easy and was resting on his laurels, no longer taking racing seriously enough, coasting on past successes that he was finding it hard to replicate - never mind his 29-point lead in the championship standings. so valentino ends up doing what is sensible in that situation. has a hot girl crisis. goes to ibiza. gets his hair dyed red. rocks up at the paddock for brno with his cool new hair as a bit of a throwback - he's still that guy who knows to have fun, he won't let any of this get to him, he's not going to take any of this too seriously
here's a more in-depth post on brno 2003 including, of course, his celebrations. to summarise - he won a tight thriller of a race and this time beat sete to the line, just about. then he celebrated by having a bunch of his fans dress up as convicts and donning his own cap and ball and chain - a 'prisoner of his own success', if you will. another step was taken that weekend on the road that would eventually lead him to abandoning honda and signing with yamaha. and here he is in his autobiography talking about his disillusionment with honda. he's not the first athlete to feel unhappy within his team, not the first dominant sportsperson to struggle to find motivation. still, when you consider how long his career ended up lasting, there's something remarkable to how quickly it threatened to turn joyless to him. if he were one of those athletes who just needed to win to be happy, he would have been fine within honda
but that's what valentino's all about, isn't it. within honda, under the ferocious glare of the italian press, he felt trapped. he felt imprisoned. he felt burdened by the expectations that his own victories had placed on his shoulders. it isn't enough for him simply to win. not if the winning isn't happening on his own terms. not if it's just another way in which honda can show off how superior their bike is. just another means for the italian press to ramp up pressure on him in the future. if valentino doesn't win, then well, it'll be gibernau. it'll be biaggi. who cares? valentino isn't essential to honda's success - the bike is. and vale decided he could no longer accept that. he returned to his roots in brno with the haircut and the celebrations and the candlelight meetings with yamaha that demonstrated his determination to forge his own path. winning is a part of him; when he wins he uses it to express himself, to define both who he is and who he is not - which is where, of course, the rivals enter the picture. valentino delineates his self against the other as much as anyone does, expressing his identity both as a racer and as a person by drawing the line between himself and his enemy and making a spectacle of what separates them. you can only win when you beat someone else, and valentino has always understood that the vanquished is very nearly as big a part of the show as the vanquisher
but here, the relationship between valentino and sete was at the very least outwardly still warm. they were both as gracious in defeat as they were in victory - helped along by the awareness that whatever the frothing italian press might pretend, valentino was unlikely to lose that year's title. still, were tensions beginning to creep in, given how valentino retrospectively speaks in his autobiography about how both biaggi and gibernau complained he had superior machinery? how about when rumours began to fly about valentino's impending move to yamaha and sete supposedly said valentino won't have so much to laugh about the next year? or the glee valentino read on sete's face at the thought of valentino's departure from honda? another point, on the ibiza trips - it's unclear when and how many times they happened, but one source suggests they had stopped in 2003. on the other hand, the brno 2003 race commentary makes multiple references to how they'd been partying together on ibiza during the summer break (which you'd have to say is pretty remarkable in itself after a race like sachsenring), and I'm inclined to trust the race commentary on this one. so maybe it's 2004 the trips tail off... at what point then did the relationship between the two of them begin to transform from friends to true rivals, however genial to begin with? how wary had valentino already grown of sete by the end of 2003?
^age old tradition. sete buddy that kid is going to ruin you
in any case, the remainder of valentino's season was close to flawless, winning five of the six remaining races. in sepang, having already decided he was going to sign with yamaha come what may, he sealed the title with a dominant win over sete - and brought back the convict celebrations, except this time he had a big novelty key to open the big novelty lock, presumably to signify how he could finally escape. which is charmingly on the nose, yes, but there's something enjoyable about an athlete who is so very committed to making the subtext text. how better to conclude his time with honda, who he had grown so very disillusioned with? tell them how you really feel and all that
^after vale has sealed the title at sepang. sete gives him a nice little kiss before assaulting him with champagne on the podium
or - not quite to a conclusion, not yet. after all, there were still two more races to go in 2003. in phillip island, he secured one of the more spectacular victories of his career when he once again fell foul of the 'could you please stop overtaking under yellow flags' thing - but this time, was informed of the situation and his ten second time penalty during rather than after the race. furious at the penalty, he flew off, setting a blistering pace that not only gave him the requisite ten second margin over his closest challenger capirossi, but eventually meant he crossed the line fifteen seconds ahead of his countryman. he had a point to prove that day, and proved it. he might have been on the best bike, yes - but he was laughably better than anyone else riding it, and the world still hadn't seen yet all that he was capable of
then came the last race of the season and the announcement honda and valentino would be holding a press conference together afterwards, widely expected to be announcing a split that for much of the year the paddock refused to believe might actually happen. one more ride on the honda that valentino must say farewell to and will dearly miss - that unfortunately took place at valencia, an ugly bore of a track that valentino has always been awful at, the only one on the calendar he had not yet conquered. but he needed to say goodbye to his beloved bike (decked in an austin powers-themed special livery) in style, and he went on to win the race before telling the world that him and honda were parting ways. time to go to yamaha and prove the haters and losers wrong - including one sete gibernau
^honda or yamaha, friendship can survive anything <3 quite like valentino's unorthodox spraying technique in the photo on the right - sete was admirably determined to drench vale at welkom
honda's next champion?
the thing about 2004, right, is that the dominant rider in motogp had very nicely taken himself out of the picture for at least a year to try and turn that useless pile of junk into title-contending machinery. maybe rossi would start turning things around in the second half of the year and snatch an occasional win. maybe he'd put together a title charge in 2005, though that was by no means guaranteed - it was entirely plausible that his failure would be as complete as it would be spectacular. what this meant for everyone else was that they'd basically been given a freebie. a clear run at the title, as long as they could beat all the other non-rossi challengers. for a number of blokes at honda, this was the big year. biaggi, gibernau, anyone else who was feeling brave - this was the time. and honda, right, were going all in on this. rossi had the audacity, the nerve, the sheer disrespect to turn his back on them and imagine he could win without them. every rider dreamt of being decked in their colours, and valentino had walked away. they were going to throw all the considerable money and resources at their disposal behind a small army of riders, tasked not only with beating rossi but humiliating him
this is all a bit of an exaggeration, but not too much of one. as then-yamaha rider and then-valentino friend marco melandri put it in 2003, "if valentino did come to yamaha at least he would be able to give them direction with development, but he would not have a chance of winning". the best-placed yamaha rider in the 2003 championship standings had been carlos checa in seventh, and all yamaha riders combined had achieved a grand total of one podium finish that whole year. generally speaking, however, once this kind of idle speculation of 'oh imagine if he moved' actually becomes reality, the conversation does shift accordingly, and so the initial consensus of 'surely he can't win on a yamaha' of much of 2003 was already beginning to crack by the time they actually arrived at welkom. and the relationship with honda really did end on a pretty sour note, not least because valentino's former employers refused to let vale test the yamaha before his contract expired at the end of 2003 - which is generally a pretty decent barometer of whether a rider and team are parting on good terms. as valentino put it: "their attitude pissed me off. it will cost me four races, but I always knew things would be like that". in the end, obviously he was still able to make good use of the pre-season testing he did have and he was not cost "four races" - and at the very latest people had to reassess their outlook on the season when he hit the track at welkom. if anything, his immediate pace that weekend was distinctly un-valentino-like - who needs to already be fast on a friday? - and he led every session and qualified on pole. and then, he went and achieved what still remains possibly the greatest victory of his career after a thrilling battle with old foe biaggi right to the very end. sete was a very distant third
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^sete drenching vale at welkom. I am once again going to do 2004 prop and let you know that some of the best races are available free online: welkom, mugello, catalunya, assen and qatar are all on youtube (they should upload phillip island but ah well ed.: for some reason phillip island has been uploaded to facebook)
of course, valentino did not have it all his own way that year. of course, sete was not suddenly replaced by biaggi as vale's prime challenger. but yes, sete will have had to readjust his expectations of valentino's season the same as everyone else. after welkom, the conversation shifted definitively from 'surely not' to 'could he really...?' - and all other contenders were informed in no uncertain terms that they were not to be granted a rossi-free season. that being said, of course this still very much looked like sete's best chance. of course this wasn't going to be as straightforward as valentino's past titles. perhaps, even, welkom had provided a somewhat illusory picture of what the competitive landscape actually looked like that season. perhaps people had been too hasty to hand the title to valentino again after welkom. a wet weather specialist, sete secured victory in a rainy jerez, while valentino struggled to get his yamaha to work in the wet and finished fourth - his first time off the podium in twenty four races. at le mans, another race in tricky conditions, sete won once again and extended his championship lead while valentino took another fourth place. the spectacle of welkom might have been a flash in the pan; it might be time to reassess the kinds of results valentino could achieve on a regular basis with that machinery
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^left: valentino having fun in the wet of jerez; right: valentino's wood-themed helmet for mugello, because if you finish fourth you get a wooden medal
what followed was a pivotal stretch of three races that turned valentino's 2004 title bid from a dream to something that felt increasingly plausible, even likely. all three of these races were extremely closely fought. all three of them are very enjoyable to watch. all three of them are freely available on youtube dot com. first, they headed to mugello, a big one for both sete and valentino. valentino had won the last two races at mugello and it was the race that was more important to him than any other - so if you're sete, where better to stamp your authority on the season? the race ended up having a little bit of everything: a ferocious multi-rider scrap, a duel between the two main title contenders, a red flag and a restart due to the worsening meteorological situation that resulted in another multi-rider scrap. valentino had to make full use of his skills as well as his composure to go out and in essence win two entirely different races. after the second start he fell back as far as seventh as he figured out the grip conditions, taking his time to fuck around before eventually fucking off (or as much as you can fuck off when you only have two and a half laps left). still, sete managed to salvage a second place result and limited the points damage
^2004 is as close to a perfect season as you can get, but there is one major factor that holds it back: the colour schemes of the title contenders. extremely similar combinations of blue with a little yellow from guys who aren't even in the same factory, let alone teammates - and jorge was always way easier to distinguish from valentino than this mess. what makes this extra stupid is that valentino's actual teammate that year, carlos checa, had a RED livery and RED leathers so. okay. great job guys. anyway, cracking race, split into two halves (or well. four fifths and a fifth). apparently, sete overtook valentino at some point under a yellow flag - or, at least, valentino says he did, which is something he remembers just in time for that year's sepang press conference
so a home victory secured and a hat trick of mugello wins - time to head back to sete land and fight it out in catalunya. top five valentino catalunya duel for sure, a pretty crowded category. sete had led every single session going into the race, but in the end he came out second best in a fight that went on until the very last lap. no longer was valentino willing to let sete get the better of him in head-to-head combat, and the victory was even sweeter coming as it did on sete's home turf - and indeed valentino would establish a bit of a tradition of beating spaniards at that track. the tide was turning and increasingly it did look like valentino might actually achieve the impossible
"One hundred and five thousand screaming Spaniards roar on their hero Sete Gibernau. He's something of an unexpected hero really. After so many years in grand prix, he lived in the shadow of Alex Criville. Criville's retired, Gibernau is on the Honda, and Gibernau is leading the world championship."
^excerpt from the catalunya 2004 commentary
and then, the next race: time for assen
^still friendly and chatting before the first real trial their relationship faces. by the by, the commentary for this race references a cartoon proposing that all that valentino needs to do to keep sete behind him is to attach a mirror to the back of his bike - because sete would be too busy posing. which gives you a general sense of the tone people used to discuss sete with
coming into this race, sete had gotten two consecutive second places to valentino. his championship lead had shrunk to five points. valentino had already gotten the yamaha into race-winning shape sooner than anyone had expected, and now it increasingly looked like he might be able to achieve the week-to-week results that won championships. it also did not help that sete's defeats had come in direct duels with valentino - in the early days of that rivalry, this exact type of duel had been how sete had announced himself as a serious threat. if it came down to another direct fight between the two of them, sete badly wanted to get a win over his rival, not just for points but for pride. and valentino, conversely, wanted to press home the advantage, to bite harder when his opponent was already bleeding. if you will
this turned into a bit of a three-way tussle between those two and barros, but then barros crashed out and it was just the two of them - going into the very last lap with sete ahead. valentino, who was having to risk far more on the yamaha than he ever did on the honda, made a lunge up the inside of turn 12 and almost binned it in the following corner. nearly losing the front resulted in contact with sete, where sete's front wheel hit the rear of vale's bike and damaged the front mudguard - and in the end sete backed off just a touch, allowing vale to cross the line with almost half a second in hand
valentino was enthusiastic in his celebrations, shall we say, whereas sete... well. sete did not look thrilled. gone were the usual parc fermé exchanges, no more hugs or friendly handshakes or kisses. sete suffered his way through the podium celebrations as the wettest of wet blankets, popping the champagne for about half a second and staying rooted in place while valentino carried on doing his thing. the natural assumption would be that sete was furious not just at losing but at the manner in which the pass for the victory was executed, out of control and in a way that could have easily resulted in a crash for both of them. valentino certainly assumed as much, saying that sete was "for sure a little bit angry" (clip here, also includes sete's statement). but when it was sete's turn to speak... he just said he was frustrated at losing, as anyone would be in his situation. which, well, doesn't quite fit in with his reaction, and also doesn't entirely match up with other statements he made at the time. there are two more sets of quotes from the protagonists of the race, though I can't determine with absolute certainty in which order these things were said. here's the first (article dated day of the race):
Gibernau lost vital time in that clash and was not able to challenge on the remainder of the lap but Rossi insists he did not deliberately block the Telefonica Movistar Honda rider. "I came into the bend a little too quickly and I slightly lost control of the front of my Yamaha, which explains why I touched him, but it wasn't intentional," he said. Gibernau did not use the incident as an excuse for his defeat. "To be overtaken in the final meters after dominating the race, it's obviously gutting," said the Spaniard. "I was angry about the way he overtook me. His manoeuvre really was risky. He said he didn't do it on purpose, but it doesn't take away my disappointment."
and here's the second (article dated the day after the race):
"I made a mistake and had to brake early or I would have crashed," said Rossi, explaining why he slowed so suddenly in front of the Spaniard. "I did not even feel Sete touch me. He was very angry, but I explained what happened." For his part, and after having chance to cool down, Gibernau appeared to accept that the contact hadn't been deliberate. "I had a good chance right until the end but we touched on the last lap - Valentino explained that he almost fell and, if that's the case, then there's nothing for me to say," shrugged Sete. "These things happen in racing. We had a good battle in another great race."
if that indeed is the order in which their statements were delivered, this whole episode feels like an interesting exercise in passive aggressive feuding - sete could have of course simply gone up to valentino, supposedly his friend, and asked for an explanation, or stated his objections openly when asked about them in the presser. instead, it seems to have been valentino who offered his explanations after sete had denied even having any issue with the overtake, with sete contradicting himself later by saying he had been angry. even then, sete said it didn't "take away my disappointment", which suggests not all was forgiven. from parc fermé to the podium to the press conference, he'd used every part of his body with full effect to express his displeasure with the notable exception of his mouth. this incident hasn't really been brought up by either party since, but as far as the eye test goes the relationship sure seemed like it was pretty strained by this. with the benefit of hindsight, it stands out as a turning point in their rivalry, the first time the veneer of the gracious loser was well and truly discarded and a sour note was added to the relationship. this was also the race where the championship lead was taken away from gibernau on countback, which incidentally was the last time an independent rider led the world championship standings until... uh... *squints at notes* argentina 2018
^already post-assen - but no reason not to be civil, right? what's a little last lap assen controversy between friends. scholars will note that this is the race after which valentino engaged in some unsavoury parc fermé activities with sete's then-teammate colin edwards
for the sake of brevity, the next part of the season is mostly going to be skipped over, but to give you the sparknotes version: sete's results grew more inconsistent, and valentino gained more of an advantage, despite still having to over-ride the bike in a way that helped cause his dnf in rio (his first dnf since brno 2002 and his first non-mechanical dnf since mugello 2001). apart from a brief period where biaggi seemed like he was going to reinsert himself in the title fight, plus a sete win in brno, for the most part the tide had clearly turned in valentino's favour and that yamaha title was looking more and more like a certainty. so let's pick up the narrative at the next major flashpoint between the pair of them, at motogp's first visit to qatar
I've already written up a post that gives more information on that race and the specifics of the controversy, so I'll forgo another detailed summary of events here. the basic facts we have at our disposal are that valentino's team, whether to his knowledge or not, rubbered up his spot of the grid, and he was then penalised for it. he worked his way up from the back of the grid before crashing out of fourth place. sete won, reducing the gap separating the two riders at the top of the standings to a mere fourteen points with three rounds to go. valentino was furious at sete, at honda, at the stewards, at pretty much everyone. here are some of his remarks:
"Gibernau's victory is not real. They stole the match from us with the shameful farce of the penalty. A truly incredible situation occurred. Everyone cleans the starting 'box'. Is there a written rule? In Rio we all went to wash the track, which was dirty. The same thing happened here. In F1 the cars skid, the asphalt is cleaned with the motorbikes. After Friday's practice [before the Saturday race] we saw Biaggi's mechanics cleaning the track and we thought it was a good idea. We cleaned the track and Honda screwed up. The others have to attach themselves to something. Gibernau and his chief suspension mechanic didn't hesitate to snitch like kids. Something ridiculous. I didn't expect to get to this point. In the race I gave a lot in the early stages, after two corners I was eighth and after four laps I was already in fourth position. I spent a lot and relaxed for a moment. Unfortunately I went wide and couldn't find the curb anymore. I made a mistake, but I wouldn't have made such a mistake if I had started from the front. I hope to make up for it in Malaysia, fortunately I didn't get hurt in the crash. It went well for the finger, when I saw the blood I was scared. But the finger didn't explode."
^some of these websites have a habit of collating a bunch of different answers into one paragraph of remarks but personally I am choosing to believe he did actually deliver this as a single monologue
valentino also said he had been looking for an excuse not to speak to sete, called him a child, saying sete had essentially stabbed him in the back. and of course, so the legend goes, he infamously vowed that sete would never win another race again
who snitched?
everything up until now has been more or less just summarising events as they happened - but now we enter considerably murkier waters. we do not definitively know one way or another what happened in qatar, who said what, who was responsible for what. let's get the less important mystery out of the way first: did valentino really curse sete?
no, not in the sense of 'did valentino rossi really perform black magic' - more the question of if he ever really said it. a lot of journalists who are otherwise at least mildly reputable seem to take it as read, but also a lot of journalists are motivated to believe he said it because it makes for a fantastic story. when did he say it? to whom? one source talks about it being at the press conference of the following race, which I know for a fact is not the case. here's a source that is one of the ones to have swayed me more to the side of 'yeah maybe he did say it':
Rossi then did an interview with Italian TV. He’d hurt his little finger, really mashed it up, in the crash. And he famously said “I will make sure Gibernau will never win another race because of this”. We’ve all got a soft spot for Valentino, and I can remember thinking ‘oh God, I wouldn’t have said that if I were you. I really wouldn’t have said that…’
I know this is objectively not a lot to go on, but at least it's a commentator/journalist who was there at the time, claiming they remember finding out about it, giving a little detail about to whom it supposedly was said ('italian tv') and having an immediate response to it that they are also remembering. obviously, this too could be bogus. but, well, at the end of the day I'm with the journalists here: I too want it to be true because it is indeed a fantastic story. there has also been the suggestion, again poorly sourced, that valentino has denied saying this - or, and this genuinely would be my favourite option of them all, that he said he only meant it for that year. hate it when I place a curse on someone and it accidentally lasts too long
now that I've done my due diligence, here's the good bit: beyond a certain point, it does not matter whether valentino actually said it or not. what mattered is that everyone thought he said it - and, crucially, as 2005 wore on, it became ever more part of the discourse. it was part of the reporting of races: could gibernau finally break the curse? it was discussed extensively in the commentary: we're back in qatar, do curses have an expiration date of a year or not? there is no way that within the claustrophobic world of the motogp paddock sete would have been been able to avoid it, let alone be unaware of it entirely. (incidentally, the fact that this is the case and I've not been able to find a better source of valentino denying it makes me again feel like he did actually say it - though I suppose it'd also be pretty funny if he hadn't said it but was like. actually this is working out quite nicely for me.) assuming for a moment that valentino is not capable of literally cursing people, the 'real effect' the curse can have is only in tormenting its victim through the mere knowledge of its supposed existence
but we're getting ahead of ourselves here. whether the curse existed or not, it could only have the effect it had if valentino fulfilled its initial promise - by denying sete another win that season while securing the title for himself. so let's just quickly recap where we're at: three rounds to go, fourteen points between the two contenders. valentino went back to italy to try and fix the fucked up finger and presumably to cool off a bit. the motogp media did what it does best and spent the entire week hyping up the drama. and there was, of course, another mystery everyone was still trying to get to the bottom of: was sete really involved in valentino's penalty?
let's first tack on another question: does it even matter? of course, the truth has never been established with 100% certainty either way, and all it does is give the two parties a reason to blow up a friendship that was already getting a little bit strained. either way, the relationship between them was ruined; either way, valentino crushed sete. not just that - whether it really happened or not is one thing, but I feel just a touch more confident in asserting that valentino believed it happened, just from my extreme vibes-based analysis of how genuinely furious he seemed and how he was still referring to sete's dirty games a whole eleven years later. which, of course, doesn't in itself really tell us one way or another what actually happened. valentino can convince himself of all manner of things. if anything, his track record as well as how ruthlessly he exploited the situation to his own advantage count against believing his version of events. and, at the end of the day, only one of valentino and sete can speak to sete's involvement in the protest that caused the penalty with complete certainty. it's not valentino
and in a way, it doesn't really matter. sete is unsettled either way - because even if he did have some hand in the penalty, this is the kind of low level petty snitching athletes and their teams constantly engage in. I cannot imagine he would have thought valentino would react as he did. quite honestly, I'm not sure sete could have conceived of a rival reacting like that to anything. if sete was responsible, then valentino still managed to escalate to a level of hostility sete would never have been able to match, let alone be comfortable with. obviously, it would not be in his interest to retroactively admit any involvement in the matter, not least because he saw how valentino responded to the mere assumption of sete's guilt. it does, however, still matter in evaluating sete's assertions that the relationship between them changed more or less from one day to the next (which *gestures at the above wall of text* I'm not entirely convinced by), and in judging whether this is a feud that's entirely built on the back of valentino's delusions. was sete really completely unaware and, a separate question - was it an unreasonable assumption from valentino that he was involved? if both of those questions are answered in the affirmative, then you do have to say what follows must have been absolutely bonkers from sete's perspective. I mean, it's kind of bonkers anyway, but. y'know. even more so
the problem with actually evaluating the claims are that basically every source about it frames the whole thing differently and often in contradictory ways, to the point where even valentino's actual allegation has been shrouded in the mists of time. different journalists and commentators and authors after the fact have confidently asserted that either hrc or sete's gresini team lodged the protest - some seem to take it as read that sete did indeed have some kind of role in it, and there is no indication whether they have some kind of privileged information that backs this up or whether this is simply valentino's influence making itself felt. hrc is obviously a likely suspect, given they canonically hate valentino and are praying for his downfall and have invested a whole lot already to bring it about. then again, gresini are the ones who are actually in this championship battle - and, of course, there's the distinct possibility that all parts of honda were involved in this together. other figures that have been brought up are gresini team principal fausto gresini who it has been claimed was personally involved in making the protest - this from the stuart barker biography, which treats it essentially as established fact. the barker biography also says that yamaha was not found to be breaking any specific rules, but race direction said it was against the 'spirit' of the sport, which... okay, I'd also be pretty annoyed to be penalised for that, especially at that stage of the season. while it is of course possible that sete was not involved in his own team's actions, it does seem a little less likely that he would not have at the very least been informed. to add another twist, one version of the story that has cropped up more than once is that valentino's allegation was that sete and his crew chief juan martinez went to hrc to get them to go to race direction. also, it may be that ducati protested both valentino and biaggi (who was definitely breaking the rules). which, good on them
unfortunately this is pretty inconclusive stuff and at a certain point it feels like you have nothing better than gut feeling to rely on to choose which narrative is more convincing to you. which is annoying! where's the substantial evidence! nowhere, it appears, not that I've been able to find it - but there is one more tangible source that I haven't brought up until now. you see, dorna, in their infinite commitment to the bit, have been kind enough to make the thursday press conference at the very next race one of the very few of that era that they have uploaded in its entirety. I am talking, of course, of the pre-event press conference at sepang
^posing for a friendly post-presser photo <3 two guys just chillin' having fun having a laff
if you are an aficionado of awkward and tense and kind of awful press conferences, then you will have an excellent time with this one. I've uploaded pretty much all of the relevant bits that I'll link to as I go; they're not obligatory watching to understand the rest of the post as I will be covering them here anyway, but they sure are interesting (and funny, which is really the most important thing)
first, let's set the scene: four blokes sitting at a table. the seat at its centre sits empty. the championship leader has not yet arrived when the press conference starts, removing the opportunity for one of the most sacred rituals that preempts any motogp press conference: the vibe check. a lot has happened and a lot has been said since the relevant parties last saw each other face to face and it is unclear where the vibes will be at when the reunion happens. will they acknowledge each other? make eye contact? shake hands? speak to each other? the journalists have not had a chance to find out. and one of the two involved parties has not either
after some softball questions relevant to 'racing' and 'points' in 'motogp' and its 'title fight', the moderator finally gets to the bit everyone's actually here for: the drama [1]. at this point, sete dates both the presser and himself by saying he's been trying to block everything out with his "mp3", before expressing his sympathy for valentino and saying he doesn't hold any of valentino's words spoken in the heat of the moment against him. at some point, he delivers a couple of lines that possess the kind of concentrated narrative juice you get a sugar high from, saying "we all know valentino. I know how he really is, he's a good guy". just as he finishes answering the question, his eyes flick over to the side - and the camera pans over to valentino entering the room with a slight smirk and of course his big ass sunglasses still very much adorning his face
nicky hayden sits to valentino's left and is interviewed before valentino is - while valentino does not acknowledge sete, who is sitting to his right. when he is questioned [2], valentino initially sounds like he is intending to turn the page on the whole affair and if anything doesn't particularly want to comment any further on what has happened. he also manages to deliver a truly classic motogp rider line, saying "I have a hole in the finger, but I think it is not a big problem for ride this weekend". right! but already here, it becomes swiftly clear that he is still furious at what happened and aggrieved by the penalty. he caps things off with a nice line saying that at least he wasn't actually slower than 'gibernau' in qatar, before turning around and shaking hayden's hand and chatting to him
it immediately becomes clear that all the questions from the floor are going to be about the same thing [3], and sete looks miserably uncomfortable while valentino just comes across as incredibly surly, his smile at times taking on a mildly murderous quality. one journalist fires off an all time classic presser question with "in qatar you say you were searching for an excuse to not talk any more with sete" and again valentino side steps, half-making it sound like he's willing to move on - while sete continues to strike a conciliatory note, continues to stress how it was all just the heat of the moment. but a follow-up question to valentino gives the journalists and sete the clearest indication that this, in fact, is really happening. valentino says this is not in the past, that he'd already said what he thinks last week and is standing by it. sete looks over at him - with disbelief, with incredulity, with the air of a man who really can't quite believe the turn this has taken
if there had been any lingering doubt at how unfairly treated valentino feels, he dispels it in his answer about stewarding decisions [4]. at the end of his exchange with the reporter about it, he brings up an incident where sete overtook under a yellow flag in mugello - which, quite honestly, I had not known about and I haven't found any reference to, so maybe nobody did spot it at the time if it indeed happened. remember, valentino had gone through not one but two bad run-ins with the yellow flag situation the year before, costing him a win at donington and making him ride at his limit to reclaim the win at phillip island. did he speak about this mugello situation at the time, or has he really just carried it around with him silently for months? a professional grudge-carrier, you have to say, a true master at the art. at the next question, valentino continues putting space between himself and sete [5], saying they have been rivals for a long time and that "it's the same condition" (i.e. situation). the friendship isn't just gone, it's so gone it might as well have never existed. if you really want to read more into this than the short response deserves, you could argue he's saying the facade has been lifted, that the true nature of the rivalry has been revealed at last
and now, we get to the critical part: sete is invited to explain himself and tell the press whether he had any involvement in the penalty or not [6]. he's clearly put a lot of thought into this in the past week and decided what he should focus on is that he wanted all the grid slots to be cleaned in the interest of safety. interestingly, he says "they" blocked him from doing that, but it's unclear whether he means gresini or someone else within honda. (presumably honda couldn't have known valentino's team would fuck about with a scooter, and remember camel honda rider biaggi also got a penalty so probably not some kind of company-wide internal memo.) (I mean I guess it'd also be funny if there had been a company-wide internal memo but nobody had thought to send it to biaggi.) sete's argument is basically that he'd be a hypocrite if he'd helped lodge a protest after he himself wanted the grid slots cleaned up - but given that valentino is quite literally calling him a backstabbing bastard, I imagine he wouldn't consider adding the hypocrite tag a bridge too far. the safety commission element of it all is kind of interesting, given as we've established valentino will likely have attended too. if sete raised this at the meeting and valentino did end up discussing it with his team, did vale end up feeling suckered into making a bad choice? probably not, just a thought
anyway, back to gibernau's response. as the journalist who asked the initial question notes, this is all a lot of waffling without a clear, firm denial (I'm paraphrasing) - and a clear, firm denial would generally be a good way to go about these things. in his next answer, sete again fails to just keep things simple, though again he denies any personal involvement. and then, the journalist asks sete to account for his team, including the fact that apparently one of sete's mechanics gave evidence to race direction... and sete says he can only speak for himself
so there we have it. that's the best singular piece of actual evidence I've got for sete's involvement, and at least comes close to confirming that somebody in gresini was involved in the protest, however tangentially. obviously, this in no way confirms sete was himself involved. at least it does give valentino an ever so slightly more reasonable basis of suspicion, though obviously it all just raises more questions like 'why was a gresini mechanic even giving evidence and what about'. that bit is then of course immediately followed by an exchange that's as good a confirmation as we're going to get that it was hrc not gresini who made the protest. so. yeah. I've got nothing. we don't know. draw your own conclusions. the presser ends with another question for good measure about the relationship between the two riders. sete first tells them, more or less, that it's none of their business before sharing a nice laugh with valentino about how valentino is never going to talk to him again
cursed
the thing about that press conference is that it's all well and good and fun to use it to try and piece together what really happened at qatar, but there are more interesting things to say about it. it is in that press conference that valentino well and truly begun the process of breaking sete, and he did so completely deliberately. it's quite the little show featuring two guys who are entirely aware that they are surrounded by cameras and reporters and are reacting accordingly. sete is committed to being dignified, to being unflappable, to being magnanimous: whatever valentino said, he will forgive him. he is happy to move on. but as the press conference progresses, he is slowly made to realise that his opponent is the one who is not ready to forgive and is not ready to play nice - not even for the cameras. especially not in front of the cameras
^his poor pinkie finger :(
sete must have felt on top of the world after qatar. he had clawed back 25 points. a championship that had already seemed lost suddenly felt like it might be in his grasp once again. valentino could complain and whine and be furious for italian television, but surely this is the kind of thing that blows over. for too long, sete is under the mistaken impression that they will move on from this. for too long in that presser, sete is playing at respectability while valentino has already progressed to open hostility. it's unnerving, of course it is, to suddenly be completely cold-shouldered and ignored by a man you had thought you were on reasonably good terms with a week ago. it's unnerving for it all to happen in front of cameras, when for so long you have been striving to present a cordial, friendly, civilised image of a rivalry. him and valentino don't do all that nasty business, not like valentino and biaggi. sete's better than that and valentino has grown up a bit - this is one of those ideal rivalries people are always going on about, the ones that are ferocious on-track but respectful and even warm off it. and so, despite everything valentino had said to the press over the past week, he still manages to completely blindside sete in the moment. he still manages to leave him unsettled, and even disoriented
and so we get to the race itself, pivotal for sete and his championship hopes. to still have a chance at clinching the title, he really needs to be fighting at the sharp end of all three of the remaining races. alas, it is not to be. valentino is reinvigorated after the humiliation of qatar and coasts through the weekend on a wave of irreverent indignation - telling reporters after qualifying on pole that this result had been important "especially since it means we know which part of the grid to clean tonight". he thrives in the chaos and the frenzied speculation and the seething tension - whereas sete is nowhere to be found all weekend. valentino wins with a comfortable margin while sete finishes a lowly seventh place. a healthy thirty point lead in the championship has been restored. now, then, in victory valentino has been provided with the opportunity to really twist in the knife. sete comes up alongside him on the cooldown lap, clearly wanting to shake hands - and valentino completely ignores him, does not as much as glance in his direction. then, he stops for one of those whimsical planned celebrations that he's ever so fond of, and he cleans his grid slot with a helpfully provided broom. as valentino says afterwards, "this time I wanted to destroy the morale of everybody". and if that wasn't enough, he adds in the post-race press conference "for me, sete did the best race of the season. he has given me a lot of points, which is like a big present. I am really grateful". charming as ever
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^he also came up with his own cleaning crew founded with his trusty crew chief jerry burgess, 'la rapida', and had shirts mocked up - to 'eliminate dirt from motogp'. so nice to have a supportive crew chief, isn't it? from valentino after the race: "I've been working with jeremy for four years, together we've seen all sorts of things and when I arrived here I saw him with an incredible face, disgusted, saddened. he and the team said we had to react and so we did". and as jb put it, "valentino is the sort of rider I wouldn't want to get angry. he can take you apart on the track". the text on the shirt: "we clear out rats. we disinfect, clear drains and clean starting grids. we also do night jobs - all done in six seconds [aka the qualifying penalty he'd received]"
two races to go, and it's match point rossi. he finishes first or second at phillip island and the championship is his for certain - if he doesn't do so and sete wins the race, it's hello title decider. there is barely any doubt left in people's minds, then, about who the 2004 champion will be... but it's not a done deal. in the very worst case scenario, valentino enters the final round with a slender six point advantage. he's not safe yet. he's not safe yet on the very first lap, which, it has to be said, is a lot of fun. vale gets a better start than sete does from pole, but sete overtakes him around the outside and vale is quickly pushed to third - then fourth, at which point he runs off track and makes a risky excursion into the dirt. at the very next corner, he makes a downhill overtake on two ducatis at once, and sets about hunting down sete who has built up an advantage of over a second
so, in fittingly dramatic fashion, the race comes down to a duel between the two of them, valentino stalking sete around the track lap after lap. if valentino holds his ground, the championship is his - but sete takes the win and can go into the next season with new confidence and self-belief and hope for something better. valentino does not just want to avenge the injustice of qatar; this is an investment for the future. a way of telling sete that he has not just lost this season but that he will always lose, when fighting valentino. there is a promise to be kept, after all - whether it was only supposed to apply to that season or not, valentino refuses to let sete win another race. they exchange overtakes but sete is still just about in the lead when they enter the final lap. it is here that valentino makes his move, not once but twice to make it stick. his riding in that last lap isn't egregiously reckless but certainly not risk-free, and could have ended with him in the gravel and the championship still undecided in valencia. but he's not and it isn't - and just like his first premier class title (a comparison valentino himself makes in his autobiography), his first title with yamaha is sealed on the last lap of phillip island. his championship-winning shirt is uncharacteristically stark, reading simply 'che spettacolo' ('what a spectacle/show') - and he's not wrong. this has been a show, it's been a miracle, and in the end it's been theatre. he's sealed the title in style while also getting his revenge. it's winning in the most satisfying manner you can win anything: by beating somebody you loathe. celebrations are nice, but isn't there just something special about seeing the person you despise look so wholly miserable?
sete puts on a brave face, determined to be above valentino's pettiness. he goes over, shakes valentino's hand. valentino accepts. of course he does - he's won. sete was a few corners away from denying valentino's curse before it had ever really sunk its claws in. would it have changed things, if he could simply have regained a little confidence and found his bearings again after the psychological onslaught of the sepang weekend? maybe, maybe not. of course, looking at valentino's 2005 season, you have to say valentino was almost certainly operating on a level no version of sete would have been able to match. but there's still a lot of room between 'fighting for a championship' and 'becoming a shell of the rider you once were' - and if things had gone a little differently, you do also have to say that a championship as open as 2006 was could have represented opportunity for all manner of rider. if only he'd been able to cauterise the wound in phillip island, rather than letting valentino dig his teeth in even further
^at least capirossi's having a good time :D
the championship sealed and there's but one round to go. once again the paddock must regrettably visit a track that some critics have described as 'drab' and 'soulless' and 'the enemy of good racing', and one at which valentino has only won once before. but the way to tease out a special performance from valentino is generally to give him a point to prove, add in a little spite to get the fires spitting, and he wins at the circuit for the second (and last) time of his career. in front of the spanish fans too, which must have felt particularly satisfying - and the race itself isn't all too bad in the first half (the way valentino gets past gibernau/biaggi is quite funny). home hero sete takes fourth, and that's a wrap on the 2004 championship
there's something deceptively comfortable about the final numbers: 304 points to 257. 47 points. no problem. but sports isn't just numbers; it's the story those numbers tell. valentino was furious in qatar and he made a mistake and he ended up in a position where things don't have to go all that differently for him to lose the title. the momentum was on the side of his enemy, whose confidence and morale had been given a much-needed boost. the genius of the entire sepang weekend, from the press conference to his jibes in interviews to his dominance performance-wise to the cold shoulder to the pointed celebrations, was that they all worked together to stop that momentum cold
maybe it didn't make much of a difference - valentino was always in the stronger position given he both had a points advantage and was the faster man. but faster men have lost championships before. ignore raw pace and performance edge and all of that: valentino wrested control of the intangibles - momentum, self-belief, all of those abstract things that defy rational analysis - and brought them firmly back onto his side. sete spent the entire weekend off balance, unsettled, forced to discuss things that made him uncomfortable, engulfed in a media storm he was ill-suited to coping with. all the while, valentino relished it and used it to spur himself on. by the time sete had regrouped in phillip island and was far cooler - if still respectful - towards valentino, it was already too late
in the interest of eventually finishing this post, we're not going to cover sete's downfall in that much depth. but there is still one last critical blow that valentino has to inflict to truly bring an end to the gibernau experiment. the very first race of 2005 was one that valentino particularly wanted to win - not just to inform his competitors that this year would be more of the same, but also because they were once again on sete's home soil. time for jerez
^new year, new sete! this time he's going to show that italian upstart what's what
as ever, the media had done its best to hype up this new season. sete would be getting full support from the factory (which, yes, feels like maybe they should have considered providing a touch earlier) and he made it clear he was ready for the challenges ahead, ready to get revenge and all that. the spanish had grown fonder of their unexpected challenger too, and showed up in full force to support their man in the opening race. of course, a lot of people quietly agreed that realistically speaking, the competitive picture was looking pretty ominous. 2004 should have been the season in which valentino got the yamaha project up and running, setting up a title challenge in 2005. but he was ahead of schedule and surely the yamaha would only get stronger. still, you never know, right? that's why we line up on sunday etc etc
valentino stole pole position from sete right at the end of qualifying, but crashed in warm-up and ended up using his second bike, which is never ideal. the start was already feisty from both parties, and for a while valentino was relegated back to third. but sooner rather than later, he assumed his familiar position sitting right on sete's rear tyre, showing sete his wheel here and there just to remind him where he was. remember the whole sachsenring debacle after which valentino told himself that he wasn't going to leave it that late again? well, he was actually nice and sensible here, and made a move with two laps to go, successfully passing sete for the lead
which should have been the end of it. nice and clinical, a lovely relatively stress-free culmination of a whole race's work where valentino had diligently studied his opponent's strengths and weaknesses and had formulated his plan accordingly. job done, another win on the board to start the season. except then valentino decided to make things interesting again on the very last lap by out-braking himself on the back straight and running it wide into turn 6, allowing sete back through. there's a slightly frenetic energy with which valentino immediately hops back onto sete's rear wheel, already a touch of desperation about his lunge on the inside of turn 11 where he briefly goes past - but he's in too hot and sete's back in front
what all this means is that valentino really only has one opportunity left at turn 13 and barely any time to conceive of it. there's no planning or calculation or strategy here. valentino has one option to attack if he wants to win this race. it's a dive that is instinctive rather than planned - the only calculation here is that he would rather crash them both out than let sete win the race. back then (and a bit ironic from a modern point of view), valentino's infamous dangled leg was seen as evidence that he was out of control, doing anything he could to get the bike stopped while going for a gap that wasn't really there to be gone for. they make contact, valentino manages to get the bike turned and sete goes off into the gravel, but can get the bike back on track to finish second. valentino does a wheelie over the line. sete makes a thumbs down gesture
the spanish fans decide pretty quickly whose side they're taking in this. there's booing, whistling as valentino completes his victory lap, going full ham as he pumps his fists and claps at them and does a thumbs up and waves and puts his hand on his hip and all the rest of it as they scream at him. parc fermé is tense, the eye of the storm in the midst of the deafening roars of the crowd, with sete giving vale a couple of long looks as he gets off the bike. it's all big drama, everyone consulting their teams, talks of appeals to race direction, valentino grimly satisfied while sete is aggrieved, furious - stretching out his arm, clutching it, shaking his head while shaking teammate melandri's hand. he approaches valentino, says a few words to him as he walks past - valentino is not particularly interested in engaging in conversation. the crowd demands valentino's disqualification, and also call him a son of a whore. they're also obviously still booing. and whistling. lots of noise
on their way to the podium, sete is making tortured progress, pausing for a moment in the stairwell to clutch at his arm. at this point, valentino takes a moment to take the piss out of his rival, turning to the camera with a big smile and gesturing at sete. eventually they make it to the podium and vale laps up the displeasure of the spanish crowd. valentino smirks while sete goes for a sort of pained dignity, thanking the spanish crowd for their support, claiming the moral victory and all that. the italian anthem is almost inaudible
^sete always tried to go for a kind of stoically disapproving vibe, helped along this time by his pain in the shoulder. unfortunately for him, he does just come across as thoroughly defeated. which he was
the problem that sete faces here is that, while valentino is obviously more accustomed to a rather friendlier reception, it's also not like he particularly minds the spaniards giving him a hard time. valentino has claimed his fourth victory in succession, and has done so by once again denying sete on the very last lap. he has sent a message that this new season will be exactly the same as the last and that he remains exactly as determined to make sete's life miserable. while he does seem to think sete is playing up the shoulder injury, in general sete's solemn grimaces are like catnip to him. just before the anthem, he reaches out to shake first melandri's hand and then sete's - and sete hesitates, before extending his arm to the fullest extent to shake valentino's hand with about as little proximity as is physically possible. it's good sportsmanship, but it does also as good as tell valentino he's not going to kick up too big a fuss. in a way, whatever choice he made would have played into valentino's hands. even though this time sete may have directly confronted valentino, he's still not prepared to escalate things beyond that... and valentino knows it
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^one of the classic rancid vibes podiums. the hands on hips at the ceaseless spanish booing is a nice touch
this choice to avoid further escalation is one sete continues to abide by in the press conference, echoing the assen presser from the year before beat for beat. again, valentino comments that it was a great battle, that sete is surely angry but, essentially, it is what it is ("this is the racing"). again, sete congratulates valentino for the win, but refrains from complaining about valentino's actions during the race. he has since said that he talked to race direction about it and was incredibly disillusioned about their choice not to penalise valentino - but again, not a whisper of it to the media with valentino sitting next to him
the one thing he did say was that he hoped he'd be fit to race in estoril because of his shoulder. remember the whole clutching at his arm routine where valentino (and the commentators) were kinda taking the mickey out of sete's comically pained expressions? well, um, turns out he did have a lot of pre-existing shoulder problems, and indeed that was the bit of his body that caused him considerable problems for the rest of his motogp career:
Gibernau dislocated his collarbone when he crashed out of the lead of the 2002 Portuguese Grand Prix on a Suzuki GSV-R, suffered a left shoulder tendon injury during his last turn clash with Valentino Rossi at Jerez 2005, then damaged the same shoulder further when he fell in practice for the following Estoril round. At the 2006 Catalan Grand Prix, Gibernau broke his left collarbone after spectacularly tangling with Ducati team-mate Loris Capirossi at the start of the race. Gibernau required a further operation shortly after when the titanium plate inserted to help his collarbone heal was found to have weakened. The new plate was in turn damaged when Gibernau hit Casey Stoner's fallen Honda in the penultimate round of the season, again at Estoril, marking the end of Gibernau's factory Ducati - and, it seemed - MotoGP career. Before making his 2009 MotoGP comeback, Gibernau had the metal plate removed from his collarbone, only to suffer shoulder ligament damage during training - forcing him to miss the final pre-season test.
well, anyway, after the controversy has had two weeks to continue on full steam, valentino does strike a somewhat more contrite note in the estoril pre-event press conference. he says he hadn't been aware of the whole shoulder situation and that sete had been unlucky given it had been a light touch in a slow corner... but having rewatched the footage he can see how, yes, maybe the contact could have hurt sete. these things happen, right? and at the end of the day, it doesn't really matter for valentino, because the controversy blows over. what remains is the blow (psychological rather than physical) he dealt sete. what remains is that he won and sete lost, again, and sete has still failed to win since qatar
"And I really think that as long as he wins this race, even if he only takes five points back off Valentino Rossi, he will be happy with that, because it's all about getting back to winning ways. He hasn't won since Qatar last October. He's got to take a victory, just to get his season back on course. Valentino Rossi is going to take a lot of stopping, and really all he can do is try and win this race in front of his home crowd." [...] "That race in Qatar, and the problems they had in that race with Valentino Rossi crashing out after having to start from the back of the grid was really when all the problems started, didn't it, for Sete Gibernau. [...] But really that's where his problems started, both on and off the track for Sete Gibernau after that race victory in Qatar. I really can't believe he would've believed that was going to happen. He was so, so pleased to win that race." [...] "This is a big big thirteen laps for Sete Gibernau, isn't it. If he can hold off Valentino Rossi, psychologically, it would be a very very big victory for him."
^excerpts from the catalunya 2005 commentary, the sixth round of the season. valentino had said in the presser after the preceding race that he expected biaggi and melandri to be his main rivals that season. sete leads for almost the entire race before valentino makes his race-winning overtake with three laps to go and smashes the previous circuit record on that lap
what remains is one failure after another. an important thing to stress when we talk about a 'curse' is that sete gibernau did not suddenly stop being a frontrunner after qatar 2004. he qualified on pole five times in 2005 (same as valentino, funnily enough - his average grid position was actually better than vale's, 2.82 v 4.12). even so, things go from bad to worse for sete. often valentino does his own dirty work in stopping sete when he's getting a bit too close to that elusive victory, winning a close duel in catalunya, pressuring sete into a mistake at the sachsenring, that kind of thing. often, he does not even have to. sometimes he took himself out, like crashing out of the lead in the wet conditions he was once so very skilled at in estoril (not helping his injured shoulder) or in donington park, where valentino went on to deliver perhaps the finest wet weather performance of his career to take the win
"I don't think anyone can be to blame for crashing out in these conditions, can they. [...] It really is at that stage of the season for Sete Gibernau where it's all or nothing, really just got to try and win races. We're now twelve races since his last victory at Qatar. Valentino Rossi promised after that race that Gibernau would never win another race and well it seems to be coming true so far."
^excerpt from the donington park 2005 commentary, the ninth race of the season, where sete crashed out of the lead in horrendous wet conditions
valentino's favoured way of winning races played into his hands here. pressure, pressure, pressure - preferably exerted from right behind his victim, with the knowledge that valentino is waiting and studying and ready to pounce on any mistake. even if you don't make any, he'll probably get you anyway. the effect of these defeats becomes nicely cumulative, where even the knowledge that valentino will be coming (even if he isn't there yet), that eventually he will try and pass you (even if he hasn't done so yet), is enough to make his opponents self-destruct before he even has to lift a finger. what he does to sete is the most extreme version of how that tactic typically works, by slowly eating away at sete's confidence and composure and self-belief until the eventual error feels increasingly inevitable. valentino knows it is coming, sete knows it is coming, and they both play their parts accordingly
"But Rossi straight after Gibernau, now he'll start those pressure games. Pressure is on Sete Gibernau. He has not won a race for a year; the last race win was here. And the man he doesn't speak to, he doesn't speak back to him either, Valentino Rossi, behind him, and Rossi will start exerting the pressure Rossi-style as we know." [...] "A year ago, wasn't it, it doesn't seem that long ago, doesn't it, that Sete Gibernau was so delighted to win the race here. And Valentino Rossi really left in a strop, didn't he. But there we are, Sete Gibernau - but we've seen it before, and Rossi seems so have this ability to faze him, out at the front, put pressure on him." [...] "Well, Nick, you said at the start of this race that Valentino Rossi has plenty of motivation to win this race here. He wants to take ten wins for Yamaha, it would be the first Yamaha rider ever to do that in the premier class. He wants to end a drought almost in his terms, certainly since he became a Yamaha rider - he's never gone three races without winning a race before, but that could happen today if Gibernau holds this out. And of course the one thing he really wants to stop is Sete Gibernau from winning a race one year on from the day that Rossi said he would never win another one for the rest of his career." "How long does a g-'s curse take, I mean, is it just a year, the g-'s curse and then does it come off? Because if it is then he's just about right, isn't he? [...] Perhaps the curse is gone; perhaps this is just what Sete Gibernau needed."
^excerpts from the qatar 2005 commentary, the fourteenth round of the season. sete looked like he was making a break for it ahead of valentino and then melandri. six laps to go melandri almost causes valentino to crash and costs valentino over a second, but it doesn't matter. this time it's melandri who has the honours of coaxing a mistake out of sete, who goes off into the gravel as melandri passes him. valentino overtakes melandri for the victory
sometimes, he did just seem cursed in the truest sense of the word. his bike running out of fuel on the last lap while he's still fighting valentino for the victory. mechanical dnf's. other riders barging him out of the way before valentino even has the chance to. he switched manufacturers for 2006, getting a spot on the ducati factory team: his last race with honda was ended by an engine failure and his first race with ducati was ended by an electronics failure. a freak boot protector malfunction that left his foot bleeding halfway through the race. a nasty crash in catalunya, followed by his ambulance crashing into a bus fifty metres in front of the hospital entrance. in the end, it was probably the injury caused by casey stoner bringing him down in estoril that pushed him definitively into retiring - after he was dropped by ducati in favour of casey. so it goes
obviously, valentino cannot be held responsible for anything in that last paragraph. you can't mind game your opponent into having their engine blow up, at least I don't think you can. the stuff before that is fair game. what valentino did in jerez essentially stopped the title fight before it could even get started. it was ruthlessly effective in removing sete as a significant player at the top of the sport. sure, it's always hard to attribute a competitive decline such as this one to any single factor. but if ever there was a time to maybe just blame one person...
sete more often than not has kept his silence about the rivalry. in 2005, he generally did not go much further than saying that the whole thing was one-sided and started by valentino, see this (from one of oxley's books):
But don't ask me about him as a person, I'll only speak about him from a professional point of view, that's about it. I don't know why he's got a problem with me because I've never had a problem with him. I've always had a lot of respect for everyone on the grid, I just wish everyone shared that respect, because once you lose respect you lose everything.
on a similar topic, at some point he has also spoken about the qatar controversy again, saying the following:
He blamed me but it was nothing I did. Of course I didn't report him - I didn't even see what happened. I'd had a very good relationship with Valentino for many years but after that it just came around.
in 2009, at the time of sete's ultimately short-lived motogp comeback, he went along with the slight farce of a reconciliation, shaking valentino's hand and talking to him with cameras watching - the season after valentino had regained his crown in '08. but it is fair to say not all is forgotten. at times, he has done his best to draw a line under jerez and continues to refrain from criticising valentino publicly, like this from 2017:
The Catalan avoids criticizing the Italian for any controversial maneuver, such as that of Jerez 2005. "At the time I was living, based on my values, principles and education, I tried to do things as well as I knew how. And I am very proud of what I did ." Sete explains what it means to battle Vale. "We did very nice things fighting against a phenomenon, he may be the best in the history of motorcycling. I am proud to have fought face to face with a guy who is a phenomenon," he explains.
(obviously, you can read this as valentino not following whatever values, principles or education he might have possessed.) at other times, he's been a little more openly critical. in 2020, he still did not criticise valentino as much as he did the response to the overtake, which he felt set a bad precedent and has contributed to the normalisation of a more aggressive style of racing in the years since:
I don't know how many times we've talked about that corner, but the more time goes by the more I understand after that, things change. Many people were seeing that move, and from that moment on it opened the door for it to happen many more times. At the end of the race, both of us did what we thought was best for the championship, and my opinion can be whatever. But since then things have changed in MotoGP and racing is understood, which I don't agree [with].
he also adds this:
When asked if race direction would have looked into that incident had it happened today, Gibernau responded: "To tell you the truth, no. I don't think so. "I've got different thoughts on that side, which are mine, and like I said I don't need to be right or wrong. Everyone has his own thoughts, and if I put myself now in a situation where I was watching a race and I saw what happened there [at Jerez] where two guys risking their own lives touched each other in a difficult last corner, and I was looking at it with my son who would like to become a road racer, and everyone would give the victory to a guy that has touched another one, I wouldn't be wanting that to happen. "I don't want anyone to get hurt. It's one of my priorities and it's how I understand sport and racing. MotoGP is already so dangerous that in my opinion we should all put together our know how to avoid these type of situations. Is it difficult to do? Yes. Is it impossible to do? I don't think so. It's responsibility to whoever is in charge of the championship and to put the rules where we need to stay away from this type of situation because, like I say, we're risking more than just a crash."
and even more recently, in 2023, he's spoken about the jerez race being the source of his disillusionment:
If I'm telling the truth, Jerez 2005 made me lose my enthusiasm for being in the races. I tried to maintain it until the beginning of 2006, with Ducati, and when we could have won, a mechanic left a gear screw unadjusted and the gear lever fell off. That day, in Jerez 2005, I mentally retired. Valentino went inside and took me out. They didn't penalize him. It's my personal opinion, everyone will have their own opinion and it must be respected, but I think that this is not a contact sport.
also in 2023, in a separate interview, he said this:
But he didn't get a punishment or anything, and then I started to lose my faith in the sport. [...] I couldn't understand how, y'know this was not a contact sport, I couldn't understand... things happen in the championship and things had been going on inside and everything and I just lost my - started to lose my illusion in the racing.
which is later in the same interview followed by this (which is partly about his woes in 2006 - he also talked about the moment with the gear screw, but I think pinpoints that rather than jerez as the day he mentally retired):
I had done such a big effort to put myself to a position to where, I was fighting against my own demons, I was fighting against the championship, I thought no one's helping here. I was fighting against one of the top guys in the history of racing, which was Valentino, and I just thought, but, Valentino doesn't even need to do what he's doing to win, and no one is saying nothing. There was many things there and I just couldn't understand... I'm fighting against everything, you know, and I was expecting the championship to just be a little more neutral on that side, just to say, if someone does something wrong you've got to say, in my opinion, it's not a contact sport; it's already dangerous enough to being able to say you can hit someone and say, wow, that was a great move. [...] Everyone is brave on a MotoGP bike. Moto3, Moto2, MotoGP, from the first guy to the last guy, you cannot pinpoint on TV and say how brave this guy was by hitting another guy. Because if I'm a dad watching that I would not want my son to be in a championship like this. Because it's not bravery, it's not about hitting another guy - if you want to do that, go boxing. [...] And from a guy like Valentino, which is, a superstar, why accept that? I think it was wrong, in my opinion, he didn't need to do that. Since then, many things have been happening because of that movement. Because kids saw that and said that's the way to do it. And then Marquez is doing it to this guy, and the other guy is doing it to the other guy, and you get killed in racing. It's already dangerous. We should stay away from that. That's why I never understood - it got to a point where I just - oh man. It's nothing to do with me here any more, you know, and I just left racing and I retired.
for the most part, then, sete is still quite contained in his criticisms of valentino, focusing on the jerez incident and not really delving into what happened the year prior to that. he mainly questions why valentino even felt the need to do what he did to sete, and suggests valentino set a bad example to others - especially kids watching, especially future riders. his criticisms also concern motogp as a sport, those who set the rules and those who regulate them, in not doing anything to stamp down on this kind of racing. he says he felt like he lacked support from the entirety of the sport and eventually decided that he'd had enough
I haven't added this block of text just because I enjoy transcribing large portions of three hour long podcast interviews that didn't really need to be three hours long (apparently the most tried and tested method of getting riders to share their more candid thoughts about anything) - but because this, uh, average-length tumblr post wouldn't really feel complete without it. it's all very well and good to talk about how sete was mentally 'broken' by what valentino did to him. you can have whatever opinion you want about the thoughts sete expresses here on riding standards and acceptable levels of aggression. you can also maybe doubt whether it really was just 'disillusionment' with race direction's approach to valentino's jerez pass that caused his competitive decline - obviously, three hour confessional podcast interview or not, this is a narrative he's still chosen for a reason and it sells himself and his career in a certain way. but - but - especially given the exact circumstances in which his rise to title challenger status occurred and how heavily he involved himself in the safety commission... well, at the very least I'm not going to leave it out. should he have made his complaints publicly known at the time, if this is something he felt so strongly about? is this level of criticism warranted by that specific jerez move? it's tough, because from the modern perspective of course I too have gotten used to a kind of racing where that level of contact is fairly normalised - which two riders this century have played a disproportionate role in bringing about. on the one hand, valentino is right in his defence that relatively speaking, this is far from the fastest or hardest contact out there. on the other hand, it's a move that was made with the knowledge it would result in contact. and in doing so, he injured sete, because that's what can happen even as a result of relatively 'light' touches. make up your own mind! it's not an easy topic to address, and I most certainly wouldn't be able to do it justice here. let's wrap this up
of delusion and despair
valentino has always been intensely aware of the power of narratives and takes care in how he tells his own story. the most literal version in which anyone can tell their own story is, obviously, by publishing an autobiography - which he did in 2005, covering everything up until his first title with yamaha at the end of 2004. it is not presented in chronological order and is instead organised in a far more loose thematic manner, with valentino not feeling any compulsion to give all parts of his life anywhere close to equal attention. still, when you read it, certain omissions do jump out at you - and the exclusion of gibernau is perhaps the most remarkable. you could say it's because he doesn't want to speak ill of his rivals, but he has no problem going into a fair bit of detail about his feud with biaggi. you could say it's because the gibernau rivalry was still going on at time of writing, but the same is more or less true about biaggi who placed third in the 2004 championship. there is not a single paragraph in his autobiography devoted to the relationship with gibernau. every mention of him is just that: a mention. a name thrown in without care when discussing something else entirely. you are told vale passed gibernau to win the 2004 championship - but if you read the autobiography without any other knowledge of valentino, you'd be forgiven for not realising gibernau had been his title rival at all
yes, within the grand context of his career, biaggi does have to be seen as a more significant rival... but this narrative was still being written in late 2004, at a time in which valentino had committed himself to destroying sete. maybe valentino doesn't want to comment on controversies that are still bubbling along, but the sheer extent of the erasure feels far more deliberate than that. this is somebody who had been valentino's friend for years, enough so that they spent time with each other outside of work, went on holidays together, blokes who for all intents and purposes truly liked each other's company. somebody who had been his closest rival for two years, who had pushed him closer than anyone else had in his title runs, who he had experienced some of his greatest career defeats and victories against. according to the narrative presented by the autobiography, he might as well be just any other rider. it's worse than fury, worse than loathing: it's disinterest
(it has to be said, quite possibly the funniest omission is when he's talking about how "angry and disappointed" he was after qatar because of, and I quote, "honda having lodged an appeal". ... anyone else you thought was involved, valentino? .....?)
which is quite the punishment to enact. one reason why this rivalry is so tricky to analyse is, yes, it's one that's quite old by now, but also because we are drawing from a far smaller sample size of valentino comments - almost all of which were provided at the time - when you compare it to any of his other major rivalries. sure, he still talks about jerez 2005, when he's asked about it - though it might as well just have been another fun race, another dramatic victory, another controversial overtake, rather than anything that had any greater significance. (of course, there is also a clip of him forgetting about the race entirely when thinking about last corner overtakes in the premier class with sete in the room - which you can read into if you so choose.) he's talked plenty over the years about his first yamaha title in 2004, but not about the man he beat to secure it. this was his closest title battle of the ones he won (just pipping 2009), but he might as well have won it against a faceless amalgamation of the honda corporation rather than an actual living breathing rival. it's as if that title battle started and ended in welkom, where it was biaggi not gibernau who valentino had to best. even though publicly the two of them set aside their feud in 2009 and valentino even said then that they could be friends again, this feels like lip service more than anything else. in 2015 at jerez, valentino was questioned about the parallels to his relationship with a certain other rival, who was friendly with valentino at the time but had crashed out while battling vale in the previous race. valentino in response acknowledged his past good friendship with sete, but said it was different: after qatar his relationship with sete had gotten worse as a result of how sete had "played a dirty game". if he had not changed his mind about sete's character eleven years after the fact, why would he have reevaluated in the years since?
it is fair to say that gibernau was the least talented of valentino's major rivals, the least substantial figure in terms of his accomplishments in grand prix racing. biaggi is a four time 250cc champion; nobody needs to be reminded of the achievements of stoner, lorenzo or marquez. sete is the rival who wasn't even supposed to exist; he was catapulted into the position essentially overnight by tragedy. and yet, even acknowledging that, it feels like he is under-discussed in the canon of valentino feuds given the sheer quality of their on-track output (let's face it, there are more great vale/sete battles than there are for say vale/casey) and the high drama of their closest title fight. yes, you can say that's because it is one of the older and less well-remembered rivalries, because it is not quite as dramatic and significant as the biaggi feud... but still, it's quite the disparity. given the power valentino holds in writing the stories within the sport, how can you not conclude that he has played a helping hand in this erasure? being ignored is a far greater indignity than being despised - and after 2004 valentino has barely even offered sete the honour of his hatred
^sete tried to breathe new life into his motogp career by switching to ducati, but his campaign was derailed by injuries. it was probably scant consolation in his miserable 2006 season, but valentino himself was pretty cursed that year. their last on-track battle came at phillip island, in the series' first bike swap race while valentino was fighting tooth and nail to save his doomed title defence. it's admittedly one of like twenty things that happen in that race, but it is quite funny how sete really came back to life just in time to make valentino's life harder when he really didn't need him to. valentino overtook sete on the final corner of the race for the final podium spot
of course, it is a hell of a lot easier to erase a rivalry when you win it so conclusively. in truth, as an opponent, valentino got the measure of sete fairly quickly. he never lost another direct duel against sete after sachsenring 2003, having essentially vowed as much to himself even when they were nominally still on good terms. the 2004 championship was as close as it was because of valentino's unequivocally inferior machinery and the somewhat less consistent results he achieved as a consequence - but even there, when they fought directly for the win in mugello, catalunya, assen and phillip island, each time valentino came out on top. (you can argue about brno '04 - I'd say it doesn't really count since sete ended up running away with the race with a massive tyre advantage.) still, you don't have to be winning all your direct duels with your opponents to be winning the championship - and at the end of the day, sete did come tantalisingly close to a title, or at the very least forcing a title decider. whatever it is that differentiates 'very good riders' from 'champions' is what sete is lacking. he has something in him... a self consciousness, a self awareness even, that is lethal to professional athletes. he was stuck trying to manage the image of his rivalry with valentino, when valentino was moving in for the kill. valentino too is heavily aware of image, is heavily invested in how he tells his own story - but more often than not, he manages to use it as a weapon to spur himself onwards to further success. when valentino did so once again in late 2004, sete stumbled
it is not novel to suggest that valentino needs enemies to motivate himself. plenty of people within the sport have said it, including his fellow riders. that's what's always worth remembering about the 'mind games' - sure, it's great if he unnerves his opponents, but often it is about providing himself with someone to hate though there are exceptions to this, which I have a lot of thoughts about relating to one casey stoner. valentino needs to have a reason to do what he does; it's not enough to win for the sake of winning if there's no story. in 2003, he had more or less won motogp and was finding it harder and harder to motivate himself, admitting repeatedly that he was losing his joy and passion for racing. yes, this was one of the main factors that led to the move to yamaha: to give himself a reason to keep going. but it was also just the right moment for another rival to emerge from nowhere and give valentino somebody new to focus his attentions on. when you read the limited autobiography mentions of sete and his interactions with valentino in 2003, it seems hard not to conclude valentino was already feeling a little less kindly towards sete by the end of that year. the relationship did not survive contact with a true title fight, where valentino found himself pushed closer to the limit than he ever had before. the moment he was in real danger, he blew up the relationship and walked away with literal full points for the remainder of the season. at the very next race to start off the new season, he made sure sete would never be a threat to him again
it's natural to conclude from all of this that the feud was built entirely on the back of valentino's delusions, of valentino inventing a concrete reason to despise sete that was based on his mental list of sete's past transgressions, imagined or otherwise. and maybe it was. did sete really snitch? did valentino really think he did? what was it that convinced valentino of sete's guilt? and even if sete was involved, was this really a proportionate response? this is where a lack of evidence and both parties' reticence to discuss the incident in the years since works against us. but - looking beyond the specifics of what happened in qatar, it does feel likely that the relationship would have deteriorated beyond what we saw in assen anyway. that's what a close title fight tends to do to the people involved. isn't it?
sete makes for a suitable foil to valentino because he too intensely concerns himself with how he is perceived. when vale takes on sete, one pretty boy to another, they are both a little too aware of the artifice of what they are doing, a little too concerned with the optics, the image, the spectacle. rivals, friends, enemies - how far apart are any of those things, really? can we be friends if you desperately covet what I have? if you take pleasure at the thought of my downfall? is this oft-touted ideal of a 'respectful' rivalry inevitably nothing but a facade for the ugly reality that lies beneath? 2004 is what happens when their relationship is actually tested - because now they are finally fighting for something real and they both know it. this is what happens in assen, when valentino decides he needs to win at any cost, when sete realises they are not playing the game by the same rules. sete had been performing graciousness and valentino calls him on his bluff
the best rivalries transform both parties; neither side should be allowed to emerge unchanged from the battle they share. sete entered valentino's life as a competitor at a time when everything was a little too easy and as a result a little too hard for valentino. at a time when valentino felt dissatisfied, underappreciated, judged harshly from all sides and pinned down by the weight of the world's glares. the blows sete inflicted on valentino were primarily symbolic, hurting valentino's pride and reputation rather than his title bid in 2003, which was never under any realistic threat. when valentino was at his lowest that season, he responded by bringing the joy back, reverting to type, with a new haircut and an ironic gag of a celebration and a daring victory to boot. in 2004, however, valentino changed. he had to - he was on a worse bike than his opponents that he was wrestling towards a title it had no right to be winning that year. he didn't have the kind of margin for error any more that he could afford in his honda years, no more foolishness like at the sachsenring. so he became a little tougher and a little meaner and a lot more aggressive in his racing. he shed some of the insouciance that both him and sete have at times been accused of and got down to the serious business of winning. not joylessly - after all there are few things more enjoyable than crushing the enemy. still, it's fine to be a clown prince in your downtime, not when you're barging title rivals aside in assen
it is here, then, at assen, that sete makes a critical, fatal mistake. because sete is torn in two: he wants to be the gracious rival, but he also thinks what valentino did is wrong and wants to communicate as much to the world. maybe it's because it clashes with sete's understanding of racing, maybe it's simply because sete is bitter that he lost - who's to say. except sete can't bring himself to actually say any of this. he chooses the worst possible strategy against valentino: silent disapproval and annoyance and frustration, played up for the television cameras, but without offering a single word of actual complaint until later, when valentino had already offered his explanations and half-apologies. so what valentino takes away from this is twofold. for one, he comes to believe that sete has a problem with his racing and cannot graciously accept his defeat, entirely failing to match valentino's magnanimity on the (rare) occasions when he loses. but unfortunately for sete, what valentino also learns is that - when it comes down to it - sete will not stand up for himself. valentino knows he can do this again
in sepang sete attempts to take the high ground once more, to allow valentino his transgressions and foibles and temper, to be calm in the face of vale's fury, to be the better man. in australia sete pulls himself together to shake hands with valentino, to be respectful of his rival's accomplishments and graceful in defeat, to be the better man. in jerez sete is beyond angry, furious enough to actually approach valentino in parc fermé and say a few words to him, but he still shakes valentino's hand on the podium and refuses to complain directly about him in the press conference - because he is determined to be the better man. does he think he can shame valentino into being different from what he is? if so, it is an unfortunate miscalculation. you cannot claim a moral victory against somebody who does not give a shit
for valentino, at least half the joy of racing has always been about beating the opposition. a new rival is presented to him out of nowhere - and out of him valentino fashions himself an enemy. sete was one of the first people to offer valentino advice when vale entered the premier class, but this was not the last thing valentino learned from him. because what valentino did to gibernau was different than what he did to biaggi. this was not just trying to get a rise out of a bloke he disliked every time he got half a chance. this was not valentino slowly chipping away at his victim's patience and self-control and sanity. what valentino does to gibernau is far more sudden and far more targeted and gets a far more immediate effect. he emerges from qatar weakened and on the back foot and within eight days flips the situation so that he is once again the one in command. sete, who had very much exerted himself in presenting the relationship in a certain way to the world, who wanted so badly for this to be a certain kind of rivalry, ever so respectful - well, valentino found out just where to hurt him. he did it with his sudden public coldness towards sete, with carefully chosen remarks to the press to make clear that nothing had been forgiven, with the jibes and the taunts at each and every stage of his victory. he married the off-track theatre with on-track strategy as well as pure performance, directly disrupting and disturbing sete whenever necessary - the kind of combination he would later find so useful in fending off first casey then lorenzo. it's no coincidence that his three most famous career overtakes are ones that are also so significant in how they affected valentino's fortunes in the aftermath of his victory. laguna 2008 and catalunya 2009 represent complete shifts in momentum within their respective seasons that his rivals never quite recovered from. jerez 2005 ends the title battle at the very first race. and it's not just sete's season that didn't recover - it's his career
of course, it's easier to mess with someone when you have the measure of them in performance. that's always something to keep in mind when talking about mental resilience: it's easier to bounce back from your rival being an asshole to you if you're just really, really good at what you do. valentino always understood himself that any 'mind games' had to be backed up by on-track performance; he's openly stated that all of his off-track "work" on his opponents only gets results if it's paired with being strong on the bike. and he himself lost his cool in qatar - but it helped that he knew he had what it took to bounce back. this was never a rivalry of equals; there was never any question between the two of them who the better rider was. all that being said: it's a really good rivalry! guys, there's some really great races. sete was a serious challenger and he did pose a serious threat to valentino, which you can tell because otherwise valentino never would have needed to do any of this. he made valentino grow as a rider and... do you make someone 'grow as a person' if you make them better at psychological warfare? yes, I think so. actually
valentino became a more accomplished rider for having experienced the sachsenring debacle, and he became a more accomplished rider as a result of the qatar fiasco. he motivated himself to become better because he wanted to defeat sete so badly, and isn't there something compelling about that? valentino was willing to take risks at phillip island that could have resulted in a title decider, was willing to make himself extremely unpopular with the spanish crowd at jerez (not something he has typically had much experience with) - all because he needed to crush sete, to destroy him so completely he could erase him entirely. at the end of the day, there's a bunch of reasons why this rivalry doesn't get the attention it deserve. one of them, however, is that valentino seems to be pretty happy with this state of affairs, and has spent the better part of two decades deeply disinterested in paying sete his dues. don't let him have his way
#sete gibernau#brr brr#//#sg15#sete ask yay#right I'm aware this is a topic nobody else actually cares about That Much but I had fun and that's what matters#you'd never believe this but there's quite a lot of this I ended up cutting. like I do have More Thoughts I fear#I don't love this as a piece of writing and it runs into some major tonal issues at some stages but well! post like nobody's reading etc#I feel like every time I try and add a read more it fucks the formatting of the pictures but I'm gonna trust it's. Fine#batsplat responds#//curst#//et
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Lyra's Yearly Recap - 2024/2025
I actually forgot I did this quite a few times the last few years, but this year I wanted to look back of what I accomplished from my resolution list.
And then see if In can make some of that true this year! (and what else to add!)
2023/2024 Resolutions:
(See: https://greenplumbboblover.tumblr.com/post/738067930777059328/accomplishments-of-2023)
I'm not answering all of them, but I do want to set some record straight!
Finishing LISISV
Haha... yeah I misjudged that completely lol. I got to a point where I lost complete motivation on... well, everything. I had no motivation for personal projects, CC making (one of the reasons why some of my mods in this year were so riddled with bugs), playing games... hell, even interacting with others. Now you could call that depression, but I wasn't showing those symptoms properly either. I found myself in a weird place where, on the one hand, I felt guilty of that I just couldn't do those stuff that I wanted to do, and that then causing me to feel super overwhelmed... yet telling myself constantly that "adults don't feel overwhelmed on those tiny silly things!". I was pretty mean to myself this year, honestly... But all that sad stuff aside! I have made some personal changes in December that are helping me a lot already, before getting also some mental help for other things. But I'll save you from those details. 😉 --------------- The second thing that didn't help was that I would at some point feel a HUGE disconnect with the characters I had in my head and my actual writing. I would make impulsive thoughts, without realistically navigating how it would work out in the future. I would introduce characters, without really giving it a thought on how I wanted them to come across... how to fully tackle certain cases. So! I spent a majority of that time researching a lot of the ways writers actually attempt those issues and solving those. I was hoping to make a post to help others with that soon, since It's really awesome insight at times! And... then there was the whole posing. But I resolved that with the Pose Add-on IMO already! Chapter 10 however, is actually taking a long time because I do struggle a lot with the fact that I consider it my "old" way of writing, and I REALLY want to move on to my 'new' ideas and style. So the willpower is simply not always there.
LISIV PLANS:
Alright, now that we have all that out of the way, here are some of my plans for this year and the story: Splitting certain stories into sub-stories: My current personal problem I have with the story, is that there are some really cool characters, but with the current format, I can't explore their characters as intensely as I'd like to. I also know that I love to jump back and forth from one story to another.
How that would look like is:
Morgana will have her own "Sub-story"
I am pondering of doing the same for Dustin and Zelda.
We travel 5 years into the future, where I want to do more with Mortimer and Bella. But also the Landgraabs and the Alto's.
I am also thinking of making a separate (short) storyline for Gunther and Lolita. The moment I was making the flashbacks, I really have been wanting to write more about it.
Same as 4, but maybe for some other townies! They will be short, but I think it can be fun! :)
Figuring out what to do with Interests & Hobbies
The infamous mod of being delayed... again :p.
I guess you all are probably exhausted of me hearing "no wait! I will finish it!", and then another mod gets released, and another year passes... and personally I have that same thought.
So I am putting the mod entirely on ice. There might not be a chance that I even finish it ever.
However I do want to add something here:
I will be working much more with Stories be told
I am going to be making more hobby items in return! I have been craving that "small but cool" modding projects a lot the past few years. I just like to be ambitious and unrealistic I guess, lol
However, I will be modding WAY less this year due to other factors.
My 2024/2025 Resolutions:
I think I've mentioned this now a lot of times, but never properly done it...
Wanting to write more. Whether it's for the sims, or even personal!
Wanting to get more into 3D modeling. Mostly for myself, but here and there I could probably release some CC pieces! :)
Keep up with Simblr.cc of course!
Post more of my thoughts on LISISV and Character stuff (@nocturnalazure suggested this a while back, but the more I thought of it, the more fun it sounds!)
Doing more Sims photoshoots!
Either way! May this year be your year! Where issues get resolutions and love is all around you.💖
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I know I'm swinging a bat into a hornet's nest, but ever since the end of OnK I've been thinking about why Akane is so popular yet so disappointing as a character.
Akane was really interesting and I enjoyed her being her own character, but after the stage play arc she just becomes an Aqua simp. All her motivations become centered around him to the point of wanting to ruin her life for a boy. She becomes a "submissive Japanese wife" that so many people are obsessed about, completely ignoring that her and Aqua's dynamic would be horrible for both of them. They enable each other's self-destructive tendencies, trying to go to hell instead of climbing out of it.
I hate what they did with Akane at the end. She becomes nothing more than a plot device, and to have her narrate the ending which overshadows every other character (especially Ruby, she deserved so much more) is such a bad move. Justice for Akane, she's a much better character than an exposition mouthpiece for the reader's sake. We don't even get to see her actually analyze any information (aside from researching Ai at the start), she just suddenly has all the answers even in moments where it has almost nothing to do with her. I'm so annoyed at how Akane-centric the ending is, truly putting her characterization into the ground alongside Aqua.
I think the issue re: Akane is that Akasaka kind of accidentally wrote himself into a corner by making her SO smart and capable that if she was allowed to actually contribute to the story then she would end up solving most conflicts before they actually played out on the page lol
Like, to be totally fair, there was always going to be an element of Akane orbiting Aqua because she's very specifically a character not involved in Ruby's half of the plot and with zero interest in B-Komachi. So it makes sense for her to take a bit of a backseat when we switch focus to it but Tokyo Blade going into the Private arc is really good example of how she can still be a present and engaging character even without directly contributing just by letting her... you know, engage and be present with the rest of the cast! But starting with Mainstay, Akane has basically zero meaningful interactions with anyone who isn't Aqua and most of what she does on-page also revolves around him and their relationship. I'm not even really sure why this is because there are certainly places she could've at least been inserted to flesh out her relationships with the wider cast but my best guess is that this would have interrupted or complicated what Akasaka wanted to do so he didn't include her. And Don't Even Get Me Started On The Movie Arc.
There's more issues with how Akasaka uses her as a character but u/uvauva2 on the OnK subreddit did a really good and concise breakdown of them and I'd basically just be recapping their points if I carried on, so I recommend reading it.
It sucks because I've really come around on Akane and I think she's super compelling up through to the end of the Private arc. But past that, it feels like Akasaka had no idea what to do with her as a character so he turned to using her as a blunt force tool of convenience to paper over sections of the plot. She ends up kind of reduced to a mouthpiece for Akasaka to do exposition with and... Yeah, it sucks! Akane was a character with a lot of really interesting potential but it just feels like Akasaka lost interest in fitting her into the story at some point.
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Орлёнок Demo Release
Finally, the demo is here! It's not exactly January anymore, but better late than never, right?
You can play it right here!
I also made a post on the CoG forums, if you want to check it out: Link
Features include:
Meeting your family! And getting bullied.
Getting executed!
Rising from the dead!
Celebrating life by slaughtering some rebels!
(Being extremely miserable!)
Feedback:
This is, quite obviously, a work in progress. It is made available so that you, the reader, can give feedback that improves the game.
So, while you can - and should - obviously tell me whatever you want, a specific list of what I need most in terms of feedback can be found here:
Language. English is not my first language (actually, not even my second one), and I mostly read non-fiction academic works when I read in English, so my writing is certainly not at the level it should be. If you have any concrete issues, please tell me, and I'll try to learn how it can be improved.
Spelling. I don't expect much in the way of outright errors, but I do know that I mix up British and American English all the time. The intended style is American English, so please point out spellings that are wrong in that regard.
Inconsistencies. There are a lot of variations between scenes, and I'd like to make the story as immersive as possible; so, if a phrasing, a character's behaviour etc. feel like they don't fit into the choices you previously made, please tell me. In detail, if possible, otherwise I won't be able to amend it.
Sensory descriptions. AuDHD makes my brain process sensations, including visual impressions, very differently, which means I often end up forgetting those exist. Please tell me about scenes that lack description in that regard. (My first grade elementary school report card called my writing 'efficient and devoid of feelings', and I'd very much like to move past that.)
Technical problems. The code should be pretty solid, but with how complicated it is, it'd be weird if there weren't at least some problems. If you find them, please try to include as much detail as possible when telling me about it. (CS Quicktest and Randomtest are not usable due to the complexity of the code, lol.)
You liking the story. I remain thoroughly convinced that I am a worthless person who isn't able to, nor deserves to create anything, and currently my only motivation to continue this project is derived from pure stubbornness. So, if you, for some reason, actually like this demo, please tell me. It won't change my mind about how bad I think it is, but it will force me to continue in order to avoid being even more of a disappointment.
Additions. If I like your idea, I'll probably add it right away; if I'm unsure, I'll do a poll. You can get me to do almost anything if you say you're sad if I don't do it.
Formatting. Although I try to playtest as much as possible, it's not that easy with how many variations there are, and in VS Code it's sometimes hard to see how well or badly readable text passages actually are.
CWs/TWs (v0.0.1):
Graphic violence and gore
Attempted sexual assault (against the player, avoidable, f!MC only; also against an NPC if massacre route is chosen (is dealt with quickly))
Suicide attempt (by the player, avoidable; f!MC only)
Loss of loved ones
Massacre of civilians and/or PoWs (avoidable)
General misery
(please let me know if you think this needs additions)
As of yet unfinished content:
Autistic variations do not exist yet for the latter part of the demo
Only one of three locations for taking a walk available for now
Tooltips are incomplete
Asexual is not available yet, as it requires a lot of additional scene variation text
Special (psychopath) routes are missing from some scenes as they were added late in development
Choices that are locked and marked as (WIP) are unfinished
Interaction routes for Semyon/Selena, Mikhail/Marina and Leon/Leah. They are top priority for the first set of updates
It is recommended that you play this with a stable state of mind. If you choose the suffering paths because it's relatable and/or as a coping strategy, please make sure you have support available and avoid triggering yourself too much.
The whole point of this game (apart from the dress-up part) is that, no matter how bad things get, you shouldn't stop fighting. It's your enemies who deserve destruction, not you.
Please keep in mind that I am both literally insane and pretty reasonable, so: if there is anything you find grossly offensive, don't assume I meant anything bad by it. Just explain to me why you think it shouldn't exist, and if I am convinced, I will amend it.
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If you don’t mind, I’d like to submit an ask!♡
For your platonic bff/Yan!Baji works.. Baji starts to notice the person he’s always admired and sought to protect begins to lose pieces of who she/they are by being forced into domestic chores alone… they may be living comfortably, but they lack routine, and becomes depressed, feeling as though she/they have no purpose, wasting time. Someone perhaps suggests Baji offer her a useless clerical job in a Bonten owned office where she at least has a routine and reason; it pays abnormally well, three days a week, and only 6 hours per day, overtime optional (Baji hates when he comes home to an empty home after all). Finally, Baji gets back the driven and willful person he’s always loved. She/they also pull less of a fight to move out, since he went through all the trouble of landing her such a nice job in the first place. She’d feel guilty leaving him when he’s already done so much for her. The least she can do is be there to support him emotionally as his best friend, right?
It’s all about compromise and manipulation~♡
of course, asks are always welcome! sorry I took so long to get back to you <3 ah man i feel the BFF here so hard HAHAHAHA forcing yourself to do anything is so difficult
BFF Baji Fics | BFF Baji Asks
Masterlist
Awwww :’( Baji definitely thought that he was doing his BFF the biggest solid by removing you from your job and stopping you from having to work yourself to the bone. You were always so stressed from your job and all the bills, so when he could finally stop pretending that his only income was from his little pet shop down the road. I mean sure, he must know that you liked having something to do to pass the time, but this boy definitely thought that you would enjoy having that extra free time to pursue whatever you wanted (under his watchful eye of course).
It becomes quickly obvious that once removed from your routine, no matter how stressful it had been, you quickly find yourself lacking the motivation to do anything but the bare minimum you could force yourself into doing. Spend a lot of time just lying in bed, scrolling on your phone, bored out of your mind. Sure you didn't need the money to pay the bills, but earning an income that you could call your own, feeling like you were needed somewhere, and having someone telling you that you had a purpose and a hard deadline to complete your work by - it isn't something that you were going to be able to find yourself in the comfort and lulling nature of your home.
And it becomes very apparent to Baji that his BFF is becoming more and more lethargic and unresponsive as the days past, uninterested in anything and almost depressed to a point, barely reacting when he returns from work and not leaving the house except if forced to by Baji. Of course you not wanting to go outside should be a plus for this black-haired boy, given you would be the safest in this penthouse at the top of a Bonten-owned building guarded by Bonten security, yet seeing you languish like this - it didn't make Baji happy one bit. He wanted his happy, cheery, motivated BFF back.
This former delinquent is sympathetic to your cause - he knows what it's like to not be able to do anything but stand aside and watch the world turn. His Toman friends and you gave him a purpose, and he couldn't imagine being able to keep his chin up if he didn't have either. With enough moping about at Bonten headquarters, and having almost snapped when Ran teasingly asked about his love issues, Baji eventually gets ordered, ordered, by Mikey to go sort out his mess before coming back to work. The lost black-haired boy gets advised by Kakucho to find something for you to do, preferably something you would genuinely enjoy, if he wants to see you happy.
As your bff for years, he would at this point be quite familiar with all your childhood dreams of what you would like to have done as a job, but just to be sure, Baji will be sure to feel your current thoughts out. And whatever it is, as long as it is within his ability, Baji is sure to grant it to you, because how can he not? He promised to give you the world one day, and as your BFF in his current capacity now, he could.
You still want to be a doctor? Sure he'll have the university open a slot for you to study medicine, fully paid for, and you can practice at the Bonten infirmary or at an affiliated hospital. You want to start an art studio? All yours, when do you want to start? Run a cafe - Baji'll have the kitchen renovated and open in a Bonten shop just a stone's throw from headquarters. You also get whatever pay raise/promotion you think you deserve, and Baji makes it happen according to what he thinks you want (even forces all his Bonten colleagues to go and patronize your workplace while under his supervision).
The only caveat would be that whatever you want to do can't be too dangerous, and it has to be regular hours and near him. Baji wants to be able to look after and keep you safe, stepping in whenever he needs to to get people to back off from you. Anything that you have to travel further than a street away from him gets vetoed immediately, and this baby boy will pull out the puppy eyes to get you to fold and pick another job.
Never overtime, absolutely not, Baji will throw a fit if you stay even a minute longer working when it could be spent pampering and spending time him (and he wonders why the rest of Bonten laughs at him). Don't get him wrong, this boy has no qualms letting people know the business end of his gun and fists to get his way, but not that you would know. He just wants you to be happy so you can focus all that hapiness on him.
#tokyo revengers#tokyo revengers x reader#yandere tokyo revengers x reader#yandere tokyo revengers#kakucho#keisuke baji#baji keisuke x reader#sano manjiro#bonten#bonten x reader#tokyorev#tokyorev x reader#tokyo rev bonten#tokyo rev x you#sanzu haruchiyo#matsuno chifuyu#haitani rindou#haitani ran#cheesus answers#yandere bestfriend baji
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loopdile so real. i have a Vision of both siffrin and loop being Deeply Deeply Closeted Repressed Transfem and having gender envy over odile and i feel like that'd do Something to the Dynamic. Something......... Something........................... well i'm not successfully envisioning it but maybe YOU are?
i am positively plagued by loopdile gender visions!!! maybe not the exact same as you're thinking but i think you will enjoy them. walk with me, anon, through the garden of my loop gender headcanons. it's kind of a big garden but we'll get to the odile part eventually i promise.
Before they were Siffrin, Siffrin had their gender on lock: something transfem, but also tied to unique cultural elements in some way, either the specific identity or the way of thinking about it or just the particular set of presentation options. Perhaps they even started fantasy HRT! But then they forget everything, obviously, including their identity and transition plans. They decide pretty quickly that they're not a man, but none of the alternatives feel exactly correct either; if their previous identity was presented as an option, maybe it would click and they'd settle into it pretty fast, but unfortunately that is literally impossible.
So, no clear goals in mind. And because of his forgotten past, continued memory problems, and constant traveling, Siffrin starts to really value the few things he can count on to stay consistent. He'd rather wear his comfortable hat and cloak than leave them behind in favor of anything more gendered. He'd rather stick with his familiar body than risk changing it. Still, maybe there are some changes he'd be happier in the long run to have made... but the process would be stressful, and he's got enough stressful things to worry about already!
But then we get to Loop. Who has already been changed, suddenly and irrevocably and so very, very accidentally. They are not Siffrin anymore, they do not have the hat and cloak, they aren't even human. They don't even really remember who they were pre-loops. There is no familiarity for them to cling to; instead, they're desperate to find things they can control, things they can change, proof that the world moves forward and they're in charge of their place in it. The motivation that Siffrin lacked, Loop now has in spades!
However, their negative feelings are more intense as well. They struggle to face real stakes, to put effort into anything too complicated, to try anything that might disappoint them. They take risks, yes, but not about things they care about; they take risks because they don't care. And they have a lot of other things going on, too, both practically and psychologically, so gender isn't their immediate priority. "Who and what am I?" is a very difficult question for them right now on multiple levels, a difficult question with only difficult answers.
But, starting with the practical: wearing clothes is an easy way to look and feel a little bit more normal, right? So they experiment, and they decide that dresses are just similar enough to the cloak to be comfortable, but distinct enough to not be as emotionally fraught. And they like them in a frivolous way that Siffrin was never willing to lean all the way into. Siffrin didn't put much thought or energy into his appearance, but Loop's inhuman form is a constant issue, so they might as well dress it in a way they like! Something good to balance out the bad, since they can't be neutral any longer.
And of course they think about body craft, though in a different context from most people. Even the nearly-human parts of their body are lacking detail, without all the right functions behind the form, and then other parts aren't human at all. Their body feels wrong, distracting, constricting. They don't understand how it works, and it draws attention they don't want, and it's not them. And yet, isn't it? Even if they'd been put back into a Siffrin body again, they aren't Siffrin anymore, either. Loop is what the loops made them. They want to change their body, to make it something they can be comfortable in, but they can't. Because body craft is a method of changing flesh and blood and bone, and Loop is not made of such human stuff anymore.
So we've got Loop. Trying to find themself, and maybe succeeding in some ways, but stymied or uncertain in others. Desperate to change, but scared to hope. To make a long story short, they join back up with the party, which brings its own set of problems, and yet... it's also a step towards fixing some of their problems, too. Most relevant to our post, here: Odile is a craft expert with a unique set of experiences. She's got a wide foundation of knowledge, since she's familiar with all three main craft types. She used to be part of Ka Bue's underground body-crafting scene, where she not only crafted her own body but also helped and taught other people; and unlike in Vaugarde, where Houses provide resources and education, Odile and her peers had to do their own research and experiments, develop their own techniques. She even has some knowledge of wish craft from Siffrin, and the way she stopped Siffrin from looping proves that she's unusually good at analyzing and adapting to new forms of craft.
So once Loop's dissatisfaction with and ignorance regarding their own physical form comes to Odile's attention, of course she offers to help. To see if she can figure out what their body is made of, and how it works, and hopefully, in what ways it can be changed.
And this dynamic with her... it's totally different from her relationship with Siffrin, both pre-loops and post. And Loop has always admired her, and here she is, talking about the confidence and determination with which she changed her own body, not without fear or frustration but not letting herself be slowed down by them, either. Taking her fate into her own hands and refusing to be anyone other than herself. And Loop used to feel that Odile understood them best, and losing that connection felt like the end of the world, but here she is, still! Observant and caring as ever. Dedicated to figuring them out again. Unflinching as she sees them for the strange thing they currently are, but equally unshakable in her insistence that they do not have to stay exactly as they are.
So Odile helps them figure out their body. Helps them with the craft itself, too, but even more than that — through both encouragement and example, she helps them be brave enough to genuinely try. To ask themself what they really want. To strike a balance between Siffrin's complacent hesitation and Loop's miserable desperation. To experiment, and face both the chance of failure and the chance of success with head held high. To hope.
Odile is not one for platitudes and empty positivity, after all. If she says something's possible, then it is, or she will make it so, one way or another, despite any setback. Isn't she proof? She remade herself, and she can remake Loop, too. Changing them, slowly and carefully and so very, very deliberately. Loop will never be human again, but they can decide who they are and become themself.
#anon you activated my trap card#didn't get into super specifics but this post is long enough i think :|#in stars and time#isat spoilers#isat loop#loopdile#siffrin's transition arc is more like#slowly learning to trust the consistency of their life. starting to feel secure enough that they're comfortable making more small changes.#maybe nothing will ever click as naturally right#but they can have fun trying things. find happiness in whichever options feel best at the moment.#meanwhile loop is forging a new identity out of fire and blood!!!#loopdile originals
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